Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:04,200 --> 00:00:07,280
Hello, faithful viewer. I am
Russell T Davies, I'm the writer.
2
00:00:07,280 --> 00:00:08,560
But I'm sitting here with...
3
00:00:08,560 --> 00:00:11,160
Millie Gibson,
who plays Ruby Sunday.
4
00:00:11,160 --> 00:00:13,200
Chris May,
who produced this episode.
5
00:00:13,200 --> 00:00:14,480
With blood, sweat and tears.
6
00:00:14,480 --> 00:00:16,000
Yes, all of those things.
7
00:00:16,000 --> 00:00:18,680
So, Millie, presumably this...
We are... This is Christmas Day.
8
00:00:18,680 --> 00:00:20,600
People have seen this
on Christmas Day.
9
00:00:20,600 --> 00:00:22,960
I think some people will be
listening to this commentary
10
00:00:22,960 --> 00:00:24,400
on Christmas Day.
11
00:00:24,400 --> 00:00:27,120
For the love of God,
go back to your families, people!
12
00:00:27,120 --> 00:00:29,480
Go and embrace your children!
13
00:00:29,480 --> 00:00:34,160
Stop locking yourself in the attic
with your little portable telly!
14
00:00:34,160 --> 00:00:36,960
At least finish
the Christmas pudding and then go.
15
00:00:36,960 --> 00:00:38,760
So, Millie,
you only saw this properly...
16
00:00:38,760 --> 00:00:40,520
We were shooting this in November.
17
00:00:40,520 --> 00:00:41,800
And you saw it yesterday?
18
00:00:41,800 --> 00:00:44,480
I saw it yesterday. So this is
my second time watching it,
19
00:00:44,480 --> 00:00:46,120
so I'm still like...eyes peeled.
20
00:00:46,120 --> 00:00:48,400
Wow. What are you like
at watching yourself?
21
00:00:48,400 --> 00:00:50,720
I think...
I think I'm getting better.
22
00:00:50,720 --> 00:00:51,880
I think, definitely...
23
00:00:51,880 --> 00:00:55,560
I mean, even when we do ADR,
it's quite daunting.
24
00:00:55,560 --> 00:00:58,480
But, yeah, it's definitely
getting there
25
00:00:58,480 --> 00:01:01,200
with trying not to be too vain.
26
00:01:01,200 --> 00:01:03,560
Aw, no!
It's not vain at all.
27
00:01:03,560 --> 00:01:06,800
I think you should take pride
in yourself, darling.
28
00:01:06,800 --> 00:01:10,040
I suppose, because with Coronation
Street, you were on all the time,
29
00:01:10,040 --> 00:01:13,440
so I bet you didn't even watch
every episode, did you? No, no.
30
00:01:13,440 --> 00:01:16,080
And also... Yeah, yeah,
you never look.
31
00:01:16,080 --> 00:01:17,920
Look, it's your name!
32
00:01:17,920 --> 00:01:19,480
I know. Big letters!
33
00:01:19,480 --> 00:01:21,440
That's what was lacking
on Coronation Street!
34
00:01:21,440 --> 00:01:24,400
Should've had that cat
and the cobbles and "Millie Gibson".
35
00:01:26,160 --> 00:01:28,640
I'll have a word with them -
don't worry!
36
00:01:28,640 --> 00:01:30,040
Doctor Who...
37
00:01:31,720 --> 00:01:35,640
This wasn't even part
of your audition, was it, this?
38
00:01:35,640 --> 00:01:37,680
What... A lot of your audition
39
00:01:37,680 --> 00:01:41,000
was episode one.
Yeah, my audition was episode one,
40
00:01:41,000 --> 00:01:42,400
and I don't even think
41
00:01:42,400 --> 00:01:46,160
that scene was used. No. No.
We dropped some of it.
42
00:01:46,160 --> 00:01:48,200
We dropped some of it.
You talked about going...
43
00:01:48,200 --> 00:01:50,400
You and the Doctor talked
about going to Glastonbury.
44
00:01:50,400 --> 00:01:52,280
Do you remember? Yes.
Yeah, yeah! I liked that.
45
00:01:52,280 --> 00:01:54,240
Episode one ended up too long.
There's a fair bit
46
00:01:54,240 --> 00:01:56,440
on the cutting room floor, which...
That's all right.
47
00:01:56,440 --> 00:01:59,480
..the people making this commentary
will probably salvage from the floor
48
00:01:59,480 --> 00:02:01,040
and put together into a package.
49
00:02:01,040 --> 00:02:02,280
Tell us about Davina!
50
00:02:02,280 --> 00:02:04,120
Davina!
51
00:02:04,120 --> 00:02:06,560
Aw, I love her. We love Davina.
I love her. We just love her.
52
00:02:06,560 --> 00:02:08,760
Please get her back.
I love her so much.
53
00:02:08,760 --> 00:02:11,480
She does get mentioned again,
doesn't she? Yeah, yeah.
54
00:02:11,480 --> 00:02:14,600
She was amazing. Yeah.
Just a delight on that day.
55
00:02:14,600 --> 00:02:16,720
Oh, my gosh. In the middle
of Cardiff. That funny...
56
00:02:16,720 --> 00:02:19,240
Yeah. She had a terrible...
Yeah, she had a really sore throat.
57
00:02:19,240 --> 00:02:21,320
She had a terrible sore throat.
Yes. She rang me...
58
00:02:21,320 --> 00:02:24,240
We spoke about revoicing some
of her stuff but it wasn't needed.
59
00:02:24,240 --> 00:02:26,320
No, it wasn't.
She was like, "I'm so sorry."
60
00:02:26,320 --> 00:02:29,040
She rang me on the Sunday before...
We were due to do it on the Monday.
61
00:02:29,040 --> 00:02:31,560
She rang me on the Sunday night
and said, "I'm really worried."
62
00:02:31,560 --> 00:02:34,080
"Everything's going to be fine."
Emails were flying.
63
00:02:34,080 --> 00:02:35,760
"Can we move this day?" No!
64
00:02:35,760 --> 00:02:37,560
As soon as it went "action",
she was great.
65
00:02:37,560 --> 00:02:39,720
Yeah, she was amazing. Showbiz.
Yeah.
66
00:02:39,720 --> 00:02:41,400
..foundling, do you? It's just...
67
00:02:41,400 --> 00:02:43,600
Cos I always said...
I wrote her into this.
68
00:02:43,600 --> 00:02:46,560
I've got to say I wrote her
into this because
69
00:02:46,560 --> 00:02:48,080
I love Long Lost Family,
70
00:02:48,080 --> 00:02:50,240
and Long Lost Family started
doing foundling shows,
71
00:02:50,240 --> 00:02:53,720
where there's...which is different
from their normal adoption shows,
72
00:02:53,720 --> 00:02:56,120
where there's no trace whatsoever.
That's so clever.
73
00:02:56,120 --> 00:02:58,120
And now DNA is unwrapping families.
74
00:02:58,120 --> 00:03:00,600
So that literally inspired
this story. Mm.
75
00:03:00,600 --> 00:03:02,920
And I thought, "That's so
fascinating. What great story
76
00:03:02,920 --> 00:03:05,640
"we could get out of this." So,
we contacted Davina. Yeah. And...
77
00:03:05,640 --> 00:03:09,920
We had to be quite careful not
to mention Long Lost Family itself.
78
00:03:09,920 --> 00:03:12,640
They were very... They were very
supportive of the show, though.
79
00:03:12,640 --> 00:03:15,720
Supportive. Yeah. OK. Yeah, yeah.
Yeah, yeah. Cool. Yeah.
80
00:03:15,720 --> 00:03:17,400
But it's kind of a copyright thing
81
00:03:17,400 --> 00:03:19,720
that we couldn't actually say.
Yeah. Yeah.
82
00:03:19,720 --> 00:03:22,880
She's so gorgeous. Aw, she's fab.
Just such a lovely person.
83
00:03:22,880 --> 00:03:24,840
Oh, my gosh,
the nicest person ever.
84
00:03:24,840 --> 00:03:28,120
See, I knew she could act.
She did a sitcom called Sam.
85
00:03:28,120 --> 00:03:30,120
Oh! It only ran for one season.
She was the lead.
86
00:03:30,120 --> 00:03:32,120
It was built around her
and she was great.
87
00:03:32,120 --> 00:03:34,280
It was kind of a Friends-type thing.
Yeah, yeah.
88
00:03:34,280 --> 00:03:37,400
Davina and her mates... Well,
Sam and her mates, and it was great.
89
00:03:37,400 --> 00:03:40,520
But, yeah, I knew she'd be good.
Mmm.
90
00:03:40,520 --> 00:03:41,920
Can I ask you something?
91
00:03:41,920 --> 00:03:44,520
Didn't expect her to be such
a delight. She's like a lucky charm.
92
00:03:44,520 --> 00:03:46,560
When Doctor Who won a Bafta
in 2006...
93
00:03:46,560 --> 00:03:48,840
Because she'd been in it before.
She was the presenter.
94
00:03:48,840 --> 00:03:50,360
Her voice had been in it.
Oh, no way!
95
00:03:50,360 --> 00:03:53,880
Yeah, so she was onstage with us
when we won, like, "Hi, Davina."
96
00:03:53,880 --> 00:03:56,280
So, she's kind of like...
She's our good-luck charm.
97
00:03:56,280 --> 00:03:58,000
Yeah. I love this bit.
98
00:03:58,000 --> 00:04:00,200
Yeah. I love this cut too.
99
00:04:00,200 --> 00:04:02,680
There's a really lovely moment here.
Here we go.
100
00:04:02,680 --> 00:04:03,880
Bosh! Yeah. Bosh.
101
00:04:03,880 --> 00:04:05,560
Davina's head. Loving it!
102
00:04:05,560 --> 00:04:07,960
Becky Trotman, editor, everyone.
What a genius!
103
00:04:07,960 --> 00:04:09,800
Yes. Becky Trotman.
Lovely, lovely edit.
104
00:04:09,800 --> 00:04:11,040
Great, great, great edit.
105
00:04:11,040 --> 00:04:13,160
These captions were the last thing
to be edited.
106
00:04:13,160 --> 00:04:15,600
It didn't originally have captions
spelling out the dates,
107
00:04:15,600 --> 00:04:16,680
but we thought...
108
00:04:16,680 --> 00:04:19,800
Look who's the man! Here he is!
We ignored him on the pre-titles.
109
00:04:19,800 --> 00:04:21,400
Hello, Ncuti.
110
00:04:21,400 --> 00:04:23,680
That's Mary. Mary. Mary Malone.
111
00:04:23,680 --> 00:04:25,600
I'm so not playing that piano!
112
00:04:25,600 --> 00:04:27,560
You learned a bit. Look!
113
00:04:28,640 --> 00:04:30,480
You know I've got that piano now?
Oh, really?
114
00:04:30,480 --> 00:04:32,880
I'm trying to teach myself piano.
I wondered where it went.
115
00:04:32,880 --> 00:04:35,280
It's in my flat in Cardiff.
It disappeared from my trailer!
116
00:04:35,280 --> 00:04:37,160
You're piano mad,
because you bought me...
117
00:04:37,160 --> 00:04:39,160
I know.
..a "how to play the piano" book.
118
00:04:39,160 --> 00:04:40,960
I'm waiting...
One day we'll do a duet!
119
00:04:40,960 --> 00:04:43,280
You came to my house... I've
got a piano in my house because
120
00:04:43,280 --> 00:04:45,160
the previous owners had one
and they couldn't
121
00:04:45,160 --> 00:04:47,360
be bothered moving it. Ohhh!
I can't play the piano.
122
00:04:47,360 --> 00:04:48,720
But I look like a great musician!
123
00:04:48,720 --> 00:04:50,600
He came round and said,
"Give us a tune."
124
00:04:50,600 --> 00:04:52,240
I said, "I can't! It's just there!"
125
00:04:52,240 --> 00:04:55,120
It's not a grand piano. It's like a
school upright piano kind of thing.
126
00:04:55,120 --> 00:04:57,880
Yeah. Now he's bought me
a book on how play the piano.
127
00:04:57,880 --> 00:05:00,200
I have not got very far.
No. I will tell my children.
128
00:05:00,200 --> 00:05:02,280
I think I've done a Millie on that!
129
00:05:04,160 --> 00:05:06,160
Um, Doctor dancing.
130
00:05:06,160 --> 00:05:07,440
Dancing. Beautiful.
131
00:05:07,440 --> 00:05:08,880
This was the best. I mean...
132
00:05:08,880 --> 00:05:10,440
Such a great day. Was it?
133
00:05:10,440 --> 00:05:13,000
Yeah, I wasn't even on camera
and it moved me to tears
134
00:05:13,000 --> 00:05:15,440
watching Ncuti doing his dance.
Oh, really? He was just...
135
00:05:15,440 --> 00:05:17,520
You could just feel
the energy in the room.
136
00:05:17,520 --> 00:05:19,880
Even the crew was like,
"Oh, my God, this is so emotional."
137
00:05:19,880 --> 00:05:21,800
Really? It was like...
this is a new era.
138
00:05:21,800 --> 00:05:23,960
We had a fab choreographer, Jack...
Yeah.
139
00:05:23,960 --> 00:05:26,960
..who even before Ncuti did
the scene,
140
00:05:26,960 --> 00:05:29,800
he had all the extras
in another room rehearsing
141
00:05:29,800 --> 00:05:31,400
and he worked with them.
142
00:05:31,400 --> 00:05:33,920
I think, the whole thing, the energy
of it all was so incredible
143
00:05:33,920 --> 00:05:35,000
by the time it happened.
144
00:05:35,000 --> 00:05:37,440
Jack Murphy, whose work you will see
throughout the series.
145
00:05:37,440 --> 00:05:38,680
Amazing. Indeed.
146
00:05:38,680 --> 00:05:42,000
Thank you.
But you were just over there.
147
00:05:42,000 --> 00:05:44,640
Health and safety.
Gin and tonic division.
148
00:05:45,920 --> 00:05:48,160
Can I ask, does that happen
to you a lot?
149
00:05:48,160 --> 00:05:49,960
Knocking things over?
Oh, all the time.
150
00:05:49,960 --> 00:05:51,400
But I'm just clumsy.
151
00:05:51,400 --> 00:05:52,920
No. No, you're not.
152
00:05:52,920 --> 00:05:54,360
It's worse than that.
153
00:05:57,240 --> 00:05:59,080
Merry Christmas.
154
00:06:06,360 --> 00:06:08,480
Oh!
155
00:06:09,960 --> 00:06:11,600
Ooh, I haven't seen this scene.
156
00:06:11,600 --> 00:06:13,960
Watch. This is so good.
157
00:06:13,960 --> 00:06:16,280
This was the very last scene.
I'll put my headphones in.
158
00:06:16,280 --> 00:06:18,280
I haven't seen this one.
159
00:06:18,280 --> 00:06:19,400
Cables creaking.
160
00:06:19,400 --> 00:06:22,080
So, this was the very
last scene to be added.
161
00:06:22,080 --> 00:06:26,200
I'll tell you why - because Disney
always test a first episode,
162
00:06:26,200 --> 00:06:29,560
and they tested this and people
wanted to see the Doctor earlier,
163
00:06:29,560 --> 00:06:31,720
simple as that.
They came back with that note,
164
00:06:31,720 --> 00:06:34,480
and I was like, "Well, actually,
OK, who doesn't want to see Ncuti?"
165
00:06:34,480 --> 00:06:37,320
You're busy listening to it
for the first time. I was like...
166
00:06:37,320 --> 00:06:38,760
I know. I'm sorry...
167
00:06:40,000 --> 00:06:42,240
All right, Russell, shut up.
I'm like, "Shh!"
168
00:06:42,240 --> 00:06:45,320
People have abandoned their
families to sit and watch this.
169
00:06:45,320 --> 00:06:46,480
Aww.
170
00:06:46,480 --> 00:06:49,120
It's good. So, anyway,
I'm going to whisper.
171
00:06:49,120 --> 00:06:52,240
So, I invented this
with the falling snowman.
172
00:06:52,240 --> 00:06:54,760
In the very first
draft of the script
173
00:06:54,760 --> 00:06:57,800
there was a sequence here
of decorations falling, so...
174
00:06:57,800 --> 00:07:00,320
I feel like I should shut up now.
