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[ Pounding ]
4
00:00:26,893 --> 00:00:28,728
[ Loud Thumping ]
5
00:00:28,728 --> 00:00:31,063
[ Roaring ]
6
00:00:46,246 --> 00:00:49,582
♪ [ Fanfare ]
7
00:01:17,444 --> 00:01:18,945
♪ [ Harpsichord ]
8
00:01:21,448 --> 00:01:24,200
[ Kissing ]
9
00:01:49,893 --> 00:01:51,895
[ Exhales ]
10
00:02:31,384 --> 00:02:34,387
DARLING?
AS SOON AS I FINISH THE CHAPTER, HONEY.
11
00:02:34,387 --> 00:02:36,389
HOW MANY MORE PAGES?
12
00:02:38,892 --> 00:02:40,894
ABOUT EIGHT.
OH.
13
00:02:40,894 --> 00:02:44,397
SHALL WE LEAVE IT TILL
TOMORROW MAYBE, DARLING? SURE. OKAY, HONEY.
14
00:02:46,399 --> 00:02:47,900
NIGHT.
NIGHT.
15
00:03:24,187 --> 00:03:27,190
♪ WOW ♪
16
00:03:27,190 --> 00:03:30,576
♪ WHAT WE NEED
IN THE WORLD TODAY ♪
17
00:03:30,577 --> 00:03:34,080
♪ IS A GUIDE
FOR THE MARRIED MAN ♪
18
00:03:34,080 --> 00:03:37,366
♪ SOME SIMPLE THING
THAT IN EVERY WAY ♪
19
00:03:37,367 --> 00:03:40,620
♪ WOULD PROVIDE
FOR THE HARRIED MAN ♪
20
00:03:40,620 --> 00:03:44,373
♪ HELP HIM NOT TO WORRY ♪
21
00:03:44,374 --> 00:03:47,760
♪ ASSIST HIM TO RELAX ♪
22
00:03:47,760 --> 00:03:51,380
♪ HELP HIM SLOW HIS HEART RATE ♪
23
00:03:51,381 --> 00:03:54,884
♪ AND SPARE HIM CARDIACS,
YEAH, YEAH, YEAH ♪
24
00:03:54,884 --> 00:03:58,304
♪ SUCH A GUIDE
WOULD IN MANY WAYS ♪
25
00:03:58,304 --> 00:04:01,807
♪ TURN THE TIDE
FOR THE MARRIED MAN ♪
26
00:04:01,808 --> 00:04:05,311
♪ ENABLE HUSBANDS
TO FILL THEIR DAYS ♪
27
00:04:05,311 --> 00:04:08,814
♪ AS ONLY THE MARRIED CAN ♪
28
00:04:09,315 --> 00:04:12,318
♪ EVERY MAN WOULD PRAISE IT ♪
29
00:04:12,318 --> 00:04:15,704
♪ IT'S SUCH A SPLENDID PLAN ♪
30
00:04:15,705 --> 00:04:18,491
[ Horns Honking ]
♪ SOMEDAY SOON WE SHALL POINT WITH PRIDE ♪
31
00:04:18,491 --> 00:04:21,911
♪ TO THE GUIDE ♪
32
00:04:21,911 --> 00:04:26,415
♪ FOR THE MARRIED MAN ♪
33
00:04:26,416 --> 00:04:29,419
♪ [ Vocalizing ]
34
00:04:33,389 --> 00:04:36,392
♪ [ Vocalizing Continues ]
35
00:04:40,897 --> 00:04:43,399
♪ BY THE SIDE
OF THE MARRIED MAN ♪
36
00:04:43,399 --> 00:04:47,403
♪ 'TIS THE LADY
WHO SHARES HIS LIFE ♪
37
00:04:47,403 --> 00:04:50,522
♪ YOU HELP THE BRIDE
OF THE MARRIED MAN ♪
38
00:04:50,523 --> 00:04:54,527
♪ BY REMOVING
THE HUSBAND'S STRIFE ♪
39
00:04:54,527 --> 00:04:57,530
♪ EVERY WIFE WHO'S TRUTHFUL ♪
40
00:04:57,530 --> 00:05:01,033
♪ WHO TREASURES MARRIED BLISS ♪
41
00:05:01,034 --> 00:05:04,537
♪ MUST KEEP HER HUSBAND
YOUTHFUL ♪
42
00:05:04,537 --> 00:05:08,040
♪ WHAT BETTER WAY THAN THIS ♪
43
00:05:08,541 --> 00:05:11,043
♪ EACH AND EVERY DEVICE
WE KNOW ♪
44
00:05:11,544 --> 00:05:15,347
♪ SHOULD BE TRIED
FOR THE MARRIED MAN ♪ [ Rattling ]
45
00:05:15,348 --> 00:05:18,184
♪ AND WHO CAN QUESTION
THE DEBT HE'LL OWE ♪
46
00:05:18,184 --> 00:05:22,104
♪ TO THE GUIDE
FOR THE MARRIED MAN ♪
47
00:05:22,105 --> 00:05:24,974
♪ IT WILL LIST THINGS
UNIVERSAL ♪
48
00:05:24,974 --> 00:05:28,978
♪ FROM PITTSBURGH TO JAPAN ♪
[ No Audible Dialogue ]
49
00:05:28,978 --> 00:05:31,530
♪ AND EVERY MAN
CAN BE SATISFIED ♪
50
00:05:31,531 --> 00:05:34,951
♪ BY THE GUIDE ♪
51
00:05:34,951 --> 00:05:37,453
♪ FOR THE MARRIED MAN ♪
52
00:05:37,453 --> 00:05:40,322
♪ THE MARRIED MAN
THE MARRIED MAN ♪
53
00:05:40,323 --> 00:05:44,293
♪ THE MARRIED MANTHE MARRIED MAN ♪
54
00:05:48,798 --> 00:05:51,217
[ Horn Honking ]
55
00:05:55,221 --> 00:05:57,223
HI, MR. MANNING!
HIYA, CHARLIE BABY.
56
00:05:57,223 --> 00:05:59,091
GO GET DEBBIE.
TELL 'EM WE'RE WAITING. OKAY.
57
00:05:59,092 --> 00:06:02,061
AND HURRY BACK OUT.
HIYA, PAUL.
58
00:06:02,061 --> 00:06:06,065
HI, ED.
NICE MORNING, ISN'T IT? BEAUTIFUL.
59
00:06:06,065 --> 00:06:08,067
HOW'S RUTH?FINE. HARRIET?
60
00:06:08,067 --> 00:06:10,486
FINE. OH, THAT REMINDS ME.
61
00:06:10,486 --> 00:06:13,489
LOOK, IF IT SHOULD
HAPPEN TO COME UP, I HAD LUNCH WITH YOU YESTERDAY.
62
00:06:13,489 --> 00:06:16,492
YESTERDAY? NO, NO, NO.
THAT WAS THURSDAY.
63
00:06:16,492 --> 00:06:19,361
YESTERDAY,
I HAD LUNCH WITH-- WITH ME, PAUL. WITH ME.
64
00:06:22,865 --> 00:06:26,168
OH. YEAH.
65
00:06:27,370 --> 00:06:29,121
WHO WAS SHE, ED?
66
00:06:29,122 --> 00:06:31,507
WHEN I LEFT THE BARBERSHOP
A FEW DAYS AGO,
67
00:06:32,008 --> 00:06:33,509
THERE WAS
THIS LADY TRAFFIC COP,
68
00:06:34,010 --> 00:06:36,012
AND SHE WAS WRITING ME OUT
A PARKING TICKET.
69
00:06:37,513 --> 00:06:40,766
♪ [ Calliope ]
70
00:06:40,767 --> 00:06:44,103
HI, DADDY!
HI, DADDY! DADDY! HI!
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00:06:44,103 --> 00:06:46,105
BUT HOW DID YOU KNOW
SHE'D BE WILLING?
72
00:06:46,105 --> 00:06:49,108
AFTER A WHILE, YOU SORT OF
BEGIN TO DEVELOP A NOSE FOR IT.
73
00:06:49,108 --> 00:06:51,610
YES, BUT AT THE BEGINNING--
THE FIRST TIME, FOR INSTANCE.
74
00:06:51,611 --> 00:06:53,446
HOW DID YOU KNOW
THE FIRST TIME?
75
00:06:53,813 --> 00:06:56,315
INSTINCT.
HEY, DADDY! DADDY, LOOK!
76
00:06:56,315 --> 00:06:58,317
WELL, WHAT IF YOU
DON'T HAVE INSTINCT?
77
00:06:58,317 --> 00:07:01,320
YOU HAVE TO SORT OF
PUT OUT FEELERS. YOU KNOW, A LITTLE JOKE FIRST.
78
00:07:01,320 --> 00:07:03,238
WHAT?
YOU HAVE TO SORT OF PUT OUT FEELERS.
79
00:07:03,239 --> 00:07:06,742
A-- A LITTLE JOKE FIRST,
AND THEN YOU-- JOKE?
80
00:07:06,742 --> 00:07:09,745
YOU CAN JOKE
AT A TIME LIKE THAT? WHY NOT?
81
00:07:09,745 --> 00:07:13,749
I DON'T KNOW. I JUST THOUGHT
YOU'D BE TOO, UH, SCAR-- TOO FRI--
82
00:07:13,749 --> 00:07:17,586
DO YOU HAVE
TO TAKE HER OUT FIRST? [ Debbie ] DADDY!
83
00:07:17,587 --> 00:07:21,557
BUT WHAT IF SOMEONE
RECOGNIZES YOUR CAR IN FRONT OF THE MOTEL?
84
00:07:21,557 --> 00:07:24,059
LET HERTZ PUT YOU
IN THE DRIVER'S SEAT.
85
00:07:24,560 --> 00:07:26,061
DADDY! LOOK AT ME.
86
00:07:26,562 --> 00:07:28,397
HI, KIDS. HI.
HI, HI.
87
00:07:29,849 --> 00:07:31,851
DO ALL MARRIED GUYS
DO IT, ED? NO, NO.
88
00:07:32,351 --> 00:07:34,353
MAYBE THERE COMES A TIME
IN EVERY MARRIAGE...
89
00:07:34,854 --> 00:07:38,357
WHEN THE GUY CONSIDERS IT,
BUT NOT ALL OF THEM GIVE IN TO IT.
90
00:07:38,357 --> 00:07:41,360
ONLY ABOUT 43%.
91
00:07:41,360 --> 00:07:43,862
WHICH I THINK IS ABOUT
TO GO UP TO 44.
92
00:07:43,863 --> 00:07:45,865
HUH? NO, NOT ME.
93
00:07:45,865 --> 00:07:47,867
NEVER. NEVER IN
A HUNDRED YEARS.
94
00:07:47,867 --> 00:07:52,872
NEVER IN A THOUSAND YEARS.
NEVER IN A... MILLION YEARS.
95
00:07:52,872 --> 00:07:54,874
A MILLION.
96
00:07:57,376 --> 00:07:59,878
WHY, ED? WHY?
WHY DOES A GUY DO IT?
97
00:07:59,879 --> 00:08:03,382
I CAN UNDERSTAND IT
IF HE DOESN'T LIKE HIS WIFE OR HE ISN'T HAPPY AT HOME.
98
00:08:03,382 --> 00:08:07,386
BUT WHY IF HE LOVES HIS WIFE,
IF HE'S CRAZY ABOUT HER AND HE'S GLAD HE'S MARRIED TO HER...
99
00:08:07,386 --> 00:08:09,888
AND HE NEVER WANTS
TO BE MARRIED TO ANYONE ELSE?
100
00:08:09,889 --> 00:08:12,892
WHY, ED? WHY?
LOTS OF REASONS.
101
00:08:15,895 --> 00:08:18,898
A MANIFESTATION
OF LATENT INSECURITY.
102
00:08:21,400 --> 00:08:22,901
CAN'T GET BETTER MEAT
THAN THAT.
103
00:08:23,402 --> 00:08:24,903
BUT YOU KNOW SOMETHING?
YOU'D GET AWFULLY TIRED OF IT...
104
00:08:25,404 --> 00:08:27,239
IF YOU DIDN'T HAVE SOME FISH
ONCE IN A WHILE.
105
00:08:29,292 --> 00:08:31,577
BECAUSE SHE'S THERE.
106
00:08:31,577 --> 00:08:35,998
IS THAT WHY YOU DO IT?
NO, NO, NO, NO.
107
00:08:36,499 --> 00:08:40,002
REMEMBER HOW IT USED
TO BE WITH A GIRL WHEN YOU FIRST MET HER?
108
00:08:40,002 --> 00:08:42,504
HEART LEAPING WITH JOY.
YEAH.
109
00:08:42,505 --> 00:08:44,507
A SONG ON YOUR LIPS.
110
00:08:48,761 --> 00:08:51,146
[ No Audible Dialogue ]
111
00:09:05,745 --> 00:09:10,082
I WANTED TO FEEL THAT AGAIN.
YEAH. FEEL THAT.
112
00:09:10,082 --> 00:09:14,669
I KNEW I WAS RIGHT WHEN I HEARD
WHAT HAPPENED TO THIS GUY. UH-HUH?
113
00:09:14,670 --> 00:09:16,421
[ Ed Narrating ]
MARRIED 14 YEARS,
114
00:09:16,422 --> 00:09:19,458
14 OF THE CLEANEST YEARS
YOU EVER SAW.
115
00:09:19,959 --> 00:09:23,462
NEVER SO MUCH AS
LOOKED AT ANOTHER GIRL, NEVER MIND THE OTHER THING.
116
00:09:23,462 --> 00:09:25,430
AND THEN--
117
00:09:43,115 --> 00:09:46,485
OH!
118
00:09:46,485 --> 00:09:51,072
NO.
YEAH. RIGHT IN FRONT OF HIS WIFE AND EVERYTHING.
119
00:09:51,073 --> 00:09:54,459
BOY, OH, BOY.
I WOULDN'T WANNA DO THAT TO HARRIET.
120
00:09:54,460 --> 00:09:56,962
AND I'LL TELL YOU
A VERY INTERESTING THING.
121
00:09:56,963 --> 00:09:58,965
IT HELPED MY MARRIAGE.
REALLY?
122
00:09:58,965 --> 00:10:01,968
UH-HUH. EVERY ONCE IN A WHILE,
I USED TO RESENT HARRIET--
123
00:10:01,968 --> 00:10:04,754
LIKE IT WAS HER FAULT
I WAS MISSING OUT ON ALL THE OTHERS.
124
00:10:04,754 --> 00:10:08,090
NOW I HAVEN'T RESENTED HER
FOR SIX AND A HALF YEARS.
125
00:10:08,090 --> 00:10:10,092
NO KIDDING?
126
00:10:21,604 --> 00:10:24,990
RIGHT IN FRONT OF HIS WIFE
AND EVERYTHING, EH? YEAH.
127
00:10:24,991 --> 00:10:29,945
BOY, I'D SURE HATE FOR ME
TO DO SOMETHING LIKE THAT IN FRONT OF RUTH AND EVERYTHING.
128
00:10:29,945 --> 00:10:32,948
PAUL?
HMM?
129
00:10:32,948 --> 00:10:35,951
ARE YOU TRYING
TO TELL ME SOMETHING? NO, NO.
130
00:10:35,951 --> 00:10:38,954
IT'S JUST THAT...
I WAS THINKING--
131
00:10:38,954 --> 00:10:42,958
WELL, IF IT WOULD KEEP A GUY
FROM DOING SOMETHING LIKE THAT IN FRONT OF HIS WIFE--
132
00:10:42,958 --> 00:10:46,461
MAYBE I'M JUST NOT--
BEER! POPCORN! PEANUTS! COLD DRINKS!
133
00:10:46,462 --> 00:10:48,464
TWO BEERS, LADY.
I'LL HAVE TWO BEERS TOO, LADY.
