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1
00:00:34,033 --> 00:00:36,765
DEVON, WHAT ARE YOU
LISTENING TO?
2
00:00:36,766 --> 00:00:38,332
LISTEN, LISTEN.
3
00:00:38,333 --> 00:00:40,332
CAN YOU HEAR THAT?
4
00:00:40,333 --> 00:00:42,599
I HEAR NOISE.
5
00:00:42,600 --> 00:00:46,399
THERE'S A PATTERN...
IT LOOPS OVER AND OVER AGAIN.
6
00:00:46,400 --> 00:00:48,799
I CAN JUST BARELY MAKE IT OUT.
CAN'T YOU?
7
00:00:48,800 --> 00:00:50,432
NO.
8
00:00:50,433 --> 00:00:52,265
THERE'S SOMETHING
IN THERE,
9
00:00:52,266 --> 00:00:54,399
I KNOW IT.
10
00:00:54,400 --> 00:00:57,065
DID YOU RUN IT
THROUGH THE COMPUTER?
11
00:00:57,066 --> 00:01:01,899
THE PATTERN RECOGNITION PROGRAM
SAYS THAT IT'S JUST NOISE TOO.
12
00:01:01,900 --> 00:01:04,332
IT CAME IN FROM THE DIRECTION
OF CERTUS,
13
00:01:04,333 --> 00:01:06,399
SO IT HAS TO BE SOMETHING.
14
00:01:06,400 --> 00:01:09,332
I HATE TO BREAK THIS
TO YOU, DEVON,
15
00:01:09,333 --> 00:01:11,965
BUT I THINK
YOU'RE IMAGINING THINGS.
16
00:01:11,966 --> 00:01:14,332
COULD YOU TURN THAT DOWN,
PLEASE?
17
00:01:14,333 --> 00:01:15,700
SURE.
18
00:01:18,200 --> 00:01:21,832
YOU KNOW, YOU WOULDN'T BE
THE FIRST STUDENT OF MINE
19
00:01:21,833 --> 00:01:24,899
WHOSE IMAGINATION TURNED
SOME BACKGROUND RADIATION
20
00:01:24,900 --> 00:01:28,332
OR ATMOSPHERIC BOUNCE INTO
MESSAGES FROM ANOTHER WORLD.
21
00:01:28,333 --> 00:01:30,365
AND OF COURSE,
22
00:01:30,366 --> 00:01:33,332
BECAUSE THOSE STUDENTS WERE
WASTING VALUABLE LAB TIME
23
00:01:33,333 --> 00:01:35,699
AND NOT LISTENING TO
THEIR PROFESSOR,
24
00:01:35,700 --> 00:01:37,932
I HAD TO KILL THEM ALL
25
00:01:37,933 --> 00:01:40,265
AND BURY THEM
IN THE FLOWER GARDEN.
26
00:01:41,833 --> 00:01:44,899
DID YOU AT LEAST COLLATE
THAT SUNSPOT DATA
27
00:01:44,900 --> 00:01:46,565
I ASKED YOU TO?
28
00:01:46,566 --> 00:01:48,165
YEAH.
29
00:01:48,166 --> 00:01:49,732
IT'S RIGHT THERE.
30
00:01:49,733 --> 00:01:51,332
GOOD.
THANK YOU.
31
00:01:51,333 --> 00:01:53,132
NOW, GO HOME.
32
00:01:53,133 --> 00:01:56,332
YOU KNOW THAT PLACE
THAT YOU GO TO SOMETIMES
33
00:01:56,333 --> 00:01:57,899
WHEN YOU'RE NOT HERE?
34
00:01:57,900 --> 00:02:00,632
IF I COULD JUST HAVE
FIVE MORE MINUTES...
35
00:02:00,633 --> 00:02:02,533
GOOD NIGHT, DEVON.
36
00:02:35,766 --> 00:02:37,299
GOD!
37
00:02:37,300 --> 00:02:41,165
DEVON, YOU WEREN'T SUPPOSED
TO BE HOME TILL LATER.
38
00:02:41,166 --> 00:02:43,699
WHAT IF DAD WALKED IN?
39
00:02:43,700 --> 00:02:45,665
HE'S WORKING LATE IN E. R.
40
00:02:45,666 --> 00:02:47,899
WOULD YOU PLEASE
JUST GET DRESSED?
41
00:02:47,900 --> 00:02:49,765
YOU COULD KNOCK
FIRST, DOOGIE.
42
00:02:49,766 --> 00:02:52,299
I LIVE HERE, VIC.
I DON'T KNOCK.
43
00:02:52,300 --> 00:02:53,800
DON'T CALL ME
DOOGIE.
44
00:03:20,400 --> 00:03:22,865
UM, VIC WANTED
TO MAKE SURE
45
00:03:22,866 --> 00:03:25,399
YOU WOULDN'T TELL DAD
ABOUT ANYTHING.
46
00:03:25,400 --> 00:03:28,432
DON'T WORRY ABOUT IT.
47
00:03:28,433 --> 00:03:31,633
JUST SORRY I THWARTED
YOUR DEFLOWERING.
48
00:03:32,966 --> 00:03:34,665
WALKED IN ON YOU GUYS.
49
00:03:34,666 --> 00:03:37,066
DON'T WORRY ABOUT IT.
50
00:03:42,333 --> 00:03:44,566
WHAT ARE YOU LISTENING TO?
51
00:03:46,500 --> 00:03:49,632
NOISE.
52
00:03:49,633 --> 00:03:51,765
NOTHING BUT NOISE.
53
00:03:51,766 --> 00:03:54,099
I MUST BE LOSING MY MIND.
54
00:03:54,100 --> 00:03:57,932
VIC ONLY CALLS YOU DOOGIE
AS A COMPLIMENT.
55
00:03:57,933 --> 00:03:59,832
I MEAN, YOU WERE IN COLLEGE
WHEN HE WAS...
56
00:03:59,833 --> 00:04:02,165
I KNOW EXACTLY WHAT HE MEANS.
57
00:04:02,166 --> 00:04:03,799
I'M GOING TO BED.
58
00:04:03,800 --> 00:04:05,533
'KAY.
59
00:04:07,333 --> 00:04:09,365
GOOD NIGHT.
60
00:04:09,366 --> 00:04:12,533
YEAH.
SEE YOU IN THE MORNING.
61
00:05:14,300 --> 00:05:16,865
THERE IS NOTHING WRONG
WITH YOUR TELEVISION.
62
00:05:16,866 --> 00:05:19,765
DO NOT ATTEMPT TO ADJUST
THE PICTURE.
63
00:05:19,766 --> 00:05:22,999
WE ARE NOW CONTROLLING
THE TRANSMISSION.
64
00:05:23,000 --> 00:05:24,665
WE CONTROL THE
HORIZONTAL,
65
00:05:24,666 --> 00:05:26,832
AND THE VERTICAL.
66
00:05:26,833 --> 00:05:29,965
WE CAN DELUGE YOU
WITH A THOUSAND CHANNELS
67
00:05:29,966 --> 00:05:34,432
OR EXPAND ONE SINGLE IMAGE
TO CRYSTAL CLARITY...
68
00:05:34,433 --> 00:05:36,299
AND BEYOND.
69
00:05:36,300 --> 00:05:38,665
WE CAN SHAPE YOUR VISION
70
00:05:38,666 --> 00:05:42,199
TO ANYTHING OUR IMAGINATION
CAN CONCEIVE.
71
00:05:42,200 --> 00:05:44,299
FOR THE NEXT HOUR,
72
00:05:44,300 --> 00:05:48,066
WE WILL CONTROL
ALL THAT YOU SEE AND HEAR.
73
00:06:00,033 --> 00:06:04,132
YOU ARE ABOUT TO EXPERIENCE
THE AWE AND MYSTERY
74
00:06:04,133 --> 00:06:07,032
WHICH REACHES FROM
THE DEEPEST INNER MIND
75
00:06:07,033 --> 00:06:09,800
TO THE OUTER LIMITS.
76
00:06:24,769 --> 00:06:27,265
FOR YEARS WE HAVE SEARCHED
FOR THE ANSWER
77
00:06:27,266 --> 00:06:28,899
TO AN ETERNAL QUESTION:
78
00:06:28,900 --> 00:06:30,832
ARE WE ALONE?
79
00:06:30,833 --> 00:06:33,165
AS YET, THERE HAS BEEN
NO ANSWER.
80
00:06:33,166 --> 00:06:36,899
OR PERHAPS THE ANSWER IS
ONLY FOR THOSE
81
00:06:36,900 --> 00:06:40,699
WITH THE FACILITY
TO HEAR IT.
82
00:06:40,700 --> 00:06:42,600
JOYCE.
83
00:06:45,733 --> 00:06:47,299
JOYCE.
84
00:06:47,300 --> 00:06:49,832
HAVE YOU BEEN
DOWN HERE ALL NIGHT?
85
00:06:49,833 --> 00:06:51,665
JOYCE!
86
00:06:51,666 --> 00:06:53,632
ISN'T THE MUSIC BEAUTIFUL?
87
00:06:53,633 --> 00:06:55,099
MUSIC?
