Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:14,766 --> 00:00:18,665
NOW THIS IS WHERE WE WORK
WITH ALL OUR TEST SUBJECTS,
2
00:00:18,666 --> 00:00:23,699
AS YOU CAN SEE, WE TEST
THE ENTIRE RANGE OF EMOTIONS
3
00:00:23,700 --> 00:00:27,632
FROM HAPPINESS TO SADNESS
AND FEAR AND SO ON,
4
00:00:27,633 --> 00:00:31,199
THAT'S ONE OF OUR
NEWEST PATIENTS, JENNIFER,
5
00:00:31,200 --> 00:00:33,632
POOR DEAR,
6
00:00:33,633 --> 00:00:35,365
MOST KIDS
WOULD BE LAUGHING,
7
00:00:35,366 --> 00:00:38,632
JENNY, WE CALL HER,
8
00:00:38,633 --> 00:00:42,432
SHE'S ALSO ONE
OF OUR MOST SEVERE CASES,
9
00:00:42,433 --> 00:00:43,932
HI, JENNY,
10
00:00:46,266 --> 00:00:50,365
THAT'S A PERFECT EXAMPLE
OF WHAT I'VE BEEN TALKING ABOUT,
11
00:00:50,366 --> 00:00:53,699
SHE HAS NO DESIRE
TO PLAY WITH THE PUPPY,
12
00:00:53,700 --> 00:00:55,565
TO CUDDLE WITH IT,
ANYTHING ELSE,
13
00:00:55,566 --> 00:00:57,799
JENNY DOESN'T KNOW
WHAT IT'S LIKE
14
00:00:57,800 --> 00:01:02,965
TO LAUGH OR CRY, BE HAPPY,
SAD, AFRAID, ANGRY,
15
00:01:02,966 --> 00:01:05,799
SHE DOESN'T EXPERIENCE
ANY OF THE BASIC EMOTIONS,
16
00:01:05,800 --> 00:01:08,599
EMOTIONS THAT THE REST OF US
TAKE FOR GRANTED,
17
00:01:08,600 --> 00:01:10,565
IT'S AMAZING
THAT YOU WOULD
18
00:01:10,566 --> 00:01:13,065
TALK THIS WAY
IN FRONT OF HER,
19
00:01:13,066 --> 00:01:14,799
THINK I'M INSENSITIVE?
NO, NO,
20
00:01:14,800 --> 00:01:17,232
NO, JENNY WAS BORN
WITH THIS CONDITION,
21
00:01:17,233 --> 00:01:19,065
ALEXITHYMIA,
22
00:01:19,066 --> 00:01:20,899
PRIMARY ALEXITHYMIA,
23
00:01:20,900 --> 00:01:24,399
CAUSED BY A GENETIC
NEURO-PHYSIOLOGICAL DEFECT
24
00:01:24,400 --> 00:01:28,165
WHICH MEANS SHE'S NEVER HAD
ANY FEELINGS THAT CAN BE HURT,
25
00:01:28,166 --> 00:01:29,932
IF YOU COULD GRAPH EMOTIONS
26
00:01:29,933 --> 00:01:32,432
THE WAY YOU GRAPH
A HEARTBEAT OR A BRAINWAVE,
27
00:01:32,433 --> 00:01:34,899
MOST OF MY PATIENTS
WOULD BE FLAT-LINING,
28
00:01:34,900 --> 00:01:36,865
IF THEY DON'T
FEEL ANYTHING,
29
00:01:36,866 --> 00:01:39,565
HOW DO THEY SURVIVE
IN THE OUTSIDE WORLD?
30
00:01:39,566 --> 00:01:42,132
JUST BECAUSE
THEY'RE VOID EMOTIONALLY
31
00:01:42,133 --> 00:01:44,132
DOESN'T MEAN
THEY'RE VOID INTELLECTUALLY,
32
00:01:44,133 --> 00:01:47,032
MOST OF THEM FAKE IT
AS THEY GROW OLDER,
33
00:01:47,033 --> 00:01:49,565
THEY SEE SOMEONE LAUGH,
AND THEY LAUGH,
34
00:01:49,566 --> 00:01:51,810
OR THEY FAKE A SMILE OR TWO,
YES, COME IN,
35
00:01:51,866 --> 00:01:53,499
I'M SORRY TO INTERRUPT,
36
00:01:53,500 --> 00:01:57,632
THERE'S SOMETHING ON TELEVISION
YOU SHOULD SEE... EXCUSE ME,
37
00:01:57,633 --> 00:02:00,399
YOU'RE SEEING LIVE PICTURES
OF A HOSTAGE-TAKING
38
00:02:00,400 --> 00:02:02,432
IN PROGRESS
IN THE DOWNTOWN CORE,
39
00:02:02,433 --> 00:02:05,199
WE GO ON THE SCENE
TO ADRIAN WHEELER,
40
00:02:05,200 --> 00:02:09,099
40 MINUTES AGO, TWO MEN
APPARENTLY ROBBED THE STORE,
41
00:02:09,100 --> 00:02:11,332
A SHOOT-OUT WITH POLICE
OCCURRED
42
00:02:11,333 --> 00:02:13,865
AS THE ROBBERS
ATTEMPTED TO ESCAPE,
43
00:02:13,866 --> 00:02:15,365
ONE ROBBER IS DEAD,
44
00:02:15,366 --> 00:02:18,165
THE OTHER SUSPECT
IS HOLDING A HOSTAGE
45
00:02:18,166 --> 00:02:20,699
IN THIS PARKING LOT
BESIDE THE STORE,
46
00:02:20,700 --> 00:02:22,232
THE HOSTAGE
IS BETH,
47
00:02:22,233 --> 00:02:24,999
A DETECTIVE
IS ENTERING THE PARKING LOT,
48
00:02:25,000 --> 00:02:27,865
HE'LL ATTEMPT TO NEGOTIATE
WITH THE SUSPECT,
49
00:02:27,866 --> 00:02:30,065
THE SUSPECT IS ARMED,
50
00:02:30,066 --> 00:02:31,865
HE'S HOLDING A
STORE EMPLOYEE,
51
00:02:31,866 --> 00:02:33,965
A WOMAN, AS HOSTAGE,
52
00:02:33,966 --> 00:02:36,299
ZOOM IN, JIMMY...
WE HAVE A NAME NOW,
53
00:02:36,300 --> 00:02:38,532
THE HOSTAGE
IS ELIZABETH CARTER,
54
00:02:38,533 --> 00:02:42,032
SHE LOOKS REMARKABLY CALM
CONSIDERING THE SITUATION,
55
00:02:42,033 --> 00:02:44,599
SHE'S ONE OF
YOUR PATIENTS,
56
00:02:46,066 --> 00:02:47,965
SHE'S COMPLETELY
WITHOUT EMOTION,
57
00:02:47,966 --> 00:02:49,632
MY GOD! NO,
58
00:02:49,633 --> 00:02:51,265
IS THE HOSTAGE OKAY?