134
00:10:48,464 --> 00:10:50,466
THANK YOU, SWEETHEART.
MY PLEASURE.
135
00:10:50,466 --> 00:10:52,968
HARRIET SAYS
WE'LL BE EATING IN ABOUT AN HOUR.
136
00:10:54,053 --> 00:10:56,388
RIGHT SMACK
IN FRONT OF HER, HUH?
137
00:10:56,389 --> 00:10:58,357
AND IT'S CLEAR
TO THE NAKED EYE...
138
00:10:58,858 --> 00:11:00,860
THAT YOU'RE GONNA
TAKE THE PLUNGE ANY DAY NOW.
139
00:11:01,360 --> 00:11:02,861
I AM?
THERE'S NO DOUBT ABOUT IT.
140
00:11:03,362 --> 00:11:04,863
I WAS THE SAME WAY
BEFORE I BEGAN.
141
00:11:05,364 --> 00:11:07,366
[ Knocking ]HEY, FELLAS.COME IN, HARRIET.
142
00:11:07,366 --> 00:11:10,819
THEM AS WANTS THEIR HAMBURGERS
RARE OR MEDIUM RARE BETTER SHAKE A LEG.
143
00:11:11,320 --> 00:11:13,789
- WE'LL BE RIGHT OUT.- YEAH.
144
00:11:15,291 --> 00:11:17,793
BELIEVE ME, KID.
YOU'RE PRIMED, READY AND WILLING.
145
00:11:18,544 --> 00:11:21,630
YEAH. I'M AFRAID
MAYBE I AM.
146
00:11:21,630 --> 00:11:23,632
WELL,
WHAT ABOUT RUTH? RUTH WHO?
147
00:11:23,632 --> 00:11:26,635
RUTH, YOUR WIFE.
NO, NO, NO. YOU DON'T UNDERSTAND.
148
00:11:26,635 --> 00:11:30,639
THAT'S NOT WHO I--
OH. THAT'S RIGHT. OH.
149
00:11:30,639 --> 00:11:34,142
NEVER A SECOND THOUGHT
TO MAYBE SHE'LL FIND OUT AND CRY AND EVERYTHING.
150
00:11:34,143 --> 00:11:36,145
BUT, ED, YOU DO IT
ALL THE TIME. SO?
151
00:11:36,145 --> 00:11:38,647
SO, AREN'T YOU AFRAID
YOU'LL MAKE HARRIET CRY AND EVERYTHING?
152
00:11:38,647 --> 00:11:42,100
NO. BECAUSE I HAD ENOUGH
SENSE OF DECENCY.
153
00:11:42,101 --> 00:11:45,487
I LOVED HARRIET ENOUGH
TO WAIT UNTIL I LEARNED HOW TO DO IT WELL.
154
00:11:45,488 --> 00:11:47,740
OH.
155
00:11:47,740 --> 00:11:50,025
THAT'S WHY I WANT YOU
TO PROMISE ME SOMETHING--
156
00:11:50,025 --> 00:11:52,327
THAT YOU'LL HOLD OFF
UNTIL I CAN GIVE YOU A FEW POINTERS...
157
00:11:52,328 --> 00:11:55,197
BEFORE GETTING
INTO THE OLD BALL GAME.
158
00:11:55,197 --> 00:11:57,949
OKAY, ED.
YOU'RE THE COACH. [ Chuckles ]
159
00:11:57,950 --> 00:12:00,285
WILL YOU LOOK AT THAT?
160
00:12:00,286 --> 00:12:03,289
THE POOR KID.
BABY, YOUR EYES MUST BE KILLING YOU.
161
00:12:03,789 --> 00:12:07,793
HERE. HERE,
LET ME DO THAT. THANK YOU, DARLING.
162
00:12:07,793 --> 00:12:11,763
WHAT A MESS.
WOMEN SHOULDN'T BE ALLOWED NEAR THESE THINGS.
163
00:12:14,266 --> 00:12:17,269
THERE'S SO MUCH TO KNOW.
SO MUCH TO KNOW.
164
00:12:17,269 --> 00:12:20,772
WHERE TO TAKE HER,
HOW TO CHOOSE HER, WHAT TO DO IF A MAN ANSWERS.
165
00:12:20,773 --> 00:12:22,775
HANG UP?
WRONG.
166
00:12:22,775 --> 00:12:24,777
ASK TO SPEAK TO JACK
AND THEN SAY YOU GOT A WRONG NUMBER?
167
00:12:24,777 --> 00:12:27,279
WHAT IF HIS NAME
HAPPENS TO BE JACK? OH.
168
00:12:27,279 --> 00:12:30,115
SEE? ALREADY
YOU'RE IN TROUBLE.
169
00:12:30,116 --> 00:12:33,285
[ Hushed ]
WHAT DO YOU DO IF A MAN ANSWERS?
170
00:12:33,285 --> 00:12:37,155
YOU PUT YOUR HAND
OVER THE MOUTHPIECE SO HE DOESN'T HEAR YOU BREATHING.
171
00:12:37,156 --> 00:12:39,541
THEN HE'LL THINK
THERE'S SOMETHING WRONG WITH THE CONNECTION...
172
00:12:39,542 --> 00:12:41,293
AND HANG UP.
YEAH.
173
00:12:41,293 --> 00:12:44,663
[ Ed ] THEN, OF COURSE,
YOU'VE GOT TO GET OUT OF THE HOUSE AT NIGHT...
174
00:12:44,663 --> 00:12:48,166
WITHOUT
AROUSING SUSPICION. [ Paul ] YOU DO, DON'T YOU?
175
00:12:48,167 --> 00:12:51,170
UNLESS YOU'RE UNEMPLOYED
AND HAVE YOUR AFTERNOONS FREE.
176
00:12:51,170 --> 00:12:55,674
OH. WELL, I COULD SAY
THAT I WAS AT THE OFFICE WORKING LATE.
177
00:12:55,674 --> 00:12:57,676
AND WHAT HAPPENS IF RUTH
SHOULD PHONE YOU THERE...
178
00:12:57,676 --> 00:12:59,678
AND FIND YOU'RE NOT THERE
WORKING LATE?
179
00:12:59,678 --> 00:13:04,182
OH.
WHICH BRINGS US TO BASIC PRINCIPLE NUMBER ONE.
180
00:13:04,183 --> 00:13:06,685
NEVER,
NEVER SAY YOU'LL BE...
181
00:13:06,685 --> 00:13:09,688
WHERE YOU CAN BE FOUND
NOT TO BE.
182
00:13:11,190 --> 00:13:13,692
YES. I CAN SEE THAT.
183
00:13:13,692 --> 00:13:15,944
BOY, OH, BOY. IT GETS
PRETTY COMPLICATED, DOESN'T IT?
184
00:13:15,945 --> 00:13:18,614
PROTECTING YOUR LOVED ONES
IS NEVER EASY, KID.
185
00:13:18,614 --> 00:13:24,336
YES. THEN HOW DO YOU
GET OUT OF THE HOUSE AT NIGHT WITHOUT AROUSING SUSPICION?
186
00:13:24,336 --> 00:13:28,123
WELL, IT DEPENDS UPON
THE KIND OF WIFE YOU'VE GOT.
187
00:13:28,123 --> 00:13:31,126
THIS GUY I KNEW,
HE INVENTED A BRILLIANT GAMBIT.
188
00:13:31,126 --> 00:13:34,629
HE USED WHAT HE CALLED
THE "BUST-UP SCENE."
189
00:13:34,630 --> 00:13:37,015
HE'D PROVOKE A FIGHT.[ Door Closes ]
190
00:13:37,016 --> 00:13:40,019
JOE?
YEAH?
191
00:13:40,019 --> 00:13:42,021
HI, BABY.
HI, HONEY.
192
00:13:42,021 --> 00:13:44,023
HOW ARE THE KIDS?
FINE.
193
00:13:44,023 --> 00:13:46,525
GOOD. WHAT'S FOR DINNER?
CHICKEN.
194
00:13:46,525 --> 00:13:48,527
CHICKEN? WE JUST HAD THAT
TWO DAYS AGO.
195
00:13:49,028 --> 00:13:51,530
NO. THAT WAS
LAST THURSDAY WE HAD CHICKEN.
196
00:13:51,530 --> 00:13:55,534
ARE YOU CALLIN' ME A LIAR?
NO, HONEY. I JUST--
197
00:13:55,534 --> 00:13:58,537
A MAN KILLS HIMSELF WORKIN'
FOR HIS WIFE AND FAMILY ALL DAY LONG.
198
00:13:58,537 --> 00:14:01,540
WHAT DOES HE GET
WHEN HE GETS HOME? CHICKEN AND INSULTS.
199
00:14:01,540 --> 00:14:05,043
HONEY.
IT'S NOT BAD ENOUGH WE HAVE CHICKEN EVERY DAY--
200
00:14:05,044 --> 00:14:07,546
WE DO NOT HAVE CHICKEN
EVERY DAY.
201
00:14:07,546 --> 00:14:09,548
WHY DON'T YOU LEARN HOW
TO COOK SOMETHIN' ELSE FOR A CHANGE?
202
00:14:09,548 --> 00:14:11,550
I DO! YESTERDAY,
WE HAD POT ROAST.
203
00:14:11,550 --> 00:14:13,552
THAT WAS POT ROAST, HUH?
YEAH!
204
00:14:13,552 --> 00:14:16,054
TASTED MORE LIKE THE POT
THAN THE ROAST.
205
00:14:16,055 --> 00:14:20,059
ARE YOU COMPLAINING
ABOUT MY COOKING? YES.
206
00:14:20,059 --> 00:14:22,061
WELL, IF YOU DON'T LIKE IT,
WHY DON'T YOU GO SOMEPLACE ELSE?
207
00:14:22,061 --> 00:14:24,063
ALL RIGHT! I WILL!
ALL RIGHT! GO AHEAD!
208
00:14:24,063 --> 00:14:27,066
AW, QUIET!
[ Shouts ]
209
00:15:03,302 --> 00:15:06,188
♪ [ Whistling ]
210
00:15:17,835 --> 00:15:19,837
♪ [ Whistling ]
211
00:15:28,463 --> 00:15:31,382
♪ [ Romantic ]
212
00:15:43,394 --> 00:15:45,396
[ Giggling ]
213
00:16:26,654 --> 00:16:28,656
HARRY.
214
00:16:30,608 --> 00:16:34,662
- HELLO?
- BABY. BABY, I'M SORRY.
215
00:16:34,662 --> 00:16:39,700
- WELL, YOU OUGHT TO BE.
- YEAH, YEAH. I FEEL TERRIBLE, BABY.
216
00:16:39,700 --> 00:16:42,869
- I DON'T KNOW WHY
YOU PUT UP WITH ME. - NEITHER DO I.
217
00:16:44,372 --> 00:16:48,008
- DID YOU EAT?
- YEAH. I CAUGHT A HAMBURGER IN SOME JOINT.
218
00:16:48,009 --> 00:16:50,011
THEN I SORT OF JUST
DROVE AROUND.
219
00:16:51,512 --> 00:16:55,015
- I FEEL TERRIBLE, HONEY.
- WELL,
220
00:16:55,016 --> 00:16:57,301
MAYBE WE DO HAVE CHICKEN
A LITTLE TOO OFTEN.
221
00:16:57,301 --> 00:16:59,686
NO, NO. HONEY--
HONEY, IT'S NOT THAT.
222
00:16:59,687 --> 00:17:02,690
IT'S JUST THIS
CRAZY TEMPER OF MINE.
223
00:17:03,191 --> 00:17:05,443
I DON'T KNOW WHY I KEEP
TAKIN' IT OUT ON YOU.
224
00:17:06,727 --> 00:17:09,529
WELL, MAYBE THAT'S WHAT
A WIFE IS FOR.
225
00:17:09,530 --> 00:17:14,535
- OH, NO. HONEY,
I LOVE YOUR CHICKEN. - REALLY, HONEY?
226
00:17:14,535 --> 00:17:17,738
BUT MOST OF ALL,
I LOVE YOU, HONEY.
227
00:17:17,738 --> 00:17:20,373
I LOVE YOU, HONEY.
228
00:17:20,374 --> 00:17:23,043
SEE YA TONIGHT, BABY.
[ Kissing Noise ]
229
00:17:23,044 --> 00:17:25,212
[ Kissing Noise ]
230
00:17:35,006 --> 00:17:37,508
[ Ed ] DID YOU NOTICE HIS USE
OF THE CONTINUOUS-ACTION VERB--
231
00:17:38,009 --> 00:17:40,011
"KEEP ON TAKING ITOUT ON YOU"?
232
00:17:40,011 --> 00:17:43,514
THEREBY SETTING IT UPFOR NEXT TIME.
233
00:17:43,514 --> 00:17:48,519
[ Paul, Chuckling ]
YES. IT'S A PRETTY ELABORATE WAY OF DOING IT, ISN'T IT?
234
00:17:48,519 --> 00:17:52,022
YEAH. THEREBY PROVING
HOW DEEPLY HE CARES FOR HIS WIFE.
235
00:17:56,027 --> 00:17:58,529
[ Door Slams ]
HELLO, DARLING.
236
00:17:58,529 --> 00:18:00,531
HELLO, HONEY.
[ Kissing Noise ]
237
00:18:00,531 --> 00:18:03,534
WHAT'S FOR DINNER?
VICHYSSOISE, CASSEROLE CASSOULET,
238
00:18:04,035 --> 00:18:06,037
MOUSSE À LA RUSSEAND IRISH COFFEE.
239
00:18:11,542 --> 00:18:13,043
WELL, THAT SOUNDS EXPENSIVE.
EXPENSIVE?
240
00:18:13,544 --> 00:18:18,048
A COUPLE OF POTATOES,
THREE-QUARTERS OF A POUND OF SAUSAGE, FOUR EGGS.
241
00:18:18,049 --> 00:18:22,053
[ Stammers ]
WHAT-WHAT KIND OF FOOD IS THAT TO GIVE TO A CHILD?
242
00:18:22,053 --> 00:18:24,055
DEBORAH?
SHE'S ALREADY EATEN.
243
00:18:24,555 --> 00:18:26,557
CAULIFLOWER,
CREAMED SPINACH AND LAMB CHOPS.
244
00:18:31,362 --> 00:18:35,282
THAT'S THE TROUBLE WITH RUTH.
SHE'S SUCH A WONDERFUL WIFE.
245
00:18:35,283 --> 00:18:38,286
LOOK, PAUL, IF YOU CARE
ENOUGH FOR YOUR WIFE,
246
00:18:38,286 --> 00:18:42,290
YOU CAN ALWAYS FIND
SOMETHING ABOUT HER THAT YOU CAN'T STAND.
247
00:18:45,743 --> 00:18:49,246
[ Door Slams ]
OH. HI, DARLING.
248
00:18:49,247 --> 00:18:51,749
WHAT ARE YOU
SO CHEERFUL ABOUT?
249
00:18:51,749 --> 00:18:54,752
DID IT EVER OCCUR TO YOU
THAT I MAY NOT BE FEELING CHEERFUL?
250
00:18:54,752 --> 00:18:57,755
NO. YOU'RE MUCH
TOO SELFISH FOR THAT.
251
00:18:58,256 --> 00:19:01,058
ALWAYS THINKING
ONLY OF YOURSELF!
252
00:19:01,058 --> 00:19:04,478
WELL, IF YOU THINK I'M JUST
GONNA STICK AROUND HERE WATCHING YOU BE CHEERFUL,
253
00:19:04,478 --> 00:19:07,481
YOU'RE SADLY MISTAKEN.
254
00:19:07,982 --> 00:19:09,483
AND I'M GONNA COME BACK
WHEN I'M GOOD AND REA--
255
00:19:09,483 --> 00:19:11,985
[ Muffled Cry ]
256
00:19:11,986 --> 00:19:14,905
OH, I'M SORRY.