88
00:06:55,100 --> 00:06:56,732
YOU DON'T HEAR IT?
89
00:06:56,733 --> 00:06:59,299
IT'S THE MOST BEAUTIFUL
FEELING.
90
00:06:59,300 --> 00:07:00,766
LISTEN.
91
00:07:06,233 --> 00:07:08,532
WHAT DID YOU TAKE THIS TIME?
92
00:07:08,533 --> 00:07:11,132
I'M A DOCTOR.
I CAN TELL.
93
00:07:11,133 --> 00:07:13,633
YOU BE HONEST WITH ME,
I WON'T BE ANGRY WITH YOU.
94
00:07:15,166 --> 00:07:16,300
NOTHING.
95
00:07:18,333 --> 00:07:22,232
JOYCE,
96
00:07:22,233 --> 00:07:24,265
YOU GAVE ME YOUR WORD.
97
00:07:24,266 --> 00:07:28,265
DADDY, NOTHING.
98
00:07:28,266 --> 00:07:30,732
I FELL ASLEEP LISTENING
TO MUSIC.
99
00:07:30,733 --> 00:07:33,165
THAT'S ALL.
100
00:07:33,166 --> 00:07:35,865
WHAT TIME IS IT?
101
00:07:35,866 --> 00:07:37,832
IT'S JUST AFTER 8:00.
102
00:07:37,833 --> 00:07:39,399
LATE FOR SCHOOL.
103
00:07:39,400 --> 00:07:40,966
GOT TO GO.
104
00:08:03,300 --> 00:08:04,932
DAD?
105
00:08:04,933 --> 00:08:08,932
YOU KNOW...
106
00:08:08,933 --> 00:08:11,966
YOUR MOTHER WAS
A LOT BETTER AT THIS.
107
00:08:13,933 --> 00:08:16,499
I JUST FOUND JOYCE
SITTING DOWN HERE
108
00:08:16,500 --> 00:08:18,732
LISTENING TO STATIC
ON THE RADIO.
109
00:08:18,733 --> 00:08:21,965
I COULD HEAR IT
THROUGH HER HEADPHONES.
110
00:08:21,966 --> 00:08:23,433
HER PULSE WAS OVER 100.
111
00:08:27,233 --> 00:08:28,932
JOYCE, THAT'S MY TAPE.
112
00:08:28,933 --> 00:08:30,432
I WANT IT BACK.
113
00:08:32,033 --> 00:08:33,400
JOYCE!
114
00:08:38,600 --> 00:08:39,966
DAMN!
115
00:08:41,666 --> 00:08:45,466
I CAN'T LET HER DO THIS
TO HERSELF AGAIN.
116
00:08:46,833 --> 00:08:48,265
PULL OVER A SECOND.
117
00:08:48,266 --> 00:08:50,199
I WANT YOU
TO HEAR THIS.
118
00:08:50,200 --> 00:08:52,099
WE'RE GOING TO BE LATE.
119
00:08:52,100 --> 00:08:54,700
I GOT A SURPRISE
FOR YOU.
120
00:09:01,233 --> 00:09:02,665
OKAY.
121
00:09:02,666 --> 00:09:04,432
SO WHAT'S THE SURPRISE?
122
00:09:04,433 --> 00:09:05,466
CLOSE YOUR EYES.
123
00:09:25,400 --> 00:09:27,632
MAN.
124
00:09:27,633 --> 00:09:29,732
MAN.
125
00:09:29,733 --> 00:09:31,499
ISN'T IT BEAUTIFUL?
126
00:09:31,500 --> 00:09:32,832
GOD, JOYCE.
127
00:09:32,833 --> 00:09:34,332
WHAT IS THIS?
128
00:09:34,333 --> 00:09:36,732
IT'S MUSIC...
129
00:09:36,733 --> 00:09:39,032
PERFECT MUSIC.
130
00:09:39,033 --> 00:09:41,565
PEOPLE GOT TO HEAR THIS.
131
00:09:41,566 --> 00:09:43,132
I KNOW.
132
00:09:43,133 --> 00:09:45,200
THAT'S WHAT THE MUSIC WANTS.
133
00:10:13,666 --> 00:10:15,232
FINALLY.
134
00:10:15,233 --> 00:10:17,165
DOOGIE, I NEED COPIES OF THIS.
135
00:10:17,166 --> 00:10:18,732
WE GOT TO SPREAD THE WORD.
136
00:10:18,733 --> 00:10:20,732
GIVE ME MY TAPE
BACK, VIC.
137
00:10:20,733 --> 00:10:22,265
WHY?
138
00:10:22,266 --> 00:10:24,299
BECAUSE YOU
DON'T EVEN KNOW
139
00:10:24,300 --> 00:10:26,232
WHAT IT IS
YOU'RE LISTENING TO.
140
00:10:26,233 --> 00:10:28,099
JUST GIVE ME
THE TAPE, JOYCE.
141
00:10:28,100 --> 00:10:30,099
I DON'T THINK HE HEARS IT.
142
00:10:30,100 --> 00:10:32,632
WHY NOT?
HE'S THE ONE WHO FOUND IT.
143
00:10:32,633 --> 00:10:34,065
I HEAR IT FINE.
144
00:10:34,066 --> 00:10:35,765
I JUST WANT IT BACK.
145
00:10:35,766 --> 00:10:38,365
WELL, YOU CAN'T HAVE IT BACK.
146
00:10:38,366 --> 00:10:41,399
IF YOU COULD HEAR THE MUSIC,
YOU WOULDN'T WANT IT BACK.
147
00:10:41,400 --> 00:10:43,732
WHAT THE HELL IS THAT
SUPPOSED TO MEAN?
148
00:10:43,733 --> 00:10:45,265
IT'S NOT EVEN MUSIC.
149
00:10:45,266 --> 00:10:46,899
I MEAN, THERE'S
AN ACOUSTIC PATTERN...
150
00:10:46,900 --> 00:10:49,032
NO, NO, NO, NO.
151
00:10:49,033 --> 00:10:51,033
IT'S MORE THAN THAT.
152
00:10:55,100 --> 00:10:57,832
DESCRIBE IT.
WHAT DO YOU HEAR?
153
00:10:57,833 --> 00:10:59,332
THERE'S A RHYTHM.
154
00:10:59,333 --> 00:11:00,799
IT MOVES INSIDE YOU.
155
00:11:00,800 --> 00:11:04,299
I KNOW HOW IT MAKES ME FEEL,
AND I KNOW WE HAVE TO SHARE IT.
156
00:11:04,300 --> 00:11:05,832
ALL RIGHT.
157
00:11:05,833 --> 00:11:07,232
THAT'S CRAZY,
OKAY?
158
00:11:07,233 --> 00:11:08,765
HEY!
159
00:11:08,766 --> 00:11:11,199
I SAID NO.
160
00:11:11,200 --> 00:11:15,733
I WISH YOU COULD HEAR IT, DEV.
I REALLY DO.
161
00:11:23,233 --> 00:11:24,799
YEAH, SO DO I.
162
00:11:24,800 --> 00:11:27,832
CHECK OUT THIS MUSIC.
163
00:11:27,833 --> 00:11:30,232
CAN YOU HEAR IT?
164
00:11:30,233 --> 00:11:32,400
ISN'T IT INCREDIBLE?
165
00:11:39,300 --> 00:11:41,732
DEVON, DON'T YOU HAVE
A LECTURE?
166
00:11:41,733 --> 00:11:43,265
YEAH.
167
00:11:43,266 --> 00:11:44,799
ACTUALLY,
I WAS WONDERING
168
00:11:44,800 --> 00:11:47,132
IF I COULD GET
A COPY OF THAT FILE
169
00:11:47,133 --> 00:11:50,299
I UPLOADED INTO
THE MAINFRAME
LAST NIGHT.
170
00:11:50,300 --> 00:11:52,165
OKAY,
I'LL GET IT FOR YOU.
171
00:11:52,166 --> 00:11:53,432
WHAT DO YOU WANT?
172
00:11:53,433 --> 00:11:55,332
IT'S A WAV FILE.
173
00:11:55,333 --> 00:11:57,265
IT'S STILL IN
THE PATTERN ANALYSIS CUE.
174
00:11:57,266 --> 00:11:59,232
CERTUS. WAV, I PRESUME.
175
00:11:59,233 --> 00:12:00,899
YEAH, THAT'S IT
RIGHT THERE.
176
00:12:00,900 --> 00:12:03,332
I KNOW
WHAT YOU'RE GOING TO SAY,
177
00:12:03,333 --> 00:12:05,799
BUT I WANT TO RUN
MORE TESTS ON IT.
178
00:12:05,800 --> 00:12:07,799
THERE MAY BE
SOMETHING HAPPENING HERE.
179
00:12:07,800 --> 00:12:09,032
SOMETHING IS
HAPPENING.
180
00:12:09,033 --> 00:12:10,732
THERE'S MASSIVE,
181
00:12:10,733 --> 00:12:13,832
TOTALLY UNPRECEDENTED
SOLAR ACTIVITY GOING ON.