59
00:02:51,266 --> 00:02:53,965
YES, SHE'S STANDING,
BUT THE ROBBER IS DOWN,
60
00:02:53,966 --> 00:02:57,099
ONCE AGAIN, THE HOSTAGE
BETH CARTER IS UNHARMED,
61
00:02:57,100 --> 00:03:00,365
AND SHE LOOKS
SURPRISINGLY UNAFFECTED
62
00:03:00,366 --> 00:03:03,200
BY WHAT
SHE'S JUST BEEN THROUGH,
63
00:03:07,300 --> 00:03:10,432
THERE IS NOTHING WRONG WITH
YOUR TELEVISION,
64
00:03:10,433 --> 00:03:13,399
DO NOT ATTEMPT
TO ADJUST THE PICTURE,
65
00:03:13,400 --> 00:03:16,432
WE ARE NOW CONTROLLING
THE TRANSMISSION,
66
00:03:16,433 --> 00:03:18,599
WE CONTROL THE HORIZONTAL
67
00:03:18,600 --> 00:03:20,432
AND THE VERTICAL,
68
00:03:20,433 --> 00:03:23,299
WE CAN DELUGE YOU
WITH A THOUSAND CHANNELS
69
00:03:23,300 --> 00:03:27,765
OR EXPAND ONE SINGLE IMAGE
TO CRYSTAL CLARITY
70
00:03:27,766 --> 00:03:29,899
AND BEYOND,
71
00:03:29,900 --> 00:03:32,132
WE CAN SHAPE YOUR VISION
72
00:03:32,133 --> 00:03:35,865
TO ANYTHING OUR IMAGINATION
CAN CONCEIVE,
73
00:03:35,866 --> 00:03:37,832
FOR THE NEXT HOUR,
74
00:03:37,833 --> 00:03:42,566
WE WILL CONTROL ALL THAT
YOU SEE AND HEAR,
75
00:03:53,333 --> 00:03:57,499
YOU ARE ABOUT TO EXPERIENCE
THE AWE AND MYSTERY
76
00:03:57,500 --> 00:04:00,332
WHICH REACHES FROM
THE DEEPEST INNER MIND
77
00:04:00,333 --> 00:04:03,200
TO THE OUTER LIMITS,
78
00:04:15,533 --> 00:04:19,399
IT IS SAID THAT EMOTIONS ARE
THE LANGUAGE OF THE SOUL,
79
00:04:19,400 --> 00:04:22,965
BUT WHAT HAPPENS WHEN
THAT EXPRESSION IS MUTED?
80
00:04:22,966 --> 00:04:26,899
WHAT BECOMES OF FEELINGS
THAT HAVE NO VOICE?
81
00:04:26,900 --> 00:04:28,332
HI, BETH,
HOW ARE YOU?
82
00:04:28,333 --> 00:04:29,599
FINE,
83
00:04:29,600 --> 00:04:31,200
COME ON,
84
00:04:34,600 --> 00:04:36,332
COME IN,
85
00:04:36,333 --> 00:04:38,199
BETH IS HERE,
86
00:04:38,200 --> 00:04:39,733
SURE, SEND HER IN,
87
00:04:42,566 --> 00:04:44,766
BETH, HI,
PLEASE SIT DOWN,
88
00:04:51,566 --> 00:04:53,632
HOW ARE YOU TODAY?
89
00:04:53,633 --> 00:04:55,765
FINE,
90
00:04:55,766 --> 00:04:58,665
WELL, THAT WAS
91
00:04:58,666 --> 00:05:01,365
QUITE AN EXPERIENCE
YOU WENT THROUGH,
92
00:05:01,366 --> 00:05:02,932
EXPERIENCE?
93
00:05:02,933 --> 00:05:04,532
YEAH,
THE ARMED ROBBERY,
94
00:05:04,533 --> 00:05:05,865
BEING HELD HOSTAGE,
95
00:05:05,866 --> 00:05:09,765
THE POLICE SHOT THE MAN,
96
00:05:09,766 --> 00:05:12,133
YES, I KNOW, YEAH,
97
00:05:14,166 --> 00:05:17,799
DID YOU FEEL ANYTHING
ABOUT THAT?
98
00:05:17,800 --> 00:05:20,232
THE MAN WHO HELD YOU HOSTAGE
BEING KILLED?
99
00:05:20,233 --> 00:05:22,765
NO,
100
00:05:22,766 --> 00:05:24,799
THAT'S WHY
I BROUGHT YOU IN,
101
00:05:24,800 --> 00:05:28,332
BETH, I THINK
IT'S POSSIBLE FOR YOU
102
00:05:28,333 --> 00:05:31,499
TO TAKE A HUGE STEP FORWARD
IN YOUR THERAPY,
103
00:05:31,500 --> 00:05:33,065
IT WOULD
REQUIRE THAT
104
00:05:33,066 --> 00:05:35,032
YOU UNDERGO
AN OPERATION
105
00:05:35,033 --> 00:05:38,332
WHERE AN IMPLANT, A TINY DEVICE,
DESIGNED TO STIMULATE
106
00:05:38,333 --> 00:05:41,265
THE NEURO-TRANSMITTERS
RESPONSIBLE FOR EMOTIONS
107
00:05:41,266 --> 00:05:44,432
BE PLACED DIRECTLY
INSIDE YOUR BRAIN,
108
00:05:44,433 --> 00:05:46,965
EMOTIONS?
YEAH,
109
00:05:46,966 --> 00:05:49,899
YOU'D BE THE FIRST PERSON
TO TRY IT,
110
00:05:49,900 --> 00:05:52,866
WE'VE BEEN WORKING ON THIS
FOR A LONG TIME,
111
00:05:55,000 --> 00:05:56,632
FOR ME?
112
00:05:56,633 --> 00:06:02,199
YEAH, WELL, YOUR... DISORDER
MAKES YOU A PERFECT TEST CASE
113
00:06:02,200 --> 00:06:03,765
FOR THE IMPLANT,
114
00:06:03,766 --> 00:06:06,132
IF WE'RE SUCCESSFUL,
THIS COULD HELP
115
00:06:06,133 --> 00:06:07,832
MANY OTHERS,
MILLIONS OF PEOPLE,
116
00:06:07,833 --> 00:06:10,065
THIS TECHNOLOGY CAN MAKE
117
00:06:10,066 --> 00:06:12,765
ANTI-DEPRESSANTS,
ANTI-PSYCHOTICS,
118
00:06:12,766 --> 00:06:16,100
PROZAC EVEN,
OBSOLETE,
119
00:06:19,400 --> 00:06:22,799
THIS WOULD NOT ONLY CHANGE
YOUR WORLD, BETH,
120
00:06:22,800 --> 00:06:25,533
IT WOULD CHANGE THE WORLD,
121
00:06:36,000 --> 00:06:37,665
OKAY, EVERYONE,
122
00:06:37,666 --> 00:06:39,833
I'M CUTTING THROUGH
THE DURA NOW,
123
00:06:47,033 --> 00:06:48,266
HOW'S SHE
DOING, BILL?
124
00:06:50,066 --> 00:06:51,266
SHE LOOKS STABLE,
125
00:06:53,500 --> 00:06:55,065
OKAY,
126
00:06:55,066 --> 00:06:56,899
CLAMP, PLEASE,
127
00:06:56,900 --> 00:06:59,832
YOU LOOK LIKE
AN EXPECTANT FATHER,
128
00:06:59,833 --> 00:07:02,899
WELL, IF THIS WORKS...
129
00:07:02,900 --> 00:07:04,265
YOU'LL HAVE REINVENTED
THE TREATMENT
130
00:07:04,266 --> 00:07:07,065
OF MENTAL ILLNESS
IN ONE FELL SWOOP,
131
00:07:07,066 --> 00:07:08,632
HOPEFULLY SO,
132
00:07:08,633 --> 00:07:11,265
THAT'S WHAT THIS IS
ALL ABOUT, ISN'T IT?
133
00:07:11,266 --> 00:07:14,032
HONESTLY,
I WAS THINKING ABOUT BETH,
134
00:07:14,033 --> 00:07:15,999
SOME SUCTION
HERE, PLEASE,
135
00:07:16,000 --> 00:07:17,532
WE CAN INTRODUCE TECHNICOLOR
136
00:07:17,533 --> 00:07:19,199
INTO A WOMAN'S LIFE
137
00:07:19,200 --> 00:07:21,832
WHO'S ONLY LIVED
IN BLACK AND WHITE,
138
00:07:21,833 --> 00:07:23,699
THAT'S WHAT THIS IS ABOUT,
139
00:07:23,700 --> 00:07:25,332
ISN'T IT?
140
00:07:25,333 --> 00:07:26,832
OF COURSE,
141
00:07:26,833 --> 00:07:28,499
AND THE BILLIONS
OF DOLLARS
142
00:07:28,500 --> 00:07:30,099
IT WILL GENERATE
143
00:07:30,100 --> 00:07:32,499
HAS NOTHING
TO DO WITH IT,
144
00:07:32,500 --> 00:07:34,365
WELL...