175
00:07:02,000 --> 00:07:03,400
Mary laughing.
176
00:07:04,640 --> 00:07:07,360
It's great, isn't it? It's so good.
It's like the Manchester...
177
00:07:07,360 --> 00:07:09,400
It's based on the Manchester Santa.
Oh, is it?
178
00:07:09,400 --> 00:07:10,880
That's what I thought of. Really?
179
00:07:10,880 --> 00:07:13,360
They said, "What can you do?
What kind of disaster can you do?"
180
00:07:13,360 --> 00:07:15,440
Manchester Town Hall,
faithful listeners,
181
00:07:15,440 --> 00:07:18,440
has a giant Santa in lots of
different shapes over the years
182
00:07:18,440 --> 00:07:21,280
that's been strapped to the town
hall clock and I thought of that.
183
00:07:21,280 --> 00:07:22,840
That's literally what inspired it.
184
00:07:22,840 --> 00:07:24,320
I love this woman with the pram.
185
00:07:24,320 --> 00:07:25,520
Yeah, she's so funny.
186
00:07:25,520 --> 00:07:27,840
She's so rude to him. Yeah.
187
00:07:27,840 --> 00:07:29,760
She's really brilliant.
188
00:07:29,760 --> 00:07:31,160
That's a great effect.
189
00:07:31,160 --> 00:07:33,880
It's beautifully done,
this sequence. Yeah.
190
00:07:33,880 --> 00:07:35,200
Are you all right?
191
00:07:35,200 --> 00:07:36,840
She's got shopping in there.
192
00:07:36,840 --> 00:07:39,520
Oh...
The Americans said, "What's a pram?"
193
00:07:39,520 --> 00:07:41,840
They don't use the word pram.
194
00:07:41,840 --> 00:07:44,320
Oh, they don't use the word pram?
It's a stroller, I think.
195
00:07:44,320 --> 00:07:47,200
In the script, they're like, "Who's
this woman? Why's she got a pram?
196
00:07:47,200 --> 00:07:49,480
"What's a pram?"
That's funny, isn't it?
197
00:07:49,480 --> 00:07:50,960
Well, I heard that they didn't...
198
00:07:50,960 --> 00:07:54,360
Cos I said fit and
they didn't know what fit was.
199
00:07:54,360 --> 00:07:57,080
No. It's... They recognise hot,
but not fit.
200
00:07:57,080 --> 00:07:59,280
Yeah, but why? But like, that's...
201
00:07:59,280 --> 00:08:01,400
What else does fit mean? Exactly.
202
00:08:01,400 --> 00:08:04,400
Do you know what I mean?
It's crazy!
203
00:08:04,400 --> 00:08:08,560
They're very good at
our transatlantic translations
204
00:08:08,560 --> 00:08:10,320
and things.
In fact, they just always ask,
205
00:08:10,320 --> 00:08:13,680
and it's always fine,
and they enjoy learning.
206
00:08:13,680 --> 00:08:15,360
I know, cos it's like
I couldn't say...
207
00:08:15,360 --> 00:08:17,280
No-one actually mentions
the pram in dialogue
208
00:08:17,280 --> 00:08:19,040
but you couldn't say stroller,
could you?
209
00:08:19,040 --> 00:08:21,720
It's like in Britain you'd be like,
"What? What the hell is that?"
210
00:08:21,720 --> 00:08:23,640
Great policeman here. Barney.
Love him. Yeah.
211
00:08:23,640 --> 00:08:26,800
Yeah, yeah, yeah. So funny.
Aw, that was such a good scene.
212
00:08:26,800 --> 00:08:28,960
It's not finished yet.
It's still going!
213
00:08:28,960 --> 00:08:31,960
It's still going. It's still
going. This is all one night.
214
00:08:31,960 --> 00:08:35,000
Was it one night or was it two?
Two. Two. It was two.
215
00:08:35,000 --> 00:08:37,120
It's a bit much for one, isn't it?
216
00:08:37,120 --> 00:08:39,560
And we wanted to have
a proper little introduction
217
00:08:39,560 --> 00:08:41,520
of the sonic screwdriver,
cos for some people,
218
00:08:41,520 --> 00:08:43,520
especially a big Disney audience,
219
00:08:43,520 --> 00:08:45,080
this could be the very first time.
220
00:08:45,080 --> 00:08:47,440
So actually, there never had
been a proper introduction
221
00:08:47,440 --> 00:08:49,720
of the sonic screwdriver,
and we get to see it.
222
00:08:49,720 --> 00:08:52,640
Yeah, I was going to say, cos it's a
completely different design, innit?
223
00:08:52,640 --> 00:08:54,880
Yes, it is!
Oh, God, I love that thing. Yeah.
224
00:08:54,880 --> 00:08:57,480
That's my favourite
sonic by a million miles. Really?
225
00:08:57,480 --> 00:08:59,120
Yeah. Cool. I love it.
226
00:08:59,120 --> 00:09:01,760
I really think it's extraordinary.
227
00:09:01,760 --> 00:09:04,320
We don't actually see
enough of it on-screen. No.
228
00:09:06,080 --> 00:09:07,960
I'm going to have to write episodes
one day
229
00:09:07,960 --> 00:09:09,720
where he sits down and examines it.
230
00:09:09,720 --> 00:09:11,840
Look at that snowman's head.
I just love it.
231
00:09:11,840 --> 00:09:14,080
Aw, that's proper magic!
232
00:09:14,080 --> 00:09:15,200
Off he goes.
233
00:09:15,200 --> 00:09:17,920
So, for a new audience,
they're really intrigued now.
234
00:09:17,920 --> 00:09:20,640
Who is he? Why is he following Ruby?
So, it's just that extra level.
235
00:09:20,640 --> 00:09:23,040
Yeah. Yeah. And off goes Barney...
I completely get that.
236
00:09:23,040 --> 00:09:25,680
..to be happy. Aw!
Nice, isn't it?
237
00:09:25,680 --> 00:09:28,080
And he lived happily ever after!
The end!
238
00:09:28,080 --> 00:09:31,520
Here we go, December 24th.
239
00:09:31,520 --> 00:09:34,080
So back to the normal script now
and...
240
00:09:34,080 --> 00:09:36,200
Is that really Notting Hill, Millie?
241
00:09:36,200 --> 00:09:38,960
No. That is Bris... Shh, shh, shh!
242
00:09:38,960 --> 00:09:40,840
..stol! Bristol.
243
00:09:40,840 --> 00:09:42,840
Bristol. Am I not allowed
to say that?
244
00:09:42,840 --> 00:09:44,880
Of course you are! We're joking!
245
00:09:44,880 --> 00:09:46,200
That was a joke.
246
00:09:46,200 --> 00:09:47,640
Oh, yeah.
247
00:09:47,640 --> 00:09:51,840
It's Bristol and, yeah, wee used
the same street in Bristol
248
00:09:51,840 --> 00:09:55,000
that whole time we did
any London scenes, really. Yeah.
249
00:09:55,000 --> 00:09:57,320
It's beautiful, I think.
It's beautiful. It's great.
250
00:09:57,320 --> 00:09:58,800
Yeah, it really works.
251
00:09:58,800 --> 00:10:01,760
Here she is! Oh, my gosh.
She's my favourite.
252
00:10:01,760 --> 00:10:04,080
I'm putting this in again.
She's a legend.
253
00:10:04,080 --> 00:10:06,200
I mean, there's a woman
with a soap opera history.
254
00:10:06,200 --> 00:10:08,040
Yes, of course. Anita Dobson.
255
00:10:08,040 --> 00:10:10,400
Lady... Lady May?
Lady... Lady Anita?
256
00:10:10,400 --> 00:10:11,800
Yeah. Indeed. Indeed.
257
00:10:11,800 --> 00:10:14,320
Bless her. Not that
she insists we call her that.
258
00:10:14,320 --> 00:10:16,320
She's good, isn't she? Yeah.
259
00:10:16,320 --> 00:10:18,160
A little bit of ADR here, Millie,
260
00:10:18,160 --> 00:10:19,760
where you go, "Did that mean me?"
261
00:10:19,760 --> 00:10:21,920
"Oh, you don't mean me."
That wasn't in originally.
262
00:10:21,920 --> 00:10:23,800
It was just irresistible,
cos she's looking,
263
00:10:23,800 --> 00:10:26,560
calling it "that big thing"
and she's looking at you.
264
00:10:26,560 --> 00:10:29,440
So, I had to put it in
just to make sense.
265
00:10:29,440 --> 00:10:32,760
Aw, was this a nice day shoot?
Was it sunny?
266
00:10:32,760 --> 00:10:34,360
What time of year are we in?
267
00:10:34,360 --> 00:10:36,000
God, I think this was February.
268
00:10:36,000 --> 00:10:38,880
It was February. Yeah. Yeah.
It's still cold.
269
00:10:38,880 --> 00:10:40,400
Yeah, it was freezing. Yeah.
270
00:10:40,400 --> 00:10:43,360
You had a lot of freezing,
didn't you? I did, I did.
271
00:10:43,360 --> 00:10:46,240
Yeah. Yeah. Oh, my gosh.
272
00:10:46,240 --> 00:10:47,880
You can see my thermal tights.
273
00:10:47,880 --> 00:10:50,160
My tights are so thick
cos they're thermal.
274
00:10:50,160 --> 00:10:53,320
But that's what Ruby Sunday
would be wearing! I know!
275
00:10:53,320 --> 00:10:55,360
Look how thick they are! Yeah.
276
00:10:55,360 --> 00:10:57,600
Cos it is risky, this episode.
It takes a good 20 minutes
277
00:10:57,600 --> 00:10:59,640
until the Doctor comes into orbit.
278
00:10:59,640 --> 00:11:01,360
Yeah. And I like that.
279
00:11:01,360 --> 00:11:04,560
But I can see why some people
scratch at it sometimes,
280
00:11:04,560 --> 00:11:08,800
cos you of course had shot
an awful lot without Ncuti.
281
00:11:08,800 --> 00:11:09,840
Yes. Yeah.
282
00:11:09,840 --> 00:11:12,040
Without giving away secrets
about the season to come,
283
00:11:12,040 --> 00:11:14,760
but I think it's quite well known
that Ncuti,
284
00:11:14,760 --> 00:11:17,040
when we started shooting,
was still on Sex Education.
285
00:11:17,040 --> 00:11:19,520
So it was... It was
the Millie Gibson show for ages.
286
00:11:19,520 --> 00:11:21,760
Happy days. It didn't feel like
Doctor Who.
287
00:11:21,760 --> 00:11:25,000
It was so... Happy days before he
came on. It was such fun.
288
00:11:26,120 --> 00:11:28,320
It was funny, though, wasn't it?
It was strange. Yeah.
289
00:11:28,320 --> 00:11:31,160
Strange way to start off the
series, wasn't it, I think? Yeah.
290
00:11:31,160 --> 00:11:33,640
And you are, let me say this,
you are brilliant.
291
00:11:33,640 --> 00:11:35,960
Aw. You are. No, you are...
292
00:11:35,960 --> 00:11:38,840
You are, though. You are.
Aw, thank you so much.
293
00:11:38,840 --> 00:11:41,560
The story that we're kicking off
here about the adoption
294
00:11:41,560 --> 00:11:45,160
and having been fostered and
then adopted and being a foundling
295
00:11:45,160 --> 00:11:46,880
actually runs through
the entire series.
296
00:11:46,880 --> 00:11:49,720
You're absolutely magnificent.
Aw, thank you so much.
297
00:11:49,720 --> 00:11:52,040
You probably haven't seen
episode eight yet, have you?
298
00:11:52,040 --> 00:11:54,720
I haven't seen any, really.
Oh, my God. Episode eight!
299
00:11:54,720 --> 00:11:57,240
I have to do ADR on that later.
It's a masterpiece. Aw.
300
00:11:57,240 --> 00:12:00,160
The end of that... You remember
the end of that? I do know the end.
301
00:12:00,160 --> 00:12:02,480
Faithful viewers, without
giving away... Oh, my God.
302
00:12:02,480 --> 00:12:04,560
Yeah, it's beautiful.
Aw, thank you so much.
303
00:12:04,560 --> 00:12:06,120
You've so delivered that. Thank you.
304
00:12:06,120 --> 00:12:08,480
It's brilliant. I can't wait for you
to see it. Stay tuned!
305
00:12:08,480 --> 00:12:11,880
Here's lovely Michelle. Wahey!
Aw, Mama Michelle.
306
00:12:11,880 --> 00:12:14,200
I should say, we are,
of course, shooting this...
307
00:12:14,200 --> 00:12:16,440
The Sundays had two visitors
today in their flat.
308
00:12:16,440 --> 00:12:18,880
This is us sitting in it!
Yes, we're here.
309
00:12:18,880 --> 00:12:20,120
Oh, yes, sorry!
310
00:12:20,120 --> 00:12:22,960
Hello! Us on camera. You can
probably just about see the kitchen,
311
00:12:22,960 --> 00:12:24,640
can't you, and the bedroom? Yeah.
312
00:12:24,640 --> 00:12:26,880
What with this camera work?
No chance!
313
00:12:26,880 --> 00:12:28,520
This lot? All out of focus!
314
00:12:28,520 --> 00:12:30,720
We're actually in there somewhere.
Just...
315
00:12:30,720 --> 00:12:32,240
Yeah, yeah, yeah.
316
00:12:32,240 --> 00:12:33,880
Aw, this scene's dead emosh.
317
00:12:33,880 --> 00:12:34,960
Yeah. Yeah.
318
00:12:36,120 --> 00:12:38,800
And this sets the bedrock.
I love the way Ruby's so...
319
00:12:38,800 --> 00:12:40,920
I love the way Ruby
doesn't go emosh. No.
320
00:12:40,920 --> 00:12:42,600
She stops her mum going down.
321
00:12:42,600 --> 00:12:45,000
She's like, "Come on." Yeah.
Lifts it.
322
00:12:45,000 --> 00:12:46,240
I think that's brilliant.
323
00:12:46,240 --> 00:12:47,280
Yeah, yeah, yeah.
324
00:12:47,280 --> 00:12:49,440
Lulubelle.
How did you come up with Lulubelle?
325
00:12:49,440 --> 00:12:50,720
I literally...
326
00:12:50,720 --> 00:12:53,040
I never... I never pause
over naming characters.
327
00:12:53,040 --> 00:12:54,880
I just name them straight away
and I just...
328
00:12:54,880 --> 00:12:57,080
I wanted it to have a ridiculous
name. Yeah, yeah.
329
00:12:57,080 --> 00:12:59,320
It? Her! Sorry.
Sorry, little baby!
330
00:12:59,320 --> 00:13:02,280
I was thinking of it
as a plot device then! It.
331
00:13:02,280 --> 00:13:03,440
Yeah, yeah.
332
00:13:03,440 --> 00:13:05,400
Um, and also, it's sweet.
333
00:13:05,400 --> 00:13:07,280
And also, it can be Lulu,
which is a nice name.
334
00:13:07,280 --> 00:13:08,760
Yeah, Lulu is cute.
335
00:13:08,760 --> 00:13:11,360
But she's gorgeous, isn't she?
336
00:13:11,360 --> 00:13:12,720
Beautiful stuff.
337
00:13:12,720 --> 00:13:15,880
This, of course, is all a set,
what we're sitting on now.
338
00:13:15,880 --> 00:13:18,440
The...
And none of the walls can come out,
339
00:13:18,440 --> 00:13:20,560
so it's quite cramped
for the cameras. Yeah.
340
00:13:20,560 --> 00:13:21,880
It was like squeezing through.
341
00:13:21,880 --> 00:13:23,960
The art department decided
to build it as much like
342
00:13:23,960 --> 00:13:26,160
being in an attic as possible,
so it's, actually...
343
00:13:26,160 --> 00:13:28,160
Oddly, we're kind of up
on some decks. Yeah.
344
00:13:28,160 --> 00:13:29,480
It all was quite challenging.
345
00:13:29,480 --> 00:13:33,640
It works, though, cos you
can feel the claustrophobia.
346
00:13:33,640 --> 00:13:36,360
And the height!
Like a cooped-up family home.
347
00:13:36,360 --> 00:13:38,000
I completely agree. What happens...