HONEY, I'M TERR--
257
00:19:14,906 --> 00:19:17,692
TERRIBLY... SORRY.
258
00:19:19,193 --> 00:19:22,446
[ Ed ]
AFTER THE BUST-UP SCENE, OKAY, FLOWERS.
259
00:19:22,446 --> 00:19:24,448
BUT IF YOU DIDN'T EVEN DO IT.
260
00:19:24,448 --> 00:19:26,450
MAYBE I'M JUST NOT CUT OUT
FOR THE WHOLE THING.
261
00:19:26,450 --> 00:19:29,453
I MEAN, IT'S JUST THAT
SHE'S SO SENSITIVE. THANK YOU.
262
00:19:29,954 --> 00:19:32,957
SURE. I UNDERSTAND, KID.
HARRIET'S THE SAME WAY.
263
00:19:32,957 --> 00:19:36,961
IF SHE WEREN'T, WOULD I
MAKE ALL THOSE SACRIFICES TO KEEP HER FROM FINDING OUT?
264
00:19:36,961 --> 00:19:39,463
YEAH. I SUPPOSE SO.
265
00:19:39,463 --> 00:19:41,965
WHAT WOULD MAKE
A SENSITIVE WOMAN LIKE RUTH FIGHT BACK?
266
00:19:42,466 --> 00:19:43,967
WELL, I KNOW
WHAT BUGS HARRIET--
267
00:19:44,468 --> 00:19:46,470
WHEN I ACT LIKE
I'M THE LORD OF THE MANOR...
268
00:19:46,971 --> 00:19:48,973
AND SHE'S A LOWLY PEASANT
LIKE--
269
00:19:48,973 --> 00:19:53,978
ONCE I COMPLAINED THAT SOME MEN
HAVE A DRINK WAITING FOR THEM WHEN THEY GET HOME.
270
00:19:53,978 --> 00:19:55,980
BOY, DID SHE GIVE IT TO ME.
271
00:19:56,480 --> 00:19:58,482
"YES, YOUR ROYAL HIGHNESS.
272
00:19:58,482 --> 00:20:00,484
"AT YOUR SERVICE,
YOUR MAJESTY.
273
00:20:00,484 --> 00:20:03,987
YOUR SLIGHTEST WISH
IS MY COMMAND, O BIG SHOT."
274
00:20:36,654 --> 00:20:40,157
HI, DARLING.
DARLING!
275
00:20:40,157 --> 00:20:42,159
WHAT HAPPENED?
UH!
276
00:20:42,660 --> 00:20:44,662
ARE YOU ALL RIGHT?
IT'S ALL RIGHT. I HURT MY BACK A BIT.
277
00:20:44,662 --> 00:20:46,664
NOTHING SERIOUS.
OH, YOUR BACK?
278
00:20:47,164 --> 00:20:50,167
LISTEN, RUTH. SOME MEN--
OH, YOU POOR DEAR. SHALL I CALL THE DOCTOR?
279
00:20:50,668 --> 00:20:52,670
NO. NOW, LISTEN TO ME.
WILL YOU LISTEN TO ME? MAYBE SOME HEATING PADS.
280
00:20:52,670 --> 00:20:54,672
SOME MEN, WHEN THEY
COME HOME AT NIGHT-- I'VE GOT A BETTER IDEA.
281
00:20:54,672 --> 00:20:57,791
A STEAM BATH.
IT'LL SOOTHE-- A STEAM BATH-- STEAM BATH?
282
00:20:57,792 --> 00:21:00,294
UH-HUH.
WHERE YOU STAY OVER ALL NIGHT?
283
00:21:00,294 --> 00:21:02,129
YES.
FOR MEN ONLY?
284
00:21:02,129 --> 00:21:04,848
NATURALLY.
[ Groans ]
285
00:21:04,849 --> 00:21:06,851
DARLING.
286
00:21:07,852 --> 00:21:10,855
[ Whimpering ]
OH.
287
00:21:10,855 --> 00:21:12,857
[ Moans ]
OH, DARLING.
288
00:21:19,897 --> 00:21:21,398
[ Mouthing Words ]
289
00:21:39,216 --> 00:21:42,085
BRILLIANT.
ABSOLUTELY BRILLIANT.
290
00:21:42,086 --> 00:21:44,088
I THINK
YOU'VE GOT BIG THINGS AHEAD OF YOU, KID.
291
00:21:44,088 --> 00:21:46,590
THANKS, ED.
I HATED LYING TO HER THOUGH.
292
00:21:46,590 --> 00:21:49,593
I KNOW, BUT YOU
GOTTA KEEP REMEMBERING IT'S FOR HER OWN GOOD.
293
00:21:49,593 --> 00:21:52,095
YES. THAT'S TRUE.
I KEEP TELLING MYSELF. [ Chuckling ]
294
00:21:52,096 --> 00:21:53,897
SURE. IT'S THE LEAST
WE CAN DO FOR THEM. [ Door Opens ]
295
00:21:53,898 --> 00:21:57,735
MR. MANNING.
MR. FORDYCE CALLED.
296
00:21:57,735 --> 00:22:00,738
HE WANTS TO KNOW WHETHER
IT'S RIGHT TO LIQUIDATE THE MURIETT VALLEY HOLDINGS.
297
00:22:00,738 --> 00:22:03,741
NO, NO. NO, NO.
TELL HIM, UM,
298
00:22:03,741 --> 00:22:06,744
CONSIDERING THE PREPAID
INTEREST FACTOR,
299
00:22:06,744 --> 00:22:09,747
THERE'S A DISTINCT
TAX BENEFIT...
300
00:22:09,747 --> 00:22:12,249
IN WAITING
UNTIL THE NEXT...
301
00:22:12,249 --> 00:22:14,251
FISCAL PERIOD.
302
00:22:14,251 --> 00:22:17,254
NO, NO. TELL HIM
I'LL "FALL" HIM-- UH, CALL HIM.
303
00:22:17,254 --> 00:22:19,256
YES, SIR.
304
00:22:21,092 --> 00:22:23,043
NO, PAUL.
HUH?
305
00:22:23,544 --> 00:22:25,045
UH.
OH. WHY NOT?
306
00:22:25,546 --> 00:22:28,549
YOU'RE NOT READY YET, KID.
AND ABOUT THE STEAM BATH, KID,
307
00:22:28,549 --> 00:22:31,552
THERE'S ONE
LITTLE IMPROVEMENT YOU CAN MAKE, IF YOU DON'T MIND MY SAYING SO.
308
00:22:31,552 --> 00:22:36,557
NO, NO. GO RIGHT AHEAD.
TELL RUTH THAT YOU'RE SWITCHING TO A FINNISH SAUNA.
309
00:22:36,557 --> 00:22:39,059
A FINNISH SAUNA?
YEAH, WHERE THEY HIT YOU WITH TREE BRANCHES...
310
00:22:39,059 --> 00:22:40,944
WHILE YOU'RE SWEATING IT OUT.
311
00:22:40,945 --> 00:22:43,981
- WHY IS THAT BETTER?
- WELL, YOU NEVER KNOW.
312
00:22:43,981 --> 00:22:47,484
SOMEDAY, YOU MAY FIND YOURSELF
WITH A FRIEND WHO GETS SORT OF CARRIED AWAY.
313
00:22:47,485 --> 00:22:51,489
THE TREE BRANCHES WOULD EXPLAIN
THE SCRATCHES ON YOUR BACK. [ Chuckles ]
314
00:22:51,489 --> 00:22:53,991
OH.
[ Door Closes ]
315
00:22:53,991 --> 00:22:58,462
A BOTTLE OF OLD IRONSIDES,
PLEASE. GIANT, ECONOMY SIZE. YES, SIR.
316
00:22:58,462 --> 00:23:01,965
AFTERSHAVE LOTION--
WORTH ITS WEIGHT IN GOLD. REALLY? WHY?
317
00:23:01,966 --> 00:23:04,969
IT'S NOT VERY LIKELY
THAT YOUR WIFE AND YOUR FRIEND...
318
00:23:04,969 --> 00:23:07,972
USE THE SAME KIND
OF PERFUME, IS IT?
319
00:23:07,972 --> 00:23:10,474
WHICH CAN RESULT
IN COMPLICATIONS.
320
00:23:10,474 --> 00:23:12,976
TAXI!
321
00:23:12,977 --> 00:23:14,979
[ Tapping On Window ]
322
00:23:17,982 --> 00:23:19,984
727 SEABURY.
323
00:24:03,060 --> 00:24:04,945
W-WAIT. WAIT. STOP.
HOLD EVERYTHING.
324
00:24:10,618 --> 00:24:15,072
- [ Tires Squeal ]
- [ Horns Honking ]
325
00:24:21,912 --> 00:24:25,298
DIDN'T YOU EVER SEE A MAN
LOSE ANYTHING BEFORE? GET GOING.
326
00:24:28,802 --> 00:24:31,805
HI, SWEET.
OH, HELLO, DEAR.
327
00:24:32,306 --> 00:24:34,808
[ Loud Kiss ]
HOW WAS THE P.T.A. MEETING?
328
00:24:34,808 --> 00:24:37,594
- OH, DULL. DULL, AS USUAL.
- [ Clicks Tongue ] YES.
329
00:24:38,095 --> 00:24:39,930
THANK YOU FOR VOLUNTEERING
TO GO ALONE.
330
00:24:39,930 --> 00:24:41,848
WHY SHOULD BOTH OF US
BE BORED?
331
00:24:42,349 --> 00:24:45,352
[ Yawns ]
CERTAINLY KNOCKS YOU OUT THOUGH.
332
00:24:45,352 --> 00:24:47,103
I THINK I'LL HIT THE HAY.
333
00:24:47,104 --> 00:24:50,740
WELL, YOU DESERVE IT, DEAR.
GOOD NIGHT, DEAR.
334
00:24:50,741 --> 00:24:53,026
GOOD NIGHT, SWEET.
335
00:25:01,919 --> 00:25:04,922
THAT'S WHEN I REALIZED
SOME DEFENSIVE MEASURE HAD TO BE TAKEN.
336
00:25:04,922 --> 00:25:08,425
I TRIED DOZENS OF THEM
BEFORE I FOUND OLD IRONSIDES.
337
00:25:08,425 --> 00:25:11,428
REALLY? WHAT DO YOU THINK
MAKES IT SO SPECIAL?
338
00:25:11,428 --> 00:25:13,930
HERE. SMELL IT.
[ Sniffing ] WOW.
339
00:25:14,431 --> 00:25:16,933
THE MOST POWERFUL
AFTERSHAVE LOTION ON THE MARKET.
340
00:25:16,934 --> 00:25:20,938
A FEW DROPS OF THIS, AND YOU
"OUTSMELL" ANY WOMAN'S PERFUME EVER INVENTED.
341
00:25:20,938 --> 00:25:24,441
NO KIDDING?
YEAH.
342
00:25:24,441 --> 00:25:26,443
HEY.
THERE'S IRMA JOHNSON. WHO?
343
00:25:26,443 --> 00:25:29,279
IRMA JOHNSON.
MY NEIGHBOR. WHERE?
344
00:25:29,280 --> 00:25:31,231
THERE.
345
00:25:33,484 --> 00:25:35,819
[ Chuckling ]
COME ON.
346
00:25:35,819 --> 00:25:37,821
[ Ed ]WHAT BIG EYESYOU HAVE, GRANDMA.
347
00:25:38,322 --> 00:25:40,824
HUH? YEAH. YEAH.
I HAVE VERY BIG EYES.
348
00:25:40,824 --> 00:25:42,826
YOUR MEMORYISN'T BAD EITHER.
349
00:25:42,826 --> 00:25:44,828
YEAH, WELL, I, UH--
350
00:25:44,828 --> 00:25:48,131
HI.
HI.
351
00:25:48,132 --> 00:25:51,135
HOW NICE TO SEE YOU.
REALLY?
352
00:25:51,135 --> 00:25:53,637
IT'S NICE TO BE SEEN.
[ Both Laughing ]
353
00:25:53,637 --> 00:25:58,141
IRMA JOHNSON, MY NEIGHBOR,
I'D LIKE YOU TO MEET, UH-- ED STANDER.
354
00:25:58,642 --> 00:26:00,644
NICE TO MEET YOU,
MRS. JOHNSON. NICE MEETING YOU TOO.
355
00:26:00,644 --> 00:26:03,647
WE WERE JUST
ON OUR WAY TO LUNCH WHEN I HAPPENED TO RECOGNIZE YOU.
356
00:26:03,647 --> 00:26:06,149
FROM BEHIND?
357
00:26:06,150 --> 00:26:09,153
WELL, I HAVE
VERY BIG EYES. [ Laughs ]
358
00:26:09,153 --> 00:26:12,156
AND DELICIOUSLY LONG EYELASHES
TO GO WITH THEM.
359
00:26:12,156 --> 00:26:14,658
REALLY?
UH-HUH.
360
00:26:14,658 --> 00:26:18,662
WELL, IT WAS LOVELY
RUNNING INTO YOU TWO.
361
00:26:18,662 --> 00:26:21,164
SERIOUSLY?
YES.
362
00:26:21,165 --> 00:26:23,667
UH, NICE MEETING YOU TOO,
MR. STANDER. LIKEWISE.
363
00:26:24,168 --> 00:26:27,671
[ Chuckles ]
UH, TOODLE-OO. TOODLE.
364
00:26:33,460 --> 00:26:35,295
OH, BOY.
365
00:26:35,295 --> 00:26:37,297
WHAT'S THE MATTER?
WHAT'S THE MATTER?
366
00:26:37,297 --> 00:26:39,799
YOU MIGHT AS WELL
BE WEARING A NEON SIGN ANNOUNCING YOUR INTENTIONS.
367
00:26:39,800 --> 00:26:43,303
I'M SORRY, ED.
IT'S THOSE LITTLE THINGS THAT COUNT, KID.
368
00:26:43,303 --> 00:26:46,306
THEY'RE THE DIFFERENCE
BETWEEN A HAPPY AND AN UNHAPPY MARRIAGE.
369
00:26:46,306 --> 00:26:50,310
YEAH. I'LL WATCH 'EM, ED.
LISTEN, CAN I GET OLD IRONSIDES IN ANY DRUGSTORE?
370
00:26:50,310 --> 00:26:52,812
OH, PAUL, PAUL.
BABY, BABY.
371
00:26:52,813 --> 00:26:54,815
BUT YOU SAID
THAT I OUGHT TO BUY IT. SURE.
372
00:26:54,815 --> 00:26:57,818
BUT WE MUSTN'T FORGET
ABOUT RUTH, MUST WE?
373
00:26:57,818 --> 00:27:00,821
RUTH WHO?
RUTH, YOUR WIFE.
374
00:27:00,821 --> 00:27:02,823
OH.
WHAT DO YOU THINK SHE'S GONNA THINK?
375
00:27:02,823 --> 00:27:05,325
THINK? JUST BECAUSE I CHANGE
MY AFTERSHAVE LOTION?
376
00:27:05,325 --> 00:27:07,327
IS THAT ALL
YOU'VE DONE, PAUL? YEAH, SURE.
377
00:27:07,327 --> 00:27:10,830
YEAH? UH? UH?
OH, YOU MEAN THE BACK BIT.
378
00:27:10,831 --> 00:27:14,334
AW, COME ON, ED. BEING CAREFUL
IS ONE THING, BUT THIS?
379
00:27:14,334 --> 00:27:17,837
SHE'D HAVE TO BE CLAIRVOYANT
TO CONNECT THE TWO.
380
00:27:17,838 --> 00:27:19,840
IF SHE HAS TO, SHE WILL.
381
00:27:19,840 --> 00:27:23,343
NOW, ED,
YOU'RE BEING TOO CAREFUL.
382
00:27:23,343 --> 00:27:25,895
TOO CAREFUL, HUH?
383
00:27:26,397 --> 00:27:29,566
THERE WAS THIS GUY.
