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[โชโชโช]
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[โชโชโช]
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SAY CHEESE!
4
00:00:52,041 --> 00:00:53,375
CHEESE!
5
00:00:53,458 --> 00:00:54,458
THERE ARE DRINKS INSIDE
6
00:00:54,542 --> 00:00:56,417
AND PLENTY OF FOOD
FOR EVERYONE.
7
00:00:56,500 --> 00:00:57,709
LEAVE IT TO LARRY
8
00:00:57,792 --> 00:00:59,959
TO INSIST ON BLACK TIE
FOR HIS BIRTHDAY PARTY.
9
00:01:00,041 --> 00:01:02,041
HE'S PROBABLY SPENDING
A FORTUNE.
10
00:01:02,125 --> 00:01:04,125
DAD, THIS IS NOT
THE PLACE.
11
00:01:04,208 --> 00:01:05,583
-[LARRY]: PETER?
-[PETER]: YEAH?
12
00:01:05,667 --> 00:01:07,625
-HELP THEM.
-SURE. FOLLOW ME.
13
00:01:07,709 --> 00:01:09,166
AND HE'S GOT PETER HARRELL
DOING THE CATERING?
14
00:01:11,000 --> 00:01:12,208
IT'S LIKE HE'S
SPITTING IN OUR EYE.
15
00:01:12,291 --> 00:01:13,208
OKAY, JUST STAY CALM.
16
00:01:13,291 --> 00:01:15,333
WE'LL FIGURE THIS OUT.
17
00:01:15,417 --> 00:01:16,667
[LARRY]: TESS!
18
00:01:16,750 --> 00:01:18,041
GOOD TO SEE YOU.
19
00:01:18,125 --> 00:01:20,041
LARRY!
HAPPY BIRTHDAY.
20
00:01:20,125 --> 00:01:21,417
WALTER,
21
00:01:21,500 --> 00:01:22,500
GLAD YOU COULD MAKE IT.
22
00:01:22,583 --> 00:01:23,875
IT WASN'T EASY.
23
00:01:23,959 --> 00:01:24,875
YOU KNOW WE HATE
TO TAKE TIME AWAY
24
00:01:24,959 --> 00:01:25,875
FROM THE RESTAURANT,
25
00:01:25,959 --> 00:01:27,333
ESPECIALLY NOW.
26
00:01:27,417 --> 00:01:29,667
I UNDERSTAND YOU'RE UPSET,
27
00:01:29,750 --> 00:01:30,750
BUT IF YOU COULD GIVE ME
SOME TIME,
28
00:01:30,834 --> 00:01:32,041
I'LL BE ABLE TO EXPLAIN...
29
00:01:32,125 --> 00:01:34,417
HEY, CAN I
GET A PHOTO?
30
00:01:34,500 --> 00:01:35,375
STAND TOGETHER.
31
00:01:35,458 --> 00:01:37,500
ONE, TWO, THREE.
32
00:01:37,583 --> 00:01:39,667
MAKE SURE YOU
GET MY GOOD SIDE.
33
00:01:41,083 --> 00:01:42,000
DO YOU HAVE A BAD ONE?
34
00:01:43,125 --> 00:01:44,792
THANKS, GUYS.
35
00:01:47,417 --> 00:01:49,834
THE RESTAURANT
HAS SOME BILLS COMING DUE.
36
00:01:49,917 --> 00:01:51,083
YOU HAVEN'T PAID
YOUR SHARE.
37
00:01:51,166 --> 00:01:52,959
WE NEED THAT MONEY,
LARRY.
38
00:01:53,041 --> 00:01:54,333
WALTER, I SWEAR,
39
00:01:54,417 --> 00:01:56,542
AS SOON
AS I FIGURE THINGS OUT...
40
00:01:56,625 --> 00:01:57,458
MIND IF I BORROW
MY FAVORITE CLIENT
41
00:01:57,542 --> 00:01:58,500
FOR A MOMENT?
42
00:01:58,583 --> 00:02:01,208
[LARRY]:
GO ON, ENJOY YOURSELF.
43
00:02:01,291 --> 00:02:02,500
EVERYTHING WILL BE OKAY.
44
00:02:02,583 --> 00:02:03,500
I PROMISE.
45
00:02:04,792 --> 00:02:06,458
COME ON, TESS.
46
00:02:08,917 --> 00:02:10,834
IT'S A PARTY,
REMEMBER.
47
00:02:10,917 --> 00:02:13,792
LET'S AVOID ANY
UNPLEASANT CONVERSATION.
48
00:02:13,875 --> 00:02:15,041
WALLY'S MY FRIEND.
49
00:02:15,125 --> 00:02:16,792
I OWE HIM
AN EXPLANATION.
50
00:02:16,875 --> 00:02:19,125
WELL, HE'S NOT LOOKING
FOR AN EXPLANATION.
51
00:02:19,208 --> 00:02:20,959
HE'S LOOKING FOR A FIGHT.
52
00:02:21,041 --> 00:02:22,166
REMEMBER, I WARNED YOU
53
00:02:22,250 --> 00:02:23,959
AGAINST INVESTING
IN YOUR FRIENDS' PROJECTS.
54
00:02:24,041 --> 00:02:25,875
EASIER SAID THAN DONE.
55
00:02:25,959 --> 00:02:27,166
DID YOU BRING THOSE DOCUMENTS
I ASKED FOR?
56
00:02:27,250 --> 00:02:28,458
AH, YES.
57
00:02:28,542 --> 00:02:30,333
I'M HAVING MY SECRETARY
PULL ALL THE OLD FILES.
58
00:02:30,417 --> 00:02:31,291
WE'LL HAVE
SOMETHING FOR YOU
59
00:02:31,375 --> 00:02:32,500
BY THE END OF THE WEEK.
60
00:02:32,583 --> 00:02:33,750
I'M SORRY,
BUT I CAN'T STAY.
61
00:02:33,834 --> 00:02:35,166
YOU'RE LEAVING?
62
00:02:35,250 --> 00:02:36,500
YEAH, WELL...
63
00:02:36,583 --> 00:02:37,625
YOU MAY BE
MY FAVORITE CLIENT,
64
00:02:37,709 --> 00:02:38,625
BUT YOU'RE NOT
MY ONLY ONE.
65
00:02:38,709 --> 00:02:41,792
MY ADVICE,
AS YOUR ATTORNEY...
66
00:02:41,875 --> 00:02:43,417
FOCUS ON YOUR BIRTHDAY.
67
00:02:43,500 --> 00:02:45,417
THE PAPERWORK
WILL STILL BE THERE TOMORROW.
68
00:02:47,250 --> 00:02:49,083
HEY, UNCLE LARRY.
69
00:02:51,208 --> 00:02:52,333
TONY.
70
00:02:52,417 --> 00:02:53,250
SO GLAD YOU'RE HERE.
71
00:02:55,583 --> 00:02:56,458
I HAVEN'T SEEN YOUR DAD YET.
72
00:02:56,542 --> 00:02:58,041
YEAH, NO, UH...
73
00:02:58,125 --> 00:02:59,250
HE COULDN'T MAKE IT.
74
00:02:59,333 --> 00:03:00,625
[PHOTOGRAPHER]:
HEY, GATHER UP.
75
00:03:00,709 --> 00:03:01,667
WE'RE GETTING
EVERYONE TOGETHER
76
00:03:01,750 --> 00:03:03,417
FOR A GROUP SHOT.
77
00:03:03,500 --> 00:03:04,583
WHAT HAPPENED
TO YOUR BOW TIE?
78
00:03:06,792 --> 00:03:08,375
I MUST HAVE FORGOT IT INSIDE.
79
00:03:08,458 --> 00:03:09,625
DON'T TAKE ANY PICTURES
WITHOUT ME.
80
00:03:09,709 --> 00:03:11,375
OKAY.
81
00:03:11,458 --> 00:03:12,542
CAN I GET EVERYONE
TO STAND HERE?
82
00:03:12,625 --> 00:03:13,500
WE'RE GOING
TO GET A GROUP SHOT
83
00:03:13,583 --> 00:03:14,750
OF ALL OF US
TOGETHER.
84
00:03:32,458 --> 00:03:33,709
[WHISTLING]
85
00:03:35,917 --> 00:03:37,834
WHAT A BEAUTY.
86
00:03:37,917 --> 00:03:38,750
[SHUTTER CLICKING]
87
00:04:04,875 --> 00:04:06,083
OKAY, GUYS, STAY PUT.
88
00:04:06,166 --> 00:04:07,208
I'M GOING TO RUSTLE
MR. BRADY OUT HERE, OKAY?
89
00:04:07,291 --> 00:04:08,667
ONE SEC.
90
00:04:11,250 --> 00:04:12,625
MR. BRADY?
91
00:04:12,709 --> 00:04:14,375
WE'RE WAITING.
92
00:04:14,458 --> 00:04:16,625
LARRY?
93
00:04:18,417 --> 00:04:19,542
LARRY?
94
00:04:22,291 --> 00:04:23,500
LARRY?
95
00:04:26,083 --> 00:04:27,959
LARRY!
96
00:04:28,041 --> 00:04:30,125
SOMEBODY CALL AN AMBULANCE!
97
00:04:32,917 --> 00:04:34,375
HELP!
98
00:04:37,750 --> 00:04:39,834
YOGA?
99
00:04:39,917 --> 00:04:42,667
I HAD NO IDEA IT COULD
BE SO... DAMAGING.
100
00:04:42,750 --> 00:04:45,125
WELL, IT IS
IF IT'S A NEW INSTRUCTOR
101
00:04:45,208 --> 00:04:46,875
AND THEY'RE SHOWING YOU
A COOL NEW POSE.
102
00:04:46,959 --> 00:04:48,125
WHAT NEW POSE?
103
00:04:48,208 --> 00:04:50,417
IT'S CALLED
"THE BRIDGE TO PEACE."
104
00:04:50,500 --> 00:04:52,667
-WHAT HAPPENED?
-MY BRIDGE COLLAPSED.
105
00:04:53,875 --> 00:04:55,542
ARE YOU GOING BACK
TO HIS CLASS?
106
00:04:55,625 --> 00:04:56,834
NO!
107
00:04:56,917 --> 00:04:59,125
NO, HE BLAMED ME
FOR SPRAINING MY WRIST.
108
00:04:59,208 --> 00:05:01,417
HE SAID IT WAS 'CAUSE MY CHAKRAS
WERE MISALIGNED.
109
00:05:01,500 --> 00:05:02,500
OH, THE NERVE!
110
00:05:02,583 --> 00:05:03,542
WELL, THAT'S JUST BAD KARMA.
111
00:05:04,959 --> 00:05:06,291
SO I GUESS THIS MEANS
112
00:05:06,375 --> 00:05:08,375
WE'RE GOING TO HAVE TO POSTPONE
THE SPRING INVENTORY.
113
00:05:08,458 --> 00:05:09,834
OH, YOU MEAN
THE SPRING INVENTORY
114
00:05:09,917 --> 00:05:11,583
THAT'S REALLY
OUR WINTER INVENTORY?
115
00:05:11,667 --> 00:05:12,667
TO BE FAIR,
116
00:05:12,750 --> 00:05:13,834
IT'S ACTUALLY
OUR FALL INVENTORY.
117
00:05:13,917 --> 00:05:14,875
OKAY, THAT'S IT.
118
00:05:14,959 --> 00:05:15,917
WE NEED TO HIRE
SOME HELP.
119
00:05:16,000 --> 00:05:17,125
YOU MEAN
A NEW EMPLOYEE?
120
00:05:17,208 --> 00:05:18,417
JUST TEMPORARY.
121
00:05:18,500 --> 00:05:19,875
SOMEONE WHO CAN HELP US
WITH THE INVENTORY,
122
00:05:19,959 --> 00:05:21,083
OH, AND ALSO BRING
UP THOSE BOXES
123
00:05:21,166 --> 00:05:22,125
FROM THE BASEMENT.
124
00:05:22,208 --> 00:05:23,417
OOH, IT WOULD BE GOOD
TO GET SOMEONE
125
00:05:23,500 --> 00:05:24,709
TO CHECK THE CRAWL SPACE.
126
00:05:24,792 --> 00:05:26,625
WE BETTER HURRY UP
AND HIRE THAT PERSON.
127
00:05:26,709 --> 00:05:27,917
THEY ARE ALREADY WAY BEHIND.
128
00:05:28,000 --> 00:05:29,458
[DOOR OPENING]
129
00:05:30,583 --> 00:05:32,208
HELLO, UM...
130
00:05:32,291 --> 00:05:33,834
I'M GUESSING
YOU'RE THE ANTIQUE DEALERS?
131
00:05:33,917 --> 00:05:35,792
WHAT GAVE US AWAY?
132
00:05:35,875 --> 00:05:37,917
I'M LOOKING
FOR JENNIFER SHANNON.
133
00:05:38,000 --> 00:05:39,166
OH, I'M JENNIFER SHANNON,
134
00:05:39,250 --> 00:05:40,041
AND THIS IS MY PARTNER, DANI.
135
00:05:40,125 --> 00:05:41,291
HELLO.
136
00:05:41,375 --> 00:05:42,375
I'M IAN HATHAWAY.
137
00:05:42,458 --> 00:05:43,458
[DANI]:
MR. HATHAWAY,
138
00:05:43,542 --> 00:05:45,750
UM, HOW CAN WE HELP YOU?
139
00:05:45,834 --> 00:05:46,834
WELL,
A CLIENT OF MINE, LARRY BRADY,
140
00:05:46,917 --> 00:05:49,166
PASSED AWAY LAST WEEKEND.
141
00:05:49,250 --> 00:05:51,208
HE HAD A HEART ATTACK
ON HIS 60TH BIRTHDAY.
142
00:05:51,291 --> 00:05:53,375
OH, I'M SORRY FOR YOUR LOSS.
143
00:05:53,458 --> 00:05:54,792
THANK YOU.
144
00:05:54,875 --> 00:05:56,709
HIS ESTATE HAS PASSED ON
TO HIS YOUNGER BROTHER, SCOTT,
145
00:05:56,792 --> 00:06:00,000
AND SCOTT'S LOOKING TO SELL
SOME OF LARRY'S BELONGINGS.
146
00:06:00,083 --> 00:06:01,792
AND I'M GUESSING
THERE ARE A FEW ANTIQUES?
147
00:06:01,875 --> 00:06:03,041
THAT'S RIGHT.
148
00:06:03,125 --> 00:06:06,041
YEAH,
LARRY WAS AN AVID COLLECTOR.
149
00:06:06,125 --> 00:06:07,250
IN FACT, HE HAS
AN IMPRESSIVE COLLECTION
150
00:06:07,333 --> 00:06:08,208
OF ANTIQUE CAMERAS.
151
00:06:08,291 --> 00:06:10,166
WOW.
152
00:06:10,250 --> 00:06:12,208
WE'RE VERY SORRY FOR YOUR LOSS,
153
00:06:12,291 --> 00:06:13,875
BUT WE'RE GLAD
YOU SOMEHOW FOUND US.
154
00:06:13,959 --> 00:06:15,291
ACTUALLY,
155
00:06:15,417 --> 00:06:17,291
IT WAS LARRY'S NEPHEW, TONY,
THAT RECOMMENDED YOU.
156
00:06:17,375 --> 00:06:19,709
HE WENT TO SCHOOL
WITH YOUR DAUGHTER, I BELIEVE.
157
00:06:19,792 --> 00:06:21,166
HANNAH.
158
00:06:21,250 --> 00:06:23,917
I HAD NO IDEA
SHE WAS SO GOOD AT P.R.
159
00:06:24,000 --> 00:06:25,291
I KNOW THAT LARRY
WOULD WANT HIS COLLECTION
160
00:06:25,375 --> 00:06:26,500
WELL TAKEN CARE OF,
161
00:06:26,583 --> 00:06:28,250
SO I ASKED AROUND,
AND I HAVE TO TELL YOU,
162
00:06:28,333 --> 00:06:30,166
YOUR SHOP HAS
AN EXCELLENT REPUTATION.
163
00:06:31,625 --> 00:06:32,792
I'LL BE AT HIS HOUSE
LATER TODAY
164
00:06:32,875 --> 00:06:34,500
IF YOU'D LIKE
TO STOP BY.
165
00:06:34,583 --> 00:06:35,834
THERE'S THE ADDRESS,
AND I CAN SHOW YOU THE CAMERAS.
166
00:06:35,917 --> 00:06:36,834
OH, THANK YOU.
167
00:06:36,917 --> 00:06:37,959
WE'LL BE THERE.
168
00:06:38,041 --> 00:06:38,834
ALL RIGHT.
169
00:06:38,917 --> 00:06:39,959
WELL, THANK YOU, LADIES.
170
00:06:40,041 --> 00:06:40,959
THANK YOU.
171
00:06:42,458 --> 00:06:43,583
WHOA...
172
00:06:43,667 --> 00:06:45,542
IS THAT WHAT I THINK IT IS?
173
00:06:45,625 --> 00:06:47,208
WELL, IF YOU'RE THINKING
IT'S A BIG CONSIGNMENT,
174
00:06:47,291 --> 00:06:48,291
I THINK YOU'RE RIGHT.
175
00:06:48,375 --> 00:06:50,458
YEAH... OW.
176
00:06:50,542 --> 00:06:52,542
WE ARE DEFINITELY
HIRING SOMEONE.
177
00:07:07,875 --> 00:07:09,208
AH.
178
00:07:09,291 --> 00:07:10,458
OOH.
179
00:07:10,542 --> 00:07:11,959
THIS IS NICE.
180
00:07:12,041 --> 00:07:13,625
IT'S A LITTLE SMALL.
181
00:07:13,709 --> 00:07:15,083
WELL, SOMETHING TELLS ME
182
00:07:15,166 --> 00:07:17,625
IF YOU LIVED HERE,
YOU'D FIND A WAY TO MANAGE.
183
00:07:17,709 --> 00:07:18,667
WELL, I'D HAVE TO SEE
184
00:07:18,750 --> 00:07:20,291
WHAT THE CLOSET SPACE
LOOKS LIKE FIRST.
185
00:07:20,375 --> 00:07:21,458
[LAUGHS]
186
00:07:28,083 --> 00:07:30,917
[IAN]: THANK YOU FOR
COMING OUT TO THE HOUSE.
187
00:07:31,000 --> 00:07:32,625
[JENN]: IT'S BEAUTIFUL.
188
00:07:32,709 --> 00:07:35,250
[IAN]: YES, MR. BRADY TOOK
GREAT PRIDE IN HIS HOME.
189
00:07:35,333 --> 00:07:37,709
HE BOUGHT THIS HOUSE,
PLANNING ON HAVING A BIG FAMILY,
190
00:07:37,792 --> 00:07:39,500
BUT...
191
00:07:39,583 --> 00:07:40,917
LIFE WORKED OUT DIFFERENTLY.
192
00:07:41,000 --> 00:07:42,083
WELL...
193
00:07:42,166 --> 00:07:43,041
THAT HAPPENS.
194
00:07:44,333 --> 00:07:46,834
NOW, WE PLAN TO SELL MOST ITEMS
AT AUCTION,
195
00:07:46,917 --> 00:07:47,875
BUT WE THOUGHT
THE CAMERA COLLECTION
196
00:07:47,959 --> 00:07:49,417
MIGHT DO BETTER
ON CONSIGNMENT.
197
00:07:49,500 --> 00:07:51,917
IF YOU DON'T MIND ME ASKING,
WHY THE RUSH TO SELL EVERYTHING?
198
00:07:52,000 --> 00:07:54,959
AH, YES, WELL...
199
00:07:55,041 --> 00:07:57,250
MR. BRADY WAS A GENEROUS MAN...
TO A FAULT.
200
00:07:57,333 --> 00:07:58,709
UNFORTUNATELY,
201
00:07:58,792 --> 00:08:00,375
HE LEFT HIS ESTATE
WITH QUITE A FEW DEBTS
202
00:08:00,458 --> 00:08:01,917
AND VERY LITTLE CAPITAL.
203
00:08:02,000 --> 00:08:04,709
I CAN RELATE.
204
00:08:04,792 --> 00:08:05,875
WELL, HIS YOUNGER BROTHER,
SCOTT,
205
00:08:05,959 --> 00:08:06,959
THOUGHT IT BEST
TO LIQUIDATE HIS ASSETS
206
00:08:07,041 --> 00:08:07,875
AND SELL THE HOUSE.
207
00:08:09,959 --> 00:08:12,750
WELL, WE APPRECIATE
THE BUSINESS, BUT...
208
00:08:12,834 --> 00:08:14,750
YOU WOULD PROBABLY GET
MORE MONEY FOR THE CAMERAS
209
00:08:14,834 --> 00:08:16,583
AT AUCTION, TOO.
210
00:08:16,667 --> 00:08:18,709
WELL, THAT'S TRUE,
BUT, UH...
211
00:08:18,792 --> 00:08:20,792
IT ISN'T JUST ABOUT THE MONEY.
212
00:08:20,875 --> 00:08:22,375
I MEAN, LARRY WAS MY FRIEND
AS WELL AS MY CLIENT.
213
00:08:24,125 --> 00:08:24,959
HE PUT HIS COLLECTION TOGETHER
HIMSELF,
214
00:08:25,041 --> 00:08:26,834
AND I JUST KNOW
215
00:08:26,917 --> 00:08:28,750
HE WOULD HAVE LOVED TO STUMBLE
ACROSS ITEMS LIKE THIS
216
00:08:28,834 --> 00:08:29,750
IN A SHOP LIKE YOURS.
217
00:08:31,458 --> 00:08:32,625
RIGHT THIS WAY,
PLEASE.
218
00:08:45,166 --> 00:08:48,166
WOW, THIS IS
QUITE A COLLECTION.
219
00:08:48,250 --> 00:08:49,542
LARRY TOOK UP
PHOTOGRAPHY
220
00:08:49,625 --> 00:08:52,458
AFTER HE SOLD
HIS INVESTMENT COMPANY.
221
00:08:52,542 --> 00:08:54,208
APPARENTLY,
IT WAS A CHILDHOOD LOVE
222
00:08:54,291 --> 00:08:55,625
HE SET ASIDE FOR WORK.
223
00:08:55,709 --> 00:08:57,625
WELL, THERE ARE
A LOT OF ITEMS.
224
00:08:57,709 --> 00:08:58,750
WE'LL NEED
TO COME BACK
225
00:08:58,834 --> 00:08:59,875
AND PACK EVERYTHING
UP FOR TRANSPORT.
226
00:08:59,959 --> 00:09:01,250
OF COURSE, YEAH,
227
00:09:01,333 --> 00:09:02,417
AND I CAN MAKE SURE
YOU HAVE ACCESS TO THE HOUSE.
228
00:09:02,500 --> 00:09:03,458
[POUNDING ON DOOR]
229
00:09:04,959 --> 00:09:07,625
UH...
IF YOU'LL EXCUSE ME...
230
00:09:08,959 --> 00:09:10,458
WHOA...
231
00:09:10,542 --> 00:09:12,250
WOW.
232
00:09:12,333 --> 00:09:14,750
THERE IS
A LOT OF STUFF.
233
00:09:14,834 --> 00:09:16,083
WE'RE DEFINITELY
GOING TO NEED...
234
00:09:16,166 --> 00:09:17,166
DON'T SAY IT.
235
00:09:17,250 --> 00:09:19,792
A HAND
GETTING IT BACK TO THE SHOP.
236
00:09:19,875 --> 00:09:21,000
[LAUGHING]
237
00:09:22,583 --> 00:09:23,750
HEY, WHAT'S THIS?
238
00:09:27,917 --> 00:09:29,166
WHAT?
239
00:09:29,250 --> 00:09:30,458
OH...
240
00:09:30,542 --> 00:09:31,834
DANI, LOOK AT THIS.
241
00:09:31,917 --> 00:09:33,667
WOW.
242
00:09:33,750 --> 00:09:35,792
I THINK THERE MIGHT STILL BE
FILM IN THERE.
243
00:09:35,875 --> 00:09:37,125
OH...
244
00:09:37,208 --> 00:09:38,875
I WONDER
IF THIS IS ONE OF THE ITEMS
245
00:09:38,959 --> 00:09:40,208
WE'RE SUPPOSED TO SELL.
246
00:09:40,291 --> 00:09:42,083
-[SHUTTER CLICKING]
-OH!
247
00:09:42,166 --> 00:09:44,458
I THINK I JUST TOOK A PHOTO.
248
00:09:44,542 --> 00:09:46,375
YOU MEAN
YOU JUST TOOK A PHOTO OF ME.
249
00:09:48,250 --> 00:09:50,125
WELL, WE BETTER HOPE
IT'S PART OF THE SALE.
250
00:09:51,542 --> 00:09:53,125
I'LL ASK IAN.
251
00:09:53,208 --> 00:09:55,083
I HOPE YOU GOT
MY GOOD SIDE.
252
00:09:56,417 --> 00:09:57,667
[IAN]:
HOW DID YOU FIND ME?
253
00:09:57,750 --> 00:09:59,125
THIS IS HIGHLY INAPPROPRIATE.
254
00:09:59,208 --> 00:10:00,917
[WALTER]: YOUR SECRETARY
TOLD ME WHERE YOU WERE.
255
00:10:01,000 --> 00:10:03,375
IF YOU'D STOP DUCKING MY CALLS,
I WOULDN'T HAVE TO DO THIS.
256
00:10:03,458 --> 00:10:06,375
LOOK, LARRY PROMISED THAT MONEY
TO THE RESTAURANT.
257
00:10:06,458 --> 00:10:08,000
WE NEED IT
TO STAY OPEN.
258
00:10:08,083 --> 00:10:09,000
DO YOU HAVE A CONTRACT?
259
00:10:09,083 --> 00:10:10,834
LARRY SIGN A CONTRACT?
260
00:10:10,917 --> 00:10:11,917
YOU'RE JOKING, RIGHT?
261
00:10:12,000 --> 00:10:14,417
WALTER, THERE IS NO MONEY.
262
00:10:14,500 --> 00:10:16,000
LARRY WAS COMPLETELY TAPPED OUT.
263
00:10:16,083 --> 00:10:17,500
EVERYTHING LEFT
IS SCOTT'S NOW.
264
00:10:17,583 --> 00:10:20,291
[WALTER]:
YOU KNOW, LARRY'S GONE.
265
00:10:20,375 --> 00:10:22,375
I SHOULD FINALLY GET WHAT'S DUE.
266
00:10:25,000 --> 00:10:25,875
[CLEARING THROAT]
267
00:10:27,583 --> 00:10:29,250
OH.
268
00:10:29,333 --> 00:10:31,792
MRS. SHANNON,
I'M SORRY IF YOU HEARD THAT.
269
00:10:31,875 --> 00:10:33,875
I DON'T MEAN
TO INTERRUPT.
270
00:10:33,959 --> 00:10:35,250
IT SOUNDS LIKE YOU HAVE
YOUR HANDS FULL.
271
00:10:35,333 --> 00:10:36,291
OH...
272
00:10:36,375 --> 00:10:38,291
IT'S ALL PART OF THE JOB.
273
00:10:38,375 --> 00:10:39,417
IS THERE SOMETHING
I CAN HELP YOU WITH?
274
00:10:39,500 --> 00:10:40,625
YES, THIS CAMERA.
275
00:10:40,709 --> 00:10:41,834
IS IT PART OF THE CONSIGNMENT?
276
00:10:43,458 --> 00:10:45,208
I DON'T REMEMBER IT
AS PART OF HIS COLLECTION,
277
00:10:45,291 --> 00:10:46,542
BUT HE HAD SO MANY.
278
00:10:46,625 --> 00:10:49,333
WELL, WE ACCIDENTALLY
TOOK A PICTURE.
279
00:10:49,417 --> 00:10:50,333
THERE'S FILM IN IT.
280
00:10:50,417 --> 00:10:52,458
OH, I SEE.
281
00:10:52,542 --> 00:10:55,417
BEST TO GET IT DEVELOPED
BEFORE WE PUT IT UP FOR SALE,
282
00:10:55,500 --> 00:10:57,667
IN CASE ANY OF THE PHOTOS
HAVE SENTIMENTAL VALUE.
283
00:10:57,750 --> 00:10:59,083
OF COURSE.
I CAN HANDLE THAT.
284
00:10:59,166 --> 00:11:00,959
AH, THANK YOU.