348
00:13:38,000 --> 00:13:39,880
I mean, we were all part
of those discussions.
349
00:13:39,880 --> 00:13:41,800
What we're talking about,
faithful viewers,
350
00:13:41,800 --> 00:13:43,840
is sometimes
with sets you can fly walls in,
351
00:13:43,840 --> 00:13:45,280
and that means you can remove them.
352
00:13:45,280 --> 00:13:47,520
So, you know, you could remove
this wall facing us here
353
00:13:47,520 --> 00:13:48,720
to get the cameras in.
354
00:13:48,720 --> 00:13:52,080
But actually, when you can fly
walls, then you do fly walls,
355
00:13:52,080 --> 00:13:54,600
and things end up looking
artificially big. Yeah.
356
00:13:54,600 --> 00:13:57,520
I'm a real fan of just
keeping your cameras within a space
357
00:13:57,520 --> 00:13:59,800
and making it look like
you would in a real house.
358
00:13:59,800 --> 00:14:02,080
Yeah. No, it really worked.
I think so.
359
00:14:02,080 --> 00:14:04,000
And you also save
an awful lot of studio time.
360
00:14:04,000 --> 00:14:06,400
When you fly walls in and out,
it takes for ever, doesn't it?
361
00:14:06,400 --> 00:14:07,920
Yeah. Yeah, that's the other part.
362
00:14:07,920 --> 00:14:09,480
But this feels...
Here we are today.
363
00:14:09,480 --> 00:14:12,400
We've come to do this commentary. I
love this place. It feels like home.
364
00:14:12,400 --> 00:14:13,800
I know, it does, it does.
365
00:14:13,800 --> 00:14:15,760
I mean, the whole of Christmas
was filmed here,
366
00:14:15,760 --> 00:14:18,080
so every time I come back,
it does remind me of Christmas.
367
00:14:18,080 --> 00:14:20,840
Yeah. It's nice that
we're doing it in here. Yeah.
368
00:14:20,840 --> 00:14:23,640
Also, I think that's the loveliest
kitchen. I love a yellow kitchen.
369
00:14:23,640 --> 00:14:25,960
It's so cute. The yellow?
I love it. Yeah.
370
00:14:25,960 --> 00:14:27,840
I've never seen
a yellow kitchen on TV before.
371
00:14:27,840 --> 00:14:31,040
We've got such a great design
department, led by Phil Sims
372
00:14:31,040 --> 00:14:33,360
and all his team -
Robyn, Adrian and everyone.
373
00:14:33,360 --> 00:14:35,640
And, um, I love it.
374
00:14:35,640 --> 00:14:37,320
Yeah, the colours are dead iconic.
375
00:14:37,320 --> 00:14:38,800
It's a little bit...
376
00:14:38,800 --> 00:14:41,680
Those sloping shelves, those drawers
that are sloping... Yeah.
377
00:14:41,680 --> 00:14:43,360
It's odd. Yeah. It's fantastic.
378
00:14:43,360 --> 00:14:46,120
Yeah, but, like, the family's odd -
in a beautiful way.
379
00:14:46,120 --> 00:14:49,560
Yeah. It's like, you know,
the house suits them. Yeah.
380
00:14:49,560 --> 00:14:52,080
Absolutely.
Were you like thrown together?
381
00:14:52,080 --> 00:14:54,560
Did you have any rehearsal time
with Michelle and Angela?
382
00:14:54,560 --> 00:14:56,920
No. No. It just...
It all just happened, didn't it?
383
00:14:56,920 --> 00:15:00,280
Yeah, I literally saw them at
the read-through, and that was it.
384
00:15:00,280 --> 00:15:01,800
Davina! Davina...
385
00:15:01,800 --> 00:15:04,680
Are we just going to sigh every time
Davina comes on-screen? Davina...
386
00:15:04,680 --> 00:15:06,800
It's funny isn't it?
You can supersize a programme,
387
00:15:06,800 --> 00:15:08,920
you can increase the budget,
all sorts of things,
388
00:15:08,920 --> 00:15:11,760
but never more rehearsal time.
Yeah. Never. And it's a real shame.
389
00:15:11,760 --> 00:15:14,000
Not that, you know...
You get on beautifully.
390
00:15:14,000 --> 00:15:16,320
I mean, even me and Ncuti,
we only had a chemistry test..
391
00:15:16,320 --> 00:15:19,520
Yeah. ..in the audition
and then that was it. It was like...
392
00:15:19,520 --> 00:15:21,760
That was quite a chemistry test,
though. Aw!
393
00:15:21,760 --> 00:15:24,280
You just...
I was there. You just...
394
00:15:24,280 --> 00:15:26,320
Me and Phil and Andy Pryor
sat there. You sizzled.
395
00:15:26,320 --> 00:15:28,440
Aw, thank you!
Didn't you? You must've felt it.
396
00:15:28,440 --> 00:15:31,520
Well... Oh, my God, I've never been
so nervous for an audition,
397
00:15:31,520 --> 00:15:33,320
honestly. But then when
I got in there,
398
00:15:33,320 --> 00:15:35,640
it was like, "Ahh, I can relax
a bit now." Yeah.
399
00:15:35,640 --> 00:15:38,720
I remember being in the waiting room
and just hearing Ncuti's laugh.
400
00:15:38,720 --> 00:15:40,720
I was like, "Yep that's Ncuti!"
401
00:15:41,840 --> 00:15:43,200
Wasn't it...the night...?
402
00:15:43,200 --> 00:15:44,560
It was a Saturday morning,
403
00:15:44,560 --> 00:15:47,400
and the night before had been your
last Coronation Street? Yeah.
404
00:15:47,400 --> 00:15:50,520
I watched it in a Premier Inn
by myself. Oh, no.
405
00:15:50,520 --> 00:15:51,960
I was like, "Oh, that's it, then."
406
00:15:51,960 --> 00:15:54,440
Up on that rooftop. Aw.
Early night for the audition!
407
00:15:54,440 --> 00:15:56,920
Yeah. There's the glamour!
It was a weird few days.
408
00:15:56,920 --> 00:15:59,280
And you came in just quite tough.
Yeah. I like that.
409
00:15:59,280 --> 00:16:01,600
You put on kind of like...
leggings. Oh, did I?
410
00:16:01,600 --> 00:16:03,960
You were quite Rubyish.
Yeah, yeah, yeah. Aw, was I?
411
00:16:03,960 --> 00:16:06,600
Was that not deliberate?
I dress quite Rubyish, I felt.
412
00:16:06,600 --> 00:16:09,400
I was wearing, like,
a pinafore dress,
413
00:16:09,400 --> 00:16:10,960
which is kind of chequered...
414
00:16:10,960 --> 00:16:13,920
Yeah, Yeah. ..like...colours.
Like a school...
415
00:16:13,920 --> 00:16:15,200
It was very instant, Millie.
416
00:16:15,200 --> 00:16:16,520
It was like... You just worked.
417
00:16:16,520 --> 00:16:18,920
Well, you can see it on-screen.
Thank you. You just worked.
418
00:16:18,920 --> 00:16:21,520
and bounced off each other. Aw.
419
00:16:21,520 --> 00:16:24,120
"Fell off a boat on dry land."
That's one of my favourite lines.
420
00:16:24,120 --> 00:16:25,680
I love that one!
421
00:16:25,680 --> 00:16:28,480
And when she goes,
"I was trampled by a moose."
422
00:16:28,480 --> 00:16:31,360
I fell off a boat - on dry land.
423
00:16:33,120 --> 00:16:35,640
I've been in accidents, collisions.
424
00:16:35,640 --> 00:16:37,800
I've even been trampled by a moose!
425
00:16:39,200 --> 00:16:42,080
This is such a laugh, this scene.
Yeah, it's brilliant.
426
00:16:42,080 --> 00:16:44,720
Word up, actually, we've not
mentioned lovely Mark Tonderai,
427
00:16:44,720 --> 00:16:46,120
who directed this, and this is...
428
00:16:46,120 --> 00:16:48,320
Oh, my God. This is
shot-by-shot perfect.
429
00:16:48,320 --> 00:16:50,880
The reveal of that broken leg,
the reveal of the tree.
430
00:16:50,880 --> 00:16:52,600
This is really classy stuff.
431
00:16:52,600 --> 00:16:55,080
It's hard to do comedy. I think
comedy's harder than drama.
432
00:16:55,080 --> 00:16:57,640
When you're being chased by
monsters, OK, just run, run, run.
433
00:16:57,640 --> 00:17:00,160
This is hard.
And Mark shot himself sometimes.
434
00:17:00,160 --> 00:17:02,760
So like, whenever Mark was like,
"Oh, I'm going to do the shot."
435
00:17:02,760 --> 00:17:05,000
it was like,
"OK, Mark's doing the shot."
436
00:17:05,000 --> 00:17:07,440
What? He'd demonstrate it
on himself? No. Like he'd...
437
00:17:07,440 --> 00:17:10,360
..hold the camera. Yeah, yeah.
Oh, God, yes.
438
00:17:10,360 --> 00:17:12,520
Yeah. Oh, no, Davina!
439
00:17:12,520 --> 00:17:14,880
Do you know, I've seen
this episode like 100 times.
440
00:17:14,880 --> 00:17:17,360
I laugh every single time.
Really? Yeah, the tree falls on her.
441
00:17:17,360 --> 00:17:20,560
I never not laugh at it.
It just makes me laugh so much,
442
00:17:20,560 --> 00:17:22,800
if I say so myself. Yeah!
It's my own joke!
443
00:17:22,800 --> 00:17:24,480
Yes, your own joke.
444
00:17:24,480 --> 00:17:27,560
She's a good sport, though,
isn't she? Yeah, she's sick.
445
00:17:27,560 --> 00:17:30,480
I love this, though. I love the way
it changes. It's so...
446
00:17:30,480 --> 00:17:32,320
That's why this episode
is so brilliant -
447
00:17:32,320 --> 00:17:35,040
you go from comedy... We've kind
of had 15 minutes of calm.
448
00:17:35,040 --> 00:17:36,800
Yeah. Yeah.
Now it never stops.
449
00:17:36,800 --> 00:17:39,400
No. It's one of them where you can't
really go to the loo without
450
00:17:39,400 --> 00:17:40,840
missing something... No.
451
00:17:40,840 --> 00:17:43,040
..because it just changes every...
Yeah, yeah, yeah.
452
00:17:43,040 --> 00:17:45,720
Do you remember how much palaver
we had to get you into that jacket?
453
00:17:45,720 --> 00:17:48,000
Because you're going to go up
the rope ladder... I know.
454
00:17:48,000 --> 00:17:50,480
..and you had to be on wires,
so you had to wear a jacket. Yeah.
455
00:17:50,480 --> 00:17:53,120
So, I had to invent that entire
little plot twist where Ruby says,
456
00:17:53,120 --> 00:17:55,400
"I'll go get some nappies
for the baby," and Carla says,
457
00:17:55,400 --> 00:17:57,960
"No, I'll go instead," so you just
had time to put on the jacket,
458
00:17:57,960 --> 00:18:00,360
and then the phone rings,
so you can't take your jacket off,
459
00:18:00,360 --> 00:18:02,560
so you're wearing the jacket
to go up the rope ladder!
460
00:18:02,560 --> 00:18:05,080
Sometimes it's like
bleeding from the eyes, Millie!
461
00:18:05,080 --> 00:18:07,600
Bleeding from the eyes, going,
"How do I get Ruby Sunday
462
00:18:07,600 --> 00:18:09,440
"into a jacket?" Yeah. Like that.
463
00:18:09,440 --> 00:18:11,760
It was good old Pam,
down in Costume and her team.
464
00:18:11,760 --> 00:18:14,200
And this ladder...
The story of the ladder.
465
00:18:14,200 --> 00:18:15,800
It was so heavy. Oh, yeah.
466
00:18:15,800 --> 00:18:18,160
Oh, this ladder? Yeah, yeah.
It was so heavy!
467
00:18:18,160 --> 00:18:20,600
Never mind the rope ladder,
the step ladder!
468
00:18:20,600 --> 00:18:22,240
Yeah!
469
00:18:22,240 --> 00:18:25,000
Here we go.
So, this is in the backlot.
470
00:18:25,000 --> 00:18:27,720
Yes. That's not really
in Notting Hill or Bristol.
471
00:18:27,720 --> 00:18:29,360
And this is my stunt double.
472
00:18:29,360 --> 00:18:30,520
Totally not me.
473
00:18:30,520 --> 00:18:31,920
Good double! I know.
474
00:18:31,920 --> 00:18:33,640
Oh, good double, Mills. I know.
475
00:18:33,640 --> 00:18:36,560
Oh, I love this line. I love...
476
00:18:36,560 --> 00:18:39,400
What I love about this is...is
it's mad,
477
00:18:39,400 --> 00:18:41,080
and she's on top of a building
478
00:18:41,080 --> 00:18:42,200
and there are goblins,
479
00:18:42,200 --> 00:18:44,560
but you wouldn't back away,
because they've got the baby.
480
00:18:44,560 --> 00:18:46,280
Yeah. Mm. There's no way... Yeah.
481
00:18:46,280 --> 00:18:48,800
..Ruby Sunday would say,
"I'm scared, I'm not doing that..."
482
00:18:48,800 --> 00:18:51,080
Yeah, yeah. ..because
it's all for the baby's sake.
483
00:18:51,080 --> 00:18:52,560
And it's also...it's just mad.
484
00:18:52,560 --> 00:18:53,920
Yeah.
485
00:18:53,920 --> 00:18:56,440
She hasn't got time to think.
No. Exactly. No time.
486
00:18:56,440 --> 00:18:58,000
Yeah. Just goes to it straight away.
487
00:18:58,000 --> 00:18:59,600
So, this is shot in...
488
00:18:59,600 --> 00:19:02,240
This is on the backlot
of Wolf Studios.
489
00:19:02,240 --> 00:19:03,680
I loved doing this!
490
00:19:03,680 --> 00:19:05,880
Did you? Did you?
Yeah, I felt like a superwoman.
491
00:19:05,880 --> 00:19:09,120
I loved it. Yeah. That's great,
isn't it? It was so much fun.
492
00:19:09,120 --> 00:19:11,560
We had about 1,000 cranes.
Yes.
493
00:19:11,560 --> 00:19:13,720
I remember all the cranes
and telehandlers.
494
00:19:13,720 --> 00:19:15,840
I love that shot.
That's my favourite shot.
495
00:19:15,840 --> 00:19:17,280
How he jumped over those...
496
00:19:17,280 --> 00:19:18,760
We built all this.
497
00:19:18,760 --> 00:19:21,800
This is all... The top of
the roof is a set on the backlot.
498
00:19:21,800 --> 00:19:22,880
Yeah.
499
00:19:22,880 --> 00:19:25,440
But we also, once
he gets on the ladder now, we've...
500
00:19:25,440 --> 00:19:28,320
Where did you hang off that ladder?
That was, um...
501
00:19:28,320 --> 00:19:30,280
That wasteland...
The wasteland. Yeah, yeah.
502
00:19:30,280 --> 00:19:33,480
Next door to the helipad. We were
just on that ladder all day.
503
00:19:33,480 --> 00:19:35,560
It was! Chatting!
These bits here, yeah.
504
00:19:35,560 --> 00:19:39,080
So, what? You're wired onto it,
really? Yeah, we're wired there.
505
00:19:39,080 --> 00:19:40,560
Um...
506
00:19:40,560 --> 00:19:45,040
So you're saying you don't end up
with sore arms, sore legs?
507
00:19:45,040 --> 00:19:48,760
I remember having a sore waist
cos the cor...
508
00:19:48,760 --> 00:19:52,840
Not the corset! The harness.
The harness was really tight.
509
00:19:52,840 --> 00:19:54,720
Well, thank God, it was tight.
510
00:19:54,720 --> 00:19:57,840
But, like,
it really pressed down on you, so...
511
00:19:57,840 --> 00:19:59,280
Yeah, you couldn't really walk.
512
00:19:59,280 --> 00:20:01,720
A million actors who have
been in stunt movies nodding.
513
00:20:01,720 --> 00:20:03,960
They'll be like, "I know
what she's talking about."
514
00:20:03,960 --> 00:20:05,880
That's really part of it.
Green screen, wires,
515
00:20:05,880 --> 00:20:07,280
screaming at monsters.