182
00:12:13,833 --> 00:12:15,999
AND INSTEAD OF HELPING ME
STUDY IT,
183
00:12:16,000 --> 00:12:17,599
MY BRILLIANT YOUNG T. A.
184
00:12:17,600 --> 00:12:19,299
IS LISTENING FOR E. T.
185
00:12:19,300 --> 00:12:21,232
I THOUGHT
YOU MADE A TAPE.
186
00:12:21,233 --> 00:12:22,665
I DID.
187
00:12:22,666 --> 00:12:24,799
MY LITTLE SISTER TOOK IT.
188
00:12:24,800 --> 00:12:27,799
SHE...
SHE THINKS IT'S MUSIC.
189
00:12:27,800 --> 00:12:29,332
MUSIC?
190
00:12:29,333 --> 00:12:30,799
GREAT.
191
00:12:30,800 --> 00:12:32,265
I'LL SEE YOU LATER.
192
00:13:02,000 --> 00:13:04,532
I TOLD YOU KIDS
TO DISPERSE
193
00:13:04,533 --> 00:13:06,665
OR YOU CAN CONSIDER YOURSELF
SUSPENDED.
194
00:13:06,666 --> 00:13:08,732
NONE OF THAT MATTERS ANYMORE.
195
00:13:08,733 --> 00:13:10,900
WE'LL JUST GO SOMEWHERE ELSE.
196
00:13:44,800 --> 00:13:46,765
MOSHI MOSHI, KELLY.
IT'S DEV.
197
00:13:46,766 --> 00:13:48,399
SO WONDERBOY
FINALLY CALLS.
198
00:13:48,400 --> 00:13:49,899
HOW ARE YOU?
199
00:13:49,900 --> 00:13:52,165
I'M FINE,
BUT I NEED YOUR HELP.
200
00:13:52,166 --> 00:13:53,565
I'M SENDING AN AUDIO FILE
201
00:13:53,566 --> 00:13:55,565
FOR YOU TO LOOK AT.
202
00:13:55,566 --> 00:13:58,099
CAME FROM A BLUE DWARF
OUT IN CERTUS.
203
00:13:58,100 --> 00:14:00,265
A WAV FILE FROM SPACE?
204
00:14:00,266 --> 00:14:01,565
WHAT'S IT SAY?
205
00:14:01,566 --> 00:14:03,665
I DON'T KNOW, ACTUALLY.
206
00:14:03,666 --> 00:14:06,399
BUT IF IT DOES SOMETHING FOR YOU
207
00:14:06,400 --> 00:14:08,199
LET ME KNOW,
ALL RIGHT?
208
00:14:08,200 --> 00:14:09,865
WHATEVER YOU SAY.
209
00:14:09,866 --> 00:14:11,265
SAYONARA, KEL.
210
00:14:11,266 --> 00:14:13,632
OYASUMI NASAI.
211
00:14:13,633 --> 00:14:15,565
DEVON.
212
00:14:20,900 --> 00:14:22,665
SO...
213
00:14:22,666 --> 00:14:24,565
DID YOU TALK
TO JOYCE?
214
00:14:24,566 --> 00:14:26,032
YEAH.
215
00:14:26,033 --> 00:14:27,600
AND?
216
00:14:29,666 --> 00:14:32,432
DEVON, COULD YOU
TURN THAT DOWN, PLEASE?
217
00:14:32,433 --> 00:14:35,165
RIGHT, YEAH.
218
00:14:35,166 --> 00:14:36,899
SORRY.
219
00:14:36,900 --> 00:14:38,499
WHAT IS IT?
220
00:14:38,500 --> 00:14:40,199
ACCORDING TO HER AND VIC,
221
00:14:40,200 --> 00:14:43,099
IT'S THE MOST BEAUTIFUL MUSIC
THEY'VE EVER HEARD.
222
00:14:43,100 --> 00:14:44,599
VIC?
223
00:14:44,600 --> 00:14:46,099
THE NEW BOYFRIEND.
224
00:14:46,100 --> 00:14:47,433
THE ONE WITH THE VAN.
225
00:14:49,066 --> 00:14:52,065
YEAH, ANYHOW,
I CAME ACROSS THIS BY ACCIDENT,
226
00:14:52,066 --> 00:14:54,933
BUT THIS WAS WHAT JOYCE
WAS LISTENING TO LAST NIGHT.
227
00:14:56,533 --> 00:14:58,699
IT'S A RADIO SIGNAL FROM CERTUS.
228
00:14:58,700 --> 00:15:00,232
A RADIO SIGNAL?
229
00:15:00,233 --> 00:15:03,232
IT'S NOT A QUASAR AND
IT'S NOT ENCRYPTED TELEMETRY,
230
00:15:03,233 --> 00:15:05,265
BUT THE SUBHARMONICS ARE
SO COMPLEX...
231
00:15:05,266 --> 00:15:06,432
DEVON.
232
00:15:06,433 --> 00:15:08,565
I CAN ALMOST HEAR THIS MYSELF.
233
00:15:08,566 --> 00:15:10,965
SO NOW,
GO WITH THIS.
234
00:15:10,966 --> 00:15:13,165
WHAT IF THERE'S A MESSAGE
BURIED INSIDE THIS SIGNAL
235
00:15:13,166 --> 00:15:14,632
THAT IS AFFECTING JOYCE?
236
00:15:14,633 --> 00:15:16,432
NO, DAD,
I'M SERIOUS.
237
00:15:16,433 --> 00:15:18,966
I KNOW YOU ARE.
238
00:15:20,633 --> 00:15:23,799
WHY DON'T YOU JUST TAKE
THE CAR KEYS AND GO OUT?
239
00:15:23,800 --> 00:15:26,565
YOU KNOW,
SEE SOME FRIENDS.
240
00:15:26,566 --> 00:15:28,432
YOU THINK I'M NUTS.
241
00:15:28,433 --> 00:15:29,999
NO, I DON'T.
242
00:15:30,000 --> 00:15:32,332
I THINK YOU'RE WORRIED
ABOUT YOUR SISTER
243
00:15:32,333 --> 00:15:34,565
AND YOU'RE TRYING
TO FIND SOME ANSWERS.
244
00:15:34,566 --> 00:15:36,299
SO AM I.
245
00:15:36,300 --> 00:15:38,666
BUT I DON'T THINK
YOU'LL FIND THEM HERE.
246
00:16:30,624 --> 00:16:32,223
JOYCE!
247
00:16:32,224 --> 00:16:33,956
HEY, JOYCE.
248
00:16:33,957 --> 00:16:36,824
SORRY. I WAS JUST LOOKING FOR
MY LITTLE SISTER.
249
00:17:02,191 --> 00:17:04,290
JOYCE! JOYCE!
250
00:17:04,291 --> 00:17:06,590
DEVON... YOU CAME.
251
00:17:06,591 --> 00:17:08,523
WE GOT TO GET YOU HOME.
252
00:17:08,524 --> 00:17:10,023
YOU CAME.
253
00:17:10,024 --> 00:17:12,023
YOU MUST BE ABLE
TO HEAR IT.
254
00:17:12,024 --> 00:17:14,156
WE HAVE TO
TRUST IT, DEVON.
255
00:17:14,157 --> 00:17:16,290
I KNOW THAT NOW.
256
00:17:16,291 --> 00:17:18,523
I CAN FEEL IT.
257
00:17:18,524 --> 00:17:20,323
CAN'T YOU SEE?
258
00:17:20,324 --> 00:17:22,824
NO, I CAN'T.
259
00:17:51,891 --> 00:17:54,056
HEY! HEY!
HEY!
260
00:17:54,057 --> 00:17:56,323
WHAT ARE YOU
DOING, MAN?
261
00:17:56,324 --> 00:17:57,823
GIVE ME THIS TAPE.
262
00:17:57,824 --> 00:18:00,590
DON'T KNOW WHAT THIS IS
DOING TO THEM.
263
00:18:00,591 --> 00:18:02,356
DEVON!
264
00:18:09,124 --> 00:18:10,890
911. MAY I
HELP YOU?
265
00:18:10,891 --> 00:18:12,257
I'VE GOT AN EMERGENCY.
266
00:18:16,091 --> 00:18:18,591
YOU'RE GOING TO BE
OKAY, JOYCE.
267
00:18:43,024 --> 00:18:44,956
SO HOW IS SHE?
268
00:18:44,957 --> 00:18:46,390
I DON'T KNOW.
269
00:18:46,391 --> 00:18:48,290
IT COULD BE POISONING.
270
00:18:48,291 --> 00:18:50,023
HER HEARTBEAT'S ERRATIC.
271
00:18:50,024 --> 00:18:52,423
THERE'S AN UNUSUAL AMOUNT
OF HEAVY METALS
272
00:18:52,424 --> 00:18:54,190
IN HER SKIN
AND BLOOD.
273
00:18:54,191 --> 00:18:56,590
COULD BE
AN ISOLATED VIRUS.
274
00:18:56,591 --> 00:18:59,623
AT THIS POINT,
WE HAVE 78 OF THESE CASES,
275
00:18:59,624 --> 00:19:03,656
ALL OF THEM FROM THIS RAVE,
OR WHATEVER THEY CALL IT.