145
00:07:34,366 --> 00:07:36,666
I'M INSERTING
THE IMPLANT NOW,
146
00:08:03,233 --> 00:08:05,932
FROM THE BEGINNING OF
CIVILIZATION,
147
00:08:05,933 --> 00:08:08,565
THE HUMAN RACE
HAS CONTINUALLY SEARCHED
148
00:08:08,566 --> 00:08:11,932
FOR BETTER WAYS TO UNDERSTAND
THE MYSTERIES OF THE
WEATHER,
149
00:08:11,933 --> 00:08:14,432
SOME METHODS WERE MORE
RELIABLE THAN OTHERS,
150
00:08:14,433 --> 00:08:16,865
BUT NOW WE USE
THE LATEST TECHNOLOGY
151
00:08:16,866 --> 00:08:18,365
TO BRING YOU ACCURATE
152
00:08:18,366 --> 00:08:20,999
AND UP-TO-THE-MINUTE
WEATHER REPORTING,
153
00:08:21,000 --> 00:08:23,832
ANY CHANGE?
154
00:08:23,833 --> 00:08:25,899
NO,
155
00:08:25,900 --> 00:08:27,932
DAMN!
156
00:08:27,933 --> 00:08:29,899
WE CHECKED THE IMPLANT
BEFORE LUNCH,
157
00:08:29,900 --> 00:08:31,065
IT WAS WORKING
BEAUTIFULLY,
158
00:08:31,066 --> 00:08:33,566
YOU'D NEVER KNOW
TO LOOK AT HER,
159
00:08:39,566 --> 00:08:42,465
THE PREDICTIONS ARE BASED ON
THE FACT
160
00:08:42,466 --> 00:08:46,299
THAT THERE'S BEEN TWICE
THE AMOUNT OF SNOW COVER,
161
00:08:46,300 --> 00:08:48,599
LAST SPRING,
THE FLOODING AFFECTED
162
00:08:48,600 --> 00:08:51,265
A MASSIVE AREA
IN THE SOUTH,
163
00:08:51,266 --> 00:08:53,599
IS THAT SOMETHING
WE'VE SEEN BEFORE?
164
00:08:53,600 --> 00:08:57,532
IS THAT
AN EXPRESSION?
165
00:08:57,533 --> 00:08:59,699
THAT PROGRAM SHE'S WATCHING,
166
00:08:59,700 --> 00:09:01,899
SHE WANTS TO CHANGE
THE CHANNEL,
167
00:09:01,900 --> 00:09:04,499
SHE'S BORED WITH IT,
OR DISSATISFIED WITH IT,
168
00:09:04,500 --> 00:09:07,265
OFFICIALS IN BOTH NORTH
DAKOTA AND MINNESOTA
169
00:09:07,266 --> 00:09:09,465
ARE ALSO PREDICTING
MASSIVE FLOODING,
170
00:09:09,466 --> 00:09:10,965
THE SHOW-PACK THERE
171
00:09:10,966 --> 00:09:13,965
HAS BEEN RECORD-BREAKING
THIS WINTER,
172
00:09:13,966 --> 00:09:15,432
MANY AREAS HAVE SEEN
173
00:09:15,433 --> 00:09:18,965
UP TO THREE TIMES MORE SNOW
THAN USUAL,
174
00:09:18,966 --> 00:09:20,599
MEANTIME, IN
WESTERN ILLINOIS...
175
00:09:20,600 --> 00:09:23,565
SHE DID IT! SHE DID IT!
176
00:09:23,566 --> 00:09:24,999
LOOK AT HER!
177
00:09:25,000 --> 00:09:26,599
SHE FELT A NEED,
178
00:09:26,600 --> 00:09:29,332
SHE EXPRESSED A DESIRE,
179
00:09:29,333 --> 00:09:33,032
SHE DID THAT ALL ON HER OWN,
180
00:09:33,033 --> 00:09:35,033
THAT IMPLANT
IS STARTING TO WORK,
181
00:09:36,733 --> 00:09:40,632
YOU CAN'T BE THINKING
OF GOING IN THERE,
182
00:09:40,633 --> 00:09:42,665
NOW YOU KNOW
THE RULES,
183
00:09:42,666 --> 00:09:44,165
SMOKE BEFORE FIRE,
184
00:09:44,166 --> 00:09:45,733
THAT MEANS YOU START,
185
00:10:10,366 --> 00:10:13,033
YOU DIDN'T LIKE THAT, DID YOU?
186
00:10:26,199 --> 00:10:27,399
GOOD FOR YOU,
187
00:10:59,322 --> 00:11:02,255
AS YOU KNOW,
A GOOD GOAT WILL DO THAT,
188
00:11:50,569 --> 00:11:52,569
COME ON,
189
00:12:01,869 --> 00:12:04,368
WHAT DO YOU THINK?
190
00:12:04,369 --> 00:12:07,402
IS THIS REALLY YOURS?
191
00:12:07,403 --> 00:12:10,836
COME ON,
192
00:12:15,303 --> 00:12:16,868
IT IS SO PRETTY,
193
00:12:16,869 --> 00:12:20,435
ONE DAY YOU'LL HAVE
A PLACE OF YOUR OWN TOO,
194
00:12:20,436 --> 00:12:21,903
HEY, MULLIGAN,
195
00:12:22,969 --> 00:12:25,110
- COME HERE, BOY,
- YOU HAVE A CAT?
196
00:12:26,903 --> 00:12:28,435
WANT TO PET HIM?
197
00:12:28,436 --> 00:12:29,902
YEAH,
198
00:12:29,903 --> 00:12:33,435
WOULD YOU LIKE
TO HOLD HIM?
199
00:12:33,436 --> 00:12:35,135
YEAH,
200
00:12:36,536 --> 00:12:38,268
BETH, IT'S OKAY,
201
00:12:38,269 --> 00:12:41,568
THERE'S SOME WORKMEN
DOING RENOVATIONS UPSTAIRS,
202
00:12:41,569 --> 00:12:44,068
THAT'S ALL IT IS, IT'S NOTHING,
203
00:12:44,069 --> 00:12:46,702
I SHOULD HAVE WARNED YOU,
I'M SORRY,
204
00:12:46,703 --> 00:12:50,202
ACTUALLY SOME OF THEM
ARE KIND OF CUTE, THE WORKMEN,
205
00:12:50,203 --> 00:12:54,002
OKAY, MAYBE I'M MOVING
A LITTLE FAST THERE, YEAH?
206
00:12:54,003 --> 00:12:57,135
I THINK THE FIRST THING
WE NEED TO DO...
207
00:12:57,136 --> 00:13:00,802
WE NEED TO DO SOMETHING
WITH THIS LOOK OF YOURS,
208
00:13:00,803 --> 00:13:02,368
MY LOOK?
209
00:13:02,369 --> 00:13:04,336
YEAH, YEAH, COME ON,
210
00:13:15,403 --> 00:13:17,235
JOAN,
211
00:13:17,236 --> 00:13:20,069
WOW,
212
00:14:01,703 --> 00:14:04,368
I DON'T KNOW
IF I CAN DO THIS,
213
00:14:04,369 --> 00:14:05,768
SURE YOU CAN,
214
00:14:05,769 --> 00:14:07,868
NOT LIKE
THE FIRST DAY
215
00:14:07,869 --> 00:14:09,402
AT A NEW JOB,
216
00:14:09,403 --> 00:14:12,068
JUST PICKING UP
WHERE YOU LEFT OFF,
217
00:14:12,069 --> 00:14:14,768
EVERYONE WILL WANT
TO KNOW HOW I AM,
218
00:14:14,769 --> 00:14:16,468
HOW ARE YOU?
219
00:14:16,469 --> 00:14:19,068
I'M SCARED,
220
00:14:19,069 --> 00:14:20,868
THAT'S GOOD,
221
00:14:20,869 --> 00:14:23,503
THAT'S HOW
IT SHOULD BE,
222
00:14:26,803 --> 00:14:28,368
YOU LOOK GREAT,
223
00:14:28,369 --> 00:14:29,802
THANK YOU...