285
00:11:01,041 --> 00:11:01,875
WOULD YOU EXCUSE ME?
286
00:11:01,959 --> 00:11:02,875
OF COURSE.
287
00:11:08,125 --> 00:11:09,375
YOUR MOTHER'S GOING
TO BE SO IMPRESSED
288
00:11:09,458 --> 00:11:11,000
THAT WE TACKLED
DINNER ON OUR OWN.
289
00:11:11,083 --> 00:11:12,834
IT'S HARD TO MESS UP PASTA.
290
00:11:12,917 --> 00:11:14,208
YOU'D BE SURPRISED.
291
00:11:14,291 --> 00:11:16,250
ONE TIME IN COLLEGE,
I STARTED A FIRE,
292
00:11:16,333 --> 00:11:17,250
TRYING TO MAKE
MAC AND CHEESE.
293
00:11:17,333 --> 00:11:18,709
[LAUGHING]
294
00:11:20,417 --> 00:11:22,458
STRAINER, PLEASE.
295
00:11:22,542 --> 00:11:25,250
LOGAN? STRAINER?
296
00:11:25,333 --> 00:11:27,291
YEAH, RIGHT.
297
00:11:27,375 --> 00:11:29,166
EVERYTHING OKAY?
298
00:11:29,250 --> 00:11:30,625
[LOGAN]:
YEAH, I GUESS SO.
299
00:11:30,709 --> 00:11:32,041
IT'S JUST, UH...
300
00:11:32,125 --> 00:11:33,542
MY ENGLISH TEACHER
WANTS TO PUBLISH
301
00:11:33,625 --> 00:11:35,500
THIS PAPER THAT I DID
ON TENNESSEE WILLIAMS
302
00:11:35,583 --> 00:11:36,583
IN THE SCHOOL JOURNAL.
303
00:11:36,667 --> 00:11:38,083
[JASON]: THAT'S GREAT!
304
00:11:40,083 --> 00:11:41,792
THAT'S NOT GREAT?
305
00:11:41,875 --> 00:11:43,750
I DON'T THINK
I'M GOING TO DO IT.
306
00:11:43,834 --> 00:11:46,792
"TENNESSEE WILLIAMS
AND THE AMERICAN DREAM."
307
00:11:46,875 --> 00:11:48,291
YOU KNOW, I HAD A PAPER
IN THE SCHOOL JOURNAL.
308
00:11:48,375 --> 00:11:50,291
LOOKS GREAT
ON A COLLEGE APPLICATION.
309
00:11:50,375 --> 00:11:51,917
YOU SHOULD PUBLISH IT.
310
00:11:52,000 --> 00:11:52,917
WE'LL SEE.
311
00:11:54,208 --> 00:11:55,291
HEY, EVERYONE,
SORRY I'M LATE,
312
00:11:55,375 --> 00:11:58,041
BUT WE MIGHT HAVE
A NICE BIG CONSIGNMENT
313
00:11:58,125 --> 00:11:59,959
THANKS TO THIS YOUNG LADY.
314
00:12:00,041 --> 00:12:01,417
ME?
315
00:12:01,500 --> 00:12:03,208
MM-HMM, WE GOT A RECOMMENDATION
FROM YOUR OLD CLASSMATE,
316
00:12:03,291 --> 00:12:04,375
TONY BRADY.
317
00:12:04,458 --> 00:12:05,834
OH, TONY BRADY?
318
00:12:05,917 --> 00:12:07,083
YEAH, I USED TO GO SEE
HIS BAND PLAY ALL THE TIME.
319
00:12:07,166 --> 00:12:08,083
THEY'RE ACTUALLY
PRETTY GOOD.
320
00:12:08,166 --> 00:12:09,709
[JENN]:
WELL, UNFORTUNATELY,
321
00:12:09,792 --> 00:12:11,125
HIS UNCLE PASSED AWAY,
322
00:12:11,208 --> 00:12:12,750
BUT WE MIGHT BE SELLING
SOME OF HIS ANTIQUE CAMERAS.
323
00:12:12,834 --> 00:12:14,875
A BUSY SHOP
MEANS HAPPY WIFE.
324
00:12:14,959 --> 00:12:17,792
MM, AND I'M STARVING,
AND YOU MADE DINNER?
325
00:12:17,875 --> 00:12:18,917
OH, IT'S LIKE I DIED
AND WENT TO HEAVEN.
326
00:12:19,000 --> 00:12:20,667
HOW DO YOU
MESS UP PASTA?
327
00:12:20,750 --> 00:12:21,667
YOU'D BE SURPRISED.
328
00:12:24,500 --> 00:12:26,333
I SEE YOU BROUGHT
WORK HOME?
329
00:12:26,417 --> 00:12:28,750
OH, DANI ACCIDENTALLY
TOOK A PHOTO OF ME,
330
00:12:28,834 --> 00:12:30,291
AND NOW I HAVE
TO GET THE FILM DEVELOPED.
331
00:12:30,375 --> 00:12:32,000
THAT'S GOING
TO BE DIFFICULT,
332
00:12:32,083 --> 00:12:33,291
CONSIDERING EVERYTHING'S
DIGITAL THESE DAYS.
333
00:12:33,375 --> 00:12:34,417
I KNOW,
334
00:12:34,500 --> 00:12:35,667
BUT THE CLIENT
DOESN'T WANT US
335
00:12:35,750 --> 00:12:37,375
TO SELL THE CAMERA
WITH A PICTURE OF ME IN IT.
336
00:12:37,458 --> 00:12:39,875
WELL, I'D SAY ANY CAMERA
WITH A PICTURE OF YOU IN IT
337
00:12:39,959 --> 00:12:40,959
IS WORTH DOUBLE.
338
00:12:41,041 --> 00:12:42,000
[JENN]: OH!
339
00:12:42,083 --> 00:12:44,291
JASON, THAT IS SO SWEET.
340
00:12:44,375 --> 00:12:45,625
AND THIS LOOKS SO GOOD.
341
00:12:45,709 --> 00:12:47,000
ALMOST AS GOOD
342
00:12:47,083 --> 00:12:48,250
AS YOUR FLAMING
MAC AND CHEESE.
343
00:12:54,792 --> 00:12:56,166
WELL, BETWEEN
OUR INVENTORY,
344
00:12:56,250 --> 00:12:57,750
AND NOW THIS
CONSIGNMENT,
345
00:12:57,834 --> 00:12:59,458
THINGS ARE REALLY
PICKING UP AT THE SHOP.
346
00:12:59,542 --> 00:13:01,125
THAT'S GREAT...
347
00:13:01,208 --> 00:13:02,291
BUT WITH DANI'S
SPRAINED WRIST,
348
00:13:02,375 --> 00:13:04,250
DOES THAT MEAN
YOU'RE DOING DOUBLE LIFTING?
349
00:13:04,333 --> 00:13:06,125
WELL, WE'RE GOING TO HIRE
SOME PART-TIME HELP.
350
00:13:06,208 --> 00:13:07,667
DANI PUT AN AD ONLINE,
351
00:13:07,750 --> 00:13:08,583
AND SHE'S SCHEDULED AN
INTERVIEW FOR TOMORROW.
352
00:13:08,667 --> 00:13:10,250
I DON'T ENVY YOU GUYS.
353
00:13:10,333 --> 00:13:11,625
I'VE DONE MY FAIR SHARE
OF HIRING.
354
00:13:11,709 --> 00:13:12,625
IT'S TRICKY.
355
00:13:13,875 --> 00:13:15,125
HEY, MAYBE YOU COULD HELP.
356
00:13:15,208 --> 00:13:16,750
THANKS,
BUT I DON'T WANT TO MOVE BOXES.
357
00:13:16,834 --> 00:13:19,125
NO, MAYBE
YOU COULD HELP HER HIRE SOMEONE.
358
00:13:19,208 --> 00:13:21,667
YOU HAVE
THE EXPERIENCE.
359
00:13:21,750 --> 00:13:22,875
YOU DON'T WANT TO DO IT?
360
00:13:22,959 --> 00:13:23,959
WELL, ACTUALLY,
YOU'D BE DOING ME A FAVOR.
361
00:13:24,041 --> 00:13:25,375
I WANT TO FIND SOMEPLACE
362
00:13:25,458 --> 00:13:27,375
TO DEVELOP THE FILM
FROM THAT CAMERA TOMORROW.
363
00:13:27,458 --> 00:13:30,250
I DON'T USUALLY GET INVOLVED
IN SHOP BUSINESS.
364
00:13:30,333 --> 00:13:31,667
YOU SURE I WOULDN'T BE STEPPING
ON HER TOES?
365
00:13:31,750 --> 00:13:34,500
OH, NO, DANI WOULD LOVE IT
IF YOU HELPED HER,
366
00:13:34,583 --> 00:13:36,041
AND YOU KNOW WHAT TO LOOK FOR
IN A GOOD EMPLOYEE.
367
00:13:36,125 --> 00:13:37,917
YEAH, I GUESS I DO.
368
00:13:38,000 --> 00:13:39,667
AND BESIDES,
DANI HATES TO TELL PEOPLE NO.
369
00:13:39,750 --> 00:13:41,000
SHE'D WANT SOMEONE ELSE
TO DO THAT.
370
00:13:42,083 --> 00:13:43,000
FUN.
371
00:13:56,667 --> 00:13:58,333
THIS THING IS IN GREAT SHAPE.
372
00:13:58,417 --> 00:13:59,125
I HAVE ONE AT HOME MYSELF,
373
00:13:59,208 --> 00:14:01,667
BUT NOT THIS NICE.
374
00:14:01,750 --> 00:14:03,917
WELL, THE OWNER WAS
A REAL CAMERA ENTHUSIAST.
375
00:14:04,000 --> 00:14:04,792
OH, WHAT'S
THE COLLECTOR'S NAME?
376
00:14:04,875 --> 00:14:05,875
I MAY KNOW THEM.
377
00:14:05,959 --> 00:14:06,792
LARRY BRADY.
378
00:14:06,875 --> 00:14:07,834
NEVER MET HIM.
379
00:14:07,917 --> 00:14:09,458
HE DIED RECENTLY.
380
00:14:09,542 --> 00:14:10,834
THAT'S TOO BAD.
381
00:14:10,917 --> 00:14:13,083
I WOULD HAVE LOVED TO TALK
TO HIM ABOUT THIS CAMERA.
382
00:14:13,166 --> 00:14:14,166
IT'S A REAL BEAUTY,
383
00:14:14,250 --> 00:14:16,333
AND YOU SAY
THERE'S FILM IN IT STILL?
384
00:14:16,417 --> 00:14:17,583
RIGHT,
385
00:14:17,667 --> 00:14:19,250
AND THAT'S WHERE YOU
COME IN, HOPEFULLY.
386
00:14:19,333 --> 00:14:22,166
MY FRIEND ACCIDENTALLY
TOOK A PHOTO OF ME,
387
00:14:22,250 --> 00:14:23,542
AND I CAN'T SELL
THE CAMERA
388
00:14:23,625 --> 00:14:25,166
WITH THE PICTURE
OF ME IN IT.
389
00:14:25,250 --> 00:14:26,333
OH, YEAH.
390
00:14:26,417 --> 00:14:27,542
THIS GUY'S TRICKY.
391
00:14:27,625 --> 00:14:28,583
A REAL HAIR TRIGGER.
392
00:14:28,667 --> 00:14:30,709
YEAH,
I FOUND THAT OUT THE HARD WAY.
393
00:14:30,792 --> 00:14:32,542
YEAH, ALL THESE OLD CAMERAS
394
00:14:32,625 --> 00:14:33,417
HAVE SOMETHING UNIQUE
ABOUT THEM.
395
00:14:33,500 --> 00:14:34,542
UNFORTUNATELY,
396
00:14:34,625 --> 00:14:36,208
THEY HAVEN'T MADE
THIS MODEL IN DECADES.
397
00:14:36,291 --> 00:14:37,125
IS IT VALUABLE?
398
00:14:37,208 --> 00:14:38,250
FOR SURE.
399
00:14:38,333 --> 00:14:39,709
WELL, YOU KNOW,
400
00:14:39,792 --> 00:14:41,000
WE'RE SELLING
THE ENTIRE COLLECTION,
401
00:14:41,083 --> 00:14:42,041
IF YOU'RE INTERESTED.
402
00:14:42,125 --> 00:14:44,041
YEAH, NO, DEFINITELY.
403
00:14:44,125 --> 00:14:45,333
OKAY, WELL, AS SOON
AS I HAVE IT INVENTORIED,
404
00:14:45,417 --> 00:14:46,375
I'LL CALL YOU.
405
00:14:46,458 --> 00:14:47,625
AND I'M GOING TO TAKE MY TIME
406
00:14:47,709 --> 00:14:48,959
TO MAKE SURE
YOU GET BEAUTIFUL PHOTOS.
407
00:14:49,041 --> 00:14:51,125
OH, I DON'T THINK
MY PHOTO IS GOING TO BE FRAMED,
408
00:14:51,208 --> 00:14:52,291
SO FEEL FREE TO HURRY.
409
00:14:52,375 --> 00:14:53,542
THEN I'LL CALL YOU
WHEN IT'S READY.
410
00:14:53,625 --> 00:14:54,667
OKAY, THANK YOU, MANNY.
411
00:14:54,750 --> 00:14:55,583
YOU'RE WELCOME.
412
00:14:57,583 --> 00:14:59,125
[PHONE RINGING]
413
00:15:02,542 --> 00:15:03,834
HELLO?
414
00:15:03,917 --> 00:15:06,208
[MAN]: IS THIS
JENNIFER SHANNON, HANNAH'S MOM?
415
00:15:06,291 --> 00:15:07,625
IT IS.
HOW CAN I HELP YOU?
416
00:15:07,709 --> 00:15:09,000
THIS IS TONY BRADY.
417
00:15:09,083 --> 00:15:10,041
I WENT TO HIGH SCHOOL
WITH YOUR DAUGHTER.
418
00:15:10,125 --> 00:15:11,500
OH, TONY!
419
00:15:11,583 --> 00:15:13,542
THANK YOU SO MUCH
FOR THE RECOMMENDATION.
420
00:15:13,625 --> 00:15:15,208
I WISH IT WERE UNDER
DIFFERENT CIRCUMSTANCES.
421
00:15:18,208 --> 00:15:20,667
CAN I HAVE A FEW MINUTES
OF YOUR TIME TO TALK IN PERSON?
422
00:15:20,750 --> 00:15:21,709
IT WON'T TAKE LONG.
423
00:15:21,792 --> 00:15:23,917
YOU CAN PICK THE PLACE.
424
00:15:24,000 --> 00:15:25,875
I HAVE THE NEXT HOUR FREE.
425
00:15:25,959 --> 00:15:27,000
THERE'S A DINER
426
00:15:27,083 --> 00:15:28,083
RIGHT ACROSS THE STREET
FROM MY SHOP.
427
00:15:28,166 --> 00:15:30,041
OKAY, I'LL MEET YOU THERE.
428
00:15:30,125 --> 00:15:31,166
OKAY, I'LL SEE YOU THEN.
429
00:15:31,250 --> 00:15:32,125
THANK YOU.
430
00:15:41,458 --> 00:15:42,667
TONY?
431
00:15:42,750 --> 00:15:44,208
-HEY.
-HI, I'M JENN.
432
00:15:44,291 --> 00:15:45,250
NICE TO MEET YOU.
433
00:15:45,333 --> 00:15:47,375
NICE TO MEET YOU, TOO.
SIT DOWN.
434
00:15:47,458 --> 00:15:48,542
THANKS FOR TAKING THE TIME
TO TALK WITH ME.
435
00:15:48,625 --> 00:15:49,792
OH, OF COURSE.
436
00:15:49,875 --> 00:15:51,083
ANY FRIEND OF HANNAH'S
IS A FRIEND OF MINE.
437
00:15:51,166 --> 00:15:52,417
HANNAH'S AWESOME.
438
00:15:52,500 --> 00:15:54,875
SHE'S ALWAYS BEEN
REALLY POSITIVE ABOUT MY MUSIC.
439
00:15:54,959 --> 00:15:56,542
WELL, YOU SHOULD
GIVE HER A CALL.
440
00:15:56,625 --> 00:15:57,542
I'M SURE SHE'D LOVE
TO HEAR FROM YOU.
441
00:15:57,625 --> 00:15:58,834
YEAH, I SHOULD CALL HER.
442
00:15:58,917 --> 00:16:00,000
IT'S JUST...
443
00:16:00,083 --> 00:16:02,000
EVERYTHING'S A BIT
OF A MESS RIGHT NOW.
444
00:16:02,083 --> 00:16:04,250
YES, A DEATH IN THE FAMILY
CAN BE VERY STRESSFUL.
445
00:16:06,417 --> 00:16:08,834
UNCLE LARRY AND I
WERE VERY CLOSE.
446
00:16:10,834 --> 00:16:11,834
FOR MOST
OF MY LIFE,
447
00:16:11,917 --> 00:16:12,792
HE WAS BUSY
WITH HIS COMPANY,
448
00:16:12,875 --> 00:16:14,750
BUT THE LAST
FEW YEARS,
449
00:16:14,834 --> 00:16:16,709
WE REALLY GOT A CHANCE
TO KNOW EACH OTHER.
450
00:16:16,792 --> 00:16:20,667
BENEATH THE STRICT
BUSINESSMAN LOOK,
451
00:16:20,750 --> 00:16:21,667
HE WAS AN ARTIST TOO,
LIKE ME.
452
00:16:21,750 --> 00:16:23,500
IT'S A GREAT PHOTO.
453
00:16:23,583 --> 00:16:25,959
HE TOOK THAT
WITH ONE OF HIS CAMERAS.
454
00:16:26,041 --> 00:16:28,083
HE LOVED THAT COLLECTION.
455
00:16:29,625 --> 00:16:30,959
WELL, WE WILL TAKE
VERY GOOD CARE
456
00:16:31,041 --> 00:16:32,375
OF HIS CAMERA COLLECTION.
457
00:16:32,458 --> 00:16:33,792
THAT'S WHY I THOUGHT
OF YOUR SHOP.
458
00:16:33,875 --> 00:16:35,166
THE WAY HANNAH
TALKS ABOUT YOU,
459
00:16:35,250 --> 00:16:36,709
I KNEW THAT YOU'D
FIND OWNERS
460
00:16:36,792 --> 00:16:38,625
THAT APPRECIATE IT
AS MUCH AS HE DID.
461
00:16:38,709 --> 00:16:39,959
THANK YOU.
462
00:16:40,041 --> 00:16:41,375
THAT'S VERY SWEET
OF YOU TO SAY.
463
00:16:41,458 --> 00:16:42,750
IT'S WEIRD TO SEE IT ALL GO.
464
00:16:42,834 --> 00:16:43,750
TO ME,
IT WAS A PART OF HIM.
465
00:16:45,709 --> 00:16:47,458
YOU KNOW, THAT'S MORE COMMON
THAN YOU THINK.
466
00:16:47,542 --> 00:16:49,291
A LOT OF THE ANTIQUES
I BUY AND SELL
467
00:16:49,375 --> 00:16:51,709
HAVE SPECIAL MEANING
TO MY CUSTOMERS,
468
00:16:51,792 --> 00:16:52,917
AND I TRY TO TELL THEM
469
00:16:53,000 --> 00:16:54,375
THAT THEY WILL ALWAYS HAVE
THE MEMORIES,
470
00:16:54,458 --> 00:16:56,125
EVEN THOUGH THE OBJECT
HAS MOVED ON
471
00:16:56,208 --> 00:16:58,000
AND IS MAKING NEW MEMORIES
FOR NEW PEOPLE.
472
00:16:59,709 --> 00:17:01,583
THAT'S A BEAUTIFUL WAY
OF LOOKING AT IT.
473
00:17:03,709 --> 00:17:04,917
YEAH, THANKS
FOR TALKING WITH ME,
474
00:17:05,000 --> 00:17:06,792
AND, UH...
475
00:17:06,875 --> 00:17:08,875
I FEEL A LOT BETTER
ABOUT EVERYTHING NOW.
476
00:17:10,583 --> 00:17:12,542
TONY, IS THERE...
477
00:17:12,625 --> 00:17:13,917
SOMETHING ELSE
YOU WANT TO TALK ABOUT?
478
00:17:16,000 --> 00:17:17,333
NOTHING FOR YOU
TO WORRY ABOUT.
479
00:17:17,417 --> 00:17:19,333
OH, WELL...
480
00:17:19,417 --> 00:17:21,250
I AM A VERY GOOD WORRIER.
481
00:17:21,333 --> 00:17:22,291
YOU JUST ASK HANNAH.
482
00:17:25,208 --> 00:17:26,333
DO YOU EVER GET SOMETHING
483
00:17:26,417 --> 00:17:27,750
BOUNCING AROUND
INSIDE YOUR HEAD,
484
00:17:27,834 --> 00:17:31,375
AND YOU JUST CAN'T LET IT GO
UNTIL YOU SAY IT OUT LOUD?
485
00:17:31,458 --> 00:17:33,208
YOU'VE JUST DESCRIBED
EVERY DAY OF MY LIFE.
486
00:17:34,750 --> 00:17:36,166
IT'S JUST...
487
00:17:36,250 --> 00:17:38,083
THERE HAS BEEN SOMETHING
THAT'S BEEN BOTHERING ME
488
00:17:38,166 --> 00:17:38,917
ABOUT LARRY'S DEATH.
489
00:17:40,333 --> 00:17:41,875
HE WAS AS HEALTHY
AS A HORSE.
490
00:17:41,959 --> 00:17:43,375
HE WOULDN'T DROP DEAD
OUT OF THE BLUE.
491
00:17:44,792 --> 00:17:46,250
SOMETIMES, THESE THINGS
ARE HARD TO PREDICT.
492
00:17:47,542 --> 00:17:49,583
IT'S MORE THAN THAT.
493
00:17:49,667 --> 00:17:52,166
A WEEK BEFORE HE DIED,
LARRY CHANGED,
494
00:17:52,250 --> 00:17:53,750
AND HE WAS PUTTING
ON A GOOD SHOW,
495
00:17:53,834 --> 00:17:54,834
BUT I COULD SEE THROUGH IT.
496
00:17:54,917 --> 00:17:57,000
HE WAS WORRIED...
AND SCARED.
497
00:17:57,083 --> 00:17:58,583
SCARED OF WHAT?
498
00:18:00,709 --> 00:18:02,500
HE CALLED ME ONE NIGHT,
499
00:18:02,583 --> 00:18:05,291
AND HE SAID...
500
00:18:05,375 --> 00:18:07,417
HE SAID THAT SOMEBODY
WAS TRYING TO DESTROY HIM.
501
00:18:09,000 --> 00:18:10,667
TONY, IF YOU HAVE
ANY SUSPICIONS,
502
00:18:10,750 --> 00:18:11,875
YOU SHOULD GO
TO THE POLICE.
503
00:18:11,959 --> 00:18:13,458
I TOLD MY DAD.
504
00:18:13,542 --> 00:18:16,166
I TOLD IAN, LARRY'S LAWYER.
505
00:18:16,250 --> 00:18:18,375
THEY SAID
I WAS IMAGINING THINGS.
506
00:18:25,083 --> 00:18:26,083
YOU THINK I'M CRAZY, TOO.
507
00:18:26,166 --> 00:18:27,959
NO, NO,
I DON'T THINK YOU'RE CRAZY.
508
00:18:28,041 --> 00:18:30,083
BELIEVE ME, I HAVE MY SUSPICIONS
ALL THE TIME.
509
00:18:30,166 --> 00:18:32,667
I JUST WISH
I COULD HELP,
510
00:18:32,750 --> 00:18:33,750
BUT I'M NOT A DETECTIVE.
511
00:18:36,750 --> 00:18:38,875
WELL...
DON'T LET ME KEEP YOU.
512
00:18:38,959 --> 00:18:40,750
THANKS... FOR LISTENING.
513
00:18:40,834 --> 00:18:43,834
FEELS LIKE NO ONE ELSE DOES.
514
00:18:43,917 --> 00:18:45,583
OF COURSE.
515
00:18:56,291 --> 00:18:58,667
MANNY,
YOU WORK FAST.
516
00:18:58,750 --> 00:19:00,000
YEAH, YOU GOT LUCKY.
517
00:19:00,083 --> 00:19:02,792
THE FILM IN THE CAMERA'S
GOT TO BE OVER 50 YEARS OLD,
518
00:19:02,875 --> 00:19:04,500
AND YET SOMEHOW
IT DIDN'T CRUMBLE AWAY,
519
00:19:04,583 --> 00:19:06,125
AND, WELL, I WAS ABLE
TO GET IT DEVELOPED.
520
00:19:06,208 --> 00:19:07,458
OH... WOW.
521
00:19:07,542 --> 00:19:10,083
WELL, I'M NOTHING IF NOT LUCKY.
522
00:19:10,166 --> 00:19:12,208
SO THERE WERE JUST
THREE PHOTOS ON THE ROLL,
523
00:19:12,291 --> 00:19:13,166
AND YOU'RE ONE OF THEM.
524
00:19:14,291 --> 00:19:16,166
OOH.
525
00:19:16,250 --> 00:19:17,333
BLACK AND WHITE, HUH?
526
00:19:17,417 --> 00:19:18,542
PHOTOGRAPHERS LOVE IT.
527
00:19:18,625 --> 00:19:19,792
IT REALLY CAPTURES EMOTION WELL.
528
00:19:19,875 --> 00:19:21,959
WELL, IT DIDN'T CAPTURE
MY GOOD SIDE.
529
00:19:23,417 --> 00:19:24,417
WHAT ARE ON
THE OTHER TWO PICTURES?
530
00:19:24,500 --> 00:19:27,208
THIS IS WHERE
IT GETS INTERESTING.
531
00:19:27,291 --> 00:19:28,542
ONE'S A SHOT OF A WOMAN
HOLDING A CAMERA.
532
00:19:30,667 --> 00:19:31,709
HUH.
533
00:19:31,792 --> 00:19:33,417
THAT LOOKS LIKE IT WAS TAKEN
534
00:19:33,500 --> 00:19:35,041
ON THE DAY
OF LARRY'S BIRTHDAY PARTY.
535
00:19:36,625 --> 00:19:38,166
AND NOW THIS LAST SHOT,
UM...
536
00:19:38,250 --> 00:19:41,000
THIS LAST SHOT'S
A LITTLE... DISTURBING.
537
00:19:41,083 --> 00:19:42,834
JUST WARNING YOU.
538
00:19:42,917 --> 00:19:43,959
OH, DEAR.
539
00:19:44,041 --> 00:19:44,917
HOW DISTURBING?
540
00:19:50,792 --> 00:19:52,792
I THINK THAT'S LARRY BRADY.
541
00:19:52,875 --> 00:19:53,959
THE GUY WHO DIED?
542
00:19:55,834 --> 00:19:57,250
THEY SAID
IT WAS A HEART ATTACK,
543
00:19:57,333 --> 00:19:58,583
BUT THIS LOOKS
LIKE A STRUGGLE.
544
00:20:00,083 --> 00:20:01,375
I'LL TAKE THIS TO THE POLICE.
545
00:20:01,458 --> 00:20:02,375
THEY'LL HANDLE IT.
546
00:20:13,208 --> 00:20:14,125
HEY, DANI.
547
00:20:14,208 --> 00:20:15,083
JASON!
548
00:20:15,166 --> 00:20:16,542
-HI!
-HI.
549
00:20:16,625 --> 00:20:18,333
JENN ASKED ME
TO STOP BY.
550
00:20:18,417 --> 00:20:19,625
YEAH, SHE SAID
551
00:20:19,709 --> 00:20:21,166
YOU WERE GOING TO BE
MY INTERVIEW BUDDY TODAY.
552
00:20:21,250 --> 00:20:22,792
SO YOU'RE OKAY?
553
00:20:22,875 --> 00:20:25,250
I DIDN'T WANT YOU TO FEEL
LIKE I WAS INVADING YOUR TURF.
554
00:20:25,333 --> 00:20:26,709
OH, NO,
THE MORE, THE MERRIER!
555
00:20:26,792 --> 00:20:28,000
I'M GRATEFUL
FOR YOUR EXPERTISE.
556
00:20:28,083 --> 00:20:29,125
OKAY.