276
00:19:03,657 --> 00:19:05,423
I ALERTED
THE CDC.
277
00:19:05,424 --> 00:19:07,990
THE CDC?
AS A PRECAUTION.
278
00:19:09,457 --> 00:19:11,023
PLEASE, ANYONE!
279
00:19:11,024 --> 00:19:12,323
I CAN'T SEE.
PLEASE HELP ME.
280
00:19:12,324 --> 00:19:13,990
WE'RE RIGHT HERE.
281
00:19:13,991 --> 00:19:15,356
JOYCE, IT'S DEV.
282
00:19:15,357 --> 00:19:17,223
YOU GOT TO BE STILL.
283
00:19:17,224 --> 00:19:18,956
OKAY, HONEY.
284
00:19:18,957 --> 00:19:22,523
NOW TILT YOUR HEAD UP
TOWARD THE CEILING, OKAY?
285
00:19:22,524 --> 00:19:23,956
THAT'S GOOD.
286
00:19:28,024 --> 00:19:29,490
OPHTHALMOLOGY, STAT.
287
00:19:29,491 --> 00:19:31,190
YEAH, JENKINS.
288
00:19:31,191 --> 00:19:34,390
TAYLOR HERE.
289
00:19:34,391 --> 00:19:36,356
MY DAUGHTER IS
SUFFERING
290
00:19:36,357 --> 00:19:38,523
SOME KIND OF
CORNEAL OCCLUSION.
291
00:19:38,524 --> 00:19:39,757
I DON'T KNOW.
292
00:19:43,424 --> 00:19:45,390
DAD.
293
00:19:45,391 --> 00:19:46,757
HER IRIS IS CHANGING.
294
00:19:58,424 --> 00:20:01,876
SO YOU CAN SEE HERE WHERE
THE IRIS IS RECONFIGURED
295
00:20:02,091 --> 00:20:05,023
AND THE CLEAR LIQUID
THAT PROTECTS THE CORNEA...
296
00:20:05,024 --> 00:20:07,090
ALTERED CHEMICAL COMPOSITION.
297
00:20:07,091 --> 00:20:10,023
WE DON'T HAVE A CLUE
WHY THIS IS HAPPENING.
298
00:20:10,024 --> 00:20:11,590
DR. RIDDLE.
299
00:20:11,591 --> 00:20:12,823
THIS IS MY SON
DEVON.
300
00:20:12,824 --> 00:20:14,523
DEVON, DR. RIDDLE
301
00:20:14,524 --> 00:20:16,490
FROM THE CENTER
FOR DISEASE CONTROL.
302
00:20:16,491 --> 00:20:17,956
SO IT'S
A DISEASE THEN.
303
00:20:17,957 --> 00:20:20,090
WE DON'T KNOW WHAT IT IS.
304
00:20:20,091 --> 00:20:23,023
WE'VE ISOLATED ALL THE VICTIMS
IN A BIOHAZARD WARD
305
00:20:23,024 --> 00:20:25,556
AND WE KNOW THE TRANSMISSION
IS NOT AIRBORNE,
306
00:20:25,557 --> 00:20:29,290
BUT WE NEED MORE TO GO ON,
WHICH IS WHY IT'S IMPORTANT
307
00:20:29,291 --> 00:20:32,556
WE TAKE BLOOD FROM THE PERSON
EXPOSED TO THE DISEASE
308
00:20:32,557 --> 00:20:34,123
WHO DIDN'T CATCH IT.
309
00:20:34,124 --> 00:20:36,356
BUT WHAT'S HAPPENING
TO MY SISTER?
310
00:20:36,357 --> 00:20:39,623
IT COULD BE A VARIANT
OF CHROMAPHOBE ADENOMA,
311
00:20:39,624 --> 00:20:41,956
A DISORDER OF
THE PITUITARY GLAND
312
00:20:41,957 --> 00:20:44,156
WHICH AFFECTS
THE MELANIN
IN THE SKIN
313
00:20:44,157 --> 00:20:45,856
AND PROMOTES
THE RELEASE
OF ENDORPHINS.
314
00:20:45,857 --> 00:20:47,956
SO IT ACTS LIKE A DRUG.
315
00:20:47,957 --> 00:20:49,690
THUS FAR,
316
00:20:49,691 --> 00:20:51,656
EVERYONE AFFECTED IS A TEENAGER.
317
00:20:51,657 --> 00:20:54,456
OR THEY MAY BE SUFFERING
FROM A REACTION
318
00:20:54,457 --> 00:20:56,823
TO A SUBSTANCE
YOU DIDN'T TAKE.
319
00:20:56,824 --> 00:20:58,556
DID YOU WITNESS
ANY DRUG USE?
320
00:20:58,557 --> 00:20:59,990
NO.
321
00:20:59,991 --> 00:21:02,423
ANY FORM OF ECSTASY OR ACID?
322
00:21:02,424 --> 00:21:05,123
NO... THE D. J. DIDN'T HAVE IT.
323
00:21:05,124 --> 00:21:07,490
I'M AFRAID HE'S SHOWING
EARLY SYMPTOMS.
324
00:21:07,491 --> 00:21:10,856
HIS FINGERNAILS HAVE ALTERED...
SAME IRIDESCENT CHANGES.
325
00:21:10,857 --> 00:21:12,823
DOCTOR,
THAT'S NOT IT.
326
00:21:12,824 --> 00:21:15,456
I DON'T KNOW HOW,
BUT THIS IS WHAT'S CAUSING IT.
327
00:21:15,457 --> 00:21:17,190
THEY WERE DANCING TO IT.
328
00:21:17,191 --> 00:21:19,056
THEY COULDN'T GET
ENOUGH OF IT.
329
00:21:19,057 --> 00:21:21,156
HAVE THERE BEEN
OTHER OUTBREAKS?
330
00:21:21,157 --> 00:21:24,123
NO.
WE CAN CONNECT EVERYONE...
331
00:21:24,124 --> 00:21:26,890
I E-MAILED THAT SIGNAL
TO KELLY IN NAGAMO, JAPAN.
332
00:21:26,891 --> 00:21:29,356
IF THERE'S BEEN
AN OUTBREAK THERE,
333
00:21:29,357 --> 00:21:30,757
IT PROVES MY THEORY.
334
00:21:33,524 --> 00:21:35,323
I DON'T SEE HOW ANY SOUND
335
00:21:35,324 --> 00:21:38,356
COULD HAVE A CAUSAL RELATIONSHIP
WITH A DISEASE,
336
00:21:38,357 --> 00:21:39,823
BUT WE CAN DO THAT.
337
00:21:39,824 --> 00:21:41,490
GREAT. THANK YOU.
338
00:21:41,491 --> 00:21:42,856
IN THE MEANTIME...
339
00:21:42,857 --> 00:21:45,456
I WANT TO SEE MY SISTER.
340
00:21:45,457 --> 00:21:47,690
SHE'S IN
AN OXYGEN TENT.
341
00:21:47,691 --> 00:21:50,124
WE'VE FOUND THAT IT
EASES THEIR PAIN.
342
00:21:54,424 --> 00:21:58,423
DR. ANDERSON,
PLEASE COME TO CARDIOLOGY.
343
00:21:58,424 --> 00:22:00,991
DR. ANDERSON
TO CARDIOLOGY.
344
00:22:58,091 --> 00:22:59,523
WHO'S THERE?
345
00:22:59,524 --> 00:23:00,823
I CAN'T SEE.
346
00:23:00,824 --> 00:23:02,490
IT'S STILL A BLUR.
347
00:23:02,491 --> 00:23:05,056
IT'S JUST ME, JOYCE.
348
00:23:05,057 --> 00:23:06,956
DEVON?
IT HURTS SO MUCH.
349
00:23:06,957 --> 00:23:08,523
I KNOW.
350
00:23:08,524 --> 00:23:10,023
WHERE'S VIC?
351
00:23:10,024 --> 00:23:12,090
HE'S HERE
IN THE HOSPITAL.
352
00:23:12,091 --> 00:23:14,190
SO ARE ALL THE KIDS
FROM THE RAVE.
353
00:23:14,191 --> 00:23:16,290
WHY DID YOU TAKE AWAY
OUR MUSIC?
354
00:23:16,291 --> 00:23:17,990
I HAD TO, JOYCE.
355
00:23:17,991 --> 00:23:20,090
LOOK WHAT IT'S DOING TO YOU.
356
00:23:20,091 --> 00:23:21,523
IF I HAD IT,
357
00:23:21,524 --> 00:23:23,523
I'D BE BETTER, I KNOW IT.
358
00:23:23,524 --> 00:23:24,923
PLEASE, DEVON.
359
00:23:24,924 --> 00:23:27,124
JOYCE, I CAN'T.
PLEASE.
360
00:23:30,091 --> 00:23:33,090
THEY'RE GOING TO FIND A WAY
TO CURE YOU.
361
00:23:33,091 --> 00:23:35,523
DAD'S WORKING ON IT
RIGHT NOW.
362
00:23:35,524 --> 00:23:38,490
MOM WAS LIKE THIS
BEFORE SHE DIED.
363
00:23:38,491 --> 00:23:40,923
SHE MUST HAVE FELT
LIKE THIS.
364
00:23:40,924 --> 00:23:43,090
I DIDN'T KNOW
SHE WAS HURTING THIS MUCH.
365
00:23:43,091 --> 00:23:45,523
DON'T TALK ABOUT THAT,
OKAY?
366
00:23:45,524 --> 00:23:47,323
IT HURTS SO MUCH.
367
00:23:47,324 --> 00:23:49,356
I KNOW, JOYCE.
368
00:23:49,357 --> 00:23:50,756
I'M SORRY.
369
00:23:50,757 --> 00:23:52,390
I'M SO SORRY.
370
00:23:52,391 --> 00:23:54,690
YOU GOT TO TAKE CARE
OF SLASH.
371
00:23:54,691 --> 00:23:56,256
HE'S JUST A BABY.
372
00:23:56,257 --> 00:23:58,056
HE NEEDS WATER EVERY DAY.
373
00:23:58,057 --> 00:24:00,656
OF COURSE I WILL.
I PROMISE.
374
00:24:00,657 --> 00:24:02,824
YOU BETTER.
375
00:24:43,524 --> 00:24:45,257
DEVON.
376
00:24:57,624 --> 00:25:01,156
WELL, THERE'S NO SIGN
OF THE INFECTION.
377
00:25:01,157 --> 00:25:05,023
WE DON'T KNOW WHY,
BUT YOU'RE FINE.
378
00:25:05,024 --> 00:25:07,856
WHY DON'T YOU GO HOME,
GET SOME SLEEP?
379
00:25:07,857 --> 00:25:09,656
COME BACK TOMORROW.
380
00:25:09,657 --> 00:25:11,690
I'LL WATCH OUT FOR JOYCE.
381
00:25:11,691 --> 00:25:13,524
HER EYESIGHT IS CLEARING UP.
382
00:25:17,757 --> 00:25:19,456
IS SHE DYING?
383
00:25:19,457 --> 00:25:22,656
SHE'S VERY SICK.
384
00:25:22,657 --> 00:25:24,956
DR. TAYLOR TO
PATHOLOGY, STAT.
385
00:25:24,957 --> 00:25:27,356
DR. TAYLOR TO PATHOLOGY.
386
00:25:27,357 --> 00:25:29,156
YOU NEED SOME SLEEP, TOO, DAD.
387
00:25:29,157 --> 00:25:32,223
WELL, MAYBE WHEN
THIS IS OVER?
388
00:25:32,224 --> 00:25:35,257
I'LL CALL YOU
IF ANYTHING CHANGES.
389
00:25:37,657 --> 00:25:39,656
THERE'S STILL
NO WORD
390
00:25:39,657 --> 00:25:41,990
AS TO THE CAUSE
OF THE DISEASE.
391
00:25:41,991 --> 00:25:44,923
SPECULATION THAT IT'S
A LEGIONNAIRE'S-TYPE VIRUS
392
00:25:44,924 --> 00:25:47,556
HAS YET TO BE CONFIRMED
BY THE CDC.
393
00:25:47,557 --> 00:25:50,623
MEANWHILE, SCIENTISTS ABOARD
THE SPACE SHUTTLE COLUMBIA
394
00:25:50,624 --> 00:25:53,224
CONDUCTED MEASUREMENTS OF
INCREASED SUNSPOT ACTIVITY,
395
00:25:53,225 --> 00:25:56,673
WHICH IS EXPECTED TO AFFECT WEATHER
PATTERNS FOR THE NEXT SEVERAL YEARS.
396
00:26:08,773 --> 00:26:10,305
SORRY, SLASH,
397
00:26:10,306 --> 00:26:13,272
BUT IN HAMSTER YEARS,
YOU ARE A TEEN.
398
00:26:13,273 --> 00:26:15,272
TRUST ME, THOUGH.
399
00:26:15,273 --> 00:26:18,039
IT'S ALL FOR A GOOD CAUSE.
400
00:27:03,340 --> 00:27:05,572
SOMEBODY TURN
THAT DAMN NOISE OFF.
401
00:27:05,573 --> 00:27:07,372
YOU DEVON TAYLOR?
402
00:27:07,373 --> 00:27:08,939
WHAT'S GOING ON?
403
00:27:08,940 --> 00:27:10,405
HAVE A SEAT, SON.
404
00:27:10,406 --> 00:27:12,705
HEY, YOU DON'T HAVE TO
FRIGHTEN HIM.
405
00:27:12,706 --> 00:27:14,339
AFTER
WHAT HE'S DONE?
406
00:27:14,340 --> 00:27:16,372
I WANT THIS EQUIPMENT
PACKED UP.
407
00:27:16,373 --> 00:27:18,205
EVERYTHING
YOU CAN FIND.
408
00:27:18,206 --> 00:27:19,772
WHAT DID I DO?
409
00:27:19,773 --> 00:27:22,372
HEY, BE CAREFUL
WITH THAT.
410
00:27:22,373 --> 00:27:24,372
DAD...
411
00:27:24,373 --> 00:27:26,372
YOU WERE RIGHT ABOUT NAGAMO.
412
00:27:26,373 --> 00:27:28,605
THERE'S BEEN
AN OUTBREAK,
WORSE THAN HERE.
413
00:27:28,606 --> 00:27:30,305
SO WHAT ABOUT KELLY?
414
00:27:30,306 --> 00:27:32,739
SHE'S INFECTED, TOO,
BUT THAT'S ALL WE KNOW.
415
00:27:32,740 --> 00:27:34,639
NAGAMO IS
COMPLETELY ISOLATED.
416
00:27:34,640 --> 00:27:36,339
AND DURING THE NIGHT,
417
00:27:36,340 --> 00:27:38,039
THE GOVERNMENT DECLARED
418
00:27:38,040 --> 00:27:40,905
A NATIONAL STATE OF EMERGENCY
HERE TOO.
419
00:27:40,906 --> 00:27:43,072
WE'RE BEING QUARANTINED
TO PROTECT
420
00:27:43,073 --> 00:27:46,205
THE REST OF THE COUNTRY
FROM BECOMING INFECTED.
421
00:27:46,206 --> 00:27:48,572
THEY'RE TAKING EVERYTHING
YOU'VE BEEN WORKING ON
422
00:27:48,573 --> 00:27:49,939
BACK TO THE HOSPITAL.
423
00:27:49,940 --> 00:27:52,572
WE'RE GOING TO FIGHT IT
FROM THERE.
424
00:27:52,573 --> 00:27:54,272
WHAT HAVE I DONE?
425
00:27:54,273 --> 00:27:57,205
IT'S NOT YOUR FAULT, DEVON.
426
00:27:57,206 --> 00:27:59,473
I SHOULD HAVE LISTENED.
427
00:28:15,006 --> 00:28:18,306
LADIES AND GENTLEMEN,
THIS BRIEFING IS CLASSIFIED.
428
00:28:19,940 --> 00:28:24,105
THE INFECTION HAS BEEN LIMITED
TO THIS CITY AND NAGAMO, JAPAN,
429
00:28:24,106 --> 00:28:27,005
BUT GIVEN THE DISEASE'S
MODE OF TRANSMISSION,
430
00:28:27,006 --> 00:28:29,339
THE PROSPECT OF CONTAINMENT IS
UNLIKELY.
431
00:28:29,340 --> 00:28:32,639
THIS DISEASE STEMS FROM
A CELLULAR REACTION
432
00:28:32,640 --> 00:28:37,239
TO CERTAIN SUBHARMONICS OF
A SERIES OF RADIO FREQUENCIES.
433
00:28:37,240 --> 00:28:40,205
ESSENTIALLY IT'S A BIOLOGICAL
RESPONSE TO A SOUND.
434
00:28:40,206 --> 00:28:41,872
IF WE LOSE CONTAINMENT,
435
00:28:41,873 --> 00:28:44,772
THE NUMBER OF PEOPLE INFECTED
COULD REACH
436
00:28:44,773 --> 00:28:47,839
THE HUNDREDS OF MILLIONS
WITHIN A FEW DAYS.
437
00:28:47,840 --> 00:28:49,805
DR. HAMBLIN,
EPIDEMIOLOGY.
438
00:28:49,806 --> 00:28:51,805
HOW DIFFICULT
CAN IT BE
439
00:28:51,806 --> 00:28:54,272
TO KEEP A SOUND
FROM SPREADING?
440
00:28:54,273 --> 00:28:57,072
THE SOUND OR SIGNAL
IS PERCEIVED
441
00:28:57,073 --> 00:29:00,772
BY THOSE SUSCEPTIBLE
TO THE DISEASE AS MUSIC.
442
00:29:00,773 --> 00:29:04,572
THE LISTENER EXPERIENCES
AN INTENSE EUPHORIA
443
00:29:04,573 --> 00:29:07,605
WHICH IS HIGHLY ADDICTIVE,
AND THIS IS ACCOMPANIED
444
00:29:07,606 --> 00:29:11,339
BY AN EQUALLY INTENSE DESIRE
TO SHARE THE EXPERIENCE.