224
00:14:29,803 --> 00:14:31,703
FOR EVERYTHING,
225
00:14:41,069 --> 00:14:42,568
SHE'LL DO FINE,
226
00:14:42,569 --> 00:14:43,968
I DON'T KNOW,
227
00:14:43,969 --> 00:14:47,002
WE KNEW THAT FEAR
WOULD BE ONE OF
228
00:14:47,003 --> 00:14:49,002
THE HARDEST EMOTIONS
TO DEAL WITH,
229
00:14:49,003 --> 00:14:50,535
SHE'S FINE,
230
00:14:50,536 --> 00:14:52,936
SHE'S SHOWING
A TREMENDOUS AMOUNT OF COURAGE,
231
00:15:07,469 --> 00:15:09,736
HEY LADY,
YOU FORGOT TO PAY ME!
232
00:15:12,969 --> 00:15:14,402
I'M SORRY,
233
00:15:14,403 --> 00:15:16,636
I'VE NEVER BEEN EXCITED BEFORE,
234
00:15:18,769 --> 00:15:20,536
SORRY!
235
00:15:31,303 --> 00:15:32,768
HI,
236
00:15:32,769 --> 00:15:35,503
HELLO,
237
00:15:44,236 --> 00:15:45,868
JOAN!
238
00:15:45,869 --> 00:15:48,402
JOAN?
239
00:15:48,403 --> 00:15:51,368
NO JOAN,
240
00:15:52,803 --> 00:15:54,635
JERKS,
241
00:15:54,636 --> 00:15:57,069
MULLIGAN! HERE, KITTY, KITTY!
242
00:18:15,403 --> 00:18:17,168
YOU HAD
243
00:18:17,169 --> 00:18:19,935
A REAL SCARE
THROWN INTO YOU,
244
00:18:19,936 --> 00:18:21,435
ARE YOU ALL RIGHT?
245
00:18:21,436 --> 00:18:22,803
I THINK SO,
246
00:18:25,003 --> 00:18:28,935
YOU DON'T HAVE
TO BE AFRAID OF HIM,
247
00:18:28,936 --> 00:18:31,202
THAT'S A FACE
ONLY A MOTHER
248
00:18:31,203 --> 00:18:32,902
OR SOMEONE LIKE ME
COULD LOVE,
249
00:18:32,903 --> 00:18:34,402
BUT HE'S HARMLESS,
250
00:18:34,403 --> 00:18:37,168
I'VE BEEN MARRIED TO HIM
FOR 40 YEARS,
251
00:18:37,169 --> 00:18:38,635
SORRY I SCARED YOU,
252
00:18:38,636 --> 00:18:40,168
THE DOOR WAS AJAR,
253
00:18:40,169 --> 00:18:41,702
I WANTED TO ENSURE
254
00:18:41,703 --> 00:18:43,368
YOU WEREN'T
GETTING ROBBED,
255
00:18:43,369 --> 00:18:45,202
WE'RE YOUR
NEW NEIGHBORS,
256
00:18:45,203 --> 00:18:47,668
I'M DOLLY,
AND THIS IS...
MIKE KELLERMAN,
257
00:18:47,669 --> 00:18:51,602
YES, YOU MUST BE
JOAN'S NEW ROOMMATE,
258
00:18:51,603 --> 00:18:55,568
I DON'T KNOW WHO'S PRETTIER,
HER OR JOAN,
259
00:18:55,569 --> 00:18:57,835
JOAN IS MUCH PRETTIER THAN I AM,
260
00:18:57,836 --> 00:18:59,835
DON'T SELL
YOURSELF SHORT,
261
00:18:59,836 --> 00:19:02,668
YOU'RE NO SLOUCH
IN LOOKS,
262
00:19:02,669 --> 00:19:06,035
- BETH, WHAT HAPPENED?
- NOTHING HAPPENED,
263
00:19:06,036 --> 00:19:09,702
MIKE SAW YOUR
FRONT DOOR WAS AJAR,
264
00:19:09,703 --> 00:19:12,068
THOUGHT HE'D STICK
HIS CONSIDERABLY LARGE NOSE
265
00:19:12,069 --> 00:19:13,935
IN HERE TO INVESTIGATE,
266
00:19:13,936 --> 00:19:16,602
SCARED HER A LITTLE,
THAT'S ALL,
267
00:19:16,603 --> 00:19:18,036
YOU LEFT THE DOOR OPEN?
268
00:19:19,703 --> 00:19:22,102
I... I DON'T REMEMBER,
269
00:19:22,103 --> 00:19:25,069
I JUST... VOICES,
270
00:19:26,536 --> 00:19:28,003
WHAT VOICES?
271
00:19:30,136 --> 00:19:33,436
BETH... WHAT VOICES?
272
00:19:35,536 --> 00:19:37,068
IT WAS NOTHING,
273
00:19:37,069 --> 00:19:38,703
IT WAS NOTHING,
274
00:19:40,403 --> 00:19:42,735
YOU NEED TO BE
A LITTLE MORE CAREFUL,
275
00:19:42,736 --> 00:19:44,835
THIS IS
A SAFE BUILDING,
276
00:19:44,836 --> 00:19:46,702
BUT LEAVE
THE DOOR LOCKED,
277
00:19:46,703 --> 00:19:48,202
ESPECIALLY IF YOU'RE ALONE,
278
00:19:48,203 --> 00:19:49,702
OKAY,
279
00:19:49,703 --> 00:19:52,635
SO I SEE
YOU'VE MET DOLLY AND MIKE,
280
00:19:52,636 --> 00:19:56,902
YES, ACTUALLY
THEY'VE BEEN VERY NICE TO ME,
281
00:19:56,903 --> 00:20:00,135
THE RUMORS THAT
WE'RE A COUPLE OF OLD OGRES
282
00:20:00,136 --> 00:20:02,303
HAVE BEEN GREATLY EXAGGERATED,
283
00:20:03,836 --> 00:20:05,568
BETH, YOU STILL
LOOK WEAK,
284
00:20:05,569 --> 00:20:08,002
I'LL CALL KEVIN
AND CANCEL TONIGHT,
285
00:20:08,003 --> 00:20:11,035
A FRIEND
WHO LIVES DOWNSTAIRS, KEVIN?
286
00:20:11,036 --> 00:20:12,635
IN 1A?
287
00:20:12,636 --> 00:20:15,068
HE INVITED US TO DINNER
ON HIS BOAT,
288
00:20:15,069 --> 00:20:16,735
WE'LL TAKE A RAIN CHECK,
289
00:20:16,736 --> 00:20:18,768
NO, I'D
LIKE TO GO,
290
00:20:18,769 --> 00:20:20,730
I WOULD REALLY LIKE TO GO,
291
00:20:22,977 --> 00:20:25,456
SO I WENT FROM HAMMERING NAILS
FOR A LIVING
292
00:20:25,457 --> 00:20:27,889
TO HIRING OTHER PEOPLE
TO HAMMER NAILS
293
00:20:27,890 --> 00:20:30,456
TO BUYING AND RENOVATING
OLD APARTMENT BUILDINGS,
294
00:20:30,457 --> 00:20:32,656
INCLUDING THE ONE WE LIVE IN,
295
00:20:32,657 --> 00:20:34,256
YOU'RE A LANDLORD?
296
00:20:34,257 --> 00:20:36,423
YOU SAY THAT
WITH SUCH DISTASTE,
297
00:20:36,424 --> 00:20:39,023
YOU DON'T LOOK
LIKE A LANDLORD,
298
00:20:39,024 --> 00:20:40,823
WHAT DO LANDLORDS
LOOK LIKE?
299
00:20:40,824 --> 00:20:43,723
LIKE MIKE KELLERMAN,
300
00:20:43,724 --> 00:20:45,156
HE LOOKS LIKE
A LANDLORD,
301
00:20:45,157 --> 00:20:47,323
BETH BUMPED
INTO MIKE TODAY,
302
00:20:47,324 --> 00:20:50,624
I HOPE HE'S OKAY,
303
00:20:57,657 --> 00:21:01,323
SO, WHO ARE YOU?