557
00:20:29,208 --> 00:20:29,959
WELL, HERE'S MY
INTERVIEW CHECKLIST.
558
00:20:31,125 --> 00:20:32,166
CHECKLIST?
559
00:20:32,250 --> 00:20:33,583
YOU NEVER WANT
TO HIRE THE WRONG PERSON.
560
00:20:33,667 --> 00:20:35,959
I FIND THESE 20 QUESTIONS
ENSURE THAT YOU DON'T.
561
00:20:36,041 --> 00:20:37,959
OF COURSE.
562
00:20:38,041 --> 00:20:39,417
GREAT,
SO WHERE SHOULD WE SET UP?
563
00:20:39,500 --> 00:20:40,291
I THOUGHT WE COULD USE
THIS TABLE.
564
00:20:41,500 --> 00:20:42,667
PERFECT.
YOU RELAX.
565
00:20:42,750 --> 00:20:43,959
OKAY.
566
00:20:55,959 --> 00:20:57,333
DON'T TELL JENN.
567
00:20:58,458 --> 00:21:00,083
OKAY.
568
00:21:03,250 --> 00:21:04,125
HEY, FRANK.
569
00:21:05,917 --> 00:21:07,250
HEY, JENN.
570
00:21:07,333 --> 00:21:08,250
WHAT BRINGS YOU DOWN HERE?
571
00:21:08,333 --> 00:21:10,333
WELL, I HAVE
A QUESTION FOR YOU.
572
00:21:10,417 --> 00:21:11,458
DO I HAVE TO ANSWER?
573
00:21:13,291 --> 00:21:15,375
DO YOU RECOGNIZE
THE NAME LARRY BRADY?
574
00:21:15,458 --> 00:21:16,667
YEAH.
575
00:21:16,750 --> 00:21:18,458
GOT A CALL OUT TO HIS
MANSION THREE DAYS AGO.
576
00:21:18,542 --> 00:21:20,250
AND HE WAS DEAD.
APPEARED TO BE A HEART ATTACK?
577
00:21:21,417 --> 00:21:22,458
WHERE ARE YOU GOING WITH THIS?
578
00:21:22,542 --> 00:21:24,667
I PICKED UP A CAMERA
AT LARRY'S ESTATE.
579
00:21:24,750 --> 00:21:26,750
WE'RE HANDLING THE SALE
OF SOME OF HIS THINGS,
580
00:21:26,834 --> 00:21:28,834
AND WHEN I GOT THE FILM
DEVELOPED,
581
00:21:28,917 --> 00:21:30,750
THIS IS WHAT I FOUND.
582
00:21:34,208 --> 00:21:35,917
WAS THIS PICTURE TAKEN
BY A DOG?
583
00:21:36,000 --> 00:21:38,291
IT'S AN ODD ANGLE,
BUT THAT IS LARRY BRADY,
584
00:21:38,375 --> 00:21:41,125
AND THAT IS SOMEONE ELSE
WITH THEIR HANDS AT HIS NECK.
585
00:21:41,208 --> 00:21:42,917
IF IT WAS
A STRANGULATION,
586
00:21:43,000 --> 00:21:44,625
THERE WOULD HAVE BEEN
RESIDUAL BRUISING,
587
00:21:44,709 --> 00:21:45,667
AND THERE WASN'T ANY.
588
00:21:45,750 --> 00:21:48,208
THE HANDS AREN'T
AROUND HIS NECK.
589
00:21:48,291 --> 00:21:49,458
LET ME SHOW YOU
SOMETHING.
590
00:21:49,542 --> 00:21:50,500
CAN I BORROW THIS?
591
00:21:51,625 --> 00:21:52,500
YEAH.
592
00:21:55,417 --> 00:21:56,542
IF YOU LOOK
RIGHT HERE,
593
00:21:56,625 --> 00:21:58,083
THERE'S A DESIGN
ON THE GLOVE...
594
00:22:01,834 --> 00:22:03,250
AND IF YOU LOOK CLOSELY
OVER HERE...
595
00:22:05,750 --> 00:22:06,875
RIGHT BETWEEN HIS FINGERS...
596
00:22:06,959 --> 00:22:09,333
THERE APPEARS TO BE A SYRINGE.
597
00:22:13,166 --> 00:22:14,750
HUH.
598
00:22:14,834 --> 00:22:16,792
YOU DON'T MISS A THING.
599
00:22:18,709 --> 00:22:21,583
WELL, THERE WAS NO
SYRINGE ON THE SCENE.
600
00:22:21,667 --> 00:22:22,709
I HAD COFFEE
WITH LARRY'S NEPHEW, TONY.
601
00:22:24,375 --> 00:22:26,250
HE SUSPECTS FOUL PLAY
IN LARRY'S DEATH.
602
00:22:26,333 --> 00:22:27,750
AND HE CAME TO YOU?
603
00:22:27,834 --> 00:22:29,333
OH, WELL,
604
00:22:29,417 --> 00:22:31,208
HE'S A FRIEND OF HANNAH'S
FROM SCHOOL,
605
00:22:31,291 --> 00:22:33,041
AND I TOLD HIM
TO COME TO THE POLICE,
606
00:22:33,125 --> 00:22:35,125
AND THEN WHEN I FOUND
THAT PHOTO,
607
00:22:35,208 --> 00:22:36,291
I BROUGHT IT STRAIGHT HERE
TO YOU.
608
00:22:37,750 --> 00:22:38,959
WELL, THIS PHOTO IS DISTURBING,
609
00:22:39,041 --> 00:22:40,250
BUT WE WON'T HAVE
ANY MORE INFORMATION
610
00:22:40,333 --> 00:22:41,792
UNTIL WE HEAR BACK
FROM THE AUTOPSY REPORT.
611
00:22:44,625 --> 00:22:45,875
IS LARRY'S BODY
STILL IN THE MORGUE?
612
00:22:47,291 --> 00:22:48,291
THAT'S A POLICE MATTER.
613
00:22:48,375 --> 00:22:50,166
YEP.
614
00:22:50,250 --> 00:22:51,166
WELL, I'LL LEAVE THAT WITH YOU.
615
00:22:51,250 --> 00:22:52,583
THANKS.
616
00:22:52,667 --> 00:22:54,667
AND, UH, CALL YOU LATER.
617
00:22:54,750 --> 00:22:55,625
I HOPE NOT.
618
00:23:01,834 --> 00:23:03,041
I GRADUATE IN JUNE,
619
00:23:03,125 --> 00:23:04,250
SO I'M LOOKING
TO MAKE A LITTLE MONEY
620
00:23:04,333 --> 00:23:06,000
BEFORE COLLEGE IN THE FALL.
621
00:23:06,083 --> 00:23:08,625
HAVE YOU EVER WORKED
WITH ANTIQUES BEFORE?
622
00:23:08,709 --> 00:23:10,083
I HAD A JOB
WITH A MOVING COMPANY
623
00:23:10,166 --> 00:23:11,500
LAST SUMMER.
624
00:23:11,583 --> 00:23:13,959
SOME OF THOSE BOXES
PROBABLY HAD ANTIQUES IN THEM.
625
00:23:14,041 --> 00:23:14,750
SO WHAT'S YOUR SCHEDULE LIKE
NOW?
626
00:23:14,834 --> 00:23:16,125
PRETTY OPEN.
627
00:23:16,208 --> 00:23:18,000
FOOTBALL AND BASKETBALL
SEASON ARE BOTH OVER,
628
00:23:18,083 --> 00:23:20,709
SO I'M JUST GETTING
READY FOR FINALS.
629
00:23:20,792 --> 00:23:22,709
OKAY, WELL,
630
00:23:22,792 --> 00:23:24,709
I THINK THAT'S
ALL WE NEED.
631
00:23:24,792 --> 00:23:25,542
DO YOU HAVE
ANY QUESTIONS?
632
00:23:28,166 --> 00:23:30,750
WHERE DO YOU GUYS GET
ALL THIS... OLD STUFF?
633
00:23:32,667 --> 00:23:36,417
UM... AUCTIONS
AND GARAGE SALES.
634
00:23:36,500 --> 00:23:38,208
PEOPLE MOSTLY
JUST BRING IT IN.
635
00:23:38,291 --> 00:23:40,291
WEIRD.
636
00:23:40,375 --> 00:23:41,583
LIKE, WHO DETERMINES
WHAT'S AN ANTIQUE
637
00:23:41,667 --> 00:23:44,375
AND WHAT'S JUST JUNK,
YOU KNOW?
638
00:23:44,458 --> 00:23:46,166
WELL, WE DO.
639
00:23:46,250 --> 00:23:47,291
WE'RE ANTIQUE DEALERS.
640
00:23:47,375 --> 00:23:48,250
OH.
641
00:23:48,333 --> 00:23:49,625
THAT MAKES SENSE.
642
00:23:49,709 --> 00:23:52,250
WELL, THANK YOU
FOR YOUR TIME, TRAVIS.
643
00:23:52,333 --> 00:23:54,750
-WE'LL BE IN TOUCH.
-NO, THANK YOU.
644
00:23:59,166 --> 00:24:00,166
HE SEEMS LIKE A GOOD KID.
645
00:24:00,250 --> 00:24:02,709
HE DOESN'T KNOW ANYTHING
ABOUT ANTIQUES.
646
00:24:02,792 --> 00:24:05,125
YOU'RE NOT HIRING SOMEONE
FOR THE FRONT OF THE SHOP.
647
00:24:05,208 --> 00:24:07,166
JUST SOMEONE
TO SORT AND MOVE BOXES.
648
00:24:07,250 --> 00:24:08,959
BUT SHOULDN'T YOU AT LEAST KNOW
SOMETHING
649
00:24:09,041 --> 00:24:10,792
ABOUT WHAT YOU'RE SORTING
AND MOVING?
650
00:24:10,875 --> 00:24:13,250
YOU CAN TEACH PEOPLE
ABOUT ANTIQUES,
651
00:24:13,333 --> 00:24:14,500
BUT YOU CAN'T TEACH THEM
652
00:24:14,583 --> 00:24:15,750
TO MOVE A HEAVY BOX
TO THE TOP SHELF.
653
00:24:16,875 --> 00:24:17,792
HEY, I'M ONLY HERE
654
00:24:17,875 --> 00:24:19,625
TO MAKE A SUGGESTION
OR TWO,
655
00:24:19,709 --> 00:24:22,208
BUT HE DOES
HAVE EXPERIENCE.
656
00:24:22,291 --> 00:24:23,583
HE'S GOT EXCELLENT
REFERENCES.
657
00:24:23,667 --> 00:24:24,625
PLAYED SCHOOL SPORTS,
658
00:24:24,709 --> 00:24:27,083
SO YOU KNOW HE'S
A TEAM PLAYER.
659
00:24:27,166 --> 00:24:30,500
I'M JUST SAYING,
CONSIDER CONSIDERING HIM.
660
00:24:30,583 --> 00:24:32,583
CONSIDER HIM
CONSIDERED.
661
00:24:32,667 --> 00:24:33,542
GOOD.
662
00:24:35,500 --> 00:24:37,000
[DOOR SLAMMING]
663
00:24:37,083 --> 00:24:38,333
HEY!
664
00:24:38,417 --> 00:24:40,333
I READ YOUR PAPER,
THE ONE YOUR TEACHERS LOVED.
665
00:24:40,417 --> 00:24:42,166
YOU DIDN'T HAVE TO DO THAT.
666
00:24:42,250 --> 00:24:43,166
WELL, I DID,
667
00:24:43,250 --> 00:24:43,959
AND I'VE GOT TO SAY,
IT WAS GREAT.
668
00:24:45,583 --> 00:24:46,709
THANKS, HANNAH.
669
00:24:46,792 --> 00:24:47,834
SO WHY WON'T YOU LET
YOUR TEACHER PUBLISH IT?
670
00:24:50,417 --> 00:24:51,458
I'D RATHER NOT TALK ABOUT IT.
671
00:24:51,542 --> 00:24:52,792
REALLY?
YOU DON'T WANT TO TELL ME?
672
00:24:52,875 --> 00:24:54,542
IT'S NO BIG DEAL.
673
00:24:55,959 --> 00:24:58,709
I'VE GOT TO GET
STARTED ON MY HOMEWORK.
674
00:25:05,834 --> 00:25:08,500
YOU'VE DRIED THAT
SAME DISH THREE TIMES.
675
00:25:08,583 --> 00:25:10,166
A LITTLE DISTRACTED?
676
00:25:10,250 --> 00:25:11,625
OH, I KEEP THINKING
677
00:25:11,709 --> 00:25:13,166
ABOUT THAT MAN
THAT OWNED THAT CAMERA.
678
00:25:13,250 --> 00:25:16,083
IT SEEMS LIKE HIS DEATH
MAY BE A MURDER.
679
00:25:16,166 --> 00:25:17,959
JENN, WE'VE TALKED ABOUT THIS.
680
00:25:18,041 --> 00:25:18,917
IF THERE'S A KILLER
ON THE LOOSE,
681
00:25:19,000 --> 00:25:19,834
YOU HAVE TO KEEP YOUR DISTANCE.
682
00:25:19,917 --> 00:25:20,917
OH, I AM.
683
00:25:21,000 --> 00:25:22,250
FRANK IS ALL OVER IT.
684
00:25:22,333 --> 00:25:23,333
IT'S NOT ME.
685
00:25:23,417 --> 00:25:25,333
GOOD.
686
00:25:25,417 --> 00:25:27,000
LEAVE IT TO THE POLICE.
687
00:25:27,083 --> 00:25:29,083
HEY, HOW DID
THE INTERVIEW GO TODAY?
688
00:25:29,166 --> 00:25:30,875
REALLY WELL.
689
00:25:30,959 --> 00:25:32,542
IT WAS THIS HIGH-SCHOOL KID.
690
00:25:32,625 --> 00:25:33,792
HE WAS LOOKING
FOR EXTRA COLLEGE MONEY.
691
00:25:33,875 --> 00:25:35,125
I LIKED HIM A LOT.
692
00:25:35,208 --> 00:25:36,959
WE'VE GOT ANOTHER CANDIDATE
COMING IN TOMORROW,
693
00:25:37,041 --> 00:25:38,583
BUT I'M JUST THERE TO HELP
DANI MAKE A DECISION.
694
00:25:38,667 --> 00:25:41,500
WELL, THANK YOU
FOR YOUR HELP.
695
00:25:41,583 --> 00:25:42,625
YOU'RE WELCOME.
696
00:25:42,709 --> 00:25:44,458
AND THANK YOU
FOR FINISHING THE DISHES!
697
00:25:47,000 --> 00:25:48,083
THERE'S STILL A LOT!
698
00:25:57,875 --> 00:25:59,041
DR. TRAMELL!
699
00:25:59,125 --> 00:26:00,834
OH, JENN,
I'M SO GLAD YOU'RE HERE!
700
00:26:00,917 --> 00:26:03,041
WHAT'S A WORD
THAT RHYMES WITH "CHAMPAGNE"?
701
00:26:03,125 --> 00:26:05,166
UH, "COMPLAIN"?
702
00:26:05,250 --> 00:26:08,041
ARE YOU MAKING
YOUR AUTOPSY REPORTS RHYME NOW?
703
00:26:08,125 --> 00:26:10,500
UH, NO, IT'S FOR
A POETRY CONTEST I'M ENTERING.
704
00:26:10,583 --> 00:26:11,667
POETRY?
705
00:26:11,750 --> 00:26:12,792
WHAT A SURPRISE!
706
00:26:12,875 --> 00:26:14,667
I USUALLY READ THEM
TO "THESE GUYS."
707
00:26:14,750 --> 00:26:16,041
[CHUCKLING]
708
00:26:16,125 --> 00:26:17,875
IS THAT A CARAMEL MACCHIATO?
709
00:26:17,959 --> 00:26:19,750
I KNOW IT'S YOUR FAVORITE.
710
00:26:19,834 --> 00:26:21,208
THEN I'D BETTER
"SAVOR IT."
711
00:26:21,291 --> 00:26:23,333
MM...
712
00:26:23,417 --> 00:26:25,083
I WAS HOPING TO ASK YOU
ABOUT LARRY BRADY.
713
00:26:25,166 --> 00:26:26,750
HOW CAN I HELP, "MILADY"?
714
00:26:26,834 --> 00:26:28,083
[LAUGHING]
715
00:26:28,166 --> 00:26:29,750
SORRY, I CAN'T STOP MYSELF.
716
00:26:29,834 --> 00:26:31,792
WELL, AT LEAST
IT WASN'T A PUN.
717
00:26:31,875 --> 00:26:33,709
NO, NOT AS MUCH "FUN".
718
00:26:34,959 --> 00:26:37,208
SO... LARRY...
719
00:26:37,291 --> 00:26:38,917
PROBABLY DIDN'T DIE
FROM NATURAL CAUSES.
720
00:26:39,000 --> 00:26:40,583
YOU KNOW
I'M NOT SUPPOSED TO SAY.
721
00:26:40,667 --> 00:26:42,667
BUT YOU'RE GOING TO...
"ANYWAY"?
722
00:26:42,750 --> 00:26:45,500
VERY NICE.
723
00:26:45,583 --> 00:26:47,125
WELL, YOU DON'T HAVE
TO TELL ME
724
00:26:47,208 --> 00:26:48,875
ABOUT THE INJECTION MARK.
725
00:26:48,959 --> 00:26:50,542
NEAR HIS NECK.
726
00:26:50,625 --> 00:26:51,959
NOPE, DON'T NEED
TO TELL YOU THAT.
727
00:26:52,041 --> 00:26:53,375
AND YOU DON'T HAVE
TO TELL ME
728
00:26:53,458 --> 00:26:55,000
ABOUT THE TRACE
ELEMENTS OF POISON
729
00:26:55,083 --> 00:26:56,375
YOU FOUND
IN HIS BLOODSTREAM.
730
00:26:56,458 --> 00:26:58,083
IF I TOLD YOU THAT,
I'D BE WRONG.
731
00:26:59,709 --> 00:27:01,375
REALLY?
732
00:27:01,458 --> 00:27:02,417
NO POISON?
733
00:27:02,500 --> 00:27:03,417
NOT POISON EXACTLY.
734
00:27:03,500 --> 00:27:05,000
POTASSIUM CHLORIDE.
735
00:27:05,083 --> 00:27:06,458
POTASSIUM CHLORIDE?
736
00:27:06,542 --> 00:27:09,000
NOTHING INHERENTLY UNUSUAL
ABOUT THE SUBSTANCE ITSELF.
737
00:27:09,083 --> 00:27:11,500
PEOPLE TAKE POTASSIUM CHLORIDE
SUPPLEMENTS ALL THE TIME.
738
00:27:11,583 --> 00:27:12,917
WHAT FOR?
739
00:27:13,000 --> 00:27:14,583
THEY HELP YOU MAINTAIN
THE RIGHT AMOUNT OF POTASSIUM
740
00:27:14,667 --> 00:27:15,667
IN YOUR BLOOD.
741
00:27:15,750 --> 00:27:16,875
KEEPS YOUR KIDNEYS,
HEART, MUSCLES,
742
00:27:16,959 --> 00:27:20,083
BASICALLY EVERYTHING
WORKING RIGHT.
743
00:27:20,166 --> 00:27:22,792
NOW, IF YOU HAVE
A WELL-BALANCED DIET,
744
00:27:22,875 --> 00:27:24,417
DON'T NEED TO WORRY.
745
00:27:24,500 --> 00:27:26,041
IS THAT THE ONLY PLACE
YOU FIND IT, IN SUPPLEMENTS?
746
00:27:26,125 --> 00:27:28,792
NO, POTASSIUM CHLORIDE
HAS A LOT OF USES.
747
00:27:28,875 --> 00:27:29,917
IT FERTILIZES, DE-ICES...
748
00:27:30,000 --> 00:27:32,959
IT CAN EVEN BE
A SALT SUBSTITUTE.
749
00:27:33,041 --> 00:27:34,375
IT'S JUST
THE CONCENTRATED FORMS
750
00:27:34,458 --> 00:27:35,959
THAT YOU HAVE BE CAREFUL WITH.
751
00:27:36,041 --> 00:27:37,375
SO IT CAN BE INJECTED?
752
00:27:37,458 --> 00:27:38,542
THAT'S RIGHT,
SOME STATES USE IT
753
00:27:38,625 --> 00:27:41,041
WHEN ADMINISTERING
LETHAL INJECTIONS.
754
00:27:41,125 --> 00:27:42,208
IT CAN INDUCE A HEART ATTACK.
755
00:27:43,750 --> 00:27:46,834
SO I'M GUESSING LARRY BRADY'S
POTASSIUM CHLORIDE INTAKE
756
00:27:46,917 --> 00:27:48,417
WAS ABOVE SUPPLEMENT LEVEL.
757
00:27:48,500 --> 00:27:49,834
TO GET THOSE LEVELS,
758
00:27:49,917 --> 00:27:51,875
HE WOULD HAVE TO SWALLOW
AN ENTIRE BOTTLE OF SUPPLEMENTS,
759
00:27:51,959 --> 00:27:53,500
MAYBE MORE.
760
00:27:53,583 --> 00:27:54,500
THANK YOU, DR. TRAMELL.
761
00:27:54,583 --> 00:27:55,625
YOU'VE BEEN A BIG HELP.
762
00:27:55,709 --> 00:27:57,000
WAIT. AREN'T YOU
FORGETTING SOMETHING?
763
00:27:57,083 --> 00:27:59,125
DON'T YOU WANT
TO HEAR MY POEM?
764
00:27:59,208 --> 00:28:00,750
NEXT TIME.
I'M LATE.
765
00:28:00,834 --> 00:28:02,166
PERFECT.
IT'S A "DATE".
766
00:28:02,250 --> 00:28:03,208
HA-HAH!
767
00:28:03,291 --> 00:28:04,959
"CAN'T WAIT!"
768
00:28:05,041 --> 00:28:05,917
[CHUCKLING]
769
00:28:12,417 --> 00:28:13,625
I APPRECIATE YOU
TAKING THE TIME TO SEE ME TODAY.
770
00:28:13,709 --> 00:28:14,500
JUST HAVE A FEW QUESTIONS
FOR YOU.
771
00:28:14,583 --> 00:28:15,834
YES, OF COURSE.
772
00:28:15,917 --> 00:28:17,250
ANYTHING I CAN DO TO HELP.
773
00:28:17,333 --> 00:28:18,750
SO YOU WERE THE ONE
774
00:28:18,834 --> 00:28:19,792
WHO DISCOVERED MR. BRADY'S BODY
IN THE STUDY, CORRECT?
775
00:28:19,875 --> 00:28:22,041
YES, WE WERE
GATHERING EVERYONE UP
776
00:28:22,125 --> 00:28:23,208
FOR A BIG GROUP PHOTO,
777
00:28:23,291 --> 00:28:25,125
BUT HE WAS MISSING
HIS BOW TIE,
778
00:28:25,208 --> 00:28:26,959
SO HE WENT BACK
INSIDE TO FIND IT.
779
00:28:27,041 --> 00:28:29,041
AND HOW LONG WOULD YOU SAY
MR. BRADY WAS IN THE HOUSE?
780
00:28:29,125 --> 00:28:31,959
A COUPLE OF MINUTES AT MOST.
781
00:28:32,041 --> 00:28:32,917
PEOPLE WERE
GETTING ANTSY,
782
00:28:33,000 --> 00:28:34,709
SO I WENT INSIDE
LOOKING FOR HIM.
783
00:28:34,792 --> 00:28:36,166
AND DID YOU NOTICE
ANYTHING ELSE IN THE ROOM?
784
00:28:36,250 --> 00:28:38,250
JUST LARRY...
785
00:28:38,333 --> 00:28:41,000
UM...
MR. BRADY ON THE FLOOR.
786
00:28:41,083 --> 00:28:43,542
BUT DID YOU SEE
ANYTHING AROUND HIM,
787
00:28:43,625 --> 00:28:44,917
OR ANYTHING OUT OF PLACE?
788
00:28:45,000 --> 00:28:48,375
THERE WERE SOME THINGS
SCATTERED ON HIS DESK.
789
00:28:48,458 --> 00:28:51,083
HE MIGHT HAVE KNOCKED THEM
AROUND WHEN HE FELL, BUT...
790
00:28:51,166 --> 00:28:53,542
I WASN'T REALLY LOOKING
AT THE ROOM.
791
00:28:53,625 --> 00:28:55,917
I WAS LOOKING AT HIS BODY.
792
00:28:56,000 --> 00:28:57,750
WHAT HAPPENED NEXT?
793
00:28:57,834 --> 00:29:00,500
I SHOUTED FOR SOMEONE
TO CALL AN AMBULANCE,
794
00:29:00,583 --> 00:29:02,250
AND PEOPLE CAME RUNNING IN
FROM OUTSIDE.
795
00:29:02,333 --> 00:29:03,542
DO YOU KNOW WHO SHOWED UP FIRST?
796
00:29:03,625 --> 00:29:04,875
IT'S ALL SUCH A BLUR.
797
00:29:04,959 --> 00:29:06,125
I CAN'T REMEMBER.
798
00:29:06,208 --> 00:29:07,375
DO YOU HAPPEN
TO HAVE ANY COPIES
799
00:29:07,458 --> 00:29:09,291
OF THE PHOTOS
FROM THE PARTY THAT DAY?
800
00:29:09,375 --> 00:29:10,875
I HAVE THEM ALL ON MY COMPUTER,
801
00:29:10,959 --> 00:29:12,834
BUT I, UH,
I MADE SOME PRINTS
802
00:29:12,917 --> 00:29:14,000
IN CASE THE FAMILY
EVER WANTED THEM.
803
00:29:17,250 --> 00:29:18,667
I COULDN'T FIND PARKING
804
00:29:18,750 --> 00:29:20,834
BECAUSE SOMEONE'S
BLOCKING THE DRIVEWAY.
805
00:29:20,917 --> 00:29:21,917
WHO ARE YOU?
806
00:29:22,000 --> 00:29:24,667
THE GUY BLOCKING THE DRIVEWAY.
807
00:29:24,750 --> 00:29:25,959
PETER, THIS IS
DETECTIVE LYNWOOD.
808
00:29:26,041 --> 00:29:27,000
HE'S ASKING QUESTIONS
809
00:29:27,083 --> 00:29:29,458
ABOUT LARRY
BRADY'S DEATH.
810
00:29:29,542 --> 00:29:31,417
IT WAS A HEART ATTACK...
RIGHT?
811
00:29:31,500 --> 00:29:33,959
I'M JUST FOLLOWING UP.
812
00:29:34,041 --> 00:29:34,834
DID YOU KNOW MR. BRADY?
813
00:29:34,917 --> 00:29:36,291
NOT WELL.
814
00:29:36,375 --> 00:29:38,041
HE HIRED BOTH OF US
FOR HIS PARTY.
815
00:29:38,125 --> 00:29:39,917
SANDY TOOK PHOTOS,
I HANDLED CATERING,
816
00:29:40,000 --> 00:29:41,583
BUT I COULDN'T STAY.
817
00:29:41,667 --> 00:29:43,375
I HAD A CORPORATE EVENT
TO OVERSEE ACROSS TOWN.
818
00:29:43,458 --> 00:29:44,792
IS THIS YOUR HUSBAND?
819
00:29:44,875 --> 00:29:45,750
BOYFRIEND.
820
00:29:47,834 --> 00:29:49,500
IS THERE ANYTHING ELSE?
WE'RE LATE FOR AN EVENT.
821
00:29:51,125 --> 00:29:52,333
NO.
822
00:29:52,417 --> 00:29:53,875
THANK YOU.
823
00:29:53,959 --> 00:29:54,792
I'LL LET YOU KNOW
IF I HAVE ANY QUESTIONS.
824
00:30:00,834 --> 00:30:03,000
[JENN]: THANK YOU
FOR MEETING ME, TONY.
825
00:30:03,083 --> 00:30:04,458
[TONY]: OF COURSE.
826
00:30:04,542 --> 00:30:05,834
YOU SAID YOU HAD
NEW INFORMATION
827
00:30:05,917 --> 00:30:07,125
ABOUT MY UNCLE?
828
00:30:07,208 --> 00:30:08,917
I DEVELOPED A PHOTO
FROM YOUR UNCLE'S CAMERA.