HE WAS A BIG MOVIE STAR.
384
00:27:36,023 --> 00:27:38,492
HAVE A NICE DAY, DARLING.
385
00:27:48,168 --> 00:27:50,837
THERE HE IS!
[ All Screaming ]
386
00:27:50,838 --> 00:27:54,458
MORNING, MADDOCK.
[ All Chattering ]
387
00:27:54,458 --> 00:27:57,627
THERE YOU ARE, GIRLS.
THAT'S IT FOR TODAY, GIRLS.
388
00:27:57,628 --> 00:27:59,596
BE GOOD TO YOUR MOTHERS.
389
00:28:00,097 --> 00:28:02,099
[ Girls Screaming ]
390
00:28:09,690 --> 00:28:12,693
HIYA, RANCE.
391
00:28:12,693 --> 00:28:15,696
GOOD MORNING, RANCE.
AW, YOU LOOK GREAT, RANCE.
392
00:28:15,696 --> 00:28:20,033
DID YOU SLEEP WELL, RANCE?
CAN I DO ANYTHING FOR YOU?
393
00:28:24,238 --> 00:28:27,574
OH, THAT'S A NEW KID
THE STUDIO JUST PUT UNDER CONTRACT.
394
00:28:27,574 --> 00:28:30,076
CAN I GET YOU ANYTHING?
395
00:28:30,077 --> 00:28:32,079
♪ [ Whistling ]
396
00:28:34,581 --> 00:28:37,083
[ All Chattering ]
397
00:28:39,586 --> 00:28:43,089
[ Overlapping Hellos ]
398
00:28:43,590 --> 00:28:45,091
HIYA, BILL!
HOW HAVE YOU BEEN?
399
00:28:45,092 --> 00:28:47,561
HIYA, RANCE!
GOOD SEEIN' YA.
400
00:28:48,061 --> 00:28:50,563
OH, BY THE WAY, RANCE,
I'D LIKE YOU TO MEET A LITTLE FRIEND OF MINE.
401
00:28:50,564 --> 00:28:53,567
RANCE, THIS IS MISS STARDUST.
MISS STARDUST, RANCE.
402
00:28:56,069 --> 00:29:00,406
- PLEASED TO MEET YOU,
MISS STARDUST. - LIKEWISE, YOUR STARDOM.
403
00:29:00,407 --> 00:29:02,826
RANCE, WHY DON'T YOU SIT DOWN
AND JOIN US FOR A MINUTE?
404
00:29:02,826 --> 00:29:04,661
OKAY, BUT, UH,
JUST FOR A MOMENT.
405
00:29:04,661 --> 00:29:07,997
HOW'S MRS. G., RANCE?
WONDERFUL LITTLE LADY.
406
00:29:07,998 --> 00:29:10,000
YOU'RE A LUCKY GUY TO HAVE
A LITTLE LADY LIKE THAT.
407
00:29:10,000 --> 00:29:12,002
LOUDMOUTH HERE TELL YOU
HOW YOU CAN BECOME A STAR?
408
00:29:12,002 --> 00:29:14,004
YOU'RE THE FIRST ONE TO KNOW IT,
TOO, AREN'T YOU? OKAY? GOOD.
409
00:29:14,505 --> 00:29:18,061
[ Bill Continues, Indistinct ]
A BIG STAR LIKE MYSELF HAS TO BE VERY CAREFUL.
410
00:29:18,061 --> 00:29:19,896
SO HERE'S HOW
WE'RE GONNA DO IT.
411
00:29:42,552 --> 00:29:46,339
FLIGHT 193 TO HONOLULU.
FLIGHT 8 TO NEW YORK.
412
00:30:50,404 --> 00:30:52,205
[ Speaking Foreign Language ]
413
00:31:30,160 --> 00:31:31,778
[ Tires Squealing ]
414
00:32:14,654 --> 00:32:17,823
[ Pig Squealing ]
415
00:32:24,381 --> 00:32:26,249
[ Pipe Breaking ]
416
00:32:43,850 --> 00:32:46,068
[ Sneezes ]
417
00:33:26,476 --> 00:33:28,478
[ Knocking ]
418
00:33:28,478 --> 00:33:31,063
[ Men Chattering In Italian ]
419
00:33:36,286 --> 00:33:38,571
[ Chattering Continues ]
420
00:33:40,073 --> 00:33:43,910
[ Ed ]AND IT'S NOW COSTING HIM$3,000 A WEEK,
421
00:33:43,910 --> 00:33:46,913
NOT TO MENTION THE HOUSE,
CAR, INSURANCE POLICIES.
422
00:33:46,913 --> 00:33:49,916
BOY, OH, BOY.
YEAH. SO REPEAT AFTER ME.
423
00:33:49,916 --> 00:33:52,919
THERE IS NO SUCH THING...
THERE IS NO SUCH THING...
424
00:33:52,919 --> 00:33:56,505
AS TOO CAREFUL.
AS TOO CAREFUL.
425
00:33:56,506 --> 00:33:59,475
GOOD BOY.
MAYBE I OUGHT TO SWITCH TO OLD IRONSIDES.
426
00:33:59,976 --> 00:34:01,477
THANK YOU.
YEP.
427
00:34:01,978 --> 00:34:03,479
MAYBE IF YOU
BOUGHT IT FOR ME,
428
00:34:03,480 --> 00:34:05,482
YOU KNOW, SORT OF
AS A BIRTHDAY PRESENT.
429
00:34:05,482 --> 00:34:07,984
YEAH, THAT WOULD
BE BETTER, BUT--
430
00:34:07,984 --> 00:34:09,986
THINK HOW MUCH STILL BETTER
IT WOULD BE...
431
00:34:09,986 --> 00:34:12,488
IF RUTH HERSELF
WERE TO GET IT FOR YOU. RUTH WHO?
432
00:34:12,489 --> 00:34:14,274
RUTH, YOUR WIFE.
OH.
433
00:34:55,365 --> 00:34:57,367
[ Exhales ]
434
00:35:22,309 --> 00:35:24,311
[ Sniffling ]
435
00:35:44,698 --> 00:35:46,700
[ Chokes ]
436
00:35:57,460 --> 00:36:00,262
[ Laughing ]
[ TV: Novelty Music, Canned Laughter ]
437
00:36:13,309 --> 00:36:15,227
[ TV Continues ]
438
00:36:22,736 --> 00:36:24,738
[ Laughing ]
439
00:37:34,474 --> 00:37:36,476
GOOD-BYE, DEBORAH.
440
00:37:41,981 --> 00:37:46,068
MOMMY, MOMMY!
DADDY SMELLS!
441
00:37:46,069 --> 00:37:51,074
WELL, IT'S REALLY NOT NICE
TO SAY THAT ABOUT SOMEBODY, EVEN A DADDY.
442
00:37:51,074 --> 00:37:53,076
IT MIGHT
HURT THEIR FEELINGS.
443
00:37:55,462 --> 00:37:58,465
MAY I HELP YOU, MADAM?
YES.
444
00:37:58,465 --> 00:38:01,968
WHAT IS THE MOST POWERFUL
AFTERSHAVE LOTION YOU HAVE?
445
00:38:03,219 --> 00:38:06,088
♪ [ Jazzy, Faint ]
446
00:38:10,977 --> 00:38:13,929
I TOOK ONE LOOK
AT THAT BABYSITTER, AND I THOUGHT TO MYSELF,
447
00:38:13,930 --> 00:38:16,432
"THANK GOODNESS MY SON'S
ONLY EIGHT MONTHS OLD."
448
00:38:16,432 --> 00:38:18,851
[ Guests Chattering ]
449
00:38:18,852 --> 00:38:23,356
MY BABYSITTER CALLS ME
THE DAY BEFORE AND TELLS ME WHAT TO PUT IN THE REFRIGERATOR.
450
00:38:23,356 --> 00:38:25,574
[ Knocking ]THAT'S ED.
451
00:38:25,575 --> 00:38:28,911
[ Woman ]
HI, HARRIET. HI, ED. HI.
452
00:38:28,912 --> 00:38:30,914
HI, ED.
HOW ARE YOU, PAUL?
453
00:38:30,914 --> 00:38:32,916
[ Sniffing ]
454
00:38:33,917 --> 00:38:36,419
BOY, OH, BOY.
DID I FEEL LIKE AN AWFUL HEEL.
455
00:38:36,920 --> 00:38:38,755
IF SHE KNEW,
SHE'D THANK YOU.
456
00:38:38,755 --> 00:38:41,707
♪ [ Humming, Vocalizing ]
457
00:38:48,381 --> 00:38:51,384
DON'T WORRY, GIRLS.
THE FELLAS PROMISE TO LET THEIR WIVES DRIVE HOME.
458
00:38:51,384 --> 00:38:54,887
[ All Laughing ]
BUT WHO'S GOING TO DRIVE THE WIVES HOME?
459
00:38:55,388 --> 00:38:56,889
TWO DRINKS, AND FREDDIE
THINKS HE'S BATMAN.
460
00:38:57,390 --> 00:38:58,891
LUCKILY, WE DON'T HAVE
FAR TO GO.
461
00:38:58,892 --> 00:39:00,860
WHO'S THE WATER AND SCOTCH?
WHO'S THE SCOTCH AND WATER?
462
00:39:00,860 --> 00:39:03,812
...WITH HIS SECRETARY
FOR YEARS.
463
00:39:04,314 --> 00:39:07,817
SECRETARY. HUH!
MY THREE-YEAR-OLD SON CAN TYPE BETTER THAN HER.
464
00:39:07,817 --> 00:39:10,653
BUT HE'S NOT
BUILT LIKE HER. HOW CAN A WOMAN BE SO BLIND?
465
00:39:10,653 --> 00:39:14,123
AND ANY GUY WHO DOESN'T
LET HER KNOW HE'S MARRIED RIGHT OFF THE BAT...
466
00:39:14,123 --> 00:39:16,125
IS JUST LOOKING
FOR TROUBLE.
467
00:39:16,125 --> 00:39:18,627
I DON'T KNOW, ED.
YOU LOSE AN AWFUL LOT OF THEM THAT WAY.
468
00:39:18,628 --> 00:39:21,631
BETTER TO LOSE ONE OR TWO
THAN FACE SOMETHING LIKE THIS.
469
00:39:21,631 --> 00:39:25,418
OSCAR J. SCHWARTZCOFF--
2798 COLDHAVEN ROAD--
470
00:39:25,418 --> 00:39:27,420
IS A DIRTY,
DOUBLE-CROSSING FINK!
471
00:39:27,420 --> 00:39:30,923
OSCAR J. SCHWARTZCOFF--
2798 COLDHAVEN ROAD--
472
00:39:30,924 --> 00:39:33,726
IS A DIRTY,
DOUBLE-CROSSING FINK!
473
00:39:33,726 --> 00:39:35,644
[ Laughing ]
...WHICH HAS BEEN KNOWN TO HAPPEN.
474
00:39:35,645 --> 00:39:38,597
I'D KILL MINE IF I EVEN
THOUGHT HE WAS DOING IT.
475
00:39:38,598 --> 00:39:40,600
NOT ME.
YOU WOULDN'T?
476
00:39:40,600 --> 00:39:44,103
NO. AS LONG AS I DIDN'T KNOW,
I WOULDN'T CARE.
477
00:39:44,103 --> 00:39:46,989
WHAT WOULD YOU DO
IF YOU DID KNOW? PRETEND I DIDN'T.
478
00:39:46,990 --> 00:39:50,943
NO. YOU'RE WRONG, ED.
YOU TAKE 'EM TO THE MOST POPULAR PLACE IN TOWN.
479
00:39:50,944 --> 00:39:53,446
WHERE YOU'RE
PRETTY SURE TO GET SEEN BY SOME BIGMOUTH...
480
00:39:53,446 --> 00:39:55,448
WHO KNOWS YOU
AND YOUR WIFE.
481
00:39:55,448 --> 00:39:59,452
MAYBE, BUT EVEN IF IT DOES
GET BACK TO YOUR WIFE, YOU CAN ALWAYS COUNTER WITH,
482
00:39:59,452 --> 00:40:02,455
"WOULD YOU HAVE TAKEN HER
TO A PLACE WHERE YOU WERE SURE TO BE SEEN...
483
00:40:02,455 --> 00:40:05,341
IF IT WEREN'T
ABSOLUTELY INNOCENT?" YES, BUT--
484
00:40:05,341 --> 00:40:07,843
YES, AND YOUR WAY--
WITH THE HIDEAWAY-- YOU GET SEEN,
485
00:40:08,344 --> 00:40:10,846
AND IT'S PRIMA FACIE
EVIDENCE AGAINST YOU.
486
00:40:10,847 --> 00:40:12,849
GRANTED,
BUT MY WAY FIXES IT...
487
00:40:12,849 --> 00:40:15,852
SO THAT IT CAN'T POSSIBLY
GET BACK TO YOUR WIFE.
488
00:40:15,852 --> 00:40:17,854
WHY? WHAT GUARANTEE
HAVE YOU GOT...
489
00:40:17,854 --> 00:40:20,723
THAT YOU WON'T GET SEEN
IN YOUR CRUMMY LITTLE HIDEAWAY?
490
00:40:20,723 --> 00:40:23,726
NONE. EXCEPT THAT, IF YOU
ARE SEEN BY SOMEONE IN THE HIDEAWAY,
491
00:40:23,726 --> 00:40:28,731
IT'S OBVIOUSLY SOMEONE ELSE
WHO'S HIDING AWAY, AND WHO'S HE TO TALK?
492
00:40:28,731 --> 00:40:33,235
BECAUSE THEN HE'S GOT TO EXPLAIN
WHAT HE WAS DOING THERE HIMSELF.
493
00:40:36,239 --> 00:40:39,158
AND AT 78, YOU'D THINK
THEY'D BE FINISHED WITH THAT SORT OF THING.
494
00:40:39,158 --> 00:40:41,126
AS LONG AS THERE'S
BREATH IN THEIR BODIES,
495
00:40:41,127 --> 00:40:43,379
THEY'RE NEVER FINISHED
WITH THAT SORT OF THING.
496
00:40:43,379 --> 00:40:45,214
...BASICALLY NOT MONOGAMOUS.
497
00:40:45,715 --> 00:40:48,084
YEAH. I SUPPOSE THAT'S
AS GOOD A REASON AS ANY.
498
00:40:48,084 --> 00:40:51,420
...BUT WHEN A MAN IS 40,
HE CAN STILL GET A 20-YEAR-OLD TOOTSIE.
499
00:40:51,421 --> 00:40:56,843
- ...THIS 20-YEAR-OLD CHICK--
- A WOMAN WOULD HAVE TO BE IN LOVE FIRST, BUT MEN--
500
00:40:56,843 --> 00:40:59,145
YEAH, BUT, FELLAS,
IS THE WHOLE THING WORTH IT--
501
00:40:59,145 --> 00:41:01,480
RISKING YOUR MARRIAGE,
YOUR HOME, YOUR FAMILY?
502
00:41:01,481 --> 00:41:04,317
THAT'S EXACTLY
WHAT I SAY. IT'S NOT WORTH IT.
503
00:41:04,317 --> 00:41:06,268
SOMETIMES I WISH
I FELT THAT WAY,
504
00:41:06,769 --> 00:41:10,773
AND THEN I SEE A PERKY
LITTLE THING, AND I GET-- OOH.
505
00:41:12,075 --> 00:41:15,945
BUT WHY?
WHY DO THEY DO IT? OH, LOTS OF REASONS.
506
00:41:17,947 --> 00:41:21,283
BECAUSE HE THINKS
HE'S GOD'S GIFT TO WOMEN.
507
00:41:23,703 --> 00:41:26,706
BECAUSE HIS WIFE
DIDN'T UNDERSTAND HIM. [ Baby Crying ]
508
00:41:26,706 --> 00:41:28,708
THE LUCKY GIRL.