516
00:20:07,280 --> 00:20:10,080
Yeah, I know.
We've done it all in this series.
517
00:20:10,080 --> 00:20:11,920
Oh, God, you did it all
straight away!
518
00:20:11,920 --> 00:20:14,400
I'm perfectly trained
for whatever else I do.
519
00:20:14,400 --> 00:20:17,320
It's true. It is the best training,
this. It is. It is.
520
00:20:17,320 --> 00:20:19,560
Here's the intelligent gloves...
Yeah.
521
00:20:19,560 --> 00:20:22,440
..which kind of like... They're kind
of hidden as a joke here.
522
00:20:22,440 --> 00:20:24,840
I love this.
It's a nice shot, isn't it? Oh!
523
00:20:24,840 --> 00:20:26,480
Yeah. Beautiful.
524
00:20:26,480 --> 00:20:29,120
You hide them away as a joke and
then they end up solving the plot.
525
00:20:29,120 --> 00:20:31,960
You know, you don't think they're
that important at this stage. Yeah.
526
00:20:31,960 --> 00:20:34,520
But at the end, it's like,
ba-ba-bah, they will save the day.
527
00:20:34,520 --> 00:20:36,400
We really wanted them to be like...
528
00:20:36,400 --> 00:20:39,000
It looks so real.
It's so great, isn't it?
529
00:20:39,000 --> 00:20:41,360
Oh, thank God!
Imagine if that was real.
530
00:20:41,360 --> 00:20:43,640
Hanging underneath a plane.
531
00:20:43,640 --> 00:20:45,320
There was a lot of talk
about the gloves,
532
00:20:45,320 --> 00:20:48,160
whether they'd be like Star Wars -
metal gloves. Yeah. Oh, yeah, yeah.
533
00:20:48,160 --> 00:20:50,200
I said, "It's Doctor Who.
They're just a pair..."
534
00:20:50,200 --> 00:20:52,560
You always want a kid to put
their gloves on... Yeah. Yeah.
535
00:20:52,560 --> 00:20:54,600
I love that thing you said about
a kid wants to...
536
00:20:54,600 --> 00:20:56,760
..if a child wants to play
with them. Yes. Yeah.
537
00:21:00,520 --> 00:21:02,920
That's...impossible! It's beautiful.
538
00:21:02,920 --> 00:21:04,240
Isn't it beautiful?
539
00:21:04,240 --> 00:21:07,040
It's so, so cool. That's good, isn't
it? It's like...
540
00:21:07,040 --> 00:21:09,120
I think once we're getting...
541
00:21:09,120 --> 00:21:11,800
I told you last night, Millie, I
think this is my favourite episode.
542
00:21:11,800 --> 00:21:14,640
And I think... I love this. I love
how that's your favourite episode.
543
00:21:14,640 --> 00:21:17,680
And I think it's partly...
It's you, obviously. Yeah.
544
00:21:17,680 --> 00:21:20,240
But it's...it's this whole ship
and the goblins.
545
00:21:20,240 --> 00:21:22,880
I never thought, because this
is, you know, let's be honest,
546
00:21:22,880 --> 00:21:25,200
it's an increase in budget for
Doctor Who, so we're realising
547
00:21:25,200 --> 00:21:27,880
things we would never have been able
to achieve. Yeah, yeah, yeah.
548
00:21:27,880 --> 00:21:31,240
We'd never have been able to do a
race of creatures that are smaller
549
00:21:31,240 --> 00:21:33,360
than human. I mean, you see it
every few shots,
550
00:21:33,360 --> 00:21:35,000
when you stand next to each other.
Yeah.
551
00:21:35,000 --> 00:21:36,840
But it would have been impossible.
552
00:21:36,840 --> 00:21:39,560
We're literally telling a story
that's impossible and I think
553
00:21:39,560 --> 00:21:42,400
we tell it beautifully and actually,
all of that's irrelevant
554
00:21:42,400 --> 00:21:45,040
because the real drama is when
we get you and Ncuti,
555
00:21:45,040 --> 00:21:46,560
dialogue for five pages like this.
556
00:21:46,560 --> 00:21:49,400
I know. Five pages, yeah,
this was...
557
00:21:49,400 --> 00:21:52,040
But never lose sight of that,
that this is what it's all about.
558
00:21:52,040 --> 00:21:53,200
It's you two. Yeah, yeah.
559
00:21:53,200 --> 00:21:56,120
Because the whole time,
all those scenes with the goblins,
560
00:21:56,120 --> 00:21:58,680
they were never there. There was
nothing for you to look at.
561
00:21:58,680 --> 00:22:02,480
The whole thing was done... No, we
had little stick cut-outs of them...
562
00:22:02,480 --> 00:22:04,520
Yeah. Yeah! ..which was
actually helpful.
563
00:22:04,520 --> 00:22:06,920
They're still around the place,
those things. Yeah. Yeah.
564
00:22:06,920 --> 00:22:08,560
We could see how small they were.
565
00:22:08,560 --> 00:22:12,200
But to be fair, though,
we did have the Goblin King.
566
00:22:12,200 --> 00:22:15,280
Oh, OK! That's real, yes.
We had everything...
567
00:22:15,280 --> 00:22:18,600
I love that thing. Yeah, that's no
CGI. That is... Absolutely...
568
00:22:18,600 --> 00:22:20,680
That is a Goblin King. Yeah.
569
00:22:20,680 --> 00:22:22,760
A word up here for our colourist,
Gareth, who...
570
00:22:22,760 --> 00:22:24,880
All these beams of light...
Yes, they were. Yeah.
571
00:22:24,880 --> 00:22:27,520
..moving as the ship's...
Have been added. So beautiful.
572
00:22:27,520 --> 00:22:29,040
It's been added in post-production.
573
00:22:29,040 --> 00:22:31,560
There was light shining through,
obviously, but all the movement
574
00:22:31,560 --> 00:22:34,200
of this, because it's a ship, it's
tilting to and fro... Yeah.
575
00:22:34,200 --> 00:22:37,160
..is all in post-production. He's
a genius. Gareth's actually been
576
00:22:37,160 --> 00:22:39,520
the colourist on Doctor Who
for years, actually.
577
00:22:39,520 --> 00:22:42,400
He goes way back to the Chris
Chibnall series and things.
578
00:22:42,400 --> 00:22:45,120
When Chris Chibnall left
and I took over, Chris gave me
579
00:22:45,120 --> 00:22:47,320
a list of staff to keep on,
all of whom, well,
580
00:22:47,320 --> 00:22:49,720
Sandra in the office and also
Gareth, same. Yeah.
581
00:22:49,720 --> 00:22:52,600
He's the best colourist you'll ever
work with. And it's right!
582
00:22:52,600 --> 00:22:55,040
And this set's beautiful.
The set was ti...
583
00:22:55,040 --> 00:22:57,960
I mean, I'm small, I'm five foot,
but this set was tiny. Yes.
584
00:22:57,960 --> 00:23:00,480
It's like, you couldn't stand up.
585
00:23:00,480 --> 00:23:02,760
The amount of people that whacked
their heads
586
00:23:02,760 --> 00:23:04,440
coming into the decks and stuff...
587
00:23:04,440 --> 00:23:06,240
Yeah! It was so small. Oh, my God.
588
00:23:06,240 --> 00:23:08,840
Was it uncomfortable sitting,
doing all this dialogue?
589
00:23:08,840 --> 00:23:11,400
To be fair, this bit was all right.
It was OK?
590
00:23:11,400 --> 00:23:13,560
And it was fun because like,
you know,
591
00:23:13,560 --> 00:23:16,160
dialogue's so fun to work with.
Yeah. Yeah.
592
00:23:16,160 --> 00:23:18,040
It's such... It's their first
sort of...
593
00:23:18,040 --> 00:23:19,680
It's such a sparky scene, isn't it?
594
00:23:19,680 --> 00:23:22,280
Yeah, this is the time they're
talking where it's not big hectic.
595
00:23:22,280 --> 00:23:25,200
Yeah. What I like about this is, you
have to fight for eye contact.
596
00:23:25,200 --> 00:23:27,720
Yeah. Yeah! That's what we liked.
You're just talking normally,
597
00:23:27,720 --> 00:23:30,320
but you have to actually make an
effort to look at each other...
598
00:23:30,320 --> 00:23:31,960
Yeah. ..choose when to look at each
other
599
00:23:31,960 --> 00:23:34,240
and I think that kind of brings it
alive in a way.
600
00:23:34,240 --> 00:23:36,440
You're actually talking,
you're in your own world.
601
00:23:36,440 --> 00:23:38,600
Ncuti's funny here, as well!
He's glowing. Yes!
602
00:23:38,600 --> 00:23:40,920
He's just... So gorgeous.
603
00:23:40,920 --> 00:23:44,400
You're both gorgeous, darling!
Oh! No, he's glowing.
604
00:23:44,400 --> 00:23:48,360
Let it be said, yeah, he's done well
for an ugly fella.
605
00:23:48,360 --> 00:23:50,800
I've got to say, we've tarted him up
quite well!
606
00:23:50,800 --> 00:23:53,000
Scrubs up all right, doesn't he?
Yeah.
607
00:23:53,000 --> 00:23:54,800
Five hours of make-up every morning.
608
00:23:54,800 --> 00:23:56,720
You know I'm joking,
faithful viewer.
609
00:23:56,720 --> 00:23:59,920
Oh, ah, there we go, hands free.
610
00:23:59,920 --> 00:24:02,360
Nice bit of acting, testing your
wrists. Like, "Ah!"
611
00:24:02,360 --> 00:24:04,040
Not everyone would have done that.
612
00:24:04,040 --> 00:24:06,640
Most people would have just gone,
"Bang, I'm free!"
613
00:24:06,640 --> 00:24:08,000
Gorgeous.
614
00:24:09,360 --> 00:24:11,960
It's all building up to the song.
Mm, oh, the song.
615
00:24:11,960 --> 00:24:15,920
Look at this, just sitting there
going, "Come on, get to the song."
616
00:24:15,920 --> 00:24:20,000
So that's where the sonic was
originally first mentioned. Yes.
617
00:24:20,000 --> 00:24:23,080
And you get a good close-up of it,
there.
618
00:24:23,080 --> 00:24:25,560
He didn't... Actually, we don't,
um...
619
00:24:25,560 --> 00:24:28,400
We've cut the bit with psychic
paper, haven't we? Yeah.
620
00:24:28,400 --> 00:24:30,440
What did he originally use
the psychic paper for,
621
00:24:30,440 --> 00:24:32,280
and you said, "What's that?"
622
00:24:32,280 --> 00:24:34,880
and he explained the psychic
paper to you, and it's been cut.
623
00:24:34,880 --> 00:24:36,760
I thought that was in the club,
where he goes...
624
00:24:36,760 --> 00:24:39,400
It is in the club! Gin and tonic
division. Gin and tonic division.
625
00:24:39,400 --> 00:24:41,920
Then later on in the flat, he
explains it to you. Do you remember?
626
00:24:41,920 --> 00:24:44,560
Oh, yes, I do remember. Well, that's
been cut. Oh, it has been cut.
627
00:24:44,560 --> 00:24:47,120
Once you get back to the flat,
before we get to the ending
628
00:24:47,120 --> 00:24:49,640
where Ruby's disappeared,
everyone thought it was a bit long.
629
00:24:49,640 --> 00:24:52,280
It was a bit long, an awful lot to
chat about and stuff like that.
630
00:24:52,280 --> 00:24:54,640
So they said, "Lose a couple of
minutes there." Yeah.
631
00:24:54,640 --> 00:24:57,160
So I have to hack through
the dialogue, darling. Yeah.
632
00:24:57,160 --> 00:24:59,600
And that was one
of the things that went.
633
00:24:59,600 --> 00:25:01,760
It'll be somewhere on a missing
scene or something.
634
00:25:01,760 --> 00:25:03,080
Yeah. Don't worry.
635
00:25:04,360 --> 00:25:06,800
And I like the way the Doctor
and companion
636
00:25:06,800 --> 00:25:08,240
don't always get on at first. Yeah.
637
00:25:08,240 --> 00:25:10,480
They're cross with each other. Yeah.
638
00:25:10,480 --> 00:25:12,720
You have to kind of find that
friendship together.
639
00:25:12,720 --> 00:25:15,680
Well, Ruby's still got that purpose,
hasn't she? She wants the baby.
640
00:25:15,680 --> 00:25:17,760
Yeah. Yeah, yeah, yeah.
And he's faffing about!
641
00:25:17,760 --> 00:25:20,760
Yeah, yeah, yeah, yeah. Exactly!
642
00:25:20,760 --> 00:25:22,960
It is awful. It's quite
like sibling...
643
00:25:22,960 --> 00:25:25,920
Yeah. Yeah. ..you know, squabble.
644
00:25:25,920 --> 00:25:27,800
Yeah, yeah, yeah.
645
00:25:27,800 --> 00:25:29,280
Yeah, I love that glance
you give him
646
00:25:29,280 --> 00:25:31,600
when he says he has a hot summer
with Houdini. Yeah.
647
00:25:31,600 --> 00:25:35,720
It's got a little moment of like,
"I needn't bother, then." Yeah!
648
00:25:35,720 --> 00:25:38,760
"We can just stop that."
Yeah, I was like...
649
00:25:38,760 --> 00:25:40,840
Brilliant. Here we go.
650
00:25:40,840 --> 00:25:43,600
Oh. Song time. Actually, the whole
song sequence was easy for you.
651
00:25:43,600 --> 00:25:46,200
You just to had to crawl along the
corridor. It's poor Chris
652
00:25:46,200 --> 00:25:48,840
who had to... Yeah. Yeah, yeah,
yeah. ..shoot an empty set...
653
00:25:48,840 --> 00:25:50,680
Yeah, well... and a singer, yeah.
654
00:25:50,680 --> 00:25:53,520
You did... Other than the bit where
you joined in and sang.
655
00:25:53,520 --> 00:25:55,440
Oh, yes, yeah, yeah, yeah. Yeah.
656
00:25:57,160 --> 00:26:00,080
Song by Murray Gold, starting up
here in the background now,
657
00:26:00,080 --> 00:26:02,160
song by Murray Gold. Yeah.
658
00:26:02,160 --> 00:26:04,520
Aw, Murray Gold. Lovely Murray,
yeah, was a genius.
659
00:26:04,520 --> 00:26:06,400
I've got kneepads on here. Have you?
660
00:26:06,400 --> 00:26:09,360
This floor was actually that, like,
rough
661
00:26:09,360 --> 00:26:11,800
that it ripped my thermal tights.
Did it?
662
00:26:11,800 --> 00:26:14,360
Yeah, cos we were crawling
that much.
663
00:26:14,360 --> 00:26:16,000
Oh, we're tough on you. Yeah.
664
00:26:16,000 --> 00:26:19,880
So you've literally got pads on in
these scenes? I know, yeah! Ha!
665
00:26:19,880 --> 00:26:22,680
But these look so sick. Ah, goblins.
They're amazing, aren't they?
666
00:26:22,680 --> 00:26:24,960
I mean, that's so good. Yeah. Yeah.
667
00:26:24,960 --> 00:26:28,120
And so many effects shots. I mean,
Mr Chris May, producer,
668
00:26:28,120 --> 00:26:30,400
well done. Well done, yeah.
669
00:26:30,400 --> 00:26:32,080
Ooh, this is.. Breathe!
670
00:26:32,080 --> 00:26:33,720
I love these ones that swing across.
671
00:26:33,720 --> 00:26:35,640
If I had any hair left,
it would be gone, yeah.
672
00:26:35,640 --> 00:26:37,840
I love the band! Oh, yeah.
673
00:26:37,840 --> 00:26:40,120
Yeah, they're hilarious.
This scene is great.
674
00:26:40,120 --> 00:26:43,360
But, like, there was people walking
around with these goblin masks on.
675
00:26:43,360 --> 00:26:46,200
Yeah. And I remember, I was having
lunch in my trailer
676
00:26:46,200 --> 00:26:49,040
and I was on the step because it was
quite a nice day, and this guy just
677
00:26:49,040 --> 00:26:51,920
with a massive goblin mask came up
and went, "Hiya, you all right?"
678
00:26:51,920 --> 00:26:54,160
I was like, "Hiya!" It was bizarre!