304
00:21:01,324 --> 00:21:02,989
I'D LIKE TO KNOW,
305
00:21:02,990 --> 00:21:06,256
I'VE BEEN RAMBLING ON
AND ON ABOUT MYSELF,
306
00:21:06,257 --> 00:21:07,956
TYPICAL,
WATCH IT NOW,
307
00:21:07,957 --> 00:21:10,356
BESIDES, YOU'VE BEEN HANGING ON
EVERY WORD,
308
00:21:10,357 --> 00:21:12,489
DREAM ON, BUDDY,
309
00:21:12,490 --> 00:21:14,389
I LOVE YOUR TALKING,
310
00:21:14,390 --> 00:21:17,623
THIS HAS BEEN
THE BEST DINNER I'VE EVER HAD,
311
00:21:17,624 --> 00:21:20,489
THE FOOD, THE CONVERSATION,
312
00:21:20,490 --> 00:21:24,624
I USED TO PRETTY MUCH
ALWAYS EAT ALONE,
313
00:21:27,224 --> 00:21:30,856
THIS MAY NOT BE
THE BEST MEAL I'VE EVER COOKED,
314
00:21:30,857 --> 00:21:32,356
BUT...
315
00:21:32,357 --> 00:21:34,056
I CAN'T REMEMBER
316
00:21:34,057 --> 00:21:36,890
WHEN I'VE HAD TWO
MORE CHARMING DINNER COMPANIONS,
317
00:22:03,957 --> 00:22:05,256
JOAN!
318
00:22:05,257 --> 00:22:06,824
JOAN!
319
00:22:08,257 --> 00:22:09,956
JOAN!
320
00:22:11,690 --> 00:22:13,524
JERKS,
321
00:22:16,190 --> 00:22:17,890
JOAN, WHERE ARE YOU?
322
00:22:19,957 --> 00:22:21,324
JOAN?
323
00:22:24,190 --> 00:22:26,256
JOAN?
324
00:22:26,257 --> 00:22:27,956
SHOOT,
325
00:22:30,190 --> 00:22:31,890
JOAN?
326
00:22:57,524 --> 00:23:00,324
STOP IT! JUST STOP IT!
327
00:23:10,457 --> 00:23:14,190
I SCARED YOU,
328
00:23:16,690 --> 00:23:18,289
I'M SORRY,
329
00:23:18,290 --> 00:23:19,789
IT'S OKAY,
330
00:23:19,790 --> 00:23:22,356
I HATE DOING LAUNDRY,
331
00:23:22,357 --> 00:23:23,724
I DON'T MIND,
332
00:23:25,957 --> 00:23:29,656
YOU STILL SEEM SORT OF JUMPY,
333
00:23:29,657 --> 00:23:32,389
IS EVERYTHING
ALL RIGHT?
334
00:23:32,390 --> 00:23:35,323
I THINK MY IMAGINATION
IS PLAYING TRICKS ON ME,
335
00:23:35,324 --> 00:23:37,923
MIKE ALWAYS ACCUSES ME OF THAT,
336
00:23:37,924 --> 00:23:39,289
KNOW WHAT
I TELL HIM?
337
00:23:39,290 --> 00:23:44,523
YOU BELIEVE ANYTHING YOU WANT,
BUT I'VE SEEN WHAT I'VE SEEN,
338
00:23:44,524 --> 00:23:46,456
AND I KNOW
WHAT I KNOW,
339
00:23:46,457 --> 00:23:47,890
WHAT HAVE YOU SEEN?
340
00:23:50,024 --> 00:23:54,223
WOULD YOU BELIEVE THE INSIDE
OF AN ALIEN SPACESHIP?
341
00:23:54,224 --> 00:23:57,723
YOU'VE HEARD
ABOUT PEOPLE
342
00:23:57,724 --> 00:23:59,589
BEING ABDUCTED BY ALIENS,
HAVEN'T YOU?
343
00:23:59,590 --> 00:24:01,523
WELL, OF COURSE YOU HAVE,
344
00:24:01,524 --> 00:24:03,190
IT'S ALL OVER THE TV,
345
00:24:04,824 --> 00:24:08,689
I THOUGHT ALL THAT STUFF
WAS MADE UP,
346
00:24:08,690 --> 00:24:11,223
THAT'S WHAT THE GOVERNMENT
WANTS YOU TO THINK,
347
00:24:11,224 --> 00:24:13,889
BUT IT'S
REALLY HAPPENING,
348
00:24:13,890 --> 00:24:15,824
TAKE MY WORD FOR IT,
349
00:24:18,657 --> 00:24:20,356
WHAT DO THEY
LOOK LIKE?
350
00:24:20,357 --> 00:24:21,789
SAME ONES WHO ABDUCT
351
00:24:21,790 --> 00:24:23,923
EVERYBODY ELSE,
352
00:24:23,924 --> 00:24:25,989
GRAY ONES,
353
00:24:25,990 --> 00:24:28,289
THEIR FACES
LOOK DEAD,
354
00:24:28,290 --> 00:24:31,056
EXCEPT FOR THEIR EYES,
355
00:24:31,057 --> 00:24:35,156
AND IT LOOKS LIKE
THEY COULD SEE RIGHT INSIDE ME,
356
00:24:35,157 --> 00:24:38,189
RIGHT INSIDE MY BRAIN,
357
00:24:38,190 --> 00:24:40,557
WHAT DID THEY DO TO YOU?
358
00:24:42,524 --> 00:24:44,556
ANYTHING THEY WANTED,
359
00:24:44,557 --> 00:24:47,189
THEY HAD
THIS SORT OF
360
00:24:47,190 --> 00:24:49,923
LONG METAL
PROBE THING,
361
00:24:49,924 --> 00:24:54,189
WELL, I DON'T WANT
TO GO INTO DETAILS,
362
00:24:54,190 --> 00:24:57,256
BUT IT DOESN'T
TAKE MUCH IMAGINATION,
363
00:24:57,257 --> 00:24:59,790
IF YOU KNOW WHAT I MEAN,
364
00:25:01,557 --> 00:25:04,823
THAT'S AWFUL, AWFUL,
365
00:25:04,824 --> 00:25:06,323
YEAH,
366
00:25:06,324 --> 00:25:08,489
STILL HAVE NIGHTMARES,
367
00:25:08,490 --> 00:25:12,156
STILL HEAR THEIR VOICES,
368
00:25:12,934 --> 00:25:15,766
VOICES?
369
00:25:15,767 --> 00:25:18,800
YEAH, INSIDE MY BRAIN,
370
00:25:18,801 --> 00:25:21,633
THIS CONSTANT CHATTERING
371
00:25:21,634 --> 00:25:24,167
LIKE THEY WERE
ALL TALKING AT ONCE,
372
00:25:33,534 --> 00:25:35,366
BETH, THIS IS
DR, MOLSTAD,
373
00:25:35,367 --> 00:25:37,533
I'M TRYING TO REACH JOAN,
374
00:25:37,534 --> 00:25:39,666
ARE YOU ALL RIGHT?
375
00:25:39,667 --> 00:25:42,100
I NEED TO ASK JOAN SOMETHING,
376
00:25:42,101 --> 00:25:43,533
SHE'S
ALREADY LEFT,
377
00:25:43,534 --> 00:25:46,733
I DON'T KNOW
IF SHE WAS GOING STRAIGHT HOME,
378
00:25:46,734 --> 00:25:48,633
BUT SHE'LL BE THERE SHORTLY,
379
00:25:48,634 --> 00:25:50,066
I CAN'T HELP YOU?
380
00:25:50,067 --> 00:25:51,833
NO, I MEAN, YES,
381
00:25:51,834 --> 00:25:54,667
I'LL JUST WAIT TILL
SHE GETS HOME, THANK YOU,
382
00:25:59,734 --> 00:26:01,100
MULLIGAN!
383
00:26:01,101 --> 00:26:04,100
MULLIGAN!
384
00:26:04,101 --> 00:26:06,766
MULLIGAN!