509
00:41:28,708 --> 00:41:30,593
[ Gunshot ]
510
00:41:31,594 --> 00:41:34,430
BECAUSE HE WAS A LOUSE.
511
00:41:34,430 --> 00:41:37,800
♪ [ Background: Up Tempo ]
ISN'T IT FUNNY HOW WE HAPPEN TO LEAVE THE HOUSE...
512
00:41:37,800 --> 00:41:40,302
AT THE SAME TIME
EVERY MORNING?
513
00:41:40,303 --> 00:41:42,305
MAYBE IT'S FATE, DOLL.
514
00:41:42,305 --> 00:41:45,808
IF IT IS, IT'S A FATE
BETTER THAN DEATH. [ Both Chuckling ]
515
00:41:45,808 --> 00:41:49,311
YOU ARE A DEVIL,
AREN'T YOU? REALLY?
516
00:41:49,312 --> 00:41:52,815
A BIG-EYED,
LONG-LASHED DEVIL.
517
00:41:52,815 --> 00:41:55,317
SERIOUSLY?
UH-HUH.
518
00:41:55,318 --> 00:41:59,322
DO YOU BELIEVE
IN FLAUNTING FATE, MR. DEVIL? WELL, I, UH--
519
00:41:59,822 --> 00:42:01,323
I DON'T.
ME NEITHER.
520
00:42:01,824 --> 00:42:04,326
THEN MAYBE YOU CAN
GIVE ME A LIFT SOME MORNING.
521
00:42:04,327 --> 00:42:06,829
I CAN?
WHY NOT?
522
00:42:06,829 --> 00:42:10,332
I COULD CERTAINLY USE A LIFT
SOME MORNINGS.
523
00:42:10,333 --> 00:42:12,335
YES. WHO COULDN'T?
524
00:42:27,483 --> 00:42:29,485
[ Chuckles ]
525
00:42:33,189 --> 00:42:35,191
BIG FELLA.
526
00:42:35,191 --> 00:42:37,693
WHO WAS THE SEXIEST LADY
THERE TONIGHT?
527
00:42:37,693 --> 00:42:39,695
YOU, DEAR.
REALLY?
528
00:42:39,695 --> 00:42:42,698
YEAH, SURE.
[ Titters ]
529
00:42:43,199 --> 00:42:44,700
DID YOU LIKE
THE WAY I LOOKED?
530
00:42:45,201 --> 00:42:46,702
[ Muffled ]
YEAH, GREAT.
531
00:42:47,203 --> 00:42:49,205
HOW ABOUT MY HAIR?
HOW ABOUT IT?
532
00:42:51,207 --> 00:42:54,210
DO YOU LIKE IT THIS WAY?
YEAH, GREAT.
533
00:42:54,210 --> 00:42:56,212
HOW AM I WEARING IT?
534
00:42:56,712 --> 00:42:59,715
UH, UP-UP THERE
SOMEWHERE.
535
00:42:59,715 --> 00:43:03,218
THAT'S CLOSE. AND WHAT
WAS I WEARING TONIGHT?
536
00:43:03,219 --> 00:43:05,221
WEARING?
UH-HUH.
537
00:43:05,221 --> 00:43:07,723
WELL, UM,
THREE-PIECE SUIT.
538
00:43:07,723 --> 00:43:10,726
UH, SILVER-LAMÉ JACKET
WITH LONG SLEEVES.
539
00:43:10,726 --> 00:43:13,028
UNDER THAT,
A SLEEVELESS-SHELL BLOUSE...
540
00:43:13,029 --> 00:43:16,365
WITH BLACK STRIPED BANDSAT THE NECK AND WAIST.
541
00:43:16,365 --> 00:43:19,868
RHINESTONE EARRINGSAND BLACK VELVET HEADBAND.
542
00:43:20,369 --> 00:43:23,372
SILVER HANDBAG.SILVER SHOESWITH MATCHING BOWS...
543
00:43:23,873 --> 00:43:26,375
AND FASHIONABLE HEELSWITH SLING STRAPS.
544
00:43:26,876 --> 00:43:29,879
AND STRAIGHT,HIP-HUGGING SKIRT.
545
00:43:30,880 --> 00:43:32,715
[ Ed ]HERE YOU ARE, BABY.
546
00:43:34,634 --> 00:43:36,636
MM.
547
00:43:37,637 --> 00:43:39,138
PUSSYCAT.
YEAH?
548
00:43:39,639 --> 00:43:41,641
IF YOU HAD YOUR CHOICE
AMONG ALL THE GIRLS AT THE PARTY TONIGHT--
549
00:43:41,641 --> 00:43:44,644
YOU. OF COURSE.
550
00:43:47,146 --> 00:43:49,148
AND SO WOULD
HARRY JOHNSON. OH, ED.
551
00:43:49,148 --> 00:43:51,650
NO. I KNOW THE TYPE.
552
00:43:51,651 --> 00:43:54,153
SOMEBODY ELSE'S GRASS
IS ALWAYS GREENER.
553
00:43:54,153 --> 00:43:56,155
REALLY?
YEAH.
554
00:43:56,155 --> 00:43:58,157
THAT'S WHY I WANT YOU
TO BE A LITTLE STANDOFFISH.
555
00:43:58,658 --> 00:44:02,161
YOU KNOW, CIVIL
BUT WITH A TOUCH OF YOU CAN'T STAND HIM.
556
00:44:02,161 --> 00:44:06,031
ALL RIGHT, DARLING,
BUT I CAN'T REALLY BELIEVE HE'S LIKE THAT.
557
00:44:06,032 --> 00:44:08,284
WELL, I DON'T TRUST HIM
ONE INCH.
558
00:44:08,284 --> 00:44:11,704
IT DOESN'T MATTER ABOUT HIM,
PUSSYCAT.
559
00:44:11,704 --> 00:44:15,040
- AS LONG AS YOU AND I
TRUST EACH OTHER. - YEAH.
560
00:44:15,041 --> 00:44:18,511
DARLING, WHAT WERE YOU MEN
TALKING SO HEATEDLY ABOUT TONIGHT?
561
00:44:19,011 --> 00:44:22,514
OH, BASEBALL,
THE STOCK MARKET. YOU KNOW.
562
00:44:22,515 --> 00:44:24,517
WHAT WERE YOU GIRLS
TALKING ABOUT?
563
00:44:24,517 --> 00:44:27,853
OH, KIDS, NEW STYLES.
YOU KNOW.
564
00:44:27,854 --> 00:44:31,274
YEAH.
GOOD PARTY, WASN'T IT?
565
00:44:31,274 --> 00:44:33,495
YES.
566
00:44:33,495 --> 00:44:37,632
DARLING, WHO DID YOU THINK
WAS THE MOST ATTRACTIVE WOMAN THERE TONIGHT?
567
00:44:40,302 --> 00:44:42,003
YOU.
568
00:44:43,505 --> 00:44:45,924
- NO. I MEAN IT.
- SO DO I.
569
00:44:45,925 --> 00:44:48,143
OKAY. AFTER ME.
570
00:44:57,102 --> 00:44:59,604
- JANET BRODY.
- REALLY?
571
00:45:01,106 --> 00:45:03,408
THEN HOW COME YOU WERE DANCING
WITH IRMA JOHNSON ALL NIGHT?
572
00:45:03,409 --> 00:45:06,495
- WHO?
- IRMA JOHNSON.
573
00:45:07,830 --> 00:45:12,167
IT WASN'T ALL NIGHT.
AND AS THE HOST--
574
00:45:12,167 --> 00:45:14,869
I REALLY DON'T BLAME YOU,
DARLING.
575
00:45:14,870 --> 00:45:19,925
SHE'S VERY ATTRACTIVE,
EVEN IF A BIT OBVIOUS.
576
00:45:20,426 --> 00:45:22,428
WHO?
IRMA.
577
00:45:26,432 --> 00:45:28,801
MMM!
578
00:45:28,801 --> 00:45:33,305
♪ [ Piano: Lounge ]
AND I THOUGHT I WIPED THE FLOOR WITH HARRY JOHNSON LAST NIGHT.
579
00:45:33,305 --> 00:45:36,808
DIDN'T YOU?
ABOUT THE HIDEAWAY VERSUS THE POPULAR PLACE, I MEAN.
580
00:45:36,809 --> 00:45:38,811
YES, YES.
I SUPPOSE SO.
581
00:45:38,811 --> 00:45:42,314
YEAH. OF COURSE, HE'S STILL
FAIRLY NEW AT IT, BUT--
582
00:45:48,320 --> 00:45:50,322
IS SOMETHING
BOTHERING YOU, KID?
583
00:45:50,322 --> 00:45:52,324
NO, NO. IT'S JUST--
584
00:45:54,326 --> 00:45:56,828
I CAN'T DO IT, ED.
I JUST COULDN'T. OH.
585
00:45:58,831 --> 00:46:00,833
EVERY TIME
I THINK OF RUTH--
586
00:46:00,833 --> 00:46:04,336
HOW SWEET SHE IS,
HOW TRUSTING--
587
00:46:04,336 --> 00:46:08,340
I-- NO. NO.
FORGET IT.
588
00:46:08,340 --> 00:46:11,343
LET'S JUST FORGET
THE WHOLE THING. SURE. SURE.
589
00:46:11,343 --> 00:46:13,845
I MEAN, YOU KNOW--
I JUST CAN'T DO IT.
590
00:46:13,846 --> 00:46:15,848
I'M SORRY, ED.
SURE, I UNDERSTAND, KID.
591
00:46:15,848 --> 00:46:19,351
LOOK, IF THAT'S THE WAY
YOU FEEL ABOUT IT, MORE POWER TO YOU.
592
00:46:19,351 --> 00:46:22,854
UM, YOU'LL NEED IT.
[ Chuckles ]
593
00:46:22,855 --> 00:46:26,358
[ Women Chattering, Laughing ]
594
00:46:26,358 --> 00:46:28,360
UH, EXCUSE ME A MOMENT.
595
00:46:30,079 --> 00:46:33,415
[ All Chattering ]
596
00:46:33,415 --> 00:46:35,417
OVER THERE. LOOK.
597
00:46:35,417 --> 00:46:37,919
[ Chattering Continues ]
598
00:46:44,209 --> 00:46:47,512
[ Whispering, Indistinct ]
YES, I DO.
599
00:46:47,513 --> 00:46:50,015
I KNOW.
[ Chattering ]
600
00:46:51,517 --> 00:46:53,519
OH, THAT--
OH!
601
00:46:59,108 --> 00:47:01,110
NO, UH--
[ Whistles ]
602
00:47:05,781 --> 00:47:08,283
HOW DO YOU KNOW
WHERE THEY ARE? WHERE WHAT ARE?
603
00:47:09,284 --> 00:47:12,287
THE HIDEAWAYS.
OH.
604
00:47:13,288 --> 00:47:15,290
YOU GO HUNTING FOR THEM.
605
00:47:15,290 --> 00:47:18,293
WHEN? I'M AT WORK BY 9:00
AND HOME AT 6:00.
606
00:47:18,293 --> 00:47:20,795
SO?
SO, WHEN CAN I--
607
00:47:22,297 --> 00:47:24,299
OH.
608
00:47:26,301 --> 00:47:28,169
OH, YEAH.
609
00:47:31,140 --> 00:47:33,509
[ Door Closes ]
610
00:47:42,735 --> 00:47:46,188
♪ [ Up Tempo ]
611
00:47:46,188 --> 00:47:48,523
♪ [ Continues ]
612
00:48:04,673 --> 00:48:07,959
[ Sirens Approaching ]
613
00:48:38,957 --> 00:48:41,826
♪ [ Go-go, Loud ]
614
00:48:54,807 --> 00:48:57,309
[ Chattering ]
615
00:49:00,596 --> 00:49:03,732
♪ [ Romantic ]
616
00:49:11,940 --> 00:49:14,826
[ No Audible Dialogue
Within Scene ]
617
00:50:18,390 --> 00:50:21,893
[ Paul ] NOT ONLY
DID I SEE HIM, BUT SO DID EVERYONE ELSE IN THE PLACE.
618
00:50:21,894 --> 00:50:24,396
[ Ed ]
TERRIBLE. JUST TERRIBLE.
619
00:50:24,396 --> 00:50:28,683
A GUY LIKE THAT SHOULD BE
PROHIBITED BY LAW FROM SWINGING.
620
00:50:28,684 --> 00:50:31,603
YEAH.
WHERE'D HE GO WRONG, ED?
621
00:50:31,603 --> 00:50:35,106
THREE PLACES. FIRST OF ALL,
HE SHOULD NEVER HAVE BEEN IN A PLACE THAT WELL LIT.
622
00:50:35,107 --> 00:50:38,110
SECONDLY, HE SHOULD HAVE
BEEN IN A CORNER BOOTH WITH HIS BACK TO THE ROOM.
623
00:50:38,110 --> 00:50:41,613
AND THIRDLY,
HE OWED IT TO HIS WIFE NOT TO SHOW THE WHITE FEATHER.
624
00:50:41,613 --> 00:50:43,615
BUT, ED, HE KNEW
HE WAS IN DANGER OF BEING SEEN.
625
00:50:45,083 --> 00:50:47,085
THAT'S WHEN YOU SEPARATE
THE CONSIDERATE HUSBANDS...
626
00:50:47,085 --> 00:50:49,420
FROM THE INCONSIDERATE ONES.
627
00:50:50,872 --> 00:50:53,374
WHY? WHAT WOULD
A CONSIDERATE HUSBAND HAVE DONE?
628
00:50:54,176 --> 00:50:56,094
I'LL TELL YOU.
629
00:51:05,103 --> 00:51:07,472
[ Fingers Snapping ]
630
00:51:07,472 --> 00:51:09,807
[ No Audible Dialogue
Within Scene ]
631
00:52:26,101 --> 00:52:29,554
[ Ed ] YOU SEE, THAT WAY,
THERE'S SOMETHING CLEAN AND WHOLESOME ABOUT IT.
632
00:52:29,554 --> 00:52:34,058
YEAH. THERE'S SOMETHING ELSE
THAT'S BEEN BOTHERING ME, ED. YEAH? WHAT?
633
00:52:34,059 --> 00:52:38,563
WELL, THE WAY SOME OF YOU
TALK SO FREELY, LIKE LAST NIGHT.
634
00:52:38,563 --> 00:52:41,065
AREN'T YOU AFRAID
THAT SOMEONE WILL, YOU KNOW?
635
00:52:41,066 --> 00:52:42,867
NO, OF COURSE NOT.
WHY?
636
00:52:42,868 --> 00:52:46,121
THE CODE, PAUL.
THE CODE.
637
00:52:46,121 --> 00:52:49,157
- THE WHAT?
- THE CODE.
638
00:52:49,157 --> 00:52:52,160
"THOU SHALT NOT SNITCH
ON THY FELLOW MAN."
639
00:52:52,160 --> 00:52:56,164
OH. CAN YOU DEPEND ON IT?
LIKE A SUIT OF ARMOR, KID.
640
00:52:56,164 --> 00:53:00,168
IN ALL MY YEARS IN THE GAME,
I NEVER HEARD OF ANYONE VIOLATING IT.
641
00:53:00,168 --> 00:53:01,919
REALLY?
YEAH.
642
00:53:01,920 --> 00:53:06,224
WITH TWO EXCEPTIONS--
YOUR WIFE'S WORST ENEMY... YEAH?
643
00:53:06,224 --> 00:53:08,226
AND HER BEST FRIEND.
OH.
644
00:53:08,226 --> 00:53:10,728
NO. I'M SORRY.
ONE MORE EXCEPTION.
645
00:53:10,729 --> 00:53:13,231
YOUR ENEMY-- SOMEONE
WHO'S OUT TO GET YOU.
646
00:53:13,231 --> 00:53:15,233
I SEE. WELL, WHAT
DO YOU DO ABOUT HIM?
647
00:53:15,233 --> 00:53:18,736
WELL, FIRSTLY, OF COURSE,
YOU TRY TO KEEP HIM FROM KNOWING.
648
00:53:18,737 --> 00:53:20,989
BUT SOMETIMES YOU CAN'T.
SO?
649
00:53:21,990 --> 00:53:24,776
IN THAT CASE,
YOU TRY TO GET THE SAME THING ON HIM.
650
00:53:24,776 --> 00:53:28,613
BUT WHAT IF HE DOESN'T,
UH, INDULGE?
651
00:53:28,613 --> 00:53:30,498
MISDIRECTION.
MISDIRECTION?
652
00:53:30,499 --> 00:53:35,003
YEAH. LIKE, FOR INSTANCE,
THESE TWO GUYS I KNEW.
653
00:53:35,003 --> 00:53:37,839
ONE OF THEM SOLD THE OTHER
A HOUSE FULL OF TERMITES.
654
00:53:37,839 --> 00:53:40,341
BOY, WAS THE OTHER GUYOUT TO GET EVEN.
655
00:53:43,378 --> 00:53:45,263
BEHOLD.
THE GATES OF PARADISE.
656
00:53:58,310 --> 00:54:01,730
[ Laughing ]
MOVE IT, BABY! MOVE IT! AND--
657
00:54:05,567 --> 00:54:08,570
OH. THE TERMITE BUYER.
THINK. THINK.
658
00:54:08,570 --> 00:54:12,073
IRVING!
GOOD TO SEE YA!
659
00:54:12,073 --> 00:54:14,075
I'LL BET.
YEAH.
660
00:54:14,576 --> 00:54:18,079
POOR KID. SHE THINKS
HER HUSBAND IS SHACKED UP IN THERE WITH SOME BROAD.
661
00:54:18,079 --> 00:54:21,582
ASKED ME TO COME ALONG
AS A WITNESS. I'LL BET.
662
00:54:21,583 --> 00:54:24,586
I FIGURE IT'S THE LEAST
I CAN DO FOR THE KID. MY SECRETARY. WORKS FOR ME.
663
00:54:24,586 --> 00:54:26,921
BEEN WITH ME FOR YEARS.
IS THAT RIGHT, MISS-- UH, MRS. CRENSHAW?
664
00:54:26,922 --> 00:54:29,841
YEAH, SURE, BABE--
UH, MR., UH--
665
00:54:30,842 --> 00:54:32,844
I'LL BET.
YEAH.
666
00:54:32,844 --> 00:54:36,264
WELL, I FIGURE IT'S THE LEAST
I CAN DO FOR THE KID. I'LL BET.
667
00:54:36,264 --> 00:54:40,017
YEAH. I--
IRVING.
668
00:54:40,018 --> 00:54:42,570
YOU'RE JUST THE FELLA.
[ Coughs ] HUH? FOR WHAT?
669
00:54:42,571 --> 00:54:44,322
MAYBE YOU COULD
HELP THE KID OUT.
670
00:54:44,322 --> 00:54:47,575
WHAT FOR? YOU'RE DOIN'
PRETTY GOOD FOR HER.
671
00:54:47,576 --> 00:54:50,078
OH, FOR HEAVEN SAKES,
IRVING.
672
00:54:50,078 --> 00:54:53,281
SHE'S MY SECRETARY.
BEEN WITH ME FOR YEARS. I'LL BET.
673
00:54:53,281 --> 00:54:56,784
YEAH. SO, I FIGURE
MY TESTIMONY IN COURT MIGHT SEEM PREJUDICED.
674
00:54:56,785 --> 00:55:01,289
BUT COMING FROM YOU,
A PERFECT STRANGER, THEY'D HAVE TO BELIEVE YOU.
675
00:55:01,289 --> 00:55:04,792
YOU MEAN YOU WANT ME
TO BREAK IN ON 'EM WITH YOU?
676
00:55:04,793 --> 00:55:07,796
WOULD YOU, IRV,
AS A PERSONAL FAVOR TO ME?
677
00:55:08,797 --> 00:55:11,299
SURE.
GEE, THANKS, KID. COME ON.
678
00:55:11,299 --> 00:55:13,551
[ Muttering ]
COME ON!
679
00:55:14,790 --> 00:55:17,292
BELIEVE ME, IRVING.
I REALLY APPRECIATE THIS.
680
00:55:22,965 --> 00:55:26,969
TAKE A GOOD LOOK SO YOU CAN MAKE
A POSITIVE IDENTIFICATION LATER. YEAH. YEAH.
681
00:55:26,969 --> 00:55:28,971
SEEN ENOUGH, IRV?
YEAH. YEAH.
682
00:55:28,971 --> 00:55:30,973
LET'S GO!
JUST A MINUTE!
683
00:55:30,973 --> 00:55:32,975
YOU PEOPLE SHOULD BE ASHAMED.
684
00:55:32,975 --> 00:55:34,977
AS YOU WERE.
[ Together ] YOU SAID THAT HE DIDN'T--
685
00:55:34,977 --> 00:55:37,396
SHOCKING. SHOCKING.
THANKS, IRV.
686
00:55:37,396 --> 00:55:39,398
WE'LL GET IN TOUCH WITH YOU
WHEN WE NEED YOU.
687
00:55:39,398 --> 00:55:42,901
COME, MRS. CRENSHAW.
MY LAWYER'S CHAMBERS ARE JUST AROUND THE CORNER.
688
00:55:46,405 --> 00:55:50,358
SO, YOU SEE, IT'S A MATTER
OF KEEPING YOUR WITS ABOUT YOU AT ALL TIMES.
689
00:55:50,359 --> 00:55:53,362
YEAH, BUT WHAT ABOUT
THAT POOR MAN AND WOMAN?
690
00:55:53,362 --> 00:55:56,865
YEAH. REALLY RUINED
THEIR AFTERNOON. I'LL BET.
691
00:55:56,865 --> 00:55:58,867
YES, SIR, YOU'VE GOT
TO ADMIT IT.
692
00:55:58,867 --> 00:56:01,870
THERE'S A MAN WHO PROVED
HOW MUCH HE REALLY CARES FOR HIS WIFE.
693
00:56:14,383 --> 00:56:16,685
YOU NEVER KNOW
WHAT YOU MAY SUDDENLY NEED.
694
00:56:41,743 --> 00:56:43,745
[ Exhales ]
695
00:57:11,690 --> 00:57:14,159
[ Paul ]
YEAH. I SEE WHAT YOU MEAN.
696
00:57:21,200 --> 00:57:23,919
COULD USE
A BIT MORE PRACTICE,
697
00:57:23,919 --> 00:57:26,421
BUT NOT AT ALL BAD.
698
00:57:26,421 --> 00:57:30,925
THANKS, ED.
YEAH. NOT AT ALL BAD.
699
00:57:30,926 --> 00:57:32,928
AS A MATTER OF FACT,
KID, YOU KNOW WHAT? WHAT?
700
00:57:32,928 --> 00:57:35,714
I THINK YOU'RE READY
FOR A TRIAL RUN.
701
00:57:35,714 --> 00:57:38,049
[ Door Closes ]
702
00:58:30,319 --> 00:58:32,270
NOW, REMEMBER, FROM NOW ON,
703
00:58:32,771 --> 00:58:35,273
WE SIMULATE ACTUAL
BATTLE CONDITIONS. ROGER.
704
00:58:35,274 --> 00:58:37,776
AND IT'S ALL YOUR SHOW.
WILCO.
705
00:58:37,776 --> 00:58:41,279
RIGHT. NOW,
WHAT'S YOUR FIRST MOVE?
706
00:58:41,280 --> 00:58:44,283
THE HIDEAWAY
I FINALLY DUG UP.
707
00:58:44,783 --> 00:58:46,284
[ Sniffles ]
708
00:58:46,285 --> 00:58:49,254
♪ [ Jazzy ]
709
00:58:54,259 --> 00:58:57,262
♪ [ Continues ]
710
00:59:58,106 --> 01:00:00,608
[ No Audible Dialogue ]
711
01:00:13,121 --> 01:00:15,590
♪ [ Continues, Muted ]
712
01:00:19,594 --> 01:00:22,096
ONWARD AND UPWARD.
[ Exhales ]
713
01:00:54,246 --> 01:00:56,298
[ Door Opens, Closes ]
714
01:01:41,843 --> 01:01:43,845
CANDY?
715
01:01:49,351 --> 01:01:53,355
[ Man On TV ]
...AND ADHERES TO THE TELEVISION CODE OF FAIR PRACTICE.
716
01:01:53,355 --> 01:01:55,857
WE ARE NOW SIGNING
OFF THE AIR, AND-- [ Clicks Off TV ]
717
01:02:15,827 --> 01:02:18,045
[ Alarm Buzzing ]
718
01:02:20,549 --> 01:02:23,552
[ Buzzing Stops ]
719
01:02:24,052 --> 01:02:27,055
[ Exhales ]
GOOD MORNING, ED. WHAT TIME IS IT?
720
01:02:27,055 --> 01:02:29,557
[ Coughs ]
8:10.
721
01:02:32,561 --> 01:02:36,565
[ Grunts, Coughs ]
722
01:04:01,516 --> 01:04:05,236
NOTHING?
ABSOLUTELY NOTHING?
723
01:04:05,236 --> 01:04:08,522
NOT AN INKLING OF SUSPICION.
NOT AN IOTA OF AN INKLING.
724
01:04:08,523 --> 01:04:11,025
NOT AN IOTA OF AN IOTA
OF AN INKLING.
725
01:04:11,026 --> 01:04:13,028
KID, I THINK YOU'RE READY.
REALLY?
726
01:04:13,028 --> 01:04:14,529
REALLY.
OH, BOY.
727
01:04:14,529 --> 01:04:17,532
WHICH BRINGS US
TO THE HARDEST PART-- THE WHO.
728
01:04:17,532 --> 01:04:19,534
EXCUSE ME.
MR. MANNING,
729
01:04:19,534 --> 01:04:22,036
WOULD IT BE ALL RIGHT
IF I GO OUT TO LUNCH NOW?
730
01:04:22,037 --> 01:04:24,539
YES, OF COURSE.
THANK YOU.
731
01:04:26,541 --> 01:04:29,043
UH, MISS HARRIS?
YES?
732
01:04:29,544 --> 01:04:32,046
UH, ARE YOU MARRIED,
MISS HARRIS? NO.
733
01:04:32,047 --> 01:04:34,049
WOULD YOU LIKE TO BE?
BOY, WOULD I.
734
01:04:34,049 --> 01:04:36,051
YES. THANK YOU,
MISS HARRIS.
735
01:04:39,554 --> 01:04:41,556
THERE'S YOUR ANSWER.
HUH?
736
01:04:41,556 --> 01:04:45,560
REMEMBER, I ONCE TOLD YOU
YOU COULD COUNT ON THE CODE 100% WITH CERTAIN EXCEPTIONS?
737
01:04:45,560 --> 01:04:48,062
YES.
THAT'S THE WORST ONE-- THE SINGLE GIRL.
738
01:04:48,563 --> 01:04:50,565
YOU MEAN SHE'D TELL?
LIKE A SHOT!
739
01:04:50,565 --> 01:04:52,567
WHY? WHAT HAS SHE
GOT TO GAIN?
740
01:04:52,567 --> 01:04:55,069
THE HUSBAND
OF THE WIFE SHE TELLS.
741
01:04:55,070 --> 01:04:57,572
OH, NO. NO, SHE WOULD NEVER
DO A THING LIKE THAT.
742
01:04:58,073 --> 01:05:02,077
NO. NOT DIRECTLY,
BUT ONE WAY OR ANOTHER.
743
01:05:02,077 --> 01:05:04,079
Y-YOU KNOW CLARA BROWN,
DON'T YOU?
744
01:05:04,079 --> 01:05:07,582
THE ONE WHOSE DIVORCE CASE
YOU'RE HANDLING? YEAH.
745
01:05:07,582 --> 01:05:10,585
ANYWAY, ONE NIGHT
SHE CAUGHT HER HUSBAND.
746
01:05:11,086 --> 01:05:13,054
AND SO, HERE I AM.
747
01:05:13,555 --> 01:05:15,056
WELL, WHAT MADE YOU
FIRST SUSPECT...
748
01:05:15,557 --> 01:05:18,560
THAT YOUR HUSBAND WAS HAVING
AN AFFAIR WITH HIS SECRETARY?
749
01:05:18,560 --> 01:05:20,562
WELL, ON THIS PARTICULAR DAY,
750
01:05:21,062 --> 01:05:23,064
MY HUSBAND TOLD ME HE WAS
GOING TO BE WORKING LATE...
751
01:05:23,565 --> 01:05:25,066
AND FOR ME
NOT TO WAIT UP FOR HIM.
752
01:05:25,567 --> 01:05:27,569
OF COURSE I DIDN'T THINK
ANYTHING SPECIAL ABOUT IT.
753
01:05:27,569 --> 01:05:30,071
HE WORKED LATE QUITE OFTEN.
754
01:05:30,071 --> 01:05:32,940
AT ABOUT 11:30,
I WENT TO BED.
755
01:05:32,941 --> 01:05:35,944
[ Ringing ]
756
01:05:42,450 --> 01:05:45,953
HELLO.
[ Woman ] SORRY. WRONG NUMBER.
757
01:05:45,954 --> 01:05:47,956
[ Line Clicks ]
758
01:05:56,464 --> 01:05:58,466
[ Clara Narrating ]
WRONG NUMBER, MY FOOT.
759
01:05:58,466 --> 01:06:02,303
WHOEVER IT WAS OBVIOUSLY
WANTED ME UP AND AWAKE AT THAT PARTICULAR MOMENT.
760
01:06:03,722 --> 01:06:06,224
[ Lock Rattling ]
761
01:06:17,235 --> 01:06:19,237
[ Door Opens ]
762
01:06:33,501 --> 01:06:36,504
YOU MEAN, AS SOON AS YOU
HAD THAT WRONG-NUMBER PHONE CALL, YOU KNEW?
763
01:06:37,005 --> 01:06:38,506
YES.
764
01:06:39,007 --> 01:06:42,510
THAT WAS TERRIBLY BRIGHT
OF YOU, WASN'T IT? NO. NOT REALLY.
765
01:06:42,510 --> 01:06:46,514
YOU SEE, THAT'S HOW I GOT HIM
AWAY FROM HIS FIRST WIFE.
766
01:06:47,515 --> 01:06:49,517
YOU MEAN, ONE SHOULD
STAY AWAY FROM SINGLE GIRLS?
767
01:06:49,517 --> 01:06:52,520
WELL, UNTIL ONE IS A LITTLE
MORE EXPERIENCED ANYWAY.
768
01:06:52,520 --> 01:06:55,739
AS A BEGINNER,
ONE IS BETTER OFF STICKING TO THE FIRST PRINCIPLE.
769
01:06:55,740 --> 01:06:58,743
FIRST PRINCIPLE?
YEAH. NEVER HAVE AN AFFAIR WITH SOMEONE...
770
01:06:58,743 --> 01:07:01,529
WHO DOESN'T HAVE AS MUCH
TO LOSE AS YOU.
771
01:07:03,915 --> 01:07:05,917
[ Door Closes ]
772
01:07:08,419 --> 01:07:12,089
[ Paul ]
A MARRIED WOMAN HAS AS MUCH TO LOSE, DOESN'T SHE?
773
01:07:12,090 --> 01:07:14,092
ESPECIALLY
IF SHE HAS CHILDREN.
774
01:07:14,092 --> 01:07:17,345
SHE HAS THREE.
WELL, THAT'S A PLUS IN HER FAVOR.
775
01:07:17,345 --> 01:07:20,181
[ Woman ]SORRY, DARLING.SOUP'S ON!
776
01:07:20,181 --> 01:07:23,184
COME AND GET IT!
777
01:07:23,184 --> 01:07:25,686
[ Man ]
HEY, LET'S GO. [ Ruth ] YEA! COME ON!
778
01:07:25,687 --> 01:07:29,190
OH, IT'S ABOUT TIME.
779
01:07:29,190 --> 01:07:31,642
THAT'S WHY I DROPPED
THAT LAST PASS: MALNUTRITION.
780
01:07:32,143 --> 01:07:35,146
THAT'S RIGHT.
WOMEN AND CHILDREN LAST. MUSTARD OR KETCHUP, DARLING?
781
01:07:35,146 --> 01:07:37,648
DON'T BOTHER.
I'LL TAKE CARE OF HIM.
782
01:07:37,649 --> 01:07:39,651
[ Harry ] GOOD, GOOD.[ Man ]GOT ANY ONIONS?
783
01:07:39,651 --> 01:07:43,154
[ Woman ]OOH, GIVE ME SOME.A PENNY FOR YOUR THOUGHTS?
784
01:07:43,154 --> 01:07:44,989
HIS OR MINE?
YOURS.
785
01:07:47,408 --> 01:07:50,411
AND A DOLLAR
FOR YOURS. [ Chuckles ]
786
01:07:51,913 --> 01:07:54,916
YOU BETTER TAKE ANOTHER.
[ Paul Chuckling ]
787
01:07:54,916 --> 01:07:57,919
YOU NEVER KNOW WHEN
YOU'RE GOING TO NEED ALL YOUR STRENGTH.
788
01:07:57,919 --> 01:08:01,923
[ Chuckles ]
[ Paul, Laughing ] AH.
789
01:08:05,844 --> 01:08:07,846
THERE'S ONLY ONE TROUBLE.
TROUBLE?
790
01:08:07,846 --> 01:08:10,682
COME HERE.
DOUBLE JEOPARDY. DOUBLE JEOPARDY?
791
01:08:10,682 --> 01:08:14,185
WITH A MARRIED WOMAN,
YOU NOT ONLY HAVE TO GUARD AGAINST YOUR WIFE FINDING OUT,
792
01:08:14,185 --> 01:08:16,187
BUT HER HUSBAND AS WELL.
793
01:08:16,187 --> 01:08:18,689
YOU SEE, SHE'S PREFERABLE
TO THE SINGLE GIRL, OF COURSE,
794
01:08:18,690 --> 01:08:22,694
BUT YOUR FIRST TIME OUT--
WELL, YOU KNOW HOW FOND I AM OF RUTH.
795
01:08:23,194 --> 01:08:25,696
I'D LIKE YOU TO BREAK IN
THE SAFEST POSSIBLE WAY.
796
01:08:25,697 --> 01:08:28,199
YES, I SEE.
797
01:08:28,199 --> 01:08:30,417
- OH, HONEY?
- YES?
798
01:08:30,418 --> 01:08:33,254
- IS THERE AN ONION IN THAT?
- UH-HUH.
799
01:08:33,254 --> 01:08:35,673
HONEY, YOU KNOW
IT DOESN'T AGREE WITH YOU.
800
01:08:37,175 --> 01:08:39,177
THANK YOU, DARLING.
[ Kissing Noise ]
801
01:08:39,177 --> 01:08:41,128
[ Kissing Noise ]
802
01:08:42,630 --> 01:08:44,632
WHAT IS THE SAFEST
POSSIBLE WAY?
803
01:08:44,632 --> 01:08:48,135
A DIVORCÉE WHO'S GETTING
MORE IN ALIMONY THAN YOU GET IN SALARY.
804
01:08:48,136 --> 01:08:50,972
YOU SEE, IF SHE MARRIES YOU,
THEN HER ALIMONY STOPS...
805
01:08:50,972 --> 01:08:53,441
AND SHE HAS TO LOWERHER STANDARD OF LIVING.
806
01:08:53,441 --> 01:08:55,359
THEN SHE'S REALLY GOT
SOMETHING TO LOSE.
807
01:08:56,861 --> 01:08:58,863
I SEE.
808
01:08:58,863 --> 01:09:01,115
BUT WHERE DO YOU FIND
SUCH A PERSON?
809
01:09:08,406 --> 01:09:10,291
GOOD MORNING.
GOOD MORNING.
810
01:09:12,911 --> 01:09:14,913
PLEASE.
THANK YOU.
811
01:09:18,416 --> 01:09:22,124
NOW THEN,
WHAT CAN I DO FOR YOU?
812
01:09:22,124 --> 01:09:24,626
WELL, I'VE JUST BEEN DIVORCED,
813
01:09:24,627 --> 01:09:28,130
AND I GET A VERY LARGE SUM
OF MONEY FROM MY EX-HUSBAND EVERY MONTH,
814
01:09:28,130 --> 01:09:31,133
AND I WAS HOPING YOUR FIRM
WOULD MANAGE IT FOR ME.
815
01:09:35,922 --> 01:09:39,258
WE... WOULD BE DELIGHTED TO.
816
01:09:39,258 --> 01:09:42,261
NOW, IF YOU WOULD CARE
TO GIVE ME SOME DETAILS--
817
01:09:42,261 --> 01:09:45,764
WOULDN'T IT BE COZY
IF WE DISCUSSED IT OVER LUNCH?
818
01:09:45,765 --> 01:09:48,768
YES. YES, THAT'S EXACTLY
WHAT I WAS THINKING.
819
01:09:48,768 --> 01:09:52,271
AREN'T YOU CLEVER?
[ Laughs ] UH, WELL,
820
01:09:52,271 --> 01:09:54,273
WE AIM TO PLEASE.
821
01:09:54,273 --> 01:09:57,276
I'M SURE YOU WILL.
THANK YOU. THANK YOU.
822
01:09:57,276 --> 01:09:59,278
THANK YOU VERY MUCH.
823
01:09:59,278 --> 01:10:01,780
CHARMING AS WELL.
824
01:10:01,781 --> 01:10:04,784
I THINK I'M GOING TO ADORE
BEING MANAGED BY YOU.
825
01:10:05,785 --> 01:10:08,287
SHALL WE THEN,
MRS. MONTGOMERY?
826
01:10:08,287 --> 01:10:11,290
JOCELYN.
OH.
827
01:10:11,290 --> 01:10:13,792
MAY YOU CALL ME PAUL?
828
01:10:13,793 --> 01:10:16,796
I'D LOVE TO, PAUL.
829
01:10:17,296 --> 01:10:19,298
[ Chuckles ]
830
01:10:23,102 --> 01:10:26,021
ED? ED.
PAUL?
831
01:10:26,022 --> 01:10:28,024
ED.
OVER HERE.
832
01:10:28,024 --> 01:10:30,526
I GOT HER, ED-- A DIVORCÉE
WITH A BIG ALIMONY.
833
01:10:30,526 --> 01:10:33,529
REALLY? BULLY FOR YOU!
HOW LONG DO I HAVE TO WAIT BEFORE I CAN ASK HER?
834
01:10:34,030 --> 01:10:35,531
HOW LONG? BECAUSE
IF I CAN DO IT SOON--
835
01:10:36,032 --> 01:10:39,035
RUTH IS GOING AWAY
FOR A FEW DAYS WITH THE BABY TO SEE HER MOTHER,
836
01:10:39,035 --> 01:10:41,537
AND I CAN TAKE JOCELYN--
THAT'S HER NAME, JOCELYN--
837
01:10:41,537 --> 01:10:43,539
TO THE HOUSE
INSTEAD OF TO A MOTEL. WHAT?
838
01:10:43,539 --> 01:10:46,542
TO THE HOUSE
INSTEAD OF TO A MOTEL. BITE YOUR TONGUE.
839
01:10:46,542 --> 01:10:49,044
HUH? WHAT?
WHAT'S THE MATTER? [ Scoffs ]
840
01:10:49,045 --> 01:10:52,048
AFTER ALL I TAUGHT YOU,
PAUL,
841
01:10:52,048 --> 01:10:54,834
HOW CAN YOU LET ME DOWN
LIKE THAT? WHY? WHAT DID I--
842
01:10:54,834 --> 01:10:57,136
OH, NO. NO, ED.
843
01:10:57,136 --> 01:11:00,139
SHE HIDES IN THE BACKSEAT
OF THE CAR, UNDER THE LAP ROBE.
844
01:11:00,640 --> 01:11:04,143
I DRIVE IT INTO THE GARAGE.
THEN WE GO INTO THE HOUSE THROUGH THE CONNECTING DOOR.
845
01:11:04,143 --> 01:11:08,147
NOBODY WOULD EVER SEE HER.
I DON'T CARE IF YOU COULD DEMATERIALIZE HER...
846
01:11:08,147 --> 01:11:11,650
AND THEN REMATERIALIZE HER
INSIDE THE HOUSE.
847
01:11:11,651 --> 01:11:13,653
YOU NEVER USE YOUR PLACE.
848
01:11:14,153 --> 01:11:16,655
BUT, ED--
NEVER, I SAID!
849
01:11:17,156 --> 01:11:20,159
I CAN TELL YOU THAT HAROLD
WISHES HE'D LISTENED TO ME. HAROLD?
850
01:11:20,159 --> 01:11:23,162
YEAH. HIS WIFE AND KID
WERE AWAY TOO.
851
01:11:23,162 --> 01:11:26,698
SO HE FIGURED, WHY NOT SAVE
THE PRICE OF A MOTEL ROOM?
852
01:11:54,143 --> 01:11:57,146
[ Both Laughing ]
853
01:12:01,650 --> 01:12:03,151
WHEE!
854
01:12:06,655 --> 01:12:08,657
AH, HA-HA!
855
01:12:09,658 --> 01:12:11,660
MM.
856
01:12:14,663 --> 01:12:17,165
WHAT YOU LOOKING FOR,
SWEETIE? MY BRA.
857
01:12:17,166 --> 01:12:19,168
AH, HA-HA-HA.
858
01:12:21,670 --> 01:12:24,172
CAN'T YOU FIND IT?
UH-UH.
859
01:12:24,173 --> 01:12:26,425
ARE YOU SURE
YOU WERE WEARING ONE?
860
01:12:27,727 --> 01:12:30,980
WHAT KIND OF A GIRL
DO YOU THINK I AM? OF COURSE I WAS!
861
01:12:30,980 --> 01:12:34,767
[ Chuckles ]
JUST A MINUTE. LET'S DO THIS SCIENTIFICALLY, EH?
862
01:12:34,767 --> 01:12:37,936
HUH?
CATCH HOLD. ARE YOU THERE? HUH?
863
01:12:37,937 --> 01:12:40,189
NO BRA? HMM?
OH!
864
01:12:40,189 --> 01:12:43,192
[ Chuckles ]
NO. NOT THERE.
865
01:12:43,192 --> 01:12:46,695
[ Both Chuckling ]
866
01:12:48,197 --> 01:12:50,699
AH, YEAH. HERE, HUH?
867
01:12:53,202 --> 01:12:55,204
ALL RIGHT. HERE WE GO.
868
01:12:55,204 --> 01:12:57,206
J-J-J-J-JUST A MINUTE.
869
01:12:57,206 --> 01:13:00,709
- ARE YOU SUREYOU WERE WEARING ONE?- WELL, OF COURSE!
870
01:13:00,709 --> 01:13:03,678
- DON'T YOU REMEMBER, TIGER?
- [ Chuckles ]
871
01:13:06,182 --> 01:13:08,184
AH.
[ Snaps Fingers ]
872
01:13:08,184 --> 01:13:11,303
PERHAPS IN THE HEAT
OF BATTLE, EH?
873
01:13:14,390 --> 01:13:17,359
HMM. I SAY!
874
01:13:19,862 --> 01:13:22,147
- IT'S GETTING LIGHT.
- MAYBE I BETTER GO WITHOUT IT.
875
01:13:22,148 --> 01:13:24,984
WHAT? ARE YOU CRAZY?
876
01:13:24,984 --> 01:13:27,486
IT'S ALL RIGHT, TIGER.
I'VE GOT ANOTHER ONE AT HOME.
877
01:13:27,486 --> 01:13:29,988
THAT IS NOT
WHAT'S WORRYING ME. WHAT IS WORRYING ME...
878
01:13:30,489 --> 01:13:32,491
IS MY WIFE COMING HOME
AND FINDING IT.
879
01:13:32,491 --> 01:13:34,493
SHE'LL JUST THINK
IT'S HERS.
880
01:13:35,995 --> 01:13:38,497
DON'T BE RIDICULOUS.
881
01:13:38,497 --> 01:13:40,749
EXCUSE ME.
882
01:13:40,749 --> 01:13:43,251
[ Grunting ]
883
01:13:44,753 --> 01:13:46,504
[ Grunting Continues ]
884
01:13:55,681 --> 01:13:59,184
WE WEREN'T ANYWHERE
NEAR IT, TIGER. I KNOW WE WEREN'T.
885
01:13:59,185 --> 01:14:01,687
AND STOP CALLING ME TIGER!
886
01:14:08,577 --> 01:14:10,579
[ Panting ]
887
01:14:10,579 --> 01:14:12,581
AND HE NEVER DID FIND IT,
888
01:14:12,581 --> 01:14:15,584
BUT HE KNOWS IT'S
IN THERE SOMEWHERE,
889
01:14:15,584 --> 01:14:19,087
AND IT'S ONLY A MATTER OF TIME
TILL HIS WIFE COMES ACROSS IT.
890
01:14:19,588 --> 01:14:21,590
BOY, THAT MUST BE MURDER
ON THE NERVES!
891
01:14:21,590 --> 01:14:24,876
MURDER?
[ Chuckles ] HAROLD.
892
01:14:24,877 --> 01:14:28,213
HAROLD!
893
01:14:28,214 --> 01:14:31,133
- YEAH?
- I WANT YOU TO MEET A FRIEND OF MINE.
894
01:14:42,027 --> 01:14:44,029
PAUL, THIS IS HAROLD.
895
01:14:44,029 --> 01:14:46,031
HAROLD.
YEAH?
896
01:14:46,031 --> 01:14:48,533
THIS IS PAUL.
897
01:14:49,034 --> 01:14:53,038
GLAD TO MEET YOU, HAROLD.
YEAH. YEAH.
898
01:14:58,544 --> 01:15:02,047
[ Sighs ]
HOW LONG AGO DID ALL THIS HAPPEN?
899
01:15:02,047 --> 01:15:04,049
ABOUT THREE WEEKS AGO. WHY?
900
01:15:04,049 --> 01:15:08,053
I HAD THE IMPRESSION HE WAS
A MUCH YOUNGER MAN. YOU KNOW, "TIGER" AND EVERYTHING.
901
01:15:08,053 --> 01:15:11,556
HOW OLD WOULD YOU SAY HE IS?
I DON'T KNOW. SEVENTY? SEVENTY-TWO?
902
01:15:12,057 --> 01:15:14,559
THIRTY-NINE.
NO KIDDING!
903
01:15:16,061 --> 01:15:18,563
STILL THINK YOU WANT
TO TAKE HER TO YOUR PLACE?
904
01:15:18,564 --> 01:15:20,566
NO, NO. NO. THANKS, ED.
905
01:15:20,566 --> 01:15:23,569
BOY, I DON'T KNOW--
I DON'T KNOW WHAT I'D DO WITHOUT YOU.
906
01:15:23,569 --> 01:15:27,072
[ Sputters ]
WELL, YOU KNOW HOW I FEEL ABOUT RUTH.
907
01:15:27,439 --> 01:15:29,941
YES, I'M SURE
SHE'D APPRECIATE IT TOO.
908
01:15:30,743 --> 01:15:33,662
[ No Audible Dialogue
Within Montage ]
909
01:16:11,317 --> 01:16:12,985
TONIGHT'S THE NIGHT,
EH, KID?
910
01:16:13,485 --> 01:16:15,487
HMM? OH, YES.
YES, IT IS.
911
01:16:15,487 --> 01:16:17,489
RELAX.
YOU'RE GONNA BE FINE. YES.
912
01:16:17,489 --> 01:16:19,991
UH, JUST A COUPLE
OF POINTS. YES?
913
01:16:19,992 --> 01:16:23,495
THERE'S GONNA COME A TIME
WHEN YOU WANT OUT. YES, I WILL. I WILL.
914
01:16:23,495 --> 01:16:26,998
YOU KNOW, THAT'S A VERY
TRICKY MOMENT. VERY TRICKY. YES.
915
01:16:26,999 --> 01:16:29,501
YOU SEE, IF YOU BREAK IT OFF,
SHE GETS SORE--
916
01:16:29,501 --> 01:16:33,004
THE "WOMAN SCORNED" BIT, THAN
WHICH HELL HATH NO GREATER FURY. YES.
917
01:16:33,005 --> 01:16:36,892
YOU'VE GOT TO WORK IT
SO THAT THE IDEA TO BREAK IT OFF IS HERS,
918
01:16:36,892 --> 01:16:38,643
SHE THINKS.
919
01:16:40,062 --> 01:16:42,064
[ Lock Clicks ]
920
01:16:42,064 --> 01:16:44,066
IS THAT YOU, SWEET LIPS?
921
01:16:48,070 --> 01:16:50,405
YES.
OH!
922
01:16:50,406 --> 01:16:52,858
MMM! OH! OOH!
923
01:16:52,858 --> 01:16:55,360
MMM. MMM, MMM, MMM.
924
01:16:55,361 --> 01:16:57,363
UH, HONEY.
HONEY, WAIT A MINUTE.
925
01:16:57,363 --> 01:17:02,117
HONEY, WOULD YOU MIND
TAKING IT JUST A LITTLE BIT EASIER, BABY?
926
01:17:02,117 --> 01:17:05,837
SWEET LIPS IS TIRED
AFTER HIS HARD DAY'S WORK, ISN'T HE?
927
01:17:05,838 --> 01:17:10,342
NO, NO. IT'S NOT THAT.
IT'S JUST THAT, UH-- JUST WHAT, SWEET LIPS?
928
01:17:10,342 --> 01:17:13,928
WELL, I-- I SAW
MY ACCOUNTANT TODAY, AND HE SAID--
929
01:17:13,929 --> 01:17:18,717
OH, BUT WHY SHOULD I BOTHER
YOUR PRETTY LITTLE HEAD WITH A THING LIKE THAT?
930
01:17:22,221 --> 01:17:25,724
OH, HONEY?
WHAT DO YOU THINK WE COULD GET FOR THIS...
931
01:17:25,724 --> 01:17:28,226
FROM A SECONDHAND SHOP?
932
01:17:28,227 --> 01:17:30,729
I DON'T KNOW. TWO
OR THREE DOLLARS MAYBE?
933
01:17:30,729 --> 01:17:32,731
REALLY?
934
01:17:32,731 --> 01:17:35,734
SWEET LIPS,
IS ANYTHING THE MATTER?
935
01:17:35,734 --> 01:17:38,737
NO. LOOK, IT--
PLEASE, DON'T GIVE IT A SECOND THOUGHT.
936
01:17:38,737 --> 01:17:40,739
NOTHING-- JUST BECAUSE
MY ACCOUNTANT SAID...
937
01:17:41,240 --> 01:17:44,743
THAT THE TAX DEPARTMENT
MADE A BIG FUSS ABOUT THE--
938
01:17:45,744 --> 01:17:49,047
HEY, THIS-- THIS OUGHT
TO BRING A NICE FEW DOLLARS.
939
01:17:49,048 --> 01:17:51,917
OLLIE! THAT'S
MY GRADUATION PRESENT!
940
01:17:51,917 --> 01:17:54,336
WELL, HONEY, WE WON'T
NEED IT ANYMORE. WE WON'T?
941
01:17:54,336 --> 01:17:56,838
NO. YOU SEE, THE BED WON'T
FIT INTO THE NEW APARTMENT.
942
01:17:56,839 --> 01:18:01,176
- NEW APARTMENT?
- YES. IT'S SMALLER THAN THIS ONE, OF COURSE,
943
01:18:01,176 --> 01:18:03,561
BUT I THINK WE CAN FIT IN
A COUPLE OF ARMY COTS.
944
01:18:03,562 --> 01:18:06,898
YOU'LL LOVE THE VIEWFROM THE EIGHTH FLOOR,
945
01:18:06,899 --> 01:18:09,318
AND THE EXERCISE'LL DO YOU
A LOT OF GOOD.
946
01:18:09,318 --> 01:18:11,153
EXERCISE?
947
01:18:11,153 --> 01:18:14,940
YOU SEE, THIS APARTMENT
WAS BUILT BEFORE THEY INVENTED ELEVATORS.
948
01:18:16,408 --> 01:18:19,411
OLLIE, ARE YOU
IN TROUBLE ABOUT MONEY?
949
01:18:19,411 --> 01:18:22,330
OH, ONLY TEMPORARILY.BUT DON'T WORRY, HONEY.
950
01:18:22,831 --> 01:18:24,666
IT WON'T REALLY MAKEANY DIFFERENCE.IT WON'T?
951
01:18:24,666 --> 01:18:27,335
NO, BECAUSE WE'LL STILL
HAVE EACH OTHER.
952
01:18:27,336 --> 01:18:29,671
OH, OLLIE!
OH, THAT'S ALL RIGHT.
953
01:18:29,671 --> 01:18:32,173
I'LL GET YOU
ONE OF MY WIFE'S COATS.
954
01:18:32,174 --> 01:18:35,427
SHE WAS GONNA GIVE IT
TO THE SALVATION ARMY ANYWAY.
955
01:18:35,427 --> 01:18:38,430
AND THEN YOU'D BE
TOO SELF-CONSCIOUS...
956
01:18:38,931 --> 01:18:41,433
TO-- TO WEAR ONE
OF THESE COATS TO WORK.
957
01:18:41,934 --> 01:18:44,803
- WORK?
- YES. I GOT YOU THIS JOB.
958
01:18:47,773 --> 01:18:51,143
- OLLIE, I'VE BEEN THINKING.
- YES, HONEY?
959
01:18:51,143 --> 01:18:54,646
WELL, YOU'RE GOING
TO HAVE TO GIVE ALL YOUR ATTENTION NOW...
960
01:18:54,646 --> 01:18:56,397
TO GETTING BACK
ON YOUR FEET, AREN'T YOU?
961
01:18:56,398 --> 01:19:01,119
OH, HONEY, ONLY FOR--
FOR THREE OR FOUR YEARS.
962
01:19:01,120 --> 01:19:03,489
SO, DON'T YOU THINK
IT MIGHT BE BETTER...
963
01:19:03,489 --> 01:19:06,492
IF WE DIDN'T SEE EACH OTHERFOR A WHILE?
964
01:19:06,492 --> 01:19:08,494
OH, THAT WOULD BE TERRIBLE!
965
01:19:17,386 --> 01:19:19,388
YEAH, I SEE.
966
01:19:19,388 --> 01:19:21,390
NOW JUST
ONE FINAL WORD. YEAH?
967
01:19:21,390 --> 01:19:24,393
IF RUTH SHOULD HEAR SOMETHING
OR SHOULD GET SUSPICIOUS-- HUH?
968
01:19:24,393 --> 01:19:26,895
IT WON'T HAPPEN.
I PROMISE YOU. BUT JUST IN CASE--
969
01:19:26,895 --> 01:19:28,897
YEAH?
DENY, DENY, DENY.
970
01:19:29,398 --> 01:19:31,400
NO MATTER WHAT SHE KNOWS OR
THINKS SHE KNOWS, DENY IT.
971
01:19:31,400 --> 01:19:33,402
WHAT IF SHE KNOWS?
YOU DENY IT.
972
01:19:33,402 --> 01:19:34,903
WHAT IF SHE--
DENY.
973
01:19:35,404 --> 01:19:37,155
WHAT IF--
DENY. DENY.
974
01:19:39,158 --> 01:19:41,276
[ Screams ]
975
01:19:43,078 --> 01:19:46,364
CHARLIE!
WHAT?
976
01:19:46,365 --> 01:19:48,867
WHAT ARE YOU DOING?
977
01:19:48,867 --> 01:19:51,369
WHERE?
THERE! WITH HER!
978
01:19:51,370 --> 01:19:55,374
WHO?
HER! HOW COULD YOU?
979
01:19:55,374 --> 01:19:58,877
WHAT?
THAT!
980
01:19:58,877 --> 01:20:02,380
WHEN?
WHEN I CAME IN, YOU AND SHE WERE--
981
01:20:02,381 --> 01:20:05,384
WHO?
YOU KNOW VERY WELL WHO.
982
01:20:05,384 --> 01:20:07,886
THAT-- THAT WOMAN THERE.
983
01:20:07,886 --> 01:20:10,388
WHERE?
CHARLIE!
984
01:20:10,389 --> 01:20:13,892
WHAT?
YOU AND THAT WOMAN!
985
01:20:13,892 --> 01:20:15,894
WHAT WOMAN?
986
01:20:17,396 --> 01:20:19,898
TH-THE-- TH-THE ONE
WHO JUST LEFT.
987
01:20:19,898 --> 01:20:21,900
WHEN?
988
01:20:29,541 --> 01:20:32,043
BUT, CHARLIE!
WHAT?
989
01:20:32,044 --> 01:20:34,546
AREN'T YOU EVEN
ASHAMED OF YOURSELF?
990
01:20:34,546 --> 01:20:36,548
WHY?
991
01:20:36,548 --> 01:20:38,550
BECAUSE OF--
992
01:20:55,100 --> 01:20:57,102
CHARLIE?
WHAT?
993
01:20:58,604 --> 01:21:01,106
WHAT WOULD YOU LIKE
FOR DINNER?
994
01:21:03,108 --> 01:21:06,327
PERHAPS THE DEFINITIVE
APPLICATION OF THE TACTIC--
995
01:21:06,328 --> 01:21:08,330
A CLASSIC OF ITS KIND.
996
01:21:08,330 --> 01:21:11,333
NOW, THERE'S A MANYOU'VE GOT TO TAKEYOUR HAT OFF TO.
997
01:21:14,336 --> 01:21:18,340
RELAX! PAUL, RELAX.
YOU-YOU'RE GOING TO BE FINE.
998
01:21:18,340 --> 01:21:21,343
HEY! YOU HAD THE BEST
TEACHER IN THE WORLD, DIDN'T YOU?
999
01:21:21,343 --> 01:21:24,346
YES. YES, I DID, DIDN'T I?
I-- I DID. I--
1000
01:21:24,346 --> 01:21:28,350
HEY, KUMQUATS.
RUTH IS CRAZY ABOUT THESE.
1001
01:22:48,847 --> 01:22:51,766
♪ [ Jazzy ]
1002
01:24:33,638 --> 01:24:35,640
CANDY?
1003
01:25:11,426 --> 01:25:14,429
NOW, ABOUT YOUR PORTFOLIO,
1004
01:25:14,429 --> 01:25:17,715
I SEE SUBSTANTIAL BENEFIT...
1005
01:25:17,715 --> 01:25:22,553
IN TAX-FREE MUNICIPAL BONDS,
1006
01:25:30,061 --> 01:25:32,063
WHICH ARE TAX-FREE.
1007
01:25:36,117 --> 01:25:39,120
I THINK YOU OUGHT
TO KNOW I'M MARRIED.
1008
01:25:39,120 --> 01:25:41,622
CONGRATULATIONS.
OH, THANK YOU.
1009
01:25:41,623 --> 01:25:45,627
I, UH-- WOULDN'T--
WOULDN'T YOU RATHER BE?
1010
01:25:47,629 --> 01:25:49,631
NOT AT THE MOMENT.
1011
01:25:49,631 --> 01:25:52,634
OH, NO, NO.
NO, I-- I MEAN--
1012
01:25:52,634 --> 01:25:56,137
W-WOULDN'T IT BE NICE
TO HAVE A HUSBAND? HUSBAND?
1013
01:25:56,137 --> 01:25:58,139
I DO.
1014
01:25:58,139 --> 01:26:01,976
OH. OH,
IN THAT CASE, I-- YOU.
1015
01:26:01,976 --> 01:26:04,428
NO, NO, NO.
THAT'S NOT WHAT I--
1016
01:26:04,429 --> 01:26:08,433
I-I-- I-I MEANT
ONE OF YOUR OWN, SOMEONE YOU CAN COUNT ON.
1017
01:26:08,433 --> 01:26:11,152
I AM COUNTING ON YOU, HONEY.
1018
01:26:12,487 --> 01:26:14,989
NO. NO, I MEAN--
1019
01:26:14,989 --> 01:26:18,993
I MEAN,
SOMEONE YOU BELONG TO,
1020
01:26:18,993 --> 01:26:21,996
SOMEONE WHO CARES ABOUT YOU,
1021
01:26:21,996 --> 01:26:26,000
SOMEONE YOU'RE CRAZY ABOUT
AND WHO YOU'D HATE YOURSELF IF YOU HURT HER,
1022
01:26:26,000 --> 01:26:30,004
AND ALL YOU WANT TO DO
IS BE WITH HER ALWAYS, ONLY,
1023
01:26:30,004 --> 01:26:32,506
AND-- HERE.
1024
01:26:33,007 --> 01:26:36,010
HERE. HERE-- HERE'S
A PICTURE OF HER.
1025
01:26:36,010 --> 01:26:39,013
ISN'T SHE WONDERFUL? AND-AND
THAT'S MY LITTLE DAUGHTER.
1026
01:26:39,013 --> 01:26:41,515
[ Pounding ][ Man ]OPEN UP IN THERE!
1027
01:26:41,516 --> 01:26:44,018
COME ON! WE KNOWYOU'RE IN THERE!OPEN UP!
1028
01:26:44,018 --> 01:26:46,020
[ Shouting Continues,
Indistinct ]
1029
01:26:46,020 --> 01:26:48,305
[ Man #2 ]
...A SEARCH WARRANT! [ Woman ] IT'S A PRIVATE ROOM!
1030
01:26:51,025 --> 01:26:54,528
- [ Ed ] I'M GONNA BREAKTHAT CAMERA OVER YOUR HEAD!- [ Screams ]
1031
01:26:54,529 --> 01:26:57,198
[ Shouting Continues,
Indistinct ]
1032
01:27:22,423 --> 01:27:24,425
[ Tires Squealing ]
1033
01:29:18,423 --> 01:29:20,875
[ No Audible Dialogue
Within Scene ]
1034
01:29:46,234 --> 01:29:48,736
♪ [ Choir Singing ]
1035
01:30:11,259 --> 01:30:13,761
♪ [ Singing Ends ]
1036
01:30:26,274 --> 01:30:28,776
♪ EACH AND EVERY DEVICE
WE KNOW ♪
1037
01:30:28,776 --> 01:30:32,329
♪ SHOULD BE TRIED
BY THE MARRIED MAN ♪
1038
01:30:32,330 --> 01:30:35,333
♪ AND WHO CAN QUESTION
THE DEBT HE'LL OWE ♪
1039
01:30:35,833 --> 01:30:38,836
♪ TO THE GUIDE
FOR THE MARRIED MAN ♪
1040
01:30:38,836 --> 01:30:42,840
♪ IT WILL LIST THINGS
UNIVERSAL ♪
1041
01:30:42,840 --> 01:30:46,343
♪ FROM PITTSBURGH TO JAPAN ♪
1042
01:30:46,844 --> 01:30:49,346
♪ AND VERY MAN
CAN BE SATISFIED ♪
1043
01:30:49,847 --> 01:30:52,349
♪ BY THE GUIDE ♪
1044
01:30:52,350 --> 01:30:58,356
♪ FOR THE MARRIED MAN ♪
77622
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