679
00:26:54,160 --> 00:26:56,600
It is weird because you don't quite
know how to talk to them, do you?
680
00:26:56,600 --> 00:26:58,800
No, I know. I was like, I don't know
who I'm looking at here.
681
00:26:58,800 --> 00:27:00,320
Yeah, yeah, yeah.
682
00:27:00,320 --> 00:27:01,960
But it's... Yeah, complicated.
683
00:27:01,960 --> 00:27:05,040
So all the things... Because the
goblins are all three feet high
684
00:27:05,040 --> 00:27:07,880
and because some of the band were
real and some of them were post,
685
00:27:07,880 --> 00:27:10,040
so all the props were made to be
big. Yeah. You probably
686
00:27:10,040 --> 00:27:11,520
weren't there, so we had the band,
687
00:27:11,520 --> 00:27:13,960
they were all shot real size
with these big instruments
688
00:27:13,960 --> 00:27:17,280
we then shrank. We had all these
conversations about scale.
689
00:27:17,280 --> 00:27:19,560
Lots of duplication of goblins,
so... Yeah. Yeah.
690
00:27:19,560 --> 00:27:22,120
..Pam Downe and her team have all
sorts of different costumes.
691
00:27:22,120 --> 00:27:24,560
Yeah, all the costumes. We had long
talks about costumes,
692
00:27:24,560 --> 00:27:27,000
where they came from. Yeah.
So much work went into this.
693
00:27:27,000 --> 00:27:29,720
Yeah. Yeah. Originally a lot of them
were going to be salvaged
694
00:27:29,720 --> 00:27:32,440
from the world down below. But they
all ended up looking a bit odd then.
695
00:27:32,440 --> 00:27:35,320
Yeah. They'd have buttons that were
like the size of a dinner plate.
696
00:27:35,320 --> 00:27:38,160
Too big, yeah. Oh, I see. And it was
kind of distracting. Yeah.
697
00:27:38,160 --> 00:27:40,520
Like, actually... I don't like
that. Oh, here he comes.
698
00:27:40,520 --> 00:27:43,280
There's the King. Yeah. Here I am.
This is my starring role.
699
00:27:43,280 --> 00:27:45,760
I've got a selfie with him.
Have you? Have you? Yeah.
700
00:27:45,760 --> 00:27:48,680
Oh, my God, I could not believe it
when they unveiled that thing.
701
00:27:48,680 --> 00:27:50,360
I know. It is fab. It's insane.
702
00:27:50,360 --> 00:27:53,840
And there's five people in that
guy... Yeah. Yeah. ..working him.
703
00:27:53,840 --> 00:27:56,640
That must've been a sweat box.
To be on set with him was good
704
00:27:56,640 --> 00:27:58,160
because no goblins were there. No.
705
00:27:58,160 --> 00:28:00,360
But I just... I kept popping down
every day.
706
00:28:00,360 --> 00:28:03,040
I just couldn't help going down for
a little photo. I bet.
707
00:28:03,040 --> 00:28:05,600
I have photos with the Goblin King.
It's astonishing.
708
00:28:05,600 --> 00:28:08,720
And he's had little tiny
CG enhancements now,
709
00:28:08,720 --> 00:28:10,920
so he frowns more, which was always
the plan. Yeah.
710
00:28:10,920 --> 00:28:13,240
He's now got a little bit
of a frown, a little bit more.
711
00:28:13,240 --> 00:28:16,160
That's the way... But all the saliva
was there on the day.
712
00:28:16,160 --> 00:28:18,920
Yeah, all the goo, yeah! You could
see it, yeah, it was horrible.
713
00:28:18,920 --> 00:28:21,880
"A bit more goo, please!" And,
like, his fingers wiggled as well.
714
00:28:21,880 --> 00:28:24,360
It was grim. Think of that baby's
family watching this
715
00:28:24,360 --> 00:28:26,920
on Christmas Day. Yeah!
I thought that!
716
00:28:26,920 --> 00:28:29,280
Cos that baba must be, like, what,
two now?
717
00:28:29,280 --> 00:28:32,000
Poor little... I know, imagine that!
718
00:28:32,000 --> 00:28:35,000
Having strange dreams. Yeah, so
true! I wonder if it does go in...
719
00:28:35,000 --> 00:28:37,680
Yeah. ..into the subconscious?
720
00:28:37,680 --> 00:28:40,280
And again, Mark Tonderai, this is
a masterpiece. Yeah. Yeah.
721
00:28:40,280 --> 00:28:43,360
You know, you talk... Remember,
we did concept art of this,
722
00:28:43,360 --> 00:28:46,080
which had you and Ncuti and all the
goblins. And I'm looking
723
00:28:46,080 --> 00:28:48,720
at the artwork and thinking,
"Oh, my God, that's impossible."
724
00:28:48,720 --> 00:28:50,560
Yeah. How do...? I'd never shot...
725
00:28:50,560 --> 00:28:52,920
But one of the reasons
I came back to Doctor Who, Millie,
726
00:28:52,920 --> 00:28:55,280
was cos I'd never made things
on this scale. Oh, really?
727
00:28:55,280 --> 00:28:58,000
So I wanted to learn how to do it
and my God, it's a learning process.
728
00:28:58,000 --> 00:28:59,840
Yeah, yeah. Well, it was all
pre-viz'd.
729
00:28:59,840 --> 00:29:02,200
There was a whole sequence that
we... You know,
730
00:29:02,200 --> 00:29:04,640
all the shots were planned... Yeah.
..as well as they could be.
731
00:29:04,640 --> 00:29:06,440
You plan to death to
spend the money correctly.
732
00:29:06,440 --> 00:29:08,480
I guess it's all worth it. Yeah.
Yes.
733
00:29:08,480 --> 00:29:11,160
Cos what we don't do
is waste a single penny.
734
00:29:11,160 --> 00:29:12,560
No. And that's all in the planning.
735
00:29:12,560 --> 00:29:14,480
That's why the scripts are in
so early.
736
00:29:14,480 --> 00:29:17,200
Janice. This makes me laugh...
So now you had to sing!
737
00:29:17,200 --> 00:29:18,840
I love this. He's so cute!
738
00:29:18,840 --> 00:29:20,880
You know what, towards the end of
the day,
739
00:29:20,880 --> 00:29:23,760
the Goblin King really warmed to us.
Actually, he's so sweet.
740
00:29:23,760 --> 00:29:25,360
He is sweet. He kind of gets into
it.
741
00:29:25,360 --> 00:29:27,080
He's just got like a really
cute face.
742
00:29:27,080 --> 00:29:29,200
He kind of has a horrible death,
I think. Oh, my God!
743
00:29:29,200 --> 00:29:32,360
Can I just talk about his death?
When I watched it yesterday,
744
00:29:32,360 --> 00:29:35,960
I did not know that happened!
Oh... It's awful!
745
00:29:35,960 --> 00:29:37,320
I literally went...
746
00:29:37,320 --> 00:29:40,640
It was horrible!
It is quite a shock, isn't it?
747
00:29:40,640 --> 00:29:42,960
Yeah, it's brutal! Bang!
748
00:29:42,960 --> 00:29:45,920
I was like, surely not?
Sympathy for the Goblin King.
749
00:29:45,920 --> 00:29:48,160
Yeah, I know. he was going to eat
you! I know, but still.
750
00:29:48,160 --> 00:29:49,760
But Ruby would have ceased to exist.
751
00:29:49,760 --> 00:29:50,920
Well, you know...
752
00:29:52,640 --> 00:29:54,600
There must have been another way!
753
00:29:54,600 --> 00:29:57,160
Yeah, there must have been another
way. He's a vengeful Doctor
754
00:29:57,160 --> 00:29:58,520
by then, isn't he? He's quite...
755
00:29:58,520 --> 00:30:00,800
Yes, exactly. Goes for it.
Yeah, yeah, he does.
756
00:30:00,800 --> 00:30:02,560
It's why he needs a human.
757
00:30:02,560 --> 00:30:04,840
I just want to say, obviously,
the singing, amazing!
758
00:30:04,840 --> 00:30:07,520
I was just about to say, I've
skipped my solo. Fantastic, yeah,
759
00:30:07,520 --> 00:30:10,720
the singing... You are on Doctor Who
Unleashed talking about the singing.
760
00:30:10,720 --> 00:30:13,480
I can't even remember what I said.
Which we did on the day,
761
00:30:13,480 --> 00:30:16,600
ear pieces in... Oh, yeah. ..and it
was brilliant. It was funny,
762
00:30:16,600 --> 00:30:19,080
Mark was like, "Just come over here
and we can practise
763
00:30:19,080 --> 00:30:21,840
"with no-one listening," and, like,
everyone was around me...
764
00:30:21,840 --> 00:30:24,960
Like, this is just, you can't...
But it's brilliant.
765
00:30:24,960 --> 00:30:28,160
It's good. I mean, auto-tune
is brilliant.
766
00:30:28,160 --> 00:30:32,000
Stop it! You were fantastic.
They'll be after you for Cabaret.
767
00:30:32,000 --> 00:30:33,880
Oh, my God, don't say that!
768
00:30:33,880 --> 00:30:36,520
God, you should do that! Oh, I'd
love that. You heard it here first,
769
00:30:36,520 --> 00:30:38,760
there you go. I'd love that.
Oh, you should, you should.
770
00:30:38,760 --> 00:30:41,640
And now look, they're friends.
The whole point is, you go through
771
00:30:41,640 --> 00:30:45,800
adversity and trouble and strife
and...friends. I loved doing that.
772
00:30:45,800 --> 00:30:48,400
Worship for Angela. Yep.
773
00:30:48,400 --> 00:30:50,440
Angela turned up at a read-through
yesterday,
774
00:30:50,440 --> 00:30:52,960
we've just done a read-through
for the second season,
775
00:30:52,960 --> 00:30:56,000
and she, she won't mind me
telling you this story,
776
00:30:56,000 --> 00:30:57,840
she sat in the read-through
and went...
777
00:30:57,840 --> 00:31:00,400
Opened her script,
"Oh, have I got lines?"
778
00:31:00,400 --> 00:31:02,640
And I said "well,
why are you here?"
779
00:31:02,640 --> 00:31:05,840
And she went, "I like coming here,"
780
00:31:05,840 --> 00:31:08,880
which she does. She probably loves
coming up and spending time with us.
781
00:31:08,880 --> 00:31:11,800
She was so, so cute! That was the
maddest read-through in the world,
782
00:31:11,800 --> 00:31:14,200
and she had never read it.
She's so... I know!
783
00:31:14,200 --> 00:31:16,800
Yeah, cos we got to her lines...
Yeah, it got to her lines and there
784
00:31:16,800 --> 00:31:19,600
was silence! ..and someone else read
in for her. And actually,
785
00:31:19,600 --> 00:31:21,240
that is, without spoilers,
folks,
786
00:31:21,240 --> 00:31:23,720
that's episode four of next year,
which is shocking. Yeah.
787
00:31:23,720 --> 00:31:26,360
Really shocking,
and I was watching Angela's face,
788
00:31:26,360 --> 00:31:29,080
as things happened in it cos I knew
she didn't know what was going
789
00:31:29,080 --> 00:31:31,880
to happen. Yeah. She was properly
amazed. That is the most shocking
790
00:31:31,880 --> 00:31:34,880
read-through I've been to. Yeah, it
was electrifying, wasn't it? Yeah.
791
00:31:34,880 --> 00:31:37,840
Yeah, yeah. So good. We're talking
about things that won't be on air,
792
00:31:37,840 --> 00:31:40,280
faithful viewers, for another 18
months? Sorry! Two years.
793
00:31:40,280 --> 00:31:43,600
Not two years. Yeah, 18. No, not two
years. 18 months, 14 months,
794
00:31:43,600 --> 00:31:47,440
something like that. Anyway,
back to the plot here.
795
00:31:47,440 --> 00:31:50,840
So this is a long sequence. Do you
remember the original script
796
00:31:50,840 --> 00:31:53,400
with the goblin attack,
the Goblin King attack?
797
00:31:53,400 --> 00:31:57,160
Mm. Did you ever read that? Yeah,
and I... you fought him off with...
798
00:31:57,160 --> 00:31:59,880
..the scratchcards. With the
scratchcards. Oh, I...
799
00:31:59,880 --> 00:32:03,280
And he was like, "Good luck!" Yeah.
I actually quite liked that.
800
00:32:03,280 --> 00:32:06,280
There was a great... Money, it
was money. If you think...
801
00:32:06,280 --> 00:32:08,960
I do think this sequence now,
as a script,
802
00:32:08,960 --> 00:32:11,560
is a bit talky for the next ten
minutes, cos originally, they got
803
00:32:11,560 --> 00:32:14,320
back to the flat and everything
was fine, and then the Goblin King
804
00:32:14,320 --> 00:32:17,280
attacked, and he arrived in the
bedroom
805
00:32:17,280 --> 00:32:19,680
and came down the hall, so it was
brilliant. Oh...
806
00:32:19,680 --> 00:32:22,200
Sorry, it was brilliant.
He was coming down the hall.
807
00:32:22,200 --> 00:32:24,560
But earlier on we'd established that
Carla gives everyone
808
00:32:24,560 --> 00:32:27,360
a scratchcard for Christmas, like
when the social workers are there.
809
00:32:27,360 --> 00:32:29,920
"Oh, have a scratchcard, have a
scratchcard. Hope you win."
810
00:32:29,920 --> 00:32:32,440
So there's a pile of scratchcards
in the kitchen.
811
00:32:32,440 --> 00:32:34,760
So Ruby fought
off the Goblin King with luck.
812
00:32:34,760 --> 00:32:37,160
She kept scratching them...
Oh, yes, I remember.
813
00:32:37,160 --> 00:32:39,600
..until she won. It was bad luck,
bad luck, bad luck.
814
00:32:39,600 --> 00:32:42,440
Then she got to like the 15th card
and she won £10.
815
00:32:42,440 --> 00:32:45,960
And she went "Good luck!" like that,
and the Goblin King vanished.
816
00:32:45,960 --> 00:32:48,840
And then what we've replaced that
with is a crack in the roof.
817
00:32:48,840 --> 00:32:51,240
Thank you, Chris! Yeah!
You're welcome.
818
00:32:51,240 --> 00:32:55,080
The lower budget option.
Not your fault at all.
819
00:32:55,080 --> 00:32:57,760
No, you really set the scene there.
820
00:32:57,760 --> 00:32:59,680
It was good, though.
821
00:32:59,680 --> 00:33:01,480
This is brilliant
because this was...
822
00:33:01,480 --> 00:33:04,000
The photos on the fridge
was the art department's idea.
823
00:33:04,000 --> 00:33:06,040
This wasn't in the original script.
Oh, really?
824
00:33:06,040 --> 00:33:09,040
And they said, "Oh, would you like
photos?" You know what's funny?
825
00:33:09,040 --> 00:33:11,680
There's photos of every other
kid apart from me.
826
00:33:11,680 --> 00:33:14,440
Yeah. I was looking, like, "Where's
my baby pic on this fridge?"
827
00:33:14,440 --> 00:33:16,000
Not there.
828
00:33:16,000 --> 00:33:18,960
That's like... Yeah. ..a glimpse
of the future
829
00:33:18,960 --> 00:33:21,640
where the Goblin King has removed
you. Mm. I'm making it up now.
830
00:33:21,640 --> 00:33:24,440
God, the running I did across this
floor. I know.
831
00:33:24,440 --> 00:33:27,440
But that's... So the attack of the
Goblin King...
832
00:33:27,440 --> 00:33:30,000
..is why the entire set is
built on a long corridor. Yes.
833
00:33:30,000 --> 00:33:32,600
Yeah. It's quite an unnatural shape,
this flat. You wouldn't...
834
00:33:32,600 --> 00:33:35,200
I love it. You wouldn't fit down
that corridor. It's like...
835
00:33:35,200 --> 00:33:37,840
It would cost two houses. Oh, OK.
That's a whole other conversation.
836
00:33:37,840 --> 00:33:39,760
That's partly why, it was so
expensive,
837
00:33:39,760 --> 00:33:42,280
because he was literally, like,
a wall of flesh coming down.
838
00:33:42,280 --> 00:33:45,000
All the walls were buckling
and the ceiling...
839
00:33:45,000 --> 00:33:46,520
It was going to be brilliant.
840
00:33:46,520 --> 00:33:49,200
And all the step-ladders...
But because of Chris...
841
00:33:49,200 --> 00:33:51,600
It was literally me! It's not
because of Chris.
842
00:33:51,600 --> 00:33:54,640
It's because of everyone!
"No, no, no, no, no, Russell!"
843
00:33:54,640 --> 00:33:57,160
There was a very, very good
pre-viz of that sequence,
844
00:33:57,160 --> 00:34:00,760
done by Dan May, that someone should
release as an extra.
845
00:34:02,520 --> 00:34:06,000
Eat your packet of
humbugs...like Scrooge.
846
00:34:06,000 --> 00:34:07,280
'Tis the season!
847
00:34:07,280 --> 00:34:10,440
Their relationship though is so
adorable. Yeah. Yeah,
848
00:34:10,440 --> 00:34:12,640
the humbugs. It's really funny.
Cos Angela's read the script.
849
00:34:14,840 --> 00:34:16,960
That was so funny yesterday.
850
00:34:16,960 --> 00:34:18,400
Oh, my God.
851
00:34:18,400 --> 00:34:21,320
You two are very funny in that
doorway. That was hilarious.
852
00:34:21,320 --> 00:34:23,920
That was a bit of improvising.
That was improvised? Yeah, yeah.
853
00:34:23,920 --> 00:34:25,080
Yeah, yeah, yeah.
854
00:34:25,080 --> 00:34:28,080
That wasn't in the script at all and
I love it. Yeah. It's very funny.
855
00:34:28,080 --> 00:34:30,800
You know, as a production, we're
watching you two just getting on
856
00:34:30,800 --> 00:34:32,120
with each other, it's lovely.
857
00:34:32,120 --> 00:34:34,400
Yeah, finding our friendship.
Yeah. Yeah, yeah.
858
00:34:34,400 --> 00:34:35,800
It's really joyous to watch.
859
00:34:35,800 --> 00:34:38,000
I like this.
860
00:34:38,000 --> 00:34:42,080
This is kind of, not improvised, but
you've got this comedy feel to this.
861
00:34:42,080 --> 00:34:43,360
Yeah.
862
00:34:43,360 --> 00:34:44,640
It's nice.
863
00:34:44,640 --> 00:34:47,280
Good ol' Michelle. Poor Michelle
having to be the straight woman.
864
00:34:47,280 --> 00:34:50,200
Yeah. Course, I worked with
Michelle on It's A Sin. She was
865
00:34:50,200 --> 00:34:52,440
Omari Douglas's mother,
Roscoe's mother
866
00:34:52,440 --> 00:34:54,600
in It's A Sin. She's gorgeous.
867
00:34:54,600 --> 00:34:57,520
Love working with her. Oh, she's
fantastic. Michelle's amazing.
868
00:34:57,520 --> 00:34:59,480
She couldn't make it to the
read through...
869
00:34:59,480 --> 00:35:02,960
She was so motherly and maternal,
especially in this scene.
870
00:35:02,960 --> 00:35:05,600
Yeah, yeah, yeah. Yeah.
871
00:35:05,600 --> 00:35:07,880
Because this is, you know,
we can talk about goblins,
872
00:35:07,880 --> 00:35:11,120
you can talk about special effects,
but it's all about Ruby.
873
00:35:11,120 --> 00:35:13,920
And it's so clever. It looks like
I'm about to say, "Look, he's..."
874
00:35:13,920 --> 00:35:17,040
Yeah. Yeah. "We were just on a
goblin ship." Yeah! But actually,
875
00:35:17,040 --> 00:35:19,480
there's something much more
important going on. Yeah.
876
00:35:19,480 --> 00:35:21,720
It's Davina McCall. Yeah.
877
00:35:21,720 --> 00:35:23,480
But who is...
878
00:35:23,480 --> 00:35:25,080
Who is her mother, Millie?
879
00:35:25,080 --> 00:35:26,920
Hmm. Hmm.
880
00:35:26,920 --> 00:35:28,760
Hmmmm.
881
00:35:30,560 --> 00:35:34,040
Comment below.
882
00:35:34,040 --> 00:35:35,280
Exactly!
883
00:35:35,280 --> 00:35:37,720
I wonder how I managed to fit
all this dialogue in
884
00:35:37,720 --> 00:35:39,800
with an attack of the Goblin King
as well.
885
00:35:39,800 --> 00:35:42,240
Actually, this episode does come in
slightly under.
886
00:35:42,240 --> 00:35:44,920
We don't make the full hour, this.
Yeah, it's a bit shorter, isn't it?
887
00:35:44,920 --> 00:35:48,360
They could have had it in.
I'm joking!
888
00:35:48,360 --> 00:35:50,640
All right! Let's blame Chris
for everything.
889
00:35:50,640 --> 00:35:53,240
We'll go back and do that too,
it's fine. Yeah.
890
00:35:53,240 --> 00:35:55,760
Good. Bless her.
891
00:35:55,760 --> 00:35:58,960
And this is vital stuff now, where
actually the Doctor starts being...
892
00:35:58,960 --> 00:36:00,800
This has never been
done on Doctor Who before,
893
00:36:00,800 --> 00:36:03,400
the Doctor does start talking about
being adopted. Yeah.
894
00:36:03,400 --> 00:36:08,200
Yeah, he's a lot more open,
this Doctor. Yeah.
895
00:36:08,200 --> 00:36:10,680
You see, I know you miss the king,
but I actually, oddly,
896
00:36:10,680 --> 00:36:13,760
I love all this. I think it contains
a load of new things to it
897
00:36:13,760 --> 00:36:17,240
that are so interesting. This wasn't
not in though, was it? Was it?
898
00:36:17,240 --> 00:36:19,800
No, but the whole bit with
the crack and that sort of stuff,
899
00:36:19,800 --> 00:36:22,560
I think it's really... I just...
I really enjoy it.
900
00:36:22,560 --> 00:36:28,160
You know, isn't there like a crack
in Matt Smith's season?
901
00:36:28,160 --> 00:36:30,760
Yes. And I was like, "Ooh,
what if the cracks are linked?"
902
00:36:30,760 --> 00:36:34,040
Oh. Well, actually, that crack is,
is, is a kind of gap in time
903
00:36:34,040 --> 00:36:36,320
that's taking away memories
and things,
904
00:36:36,320 --> 00:36:39,000
and actually, that is what happens,
yeah, they forget. Do you know,
905
00:36:39,000 --> 00:36:41,400
I'd never thought of that. There we
are. That's why I'm here.
906
00:36:41,400 --> 00:36:45,920
Faithful viewer, it's the same crack
or a niece of the crack,
907
00:36:45,920 --> 00:36:47,760
or a nephew.
908
00:36:47,760 --> 00:36:50,160
A crack nephew. Or a cousin, yeah.
Yeah.
909
00:36:53,560 --> 00:36:55,800
But it's nice to...
And that's why...
910
00:36:55,800 --> 00:36:58,520
The whole of Ruby is a foundling.
911
00:36:58,520 --> 00:37:01,400
Fosters, adopted - I so wanted to
make sure that
912
00:37:01,400 --> 00:37:03,320
her adoption was happy. Yeah.
913
00:37:03,320 --> 00:37:06,640
Carla's a great mum. Cherry's
a great grandmother. Yeah.
914
00:37:06,640 --> 00:37:10,120
But it's a nice bed of emotion...
915
00:37:10,120 --> 00:37:12,240
Yeah, yeah, yeah.
..for the whole show.
916
00:37:12,240 --> 00:37:14,880
And now, Ruby,
you're about to vanish.
917
00:37:14,880 --> 00:37:17,520
So once you vanish, you can be
as critical as you like.
918
00:37:17,520 --> 00:37:19,080
Yeah!
919
00:37:19,080 --> 00:37:22,280
I know! I can, I can really
sit back and relax.
920
00:37:22,280 --> 00:37:23,800
Call that a crack in the ceiling?
921
00:37:25,360 --> 00:37:27,600
There it is, Matt Smith's crack
in the ceiling.
922
00:37:27,600 --> 00:37:30,760
Amazing. What I love there,
can I just say that you think...
923
00:37:30,760 --> 00:37:32,240
My big crack?
924
00:37:32,240 --> 00:37:35,040
Your last words to your mother there
are, "Don't move."
925
00:37:35,040 --> 00:37:39,000
So, she never moves. It's like...
It's like some part of her brain,
926
00:37:39,000 --> 00:37:42,680
Carla's brain heard that in the
timeline without Ruby.
927
00:37:42,680 --> 00:37:46,600
So when we, as we discover that
she's now alone,
928
00:37:46,600 --> 00:37:49,760
but she never left this flat.
She never did anything with herself,
929
00:37:49,760 --> 00:37:51,600
she never fostered much. So some...
930
00:37:51,600 --> 00:37:54,200
Ruby's words somehow got through to
her. Yeah.
931
00:37:54,200 --> 00:37:57,080
And that's how she lived her life.
I like that point.
932
00:37:57,080 --> 00:37:58,520
I love that point. Yeah,
933
00:37:58,520 --> 00:38:01,360
I should have maybe pointed it
out to you at the time. Yeah!
934
00:38:01,360 --> 00:38:04,840
Instead of, instead of a year later!
A year later.
935
00:38:04,840 --> 00:38:07,600
But Ruby would've known that.
But it's fine. It's fine.
936
00:38:07,600 --> 00:38:09,000
Yeah.
937
00:38:11,040 --> 00:38:13,200
It's tricky, this,
because you have to...
938
00:38:13,200 --> 00:38:15,320
..slow down the Doctor's reaction.
939
00:38:15,320 --> 00:38:17,000
Sometimes the problem with
the Doctor is
940
00:38:17,000 --> 00:38:19,520
that he'll turn around go,
"Oh, right, time is being changed.
941
00:38:19,520 --> 00:38:21,240
"I'm off in the TARDIS." Yeah.
942
00:38:21,240 --> 00:38:23,000
The flat slowly changes,
if you notice,
943
00:38:23,000 --> 00:38:25,160
the colours are starting to
change... Yeah, the colours
944
00:38:25,160 --> 00:38:27,840
go more blue and cold. You have the
Christmas decorations come down,
945
00:38:27,840 --> 00:38:29,840
like, she's not so Christmasy
without Ruby. Yeah.
946
00:38:29,840 --> 00:38:34,440
She's not got like her patterned...
Yeah. Yeah. ..clothing on.
947
00:38:34,440 --> 00:38:37,080
It's clever, I think.
It's so brilliant.
948
00:38:37,080 --> 00:38:40,400
The design department... So in
filming in this set, you had to have
949
00:38:40,400 --> 00:38:42,680
a normal set with normal ceiling.
950
00:38:42,680 --> 00:38:45,480
Normal set with cracked ceiling.
Yeah. Dark set with cracked ceiling.
951
00:38:45,480 --> 00:38:47,320
Yeah, I remember when there was
a crack, yeah.
952
00:38:47,320 --> 00:38:49,680
Oh, it was not easy. Yes, it felt
like we were filming...
953
00:38:49,680 --> 00:38:51,560
How did you actually heal
up the crack?
954
00:38:51,560 --> 00:38:55,360
Like you would a normal crack? Yeah.
Yeah. Actually, you can just see
955
00:38:55,360 --> 00:38:58,360
on the ceiling... Oh, yes!
..you can see the plaster.
956
00:38:58,360 --> 00:39:00,520
Oh, that's cute. Yeah.
Oh, they literally...
957
00:39:00,520 --> 00:39:03,040
I thought they'd just fly in two
different ceilings.
958
00:39:03,040 --> 00:39:06,680
No. Wow. They did a heal and reveal,
so I think they...
959
00:39:06,680 --> 00:39:11,640
Well done. There we are. This used
to be Donna Noble's house.
960
00:39:11,640 --> 00:39:13,760
Yes. No way! Yeah.
961
00:39:13,760 --> 00:39:15,080
Oh, I did not know that.
962
00:39:15,080 --> 00:39:17,280
It's like we've got
a domestic set...
963
00:39:17,280 --> 00:39:19,440
Yeah, look at all the colours.
..that we will use forever.
964
00:39:19,440 --> 00:39:21,600
So now you see how the
interiors change.
965
00:39:21,600 --> 00:39:23,960
The Christmas lights have come down.
Yeah, it's all very dull.
966
00:39:23,960 --> 00:39:27,160
Her clothes have changed, look.
It's all a bit flatter.
967
00:39:27,160 --> 00:39:29,480
Even Michelle's just... Yeah.
She's not... Beautiful,
968
00:39:29,480 --> 00:39:32,480
beautiful performance from Michelle.
Yeah. Amazing. So, so clever.
969
00:39:32,480 --> 00:39:35,640
She's just so subtly different, just
all the life's just gone out of her.
970
00:39:35,640 --> 00:39:38,520
Yeah. Everything. And all shot and
lit differently and, I guess,
971
00:39:38,520 --> 00:39:42,280
graded differently as well. Yeah.
It's very, very clever.
972
00:39:42,280 --> 00:39:46,200
I think, like I say, this is a
really... Christmas television,
973
00:39:46,200 --> 00:39:49,240
I think, you know,
It's A Wonderful Life. Yes.
974
00:39:49,240 --> 00:39:52,240
A Christmas Carol. Yeah. All these
ideas about what would happen if...
975
00:39:52,240 --> 00:39:54,800
That's what I love about this
sequence. It's like a really,
976
00:39:54,800 --> 00:39:57,560
a really lovely twist on Christmas
stories. Yeah.
977
00:39:57,560 --> 00:40:00,000
It's fab. I, literally -
I've never done this before
978
00:40:00,000 --> 00:40:02,640
in my life and I sound a bit mad -
I dreamt this plot twist.
979
00:40:02,640 --> 00:40:04,800
I literally woke up at four
in the morning and went,
980
00:40:04,800 --> 00:40:07,400
"Oh, she vanishes."
I knew, I knew there'd be goblins,
981
00:40:07,400 --> 00:40:10,520
I knew... Well, I always kind of
knew we would end up at the church
982
00:40:10,520 --> 00:40:11,920
at the end, because we had to. Yeah.
983
00:40:11,920 --> 00:40:14,360
But I couldn't work out why
the Doctor ended up
984
00:40:14,360 --> 00:40:17,000
back at the church at the end, or
why the goblins would be after Ruby.
985
00:40:17,000 --> 00:40:19,800
And then, literally, at four in the
morning, I went,
986
00:40:19,800 --> 00:40:23,360
"Oh, she gets taken out of time."
Yeah, yeah, yeah. So, now I go to
987
00:40:23,360 --> 00:40:26,440
bed every night going, "Please think
of another one."
988
00:40:26,440 --> 00:40:28,560
It's never happened since!
That was it!
989
00:40:28,560 --> 00:40:31,520
I do, sometimes when I'm really
stuck, I go, "Please, please, please
990
00:40:31,520 --> 00:40:34,240
"let me do The Church On Ruby Road
again. Let it happen."
991
00:40:34,240 --> 00:40:37,040
You were my lucky charm.
992
00:40:37,040 --> 00:40:39,760
You wrote this script really
quickly, didn't you? Did I?
993
00:40:39,760 --> 00:40:43,560
Yeah, I remember you saying...
I did cos it was so clear.
994
00:40:43,560 --> 00:40:45,840
Actually, I wrote it in seven days.
Yes, yes, yes.
995
00:40:45,840 --> 00:40:48,680
Seven days?! It's like, when you
know what a story is...
996
00:40:48,680 --> 00:40:51,440
The time it takes in writing the
script is when you don't know what
997
00:40:51,440 --> 00:40:52,960
the story is, so you
have to find it.
998
00:40:52,960 --> 00:40:55,920
You look at this, I knew absolutely
what the story is. If you look
999
00:40:55,920 --> 00:40:58,560
at this, there's no other things
that could happen in it.
1000
00:40:58,560 --> 00:41:00,240
Yeah. You haven't got many choices.
1001
00:41:00,240 --> 00:41:03,000
This is the route of accidents,
follow Ruby around.
1002
00:41:03,000 --> 00:41:05,400
You discover the Doctor, the babies,
the goblins,
1003
00:41:05,400 --> 00:41:06,880
bop-bop-bop, all the way through,
1004
00:41:06,880 --> 00:41:08,920
then Ruby's kidnapped.
It just all...
1005
00:41:08,920 --> 00:41:10,680
God! Seven days. That's insane.
1006
00:41:10,680 --> 00:41:12,040
Seven mad days.
1007
00:41:12,040 --> 00:41:14,600
Did you leave the house?
If you saw me...
1008
00:41:16,400 --> 00:41:18,640
I probably didn't leave
the house actually, no.
1009
00:41:18,640 --> 00:41:21,920
Did you write it during
Christmas-time or was it... No.
1010
00:41:21,920 --> 00:41:24,560
It would have been... Who knows?
Who knows? Who knows?
1011
00:41:24,560 --> 00:41:27,200
We'd have to look up dates for
that. Ooh, I don't know. Yeah.
1012
00:41:27,200 --> 00:41:30,760
Be good if we could, but... And,
look, the performance of these two.
1013
00:41:30,760 --> 00:41:33,920
Oh, gosh. She is so, so subtle
and so beautiful.
1014
00:41:33,920 --> 00:41:35,960
Mm. And it's right what you're
saying, Chris,
1015
00:41:35,960 --> 00:41:38,920
never mind Goblin Kings and special
effects, it's about two actors.
1016
00:41:38,920 --> 00:41:40,760
That's what I think. So true.
1017
00:41:40,760 --> 00:41:43,520
And she literally cries on cue.
Yeah. Yeah.
1018
00:41:43,520 --> 00:41:45,920
Maybe she did it in the audition.
In the audition, yeah.
1019
00:41:45,920 --> 00:41:49,040
That's what I was going to say. Got
to this line... A single tear.
1020
00:41:49,040 --> 00:41:52,680
Hello, you've got the part. Oh, my
God! It was amazing. That's amazing.
1021
00:41:52,680 --> 00:41:54,000
Yeah, yeah, yeah.
1022
00:41:54,000 --> 00:41:56,880
She's a lovely woman. Hmm.
And then Ncuti.
1023
00:41:56,880 --> 00:41:58,560
This is what Ncuti...
1024
00:41:58,560 --> 00:42:00,840
This is the newest thing he brings
to the Doctor, I think,
1025
00:42:00,840 --> 00:42:03,360
which is to be so emotional.
Yeah. Which I love.
1026
00:42:03,360 --> 00:42:05,640
Oh, it's amazing. I do.
Yeah, I think it's fantastic.
1027
00:42:05,640 --> 00:42:07,000
He plays it so well because it's,
1028
00:42:07,000 --> 00:42:09,800
it's almost like someone's
inside of him,
1029
00:42:09,800 --> 00:42:12,840
fighting those emotions through
and he's trying to hold them back.
1030
00:42:12,840 --> 00:42:14,680
Yes. It's his humanity.
1031
00:42:14,680 --> 00:42:17,360
It's almost like he's crying
independently of his thought
1032
00:42:17,360 --> 00:42:19,920
processes. Yeah. And it's like,
"No, what am I doing?"
1033
00:42:19,920 --> 00:42:22,000
Yeah, I was arguing with
a writer the other day,
1034
00:42:22,000 --> 00:42:23,840
who was kind of going...
Not arguing,
1035
00:42:23,840 --> 00:42:25,960
but the writer said,
"The Doctor wouldn't do that."
1036
00:42:25,960 --> 00:42:28,240
And I was going, "No, this Doctor
does." Yeah. Look at him.
1037
00:42:28,240 --> 00:42:29,560
Look at him, look at him.
1038
00:42:29,560 --> 00:42:32,600
He's so much more full of...
And I love it. Yeah.
1039
00:42:32,600 --> 00:42:35,280
And yet he still manages to do
stuff where he's not telling you
1040
00:42:35,280 --> 00:42:39,960
things, where you hug him... Yeah.
..at the end of episode six.
1041
00:42:39,960 --> 00:42:42,560
Yes! You hug him,
but he won't give anything away,
1042
00:42:42,560 --> 00:42:44,640
so he gets the best of both worlds.
Yes.
1043
00:42:44,640 --> 00:42:47,000
He gets that closed side of the
Doctor and...
1044
00:42:47,000 --> 00:42:49,040
I love this bit. Yeah!
1045
00:42:50,440 --> 00:42:52,280
There she goes.
1046
00:42:52,280 --> 00:42:55,200
Give us a reaction, Neets!
1047
00:42:55,200 --> 00:42:57,840
All of this, all of that we filmed
later, didn't we?
1048
00:42:57,840 --> 00:43:01,400
Because we didn't have Ncuti
the day that you did...
1049
00:43:01,400 --> 00:43:03,960
The whole time you were at Ruby
Road, we didn't have Ncuti
1050
00:43:03,960 --> 00:43:06,640
because he was still filming Sex
Education... Oh, yes, of course.
1051
00:43:06,640 --> 00:43:09,280
And so that we all had to come back
and do another time. Of course.
1052
00:43:09,280 --> 00:43:11,440
Mad, innit? Another time.
The longest shoot ever,
1053
00:43:11,440 --> 00:43:12,760
Christmas 2023.
1054
00:43:12,760 --> 00:43:14,040
Look, it's little baby you!
1055
00:43:14,040 --> 00:43:16,440
Yeah, we had loads of pick ups to
do as well. Yeah.
1056
00:43:16,440 --> 00:43:19,480
But we knew. Because of Ncuti's
availability,
1057
00:43:19,480 --> 00:43:22,160
we knew that's going to be a thing.
Yeah.
1058
00:43:22,160 --> 00:43:24,320
They've kidnapped you, darling.
I know!
1059
00:43:24,320 --> 00:43:27,200
How did you cast the baby?
1060
00:43:27,200 --> 00:43:31,360
We looked for the most beautiful
baby we could possibly find!
1061
00:43:31,360 --> 00:43:33,400
I don't know, has she got
the right colour eyes?
1062
00:43:33,400 --> 00:43:35,320
Did we do all that, Chris?
Does she have green eyes?
1063
00:43:35,320 --> 00:43:37,200
I think she must have done.
We must have gone into it.
1064
00:43:37,200 --> 00:43:39,600
Well, she was crying the whole time,
you wouldn't even tell.
1065
00:43:41,480 --> 00:43:44,040
And this scene. Of course this
sequence looks so beautiful.
1066
00:43:44,040 --> 00:43:45,760
Oh, evil goblins.
1067
00:43:45,760 --> 00:43:47,840
The exterior of the ship.
This ship...
1068
00:43:47,840 --> 00:43:50,520
And we have to say,
that set - beautiful.
1069
00:43:50,520 --> 00:43:52,640
Kartik, our art director who
designed it.
1070
00:43:52,640 --> 00:43:56,280
Not a single right angle anywhere,
he quite proudly tells us.
1071
00:43:56,280 --> 00:43:58,760
Oh! Is that a thing?
It's a beautiful thing.
1072
00:43:58,760 --> 00:44:01,800
Oh, I didn't know that. Yeah.
I didn't know that. Yeah. So cool.
1073
00:44:01,800 --> 00:44:04,920
And we built this, this church
tower is built-in studio.
1074
00:44:04,920 --> 00:44:06,120
Yeah.
1075
00:44:06,120 --> 00:44:08,960
Oh, I wasn't in for this bit.
Is this a studio?
1076
00:44:08,960 --> 00:44:11,640
Yeah. It's in studio four? Yeah.
Three?
1077
00:44:11,640 --> 00:44:13,400
There they are, look,
the little devil.
1078
00:44:13,400 --> 00:44:14,800
They're going to eat Ruby Sunday!
1079
00:44:14,800 --> 00:44:19,240
Eww, that slobber! It's horrible!
1080
00:44:19,240 --> 00:44:22,400
It was horrible! It's no wonder
Ruby grew up.
1081
00:44:22,400 --> 00:44:24,680
That poor bubba! Poor little soul.
1082
00:44:24,680 --> 00:44:26,760
It's kind of vicious, isn't it?
I know.
1083
00:44:26,760 --> 00:44:29,440
It is the stuff of Christmas
stories, goblins and monsters. Yeah.
1084
00:44:29,440 --> 00:44:32,000
Look, at that shot. I love that,
the ship in the clouds.
1085
00:44:32,000 --> 00:44:33,880
That's my favourite shot.
I love that.
1086
00:44:33,880 --> 00:44:37,000
I think it's so beautiful.
Eeee, his tongue!
1087
00:44:37,000 --> 00:44:39,000
And word up for our effects people.
Yeah.
1088
00:44:39,000 --> 00:44:42,200
So, this is the death will haunt me
forever. Yeah, this one.
1089
00:44:42,200 --> 00:44:45,920
I don't think there's a worser one,
I don't know why.
1090
00:44:45,920 --> 00:44:48,200
Do you think? Look,
Little Mermaid,
1091
00:44:48,200 --> 00:44:50,640
what happens to Ursula?
She gets stabbed by the ship.
1092
00:44:50,640 --> 00:44:53,160
Oh! It is based on The Little
Mermaid actually. Is it?!
1093
00:44:53,160 --> 00:44:55,120
When you watch the cartoon
of The Little Mermaid,
1094
00:44:55,120 --> 00:44:57,880
you work out that she's going to be
stabbed by the prow of that ship
1095
00:44:57,880 --> 00:45:00,120
six seconds before it happens.
Yeah, yeah, yeah.
1096
00:45:00,120 --> 00:45:02,800
Exactly. It's one of the cleverest
bits of writing I've ever seen.
1097
00:45:02,800 --> 00:45:06,000
This is my homage to it.
Bang! Look, here we go!
1098
00:45:06,000 --> 00:45:07,720
Whoa!
1099
00:45:07,720 --> 00:45:11,040
It is horrible, isn't it?
It's horrible! I can't believe
1100
00:45:11,040 --> 00:45:13,560
you're feeling sorry
for the Goblin King.
1101
00:45:13,560 --> 00:45:15,480
I know!
1102
00:45:15,480 --> 00:45:19,080
He was going to eat you!
1103
00:45:19,080 --> 00:45:23,480
Oh, I love it. Beautiful.
Look at that. Oh, my God.
1104
00:45:23,480 --> 00:45:25,840
I'm not cry...
I'm moving my mascara.
1105
00:45:25,840 --> 00:45:28,160
I'm not, like, wiping tears away.
1106
00:45:28,160 --> 00:45:31,120
I love that shot. I love the shot of
the baby falling. Yeah, brilliant.
1107
00:45:31,120 --> 00:45:33,520
Seb and his team
from his effects house
1108
00:45:33,520 --> 00:45:36,520
is like, absolutely the best. Aww!
1109
00:45:36,520 --> 00:45:39,120
You've been saved, look. Hooray.
1110
00:45:40,280 --> 00:45:43,120
I mean, many nights here, how many
nights were you at this church?
1111
00:45:43,120 --> 00:45:46,080
Two or three, I think, yeah.
Oh. Yeah.
1112
00:45:46,080 --> 00:45:47,400
It's OK.
1113
00:45:54,520 --> 00:45:56,480
Happy Birthday, Ruby.
1114
00:45:58,360 --> 00:46:00,640
I know he loves you.
We talk about bonding...
1115
00:46:00,640 --> 00:46:02,960
Yeah, I know. They're wedded for
life, aren't they?
1116
00:46:02,960 --> 00:46:06,040
He's seen me since birth. He
literally.... Yeah, yeah, yeah.
1117
00:46:06,040 --> 00:46:08,560
It's beautiful.
He plays it so beautifully.
1118
00:46:08,560 --> 00:46:11,480
And I love the...
1119
00:46:11,480 --> 00:46:13,480
Yeah, Carol Of The Bells, yeah.
1120
00:46:13,480 --> 00:46:16,680
I hope the vicar comes out soon,
cos it's cold on that step! Yeah.
1121
00:46:16,680 --> 00:46:19,960
Yeah. Maybe he should have knocked
on the door? I know, could've sped
1122
00:46:19,960 --> 00:46:22,360
the process along. I'm thinking
of a rewrite now.
1123
00:46:22,360 --> 00:46:25,840
No, he knows that the vicar comes
out at midnight. He knows. He knows,
1124
00:46:25,840 --> 00:46:27,320
he knows, he knows. Beautiful.
1125
00:46:27,320 --> 00:46:28,720
What a beautiful shot that is.
1126
00:46:28,720 --> 00:46:31,160
Stunning. Good ol' Mark. It's all...
1127
00:46:31,160 --> 00:46:33,680
Finding this church was wonderful,
wasn't it? It was just like,
1128
00:46:33,680 --> 00:46:35,840
"Wow. That's it." It was
so magical there. Yeah.
1129
00:46:35,840 --> 00:46:39,600
When the snow machine was blowing...
For days in advance, yes.
1130
00:46:39,600 --> 00:46:41,240
..it was so magical. Yeah.
1131
00:46:41,240 --> 00:46:43,840
We have a lot of trouble with
snow on this series,
1132
00:46:43,840 --> 00:46:47,200
because it's like, they've changed
the way they make artificial snow.
1133
00:46:47,200 --> 00:46:49,840
What did it used to be? It used
to be... It used to be paper
1134
00:46:49,840 --> 00:46:51,880
and now that's not allowed.
Yes, that's right.
1135
00:46:51,880 --> 00:46:53,440
Oh, because it's a waste.
1136
00:46:53,440 --> 00:46:55,320
So, making artificial snow,
worldwide,
1137
00:46:55,320 --> 00:46:58,200
there's a new regulation,
so it's a lot harder now. Yes.
1138
00:46:58,200 --> 00:46:59,840
Used to be much easier.
1139
00:46:59,840 --> 00:47:01,680
Strange foam machines.
Who's the mother?
1140
00:47:01,680 --> 00:47:03,240
I don't know what you mean, Millie.
1141
00:47:03,240 --> 00:47:05,720
What mother? I don't... What mother?
What are you on about?
1142
00:47:05,720 --> 00:47:07,720
Oh, well, all right.
1143
00:47:07,720 --> 00:47:10,160
Don't know. We'll probably
never know, I think.
1144
00:47:10,160 --> 00:47:12,440
Never know. Never find out.
No, leave it there. No.
1145
00:47:12,440 --> 00:47:15,920
Gorgeous, back to Notting Hill.
Oh, Anita.
1146
00:47:15,920 --> 00:47:17,800
And now Anita's like settled in,
I love that.
1147
00:47:17,800 --> 00:47:20,520
I love how she sits there!
1148
00:47:21,480 --> 00:47:23,640
With her little flask.
It's brilliant.
1149
00:47:23,640 --> 00:47:26,480
And it's amazing that Anita
Dobson... Back in the old days,
1150
00:47:26,480 --> 00:47:28,040
when EastEnders was at its height,
1151
00:47:28,040 --> 00:47:31,960
one of the highest viewing figures
in all of history, was Anita... Wow!
1152
00:47:31,960 --> 00:47:34,760
It was Angie, her character,
and Dirty Den
1153
00:47:34,760 --> 00:47:37,120
getting divorced on Christmas Day.
No!
1154
00:47:37,120 --> 00:47:39,960
29 million viewers or so, 26, 29.
29 million?!
1155
00:47:39,960 --> 00:47:42,440
That was on Christmas Day and now
she's back on Christmas Day
1156
00:47:42,440 --> 00:47:43,720
in Doctor Who. That's so cool!
1157
00:47:43,720 --> 00:47:46,200
You wouldn't get figures for
anything like that any more, but...
1158
00:47:46,200 --> 00:47:47,680
The crack's back.
1159
00:47:47,680 --> 00:47:50,800
So, it's lovely. It's a really
lovely thing to... I remember
1160
00:47:50,800 --> 00:47:54,680
someone, must've been Andy Pryor,
suggested Anita Dobson and I was
1161
00:47:54,680 --> 00:47:58,160
like, "My God, that's so perfect
for this part of Mrs Flood,"
1162
00:47:58,160 --> 00:48:02,640
who you might see again, I don't
know. Maybe. Once or twice. Maybe.
1163
00:48:02,640 --> 00:48:04,960
And now's the scene.
1164
00:48:04,960 --> 00:48:08,560
This is the best bit,
going back to save Davina.
1165
00:48:08,560 --> 00:48:11,240
Really. It's got to be done.