385
00:26:09,401 --> 00:26:12,133
YOU'RE NOT REAL,
386
00:26:12,134 --> 00:26:14,266
I'M JUST HEARING THINGS,
387
00:26:14,267 --> 00:26:15,966
THERE'S NOBODY HERE,
388
00:26:15,967 --> 00:26:17,667
THERE'S NOBODY ELSE HERE,
389
00:26:26,901 --> 00:26:31,466
I'M NOT GOING TO LET YOU
GET IN THE WAY OF MY NEW LIFE,
390
00:26:31,467 --> 00:26:33,366
ESPECIALLY
SOME STUPID MINDLESS CHATTERING
391
00:26:33,367 --> 00:26:37,300
THAT DOESN'T REALLY EXIST!
STOP!
392
00:27:46,267 --> 00:27:48,033
BETH, WHAT'S WRONG?
393
00:27:48,034 --> 00:27:49,800
BETH, WHAT HAPPENED?
WHAT'S WRONG?
394
00:27:49,801 --> 00:27:51,366
WHAT HAPPENED? WHAT HAPPENED?
395
00:27:51,367 --> 00:27:54,100
WHAT HAPPENED?
WHAT'S WRONG?
396
00:27:54,101 --> 00:27:55,734
IT'S OKAY,
397
00:28:00,107 --> 00:28:01,405
SHE SAID SHE SAW MULLIGAN
398
00:28:01,406 --> 00:28:03,638
RIGHT OUTSIDE
THE FRONT DOOR DEAD,
399
00:28:03,639 --> 00:28:05,838
SCARED ME HALF TO DEATH,
400
00:28:05,839 --> 00:28:10,038
KEVIN CAME UP,
DIDN'T SEE ANY SIGN OF THE CAT,
401
00:28:10,039 --> 00:28:12,105
I'M SURE
HE'S NOT DEAD,
402
00:28:12,106 --> 00:28:13,838
HE COMES
AND HE GOES,
403
00:28:13,839 --> 00:28:15,338
HE'LL BE BACK,
404
00:28:15,339 --> 00:28:16,672
I'M SURE HE WILL,
405
00:28:16,673 --> 00:28:18,405
SHE SAID
SOMETHING
406
00:28:18,406 --> 00:28:20,338
WAS IN THE APARTMENT,
NOT SOMEONE,
407
00:28:20,339 --> 00:28:22,272
BUT SHE REFUSES
TO SAY WHAT,
408
00:28:22,273 --> 00:28:23,838
WHATEVER IT WAS
409
00:28:23,839 --> 00:28:25,605
SCARED HER
HALF TO DEATH,
410
00:28:25,606 --> 00:28:28,172
IF THERE
WAS SOMETHING,
411
00:28:28,173 --> 00:28:29,805
DO YOU THINK
SHE HALLUCINATED?
412
00:28:29,806 --> 00:28:31,705
SHE SAID
SHE HEARD VOICES,
413
00:28:31,706 --> 00:28:34,205
BUT SHE DIDN'T WANT
TO TALK ABOUT THAT,
414
00:28:34,206 --> 00:28:37,338
YOU NEED ONE OF MY SUPER
GOURMET HOME-COOKED MEALS
415
00:28:37,339 --> 00:28:38,772
SERVED BY CANDLELIGHT,
416
00:28:38,773 --> 00:28:40,672
WHAT DO YOU SAY?
417
00:28:40,673 --> 00:28:43,105
WE'D LIKE TO SPEAK
TO BETH ALONE,
418
00:28:43,106 --> 00:28:45,272
SURE, NO PROBLEM,
419
00:28:45,273 --> 00:28:47,338
THINK ABOUT WHAT I SAID,
420
00:28:47,339 --> 00:28:49,405
TOMORROW NIGHT,
I'LL COME UP HERE,
421
00:28:49,406 --> 00:28:51,105
OKAY,
422
00:28:51,106 --> 00:28:52,538
THANKS, KEV,
FOR EVERYTHING,
423
00:28:52,539 --> 00:28:55,105
I'LL BE DOWNSTAIRS
IF YOU NEED ME,
424
00:28:55,106 --> 00:28:57,338
BYE,
425
00:29:01,539 --> 00:29:03,705
WELL, BETH, UM,
426
00:29:03,706 --> 00:29:05,838
IT MIGHT BE
A GOOD IDEA
427
00:29:05,839 --> 00:29:07,338
FOR YOU
TO COME BACK
428
00:29:07,339 --> 00:29:10,105
TO THE INSTITUTE
FOR A FEW DAYS,
429
00:29:10,106 --> 00:29:12,005
JUST
FOR OBSERVATION,
430
00:29:12,006 --> 00:29:14,038
IT'S POSSIBLE THE IMPLANT
431
00:29:14,039 --> 00:29:15,872
IS GIVING YOU
SIDE EFFECTS,
432
00:29:15,873 --> 00:29:18,538
I DON'T WANT TO GO BACK,
433
00:29:18,539 --> 00:29:20,805
YOU DON'T
UNDERSTAND,
434
00:29:20,806 --> 00:29:24,238
I NEVER KNEW
HOW AMAZING IT ALL WAS,
435
00:29:24,239 --> 00:29:27,105
HOW ICE CREAM
TASTES,
436
00:29:27,106 --> 00:29:28,738
HOW FLOWERS SMELL,
437
00:29:28,739 --> 00:29:30,738
HOW SOMEONE SMILES AT YOU
438
00:29:30,739 --> 00:29:33,805
JUST BECAUSE...
YEAH, BETH...
439
00:29:33,806 --> 00:29:36,905
PEOPLE ALWAYS TALKED ABOUT
THESE FEELINGS, FEELINGS,
440
00:29:36,906 --> 00:29:39,538
FEELINGS... I THOUGHT
THEY JUST SEEMED TO BE
441
00:29:39,539 --> 00:29:41,472
SOMETHING THAT OTHER PEOPLE HAD,
442
00:29:41,473 --> 00:29:43,738
BUT NOW I KNOW,
443
00:29:43,739 --> 00:29:46,238
I KNOW HOW PRECIOUS THEY ARE,
444
00:29:46,239 --> 00:29:49,272
AND I NEVER
WANT TO LOSE THEM EVER,
445
00:29:49,273 --> 00:29:52,005
I'M NOT SUGGESTING
THAT THE IMPLANT BE REMOVED,
446
00:29:52,006 --> 00:29:54,005
I WON'T LET YOU,
447
00:29:54,006 --> 00:29:55,605
I WON'T LET YOU,
448
00:29:55,606 --> 00:29:57,005
IT'S MINE NOW, RIGHT?
449
00:29:57,006 --> 00:29:58,905
IT'S IN MY HEAD,
450
00:29:58,906 --> 00:30:02,138
I JUST NEED
TO LEARN
451
00:30:02,139 --> 00:30:05,272
HOW TO CONTROL MY IMAGINATION
A BIT BETTER, THAT'S ALL,
452
00:30:05,273 --> 00:30:08,705
WHAT WAS IT YOU THOUGHT YOU SAW?
453
00:30:08,706 --> 00:30:10,005
NOTHING,
454
00:30:10,006 --> 00:30:11,772
IT WAS NOTHING,
455
00:30:11,773 --> 00:30:13,605
I JUST GOT FRIGHTENED,
456
00:30:13,606 --> 00:30:15,138
IT'S OVER NOW,
457
00:30:15,139 --> 00:30:17,305
IT'S OVER, I'M OKAY,
458
00:30:17,306 --> 00:30:19,539
AND I'M NOT GOING TO GO BACK,
459
00:30:23,973 --> 00:30:25,473
ALL RIGHT,
460
00:30:30,006 --> 00:30:32,605
I WANT YOU
TO STAY HERE TOMORROW,
461
00:30:32,606 --> 00:30:35,672
KEEP AN EYE ON HER,
SEE HOW SHE'S DOING,
462
00:30:35,673 --> 00:30:38,105
ANOTHER INCIDENT,
I WANT HER BACK IMMEDIATELY,
463
00:30:38,106 --> 00:30:39,973
NO IFS, ANDS OR BUTS,
464
00:30:49,773 --> 00:30:52,205
WOULD YOU LIKE
SOME WINE?