445
00:29:11,340 --> 00:29:13,772
SEVERAL SUCH RAVES
HAVE BEEN SPROUTING UP
446
00:29:13,773 --> 00:29:15,805
THROUGH THE CITY
ALL NIGHT
447
00:29:15,806 --> 00:29:17,639
DESPITE EFFORTS
TO IMPOSE CURFEW.
448
00:29:17,640 --> 00:29:20,739
AND THIS SIGNAL
IS COMING FROM SPACE?
449
00:29:20,740 --> 00:29:23,905
THE SHORT ANSWER TO THAT
IS YES.
450
00:29:23,906 --> 00:29:26,605
A NUMBER OF OUR OBSERVATORIES
HAVE NOW PICKED IT UP.
451
00:29:26,606 --> 00:29:28,305
THE SIGNAL IS REPEATING
452
00:29:28,306 --> 00:29:29,639
AND IS APPARENTLY
453
00:29:29,640 --> 00:29:31,605
OF ARTIFICIAL ORIGIN.
454
00:29:31,606 --> 00:29:33,272
WHO'S SENDING IT?
455
00:29:33,273 --> 00:29:35,039
WE DON'T KNOW.
456
00:29:35,040 --> 00:29:38,272
THE SIGNAL COMPOSITION IS
HIGHLY COMPLEX.
457
00:29:38,273 --> 00:29:40,805
IT'S EXTREMELY DIFFICULT
TO INTERPRET.
458
00:29:40,806 --> 00:29:43,339
DOCTORS,
THE MILITARY BELIEVES
459
00:29:43,340 --> 00:29:46,839
THAT THIS SIGNAL IS
NO ACCIDENT.
460
00:29:46,840 --> 00:29:49,640
IT SEEMS VERY LIKELY
AN ACT OF WAR.
461
00:29:51,473 --> 00:29:54,839
WE DO KNOW THAT IT WAS
GENERATED BY A RACE
462
00:29:54,840 --> 00:29:57,072
FAR MORE ADVANCED
THAN WE ARE.
463
00:29:57,073 --> 00:30:00,205
THE BEST PEOPLE IN THE WORLD ARE
ANALYZING IT
464
00:30:00,206 --> 00:30:03,205
AND WE'RE CURRENTLY EXPLORING
MANY POSSIBLE WAYS
465
00:30:03,206 --> 00:30:04,772
TO REVERSE THE EFFECTS.
466
00:30:04,773 --> 00:30:06,772
HOWEVER, AT THE PRESENT,
THERE IS NO CURE.
467
00:30:06,773 --> 00:30:08,205
EXCUSE ME.
468
00:30:08,206 --> 00:30:11,172
ISN'T IT DANGEROUS TO EXPOSE
YOURSELF TO THE SIGNAL?
469
00:30:11,173 --> 00:30:12,772
NOT TO ADULTS.
470
00:30:12,773 --> 00:30:16,205
THE DISEASE SEEMS TO AFFECT
YOUNG PEOPLE EXCLUSIVELY,
471
00:30:16,206 --> 00:30:18,939
ESPECIALLY THOSE
IN THEIR TEENAGE YEARS.
472
00:30:18,940 --> 00:30:20,839
AND NOT JUST PEOPLE.
473
00:30:20,840 --> 00:30:23,772
I EXPOSED SEVERAL DIFFERENT
PLANTS AND ANIMALS
474
00:30:23,773 --> 00:30:25,272
TO THE SIGNAL.
475
00:30:25,273 --> 00:30:27,105
APPARENTLY WHOEVER SENT IT
476
00:30:27,106 --> 00:30:30,872
INTENDED IT FOR A WIDE SPECTRUM
OF LIFE FORMS.
477
00:30:30,873 --> 00:30:33,639
YOU WERE THE ONE
WHO FIRST PICKED UP THE SIGNAL.
478
00:30:33,640 --> 00:30:35,272
YES.
479
00:30:35,273 --> 00:30:38,705
SO WHY HASN'T IT
AFFECTED YOU?
480
00:30:38,706 --> 00:30:40,405
IT HAS.
481
00:30:40,406 --> 00:30:42,105
DEVON IS ON THE CUSP
482
00:30:42,106 --> 00:30:45,039
BETWEEN HIS TEEN YEARS
AND FULL ADULTHOOD.
483
00:30:45,040 --> 00:30:48,372
THAT IS HOW HE COULD HEAR
SOMETHING IN THE SIGNAL
484
00:30:48,373 --> 00:30:50,605
WITHOUT SUFFERING ITS EFFECTS
RIGHT AWAY.
485
00:30:50,606 --> 00:30:53,005
BETWEEN THE AGES OF 20 AND 24
486
00:30:53,006 --> 00:30:55,872
THE DISEASE SEEMS TO PROGRESS
AT A MUCH SLOWER RATE.
487
00:30:55,873 --> 00:30:58,005
OVER THE AGE OF 24,
488
00:30:58,006 --> 00:31:01,372
PEOPLE SEEM TO BE
COMPLETELY IMMUNE.
489
00:31:01,373 --> 00:31:04,972
YOU'RE TELLING US THAT THEY'RE
TRYING TO HURT OUR CHILDREN?
490
00:31:04,973 --> 00:31:08,340
SO IT WOULD SEEM.
491
00:31:10,706 --> 00:31:13,772
LADIES AND GENTLEMEN,
THE CLOCK IS RUNNING.
492
00:31:13,773 --> 00:31:17,440
LET'S GET TO WORK BEFORE
THIS BECOMES PANDEMIC.
493
00:31:20,273 --> 00:31:21,772
DADDY.
494
00:31:21,773 --> 00:31:23,339
HI.
495
00:31:23,340 --> 00:31:24,972
HOW ARE YOU FEELING?
496
00:31:24,973 --> 00:31:27,839
HAVE THE PAINKILLERS
HELPED AT ALL?
497
00:31:27,840 --> 00:31:29,939
REMEMBER WHEN MOM SAID
"NO MORE"?
498
00:31:29,940 --> 00:31:33,205
YES, I REMEMBER.
499
00:31:33,206 --> 00:31:36,539
JOYCE, WE HAVE SOMETHING
WE WANT TO TRY.
500
00:31:36,540 --> 00:31:38,605
A REVERSE
OF THE SIGNAL.
501
00:31:38,606 --> 00:31:41,772
DADDY, I DON'T WANT IT
TO GO THAT FAR.
502
00:31:41,773 --> 00:31:44,972
I WANT TO KNOW
YOU WON'T DO THAT TO ME.
503
00:31:44,973 --> 00:31:47,339
JOYCE, IT'S GOING
TO MAKE YOU BETTER.
504
00:31:47,340 --> 00:31:50,972
IT'S GOING TO STOP WHATEVER
THE SIGNAL IS DOING TO YOU.
505
00:31:50,973 --> 00:31:52,939
IF I HAD MY MUSIC,
506
00:31:52,940 --> 00:31:56,005
THEN EVERYTHING WOULD BE
THE WAY IT'S SUPPOSED TO BE.
507
00:31:56,006 --> 00:31:58,505
YOU'VE BEEN INFECTED
LONGER THAN ANYONE ELSE
508
00:31:58,506 --> 00:32:00,772
SO WE WANT TO TRY THIS
ON YOU FIRST.
509
00:32:00,773 --> 00:32:03,905
IT'S BEEN TESTED ON ANIMALS,
AND IT WILL HURT,
510
00:32:03,906 --> 00:32:06,272
BUT WE'LL DO
EVERYTHING WE CAN
511
00:32:06,273 --> 00:32:07,639
TO CONTROL THE PAIN.
512
00:32:07,640 --> 00:32:09,372
YOU DON'T UNDERSTAND.
513
00:32:09,373 --> 00:32:11,872
SWEETHEART,
I KNOW YOU'RE FRIGHTENED.
514
00:32:11,873 --> 00:32:13,740
I'LL BE RIGHT HERE.
515
00:32:21,706 --> 00:32:23,006
NO!
516
00:32:24,406 --> 00:32:26,072
B. P. 140 OVER 90.
517
00:32:26,073 --> 00:32:28,839
JOYCE.
OUCH, IT BURNS.
518
00:32:28,840 --> 00:32:29,972
STOP IT!
519
00:32:29,973 --> 00:32:31,639
START HER ON MORPHINE DRIP,
STAT.
520
00:32:31,640 --> 00:32:33,472
PLEASE!
521
00:32:33,473 --> 00:32:35,372
B. P. 180 OVER 120.
PULSE IS ERRATIC.
522
00:32:35,373 --> 00:32:37,605
DADDY, PLEASE.
523
00:32:37,606 --> 00:32:38,840
JUST A LITTLE LONGER.
524
00:32:40,073 --> 00:32:42,872
DON'T DO THIS TO ME.
525
00:32:42,873 --> 00:32:44,372
DADDY! DADDY!
526
00:32:46,940 --> 00:32:49,472
SHE'S ARRESTING.
527
00:32:49,473 --> 00:32:51,339
SHUT THAT DOWN.
528
00:32:51,340 --> 00:32:53,006
DEVON, OUT OF THE WAY.
529
00:33:15,040 --> 00:33:18,006
TWO, THREE, FOUR, FIVE.
530
00:33:20,006 --> 00:33:24,739
ONE, TWO, THREE, FOUR, FIVE.
531
00:33:24,740 --> 00:33:28,940
ONE, TWO, THREE, FOUR, FIVE.
532
00:33:30,373 --> 00:33:32,539
SHE'S NOT RESPONDING.
533
00:33:32,540 --> 00:33:35,239
WE'RE LOSING HER.
ADRENALINE.
534
00:33:36,840 --> 00:33:39,072
WHAT ARE YOU DOING?
IT'S WHAT SHE NEEDS.
535
00:33:39,073 --> 00:33:40,505
TURN IT OFF.
536
00:33:40,506 --> 00:33:42,272
DAD, TRUST ME.
537
00:33:42,273 --> 00:33:44,272
IT'S WHAT SHE NEEDS.
538
00:34:13,640 --> 00:34:15,272
WE CAN'T FIGHT
THE CHANGE.
539
00:34:15,273 --> 00:34:17,205
WE JUST HAVE TO
LET IT HAPPEN.
540
00:34:17,206 --> 00:34:18,606
LET WHAT HAPPEN?
541
00:34:26,940 --> 00:34:29,272
IT'S ALL RIGHT NOW.
542
00:34:29,273 --> 00:34:31,839
YOU CAN TURN THE MUSIC OFF.
543
00:34:31,840 --> 00:34:34,939
JOYCE?
544
00:34:34,940 --> 00:34:37,272
IT'S ALL RIGHT NOW, DADDY.
545
00:34:37,273 --> 00:34:38,772
THE PAIN?
546
00:34:38,773 --> 00:34:40,272
GONE.
547
00:34:40,273 --> 00:34:41,640
ALL GONE.
548
00:34:43,940 --> 00:34:45,405
I'M READY NOW.
549
00:34:45,406 --> 00:34:47,606
READY FOR WHAT?
550
00:35:01,326 --> 00:35:03,592
I THINK I KNOW WHAT'S HAPPENING.
551
00:35:03,593 --> 00:35:05,992
DEVON, THE ENTIRE
SCIENTIFIC COMMUNITY
552
00:35:05,993 --> 00:35:07,392
IS STUDYING
THIS PROBLEM.
553
00:35:07,393 --> 00:35:09,925
WE HAVEN'T EVEN
SCRATCHED THE SURFACE.
554
00:35:09,926 --> 00:35:12,392
BECAUSE THEY CAN'T HEAR IT
LIKE I CAN.
555
00:35:12,393 --> 00:35:14,992
THE MORE I LISTEN TO IT,
THE MORE BEAUTIFUL IT SOUNDS.
556
00:35:14,993 --> 00:35:18,225
THE MORE I LEARN
TO ACCEPT IT LIKE JOYCE.
557
00:35:18,226 --> 00:35:21,392
DEVON, LOOK AT YOURSELF.
558
00:35:21,393 --> 00:35:24,392
YOU HAVE TO STOP
LISTENING.
559
00:35:24,393 --> 00:35:26,859
THE DISEASE IS STARTING
TO AFFECT YOUR THINKING.
560
00:35:26,860 --> 00:35:29,225
BUT WHAT IF IT'S NOT A DISEASE?
561
00:35:29,226 --> 00:35:32,792
ISN'T IT TRUE THAT
THE ONLY ONES WHO'VE DIED SO FAR
562
00:35:32,793 --> 00:35:34,859
ARE THE ONES
WE'VE TRIED TO CURE?
563
00:35:34,860 --> 00:35:39,225
THE SIGNAL IS NOT MEANT
TO HARM US, ONLY TO CHANGE US.
564
00:35:39,226 --> 00:35:40,725
EVERY LIVING THING.
565
00:35:40,726 --> 00:35:43,525
THE MORE I LISTEN TO IT,
THE MORE I HEAR THAT.
566
00:35:43,526 --> 00:35:45,092
I FEEL IT.
567
00:35:45,093 --> 00:35:47,692
THAT'S THE ENDORPHIN EFFECT...
IT'S LIKE AN OPIATE.
568
00:35:47,693 --> 00:35:50,892
NO, THAT'S JUST TO MAKE
THE CHANGE LESS PAINFUL,
569
00:35:50,893 --> 00:35:52,992
MORE EASY TO ACCEPT.
570
00:35:52,993 --> 00:35:55,825
DIDN'T JOYCE EVEN SAY
THAT SHE WAS READY?
571
00:35:55,826 --> 00:35:57,725
RIGHT?
572
00:35:57,726 --> 00:36:00,592
DEEP DOWN INSIDE, SHE KNEW.
573
00:36:00,593 --> 00:36:03,225
HER BODY KNEW
IT WAS TIME TO CHANGE.
574
00:36:03,226 --> 00:36:04,725
WHAT KIND OF CHANGE?
575
00:36:04,726 --> 00:36:07,892
LOOK, I BOMBARDED EVERYTHING
ON THIS TABLE
576
00:36:07,893 --> 00:36:10,459
WITH HIGH LEVELS
OF ULTRAVIOLET RADIATION,
577
00:36:10,460 --> 00:36:13,425
ENOUGH TO KILL
ANY NORMAL PLANT OR ANIMAL.
578
00:36:13,426 --> 00:36:15,959
THE ONLY ONES
THAT MANAGED TO SURVIVE
579
00:36:15,960 --> 00:36:19,325
WERE THE ONES THAT I EXPOSED
TO THE SIGNAL.
580
00:36:19,326 --> 00:36:20,992
WE'RE CHANGING.
581
00:36:20,993 --> 00:36:23,626
WE'RE BEING CHANGED
FOR A REASON.
582
00:36:27,460 --> 00:36:30,570
- HOW FAR BACK DO YOU WANT ME TO GO?
- AS FAR AS POSSIBLE.
583
00:36:31,616 --> 00:36:33,115
60 YEARS?
584
00:36:33,116 --> 00:36:35,449
SURE.
585
00:36:39,116 --> 00:36:41,148
MY GOD, DEVON.
586
00:36:41,149 --> 00:36:43,048
WHAT ARE WE LOOKING AT?
587
00:36:43,049 --> 00:36:46,115
THIS IS THE STAR THAT
OUR RADIO SIGNAL CAME FROM
588
00:36:46,116 --> 00:36:48,182
AS IT APPEARS IN 1937.
589
00:36:48,183 --> 00:36:51,282
IT'S A YELLOW DWARF,
MUCH LIKE OUR OWN SUN.
590
00:36:51,283 --> 00:36:54,582
AND THIS IS THE STAR
AS IT APPEARS TODAY.
591
00:36:54,583 --> 00:36:56,215
A BLUE DWARF.
592
00:36:56,216 --> 00:36:58,115
I DON'T UNDERSTAND.
593
00:36:58,116 --> 00:37:00,815
THEIR SUN CHANGED.
594
00:37:00,816 --> 00:37:02,448
IT SHIFTED, RATHER,
595
00:37:02,449 --> 00:37:04,082
TOWARDS THE ULTRAVIOLET.
596
00:37:04,083 --> 00:37:06,948
AND OURS IS ABOUT TO DO
THE SAME THING.
597
00:37:06,949 --> 00:37:09,115
ALL THAT INCREASED
SOLAR ACTIVITY, THE SUNSPOTS...
598
00:37:09,116 --> 00:37:10,715
THEY WERE WARNING SIGNS.
599
00:37:10,716 --> 00:37:13,115
WE DIDN'T EVEN
SEE IT COMING.
600
00:37:13,116 --> 00:37:14,648
BUT THEY DID.
601
00:37:14,649 --> 00:37:16,715
BECAUSE IT HAPPENED
TO THEM.
602
00:37:16,716 --> 00:37:20,115
TO SURVIVE,
THEY HAD TO ADAPT, TO CHANGE.
603
00:37:20,116 --> 00:37:23,548
AND THEY'RE OFFERING US
THAT SAME CHOICE.
604
00:37:23,549 --> 00:37:26,448
THE MUSIC WASN'T AN ACT OF WAR.
605
00:37:26,449 --> 00:37:28,849
IT'S AN ACT OF MERCY.
606
00:37:31,549 --> 00:37:34,115
THEY'RE TRYING TO SAVE US.
607
00:37:34,116 --> 00:37:35,615
AND WE HAVE RECEIVED
608
00:37:35,616 --> 00:37:38,382
INTERNATIONAL CONFIRMATION
OF OUR FINDINGS.
609
00:37:38,383 --> 00:37:41,515
ALTHOUGH IT'S STILL NOW
BARELY DETECTABLE,
610
00:37:41,516 --> 00:37:43,782
THE SUN'S SPECTRUM
HAS BEGUN
611
00:37:43,783 --> 00:37:48,615
A DEFINITE SHIFT
TO THE ULTRAVIOLET.
612
00:37:48,616 --> 00:37:52,115
THE CDC HAS MADE
ITS OFFICIAL RECOMMENDATION.
613
00:37:52,116 --> 00:37:54,182
WHEREVER POSSIBLE,
614
00:37:54,183 --> 00:37:57,182
THE TRANSFORMATION
SHOULD BE ENCOURAGED.
615
00:37:57,183 --> 00:37:59,615
TO THIS END,
A HORMONAL TREATMENT
616
00:37:59,616 --> 00:38:01,548
IS ALREADY
BEING DEVELOPED
617
00:38:01,549 --> 00:38:04,115
THAT SHOULD ALLOW
EVERYONE OVER THE AGE OF 20
618
00:38:04,116 --> 00:38:06,615
TO HEAR THE MUSIC
AS WELL.
619
00:38:06,616 --> 00:38:08,548
IN LIGHT
OF THESE DEVELOPMENTS,
620
00:38:08,549 --> 00:38:11,748
THE PRESIDENT HAS ISSUED
THE FOLLOWING DIRECTIVE.
621
00:38:11,749 --> 00:38:14,148
ALL CIVIL DEFENSE
INSTALLATIONS,
622
00:38:14,149 --> 00:38:16,248
INCLUDING THE EMERGENCY
BROADCAST SYSTEM,
623
00:38:16,249 --> 00:38:17,782
WILL BEGIN
CONTINUOUS TRANSMISSION
624
00:38:17,783 --> 00:38:19,315
OF THE ALIEN SIGNAL.
625
00:38:19,316 --> 00:38:21,615
WE BELIEVE THAT EXPOSURE
TO THE SIGNAL
626
00:38:21,616 --> 00:38:24,182
IS THE ONLY WAY TO ENSURE
OUR SURVIVAL
627
00:38:24,183 --> 00:38:26,615
IN THE FACE OF THE IMPENDING
SOLAR SHIFT.
628
00:38:26,616 --> 00:38:29,448
THE PRESIDENT HAS ORDERED
THE LAUNCHING OF SATELLITES
629
00:38:29,449 --> 00:38:32,182
WHICH WILL BROADCAST THE SIGNAL
VIA MICROWAVES
630
00:38:32,183 --> 00:38:35,015
TO BOTH UNPOPULATED AREAS
OF THIS COUNTRY
631
00:38:35,016 --> 00:38:36,948
AND TO LESS-DEVELOPED
COUNTRIES
632
00:38:36,949 --> 00:38:39,748
UNABLE TO EXPOSE THEIR OWN
POPULATIONS THEMSELVES.
633
00:38:39,749 --> 00:38:42,515
LADIES AND GENTLEMEN,
FOR BETTER OR WORSE,
634
00:38:42,516 --> 00:38:45,082
THIS IS A TIME
OF MOMENTOUS CHANGE.
635
00:38:45,083 --> 00:38:46,948
AND THROUGH THIS ADVERSITY
636
00:38:46,949 --> 00:38:51,815
WE HAVE BEEN GIVEN THIS CHANCE
BY FRIENDS FAR, FAR AWAY
637
00:38:51,816 --> 00:38:54,516
TO WITNESS THE DAWN
OF A NEW ERA.
638
00:39:00,149 --> 00:39:03,048
DEVON,
639
00:39:03,049 --> 00:39:07,115
SINCE THE MUSIC STOPPED,
640
00:39:07,116 --> 00:39:09,849
I DON'T EVEN KNOW WHO I AM.
641
00:39:22,516 --> 00:39:26,549
I BOUGHT MY PROM DRESS
BECAUSE IT MATCHED MY HAIR.
642
00:39:52,283 --> 00:39:54,048
DADDY.
643
00:39:54,049 --> 00:39:57,215
I MUST LOOK HIDEOUS TO YOU.
644
00:39:57,216 --> 00:39:59,383
NEVER!
645
00:40:01,449 --> 00:40:03,182
JOYCE, BEFORE LONG,
646
00:40:03,183 --> 00:40:05,448
I'LL BE THE
STRANGE-LOOKING ONE.
647
00:40:05,449 --> 00:40:09,548
YOU KNOW, MOST PEOPLE HAVE
DECIDED TO MAKE THE CHANGE.
648
00:40:09,549 --> 00:40:11,148
EVEN DR. RIDDLE.
649
00:40:11,149 --> 00:40:12,615
YOU SHOULD SEE HER.
650
00:40:12,616 --> 00:40:14,415
SHE LOOKS
VERY SMART.
651
00:40:14,416 --> 00:40:18,182
BUT YOU...
YOU WILL ALWAYS BE
652
00:40:18,183 --> 00:40:21,149
THE BEST-LOOKING GIRL
AT THE PROM.
653
00:40:25,616 --> 00:40:28,015
SO WHY DIDN'T YOU CHANGE, DAD?
654
00:40:28,016 --> 00:40:31,048
I'VE BEEN THINKING ABOUT
YOUR MOTHER A LOT LATELY,
655
00:40:31,049 --> 00:40:33,415
AND SHE WOULD HAVE MADE
THE SAME CHOICE.
656
00:40:33,416 --> 00:40:36,348
WHAT'S GOING TO HAPPEN
TO YOU?
657
00:40:36,349 --> 00:40:38,948
I'LL HAVE TO STAY INDOORS
DURING THE DAY
658
00:40:38,949 --> 00:40:42,115
FOR THE REST OF MY LIFE,
BUT I WON'T BE ALONE.
659
00:40:42,116 --> 00:40:45,548
MILLIONS OF PEOPLE DECIDED
NOT TO MAKE THE CHANGE...
660
00:40:45,549 --> 00:40:47,048
ESPECIALLY MY GENERATION.
661
00:40:47,049 --> 00:40:49,082
WHAT'S IMPORTANT IS THE FUTURE.
662
00:40:49,083 --> 00:40:50,849
YOUR FUTURE.
663
00:40:55,249 --> 00:40:57,482
AND BESIDES,
664
00:40:57,483 --> 00:41:01,148
THIS WAY YOUR MOTHER
WILL RECOGNIZE ME IN HEAVEN.
665
00:41:01,149 --> 00:41:06,115
I WISH YOU COULD HAVE HEARD
THE MUSIC THE WAY WE DID.
666
00:41:06,116 --> 00:41:08,648
I'LL NEVER FORGET IT.
667
00:41:08,649 --> 00:41:10,915
WELL,
I'LL NEVER FORGET THE '60s.
668
00:41:10,916 --> 00:41:12,283
THAT WAS MUSIC.
669
00:41:14,616 --> 00:41:16,482
EXCUSE ME.
IT'S TIME TO GO.
670
00:41:16,483 --> 00:41:18,115
THEY SAY
THE SHIFT
671
00:41:18,116 --> 00:41:20,282
IS GOING TO HAPPEN
THIS AFTERNOON.
672
00:41:20,283 --> 00:41:23,115
RIGHT, WELL,
673
00:41:23,116 --> 00:41:25,748
BETTER GET YOU HOME, DAD.
674
00:41:25,749 --> 00:41:27,483
GUESS SO.
675
00:41:30,783 --> 00:41:33,582
AND FOR THE MILLIONS WHO'VE
CHOSEN TO STAY BEHIND,
676
00:41:33,583 --> 00:41:35,115
INCLUDING YOURS TRULY,
677
00:41:35,116 --> 00:41:38,815
WE HOPE THAT YEAR ONE
OF THE SECOND AGE OF MAN
678
00:41:38,816 --> 00:41:41,782
WILL BRING A RENEWED SENSE
OF PURPOSE TO OUR PLANET.
679
00:41:41,783 --> 00:41:43,982
I'VE JUST BEEN TOLD
THE FINAL SHIFT
680
00:41:43,983 --> 00:41:46,882
WILL BE TAKING PLACE
AT ANY MOMENT NOW.
681
00:41:46,883 --> 00:41:49,248
THOSE WHO HAVE NOT MADE
THE CHANGE
682
00:41:49,249 --> 00:41:50,948
ARE WARNED TO
STAY INDOORS.
683
00:41:50,949 --> 00:41:54,815
DIRECT EXPOSURE TO THE NEW
SUN WILL KILL WITHIN HOURS.
684
00:41:54,816 --> 00:41:57,315
THIS IS MARCUS GILBERT
FOR IBS
685
00:41:57,316 --> 00:42:00,583
ON THE VERGE
OF THE NEW MILLENNIUM.
686
00:42:25,949 --> 00:42:27,948
ISN'T IT BEAUTIFUL?
687
00:42:27,949 --> 00:42:30,283
HAPPY NEW YEAR,
SIS.
688
00:42:36,549 --> 00:42:38,482
IT IS SAID THAT MUSIC
689
00:42:38,483 --> 00:42:40,248
IS A UNIVERSAL BRIDGE,
690
00:42:40,249 --> 00:42:44,448
CROSSING THE BARRIERS OF
CULTURE, AGE AND LANGUAGE.
691
00:42:44,449 --> 00:42:47,115
PERHAPS EVENTUALLY
WE WILL LEARN
692
00:42:47,116 --> 00:42:51,849
THAT IT ALSO SPANS
THOSE OF TIME AND SPACE.
47108
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