829
00:30:10,500 --> 00:30:12,000
THERE MIGHT BE SOMETHING
TO YOUR SUSPICIONS.
830
00:30:13,875 --> 00:30:14,834
CAN I SEE THE PHOTO?
831
00:30:14,917 --> 00:30:16,709
I GAVE IT
TO THE POLICE.
832
00:30:20,625 --> 00:30:21,959
THAT'S AWFUL.
833
00:30:22,041 --> 00:30:23,000
YOU SAID YOU THOUGHT
834
00:30:23,083 --> 00:30:23,834
SOMEONE WAS OUT
TO GET LARRY?
835
00:30:23,917 --> 00:30:25,625
THAT'S WHAT HE SAID,
836
00:30:25,709 --> 00:30:27,291
AND NOW LOOK,
HE'S GONE...
837
00:30:27,375 --> 00:30:29,125
AND BANKRUPT,
APPARENTLY.
838
00:30:29,208 --> 00:30:31,000
DID YOU KNOW
ABOUT HIS FINANCES?
839
00:30:32,417 --> 00:30:34,500
I WAS SHOCKED
WHEN I HEARD.
840
00:30:34,583 --> 00:30:36,500
HE ALWAYS SEEMED
LIKE HE HAD MONEY.
841
00:30:36,583 --> 00:30:39,125
HE WAS ALWAYS
LENDING IT TO PEOPLE.
842
00:30:39,208 --> 00:30:41,375
MAYBE HE WAS JUST TRYING
TO KEEP UP APPEARANCES.
843
00:30:41,458 --> 00:30:43,250
YOU KNOW, IF YOU HAD SAID THAT
TWO WEEKS AGO,
844
00:30:43,333 --> 00:30:45,125
I NEVER WOULD HAVE BELIEVED YOU,
845
00:30:45,208 --> 00:30:47,875
BUT LARRY LOVED
HIS LITTLE SECRETS.
846
00:30:47,959 --> 00:30:50,125
DID LARRY HAVE ANY ENEMIES,
847
00:30:50,208 --> 00:30:52,041
ANYONE YOU CAN THINK OF
THAT WOULD WANT TO HURT HIM?
848
00:30:54,458 --> 00:30:55,500
HE HAD THE ONE MAJOR ENEMY.
849
00:30:55,583 --> 00:30:56,542
HE DID?
850
00:30:56,625 --> 00:30:58,083
I SHOULDN'T SAY THIS,
851
00:30:58,166 --> 00:30:59,792
BUT HE'S BEEN ACTING SO STRANGE.
852
00:30:59,875 --> 00:31:01,041
WHO?
853
00:31:01,125 --> 00:31:03,208
IT'S MY DAD.
854
00:31:06,000 --> 00:31:08,458
YOU DON'T THINK YOUR FATHER
WOULD KILL HIS OWN BROTHER,
855
00:31:08,542 --> 00:31:09,417
DO YOU?
856
00:31:09,500 --> 00:31:11,041
NO.
857
00:31:11,125 --> 00:31:13,041
MAYBE? I DON'T KNOW.
858
00:31:13,125 --> 00:31:14,583
IT'S CRAZY TO CONSIDER.
859
00:31:14,667 --> 00:31:17,083
WELL, DID SOMETHING HAPPEN
THAT WOULD MAKE YOU THINK THIS?
860
00:31:17,166 --> 00:31:19,875
MY DAD HAS ALWAYS
RESENTED UNCLE LARRY.
861
00:31:19,959 --> 00:31:21,000
HE WAS THE ONE
WITH THE COMPANY,
862
00:31:21,083 --> 00:31:22,166
THE BIG HOUSE.
863
00:31:22,250 --> 00:31:24,500
MY DAD WAS NEVER GOOD
AT BUSINESS.
864
00:31:24,583 --> 00:31:27,166
STILL, THAT'S NOT ENOUGH
TO SUSPECT HIM OF MURDER.
865
00:31:27,250 --> 00:31:29,792
BUT I THINK
THAT HE ALSO STOLE FROM LARRY.
866
00:31:29,875 --> 00:31:32,750
IT WOULD BE
FOR AN INVESTMENT
867
00:31:32,834 --> 00:31:34,208
OR A COMPANY
THAT HE WANTED TO START,
868
00:31:34,291 --> 00:31:36,417
AND I THINK MY DAD WOULD JUST
KEEP MOST OF THE MONEY,
869
00:31:36,500 --> 00:31:37,667
AND LARRY,
HE'D FALL FOR IT EVERY TIME.
870
00:31:40,208 --> 00:31:41,834
I THINK
HE FELT SORRY FOR MY DAD.
871
00:31:41,917 --> 00:31:43,834
HAVE YOU EVER HEARD YOUR DAD
THREATEN LARRY?
872
00:31:45,250 --> 00:31:48,208
NOT EXACTLY...
873
00:31:48,291 --> 00:31:50,750
BUT A COUPLE YEARS AGO,
874
00:31:50,834 --> 00:31:51,750
LARRY CUT HIM OFF.
875
00:31:51,834 --> 00:31:53,500
NO MORE MONEY.
876
00:31:53,583 --> 00:31:56,750
MY DAD,
HE STOPPED TALKING TO HIM.
877
00:31:56,834 --> 00:31:58,917
HE SAID
HE'D GET IT ALL EVENTUALLY...
878
00:31:59,000 --> 00:31:59,834
WHEN LARRY WAS DEAD.
879
00:32:04,250 --> 00:32:06,458
YOU HAVE A LOVELY SHOP.
880
00:32:06,542 --> 00:32:08,625
I'VE SEEN QUITE A FEW
IN MY TIME,
881
00:32:08,709 --> 00:32:10,000
AND YOU CAN REALLY TELL
882
00:32:10,083 --> 00:32:12,250
WHEN A SHOP IS RUN
BY PEOPLE WHO CARE
883
00:32:12,333 --> 00:32:14,417
ABOUT THE ITEMS
THEY SELL.
884
00:32:14,500 --> 00:32:15,500
WELL...
885
00:32:15,583 --> 00:32:17,458
WHEN DID YOU GET
INTO ANTIQUES?
886
00:32:17,542 --> 00:32:19,125
WHEN I WAS A CHILD...
887
00:32:19,208 --> 00:32:20,917
BUT THEY WEREN'T "ANTIQUES".
888
00:32:21,000 --> 00:32:24,333
THEY WERE JUST ITEMS
IN MY HOUSE.
889
00:32:24,417 --> 00:32:26,458
I HAD A SMALL SHOP FOR YEARS,
890
00:32:26,542 --> 00:32:29,083
FIXING AND RESTORING OLD ITEMS.
891
00:32:29,166 --> 00:32:30,875
FURNITURE,
MOSTLY,
892
00:32:30,959 --> 00:32:32,542
BUT I'D LOVE IT
893
00:32:32,625 --> 00:32:36,083
WHEN SOMEONE BROUGHT IN
AN OLD MUSIC BOX,
894
00:32:36,166 --> 00:32:37,834
OR A CUCKOO CLOCK.
895
00:32:39,792 --> 00:32:41,500
I COULD SPEND ALL DAY
FIDDLING WITH THEM.
896
00:32:41,583 --> 00:32:44,083
THE WAY THEY WORK...
897
00:32:44,166 --> 00:32:45,208
IT'S LIKE MAGIC.
898
00:32:46,667 --> 00:32:48,250
OKAY.
899
00:32:52,875 --> 00:32:54,792
WE HAVE THIS CUCKOO CLOCK
900
00:32:54,875 --> 00:32:58,166
THAT HASN'T WORKED
SINCE WE BROUGHT IT IN.
901
00:32:59,959 --> 00:33:00,792
CAREFUL.
902
00:33:02,583 --> 00:33:08,083
THIS LITTLE DARLING
IS FINICKY AS ALL GET OUT.
903
00:33:08,166 --> 00:33:09,375
MAY I?
904
00:33:09,458 --> 00:33:10,417
SURE.
905
00:33:10,500 --> 00:33:12,375
THE SECRET IS,
906
00:33:12,458 --> 00:33:14,959
YOU'VE GOT TO KNOW
EXACTLY WHERE TO TINKER.
907
00:33:15,041 --> 00:33:18,250
YOU TOUCH
THE WRONG GEAR,
908
00:33:18,333 --> 00:33:20,500
AND YOU'LL BE FIDDLING
FOR HOURS.
909
00:33:23,750 --> 00:33:25,417
A CLOCK JUST LIKE THIS ONE
910
00:33:25,500 --> 00:33:28,333
HUNG IN
MY DOWNSTAIRS HALLWAY,
911
00:33:28,417 --> 00:33:31,041
AND I COULDN'T WAIT
912
00:33:31,125 --> 00:33:32,875
FOR THAT LITTLE BIRD
913
00:33:32,959 --> 00:33:35,291
TO POKE HIS HEAD OUT
914
00:33:35,375 --> 00:33:38,291
ON... THE...
915
00:33:38,375 --> 00:33:39,959
HOUR.
[CUCKOO SINGING]
916
00:33:40,041 --> 00:33:41,000
OH!
917
00:33:41,083 --> 00:33:41,959
THERE HE IS!
918
00:33:44,375 --> 00:33:45,375
OH!
919
00:33:45,458 --> 00:33:47,000
I'VE GOT IT, YEAH.
920
00:33:47,083 --> 00:33:48,500
YEAH.
921
00:33:48,583 --> 00:33:51,208
WELL, UM...
THANK YOU, KENNETH.
922
00:33:51,291 --> 00:33:53,083
WE'LL BE IN TOUCH.
923
00:34:00,417 --> 00:34:02,875
I LIKE HIM.
924
00:34:02,959 --> 00:34:04,709
HE TOOK MY PEN.
925
00:34:38,041 --> 00:34:40,333
[KNOCKING]
926
00:34:40,417 --> 00:34:41,417
OH!
927
00:34:41,500 --> 00:34:43,959
MRS. SHANNON.
928
00:34:44,041 --> 00:34:46,333
I DIDN'T KNOW
YOU WERE COMING BY TODAY.
929
00:34:46,417 --> 00:34:47,417
WELL, I WAS
IN THE NEIGHBORHOOD,
930
00:34:47,500 --> 00:34:48,500
AND I THOUGHT I'D STOP BY
931
00:34:48,583 --> 00:34:49,333
AND MAKE SURE
I DIDN'T MISS ANYTHING.
932
00:34:49,417 --> 00:34:50,750
AH, WELL,
933
00:34:50,834 --> 00:34:52,375
I'VE GOT THE APPRAISERS HERE
ALL DAY
934
00:34:52,458 --> 00:34:54,625
GOING OVER THE HOUSE
FROM TOP TO BOTTOM.
935
00:34:54,709 --> 00:34:55,875
I'M SURE THEY'LL LET ME KNOW
936
00:34:55,959 --> 00:34:57,750
IF THEY COME ACROSS
A STRAY CAMERA.
937
00:34:57,834 --> 00:34:59,166
[LAUGHING]
938
00:34:59,250 --> 00:35:00,458
YOU KNOW,
939
00:35:00,542 --> 00:35:02,709
I NEVER DID GET TO ASK YOU
ABOUT YOUR CLIENT.
940
00:35:02,792 --> 00:35:05,208
WOULD HE LIKE TO CONSULT
ON HOW THE ITEMS ARE SOLD?
941
00:35:05,291 --> 00:35:07,250
SCOTT? NO, NO.
942
00:35:07,333 --> 00:35:10,291
HE'S NOT REALLY INTO ANTIQUES
THE WAY LARRY WAS.
943
00:35:10,375 --> 00:35:13,125
NO, I'M SURE HE JUST WANTS
A FAIR AND QUICK SALE.
944
00:35:20,542 --> 00:35:21,750
LARRY CERTAINLY WAS
945
00:35:21,834 --> 00:35:23,500
A DISTINGUISHED-LOOKING
GENTLEMAN, WASN'T HE?
946
00:35:23,583 --> 00:35:25,375
YES, HE WAS.
947
00:35:25,458 --> 00:35:26,250
THAT'S LARRY
WITH HIS OLD BUSINESS PARTNER,
948
00:35:26,333 --> 00:35:27,291
WALTER...
949
00:35:27,375 --> 00:35:28,875
IN HAPPIER TIMES.
950
00:35:28,959 --> 00:35:30,291
OH, RIGHT.
951
00:35:30,375 --> 00:35:33,000
I RECOGNIZE HIM
FROM THE OTHER DAY.
952
00:35:33,083 --> 00:35:33,917
HE SEEMED QUITE UPSET.
953
00:35:34,000 --> 00:35:35,333
MM.
954
00:35:35,417 --> 00:35:36,542
THEY HAD QUITE A FALLING OUT
955
00:35:36,625 --> 00:35:38,208
WHEN LARRY SOLD
THEIR INVESTMENT COMPANY.
956
00:35:38,291 --> 00:35:39,583
LARRY GOT
ENOUGH MONEY
957
00:35:39,667 --> 00:35:41,583
TO DO NOTHING
FOR THE REST OF HIS LIFE,
958
00:35:41,667 --> 00:35:44,333
AND WALTER GOT...
A LOT LESS.
959
00:35:44,417 --> 00:35:46,000
THEY RECENTLY
RECONCILED
960
00:35:46,083 --> 00:35:47,250
TO INVEST IN
A NEW VENTURE...
961
00:35:47,333 --> 00:35:49,542
THAT IS,
UNTIL THE MONEY RAN OUT...
962
00:35:49,625 --> 00:35:51,959
BUT LET'S NOT
LET THAT STOP YOU
963
00:35:52,041 --> 00:35:52,834
FROM GETTING
THOSE CAMERAS SOLD,
964
00:35:52,917 --> 00:35:54,792
HMM?
965
00:35:54,875 --> 00:35:55,875
OH, UM,
966
00:35:55,959 --> 00:35:57,583
SPEAKING
OF CAMERAS,
967
00:35:57,667 --> 00:35:59,500
I HAD THAT FILM THAT
WAS IN THAT CAMERA
968
00:35:59,583 --> 00:36:00,500
DEVELOPED
THE OTHER DAY.
969
00:36:00,583 --> 00:36:01,959
IN A LAB IN TOWN,
970
00:36:02,041 --> 00:36:03,750
AND THE TECHNICIAN SAID
HE MIGHT BE INTERESTED
971
00:36:03,834 --> 00:36:04,709
IN PURCHASING
LARRY'S COLLECTION.
972
00:36:04,792 --> 00:36:07,291
OH, WELL,
THAT'S SOME GOOD NEWS.
973
00:36:07,375 --> 00:36:08,583
DO YOU BY ANY CHANCE KNOW
974
00:36:08,667 --> 00:36:10,041
WHERE LARRY GOT HIS FILM
DEVELOPED?
975
00:36:10,125 --> 00:36:11,750
IT COULD BE
ANOTHER POTENTIAL BUYER.
976
00:36:11,834 --> 00:36:13,208
MM, THAT'S SMART THINKING,
977
00:36:13,291 --> 00:36:15,000
BUT I REALLY CAN'T REMEMBER
978
00:36:15,083 --> 00:36:16,625
HIM MENTIONING
ANYTHING LIKE THAT.
979
00:36:16,709 --> 00:36:18,792
YOU KNOW,
I'LL CHECK HIS FILES.
980
00:36:18,875 --> 00:36:21,208
DON'T WANT TO LEAVE
ANY STONE UNTURNED.
981
00:36:21,291 --> 00:36:22,458
YOU KNOW,
982
00:36:22,542 --> 00:36:23,917
TONY HAS DEFINITELY MADE
HIS SHARE OF MISTAKES
983
00:36:24,000 --> 00:36:25,250
IN THE PAST,
984
00:36:25,333 --> 00:36:27,709
BUT HE'S MADE A GOOD CHOICE
WHEN HE RECOMMENDED YOU.
985
00:36:27,792 --> 00:36:28,750
WHAT DO YOU MEAN,
986
00:36:28,834 --> 00:36:31,917
TONY HAS MADE HIS
SHARE OF MISTAKES?
987
00:36:32,000 --> 00:36:33,041
I'M SORRY.
988
00:36:33,125 --> 00:36:34,667
THAT WAS
INAPPROPRIATE OF ME.
989
00:36:34,750 --> 00:36:36,291
TONY, HE'S...
HE'S A GREAT KID,
990
00:36:36,375 --> 00:36:38,625
BUT HE LIKES TO DAYDREAM
ABOUT BEING A MUSICIAN
991
00:36:38,709 --> 00:36:40,375
WHEN HE SHOULD BE
FIGURING OUT HIS BASIC NEEDS,
992
00:36:40,458 --> 00:36:42,709
HIS FOOD,
HIS SHELTER.
993
00:36:42,792 --> 00:36:45,750
YOU KNOW, HE'S BEEN EVICTED
FROM SEVERAL APARTMENTS.
994
00:36:45,834 --> 00:36:47,250
LARRY TRIED TO HELP HIM OUT
ON OCCASION,
995
00:36:47,333 --> 00:36:50,375
BUT THERE'S ONLY
SO MUCH YOU CAN DO.
996
00:36:50,458 --> 00:36:54,875
YOU KNOW, I HAD COFFEE
WITH TONY EARLIER TODAY.
997
00:36:54,959 --> 00:36:57,500
HE HAS A LOT OF SUSPICIONS
AROUND LARRY'S DEATH.
998
00:36:57,583 --> 00:36:59,792
LET ME GUESS.
999
00:36:59,875 --> 00:37:01,834
THOSE SUSPICIONS POINT
TO HIS FATHER?
1000
00:37:01,917 --> 00:37:03,333
YES.
1001
00:37:05,041 --> 00:37:06,542
YEAH, NO, IT'S TRUE
1002
00:37:06,625 --> 00:37:08,625
LARRY AND SCOTT DIDN'T HAVE
THE GREATEST RELATIONSHIP,
1003
00:37:08,709 --> 00:37:11,083
BUT WHAT KIND OF MAN
WOULD KILL HIS OWN BROTHER?
1004
00:37:29,041 --> 00:37:30,208
HEY!
1005
00:37:31,750 --> 00:37:33,959
WHAT'S GOING ON?
1006
00:37:36,834 --> 00:37:39,291
HOW DO YOU DO WHAT YOU DO?
1007
00:37:40,709 --> 00:37:41,625
WHAT DO YOU MEAN,
SELL ANTIQUES?
1008
00:37:41,709 --> 00:37:43,083
NO.
1009
00:37:43,166 --> 00:37:45,000
GET PEOPLE
TO OPEN UP TO YOU.
1010
00:37:45,083 --> 00:37:45,917
YOU'RE LIKE
EVERYONE'S FRIEND.
1011
00:37:47,250 --> 00:37:48,291
OH, GOSH, I DON'T KNOW.
1012
00:37:48,375 --> 00:37:50,083
IT KIND OF COMES NATURALLY,
1013
00:37:50,166 --> 00:37:51,458
BUT I THINK
1014
00:37:51,542 --> 00:37:54,166
PEOPLE WANT
TO TALK ABOUT THEMSELVES,
1015
00:37:54,250 --> 00:37:55,625
SO IT'S GIVING THEM
THE OPPORTUNITY,
1016
00:37:55,709 --> 00:37:57,375
OPENING THE DOOR.
1017
00:37:57,458 --> 00:37:59,208
RIGHT, BUT HOW DO YOU KNOW
HOW TO DO THAT?
1018
00:38:01,333 --> 00:38:02,875
BELIEVE IT OR NOT,
1019
00:38:02,959 --> 00:38:04,792
I'VE LEARNED A LOT
FROM READING MYSTERIES.
1020
00:38:04,875 --> 00:38:06,834
FROM EDGAR ALLAN POE
1021
00:38:06,917 --> 00:38:08,917
TO AGATHA CHRISTIE,
1022
00:38:09,000 --> 00:38:11,792
ALL THOSE STORIES ARE ABOUT
GETTING PEOPLE TO OPEN UP,
1023
00:38:11,875 --> 00:38:13,250
FINDING OUT
WHAT THEY'RE ALL ABOUT.
1024
00:38:13,333 --> 00:38:14,959
HMM...
1025
00:38:15,041 --> 00:38:16,041
I'LL GIVE IT A TRY.
1026
00:38:16,125 --> 00:38:18,208
O...
1027
00:38:18,291 --> 00:38:19,583
OKAY.
1028
00:38:26,250 --> 00:38:27,250
DON'T LET ME INTERRUPT
YOUR BREAKFAST.
1029
00:38:28,750 --> 00:38:30,500
SPILL IT.
1030
00:38:30,583 --> 00:38:31,458
WHAT HAVE YOU GOT?
1031
00:38:31,542 --> 00:38:32,625
SCOTT BRADY.
1032
00:38:32,709 --> 00:38:34,250
THE VICTIM'S BROTHER?
1033
00:38:34,333 --> 00:38:35,625
YES, I THINK
YOU SHOULD TALK TO HIM.
1034
00:38:35,709 --> 00:38:36,834
WELL, I JUST SPENT
ALL DAY YESTERDAY
1035
00:38:36,917 --> 00:38:38,834
GOING OVER THE GUEST LIST
OF LARRY'S PARTY.
1036
00:38:38,917 --> 00:38:39,917
HE WASN'T ON IT.
1037
00:38:40,000 --> 00:38:41,792
WELL, I TALKED
TO TONY BRADY AGAIN,
1038
00:38:41,875 --> 00:38:43,542
AND HE THINKS HIS FATHER
MIGHT HAVE HAD SOMETHING TO DO
1039
00:38:43,625 --> 00:38:44,417
WITH LARRY'S DEATH.
1040
00:38:44,500 --> 00:38:45,917
MOTIVE?
1041
00:38:46,000 --> 00:38:47,250
WELL, APPARENTLY,
1042
00:38:47,333 --> 00:38:48,667
THERE WAS A LOT OF BAD BLOOD
BETWEEN THE TWO OF THEM,
1043
00:38:48,750 --> 00:38:50,041
AND THEY HAVEN'T TALKED
1044
00:38:50,125 --> 00:38:51,500
SINCE LARRY CUT SCOTT OFF
FINANCIALLY.
1045
00:38:53,083 --> 00:38:53,959
AND YOU SPOKE WITH HIM?
1046
00:38:54,041 --> 00:38:55,583
WHO, SCOTT?
1047
00:38:55,709 --> 00:38:57,083
-YEAH.
-NO.
1048
00:38:58,500 --> 00:39:00,792
SO THIS IS ALL SECOND-HAND
OR CIRCUMSTANTIAL AT BEST.
1049
00:39:00,875 --> 00:39:02,208
AND I THOUGHT
I'D TELL YOU FIRST.
1050
00:39:05,166 --> 00:39:06,500
ALL RIGHT, I'LL PUT
HIM ON THE LIST,
1051
00:39:06,583 --> 00:39:07,583
BUT YOU, YOU...
1052
00:39:07,667 --> 00:39:08,875
I'M GOING TO GO
BACK TO MY ANTIQUE STORE
1053
00:39:08,959 --> 00:39:09,834
AND LET YOU
HANDLE THE CASE.
1054
00:39:09,917 --> 00:39:10,792
YOU PROMISE?
1055
00:39:11,917 --> 00:39:12,875
YOU BETTER DIG IN.
1056
00:39:12,959 --> 00:39:13,750
YOUR EGGS ARE GETTING COLD.
1057
00:39:18,041 --> 00:39:18,792
HEY!
1058
00:39:18,875 --> 00:39:20,458
HI!
1059
00:39:20,542 --> 00:39:21,917
PRODUCTIVE DAY?
1060
00:39:22,000 --> 00:39:24,083
YEAH, WE HAD A COUPLE
OF GOOD CANDIDATES.
1061
00:39:24,166 --> 00:39:25,875
ONE SEEMED LIKE
HE MIGHT BE A LITTLE...
1062
00:39:25,959 --> 00:39:27,875
BUT NO,
HE'S GOT SOME GOOD QUALITIES.
1063
00:39:27,959 --> 00:39:29,667
HMM...
HOW'S THE ARM?
1064
00:39:29,750 --> 00:39:30,667
BETTER AND BETTER.
1065
00:39:30,750 --> 00:39:32,083
HERE, ALLOW ME.
1066
00:39:32,166 --> 00:39:33,083
OH.
1067
00:39:33,166 --> 00:39:34,458
WELL, LOOK AT YOU GO.
1068
00:39:40,542 --> 00:39:41,709
AH, CAN I HELP YOU?
1069
00:39:41,792 --> 00:39:43,000
ARE YOU
JENNIFER SHANNON?
1070
00:39:43,083 --> 00:39:44,000
I AM.
1071
00:39:44,083 --> 00:39:45,875
I'M SCOTT BRADY.
1072
00:39:45,959 --> 00:39:46,792
I WANT TO KNOW
WHY YOU'RE TELLING PEOPLE
1073
00:39:46,875 --> 00:39:47,709
I KILLED MY BROTHER.
1074
00:39:52,083 --> 00:39:54,458
MAYBE WE SHOULD SIT DOWN
AND DISCUSS THIS CALMLY.
1075
00:39:54,542 --> 00:39:56,583
I KNEW SOMETHING WAS UP
1076
00:39:56,667 --> 00:39:58,333
WHEN TONY STARTED
AVOIDING ME.
1077
00:39:58,417 --> 00:39:59,542
IAN MENTIONED
1078
00:39:59,625 --> 00:40:01,667
THAT HE HAD CONTACTED
A LOCAL ANTIQUE SHOP
1079
00:40:01,750 --> 00:40:04,166
TO SELL
LARRY'S CAMERA COLLECTION.
1080
00:40:04,250 --> 00:40:05,667
DIDN'T TAKE MUCH
TO PUT EVERYTHING TOGETHER.
1081
00:40:05,750 --> 00:40:08,083
OKAY, TONY CAME TO ME,
1082
00:40:08,166 --> 00:40:09,041
AND HE SAID
THAT HE HAD SOME CONCERNS.
1083
00:40:09,125 --> 00:40:10,041
CONCERNS?
1084
00:40:11,959 --> 00:40:13,083
I DIDN'T KILL MY BROTHER!
1085
00:40:13,166 --> 00:40:15,500
IS EVERYTHING OKAY OUT HERE?
1086
00:40:15,583 --> 00:40:17,083
YES, EVERYTHING IS FINE.
1087
00:40:17,166 --> 00:40:18,125
RIGHT, SCOTT?
1088
00:40:18,208 --> 00:40:19,208
I WANT TO SEE THIS PHOTO.
1089
00:40:19,291 --> 00:40:20,125
[DOOR OPENING]
1090
00:40:21,250 --> 00:40:22,333
SCOTT!
1091
00:40:22,417 --> 00:40:23,417
I WARNED YOU
NOT TO COME HERE.
1092
00:40:23,500 --> 00:40:24,291
I'M VERY SORRY
ABOUT THIS.
1093
00:40:24,375 --> 00:40:25,750
SHE WON'T SHOW ME THE PHOTO.
1094
00:40:25,834 --> 00:40:27,417
I DON'T HAVE THE PHOTO.
1095
00:40:27,500 --> 00:40:28,500
IT'S WITH THE POLICE.
1096
00:40:28,583 --> 00:40:30,166
OKAY, COME ON,
LET'S LEAVE.
1097
00:40:30,250 --> 00:40:31,250
YOU TELL THE POLICE
1098
00:40:31,333 --> 00:40:32,291
THERE ARE
PLENTY OF PEOPLE
1099
00:40:32,375 --> 00:40:33,208
WHO WANT TO SEE
LARRY DEAD.
1100
00:40:33,291 --> 00:40:34,458
[IAN]:
ALL RIGHT, OKAY, OKAY.
1101
00:40:34,542 --> 00:40:36,250
AS THE ATTORNEY,
I HAVE TO STOP THIS RIGHT NOW.
1102
00:40:36,333 --> 00:40:37,208
GOOD DAY.
1103
00:40:46,000 --> 00:40:47,709
[VIDEO GAME NOISES]
1104
00:40:47,792 --> 00:40:49,417
WHATCHA PLAYING?
1105
00:40:49,500 --> 00:40:50,458
JUST A FLIGHT SIM.
1106
00:40:50,542 --> 00:40:52,208
HMM.
1107
00:40:52,291 --> 00:40:54,000
YOU KNOW, AFTER READING
YOUR SCHOOL PAPER,
1108
00:40:54,083 --> 00:40:55,709
I'VE SUDDENLY GONE
ON THIS OLD LITERATURE KICK.
1109
00:40:57,625 --> 00:40:59,959
HAVE YOU EVER READ
"THE TELL-TALE HEART"
1110
00:41:00,041 --> 00:41:00,750
BY EDGAR ALLAN POE?
1111
00:41:01,959 --> 00:41:03,500
NO, I DON'T THINK SO.
1112
00:41:03,583 --> 00:41:04,959
IT'S REALLY CREEPY.
1113
00:41:05,041 --> 00:41:06,125
I THINK YOU'D LIKE IT.
1114
00:41:06,208 --> 00:41:08,750
IT'S ABOUT THIS GUY
WHO KILLS HIS ROOMMATE
1115
00:41:08,834 --> 00:41:10,625
AND CHOPS HIM UP.
1116
00:41:10,709 --> 00:41:11,875
HE BURIES THE PARTS
1117
00:41:11,959 --> 00:41:12,959
UNDER THE FLOORBOARDS
OF THEIR HOUSE.
1118
00:41:13,041 --> 00:41:15,792
THAT SOUNDS PRETTY INTENSE.
1119
00:41:15,875 --> 00:41:17,542
THE POLICE SHOW UP
TO INVESTIGATE,
1120
00:41:17,625 --> 00:41:18,834
AND THEY END UP
SITTING IN CHAIRS
1121
00:41:18,917 --> 00:41:20,875
RIGHT OVER THE SPOT
WHERE THE BODY IS HIDDEN.
1122
00:41:20,959 --> 00:41:22,625
THEY'RE TALKING
TO THE MURDERER,
1123
00:41:22,709 --> 00:41:23,917
AND HE BECOMES CONVINCED
1124
00:41:24,000 --> 00:41:26,208
HE CAN HEAR THE HEARTBEAT
OF THE DEAD GUY,
1125
00:41:26,291 --> 00:41:27,583
BEATING AND BEATING...
1126
00:41:27,667 --> 00:41:29,583
UNTIL FINALLY,
1127
00:41:29,667 --> 00:41:32,458
HIS GUILT CAUSES HIM
TO CONFESS HIS CRIME.
1128
00:41:32,542 --> 00:41:33,625
OKAY, WELL, UH...
1129
00:41:33,709 --> 00:41:35,125
I GUESS I DON'T HAVE
TO READ THAT ONE NOW.
1130
00:41:35,208 --> 00:41:36,750
WELL, IT'S MORE ABOUT
THE POINT THAT POE IS MAKING,
1131
00:41:36,834 --> 00:41:38,291
ABOUT SECRETS
1132
00:41:38,375 --> 00:41:39,583
AND NOT BEING ABLE TO REST
1133
00:41:39,667 --> 00:41:41,792
WHILE HOLDING
ONTO THOSE SECRETS.
1134
00:41:41,875 --> 00:41:44,166
A LOT OF PEOPLE
CAN RELATE TO THAT.
1135
00:41:44,250 --> 00:41:45,208
THEY DO?
1136
00:41:45,291 --> 00:41:46,583
OH, YEAH.
1137
00:41:46,667 --> 00:41:49,458
REMEMBER LAST WEEK,
WHEN MOM BAKED THOSE COOKIES?
1138
00:41:49,542 --> 00:41:50,792
WELL, I ENDED UP
EATING THE LAST ONE,
1139
00:41:50,875 --> 00:41:52,709
AND THEN I FOUND OUT
1140
00:41:52,792 --> 00:41:53,875
THAT DAD
DIDN'T GET ANY,
1141
00:41:53,959 --> 00:41:56,375
AND I FELT SO BAD
THAT I HAD TO TELL HIM.
1142
00:41:56,458 --> 00:41:57,917
YOU KNOW,
1143
00:41:58,000 --> 00:42:00,875
"TELL-TALE COOKIE" DOESN'T HAVE
QUITE THE SAME RING TO IT.
1144
00:42:00,959 --> 00:42:03,333
IT'S DIFFERENT FOR EVERYONE.
1145
00:42:03,417 --> 00:42:04,959
IF YOU HAVE ANY SECRETS
1146
00:42:05,041 --> 00:42:06,166
YOU NEED TO GET OFF
YOUR CHEST...
1147
00:42:08,041 --> 00:42:08,917
NOPE.
1148
00:42:09,000 --> 00:42:10,917
I'M FINE.
1149
00:42:14,709 --> 00:42:16,792
I'LL LET YOU GET BACK
TO YOUR GAME, THEN.
1150
00:42:25,291 --> 00:42:26,959
I'M TOTALLY FINE.
1151
00:42:27,041 --> 00:42:28,709
DID HE THREATEN YOU?
1152
00:42:28,792 --> 00:42:30,667
NO, ALL HE DID
WAS RAISE HIS VOICE A LITTLE.
1153
00:42:30,750 --> 00:42:32,709
WELL, IF HE COMES IN AGAIN,
YOU CALL ME.
1154
00:42:32,792 --> 00:42:35,417
WELL, IF HE SHOWS UP AGAIN,
I'M GOING TO CALL THE POLICE.
1155
00:42:35,500 --> 00:42:37,083
THAT'S EVEN BETTER.
1156
00:42:37,166 --> 00:42:38,500
I'LL BE SAFE, DON'T WORRY.
LOVE YOU.
1157
00:42:38,583 --> 00:42:40,083
LOVE YOU, TOO.
1158
00:42:44,166 --> 00:42:46,583
JASON'S IN PROTECTIVE
HUSBAND MODE.
1159
00:42:46,667 --> 00:42:48,959
IT'S KIND OF CUTE
WHEN HE'S LIKE THAT.
1160
00:42:49,041 --> 00:42:50,500
IS HE GOING TO PROTECT ME, TOO?
1161
00:42:50,583 --> 00:42:51,750
WE WILL BE FINE.
1162
00:42:51,834 --> 00:42:53,709
ARE YOU LOOKING UP
BULLET-PROOF VESTS?
1163
00:42:53,792 --> 00:42:55,208
NO...
1164
00:42:55,291 --> 00:42:57,625
BUT I WAS THINKING
ABOUT SOMETHING SCOTT SAID
1165
00:42:57,709 --> 00:43:00,625
ABOUT OTHER PEOPLE
WANTING LARRY DEAD,
1166
00:43:00,709 --> 00:43:02,417
AND IT REMINDED ME
OF THAT FIGHT
1167
00:43:02,500 --> 00:43:04,041
THAT LARRY'S
FORMER BUSINESS PARTNER
1168
00:43:04,125 --> 00:43:05,834
WAS HAVING WITH IAN
AT LARRY'S HOUSE.
1169
00:43:05,959 --> 00:43:06,834
WHAT WAS HIS NAME?
1170
00:43:06,917 --> 00:43:08,458
WALTER.
1171
00:43:08,542 --> 00:43:09,375
I DON'T KNOW HIS LAST NAME.
1172
00:43:13,125 --> 00:43:14,917
OH.
1173
00:43:15,000 --> 00:43:16,792
MM, I KNOW THAT LOOK.
1174
00:43:18,417 --> 00:43:20,083
IS THERE SOMETHING
YOU WANT TO TELL ME?
1175
00:43:22,083 --> 00:43:24,125
WELL, I WAS GOING OVER
THE PEOPLE
1176
00:43:24,208 --> 00:43:25,542
THAT JASON AND I INTERVIEWED,
1177
00:43:25,625 --> 00:43:26,834
AND UNFORTUNATELY,
1178
00:43:26,917 --> 00:43:28,000
THERE WERE ONLY TWO APPLICANTS.
1179
00:43:28,083 --> 00:43:29,875
HUH.
1180
00:43:29,959 --> 00:43:31,959
WELL, THAT SHOULD MAKE
PICKING SOMEONE EASY.
1181
00:43:32,041 --> 00:43:33,250
[LAUGHING]
1182
00:43:33,333 --> 00:43:35,041
YEAH, WELL, THEY BOTH HAD
THEIR GOOD QUALITIES
1183
00:43:35,125 --> 00:43:36,917
AND THEIR WEAKNESSES.
1184
00:43:37,000 --> 00:43:38,709
WELL, WHO'D YOU HIRE?
1185
00:43:38,792 --> 00:43:39,709
BOTH.
1186
00:43:41,458 --> 00:43:43,792
I KNOW, I KNOW.
1187
00:43:43,875 --> 00:43:45,083
WE CAN'T AFFORD BOTH,
1188
00:43:45,166 --> 00:43:46,667
SO THIS IS...
1189
00:43:46,750 --> 00:43:49,166
I DON'T WANT YOU
TO WORRY ABOUT IT.
1190
00:43:49,250 --> 00:43:51,125
THIS IS...
I'M GOING TO SOLVE THIS...
1191
00:43:51,208 --> 00:43:52,875
-OH...
-[DOOR OPENING]
1192
00:43:52,959 --> 00:43:55,166
NICE TO MEET YOU, TRAVIS.
1193
00:43:55,250 --> 00:43:57,083
IN THE NEXT 30 SECONDS.
1194
00:43:57,166 --> 00:43:58,166
GENTLEMEN, HI.
1195
00:43:58,250 --> 00:44:00,125
YOU ARE RIGHT ON TIME.
1196
00:44:00,208 --> 00:44:02,792
KENNETH,
TRAVIS,
1197
00:44:02,875 --> 00:44:03,834
THIS IS
JENNIFER SHANNON,
1198
00:44:03,917 --> 00:44:05,208
YOUR NEW BOSS.
1199
00:44:05,291 --> 00:44:07,834
WE'RE GOING TO GO
RIGHT TO THE BACK,
1200
00:44:07,917 --> 00:44:11,083
AND I'LL FIND SOMETHING
FOR YOU TO DO.
1201
00:44:11,166 --> 00:44:13,000
WELCOME.
1202
00:44:14,875 --> 00:44:16,417
OH, DANI...
1203
00:44:53,625 --> 00:44:55,291
OH, HI, HONEY.
1204
00:44:55,375 --> 00:44:57,208
HOW WOULD YOU LIKE
TO GO TO DINNER TONIGHT?
1205
00:45:02,959 --> 00:45:04,166
I'VE GOT TO SAY, JENN,
1206
00:45:04,250 --> 00:45:07,834
THIS SPONTANEOUS DATE NIGHT
IS A NICE SURPRISE.
1207
00:45:07,917 --> 00:45:08,917
WHERE'D YOU GET
THE IDEA?
1208
00:45:10,041 --> 00:45:11,291
OH, I THOUGHT
1209
00:45:11,375 --> 00:45:12,583
A CELEBRATION
WAS IN ORDER
1210
00:45:12,667 --> 00:45:14,250
NOW THAT THE INTERVIEWS
AT THE SHOP ARE DONE.
1211
00:45:14,333 --> 00:45:16,125
WE ONLY DID
TWO INTERVIEWS.
1212
00:45:16,208 --> 00:45:18,333
I WOULDN'T THINK
THAT'S A CAUSE FOR CELEBRATION.
1213
00:45:18,417 --> 00:45:19,625
WELL, SOMETIMES,
1214
00:45:19,709 --> 00:45:21,792
THE LITTLE VICTORIES
DESERVE SOMETHING, TOO.
1215
00:45:23,375 --> 00:45:26,125
THAT HAD TO BE
A TOUGH CHOICE FOR DANI.
1216
00:45:26,208 --> 00:45:27,959
TRAVIS, HE SEEMED
LIKE A HARD WORKER,
1217
00:45:28,041 --> 00:45:30,250
BUT HE DIDN'T KNOW MUCH
ABOUT ANTIQUES.
1218
00:45:30,333 --> 00:45:32,709
KENNETH,
HE HAD THE KNOW-HOW,
1219
00:45:32,792 --> 00:45:34,875
BUT I DON'T KNOW
HOW MUCH LIFTING HE COULD DO.
1220
00:45:34,959 --> 00:45:36,667
SO WHO'D SHE CHOOSE?
1221
00:45:36,750 --> 00:45:37,625
BOTH OF THEM.
1222
00:45:37,709 --> 00:45:40,166
BOTH?
1223
00:45:40,250 --> 00:45:41,375
WELL, YOU DID SAY
1224
00:45:41,458 --> 00:45:42,458
SHE HAD A HARD TIME
GIVING PEOPLE BAD NEWS.
1225
00:45:44,125 --> 00:45:45,959
WELL, SHE'LL HAVE TO TALK
TO ONE OF THEM EVENTUALLY,
1226
00:45:46,041 --> 00:45:47,333
BUT FOR NOW,
1227
00:45:47,417 --> 00:45:48,792
WE'RE GOING TO GIVE THEM BOTH
A TRIAL RUN.
1228
00:45:48,875 --> 00:45:50,208
SO SHE'S JUST DELAYING
THE BAD NEWS.
1229
00:45:50,291 --> 00:45:51,166
EXACTLY.
1230
00:45:51,250 --> 00:45:53,208
NOT A BAD PLAN.
1231
00:45:54,291 --> 00:45:55,375
[TESS]: HELLO.
1232
00:45:55,458 --> 00:45:57,417
I BELIEVE WE HAVE
A COUPLE NEW FACES HERE.
1233
00:45:57,500 --> 00:45:58,625
GUILTY AS CHARGED.
1234
00:45:58,709 --> 00:46:00,417
I'M TESS MEADOWS,
THE HEAD CHEF.
1235
00:46:00,500 --> 00:46:01,625
HI, TESS.
1236
00:46:01,709 --> 00:46:02,583
I'M JENN,
AND THIS IS MY HUSBAND, JASON.
1237
00:46:02,667 --> 00:46:04,834
NICE TO MEET YOU.
1238
00:46:04,917 --> 00:46:07,583
DO YOU HAVE ANY QUESTIONS
ABOUT THE MENU?
1239
00:46:07,667 --> 00:46:09,583
EVERYTHING LOOKS SO GREAT.
1240
00:46:09,667 --> 00:46:10,750
I'D LIKE TO ORDER ALL OF IT.
1241
00:46:10,834 --> 00:46:12,834
[LAUGHING]
1242
00:46:12,917 --> 00:46:16,291
UM, DO YOU HAVE
ANY LOW-SODIUM OPTIONS?
1243
00:46:16,375 --> 00:46:17,542
SALT SUBSTITUTE
IS FINE.
1244
00:46:17,625 --> 00:46:18,875
OH, ABSOLUTELY.
1245
00:46:18,959 --> 00:46:20,417
WE CAN ADJUST ANY ITEM
ON THE MENU.
1246
00:46:21,583 --> 00:46:23,083
HOW DID YOU FIND OUT ABOUT US?
1247
00:46:23,166 --> 00:46:24,458
OH, I READ
AN ARTICLE ONLINE
1248
00:46:24,542 --> 00:46:25,709
AND WANTED TO CHECK IT OUT.
1249
00:46:27,166 --> 00:46:28,542
AND I CAME ALONG
FOR THE RIDE.
1250
00:46:28,625 --> 00:46:31,667
WELL, TAKE YOUR TIME
STUDYING THE MENU,
1251
00:46:31,750 --> 00:46:34,834
AND, UH,
JULIA SHOULD BE AROUND
1252
00:46:34,917 --> 00:46:37,041
TO TAKE YOUR ORDER
1253
00:46:37,125 --> 00:46:39,291
OR ANSWER ANY QUESTIONS,
IF YOU HAVE ANY.
1254
00:46:39,375 --> 00:46:41,000
I SHOULD CHECK
THE KITCHEN.
1255
00:46:41,083 --> 00:46:42,208
ENJOY YOUR MEAL.
1256
00:46:42,291 --> 00:46:43,250
THANK YOU.
1257
00:46:43,333 --> 00:46:44,792
THANKS.
1258
00:46:48,041 --> 00:46:49,250
WATCHING OUR SALT, ARE WE?
1259
00:46:50,709 --> 00:46:51,917
NEVER TOO SOON
TO START EATING HEALTHY.
1260
00:46:54,875 --> 00:46:55,792
WHY DO I GET THE SENSE
1261
00:46:55,875 --> 00:46:57,583
THAT THIS
"SPONTANEOUS DATE NIGHT"
1262
00:46:57,667 --> 00:46:58,667
IS MORE THAN IT APPEARS?
1263
00:47:00,208 --> 00:47:01,291
THAT...
1264
00:47:01,375 --> 00:47:02,959
MIGHT REQUIRE
A LITTLE EXPLANATION...
1265
00:47:04,375 --> 00:47:06,166
BUT FIRST,
I'M GOING TO WASH UP.
1266
00:47:06,250 --> 00:47:07,583
WILL YOU ORDER ME
A ROSE?
1267
00:47:07,667 --> 00:47:09,125
SURE.
1268
00:47:12,875 --> 00:47:15,041
OH, BOY...
1269
00:47:16,542 --> 00:47:19,000
[WALTER]:
SO WHAT'S BOTHERING YOU?
1270
00:47:19,083 --> 00:47:21,000
[TESS]: IT'S NOTHING.
I'M FINE.
1271
00:47:21,083 --> 00:47:22,417
TESS...
1272
00:47:22,500 --> 00:47:24,583
YOU CAN'T HIDE IT
FROM ME.
1273
00:47:26,458 --> 00:47:29,500
DAD, I'M WORRIED
ABOUT THE MONEY.
1274
00:47:29,583 --> 00:47:31,542
WE DON'T HAVE TO WORRY
ABOUT THE MONEY ANYMORE.
1275
00:47:31,625 --> 00:47:33,417
[TESS]:
WHERE DID YOU GET IT?
1276
00:47:33,500 --> 00:47:35,834
SCOTT BRADY
CAME THROUGH.
1277
00:47:35,917 --> 00:47:37,875
[TESS]:
HE GAVE IT TO US?
1278
00:47:37,959 --> 00:47:39,500
IT'S PAYBACK.
1279
00:47:43,417 --> 00:47:44,875
[WALTER]: YOU DON'T HAVE
TO WORRY ANYMORE, TESS.
1280
00:47:59,375 --> 00:48:00,375
HI, HANNAH!
1281
00:48:00,458 --> 00:48:01,458
HEY. IS MY MOM HERE?
1282
00:48:01,542 --> 00:48:02,625
NO, HONEY,
I'M SORRY.
1283
00:48:02,709 --> 00:48:03,750
SHE JUST STEPPED OUT.
1284
00:48:03,834 --> 00:48:05,917
NO WORRIES.
1285
00:48:06,000 --> 00:48:08,000
IS THERE ANYTHING
I CAN HELP YOU WITH?
1286
00:48:08,083 --> 00:48:09,875
UH...
1287
00:48:09,959 --> 00:48:10,875
YEAH, ACTUALLY.
1288
00:48:12,709 --> 00:48:15,792
HOW DO YOU GET PEOPLE
TO OPEN UP TO YOU?
1289
00:48:15,875 --> 00:48:17,500
OH...
1290
00:48:17,583 --> 00:48:18,792
WELL...
1291
00:48:18,875 --> 00:48:20,000
I'M KIND OF AN OPEN BOOK,
1292
00:48:20,083 --> 00:48:22,458
SO I JUST START TALKING,
1293
00:48:22,542 --> 00:48:23,959
AND THEN PEOPLE
START TALKING BACK.
1294
00:48:24,041 --> 00:48:26,166
YOU MAKE IT
SOUND SO EASY.
1295
00:48:26,250 --> 00:48:27,333
BELIEVE ME,
1296
00:48:27,417 --> 00:48:29,250
I WISH I WERE BETTER
AT KEEPING SECRETS.
1297
00:48:29,333 --> 00:48:30,709
IS THERE SOMEONE IN PARTICULAR
1298
00:48:30,792 --> 00:48:32,083
YOU'RE LOOKING
TO CONNECT WITH?
1299
00:48:32,166 --> 00:48:33,166
MY BROTHER.
1300
00:48:34,458 --> 00:48:36,000
LOGAN...
HE'S SO CUTE.
1301
00:48:36,083 --> 00:48:37,041
WELL...
1302
00:48:37,125 --> 00:48:39,125
I'D SAY IN THAT CASE,
1303
00:48:39,208 --> 00:48:40,834
HONESTY IS HARD
TO SAY NO TO.
1304
00:48:41,959 --> 00:48:43,333
YEAH.
1305
00:48:43,417 --> 00:48:44,875
THANKS,
IT'S GOOD ADVICE.
1306
00:48:46,125 --> 00:48:47,375
STILL NEED
TO TALK TO YOUR MOM?
1307
00:48:47,458 --> 00:48:49,375
I WAS HOPING TO PICK HER
BRAIN JUST A LITTLE MORE.
1308
00:48:49,458 --> 00:48:51,250
OKAY.
1309
00:48:51,333 --> 00:48:53,208
I'LL LET HER BRAIN KNOW
YOU'RE LOOKING FOR IT.
1310
00:48:53,291 --> 00:48:55,000
THANK YOU. BYE.
1311
00:48:55,083 --> 00:48:56,041
BYE!
1312
00:48:59,208 --> 00:49:00,333
HANNAH?
1313
00:49:01,834 --> 00:49:02,709
TONY!
1314
00:49:02,792 --> 00:49:04,542
HEY! HOW'VE YOU BEEN?
1315
00:49:04,625 --> 00:49:06,417
I HAVEN'T SEEN YOUR BAND
PLAYING AROUND LATELY.
1316
00:49:06,500 --> 00:49:09,125
YEAH, KIND OF
ON A BREAK
1317
00:49:09,208 --> 00:49:11,083
WHILE I FIGURE
SOME STUFF OUT.
1318
00:49:12,250 --> 00:49:13,083
IS THERE ANYTHING
YOU WANT TO TALK ABOUT?
1319
00:49:13,166 --> 00:49:14,667
YOU SEEM...
1320
00:49:14,750 --> 00:49:16,291
I DON'T KNOW, UPSET.
1321
00:49:16,375 --> 00:49:17,959
THERE'S NOTHING
THAT YOU CAN DO.
1322
00:49:18,041 --> 00:49:19,875
IT'S MY UNCLE'S DEATH
HAS MESSED ME UP A BIT.
1323
00:49:19,959 --> 00:49:21,625
I HEARD ABOUT THAT.
1324
00:49:21,709 --> 00:49:22,792
I'M SO SORRY.
1325
00:49:22,875 --> 00:49:24,000
THANKS.
1326
00:49:24,083 --> 00:49:25,041
IT'S JUST...
1327
00:49:25,125 --> 00:49:26,041
THERE'S A LOT
OF WEIRDNESS
1328
00:49:26,125 --> 00:49:27,417
SURROUNDING
HIS DEATH.
1329
00:49:27,500 --> 00:49:28,750
IT'S CAUSED
A LOT OF STRESS
1330
00:49:28,834 --> 00:49:29,834
IN MY FAMILY,
1331
00:49:29,917 --> 00:49:31,500
AND IT'S BEEN HARD
FOR ME TO SLEEP.
1332
00:49:33,083 --> 00:49:34,834
WELL, I HEARD
YOU'VE BEEN TALKING TO MY MOM.
1333
00:49:34,917 --> 00:49:36,375
SHE'S BEEN
VERY HELPFUL.
1334
00:49:36,458 --> 00:49:39,166
SHE IS REALLY GREAT
TO TALK TO.
1335
00:49:39,250 --> 00:49:42,250
BEEN TRYING TO LEARN
HOW SHE DOES IT.
1336
00:49:42,333 --> 00:49:43,875
I'M SO SORRY
ABOUT HER RUN-IN WITH MY DAD.
1337
00:49:43,959 --> 00:49:45,083
RUN-IN?
1338
00:49:45,166 --> 00:49:46,166
YEAH.
1339
00:49:46,250 --> 00:49:47,709
SHE DIDN'T TELL YOU?
1340
00:49:47,792 --> 00:49:49,792
NO, IT'S THE FIRST TIME
HEARING ABOUT IT.
1341
00:49:49,875 --> 00:49:51,291
MY DAD SHOWED UP HERE
YESTERDAY,
1342
00:49:51,375 --> 00:49:53,417
AND HE CAUSED A BIT OF A SCENE.
1343
00:49:53,500 --> 00:49:55,000
I WANTED TO MAKE SURE
THAT SHE WAS OKAY.
1344
00:49:55,083 --> 00:49:56,709
I HAD NO IDEA.
1345
00:49:56,792 --> 00:49:58,041
I'M SURE SHE'S FINE,
1346
00:49:58,125 --> 00:50:00,709
I JUST... STILL WANTED
TO APOLOGIZE TO HER
1347
00:50:00,792 --> 00:50:02,709
ON BEHALF OF MY FAMILY.
1348
00:50:02,792 --> 00:50:05,417
WELL,
I WILL DEFINITELY TELL HER
1349
00:50:05,500 --> 00:50:06,542
AS SOON AS I SEE HER.
1350
00:50:06,625 --> 00:50:07,500
I'D WAIT AROUND AND
I'D DO IT IN PERSON,
1351
00:50:07,583 --> 00:50:08,625
BUT THERE'S A LOT
OF THINGS
1352
00:50:08,709 --> 00:50:09,834
THAT I HAVE TO GET
TAKEN CARE OF, AND...
1353
00:50:09,917 --> 00:50:11,250
WELL, YOU COULD CALL HER.
1354
00:50:11,333 --> 00:50:13,917
MY CELL PHONE GOT
SHUT OFF THIS MORNING.
1355
00:50:14,000 --> 00:50:15,291
PROBLEMS
WITH THE BILL.
1356
00:50:15,375 --> 00:50:16,375
OKAY, WELL,
I'LL HAVE HER CALL YOUR HOUSE.
1357
00:50:16,458 --> 00:50:18,250
NO, DON'T DO THAT.
1358
00:50:18,333 --> 00:50:19,333
SORRY?
1359
00:50:19,417 --> 00:50:21,542
I CAN'T GO HOME RIGHT NOW.
1360
00:50:21,625 --> 00:50:23,041
MY DAD AND I,
WE'RE NOT ON THE BEST OF TERMS,
1361
00:50:23,125 --> 00:50:24,500
SO JUST, JUST...
1362
00:50:24,583 --> 00:50:25,583
LET HER KNOW
THAT I'M SORRY,
1363
00:50:25,667 --> 00:50:26,875
OKAY?
1364
00:50:30,250 --> 00:50:31,250
THANKS, HANNAH.
1365
00:50:33,166 --> 00:50:34,834
[VAN ENGINE STARTING]
1366
00:50:46,500 --> 00:50:49,583
OH, FRANK,
ARE YOU BUSY?
1367
00:50:49,667 --> 00:50:51,333
WELL, I'M GOING THROUGH
ALL THE PICTURES
1368
00:50:51,417 --> 00:50:52,667
FROM THE PARTY,
1369
00:50:52,750 --> 00:50:53,834
AND AS WE KNOW,
1370
00:50:53,917 --> 00:50:55,917
THE KILLER HAD
A DARK SUIT AND GLOVES.
1371
00:50:56,000 --> 00:50:57,917
PRETTY MUCH EVERYONE HAD
A DARK SUIT AT THE PARTY.
1372
00:50:58,000 --> 00:50:58,917
I THINK YOU
SHOULD CHECK OUT
1373
00:50:59,000 --> 00:51:00,208
LARRY'S
EX-BUSINESS PARTNER,
1374
00:51:00,291 --> 00:51:01,542
WALTER MEADOWS.
1375
00:51:01,625 --> 00:51:02,709
I ALREADY DID.
1376
00:51:02,792 --> 00:51:03,959
I'VE GOT WITNESSES
1377
00:51:04,041 --> 00:51:05,041
WHO WERE WITH WALTER
AND HIS DAUGHTER
1378
00:51:05,125 --> 00:51:06,834
THE ENTIRE PARTY.
1379
00:51:06,917 --> 00:51:08,875
DID YOU KNOW THAT LARRY
OWED WALTER A LOT OF MONEY?
1380
00:51:08,959 --> 00:51:10,625
LARRY OWED
A LOT OF PEOPLE MONEY.
1381
00:51:10,709 --> 00:51:12,625
BUT I THINK WALTER'S
GOING TO GET PAID.
1382
00:51:12,709 --> 00:51:13,625
FROM WHOM?
1383
00:51:13,709 --> 00:51:14,667
SCOTT BRADY.
1384
00:51:14,750 --> 00:51:15,875
THAT SEEMS FAIR.
1385
00:51:15,959 --> 00:51:17,000
WELL, ORIGINALLY,
1386
00:51:17,083 --> 00:51:18,333
THE LAWYER WASN'T
GOING TO PAY HIM.
1387
00:51:18,417 --> 00:51:19,625
NOW SCOTT IS.
1388
00:51:19,709 --> 00:51:20,959
I HEARD WALTER SAY
IT WAS "PAYBACK."
1389
00:51:22,000 --> 00:51:22,875
YOU HEARD?
1390
00:51:22,959 --> 00:51:24,625
OH, UM...
1391
00:51:24,709 --> 00:51:26,625
JASON AND I WENT OUT
TO DINNER LAST NIGHT
1392
00:51:26,709 --> 00:51:28,458
AT WALTER'S RESTAURANT.
1393
00:51:28,542 --> 00:51:29,667
THEN WHY AM I THE ONE
1394
00:51:29,750 --> 00:51:31,542
STARTING TO FEEL
LIKE I'VE GOT INDIGESTION?
1395
00:51:31,625 --> 00:51:33,709
WALTER'S RESTAURANT
USES POTASSIUM CHLORIDE
1396
00:51:33,792 --> 00:51:35,417
AS A SALT SUBSTITUTE.
1397
00:51:35,500 --> 00:51:37,000
THAT'S THE SAME STUFF
USED TO KILL LARRY.
1398
00:51:37,083 --> 00:51:38,041
I THOUGHT
YOU WERE STAYING OUT OF THIS.
1399
00:51:38,125 --> 00:51:39,333
I AM.
1400
00:51:39,417 --> 00:51:40,500
I JUST WENT TO EAT.
1401
00:51:40,583 --> 00:51:41,917
AT A SUSPECT'S RESTAURANT?
1402
00:51:42,000 --> 00:51:43,667
WHAT IF SCOTT AND WALTER
ARE WORKING TOGETHER?
1403
00:51:43,750 --> 00:51:45,000
THAT STILL DOESN'T MEAN
1404
00:51:45,083 --> 00:51:46,875
SCOTT WAS ANYWHERE
NEAR THE MURDER SCENE.
1405
00:51:46,959 --> 00:51:48,125
JUST BECAUSE
HE WASN'T AT THE PARTY
1406
00:51:48,208 --> 00:51:49,458
DOESN'T MEAN
HE WASN'T ON THE PROPERTY.
1407
00:51:49,542 --> 00:51:51,375
WHICH IS WHY I'VE BEEN COMBING
1408
00:51:51,458 --> 00:51:53,667
THROUGH ALL THESE PHOTOS
THAT THE PHOTOGRAPHER TOOK.
1409
00:51:53,750 --> 00:51:54,875
DO YOU MIND IF I TAKE A LOOK?
1410
00:51:56,750 --> 00:51:57,542
THESE ARE EVIDENCE, JENN.
1411
00:51:57,625 --> 00:51:59,041
OH, JUST A PEEK?
1412
00:52:13,625 --> 00:52:14,875
YOU KNOW, I COULD HELP YOU
GO THROUGH THESE
1413
00:52:14,959 --> 00:52:15,959
IF YOU LIKE.
1414
00:52:16,041 --> 00:52:17,750
THANK YOU.
1415
00:52:17,834 --> 00:52:19,583
IT'S COVERED.
1416
00:52:19,667 --> 00:52:20,625
RIGHT, GOTCHA.
1417
00:52:32,250 --> 00:52:33,667
[SHUTTER CLICKING]
1418
00:52:36,500 --> 00:52:37,625
HELLO?
1419
00:52:37,709 --> 00:52:39,583
BACK HERE.
1420
00:52:42,500 --> 00:52:43,250
HI.
1421
00:52:43,333 --> 00:52:44,125
HI!
1422
00:52:44,208 --> 00:52:45,208
CAN I HELP YOU?
1423
00:52:45,291 --> 00:52:46,125
OH, I'M JENNIFER SHANNON.
1424
00:52:46,208 --> 00:52:47,583
SANDY.
1425
00:52:47,667 --> 00:52:49,750
YOU HAVE
A BEAUTIFUL STUDIO, SANDY.
1426
00:52:49,875 --> 00:52:50,750
OH, THANK YOU.
1427
00:52:50,834 --> 00:52:52,083
I MOSTLY DO CATALOG WORK
1428
00:52:52,166 --> 00:52:54,709
AND SENIOR PICTURES
FOR HIGH-SCHOOL STUDENTS.
1429
00:52:54,792 --> 00:52:55,917
WERE YOU LOOKING
FOR A FAMILY PORTRAIT?
1430
00:52:56,000 --> 00:52:58,250
NO, ACTUALLY,
I'M AN ANTIQUE DEALER,
1431
00:52:58,333 --> 00:52:59,667
AND I WAS HOPING
THAT YOU COULD HELP ME
1432
00:52:59,750 --> 00:53:01,125
WITH THIS CAMERA.
1433
00:53:01,208 --> 00:53:03,208
WELL, I'LL SEE
WHAT I CAN... DO.
1434
00:53:03,291 --> 00:53:05,041
IT BELONGED TO LARRY BRADY.
1435
00:53:05,125 --> 00:53:06,250
ARE YOU FAMILIAR
WITH IT?
1436
00:53:06,333 --> 00:53:07,583
UH, YEAH.
1437
00:53:07,667 --> 00:53:08,917
I MEAN... IT'S AN ANTIQUE.
1438
00:53:09,000 --> 00:53:10,625
THERE AREN'T
MANY OUT THERE.
1439
00:53:10,709 --> 00:53:12,709
I'M TRYING TO FIGURE OUT
HOW LARRY HAD IT ARRANGED
1440
00:53:12,792 --> 00:53:14,333
WITH HIS OTHER CAMERAS.
1441
00:53:14,417 --> 00:53:15,834
I'M PUTTING TOGETHER A DISPLAY,
1442
00:53:15,917 --> 00:53:17,709
AND I WANT
TO SHOW THE COLLECTION
1443
00:53:17,792 --> 00:53:19,000
AS IT WAS INTENDED
TO BE SEEN.
1444
00:53:19,083 --> 00:53:20,542
SO WHAT DO YOU NEED
FROM ME?
1445
00:53:20,625 --> 00:53:21,917
I UNDERSTAND
1446
00:53:22,000 --> 00:53:23,583
YOU WERE TAKING PHOTOS
AT LARRY'S PARTY,
1447
00:53:23,667 --> 00:53:25,834
AND I WAS HOPING
I COULD SEE THE PHOTOS,
1448
00:53:25,917 --> 00:53:27,417
JUST SO I COULD RE-CREATE
1449
00:53:27,500 --> 00:53:29,041
HOW THIS CAMERA
AND THE OTHER CAMERAS
1450
00:53:29,125 --> 00:53:29,917
WERE SHOWN AT THE HOUSE.
1451
00:53:30,000 --> 00:53:31,583
I...
1452
00:53:31,667 --> 00:53:32,917
I WOULDN'T BOTHER.
1453
00:53:33,000 --> 00:53:34,291
NO?
1454
00:53:34,375 --> 00:53:36,834
THAT CAMERA WASN'T YET
PART OF HIS COLLECTION.
1455
00:53:38,709 --> 00:53:41,166
IT WAS
A BIRTHDAY PRESENT.
1456
00:53:41,250 --> 00:53:42,208
OH.
1457
00:53:45,458 --> 00:53:46,792
FROM YOU?
1458
00:53:46,875 --> 00:53:48,667
YEAH.
1459
00:53:48,750 --> 00:53:49,875
I GOT IT ONLINE.
1460
00:53:49,959 --> 00:53:51,417
IT TOOK A LITTLE
SEARCHING,
1461
00:53:51,500 --> 00:53:53,250
BUT I THOUGHT HE WAS WORTH IT.
1462
00:53:56,250 --> 00:53:58,667
SANDY, I'M NOT SURE
IF YOU KNOW THIS, BUT...
1463
00:53:58,750 --> 00:54:00,291
ONE OF THE LAST PHOTOS
THAT LARRY TOOK...
1464
00:54:01,458 --> 00:54:02,542
IT WAS OF YOU.
1465
00:54:02,625 --> 00:54:03,500
REALLY?
1466
00:54:03,583 --> 00:54:05,041
YES.
1467
00:54:05,125 --> 00:54:06,041
IT'S A VERY NICE PHOTO.
1468
00:54:06,125 --> 00:54:08,792
WELL, HE ALWAYS HAD
A GREAT EYE.
1469
00:54:10,834 --> 00:54:12,166
WERE YOU AND LARRY...
1470
00:54:13,333 --> 00:54:14,333
IT STARTED VERY INNOCENT.
1471
00:54:15,500 --> 00:54:16,542
LARRY AND I MET
1472
00:54:16,625 --> 00:54:19,417
IN A PHOTOGRAPHY WORKSHOP
THAT I TAUGHT.
1473
00:54:19,500 --> 00:54:21,250
WE REALLY CONNECTED.
1474
00:54:21,333 --> 00:54:22,750
HE KNEW I HAD A BOYFRIEND,
1475
00:54:22,834 --> 00:54:24,792
BUT HE TRIED EVERYTHING
TO WIN ME OVER.
1476
00:54:24,875 --> 00:54:28,333
SO THAT'S WHY HE HIRED YOU
TO TAKE PHOTOS AT HIS PARTY.
1477
00:54:28,417 --> 00:54:30,250
YEAH,
IT WAS LIKE A GAME TO HIM.
1478
00:54:30,333 --> 00:54:32,792
HE LIKED THE IDEA OF FLIRTING
WITH ME IN FRONT OF EVERYONE
1479
00:54:32,875 --> 00:54:35,000
WHEN NO ONE
KNEW THE TRUTH.
1480
00:54:36,333 --> 00:54:37,792
HE ALSO HIRED PETER
TO CATER THE EVENT...
1481
00:54:37,875 --> 00:54:38,750
PETER, MY BOYFRIEND.
1482
00:54:40,250 --> 00:54:43,792
LARRY,
HE LOVED HIS SECRETS.
1483
00:54:45,166 --> 00:54:46,959
I'M SORRY.
1484
00:54:48,208 --> 00:54:49,625
I'VE BEEN HOLDING ALL THIS IN.
1485
00:54:49,709 --> 00:54:50,792
THERE WAS NO ONE ELSE
I COULD TALK TO.
1486
00:54:50,875 --> 00:54:52,208
IT'S OKAY, REALLY.
1487
00:54:52,291 --> 00:54:53,417
I UNDERSTAND.
1488
00:54:53,500 --> 00:54:55,875
I GOT LARRY THE CAMERA
AS PART OF HIS GIFT.
1489
00:54:57,125 --> 00:54:59,291
I WAS GOING TO TELL
HIM AFTER THE PARTY
1490
00:54:59,375 --> 00:55:00,709
THAT I WAS LEAVING PETER,
1491
00:55:00,792 --> 00:55:03,750
BUT...
THEN I FOUND HIM IN HIS STUDY,
1492
00:55:03,834 --> 00:55:04,709
DEAD.
1493
00:55:08,166 --> 00:55:09,917
DID YOUR BOYFRIEND, PETER,
KNOW ABOUT LARRY?
1494
00:55:10,000 --> 00:55:11,166
NO.
1495
00:55:12,875 --> 00:55:14,375
I MEAN, I DON'T THINK SO.
1496
00:55:19,583 --> 00:55:20,750
SHE WAS
THE PHOTOGRAPHER
1497
00:55:20,834 --> 00:55:23,041
AT LARRY'S PARTY.
1498
00:55:23,125 --> 00:55:25,917
OH, THANK YOU,
TRAVIS.
1499
00:55:26,000 --> 00:55:27,500
I HAD NO IDEA
1500
00:55:27,583 --> 00:55:29,083
HOW WE'D GET THAT UP
FROM THE BASEMENT.
1501
00:55:29,166 --> 00:55:30,542
NO PROBLEM.
1502
00:55:30,625 --> 00:55:32,250
HE'S EFFICIENT, HUH?
1503
00:55:32,333 --> 00:55:34,208
YES, AND I'M IMPRESSED
WITH THE EXTRA CARE
1504
00:55:34,291 --> 00:55:35,917
THAT KENNETH IS
GIVING TO EACH PIECE.
1505
00:55:36,000 --> 00:55:37,333
NO CLEANING PRODUCTS.
1506
00:55:37,417 --> 00:55:38,750
JUST THE LIGHTEST TOUCH.
1507
00:55:38,834 --> 00:55:40,417
AND WE APPRECIATE IT.
1508
00:55:41,667 --> 00:55:43,583
SO SHE WAS DATING
THE CATERER?
1509
00:55:43,667 --> 00:55:46,041
YES, PETER HARRELL.
1510
00:55:46,125 --> 00:55:47,291
BUT SHE WAS IN LOVE WITH LARRY?
1511
00:55:47,375 --> 00:55:48,667
RIGHT. NOW WE JUST
NEED TO FIGURE OUT
1512
00:55:48,750 --> 00:55:50,250
IF PETER KNEW ABOUT LARRY.
1513
00:55:50,333 --> 00:55:51,917
AND SINCE THE MAN WAS A CHEF,
1514
00:55:52,000 --> 00:55:53,125
I'M TRYING TO FIND OUT
EVERYTHING ABOUT HIM
1515
00:55:53,208 --> 00:55:54,166
AND HIS FOOD.
1516
00:55:54,250 --> 00:55:56,542
[WHISTLING]
1517
00:55:56,625 --> 00:55:57,500
OH, TRAVIS...
1518
00:55:59,041 --> 00:56:00,375
OH, PLEASE,
WE MUST BE VERY CAREFUL
1519
00:56:00,458 --> 00:56:01,500
HOW WE HANDLE THE ANTIQUES.
1520
00:56:01,583 --> 00:56:03,000
WE DON'T KNOW WHAT
COULD BREAK THEM.
1521
00:56:03,083 --> 00:56:04,333
OH, DON'T WORRY,
I WON'T HURT ANYTHING.
1522
00:56:04,417 --> 00:56:05,750
GOT THE REFLEXES OF A CAT.
1523
00:56:05,834 --> 00:56:07,417
[CLATTERING]
1524
00:56:07,500 --> 00:56:08,625
UH...
1525
00:56:08,709 --> 00:56:09,959
I HAD A CAT ONCE
1526
00:56:10,041 --> 00:56:11,875
THAT KNOCKED OVER
A HUNDRED-YEAR-OLD VASE.
1527
00:56:14,041 --> 00:56:16,083
SO... JUST...
1528
00:56:16,166 --> 00:56:17,709
THANK YOU.
1529
00:56:19,792 --> 00:56:21,542
I KNOW.
1530
00:56:23,208 --> 00:56:25,041
YOU KEEP WORKING,
AND I'LL...
1531
00:56:25,125 --> 00:56:26,166
I'LL HANDLE THIS.
1532
00:56:26,250 --> 00:56:27,875
GENTLEMEN,
1533
00:56:27,959 --> 00:56:29,375
WHO'D LIKE
A COFFEE BREAK?
1534
00:56:30,750 --> 00:56:31,834
COFFEE SOUNDS GOOD.
1535
00:56:31,917 --> 00:56:32,875
OKAY.
1536
00:56:32,959 --> 00:56:35,125
LET'S GO
FOR COFFEE.
1537
00:56:39,500 --> 00:56:41,083
IT'S ON ME.
1538
00:56:57,750 --> 00:56:59,041
WHATCHA READING,
HANNAH?
1539
00:56:59,125 --> 00:57:00,125
MYSTERY.
1540
00:57:00,208 --> 00:57:01,041
TAKING AFTER YOUR MOM?
1541
00:57:01,125 --> 00:57:02,417
SORT OF.
1542
00:57:02,500 --> 00:57:03,875
TRYING TO GET LOGAN
TO SPILL HIS SECRET.
1543
00:57:03,959 --> 00:57:05,208
HA...
1544
00:57:05,291 --> 00:57:06,291
WELL,
1545
00:57:06,375 --> 00:57:07,667
YOU'RE NOT GOING
TO GET ANYWHERE
1546
00:57:07,750 --> 00:57:08,417
TREATING HIM LIKE
A MURDER SUSPECT.
1547
00:57:08,500 --> 00:57:10,125
HMM.
1548
00:57:10,208 --> 00:57:11,917
PUT THE BOOK DOWN.
1549
00:57:14,750 --> 00:57:17,834
IF YOU WANT SOMEONE TO OPEN UP,
EVEN LOGAN,
1550
00:57:17,917 --> 00:57:18,750
YOU'VE GOT TO FIND
COMMON GROUND.
1551
00:57:19,792 --> 00:57:20,709
COMMON GROUND...
1552
00:57:20,792 --> 00:57:21,834
YEAH.
1553
00:57:21,917 --> 00:57:24,041
DON'T FOCUS ON WHAT'S MISSING.
1554
00:57:24,125 --> 00:57:25,542
FOCUS ON
WHAT YOU SHARE IN COMMON,
1555
00:57:25,625 --> 00:57:27,375
THEN ALL THE MISSING PIECES
WILL FALL IN PLACE.
1556
00:57:29,041 --> 00:57:30,291
I'M SURPRISED.
1557
00:57:30,375 --> 00:57:31,500
THAT'S ACTUALLY
PRETTY GOOD ADVICE.
1558
00:57:31,583 --> 00:57:32,875
THANKS, DAD.
1559
00:57:32,959 --> 00:57:33,792
YOU'RE WELCOME.
1560
00:57:36,667 --> 00:57:38,000
HEY, WAIT.
1561
00:57:38,083 --> 00:57:38,959
WHY IS THAT A SURPRISE?
1562
00:57:39,041 --> 00:57:40,583
[LAUGHING]
1563
00:57:45,750 --> 00:57:47,000
"PETER HARRELL LEFT
1564
00:57:47,083 --> 00:57:48,959
THE ACCLAIMED RESTAURANT
THE MEADOWS
1565
00:57:49,041 --> 00:57:50,792
AND ESTABLISHED HIS OWN
SUCCESSFUL CATERING BUSINESS."
1566
00:57:52,959 --> 00:57:55,792
SO PETER WORKED
WITH WALTER AND TESS.
1567
00:57:55,875 --> 00:57:56,750
INTERESTING.
1568
00:57:59,291 --> 00:58:01,000
TRAVIS...
1569
00:58:14,834 --> 00:58:16,333
[DOOR OPENING]
1570
00:58:16,417 --> 00:58:18,417
UM, I'LL BE RIGHT THERE!
1571
00:58:19,834 --> 00:58:21,375
[LOUD THUDDING]
1572
00:58:26,458 --> 00:58:28,375
[CAR ENGINE STARTING]
1573
00:58:28,458 --> 00:58:29,542
[TIRES SCREECHING]
1574
00:59:05,166 --> 00:59:06,417
[LYNWOOD]:
NOW YOU'RE SURE YOU'RE OKAY?
1575
00:59:06,500 --> 00:59:07,709
[JENN]: I'M FINE.
1576
00:59:07,792 --> 00:59:08,792
NOTHING'S MISSING?
1577
00:59:08,875 --> 00:59:09,959
NOT THAT I KNOW OF.
1578
00:59:10,041 --> 00:59:11,083
DID YOU SEE
THE CAR?
1579
00:59:11,166 --> 00:59:13,333
NO, IT WAS GONE
BEFORE I GOT OUT HERE,
1580
00:59:13,417 --> 00:59:15,875
BUT I HEARD
SOME KIND OF SCRAPING NOISE.
1581
00:59:15,959 --> 00:59:18,959
AND I THINK WHOEVER IT WAS
MUST HAVE HIT THIS
1582
00:59:19,041 --> 00:59:21,667
WHILE THEY WERE TRYING
TO SPEED AWAY.
1583
00:59:21,750 --> 00:59:22,750
YEAH, LOOK, FRANK.
1584
00:59:24,417 --> 00:59:25,834
THAT APPEARS TO BE
WHERE THE SCRAPE HAPPENED.
1585
00:59:28,083 --> 00:59:29,834
WELL, I COULD PUT OUT
A BULLETIN
1586
00:59:29,917 --> 00:59:31,000
FOR A BLUE CAR
WITH A SCRAPE ON IT,
1587
00:59:31,083 --> 00:59:31,917
BUT THAT'S PUTTING OUT
A PRETTY WIDE NET.
1588
00:59:34,083 --> 00:59:35,291
WE WOULD PROBABLY HAVE
BETTER LUCK
1589
00:59:35,375 --> 00:59:37,583
CHECKING THE NOTE
FOR FINGERPRINTS.
1590
00:59:37,667 --> 00:59:39,583
BEFORE THIS HAPPENED,
1591
00:59:39,667 --> 00:59:42,166
I DISCOVERED
SOMETHING SURPRISING.
1592
00:59:42,250 --> 00:59:44,166
IT TURNS OUT THAT LARRY
WAS ROMANTICALLY ENTANGLED
1593
00:59:44,250 --> 00:59:46,250
WITH SANDY, THE PHOTOGRAPHER
FROM HIS PARTY.
1594
00:59:46,333 --> 00:59:47,792
HOW ENTANGLED?
1595
00:59:47,875 --> 00:59:49,000
WELL, SHE WAS
GETTING READY
1596
00:59:49,083 --> 00:59:50,083
TO LEAVE HER BOYFRIEND
FOR HIM,
1597
00:59:50,166 --> 00:59:52,208
PETER HARRELL.
1598
00:59:52,291 --> 00:59:53,834
WELL, I GUESS
I'M GOING TO HAVE TO TALK
1599
00:59:53,917 --> 00:59:55,750
TO PETER HARRELL AGAIN.
1600
00:59:55,834 --> 00:59:57,709
CAN YOU ALSO FIND TONY?
1601
00:59:57,792 --> 00:59:59,166
TONY?
1602
00:59:59,250 --> 01:00:00,333
WHY?
1603
01:00:00,417 --> 01:00:02,125
WELL, HE WAS THE ONE
1604
01:00:02,208 --> 01:00:03,709
THAT TOLD ME HE THOUGHT
SOMEONE WAS AFTER LARRY,
1605
01:00:03,792 --> 01:00:04,792
AND NOW THIS...
1606
01:00:04,875 --> 01:00:07,041
I JUST THINK IT
MIGHT ALL BE CONNECTED.
1607
01:00:07,125 --> 01:00:09,375
ALL RIGHT, WELL,
I'LL TRY TO TRACK HIM DOWN.
1608
01:00:09,458 --> 01:00:11,625
HIS PHONE IS GOING
STRAIGHT TO VOICEMAIL.
1609
01:00:11,709 --> 01:00:13,792
WE HAVE OTHER WAYS
OF FINDING PEOPLE.
1610
01:00:13,875 --> 01:00:15,417
I'M JUST A LITTLE WORRIED
ABOUT HIM.
1611
01:00:15,500 --> 01:00:16,834
I GOT IT.
1612
01:00:23,458 --> 01:00:25,166
THANKS FOR THE COFFEE.
1613
01:00:25,250 --> 01:00:26,375
I NEVER HAD A BOSS
TREAT ME SO WELL BEFORE.
1614
01:00:26,458 --> 01:00:28,250
YES, IT'S RARE
1615
01:00:28,333 --> 01:00:30,709
TO HAVE AN EMPLOYER
WHO CARES ABOUT YOU,
1616
01:00:30,792 --> 01:00:32,083
NOT JUST
AS AN EMPLOYEE,
1617
01:00:32,166 --> 01:00:33,834
BUT AS A PERSON.
1618
01:00:35,083 --> 01:00:37,500
YOU'VE BOTH BEEN WORKING
SO HARD.
1619
01:00:37,583 --> 01:00:41,000
I THOUGHT IT WOULD BE NICE
TO TALK ABOUT THE JOB.
1620
01:00:41,083 --> 01:00:42,792
YOU BOTH STILL ENJOYING IT?
1621
01:00:42,875 --> 01:00:44,291
OH, YES.
1622
01:00:44,375 --> 01:00:45,667
IT'S SO NICE,
1623
01:00:45,750 --> 01:00:47,667
GETTING OUT
OF THE HOUSE AGAIN
1624
01:00:47,750 --> 01:00:49,959
AND FEELING USEFUL
EVERY DAY.
1625
01:00:50,041 --> 01:00:51,291
I HADN'T REALIZED
1626
01:00:51,375 --> 01:00:53,542
HOW COOPED UP
I HAD BECOME
1627
01:00:53,625 --> 01:00:54,500
'TIL I GOT THIS JOB.
1628
01:00:56,125 --> 01:00:58,417
I'M SO GLAD
I COULD HELP.
1629
01:00:58,500 --> 01:01:00,458
HOW ABOUT YOU?
1630
01:01:00,542 --> 01:01:01,625
YOU MUST BE GETTING BORED,
1631
01:01:01,709 --> 01:01:02,542
CARRYING
ALL THOSE HEAVY ANTIQUES
1632
01:01:02,625 --> 01:01:03,834
ALL DAY.
1633
01:01:03,917 --> 01:01:05,542
ACTUALLY, I'M REALLY GETTING
INTO THEM.
1634
01:01:05,625 --> 01:01:07,625
I NEVER REALIZED
HOW COOL THIS STUFF IS.
1635
01:01:07,709 --> 01:01:08,917
ALL HAND-CRAFTED,
1636
01:01:09,000 --> 01:01:10,375
BEFORE IT WAS ALL
MASS-PRODUCED...
1637
01:01:11,917 --> 01:01:14,959
LOOK, I KNOW I'VE BEEN
OVER-DOING IT A LITTLE,
1638
01:01:15,041 --> 01:01:16,917
BUT IT'S COOL
TO BE TREATED LIKE A REAL ADULT.
1639
01:01:19,792 --> 01:01:22,250
YOU BOTH REALIZE IT'S JUST
A TEMPORARY POSITION, RIGHT?
1640
01:01:22,333 --> 01:01:24,834
I ALMOST WISH
IT WOULD GO ON FOREVER.
1641
01:01:26,166 --> 01:01:27,000
GUESS WE'LL HAVE
TO ENJOY IT WHILE IT LASTS,
1642
01:01:27,083 --> 01:01:27,959
RIGHT, KEN?
1643
01:01:37,291 --> 01:01:39,291
[CLATTERING]
1644
01:01:48,000 --> 01:01:49,375
WHAT ARE YOU DOING?
1645
01:01:49,458 --> 01:01:51,667
LOOKING FOR THE BOX THAT HAS
MY OLD HIGH-SCHOOL STUFF.
1646
01:01:51,750 --> 01:01:52,875
WHAT ABOUT
ALL THE SPIDERS?
1647
01:01:52,959 --> 01:01:53,959
SPIDERS?
1648
01:01:54,041 --> 01:01:55,917
I'M NOT AFRAID OF ANY SPIDERS.
1649
01:01:56,000 --> 01:01:58,125
SURE YOU'RE NOT.
1650
01:01:58,208 --> 01:01:59,250
WELL, IF YOU'RE
SO BRAVE,
1651
01:01:59,333 --> 01:02:00,583
WHY DON'T YOU COME UP HERE
AND HELP ME?
1652
01:02:00,667 --> 01:02:03,458
FINE. SCAREDY CAT.
1653
01:02:03,542 --> 01:02:04,875
I'M TRYING
TO FIND THE SCHOOL JOURNAL
1654
01:02:04,959 --> 01:02:06,375
FROM WHEN MY PAPER
GOT PUBLISHED.
1655
01:02:06,458 --> 01:02:08,500
I REMEMBER
I WAS SO NERVOUS
1656
01:02:08,583 --> 01:02:09,583
BEFORE IT CAME OUT.
1657
01:02:09,667 --> 01:02:10,583
OH!
1658
01:02:12,291 --> 01:02:13,417
I FOUND IT.
1659
01:02:13,500 --> 01:02:14,959
CHECK OUT THESE OLD CLOTHES.
1660
01:02:19,417 --> 01:02:21,041
CAN YOU BELIEVE
DAD ACTUALLY USED TO WEAR THESE?
1661
01:02:21,125 --> 01:02:22,917
"WHOA... GNARLY!"
1662
01:02:23,000 --> 01:02:24,709
WHAT ARE YOU TWO DOING?
1663
01:02:24,792 --> 01:02:25,834
OH, YOU KNOW,
1664
01:02:25,917 --> 01:02:27,166
JUST DIGGING THROUGH
YOUR EMBARRASSING PAST.
1665
01:02:27,250 --> 01:02:28,125
OH, LOVELY.
1666
01:02:29,583 --> 01:02:33,417
OH, WOW,
I HAVEN'T WORN THAT IN YEARS.
1667
01:02:33,500 --> 01:02:34,709
I CAN'T BELIEVE
I STILL HAVE IT.
1668
01:02:34,792 --> 01:02:36,834
MAYBE YOU SHOULD TAKE IT
TO THE SHOP?
1669
01:02:36,917 --> 01:02:38,417
HEY, IT'S OLD--
IT'S NOT THAT OLD.
1670
01:02:38,500 --> 01:02:39,834
[LOGAN]:
CHECK IT OUT.
1671
01:02:39,917 --> 01:02:41,208
IT'S DAD'S OLD CAMERA.
1672
01:02:41,291 --> 01:02:42,917
I WONDER IF THERE'S
STILL FILM IN IT.
1673
01:02:43,000 --> 01:02:44,458
OH, BE CAREFUL,
THE...
1674
01:02:44,542 --> 01:02:46,041
RELEASE LATCH
IS BROKEN.
1675
01:02:47,208 --> 01:02:49,667
GUESS I RUINED
THE FILM, HUH?
1676
01:02:49,750 --> 01:02:50,917
IT'S PROBABLY
FOR THE BEST.
1677
01:02:51,000 --> 01:02:51,959
[HANNAH]: MM-HMM.
1678
01:02:54,291 --> 01:02:56,166
GOOD MORNING!
1679
01:02:56,250 --> 01:02:57,333
HI. IS IT ALL CLEAR?
1680
01:02:57,417 --> 01:02:59,208
YES, I DID AN EXTRA LAP
AROUND THE SHOP
1681
01:02:59,291 --> 01:03:00,834
JUST TO BE SURE.
1682
01:03:00,917 --> 01:03:02,959
I CAN'T BELIEVE SOMEONE
WAS SNEAKING AROUND HERE.
1683
01:03:03,041 --> 01:03:04,041
I KNOW.
1684
01:03:04,125 --> 01:03:05,667
IT'S SO SCARY.
1685
01:03:05,750 --> 01:03:07,917
GIVES ME GOOSEBUMPS
JUST THINKING ABOUT IT.
1686
01:03:08,000 --> 01:03:09,417
WHAT ARE YOU DOING?
1687
01:03:09,500 --> 01:03:11,208
OH, I'M TRYING
TO GET AHOLD OF TONY.
1688
01:03:11,291 --> 01:03:12,333
I'M REALLY STARTING
TO WORRY ABOUT HIM.
1689
01:03:12,417 --> 01:03:13,834
WHY, DO YOU THINK
THE SAME PERSON
1690
01:03:13,917 --> 01:03:14,917
MIGHT BE
AFTER HIM, TOO?
1691
01:03:15,000 --> 01:03:16,250
I WOULDN'T BE SURPRISED.
1692
01:03:16,333 --> 01:03:18,250
I MEAN, TONY SAID
LARRY THOUGHT
1693
01:03:18,333 --> 01:03:19,875
SOMEONE WAS AFTER HIM
RIGHT BEFORE HE DIED.
1694
01:03:19,959 --> 01:03:21,583
COULD IT BE MR. SHOUTY
FROM THE OTHER DAY?
1695
01:03:21,667 --> 01:03:23,625
TONY'S DAD.
1696
01:03:23,709 --> 01:03:25,250
THAT WOULD EXPLAIN
WHY TONY DIDN'T WANT TO GO HOME.
1697
01:03:25,333 --> 01:03:26,542
THERE'S ALSO
WALTER MEADOWS,
1698
01:03:26,625 --> 01:03:28,041
THE FORMER PARTNER.
1699
01:03:30,458 --> 01:03:31,792
JUST FOR THE RECORD,
1700
01:03:31,875 --> 01:03:33,291
I WILL NEVER MURDER YOU.
1701
01:03:33,375 --> 01:03:35,333
THANK YOU.
1702
01:03:35,417 --> 01:03:36,250
THAT IS GOOD TO KNOW.
1703
01:03:37,583 --> 01:03:39,000
THEN THERE'S IAN THE LAWYER,
1704
01:03:39,083 --> 01:03:40,375
ALTHOUGH THE KILLER
WAS IN BLACK,
1705
01:03:40,458 --> 01:03:42,500
AND IAN WAS DRESSED
IN A BLUE SUIT.
1706
01:03:42,583 --> 01:03:43,500
YOU SAW A PICTURE
OF THE MURDER.
1707
01:03:43,583 --> 01:03:45,125
YOU'D THINK
THIS WOULD BE EASIER.
1708
01:03:45,208 --> 01:03:47,542
EXCEPT ALMOST EVERYONE
WAS IN A BLACK SUIT.
1709
01:03:47,625 --> 01:03:49,250
WASN'T THERE
A JEALOUS BOYFRIEND?
1710
01:03:49,333 --> 01:03:50,667
PETER.
1711
01:03:50,750 --> 01:03:51,709
SO WHAT ABOUT
A CRIME OF PASSION?
1712
01:03:51,792 --> 01:03:53,500
I ALWAYS PUT MY MONEY
ON THOSE.
1713
01:03:53,583 --> 01:03:54,834
FRANK IS LOOKING
INTO THAT.
1714
01:03:54,917 --> 01:03:56,166
YOU KNOW WHAT I DO
1715
01:03:56,250 --> 01:03:58,125
WHEN I'M TRYING TO WORK
SOMETHING OUT IN MY HEAD?
1716
01:03:58,208 --> 01:04:00,166
OH, DEAR,
I'M AFRAID TO ASK.
1717
01:04:00,250 --> 01:04:01,291
I GO BACK TO THE BEGINNING
1718
01:04:01,375 --> 01:04:02,667
AND WORK THROUGH IT
STEP BY STEP.
1719
01:04:04,250 --> 01:04:05,959
WELL, I WOULD LIKE
TO GET BACK IN THAT STUDY.
1720
01:04:06,041 --> 01:04:07,375
WHY DON'T YOU CALL IAN?
HE COULD LET YOU IN.
1721
01:04:07,458 --> 01:04:09,000
BUT I'D NEED A GOOD REASON.
1722
01:04:10,083 --> 01:04:11,709
YOU KNOW,
1723
01:04:11,792 --> 01:04:14,166
I THINK WE LEFT A LENS
FROM ONE OF THE ANTIQUE CAMERAS
1724
01:04:14,250 --> 01:04:15,166
THERE.
1725
01:04:16,709 --> 01:04:17,750
YOU KNOW,
I THINK YOU'RE RIGHT.
1726
01:04:17,834 --> 01:04:19,083
YEAH.
1727
01:04:19,166 --> 01:04:20,625
AND WE WOULDN'T WANT
TO LEAVE ANYTHING BEHIND.
1728
01:04:20,709 --> 01:04:22,667
NO.
1729
01:04:24,333 --> 01:04:25,709
A LENS?
1730
01:04:27,208 --> 01:04:29,208
YES, OF COURSE.
1731
01:04:29,291 --> 01:04:30,875
BETTER SAFE THAN SORRY.
1732
01:04:30,959 --> 01:04:32,000
LET ME WRAP UP A FEW THINGS,
1733
01:04:32,083 --> 01:04:33,417
AND I'LL MEET YOU
AT THE HOUSE.
1734
01:04:33,500 --> 01:04:34,375
WELL, THANK YOU, IAN.
1735
01:04:34,458 --> 01:04:36,000
I'M ON MY WAY.
1736
01:04:36,083 --> 01:04:36,959
I'LL CALL YOU LATER.
1737
01:04:37,041 --> 01:04:38,000
OKAY.
1738
01:04:48,417 --> 01:04:49,959
IAN?
1739
01:05:04,417 --> 01:05:06,000
IAN?
1740
01:05:53,166 --> 01:05:55,041
[GASPING]
1741
01:05:56,125 --> 01:05:56,959
HEY.
1742
01:05:57,041 --> 01:05:59,875
TONY?
1743
01:05:59,959 --> 01:06:02,583
THIS IS, UH...
IT'S NOT WHAT IT LOOKS LIKE.
1744
01:06:09,000 --> 01:06:09,875
MRS. SHANNON?
1745
01:06:13,125 --> 01:06:15,250
[TONY]:
WE'RE IN HERE.
1746
01:06:20,542 --> 01:06:22,083
TONY?
1747
01:06:22,166 --> 01:06:23,709
WHAT ARE YOU DOING HERE?
1748
01:06:23,792 --> 01:06:25,333
WHAT IS THIS SPACE?
1749
01:06:25,417 --> 01:06:27,458
IT'S UNCLE LARRY'S DARK ROOM.
1750
01:06:30,625 --> 01:06:31,750
TONY, ARE YOU
LIVING HERE?
1751
01:06:33,709 --> 01:06:34,959
BEATS LIVING IN MY VAN.
1752
01:06:35,041 --> 01:06:36,542
FIGURED NO ONE
WOULD NOTICE.
1753
01:06:36,625 --> 01:06:38,041
TONY,
YOU SHOULD HAVE CALLED ME.
1754
01:06:38,125 --> 01:06:39,500
I DIDN'T WANT YOU
TO TELL MY DAD.
1755
01:06:39,583 --> 01:06:41,625
YES, I HEARD
YOU TWO WERE FIGHTING.
1756
01:06:41,709 --> 01:06:43,333
YEAH,
I JUST NEEDED TO GET AWAY.
1757
01:06:45,125 --> 01:06:47,208
DOES ANYONE ELSE KNOW
ABOUT THIS ROOM?
1758
01:06:47,291 --> 01:06:49,041
MY UNCLE SAID
1759
01:06:49,125 --> 01:06:51,041
THAT THE ONLY PEOPLE
WHO KNEW ABOUT IT
1760
01:06:51,125 --> 01:06:51,959
WERE THE CONTRACTORS
WHO BUILT IT,
1761
01:06:52,041 --> 01:06:52,959
HIM, AND ME.
1762
01:06:53,041 --> 01:06:56,041
YOU DIDN'T KNOW ABOUT IT?
1763
01:06:56,125 --> 01:06:57,333
LARRY LOVED
HIS SECRETS.
1764
01:07:04,000 --> 01:07:05,750
WHAT, AM I IN TROUBLE NOW?
1765
01:07:05,834 --> 01:07:06,709
[IAN]:
YOU'LL BE FINE.
1766
01:07:06,792 --> 01:07:08,417
DON'T WORRY.
1767
01:07:11,375 --> 01:07:12,166
YOU SHOULD TELL HER
ABOUT THE MEMORIAL.
1768
01:07:12,250 --> 01:07:14,250
GO AHEAD.
1769
01:07:14,333 --> 01:07:15,625
[TONY]:
IT DIDN'T FEEL RIGHT
1770
01:07:15,709 --> 01:07:17,125
THAT WE'RE NOT HONORING
LARRY SOMEHOW.
1771
01:07:17,208 --> 01:07:18,458
SO IAN ARRANGED
TO HAVE A GATHERING
1772
01:07:18,542 --> 01:07:20,583
HERE AT THE HOUSE
LATER TODAY.
1773
01:07:20,667 --> 01:07:21,625
YOU'RE WELCOME TO COME.
1774
01:07:22,583 --> 01:07:23,458
THANK YOU.
1775
01:07:27,959 --> 01:07:30,000
SEEMS LIKE YOU GOT
IN A LITTLE TROUBLE HERE.
1776
01:07:30,083 --> 01:07:31,417
DRUNK AND DISORDERLY.
1777
01:07:33,500 --> 01:07:35,792
YEAH, I'M NOT PROUD
OF ANY OF IT.
1778
01:07:35,875 --> 01:07:37,166
THAT'S GOOD
TO KNOW.
1779
01:07:38,250 --> 01:07:39,417
CARE TO EXPLAIN?
1780
01:07:41,834 --> 01:07:43,542
MY GIRLFRIEND...
SANDY...
1781
01:07:45,291 --> 01:07:47,750
SHE BROKE UP WITH ME LAST NIGHT.
1782
01:07:47,834 --> 01:07:49,333
SORRY TO HEAR THAT.
1783
01:07:51,000 --> 01:07:53,041
TURNS OUT SHE WAS IN LOVE
WITH SOMEONE ELSE.
1784
01:07:54,333 --> 01:07:56,500
IF YOU DON'T MIND ME ASKING,
1785
01:07:56,583 --> 01:07:57,333
ANY IDEA WHO?
1786
01:07:57,417 --> 01:07:59,542
YEAH...
1787
01:07:59,625 --> 01:08:01,125
LARRY BRADY.
1788
01:08:03,125 --> 01:08:05,375
SHE SAID
THAT HE STOLE HER HEART,
1789
01:08:05,458 --> 01:08:07,625
AND NOW
HE'S GONE FOREVER.
1790
01:08:09,000 --> 01:08:10,375
HOW DO I COMPETE WITH THAT?
1791
01:08:10,458 --> 01:08:12,083
I UNDERSTAND.
1792
01:08:13,500 --> 01:08:14,208
SPEAKING OF COMPETITION...
1793
01:08:16,250 --> 01:08:17,625
LARRY HAS A FINANCIAL STAKE
IN ONE OF YOUR COMPETITORS,
1794
01:08:17,709 --> 01:08:18,625
ISN'T THAT RIGHT?
1795
01:08:18,709 --> 01:08:20,375
THE MEADOWS?
1796
01:08:20,458 --> 01:08:21,834
YEAH.
1797
01:08:21,917 --> 01:08:23,041
I HEARD YOU
USED TO WORK THERE.
1798
01:08:23,125 --> 01:08:25,083
YEAH, YEAH,
THEN I STARTED MY OWN COMPANY.
1799
01:08:25,166 --> 01:08:26,583
ANY HARD FEELINGS?
1800
01:08:26,667 --> 01:08:28,750
OH, A FEW.
1801
01:08:28,834 --> 01:08:30,458
WALTER AND TESS
DIDN'T WANT ME TO GO.
1802
01:08:30,542 --> 01:08:32,417
AND LARRY?
1803
01:08:32,500 --> 01:08:33,625
HE HIRED ME FOR HIS PARTY.
1804
01:08:33,709 --> 01:08:35,208
I THOUGHT
EVERYTHING WAS OKAY.
1805
01:08:37,375 --> 01:08:39,917
AND YOU WEAR
WHITE CATERING UNIFORMS?
1806
01:08:40,000 --> 01:08:41,875
MY STAFF WEAR WHITE.
1807
01:08:41,959 --> 01:08:43,333
I WEAR BLACK.
1808
01:08:43,417 --> 01:08:44,250
YOU KNOW WHO'S IN CHARGE.
1809
01:08:47,125 --> 01:08:48,250
AT THE PARTY,
1810
01:08:48,333 --> 01:08:50,792
WALTER COULDN'T STOP
COMPLAINING ABOUT LARRY,
1811
01:08:50,875 --> 01:08:52,917
HOW MUCH HE WAS SPENDING
ON HIS BIRTHDAY.
1812
01:08:54,417 --> 01:08:55,875
AFTER A WHILE,
I HAD TO EXCUSE MYSELF.
1813
01:08:55,959 --> 01:08:57,375
I HAD ANOTHER EVENT ACROSS TOWN.
1814
01:08:57,458 --> 01:08:58,834
ANYONE BACK THAT UP?
1815
01:08:58,917 --> 01:09:01,000
THERE WERE AT LEAST
A DOZEN PEOPLE WHO SAW ME THERE.
1816
01:09:03,667 --> 01:09:04,417
OKAY.
1817
01:09:06,834 --> 01:09:07,792
NAMES, PLEASE.
1818
01:09:07,875 --> 01:09:10,834
AS MANY AS
YOU CAN REMEMBER.
1819
01:09:27,750 --> 01:09:28,709
HUH.
1820
01:09:28,792 --> 01:09:29,917
THAT'S A COOL SHOT.
1821
01:09:30,000 --> 01:09:31,583
KIND OF ARTY.
1822
01:09:31,667 --> 01:09:34,875
YES, IT'S A NEW ART STYLE
CALLED "ACCIDENTAL".
1823
01:09:34,959 --> 01:09:36,166
HERE, THIS PHOTO IS MUCH BETTER.
1824
01:09:36,250 --> 01:09:37,333
SHOT ON PURPOSE, IN FOCUS,
1825
01:09:37,417 --> 01:09:38,500
AND YOU CAN SEE
THE DETAILS.
1826
01:09:38,583 --> 01:09:39,458
MM-HMM.
1827
01:09:42,917 --> 01:09:43,959
[HANNAH]: WHAT?
DID YOU FIND SOMETHING?
1828
01:09:44,041 --> 01:09:45,625
NOT SOMETHING,
1829
01:09:45,709 --> 01:09:47,625
BUT... SOMEONE.
1830
01:09:47,709 --> 01:09:49,792
RIGHT THERE,
THAT'S SCOTT BRADY,
1831
01:09:49,875 --> 01:09:51,333
AND HE'S NOT SUPPOSED
TO BE THERE.
1832
01:09:53,083 --> 01:09:55,041
I DON'T KNOW
HOW I MISSED THAT.
1833
01:09:57,166 --> 01:09:57,834
YOU KNOW WHAT,
LOOK AT THE TIME.
1834
01:09:57,917 --> 01:09:58,959
I'D BETTER GO
1835
01:09:59,041 --> 01:10:00,166
IF I'M GOING TO MAKE IT
TO LARRY'S MEMORIAL.
1836
01:10:00,250 --> 01:10:01,417
OH, TELL TONY I SAY HI.
1837
01:10:01,500 --> 01:10:02,500
I HOPE HE'S DOING BETTER.
1838
01:10:02,583 --> 01:10:03,750
ME TOO.
1839
01:10:11,291 --> 01:10:13,208
JASON!
WHAT'S UP, MAN?
1840
01:10:13,291 --> 01:10:14,417
OH, HEY, TRAVIS...
1841
01:10:14,500 --> 01:10:15,375
I WOULDN'T YELL
ACROSS THE ROOM,
1842
01:10:15,458 --> 01:10:16,583
IF I WERE YOU.
1843
01:10:16,667 --> 01:10:17,667
DANI AND JENN,
1844
01:10:17,750 --> 01:10:19,625
THEY PREFER
IF PEOPLE SPEAK QUIETER,
1845
01:10:19,709 --> 01:10:21,041
IF POSSIBLE.
1846
01:10:21,125 --> 01:10:23,208
IT HELPS WITH THE WHOLE
ANTIQUE-Y FEEL, YOU KNOW?
1847
01:10:23,291 --> 01:10:24,709
THANKS!
1848
01:10:24,792 --> 01:10:26,083
[QUIETER] THANKS.
GOOD POINTER.
1849
01:10:27,583 --> 01:10:28,583
WHERE'S DANI?
1850
01:10:28,667 --> 01:10:29,500
YEAH, SHE AND KENNETH
ARE JUST...
1851
01:10:29,583 --> 01:10:30,417
[GLASS SHATTERING]
1852
01:10:33,709 --> 01:10:35,375
I'M SO SORRY.
1853
01:10:35,458 --> 01:10:36,625
NO, IT WAS MY FAULT.
1854
01:10:36,709 --> 01:10:37,583
I SHOULD HAVE
LET YOU KNOW
1855
01:10:37,667 --> 01:10:38,583
I WAS BEHIND YOU.
1856
01:10:38,667 --> 01:10:40,250
ARE YOU SURE?
1857
01:10:40,333 --> 01:10:41,333
I FEEL TERRIBLE.
1858
01:10:41,417 --> 01:10:43,333
IT'S FINE,
IT'S FINE.
1859
01:10:43,417 --> 01:10:44,417
EVERYTHING OKAY?
1860
01:10:44,500 --> 01:10:46,125
YEAH, IT'S JUST
A LITTLE ACCIDENT.
1861
01:10:46,208 --> 01:10:47,834
THEY HAPPEN.
1862
01:10:47,917 --> 01:10:48,917
HERE, LET ME HELP.
1863
01:10:49,000 --> 01:10:50,625
NO, I WILL TAKE
CARE OF THIS.
1864
01:10:50,709 --> 01:10:51,667
WHY DON'T YOU
GO OUT FRONT
1865
01:10:51,750 --> 01:10:53,208
AND SEE IF TRAVIS
NEEDS SOME HELP?
1866
01:10:54,709 --> 01:10:56,083
-OF COURSE.
-OKAY.
1867
01:11:00,959 --> 01:11:02,125
SO...
1868
01:11:02,208 --> 01:11:03,750
HOW ARE THE NEW HIRES
WORKING OUT?
1869
01:11:06,250 --> 01:11:07,500
BETWEEN THE TWO OF THEM,
1870
01:11:07,583 --> 01:11:09,083
THEY MAKE
ONE REALLY GREAT EMPLOYEE.
1871
01:11:10,917 --> 01:11:13,000
TRAVIS NEVER GETS TIRED
OF MOVING THINGS,
1872
01:11:13,083 --> 01:11:14,875
AND KENNETH IS SO GOOD
1873
01:11:14,959 --> 01:11:17,417
AT HANDLING
AND CATALOGUING EVERYTHING.
1874
01:11:17,500 --> 01:11:18,834
CAN YOU KEEP BOTH OF THEM?
1875
01:11:18,917 --> 01:11:20,792
THE SHOP'S DOING WELL,
BUT IT'S NOT DOING THAT WELL.
1876
01:11:23,792 --> 01:11:25,000
JASON...
1877
01:11:25,083 --> 01:11:28,959
I KNOW YOU HAVE EXPERIENCE
WITH HIRING PEOPLE,
1878
01:11:29,041 --> 01:11:29,917
BUT WHAT ABOUT...
1879
01:11:30,000 --> 01:11:31,208
FIRING?
1880
01:11:31,291 --> 01:11:32,875
[SIGHING] YEAH.
1881
01:11:32,959 --> 01:11:35,000
IT'S NEVER FUN.
1882
01:11:35,083 --> 01:11:36,250
YOU'VE JUST GOT
TO RIP IT OFF QUICKLY,
1883
01:11:36,333 --> 01:11:37,333
LIKE A BAND-AID.
1884
01:11:39,333 --> 01:11:41,125
I GUESS IT'S OBVIOUS
WHICH ONE OF THEM NEEDS TO GO.
1885
01:11:43,250 --> 01:11:44,166
I'LL DO ANYTHING I CAN
TO HELP.
1886
01:11:45,875 --> 01:11:46,750
THANK YOU.
1887
01:11:50,041 --> 01:11:52,417
IT'S NOT...
1888
01:11:52,500 --> 01:11:54,542
WHAT I MEANT.
1889
01:12:02,208 --> 01:12:03,333
ALL RIGHT.
1890
01:12:03,417 --> 01:12:05,333
I GIVE UP.
1891
01:12:05,417 --> 01:12:07,208
I'M GUESSING THIS IS
GOING TO REQUIRE ME
1892
01:12:07,291 --> 01:12:09,208
TO STOP MAKING
MY SANDWICH.
1893
01:12:09,291 --> 01:12:11,375
YOU KNOW, AT FIRST,
IT WAS JUST FUN,
1894
01:12:11,458 --> 01:12:12,792
TRYING TO GET YOU
TO TELL ME YOUR SECRET.
1895
01:12:12,875 --> 01:12:14,750
MY SECRET?
1896
01:12:14,834 --> 01:12:17,709
ABOUT WHY YOU WOULDN'T PUBLISH
YOUR TENNESSEE WILLIAMS PAPER,
1897
01:12:17,792 --> 01:12:19,917
AND NOW...
1898
01:12:20,000 --> 01:12:20,875
I'M GETTING
A LITTLE WORRIED.
1899
01:12:20,959 --> 01:12:22,041
WHY ARE YOU WORRIED?
1900
01:12:22,125 --> 01:12:24,583
YOU USED TO TALK TO ME,
1901
01:12:24,667 --> 01:12:25,667
BUT NOW THERE'S SECRETS,
1902
01:12:25,750 --> 01:12:26,959
AND YOU WON'T GET PUBLISHED,
1903
01:12:27,041 --> 01:12:28,583
AND...
1904
01:12:28,667 --> 01:12:30,625
I GUESS I'M JUST
A LITTLE WORRIED FOR YOU.
1905
01:12:30,709 --> 01:12:32,542
YOU DON'T HAVE
TO BE WORRIED, OKAY?
1906
01:12:32,625 --> 01:12:34,709
IT'S JUST...
1907
01:12:34,792 --> 01:12:36,208
THERE'S THIS GIRL AT SCHOOL,
1908
01:12:36,291 --> 01:12:39,041
AND SHE WROTE THIS
REALLY AWESOME POEM,
1909
01:12:39,125 --> 01:12:40,959
BUT IF THEY PUBLISH MY PAPER,
1910
01:12:41,041 --> 01:12:42,583
THEN THERE WON'T BE AS MUCH ROOM
FOR POETRY,
1911
01:12:42,667 --> 01:12:44,458
SO...
1912
01:12:44,542 --> 01:12:46,875
I'M JUST LEAVING IT OUT
SO HER POEM CAN GET PUBLISHED.
1913
01:12:48,625 --> 01:12:49,625
THAT'S YOUR BIG SECRET?
1914
01:12:49,709 --> 01:12:50,875
YEAH.
1915
01:12:50,959 --> 01:12:52,000
YEAH, THAT'S IT.
1916
01:12:53,500 --> 01:12:56,458
I JUST DIDN'T WANT TO TALK
ABOUT IT AT FIRST BECAUSE I...
1917
01:12:57,792 --> 01:12:58,667
THAT'S REALLY SWEET.
1918
01:13:02,792 --> 01:13:04,834
HER POEM DESERVES TO BE READ.
1919
01:13:04,917 --> 01:13:06,667
TENNESSEE WOULD HAVE WANTED IT
THIS WAY.
1920
01:13:09,208 --> 01:13:10,291
THANKS FOR TELLING ME, LOGAN.
1921
01:13:13,041 --> 01:13:13,959
SO...
1922
01:13:16,291 --> 01:13:17,583
WHAT ARE WE MAKING?
1923
01:13:30,333 --> 01:13:31,250
MRS. SHANNON?
1924
01:13:33,375 --> 01:13:34,333
MR. BRADY...
1925
01:13:34,417 --> 01:13:35,208
I DON'T WANT A SCENE.
1926
01:13:35,291 --> 01:13:36,750
I JUST WANT TO TALK.
1927
01:13:38,583 --> 01:13:39,792
OKAY.
1928
01:13:39,875 --> 01:13:41,625
I'M SORRY ABOUT WHAT HAPPENED
AT YOUR STORE.
1929
01:13:41,709 --> 01:13:42,625
I LOST MY TEMPER.
1930
01:13:42,709 --> 01:13:44,083
I JUST...
1931
01:13:44,166 --> 01:13:46,041
I WANTED YOU TO BELIEVE ME
THAT I'M INNOCENT.
1932
01:13:46,125 --> 01:13:49,834
MR. BRADY, I WOULD LIKE
TO BELIEVE YOU'RE INNOCENT,
1933
01:13:49,917 --> 01:13:51,000
BUT WHY WON'T YOU ADMIT
1934
01:13:51,083 --> 01:13:52,417
THAT YOU WERE
AT LARRY'S BIRTHDAY PARTY?
1935
01:13:52,500 --> 01:13:53,667
WHAT DO YOU MEAN?
1936
01:13:57,792 --> 01:13:58,792
THIS PHOTO.
1937
01:13:58,875 --> 01:14:00,083
THAT'S YOU
IN THE BACKGROUND.
1938
01:14:04,000 --> 01:14:05,375
I DIDN'T GO TO HIS PARTY.
1939
01:14:05,458 --> 01:14:08,083
I WAS HERE THAT DAY,
BUT NOT FOR THE PARTY.
1940
01:14:08,166 --> 01:14:10,750
LOOK...
1941
01:14:10,834 --> 01:14:12,667
I UNDERSTAND YOU HAD
A COMPLICATED RELATIONSHIP
1942
01:14:12,750 --> 01:14:13,625
WITH YOUR BROTHER...
1943
01:14:15,458 --> 01:14:18,792
BUT IF YOU WANT PEOPLE
TO BELIEVE THAT YOU'RE INNOCENT,
1944
01:14:18,875 --> 01:14:20,125
YOU'RE GOING
TO HAVE TO BE HONEST.
1945
01:14:24,333 --> 01:14:26,709
I WENT TO THE PARTY
TO FIND TONY AND DRAG HIM HOME.
1946
01:14:29,125 --> 01:14:30,750
EVER SINCE LARRY RETIRED,
1947
01:14:30,834 --> 01:14:33,041
HE'S GOT HIMSELF INVOLVED
IN TONY'S LIFE--
1948
01:14:33,125 --> 01:14:35,750
GIVING HIM MONEY,
TELLING HIM WHAT TO DO.
1949
01:14:35,834 --> 01:14:37,291
IT WAS ALWAYS ABOUT CONTROL
WITH LARRY.
1950
01:14:37,375 --> 01:14:39,834
I, UH...
1951
01:14:39,917 --> 01:14:41,208
I GOT MYSELF WORKED UP,
1952
01:14:41,291 --> 01:14:44,417
THINKING ABOUT TONY
AT LARRY'S PARTY.
1953
01:14:44,500 --> 01:14:45,959
THE BOY'S GOT TO LEARN
TO STAND ON HIS OWN.
1954
01:14:47,625 --> 01:14:48,834
SO I CAME HERE
TO THE HOUSE
1955
01:14:48,917 --> 01:14:50,500
AND I SNUCK AROUND THE BACK,
1956
01:14:50,583 --> 01:14:53,041
AND WHEN I COULDN'T SPOT LARRY,
I WAS GOING TO MARCH INSIDE,
1957
01:14:53,125 --> 01:14:54,583
BUT I RAN INTO IAN.
1958
01:14:54,667 --> 01:14:55,667
HE MUST HAVE SEEN
THE LOOK ON MY FACE
1959
01:14:55,750 --> 01:14:56,834
BECAUSE HE GOT ME
TO LEAVE WITH HIM.
1960
01:14:58,834 --> 01:15:01,333
TONY MENTIONED
THAT YOU TWO WERE FIGHTING.
1961
01:15:01,417 --> 01:15:03,083
I'M SURE
THAT'S NOT WHAT YOU WANT.
1962
01:15:03,166 --> 01:15:05,375
I JUST WANT
TO MAKE EVERYTHING RIGHT.
1963
01:15:05,458 --> 01:15:06,583
I NEVER WANTED LARRY'S MONEY.
1964
01:15:06,667 --> 01:15:07,667
THAT'S WHY
I'M SELLING EVERYTHING,
1965
01:15:07,750 --> 01:15:09,375
INCLUDING THE HOUSE.
1966
01:15:09,458 --> 01:15:12,333
I'M CLOSING OUT
ALL OF HIS DEBTS.
1967
01:15:12,417 --> 01:15:14,166
LIKE WITH HIS OLD PARTNER,
WALTER?
1968
01:15:14,250 --> 01:15:16,041
ESPECIALLY WALTER.
1969
01:15:16,125 --> 01:15:17,417
LARRY OWED HIM MORE THAN ANYONE.
1970
01:15:19,083 --> 01:15:21,375
I WISH
I COULD JUST BUY MY SON BACK.
1971
01:15:24,083 --> 01:15:25,417
MR. BRADY,
1972
01:15:25,500 --> 01:15:27,917
I THINK IF YOU WANT
TO MAKE THINGS RIGHT WITH TONY,
1973
01:15:28,000 --> 01:15:29,291
YOU SHOULD GO INSIDE.
1974
01:15:29,375 --> 01:15:30,875
WHY?
1975
01:15:30,959 --> 01:15:33,834
BECAUSE MAYBE
IF YOU CAN FORGIVE LARRY,
1976
01:15:33,917 --> 01:15:34,834
TONY CAN FORGIVE YOU.
1977
01:15:40,792 --> 01:15:41,709
ALL RIGHT.
1978
01:15:42,792 --> 01:15:45,000
AFTER YOU.
1979
01:15:49,750 --> 01:15:51,750
UH, MR. BRADY?
1980
01:15:51,834 --> 01:15:53,125
I'LL CATCH UP WITH YOU
IN ONE SECOND.
1981
01:15:53,208 --> 01:15:55,125
SURE.
1982
01:16:22,166 --> 01:16:23,792
[LINE RINGING]
1983
01:16:23,875 --> 01:16:25,792
LYNWOOD.
LEAVE A MESSAGE.
1984
01:16:25,875 --> 01:16:27,959
HEY, FRANK,
IT'S JENN.
1985
01:16:28,041 --> 01:16:29,959
LISTEN, I'M GOING TO TEXT YOU
A PHOTO.
1986
01:16:30,041 --> 01:16:31,333
THERE'S A CAR PARKED
1987
01:16:31,417 --> 01:16:33,417
OUT IN FRONT OF LARRY BRADY'S
MEMORIAL SERVICE.
1988
01:16:33,500 --> 01:16:38,083
IT HAS A YELLOW PAINT SCRATCH
ON THE FENDER.
1989
01:16:38,166 --> 01:16:40,625
I THINK THE KILLER
MIGHT BE HERE.
1990
01:17:10,000 --> 01:17:12,458
OH...
MAYBE THIS WAS A MISTAKE.
1991
01:17:12,542 --> 01:17:15,333
EXCUSE ME.
1992
01:17:15,417 --> 01:17:16,333
DAD?
1993
01:17:19,667 --> 01:17:20,792
HEY.
1994
01:17:20,875 --> 01:17:22,458
I'M SURPRISED
TO SEE YOU HERE.
1995
01:17:22,542 --> 01:17:24,667
WE...
1996
01:17:24,750 --> 01:17:26,375
SHOULD TALK...
1997
01:17:26,458 --> 01:17:27,375
IN PRIVATE.
1998
01:17:57,000 --> 01:17:58,625
SANDY,
ARE YOU OKAY?
1999
01:17:58,709 --> 01:17:59,625
YEAH.
2000
01:18:01,375 --> 01:18:03,083
I WAS JUST LOOKING
AT LARRY'S PHOTOGRAPHY.
2001
01:18:05,417 --> 01:18:07,208
THIS ONE...
2002
01:18:07,291 --> 01:18:08,709
IT'S ONE OF
MY FAVORITES.
2003
01:18:08,792 --> 01:18:10,125
IT'S BEAUTIFUL.
2004
01:18:10,208 --> 01:18:11,333
YEAH.
2005
01:18:13,291 --> 01:18:14,166
IS THAT YOU?
2006
01:18:15,875 --> 01:18:16,875
YEAH.
2007
01:18:18,875 --> 01:18:20,291
PHOTOGRAPHY REALLY DID
BRING YOU TWO TOGETHER,
2008
01:18:20,375 --> 01:18:21,500
DIDN'T IT?
2009
01:18:21,583 --> 01:18:23,583
HE ALWAYS SAID
IT WAS HIS SECOND LOVE...
2010
01:18:23,667 --> 01:18:24,792
AFTER ME.
2011
01:18:29,333 --> 01:18:30,375
SANDY,
2012
01:18:30,458 --> 01:18:32,834
YOU REALLY SHOULD HAVE THIS.
2013
01:18:32,917 --> 01:18:35,166
IS THIS THE PHOTO
THAT YOU TOLD ME ABOUT?
2014
01:18:35,250 --> 01:18:36,458
IT IS.
2015
01:18:36,542 --> 01:18:38,125
THANK YOU.
2016
01:18:38,208 --> 01:18:40,125
IT'S THE LEAST
I CAN DO...
2017
01:18:40,208 --> 01:18:41,417
BESIDES, YOU LOOK
SO BEAUTIFUL
2018
01:18:41,500 --> 01:18:42,625
IN THAT BLACK DRESS.
2019
01:18:43,583 --> 01:18:45,834
BLACK DRESS?
2020
01:18:45,917 --> 01:18:47,250
NO, I WORE BLUE TO THE PARTY
THAT DAY.
2021
01:18:49,000 --> 01:18:50,250
A BRIGHT BLUE.
I REMEMBER IT VERY WELL.
2022
01:19:01,000 --> 01:19:02,583
IT'S A RED FILTER.
2023
01:19:02,667 --> 01:19:04,208
THAT EXPLAINS IT.
2024
01:19:04,291 --> 01:19:06,083
ANYTHING BLUE WOULD
SHOW UP AS DARK BLACK
2025
01:19:06,166 --> 01:19:07,333
WITH THAT FILTER,
2026
01:19:07,417 --> 01:19:08,625
LIKE THIS DRESS.
2027
01:19:08,709 --> 01:19:10,917
OR A BRIGHT-BLUE SUIT.
2028
01:19:11,000 --> 01:19:12,917
[IAN]: EXCUSE ME?
2029
01:19:13,000 --> 01:19:14,041
WE'RE ALL GOING OUTSIDE,
2030
01:19:14,125 --> 01:19:15,875
WHERE TONY WOULD LIKE
TO SAY A FEW WORDS.
2031
01:19:22,083 --> 01:19:23,000
I SHOULD GO.
2032
01:19:24,083 --> 01:19:25,041
THANK YOU.
2033
01:19:25,125 --> 01:19:26,125
YOU'RE WELCOME.
2034
01:19:29,542 --> 01:19:30,375
EVERYTHING OKAY?
2035
01:19:30,458 --> 01:19:32,041
YES.
2036
01:19:32,125 --> 01:19:34,125
THAT WAS A GOOD CALL,
WITH THE GLOVES.
2037
01:19:34,208 --> 01:19:35,542
I WISH I WOULD'VE
THOUGHT OF THAT.
2038
01:19:35,625 --> 01:19:36,750
IT'S SO COLD OUT.
2039
01:19:36,834 --> 01:19:38,875
AH, WELL,
2040
01:19:38,959 --> 01:19:40,500
THESE AREN'T MUCH PROTECTION
AGAINST THE WEATHER.
2041
01:19:40,583 --> 01:19:42,083
THEY'RE DRIVING GLOVES.
2042
01:19:42,166 --> 01:19:43,667
THE DEALER THREW THEM IN
WHEN I GOT MY NEW CAR.
2043
01:19:44,792 --> 01:19:45,709
ARE YOU COMING?
2044
01:19:45,792 --> 01:19:47,166
I--I AM.
2045
01:19:47,250 --> 01:19:48,625
I'M JUST GOING
TO PACK UP MY BAG.
2046
01:20:10,625 --> 01:20:12,250
[DIALING]
2047
01:20:12,333 --> 01:20:13,375
[LINE RINGING]
2048
01:20:13,458 --> 01:20:15,125
LYNWOOD.
LEAVE A MESSAGE.
2049
01:20:15,208 --> 01:20:16,959
FRANK, IT'S JENN.
2050
01:20:17,041 --> 01:20:18,000
IT'S IAN.
2051
01:20:18,083 --> 01:20:18,959
IAN IS THE KILLER.
2052
01:20:19,041 --> 01:20:20,542
GIVE ME THE PHONE.
2053
01:20:27,417 --> 01:20:28,375
AND ALL THIS TIME,
2054
01:20:28,458 --> 01:20:29,625
I THOUGHT IT WAS SOMEONE
IN A BLACK SUIT
2055
01:20:29,709 --> 01:20:31,125
WHO WAS OUT
TO GET LARRY.
2056
01:20:31,208 --> 01:20:33,458
TURNS OUT
THE SUIT WAS BLUE.
2057
01:20:33,542 --> 01:20:36,417
I WAS NEVER OUT TO GET HIM.
2058
01:20:36,500 --> 01:20:38,750
LARRY ASKED ME TO HANDLE
SOME BUSINESS MATTERS FOR HIM,
2059
01:20:38,834 --> 01:20:40,709
BUT...
2060
01:20:40,792 --> 01:20:43,709
I ENDED UP HANDLING HIS MONEY
ALL THE WAY TO MY BOOKIE.
2061
01:20:44,875 --> 01:20:46,166
BOOKIE?
2062
01:20:46,250 --> 01:20:46,959
THAT EXPLAINS WHY YOU WERE
LOOKING AT THE SPORTS PAGE
2063
01:20:47,041 --> 01:20:48,000
THE OTHER DAY.
2064
01:20:48,083 --> 01:20:50,125
OH, MRS. SHANNON,
2065
01:20:50,208 --> 01:20:52,291
I DIDN'T KNOW
YOU WERE COMING BY.
2066
01:20:52,375 --> 01:20:55,125
[JENN]: SO LARRY HAD NO IDEA
HE WAS BROKE, DID HE?
2067
01:20:55,208 --> 01:20:56,208
HE HAD NO IDEA
2068
01:20:56,291 --> 01:20:57,458
THAT YOU GAMBLED
ALL HIS MONEY AWAY.
2069
01:20:57,542 --> 01:21:00,333
OH, HE SUSPECTED
SOMETHING WAS WRONG.
2070
01:21:00,417 --> 01:21:02,417
THAT'S WHY HE ASKED TO SEE
ALL OF HIS FINANCIAL PAPERWORK,
2071
01:21:02,500 --> 01:21:04,792
AND I KNEW
SOMETHING HAD TO BE DONE.
2072
01:21:04,875 --> 01:21:05,834
SO YOU KILLED HIM.
2073
01:21:05,917 --> 01:21:07,041
I DIDN'T HAVE MUCH CHOICE.
2074
01:21:09,834 --> 01:21:11,041
[JENN]: AND YOU KNEW
ABOUT THIS DARK ROOM
2075
01:21:11,125 --> 01:21:12,333
AND ALL THE CHEMICALS
HE KEPT IN HERE.
2076
01:21:12,417 --> 01:21:14,667
PROVIDING YOU
WITH THE PERFECT MURDER WEAPON.
2077
01:21:14,750 --> 01:21:16,667
[BODY THUDS]
2078
01:21:16,750 --> 01:21:19,208
LARRY STARTED
ASKING QUESTIONS.
2079
01:21:19,291 --> 01:21:21,625
IT WAS ONLY A MATTER OF TIME
BEFORE HE DISCOVERED IT WAS ME.
2080
01:21:23,959 --> 01:21:25,583
[JENN]:
BUT SCOTT SAW YOU LEAVING.
2081
01:21:27,000 --> 01:21:27,709
[IAN]: YEAH...
2082
01:21:27,792 --> 01:21:28,750
WELL...
2083
01:21:28,834 --> 01:21:30,125
LUCKY FOR ME,
2084
01:21:30,208 --> 01:21:31,709
HE WAS TOO CONSUMED
WITH HIS OWN FAMILY DRAMA
2085
01:21:31,792 --> 01:21:33,083
TO WONDER
WHAT I WAS UP TO.
2086
01:21:33,166 --> 01:21:35,083
AND THEN YOU CAME TO MY STORE
TO TRY TO SCARE ME.
2087
01:21:35,166 --> 01:21:37,792
I SAW THE SCRAPE
ON YOUR CAR.
2088
01:21:37,875 --> 01:21:39,083
THE YELLOW PAINT
REALLY STICKS OUT.
2089
01:21:39,166 --> 01:21:40,250
WELL,
2090
01:21:40,333 --> 01:21:42,000
DON'T SAY
I DIDN'T TRY TO WARN YOU.
2091
01:21:42,083 --> 01:21:43,333
[GUN COCKING]
2092
01:21:44,417 --> 01:21:46,000
BY THE WAY...
2093
01:21:46,083 --> 01:21:47,750
DID I MENTION...
2094
01:21:47,834 --> 01:21:48,667
THIS ROOM IS SOUNDPROOF.
2095
01:21:48,750 --> 01:21:49,667
[PHONE RINGING]
2096
01:21:51,125 --> 01:21:52,000
[GUN FIRING]
2097
01:21:54,959 --> 01:21:56,917
FREEZE.
2098
01:21:57,000 --> 01:21:59,250
PUT DOWN THE GUN.
2099
01:22:03,166 --> 01:22:04,166
YEAH.
2100
01:22:05,500 --> 01:22:06,375
WHOA...
2101
01:22:15,083 --> 01:22:17,417
I GUESS YOU GOT MY VOICEMAIL.
2102
01:22:17,500 --> 01:22:18,709
I RAN THE PLATES.
2103
01:22:18,792 --> 01:22:20,375
WHEN I SAW IAN'S NAME,
2104
01:22:20,458 --> 01:22:22,000
I COULDN'T GET HERE
FAST ENOUGH.
2105
01:22:22,083 --> 01:22:23,917
GIVE ME FIVE MINUTES
ALONE WITH HIM.
2106
01:22:24,000 --> 01:22:25,041
MAYBE DON'T SAY
THAT STUFF
2107
01:22:25,125 --> 01:22:26,041
WHEN I'M HERE.
2108
01:22:26,125 --> 01:22:27,333
IT'LL BE OKAY.
2109
01:22:27,417 --> 01:22:28,625
HE'S GOING TO GET
WHAT HE DESERVES.
2110
01:22:28,709 --> 01:22:30,333
WE SHOULD HEAD HOME.
2111
01:22:30,417 --> 01:22:31,458
ONE SECOND.
2112
01:22:31,542 --> 01:22:32,875
I JUST WANT TO TALK
TO MRS. SHANNON.
2113
01:22:32,959 --> 01:22:34,166
SURE.
2114
01:22:34,250 --> 01:22:36,208
I'LL WAIT FOR YOU
IN THE CAR.
2115
01:22:36,291 --> 01:22:37,792
DID YOU GET A CHANCE
TO SPEAK WITH HIM?
2116
01:22:37,875 --> 01:22:39,041
YEAH.
2117
01:22:39,125 --> 01:22:40,333
THINGS AREN'T PERFECT,
2118
01:22:40,417 --> 01:22:42,583
BUT I THINK I UNDERSTAND HIM
A BIT BETTER NOW.
2119
01:22:42,667 --> 01:22:44,333
THANKS.
2120
01:22:44,417 --> 01:22:45,875
GOOD LUCK.
2121
01:22:51,041 --> 01:22:52,625
YOU SOLVE A MURDER
2122
01:22:52,709 --> 01:22:54,375
AND HEAL A FAMILY.
2123
01:22:54,458 --> 01:22:55,667
NOT BAD FOR
A DAY'S WORK.
2124
01:22:55,750 --> 01:22:58,083
WELL, I'M JUST GLAD
YOU SHOWED UP WHEN YOU DID.
2125
01:22:58,166 --> 01:23:00,208
I SHUDDER TO THINK
WHAT WOULD HAVE HAPPENED.
2126
01:23:00,291 --> 01:23:01,333
GOOD.
2127
01:23:01,417 --> 01:23:02,875
DON'T THINK ABOUT IT.
2128
01:23:02,959 --> 01:23:05,667
WELL, I'M GOING BACK
TO MY NICE, SAFE ANTIQUES.
2129
01:23:05,750 --> 01:23:07,709
NOW, THERE'S A PLAN
I CAN GET BEHIND.
2130
01:23:10,834 --> 01:23:13,083
IAN HATHAWAY SWAPPED
HIS BLUE SUIT
2131
01:23:13,166 --> 01:23:14,208
FOR AN ORANGE UNIFORM.
2132
01:23:14,291 --> 01:23:15,458
GUESS WHO'S LOOKING
FOR A LAWYER NOW?
2133
01:23:17,375 --> 01:23:18,625
I TALKED TO TONY.
2134
01:23:18,709 --> 01:23:20,125
HE SAID HE'S MOVING BACK IN
WITH HIS FATHER,
2135
01:23:20,208 --> 01:23:22,375
AND HIS BAND
IS REHEARSING AGAIN.
2136
01:23:22,458 --> 01:23:24,000
MAYBE YOU AND I CAN GO
SEE ONE OF THEIR SHOWS.
2137
01:23:24,083 --> 01:23:25,333
OH, THAT
WOULD BE GREAT,
2138
01:23:25,417 --> 01:23:26,625
ALTHOUGH FOR NOW,
2139
01:23:26,709 --> 01:23:28,542
I'M LOOKING FORWARD
TO GETTING BACK TO THE STORE
2140
01:23:28,625 --> 01:23:29,625
AND TACKLING THAT INVENTORY.
2141
01:23:29,709 --> 01:23:30,792
HEY, DID YOU GUYS DECIDE
2142
01:23:30,875 --> 01:23:33,542
ON WHICH EMPLOYEE
WE'RE GOING TO KEEP?
2143
01:23:33,625 --> 01:23:35,542
WELL, ACTUALLY,
2144
01:23:35,625 --> 01:23:37,417
I THOUGHT DANI WAS
GOING TO FIRE TRAVIS,
2145
01:23:37,500 --> 01:23:39,250
SO I GOT HIM A JOB
WITH A CONSTRUCTION COMPANY.
2146
01:23:39,333 --> 01:23:40,625
SEE, I THOUGHT
2147
01:23:40,709 --> 01:23:41,667
THAT JASON WAS GOING
TO FIRE KENNETH,
2148
01:23:41,750 --> 01:23:42,792
SO I MADE A CALL,
2149
01:23:42,875 --> 01:23:45,208
AND NOW HE'S A DOCENT
AT THE HISTORY MUSEUM.
2150
01:23:45,291 --> 01:23:46,542
OH, SO WHAT
YOU'RE TELLING ME
2151
01:23:46,625 --> 01:23:47,417
IS WE DON'T
HAVE ANY HELP?
2152
01:23:47,500 --> 01:23:48,667
NO.
2153
01:23:48,750 --> 01:23:49,875
I GUESS WE COULD HAVE
COORDINATED BETTER.
2154
01:23:49,959 --> 01:23:51,208
[DANI]: FORTUNATELY,
2155
01:23:51,291 --> 01:23:52,500
DREW WAS THERE
TO RESCUE ME.
2156
01:23:52,583 --> 01:23:53,542
LUCKY FOR EVERYONE,
2157
01:23:53,625 --> 01:23:54,667
I WAS SITTING
AT MY OWN SHOP
2158
01:23:54,750 --> 01:23:55,792
WITHOUT ANYTHING
HEAVY TO MOVE,
2159
01:23:55,875 --> 01:23:56,750
LOOKING FOR
AN OPPORTUNITY.
2160
01:23:56,834 --> 01:23:58,709
WELL, THANK YOU, DREW.
2161
01:23:58,792 --> 01:24:00,333
HEY, I HEAR
YOU ARE QUITE A WRITER.
2162
01:24:00,417 --> 01:24:01,583
[LOGAN]:
UH, YEAH.
2163
01:24:01,667 --> 01:24:04,375
IT'S JUST FOR
A SCHOOL ASSIGNMENT.
2164
01:24:04,458 --> 01:24:05,375
[HANNAH]:
HE'S BEING MODEST.
2165
01:24:05,458 --> 01:24:07,875
NOT ONLY
WAS HIS PAPER INCREDIBLE,
2166
01:24:07,959 --> 01:24:09,542
HE'S DOING WHAT HE CAN
TO HELP OUT A CLASSMATE.
2167
01:24:10,834 --> 01:24:11,959
I TOLD THE GIRL TODAY
2168
01:24:12,041 --> 01:24:14,333
THAT HER POEM'S GOING
TO GET PUBLISHED.
2169
01:24:14,417 --> 01:24:15,792
SHE GAVE ME THIS NOTE.
2170
01:24:15,875 --> 01:24:17,792
[SALLY]:
THAT'S GREAT.
2171
01:24:17,875 --> 01:24:18,959
LOGAN, I WOULD LOVE
TO READ YOUR PIECE,
2172
01:24:19,041 --> 01:24:20,291
EVEN IF IT'S NOT
BEING PUBLISHED.
2173
01:24:20,375 --> 01:24:21,959
SURE, MOM,
2174
01:24:22,041 --> 01:24:23,750
BUT IT'S NOT STAYING
UNPUBLISHED.
2175
01:24:23,834 --> 01:24:25,041
HANNAH ENCOURAGED ME,
2176
01:24:25,125 --> 01:24:27,792
SO I SUBMITTED IT TO
THIS THEATER WEB SITE,
2177
01:24:27,875 --> 01:24:29,375
AND THEY PUT IT UP ONLINE
THIS AFTERNOON.
2178
01:24:30,500 --> 01:24:32,750
WOW! YOU'RE FAMOUS.
2179
01:24:32,834 --> 01:24:34,542
INTERNET FAMOUS.
2180
01:24:34,625 --> 01:24:36,959
THAT'S GREAT, SON,
2181
01:24:37,041 --> 01:24:38,583
AND HEY, I HAVE
A SURPRISE FOR EVERYONE.
2182
01:24:38,667 --> 01:24:39,500
IT'S WAITING FOR US
IN THE LIVING ROOM
2183
01:24:39,583 --> 01:24:41,417
WHEN WE'RE DONE EATING.
2184
01:24:42,709 --> 01:24:44,542
WELL, NOW,
WHO CAN EAT
2185
01:24:44,625 --> 01:24:46,458
WHEN WE KNOW YOU HAVE
A SURPRISE WAITING FOR US?
2186
01:24:46,542 --> 01:24:47,667
I CAN.
2187
01:24:47,750 --> 01:24:48,583
[JASON]: COURSE.
2188
01:24:48,667 --> 01:24:50,000
LET'S GO.
2189
01:24:50,083 --> 01:24:51,750
OH, A SURPRISE!
I LOVE SURPRISES!
2190
01:24:51,834 --> 01:24:53,667
YOU, IT WOULDN'T SURPRISE.
2191
01:24:53,750 --> 01:24:54,834
I NEED THE LADIES
ON THE COUCH,
2192
01:24:54,917 --> 01:24:56,583
GENTLEMEN
BEHIND THE LADIES.
2193
01:24:56,667 --> 01:24:57,542
WHAT ARE WE DOING?
2194
01:24:57,625 --> 01:24:59,041
I DON'T KNOW.
2195
01:24:59,125 --> 01:25:00,667
I HAVE NO IDEA.
2196
01:25:02,166 --> 01:25:03,208
TA-DAH!
2197
01:25:03,291 --> 01:25:05,792
OH, NICE CAMERA!
2198
01:25:05,875 --> 01:25:07,125
AS YOU KNOW,
2199
01:25:07,208 --> 01:25:08,792
LOGAN FOUND MY OLD CAMERA
IN THE ATTIC,
2200
01:25:08,875 --> 01:25:10,917
AND I DECIDED IT'S TIME
TO INVEST IN A NEW ONE.
2201
01:25:11,000 --> 01:25:12,041
IT'S ALL DIGITAL.
2202
01:25:12,125 --> 01:25:14,750
WELL, IT'S TOO BAD
THE FILM GOT RUINED.
2203
01:25:14,834 --> 01:25:16,125
ACTUALLY,
2204
01:25:16,208 --> 01:25:18,458
I TOOK THE CAMERA TO MANNY.
2205
01:25:18,542 --> 01:25:19,709
HE WAS ABLE
TO WORK SOME WONDERS,
2206
01:25:19,792 --> 01:25:21,333
AND...
2207
01:25:21,417 --> 01:25:22,834
SALVAGED A COUPLE OF PICTURES.
2208
01:25:22,917 --> 01:25:24,333
REMEMBER, WE DID SAY,
"FOR BETTER OR FOR WORSE."
2209
01:25:24,417 --> 01:25:27,083
OH, DEAR.
2210
01:25:27,166 --> 01:25:29,166
[LAUGHING]
2211
01:25:37,000 --> 01:25:38,834
LOOK AT YOUR HAIR.
2212
01:25:38,917 --> 01:25:40,000
THANK YOU.
I LOVE MY HAIR.
2213
01:25:40,083 --> 01:25:41,083
[LAUGHING]
2214
01:25:41,166 --> 01:25:42,709
OKAY, YOU GUYS READY?
2215
01:25:42,792 --> 01:25:44,583
I NEED YOU A LITTLE
TIGHTER, GENTLEMEN.
2216
01:25:44,667 --> 01:25:46,625
READY? IT'S TIME
TO MAKE SOME NEW MEMORIES.
2217
01:25:48,000 --> 01:25:48,792
COME ON, DAD!
GET IN THE PICTURE!
2218
01:25:50,083 --> 01:25:51,917
ALL RIGHT.
2219
01:25:52,000 --> 01:25:53,083
OKAY, EVERYONE!
2220
01:25:53,166 --> 01:25:54,125
SAY "CHEESE"!
2221
01:25:54,208 --> 01:25:56,792
CHEESE!
2222
01:25:56,875 --> 01:25:58,208
[SHUTTER CLICKING]
149612
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