465
00:30:52,206 --> 00:30:54,105
PLEASE,
466
00:30:54,106 --> 00:30:56,205
WHERE'S YOUR PARTNER
IN CRIME?
467
00:30:56,206 --> 00:30:57,672
SHE'S OUT
WITH FRIENDS,
468
00:30:57,673 --> 00:31:00,105
I COULD CALL HER,
IF YOU LIKE,
469
00:31:00,106 --> 00:31:01,705
NO, NO,
THAT'S OKAY,
470
00:31:01,706 --> 00:31:03,172
I WAS
JUST CURIOUS,
471
00:31:03,173 --> 00:31:04,838
I MADE ENOUGH
FOR THREE,
472
00:31:04,839 --> 00:31:06,338
JUST IN CASE,
473
00:31:17,339 --> 00:31:19,338
YOU DON'T LIKE IT?
474
00:31:19,339 --> 00:31:20,539
NO, IT'S FINE,
475
00:31:29,039 --> 00:31:30,539
IT'S NOT BAD,
476
00:31:34,373 --> 00:31:35,539
IT'S NOT BAD,
477
00:31:54,173 --> 00:31:55,805
BETH... YOU DON'T THINK
478
00:31:55,806 --> 00:31:58,138
THIS IS WHY I COOKED FOR YOU,
479
00:31:58,139 --> 00:32:00,705
I'M SORRY,
I DIDN'T MEAN TO...
480
00:32:00,706 --> 00:32:02,205
NO, NO,
IT'S OKAY,
481
00:32:02,206 --> 00:32:03,705
I'M SORRY,
482
00:32:03,706 --> 00:32:05,305
NO, NO,
IT'S OKAY,
483
00:32:05,306 --> 00:32:08,205
I JUST
DIDN'T WANT YOU TO THINK...
484
00:32:08,206 --> 00:32:10,605
I MEAN, I DIDN'T EXPECT...
485
00:32:10,606 --> 00:32:13,806
I'M SORRY,
486
00:32:53,273 --> 00:32:56,105
CAN YOU TURN THE LIGHTS OFF?
487
00:32:56,106 --> 00:32:58,306
SURE, NO PROBLEM,
488
00:33:07,839 --> 00:33:09,605
THIS ONE TOO?
489
00:33:09,606 --> 00:33:11,339
YEAH,
490
00:33:37,606 --> 00:33:40,039
NO! STOP IT!
491
00:33:47,573 --> 00:33:49,406
NO! STOP IT!
492
00:33:55,573 --> 00:33:57,472
NO! NO!
493
00:33:57,473 --> 00:34:00,772
STOP! NO! NO!
494
00:34:00,773 --> 00:34:02,472
NO! NO!
495
00:34:02,473 --> 00:34:07,572
NO! NO! NO! STOP! NO!
496
00:34:07,573 --> 00:34:09,772
NO!
497
00:34:09,773 --> 00:34:12,305
NO! NO!
498
00:34:12,306 --> 00:34:15,305
NO! DON'T!
499
00:34:15,306 --> 00:34:18,605
NO! NO!
500
00:34:18,606 --> 00:34:21,173
NO!
501
00:34:28,873 --> 00:34:30,472
BETH?
502
00:34:30,473 --> 00:34:33,138
BETH?
503
00:34:33,139 --> 00:34:34,505
BETH?
504
00:34:34,506 --> 00:34:36,405
CAN YOU HEAR ME?
505
00:34:36,406 --> 00:34:38,205
BETH?
506
00:34:38,206 --> 00:34:39,772
BETH, LOOK AT ME,
507
00:34:39,773 --> 00:34:41,805
LOOK AT ME,
508
00:34:41,806 --> 00:34:44,705
IT'S ME,
IT'S DR, MOLSTAD,
509
00:34:44,706 --> 00:34:47,338
YOU MUST HOLD ON A WHILE LONGER,
510
00:34:47,339 --> 00:34:49,805
WE MUST TAKE
THE IMPLANT OUT,
511
00:34:49,806 --> 00:34:51,438
UNDERSTAND
WHAT I'M SAYING?
512
00:34:51,439 --> 00:34:52,872
THE IMPLANT IS MALFUNCTIONING,
513
00:34:52,873 --> 00:34:54,372
WE'RE TAKING IT OUT,
514
00:34:54,373 --> 00:34:55,805
TAKE IT OUT?
515
00:34:55,806 --> 00:34:57,338
IT'S NOT
WORKING PROPERLY,
516
00:34:57,339 --> 00:34:58,838
NO!
517
00:34:58,839 --> 00:35:00,272
I'M SORRY...
518
00:35:00,273 --> 00:35:02,072
THE NEUROSURGEON
WILL BE AN HOUR,
519
00:35:02,073 --> 00:35:04,338
DAMN IT, THAT'S
NOT GOOD ENOUGH!
520
00:35:04,339 --> 00:35:06,272
I'M SORRY, I'M SO SORRY,
521
00:35:06,273 --> 00:35:09,072
NO, I DON'T WANT AN OPERATION,
522
00:35:09,073 --> 00:35:10,738
IT'S TOO DANGEROUS,
523
00:35:10,739 --> 00:35:13,338
NO! NO! NO!
524
00:35:13,339 --> 00:35:14,972
DR, MOLSTAD!
525
00:35:14,973 --> 00:35:16,605
HE'S COMING RIGHT BACK,
526
00:35:16,606 --> 00:35:18,605
OKAY, I'LL GO GET HIM,
527
00:35:18,606 --> 00:35:21,105
I DON'T WANT TO TAKE IT OUT!
528
00:35:21,106 --> 00:35:23,372
NO, I DON'T WANT TO!
529
00:35:23,373 --> 00:35:25,105
SAM, THAT'S NOT GOOD ENOUGH,
530
00:35:25,106 --> 00:35:26,772
YOU'RE NOT LISTENING TO ME,
531
00:35:26,773 --> 00:35:29,372
I NEED YOU AS FAST AS POSSIBLE,
532
00:35:29,373 --> 00:35:30,672
IT CAN'T WAIT,
533
00:35:30,673 --> 00:35:32,805
IT MUST COME OUT NOW,
534
00:35:32,806 --> 00:35:34,905
SHE WANTS
TO SEE YOU,
535
00:35:34,906 --> 00:35:37,838
OKAY, PLEASE,
YES, HOW LONG?
536
00:35:37,839 --> 00:35:39,338
20 MINUTES, GREAT,
537
00:35:39,339 --> 00:35:41,105
I'LL BE HERE WAITING,
538
00:35:41,106 --> 00:35:42,605
YOU LEFT HER ALONE?
539
00:35:42,606 --> 00:35:44,205
SHE GOT AGITATED,
540
00:35:44,206 --> 00:35:46,339
I DIDN'T KNOW
WHAT TO DO,
541
00:36:00,280 --> 00:36:01,980
COME ON UP,
542
00:36:11,600 --> 00:36:14,667
MULLIGAN?
543
00:36:24,867 --> 00:36:26,867
MULLIGAN?
544
00:36:41,767 --> 00:36:44,666
MULLIGAN... HOW'S THE BOY?
545
00:36:44,667 --> 00:36:47,466
HEY, GET BACK HERE!
546
00:36:47,467 --> 00:36:49,266
MULLIGAN!
547
00:36:49,267 --> 00:36:50,799
COME HERE, BOY!
548
00:36:50,800 --> 00:36:52,599
COME HERE, MULLIGAN,
549
00:36:52,600 --> 00:36:53,966
HERE, BOY,
550
00:36:53,967 --> 00:36:55,467
COME HERE, BOY,
551
00:36:58,267 --> 00:37:00,133
THE HELL WITH YOU,
552
00:37:00,134 --> 00:37:03,200
STAY IN HERE
AND ROT FOR ALL I CARE,
553
00:38:18,534 --> 00:38:20,266
HOW DID SHE ESCAPE?
554
00:38:20,267 --> 00:38:21,699
WHO KNOWS? WHO CARES?