1166
00:48:11,240 --> 00:48:14,920
There's no Christmas without Davina.
I love what you do here at the door.
1167
00:48:14,920 --> 00:48:16,320
I love this.
1168
00:48:16,320 --> 00:48:18,720
And turn around and a little stamp.
1169
00:48:20,720 --> 00:48:22,760
That's literally
one of my favourite moments!
1170
00:48:22,760 --> 00:48:25,880
I keep saying to people,
can they put that on the trailers?
1171
00:48:25,880 --> 00:48:27,040
I think it's so Ruby.
1172
00:48:27,040 --> 00:48:31,040
She's like, like that. You're not
going to give up your name easily.
1173
00:48:31,040 --> 00:48:32,240
I love how she's got a flask.
1174
00:48:32,240 --> 00:48:34,000
Yes, whisky. Whisky.
1175
00:48:34,000 --> 00:48:37,320
Hooray, Davina's saved!
1176
00:48:37,320 --> 00:48:40,680
By Ncuti's stunt double.
Yes, exactly.
1177
00:48:40,680 --> 00:48:43,880
Oh, sometimes these commentaries
spoil things, don't they?
1178
00:48:43,880 --> 00:48:45,440
Yeah, yeah.
1179
00:48:45,440 --> 00:48:47,920
Awfully sorry, but Ncuti wasn't free
on that day. Yeah.
1180
00:48:49,000 --> 00:48:50,840
Because of Sex Ed. Yeah.
1181
00:48:50,840 --> 00:48:54,280
I remember there were so many fans
on the other side of that street.
1182
00:48:54,280 --> 00:48:55,520
Yeah.
1183
00:48:55,520 --> 00:48:56,680
Is that strange?
1184
00:48:56,680 --> 00:49:01,160
Erm, cos... Well, yeah, cos
Corrie was always filmed inside.
1185
00:49:01,160 --> 00:49:04,080
On the odd occasion...
You go out sometimes though.
1186
00:49:04,080 --> 00:49:06,640
Do you get... People in Manchester
are just used to it.
1187
00:49:06,640 --> 00:49:09,360
Yeah, yeah. Like, it was rare to
go on location,
1188
00:49:09,360 --> 00:49:12,320
unless it was like a big thing,
but cos, we had the street
1189
00:49:12,320 --> 00:49:14,840
and then we had the set, so...
Yeah, yeah, yeah.
1190
00:49:14,840 --> 00:49:17,520
Even at the end, you all did that
big green screen rooftop....
1191
00:49:17,520 --> 00:49:19,480
Yeah, Volume Wall, yeah.
Yeah, yeah, yeah.
1192
00:49:19,480 --> 00:49:22,200
That was amazing. That was...
So much fun.
1193
00:49:22,200 --> 00:49:24,680
That was an amazing thing to do
for soap opera. Stunning.
1194
00:49:24,680 --> 00:49:27,240
I know. I was buzzing!
Oh, it was epic!
1195
00:49:27,240 --> 00:49:28,840
They did it brilliantly.
1196
00:49:28,840 --> 00:49:31,120
Feels like a proper soap full moon.
1197
00:49:31,120 --> 00:49:33,880
Yeah. Yeah. We know
how much that costs,
1198
00:49:33,880 --> 00:49:36,040
so that was a lot of money
for a soap opera to spend
1199
00:49:36,040 --> 00:49:39,440
and I love the fact that ITV loves
Coronation Street so much
1200
00:49:39,440 --> 00:49:41,960
and loved your character so much,
that they gave you that exit.
1201
00:49:41,960 --> 00:49:44,480
Thank you. Brilliant. And you lived.
I love that.
1202
00:49:44,480 --> 00:49:47,720
I know, I lived and I didn't
go in a taxi, I walked off!
1203
00:49:47,720 --> 00:49:51,360
I walked off.
Really brilliant. Love it.
1204
00:49:51,360 --> 00:49:54,800
I love how Ruby is so much different
to Kelly, as well.
1205
00:49:54,800 --> 00:49:57,040
Such a nice thing to play.
Yeah. Yeah.
1206
00:49:57,040 --> 00:49:59,760
Oh, we knew you'd be so different.
Yes, much more.
1207
00:49:59,760 --> 00:50:03,640
I mean, poor Kelly, but no, the
lovely thing is, she's so...
1208
00:50:03,640 --> 00:50:06,080
I mean, Kelly was strong,
but Ruby was so...
1209
00:50:06,080 --> 00:50:09,120
Ruby's a different type of strong.
Ruby's loved. Ruby's loved.
1210
00:50:09,120 --> 00:50:12,000
The difference is she grew up with
that mum and that grandmother. Yeah.
1211
00:50:12,000 --> 00:50:14,520
And that gave her all
the strength in the world.
1212
00:50:14,520 --> 00:50:17,200
Let me just say, I know people
who've grown up without those things
1213
00:50:17,200 --> 00:50:19,680
who turn out to be the most
marvellous people, but truly,
1214
00:50:19,680 --> 00:50:21,280
people who have grown up in care,
1215
00:50:21,280 --> 00:50:23,400
who have made fantastic
things of themselves,
1216
00:50:23,400 --> 00:50:26,440
but having a Carla
and a Cherry doesn't half help.
1217
00:50:26,440 --> 00:50:28,920
Doesn't half help. Yeah.
It's given her that grounding.
1218
00:50:28,920 --> 00:50:31,200
It gave her a personality, really.
Yeah.
1219
00:50:33,240 --> 00:50:35,160
And now she's clever.
1220
00:50:35,160 --> 00:50:37,400
I love this. It's a clever...
She works it all out.
1221
00:50:37,400 --> 00:50:40,400
Everything the Doctor said to her
all episode, like, "Houdini?"
1222
00:50:40,400 --> 00:50:44,960
I love, the necklace I wear is Pam,
head of costumes,
1223
00:50:44,960 --> 00:50:48,680
personal necklace and she gave... Is
it? Yeah, gave it to Ruby to wear.
1224
00:50:48,680 --> 00:50:51,440
Oh, wait till you see the bill
she gives you for that.
1225
00:50:51,440 --> 00:50:53,920
It would've paid for that bloomin'
Goblin King, wouldn't it?
1226
00:50:53,920 --> 00:50:56,400
That's what it would've done.
Thanks, Pam, it's your fault.
1227
00:50:56,400 --> 00:50:59,080
Aww, that's lovely! Yeah, so she
was like, "You know what?"
1228
00:50:59,080 --> 00:51:02,520
"I know what necklace is for Ruby."
And I was like, "Ah!
1229
00:51:02,520 --> 00:51:06,400
"I'll have that." You must have been
thinking, "Don't lose it." I know.
1230
00:51:06,400 --> 00:51:08,120
Oh, gosh.
1231
00:51:08,120 --> 00:51:09,560
Oh, that's beautiful, though.
1232
00:51:09,560 --> 00:51:13,040
We love Pam and her team, and I
think it's such a good-looking show.
1233
00:51:13,040 --> 00:51:16,040
I think everyone looks gorgeous.
Yeah.
1234
00:51:16,040 --> 00:51:17,960
And I love this because Ruby's
worked it out.
1235
00:51:17,960 --> 00:51:20,080
She doesn't need a Time Lord...
1236
00:51:20,080 --> 00:51:22,840
She doesn't stop, does she? I've not
seen her sit down this episode.
1237
00:51:22,840 --> 00:51:24,360
Oh, look, get the jacket.
1238
00:51:24,360 --> 00:51:27,440
Ah, the jacket. Get the jacket,
cos it's linked to...
1239
00:51:27,440 --> 00:51:29,640
Do you need the jacket in the next
episode? You do! I do,
1240
00:51:29,640 --> 00:51:31,440
that's why. Yeah, yeah, yeah, yeah.
1241
00:51:33,480 --> 00:51:35,760
Oh, I love this bit.
This is my favourite scene.
1242
00:51:35,760 --> 00:51:38,880
The music. Oh, I don't know what's
playing. Oh, it's lovely.
1243
00:51:38,880 --> 00:51:40,360
It's Murray. Oh, yeah.
1244
00:51:40,360 --> 00:51:42,920
It becomes a little bit more
folksy almost,
1245
00:51:42,920 --> 00:51:47,480
sort of epic at the same time.
More streetside.
1246
00:51:47,480 --> 00:51:48,600
Mm. Yeah.
1247
00:51:48,600 --> 00:51:50,760
I love it, I love it, love it.
I love that bit.
1248
00:51:50,760 --> 00:51:52,080
Look, Anita knows.
1249
00:51:52,080 --> 00:51:54,120
Yeah, the guitar.
1250
00:51:56,080 --> 00:51:59,080
Oh, and the violin. Yeah.
Oh, there it is.
1251
00:51:59,080 --> 00:52:01,680
We talked about adding London
backgrounds into these shots,
1252
00:52:01,680 --> 00:52:03,480
didn't we? And ran out of money.
1253
00:52:03,480 --> 00:52:05,960
Some of these shots were going
to be more like London.
1254
00:52:05,960 --> 00:52:09,040
It doesn't matter. It doesn't matter
for a second from that angle.
1255
00:52:09,040 --> 00:52:13,040
This bit always gives me goose
bumps. Does it? It's amazing. Aww!
1256
00:52:13,040 --> 00:52:15,800
On the day, you just walk
into a plain old box.
1257
00:52:15,800 --> 00:52:18,560
I know. Yeah. I know, with
the green screen inside. Yeah.
1258
00:52:18,560 --> 00:52:22,360
And Phil. And Phil like that!
1259
00:52:22,360 --> 00:52:24,880
Oh, and she goes
straight back out again.
1260
00:52:26,360 --> 00:52:28,960
No-one's done this since
Rose Tyler, many years ago.
1261
00:52:28,960 --> 00:52:32,000
Good ol' Billie... Really?
..did a circuit of the TARDIS
1262
00:52:32,000 --> 00:52:34,240
and wouldn't you? Yeah, you would!
1263
00:52:34,240 --> 00:52:36,880
I think it's the important
thing to do. Yeah.
1264
00:52:36,880 --> 00:52:39,920
There's no tricks, there's no traps,
there's no...
1265
00:52:39,920 --> 00:52:42,200
Your face!
1266
00:52:43,680 --> 00:52:45,600
What you do, Millie, amongst many,
many things, you do
1267
00:52:45,600 --> 00:52:47,280
comedy beautifully, darling.
Aww, thank you.
1268
00:52:47,280 --> 00:52:49,640
You're not afraid of pushing
things in a comic direction
1269
00:52:49,640 --> 00:52:52,680
and that's the real beauty about
you. I love it. Love it, love it.
1270
00:52:52,680 --> 00:52:55,160
Thank you. No, I really enjoy
playing comedy. Yeah.
1271
00:52:55,160 --> 00:52:58,400
I mean, Kelly didn't get to do it
much, so it's been lovely doing it.
1272
00:52:58,400 --> 00:53:01,040
Yes, cos, actually, we had no idea.
Yeah. I don't think I'd ever seen
1273
00:53:01,040 --> 00:53:03,880
you be in comedy and so, when you
hit that audition, it was like,
1274
00:53:03,880 --> 00:53:05,640
"God, she's funny!"
It was brilliant.
1275
00:53:05,640 --> 00:53:07,800
It was one of the clinchers,
darling. Oh, thank you.
1276
00:53:07,800 --> 00:53:10,240
Because Doctor Who always has, you
know, even when their life's in
1277
00:53:10,240 --> 00:53:12,760
danger, there's always an element of
fun, fun, fun, fun, fun.
1278
00:53:12,760 --> 00:53:14,440
Yeah. But I think, again,
it's the same,
1279
00:53:14,440 --> 00:53:17,520
it's being able to jump between,
I think that's the trick. Yeah.
1280
00:53:17,520 --> 00:53:20,280
It's going from comedy to something
very serious, to threat to...
1281
00:53:20,280 --> 00:53:23,080
It's amazing. To running away
from monsters. Exactly.
1282
00:53:23,080 --> 00:53:25,880
Look at him, standing there,
come on.
1283
00:53:25,880 --> 00:53:27,160
# Bum-bum-bum-bum! #
1284
00:53:27,160 --> 00:53:28,320
Mm, the Doctor!
1285
00:53:28,320 --> 00:53:30,920
Gorgeous. Bang!
1286
00:53:30,920 --> 00:53:32,280
# Boam-boam-bow! #
Off we go!
1287
00:53:32,280 --> 00:53:34,600
Oh, I love it! Gorgeous.
1288
00:53:44,600 --> 00:53:46,760
Now this scene! And then... Yeah.
1289
00:53:47,720 --> 00:53:49,840
Of course. I love this bit.
1290
00:53:49,840 --> 00:53:51,560
There they go.
1291
00:53:51,560 --> 00:53:54,080
This bit gave everyone goose bumps,
didn't it?
1292
00:53:54,080 --> 00:53:55,480
Everyone was like, "Ah!"
1293
00:53:55,480 --> 00:53:58,280
I wonder how many people will miss
it though and switch channels? Yeah.
1294
00:53:58,280 --> 00:53:59,960
That's so true, yeah. I do wonder,
1295
00:53:59,960 --> 00:54:02,760
because it's a Marvel movies-type
thing. Yeah, that's so true.
1296
00:54:02,760 --> 00:54:04,280
A little postscript scene and...
1297
00:54:04,280 --> 00:54:06,360
They'll be drunk, it's fine,
they'll keep it going.
1298
00:54:06,360 --> 00:54:07,800
Yeah, yeah, yeah.
1299
00:54:07,800 --> 00:54:08,920
It's Christmas Day.
1300
00:54:08,920 --> 00:54:11,840
And it's marvellous
Anita's final reveal.
1301
00:54:11,840 --> 00:54:14,920
What does she mean?
How does she know?
1302
00:54:16,920 --> 00:54:20,520
"Never seen a TARDIS before?"
Great, isn't it?
1303
00:54:20,520 --> 00:54:22,400
That wink is perfect.
1304
00:54:22,400 --> 00:54:24,000
Bang! Oh!
1305
00:54:24,000 --> 00:54:27,040
First time the fourth wall's
been broken. No. No?
1306
00:54:27,040 --> 00:54:29,400
Under my watch, probably not!
1307
00:54:29,400 --> 00:54:31,680
No. Do you not like a fourth wall?
No, I love it!
1308
00:54:31,680 --> 00:54:33,760
I love it when it does things
like that.
1309
00:54:33,760 --> 00:54:36,080
We are now allowed to say on
Christmas Day that this
1310
00:54:36,080 --> 00:54:38,080
is coming back for
your full series in May.
1311
00:54:38,080 --> 00:54:40,400
May, that has been
officially allowed.
1312
00:54:40,400 --> 00:54:42,720
Don't worry, folks.
Oh, my God! May!
1313
00:54:42,720 --> 00:54:45,520
That'll be said on Christmas Day,
that it's coming back in May, so...
1314
00:54:45,520 --> 00:54:47,680
Another six months to wait. Yeah.
1315
00:54:47,680 --> 00:54:50,720
Five! Five, five, five! Well, OK.
Six. Yeah, it's slightly...
1316
00:54:50,720 --> 00:54:52,480
But is it going to be good?
1317
00:54:52,480 --> 00:54:54,240
Oh, my gosh, yeah. It's so good.
So amazing.
1318
00:54:54,240 --> 00:54:56,160
Thank you for doing this, Millie.
We adore you!
1319
00:54:56,160 --> 00:54:58,400
No, don't be daft. I love
just sitting on the couch.
1320
00:54:59,880 --> 00:55:02,280
It's quite nice doing it in the
living room because I've probably
1321
00:55:02,280 --> 00:55:04,400
watched more of it. I'm really
pleased to do this with you
1322
00:55:04,400 --> 00:55:07,200
because I love working with you. Oh,
thank you. And this is, literally,
1323
00:55:07,200 --> 00:55:09,600
one of my favourite episodes.
Thank you for giving me this.
1324
00:55:09,600 --> 00:55:10,920
It's a joy. Thank you, darling.
1325
00:55:10,920 --> 00:55:13,240
I love Ruby. What an introduction
to a character.
1326
00:55:13,240 --> 00:55:16,400
Whoo! Stay tuned.
1327
00:55:16,400 --> 00:55:17,720
Hooray.
114403
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.