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1
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[♪♪♪]
2
00:00:29,250 --> 00:00:33,041
[CLASSICAL PIANO PIECE PLAYS]
3
00:00:33,125 --> 00:00:35,834
[♪♪♪]
4
00:01:02,667 --> 00:01:05,542
[♪♪♪]
5
00:01:12,583 --> 00:01:13,917
NURSE?
6
00:01:15,625 --> 00:01:17,083
[COUGHS]
7
00:01:17,166 --> 00:01:18,875
WHAT ARE YOU DOING?
8
00:01:18,959 --> 00:01:20,959
WHO ARE YOU?
9
00:01:23,083 --> 00:01:26,333
YOU...
10
00:01:26,417 --> 00:01:28,542
HOUNDING ME TO THE GRAVE,
11
00:01:28,625 --> 00:01:31,291
YOU AND ALL THE OTHERS.
12
00:01:31,375 --> 00:01:33,709
I TOLD YOU,
13
00:01:33,792 --> 00:01:34,959
YOU WILL FIND NOTHING,
14
00:01:35,041 --> 00:01:37,583
YOU WILL GET NOTHING,
15
00:01:37,667 --> 00:01:41,625
NOT NOW, NOT EVER!
16
00:01:41,709 --> 00:01:44,709
IT'S GONE...
17
00:01:44,792 --> 00:01:47,166
BURIED.
18
00:01:47,250 --> 00:01:51,291
I WON'T HAVE IT
STAINING MY NAME,
19
00:01:51,375 --> 00:01:53,041
MY LEGACY,
20
00:01:53,125 --> 00:01:55,583
YOU HEAR ME?
21
00:01:55,667 --> 00:02:00,250
I... I TRIED...
22
00:02:00,333 --> 00:02:03,375
TO MAKE AMENDS...
23
00:02:03,458 --> 00:02:07,583
I'VE T-TRIED.
24
00:02:12,500 --> 00:02:14,625
[MONITORS FLATLINING]
25
00:02:27,959 --> 00:02:29,291
NO, SERIOUSLY, DAD,
26
00:02:29,375 --> 00:02:31,041
I DON'T KNOW WHY YOU EVER
SIGNED ME UP FOR BASKETBALL.
27
00:02:31,125 --> 00:02:32,166
I BELIEVE
YOU DID THAT
28
00:02:32,250 --> 00:02:33,417
ALL BY YOURSELF.
29
00:02:33,500 --> 00:02:35,041
WELL, WHY DIDN'T YOU
TALK ME OUT OF IT?
30
00:02:35,125 --> 00:02:36,166
AS I RECALL,
31
00:02:36,250 --> 00:02:38,041
THERE WAS NO TALKING YOU
OUT OF ANYTHING.
32
00:02:38,125 --> 00:02:39,709
LOGAN, WE ARE SORRY
THAT YOUR TEAM DIDN'T WIN,
33
00:02:39,792 --> 00:02:41,500
BUT YOU DID YOUR BEST.
34
00:02:41,583 --> 00:02:42,750
NOW, HAVE SOME PIZZA.
35
00:02:42,834 --> 00:02:43,667
YOU'LL FEEL BETTER.
36
00:02:43,750 --> 00:02:44,834
LEMONADE?
37
00:02:45,917 --> 00:02:47,834
OKAY.
38
00:02:47,917 --> 00:02:49,041
I'M SORRY, DAD,
39
00:02:49,125 --> 00:02:50,083
I'M JUST...
40
00:02:50,166 --> 00:02:51,500
FRUSTRATED, YOU KNOW?
41
00:02:51,583 --> 00:02:53,875
I MEAN, WE HAVE
A DECENT TEAM AND ALL,
42
00:02:53,959 --> 00:02:56,500
WE JUST CAN'T GET
OUR OFFENSE IN SYNC.
43
00:02:56,583 --> 00:02:58,417
WELL, I'M SURE THE LAST THING
YOU NEED RIGHT NOW
44
00:02:58,500 --> 00:03:00,375
IS FATHERLY ADVICE,
45
00:03:00,458 --> 00:03:01,792
SO WHY DON'T WE JUST SIT HERE
AND ENJOY THE PIZZA?
46
00:03:01,875 --> 00:03:03,125
LEMONADE?
47
00:03:03,208 --> 00:03:04,083
AH, PLEASE.
48
00:03:05,625 --> 00:03:08,000
THIS LOOKS
DELICIOUS, HONEY.
49
00:03:08,083 --> 00:03:09,291
IS THAT, UH,
SUN-DRIED TOMATOES?
50
00:03:09,375 --> 00:03:10,625
YES, WITH A LITTLE
BIT OF GARLIC.
51
00:03:10,709 --> 00:03:12,125
AH.
52
00:03:13,917 --> 00:03:15,500
OKAY, GO AHEAD.
53
00:03:17,125 --> 00:03:19,041
MM, DELICIOUS.
54
00:03:19,125 --> 00:03:20,333
DAD...
55
00:03:20,417 --> 00:03:21,959
I'M GIVING YOU
AN OPEN LANE HERE.
56
00:03:22,041 --> 00:03:24,625
OH, ALL RIGHT.
57
00:03:24,709 --> 00:03:26,000
WELL, IN MY EXPERIENCE,
58
00:03:26,083 --> 00:03:27,250
AT SOME POINT,
59
00:03:27,333 --> 00:03:29,291
SOMEONE HAS TO STEP UP
AND BE THE TEAM LEADER,
60
00:03:29,375 --> 00:03:31,166
AND IN MY OPINION,
I THINK THAT SHOULD BE YOU.
61
00:03:31,250 --> 00:03:32,625
-ME?
-MM-HMM.
62
00:03:32,709 --> 00:03:33,750
NO, DAD, I--
63
00:03:33,834 --> 00:03:34,875
YOU'RE A GOOD BALL HANDLER,
64
00:03:34,959 --> 00:03:36,291
YOU'RE A SOLID PASSER,
65
00:03:36,375 --> 00:03:37,375
YOU KNOW HOW TO RUN THE COURT.
66
00:03:37,458 --> 00:03:39,709
AND MOST IMPORTANTLY,
YOU'RE SMART.
67
00:03:39,792 --> 00:03:41,500
YOU ARE REALLY SMART.
68
00:03:41,583 --> 00:03:45,583
I'LL BET YOU THAT NEXT
PIECE OF PIZZA THERE
69
00:03:45,667 --> 00:03:46,667
THAT YOU ALMOST
KNOW THE GAME
70
00:03:46,750 --> 00:03:48,333
AS WELL AS YOUR COACH.
71
00:03:51,417 --> 00:03:52,291
FOUL!
72
00:03:52,375 --> 00:03:53,542
[LAUGHS]
73
00:03:53,625 --> 00:03:54,625
DADDY TAKES IT.
74
00:03:54,709 --> 00:03:55,834
[CHUCKLING]
75
00:03:59,959 --> 00:04:01,750
YOU ARE REALLY GOOD
WITH HIM, JASON.
76
00:04:01,834 --> 00:04:03,709
HEY, I'VE BEEN THERE.
77
00:04:03,792 --> 00:04:06,041
DIDN'T YOUR TEAM WIN
THE LEAGUE CHAMPIONSHIP
78
00:04:06,125 --> 00:04:07,458
THREE YEARS IN A ROW?
79
00:04:07,542 --> 00:04:09,542
UH, YES, ONLY TO LOSE
THE STATE CHAMPIONSHIP
80
00:04:09,625 --> 00:04:10,542
THREE YEARS IN A ROW.
81
00:04:10,625 --> 00:04:11,542
AW...
82
00:04:11,625 --> 00:04:12,875
AND BACK THEN,
83
00:04:12,959 --> 00:04:14,041
IT WAS A MORE LEVEL
PLAYING FIELD.
84
00:04:14,125 --> 00:04:15,917
I WASN'T GOING UP AGAINST
6'10" MONSTERS
85
00:04:16,000 --> 00:04:17,208
WHO COULD 360 DUNK.
86
00:04:18,417 --> 00:04:20,000
WELL, LIKE YOU SAID,
LOGAN IS SMART.
87
00:04:20,083 --> 00:04:21,542
HE'LL FIGURE IT OUT.
88
00:04:21,625 --> 00:04:23,250
I'M JUST GLAD HE HAS YOU
TO LEAN ON.
89
00:04:23,333 --> 00:04:24,083
THANK YOU.
90
00:04:24,166 --> 00:04:25,000
[CELL PHONE RINGS]
OOH.
91
00:04:27,166 --> 00:04:28,083
WHO IS IT?
92
00:04:28,166 --> 00:04:29,250
HANNAH.
93
00:04:29,333 --> 00:04:30,291
HEY, SWEETHEART,
WHAT'S UP?
94
00:04:30,375 --> 00:04:31,959
MOM, I KNOW IT'S LATE,
95
00:04:32,041 --> 00:04:33,083
AND I HATE TO HIT YOU UP,
96
00:04:33,166 --> 00:04:34,166
BUT MY DEBIT CARD
JUST MAXED OUT, AGAIN,
97
00:04:34,250 --> 00:04:36,208
AND I'VE GOT STUDY GROUP
GOING ON HERE,
98
00:04:36,291 --> 00:04:37,333
AND CAFFEINE IS, LIKE,
99
00:04:37,417 --> 00:04:38,750
SUPER CRITICAL
AT THIS JUNCTURE,
100
00:04:38,834 --> 00:04:39,750
AND BESIDES, IT'S MY TURN
TO BUY THE NEXT ROUND, SO...
101
00:04:39,834 --> 00:04:41,166
HANNAH...
102
00:04:41,250 --> 00:04:43,333
MAYBE A J-O-B
IS IN ORDER HERE.
103
00:04:43,417 --> 00:04:44,792
A JOB?
104
00:04:44,875 --> 00:04:46,208
THERE'S GOT TO BE SOMETHING
I CAN FIND PART-TIME.
105
00:04:46,291 --> 00:04:47,875
NEVER MIND, MOM.
106
00:04:47,959 --> 00:04:48,792
I'VE GOT THIS.
107
00:04:48,875 --> 00:04:49,917
LOVE YOU.
108
00:04:50,000 --> 00:04:51,583
-LOVE YOU, TOO.
- BYE.
109
00:04:51,667 --> 00:04:53,000
OH, BOY,
KIDS IN CRISIS.
110
00:04:53,083 --> 00:04:54,250
FILM AT 11:00.
111
00:04:54,333 --> 00:04:56,041
WELL, HOPEFULLY, WE'LL BE
IN DREAMLAND BY THEN.
112
00:04:56,125 --> 00:04:57,000
[CHUCKLES]
113
00:05:01,333 --> 00:05:02,917
[SIGHS GROGGILY]
114
00:05:05,041 --> 00:05:05,959
[CLEARS THROAT]
115
00:05:07,583 --> 00:05:10,083
ROUGH NIGHT, MR. DWYER?
116
00:05:10,166 --> 00:05:12,917
WE'LL CALL IT OVERTIME.
117
00:05:13,000 --> 00:05:14,667
BY THE WAY...
118
00:05:14,750 --> 00:05:15,917
IT'S OFFICIAL.
119
00:05:19,083 --> 00:05:21,750
AUF WIEDERSEHEN, MR. DIETZ.
120
00:05:21,834 --> 00:05:23,291
HMM.
121
00:05:23,375 --> 00:05:25,667
DEATHBED CONFESSION
WOULD HAVE BEEN NICE.
122
00:05:25,750 --> 00:05:27,834
AT LEAST NOW
WE CAN START LIQUIDATING
123
00:05:27,917 --> 00:05:29,709
THE REST OF THE ESTATE.
124
00:05:29,792 --> 00:05:32,291
WHO KNOWS, MAYBE WE'LL FIND IT.
125
00:05:32,375 --> 00:05:34,041
YES, WELL,
BURIED TREASURE ASIDE,
126
00:05:34,125 --> 00:05:36,625
THE AUCTION IS STILL
ONLY TWO DAYS OFF.
127
00:05:38,000 --> 00:05:39,542
WE'LL DO A THOROUGH SWEEP
OF THE RESIDENCE,
128
00:05:39,625 --> 00:05:40,917
PHOTOGRAPH
ANYTHING LEFT OF VALUE,
129
00:05:41,000 --> 00:05:42,625
THEN WE'LL EMAIL
AN ADDENDUM LIST
130
00:05:42,709 --> 00:05:44,667
TO ALL THOSE WHO RSVP'D.
131
00:05:44,750 --> 00:05:45,917
SHALL I START IN THE LIBRARY?
132
00:05:46,000 --> 00:05:47,208
ABSOLUTELY.
133
00:05:47,291 --> 00:05:48,625
PACK UP THE ENTIRE ROOM.
134
00:05:48,709 --> 00:05:50,458
I'M GOING TO NEED SOME TIME
TO SIFT THROUGH ALL THIS.
135
00:05:50,542 --> 00:05:52,000
YES, SIR.
136
00:05:55,834 --> 00:05:56,709
[♪♪♪]
137
00:05:56,792 --> 00:05:57,750
LOGAN, WE SHOULD GET GOING.
138
00:05:57,834 --> 00:05:59,333
WHERE'S YOUR BACKPACK?
139
00:05:59,417 --> 00:06:00,542
IT'S JUST UPSTAIRS.
140
00:06:00,625 --> 00:06:02,166
GO GRAB IT.
141
00:06:03,792 --> 00:06:05,208
HONEY, DID YOU
SEE THIS?
142
00:06:05,291 --> 00:06:06,709
KARL DIETZ
PASSED AWAY LAST NIGHT.
143
00:06:06,792 --> 00:06:07,750
OH, NO.
144
00:06:07,834 --> 00:06:08,834
DIETZ...
145
00:06:08,917 --> 00:06:11,083
WHY DO I KNOW
THAT NAME?
146
00:06:11,166 --> 00:06:13,041
THE DIETZ RECITAL HALL?
147
00:06:13,125 --> 00:06:14,458
THE ONE YOUR DAD SPENT
148
00:06:14,542 --> 00:06:15,875
TWO YEARS OF HIS LIFE
BUILDING?
149
00:06:15,959 --> 00:06:17,750
OH, RIGHT.
150
00:06:17,834 --> 00:06:19,208
NOT ONLY DID
MR. DIETZ FUND IT,
151
00:06:19,291 --> 00:06:22,000
HE WOULD FOLLOW ME AROUND
AND MICRO-MANAGE EVERY DETAIL.
152
00:06:22,083 --> 00:06:24,125
HE WAS THE ULTIMATE
PERFECTIONIST.
153
00:06:24,208 --> 00:06:25,542
HE WAS ALSO
VERY GENEROUS.
154
00:06:25,625 --> 00:06:27,333
DANI AND I ARE SUPPOSED
TO GO TO HIS ESTATE SALE
155
00:06:27,417 --> 00:06:28,417
LATER THIS WEEK.
156
00:06:28,500 --> 00:06:29,625
AND ALL THE PROCEEDS
157
00:06:29,709 --> 00:06:31,667
ARE GOING TO
THE DIETZ RECITAL HALL FUND
158
00:06:31,750 --> 00:06:32,792
OR LOCAL MUSIC PROGRAMS.
159
00:06:32,875 --> 00:06:34,166
HOW LONG HAS IT BEEN
ON THE CALENDAR?
160
00:06:34,250 --> 00:06:35,333
ABOUT A MONTH.
161
00:06:35,417 --> 00:06:37,083
SHOULDN'T YOU BE,
LIKE, OFFICIALLY DEAD
162
00:06:37,166 --> 00:06:39,625
BEFORE YOUR ESTATE
GETS AUCTIONED OFF?
163
00:06:39,709 --> 00:06:40,959
NOT IF YOU'RE 92,
AND IN FAILING HEALTH.
164
00:06:41,041 --> 00:06:43,625
IT'S CALLED "GETTING
YOUR AFFAIRS IN ORDER."
165
00:06:43,709 --> 00:06:44,834
ANYWAY, THE MAN WAS A FRIEND,
166
00:06:44,917 --> 00:06:47,000
AND HE DEFINITELY
MADE ME A BETTER BUILDER.
167
00:06:47,083 --> 00:06:48,875
HE'LL BE MISSED.
168
00:06:48,959 --> 00:06:50,166
WELL...
169
00:06:50,250 --> 00:06:51,083
I AM DEFINITELY
GOING TO BE LATE
170
00:06:51,166 --> 00:06:51,959
IF I DON'T
GET A MOVE-ON.
171
00:06:53,166 --> 00:06:54,917
GREAT PANCAKES, DAD.
172
00:06:55,000 --> 00:06:56,250
PATENT THAT RECIPE.
173
00:06:56,333 --> 00:06:57,500
THANK YOU.
MAYBE I WILL.
174
00:06:57,583 --> 00:06:59,041
WHAT ARE YOU MAKING FOR DINNER?
175
00:07:01,750 --> 00:07:03,709
[SHOP BELL JINGLES]
176
00:07:03,792 --> 00:07:05,208
WHOA.
177
00:07:05,291 --> 00:07:06,959
LOOKS LIKE SOMEONE
SPRINKLED A LITTLE AMBITION
178
00:07:07,041 --> 00:07:08,250
IN THEIR MORNING COFFEE.
179
00:07:08,333 --> 00:07:09,417
COFFEE,
180
00:07:09,500 --> 00:07:11,417
AND NUDGING FROM
MY DAMSEL IN DISTRESS.
181
00:07:11,500 --> 00:07:12,583
WELL...
182
00:07:14,625 --> 00:07:17,250
WELL, MY WORK
HERE IS DONE.
183
00:07:17,333 --> 00:07:18,875
YOU LADIES HAVE
A NICE DAY NOW.
184
00:07:20,750 --> 00:07:23,083
UM, I DON'T MEAN
TO BREAK UP THE MOOD,
185
00:07:23,166 --> 00:07:24,709
BUT DID YOU HAPPEN TO
SORT THROUGH THE BILLS?
186
00:07:24,792 --> 00:07:27,333
YES, I, UH, PUT THEM
IN TWO PILES.
187
00:07:27,417 --> 00:07:29,750
"PAY NOW"
AND "PAY LATER."
188
00:07:29,834 --> 00:07:32,000
OOH, "PAY LATER"
IS RATHER LARGE.
189
00:07:32,083 --> 00:07:33,166
THAT'S WHAT I THOUGHT.
190
00:07:33,250 --> 00:07:34,208
OH, DEAR.
191
00:07:34,291 --> 00:07:36,000
HELEN!
192
00:07:36,083 --> 00:07:37,041
SO NICE TO SEE YOU.
193
00:07:37,125 --> 00:07:38,542
GOOD MORNING, JENNIFER.
194
00:07:38,625 --> 00:07:40,125
A LITTLE BIRD TOLD ME
195
00:07:40,208 --> 00:07:43,208
YOU CAME ACROSS
SOME PRE-WAR DRESDEN CHINA?
196
00:07:43,291 --> 00:07:45,667
YES, THAT LITTLE BIRD
WAS ME.
197
00:07:45,750 --> 00:07:47,583
WELL, THANK YOU
FOR THE CALL, MY DEAR.
198
00:07:47,667 --> 00:07:48,875
SHALL I GET IT FOR YOU
TO LOOK AT?
199
00:07:48,959 --> 00:07:50,041
I'LL BE RIGHT BACK.
200
00:07:50,125 --> 00:07:51,667
BY THE WAY, DID YOU HEAR?
201
00:07:51,750 --> 00:07:53,333
KARL DIETZ PASSED AWAY.
202
00:07:53,417 --> 00:07:55,000
YES, I READ ABOUT THAT
IN THE PAPER.
203
00:07:55,083 --> 00:07:57,041
A FELLOW BERLINER,
204
00:07:57,125 --> 00:08:00,000
THOUGH I NEVER MUCH
CARED FOR THE MAN.
205
00:08:00,083 --> 00:08:01,333
A BIT STIFF
FOR A CAREER DIPLOMAT,
206
00:08:01,417 --> 00:08:02,417
DON'T YOU THINK?
207
00:08:02,500 --> 00:08:03,583
I WOULDN'T KNOW.
208
00:08:03,667 --> 00:08:04,709
WE NEVER MET.
209
00:08:04,792 --> 00:08:06,125
WELL, HE DID HAVE
EXCELLENT TASTE,
210
00:08:06,208 --> 00:08:07,625
I'LL GRANT HIM THAT.
211
00:08:07,709 --> 00:08:09,375
DID YOU GET A CHANCE
212
00:08:09,458 --> 00:08:11,709
TO LOOK THROUGH
HIS ESTATE AUCTION CATALOGUE?
213
00:08:13,208 --> 00:08:14,417
THERE'S THIS, UM,
214
00:08:14,500 --> 00:08:15,583
LANDSCAPE PAINTING
215
00:08:15,667 --> 00:08:17,667
ON PAGE TWO...
216
00:08:17,750 --> 00:08:18,959
OH, RIGHT, OF COURSE.
217
00:08:19,041 --> 00:08:21,709
THE CASPAR DAVID FRIEDRICH.
218
00:08:21,792 --> 00:08:24,000
WELL, IT'S A BIT PRICEY FOR US,
BUT GORGEOUS.
219
00:08:24,083 --> 00:08:25,583
[SIGHING] JENNIFER, I...
220
00:08:25,667 --> 00:08:27,083
I CAN'T SHAKE
THE FEELING
221
00:08:27,166 --> 00:08:29,625
THAT I SAW THIS PAINTING
222
00:08:29,709 --> 00:08:31,500
AT OUR FAMILY HOME
BACK IN GERMANY.
223
00:08:31,583 --> 00:08:33,250
REALLY?
224
00:08:33,333 --> 00:08:35,041
HELEN, ARE YOU SURE?
225
00:08:35,125 --> 00:08:38,375
WELL, I CAN'T BE CERTAIN.
226
00:08:38,458 --> 00:08:42,458
I WAS ONLY SIX
WHEN WE FLED EAST BERLIN.
227
00:08:42,542 --> 00:08:45,875
BUT I DO RECALL
SOMETHING QUITE SIMILAR
228
00:08:45,959 --> 00:08:47,542
HANGING IN
AN UPSTAIRS BEDROOM.
229
00:08:47,625 --> 00:08:50,125
NOW, THIS WAS
AFTER THE WAR, OF COURSE,
230
00:08:50,208 --> 00:08:53,458
AND BY THEN, EVERYTHING
HAD BEEN DESTROYED,
231
00:08:53,542 --> 00:08:55,291
SOLD, LOST...
232
00:08:55,375 --> 00:08:57,625
HELEN, WE CAN INQUIRE
ABOUT THE PANTING'S PROVENANCE.
233
00:08:57,709 --> 00:09:00,500
YES, THAT WOULD BE
VERY HELPFUL, MY DEAR.
234
00:09:00,583 --> 00:09:03,125
BUT IN THE MEANTIME,
I AM GOING TO BID ON IT.
235
00:09:03,208 --> 00:09:04,458
HEAVEN KNOWS,
236
00:09:04,542 --> 00:09:06,166
MOTHER AND FATHER WOULD HAVE.
237
00:09:08,834 --> 00:09:10,083
[♪♪♪]
238
00:09:10,166 --> 00:09:12,583
SO, MY MATH TEACHER,
MRS. BELLOWS,
239
00:09:12,667 --> 00:09:15,417
SHE HANDS US THIS REALLY WEIRD
MID-TERM ASSIGNMENT.
240
00:09:15,500 --> 00:09:17,375
SHE WANTS US TO LOOK AT
PARTS OF OUR LIFE
241
00:09:17,458 --> 00:09:18,583
THAT NEED IMPROVEMENT,
242
00:09:18,667 --> 00:09:20,667
AND USE STATISTICS
TO COME UP WITH A PLAN.
243
00:09:20,750 --> 00:09:22,500
OH, WELL, THAT
SOUNDS INTERESTING.
244
00:09:22,583 --> 00:09:23,917
DOES THAT MEAN
YOU'RE GONNA HELP?
245
00:09:24,000 --> 00:09:25,667
OH, NO, I'M DONE
WITH HIGH SCHOOL.
246
00:09:25,750 --> 00:09:27,500
-DAD?
-OH, LIKEWISE.
247
00:09:27,583 --> 00:09:29,250
BUT REMEMBER WHAT
WE TALKED ABOUT
248
00:09:29,333 --> 00:09:30,166
LAST NIGHT?
249
00:09:30,250 --> 00:09:31,250
TEAM LEADERSHIP.
250
00:09:31,333 --> 00:09:34,166
MAYBE WITH SOME
STATS IN HAND...
251
00:09:34,250 --> 00:09:36,166
AND IT COULD HELP FORM
A GAME PLAN.
252
00:09:36,250 --> 00:09:37,834
YEAH.
253
00:09:37,917 --> 00:09:39,125
YOU'RE RIGHT.
254
00:09:39,208 --> 00:09:40,792
[HANNAH SINGING]
♪ SHE GOT A JOB ♪
255
00:09:40,875 --> 00:09:42,041
♪ NOW SHE'S OKAY ♪
256
00:09:42,125 --> 00:09:44,583
♪ NOW SHE CAN AFFORD
A DOUBLE LATTE... ♪
257
00:09:44,667 --> 00:09:46,166
OH, HANNAH,
THAT'S WONDERFUL.
258
00:09:46,250 --> 00:09:47,208
[LAUGHS]
259
00:09:47,291 --> 00:09:49,000
STUDENT TUTORING,
15 AN HOUR,
260
00:09:49,083 --> 00:09:49,917
CAN YOU BELIEVE IT?
261
00:09:50,000 --> 00:09:51,500
-SERIOUSLY?
-MM-HMM.
262
00:09:51,583 --> 00:09:52,417
CONGRATS.
WHEN DO YOU START?
263
00:09:52,500 --> 00:09:53,542
TOMORROW.
264
00:09:53,625 --> 00:09:54,834
I'VE BEEN ASSIGNED
A FOOTBALL PLAYER
265
00:09:54,917 --> 00:09:56,834
WHO HAS A TON OF MAKE-UP WORK
TO GET THROUGH.
266
00:09:56,917 --> 00:09:58,291
FOOTBALL...
267
00:09:58,375 --> 00:09:59,208
WHAT'S HIS NAME?
268
00:09:59,291 --> 00:10:00,583
UH, RICK NASON?
269
00:10:00,667 --> 00:10:02,500
-RICK NASON?
-MM-HMM.
270
00:10:02,583 --> 00:10:04,041
HANNAH, HE'S
THE STARTING QUARTERBACK.
271
00:10:04,125 --> 00:10:05,625
WELL, NOT FOR LONG
272
00:10:05,709 --> 00:10:07,291
IF HE DOESN'T GET
HIS ACT TOGETHER.
273
00:10:07,375 --> 00:10:08,709
HE'S ALREADY
ON ACADEMIC PROBATION.
274
00:10:08,792 --> 00:10:10,709
OKAY, HANNAH, LOOK AT ME.
275
00:10:10,792 --> 00:10:12,166
RICK NASON IS CARRYING
276
00:10:12,250 --> 00:10:13,709
THE ENTIRE FOOTBALL TEAM, OKAY?
277
00:10:13,792 --> 00:10:15,125
YOU CANNOT LET HIM FAIL.
278
00:10:15,208 --> 00:10:16,542
LOGAN, LOOK AT ME.
279
00:10:16,625 --> 00:10:17,750
HE'S NOT GOING TO FAIL.
280
00:10:17,834 --> 00:10:19,375
OKAY, LOOK AT ME,
281
00:10:19,458 --> 00:10:21,208
LET'S EAT.
282
00:10:27,500 --> 00:10:29,166
GOSH, I'VE NEVER
SEEN A RED CARPET
283
00:10:29,250 --> 00:10:31,166
AT AN ESTATE
AUCTION BEFORE.
284
00:10:31,250 --> 00:10:33,291
I FEEL A LITTLE
UNDERDRESSED.
285
00:10:33,375 --> 00:10:34,250
OH, THERE'S DEAN!
HEY!
286
00:10:34,333 --> 00:10:35,250
HI!
287
00:10:35,333 --> 00:10:36,792
HEY! JENN! DANI!
288
00:10:36,875 --> 00:10:38,250
DID YOU BRING YOUR CHECKBOOKS?
289
00:10:38,333 --> 00:10:39,166
WE DID, DID YOU?
290
00:10:39,250 --> 00:10:40,250
ARE YOU KIDDING ME?
291
00:10:40,333 --> 00:10:41,709
DID HAYDN WEAR A WIG?
292
00:10:41,792 --> 00:10:42,875
[LAUGHING]
293
00:10:42,959 --> 00:10:44,625
-LADIES...
-HE DID.
294
00:10:45,875 --> 00:10:47,709
HI, HELEN.
295
00:10:48,959 --> 00:10:50,417
THANK YOU.
296
00:10:52,583 --> 00:10:54,709
THIS IS A GOOD TURNOUT.
297
00:10:54,792 --> 00:10:57,125
YES, A NICE
FAT COMMISSION
298
00:10:57,208 --> 00:10:59,125
IN THIS OFFERING,
299
00:10:59,208 --> 00:11:01,250
BUT A DISAPPOINTMENT
NONETHELESS.
300
00:11:01,333 --> 00:11:03,375
SIR, I WENT OVER
EVERY SQUARE INCH
301
00:11:03,458 --> 00:11:05,041
OF THE DIETZES' RESIDENCE.
302
00:11:05,125 --> 00:11:06,667
I WENT THROUGH
EVERY DRAWER IN HIS DESK,
303
00:11:06,750 --> 00:11:08,959
I EVEN PULLED UP
THE FLOORBOARDS.
304
00:11:09,041 --> 00:11:10,542
I'M TELLING YOU,
305
00:11:10,625 --> 00:11:12,834
WHAT YOU SEE
IS WHAT WE'VE GOT.
306
00:11:12,917 --> 00:11:14,834
AND I'M TELLING YOU
THERE'S MORE, DWYER.
307
00:11:14,917 --> 00:11:17,125
A KING'S RANSOM
TUCKED AWAY SOMEWHERE,
308
00:11:17,208 --> 00:11:21,000
PROBABLY... RIGHT
UNDERNEATH OUR NOSES.
309
00:11:25,083 --> 00:11:26,375
OTHERWISE, WHY
WOULD HE BE HERE?
310
00:11:26,458 --> 00:11:28,125
HMM?
311
00:11:28,208 --> 00:11:29,500
JACQUES GRENIER.
312
00:11:30,792 --> 00:11:32,333
KEEP AN EYE ON HIM.
313
00:11:32,417 --> 00:11:33,792
YES, SIR.
314
00:11:46,667 --> 00:11:48,208
GOOD AFTERNOON,
LADIES AND GENTLEMEN.
315
00:11:48,291 --> 00:11:51,000
I AM YOUR HOST
AND AUCTIONEER,
316
00:11:51,083 --> 00:11:53,166
CONRAD SILES.
317
00:11:53,250 --> 00:11:55,583
NOW THEN, LET US COMMENCE
318
00:11:55,667 --> 00:11:59,417
WITH THE KARL L. DIETZ
CHARITABLE ESTATE AUCTION.
319
00:11:59,500 --> 00:12:01,750
ITEM NUMBER ONE...
320
00:12:01,834 --> 00:12:04,834
AN EXCEPTIONAL
BIEDERMEIER ARMOIRE WARDROBE
321
00:12:04,917 --> 00:12:07,333
IN PURE WALNUT,
322
00:12:07,417 --> 00:12:09,959
CIRCA 1840.
323
00:12:10,041 --> 00:12:12,834
AND WE WILL START THE BIDDING
AT $6,000.
324
00:12:12,917 --> 00:12:14,458
6,000?
325
00:12:14,542 --> 00:12:15,834
6,500...
326
00:12:15,917 --> 00:12:17,125
DO I HEAR 7,000?
327
00:12:21,083 --> 00:12:21,959
[COUGHS]
328
00:12:23,583 --> 00:12:25,166
7,000.
329
00:12:25,250 --> 00:12:26,917
DO I HEAR 8,000?
330
00:12:28,834 --> 00:12:29,834
8,000 GOING...
331
00:12:29,917 --> 00:12:31,291
GOING...
332
00:12:32,709 --> 00:12:33,709
SOLD! [BANGS GAVEL]
333
00:12:33,792 --> 00:12:35,625
$7,000,
334
00:12:35,709 --> 00:12:39,792
TO THE GENTLEMEN
WITH PADDLE NUMBER 44.
335
00:12:39,875 --> 00:12:41,583
[APPLAUSE]
336
00:12:43,000 --> 00:12:44,291
NEXT UP,
337
00:12:44,375 --> 00:12:46,709
A DELIGHTFUL
LANDSCAPE PAINTING
338
00:12:46,792 --> 00:12:48,709
FROM A TRUE MASTER
OF ROMANTICISM,
339
00:12:48,792 --> 00:12:50,417
CASPAR DAVID FRIEDRICH.
340
00:12:50,500 --> 00:12:51,417
[WHISPERING]
THAT'S IT.
341
00:12:51,500 --> 00:12:53,291
THAT'S THE ONE.
342
00:12:53,375 --> 00:12:54,166
ARE YOU SURE, HELEN?
343
00:12:54,250 --> 00:12:55,542
YES.
344
00:12:55,625 --> 00:12:57,375
NOW I'M CERTAIN.
345
00:12:57,458 --> 00:12:59,417
AND WE WILL START THE BIDDING
AT 15,000.
346
00:12:59,500 --> 00:13:00,959
OH, DEAR.
347
00:13:02,500 --> 00:13:03,875
I'M AFRAID
I'M TOO OLD
348
00:13:03,959 --> 00:13:06,375
TO TAKE OUT
A SECOND MORTGAGE.
349
00:13:06,458 --> 00:13:07,542
AW...
350
00:13:17,667 --> 00:13:18,709
YOU BREAK IT,
351
00:13:18,792 --> 00:13:20,583
YOU STILL PAY FOR IT.
352
00:13:20,667 --> 00:13:21,875
HMM...
353
00:13:21,959 --> 00:13:25,792
CONRAD SILES'
BAGMAN, I PRESUME?
354
00:13:25,875 --> 00:13:31,041
AND WHAT DID YOU BRING HOME
FROM THE WAR, SERGEANT?
355
00:13:31,125 --> 00:13:33,667
THE CASHIER IS THAT WAY.
356
00:13:42,625 --> 00:13:46,709
WE HAVE AN ACCEPTED
STANDING BID OF $30,000.
357
00:13:46,792 --> 00:13:48,583
LOT #2 IS NOW SOLD.
358
00:13:48,667 --> 00:13:49,625
[BANGS GAVEL]
359
00:13:49,709 --> 00:13:51,792
I'M SORRY, HELEN.
360
00:13:51,875 --> 00:13:54,208
[POLITE APPLAUSE]
361
00:14:00,959 --> 00:14:02,417
[DEAN]: LOOK
AT THAT, LADIES.
362
00:14:02,500 --> 00:14:04,792
IS THAT A VESTONE-
DOBROTT PLAYER PIANO?
363
00:14:04,875 --> 00:14:06,667
YES, A 1910,
TO BE EXACT.
364
00:14:06,750 --> 00:14:07,750
IT'S ON
THE ADDENDUM LIST.
365
00:14:07,834 --> 00:14:09,000
DID YOU NOT
GET ONE?
366
00:14:09,083 --> 00:14:10,125
NO.
367
00:14:10,208 --> 00:14:11,458
IT WAS EMAILED TO ME
LAST NIGHT.
368
00:14:11,542 --> 00:14:13,208
WELL, I DIDN'T SEE ONE.
369
00:14:13,291 --> 00:14:14,458
IT SAYS IT'S
IN FAIR CONDITION.
370
00:14:14,542 --> 00:14:16,166
"FAIR" BEING CODE
371
00:14:16,250 --> 00:14:17,875
FOR "BARELY
FUNCTIONING."
372
00:14:17,959 --> 00:14:20,208
IT COMES WITH
SIX MUSIC ROLLS.
373
00:14:20,291 --> 00:14:21,834
I KNOW SOMEONE
WHO WOULD PAY A FORTUNE
374
00:14:21,917 --> 00:14:23,041
FOR THIS PIANO,
375
00:14:23,125 --> 00:14:24,291
ONCE IT'S RESTORED,
OF COURSE.
376
00:14:26,750 --> 00:14:27,959
HEY, HELEN,
DID YOU SEE THIS?
377
00:14:28,041 --> 00:14:30,667
LOOK, THERE'S A PAIR
OF LANDSCAPE PAINTINGS,
378
00:14:30,750 --> 00:14:32,291
"SUNRISE" AND "SUNSET."
379
00:14:32,375 --> 00:14:34,500
IT SAYS THE ARTIST COMES
FROM THE MUNICH SCHOOL.
380
00:14:34,583 --> 00:14:36,000
THE STYLE
COULD BE REMINISCENT
381
00:14:36,083 --> 00:14:37,792
OF CASPAR DAVID FRIEDRICH.
382
00:14:37,875 --> 00:14:39,959
OH MY, THAT
SOUNDS INTERESTING.
383
00:14:40,041 --> 00:14:41,709
AND THEY'RE
PROBABLY AFFORDABLE.
384
00:14:41,792 --> 00:14:43,375
ARE YOU IN?
385
00:14:43,458 --> 00:14:44,625
I'M IN.
386
00:14:44,709 --> 00:14:45,875
NEXT...
387
00:14:45,959 --> 00:14:48,000
A VESTONE-DOBROTT PIANO.
388
00:14:48,083 --> 00:14:50,333
AND WE'LL START
THE BIDDING AT $2,000.
389
00:14:50,417 --> 00:14:51,709
2,000.
390
00:14:51,792 --> 00:14:53,583
2,200...?
391
00:14:53,667 --> 00:14:55,000
IT'S FUN!
392
00:14:55,083 --> 00:14:56,458
WELL, I'D SAY
393
00:14:56,542 --> 00:14:58,458
WE'VE EARNED
SOME CHAMPAGNE.
394
00:14:58,542 --> 00:15:01,166
HELEN GOT HER "SUNRISE"
AND "SUNSET" PAINTINGS,
395
00:15:01,250 --> 00:15:03,041
AND DEAN GOT HIS VIOLA,
396
00:15:03,125 --> 00:15:06,000
AND RAGS-TO-RICHES NOW OWNS
KAISER WILHELM'S PIANO.
397
00:15:06,083 --> 00:15:08,792
WELL... LET'S
DRINK TO THAT.
398
00:15:08,875 --> 00:15:10,000
HAPPY AUCTION DAY,
EVERYONE!
399
00:15:10,083 --> 00:15:11,250
HAPPY AUCTION
DAY, EVERYONE!
400
00:15:11,333 --> 00:15:13,291
AUCTION DAY.
401
00:15:13,375 --> 00:15:14,917
IT DOESN'T LOOK TOO BAD.
402
00:15:15,000 --> 00:15:17,458
SOME WD-40, SOME SANDPAPER,
403
00:15:17,542 --> 00:15:19,041
MAYBE A LITTLE DUCT TAPE...
404
00:15:19,125 --> 00:15:20,583
[CHUCKLING]
OH, DEAN, STOP.
405
00:15:20,667 --> 00:15:22,834
JUST GIVE ME ABOUT AN HOUR
TO TAKE A LOOK AT IT,
406
00:15:22,917 --> 00:15:24,291
AND WRITE UP AN ESTIMATE,
407
00:15:24,375 --> 00:15:26,750
FACTORING IN THE FRIENDS
AND FAMILY DISCOUNT, OF COURSE.
408
00:15:26,834 --> 00:15:28,500
THANK YOU.
409
00:15:28,583 --> 00:15:29,375
EXCUSEZ-MOI.
410
00:15:29,458 --> 00:15:30,417
MAY I HAVE A MOMENT?
411
00:15:31,583 --> 00:15:32,875
MY NAME IS JACQUES,
412
00:15:32,959 --> 00:15:35,917
AND, UNFORTUNATELY,
I WAS NOT IN THE ROOM
413
00:15:36,000 --> 00:15:38,125
WHEN THEY PRESENT
THIS MARVELOUS PIANO,
414
00:15:38,208 --> 00:15:39,875
AND I NEVER RECEIVED
415
00:15:39,959 --> 00:15:41,667
THE ADDENDUM LIST,
416
00:15:41,750 --> 00:15:45,291
SO I WOULD LIKE TO KNOW
IF YOU WOULD CONSIDER AN OFFER?
417
00:15:45,375 --> 00:15:47,625
I COULD GO UP, UH, 20%?
418
00:15:47,709 --> 00:15:49,000
[CHUCKLES POLITELY]
419
00:15:49,083 --> 00:15:50,834
WELL, THANK YOU,
BUT IT'S NOT FOR SALE.
420
00:15:50,917 --> 00:15:52,417
25%?
421
00:15:52,500 --> 00:15:55,500
UH, THAT'S VERY GENEROUS,
BUT I'M NOT SELLING.
422
00:15:55,583 --> 00:15:57,458
MADAME...
423
00:15:57,542 --> 00:15:58,834
THIS IS VERY IMPORTANT TO ME.
424
00:16:00,458 --> 00:16:01,667
PLEASE SAY YOUR PRICE.
425
00:16:03,709 --> 00:16:04,959
THE LADY SAID NO.
426
00:16:05,041 --> 00:16:07,041
WELL...
427
00:16:07,125 --> 00:16:10,208
THAT IS A REAL SHAME.
428
00:16:37,125 --> 00:16:39,458
[♪♪♪]
429
00:16:42,667 --> 00:16:43,792
[ENTRY BELL CHIMES]
430
00:16:43,875 --> 00:16:45,500
DEAN!
431
00:16:48,208 --> 00:16:49,750
DEAN, YOU BACK THERE?
432
00:16:56,417 --> 00:16:58,125
DEAN?
433
00:17:05,000 --> 00:17:06,458
DEAN!
434
00:17:13,125 --> 00:17:14,250
[DIALING]
435
00:17:14,333 --> 00:17:16,208
9-1-1,
WHAT'S YOUR EMERGENCY?
436
00:17:16,291 --> 00:17:17,500
YES, OPERATOR, UH,
437
00:17:17,583 --> 00:17:20,709
THERE'S BEEN AN ATTACK
AT 166 SOUTH GROVE.
438
00:17:20,792 --> 00:17:22,875
THE VICTIM IS UNCONSCIOUS,
I NEED AN AMBULANCE RIGHT AWAY.
439
00:17:27,291 --> 00:17:29,458
[ENTRY BELL CHIMES]
440
00:17:35,834 --> 00:17:37,000
OH, FRANK,
441
00:17:37,083 --> 00:17:38,500
DEAN IS SUCH A SWEET GUY.
442
00:17:38,583 --> 00:17:40,750
I DON'T KNOW WHAT WOULD HAVE
PROVOKED THIS KIND OF ATTACK.
443
00:17:40,834 --> 00:17:42,166
IT'S MOST LIKELY
A ROBBERY GONE WRONG.
444
00:17:45,500 --> 00:17:47,583
CHECK THE TILL HERE...
445
00:17:49,500 --> 00:17:52,417
THERE'S 500 OR SO DOLLARS
STILL LEFT IN THE TILL.
446
00:17:52,500 --> 00:17:55,041
THAT'S STRANGE, FOR A ROBBERY.
447
00:17:55,125 --> 00:17:56,709
HMM...
448
00:17:56,792 --> 00:17:58,250
THESE INSTRUMENTS,
449
00:17:58,333 --> 00:17:59,917
THEY SEEM LIKE
THEY'RE PRETTY VALUABLE.
450
00:18:03,750 --> 00:18:05,333
JENN?
451
00:18:05,417 --> 00:18:08,125
THE PIANO...
452
00:18:08,208 --> 00:18:10,166
THE FRONT PANELS
WERE YANKED OFF.
453
00:18:10,250 --> 00:18:12,375
THE ASSAILANT WAS PROBABLY
LOOKING FOR SOMETHING.
454
00:18:12,458 --> 00:18:13,417
MONEY, DRUGS...
455
00:18:13,500 --> 00:18:14,792
I'VE SEEN STRANGER THINGS.
456
00:18:14,875 --> 00:18:16,583
FRANK, DEAN AND I WERE
APPROACHED AFTER THE AUCTION
457
00:18:16,667 --> 00:18:17,583
BY A GENTLEMAN,
458
00:18:17,667 --> 00:18:18,959
HE SAID HIS NAME WAS "JACQUES."
459
00:18:19,041 --> 00:18:20,417
MEDIUM HEIGHT, FRENCH ACCENT.
460
00:18:20,500 --> 00:18:22,250
HE WANTED TO BUY
THE PIANO.
461
00:18:22,333 --> 00:18:23,709
WHEN I DECLINED HIS OFFER,
462
00:18:23,792 --> 00:18:25,667
HE GOT VERY INSISTENT.
463
00:18:25,750 --> 00:18:27,041
DEAN HAD TO INTERVENE.
464
00:18:27,125 --> 00:18:28,291
HMM...
465
00:18:28,375 --> 00:18:30,250
THAT DEFINITELY
SOUNDS LIKE A MOTIVE.
466
00:18:30,333 --> 00:18:31,709
I TAKE IT
HE DIDN'T GIVE YOU HIS CARD?
467
00:18:31,792 --> 00:18:32,917
NO.
468
00:18:33,000 --> 00:18:35,166
OH, BUT I DID SEE HIM
PLACE A WINNING BID
469
00:18:35,250 --> 00:18:36,166
ON A BIEDERMEIER DRESSER,
470
00:18:36,250 --> 00:18:37,625
WHICH MEANS
471
00:18:37,709 --> 00:18:39,291
THE AUCTION HOUSE WOULD HAVE
A RECORD OF THAT PURCHASE.
472
00:18:39,375 --> 00:18:41,166
GOOD, I'LL FOLLOW UP.
473
00:18:41,250 --> 00:18:43,083
IN THE MEANTIME,
I'M GONNA TAKE A LOOK AROUND
474
00:18:43,166 --> 00:18:44,208
AND SEE IF ANYTHING ELSE
WAS TAKEN.
475
00:18:48,667 --> 00:18:49,583
FRANK...
476
00:18:49,667 --> 00:18:50,709
MM-HMM?
477
00:18:50,792 --> 00:18:52,917
THERE MIGHT BE
A GUITAR MISSING.
478
00:18:53,000 --> 00:18:53,709
LOOK RIGHT THERE,
479
00:18:53,792 --> 00:18:55,000
SLOT G-4?
480
00:18:55,083 --> 00:18:56,458
OKAY...
481
00:18:56,542 --> 00:18:57,500
ALL RIGHT,
482
00:18:57,583 --> 00:19:00,166
LET'S SEE IF MR. CONNICK
483
00:19:00,250 --> 00:19:03,333
HAS ANY LISTED HERE...
484
00:19:03,417 --> 00:19:05,333
ALL RIGHT, G-3, G-5,
485
00:19:05,417 --> 00:19:07,458
G-4...
486
00:19:07,542 --> 00:19:10,792
IT'S A 1937
MARTIN D-28 GUITAR.
487
00:19:10,875 --> 00:19:12,250
SOUNDS REALLY EXPENSIVE.
488
00:19:12,333 --> 00:19:14,583
A VINTAGE MARTIN
COULD BE WORTH $8,000.
489
00:19:14,667 --> 00:19:16,041
WHO'S THE OWNER?
490
00:19:16,125 --> 00:19:17,041
THERE ISN'T ANYTHING ELSE
LISTED HERE,
491
00:19:17,125 --> 00:19:18,875
EXCEPT FOR THE INITIALS "H-N."
492
00:19:18,959 --> 00:19:19,834
DOES THAT
RING A BELL?
493
00:19:19,917 --> 00:19:21,291
NO.
494
00:19:21,375 --> 00:19:22,834
LOOK, IF YOU DON'T NEED ME,
495
00:19:22,917 --> 00:19:24,917
I'M GOING TO GO TO THE HOSPITAL
AND SEE HOW DEAN IS DOING.
496
00:19:25,000 --> 00:19:26,083
OKAY.
497
00:19:26,166 --> 00:19:27,375
WELL, I'M GOING TO STICK AROUND
498
00:19:27,458 --> 00:19:29,583
AND LOOK AT THE SECURITY FOOTAGE
ON THE CAMERAS.
499
00:19:29,667 --> 00:19:32,083
IT'S TOO BAD THEY DIDN'T HAVE
A CAMERA MOUNTED IN THE BACK.
500
00:19:32,166 --> 00:19:33,542
YEAH.
501
00:19:33,625 --> 00:19:34,500
IT IS TOO BAD.
502
00:19:40,000 --> 00:19:41,792
HOW'S MR. CONNICK FARING?
503
00:19:41,875 --> 00:19:44,041
WELL, HE'S CONSCIOUS,
BUT HE'S STILL IN ICU.
504
00:19:44,125 --> 00:19:46,291
THIS IS THE NEUROLOGIST
IN CHARGE.
505
00:19:46,375 --> 00:19:48,542
SHE SAID HE'S NOT READY
FOR VISITORS YET.
506
00:19:48,625 --> 00:19:50,375
OKAY, THANKS.
507
00:19:50,458 --> 00:19:52,291
NOW, THIS MAN
YOU MENTIONED,
508
00:19:52,375 --> 00:19:54,291
THE ONE WHO APPROACHED YOU
AFTER THE AUCTION...
509
00:19:54,375 --> 00:19:55,542
YES, JACQUES.
510
00:19:55,625 --> 00:19:56,834
OKAY, WELL,
511
00:19:56,917 --> 00:19:58,917
I MAY HAVE
FOUND SOMETHING.
512
00:20:03,041 --> 00:20:04,709
CHECK THIS OUT.
513
00:20:04,792 --> 00:20:06,333
THE MARTIN GUITAR
IS STILL THERE.
514
00:20:06,417 --> 00:20:07,291
SLOT G-4.
515
00:20:07,375 --> 00:20:08,667
YEAH, I SAW THAT.
516
00:20:09,709 --> 00:20:12,000
HERE WE GO.
517
00:20:12,083 --> 00:20:13,083
THAT'S HIM.
THAT'S "JACQUES."
518
00:20:13,166 --> 00:20:13,959
ARE YOU SURE?
519
00:20:14,041 --> 00:20:15,125
YES.
520
00:20:15,208 --> 00:20:17,041
OKAY, WELL, WE HAVE
A BONA FIDE SUSPECT.
521
00:20:17,125 --> 00:20:19,625
I JUST HOPE THAT
MR. CONNICK CAN I.D. HIM.
522
00:20:21,375 --> 00:20:22,291
LIKE A DOG AFTER A BONE.
523
00:20:22,375 --> 00:20:24,583
OR A MAN AFTER A PIANO.
524
00:20:24,667 --> 00:20:25,542
[CHUCKLES]
525
00:20:28,291 --> 00:20:29,583
ALL RIGHT.
526
00:20:29,667 --> 00:20:32,208
58 SECONDS OFF-CAMERA.
527
00:20:32,291 --> 00:20:33,625
YOU THINK THAT WAS ENOUGH TIME?
528
00:20:33,709 --> 00:20:35,375
WHAT, ENOUGH TIME
TO KNOCK OUT YOUR FRIEND?
529
00:20:35,458 --> 00:20:36,875
TEAR THE PANELS OFF YOUR PIANO,
530
00:20:36,959 --> 00:20:38,375
AND DO
A SEARCH-AND-SEIZE?
531
00:20:38,458 --> 00:20:40,000
YEAH, PLENTY OF TIME.
532
00:20:40,083 --> 00:20:42,583
QUESTION IS,
WHAT WAS HE LOOKING FOR?
533
00:20:44,333 --> 00:20:45,250
ALL RIGHT, I'M GOING
TO FAST-FORWARD
534
00:20:45,333 --> 00:20:46,208
A LITTLE BIT HERE.
535
00:20:47,792 --> 00:20:51,250
THERE'S ONE OTHER PERSON THAT
CAME IN BEFORE YOU ARRIVED.
536
00:20:51,333 --> 00:20:52,500
THERE HE IS,
537
00:20:52,583 --> 00:20:53,792
OUR ROCK-'N'-ROLLER.
538
00:20:53,875 --> 00:20:55,375
WELL, HE LOOKS FAMILIAR.
539
00:20:55,458 --> 00:20:57,875
"H-N..."
540
00:20:57,959 --> 00:21:00,583
OH, YOU KNOW WHAT,
I THINK THAT'S HOWIE NASH.
541
00:21:00,667 --> 00:21:01,625
HE'S A LOCAL MUSICIAN.
542
00:21:01,709 --> 00:21:03,166
VERY POPULAR
AMONG HANNAH'S CROWD.
543
00:21:03,250 --> 00:21:05,333
OH, FYI, HE PLAYS FOLK,
NOT ROCK.
544
00:21:05,417 --> 00:21:06,542
I HEARD HIS CD.
HE'S PRETTY GOOD.
545
00:21:06,625 --> 00:21:08,125
OH, YEAH?
546
00:21:08,208 --> 00:21:09,959
HE'S A VERY BAD THIEF.
547
00:21:14,375 --> 00:21:15,792
[SIGHS] OH...
548
00:21:15,875 --> 00:21:17,417
THAT'S NOT GOOD.
549
00:21:17,500 --> 00:21:19,041
HOW LONG WAS HE OFF-CAMERA?
550
00:21:19,125 --> 00:21:21,291
16 SECONDS.
551
00:21:21,375 --> 00:21:22,542
STILL WITHIN THE TIMEFRAME,
552
00:21:22,625 --> 00:21:24,959
STILL A SUSPECT.
553
00:21:31,792 --> 00:21:33,083
SHANNON,
554
00:21:33,166 --> 00:21:34,333
WHAT ARE YOU DOING?
555
00:21:34,417 --> 00:21:35,417
I DIDN'T GIVE YOU
THE AFTERNOON OFF, LET'S GO.
556
00:21:35,500 --> 00:21:36,750
I KNOW, COACH, I KNOW.
557
00:21:36,834 --> 00:21:38,417
I'M JUST CRUNCHING
SOME DATA HERE.
558
00:21:38,500 --> 00:21:39,709
YEAH, DID YOU KNOW
559
00:21:39,792 --> 00:21:41,375
WE'RE SHOOTING ALMOST 60%
FROM THE TOP OF THE KEY?
560
00:21:41,458 --> 00:21:43,083
BUT ONLY 30% INSIDE THE PAINT?
561
00:21:43,166 --> 00:21:44,750
WHAT ARE YOU,
MY STATISTICIAN NOW?
562
00:21:44,834 --> 00:21:47,250
NO, NO, I'M JUST GOING OVER SOME
MATH HOMEWORK.
563
00:21:47,333 --> 00:21:48,959
LOOK, I WAS THINKING,
564
00:21:49,041 --> 00:21:51,625
MAYBE WE COULD WORK OFF
SOME OF THESE STATS, YOU KNOW?
565
00:21:51,709 --> 00:21:52,542
DESIGN SOME NEW PLAYS?
566
00:21:52,625 --> 00:21:53,542
OH, YEAH?
567
00:21:53,625 --> 00:21:54,709
I'VE GOT A BETTER IDEA.
568
00:21:54,792 --> 00:21:56,000
HOW ABOUT 10
FULL-COURT SPRINTS?
569
00:21:57,208 --> 00:21:58,166
[BLOWS WHISTLE]
570
00:21:58,250 --> 00:21:59,125
LET'S GO! ON THE LINE!
571
00:21:59,208 --> 00:22:00,625
10 SPRINTS, LET'S GO!
HUSTLE UP!
572
00:22:00,709 --> 00:22:02,667
LET'S GO!
LET'S GO! LET'S GO!
573
00:22:04,166 --> 00:22:05,542
COME ON, KID,
574
00:22:05,625 --> 00:22:07,875
WE HAVE YOU ON TAPE
AT THE CRIME SCENE.
575
00:22:07,959 --> 00:22:09,333
STOP WITH
THE THIRD DEGREE, MAN.
576
00:22:09,417 --> 00:22:11,333
ME AND DEAN?
577
00:22:11,417 --> 00:22:12,583
YOU HAVE NO IDEA.
578
00:22:12,667 --> 00:22:13,542
OKAY.
579
00:22:13,625 --> 00:22:15,208
WELL, ENLIGHTEN ME.
580
00:22:15,291 --> 00:22:17,125
YEAH, MAYBE
I'LL START WITH THEFT,
581
00:22:17,208 --> 00:22:18,959
AND THEN I'LL WORK
MY WAY UP TO ASSAULT.
582
00:22:19,041 --> 00:22:20,333
OR VICE-VERSA,
WHATEVER YOU--
583
00:22:20,417 --> 00:22:21,959
THE MARTIN GUITAR
IS MINE, OKAY?
584
00:22:23,041 --> 00:22:23,917
THIS RIGHT HERE
585
00:22:24,000 --> 00:22:26,333
IS A PRE-PAID RECEIPT...
586
00:22:26,417 --> 00:22:27,792
FOR NEW STRINGS
587
00:22:27,875 --> 00:22:29,583
AND FRET REPAIR.
588
00:22:29,667 --> 00:22:31,041
MR. CONNICK
589
00:22:31,125 --> 00:22:33,917
IS THE ONLY HUMAN ON THE PLANET
I'D LET TOUCH MY D-28.
590
00:22:34,000 --> 00:22:35,709
THE MAN'S A GOOD FRIEND,
591
00:22:35,792 --> 00:22:37,250
BEEN A MENTOR TO ME
592
00:22:37,333 --> 00:22:39,250
SINCE I PICKED UP A TOY UKULELE.
593
00:22:39,333 --> 00:22:40,709
WHY WOULD I WANT TO HURT HIM?
594
00:22:40,792 --> 00:22:42,333
SO, WHY DIDN'T YOU
CALL 9-1-1?
595
00:22:42,417 --> 00:22:44,500
BECAUSE I HAD NO IDEA
HE HAD BEEN ROLLED, OKAY?
596
00:22:44,583 --> 00:22:45,750
I THOUGHT
I COULD HEAR HIM
597
00:22:45,834 --> 00:22:47,000
MOVING AROUND
IN THE BACK THERE.
598
00:22:47,083 --> 00:22:49,333
AND THE DOOR WAS SHUT,
MUSIC WAS ON...
599
00:22:49,417 --> 00:22:50,750
HE WAS IN WORK MODE.
600
00:22:50,834 --> 00:22:51,709
WELL, THEN YOU KNOCK.
601
00:22:51,792 --> 00:22:53,667
NO. YOU DON'T KNOCK.
602
00:22:53,750 --> 00:22:55,333
HE'D HEAR THE DOOR ENTRY BUZZER.
603
00:22:55,417 --> 00:22:57,500
IF HE'S NOT THERE
WHEN YOU WALK IN, YOU WAIT.
604
00:22:57,583 --> 00:22:59,542
IT MEANS HE'S BUSY.
605
00:22:59,625 --> 00:23:01,625
COULD BE HOLDING A STRADIVARIUS,
KNOW WHAT I'M SAYING?
606
00:23:01,709 --> 00:23:02,625
BUT YOU COULDN'T WAIT.
607
00:23:03,792 --> 00:23:04,834
I GOT A GIG TONIGHT.
608
00:23:04,917 --> 00:23:05,750
ARE WE DONE?
609
00:23:07,834 --> 00:23:09,834
I WANNA GO BY THE HOSPITAL.
610
00:23:09,917 --> 00:23:12,166
YOU'RE WASTING YOUR TIME.
611
00:23:20,250 --> 00:23:22,375
RICK?
612
00:23:22,458 --> 00:23:23,417
HEY, THERE.
613
00:23:23,500 --> 00:23:24,917
I DON'T THINK
WE'VE MET.
614
00:23:25,000 --> 00:23:27,000
HI, I'M HANNAH, YOUR NEW TUTOR.
615
00:23:27,959 --> 00:23:29,000
YOU'RE KIDDING.
616
00:23:29,083 --> 00:23:30,208
MY COACH SAID
617
00:23:30,291 --> 00:23:31,375
HE'D HANDLE THIS.
618
00:23:31,458 --> 00:23:32,625
HE DID.
619
00:23:32,709 --> 00:23:34,417
THAT'S WHY I'M HERE.
620
00:23:34,500 --> 00:23:36,041
YOU DO KNOW
THAT ACADEMIC PROBATION
621
00:23:36,125 --> 00:23:37,709
CAN LEAD
TO TEAM SUSPENSION, RIGHT?
622
00:23:37,792 --> 00:23:41,375
ANYWAY, I'VE VISITED
ALL YOUR PROFESSORS,
623
00:23:41,458 --> 00:23:42,750
AND, WOW,
624
00:23:42,834 --> 00:23:44,166
CLEARLY, WE HAVE A LOT
OF MAKE-UP WORK TO GET AFTER.
625
00:23:44,250 --> 00:23:46,709
YEAH, WELL, I GOT PRACTICE
IN A COUPLE MINUTES, SO--
626
00:23:46,792 --> 00:23:48,333
WELL, I CAN MEET
IN THE LIBRARY RIGHT AFTER?
627
00:23:48,417 --> 00:23:50,000
LET'S SAY TOMORROW.
628
00:23:55,000 --> 00:23:56,917
SO, WHY WASN'T I INFORMED?
629
00:23:57,000 --> 00:23:58,583
YOU HAD NO RIGHT
TO HOLD AN ESTATE SALE
630
00:23:58,667 --> 00:24:00,333
TO SELL OFF
MY FAMILY HEIRLOOMS!
631
00:24:00,417 --> 00:24:02,000
I HAD EVERY RIGHT,
MISS TURNER.
632
00:24:02,083 --> 00:24:04,625
I HAVE HERE A LETTER
FROM MY GRANDFATHER,
633
00:24:04,709 --> 00:24:05,709
WRITTEN TO MY MOTHER, HELGA,
634
00:24:05,792 --> 00:24:06,750
SIX MONTHS AGO,
635
00:24:06,834 --> 00:24:07,834
ASSURING US
THAT EVERYTHING,
636
00:24:07,917 --> 00:24:09,000
AND I MEAN EVERYTHING
IN HIS ESTATE,
637
00:24:09,083 --> 00:24:10,208
WOULD BE LEFT TO US.
638
00:24:10,291 --> 00:24:11,834
AND I HAVE HERE
639
00:24:11,917 --> 00:24:14,417
A LEGALLY-BINDING CONTRACT
640
00:24:14,500 --> 00:24:16,542
SIGNED BY YOUR
LATE GRANDFATHER, KARL DIETZ,
641
00:24:16,625 --> 00:24:17,667
EIGHT WEEKS AGO,
642
00:24:17,750 --> 00:24:19,417
GIVING ME PERMISSION
TO APPRAISE,
643
00:24:19,500 --> 00:24:20,875
CATALOGUE, AND AUCTION
644
00:24:20,959 --> 00:24:22,917
ALL ITEMS LISTED HERE WITHIN,
645
00:24:23,000 --> 00:24:26,625
THE NET PROFITS TO BE PLACED
IN HIS CHARITABLE TRUST.
646
00:24:26,709 --> 00:24:27,625
TWO MONTHS AGO.
647
00:24:27,709 --> 00:24:29,041
HOW CONVENIENT.
648
00:24:30,166 --> 00:24:31,667
DETECTIVE, MA'AM.
649
00:24:31,750 --> 00:24:33,083
MR. SILES IS
AT THE TOP OF THE STAIRS.
650
00:24:33,166 --> 00:24:34,625
HE'S EXPECTING YOU.
651
00:24:34,709 --> 00:24:36,333
THANK YOU.
652
00:24:39,000 --> 00:24:40,750
HEY, JENN, THANKS
FOR MEETING ME HERE.
653
00:24:40,834 --> 00:24:42,291
I FIGURED YOU'RE
AN ANTIQUE EXPERT,
654
00:24:42,375 --> 00:24:44,542
SO YOU SHOULD BE ABLE
TO SPEAK SILES'S LANGUAGE.
655
00:24:44,625 --> 00:24:45,959
OF COURSE.
656
00:24:46,041 --> 00:24:47,458
HAS HOWIE
BEEN CLEARED?
657
00:24:47,542 --> 00:24:49,083
FOR NOW.
658
00:24:49,166 --> 00:24:50,250
[SILES]: ...WELL,
CLEARLY, MY CONTRACT
659
00:24:50,333 --> 00:24:51,625
SUPERSEDES YOUR LETTER.
660
00:24:51,709 --> 00:24:52,834
SPEAKING OF WHICH,
661
00:24:52,917 --> 00:24:54,458
WHEN WAS THE LAST TIME
YOU SAW YOUR GRANDFATHER?
662
00:24:54,542 --> 00:24:56,333
NINE, TEN YEARS AGO?
663
00:24:56,417 --> 00:24:57,583
HOW DARE YOU?
664
00:24:57,667 --> 00:24:58,625
I'M SORRY.
665
00:24:58,709 --> 00:25:00,250
YOUR GRIEF AND CONCERN
666
00:25:00,333 --> 00:25:01,667
IS DULY NOTED.
667
00:25:01,750 --> 00:25:03,041
AND I HAVE NO DOUBT
668
00:25:03,125 --> 00:25:05,583
THAT YOU MANIPULATED
A SICK, FEEBLE OLD MAN.
669
00:25:05,667 --> 00:25:06,583
YOU'LL BE HEARING
FROM MY ATTORNEY.
670
00:25:06,667 --> 00:25:08,709
GOOD EVENING, MISS TURNER.
671
00:25:08,792 --> 00:25:09,625
AH, DETECTIVE,
672
00:25:09,709 --> 00:25:11,542
PLEASE, COME IN.
673
00:25:11,625 --> 00:25:12,959
SORRY ABOUT
THE SPOT OF DRAMA.
674
00:25:13,041 --> 00:25:15,083
COMES WITH THE TERRITORY,
I'M AFRAID.
675
00:25:15,166 --> 00:25:16,834
I'M SURE.
676
00:25:16,917 --> 00:25:19,000
NOW THEN,
677
00:25:19,083 --> 00:25:20,959
HOW MAY I BE
OF ASSISTANCE?
678
00:25:21,041 --> 00:25:23,125
IS THAT
A FRIEDRICH EISENLOHR?
679
00:25:23,208 --> 00:25:24,667
OH, WHY, YES.
680
00:25:24,750 --> 00:25:25,792
UM, CIRCA...
681
00:25:25,875 --> 00:25:28,250
1836.
682
00:25:28,333 --> 00:25:29,291
HUH.
683
00:25:29,375 --> 00:25:30,709
MISS...?
684
00:25:30,792 --> 00:25:32,291
OH, UH, SHANNON.
685
00:25:32,375 --> 00:25:35,959
I LOVE
THE BAHNHAUSLE DESIGN.
686
00:25:36,041 --> 00:25:37,333
JENNIFER OWNS
AN ANTIQUE STORE IN TOWN,
687
00:25:37,417 --> 00:25:38,291
RAGS-TO-RICHES.
688
00:25:38,375 --> 00:25:40,041
AH, YES, YES.
689
00:25:40,125 --> 00:25:42,125
RUMOR HAS IT YOU HAVE THE HABIT
OF UNEARTHING A RARE GEM
690
00:25:42,208 --> 00:25:43,291
NOW AND THEN.
691
00:25:43,375 --> 00:25:46,875
WELL, I CERTAINLY
UNEARTHED ONE TODAY.
692
00:25:46,959 --> 00:25:49,333
I'M THE ONE WHO PURCHASED
MR. DIETZ'S PLAYER PIANO.
693
00:25:49,417 --> 00:25:50,625
OH, YES,
694
00:25:50,709 --> 00:25:52,500
WELL, WHAT A DELIGHTFUL
AND ARCANE INSTRUMENT.
695
00:25:52,583 --> 00:25:54,000
YES.
696
00:25:54,083 --> 00:25:55,709
OH, OF COURSE,
NOW I RECOGNIZE YOU.
697
00:25:55,792 --> 00:25:58,333
AND WASN'T THAT, UM,
DEAN CONNICK
698
00:25:58,417 --> 00:25:59,667
I SAW YOU WITH?
699
00:26:00,875 --> 00:26:03,125
ACTUALLY, THAT'S
WHY WE'RE HERE.
700
00:26:03,208 --> 00:26:05,500
MR. CONNICK WAS ASSAULTED
THIS AFTERNOON,
701
00:26:05,583 --> 00:26:07,083
SHORTLY AFTER TRANSPORTING
THE PLAYER PIANO
702
00:26:07,166 --> 00:26:08,250
BACK TO HIS SHOP.
703
00:26:08,333 --> 00:26:09,917
OH, THAT IS DISTRESSING.
704
00:26:10,000 --> 00:26:11,625
WE HAVE A WITNESS...
705
00:26:12,792 --> 00:26:14,750
THE SAME INDIVIDUAL
706
00:26:14,834 --> 00:26:17,542
WHO PLACED THE WINNING BID
ON THE BIEDERMEIER ARMOIRE.
707
00:26:17,625 --> 00:26:19,917
ALSO SEEMS TO HAVE
QUITE THE ZEALOUS INTEREST
708
00:26:20,000 --> 00:26:22,375
IN MRS. SHANNON'S PIANO.
709
00:26:22,458 --> 00:26:23,709
SAYS HIS NAME IS "JACQUES."
710
00:26:25,125 --> 00:26:28,959
I VAGUELY RECOGNIZE THE FACE,
DETECTIVE,
711
00:26:29,041 --> 00:26:33,375
BUT I'M AFRAID
I CANNOT HELP YOU, UH...
712
00:26:33,458 --> 00:26:34,458
THE GENTLEMAN,
IF YOU CAN CALL HIM THAT,
713
00:26:34,542 --> 00:26:36,208
LEFT WITHOUT THE ARMOIRE,
714
00:26:36,291 --> 00:26:37,834
AND DID NOT LEAVE A CHECK
TO PLACE IT ON HOLD,
715
00:26:37,917 --> 00:26:39,834
THEREFORE WE HAVE NO RECORD
OF HIM, I'M AFRAID.
716
00:26:39,917 --> 00:26:41,792
HE WASN'T
ON THE INVITE LIST?
717
00:26:41,875 --> 00:26:44,166
NO, BUT, UH,
WE OFTEN GET CRASHERS,
718
00:26:44,250 --> 00:26:46,542
AND THIS ONE PICKED UP A PADDLE
AND MADE A BID.
719
00:26:46,625 --> 00:26:48,500
UM...
720
00:26:48,583 --> 00:26:50,375
SORRY I COULDN'T BE
OF MORE HELP, DETECTIVE.
721
00:26:51,875 --> 00:26:52,792
AND MS. SHANNON,
722
00:26:52,875 --> 00:26:54,542
PLEASE EXTEND
MY HEARTFELT WISHES
723
00:26:54,625 --> 00:26:55,875
TO MR. CONNICK
724
00:26:55,959 --> 00:26:58,500
FOR A FULL
AND COMPLETE RECOVERY.
725
00:26:58,583 --> 00:26:59,875
WILL DO.
726
00:26:59,959 --> 00:27:01,166
THANK YOU.
727
00:27:03,041 --> 00:27:03,917
GOOD NIGHT.
728
00:27:14,417 --> 00:27:16,166
HEY, HON'.
729
00:27:16,250 --> 00:27:18,000
OH, HEY, SWEETHEART.
730
00:27:18,083 --> 00:27:20,291
I GOT YOUR MESSAGE ABOUT DEAN.
731
00:27:20,375 --> 00:27:21,667
ANY UPDATES FROM THE HOSPITAL?
732
00:27:21,750 --> 00:27:23,500
UH, YES, HE IS STILL IN ICU,
733
00:27:23,583 --> 00:27:25,166
BUT HIS MRI CAME BACK CLEAR.
734
00:27:25,250 --> 00:27:26,375
WELL, THAT'S
ENCOURAGING.
735
00:27:26,458 --> 00:27:27,583
SOMETHING SMELLS GOOD.
736
00:27:27,667 --> 00:27:28,709
WHAT ARE YOU COOKING?
737
00:27:28,792 --> 00:27:30,125
OH, I'M TRYING
THAT NEW DELIVERY SERVICE
738
00:27:30,208 --> 00:27:31,583
THAT DANI KEEPS RAVING ABOUT.
739
00:27:31,667 --> 00:27:32,834
OH...
740
00:27:32,917 --> 00:27:34,583
NOT THE "DON'T PANIC,
IT'S ORGANIC" EXPRESS?
741
00:27:34,667 --> 00:27:35,709
YES!
742
00:27:35,792 --> 00:27:37,417
PANEER VINDALOO WITH EGGPLANT.
743
00:27:37,500 --> 00:27:39,750
[SIGHS]
744
00:27:39,834 --> 00:27:41,959
OH, COME ON, WHERE'S
YOUR SENSE OF ADVENTURE?
745
00:27:42,041 --> 00:27:43,375
JUST GO EASY ON THE CURRY.
746
00:27:43,458 --> 00:27:44,500
[CHUCKLES]
747
00:27:44,583 --> 00:27:46,291
HEY, YOU WORKING ON
A NEW PROJECT?
748
00:27:46,375 --> 00:27:47,542
ACTUALLY,
IT'S AN OLD ONE.
749
00:27:47,625 --> 00:27:49,500
THOSE ARE
THE ORIGINAL BLUEPRINTS
750
00:27:49,583 --> 00:27:51,000
FROM THE DIETZ RECITAL HALL.
751
00:27:51,083 --> 00:27:52,583
I THOUGHT I'D DONATE THEM,
752
00:27:52,667 --> 00:27:54,875
YOU KNOW, MAYBE GET 'EM FRAMED,
AND HANG THEM IN THE LOBBY?
753
00:27:54,959 --> 00:27:56,875
WOULD YOU LIKE ME
TO GET THEM FRAMED FOR YOU?
754
00:27:56,959 --> 00:27:58,667
THAT IS A TERRIFIC IDEA.
755
00:27:58,750 --> 00:28:00,041
[CHUCKLING]
756
00:28:00,125 --> 00:28:02,041
HIS GRANDDAUGHTER'S
PUTTING ON A MEMORIAL SERVICE
757
00:28:02,125 --> 00:28:03,125
IN A COUPLE OF DAYS.
758
00:28:03,208 --> 00:28:05,000
THEY'VE ASKED ME
TO HELP PLAN IT
759
00:28:05,083 --> 00:28:07,375
SINCE I KNOW EVERY
SQUARE INCH OF THE PLACE.
760
00:28:07,458 --> 00:28:08,583
AND THERE'S
A REHEARSAL TOMORROW,
761
00:28:08,667 --> 00:28:10,625
SO MAYBE IF YOU COULD
DROP THEM BY THEN?
762
00:28:10,709 --> 00:28:11,750
OH, WOW, A RUSH JOB.
763
00:28:11,834 --> 00:28:13,750
HUH, WELL, I'M ON IT.
764
00:28:13,834 --> 00:28:15,000
THANK YOU.
765
00:28:17,125 --> 00:28:18,542
HEY, JASON...
766
00:28:18,625 --> 00:28:19,792
THIS ISN'T YOUR HANDWRITING.
767
00:28:19,875 --> 00:28:23,250
THOSE ARE MR. DIETZ'S NOTES
AND ADJUSTMENTS.
768
00:28:23,333 --> 00:28:25,250
THAT'S WHY I WANTED
TO DONATE THE PRINTS.
769
00:28:25,333 --> 00:28:27,458
LIKE I SAID,
THE MAN WAS A PERFECTIONIST.
770
00:28:27,542 --> 00:28:28,625
HE EVEN BROUGHT
HIS OWN PEOPLE IN
771
00:28:28,709 --> 00:28:29,750
TO DO THE ACOUSTICS,
772
00:28:29,834 --> 00:28:31,375
THE STAGE FLOORING, VIP SEATS...
773
00:28:33,750 --> 00:28:35,291
WHAT?
774
00:28:38,375 --> 00:28:40,417
WELL, I WAS JUST THINKING,
775
00:28:40,500 --> 00:28:41,959
SOMEONE WENT TO GREAT LENGTHS
776
00:28:42,041 --> 00:28:43,291
TO SEARCH
KARL DIETZ'S PIANO.
777
00:28:43,375 --> 00:28:45,208
THEY WERE EVEN WILLING
TO HURT DEAN.
778
00:28:45,291 --> 00:28:47,250
IT MAKES YOU WONDER...
779
00:28:47,333 --> 00:28:48,458
DID KARL DIETZ DIE
780
00:28:48,542 --> 00:28:50,083
FROM SOMETHING OTHER THAN
A HEART ATTACK?
781
00:28:50,166 --> 00:28:51,291
JENN...
782
00:28:51,375 --> 00:28:53,333
DON'T OVER-THINK THIS.
783
00:28:53,417 --> 00:28:55,417
MR. DIETZ HAD A HISTORY
OF HEART TROUBLE.
784
00:28:55,500 --> 00:28:56,667
HE WAS IN A HOME HOSPICE.
785
00:28:56,750 --> 00:28:58,500
YES, BUT THAT WOULDN'T
NECESSARILY REMOVE HIM
786
00:28:58,583 --> 00:28:59,583
FROM HARM'S WAY,
787
00:28:59,667 --> 00:29:01,291
WOULD IT?
788
00:29:03,709 --> 00:29:05,709
[♪♪♪]
789
00:29:09,375 --> 00:29:10,959
TELL ME, MR. DWYER,
790
00:29:11,041 --> 00:29:13,375
HOW UP ARE YOU
ON YOUR PHILOSOPHERS?
791
00:29:13,458 --> 00:29:15,166
OH, I'VE READ
A LITTLE NIETZSCHE,
792
00:29:15,250 --> 00:29:17,667
A LITTLE BIT OF MARCUS AURELIUS.
793
00:29:17,750 --> 00:29:20,375
I TAKE IT YOU'VE NEVER HEARD
OF YANG ZHU?
794
00:29:20,458 --> 00:29:21,667
FOURTH CENTURY.
795
00:29:21,750 --> 00:29:23,125
CHINESE.
796
00:29:23,208 --> 00:29:25,333
BELIEVED IN AN "EVERYTHING
FOR MYSELF" OUTLOOK.
797
00:29:25,417 --> 00:29:28,750
IS THERE A POINT TO THIS, SIR?
798
00:29:28,834 --> 00:29:31,041
NOT A POINT.
799
00:29:31,125 --> 00:29:33,166
A REVELATION.
800
00:29:34,458 --> 00:29:37,709
TUCKED AMONG THE VOLUMES
IN DIETZ'S LIBRARY...
801
00:29:39,625 --> 00:29:42,333
THE MISSING LINK
TO A MISSING FORTUNE, PERHAPS?
802
00:29:42,417 --> 00:29:44,417
OUTSTANDING.
803
00:29:44,500 --> 00:29:46,667
SO... WHAT HAVE YOU FOUND?
804
00:29:46,750 --> 00:29:47,834
PATIENCE.
805
00:29:47,917 --> 00:29:48,834
I'VE JUST STARTED
SIFTING THROUGH IT ALL,
806
00:29:48,917 --> 00:29:50,041
AND MY GERMAN IS A LITTLE RUSTY,
807
00:29:50,125 --> 00:29:51,000
BUT...
808
00:29:52,375 --> 00:29:53,750
I DID FIND A NOTE.
809
00:29:55,125 --> 00:29:56,709
A PERSONAL REMINDER
810
00:29:56,792 --> 00:29:58,750
REGARDING THE TWO
MUNICH SCHOOL PAINTINGS
811
00:29:58,834 --> 00:30:00,458
WE FOUND
HANGING BEHIND HIS DESK.
812
00:30:00,542 --> 00:30:02,709
THE "SUNRISE" AND "SUNSET"
LANDSCAPES?
813
00:30:02,792 --> 00:30:04,291
YES.
814
00:30:04,375 --> 00:30:05,792
HE ASKED FOR THEM
815
00:30:05,875 --> 00:30:08,458
TO BE MOVED TO THE VAULT
FOR SAFEKEEPING.
816
00:30:09,667 --> 00:30:11,458
FORTUNATELY, HE NEVER
GOT AROUND TO IT
817
00:30:11,542 --> 00:30:13,250
BEFORE HIS HEALTH TOOK
A TURN FOR THE WORSE.
818
00:30:13,333 --> 00:30:14,792
UNFORTUNATELY...
819
00:30:14,875 --> 00:30:16,208
[SIGHS]
820
00:30:16,291 --> 00:30:18,208
I JUST SOLD THEM OFF AT AUCTION.
821
00:30:18,291 --> 00:30:21,083
YOU THINK THEY MAY CONTAIN
A CLUE TO THIS VAULT?
822
00:30:22,417 --> 00:30:23,875
ALL I KNOW IS,
823
00:30:23,959 --> 00:30:27,625
KARL DIETZ KEPT HIS SECRETS
VERY CLOSE.
824
00:30:27,709 --> 00:30:29,917
PERHAPS HANGING
ON A WALL BEHIND HIS DESK.
825
00:30:30,000 --> 00:30:31,333
SO...
826
00:30:31,417 --> 00:30:33,542
WHO OWNS THE PAINTINGS NOW?
827
00:30:33,625 --> 00:30:35,959
A MRS. HELEN BAUER.
828
00:30:38,208 --> 00:30:39,458
HOW'S THAT?
829
00:30:39,542 --> 00:30:40,333
PERFECT.
830
00:30:40,417 --> 00:30:41,458
THANKS.
831
00:30:41,542 --> 00:30:42,667
WHY DON'T YOU COME ON IN?
832
00:30:42,750 --> 00:30:44,583
WE'RE JUST
FINALIZING SOME DETAILS.
833
00:30:44,667 --> 00:30:45,834
OKAY.
834
00:30:48,166 --> 00:30:50,000
SO, AFTER
THE MENDELSSOHN OCTET,
835
00:30:50,083 --> 00:30:51,583
WE'LL HAVE THE MUSICIANS
LEAVE WITH THEIR CHAIRS,
836
00:30:51,667 --> 00:30:53,625
AND THEN WE'LL FINISH
WITH THE MOZART FANTASIA.
837
00:30:53,709 --> 00:30:54,500
AGREED?
838
00:30:54,583 --> 00:30:55,417
OKAY, WONDERFUL.
839
00:30:55,500 --> 00:30:56,750
THANK YOU, EVERYONE.
840
00:30:56,834 --> 00:30:57,750
CAROLYN?
841
00:30:57,834 --> 00:30:58,875
YES?
842
00:30:58,959 --> 00:30:59,834
HEY, I WANTED
TO INTRODUCE YOU
843
00:30:59,917 --> 00:31:01,083
TO MY WIFE, JENNIFER.
844
00:31:01,166 --> 00:31:03,375
JENN, THIS IS CAROLYN,
KARL DIETZ'S GRANDDAUGHTER.
845
00:31:03,458 --> 00:31:05,625
IT'S NICE
TO FORMALLY MEET YOU.
846
00:31:05,709 --> 00:31:06,709
WE CROSSED PATHS
847
00:31:06,792 --> 00:31:08,208
AT THE AUCTION HOUSE EARLIER.
848
00:31:08,291 --> 00:31:09,583
I'M SO SORRY
849
00:31:09,667 --> 00:31:11,083
YOU HAD TO WITNESS
MY LITTLE TEMPER TANTRUM THERE.
850
00:31:11,166 --> 00:31:11,875
IT WAS BAD TIMING,
I'M AFRAID.
851
00:31:11,959 --> 00:31:13,375
OH, EXCUSE ME,
852
00:31:13,458 --> 00:31:14,917
THE BACK STAGE DOOR
IS WARPED,
853
00:31:15,000 --> 00:31:17,083
I'VE GOT TO MAKE SURE
THEY FIX THE LOCK.
854
00:31:17,166 --> 00:31:18,834
IT'S ALWAYS SOMETHING.
855
00:31:18,917 --> 00:31:21,166
OH, MY GOSH,
HE HAS BEEN SUCH A HELP.
856
00:31:21,250 --> 00:31:23,792
WELL, HE WORKED VERY CLOSELY
WITH YOUR GRANDFATHER
857
00:31:23,875 --> 00:31:24,792
BUILDING THIS PLACE.
858
00:31:24,875 --> 00:31:27,625
I'M SO SORRY
FOR YOUR LOSS.
859
00:31:27,709 --> 00:31:29,333
SO, I TAKE IT YOU HAD NO IDEA
860
00:31:29,417 --> 00:31:31,125
THERE WAS GOING TO BE
AN ESTATE AUCTION?
861
00:31:31,208 --> 00:31:33,208
NO, NONE WHATSOEVER.
862
00:31:33,291 --> 00:31:35,375
I'VE BEEN OVERSEAS ON ASSIGNMENT
THESE PAST FEW MONTHS.
863
00:31:35,458 --> 00:31:36,917
I'M A CRISIS MANAGER
FOR THE CDC.
864
00:31:37,959 --> 00:31:40,041
OH, WOW, A REAL HUMANITARIAN.
865
00:31:40,125 --> 00:31:42,458
OH, WELL...
866
00:31:42,542 --> 00:31:43,542
IT CAN BE REWARDING
867
00:31:43,625 --> 00:31:45,291
AND EXHAUSTING.
868
00:31:45,375 --> 00:31:47,542
BUT, UH...
869
00:31:47,625 --> 00:31:49,875
YEAH, I'M STILL WORKING THROUGH
A LOT OF THE GUILT AND REGRET
870
00:31:49,959 --> 00:31:52,041
OVER NOT BEING ABLE TO GET BACK
BEFORE MY GRANDPA DIED.
871
00:31:54,250 --> 00:31:55,875
HE DIDN'T TREAT MY MOTHER
VERY WELL
872
00:31:55,959 --> 00:31:57,291
WHEN I WAS GROWING UP,
873
00:31:57,375 --> 00:31:58,250
I CALLED HIM OUT ON IT,
874
00:31:58,333 --> 00:32:00,125
AND THAT WAS THAT.
875
00:32:00,208 --> 00:32:00,917
HE CUT US BOTH OFF.
876
00:32:01,000 --> 00:32:02,667
I'M SORRY.
877
00:32:03,917 --> 00:32:05,959
ABOUT SIX MONTHS AGO,
MY MOM TOLD ME
878
00:32:06,041 --> 00:32:07,625
THAT GRANDPA WANTED
TO REINSTATE US IN THE WILL,
879
00:32:07,709 --> 00:32:08,834
AND SHE GAVE ME
A LETTER TO THAT EFFECT,
880
00:32:08,917 --> 00:32:09,792
FROM HIM.
881
00:32:09,875 --> 00:32:10,917
REALLY?
882
00:32:11,000 --> 00:32:13,041
MY MOM,
883
00:32:13,125 --> 00:32:14,834
SHE PASSED AWAY
A FEW MONTHS AGO,
884
00:32:14,917 --> 00:32:15,792
WHILE I WAS OVERSEAS,
885
00:32:15,875 --> 00:32:17,000
AND THEN...
886
00:32:17,083 --> 00:32:18,750
GRANDPA'S
HEALTH DECLINED,
887
00:32:18,834 --> 00:32:21,625
AND THAT'S WHEN
CONRAD SILES SWOOPED IN.
888
00:32:21,709 --> 00:32:23,709
HE'S A PROFESSIONAL VULTURE,
THAT MAN.
889
00:32:25,083 --> 00:32:26,166
I'M SORRY.
I DON'T MEAN TO VENT.
890
00:32:26,250 --> 00:32:29,250
OH, IT'S PERFECTLY ALL RIGHT.
891
00:32:29,333 --> 00:32:31,917
I FIGURE I'LL JUST LEAVE IT
TO THE LAWYERS TO SORT IT OUT.
892
00:32:32,000 --> 00:32:34,000
WELL, I'M VERY SORRY
893
00:32:34,083 --> 00:32:35,625
THAT YOU'RE HAVING
TO GO THROUGH THIS,
894
00:32:35,709 --> 00:32:37,291
BUT IF IT'S ANY CONSOLATION,
895
00:32:37,375 --> 00:32:39,709
YOUR GRANDFATHER MEANT
A GREAT DEAL TO THIS COMMUNITY.
896
00:32:39,792 --> 00:32:41,625
AND I THINK
IT'S LOVELY
897
00:32:41,709 --> 00:32:44,542
THAT YOU'RE HONORING HIS MEMORY
AND HIS CONTRIBUTIONS.
898
00:32:44,625 --> 00:32:46,333
THANK YOU.
899
00:32:47,667 --> 00:32:49,417
NOW IF I COULD JUST
DO SOMETHING ABOUT MY NERVES.
900
00:32:49,500 --> 00:32:50,625
I'VE VOLUNTEERED TO PLAY
901
00:32:50,709 --> 00:32:53,250
THE MOZART
"FANTASIA IN D MINOR."
902
00:32:53,333 --> 00:32:54,083
OH, MY!
903
00:32:54,166 --> 00:32:55,333
[CHUCKLING]
904
00:32:55,417 --> 00:32:57,208
YEAH, IT WAS
MY GRANDPA'S FAVORITE.
905
00:32:57,291 --> 00:32:58,834
HE TAUGHT IT TO MY MOTHER,
AND THEN TO ME.
906
00:32:58,917 --> 00:33:01,041
I AM SURE YOU WILL BE FINE.
907
00:33:01,125 --> 00:33:02,208
THANK YOU.
908
00:33:02,291 --> 00:33:03,709
I SHOULD REALLY
GET BACK TO WORK.
909
00:33:03,792 --> 00:33:05,208
UM, I'LL SEE YOU
AT THE MEMORIAL?
910
00:33:05,291 --> 00:33:06,166
OF COURSE, YOU WILL.
911
00:33:11,250 --> 00:33:12,500
WELL, TO BE HONEST,
912
00:33:12,583 --> 00:33:14,709
I CAN UNDERSTAND
CAROLYN'S FRUSTRATION.
913
00:33:14,792 --> 00:33:16,667
DO YOU THINK SILES
MIGHT HAVE MANIPULATED DIETZ
914
00:33:16,750 --> 00:33:17,834
INTO AN ESTATE AUCTION?
915
00:33:17,917 --> 00:33:20,208
HER LAWYER CERTAINLY
THINKS SO.
916
00:33:20,291 --> 00:33:21,583
THE DEPARTMENT WAS JUST NOTIFIED
917
00:33:21,667 --> 00:33:23,834
THAT HE'S PREPARING
TO FILE CHARGES AGAINST SILES
918
00:33:23,917 --> 00:33:25,959
FOR DEFRAUDING THE GRANDFATHER
919
00:33:26,041 --> 00:33:27,333
OUT OF WHAT SHE CONSIDERS
920
00:33:27,417 --> 00:33:29,834
HER RIGHTFUL INHERITANCE.
921
00:33:29,917 --> 00:33:31,250
THEY'VE ALREADY DRAWN UP
A LIST OF ITEMS,
922
00:33:31,333 --> 00:33:32,709
ASSETS FROM THE ESTATE--
923
00:33:32,792 --> 00:33:34,500
PIANO INCLUDED?
924
00:33:34,583 --> 00:33:36,500
PIANO INCLUDED.
925
00:33:36,583 --> 00:33:37,583
SHE'S ALSO EXPRESSED
926
00:33:37,667 --> 00:33:39,291
HER DISPLEASURE
AT THE DEPARTMENT
927
00:33:39,375 --> 00:33:40,792
FOR NOT RELEASING
DIETZ'S BODY YET.
928
00:33:42,125 --> 00:33:43,417
AND YOU HAVEN'T BECAUSE...?
929
00:33:44,750 --> 00:33:46,166
BECAUSE THERE ARE QUESTIONS...
930
00:33:47,291 --> 00:33:49,625
...WHICH I DON'T CARE
TO COMMENT ON.
931
00:33:49,709 --> 00:33:51,500
THE PAPER SAID HE DIED
OF HEART FAILURE.
932
00:33:51,583 --> 00:33:53,083
CARDIAC ARREST.
933
00:33:53,166 --> 00:33:57,125
WHICH, ACCORDING TO DR. TRAMMEL,
WAS TRIGGERED BY AN EMBOLISM.
934
00:33:57,208 --> 00:33:58,500
I MEAN, JENN,
935
00:33:58,583 --> 00:34:00,583
COME ON, THE GUY WAS ALMOST
A HUNDRED YEARS OLD.
936
00:34:00,667 --> 00:34:01,792
92.
937
00:34:01,875 --> 00:34:02,959
CLOSE ENOUGH.
938
00:34:04,125 --> 00:34:06,208
LET'S TURN THE PAGE
HERE FOR A SECOND.
939
00:34:06,291 --> 00:34:08,000
I WENT AND PAID
YOUR FRIEND A VISIT,
940
00:34:08,083 --> 00:34:09,709
MR. CONNICK.
941
00:34:09,792 --> 00:34:12,000
ACCORDING TO HIM,
HE WAS CLUBBED FROM BEHIND,
942
00:34:12,083 --> 00:34:13,875
SO THAT'S WHY HE DIDN'T SEE
THE ASSAILANT.
943
00:34:13,959 --> 00:34:15,083
IT SEEMED
A LITTLE STRANGE TO ME,
944
00:34:15,166 --> 00:34:17,375
CONSIDERING THE SIGHT LINE'S
TO THE DOOR.
945
00:34:17,458 --> 00:34:19,625
SO I HAD ONE OF
MY TECH GUYS GO OVER THERE,
946
00:34:19,709 --> 00:34:21,709
AND CHECK OUT THE REAR WINDOW
OF THE SHOP,
947
00:34:21,792 --> 00:34:23,834
AND, WELL,
ACCORDING TO THE EVIDENCE,
948
00:34:23,917 --> 00:34:25,041
IT WAS JIMMIED.
949
00:34:25,125 --> 00:34:27,458
SO, THE ATTACKER HAD
AN ENTRY AND EXIT POINT.
950
00:34:27,542 --> 00:34:29,709
YES.
951
00:34:29,792 --> 00:34:33,750
WHICH LEAVES ME AT A DEAD END
UNTIL I FIND JACQUES.
952
00:34:33,834 --> 00:34:35,041
WHO LEFT
THROUGH THE FRONT DOOR.
953
00:34:35,125 --> 00:34:36,333
WELL, PROBABLY BECAUSE
954
00:34:36,417 --> 00:34:37,875
HE NOTICED
THE SURVEILLANCE CAMERAS,
955
00:34:37,959 --> 00:34:38,959
BUT THAT DOESN'T MEAN
956
00:34:39,041 --> 00:34:40,083
HE COULDN'T HAVE
WALKED AROUND TO BACK.
957
00:34:40,166 --> 00:34:42,625
SO WE HAVE JACQUES
AT THE AUCTION,
958
00:34:42,709 --> 00:34:44,792
LOOKING FOR SOMETHING INSIDE
THE BIEDERMEIER DRESSER.
959
00:34:44,875 --> 00:34:45,875
HE DOESN'T FIND IT,
960
00:34:45,959 --> 00:34:47,125
SO HE CHUCKS IT.
961
00:34:47,208 --> 00:34:49,000
THEN SET HIS SIGHTS
ON YOUR PIANO,
962
00:34:49,083 --> 00:34:51,375
WHICH HE TRACKS DOWN
TO DEAN'S SHOP,
963
00:34:51,458 --> 00:34:52,709
HAS A LOOK-SEE--
964
00:34:52,792 --> 00:34:54,417
NOT A VERY THOROUGH ONE.
965
00:34:54,500 --> 00:34:56,875
WELL, EITHER HE FOUND
WHAT HE WAS LOOKING FOR,
966
00:34:56,959 --> 00:34:57,959
OR SOMEONE SPOOKED HIM.
967
00:34:58,041 --> 00:34:59,500
MAYBE IT WAS HOWIE?
968
00:34:59,583 --> 00:35:02,125
HE SAID DEAN'S WORKSHOP DOOR
WAS CLOSED WHEN HE GOT THERE,
969
00:35:02,208 --> 00:35:04,166
AND HE THOUGHT HE HEARD SOMEONE
MOVING AROUND INSIDE?
970
00:35:04,250 --> 00:35:05,667
WHICH HE ASSUMED
WAS MR. CONNICK.
971
00:35:05,750 --> 00:35:07,375
BUT IT MIGHT HAVE BEEN JACQUES.
972
00:35:07,458 --> 00:35:08,291
HMM...
973
00:35:08,375 --> 00:35:09,917
THIS ATTACK
HAD A GOAL,
974
00:35:10,000 --> 00:35:11,250
A PURPOSE,
975
00:35:11,333 --> 00:35:15,875
AND ALL CLUES SEEM TO LEAD
TO KARL DIETZ'S PIANO.
976
00:35:15,959 --> 00:35:17,208
OH, EXCUSE ME,
977
00:35:17,291 --> 00:35:20,041
CAN I GET A SLICE
OF MUD PIE FOR MY FRIEND?
978
00:35:20,125 --> 00:35:21,542
THANK YOU.
979
00:35:21,625 --> 00:35:23,500
I DIDN'T SAY
I WANTED A MUD PIE.
980
00:35:23,583 --> 00:35:25,250
YOU DIDN'T SAY
YOU DIDN'T.
981
00:35:25,333 --> 00:35:26,208
UH...
982
00:35:29,583 --> 00:35:31,917
[♪♪♪]
983
00:35:39,959 --> 00:35:41,375
[SHOP BELL JINGLES]
984
00:35:41,458 --> 00:35:43,917
WELCOME TO RAGS-TO-RICHES.
985
00:35:44,000 --> 00:35:45,083
IT'S A NICE SHOP,
986
00:35:45,166 --> 00:35:46,041
VERY CHARMING.
987
00:35:46,125 --> 00:35:47,750
THANK YOU.
988
00:35:47,834 --> 00:35:48,834
DIDN'T I SEE YOU
989
00:35:48,917 --> 00:35:50,000
AT THE AUCTION
THE OTHER DAY?
990
00:35:50,083 --> 00:35:51,208
OUI.
991
00:35:51,291 --> 00:35:52,750
I AM HERE ABOUT THE PIANO.
992
00:35:52,834 --> 00:35:54,750
AH, THE PIANO.
993
00:35:54,834 --> 00:35:57,083
THE PIANO
ISN'T ACTUALLY FOR SALE.
994
00:35:57,166 --> 00:35:58,583
WELL, I WILL
TAKE A LOOK ANYWAY.
995
00:35:58,667 --> 00:35:59,625
OH.
996
00:35:59,709 --> 00:36:02,291
[TELEPHONE RINGS]
997
00:36:02,375 --> 00:36:04,750
HELLO, RAGS-TO-RICHES.
998
00:36:04,834 --> 00:36:06,959
OH, HEY, DANI,
HAS THE PIANO ARRIVED YET?
999
00:36:07,041 --> 00:36:08,792
MAIS OUI.
1000
00:36:08,917 --> 00:36:10,792
YES, WE HAVE A CUSTOMER
LOOKING AT IT RIGHT NOW.
1001
00:36:10,875 --> 00:36:12,667
IT'S JACQUES, ISN'T IT?
1002
00:36:12,750 --> 00:36:13,709
HE'S THERE.
1003
00:36:13,792 --> 00:36:14,709
-OUI.
-YES.
1004
00:36:14,792 --> 00:36:15,917
YEAH, YOU GOT IT, SISTER.
1005
00:36:16,000 --> 00:36:17,500
DISPATCH?
1006
00:36:17,583 --> 00:36:21,500
I NEED ANY AVAILABLE UNIT
AT 9179 MAIN STREET, ASAP.
1007
00:36:21,583 --> 00:36:22,917
DANI, REMAIN CALM.
1008
00:36:23,000 --> 00:36:24,917
FRANK IS ON HIS WAY THERE
AND THE POLICE ARE EN ROUTE.
1009
00:36:25,000 --> 00:36:28,083
OH, THAT'S WONDERFUL NEWS.
1010
00:36:28,166 --> 00:36:30,083
I WOULD LIKE TO SEE
THE PIANO BENCH
1011
00:36:30,166 --> 00:36:31,709
AND THE MUSIC SCROLLS, MADAME.
1012
00:36:31,792 --> 00:36:33,458
AH--
[SHOP BELL JINGLES]
1013
00:36:33,542 --> 00:36:34,875
DREW!
1014
00:36:34,959 --> 00:36:36,458
OH, DREW, I'M SO
HAPPY TO SEE YOU!
1015
00:36:36,542 --> 00:36:38,000
OH!
1016
00:36:38,083 --> 00:36:39,166
I TOLD YOU I'D BE DROPPING OFF
THE NEW LIGHT FIXTURES.
1017
00:36:39,250 --> 00:36:40,166
UH, DREW,
THIS IS JACQUES.
1018
00:36:40,250 --> 00:36:41,750
HE'S INTERESTED
IN THE PIANO.
1019
00:36:41,834 --> 00:36:43,083
FORMIDABLE, JACQUES.
1020
00:36:43,166 --> 00:36:44,125
HEY, LET'S START IT UP!
[POLICE SIRENS OUTSIDE]
1021
00:36:44,208 --> 00:36:45,166
WHERE'D YOU PUT
THOSE MUSIC ROLLS?
1022
00:36:45,250 --> 00:36:46,208
THEY'RE IN
THE PIANO BENCH, RIGHT?
1023
00:36:46,291 --> 00:36:47,083
LET'S GO GET THEM--
1024
00:36:47,166 --> 00:36:48,250
I'M SORRY,
1025
00:36:48,333 --> 00:36:49,375
I FORGOT I HAVE
ANOTHER APPOINTMENT.
1026
00:36:49,458 --> 00:36:52,083
PERHAPS, UH,
SOME OTHER TIME.
1027
00:36:52,166 --> 00:36:53,041
[SHOP BELL JINGLES]
1028
00:36:53,125 --> 00:36:54,667
[SIGHS IN RELIEF]
1029
00:36:54,750 --> 00:36:56,458
[POLICE SIRENS APPROACH]
1030
00:37:05,458 --> 00:37:06,750
MY TRAVEL BAG--?
1031
00:37:06,834 --> 00:37:08,125
NO, JUST A MINUTE.
1032
00:37:10,000 --> 00:37:12,041
HMM, YOU'RE QUITE
THE WORLD TRAVELER,
1033
00:37:12,125 --> 00:37:13,834
HUH, MR. GRENIER?
1034
00:37:13,917 --> 00:37:14,875
WELL, FOR NOW,
1035
00:37:14,959 --> 00:37:15,917
IN OUR ZIP CODE,
AT LEAST,
1036
00:37:16,000 --> 00:37:17,333
YOU'RE FACING
FELONY ASSAULT.
1037
00:37:18,542 --> 00:37:21,458
BUT I HAVE NOT
ASSAULTED ANYONE.
1038
00:37:21,542 --> 00:37:22,750
WELL, WE HAVE SURVEILLANCE
FOOTAGE OF YOU
1039
00:37:22,834 --> 00:37:24,458
CONFRONTING MR. CONNICK
1040
00:37:24,542 --> 00:37:26,041
BEFORE HE WOUND UP IN THE ICU.
1041
00:37:26,125 --> 00:37:29,625
WE ALSO HAVE WITNESSES
WHO CAN TESTIFY
1042
00:37:29,709 --> 00:37:31,500
TO YOUR KEEN INTEREST
IN THE PLAYER PIANO
1043
00:37:31,583 --> 00:37:32,583
THAT WAS AT HIS SHOP,
1044
00:37:32,667 --> 00:37:33,583
THE ONE THAT WAS
SLIGHTLY DAMAGED
1045
00:37:33,667 --> 00:37:35,166
AFTER THE ATTACK--
1046
00:37:35,250 --> 00:37:37,542
I MERELY INQUIRED
ABOUT THE PIANO.
1047
00:37:37,625 --> 00:37:40,583
YES, THREE TIMES,
AT MY LAST COUNT.
1048
00:37:40,667 --> 00:37:44,000
IT MUST HOLD
DEEP SENTIMENTAL VALUE TO YOU.
1049
00:37:44,083 --> 00:37:45,250
AS I SAID,
1050
00:37:45,333 --> 00:37:47,458
IF I COULD RETRIEVE
MY TRAVEL BAG--
1051
00:37:47,542 --> 00:37:48,709
[DOOR LOCK BUZZES]
1052
00:37:48,792 --> 00:37:50,041
AH! HERE IT IS.
1053
00:37:50,125 --> 00:37:51,625
MERCI, MONSIEUR.
1054
00:38:01,417 --> 00:38:03,667
WHAT DO WE HAVE HERE?
1055
00:38:03,750 --> 00:38:05,625
A BERETTA NINE-MIL.
1056
00:38:05,709 --> 00:38:07,417
MY SERVICE WEAPON.
1057
00:38:07,500 --> 00:38:09,417
AND WHAT SERVICE
WOULD THAT BE?
1058
00:38:09,500 --> 00:38:12,458
THE EUROPEAN MINISTRY
OF CRIMINAL AFFAIRS.
1059
00:38:12,542 --> 00:38:15,625
MY PERMIT AND I.D.
ARE ALSO IN THE BAG.
1060
00:38:25,375 --> 00:38:27,834
EMCA, HUH?
1061
00:38:27,917 --> 00:38:31,250
SO, WHAT BRINGS YOU
HERE, INSPECTOR,
1062
00:38:31,333 --> 00:38:34,542
BESIDES AN OLD ARMOIRE
AND A PLAYER PIANO?
1063
00:38:34,625 --> 00:38:36,291
KARL DIETZ.
1064
00:38:36,375 --> 00:38:38,250
I'VE BEEN PURSUING HIM
FOR A VERY LONG TIME.
1065
00:38:38,333 --> 00:38:39,458
WHY?
1066
00:38:39,542 --> 00:38:41,208
CALL IT, UH...
1067
00:38:41,291 --> 00:38:42,500
RESTITUTION.
1068
00:38:42,583 --> 00:38:43,709
WELL...
1069
00:38:43,792 --> 00:38:45,750
YOU'RE A LITTLE LATE FOR THAT.
1070
00:38:45,834 --> 00:38:47,417
THE MAN IS DEAD.
1071
00:38:47,500 --> 00:38:48,458
OUI.
1072
00:38:48,542 --> 00:38:50,792
NOW, IF ONLY
THE DEAD COULD TALK.
1073
00:38:52,583 --> 00:38:53,750
WHAT DOES THAT MEAN?
1074
00:38:53,834 --> 00:38:55,959
AH, IT IS MY TURN NOW,
DETECTIVE.
1075
00:38:56,041 --> 00:38:59,417
TELL ME, WHAT DO YOU KNOW
ABOUT THE LATE KARL DIETZ?
1076
00:38:59,500 --> 00:39:01,375
ALL RIGHT.
1077
00:39:01,458 --> 00:39:03,208
GERMAN-BORN,
1078
00:39:03,291 --> 00:39:05,250
WORKED AS A DIPLOMATIC LIAISON
FOR NATO,
1079
00:39:05,333 --> 00:39:07,959
RETIRED OUT HERE
ABOUT 20 YEARS AGO.
1080
00:39:08,041 --> 00:39:09,917
HE WAS A FRIEND OF THE MAYOR,
1081
00:39:10,000 --> 00:39:11,542
AND HE'S A VERY
GENEROUS BENEFACTOR
1082
00:39:11,625 --> 00:39:12,750
TO THE COMMUNITY,
1083
00:39:12,834 --> 00:39:14,500
UNDERWRITING
THE LOCAL RECITAL HALL,
1084
00:39:14,583 --> 00:39:15,959
THE ORCHESTRA--
1085
00:39:16,041 --> 00:39:18,291
YES-YES, I AM SURE HE IS
A TRUE PATRON OF THE ARTS.
1086
00:39:18,375 --> 00:39:19,333
AH...
1087
00:39:19,417 --> 00:39:21,834
I DETECT A NOTE
OF SARCASM THERE.
1088
00:39:21,917 --> 00:39:24,166
THIS MAN YOU SPEAK OF,
1089
00:39:24,250 --> 00:39:26,709
THIS, UH... RETIRED DIPLOMAT,
1090
00:39:26,792 --> 00:39:29,291
THIS MAGNANIMOUS
BENEFACTOR,
1091
00:39:29,375 --> 00:39:31,959
IS A MASQUERADE,
1092
00:39:32,041 --> 00:39:34,583
A REINVENTION.
1093
00:39:34,667 --> 00:39:38,625
THE KARL DIETZ I KNOW
IS SOMEONE ELSE ENTIRELY.
1094
00:39:38,709 --> 00:39:41,333
SOMEONE WHO TOOK FULL ADVANTAGE
1095
00:39:41,417 --> 00:39:43,000
OF THE DIRE SITUATION
1096
00:39:43,083 --> 00:39:46,083
THAT FOLLOWED
THE WAR IN GERMANY.
1097
00:39:46,166 --> 00:39:48,166
COULD YOU BE
A LITTLE MORE SPECIFIC?
1098
00:39:48,250 --> 00:39:50,917
HE ABUSED THE POWERS
AND PRIVILEGES
1099
00:39:51,000 --> 00:39:52,166
BESTOWED UPON HIM,
1100
00:39:52,250 --> 00:39:53,500
AND FOR THAT,
1101
00:39:53,583 --> 00:39:55,792
HE WILL ATONE.
1102
00:39:55,875 --> 00:39:56,792
EVEN FROM THE GRAVE.
1103
00:39:59,291 --> 00:40:00,792
NOW, DETECTIVE...
1104
00:40:00,875 --> 00:40:02,291
TELL ME,
1105
00:40:02,375 --> 00:40:05,750
DO I NEED TO CONTACT
AN ATTORNEY?
1106
00:40:09,834 --> 00:40:11,667
[SHOP BELL JINGLES]
1107
00:40:11,750 --> 00:40:14,333
OH, JUST LET ME KNOW
IF YOU NEED ANY HELP.
1108
00:40:14,417 --> 00:40:15,458
THE VESTONE...
1109
00:40:17,125 --> 00:40:18,667
IT'S HERE.
1110
00:40:18,750 --> 00:40:20,709
YES.
1111
00:40:20,792 --> 00:40:23,583
WE JUST GOT THAT
AT AN ESTATE AUCTION.
1112
00:40:23,667 --> 00:40:25,709
ARE YOU FAMILIAR WITH
THE VESTONE-DOBROTT MODEL?
1113
00:40:25,792 --> 00:40:27,583
VERY FAMILIAR.
1114
00:40:27,667 --> 00:40:29,625
THIS WAS MY GRANDFATHER'S.
1115
00:40:29,709 --> 00:40:30,875
HE TAUGHT ME TO PLAY ON IT.
1116
00:40:32,166 --> 00:40:33,542
MR. DIETZ WAS YOUR GRANDFATHER?
1117
00:40:33,625 --> 00:40:35,083
YES.
1118
00:40:36,542 --> 00:40:37,750
SORRY. I'M CAROLYN.
1119
00:40:37,834 --> 00:40:39,041
CAROLYN TURNER.
1120
00:40:39,125 --> 00:40:40,500
I MET JENNIFER
AT THE MEMORIAL REHEARSAL.
1121
00:40:40,583 --> 00:40:42,291
OH. I'M DANI,
I'M HER PARTNER.
1122
00:40:42,375 --> 00:40:43,417
OH, GREAT.
1123
00:40:43,500 --> 00:40:44,750
I'M ACTUALLY HERE
1124
00:40:44,834 --> 00:40:46,500
BECAUSE I NEED AN APPRAISAL
ON SOME OF THE ITEMS
1125
00:40:46,583 --> 00:40:48,625
FROM THE DIETZ ESTATE AUCTION,
1126
00:40:48,709 --> 00:40:49,917
INCLUDING THIS PIANO.
1127
00:40:50,000 --> 00:40:51,083
OH.
1128
00:40:51,166 --> 00:40:53,917
WELL, THAT'S
VERY NICE OF YOU,
1129
00:40:54,000 --> 00:40:55,792
AND A BIT AWKWARD.
1130
00:40:55,875 --> 00:40:57,291
AWKWARD, YES...
1131
00:40:59,125 --> 00:41:00,917
AND REGRETTABLE.
1132
00:41:05,959 --> 00:41:07,625
YOU AGAIN.
1133
00:41:07,709 --> 00:41:08,750
WHAT'S THIS?
1134
00:41:08,834 --> 00:41:10,250
MY LETTER OF RESIGNATION,
AS YOUR TUTOR.
1135
00:41:10,333 --> 00:41:12,583
PARAGRAPH TWO CITES
YOUR LACK OF COOPERATION,
1136
00:41:12,667 --> 00:41:14,166
VIOLATING
YOUR ACADEMIC PROBATION,
1137
00:41:14,250 --> 00:41:15,583
SO HAVE FUN WARMING THE BENCH.
1138
00:41:15,667 --> 00:41:17,250
WAIT, COME ON...
1139
00:41:17,333 --> 00:41:19,417
YOU DON'T HAVE TO COME DOWN
SO HEAVY HERE.
1140
00:41:19,500 --> 00:41:20,792
I DON'T WANT TO,
1141
00:41:20,875 --> 00:41:23,709
BUT IF YOU'RE NOT WILLING
TO HELP YOURSELF...
1142
00:41:23,792 --> 00:41:25,417
LOOK, FOR ME,
I LOSE A PAYCHECK.
1143
00:41:25,500 --> 00:41:26,750
SO WHAT?
1144
00:41:26,834 --> 00:41:28,792
BUT FOR YOU, YOUR TEAM...
1145
00:41:28,875 --> 00:41:31,291
THERE'S A WHOLE LOT MORE
AT STAKE HERE.
1146
00:41:42,583 --> 00:41:44,333
YOU OKAY, HON'?
1147
00:41:44,417 --> 00:41:48,083
OH, YEAH, YEAH,
I WAS JUST THINKING.
1148
00:41:48,166 --> 00:41:51,625
IF WE LIVED
UNTIL WE WERE 92,
1149
00:41:51,709 --> 00:41:53,333
HOW MANY GRANDKIDS
DO YOU THINK WE'LL HAVE?
1150
00:41:53,417 --> 00:41:54,500
[CHUCKLES]
1151
00:41:54,583 --> 00:41:55,458
I HAVE NO IDEA.
1152
00:41:57,250 --> 00:42:00,250
DID KARL DIETZ EVER TALK
ABOUT HIS FAMILY?
1153
00:42:00,333 --> 00:42:01,917
NO, I DIDN'T KNOW
HE HAD A FAMILY
1154
00:42:02,000 --> 00:42:03,250
UNTIL I MET CAROLYN.
1155
00:42:03,333 --> 00:42:05,625
MAYBE THEY DIDN'T HEAL
THAT FAMILY RIFT.
1156
00:42:05,709 --> 00:42:07,750
WELL...
1157
00:42:11,291 --> 00:42:14,250
WE ARE NOT GOING
TO LET THAT HAPPEN HERE.
1158
00:42:14,333 --> 00:42:16,250
WE'RE GOING TO STAY CONNECTED,
1159
00:42:16,333 --> 00:42:17,542
WE'RE GOING TO STAY CLOSE,
1160
00:42:17,625 --> 00:42:20,917
AND WHATEVER WE HAVE
AT THE END OF THE JOURNEY,
1161
00:42:21,000 --> 00:42:23,166
IT'S GOING TO STAY
IN THE FAMILY.
1162
00:42:23,250 --> 00:42:24,166
DEAL.
1163
00:42:24,291 --> 00:42:25,250
DEAL.
1164
00:42:25,333 --> 00:42:27,458
[CELL PHONE RINGS]
1165
00:42:28,583 --> 00:42:30,291
HELLO?
1166
00:42:30,375 --> 00:42:31,667
HELEN, ARE YOU OKAY?
1167
00:42:31,750 --> 00:42:33,875
OH, NO.
1168
00:42:33,959 --> 00:42:34,709
ARE THE POLICE THERE?
1169
00:42:36,166 --> 00:42:38,500
WELL, THAT'S GOOD.
1170
00:42:38,583 --> 00:42:39,542
WELL, NO.
1171
00:42:39,625 --> 00:42:41,083
NO, IT'S NO TROUBLE.
1172
00:42:41,166 --> 00:42:42,709
OKAY.
1173
00:42:42,792 --> 00:42:44,458
IT'S HELEN BAUER.
1174
00:42:44,542 --> 00:42:45,583
SOMEONE BROKE INTO HER HOUSE.
1175
00:42:45,667 --> 00:42:46,792
THE POLICE ARE THERE,
1176
00:42:46,875 --> 00:42:48,250
BUT I THINK SHE COULD USE
SOME HAND HOLDING.
1177
00:42:48,333 --> 00:42:49,417
OF COURSE.
1178
00:42:49,500 --> 00:42:50,542
GO.
1179
00:42:52,000 --> 00:42:52,959
I WAS IN BED
1180
00:42:53,041 --> 00:42:56,625
WHEN MY DOG, MIMI,
HEARD A COMMOTION,
1181
00:42:56,709 --> 00:42:58,083
AND RAN DOWNSTAIRS,
1182
00:42:58,166 --> 00:43:01,250
BIT THE THIEF,
AND RAN HIM OFF,
1183
00:43:01,333 --> 00:43:03,458
BUT NOT BEFORE
HE DID SOME DAMAGE.
1184
00:43:03,542 --> 00:43:05,125
HELEN, WAS ANYTHING TAKEN?
1185
00:43:05,208 --> 00:43:07,041
NOT THAT I KNOW OF.
1186
00:43:07,125 --> 00:43:09,792
WHERE IS
THE "SUNSET" PAINTING?
1187
00:43:09,875 --> 00:43:11,500
OH, IT'S TUCKED
BEHIND THE COUCH
1188
00:43:11,583 --> 00:43:14,041
I WAS GOING
TO HANG IT TOMORROW.
1189
00:43:30,125 --> 00:43:31,834
-FRANK...
-HMM?
1190
00:43:31,917 --> 00:43:33,250
CAN I SEE THE BACK OF THAT
FOR A SECOND?
1191
00:43:33,333 --> 00:43:34,583
SURE.
1192
00:43:40,625 --> 00:43:42,542
THE CANVAS STRETCHER
ON THE "SUNSET" PAINTING
1193
00:43:42,625 --> 00:43:43,709
IS THICKER THAN THIS ONE.
1194
00:43:43,792 --> 00:43:46,417
CAN WE TAKE THIS
OUT OF THE FRAME?
1195
00:43:46,500 --> 00:43:47,917
YEAH, LET'S SEE,
LET'S CHECK IT OUT.
1196
00:43:52,667 --> 00:43:53,917
[GASPS]
1197
00:43:54,000 --> 00:43:55,542
THERE'S A WHOLE
OTHER PANTING IN HERE.
1198
00:43:56,875 --> 00:43:57,959
[GASPS]
1199
00:43:59,041 --> 00:44:01,750
OH, WOW.
1200
00:44:03,125 --> 00:44:04,750
I THINK THIS IS
A HERMANN HERZOG.
1201
00:44:04,834 --> 00:44:06,500
[GASPS]
1202
00:44:06,583 --> 00:44:08,500
AN ORIGINAL HERMANN HERZOG.
1203
00:44:08,583 --> 00:44:10,041
AND IF IT IS ORIGINAL,
1204
00:44:10,125 --> 00:44:12,375
AND IF IT IS ORIGINAL,
1205
00:44:12,458 --> 00:44:14,333
WELL, THIS PAINTING
IS WORTH TEN TIMES
1206
00:44:14,417 --> 00:44:15,709
WHAT HELEN PAID FOR
THESE OTHER TWO PAINTINGS.
1207
00:44:22,375 --> 00:44:23,667
WHAT DO YOU THINK?
1208
00:44:23,750 --> 00:44:25,083
WELL, I MEAN,
1209
00:44:25,166 --> 00:44:27,208
YOU WOULD HAVE TO TAKE IT
TO A PROFESSIONAL
1210
00:44:27,291 --> 00:44:28,166
TO GET IT AUTHENTICATED,
1211
00:44:28,250 --> 00:44:30,125
BUT GIVEN
THE LINEN CANVAS,
1212
00:44:30,208 --> 00:44:31,166
THE LAYERS OF PAINT,
1213
00:44:31,250 --> 00:44:33,542
AND THE SIGNATURE
OF THE ARTIST,
1214
00:44:33,625 --> 00:44:35,500
I THINK IT'S A GENUINE
HERMANN HERZOG.
1215
00:44:36,750 --> 00:44:38,208
I'M SURPRISED CONRAD SILES
NEVER CAUGHT THIS.
1216
00:44:39,375 --> 00:44:41,542
THEN AGAIN...
NOT EVERYONE HAS YOUR EYE.
1217
00:44:43,458 --> 00:44:46,792
FRANK, THESE PAINTINGS
CAME FROM THE DIETZ ESTATE.
1218
00:44:46,875 --> 00:44:48,125
IF ANYONE KNEW A MASTERPIECE
WAS BEING CONCEALED,
1219
00:44:48,208 --> 00:44:49,166
IT WOULD BE--
1220
00:44:49,250 --> 00:44:50,250
KARL DIETZ.
1221
00:44:50,333 --> 00:44:53,000
AND OBVIOUSLY
SOMEONE ELSE AS WELL.
1222
00:44:53,083 --> 00:44:54,208
WHAT ABOUT
1223
00:44:54,291 --> 00:44:56,709
THAT CASPAR DAVID
FRIEDRICH PAINTING?
1224
00:44:56,792 --> 00:44:58,625
YOU ASK ME,
1225
00:44:58,709 --> 00:45:01,792
I THINK THAT AUCTIONEER
IS UP TO NO GOOD.
1226
00:45:09,792 --> 00:45:11,375
BONJOUR, SERGEANT.
1227
00:45:11,458 --> 00:45:13,458
WHAT DO YOU WANT, JACQUES?
1228
00:45:13,542 --> 00:45:14,875
OH, THE SAME THING AS YOU.
1229
00:45:14,959 --> 00:45:16,959
EVERYTHING
THAT KARL DIETZ
1230
00:45:17,041 --> 00:45:19,458
NEGLECTED TO PLACE
ON THE AUCTION TABLE.
1231
00:45:19,542 --> 00:45:21,709
MISSING ART.
1232
00:45:21,792 --> 00:45:23,375
MISSING ANTIQUITIES.
1233
00:45:23,458 --> 00:45:26,583
MISSING JEWELS.
1234
00:45:26,667 --> 00:45:28,208
OH, COME, SERGEANT,
1235
00:45:28,291 --> 00:45:30,417
OUR INTERESTS HERE COULD BE
BENEFITED MUTUALLY, NO?
1236
00:45:30,500 --> 00:45:32,750
UNLESS YOU PREFER
TO CONTINUE
1237
00:45:32,834 --> 00:45:34,709
BEING THE MINION
1238
00:45:34,792 --> 00:45:38,500
OF THAT CHARLATAN, CONRAD SILES?
1239
00:45:38,583 --> 00:45:39,542
OUI.
1240
00:45:39,625 --> 00:45:40,875
WELL...
1241
00:45:40,959 --> 00:45:42,792
THINK ABOUT IT.
1242
00:45:42,875 --> 00:45:44,917
A BIENTOT, SERGEANT.
1243
00:46:53,291 --> 00:46:55,250
[♪♪♪]
1244
00:47:03,917 --> 00:47:06,000
FIND ANYTHING NEW, SIR?
1245
00:47:06,083 --> 00:47:08,709
I HAVE HERE A LETTER
1246
00:47:08,792 --> 00:47:11,041
WRITTEN BY
DIETZ'S DAUGHTER, HELGA,
1247
00:47:11,125 --> 00:47:12,834
A LITTLE MORE THAN
THREE MONTHS AGO,
1248
00:47:12,917 --> 00:47:14,750
SHORTLY BEFORE
HER PASSING.
1249
00:47:14,834 --> 00:47:16,792
SHE OUTRIGHT REJECTS
1250
00:47:16,875 --> 00:47:19,500
HER FATHER'S OFFER
TO RECONCILE THEIR DIFFERENCES,
1251
00:47:19,583 --> 00:47:21,875
OR TO HAVE HER
OR HER DAUGHTER, CAROLYN,
1252
00:47:21,959 --> 00:47:24,875
REINSTATED IN HIS WILL.
1253
00:47:24,959 --> 00:47:27,500
THAT CERTAINLY HEADS OFF
ANY LAWSUIT COMING YOUR WAY.
1254
00:47:27,583 --> 00:47:28,500
YES, INDEED.
1255
00:47:28,583 --> 00:47:31,166
BUT THERE'S MORE.
1256
00:47:31,250 --> 00:47:34,125
SHE SAYS HERE,
AND I QUOTE,
1257
00:47:34,208 --> 00:47:37,667
"I DO NOT WANT
YOUR PRECIOUS PIANO,
1258
00:47:37,750 --> 00:47:40,000
"AND I WILL NOT HAVE
CAROLYN MADE LIABLE
1259
00:47:40,083 --> 00:47:41,709
"FOR YOUR
ILL-GOTTEN GAINS.
1260
00:47:41,792 --> 00:47:44,542
"IF YOU HAD ANY INTEGRITY
LEFT AT ALL,
1261
00:47:44,625 --> 00:47:45,875
"YOU WILL MAKE AMENDS,
1262
00:47:45,959 --> 00:47:48,083
"AND OFFER RESTITUTION
TO THOSE YOU HAVE WRONGED.
1263
00:47:48,166 --> 00:47:52,166
THEN, MAYBE,
WE CAN ALL DIE IN PEACE."
1264
00:47:54,500 --> 00:47:56,125
[CHUCKLING]
1265
00:47:56,208 --> 00:47:58,709
IT'S THE VESTONE-DOBROTT
PLAYER PIANO, DWYER.
1266
00:47:58,792 --> 00:48:02,750
IT MUST CONTAIN THE KEY
TO DIETZ'S HIDDEN VAULT!
1267
00:48:02,834 --> 00:48:05,041
THAT'S WHY JACQUES GRENIER
BROKE INTO DEAN CONNICK'S SHOP.
1268
00:48:05,125 --> 00:48:07,417
MAKES SENSE.
1269
00:48:07,500 --> 00:48:08,875
YES, BUT NOW HE'S WANTED
BY THE POLICE,
1270
00:48:08,959 --> 00:48:11,500
WHICH GIVES US THE ADVANTAGE.
1271
00:48:11,583 --> 00:48:14,041
ARE YOU SUGGESTING
LIBERATING ANOTHER ITEM?
1272
00:48:14,125 --> 00:48:15,625
DO YOU HAVE
A PROBLEM WITH THAT?
1273
00:48:15,709 --> 00:48:17,458
NO, SIR.
1274
00:48:18,417 --> 00:48:19,417
GOOD.
1275
00:48:19,500 --> 00:48:20,417
I BELIEVE
YOU'LL FIND THE PIANO
1276
00:48:20,500 --> 00:48:21,542
AT A SHOP CALLED RAGS-TO-RICHES.
1277
00:48:23,291 --> 00:48:25,375
BY THE WAY, HOW'S THE ARM?
1278
00:48:25,458 --> 00:48:28,834
IT COULD PROBABLY USE
A FEW STITCHES.
1279
00:48:28,917 --> 00:48:30,250
YES, WELL, SEE TO IT.
1280
00:48:30,333 --> 00:48:33,500
I WANT THIS TAKEN CARE OF
AS QUICKLY AS POSSIBLE, DWYER.
1281
00:48:33,583 --> 00:48:34,792
WE'VE ALREADY MISSED
ONE OPPORTUNITY HERE.
1282
00:48:34,875 --> 00:48:35,750
DO NOT FAIL.
1283
00:48:36,875 --> 00:48:38,834
NO, SIR.
1284
00:48:48,834 --> 00:48:50,458
IT'S A GOOD FIND,
1285
00:48:50,542 --> 00:48:52,458
BUT HOW CAN WE BE CERTAIN
IT BELONGED TO DIETZ?
1286
00:48:52,542 --> 00:48:54,291
WELL, IT WAS FOUND
IN HIS PIANO BENCH,
1287
00:48:54,375 --> 00:48:55,750
THE CONTENTS
ARE WRITTEN IN GERMAN,
1288
00:48:55,834 --> 00:48:56,667
AND IT'S DIETZ'S HANDWRITING.
1289
00:48:57,834 --> 00:48:59,208
WELL, I COMPARED
SOME NOTES
1290
00:48:59,291 --> 00:49:00,917
THAT HE SCRIBBLED ONTO JASON'S
RECITAL HALL BLUEPRINTS.
1291
00:49:01,000 --> 00:49:02,208
OKAY.
1292
00:49:02,291 --> 00:49:03,625
I'M CONVINCED.
1293
00:49:07,083 --> 00:49:10,917
JEEZ, LOOK AT
ALL THE DATES, PLACES...
1294
00:49:11,000 --> 00:49:12,041
BERLIN,
1295
00:49:12,125 --> 00:49:13,792
DRESDEN, LEIPZIG.
1296
00:49:13,875 --> 00:49:15,291
AND NAMES.
1297
00:49:15,375 --> 00:49:16,709
SOME OF THEM FAMOUS ARTISTS.
1298
00:49:16,792 --> 00:49:18,125
GOYA, MENZEL,
DELACROIX.
1299
00:49:18,208 --> 00:49:19,834
OH, AND LOOK HERE...
1300
00:49:21,208 --> 00:49:23,458
CASPAR DAVID FRIEDRICH,
1301
00:49:23,542 --> 00:49:25,625
AND HERMANN HERZOG.
1302
00:49:26,792 --> 00:49:29,542
SO, THIS IS
WHAT JACQUES WAS AFTER.
1303
00:49:29,625 --> 00:49:32,000
WHY DIDN'T YOU
SAY SO, INSPECTOR?
1304
00:49:32,083 --> 00:49:33,709
FRANK, WHAT'S WRONG?
1305
00:49:33,792 --> 00:49:34,959
JACQUES?
1306
00:49:35,041 --> 00:49:36,542
YEAH, HE LIED TO ME, JENN.
1307
00:49:36,625 --> 00:49:39,750
I FOUND OUT THAT
HE'S ACTUALLY EX-EMCA.
1308
00:49:39,834 --> 00:49:41,542
HE HAD BEEN FIRED
OVER A YEAR AGO
1309
00:49:41,625 --> 00:49:43,709
FOR USING EXCESSIVE FORCE
ON SUSPECTS
1310
00:49:43,792 --> 00:49:45,834
CONNECTED TO AN ART THEFT CASE.
1311
00:49:45,917 --> 00:49:47,792
SPECIFICALLY,
THE KARL DIETZ CASE.
1312
00:49:47,875 --> 00:49:49,250
HOWEVER,
1313
00:49:49,333 --> 00:49:50,458
I DID FIND OUT
1314
00:49:50,542 --> 00:49:52,000
THAT HE WAS RECENTLY HIRED
1315
00:49:52,083 --> 00:49:54,959
BY THE STOLEN ART
RECOVERY LEAGUE.
1316
00:49:55,041 --> 00:49:56,417
EVER HEARD OF THEM?
1317
00:49:56,500 --> 00:49:58,500
YES, THEY WERE FORMED
TOWARD THE END OF WORLD WAR II.
1318
00:49:58,583 --> 00:50:00,500
THEY'RE RESPONSIBLE
FOR RECOVERING
1319
00:50:00,583 --> 00:50:02,208
HUNDREDS OF LOST
AND STOLEN ARTWORKS.
1320
00:50:02,291 --> 00:50:03,583
WHO KNOWS?
1321
00:50:03,667 --> 00:50:07,667
MAYBE HE USED THEM
AS A COVER FOR HIS OWN AGENDA.
1322
00:50:07,750 --> 00:50:09,375
WHAT I DO KNOW...
1323
00:50:09,458 --> 00:50:11,125
IS I DON'T TRUST THE GUY.
1324
00:50:11,208 --> 00:50:12,959
NOR HAVE I BEEN ABLE
TO LOCATE HIM AGAIN.
1325
00:50:13,041 --> 00:50:15,291
THE GOOD NEWS?
1326
00:50:15,375 --> 00:50:18,792
WE HAVE BOTH THE HERZOG
AND FRIEDRICH PAINTINGS
1327
00:50:18,875 --> 00:50:20,500
LOGGED IN HERE,
1328
00:50:20,583 --> 00:50:22,000
SO THAT GIVES ME DUE CAUSE
1329
00:50:22,083 --> 00:50:24,500
TO GET A SEARCH WARRANT
FOR THE SILES' AUCTION RECORDS.
1330
00:50:41,375 --> 00:50:42,291
[GUN COCKING]
1331
00:50:42,375 --> 00:50:43,375
[SHOTS BLAST]
1332
00:50:48,625 --> 00:50:50,375
THAT'S ABOUT
WHAT'S GOING TO HAPPEN.
1333
00:51:02,208 --> 00:51:04,291
SORRY FOR THE EARLY
HOUR, MR. DWYER.
1334
00:51:04,375 --> 00:51:06,291
I CALLED, RANG THE BELL,
1335
00:51:06,375 --> 00:51:07,417
NO ANSWER.
1336
00:51:07,500 --> 00:51:10,208
WELL, MR. SILES
IS A HEAVY SLEEPER,
1337
00:51:10,291 --> 00:51:12,959
ESPECIALLY AFTER A COUPLE
OF GLASSES OF PORT.
1338
00:51:13,041 --> 00:51:15,291
WHAT'S THIS ABOUT, SIR?
1339
00:51:17,291 --> 00:51:18,208
I HAVE A WARRANT,
1340
00:51:18,291 --> 00:51:20,917
SIGNED BY
JUDGE MALLARY,
1341
00:51:21,000 --> 00:51:22,083
TO SEARCH ALL RECORDS
1342
00:51:22,166 --> 00:51:23,417
PERTAINING TO THE DIETZ
ESTATE AUCTION.
1343
00:51:25,333 --> 00:51:29,250
YOU'LL FIND
EVERYTHING IS IN ORDER.
1344
00:51:33,709 --> 00:51:34,875
[ENTRY LOCK BEEPS OPEN]
1345
00:51:36,959 --> 00:51:38,500
[KNOCKING ON OFFICE DOOR]
1346
00:51:38,583 --> 00:51:39,583
MR. SILES?
1347
00:51:42,250 --> 00:51:43,834
MR. SILES!
1348
00:51:43,917 --> 00:51:45,917
CALL IT IN.
1349
00:51:47,709 --> 00:51:50,208
DO YOU HAVE A PERMIT
FOR THAT GUN?
1350
00:51:50,291 --> 00:51:51,208
ARMS OUT,
AWAY FROM YOUR SIDES.
1351
00:51:59,417 --> 00:52:00,667
SOMETHING WRONG
WITH YOUR ARM THERE, MR. DWYER?
1352
00:52:02,000 --> 00:52:03,333
IT'S JUST SOME TENDONITIS.
1353
00:52:03,417 --> 00:52:05,000
THEN YOU WOULDN'T MIND
ROLLING UP YOUR SLEEVE.
1354
00:52:16,250 --> 00:52:18,792
MEET ANY DOGS LATELY?
1355
00:52:20,709 --> 00:52:22,000
CUFF HIM.
1356
00:52:25,125 --> 00:52:26,000
[HANDCUFFS CLINKING]
1357
00:52:36,750 --> 00:52:40,166
GOT A HOLD OF YOUR MILITARY
JACKET HERE, SERGEANT.
1358
00:52:40,250 --> 00:52:42,083
LET'S HAVE A LOOK.
1359
00:52:43,083 --> 00:52:45,583
OOH, FOUR TOURS IN IRAQ,
1360
00:52:45,667 --> 00:52:47,291
LED A SPECIAL DETACHMENT
1361
00:52:47,375 --> 00:52:48,500
CHARGED WITH SECURING
AND PROTECTING
1362
00:52:48,583 --> 00:52:52,750
HIGH-VALUE ART AND ANTIQUES
IN COMBAT ZONES.
1363
00:52:52,834 --> 00:52:55,333
AH... THAT'S
WHY MR. SILES HIRED YOU.
1364
00:52:55,417 --> 00:52:56,750
I DIDN'T KILL HIM.
1365
00:52:56,834 --> 00:52:57,917
WELL, WE'LL LET BALLISTICS
WEIGH IN ON THAT.
1366
00:52:59,250 --> 00:53:01,542
YOU ARE WASTING YOUR TIME.
1367
00:53:01,625 --> 00:53:03,417
I HEAR THAT A LOT.
1368
00:53:03,500 --> 00:53:05,333
FOR THE RECORD,
WHERE WERE YOU LAST NIGHT?
1369
00:53:05,417 --> 00:53:09,166
BESIDES THE EAST SIDE
URGENT CARE CLINIC?
1370
00:53:09,250 --> 00:53:12,458
YEAH, I HAVE THE, UH,...
TREATMENT SUMMARY RIGHT HERE.
1371
00:53:13,834 --> 00:53:16,750
HMM, REALLY GLAD YOU GOT
THAT DOG BITE TAKEN CARE OF.
1372
00:53:16,834 --> 00:53:19,625
ANYWAY... LAST NIGHT?
1373
00:53:19,709 --> 00:53:20,834
I HAD A BEER.
1374
00:53:20,917 --> 00:53:22,583
PETEY'S TAVERN.
1375
00:53:22,667 --> 00:53:26,625
OH, YES, THE LOCAL
MARINE CORPS WATERING HOLE.
1376
00:53:26,709 --> 00:53:29,041
YOU'VE READ ME MY RIGHTS.
1377
00:53:29,125 --> 00:53:30,750
WHEN DO I GET MY PHONE CALL?
1378
00:53:30,834 --> 00:53:32,667
JUST A FEW MORE QUESTIONS.
1379
00:53:34,583 --> 00:53:36,500
DID KARL DIETZ
EVER ASK YOUR BOSS
1380
00:53:36,583 --> 00:53:39,208
TO HANDLE ANY ARTWORK
OF QUESTIONABLE PROVENANCE?
1381
00:53:39,291 --> 00:53:41,542
NOT THAT I'M AWARE OF.
1382
00:53:41,625 --> 00:53:43,333
WHAT WAS INSIDE
THE EMPTY LETTER BOX?
1383
00:53:43,417 --> 00:53:46,250
I'M GUESSING LETTERS.
1384
00:53:46,333 --> 00:53:47,834
BELONGING TO DIETZ OR SILES?
1385
00:53:47,917 --> 00:53:49,583
NO IDEA.
1386
00:53:49,667 --> 00:53:50,750
HMM.
1387
00:53:50,834 --> 00:53:51,750
HERE'S MY GUESS...
1388
00:53:53,917 --> 00:53:55,583
THEY BELONGED TO DIETZ.
1389
00:53:55,667 --> 00:53:58,208
SOMETHING HAD
TO CLUE YOUR BOSS IN
1390
00:53:58,291 --> 00:54:00,917
AS TO THE WHEREABOUTS
OF THE HERZOG PAINTING.
1391
00:54:01,000 --> 00:54:02,208
HOW ELSE WOULD HE HAVE KNOWN
TO ASK YOU
1392
00:54:02,291 --> 00:54:04,333
TO STEAL IT BACK?
1393
00:54:07,125 --> 00:54:08,041
LAWYER.
1394
00:54:09,208 --> 00:54:10,166
RIGHT.
1395
00:54:10,250 --> 00:54:11,417
[SLAPS TABLE]
1396
00:54:11,500 --> 00:54:12,542
THOUGHT SO.
1397
00:54:17,875 --> 00:54:18,709
SO...
1398
00:54:18,792 --> 00:54:19,750
I'VE BEEN SUSPENDED.
1399
00:54:19,834 --> 00:54:20,959
HAPPY NOW?
1400
00:54:21,041 --> 00:54:22,542
NO.
1401
00:54:22,625 --> 00:54:24,667
YOU KNOW, IT'S NOT TOO LATE
TO TURN YOUR SITUATION AROUND.
1402
00:54:24,750 --> 00:54:27,542
I HAVE YOUR
SCHEDULE HERE,
1403
00:54:27,625 --> 00:54:28,417
AND I NOTICED
1404
00:54:28,500 --> 00:54:29,792
THAT YOU HAVE AN HOUR
1405
00:54:29,875 --> 00:54:31,375
BETWEEN TWO OF
YOUR MORNING CLASSES
1406
00:54:31,458 --> 00:54:34,166
AND AN HOUR BETWEEN
TWO OF YOUR AFTERNOON CLASSES,
1407
00:54:34,250 --> 00:54:36,834
AS WELL AS
AN HOUR LUNCH BREAK.
1408
00:54:36,917 --> 00:54:38,375
THAT GIVES US
AT LEAST THREE HOURS A DAY
1409
00:54:38,458 --> 00:54:39,458
TO WORK TOGETHER,
1410
00:54:39,542 --> 00:54:40,542
GET YOU BACK UP TO SPEED.
1411
00:54:42,083 --> 00:54:43,542
I HAVE GIVEN YOU
MY GAME PLAN.
1412
00:54:43,625 --> 00:54:45,250
WHAT'S YOURS?
1413
00:54:51,000 --> 00:54:52,792
WAIT.
1414
00:54:54,750 --> 00:54:57,166
YOU SURE YOU CAN STAND ME
FOR THREE HOURS A DAY?
1415
00:54:59,125 --> 00:55:00,750
AS LONG AS THEY'RE PAYING ME.
1416
00:55:02,875 --> 00:55:03,709
[GIGGLES]
1417
00:55:03,792 --> 00:55:05,500
[♪♪♪]
1418
00:55:13,083 --> 00:55:14,375
DR. TRAMMEL?
1419
00:55:14,458 --> 00:55:15,583
AH, JENNIFER,
I GOT YOUR TEXT--
1420
00:55:15,667 --> 00:55:16,625
OH, THANK YOU.
1421
00:55:16,709 --> 00:55:17,792
SORRY, I ONLY HAVE A MINUTE.
1422
00:55:17,875 --> 00:55:18,875
BUSY DAY,
1423
00:55:18,959 --> 00:55:20,583
PEOPLE JUST DYING
TO GET IN HERE.
1424
00:55:20,667 --> 00:55:21,709
[CHUCKLES DRYLY]
1425
00:55:21,792 --> 00:55:24,083
SO, WHO ARE WE
VISITING TODAY?
1426
00:55:24,166 --> 00:55:25,250
CONRAD SILES.
1427
00:55:25,333 --> 00:55:27,333
OH-HO-HO, GOING ONCE...
1428
00:55:27,417 --> 00:55:30,291
GOING TWICE...
1429
00:55:30,375 --> 00:55:32,166
AND, UM...
1430
00:55:34,583 --> 00:55:36,375
TWO CLOSE-RANGE GUNSHOT WOUNDS.
1431
00:55:36,458 --> 00:55:37,417
[CHUCKLES RUEFULLY]
1432
00:55:37,500 --> 00:55:38,583
THAT'S PERSONAL, ISN'T IT?
1433
00:55:38,667 --> 00:55:40,583
WELL, YOU CAN READ INTO IT
HOWEVER YOU LIKE.
1434
00:55:40,667 --> 00:55:41,709
AND YOU CAN CHECK
WITH BALLISTICS
1435
00:55:41,792 --> 00:55:43,083
IF YOU WANT SPECIFICS.
1436
00:55:43,166 --> 00:55:44,875
THEY GOT THE BULLETS.
1437
00:55:44,959 --> 00:55:46,333
ANYTHING ELSE?
1438
00:55:46,417 --> 00:55:47,458
KARL DIETZ.
1439
00:55:47,542 --> 00:55:49,000
DETECTIVE LYNNWOOD SAID
1440
00:55:49,083 --> 00:55:51,000
YOU'D CONCLUDED HE DIED
FROM CARDIAC ARREST?
1441
00:55:51,083 --> 00:55:52,083
WELL, A PULMONARY EMBOLISM
1442
00:55:52,166 --> 00:55:54,291
HAS BEEN KNOWN TO TRIGGER
SUCH THINGS.
1443
00:55:54,375 --> 00:55:56,500
EVEN IN ELDERLY PEOPLE
WITH CHRONIC HEART FAILURE?
1444
00:55:56,583 --> 00:55:57,917
WHY NOT?
1445
00:55:58,000 --> 00:55:59,959
THEN WHY ARE YOU
HOLDING ONTO THE BODY?
1446
00:56:00,041 --> 00:56:02,709
OH-HOO-HOO...
YOU ARE A CRAFTY ONE.
1447
00:56:02,792 --> 00:56:04,125
SORRY!
1448
00:56:04,208 --> 00:56:05,417
TIME'S UP.
1449
00:56:05,500 --> 00:56:07,000
OH, OH, JUST
TWO MORE QUESTIONS.
1450
00:56:07,083 --> 00:56:08,667
I'M ASSUMING YOU HAVE A COPY
1451
00:56:08,750 --> 00:56:10,125
OF KARL DIETZ'S
HOSPITAL RECORDS?
1452
00:56:10,208 --> 00:56:11,208
YES.
1453
00:56:11,291 --> 00:56:13,208
ONE DOWN, ONE TO GO.
1454
00:56:13,291 --> 00:56:14,458
WOULD YOU MIND TELLING ME
1455
00:56:14,542 --> 00:56:16,583
WHO HE PUT DOWN
FOR HIS EMERGENCY CONTACT?
1456
00:56:16,667 --> 00:56:18,125
JENNIFER, SHAME ON YOU,
1457
00:56:18,208 --> 00:56:20,583
THAT WOULD BE A VIOLATION OF
DOCTOR-PATIENT CONFIDENTIALITY.
1458
00:56:20,667 --> 00:56:21,834
EVEN IF THE PATIENT IS DEAD?
1459
00:56:21,917 --> 00:56:23,625
TOUCHE.
1460
00:56:23,709 --> 00:56:27,208
MR. DIETZ'S
EMERGENCY CONTACT WAS...
1461
00:56:27,291 --> 00:56:30,250
OH, WHAT DO YOU KNOW?
1462
00:56:30,333 --> 00:56:31,792
-CONRAD SILES.
-MM-HMM.
1463
00:56:32,875 --> 00:56:34,792
ALL RIGHT, YOU WIN.
1464
00:56:34,875 --> 00:56:36,959
I AM HOLDING ONTO
MR. DIETZ'S BODY
1465
00:56:37,041 --> 00:56:38,792
BECAUSE I'M STILL NAGGED
BY THE FACT THAT
1466
00:56:38,875 --> 00:56:40,875
HIS VENTRICULAR ASSIST MACHINE
1467
00:56:40,959 --> 00:56:42,458
DIDN'T SOUND THE ALARM SOONER.
1468
00:56:42,542 --> 00:56:44,875
THIS IS A DIGITAL READOUT
1469
00:56:44,959 --> 00:56:47,709
OF HIS CARDIOGRAM,
1470
00:56:47,792 --> 00:56:48,709
AND O-2 SAT READINGS,
1471
00:56:48,792 --> 00:56:53,250
RECORDED AT THE TIME
IN QUESTION.
1472
00:56:53,333 --> 00:56:54,625
SEE HOW HIS HEART RATE
1473
00:56:54,709 --> 00:56:56,792
MOVES SHARPLY INTO A-FIB HERE?
1474
00:56:56,875 --> 00:56:58,709
THAT'S PROBABLY
WHEN THE EMBOLISM STRUCK.
1475
00:56:58,792 --> 00:57:00,125
WHEN DID THE ALARM GO OFF?
1476
00:57:00,208 --> 00:57:03,166
HERE. 18 SECONDS LATER.
1477
00:57:03,250 --> 00:57:06,834
WHICH SUGGESTS THAT THERE WAS
A GLITCH IN THE MACHINERY.
1478
00:57:06,917 --> 00:57:08,375
OR PERHAPS SABOTAGE?
1479
00:57:08,458 --> 00:57:11,792
OH, YOU JUST HAD TO GO THERE...
1480
00:57:11,875 --> 00:57:13,458
WELL, THE ALARMS
ON THESE MACHINES
1481
00:57:13,542 --> 00:57:14,375
CAN BE SWITCHED
ON AND OFF, RIGHT?
1482
00:57:14,458 --> 00:57:15,709
[GROANS]
1483
00:57:15,792 --> 00:57:17,500
JUST SAYIN'...
1484
00:57:21,000 --> 00:57:21,792
HEY, FRANK?
1485
00:57:21,875 --> 00:57:22,959
WHAT'S UP?
1486
00:57:23,041 --> 00:57:24,083
HEY, JENN.
1487
00:57:24,166 --> 00:57:25,333
I THOUGHT
YOU SHOULD KNOW
1488
00:57:25,417 --> 00:57:27,125
THE BALLISTICS
REPORTS CAME BACK.
1489
00:57:27,208 --> 00:57:28,458
DWYER'S BERETTA
IS NOT A MATCH
1490
00:57:28,542 --> 00:57:30,166
FOR THE BULLETS
THAT KILLED SILES.
1491
00:57:30,250 --> 00:57:31,709
WELL, YOU CAN STILL CHARGE HIM
1492
00:57:31,792 --> 00:57:33,041
WITH THE BREAK-IN
AT HELEN'S, RIGHT?
1493
00:57:33,125 --> 00:57:35,750
YES, I'M CONFIDENT
WE CAN GET AN INDICTMENT THERE,
1494
00:57:35,834 --> 00:57:38,959
ONCE THE LAB FINISHES PROCESSING
ALL THE KEY EVIDENCE.
1495
00:57:39,041 --> 00:57:40,375
THE BAD NEWS?
1496
00:57:40,458 --> 00:57:41,458
DWYER MADE BAIL.
1497
00:57:41,542 --> 00:57:42,458
OH, NO...
1498
00:57:42,542 --> 00:57:43,709
AFRAID SO.
1499
00:57:43,792 --> 00:57:44,667
SO...
1500
00:57:45,875 --> 00:57:48,417
THE SCREENSHOTS YOU SENT ME?
1501
00:57:48,500 --> 00:57:49,417
THE LOGOS MATCH.
1502
00:57:49,500 --> 00:57:51,834
IT MEANS
1503
00:57:51,917 --> 00:57:53,250
THAT DIETZ WAS AN OFFICER
1504
00:57:53,333 --> 00:57:55,542
IN THE EAST GERMAN
SECURITY SERVICE.
1505
00:57:55,625 --> 00:57:57,500
NOW, I HAD THOUGHT
AFTER MY INTERVIEW WITH JACQUES,
1506
00:57:57,583 --> 00:57:59,333
THAT, WELL,
MAYBE DIETZ WAS A COP
1507
00:57:59,417 --> 00:58:00,542
BEFORE HE WAS
A DIPLOMAT.
1508
00:58:00,625 --> 00:58:01,375
MAYBE A CORRUPT COP?
1509
00:58:01,458 --> 00:58:02,959
JACQUES SAID
1510
00:58:03,041 --> 00:58:05,333
DIETZ "ABUSED THE POWER
AND PRIVILEGE
1511
00:58:05,417 --> 00:58:06,750
THAT WAS BESTOWED UPON HIM."
1512
00:58:06,834 --> 00:58:08,000
COULD BE.
1513
00:58:08,083 --> 00:58:11,458
I MEAN, AT THE VERY LEAST,
YOU KNOW,
1514
00:58:11,542 --> 00:58:14,834
DIETZ'S JOURNAL APPEARS TO BE
A LOG FOR STOLEN ARTIFACTS.
1515
00:58:14,917 --> 00:58:16,750
IT'S JUST SO HARD TO BELIEVE
1516
00:58:16,834 --> 00:58:18,417
AFTER EVERYTHING HE'S DONE
FOR THE COMMUNITY.
1517
00:58:18,500 --> 00:58:19,333
YEAH.
1518
00:58:19,417 --> 00:58:20,875
I KNOW.
1519
00:58:20,959 --> 00:58:23,667
HOW'S THE RESEARCH GOING
ON THE HERZOG PAINTING?
1520
00:58:23,750 --> 00:58:25,417
WELL, ACCORDING TO
THE STOLEN ARTS RECOVERY LEAGUE,
1521
00:58:25,500 --> 00:58:26,834
IT WENT MISSING
SOON AFTER THE WAR.
1522
00:58:26,917 --> 00:58:27,917
INTERESTING.
1523
00:58:28,000 --> 00:58:29,208
AND THEN THERE'S
MRS. BAUER'S CLAIM
1524
00:58:29,291 --> 00:58:30,417
REGARDING
1525
00:58:30,500 --> 00:58:31,792
THE CASPAR DAVID FRIEDRICH
PROVENANCE.
1526
00:58:31,875 --> 00:58:32,792
I...
1527
00:58:32,875 --> 00:58:34,583
YOU KNOW WHAT?
1528
00:58:34,667 --> 00:58:35,959
I'M GOING TO FIND
A GERMAN TRANSLATOR
1529
00:58:36,041 --> 00:58:37,083
TO BREAK ALL THIS DOWN.
1530
00:58:37,166 --> 00:58:38,834
FRANK, THERE'S
SOMETHING BOTHERING ME
1531
00:58:38,917 --> 00:58:40,208
ABOUT DIETZ'S DEATH,
1532
00:58:40,291 --> 00:58:41,250
AND THE TIMING OF ALL OF THIS.
1533
00:58:42,625 --> 00:58:44,792
WOULD YOU MIND IF I TOOK A LOOK
AROUND HIS HOUSE?
1534
00:58:47,125 --> 00:58:48,709
[SIGHS]
1535
00:58:52,917 --> 00:58:54,625
OKAY, DON'T TOUCH ANYTHING.
1536
00:58:54,709 --> 00:58:55,834
WHAT AM I, NEW?
1537
00:58:55,917 --> 00:58:57,125
[CHUCKLES]
1538
00:58:58,291 --> 00:59:02,750
ALL RIGHT, THE IV PUMP
HAD THREE LINES,
1539
00:59:02,834 --> 00:59:04,458
ONE SALINE,
1540
00:59:04,542 --> 00:59:06,125
ONE FOR IVABRADINE--
1541
00:59:06,208 --> 00:59:07,750
I THINK THAT'S
HOW YOU SAY IT--
1542
00:59:07,834 --> 00:59:09,792
AND DOPAMINE, FOR PAIN.
1543
00:59:11,250 --> 00:59:12,250
WHERE DID YOU SAY
1544
00:59:12,333 --> 00:59:14,625
THE NURSES'
CALL BUTTON WAS FOUND?
1545
00:59:14,709 --> 00:59:17,458
UM... BESIDE THE BED,
1546
00:59:17,542 --> 00:59:19,667
RIGHT NEXT TO
A SYRINGE WRAPPER
1547
00:59:19,750 --> 00:59:21,917
AND AN END CAP.
1548
00:59:23,250 --> 00:59:25,375
ON THE TABLE THERE,
THERE WAS THREE SYRINGES,
1549
00:59:25,458 --> 00:59:27,083
ONE OF THEM USED IN CPR,
1550
00:59:27,166 --> 00:59:30,083
A HEPARIN INJECTION.
1551
00:59:30,166 --> 00:59:32,542
WAS THE WRAPPER A MATCH
1552
00:59:32,625 --> 00:59:34,208
TO THE ONE ON THE FLOOR?
1553
00:59:34,291 --> 00:59:35,375
LET'S SEE,
1554
00:59:35,458 --> 00:59:36,083
I'VE GOT
A PHOTO HERE.
1555
00:59:44,291 --> 00:59:46,166
THAT'S
INTERESTING.
1556
00:59:46,250 --> 00:59:48,125
GENERIC WRAPPER.
1557
00:59:48,208 --> 00:59:49,542
HEY, FRANK?
1558
00:59:49,625 --> 00:59:50,583
MM-HMM?
1559
00:59:50,667 --> 00:59:52,125
TAKE A LOOK AT THIS.
1560
00:59:52,208 --> 00:59:53,041
IT LOOKS LIKE
THERE'S A PUNCTURE MARK
1561
00:59:53,125 --> 00:59:56,083
ON THIS TUBE.
1562
00:59:58,750 --> 00:59:59,709
CIRCULAR.
1563
00:59:59,792 --> 01:00:01,542
VERY CLEAN.
1564
01:00:01,625 --> 01:00:03,875
LOOKS LIKE IT COULD HAVE
BEEN DONE BY A NEEDLE.
1565
01:00:07,667 --> 01:00:09,125
[SIGHING] OKAY...
1566
01:00:09,208 --> 01:00:10,625
THIS IS JUST A THEORY,
1567
01:00:10,709 --> 01:00:12,917
BUT COULD SOMEONE HAVE COME IN,
AND TURNED OFF THE ALARM?
1568
01:00:13,000 --> 01:00:15,208
AND GIVEN MR. DIETZ
AN UNSCHEDULED INJECTION?
1569
01:00:15,291 --> 01:00:18,000
DR. TRAMMEL SAID IT WAS
A PULMONARY EMBOLISM
1570
01:00:18,083 --> 01:00:19,792
THAT TRIGGERED CARDIAC ARREST.
1571
01:00:19,875 --> 01:00:21,709
WELL, IF WHAT
YOU'RE SAYING IS TRUE,
1572
01:00:21,792 --> 01:00:24,375
WE'RE NOT JUST TALKING ABOUT
A HEART FAILURE.
1573
01:00:24,458 --> 01:00:26,000
WE'RE LOOKING AT
PREMEDITATED MURDER.
1574
01:00:41,625 --> 01:00:42,583
[SHOP BELL JINGLES]
1575
01:00:45,500 --> 01:00:48,125
BONJOUR, MRS. SHANNON.
1576
01:00:48,208 --> 01:00:50,917
INSPECTOR GRENIER.
1577
01:00:51,000 --> 01:00:52,375
HOW DID YOU GET IN HERE?
1578
01:00:52,458 --> 01:00:54,291
THROUGH THE FRONT DOOR.
1579
01:00:54,375 --> 01:00:55,417
WHICH WAS LOCKED.
1580
01:00:55,500 --> 01:00:56,333
WAS IT?
1581
01:00:56,417 --> 01:00:58,083
IF SO, NOT VERY WELL.
1582
01:00:58,166 --> 01:01:00,709
MY FRIEND, DETECTIVE LYNNWOOD,
IS LOOKING FOR YOU.
1583
01:01:00,792 --> 01:01:02,083
OH, I AM SURE.
1584
01:01:02,166 --> 01:01:05,125
I UNDERSTAND YOU HAVE RECOVERED
A HERZOG PAINTING?
1585
01:01:06,417 --> 01:01:07,917
I DO HAVE MY SOURCES.
1586
01:01:08,000 --> 01:01:09,166
THROUGH THE EMCA, RIGHT?
1587
01:01:10,625 --> 01:01:11,583
I HAVE MY SOURCES, TOO.
1588
01:01:11,667 --> 01:01:12,959
WELL...
1589
01:01:13,041 --> 01:01:15,583
I WOULD VERY MUCH LIKE
TO FINISH MY EXAMINING
1590
01:01:15,667 --> 01:01:16,458
OF YOUR VESTONE PIANO,
1591
01:01:16,542 --> 01:01:17,625
AND...
1592
01:01:17,709 --> 01:01:19,375
THE MUSIC SCROLL,
1593
01:01:19,458 --> 01:01:20,291
S'IL VOUS PLAIT.
1594
01:01:20,375 --> 01:01:21,709
WHY?
1595
01:01:21,792 --> 01:01:24,208
IT PERTAINS
TO A CASE I AM WORKING ON.
1596
01:01:24,291 --> 01:01:26,125
THE CASE INVOLVING
THE LATE KARL DIETZ?
1597
01:01:27,917 --> 01:01:29,333
IT WAS HIS PIANO.
1598
01:01:29,417 --> 01:01:30,834
STANDS TO REASON.
1599
01:01:30,917 --> 01:01:33,750
YOU KNOW, I THINK YOU KNOW
MORE THAN YOU ARE LETTING ON.
1600
01:01:33,834 --> 01:01:37,667
I KNOW THAT MR. DIETZ WAS
A FORMER EAST GERMAN POLICEMAN.
1601
01:01:37,750 --> 01:01:40,250
HOW CORRUPT WAS HE, JACQUES?
1602
01:01:40,333 --> 01:01:42,709
THE MAN BETRAYED
EVERYONE IN HIS PATH,
1603
01:01:42,792 --> 01:01:45,625
INCLUDING MEMBERS
OF HIS CRIMINAL ORGANIZATION.
1604
01:01:45,709 --> 01:01:47,583
NOW...
1605
01:01:47,667 --> 01:01:48,792
MAY I?
1606
01:01:50,250 --> 01:01:53,417
I WOULD FEEL BETTER
IF DETECTIVE LYNNWOOD WAS HERE.
1607
01:01:53,500 --> 01:01:54,709
I HAVE HIM ON SPEED DIAL.
1608
01:01:54,792 --> 01:01:56,125
WE CAN MAKE AN APPOINTMENT.
1609
01:01:56,208 --> 01:01:58,458
I'M SORRY, BUT I PREFER
TO PURSUE THIS INVESTIGATION
1610
01:01:58,542 --> 01:01:59,875
ON MY OWN.
1611
01:01:59,959 --> 01:02:02,375
AND I WOULD PREFER IF
DETECTIVE LYNNWOOD WERE HERE.
1612
01:02:13,083 --> 01:02:15,667
SO, JACQUES
IS STILL AROUND, HUH?
1613
01:02:15,750 --> 01:02:17,375
HE'S STILL ON THE HUNT.
1614
01:02:17,458 --> 01:02:19,125
YOU WOULDN'T HAPPEN TO KNOW
WHERE HE'S STAYING, WOULD YOU?
1615
01:02:19,208 --> 01:02:21,250
NO, BUT I GOT THE MAKE,
MODEL, AND LICENSE PLATE
1616
01:02:21,333 --> 01:02:23,709
OF HIS RENTAL CAR.
1617
01:02:23,792 --> 01:02:25,834
VERY WELL DONE.
1618
01:02:27,291 --> 01:02:29,959
BY THE WAY,
OUR CT HAS FOUND EVIDENCE
1619
01:02:30,041 --> 01:02:31,500
THAT THE GROUND-FLOOR WINDOW
OF THE AUCTION HOUSE
1620
01:02:31,583 --> 01:02:32,542
HAD BEEN JIMMIED.
1621
01:02:32,625 --> 01:02:34,166
FROM THERE,
1622
01:02:34,250 --> 01:02:34,959
THE ASSAILANT WOULD
HAVE MADE THEIR WAY
1623
01:02:35,041 --> 01:02:37,709
UP TO SILES' STUDY.
1624
01:02:37,792 --> 01:02:38,959
I THINK WE'RE LOOKING
AT A REAL PRO HERE.
1625
01:02:39,041 --> 01:02:40,041
[SIGHS]
1626
01:02:40,125 --> 01:02:41,125
NOT TO MENTION A KILLER.
1627
01:02:41,208 --> 01:02:43,166
SPEAKING OF,
1628
01:02:43,250 --> 01:02:45,750
DR. TRAMMEL HAS NOW CHANGED
THE CAUSE OF DEATH
1629
01:02:45,834 --> 01:02:46,917
FOR KARL DIETZ.
1630
01:02:47,000 --> 01:02:48,875
HE'S NOW SAYING
1631
01:02:48,959 --> 01:02:51,417
THAT THE EMBOLISM
WAS PURPOSELY INDUCED
1632
01:02:51,500 --> 01:02:52,500
BY AN AIR BUBBLE,
1633
01:02:52,583 --> 01:02:54,333
MOST LIKELY
BY A WIDE-BORE SYRINGE.
1634
01:02:56,625 --> 01:02:58,709
I NOW HAVE A DOUBLE HOMICIDE
ON MY HANDS
1635
01:02:58,792 --> 01:03:00,542
AND A VERY UNHAPPY MAYOR.
1636
01:03:06,166 --> 01:03:07,542
[BLOWS WHISTLE]
GUYS!
1637
01:03:09,458 --> 01:03:10,750
WE NEED TO FEED OFF
FROM THE TOP OF THE KEY,
1638
01:03:10,834 --> 01:03:12,417
AND CROSS-COURT PASS
TO THE CORNERS.
1639
01:03:12,500 --> 01:03:13,542
HEY, HEY, HEY!
1640
01:03:13,625 --> 01:03:14,959
WHAT THE IN THE WIDE-WIDE
WORLD OF SPORTS
1641
01:03:15,041 --> 01:03:16,083
IS GOING ON HERE?
1642
01:03:16,166 --> 01:03:17,792
UH, THEY'RE JUST
1643
01:03:17,875 --> 01:03:18,709
HELPING ME WITH
MY HOMEWORK, COACH.
1644
01:03:18,792 --> 01:03:20,458
YOUR HOMEWORK?
1645
01:03:20,542 --> 01:03:21,709
YES, SIR.
1646
01:03:21,792 --> 01:03:24,000
THIS A STATISTICAL
ANALYSIS
1647
01:03:24,083 --> 01:03:25,375
OF ALL THEIR
SHOOTING PERCENTAGES,
1648
01:03:25,458 --> 01:03:27,625
AND BEST
PASSING LANES...
1649
01:03:27,709 --> 01:03:30,375
AND YOU TOOK IT UPON YOURSELF
TO WORK UP SOME NEW PLAYS?
1650
01:03:30,458 --> 01:03:32,667
BASED ON
THESE STATS HERE, YES.
1651
01:03:36,083 --> 01:03:37,709
I LIKE WHAT I'M SEEING HERE.
1652
01:03:37,792 --> 01:03:39,583
BUT GIVE ME
THE WHISTLE.
1653
01:03:39,667 --> 01:03:40,542
GIMME...
1654
01:03:42,917 --> 01:03:45,083
ALL RIGHT, GUYS, RUN THE PLAY.
1655
01:03:45,166 --> 01:03:46,083
LET ME SEE IT, LET'S GO.
1656
01:03:46,166 --> 01:03:47,333
[BLOWS WHISTLE]
1657
01:03:55,083 --> 01:03:57,417
[SOLO PIANIST PLAYING]
1658
01:03:57,500 --> 01:03:59,000
[♪♪♪]
1659
01:04:01,041 --> 01:04:04,375
[FINISHES PIECE]
1660
01:04:06,333 --> 01:04:09,125
[APPLAUSE]
1661
01:04:17,041 --> 01:04:19,208
SHE WAS SO GOOD,
1662
01:04:19,291 --> 01:04:21,125
AND, JASON, YOU DID
AN INCREDIBLE JOB
1663
01:04:21,208 --> 01:04:22,083
WITH THIS PLACE.
1664
01:04:22,166 --> 01:04:23,208
THANK YOU.
1665
01:04:23,291 --> 01:04:24,792
I FORGOT HOW MUCH
I LOVE THE THEATER.
1666
01:04:24,875 --> 01:04:26,166
DO YOU REMEMBER
WHEN WE WERE SENIORS,
1667
01:04:26,250 --> 01:04:27,333
AND I WAS
THE LIGHTING DESIGNER
1668
01:04:27,417 --> 01:04:28,959
AND THE STAGE MANAGER?
1669
01:04:29,041 --> 01:04:30,333
HELLO?
1670
01:04:30,417 --> 01:04:31,542
DO YOU REMEMBER THAT KISS
WE SHARED ON THE CATWALK.
1671
01:04:31,625 --> 01:04:32,959
I KNEW YOU'D GO THERE.
1672
01:04:33,041 --> 01:04:34,417
YOU GUYS, I'LL
MEET YOU OUTSIDE.
1673
01:04:34,500 --> 01:04:35,291
I'M JUST GOING
TO TALK TO CAROLYN
1674
01:04:39,959 --> 01:04:41,458
CAROLYN, I JUST
WANTED TO SAY
1675
01:04:41,542 --> 01:04:43,333
THAT THAT WAS WONDERFUL.
1676
01:04:43,417 --> 01:04:44,959
IT WAS SUCH
A BEAUTIFUL PERFORMANCE.
1677
01:04:45,041 --> 01:04:46,333
THANK YOU.
1678
01:04:46,417 --> 01:04:48,375
AND I KNOW THIS MIGHT NOT BE
THE RIGHT TIME OR PLACE,
1679
01:04:48,458 --> 01:04:49,709
BUT I'D LIKE TO TALK TO YOU
1680
01:04:49,792 --> 01:04:51,208
ABOUT THE PIANO
THAT YOU BOUGHT AT THE AUCTION.
1681
01:04:51,291 --> 01:04:53,625
YES, MY PARTNER, DANI,
DID MENTION THAT.
1682
01:04:53,709 --> 01:04:55,542
I'M SORRY, IT'S BEEN
A REALLY EMOTIONAL TIME,
1683
01:04:55,625 --> 01:04:56,917
AND I DON'T KNOW
HOW ELSE TO SAY THIS,
1684
01:04:57,000 --> 01:04:58,959
BUT I'D LIKE TO GET BACK
SOME OF MY FAMILY HEIRLOOMS,
1685
01:04:59,041 --> 01:04:59,875
ESPECIALLY THAT PIANO.
1686
01:05:01,375 --> 01:05:02,750
I'M WILLING TO MAKE
A VERY FAIR OFFER.
1687
01:05:02,834 --> 01:05:03,792
WELL, AS YOU KNOW,
1688
01:05:03,875 --> 01:05:05,875
I DID PROMISE THE PIANO
TO A CLIENT,
1689
01:05:05,959 --> 01:05:07,458
BUT...
1690
01:05:07,542 --> 01:05:09,792
LET ME CALL HIM,
AND-AND SEE WHAT I CAN DO.
1691
01:05:09,875 --> 01:05:11,625
THAT WOULD MEAN SO MUCH TO ME.
1692
01:05:11,709 --> 01:05:12,625
THANK YOU.
1693
01:05:12,709 --> 01:05:13,709
OF COURSE.
1694
01:05:13,792 --> 01:05:15,041
YOUR GRANDFATHER
WOULD BE PROUD.
1695
01:05:26,500 --> 01:05:28,083
YOU WANT
YOUR INHERITANCE?
1696
01:05:30,333 --> 01:05:31,500
I CAN HELP.
1697
01:05:31,583 --> 01:05:33,291
WHAT IS THIS?
1698
01:05:33,375 --> 01:05:35,250
I HAVE INFORMATION.
1699
01:05:35,333 --> 01:05:37,250
YOU HAVE INFORMATION.
1700
01:05:37,333 --> 01:05:39,166
WE COULD PARTNER UP.
1701
01:05:39,250 --> 01:05:41,375
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.
1702
01:05:53,875 --> 01:05:55,417
-MISS TURNER?
-THANK YOU.
1703
01:05:55,500 --> 01:05:56,375
YES.
1704
01:05:56,458 --> 01:05:57,458
DETECTIVE LYNNWOOD.
1705
01:05:57,542 --> 01:05:58,792
I GOT YOUR VOICEMAIL.
1706
01:05:58,875 --> 01:05:59,750
THANK YOU FOR SEEING ME.
1707
01:05:59,834 --> 01:06:01,792
YEAH, NO PROBLEM.
1708
01:06:01,875 --> 01:06:03,583
SO, YOU HAD A RUN-IN WITH
MR. DWYER AT THE RECITAL HALL?
1709
01:06:03,667 --> 01:06:04,709
MM-HMM.
1710
01:06:04,792 --> 01:06:06,083
AND I READ
IN THE PAPERS THIS MORNING
1711
01:06:06,166 --> 01:06:07,750
THAT HIS BOSS
WAS FOUND MURDERED?
1712
01:06:07,834 --> 01:06:09,333
SHOULD I BE CONCERNED?
1713
01:06:09,417 --> 01:06:10,667
I'VE ALREADY
CONTACTED HIS ATTORNEY
1714
01:06:10,750 --> 01:06:12,333
ABOUT THE ALTERCATION
YOU TWO HAD.
1715
01:06:12,417 --> 01:06:13,500
HE'S BEING ISSUED A SUMMONS.
1716
01:06:14,750 --> 01:06:16,208
I'M BEGINNING TO THINK
1717
01:06:16,291 --> 01:06:17,667
IT'S TIME FOR ME TO GET BACK
TO MY JOB AT THE CDC, DETECTIVE.
1718
01:06:17,750 --> 01:06:19,417
HMM.
1719
01:06:19,500 --> 01:06:20,792
BATTLING PLAGUE OUTBREAKS
SEEMS A LOT SAFER
1720
01:06:20,875 --> 01:06:21,917
THAN STICKING AROUND HERE.
1721
01:06:22,000 --> 01:06:23,041
RIGHT.
1722
01:06:23,125 --> 01:06:24,000
WELL, WE'RE ON IT,
NOT TO WORRY.
1723
01:06:24,083 --> 01:06:24,917
[CELL PHONE RINGS]
1724
01:06:25,000 --> 01:06:26,000
OH.
1725
01:06:26,083 --> 01:06:27,250
I'VE GOT TO TAKE THIS.
1726
01:06:27,333 --> 01:06:28,125
OKAY. THANK YOU.
1727
01:06:29,333 --> 01:06:31,583
HEY, JENN,
THANKS FOR CALLING BACK.
1728
01:06:31,667 --> 01:06:35,041
IT SEEMS THAT DWYER HAS BEEN
STALKING DIETZ'S GRANDDAUGHTER.
1729
01:06:35,125 --> 01:06:36,625
SHE FILED A RESTRAINING ORDER.
1730
01:06:36,709 --> 01:06:38,041
[SHOP BELL JINGLES]
[JENN]: OH, NO.
1731
01:06:38,125 --> 01:06:40,041
WHAT HAPPENED TO JACQUES?
1732
01:06:40,125 --> 01:06:42,667
[FRANK CHUCKLES]
OUR SLIPPERY FRENCHMAN?
1733
01:06:42,750 --> 01:06:45,458
I DON'T KNOW
WHAT TO MAKE OF THE GUY.
1734
01:06:45,542 --> 01:06:47,583
ON THE ONE HAND, HE LIED TO ME.
1735
01:06:47,667 --> 01:06:50,000
ON THE OTHER HAND,
HE ACTUALLY CHECKS OUT.
1736
01:06:50,083 --> 01:06:52,875
IN FACT, I JUST RECEIVED
AN OFFICIAL REQUEST
1737
01:06:52,959 --> 01:06:54,291
FROM THE STOLEN ART
RECOVERY LEAGUE
1738
01:06:54,375 --> 01:06:56,417
TO HAND OVER
THE HERZOG PAINTING TO HIM.
1739
01:06:56,500 --> 01:06:58,291
NO...
1740
01:06:58,375 --> 01:06:59,709
YES.
1741
01:06:59,792 --> 01:07:02,083
ACTUALLY, YOU KNOW WHAT,
I'VE GOT TO GO.
1742
01:07:02,166 --> 01:07:03,166
OKAY, I'LL TALK TO YOU LATER.
1743
01:07:03,250 --> 01:07:04,834
OKAY.
1744
01:07:04,917 --> 01:07:05,792
[SIGHING]
1745
01:07:05,875 --> 01:07:07,250
SO, HELEN WILL BE BY
1746
01:07:07,333 --> 01:07:08,583
TO PICK UP
THE DRESDEN TOMORROW,
1747
01:07:08,667 --> 01:07:11,625
AND I TUCKED JASON'S
BLUEPRINTS DOWN THERE.
1748
01:07:11,709 --> 01:07:13,041
-OH, THANK YOU.
-YOU'RE WELCOME.
1749
01:07:13,125 --> 01:07:14,208
[SHOP BELL JINGLES]
1750
01:07:14,291 --> 01:07:15,333
WHAT'S WRONG
WITH THIS PICTURE?
1751
01:07:15,417 --> 01:07:17,166
WHY AM I NOT
HEARING MUSIC?
1752
01:07:17,250 --> 01:07:18,458
DEAN!
1753
01:07:18,542 --> 01:07:19,667
[CHUCKLING IN DELIGHT]
IT'S SO GOOD TO SEE YOU!
1754
01:07:20,667 --> 01:07:22,166
HOW ABOUT SOME BRAHMS?
1755
01:07:22,250 --> 01:07:23,959
THE PERFECT ANTIDOTE
FOR A MIGRAINE.
1756
01:07:24,041 --> 01:07:25,041
[CHUCKLING]
1757
01:07:25,125 --> 01:07:26,208
OH, I WOULD
LIKE YOU TO MEET
1758
01:07:26,291 --> 01:07:28,333
MY CHAUFFEUR-
SLASH-VIRTUOSO-CAREGIVER,
1759
01:07:28,417 --> 01:07:29,500
HOWIE NASH.
1760
01:07:29,583 --> 01:07:31,458
I THINK HIS BEDSIDE
GUITAR PICKING
1761
01:07:31,542 --> 01:07:33,875
HAS WORKED MIRACLES.
1762
01:07:33,959 --> 01:07:34,917
HEY, ALL.
1763
01:07:35,000 --> 01:07:36,125
NICE TO MEET YOU, HOWIE.
1764
01:07:36,208 --> 01:07:37,709
BUT, DEAN, SHOULDN'T YOU
BE HOME, THOUGH,
1765
01:07:37,792 --> 01:07:38,709
TAKING IT EASY?
1766
01:07:38,792 --> 01:07:39,667
AND WHAT DO YOU KNOW
ABOUT THAT?
1767
01:07:40,792 --> 01:07:41,709
TOUCHE.
1768
01:07:41,792 --> 01:07:42,709
[LAUGHTER]
1769
01:07:42,792 --> 01:07:44,375
SO, DOES IT WORK?
1770
01:07:44,458 --> 01:07:46,083
WELL, IT DID AT AUCTION,
1771
01:07:46,166 --> 01:07:47,208
BUT I HAVEN'T TRIED IT
1772
01:07:47,291 --> 01:07:49,709
SINCE IT WAS VANDALIZED
AT YOUR STORE.
1773
01:07:49,792 --> 01:07:51,250
BRAHMS, WAS IT?
1774
01:07:51,333 --> 01:07:52,750
ALWAYS A GOOD
PLACE TO START.
1775
01:07:52,834 --> 01:07:53,709
I'M A LITTLE PARTIAL
1776
01:07:53,792 --> 01:07:55,000
TO MOZART,
1777
01:07:55,083 --> 01:07:56,959
"FANTASIA IN D MINOR,"
IF YOU DON'T MIND.
1778
01:07:57,041 --> 01:07:57,917
LET ME DO THAT FOR YOU.
1779
01:07:58,000 --> 01:07:58,917
THANK YOU.
1780
01:07:59,000 --> 01:07:59,917
IT'S RIGHT THERE
ON THE LEFT.
1781
01:08:04,625 --> 01:08:06,041
YOU SEE PRONGS ON EACH SIDE
OF THE WINDOW THERE?
1782
01:08:08,458 --> 01:08:09,750
OKAY.
1783
01:08:10,959 --> 01:08:12,750
IT SHOULD POP RIGHT IN...
1784
01:08:19,500 --> 01:08:21,083
OH, SO THAT'S
HOW YOU DO IT.
1785
01:08:21,166 --> 01:08:22,959
BOY, WE HAD THAT
REALLY WRONG.
1786
01:08:23,041 --> 01:08:25,166
YEAH, REALLY WRONG.
1787
01:08:25,250 --> 01:08:27,417
AND THE SWITCH IS RIGHT BELOW
THE KEYBOARD TO YOUR RIGHT.
1788
01:08:28,792 --> 01:08:30,000
WE'RE ALL SET.
1789
01:08:30,083 --> 01:08:31,083
[MECHANISM WHIRRING]
1790
01:08:32,500 --> 01:08:33,250
[ATONAL PIANO CHORDS PLAY]
1791
01:08:33,333 --> 01:08:35,166
OW! WHAT IS THAT?
1792
01:08:35,250 --> 01:08:36,583
THESE ARE FRAGILE PEOPLE HERE!
1793
01:08:37,834 --> 01:08:39,834
[TURNS OFF PIANO]
1794
01:08:41,208 --> 01:08:42,250
MAYBE I PUT IT IN WRONG?
1795
01:08:42,333 --> 01:08:43,333
DO YOU MIND
1796
01:08:43,417 --> 01:08:44,750
IF I TAKE A LOOK AT THAT
FOR A SECOND?
1797
01:08:48,667 --> 01:08:51,125
DEAN, LOOK AT THIS.
1798
01:08:51,208 --> 01:08:53,417
THE MOZART LOOKS LIKE
IT'S ON DIFFERENT PAPER STOCK.
1799
01:08:53,500 --> 01:08:55,208
OH, IT'S DEFINITELY
A NEWER PAPER,
1800
01:08:55,291 --> 01:08:56,667
MAYBE A FEW YEARS OLD,
AS OPPOSED TO THE BRAHMS,
1801
01:08:56,750 --> 01:08:58,667
WHICH HAS YELLOWED
WITH TIME.
1802
01:08:58,750 --> 01:09:00,750
COULD IT BE FROM
A DIFFERENT PIANO MAYBE?
1803
01:09:00,834 --> 01:09:01,667
A NEWER MODEL?
1804
01:09:01,750 --> 01:09:03,208
POSSIBLY.
1805
01:09:03,291 --> 01:09:04,834
BUT WHY WOULD THE ROLLS
BE IN WITH THESE?
1806
01:09:06,583 --> 01:09:08,083
THIS WAS DIETZ'S
FAVORITE PIECE.
1807
01:09:08,166 --> 01:09:10,750
HE TAUGHT IT TO HIS DAUGHTER,
HIS GRANDDAUGHTER.
1808
01:09:10,834 --> 01:09:12,709
I THINK THIS IS HERE
FOR A REASON.
1809
01:09:12,792 --> 01:09:15,333
A MYSTERY
WRAPPED UP IN MOZART.
1810
01:09:15,417 --> 01:09:16,542
YOU GOTTA LOVE IT.
1811
01:09:16,625 --> 01:09:17,542
[LAUGHTER]
1812
01:09:17,625 --> 01:09:19,417
DEAN, I'D BETTER
GET YOU HOME.
1813
01:09:19,500 --> 01:09:20,875
WHAT?
1814
01:09:20,959 --> 01:09:22,542
OH, COME ON, THINGS ARE JUST
STARTING TO GET INTERESTING.
1815
01:09:22,625 --> 01:09:23,959
I PROMISED YOUR DOCTORS.
1816
01:09:24,041 --> 01:09:25,667
SAY "SO LONG".
1817
01:09:25,750 --> 01:09:27,041
SO LONG, EVERYONE.
1818
01:09:28,709 --> 01:09:30,125
DEAN, I'M GLAD
YOU'RE DOING WELL.
1819
01:09:30,208 --> 01:09:31,667
SO AM I.
1820
01:09:31,750 --> 01:09:32,625
WE'RE OUTTA HERE.
1821
01:09:32,709 --> 01:09:34,375
BYE.
1822
01:09:34,458 --> 01:09:36,000
LISTEN, I'M GONNA
TAKE OFF, TOO.
1823
01:09:36,083 --> 01:09:37,500
WE HAVE DINNER RESERVATIONS.
1824
01:09:37,583 --> 01:09:38,375
ARE YOU OKAY TO LOCK UP?
1825
01:09:38,458 --> 01:09:39,625
I AM FINE.
YOU HAVE FUN.
1826
01:09:39,709 --> 01:09:40,917
OKAY.
1827
01:09:41,000 --> 01:09:42,417
[SHOP BELL JINGLES]
1828
01:09:50,667 --> 01:09:51,667
[SHOP BELL JINGLES]
1829
01:09:51,750 --> 01:09:52,709
HEY, JENN!
1830
01:09:52,792 --> 01:09:53,750
HEY, GUYS,
1831
01:09:53,834 --> 01:09:54,917
WHAT A NICE SURPRISE.
1832
01:09:55,000 --> 01:09:56,333
WE THOUGHT WE'D STOP BY
BEFORE THE BIG GAME.
1833
01:09:56,417 --> 01:09:57,542
OH, THAT'S RIGHT.
1834
01:09:57,625 --> 01:09:58,542
GOOD LUCK, LOGAN.
1835
01:09:58,625 --> 01:09:59,792
OH, HE WON'T NEED
ANY LUCK.
1836
01:09:59,875 --> 01:10:01,875
ACCORDING TO COACH BYERS,
1837
01:10:01,959 --> 01:10:04,291
LOGAN'S COME UP WITH
A WINNING GAME PLAN.
1838
01:10:04,375 --> 01:10:05,417
YEAH.
1839
01:10:05,500 --> 01:10:06,792
TELL ME THAT
AFTER THE FINAL BUZZER.
1840
01:10:06,875 --> 01:10:07,917
[CHUCKLES FONDLY]
1841
01:10:09,125 --> 01:10:10,667
WHAT'S THIS?
1842
01:10:10,750 --> 01:10:13,083
WELL, IT'S
SUPPOSED TO BE
1843
01:10:13,166 --> 01:10:15,208
MOZART'S
"FANTASIA IN D MINOR,"
1844
01:10:15,291 --> 01:10:17,041
BUT TURNS OUT IT'S JUST
A BUNCH OF NOISE.
1845
01:10:17,125 --> 01:10:20,542
AND I'M FAIRLY CERTAIN THERE'S
A CODE EMBEDDED IN HERE.
1846
01:10:20,625 --> 01:10:22,583
I JUST DON'T KNOW
HOW TO FIGURE IT OUT.
1847
01:10:22,667 --> 01:10:24,667
DO YOU HAVE ANY OTHER
AUTHENTIC ROLLS OF MUSIC?
1848
01:10:24,750 --> 01:10:26,000
I DO.
1849
01:10:26,083 --> 01:10:27,041
I HAVE A PIECE BY BRAHMS.
1850
01:10:27,125 --> 01:10:28,291
WELL THEN,
1851
01:10:28,375 --> 01:10:30,250
PRINT OFF THE BRAHMS SHEET MUSIC
OFF THE INTERNET,
1852
01:10:30,333 --> 01:10:31,750
AND, YOU KNOW,
1853
01:10:31,834 --> 01:10:34,834
MARK DOWN THE CORRECT NOTES
ALONGSIDE EACH PERFORATION.
1854
01:10:34,917 --> 01:10:36,875
AND THAT WAY
I CAN CROSS-REFERENCE
1855
01:10:36,959 --> 01:10:40,333
TO SEE WHICH NOTE
EACH PERFORATION REPRESENTS.
1856
01:10:40,417 --> 01:10:42,083
LOGAN, YOU ARE A GENIUS.
1857
01:10:43,333 --> 01:10:45,291
WHAT IF THE PIECE
IS WRITTEN IN D MINOR?
1858
01:10:45,375 --> 01:10:48,333
WELL THEN, "D" WOULD REPRESENTS
THE NUMBER ONE,
1859
01:10:48,417 --> 01:10:49,667
AND "E" THE NUMBER TWO,
1860
01:10:49,750 --> 01:10:51,083
YOU KNOW,
AND SO ON AND SO FORTH.
1861
01:10:51,166 --> 01:10:52,333
WHAT ABOUT SHARPS AND FLATS?
1862
01:10:52,417 --> 01:10:55,667
THAT COULD BE... LETTERS?
1863
01:10:55,750 --> 01:10:57,875
D-SHARP COULD REPRESENT
THE LETTER "A",
1864
01:10:57,959 --> 01:10:59,834
OR MAYBE
1865
01:10:59,917 --> 01:11:02,208
IT'S THE FIRST SHARP
OR FLAT AFTER "D" MINOR.
1866
01:11:02,291 --> 01:11:03,709
I DON'T KNOW,
YOU'LL HAVE TO PLAY WITH IT.
1867
01:11:03,792 --> 01:11:05,041
AND, UH, WE HAVE
A GAME TO PLAY,
1868
01:11:05,125 --> 01:11:06,000
SO WE SHOULD GO.
1869
01:11:06,083 --> 01:11:07,166
RIGHT.
SO, GOOD LUCK, MOM.
1870
01:11:07,250 --> 01:11:08,625
GOOD LUCK TO YOU, TOO, LOGAN,
1871
01:11:08,709 --> 01:11:09,542
AND JUST HAVE FUN.
1872
01:11:12,000 --> 01:11:14,458
[SIGHING EAGERLY]
1873
01:11:16,166 --> 01:11:17,125
HANNAH!
1874
01:11:17,208 --> 01:11:18,125
HEY, HANNAH!
1875
01:11:18,208 --> 01:11:19,166
YOU DID IT.
1876
01:11:19,250 --> 01:11:20,792
I GOT A B!
1877
01:11:20,875 --> 01:11:22,125
YOU DID IT, RICK.
1878
01:11:22,208 --> 01:11:23,625
HIGH-FIVE.
1879
01:11:26,625 --> 01:11:27,667
[LAUGHS]
1880
01:11:27,750 --> 01:11:30,500
[♪♪♪]
1881
01:11:33,667 --> 01:11:35,834
[ROAR OF SPORTS CROWD]
1882
01:11:38,000 --> 01:11:39,083
[CROWD CHEERING]
1883
01:11:39,166 --> 01:11:40,583
[FINAL BUZZER BLARES]
1884
01:11:40,667 --> 01:11:42,291
WHOO!
1885
01:11:42,375 --> 01:11:44,458
[TEAM CHEERING]
1886
01:11:47,333 --> 01:11:49,375
LOGAN!
1887
01:11:49,458 --> 01:11:51,291
BRILLIANT.
WELL DONE.
1888
01:11:51,375 --> 01:11:52,709
THANK YOU, SIR.
1889
01:11:52,792 --> 01:11:53,959
YOU'VE GOT YOURSELF
QUITE THE STRATEGIST HERE,
1890
01:11:54,041 --> 01:11:54,834
MR. SHANNON.
1891
01:11:54,917 --> 01:11:56,417
DON'T I KNOW IT.
1892
01:11:58,417 --> 01:11:59,625
WHAT DID I TELL YOU?
1893
01:12:00,834 --> 01:12:01,959
YOU STEPPED UP,
1894
01:12:02,041 --> 01:12:03,083
AND YOU WERE THE RIGHT PERSON
TO DO IT.
1895
01:12:03,166 --> 01:12:05,333
THANKS FOR
THE ENCOURAGEMENT, DAD,
1896
01:12:05,417 --> 01:12:07,291
AND ALL THE SUPPORT.
1897
01:12:07,375 --> 01:12:08,250
IT MEANS A LOT.
1898
01:12:08,333 --> 01:12:10,041
ANYTIME, SON.
1899
01:12:10,125 --> 01:12:11,333
NOW, GO ON,
1900
01:12:11,417 --> 01:12:12,625
PARTY WITH THE GUYS.
1901
01:12:14,000 --> 01:12:14,875
WHOO!
1902
01:12:17,625 --> 01:12:20,291
[TOGETHER]:
JETS! JETS! JETS! JETS! JETS!
1903
01:12:20,375 --> 01:12:22,000
[CHEERING] WHOO!
1904
01:12:26,166 --> 01:12:28,166
[MUTTERING]
SHARPS, FLATS...
1905
01:12:28,250 --> 01:12:30,083
OR THE NOTE THAT COMES
BEFORE "D" MINOR,
1906
01:12:30,166 --> 01:12:32,500
I THINK THAT'S A "C"...
1907
01:12:32,583 --> 01:12:33,834
[DOOR RATTLING]
1908
01:12:38,208 --> 01:12:39,125
[SPEED-DIALING]
1909
01:12:39,208 --> 01:12:40,125
[FRAME SPLINTERS]
1910
01:12:40,208 --> 01:12:41,667
[GASPS IN FRIGHT] FRANK!
1911
01:12:41,750 --> 01:12:42,750
DWYER JUST BROKE
INTO MY STORE!
1912
01:12:42,834 --> 01:12:44,041
MR. DWYER!
1913
01:12:44,125 --> 01:12:45,458
I'VE CALLED THE POLICE!
1914
01:12:45,542 --> 01:12:46,583
FRANK, ARE YOU THERE?
1915
01:12:46,667 --> 01:12:47,542
YEAH, I'M STILL HERE, JENN.
1916
01:12:47,625 --> 01:12:48,709
UNITS ARE ABOUT A BLOCK AWAY.
1917
01:12:48,792 --> 01:12:49,750
I'LL BE ARRIVING SHORTLY.
1918
01:13:01,709 --> 01:13:03,125
WE HAVE AN ALL-POINTS OUT
ON DWYER NOW,
1919
01:13:03,208 --> 01:13:05,041
AND I'M GOING TO KEEP
A PATROL UNIT
1920
01:13:05,125 --> 01:13:06,083
HERE AT YOUR SHOP.
1921
01:13:06,166 --> 01:13:07,208
DO YOU WANT ONE
AT YOUR RESIDENCE?
1922
01:13:07,291 --> 01:13:08,291
ABSOLUTELY.
THANKS, FRANK.
1923
01:13:08,375 --> 01:13:09,375
THANK YOU.
1924
01:13:09,458 --> 01:13:10,792
YEAH, NO PROBLEM.
1925
01:13:10,875 --> 01:13:12,333
HEY, I HEAR CONGRATULATIONS
ARE IN ORDER?
1926
01:13:12,417 --> 01:13:14,250
OH, YEAH. LOGAN'S TEAM
WON THEIR FIRST GAME.
1927
01:13:14,333 --> 01:13:15,208
HEY, WELL, GIVE HIM MY BEST.
1928
01:13:15,291 --> 01:13:16,208
I WILL.
1929
01:13:19,875 --> 01:13:21,667
[♪♪♪]
1930
01:13:23,625 --> 01:13:25,000
CRACK IT YET, MOM?
1931
01:13:25,083 --> 01:13:27,291
MM, I HOPE SO.
1932
01:13:27,375 --> 01:13:28,375
I THINK
I'M GETTING CLOSE,
1933
01:13:28,458 --> 01:13:30,291
BUT THERE COULD BE
THREE LINES OF CODE.
1934
01:13:30,375 --> 01:13:31,959
YOU SEE THESE TWO COLUMNS
1935
01:13:32,041 --> 01:13:32,959
THAT ARE VERTICAL
RIGHT HERE?
1936
01:13:33,041 --> 01:13:34,250
THEY'RE THE ONLY TWO
GROUPED TOGETHER
1937
01:13:34,333 --> 01:13:35,500
ON THE ENTIRE ROLL,
1938
01:13:35,583 --> 01:13:36,750
AND THE NUMBERS
AND THE LETTERS,
1939
01:13:36,834 --> 01:13:38,208
THEY MATCH UP
PERFECTLY.
1940
01:13:38,291 --> 01:13:39,417
HMM...
1941
01:13:39,500 --> 01:13:40,792
BOTH ALPHA-NUMERIC...
1942
01:13:42,667 --> 01:13:43,667
WAIT...
1943
01:13:43,750 --> 01:13:46,750
THOSE LOOK JUST LIKE
GPS COORDINATES.
1944
01:13:46,834 --> 01:13:48,000
YOU THINK?
1945
01:13:48,083 --> 01:13:49,583
HOLD ON.
1946
01:13:57,458 --> 01:13:58,333
YUP.
1947
01:13:58,417 --> 01:13:59,583
SEE?
1948
01:14:01,083 --> 01:14:04,000
LOGAN, THAT'S
THE DIETZ RECITAL HALL!
1949
01:14:05,208 --> 01:14:07,250
THIS IS INCREDIBLE.
1950
01:14:07,333 --> 01:14:10,125
DO YOU HAVE ANY IDEA
WHAT THESE NUMBERS MIGHT BE?
1951
01:14:10,208 --> 01:14:13,125
WELL, IT'S NOT LONGITUDE
OR LATITUDE.
1952
01:14:13,208 --> 01:14:14,917
THERE'S NOT ENOUGH
DIGITS THERE.
1953
01:14:15,000 --> 01:14:17,208
SO, UH...
1954
01:14:17,291 --> 01:14:19,000
YEAH, I HAVEN'T GOT A CLUE,
SORRY, MOM.
1955
01:14:19,083 --> 01:14:20,917
THAT'S OKAY, LOGAN,
YOU HAVE BEEN A BIG HELP.
1956
01:14:21,000 --> 01:14:22,208
I'M GONNA GRAB YOUR DAD'S
SET OF BLUEPRINTS
1957
01:14:22,291 --> 01:14:23,208
FROM MY STORE,
1958
01:14:23,291 --> 01:14:24,166
AND I'M GONNA CALL FRANK.
1959
01:14:24,250 --> 01:14:25,291
THANK YOU.
1960
01:14:28,208 --> 01:14:29,875
[SHOP BELL JINGLES]
1961
01:14:32,125 --> 01:14:33,583
-HI.
-HI.
1962
01:14:33,667 --> 01:14:34,542
BYE.
1963
01:14:36,667 --> 01:14:38,709
FRANK, I'M ON MY WAY
TO THE RECITAL HALL.
1964
01:14:38,792 --> 01:14:40,333
I HOPE YOU CAN MEET ME THERE.
1965
01:14:43,542 --> 01:14:45,917
[STARTS ENGINE]
1966
01:15:02,792 --> 01:15:04,542
BONJOUR, MRS. SHANNON.
1967
01:15:04,625 --> 01:15:06,417
WE MEET AGAIN.
1968
01:15:06,500 --> 01:15:08,083
SO WE DO.
1969
01:15:08,166 --> 01:15:09,583
THE HERZOG PAINTING.
1970
01:15:09,667 --> 01:15:10,917
WHERE IS IT?
1971
01:15:11,000 --> 01:15:14,083
SAFELY IN THE HANDS
OF THE AUSTRIAN CONSULATE,
1972
01:15:14,166 --> 01:15:16,333
SOON BE RETURNED
TO ITS RIGHTFUL HEIR,
1973
01:15:16,417 --> 01:15:18,583
A JEWISH FAMILY
FROM VIENNA
1974
01:15:18,667 --> 01:15:20,083
WHOSE PARENTS
HAD IT TAKEN FROM THEM
1975
01:15:20,166 --> 01:15:22,125
DURING THE ANSCHLUSS OF 1938.
1976
01:15:22,208 --> 01:15:23,750
THAT'S GOOD NEWS.
1977
01:15:25,125 --> 01:15:26,875
SO, WHAT ARE YOU DOING HERE?
1978
01:15:26,959 --> 01:15:27,917
BESIDES STALKING ME?
1979
01:15:29,000 --> 01:15:30,542
STALKING? NO, MADAME,
1980
01:15:30,625 --> 01:15:33,375
I AM MERELY HERE
TO OFFER ASSISTANCE.
1981
01:15:33,458 --> 01:15:37,041
YOU SEE, KARL DIETZ
WAS NOT THE ONLY ONE...
1982
01:15:37,125 --> 01:15:38,041
TO KEEP A JOURNAL.
1983
01:15:39,875 --> 01:15:42,500
DETECTIVE LYNNWOOD
INDICATED TO MY SUPERIORS
1984
01:15:42,583 --> 01:15:45,000
THAT YOU FOUND HIS JOURNAL,
1985
01:15:45,083 --> 01:15:47,709
SO I THOUGHT NOW WOULD BE
A GOOD TIME TO COMPARE NOTES.
1986
01:15:48,875 --> 01:15:51,333
DO ANY OF THESE NAMES,
1987
01:15:51,417 --> 01:15:53,333
OR DATES, ARTISTS,
1988
01:15:53,417 --> 01:15:55,208
LOOK FAMILIAR?
1989
01:15:55,291 --> 01:15:56,208
GOYA...
1990
01:15:57,333 --> 01:15:58,333
MENZEL...
1991
01:16:01,458 --> 01:16:04,291
YOU KNEW ABOUT
THE CASPAR DAVID FRIEDRICH?
1992
01:16:04,375 --> 01:16:08,250
WELL, I DID NOT JUST MERELY
SIT BEHIND THE DESK AT THE EMCA
1993
01:16:08,333 --> 01:16:09,667
FOR ALL THOSE YEARS.
1994
01:16:09,750 --> 01:16:11,250
[INHALES DEEPLY]
1995
01:16:11,333 --> 01:16:15,291
NOW... WHAT BROUGHT YOU HERE
WITH YOUR HUSBAND'S BLUEPRINTS?
1996
01:16:17,542 --> 01:16:19,834
OF COURSE.
1997
01:16:19,917 --> 01:16:21,709
IT'S PERFECT.
1998
01:16:21,792 --> 01:16:23,083
THE RECITAL HALL.
1999
01:16:23,166 --> 01:16:24,792
AND DIETZ
HELPED TO MAKE IT!
2000
01:16:24,875 --> 01:16:26,208
[STAMMERING EXCITEDLY]
2001
01:16:26,291 --> 01:16:29,125
AND THAT PIANO,
DID THE PIANO HAVE A... A MAP?
2002
01:16:29,208 --> 01:16:33,291
A CODE, IN A PIANO ROLL.
2003
01:16:33,375 --> 01:16:35,709
MOZART'S "FANTASIA IN D MINOR".
2004
01:16:35,792 --> 01:16:36,667
[SMACKS BOOK]
2005
01:16:36,750 --> 01:16:39,375
I KNEW IT! I KNEW IT!
2006
01:16:39,458 --> 01:16:40,458
LET ME SHOW YOU,
2007
01:16:40,542 --> 01:16:42,542
UM... THIS DATA ENTRY.
2008
01:16:42,625 --> 01:16:45,125
THESE ARE SHIPPING
AND CRATING SERVICES,
2009
01:16:45,208 --> 01:16:46,875
CARGO CONTAINER
I.D. NUMBERS.
2010
01:16:46,959 --> 01:16:48,375
I TRACED THEM ALL
BACK TO A TIME
2011
01:16:48,458 --> 01:16:50,667
WHEN KARL DIETZ
WAS A NATO LIAISON.
2012
01:16:50,750 --> 01:16:52,542
YOU SEE, HIS DIPLOMATIC STATUS
2013
01:16:52,625 --> 01:16:55,667
ALLOW HIM TO, UH,
BYPASS U.S. CUSTOMS, HUH?
2014
01:16:55,750 --> 01:16:57,834
I BELIEVE HE USE HIS PRIVILEGE
2015
01:16:57,917 --> 01:17:00,875
TO SMUGGLE ART AND STOLEN JEWELS
2016
01:17:00,959 --> 01:17:01,917
OUT OF GERMANY
INTO THIS COUNTRY,
2017
01:17:02,000 --> 01:17:03,375
PIECE BY PIECE.
2018
01:17:03,458 --> 01:17:05,125
SO, THAT'S HOW HE DID IT.
2019
01:17:05,208 --> 01:17:06,667
YES,
2020
01:17:06,750 --> 01:17:07,750
HOWEVER, A FEW YEARS AGO,
2021
01:17:07,834 --> 01:17:09,709
THE EMCA RECEIVED
AN ANONYMOUS TIP,
2022
01:17:09,792 --> 01:17:12,125
WHICH I BELIEVE CAME FROM
DIETZ'S DAUGHTER, HELGA.
2023
01:17:12,208 --> 01:17:15,667
BUT BEFORE THE FBI COULD
FILE A SEARCH WARRANT,
2024
01:17:15,750 --> 01:17:19,375
DIETZ HID HIS STOLEN GOODS.
2025
01:17:19,458 --> 01:17:20,667
BUT WHERE?
2026
01:17:20,750 --> 01:17:22,375
THAT WAS ALWAYS THE MYSTERY.
2027
01:17:23,291 --> 01:17:24,542
NOW...
2028
01:17:24,625 --> 01:17:27,792
THE MOZART IN D MINOR
DIRECTED YOU HERE.
2029
01:17:29,917 --> 01:17:31,750
I THINK THE LOCK
ON THE STAGE DOOR
2030
01:17:31,834 --> 01:17:33,709
MIGHT BE BROKEN.
2031
01:17:33,792 --> 01:17:34,750
FOLLOW ME.
2032
01:17:47,291 --> 01:17:48,875
[♪♪♪]
2033
01:17:52,917 --> 01:17:54,208
[SIGHS]
2034
01:17:54,291 --> 01:17:56,542
I GUESS JASON
FIXED THE LOCK.
2035
01:17:56,625 --> 01:17:58,000
WELL, HE IS EFFICIENT.
2036
01:17:58,083 --> 01:18:00,333
ALLOW ME, MADAME.
2037
01:18:00,417 --> 01:18:01,667
SOMETIMES, TO CATCH A THIEF...
2038
01:18:03,583 --> 01:18:05,333
YOU HAVE TO PLAY
THE THIEF.
2039
01:18:11,041 --> 01:18:11,917
VOILA!
2040
01:18:15,333 --> 01:18:16,792
[♪♪♪]
2041
01:18:22,458 --> 01:18:24,500
THIS FIRST SET OF NUMBERS...
2042
01:18:26,625 --> 01:18:29,250
IT'S TOO SHORT
TO BE A TRACKING NUMBER
2043
01:18:29,333 --> 01:18:31,125
OR A ZIP CODE.
2044
01:18:33,875 --> 01:18:36,375
THERE HAS TO BE
SOME CORRELATION
2045
01:18:36,458 --> 01:18:38,500
TO THE RECITAL HALL.
2046
01:18:44,792 --> 01:18:45,875
JACQUES...
2047
01:18:45,959 --> 01:18:47,000
MY HUSBAND SAID
2048
01:18:47,083 --> 01:18:49,291
THAT KARL DIETZ
HAD HIS OWN SPECIALISTS
2049
01:18:49,375 --> 01:18:51,250
WHO DID THE ACOUSTICS,
THE STAGE FLOORING,
2050
01:18:51,333 --> 01:18:52,250
AND THE VIP SEATS.
2051
01:18:56,208 --> 01:18:58,125
HERE'S KARL DIETZ'S CHAIR.
2052
01:18:58,208 --> 01:18:59,917
"B-9."
2053
01:19:00,000 --> 01:19:03,000
"SL-R1-B9."
2054
01:19:03,083 --> 01:19:04,000
OF COURSE,
2055
01:19:04,083 --> 01:19:05,834
IT'S "STAGE LEFT,
ROW ONE, B-9."
2056
01:19:05,917 --> 01:19:08,458
WE HAVE A MATCH.
2057
01:19:12,333 --> 01:19:14,208
HEY.
2058
01:19:14,291 --> 01:19:16,417
THERE IS AN ELECTRICAL CONDUIT
RUNNING UNDER EACH SEAT.
2059
01:19:18,041 --> 01:19:19,458
PERHAPS
IT'S JUST FOR THE LIGHT.
2060
01:19:19,542 --> 01:19:21,709
WAIT A MINUTE.
2061
01:19:21,792 --> 01:19:23,500
IT LOOKS LIKE
THERE MIGHT BE A...
2062
01:19:23,583 --> 01:19:24,709
A SWITCH DOWN HERE.
2063
01:19:25,959 --> 01:19:26,875
[MECHANISM WHIRS]
2064
01:19:39,166 --> 01:19:41,041
ALLOW ME, MADAME.
2065
01:19:43,125 --> 01:19:44,417
[HATCH CREAKING]
2066
01:19:46,542 --> 01:19:48,458
[GASPING]
2067
01:19:48,542 --> 01:19:50,709
KARL DIETZ'S VAULT.
2068
01:19:50,792 --> 01:19:52,125
AT LAST.
2069
01:19:53,375 --> 01:19:55,166
BLESS YOU, MS. SHANNON.
2070
01:19:55,250 --> 01:19:57,542
WORDS CANNOT EXPRESS HOW I FEEL.
2071
01:19:57,625 --> 01:19:58,583
YOU MUST UNDERSTAND,
2072
01:19:58,667 --> 01:20:00,000
THIS IS WHAT MY LIFE,
2073
01:20:00,083 --> 01:20:02,750
WHAT MY WORK IS ALL ABOUT.
2074
01:20:02,834 --> 01:20:04,500
RESTITUTION?
2075
01:20:05,500 --> 01:20:07,417
OUI.
2076
01:20:07,500 --> 01:20:09,208
RESTITUTION.
2077
01:20:14,667 --> 01:20:16,500
WAIT A MINUTE.
2078
01:20:21,208 --> 01:20:23,250
OH, HERE IT IS.
2079
01:20:23,333 --> 01:20:27,333
THE ORIGINAL MOZART
"FANTASIA IN D MINOR,"
2080
01:20:27,417 --> 01:20:30,041
WHICH CONFIRMS THAT KARL DIETZ
MANUFACTURED THE OTHER ONE.
2081
01:20:31,917 --> 01:20:34,208
OH, WAIT A MINUTE.
2082
01:20:34,291 --> 01:20:35,166
WHAT?
2083
01:20:35,250 --> 01:20:37,250
IT'S CAROLYN.
2084
01:20:37,333 --> 01:20:39,333
CAROLYN, SHE HAD TO HAVE KNOWN.
2085
01:20:39,417 --> 01:20:40,750
THAT'S WHY
SHE'S BEEN ON ME
2086
01:20:40,834 --> 01:20:42,709
TO BUY BACK THE VESTONE.
2087
01:20:42,792 --> 01:20:43,667
ACTUALLY...
2088
01:20:45,208 --> 01:20:47,959
I'VE ALWAYS HATED THAT
WHEEZING EXCUSE FOR A PIANO.
2089
01:20:49,250 --> 01:20:52,000
BUT THANKS TO YOU, JENNIFER,
2090
01:20:52,083 --> 01:20:54,709
I NOW HAVE MY INHERITANCE.
2091
01:20:54,792 --> 01:20:57,709
WHICH YOU ASSUMED WAS YOURS
ALL ALONG, DIDN'T YOU?
2092
01:20:59,083 --> 01:21:02,250
I MEAN, YOU HAD THE LETTER
2093
01:21:02,333 --> 01:21:04,125
FROM YOUR GRANDFATHER
TO YOUR MOTHER,
2094
01:21:04,208 --> 01:21:06,959
INFORMING HER
THAT YOU HAD BEEN
2095
01:21:07,041 --> 01:21:09,125
REINSTATED IN HIS WILL...
2096
01:21:10,834 --> 01:21:13,250
BUT AFTER YOUR MOTHER DIED,
2097
01:21:13,333 --> 01:21:16,125
AFTER YOU RETURNED
FROM OVERSEAS,
2098
01:21:16,208 --> 01:21:19,083
YOU SUDDENLY FOUND OUT
THAT THINGS HAD CHANGED...
2099
01:21:21,333 --> 01:21:22,417
THAT YOUR MOTHER AND GRANDFATHER
2100
01:21:22,500 --> 01:21:24,250
DIDN'T HEAL THEIR RIFT,
2101
01:21:24,333 --> 01:21:25,917
AND THAT YOUR
GRANDFATHER DECIDED
2102
01:21:26,000 --> 01:21:27,792
TO SELL HIS ESTATE FOR CHARITY,
2103
01:21:27,875 --> 01:21:29,458
LEAVING YOU CUT OFF ONCE AGAIN.
2104
01:21:30,500 --> 01:21:31,500
[DIETZ, MUMBLING]: NURSE?
2105
01:21:34,709 --> 01:21:36,667
WHAT ARE YOU DOING?
2106
01:21:38,208 --> 01:21:40,125
WHO ARE YOU?
2107
01:21:43,041 --> 01:21:44,834
YOU...
2108
01:21:44,917 --> 01:21:47,333
HOUNDING ME TO THE GRAVE,
2109
01:21:47,417 --> 01:21:49,250
YOU AND ALL THE OTHERS.
2110
01:21:49,333 --> 01:21:50,333
[JENNIFER]: SO, YOU DECIDED
TO RETALIATE...
2111
01:21:51,625 --> 01:21:52,792
...AND YOU ENDED HIS LIFE.
2112
01:21:52,875 --> 01:21:54,208
HE WAS A HORRIBLE MAN,
2113
01:21:54,291 --> 01:21:56,375
WHO HAD OUTLIVED HIS USEFULNESS.
2114
01:21:56,458 --> 01:21:58,375
AND YOU HAD
WHAT YOU NEEDED,
2115
01:21:58,458 --> 01:22:00,625
HIS LETTER TO YOUR MOTHER,
2116
01:22:00,709 --> 01:22:03,166
AND THE CLUE
TO HIS HIDDEN TREASURE,
2117
01:22:03,250 --> 01:22:04,583
THE PLAYER PIANO...
2118
01:22:04,667 --> 01:22:06,917
WHICH IS WHY YOU BROKE INTO
MY FRIEND'S SHOP
2119
01:22:07,000 --> 01:22:08,709
AND ASSAULTED HIM.
2120
01:22:11,917 --> 01:22:14,166
[HEAVY THUD]
2121
01:22:18,667 --> 01:22:20,041
[SHOP ENTRY BELL CHIMES]
2122
01:22:20,125 --> 01:22:21,667
BUT YOUR SEARCH
WAS CUT SHORT
2123
01:22:21,750 --> 01:22:23,083
WHEN HOWIE NASH ARRIVED.
2124
01:22:23,166 --> 01:22:26,500
YOU HAD TO GET OUT OF THERE
IN A HURRY.
2125
01:22:26,583 --> 01:22:28,041
THEN THINGS BECAME
MORE URGENT
2126
01:22:28,125 --> 01:22:29,166
WHEN YOU LEARNED
2127
01:22:29,250 --> 01:22:30,667
THE HERZOG PAINTING
HAD BEEN FOUND,
2128
01:22:30,750 --> 01:22:33,000
TUCKED AWAY INSIDE A RELATIVELY
WORTHLESS PIECE OF ART.
2129
01:22:33,083 --> 01:22:34,333
YES, WELL,
ACCORDING TO MOTHER,
2130
01:22:34,417 --> 01:22:36,333
GRANDPA WAS A VERY
CLEVER SMUGGLER.
2131
01:22:36,417 --> 01:22:37,458
YOU MEAN CRIMINAL--
2132
01:22:37,542 --> 01:22:38,917
DO I LOOK LIKE I CARE?
2133
01:22:39,000 --> 01:22:40,166
JACQUES IS RIGHT.
2134
01:22:40,250 --> 01:22:41,458
THINGS DID GET
MUCH MORE URGENT
2135
01:22:41,542 --> 01:22:42,875
BECAUSE YOU REALIZED
2136
01:22:42,959 --> 01:22:44,750
THAT SILES HAD SECURED
2137
01:22:44,834 --> 01:22:46,834
EVERYTHING
IN YOUR GRANDFATHER'S LIBRARY,
2138
01:22:46,917 --> 01:22:48,542
INCLUDING
HIS PERSONAL CORRESPONDENCE.
2139
01:22:49,959 --> 01:22:51,750
I BELIEVE THERE WAS
ANOTHER LETTER,
2140
01:22:51,834 --> 01:22:53,834
FROM YOUR MOTHER
TO YOUR GRANDFATHER,
2141
01:22:53,917 --> 01:22:55,417
ONE IN WHICH
2142
01:22:55,500 --> 01:22:57,834
SHE OUTRIGHT REJECTED
HIS OFFER OF AN INHERITANCE.
2143
01:22:57,917 --> 01:22:59,542
NOW YOU'RE JUST SPECULATING.
2144
01:22:59,625 --> 01:23:01,083
AM I?
2145
01:23:01,166 --> 01:23:02,834
THEN WHY WEREN'T YOU LISTED
AS NEXT OF KIN
2146
01:23:02,917 --> 01:23:03,917
ON HIS HOSPITAL PAPERS?
2147
01:23:05,875 --> 01:23:07,000
YOUR MOTHER WANTED
2148
01:23:07,083 --> 01:23:08,625
NOTHING TO DO
WITH YOUR GRANDFATHER,
2149
01:23:08,709 --> 01:23:09,959
AND THE IRONY IS,
2150
01:23:10,041 --> 01:23:13,375
SHE WAS TRYING TO PROTECT YOU
FROM HIS CRIMES,
2151
01:23:13,458 --> 01:23:16,291
BUT WHEN YOU REALIZED
SILES HAD HER LETTER...
2152
01:23:18,041 --> 01:23:20,750
WELL, YOU COULDN'T AFFORD
TO LET HIM EXPOSE THAT...
2153
01:23:20,834 --> 01:23:21,709
[GUN COCKS]
2154
01:23:26,834 --> 01:23:29,000
COLLATERAL DAMAGE, I'M AFRAID.
2155
01:23:29,083 --> 01:23:31,000
AS ARE YOU!
2156
01:23:31,083 --> 01:23:31,917
SHUT THE HATCH.
2157
01:23:39,625 --> 01:23:41,709
ALL RIGHT, LET'S GO.
2158
01:23:41,792 --> 01:23:43,667
STAGE RIGHT, IF YOU WILL.
2159
01:23:43,750 --> 01:23:44,834
COME ON, GO!
2160
01:23:44,917 --> 01:23:46,125
MAY I ASK YOU WHAT LED YOU
2161
01:23:46,208 --> 01:23:47,875
TO THE MOZART IN D MINOR?
2162
01:23:47,959 --> 01:23:49,917
MOTHER'S LETTERS
TO GRANDPA.
2163
01:23:50,000 --> 01:23:51,750
THANKS FOR CRACKING
THE CODE, BY THE WAY.
2164
01:23:51,834 --> 01:23:53,542
YOUR MOTHER WAS THE ONE
WHO CONTACTED EMCA, YES?
2165
01:23:53,625 --> 01:23:54,500
YES.
2166
01:23:54,583 --> 01:23:56,458
SHE WAS THE ONE
2167
01:23:56,542 --> 01:23:58,166
WHO WANTED EVERYTHING RETURNED
TO ITS RIGHTFUL OWNER?
2168
01:23:58,250 --> 01:23:59,208
MOTHER ALWAYS HAD
2169
01:23:59,291 --> 01:24:00,208
A WAYWARD SENSE
OF MORALITY.
2170
01:24:00,291 --> 01:24:01,166
WHERE IS YOURS,
MISS TURNER?
2171
01:24:02,208 --> 01:24:03,000
[PULLEYS SPIN]
2172
01:24:05,083 --> 01:24:06,000
[GASPS]
2173
01:24:10,083 --> 01:24:11,208
JENN!
2174
01:24:12,500 --> 01:24:13,750
ARE YOU TWO ALL RIGHT?
2175
01:24:13,834 --> 01:24:14,834
[PANTING]
2176
01:24:14,917 --> 01:24:16,166
YES. YES, WE'RE--
2177
01:24:16,250 --> 01:24:17,625
[JACQUES]:
MAGNIFIQUE.
2178
01:24:19,375 --> 01:24:20,375
OUI.
2179
01:24:20,458 --> 01:24:21,417
[CHUCKLES IN RELIEF]
2180
01:24:23,875 --> 01:24:24,709
HELEN!
2181
01:24:24,792 --> 01:24:25,750
JENNIFER.
2182
01:24:25,834 --> 01:24:26,750
LOVELY TO SEE YOU.
2183
01:24:26,834 --> 01:24:27,834
LOVELY TO SEE YOU.
2184
01:24:27,917 --> 01:24:29,375
HOW WAS
MY HUSBAND'S DRIVING?
2185
01:24:29,458 --> 01:24:30,500
EXCELLENT.
2186
01:24:30,583 --> 01:24:31,792
RIGHT IN HERE.
2187
01:24:33,917 --> 01:24:35,834
OH, MY.
2188
01:24:35,917 --> 01:24:37,709
JENNIFER,
WHAT'S GOING ON HERE?
2189
01:24:37,792 --> 01:24:39,625
IT'S NOT MY BIRTHDAY.
2190
01:24:39,709 --> 01:24:41,375
HELEN, I WOULD
LIKE YOU TO MEET
2191
01:24:41,458 --> 01:24:42,583
INSPECTOR JACQUES GRENIER.
2192
01:24:42,667 --> 01:24:44,083
IT'S A PLEASURE,
MADAME.
2193
01:24:44,166 --> 01:24:45,834
JACQUES WAS FORMERLY
2194
01:24:45,917 --> 01:24:48,208
WITH EUROPEAN MINISTRY
OF CRIMINAL AFFAIRS,
2195
01:24:48,291 --> 01:24:51,959
BUT NOW HE IS WITH
THE LOST ART RECOVERY LEAGUE.
2196
01:24:52,041 --> 01:24:53,125
HE'S RESPONSIBLE
FOR TRACKING DOWN
2197
01:24:53,208 --> 01:24:54,333
A LOT OF THE ARTWORK
2198
01:24:54,417 --> 01:24:56,083
THAT MR. DIETZ
ILLEGALLY CONFISCATED.
2199
01:24:56,166 --> 01:24:57,709
STILL SO SHOCKING.
2200
01:24:57,792 --> 01:24:59,208
HARD TO BELIEVE.
2201
01:24:59,291 --> 01:25:02,125
FORTUNATELY, THE DNA
WAS A MATCH TO CAROLYN
2202
01:25:02,208 --> 01:25:05,208
ON THE SYRINGE WRAPPER FOUND
IN HER GRANDFATHER'S BEDROOM.
2203
01:25:05,291 --> 01:25:07,041
THE D.A. WILL BE
INDICTING HER FOR MURDER.
2204
01:25:07,125 --> 01:25:08,208
OH, AND AS FAR AS
2205
01:25:08,291 --> 01:25:09,667
MR. DWYER IS CONCERNED,
2206
01:25:09,750 --> 01:25:11,333
HE WAS FOUND AND APPREHENDED.
2207
01:25:11,417 --> 01:25:12,959
HE WILL BE FACING
BURGLARY CHARGES.
2208
01:25:14,375 --> 01:25:16,542
WELL, NOW FOR SOME
EVEN BETTER NEWS.
2209
01:25:16,625 --> 01:25:18,041
LOGAN, SINCE YOU HELPED
CRACK THE CODE,
2210
01:25:18,125 --> 01:25:19,583
WOULD YOU LIKE
TO DO THE HONORS?
2211
01:25:25,375 --> 01:25:26,250
RECOGNIZE THIS, MRS. BAUER?
2212
01:25:26,333 --> 01:25:28,208
OF COURSE.
2213
01:25:28,291 --> 01:25:30,625
THE PROVENANCE
WAS FORGED, HELEN.
2214
01:25:30,709 --> 01:25:31,625
JACQUES AND I FOUND
2215
01:25:31,709 --> 01:25:32,959
THE ORIGINAL
CERTIFICATE OF OWNERSHIP
2216
01:25:33,041 --> 01:25:34,333
IN MR. DIETZ'S FILES.
2217
01:25:34,417 --> 01:25:36,834
IT BELONGED TO,
AND STILL BELONGS TO,
2218
01:25:36,917 --> 01:25:38,917
THE BAUER FAMILY.
2219
01:25:39,000 --> 01:25:40,625
OH, MY GOODNESS.
2220
01:25:40,709 --> 01:25:42,458
WELL...
2221
01:25:43,667 --> 01:25:45,917
AS MY MOTHER
ALWAYS SAID,
2222
01:25:46,000 --> 01:25:49,208
"ALL GOOD THINGS COME
TO THOSE WHO WAIT."
2223
01:25:50,959 --> 01:25:53,041
WELL, WE HAVE WAITED
LONG ENOUGH.
2224
01:25:53,125 --> 01:25:54,667
WHO WOULD LIKE
SOME CHAMPAGNE?
2225
01:25:54,750 --> 01:25:56,000
OH. I WOULD.
2226
01:25:56,083 --> 01:25:56,959
[CORK POPS, EVERYONE CHEERS]
2227
01:25:57,041 --> 01:25:59,000
WHOO! YEAH!
2228
01:26:02,125 --> 01:26:06,041
[♪♪♪]
148365
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