555
00:38:21,700 --> 00:38:23,299
SHE'S COMING BACK HERE,
556
00:38:23,300 --> 00:38:26,766
WHEN SHE DOES, I WANT HER
TO SEE MULLIGAN ALIVE AND WELL,
557
00:38:26,767 --> 00:38:29,199
DID YOU TELL
DOLLY AND MIKE?
558
00:38:29,200 --> 00:38:31,266
THEY KNOW TO KEEP IT UP,
559
00:38:31,267 --> 00:38:32,633
THEY WANT MORE MONEY,
560
00:38:32,634 --> 00:38:34,299
SURPRISE,
561
00:38:34,300 --> 00:38:35,899
COME ON, UNLOCK THE DOOR,
562
00:38:35,900 --> 00:38:37,200
YEAH, YEAH,
563
00:38:40,267 --> 00:38:42,766
MULLIGAN!
564
00:38:42,767 --> 00:38:44,266
HERE, KITTY, KITTY,
565
00:38:44,267 --> 00:38:46,833
SHE MIGHT NOT EVEN COME BACK,
566
00:38:46,834 --> 00:38:50,199
THAT IMPLANT MUST BE FRIED
AFTER WHAT WE PUT HER THROUGH,
567
00:38:50,200 --> 00:38:53,433
I CAN'T BELIEVE
YOU SLEPT WITH HER, KEVIN,
568
00:38:53,434 --> 00:38:54,999
SORRY, BABE,
569
00:38:55,000 --> 00:38:58,699
I HAD TO OCCUPY HER
UNTIL THE DRUGS KICKED IN,
570
00:38:58,700 --> 00:39:01,266
SHE WAS OUT BEFORE WE FINISHED,
571
00:39:01,267 --> 00:39:02,634
YEAH, RIGHT,
572
00:39:06,267 --> 00:39:07,833
I'LL MISS THESE GUYS,
573
00:39:07,834 --> 00:39:10,199
HOW MUCH DID
THE CORPORATION SPEND ON 'EM?
574
00:39:10,200 --> 00:39:12,999
HUNDRED GRAND, MAYBE MORE,
575
00:39:13,000 --> 00:39:16,533
I CAN'T BELIEVE
THEY SPENT THAT MUCH,
576
00:39:16,534 --> 00:39:18,399
WHEN MOLSTAD'S IMPLANT FAILS,
577
00:39:18,400 --> 00:39:20,599
OUR COMPANY
HAS THE MARKET CORNERED,
578
00:39:20,600 --> 00:39:23,033
YOU KNOW HOW MUCH MONEY
WE'RE TALKING ABOUT?
579
00:39:23,034 --> 00:39:25,533
MULLIGAN, WHERE ARE YOU?
580
00:39:25,534 --> 00:39:27,699
COME ON,
581
00:39:27,700 --> 00:39:29,266
COME ON, BOY,
582
00:39:29,267 --> 00:39:31,133
HERE, KITTY, KITTY, KITTY,
583
00:39:31,134 --> 00:39:34,299
MULLIGAN, COME ON OUT,
584
00:39:34,300 --> 00:39:35,666
HERE HE IS,
585
00:39:35,667 --> 00:39:37,366
VERY FUNNY,
586
00:39:38,667 --> 00:39:40,366
THERE HE IS,
587
00:39:40,367 --> 00:39:42,833
THERE HE IS, MULLIGAN,
588
00:39:42,834 --> 00:39:45,533
WHAT ARE YOU DOING IN HERE,
YOU CRAZY BOY?
589
00:39:45,534 --> 00:39:47,466
COME ON,
590
00:39:47,467 --> 00:39:49,199
LET'S GET OUT OF HERE,
591
00:39:49,200 --> 00:39:50,567
MULLIGAN!
592
00:39:52,434 --> 00:39:55,533
FORGET ABOUT THE STUPID CAT,
593
00:39:55,534 --> 00:39:57,999
WE DID IT, WE'RE RICH,
594
00:39:58,000 --> 00:39:59,534
LET'S CELEBRATE,
595
00:40:03,400 --> 00:40:05,566
WE SHOULD
GET DOWNSTAIRS,
596
00:40:05,567 --> 00:40:07,499
QUIT WORRYING,
597
00:40:07,500 --> 00:40:08,933
IF BETH DOES SHOW,
598
00:40:08,934 --> 00:40:12,166
WE'LL WRAP HER UP AGAIN
AND TAKE HER TO MOLSTAD,
599
00:40:12,167 --> 00:40:15,233
HE'LL DIG THE IMPLANT
OUT OF HER BRAIN
600
00:40:15,234 --> 00:40:18,533
AND SLAP A LABEL ON IT...
"DEFECTIVE,"
601
00:40:43,967 --> 00:40:47,666
DR, HAWTHORNE,
CALL ON LINE THREE,
602
00:40:47,667 --> 00:40:49,200
DR, HAWTHORNE,
LINE THREE,
603
00:40:53,434 --> 00:40:58,066
WELL, THAT'S IT, THE RESULTS
OF THE HEARING ARE IN,
604
00:40:58,067 --> 00:41:01,366
BECAUSE OF THE UNUSUAL NATURE
OF THE CASE,
605
00:41:01,367 --> 00:41:03,899
AND BECAUSE YOU'VE REVERTED
TO YOUR OLD SELF,
606
00:41:03,900 --> 00:41:05,633
YOU CANNOT NOW UNDERSTAND
607
00:41:05,634 --> 00:41:07,833
THE EMOTIONS
BEHIND WHAT YOU DID,
608
00:41:07,834 --> 00:41:09,766
YOU WON'T BE HELD RESPONSIBLE
609
00:41:09,767 --> 00:41:12,399
FOR THE DEATHS OF JOAN GARRISON
AND KEVIN FLYNN,
610
00:41:12,400 --> 00:41:17,233
THE KELLERMANS'
CONFESSION HELPED,
611
00:41:17,234 --> 00:41:19,966
THEY SAID THEY WERE ACTORS
PLAYING ROLES,
612
00:41:19,967 --> 00:41:22,333
OF COURSE WITH THAT SPACESHIP
613
00:41:22,334 --> 00:41:25,699
AND THE ACCOUTREMENTS
UP THERE IN THE APARTMENT,
614
00:41:25,700 --> 00:41:28,834
IT WOULD HAVE BEEN PRETTY HARD
TO DENY ANYWAY,
615
00:41:35,800 --> 00:41:37,734
BUT WHAT ABOUT YOU?
616
00:41:39,767 --> 00:41:43,399
ARE YOU ALL RIGHT?
617
00:41:43,400 --> 00:41:45,766
I'M FINE,
618
00:41:45,767 --> 00:41:47,233
IT DOESN'T BOTHER YOU
619
00:41:47,234 --> 00:41:49,834
THAT IMPLANT IS
IN YOUR BRAIN?
NO,
620
00:41:51,800 --> 00:41:53,799
WELL, IT'S HARMLESS,
621
00:41:53,800 --> 00:41:55,566
IT'S BURNED ITSELF OUT,
622
00:41:55,567 --> 00:41:57,766
ALL THE BEHAVIORAL
TESTS CONFIRM THAT,
623
00:41:57,767 --> 00:41:59,499
THERE WOULD BE
NO POINT
624
00:41:59,500 --> 00:42:01,967
IN DOING SURGERY
TO REMOVE IT,
625
00:42:07,300 --> 00:42:10,134
I'M SORRY THAT
IT'S TURNED OUT THIS WAY...
626
00:42:13,100 --> 00:42:15,134
FOR BOTH OF US,
627
00:42:32,934 --> 00:42:37,366
DON'T WORRY, BABY, I'M HOME,
628
00:42:37,367 --> 00:42:40,533
ERRANT COMPUTERS
CAN BE REPROGRAMMED,
629
00:42:40,534 --> 00:42:43,099
IMPERFECT MACHINES
REDESIGNED,
630
00:42:43,100 --> 00:42:46,500
BUT HUMAN BEINGS
ARE ANOTHER MATTER.
41644
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Faroese
Finnish
Frisian
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof