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These are the user uploaded subtitles that are being translated: 1 00:00:04,000 --> 00:00:06,500 [♪♪♪] 2 00:00:29,250 --> 00:00:33,041 [CLASSICAL PIANO PIECE PLAYS] 3 00:00:33,125 --> 00:00:35,834 [♪♪♪] 4 00:01:02,667 --> 00:01:05,542 [♪♪♪] 5 00:01:12,583 --> 00:01:13,917 NURSE? 6 00:01:15,625 --> 00:01:17,083 [COUGHS] 7 00:01:17,166 --> 00:01:18,875 WHAT ARE YOU DOING? 8 00:01:18,959 --> 00:01:20,959 WHO ARE YOU? 9 00:01:23,083 --> 00:01:26,333 YOU... 10 00:01:26,417 --> 00:01:28,542 HOUNDING ME TO THE GRAVE, 11 00:01:28,625 --> 00:01:31,291 YOU AND ALL THE OTHERS. 12 00:01:31,375 --> 00:01:33,709 I TOLD YOU, 13 00:01:33,792 --> 00:01:34,959 YOU WILL FIND NOTHING, 14 00:01:35,041 --> 00:01:37,583 YOU WILL GET NOTHING, 15 00:01:37,667 --> 00:01:41,625 NOT NOW, NOT EVER! 16 00:01:41,709 --> 00:01:44,709 IT'S GONE... 17 00:01:44,792 --> 00:01:47,166 BURIED. 18 00:01:47,250 --> 00:01:51,291 I WON'T HAVE IT STAINING MY NAME, 19 00:01:51,375 --> 00:01:53,041 MY LEGACY, 20 00:01:53,125 --> 00:01:55,583 YOU HEAR ME? 21 00:01:55,667 --> 00:02:00,250 I... I TRIED... 22 00:02:00,333 --> 00:02:03,375 TO MAKE AMENDS... 23 00:02:03,458 --> 00:02:07,583 I'VE T-TRIED. 24 00:02:12,500 --> 00:02:14,625 [MONITORS FLATLINING] 25 00:02:27,959 --> 00:02:29,291 NO, SERIOUSLY, DAD, 26 00:02:29,375 --> 00:02:31,041 I DON'T KNOW WHY YOU EVER SIGNED ME UP FOR BASKETBALL. 27 00:02:31,125 --> 00:02:32,166 I BELIEVE YOU DID THAT 28 00:02:32,250 --> 00:02:33,417 ALL BY YOURSELF. 29 00:02:33,500 --> 00:02:35,041 WELL, WHY DIDN'T YOU TALK ME OUT OF IT? 30 00:02:35,125 --> 00:02:36,166 AS I RECALL, 31 00:02:36,250 --> 00:02:38,041 THERE WAS NO TALKING YOU OUT OF ANYTHING. 32 00:02:38,125 --> 00:02:39,709 LOGAN, WE ARE SORRY THAT YOUR TEAM DIDN'T WIN, 33 00:02:39,792 --> 00:02:41,500 BUT YOU DID YOUR BEST. 34 00:02:41,583 --> 00:02:42,750 NOW, HAVE SOME PIZZA. 35 00:02:42,834 --> 00:02:43,667 YOU'LL FEEL BETTER. 36 00:02:43,750 --> 00:02:44,834 LEMONADE? 37 00:02:45,917 --> 00:02:47,834 OKAY. 38 00:02:47,917 --> 00:02:49,041 I'M SORRY, DAD, 39 00:02:49,125 --> 00:02:50,083 I'M JUST... 40 00:02:50,166 --> 00:02:51,500 FRUSTRATED, YOU KNOW? 41 00:02:51,583 --> 00:02:53,875 I MEAN, WE HAVE A DECENT TEAM AND ALL, 42 00:02:53,959 --> 00:02:56,500 WE JUST CAN'T GET OUR OFFENSE IN SYNC. 43 00:02:56,583 --> 00:02:58,417 WELL, I'M SURE THE LAST THING YOU NEED RIGHT NOW 44 00:02:58,500 --> 00:03:00,375 IS FATHERLY ADVICE, 45 00:03:00,458 --> 00:03:01,792 SO WHY DON'T WE JUST SIT HERE AND ENJOY THE PIZZA? 46 00:03:01,875 --> 00:03:03,125 LEMONADE? 47 00:03:03,208 --> 00:03:04,083 AH, PLEASE. 48 00:03:05,625 --> 00:03:08,000 THIS LOOKS DELICIOUS, HONEY. 49 00:03:08,083 --> 00:03:09,291 IS THAT, UH, SUN-DRIED TOMATOES? 50 00:03:09,375 --> 00:03:10,625 YES, WITH A LITTLE BIT OF GARLIC. 51 00:03:10,709 --> 00:03:12,125 AH. 52 00:03:13,917 --> 00:03:15,500 OKAY, GO AHEAD. 53 00:03:17,125 --> 00:03:19,041 MM, DELICIOUS. 54 00:03:19,125 --> 00:03:20,333 DAD... 55 00:03:20,417 --> 00:03:21,959 I'M GIVING YOU AN OPEN LANE HERE. 56 00:03:22,041 --> 00:03:24,625 OH, ALL RIGHT. 57 00:03:24,709 --> 00:03:26,000 WELL, IN MY EXPERIENCE, 58 00:03:26,083 --> 00:03:27,250 AT SOME POINT, 59 00:03:27,333 --> 00:03:29,291 SOMEONE HAS TO STEP UP AND BE THE TEAM LEADER, 60 00:03:29,375 --> 00:03:31,166 AND IN MY OPINION, I THINK THAT SHOULD BE YOU. 61 00:03:31,250 --> 00:03:32,625 -ME? -MM-HMM. 62 00:03:32,709 --> 00:03:33,750 NO, DAD, I-- 63 00:03:33,834 --> 00:03:34,875 YOU'RE A GOOD BALL HANDLER, 64 00:03:34,959 --> 00:03:36,291 YOU'RE A SOLID PASSER, 65 00:03:36,375 --> 00:03:37,375 YOU KNOW HOW TO RUN THE COURT. 66 00:03:37,458 --> 00:03:39,709 AND MOST IMPORTANTLY, YOU'RE SMART. 67 00:03:39,792 --> 00:03:41,500 YOU ARE REALLY SMART. 68 00:03:41,583 --> 00:03:45,583 I'LL BET YOU THAT NEXT PIECE OF PIZZA THERE 69 00:03:45,667 --> 00:03:46,667 THAT YOU ALMOST KNOW THE GAME 70 00:03:46,750 --> 00:03:48,333 AS WELL AS YOUR COACH. 71 00:03:51,417 --> 00:03:52,291 FOUL! 72 00:03:52,375 --> 00:03:53,542 [LAUGHS] 73 00:03:53,625 --> 00:03:54,625 DADDY TAKES IT. 74 00:03:54,709 --> 00:03:55,834 [CHUCKLING] 75 00:03:59,959 --> 00:04:01,750 YOU ARE REALLY GOOD WITH HIM, JASON. 76 00:04:01,834 --> 00:04:03,709 HEY, I'VE BEEN THERE. 77 00:04:03,792 --> 00:04:06,041 DIDN'T YOUR TEAM WIN THE LEAGUE CHAMPIONSHIP 78 00:04:06,125 --> 00:04:07,458 THREE YEARS IN A ROW? 79 00:04:07,542 --> 00:04:09,542 UH, YES, ONLY TO LOSE THE STATE CHAMPIONSHIP 80 00:04:09,625 --> 00:04:10,542 THREE YEARS IN A ROW. 81 00:04:10,625 --> 00:04:11,542 AW... 82 00:04:11,625 --> 00:04:12,875 AND BACK THEN, 83 00:04:12,959 --> 00:04:14,041 IT WAS A MORE LEVEL PLAYING FIELD. 84 00:04:14,125 --> 00:04:15,917 I WASN'T GOING UP AGAINST 6'10" MONSTERS 85 00:04:16,000 --> 00:04:17,208 WHO COULD 360 DUNK. 86 00:04:18,417 --> 00:04:20,000 WELL, LIKE YOU SAID, LOGAN IS SMART. 87 00:04:20,083 --> 00:04:21,542 HE'LL FIGURE IT OUT. 88 00:04:21,625 --> 00:04:23,250 I'M JUST GLAD HE HAS YOU TO LEAN ON. 89 00:04:23,333 --> 00:04:24,083 THANK YOU. 90 00:04:24,166 --> 00:04:25,000 [CELL PHONE RINGS] OOH. 91 00:04:27,166 --> 00:04:28,083 WHO IS IT? 92 00:04:28,166 --> 00:04:29,250 HANNAH. 93 00:04:29,333 --> 00:04:30,291 HEY, SWEETHEART, WHAT'S UP? 94 00:04:30,375 --> 00:04:31,959 MOM, I KNOW IT'S LATE, 95 00:04:32,041 --> 00:04:33,083 AND I HATE TO HIT YOU UP, 96 00:04:33,166 --> 00:04:34,166 BUT MY DEBIT CARD JUST MAXED OUT, AGAIN, 97 00:04:34,250 --> 00:04:36,208 AND I'VE GOT STUDY GROUP GOING ON HERE, 98 00:04:36,291 --> 00:04:37,333 AND CAFFEINE IS, LIKE, 99 00:04:37,417 --> 00:04:38,750 SUPER CRITICAL AT THIS JUNCTURE, 100 00:04:38,834 --> 00:04:39,750 AND BESIDES, IT'S MY TURN TO BUY THE NEXT ROUND, SO... 101 00:04:39,834 --> 00:04:41,166 HANNAH... 102 00:04:41,250 --> 00:04:43,333 MAYBE A J-O-B IS IN ORDER HERE. 103 00:04:43,417 --> 00:04:44,792 A JOB? 104 00:04:44,875 --> 00:04:46,208 THERE'S GOT TO BE SOMETHING I CAN FIND PART-TIME. 105 00:04:46,291 --> 00:04:47,875 NEVER MIND, MOM. 106 00:04:47,959 --> 00:04:48,792 I'VE GOT THIS. 107 00:04:48,875 --> 00:04:49,917 LOVE YOU. 108 00:04:50,000 --> 00:04:51,583 -LOVE YOU, TOO. - BYE. 109 00:04:51,667 --> 00:04:53,000 OH, BOY, KIDS IN CRISIS. 110 00:04:53,083 --> 00:04:54,250 FILM AT 11:00. 111 00:04:54,333 --> 00:04:56,041 WELL, HOPEFULLY, WE'LL BE IN DREAMLAND BY THEN. 112 00:04:56,125 --> 00:04:57,000 [CHUCKLES] 113 00:05:01,333 --> 00:05:02,917 [SIGHS GROGGILY] 114 00:05:05,041 --> 00:05:05,959 [CLEARS THROAT] 115 00:05:07,583 --> 00:05:10,083 ROUGH NIGHT, MR. DWYER? 116 00:05:10,166 --> 00:05:12,917 WE'LL CALL IT OVERTIME. 117 00:05:13,000 --> 00:05:14,667 BY THE WAY... 118 00:05:14,750 --> 00:05:15,917 IT'S OFFICIAL. 119 00:05:19,083 --> 00:05:21,750 AUF WIEDERSEHEN, MR. DIETZ. 120 00:05:21,834 --> 00:05:23,291 HMM. 121 00:05:23,375 --> 00:05:25,667 DEATHBED CONFESSION WOULD HAVE BEEN NICE. 122 00:05:25,750 --> 00:05:27,834 AT LEAST NOW WE CAN START LIQUIDATING 123 00:05:27,917 --> 00:05:29,709 THE REST OF THE ESTATE. 124 00:05:29,792 --> 00:05:32,291 WHO KNOWS, MAYBE WE'LL FIND IT. 125 00:05:32,375 --> 00:05:34,041 YES, WELL, BURIED TREASURE ASIDE, 126 00:05:34,125 --> 00:05:36,625 THE AUCTION IS STILL ONLY TWO DAYS OFF. 127 00:05:38,000 --> 00:05:39,542 WE'LL DO A THOROUGH SWEEP OF THE RESIDENCE, 128 00:05:39,625 --> 00:05:40,917 PHOTOGRAPH ANYTHING LEFT OF VALUE, 129 00:05:41,000 --> 00:05:42,625 THEN WE'LL EMAIL AN ADDENDUM LIST 130 00:05:42,709 --> 00:05:44,667 TO ALL THOSE WHO RSVP'D. 131 00:05:44,750 --> 00:05:45,917 SHALL I START IN THE LIBRARY? 132 00:05:46,000 --> 00:05:47,208 ABSOLUTELY. 133 00:05:47,291 --> 00:05:48,625 PACK UP THE ENTIRE ROOM. 134 00:05:48,709 --> 00:05:50,458 I'M GOING TO NEED SOME TIME TO SIFT THROUGH ALL THIS. 135 00:05:50,542 --> 00:05:52,000 YES, SIR. 136 00:05:55,834 --> 00:05:56,709 [♪♪♪] 137 00:05:56,792 --> 00:05:57,750 LOGAN, WE SHOULD GET GOING. 138 00:05:57,834 --> 00:05:59,333 WHERE'S YOUR BACKPACK? 139 00:05:59,417 --> 00:06:00,542 IT'S JUST UPSTAIRS. 140 00:06:00,625 --> 00:06:02,166 GO GRAB IT. 141 00:06:03,792 --> 00:06:05,208 HONEY, DID YOU SEE THIS? 142 00:06:05,291 --> 00:06:06,709 KARL DIETZ PASSED AWAY LAST NIGHT. 143 00:06:06,792 --> 00:06:07,750 OH, NO. 144 00:06:07,834 --> 00:06:08,834 DIETZ... 145 00:06:08,917 --> 00:06:11,083 WHY DO I KNOW THAT NAME? 146 00:06:11,166 --> 00:06:13,041 THE DIETZ RECITAL HALL? 147 00:06:13,125 --> 00:06:14,458 THE ONE YOUR DAD SPENT 148 00:06:14,542 --> 00:06:15,875 TWO YEARS OF HIS LIFE BUILDING? 149 00:06:15,959 --> 00:06:17,750 OH, RIGHT. 150 00:06:17,834 --> 00:06:19,208 NOT ONLY DID MR. DIETZ FUND IT, 151 00:06:19,291 --> 00:06:22,000 HE WOULD FOLLOW ME AROUND AND MICRO-MANAGE EVERY DETAIL. 152 00:06:22,083 --> 00:06:24,125 HE WAS THE ULTIMATE PERFECTIONIST. 153 00:06:24,208 --> 00:06:25,542 HE WAS ALSO VERY GENEROUS. 154 00:06:25,625 --> 00:06:27,333 DANI AND I ARE SUPPOSED TO GO TO HIS ESTATE SALE 155 00:06:27,417 --> 00:06:28,417 LATER THIS WEEK. 156 00:06:28,500 --> 00:06:29,625 AND ALL THE PROCEEDS 157 00:06:29,709 --> 00:06:31,667 ARE GOING TO THE DIETZ RECITAL HALL FUND 158 00:06:31,750 --> 00:06:32,792 OR LOCAL MUSIC PROGRAMS. 159 00:06:32,875 --> 00:06:34,166 HOW LONG HAS IT BEEN ON THE CALENDAR? 160 00:06:34,250 --> 00:06:35,333 ABOUT A MONTH. 161 00:06:35,417 --> 00:06:37,083 SHOULDN'T YOU BE, LIKE, OFFICIALLY DEAD 162 00:06:37,166 --> 00:06:39,625 BEFORE YOUR ESTATE GETS AUCTIONED OFF? 163 00:06:39,709 --> 00:06:40,959 NOT IF YOU'RE 92, AND IN FAILING HEALTH. 164 00:06:41,041 --> 00:06:43,625 IT'S CALLED "GETTING YOUR AFFAIRS IN ORDER." 165 00:06:43,709 --> 00:06:44,834 ANYWAY, THE MAN WAS A FRIEND, 166 00:06:44,917 --> 00:06:47,000 AND HE DEFINITELY MADE ME A BETTER BUILDER. 167 00:06:47,083 --> 00:06:48,875 HE'LL BE MISSED. 168 00:06:48,959 --> 00:06:50,166 WELL... 169 00:06:50,250 --> 00:06:51,083 I AM DEFINITELY GOING TO BE LATE 170 00:06:51,166 --> 00:06:51,959 IF I DON'T GET A MOVE-ON. 171 00:06:53,166 --> 00:06:54,917 GREAT PANCAKES, DAD. 172 00:06:55,000 --> 00:06:56,250 PATENT THAT RECIPE. 173 00:06:56,333 --> 00:06:57,500 THANK YOU. MAYBE I WILL. 174 00:06:57,583 --> 00:06:59,041 WHAT ARE YOU MAKING FOR DINNER? 175 00:07:01,750 --> 00:07:03,709 [SHOP BELL JINGLES] 176 00:07:03,792 --> 00:07:05,208 WHOA. 177 00:07:05,291 --> 00:07:06,959 LOOKS LIKE SOMEONE SPRINKLED A LITTLE AMBITION 178 00:07:07,041 --> 00:07:08,250 IN THEIR MORNING COFFEE. 179 00:07:08,333 --> 00:07:09,417 COFFEE, 180 00:07:09,500 --> 00:07:11,417 AND NUDGING FROM MY DAMSEL IN DISTRESS. 181 00:07:11,500 --> 00:07:12,583 WELL... 182 00:07:14,625 --> 00:07:17,250 WELL, MY WORK HERE IS DONE. 183 00:07:17,333 --> 00:07:18,875 YOU LADIES HAVE A NICE DAY NOW. 184 00:07:20,750 --> 00:07:23,083 UM, I DON'T MEAN TO BREAK UP THE MOOD, 185 00:07:23,166 --> 00:07:24,709 BUT DID YOU HAPPEN TO SORT THROUGH THE BILLS? 186 00:07:24,792 --> 00:07:27,333 YES, I, UH, PUT THEM IN TWO PILES. 187 00:07:27,417 --> 00:07:29,750 "PAY NOW" AND "PAY LATER." 188 00:07:29,834 --> 00:07:32,000 OOH, "PAY LATER" IS RATHER LARGE. 189 00:07:32,083 --> 00:07:33,166 THAT'S WHAT I THOUGHT. 190 00:07:33,250 --> 00:07:34,208 OH, DEAR. 191 00:07:34,291 --> 00:07:36,000 HELEN! 192 00:07:36,083 --> 00:07:37,041 SO NICE TO SEE YOU. 193 00:07:37,125 --> 00:07:38,542 GOOD MORNING, JENNIFER. 194 00:07:38,625 --> 00:07:40,125 A LITTLE BIRD TOLD ME 195 00:07:40,208 --> 00:07:43,208 YOU CAME ACROSS SOME PRE-WAR DRESDEN CHINA? 196 00:07:43,291 --> 00:07:45,667 YES, THAT LITTLE BIRD WAS ME. 197 00:07:45,750 --> 00:07:47,583 WELL, THANK YOU FOR THE CALL, MY DEAR. 198 00:07:47,667 --> 00:07:48,875 SHALL I GET IT FOR YOU TO LOOK AT? 199 00:07:48,959 --> 00:07:50,041 I'LL BE RIGHT BACK. 200 00:07:50,125 --> 00:07:51,667 BY THE WAY, DID YOU HEAR? 201 00:07:51,750 --> 00:07:53,333 KARL DIETZ PASSED AWAY. 202 00:07:53,417 --> 00:07:55,000 YES, I READ ABOUT THAT IN THE PAPER. 203 00:07:55,083 --> 00:07:57,041 A FELLOW BERLINER, 204 00:07:57,125 --> 00:08:00,000 THOUGH I NEVER MUCH CARED FOR THE MAN. 205 00:08:00,083 --> 00:08:01,333 A BIT STIFF FOR A CAREER DIPLOMAT, 206 00:08:01,417 --> 00:08:02,417 DON'T YOU THINK? 207 00:08:02,500 --> 00:08:03,583 I WOULDN'T KNOW. 208 00:08:03,667 --> 00:08:04,709 WE NEVER MET. 209 00:08:04,792 --> 00:08:06,125 WELL, HE DID HAVE EXCELLENT TASTE, 210 00:08:06,208 --> 00:08:07,625 I'LL GRANT HIM THAT. 211 00:08:07,709 --> 00:08:09,375 DID YOU GET A CHANCE 212 00:08:09,458 --> 00:08:11,709 TO LOOK THROUGH HIS ESTATE AUCTION CATALOGUE? 213 00:08:13,208 --> 00:08:14,417 THERE'S THIS, UM, 214 00:08:14,500 --> 00:08:15,583 LANDSCAPE PAINTING 215 00:08:15,667 --> 00:08:17,667 ON PAGE TWO... 216 00:08:17,750 --> 00:08:18,959 OH, RIGHT, OF COURSE. 217 00:08:19,041 --> 00:08:21,709 THE CASPAR DAVID FRIEDRICH. 218 00:08:21,792 --> 00:08:24,000 WELL, IT'S A BIT PRICEY FOR US, BUT GORGEOUS. 219 00:08:24,083 --> 00:08:25,583 [SIGHING] JENNIFER, I... 220 00:08:25,667 --> 00:08:27,083 I CAN'T SHAKE THE FEELING 221 00:08:27,166 --> 00:08:29,625 THAT I SAW THIS PAINTING 222 00:08:29,709 --> 00:08:31,500 AT OUR FAMILY HOME BACK IN GERMANY. 223 00:08:31,583 --> 00:08:33,250 REALLY? 224 00:08:33,333 --> 00:08:35,041 HELEN, ARE YOU SURE? 225 00:08:35,125 --> 00:08:38,375 WELL, I CAN'T BE CERTAIN. 226 00:08:38,458 --> 00:08:42,458 I WAS ONLY SIX WHEN WE FLED EAST BERLIN. 227 00:08:42,542 --> 00:08:45,875 BUT I DO RECALL SOMETHING QUITE SIMILAR 228 00:08:45,959 --> 00:08:47,542 HANGING IN AN UPSTAIRS BEDROOM. 229 00:08:47,625 --> 00:08:50,125 NOW, THIS WAS AFTER THE WAR, OF COURSE, 230 00:08:50,208 --> 00:08:53,458 AND BY THEN, EVERYTHING HAD BEEN DESTROYED, 231 00:08:53,542 --> 00:08:55,291 SOLD, LOST... 232 00:08:55,375 --> 00:08:57,625 HELEN, WE CAN INQUIRE ABOUT THE PANTING'S PROVENANCE. 233 00:08:57,709 --> 00:09:00,500 YES, THAT WOULD BE VERY HELPFUL, MY DEAR. 234 00:09:00,583 --> 00:09:03,125 BUT IN THE MEANTIME, I AM GOING TO BID ON IT. 235 00:09:03,208 --> 00:09:04,458 HEAVEN KNOWS, 236 00:09:04,542 --> 00:09:06,166 MOTHER AND FATHER WOULD HAVE. 237 00:09:08,834 --> 00:09:10,083 [♪♪♪] 238 00:09:10,166 --> 00:09:12,583 SO, MY MATH TEACHER, MRS. BELLOWS, 239 00:09:12,667 --> 00:09:15,417 SHE HANDS US THIS REALLY WEIRD MID-TERM ASSIGNMENT. 240 00:09:15,500 --> 00:09:17,375 SHE WANTS US TO LOOK AT PARTS OF OUR LIFE 241 00:09:17,458 --> 00:09:18,583 THAT NEED IMPROVEMENT, 242 00:09:18,667 --> 00:09:20,667 AND USE STATISTICS TO COME UP WITH A PLAN. 243 00:09:20,750 --> 00:09:22,500 OH, WELL, THAT SOUNDS INTERESTING. 244 00:09:22,583 --> 00:09:23,917 DOES THAT MEAN YOU'RE GONNA HELP? 245 00:09:24,000 --> 00:09:25,667 OH, NO, I'M DONE WITH HIGH SCHOOL. 246 00:09:25,750 --> 00:09:27,500 -DAD? -OH, LIKEWISE. 247 00:09:27,583 --> 00:09:29,250 BUT REMEMBER WHAT WE TALKED ABOUT 248 00:09:29,333 --> 00:09:30,166 LAST NIGHT? 249 00:09:30,250 --> 00:09:31,250 TEAM LEADERSHIP. 250 00:09:31,333 --> 00:09:34,166 MAYBE WITH SOME STATS IN HAND... 251 00:09:34,250 --> 00:09:36,166 AND IT COULD HELP FORM A GAME PLAN. 252 00:09:36,250 --> 00:09:37,834 YEAH. 253 00:09:37,917 --> 00:09:39,125 YOU'RE RIGHT. 254 00:09:39,208 --> 00:09:40,792 [HANNAH SINGING] ♪ SHE GOT A JOB ♪ 255 00:09:40,875 --> 00:09:42,041 ♪ NOW SHE'S OKAY ♪ 256 00:09:42,125 --> 00:09:44,583 ♪ NOW SHE CAN AFFORD A DOUBLE LATTE... ♪ 257 00:09:44,667 --> 00:09:46,166 OH, HANNAH, THAT'S WONDERFUL. 258 00:09:46,250 --> 00:09:47,208 [LAUGHS] 259 00:09:47,291 --> 00:09:49,000 STUDENT TUTORING, 15 AN HOUR, 260 00:09:49,083 --> 00:09:49,917 CAN YOU BELIEVE IT? 261 00:09:50,000 --> 00:09:51,500 -SERIOUSLY? -MM-HMM. 262 00:09:51,583 --> 00:09:52,417 CONGRATS. WHEN DO YOU START? 263 00:09:52,500 --> 00:09:53,542 TOMORROW. 264 00:09:53,625 --> 00:09:54,834 I'VE BEEN ASSIGNED A FOOTBALL PLAYER 265 00:09:54,917 --> 00:09:56,834 WHO HAS A TON OF MAKE-UP WORK TO GET THROUGH. 266 00:09:56,917 --> 00:09:58,291 FOOTBALL... 267 00:09:58,375 --> 00:09:59,208 WHAT'S HIS NAME? 268 00:09:59,291 --> 00:10:00,583 UH, RICK NASON? 269 00:10:00,667 --> 00:10:02,500 -RICK NASON? -MM-HMM. 270 00:10:02,583 --> 00:10:04,041 HANNAH, HE'S THE STARTING QUARTERBACK. 271 00:10:04,125 --> 00:10:05,625 WELL, NOT FOR LONG 272 00:10:05,709 --> 00:10:07,291 IF HE DOESN'T GET HIS ACT TOGETHER. 273 00:10:07,375 --> 00:10:08,709 HE'S ALREADY ON ACADEMIC PROBATION. 274 00:10:08,792 --> 00:10:10,709 OKAY, HANNAH, LOOK AT ME. 275 00:10:10,792 --> 00:10:12,166 RICK NASON IS CARRYING 276 00:10:12,250 --> 00:10:13,709 THE ENTIRE FOOTBALL TEAM, OKAY? 277 00:10:13,792 --> 00:10:15,125 YOU CANNOT LET HIM FAIL. 278 00:10:15,208 --> 00:10:16,542 LOGAN, LOOK AT ME. 279 00:10:16,625 --> 00:10:17,750 HE'S NOT GOING TO FAIL. 280 00:10:17,834 --> 00:10:19,375 OKAY, LOOK AT ME, 281 00:10:19,458 --> 00:10:21,208 LET'S EAT. 282 00:10:27,500 --> 00:10:29,166 GOSH, I'VE NEVER SEEN A RED CARPET 283 00:10:29,250 --> 00:10:31,166 AT AN ESTATE AUCTION BEFORE. 284 00:10:31,250 --> 00:10:33,291 I FEEL A LITTLE UNDERDRESSED. 285 00:10:33,375 --> 00:10:34,250 OH, THERE'S DEAN! HEY! 286 00:10:34,333 --> 00:10:35,250 HI! 287 00:10:35,333 --> 00:10:36,792 HEY! JENN! DANI! 288 00:10:36,875 --> 00:10:38,250 DID YOU BRING YOUR CHECKBOOKS? 289 00:10:38,333 --> 00:10:39,166 WE DID, DID YOU? 290 00:10:39,250 --> 00:10:40,250 ARE YOU KIDDING ME? 291 00:10:40,333 --> 00:10:41,709 DID HAYDN WEAR A WIG? 292 00:10:41,792 --> 00:10:42,875 [LAUGHING] 293 00:10:42,959 --> 00:10:44,625 -LADIES... -HE DID. 294 00:10:45,875 --> 00:10:47,709 HI, HELEN. 295 00:10:48,959 --> 00:10:50,417 THANK YOU. 296 00:10:52,583 --> 00:10:54,709 THIS IS A GOOD TURNOUT. 297 00:10:54,792 --> 00:10:57,125 YES, A NICE FAT COMMISSION 298 00:10:57,208 --> 00:10:59,125 IN THIS OFFERING, 299 00:10:59,208 --> 00:11:01,250 BUT A DISAPPOINTMENT NONETHELESS. 300 00:11:01,333 --> 00:11:03,375 SIR, I WENT OVER EVERY SQUARE INCH 301 00:11:03,458 --> 00:11:05,041 OF THE DIETZES' RESIDENCE. 302 00:11:05,125 --> 00:11:06,667 I WENT THROUGH EVERY DRAWER IN HIS DESK, 303 00:11:06,750 --> 00:11:08,959 I EVEN PULLED UP THE FLOORBOARDS. 304 00:11:09,041 --> 00:11:10,542 I'M TELLING YOU, 305 00:11:10,625 --> 00:11:12,834 WHAT YOU SEE IS WHAT WE'VE GOT. 306 00:11:12,917 --> 00:11:14,834 AND I'M TELLING YOU THERE'S MORE, DWYER. 307 00:11:14,917 --> 00:11:17,125 A KING'S RANSOM TUCKED AWAY SOMEWHERE, 308 00:11:17,208 --> 00:11:21,000 PROBABLY... RIGHT UNDERNEATH OUR NOSES. 309 00:11:25,083 --> 00:11:26,375 OTHERWISE, WHY WOULD HE BE HERE? 310 00:11:26,458 --> 00:11:28,125 HMM? 311 00:11:28,208 --> 00:11:29,500 JACQUES GRENIER. 312 00:11:30,792 --> 00:11:32,333 KEEP AN EYE ON HIM. 313 00:11:32,417 --> 00:11:33,792 YES, SIR. 314 00:11:46,667 --> 00:11:48,208 GOOD AFTERNOON, LADIES AND GENTLEMEN. 315 00:11:48,291 --> 00:11:51,000 I AM YOUR HOST AND AUCTIONEER, 316 00:11:51,083 --> 00:11:53,166 CONRAD SILES. 317 00:11:53,250 --> 00:11:55,583 NOW THEN, LET US COMMENCE 318 00:11:55,667 --> 00:11:59,417 WITH THE KARL L. DIETZ CHARITABLE ESTATE AUCTION. 319 00:11:59,500 --> 00:12:01,750 ITEM NUMBER ONE... 320 00:12:01,834 --> 00:12:04,834 AN EXCEPTIONAL BIEDERMEIER ARMOIRE WARDROBE 321 00:12:04,917 --> 00:12:07,333 IN PURE WALNUT, 322 00:12:07,417 --> 00:12:09,959 CIRCA 1840. 323 00:12:10,041 --> 00:12:12,834 AND WE WILL START THE BIDDING AT $6,000. 324 00:12:12,917 --> 00:12:14,458 6,000? 325 00:12:14,542 --> 00:12:15,834 6,500... 326 00:12:15,917 --> 00:12:17,125 DO I HEAR 7,000? 327 00:12:21,083 --> 00:12:21,959 [COUGHS] 328 00:12:23,583 --> 00:12:25,166 7,000. 329 00:12:25,250 --> 00:12:26,917 DO I HEAR 8,000? 330 00:12:28,834 --> 00:12:29,834 8,000 GOING... 331 00:12:29,917 --> 00:12:31,291 GOING... 332 00:12:32,709 --> 00:12:33,709 SOLD! [BANGS GAVEL] 333 00:12:33,792 --> 00:12:35,625 $7,000, 334 00:12:35,709 --> 00:12:39,792 TO THE GENTLEMEN WITH PADDLE NUMBER 44. 335 00:12:39,875 --> 00:12:41,583 [APPLAUSE] 336 00:12:43,000 --> 00:12:44,291 NEXT UP, 337 00:12:44,375 --> 00:12:46,709 A DELIGHTFUL LANDSCAPE PAINTING 338 00:12:46,792 --> 00:12:48,709 FROM A TRUE MASTER OF ROMANTICISM, 339 00:12:48,792 --> 00:12:50,417 CASPAR DAVID FRIEDRICH. 340 00:12:50,500 --> 00:12:51,417 [WHISPERING] THAT'S IT. 341 00:12:51,500 --> 00:12:53,291 THAT'S THE ONE. 342 00:12:53,375 --> 00:12:54,166 ARE YOU SURE, HELEN? 343 00:12:54,250 --> 00:12:55,542 YES. 344 00:12:55,625 --> 00:12:57,375 NOW I'M CERTAIN. 345 00:12:57,458 --> 00:12:59,417 AND WE WILL START THE BIDDING AT 15,000. 346 00:12:59,500 --> 00:13:00,959 OH, DEAR. 347 00:13:02,500 --> 00:13:03,875 I'M AFRAID I'M TOO OLD 348 00:13:03,959 --> 00:13:06,375 TO TAKE OUT A SECOND MORTGAGE. 349 00:13:06,458 --> 00:13:07,542 AW... 350 00:13:17,667 --> 00:13:18,709 YOU BREAK IT, 351 00:13:18,792 --> 00:13:20,583 YOU STILL PAY FOR IT. 352 00:13:20,667 --> 00:13:21,875 HMM... 353 00:13:21,959 --> 00:13:25,792 CONRAD SILES' BAGMAN, I PRESUME? 354 00:13:25,875 --> 00:13:31,041 AND WHAT DID YOU BRING HOME FROM THE WAR, SERGEANT? 355 00:13:31,125 --> 00:13:33,667 THE CASHIER IS THAT WAY. 356 00:13:42,625 --> 00:13:46,709 WE HAVE AN ACCEPTED STANDING BID OF $30,000. 357 00:13:46,792 --> 00:13:48,583 LOT #2 IS NOW SOLD. 358 00:13:48,667 --> 00:13:49,625 [BANGS GAVEL] 359 00:13:49,709 --> 00:13:51,792 I'M SORRY, HELEN. 360 00:13:51,875 --> 00:13:54,208 [POLITE APPLAUSE] 361 00:14:00,959 --> 00:14:02,417 [DEAN]: LOOK AT THAT, LADIES. 362 00:14:02,500 --> 00:14:04,792 IS THAT A VESTONE- DOBROTT PLAYER PIANO? 363 00:14:04,875 --> 00:14:06,667 YES, A 1910, TO BE EXACT. 364 00:14:06,750 --> 00:14:07,750 IT'S ON THE ADDENDUM LIST. 365 00:14:07,834 --> 00:14:09,000 DID YOU NOT GET ONE? 366 00:14:09,083 --> 00:14:10,125 NO. 367 00:14:10,208 --> 00:14:11,458 IT WAS EMAILED TO ME LAST NIGHT. 368 00:14:11,542 --> 00:14:13,208 WELL, I DIDN'T SEE ONE. 369 00:14:13,291 --> 00:14:14,458 IT SAYS IT'S IN FAIR CONDITION. 370 00:14:14,542 --> 00:14:16,166 "FAIR" BEING CODE 371 00:14:16,250 --> 00:14:17,875 FOR "BARELY FUNCTIONING." 372 00:14:17,959 --> 00:14:20,208 IT COMES WITH SIX MUSIC ROLLS. 373 00:14:20,291 --> 00:14:21,834 I KNOW SOMEONE WHO WOULD PAY A FORTUNE 374 00:14:21,917 --> 00:14:23,041 FOR THIS PIANO, 375 00:14:23,125 --> 00:14:24,291 ONCE IT'S RESTORED, OF COURSE. 376 00:14:26,750 --> 00:14:27,959 HEY, HELEN, DID YOU SEE THIS? 377 00:14:28,041 --> 00:14:30,667 LOOK, THERE'S A PAIR OF LANDSCAPE PAINTINGS, 378 00:14:30,750 --> 00:14:32,291 "SUNRISE" AND "SUNSET." 379 00:14:32,375 --> 00:14:34,500 IT SAYS THE ARTIST COMES FROM THE MUNICH SCHOOL. 380 00:14:34,583 --> 00:14:36,000 THE STYLE COULD BE REMINISCENT 381 00:14:36,083 --> 00:14:37,792 OF CASPAR DAVID FRIEDRICH. 382 00:14:37,875 --> 00:14:39,959 OH MY, THAT SOUNDS INTERESTING. 383 00:14:40,041 --> 00:14:41,709 AND THEY'RE PROBABLY AFFORDABLE. 384 00:14:41,792 --> 00:14:43,375 ARE YOU IN? 385 00:14:43,458 --> 00:14:44,625 I'M IN. 386 00:14:44,709 --> 00:14:45,875 NEXT... 387 00:14:45,959 --> 00:14:48,000 A VESTONE-DOBROTT PIANO. 388 00:14:48,083 --> 00:14:50,333 AND WE'LL START THE BIDDING AT $2,000. 389 00:14:50,417 --> 00:14:51,709 2,000. 390 00:14:51,792 --> 00:14:53,583 2,200...? 391 00:14:53,667 --> 00:14:55,000 IT'S FUN! 392 00:14:55,083 --> 00:14:56,458 WELL, I'D SAY 393 00:14:56,542 --> 00:14:58,458 WE'VE EARNED SOME CHAMPAGNE. 394 00:14:58,542 --> 00:15:01,166 HELEN GOT HER "SUNRISE" AND "SUNSET" PAINTINGS, 395 00:15:01,250 --> 00:15:03,041 AND DEAN GOT HIS VIOLA, 396 00:15:03,125 --> 00:15:06,000 AND RAGS-TO-RICHES NOW OWNS KAISER WILHELM'S PIANO. 397 00:15:06,083 --> 00:15:08,792 WELL... LET'S DRINK TO THAT. 398 00:15:08,875 --> 00:15:10,000 HAPPY AUCTION DAY, EVERYONE! 399 00:15:10,083 --> 00:15:11,250 HAPPY AUCTION DAY, EVERYONE! 400 00:15:11,333 --> 00:15:13,291 AUCTION DAY. 401 00:15:13,375 --> 00:15:14,917 IT DOESN'T LOOK TOO BAD. 402 00:15:15,000 --> 00:15:17,458 SOME WD-40, SOME SANDPAPER, 403 00:15:17,542 --> 00:15:19,041 MAYBE A LITTLE DUCT TAPE... 404 00:15:19,125 --> 00:15:20,583 [CHUCKLING] OH, DEAN, STOP. 405 00:15:20,667 --> 00:15:22,834 JUST GIVE ME ABOUT AN HOUR TO TAKE A LOOK AT IT, 406 00:15:22,917 --> 00:15:24,291 AND WRITE UP AN ESTIMATE, 407 00:15:24,375 --> 00:15:26,750 FACTORING IN THE FRIENDS AND FAMILY DISCOUNT, OF COURSE. 408 00:15:26,834 --> 00:15:28,500 THANK YOU. 409 00:15:28,583 --> 00:15:29,375 EXCUSEZ-MOI. 410 00:15:29,458 --> 00:15:30,417 MAY I HAVE A MOMENT? 411 00:15:31,583 --> 00:15:32,875 MY NAME IS JACQUES, 412 00:15:32,959 --> 00:15:35,917 AND, UNFORTUNATELY, I WAS NOT IN THE ROOM 413 00:15:36,000 --> 00:15:38,125 WHEN THEY PRESENT THIS MARVELOUS PIANO, 414 00:15:38,208 --> 00:15:39,875 AND I NEVER RECEIVED 415 00:15:39,959 --> 00:15:41,667 THE ADDENDUM LIST, 416 00:15:41,750 --> 00:15:45,291 SO I WOULD LIKE TO KNOW IF YOU WOULD CONSIDER AN OFFER? 417 00:15:45,375 --> 00:15:47,625 I COULD GO UP, UH, 20%? 418 00:15:47,709 --> 00:15:49,000 [CHUCKLES POLITELY] 419 00:15:49,083 --> 00:15:50,834 WELL, THANK YOU, BUT IT'S NOT FOR SALE. 420 00:15:50,917 --> 00:15:52,417 25%? 421 00:15:52,500 --> 00:15:55,500 UH, THAT'S VERY GENEROUS, BUT I'M NOT SELLING. 422 00:15:55,583 --> 00:15:57,458 MADAME... 423 00:15:57,542 --> 00:15:58,834 THIS IS VERY IMPORTANT TO ME. 424 00:16:00,458 --> 00:16:01,667 PLEASE SAY YOUR PRICE. 425 00:16:03,709 --> 00:16:04,959 THE LADY SAID NO. 426 00:16:05,041 --> 00:16:07,041 WELL... 427 00:16:07,125 --> 00:16:10,208 THAT IS A REAL SHAME. 428 00:16:37,125 --> 00:16:39,458 [♪♪♪] 429 00:16:42,667 --> 00:16:43,792 [ENTRY BELL CHIMES] 430 00:16:43,875 --> 00:16:45,500 DEAN! 431 00:16:48,208 --> 00:16:49,750 DEAN, YOU BACK THERE? 432 00:16:56,417 --> 00:16:58,125 DEAN? 433 00:17:05,000 --> 00:17:06,458 DEAN! 434 00:17:13,125 --> 00:17:14,250 [DIALING] 435 00:17:14,333 --> 00:17:16,208 9-1-1, WHAT'S YOUR EMERGENCY? 436 00:17:16,291 --> 00:17:17,500 YES, OPERATOR, UH, 437 00:17:17,583 --> 00:17:20,709 THERE'S BEEN AN ATTACK AT 166 SOUTH GROVE. 438 00:17:20,792 --> 00:17:22,875 THE VICTIM IS UNCONSCIOUS, I NEED AN AMBULANCE RIGHT AWAY. 439 00:17:27,291 --> 00:17:29,458 [ENTRY BELL CHIMES] 440 00:17:35,834 --> 00:17:37,000 OH, FRANK, 441 00:17:37,083 --> 00:17:38,500 DEAN IS SUCH A SWEET GUY. 442 00:17:38,583 --> 00:17:40,750 I DON'T KNOW WHAT WOULD HAVE PROVOKED THIS KIND OF ATTACK. 443 00:17:40,834 --> 00:17:42,166 IT'S MOST LIKELY A ROBBERY GONE WRONG. 444 00:17:45,500 --> 00:17:47,583 CHECK THE TILL HERE... 445 00:17:49,500 --> 00:17:52,417 THERE'S 500 OR SO DOLLARS STILL LEFT IN THE TILL. 446 00:17:52,500 --> 00:17:55,041 THAT'S STRANGE, FOR A ROBBERY. 447 00:17:55,125 --> 00:17:56,709 HMM... 448 00:17:56,792 --> 00:17:58,250 THESE INSTRUMENTS, 449 00:17:58,333 --> 00:17:59,917 THEY SEEM LIKE THEY'RE PRETTY VALUABLE. 450 00:18:03,750 --> 00:18:05,333 JENN? 451 00:18:05,417 --> 00:18:08,125 THE PIANO... 452 00:18:08,208 --> 00:18:10,166 THE FRONT PANELS WERE YANKED OFF. 453 00:18:10,250 --> 00:18:12,375 THE ASSAILANT WAS PROBABLY LOOKING FOR SOMETHING. 454 00:18:12,458 --> 00:18:13,417 MONEY, DRUGS... 455 00:18:13,500 --> 00:18:14,792 I'VE SEEN STRANGER THINGS. 456 00:18:14,875 --> 00:18:16,583 FRANK, DEAN AND I WERE APPROACHED AFTER THE AUCTION 457 00:18:16,667 --> 00:18:17,583 BY A GENTLEMAN, 458 00:18:17,667 --> 00:18:18,959 HE SAID HIS NAME WAS "JACQUES." 459 00:18:19,041 --> 00:18:20,417 MEDIUM HEIGHT, FRENCH ACCENT. 460 00:18:20,500 --> 00:18:22,250 HE WANTED TO BUY THE PIANO. 461 00:18:22,333 --> 00:18:23,709 WHEN I DECLINED HIS OFFER, 462 00:18:23,792 --> 00:18:25,667 HE GOT VERY INSISTENT. 463 00:18:25,750 --> 00:18:27,041 DEAN HAD TO INTERVENE. 464 00:18:27,125 --> 00:18:28,291 HMM... 465 00:18:28,375 --> 00:18:30,250 THAT DEFINITELY SOUNDS LIKE A MOTIVE. 466 00:18:30,333 --> 00:18:31,709 I TAKE IT HE DIDN'T GIVE YOU HIS CARD? 467 00:18:31,792 --> 00:18:32,917 NO. 468 00:18:33,000 --> 00:18:35,166 OH, BUT I DID SEE HIM PLACE A WINNING BID 469 00:18:35,250 --> 00:18:36,166 ON A BIEDERMEIER DRESSER, 470 00:18:36,250 --> 00:18:37,625 WHICH MEANS 471 00:18:37,709 --> 00:18:39,291 THE AUCTION HOUSE WOULD HAVE A RECORD OF THAT PURCHASE. 472 00:18:39,375 --> 00:18:41,166 GOOD, I'LL FOLLOW UP. 473 00:18:41,250 --> 00:18:43,083 IN THE MEANTIME, I'M GONNA TAKE A LOOK AROUND 474 00:18:43,166 --> 00:18:44,208 AND SEE IF ANYTHING ELSE WAS TAKEN. 475 00:18:48,667 --> 00:18:49,583 FRANK... 476 00:18:49,667 --> 00:18:50,709 MM-HMM? 477 00:18:50,792 --> 00:18:52,917 THERE MIGHT BE A GUITAR MISSING. 478 00:18:53,000 --> 00:18:53,709 LOOK RIGHT THERE, 479 00:18:53,792 --> 00:18:55,000 SLOT G-4? 480 00:18:55,083 --> 00:18:56,458 OKAY... 481 00:18:56,542 --> 00:18:57,500 ALL RIGHT, 482 00:18:57,583 --> 00:19:00,166 LET'S SEE IF MR. CONNICK 483 00:19:00,250 --> 00:19:03,333 HAS ANY LISTED HERE... 484 00:19:03,417 --> 00:19:05,333 ALL RIGHT, G-3, G-5, 485 00:19:05,417 --> 00:19:07,458 G-4... 486 00:19:07,542 --> 00:19:10,792 IT'S A 1937 MARTIN D-28 GUITAR. 487 00:19:10,875 --> 00:19:12,250 SOUNDS REALLY EXPENSIVE. 488 00:19:12,333 --> 00:19:14,583 A VINTAGE MARTIN COULD BE WORTH $8,000. 489 00:19:14,667 --> 00:19:16,041 WHO'S THE OWNER? 490 00:19:16,125 --> 00:19:17,041 THERE ISN'T ANYTHING ELSE LISTED HERE, 491 00:19:17,125 --> 00:19:18,875 EXCEPT FOR THE INITIALS "H-N." 492 00:19:18,959 --> 00:19:19,834 DOES THAT RING A BELL? 493 00:19:19,917 --> 00:19:21,291 NO. 494 00:19:21,375 --> 00:19:22,834 LOOK, IF YOU DON'T NEED ME, 495 00:19:22,917 --> 00:19:24,917 I'M GOING TO GO TO THE HOSPITAL AND SEE HOW DEAN IS DOING. 496 00:19:25,000 --> 00:19:26,083 OKAY. 497 00:19:26,166 --> 00:19:27,375 WELL, I'M GOING TO STICK AROUND 498 00:19:27,458 --> 00:19:29,583 AND LOOK AT THE SECURITY FOOTAGE ON THE CAMERAS. 499 00:19:29,667 --> 00:19:32,083 IT'S TOO BAD THEY DIDN'T HAVE A CAMERA MOUNTED IN THE BACK. 500 00:19:32,166 --> 00:19:33,542 YEAH. 501 00:19:33,625 --> 00:19:34,500 IT IS TOO BAD. 502 00:19:40,000 --> 00:19:41,792 HOW'S MR. CONNICK FARING? 503 00:19:41,875 --> 00:19:44,041 WELL, HE'S CONSCIOUS, BUT HE'S STILL IN ICU. 504 00:19:44,125 --> 00:19:46,291 THIS IS THE NEUROLOGIST IN CHARGE. 505 00:19:46,375 --> 00:19:48,542 SHE SAID HE'S NOT READY FOR VISITORS YET. 506 00:19:48,625 --> 00:19:50,375 OKAY, THANKS. 507 00:19:50,458 --> 00:19:52,291 NOW, THIS MAN YOU MENTIONED, 508 00:19:52,375 --> 00:19:54,291 THE ONE WHO APPROACHED YOU AFTER THE AUCTION... 509 00:19:54,375 --> 00:19:55,542 YES, JACQUES. 510 00:19:55,625 --> 00:19:56,834 OKAY, WELL, 511 00:19:56,917 --> 00:19:58,917 I MAY HAVE FOUND SOMETHING. 512 00:20:03,041 --> 00:20:04,709 CHECK THIS OUT. 513 00:20:04,792 --> 00:20:06,333 THE MARTIN GUITAR IS STILL THERE. 514 00:20:06,417 --> 00:20:07,291 SLOT G-4. 515 00:20:07,375 --> 00:20:08,667 YEAH, I SAW THAT. 516 00:20:09,709 --> 00:20:12,000 HERE WE GO. 517 00:20:12,083 --> 00:20:13,083 THAT'S HIM. THAT'S "JACQUES." 518 00:20:13,166 --> 00:20:13,959 ARE YOU SURE? 519 00:20:14,041 --> 00:20:15,125 YES. 520 00:20:15,208 --> 00:20:17,041 OKAY, WELL, WE HAVE A BONA FIDE SUSPECT. 521 00:20:17,125 --> 00:20:19,625 I JUST HOPE THAT MR. CONNICK CAN I.D. HIM. 522 00:20:21,375 --> 00:20:22,291 LIKE A DOG AFTER A BONE. 523 00:20:22,375 --> 00:20:24,583 OR A MAN AFTER A PIANO. 524 00:20:24,667 --> 00:20:25,542 [CHUCKLES] 525 00:20:28,291 --> 00:20:29,583 ALL RIGHT. 526 00:20:29,667 --> 00:20:32,208 58 SECONDS OFF-CAMERA. 527 00:20:32,291 --> 00:20:33,625 YOU THINK THAT WAS ENOUGH TIME? 528 00:20:33,709 --> 00:20:35,375 WHAT, ENOUGH TIME TO KNOCK OUT YOUR FRIEND? 529 00:20:35,458 --> 00:20:36,875 TEAR THE PANELS OFF YOUR PIANO, 530 00:20:36,959 --> 00:20:38,375 AND DO A SEARCH-AND-SEIZE? 531 00:20:38,458 --> 00:20:40,000 YEAH, PLENTY OF TIME. 532 00:20:40,083 --> 00:20:42,583 QUESTION IS, WHAT WAS HE LOOKING FOR? 533 00:20:44,333 --> 00:20:45,250 ALL RIGHT, I'M GOING TO FAST-FORWARD 534 00:20:45,333 --> 00:20:46,208 A LITTLE BIT HERE. 535 00:20:47,792 --> 00:20:51,250 THERE'S ONE OTHER PERSON THAT CAME IN BEFORE YOU ARRIVED. 536 00:20:51,333 --> 00:20:52,500 THERE HE IS, 537 00:20:52,583 --> 00:20:53,792 OUR ROCK-'N'-ROLLER. 538 00:20:53,875 --> 00:20:55,375 WELL, HE LOOKS FAMILIAR. 539 00:20:55,458 --> 00:20:57,875 "H-N..." 540 00:20:57,959 --> 00:21:00,583 OH, YOU KNOW WHAT, I THINK THAT'S HOWIE NASH. 541 00:21:00,667 --> 00:21:01,625 HE'S A LOCAL MUSICIAN. 542 00:21:01,709 --> 00:21:03,166 VERY POPULAR AMONG HANNAH'S CROWD. 543 00:21:03,250 --> 00:21:05,333 OH, FYI, HE PLAYS FOLK, NOT ROCK. 544 00:21:05,417 --> 00:21:06,542 I HEARD HIS CD. HE'S PRETTY GOOD. 545 00:21:06,625 --> 00:21:08,125 OH, YEAH? 546 00:21:08,208 --> 00:21:09,959 HE'S A VERY BAD THIEF. 547 00:21:14,375 --> 00:21:15,792 [SIGHS] OH... 548 00:21:15,875 --> 00:21:17,417 THAT'S NOT GOOD. 549 00:21:17,500 --> 00:21:19,041 HOW LONG WAS HE OFF-CAMERA? 550 00:21:19,125 --> 00:21:21,291 16 SECONDS. 551 00:21:21,375 --> 00:21:22,542 STILL WITHIN THE TIMEFRAME, 552 00:21:22,625 --> 00:21:24,959 STILL A SUSPECT. 553 00:21:31,792 --> 00:21:33,083 SHANNON, 554 00:21:33,166 --> 00:21:34,333 WHAT ARE YOU DOING? 555 00:21:34,417 --> 00:21:35,417 I DIDN'T GIVE YOU THE AFTERNOON OFF, LET'S GO. 556 00:21:35,500 --> 00:21:36,750 I KNOW, COACH, I KNOW. 557 00:21:36,834 --> 00:21:38,417 I'M JUST CRUNCHING SOME DATA HERE. 558 00:21:38,500 --> 00:21:39,709 YEAH, DID YOU KNOW 559 00:21:39,792 --> 00:21:41,375 WE'RE SHOOTING ALMOST 60% FROM THE TOP OF THE KEY? 560 00:21:41,458 --> 00:21:43,083 BUT ONLY 30% INSIDE THE PAINT? 561 00:21:43,166 --> 00:21:44,750 WHAT ARE YOU, MY STATISTICIAN NOW? 562 00:21:44,834 --> 00:21:47,250 NO, NO, I'M JUST GOING OVER SOME MATH HOMEWORK. 563 00:21:47,333 --> 00:21:48,959 LOOK, I WAS THINKING, 564 00:21:49,041 --> 00:21:51,625 MAYBE WE COULD WORK OFF SOME OF THESE STATS, YOU KNOW? 565 00:21:51,709 --> 00:21:52,542 DESIGN SOME NEW PLAYS? 566 00:21:52,625 --> 00:21:53,542 OH, YEAH? 567 00:21:53,625 --> 00:21:54,709 I'VE GOT A BETTER IDEA. 568 00:21:54,792 --> 00:21:56,000 HOW ABOUT 10 FULL-COURT SPRINTS? 569 00:21:57,208 --> 00:21:58,166 [BLOWS WHISTLE] 570 00:21:58,250 --> 00:21:59,125 LET'S GO! ON THE LINE! 571 00:21:59,208 --> 00:22:00,625 10 SPRINTS, LET'S GO! HUSTLE UP! 572 00:22:00,709 --> 00:22:02,667 LET'S GO! LET'S GO! LET'S GO! 573 00:22:04,166 --> 00:22:05,542 COME ON, KID, 574 00:22:05,625 --> 00:22:07,875 WE HAVE YOU ON TAPE AT THE CRIME SCENE. 575 00:22:07,959 --> 00:22:09,333 STOP WITH THE THIRD DEGREE, MAN. 576 00:22:09,417 --> 00:22:11,333 ME AND DEAN? 577 00:22:11,417 --> 00:22:12,583 YOU HAVE NO IDEA. 578 00:22:12,667 --> 00:22:13,542 OKAY. 579 00:22:13,625 --> 00:22:15,208 WELL, ENLIGHTEN ME. 580 00:22:15,291 --> 00:22:17,125 YEAH, MAYBE I'LL START WITH THEFT, 581 00:22:17,208 --> 00:22:18,959 AND THEN I'LL WORK MY WAY UP TO ASSAULT. 582 00:22:19,041 --> 00:22:20,333 OR VICE-VERSA, WHATEVER YOU-- 583 00:22:20,417 --> 00:22:21,959 THE MARTIN GUITAR IS MINE, OKAY? 584 00:22:23,041 --> 00:22:23,917 THIS RIGHT HERE 585 00:22:24,000 --> 00:22:26,333 IS A PRE-PAID RECEIPT... 586 00:22:26,417 --> 00:22:27,792 FOR NEW STRINGS 587 00:22:27,875 --> 00:22:29,583 AND FRET REPAIR. 588 00:22:29,667 --> 00:22:31,041 MR. CONNICK 589 00:22:31,125 --> 00:22:33,917 IS THE ONLY HUMAN ON THE PLANET I'D LET TOUCH MY D-28. 590 00:22:34,000 --> 00:22:35,709 THE MAN'S A GOOD FRIEND, 591 00:22:35,792 --> 00:22:37,250 BEEN A MENTOR TO ME 592 00:22:37,333 --> 00:22:39,250 SINCE I PICKED UP A TOY UKULELE. 593 00:22:39,333 --> 00:22:40,709 WHY WOULD I WANT TO HURT HIM? 594 00:22:40,792 --> 00:22:42,333 SO, WHY DIDN'T YOU CALL 9-1-1? 595 00:22:42,417 --> 00:22:44,500 BECAUSE I HAD NO IDEA HE HAD BEEN ROLLED, OKAY? 596 00:22:44,583 --> 00:22:45,750 I THOUGHT I COULD HEAR HIM 597 00:22:45,834 --> 00:22:47,000 MOVING AROUND IN THE BACK THERE. 598 00:22:47,083 --> 00:22:49,333 AND THE DOOR WAS SHUT, MUSIC WAS ON... 599 00:22:49,417 --> 00:22:50,750 HE WAS IN WORK MODE. 600 00:22:50,834 --> 00:22:51,709 WELL, THEN YOU KNOCK. 601 00:22:51,792 --> 00:22:53,667 NO. YOU DON'T KNOCK. 602 00:22:53,750 --> 00:22:55,333 HE'D HEAR THE DOOR ENTRY BUZZER. 603 00:22:55,417 --> 00:22:57,500 IF HE'S NOT THERE WHEN YOU WALK IN, YOU WAIT. 604 00:22:57,583 --> 00:22:59,542 IT MEANS HE'S BUSY. 605 00:22:59,625 --> 00:23:01,625 COULD BE HOLDING A STRADIVARIUS, KNOW WHAT I'M SAYING? 606 00:23:01,709 --> 00:23:02,625 BUT YOU COULDN'T WAIT. 607 00:23:03,792 --> 00:23:04,834 I GOT A GIG TONIGHT. 608 00:23:04,917 --> 00:23:05,750 ARE WE DONE? 609 00:23:07,834 --> 00:23:09,834 I WANNA GO BY THE HOSPITAL. 610 00:23:09,917 --> 00:23:12,166 YOU'RE WASTING YOUR TIME. 611 00:23:20,250 --> 00:23:22,375 RICK? 612 00:23:22,458 --> 00:23:23,417 HEY, THERE. 613 00:23:23,500 --> 00:23:24,917 I DON'T THINK WE'VE MET. 614 00:23:25,000 --> 00:23:27,000 HI, I'M HANNAH, YOUR NEW TUTOR. 615 00:23:27,959 --> 00:23:29,000 YOU'RE KIDDING. 616 00:23:29,083 --> 00:23:30,208 MY COACH SAID 617 00:23:30,291 --> 00:23:31,375 HE'D HANDLE THIS. 618 00:23:31,458 --> 00:23:32,625 HE DID. 619 00:23:32,709 --> 00:23:34,417 THAT'S WHY I'M HERE. 620 00:23:34,500 --> 00:23:36,041 YOU DO KNOW THAT ACADEMIC PROBATION 621 00:23:36,125 --> 00:23:37,709 CAN LEAD TO TEAM SUSPENSION, RIGHT? 622 00:23:37,792 --> 00:23:41,375 ANYWAY, I'VE VISITED ALL YOUR PROFESSORS, 623 00:23:41,458 --> 00:23:42,750 AND, WOW, 624 00:23:42,834 --> 00:23:44,166 CLEARLY, WE HAVE A LOT OF MAKE-UP WORK TO GET AFTER. 625 00:23:44,250 --> 00:23:46,709 YEAH, WELL, I GOT PRACTICE IN A COUPLE MINUTES, SO-- 626 00:23:46,792 --> 00:23:48,333 WELL, I CAN MEET IN THE LIBRARY RIGHT AFTER? 627 00:23:48,417 --> 00:23:50,000 LET'S SAY TOMORROW. 628 00:23:55,000 --> 00:23:56,917 SO, WHY WASN'T I INFORMED? 629 00:23:57,000 --> 00:23:58,583 YOU HAD NO RIGHT TO HOLD AN ESTATE SALE 630 00:23:58,667 --> 00:24:00,333 TO SELL OFF MY FAMILY HEIRLOOMS! 631 00:24:00,417 --> 00:24:02,000 I HAD EVERY RIGHT, MISS TURNER. 632 00:24:02,083 --> 00:24:04,625 I HAVE HERE A LETTER FROM MY GRANDFATHER, 633 00:24:04,709 --> 00:24:05,709 WRITTEN TO MY MOTHER, HELGA, 634 00:24:05,792 --> 00:24:06,750 SIX MONTHS AGO, 635 00:24:06,834 --> 00:24:07,834 ASSURING US THAT EVERYTHING, 636 00:24:07,917 --> 00:24:09,000 AND I MEAN EVERYTHING IN HIS ESTATE, 637 00:24:09,083 --> 00:24:10,208 WOULD BE LEFT TO US. 638 00:24:10,291 --> 00:24:11,834 AND I HAVE HERE 639 00:24:11,917 --> 00:24:14,417 A LEGALLY-BINDING CONTRACT 640 00:24:14,500 --> 00:24:16,542 SIGNED BY YOUR LATE GRANDFATHER, KARL DIETZ, 641 00:24:16,625 --> 00:24:17,667 EIGHT WEEKS AGO, 642 00:24:17,750 --> 00:24:19,417 GIVING ME PERMISSION TO APPRAISE, 643 00:24:19,500 --> 00:24:20,875 CATALOGUE, AND AUCTION 644 00:24:20,959 --> 00:24:22,917 ALL ITEMS LISTED HERE WITHIN, 645 00:24:23,000 --> 00:24:26,625 THE NET PROFITS TO BE PLACED IN HIS CHARITABLE TRUST. 646 00:24:26,709 --> 00:24:27,625 TWO MONTHS AGO. 647 00:24:27,709 --> 00:24:29,041 HOW CONVENIENT. 648 00:24:30,166 --> 00:24:31,667 DETECTIVE, MA'AM. 649 00:24:31,750 --> 00:24:33,083 MR. SILES IS AT THE TOP OF THE STAIRS. 650 00:24:33,166 --> 00:24:34,625 HE'S EXPECTING YOU. 651 00:24:34,709 --> 00:24:36,333 THANK YOU. 652 00:24:39,000 --> 00:24:40,750 HEY, JENN, THANKS FOR MEETING ME HERE. 653 00:24:40,834 --> 00:24:42,291 I FIGURED YOU'RE AN ANTIQUE EXPERT, 654 00:24:42,375 --> 00:24:44,542 SO YOU SHOULD BE ABLE TO SPEAK SILES'S LANGUAGE. 655 00:24:44,625 --> 00:24:45,959 OF COURSE. 656 00:24:46,041 --> 00:24:47,458 HAS HOWIE BEEN CLEARED? 657 00:24:47,542 --> 00:24:49,083 FOR NOW. 658 00:24:49,166 --> 00:24:50,250 [SILES]: ...WELL, CLEARLY, MY CONTRACT 659 00:24:50,333 --> 00:24:51,625 SUPERSEDES YOUR LETTER. 660 00:24:51,709 --> 00:24:52,834 SPEAKING OF WHICH, 661 00:24:52,917 --> 00:24:54,458 WHEN WAS THE LAST TIME YOU SAW YOUR GRANDFATHER? 662 00:24:54,542 --> 00:24:56,333 NINE, TEN YEARS AGO? 663 00:24:56,417 --> 00:24:57,583 HOW DARE YOU? 664 00:24:57,667 --> 00:24:58,625 I'M SORRY. 665 00:24:58,709 --> 00:25:00,250 YOUR GRIEF AND CONCERN 666 00:25:00,333 --> 00:25:01,667 IS DULY NOTED. 667 00:25:01,750 --> 00:25:03,041 AND I HAVE NO DOUBT 668 00:25:03,125 --> 00:25:05,583 THAT YOU MANIPULATED A SICK, FEEBLE OLD MAN. 669 00:25:05,667 --> 00:25:06,583 YOU'LL BE HEARING FROM MY ATTORNEY. 670 00:25:06,667 --> 00:25:08,709 GOOD EVENING, MISS TURNER. 671 00:25:08,792 --> 00:25:09,625 AH, DETECTIVE, 672 00:25:09,709 --> 00:25:11,542 PLEASE, COME IN. 673 00:25:11,625 --> 00:25:12,959 SORRY ABOUT THE SPOT OF DRAMA. 674 00:25:13,041 --> 00:25:15,083 COMES WITH THE TERRITORY, I'M AFRAID. 675 00:25:15,166 --> 00:25:16,834 I'M SURE. 676 00:25:16,917 --> 00:25:19,000 NOW THEN, 677 00:25:19,083 --> 00:25:20,959 HOW MAY I BE OF ASSISTANCE? 678 00:25:21,041 --> 00:25:23,125 IS THAT A FRIEDRICH EISENLOHR? 679 00:25:23,208 --> 00:25:24,667 OH, WHY, YES. 680 00:25:24,750 --> 00:25:25,792 UM, CIRCA... 681 00:25:25,875 --> 00:25:28,250 1836. 682 00:25:28,333 --> 00:25:29,291 HUH. 683 00:25:29,375 --> 00:25:30,709 MISS...? 684 00:25:30,792 --> 00:25:32,291 OH, UH, SHANNON. 685 00:25:32,375 --> 00:25:35,959 I LOVE THE BAHNHAUSLE DESIGN. 686 00:25:36,041 --> 00:25:37,333 JENNIFER OWNS AN ANTIQUE STORE IN TOWN, 687 00:25:37,417 --> 00:25:38,291 RAGS-TO-RICHES. 688 00:25:38,375 --> 00:25:40,041 AH, YES, YES. 689 00:25:40,125 --> 00:25:42,125 RUMOR HAS IT YOU HAVE THE HABIT OF UNEARTHING A RARE GEM 690 00:25:42,208 --> 00:25:43,291 NOW AND THEN. 691 00:25:43,375 --> 00:25:46,875 WELL, I CERTAINLY UNEARTHED ONE TODAY. 692 00:25:46,959 --> 00:25:49,333 I'M THE ONE WHO PURCHASED MR. DIETZ'S PLAYER PIANO. 693 00:25:49,417 --> 00:25:50,625 OH, YES, 694 00:25:50,709 --> 00:25:52,500 WELL, WHAT A DELIGHTFUL AND ARCANE INSTRUMENT. 695 00:25:52,583 --> 00:25:54,000 YES. 696 00:25:54,083 --> 00:25:55,709 OH, OF COURSE, NOW I RECOGNIZE YOU. 697 00:25:55,792 --> 00:25:58,333 AND WASN'T THAT, UM, DEAN CONNICK 698 00:25:58,417 --> 00:25:59,667 I SAW YOU WITH? 699 00:26:00,875 --> 00:26:03,125 ACTUALLY, THAT'S WHY WE'RE HERE. 700 00:26:03,208 --> 00:26:05,500 MR. CONNICK WAS ASSAULTED THIS AFTERNOON, 701 00:26:05,583 --> 00:26:07,083 SHORTLY AFTER TRANSPORTING THE PLAYER PIANO 702 00:26:07,166 --> 00:26:08,250 BACK TO HIS SHOP. 703 00:26:08,333 --> 00:26:09,917 OH, THAT IS DISTRESSING. 704 00:26:10,000 --> 00:26:11,625 WE HAVE A WITNESS... 705 00:26:12,792 --> 00:26:14,750 THE SAME INDIVIDUAL 706 00:26:14,834 --> 00:26:17,542 WHO PLACED THE WINNING BID ON THE BIEDERMEIER ARMOIRE. 707 00:26:17,625 --> 00:26:19,917 ALSO SEEMS TO HAVE QUITE THE ZEALOUS INTEREST 708 00:26:20,000 --> 00:26:22,375 IN MRS. SHANNON'S PIANO. 709 00:26:22,458 --> 00:26:23,709 SAYS HIS NAME IS "JACQUES." 710 00:26:25,125 --> 00:26:28,959 I VAGUELY RECOGNIZE THE FACE, DETECTIVE, 711 00:26:29,041 --> 00:26:33,375 BUT I'M AFRAID I CANNOT HELP YOU, UH... 712 00:26:33,458 --> 00:26:34,458 THE GENTLEMAN, IF YOU CAN CALL HIM THAT, 713 00:26:34,542 --> 00:26:36,208 LEFT WITHOUT THE ARMOIRE, 714 00:26:36,291 --> 00:26:37,834 AND DID NOT LEAVE A CHECK TO PLACE IT ON HOLD, 715 00:26:37,917 --> 00:26:39,834 THEREFORE WE HAVE NO RECORD OF HIM, I'M AFRAID. 716 00:26:39,917 --> 00:26:41,792 HE WASN'T ON THE INVITE LIST? 717 00:26:41,875 --> 00:26:44,166 NO, BUT, UH, WE OFTEN GET CRASHERS, 718 00:26:44,250 --> 00:26:46,542 AND THIS ONE PICKED UP A PADDLE AND MADE A BID. 719 00:26:46,625 --> 00:26:48,500 UM... 720 00:26:48,583 --> 00:26:50,375 SORRY I COULDN'T BE OF MORE HELP, DETECTIVE. 721 00:26:51,875 --> 00:26:52,792 AND MS. SHANNON, 722 00:26:52,875 --> 00:26:54,542 PLEASE EXTEND MY HEARTFELT WISHES 723 00:26:54,625 --> 00:26:55,875 TO MR. CONNICK 724 00:26:55,959 --> 00:26:58,500 FOR A FULL AND COMPLETE RECOVERY. 725 00:26:58,583 --> 00:26:59,875 WILL DO. 726 00:26:59,959 --> 00:27:01,166 THANK YOU. 727 00:27:03,041 --> 00:27:03,917 GOOD NIGHT. 728 00:27:14,417 --> 00:27:16,166 HEY, HON'. 729 00:27:16,250 --> 00:27:18,000 OH, HEY, SWEETHEART. 730 00:27:18,083 --> 00:27:20,291 I GOT YOUR MESSAGE ABOUT DEAN. 731 00:27:20,375 --> 00:27:21,667 ANY UPDATES FROM THE HOSPITAL? 732 00:27:21,750 --> 00:27:23,500 UH, YES, HE IS STILL IN ICU, 733 00:27:23,583 --> 00:27:25,166 BUT HIS MRI CAME BACK CLEAR. 734 00:27:25,250 --> 00:27:26,375 WELL, THAT'S ENCOURAGING. 735 00:27:26,458 --> 00:27:27,583 SOMETHING SMELLS GOOD. 736 00:27:27,667 --> 00:27:28,709 WHAT ARE YOU COOKING? 737 00:27:28,792 --> 00:27:30,125 OH, I'M TRYING THAT NEW DELIVERY SERVICE 738 00:27:30,208 --> 00:27:31,583 THAT DANI KEEPS RAVING ABOUT. 739 00:27:31,667 --> 00:27:32,834 OH... 740 00:27:32,917 --> 00:27:34,583 NOT THE "DON'T PANIC, IT'S ORGANIC" EXPRESS? 741 00:27:34,667 --> 00:27:35,709 YES! 742 00:27:35,792 --> 00:27:37,417 PANEER VINDALOO WITH EGGPLANT. 743 00:27:37,500 --> 00:27:39,750 [SIGHS] 744 00:27:39,834 --> 00:27:41,959 OH, COME ON, WHERE'S YOUR SENSE OF ADVENTURE? 745 00:27:42,041 --> 00:27:43,375 JUST GO EASY ON THE CURRY. 746 00:27:43,458 --> 00:27:44,500 [CHUCKLES] 747 00:27:44,583 --> 00:27:46,291 HEY, YOU WORKING ON A NEW PROJECT? 748 00:27:46,375 --> 00:27:47,542 ACTUALLY, IT'S AN OLD ONE. 749 00:27:47,625 --> 00:27:49,500 THOSE ARE THE ORIGINAL BLUEPRINTS 750 00:27:49,583 --> 00:27:51,000 FROM THE DIETZ RECITAL HALL. 751 00:27:51,083 --> 00:27:52,583 I THOUGHT I'D DONATE THEM, 752 00:27:52,667 --> 00:27:54,875 YOU KNOW, MAYBE GET 'EM FRAMED, AND HANG THEM IN THE LOBBY? 753 00:27:54,959 --> 00:27:56,875 WOULD YOU LIKE ME TO GET THEM FRAMED FOR YOU? 754 00:27:56,959 --> 00:27:58,667 THAT IS A TERRIFIC IDEA. 755 00:27:58,750 --> 00:28:00,041 [CHUCKLING] 756 00:28:00,125 --> 00:28:02,041 HIS GRANDDAUGHTER'S PUTTING ON A MEMORIAL SERVICE 757 00:28:02,125 --> 00:28:03,125 IN A COUPLE OF DAYS. 758 00:28:03,208 --> 00:28:05,000 THEY'VE ASKED ME TO HELP PLAN IT 759 00:28:05,083 --> 00:28:07,375 SINCE I KNOW EVERY SQUARE INCH OF THE PLACE. 760 00:28:07,458 --> 00:28:08,583 AND THERE'S A REHEARSAL TOMORROW, 761 00:28:08,667 --> 00:28:10,625 SO MAYBE IF YOU COULD DROP THEM BY THEN? 762 00:28:10,709 --> 00:28:11,750 OH, WOW, A RUSH JOB. 763 00:28:11,834 --> 00:28:13,750 HUH, WELL, I'M ON IT. 764 00:28:13,834 --> 00:28:15,000 THANK YOU. 765 00:28:17,125 --> 00:28:18,542 HEY, JASON... 766 00:28:18,625 --> 00:28:19,792 THIS ISN'T YOUR HANDWRITING. 767 00:28:19,875 --> 00:28:23,250 THOSE ARE MR. DIETZ'S NOTES AND ADJUSTMENTS. 768 00:28:23,333 --> 00:28:25,250 THAT'S WHY I WANTED TO DONATE THE PRINTS. 769 00:28:25,333 --> 00:28:27,458 LIKE I SAID, THE MAN WAS A PERFECTIONIST. 770 00:28:27,542 --> 00:28:28,625 HE EVEN BROUGHT HIS OWN PEOPLE IN 771 00:28:28,709 --> 00:28:29,750 TO DO THE ACOUSTICS, 772 00:28:29,834 --> 00:28:31,375 THE STAGE FLOORING, VIP SEATS... 773 00:28:33,750 --> 00:28:35,291 WHAT? 774 00:28:38,375 --> 00:28:40,417 WELL, I WAS JUST THINKING, 775 00:28:40,500 --> 00:28:41,959 SOMEONE WENT TO GREAT LENGTHS 776 00:28:42,041 --> 00:28:43,291 TO SEARCH KARL DIETZ'S PIANO. 777 00:28:43,375 --> 00:28:45,208 THEY WERE EVEN WILLING TO HURT DEAN. 778 00:28:45,291 --> 00:28:47,250 IT MAKES YOU WONDER... 779 00:28:47,333 --> 00:28:48,458 DID KARL DIETZ DIE 780 00:28:48,542 --> 00:28:50,083 FROM SOMETHING OTHER THAN A HEART ATTACK? 781 00:28:50,166 --> 00:28:51,291 JENN... 782 00:28:51,375 --> 00:28:53,333 DON'T OVER-THINK THIS. 783 00:28:53,417 --> 00:28:55,417 MR. DIETZ HAD A HISTORY OF HEART TROUBLE. 784 00:28:55,500 --> 00:28:56,667 HE WAS IN A HOME HOSPICE. 785 00:28:56,750 --> 00:28:58,500 YES, BUT THAT WOULDN'T NECESSARILY REMOVE HIM 786 00:28:58,583 --> 00:28:59,583 FROM HARM'S WAY, 787 00:28:59,667 --> 00:29:01,291 WOULD IT? 788 00:29:03,709 --> 00:29:05,709 [♪♪♪] 789 00:29:09,375 --> 00:29:10,959 TELL ME, MR. DWYER, 790 00:29:11,041 --> 00:29:13,375 HOW UP ARE YOU ON YOUR PHILOSOPHERS? 791 00:29:13,458 --> 00:29:15,166 OH, I'VE READ A LITTLE NIETZSCHE, 792 00:29:15,250 --> 00:29:17,667 A LITTLE BIT OF MARCUS AURELIUS. 793 00:29:17,750 --> 00:29:20,375 I TAKE IT YOU'VE NEVER HEARD OF YANG ZHU? 794 00:29:20,458 --> 00:29:21,667 FOURTH CENTURY. 795 00:29:21,750 --> 00:29:23,125 CHINESE. 796 00:29:23,208 --> 00:29:25,333 BELIEVED IN AN "EVERYTHING FOR MYSELF" OUTLOOK. 797 00:29:25,417 --> 00:29:28,750 IS THERE A POINT TO THIS, SIR? 798 00:29:28,834 --> 00:29:31,041 NOT A POINT. 799 00:29:31,125 --> 00:29:33,166 A REVELATION. 800 00:29:34,458 --> 00:29:37,709 TUCKED AMONG THE VOLUMES IN DIETZ'S LIBRARY... 801 00:29:39,625 --> 00:29:42,333 THE MISSING LINK TO A MISSING FORTUNE, PERHAPS? 802 00:29:42,417 --> 00:29:44,417 OUTSTANDING. 803 00:29:44,500 --> 00:29:46,667 SO... WHAT HAVE YOU FOUND? 804 00:29:46,750 --> 00:29:47,834 PATIENCE. 805 00:29:47,917 --> 00:29:48,834 I'VE JUST STARTED SIFTING THROUGH IT ALL, 806 00:29:48,917 --> 00:29:50,041 AND MY GERMAN IS A LITTLE RUSTY, 807 00:29:50,125 --> 00:29:51,000 BUT... 808 00:29:52,375 --> 00:29:53,750 I DID FIND A NOTE. 809 00:29:55,125 --> 00:29:56,709 A PERSONAL REMINDER 810 00:29:56,792 --> 00:29:58,750 REGARDING THE TWO MUNICH SCHOOL PAINTINGS 811 00:29:58,834 --> 00:30:00,458 WE FOUND HANGING BEHIND HIS DESK. 812 00:30:00,542 --> 00:30:02,709 THE "SUNRISE" AND "SUNSET" LANDSCAPES? 813 00:30:02,792 --> 00:30:04,291 YES. 814 00:30:04,375 --> 00:30:05,792 HE ASKED FOR THEM 815 00:30:05,875 --> 00:30:08,458 TO BE MOVED TO THE VAULT FOR SAFEKEEPING. 816 00:30:09,667 --> 00:30:11,458 FORTUNATELY, HE NEVER GOT AROUND TO IT 817 00:30:11,542 --> 00:30:13,250 BEFORE HIS HEALTH TOOK A TURN FOR THE WORSE. 818 00:30:13,333 --> 00:30:14,792 UNFORTUNATELY... 819 00:30:14,875 --> 00:30:16,208 [SIGHS] 820 00:30:16,291 --> 00:30:18,208 I JUST SOLD THEM OFF AT AUCTION. 821 00:30:18,291 --> 00:30:21,083 YOU THINK THEY MAY CONTAIN A CLUE TO THIS VAULT? 822 00:30:22,417 --> 00:30:23,875 ALL I KNOW IS, 823 00:30:23,959 --> 00:30:27,625 KARL DIETZ KEPT HIS SECRETS VERY CLOSE. 824 00:30:27,709 --> 00:30:29,917 PERHAPS HANGING ON A WALL BEHIND HIS DESK. 825 00:30:30,000 --> 00:30:31,333 SO... 826 00:30:31,417 --> 00:30:33,542 WHO OWNS THE PAINTINGS NOW? 827 00:30:33,625 --> 00:30:35,959 A MRS. HELEN BAUER. 828 00:30:38,208 --> 00:30:39,458 HOW'S THAT? 829 00:30:39,542 --> 00:30:40,333 PERFECT. 830 00:30:40,417 --> 00:30:41,458 THANKS. 831 00:30:41,542 --> 00:30:42,667 WHY DON'T YOU COME ON IN? 832 00:30:42,750 --> 00:30:44,583 WE'RE JUST FINALIZING SOME DETAILS. 833 00:30:44,667 --> 00:30:45,834 OKAY. 834 00:30:48,166 --> 00:30:50,000 SO, AFTER THE MENDELSSOHN OCTET, 835 00:30:50,083 --> 00:30:51,583 WE'LL HAVE THE MUSICIANS LEAVE WITH THEIR CHAIRS, 836 00:30:51,667 --> 00:30:53,625 AND THEN WE'LL FINISH WITH THE MOZART FANTASIA. 837 00:30:53,709 --> 00:30:54,500 AGREED? 838 00:30:54,583 --> 00:30:55,417 OKAY, WONDERFUL. 839 00:30:55,500 --> 00:30:56,750 THANK YOU, EVERYONE. 840 00:30:56,834 --> 00:30:57,750 CAROLYN? 841 00:30:57,834 --> 00:30:58,875 YES? 842 00:30:58,959 --> 00:30:59,834 HEY, I WANTED TO INTRODUCE YOU 843 00:30:59,917 --> 00:31:01,083 TO MY WIFE, JENNIFER. 844 00:31:01,166 --> 00:31:03,375 JENN, THIS IS CAROLYN, KARL DIETZ'S GRANDDAUGHTER. 845 00:31:03,458 --> 00:31:05,625 IT'S NICE TO FORMALLY MEET YOU. 846 00:31:05,709 --> 00:31:06,709 WE CROSSED PATHS 847 00:31:06,792 --> 00:31:08,208 AT THE AUCTION HOUSE EARLIER. 848 00:31:08,291 --> 00:31:09,583 I'M SO SORRY 849 00:31:09,667 --> 00:31:11,083 YOU HAD TO WITNESS MY LITTLE TEMPER TANTRUM THERE. 850 00:31:11,166 --> 00:31:11,875 IT WAS BAD TIMING, I'M AFRAID. 851 00:31:11,959 --> 00:31:13,375 OH, EXCUSE ME, 852 00:31:13,458 --> 00:31:14,917 THE BACK STAGE DOOR IS WARPED, 853 00:31:15,000 --> 00:31:17,083 I'VE GOT TO MAKE SURE THEY FIX THE LOCK. 854 00:31:17,166 --> 00:31:18,834 IT'S ALWAYS SOMETHING. 855 00:31:18,917 --> 00:31:21,166 OH, MY GOSH, HE HAS BEEN SUCH A HELP. 856 00:31:21,250 --> 00:31:23,792 WELL, HE WORKED VERY CLOSELY WITH YOUR GRANDFATHER 857 00:31:23,875 --> 00:31:24,792 BUILDING THIS PLACE. 858 00:31:24,875 --> 00:31:27,625 I'M SO SORRY FOR YOUR LOSS. 859 00:31:27,709 --> 00:31:29,333 SO, I TAKE IT YOU HAD NO IDEA 860 00:31:29,417 --> 00:31:31,125 THERE WAS GOING TO BE AN ESTATE AUCTION? 861 00:31:31,208 --> 00:31:33,208 NO, NONE WHATSOEVER. 862 00:31:33,291 --> 00:31:35,375 I'VE BEEN OVERSEAS ON ASSIGNMENT THESE PAST FEW MONTHS. 863 00:31:35,458 --> 00:31:36,917 I'M A CRISIS MANAGER FOR THE CDC. 864 00:31:37,959 --> 00:31:40,041 OH, WOW, A REAL HUMANITARIAN. 865 00:31:40,125 --> 00:31:42,458 OH, WELL... 866 00:31:42,542 --> 00:31:43,542 IT CAN BE REWARDING 867 00:31:43,625 --> 00:31:45,291 AND EXHAUSTING. 868 00:31:45,375 --> 00:31:47,542 BUT, UH... 869 00:31:47,625 --> 00:31:49,875 YEAH, I'M STILL WORKING THROUGH A LOT OF THE GUILT AND REGRET 870 00:31:49,959 --> 00:31:52,041 OVER NOT BEING ABLE TO GET BACK BEFORE MY GRANDPA DIED. 871 00:31:54,250 --> 00:31:55,875 HE DIDN'T TREAT MY MOTHER VERY WELL 872 00:31:55,959 --> 00:31:57,291 WHEN I WAS GROWING UP, 873 00:31:57,375 --> 00:31:58,250 I CALLED HIM OUT ON IT, 874 00:31:58,333 --> 00:32:00,125 AND THAT WAS THAT. 875 00:32:00,208 --> 00:32:00,917 HE CUT US BOTH OFF. 876 00:32:01,000 --> 00:32:02,667 I'M SORRY. 877 00:32:03,917 --> 00:32:05,959 ABOUT SIX MONTHS AGO, MY MOM TOLD ME 878 00:32:06,041 --> 00:32:07,625 THAT GRANDPA WANTED TO REINSTATE US IN THE WILL, 879 00:32:07,709 --> 00:32:08,834 AND SHE GAVE ME A LETTER TO THAT EFFECT, 880 00:32:08,917 --> 00:32:09,792 FROM HIM. 881 00:32:09,875 --> 00:32:10,917 REALLY? 882 00:32:11,000 --> 00:32:13,041 MY MOM, 883 00:32:13,125 --> 00:32:14,834 SHE PASSED AWAY A FEW MONTHS AGO, 884 00:32:14,917 --> 00:32:15,792 WHILE I WAS OVERSEAS, 885 00:32:15,875 --> 00:32:17,000 AND THEN... 886 00:32:17,083 --> 00:32:18,750 GRANDPA'S HEALTH DECLINED, 887 00:32:18,834 --> 00:32:21,625 AND THAT'S WHEN CONRAD SILES SWOOPED IN. 888 00:32:21,709 --> 00:32:23,709 HE'S A PROFESSIONAL VULTURE, THAT MAN. 889 00:32:25,083 --> 00:32:26,166 I'M SORRY. I DON'T MEAN TO VENT. 890 00:32:26,250 --> 00:32:29,250 OH, IT'S PERFECTLY ALL RIGHT. 891 00:32:29,333 --> 00:32:31,917 I FIGURE I'LL JUST LEAVE IT TO THE LAWYERS TO SORT IT OUT. 892 00:32:32,000 --> 00:32:34,000 WELL, I'M VERY SORRY 893 00:32:34,083 --> 00:32:35,625 THAT YOU'RE HAVING TO GO THROUGH THIS, 894 00:32:35,709 --> 00:32:37,291 BUT IF IT'S ANY CONSOLATION, 895 00:32:37,375 --> 00:32:39,709 YOUR GRANDFATHER MEANT A GREAT DEAL TO THIS COMMUNITY. 896 00:32:39,792 --> 00:32:41,625 AND I THINK IT'S LOVELY 897 00:32:41,709 --> 00:32:44,542 THAT YOU'RE HONORING HIS MEMORY AND HIS CONTRIBUTIONS. 898 00:32:44,625 --> 00:32:46,333 THANK YOU. 899 00:32:47,667 --> 00:32:49,417 NOW IF I COULD JUST DO SOMETHING ABOUT MY NERVES. 900 00:32:49,500 --> 00:32:50,625 I'VE VOLUNTEERED TO PLAY 901 00:32:50,709 --> 00:32:53,250 THE MOZART "FANTASIA IN D MINOR." 902 00:32:53,333 --> 00:32:54,083 OH, MY! 903 00:32:54,166 --> 00:32:55,333 [CHUCKLING] 904 00:32:55,417 --> 00:32:57,208 YEAH, IT WAS MY GRANDPA'S FAVORITE. 905 00:32:57,291 --> 00:32:58,834 HE TAUGHT IT TO MY MOTHER, AND THEN TO ME. 906 00:32:58,917 --> 00:33:01,041 I AM SURE YOU WILL BE FINE. 907 00:33:01,125 --> 00:33:02,208 THANK YOU. 908 00:33:02,291 --> 00:33:03,709 I SHOULD REALLY GET BACK TO WORK. 909 00:33:03,792 --> 00:33:05,208 UM, I'LL SEE YOU AT THE MEMORIAL? 910 00:33:05,291 --> 00:33:06,166 OF COURSE, YOU WILL. 911 00:33:11,250 --> 00:33:12,500 WELL, TO BE HONEST, 912 00:33:12,583 --> 00:33:14,709 I CAN UNDERSTAND CAROLYN'S FRUSTRATION. 913 00:33:14,792 --> 00:33:16,667 DO YOU THINK SILES MIGHT HAVE MANIPULATED DIETZ 914 00:33:16,750 --> 00:33:17,834 INTO AN ESTATE AUCTION? 915 00:33:17,917 --> 00:33:20,208 HER LAWYER CERTAINLY THINKS SO. 916 00:33:20,291 --> 00:33:21,583 THE DEPARTMENT WAS JUST NOTIFIED 917 00:33:21,667 --> 00:33:23,834 THAT HE'S PREPARING TO FILE CHARGES AGAINST SILES 918 00:33:23,917 --> 00:33:25,959 FOR DEFRAUDING THE GRANDFATHER 919 00:33:26,041 --> 00:33:27,333 OUT OF WHAT SHE CONSIDERS 920 00:33:27,417 --> 00:33:29,834 HER RIGHTFUL INHERITANCE. 921 00:33:29,917 --> 00:33:31,250 THEY'VE ALREADY DRAWN UP A LIST OF ITEMS, 922 00:33:31,333 --> 00:33:32,709 ASSETS FROM THE ESTATE-- 923 00:33:32,792 --> 00:33:34,500 PIANO INCLUDED? 924 00:33:34,583 --> 00:33:36,500 PIANO INCLUDED. 925 00:33:36,583 --> 00:33:37,583 SHE'S ALSO EXPRESSED 926 00:33:37,667 --> 00:33:39,291 HER DISPLEASURE AT THE DEPARTMENT 927 00:33:39,375 --> 00:33:40,792 FOR NOT RELEASING DIETZ'S BODY YET. 928 00:33:42,125 --> 00:33:43,417 AND YOU HAVEN'T BECAUSE...? 929 00:33:44,750 --> 00:33:46,166 BECAUSE THERE ARE QUESTIONS... 930 00:33:47,291 --> 00:33:49,625 ...WHICH I DON'T CARE TO COMMENT ON. 931 00:33:49,709 --> 00:33:51,500 THE PAPER SAID HE DIED OF HEART FAILURE. 932 00:33:51,583 --> 00:33:53,083 CARDIAC ARREST. 933 00:33:53,166 --> 00:33:57,125 WHICH, ACCORDING TO DR. TRAMMEL, WAS TRIGGERED BY AN EMBOLISM. 934 00:33:57,208 --> 00:33:58,500 I MEAN, JENN, 935 00:33:58,583 --> 00:34:00,583 COME ON, THE GUY WAS ALMOST A HUNDRED YEARS OLD. 936 00:34:00,667 --> 00:34:01,792 92. 937 00:34:01,875 --> 00:34:02,959 CLOSE ENOUGH. 938 00:34:04,125 --> 00:34:06,208 LET'S TURN THE PAGE HERE FOR A SECOND. 939 00:34:06,291 --> 00:34:08,000 I WENT AND PAID YOUR FRIEND A VISIT, 940 00:34:08,083 --> 00:34:09,709 MR. CONNICK. 941 00:34:09,792 --> 00:34:12,000 ACCORDING TO HIM, HE WAS CLUBBED FROM BEHIND, 942 00:34:12,083 --> 00:34:13,875 SO THAT'S WHY HE DIDN'T SEE THE ASSAILANT. 943 00:34:13,959 --> 00:34:15,083 IT SEEMED A LITTLE STRANGE TO ME, 944 00:34:15,166 --> 00:34:17,375 CONSIDERING THE SIGHT LINE'S TO THE DOOR. 945 00:34:17,458 --> 00:34:19,625 SO I HAD ONE OF MY TECH GUYS GO OVER THERE, 946 00:34:19,709 --> 00:34:21,709 AND CHECK OUT THE REAR WINDOW OF THE SHOP, 947 00:34:21,792 --> 00:34:23,834 AND, WELL, ACCORDING TO THE EVIDENCE, 948 00:34:23,917 --> 00:34:25,041 IT WAS JIMMIED. 949 00:34:25,125 --> 00:34:27,458 SO, THE ATTACKER HAD AN ENTRY AND EXIT POINT. 950 00:34:27,542 --> 00:34:29,709 YES. 951 00:34:29,792 --> 00:34:33,750 WHICH LEAVES ME AT A DEAD END UNTIL I FIND JACQUES. 952 00:34:33,834 --> 00:34:35,041 WHO LEFT THROUGH THE FRONT DOOR. 953 00:34:35,125 --> 00:34:36,333 WELL, PROBABLY BECAUSE 954 00:34:36,417 --> 00:34:37,875 HE NOTICED THE SURVEILLANCE CAMERAS, 955 00:34:37,959 --> 00:34:38,959 BUT THAT DOESN'T MEAN 956 00:34:39,041 --> 00:34:40,083 HE COULDN'T HAVE WALKED AROUND TO BACK. 957 00:34:40,166 --> 00:34:42,625 SO WE HAVE JACQUES AT THE AUCTION, 958 00:34:42,709 --> 00:34:44,792 LOOKING FOR SOMETHING INSIDE THE BIEDERMEIER DRESSER. 959 00:34:44,875 --> 00:34:45,875 HE DOESN'T FIND IT, 960 00:34:45,959 --> 00:34:47,125 SO HE CHUCKS IT. 961 00:34:47,208 --> 00:34:49,000 THEN SET HIS SIGHTS ON YOUR PIANO, 962 00:34:49,083 --> 00:34:51,375 WHICH HE TRACKS DOWN TO DEAN'S SHOP, 963 00:34:51,458 --> 00:34:52,709 HAS A LOOK-SEE-- 964 00:34:52,792 --> 00:34:54,417 NOT A VERY THOROUGH ONE. 965 00:34:54,500 --> 00:34:56,875 WELL, EITHER HE FOUND WHAT HE WAS LOOKING FOR, 966 00:34:56,959 --> 00:34:57,959 OR SOMEONE SPOOKED HIM. 967 00:34:58,041 --> 00:34:59,500 MAYBE IT WAS HOWIE? 968 00:34:59,583 --> 00:35:02,125 HE SAID DEAN'S WORKSHOP DOOR WAS CLOSED WHEN HE GOT THERE, 969 00:35:02,208 --> 00:35:04,166 AND HE THOUGHT HE HEARD SOMEONE MOVING AROUND INSIDE? 970 00:35:04,250 --> 00:35:05,667 WHICH HE ASSUMED WAS MR. CONNICK. 971 00:35:05,750 --> 00:35:07,375 BUT IT MIGHT HAVE BEEN JACQUES. 972 00:35:07,458 --> 00:35:08,291 HMM... 973 00:35:08,375 --> 00:35:09,917 THIS ATTACK HAD A GOAL, 974 00:35:10,000 --> 00:35:11,250 A PURPOSE, 975 00:35:11,333 --> 00:35:15,875 AND ALL CLUES SEEM TO LEAD TO KARL DIETZ'S PIANO. 976 00:35:15,959 --> 00:35:17,208 OH, EXCUSE ME, 977 00:35:17,291 --> 00:35:20,041 CAN I GET A SLICE OF MUD PIE FOR MY FRIEND? 978 00:35:20,125 --> 00:35:21,542 THANK YOU. 979 00:35:21,625 --> 00:35:23,500 I DIDN'T SAY I WANTED A MUD PIE. 980 00:35:23,583 --> 00:35:25,250 YOU DIDN'T SAY YOU DIDN'T. 981 00:35:25,333 --> 00:35:26,208 UH... 982 00:35:29,583 --> 00:35:31,917 [♪♪♪] 983 00:35:39,959 --> 00:35:41,375 [SHOP BELL JINGLES] 984 00:35:41,458 --> 00:35:43,917 WELCOME TO RAGS-TO-RICHES. 985 00:35:44,000 --> 00:35:45,083 IT'S A NICE SHOP, 986 00:35:45,166 --> 00:35:46,041 VERY CHARMING. 987 00:35:46,125 --> 00:35:47,750 THANK YOU. 988 00:35:47,834 --> 00:35:48,834 DIDN'T I SEE YOU 989 00:35:48,917 --> 00:35:50,000 AT THE AUCTION THE OTHER DAY? 990 00:35:50,083 --> 00:35:51,208 OUI. 991 00:35:51,291 --> 00:35:52,750 I AM HERE ABOUT THE PIANO. 992 00:35:52,834 --> 00:35:54,750 AH, THE PIANO. 993 00:35:54,834 --> 00:35:57,083 THE PIANO ISN'T ACTUALLY FOR SALE. 994 00:35:57,166 --> 00:35:58,583 WELL, I WILL TAKE A LOOK ANYWAY. 995 00:35:58,667 --> 00:35:59,625 OH. 996 00:35:59,709 --> 00:36:02,291 [TELEPHONE RINGS] 997 00:36:02,375 --> 00:36:04,750 HELLO, RAGS-TO-RICHES. 998 00:36:04,834 --> 00:36:06,959 OH, HEY, DANI, HAS THE PIANO ARRIVED YET? 999 00:36:07,041 --> 00:36:08,792 MAIS OUI. 1000 00:36:08,917 --> 00:36:10,792 YES, WE HAVE A CUSTOMER LOOKING AT IT RIGHT NOW. 1001 00:36:10,875 --> 00:36:12,667 IT'S JACQUES, ISN'T IT? 1002 00:36:12,750 --> 00:36:13,709 HE'S THERE. 1003 00:36:13,792 --> 00:36:14,709 -OUI. -YES. 1004 00:36:14,792 --> 00:36:15,917 YEAH, YOU GOT IT, SISTER. 1005 00:36:16,000 --> 00:36:17,500 DISPATCH? 1006 00:36:17,583 --> 00:36:21,500 I NEED ANY AVAILABLE UNIT AT 9179 MAIN STREET, ASAP. 1007 00:36:21,583 --> 00:36:22,917 DANI, REMAIN CALM. 1008 00:36:23,000 --> 00:36:24,917 FRANK IS ON HIS WAY THERE AND THE POLICE ARE EN ROUTE. 1009 00:36:25,000 --> 00:36:28,083 OH, THAT'S WONDERFUL NEWS. 1010 00:36:28,166 --> 00:36:30,083 I WOULD LIKE TO SEE THE PIANO BENCH 1011 00:36:30,166 --> 00:36:31,709 AND THE MUSIC SCROLLS, MADAME. 1012 00:36:31,792 --> 00:36:33,458 AH-- [SHOP BELL JINGLES] 1013 00:36:33,542 --> 00:36:34,875 DREW! 1014 00:36:34,959 --> 00:36:36,458 OH, DREW, I'M SO HAPPY TO SEE YOU! 1015 00:36:36,542 --> 00:36:38,000 OH! 1016 00:36:38,083 --> 00:36:39,166 I TOLD YOU I'D BE DROPPING OFF THE NEW LIGHT FIXTURES. 1017 00:36:39,250 --> 00:36:40,166 UH, DREW, THIS IS JACQUES. 1018 00:36:40,250 --> 00:36:41,750 HE'S INTERESTED IN THE PIANO. 1019 00:36:41,834 --> 00:36:43,083 FORMIDABLE, JACQUES. 1020 00:36:43,166 --> 00:36:44,125 HEY, LET'S START IT UP! [POLICE SIRENS OUTSIDE] 1021 00:36:44,208 --> 00:36:45,166 WHERE'D YOU PUT THOSE MUSIC ROLLS? 1022 00:36:45,250 --> 00:36:46,208 THEY'RE IN THE PIANO BENCH, RIGHT? 1023 00:36:46,291 --> 00:36:47,083 LET'S GO GET THEM-- 1024 00:36:47,166 --> 00:36:48,250 I'M SORRY, 1025 00:36:48,333 --> 00:36:49,375 I FORGOT I HAVE ANOTHER APPOINTMENT. 1026 00:36:49,458 --> 00:36:52,083 PERHAPS, UH, SOME OTHER TIME. 1027 00:36:52,166 --> 00:36:53,041 [SHOP BELL JINGLES] 1028 00:36:53,125 --> 00:36:54,667 [SIGHS IN RELIEF] 1029 00:36:54,750 --> 00:36:56,458 [POLICE SIRENS APPROACH] 1030 00:37:05,458 --> 00:37:06,750 MY TRAVEL BAG--? 1031 00:37:06,834 --> 00:37:08,125 NO, JUST A MINUTE. 1032 00:37:10,000 --> 00:37:12,041 HMM, YOU'RE QUITE THE WORLD TRAVELER, 1033 00:37:12,125 --> 00:37:13,834 HUH, MR. GRENIER? 1034 00:37:13,917 --> 00:37:14,875 WELL, FOR NOW, 1035 00:37:14,959 --> 00:37:15,917 IN OUR ZIP CODE, AT LEAST, 1036 00:37:16,000 --> 00:37:17,333 YOU'RE FACING FELONY ASSAULT. 1037 00:37:18,542 --> 00:37:21,458 BUT I HAVE NOT ASSAULTED ANYONE. 1038 00:37:21,542 --> 00:37:22,750 WELL, WE HAVE SURVEILLANCE FOOTAGE OF YOU 1039 00:37:22,834 --> 00:37:24,458 CONFRONTING MR. CONNICK 1040 00:37:24,542 --> 00:37:26,041 BEFORE HE WOUND UP IN THE ICU. 1041 00:37:26,125 --> 00:37:29,625 WE ALSO HAVE WITNESSES WHO CAN TESTIFY 1042 00:37:29,709 --> 00:37:31,500 TO YOUR KEEN INTEREST IN THE PLAYER PIANO 1043 00:37:31,583 --> 00:37:32,583 THAT WAS AT HIS SHOP, 1044 00:37:32,667 --> 00:37:33,583 THE ONE THAT WAS SLIGHTLY DAMAGED 1045 00:37:33,667 --> 00:37:35,166 AFTER THE ATTACK-- 1046 00:37:35,250 --> 00:37:37,542 I MERELY INQUIRED ABOUT THE PIANO. 1047 00:37:37,625 --> 00:37:40,583 YES, THREE TIMES, AT MY LAST COUNT. 1048 00:37:40,667 --> 00:37:44,000 IT MUST HOLD DEEP SENTIMENTAL VALUE TO YOU. 1049 00:37:44,083 --> 00:37:45,250 AS I SAID, 1050 00:37:45,333 --> 00:37:47,458 IF I COULD RETRIEVE MY TRAVEL BAG-- 1051 00:37:47,542 --> 00:37:48,709 [DOOR LOCK BUZZES] 1052 00:37:48,792 --> 00:37:50,041 AH! HERE IT IS. 1053 00:37:50,125 --> 00:37:51,625 MERCI, MONSIEUR. 1054 00:38:01,417 --> 00:38:03,667 WHAT DO WE HAVE HERE? 1055 00:38:03,750 --> 00:38:05,625 A BERETTA NINE-MIL. 1056 00:38:05,709 --> 00:38:07,417 MY SERVICE WEAPON. 1057 00:38:07,500 --> 00:38:09,417 AND WHAT SERVICE WOULD THAT BE? 1058 00:38:09,500 --> 00:38:12,458 THE EUROPEAN MINISTRY OF CRIMINAL AFFAIRS. 1059 00:38:12,542 --> 00:38:15,625 MY PERMIT AND I.D. ARE ALSO IN THE BAG. 1060 00:38:25,375 --> 00:38:27,834 EMCA, HUH? 1061 00:38:27,917 --> 00:38:31,250 SO, WHAT BRINGS YOU HERE, INSPECTOR, 1062 00:38:31,333 --> 00:38:34,542 BESIDES AN OLD ARMOIRE AND A PLAYER PIANO? 1063 00:38:34,625 --> 00:38:36,291 KARL DIETZ. 1064 00:38:36,375 --> 00:38:38,250 I'VE BEEN PURSUING HIM FOR A VERY LONG TIME. 1065 00:38:38,333 --> 00:38:39,458 WHY? 1066 00:38:39,542 --> 00:38:41,208 CALL IT, UH... 1067 00:38:41,291 --> 00:38:42,500 RESTITUTION. 1068 00:38:42,583 --> 00:38:43,709 WELL... 1069 00:38:43,792 --> 00:38:45,750 YOU'RE A LITTLE LATE FOR THAT. 1070 00:38:45,834 --> 00:38:47,417 THE MAN IS DEAD. 1071 00:38:47,500 --> 00:38:48,458 OUI. 1072 00:38:48,542 --> 00:38:50,792 NOW, IF ONLY THE DEAD COULD TALK. 1073 00:38:52,583 --> 00:38:53,750 WHAT DOES THAT MEAN? 1074 00:38:53,834 --> 00:38:55,959 AH, IT IS MY TURN NOW, DETECTIVE. 1075 00:38:56,041 --> 00:38:59,417 TELL ME, WHAT DO YOU KNOW ABOUT THE LATE KARL DIETZ? 1076 00:38:59,500 --> 00:39:01,375 ALL RIGHT. 1077 00:39:01,458 --> 00:39:03,208 GERMAN-BORN, 1078 00:39:03,291 --> 00:39:05,250 WORKED AS A DIPLOMATIC LIAISON FOR NATO, 1079 00:39:05,333 --> 00:39:07,959 RETIRED OUT HERE ABOUT 20 YEARS AGO. 1080 00:39:08,041 --> 00:39:09,917 HE WAS A FRIEND OF THE MAYOR, 1081 00:39:10,000 --> 00:39:11,542 AND HE'S A VERY GENEROUS BENEFACTOR 1082 00:39:11,625 --> 00:39:12,750 TO THE COMMUNITY, 1083 00:39:12,834 --> 00:39:14,500 UNDERWRITING THE LOCAL RECITAL HALL, 1084 00:39:14,583 --> 00:39:15,959 THE ORCHESTRA-- 1085 00:39:16,041 --> 00:39:18,291 YES-YES, I AM SURE HE IS A TRUE PATRON OF THE ARTS. 1086 00:39:18,375 --> 00:39:19,333 AH... 1087 00:39:19,417 --> 00:39:21,834 I DETECT A NOTE OF SARCASM THERE. 1088 00:39:21,917 --> 00:39:24,166 THIS MAN YOU SPEAK OF, 1089 00:39:24,250 --> 00:39:26,709 THIS, UH... RETIRED DIPLOMAT, 1090 00:39:26,792 --> 00:39:29,291 THIS MAGNANIMOUS BENEFACTOR, 1091 00:39:29,375 --> 00:39:31,959 IS A MASQUERADE, 1092 00:39:32,041 --> 00:39:34,583 A REINVENTION. 1093 00:39:34,667 --> 00:39:38,625 THE KARL DIETZ I KNOW IS SOMEONE ELSE ENTIRELY. 1094 00:39:38,709 --> 00:39:41,333 SOMEONE WHO TOOK FULL ADVANTAGE 1095 00:39:41,417 --> 00:39:43,000 OF THE DIRE SITUATION 1096 00:39:43,083 --> 00:39:46,083 THAT FOLLOWED THE WAR IN GERMANY. 1097 00:39:46,166 --> 00:39:48,166 COULD YOU BE A LITTLE MORE SPECIFIC? 1098 00:39:48,250 --> 00:39:50,917 HE ABUSED THE POWERS AND PRIVILEGES 1099 00:39:51,000 --> 00:39:52,166 BESTOWED UPON HIM, 1100 00:39:52,250 --> 00:39:53,500 AND FOR THAT, 1101 00:39:53,583 --> 00:39:55,792 HE WILL ATONE. 1102 00:39:55,875 --> 00:39:56,792 EVEN FROM THE GRAVE. 1103 00:39:59,291 --> 00:40:00,792 NOW, DETECTIVE... 1104 00:40:00,875 --> 00:40:02,291 TELL ME, 1105 00:40:02,375 --> 00:40:05,750 DO I NEED TO CONTACT AN ATTORNEY? 1106 00:40:09,834 --> 00:40:11,667 [SHOP BELL JINGLES] 1107 00:40:11,750 --> 00:40:14,333 OH, JUST LET ME KNOW IF YOU NEED ANY HELP. 1108 00:40:14,417 --> 00:40:15,458 THE VESTONE... 1109 00:40:17,125 --> 00:40:18,667 IT'S HERE. 1110 00:40:18,750 --> 00:40:20,709 YES. 1111 00:40:20,792 --> 00:40:23,583 WE JUST GOT THAT AT AN ESTATE AUCTION. 1112 00:40:23,667 --> 00:40:25,709 ARE YOU FAMILIAR WITH THE VESTONE-DOBROTT MODEL? 1113 00:40:25,792 --> 00:40:27,583 VERY FAMILIAR. 1114 00:40:27,667 --> 00:40:29,625 THIS WAS MY GRANDFATHER'S. 1115 00:40:29,709 --> 00:40:30,875 HE TAUGHT ME TO PLAY ON IT. 1116 00:40:32,166 --> 00:40:33,542 MR. DIETZ WAS YOUR GRANDFATHER? 1117 00:40:33,625 --> 00:40:35,083 YES. 1118 00:40:36,542 --> 00:40:37,750 SORRY. I'M CAROLYN. 1119 00:40:37,834 --> 00:40:39,041 CAROLYN TURNER. 1120 00:40:39,125 --> 00:40:40,500 I MET JENNIFER AT THE MEMORIAL REHEARSAL. 1121 00:40:40,583 --> 00:40:42,291 OH. I'M DANI, I'M HER PARTNER. 1122 00:40:42,375 --> 00:40:43,417 OH, GREAT. 1123 00:40:43,500 --> 00:40:44,750 I'M ACTUALLY HERE 1124 00:40:44,834 --> 00:40:46,500 BECAUSE I NEED AN APPRAISAL ON SOME OF THE ITEMS 1125 00:40:46,583 --> 00:40:48,625 FROM THE DIETZ ESTATE AUCTION, 1126 00:40:48,709 --> 00:40:49,917 INCLUDING THIS PIANO. 1127 00:40:50,000 --> 00:40:51,083 OH. 1128 00:40:51,166 --> 00:40:53,917 WELL, THAT'S VERY NICE OF YOU, 1129 00:40:54,000 --> 00:40:55,792 AND A BIT AWKWARD. 1130 00:40:55,875 --> 00:40:57,291 AWKWARD, YES... 1131 00:40:59,125 --> 00:41:00,917 AND REGRETTABLE. 1132 00:41:05,959 --> 00:41:07,625 YOU AGAIN. 1133 00:41:07,709 --> 00:41:08,750 WHAT'S THIS? 1134 00:41:08,834 --> 00:41:10,250 MY LETTER OF RESIGNATION, AS YOUR TUTOR. 1135 00:41:10,333 --> 00:41:12,583 PARAGRAPH TWO CITES YOUR LACK OF COOPERATION, 1136 00:41:12,667 --> 00:41:14,166 VIOLATING YOUR ACADEMIC PROBATION, 1137 00:41:14,250 --> 00:41:15,583 SO HAVE FUN WARMING THE BENCH. 1138 00:41:15,667 --> 00:41:17,250 WAIT, COME ON... 1139 00:41:17,333 --> 00:41:19,417 YOU DON'T HAVE TO COME DOWN SO HEAVY HERE. 1140 00:41:19,500 --> 00:41:20,792 I DON'T WANT TO, 1141 00:41:20,875 --> 00:41:23,709 BUT IF YOU'RE NOT WILLING TO HELP YOURSELF... 1142 00:41:23,792 --> 00:41:25,417 LOOK, FOR ME, I LOSE A PAYCHECK. 1143 00:41:25,500 --> 00:41:26,750 SO WHAT? 1144 00:41:26,834 --> 00:41:28,792 BUT FOR YOU, YOUR TEAM... 1145 00:41:28,875 --> 00:41:31,291 THERE'S A WHOLE LOT MORE AT STAKE HERE. 1146 00:41:42,583 --> 00:41:44,333 YOU OKAY, HON'? 1147 00:41:44,417 --> 00:41:48,083 OH, YEAH, YEAH, I WAS JUST THINKING. 1148 00:41:48,166 --> 00:41:51,625 IF WE LIVED UNTIL WE WERE 92, 1149 00:41:51,709 --> 00:41:53,333 HOW MANY GRANDKIDS DO YOU THINK WE'LL HAVE? 1150 00:41:53,417 --> 00:41:54,500 [CHUCKLES] 1151 00:41:54,583 --> 00:41:55,458 I HAVE NO IDEA. 1152 00:41:57,250 --> 00:42:00,250 DID KARL DIETZ EVER TALK ABOUT HIS FAMILY? 1153 00:42:00,333 --> 00:42:01,917 NO, I DIDN'T KNOW HE HAD A FAMILY 1154 00:42:02,000 --> 00:42:03,250 UNTIL I MET CAROLYN. 1155 00:42:03,333 --> 00:42:05,625 MAYBE THEY DIDN'T HEAL THAT FAMILY RIFT. 1156 00:42:05,709 --> 00:42:07,750 WELL... 1157 00:42:11,291 --> 00:42:14,250 WE ARE NOT GOING TO LET THAT HAPPEN HERE. 1158 00:42:14,333 --> 00:42:16,250 WE'RE GOING TO STAY CONNECTED, 1159 00:42:16,333 --> 00:42:17,542 WE'RE GOING TO STAY CLOSE, 1160 00:42:17,625 --> 00:42:20,917 AND WHATEVER WE HAVE AT THE END OF THE JOURNEY, 1161 00:42:21,000 --> 00:42:23,166 IT'S GOING TO STAY IN THE FAMILY. 1162 00:42:23,250 --> 00:42:24,166 DEAL. 1163 00:42:24,291 --> 00:42:25,250 DEAL. 1164 00:42:25,333 --> 00:42:27,458 [CELL PHONE RINGS] 1165 00:42:28,583 --> 00:42:30,291 HELLO? 1166 00:42:30,375 --> 00:42:31,667 HELEN, ARE YOU OKAY? 1167 00:42:31,750 --> 00:42:33,875 OH, NO. 1168 00:42:33,959 --> 00:42:34,709 ARE THE POLICE THERE? 1169 00:42:36,166 --> 00:42:38,500 WELL, THAT'S GOOD. 1170 00:42:38,583 --> 00:42:39,542 WELL, NO. 1171 00:42:39,625 --> 00:42:41,083 NO, IT'S NO TROUBLE. 1172 00:42:41,166 --> 00:42:42,709 OKAY. 1173 00:42:42,792 --> 00:42:44,458 IT'S HELEN BAUER. 1174 00:42:44,542 --> 00:42:45,583 SOMEONE BROKE INTO HER HOUSE. 1175 00:42:45,667 --> 00:42:46,792 THE POLICE ARE THERE, 1176 00:42:46,875 --> 00:42:48,250 BUT I THINK SHE COULD USE SOME HAND HOLDING. 1177 00:42:48,333 --> 00:42:49,417 OF COURSE. 1178 00:42:49,500 --> 00:42:50,542 GO. 1179 00:42:52,000 --> 00:42:52,959 I WAS IN BED 1180 00:42:53,041 --> 00:42:56,625 WHEN MY DOG, MIMI, HEARD A COMMOTION, 1181 00:42:56,709 --> 00:42:58,083 AND RAN DOWNSTAIRS, 1182 00:42:58,166 --> 00:43:01,250 BIT THE THIEF, AND RAN HIM OFF, 1183 00:43:01,333 --> 00:43:03,458 BUT NOT BEFORE HE DID SOME DAMAGE. 1184 00:43:03,542 --> 00:43:05,125 HELEN, WAS ANYTHING TAKEN? 1185 00:43:05,208 --> 00:43:07,041 NOT THAT I KNOW OF. 1186 00:43:07,125 --> 00:43:09,792 WHERE IS THE "SUNSET" PAINTING? 1187 00:43:09,875 --> 00:43:11,500 OH, IT'S TUCKED BEHIND THE COUCH 1188 00:43:11,583 --> 00:43:14,041 I WAS GOING TO HANG IT TOMORROW. 1189 00:43:30,125 --> 00:43:31,834 -FRANK... -HMM? 1190 00:43:31,917 --> 00:43:33,250 CAN I SEE THE BACK OF THAT FOR A SECOND? 1191 00:43:33,333 --> 00:43:34,583 SURE. 1192 00:43:40,625 --> 00:43:42,542 THE CANVAS STRETCHER ON THE "SUNSET" PAINTING 1193 00:43:42,625 --> 00:43:43,709 IS THICKER THAN THIS ONE. 1194 00:43:43,792 --> 00:43:46,417 CAN WE TAKE THIS OUT OF THE FRAME? 1195 00:43:46,500 --> 00:43:47,917 YEAH, LET'S SEE, LET'S CHECK IT OUT. 1196 00:43:52,667 --> 00:43:53,917 [GASPS] 1197 00:43:54,000 --> 00:43:55,542 THERE'S A WHOLE OTHER PANTING IN HERE. 1198 00:43:56,875 --> 00:43:57,959 [GASPS] 1199 00:43:59,041 --> 00:44:01,750 OH, WOW. 1200 00:44:03,125 --> 00:44:04,750 I THINK THIS IS A HERMANN HERZOG. 1201 00:44:04,834 --> 00:44:06,500 [GASPS] 1202 00:44:06,583 --> 00:44:08,500 AN ORIGINAL HERMANN HERZOG. 1203 00:44:08,583 --> 00:44:10,041 AND IF IT IS ORIGINAL, 1204 00:44:10,125 --> 00:44:12,375 AND IF IT IS ORIGINAL, 1205 00:44:12,458 --> 00:44:14,333 WELL, THIS PAINTING IS WORTH TEN TIMES 1206 00:44:14,417 --> 00:44:15,709 WHAT HELEN PAID FOR THESE OTHER TWO PAINTINGS. 1207 00:44:22,375 --> 00:44:23,667 WHAT DO YOU THINK? 1208 00:44:23,750 --> 00:44:25,083 WELL, I MEAN, 1209 00:44:25,166 --> 00:44:27,208 YOU WOULD HAVE TO TAKE IT TO A PROFESSIONAL 1210 00:44:27,291 --> 00:44:28,166 TO GET IT AUTHENTICATED, 1211 00:44:28,250 --> 00:44:30,125 BUT GIVEN THE LINEN CANVAS, 1212 00:44:30,208 --> 00:44:31,166 THE LAYERS OF PAINT, 1213 00:44:31,250 --> 00:44:33,542 AND THE SIGNATURE OF THE ARTIST, 1214 00:44:33,625 --> 00:44:35,500 I THINK IT'S A GENUINE HERMANN HERZOG. 1215 00:44:36,750 --> 00:44:38,208 I'M SURPRISED CONRAD SILES NEVER CAUGHT THIS. 1216 00:44:39,375 --> 00:44:41,542 THEN AGAIN... NOT EVERYONE HAS YOUR EYE. 1217 00:44:43,458 --> 00:44:46,792 FRANK, THESE PAINTINGS CAME FROM THE DIETZ ESTATE. 1218 00:44:46,875 --> 00:44:48,125 IF ANYONE KNEW A MASTERPIECE WAS BEING CONCEALED, 1219 00:44:48,208 --> 00:44:49,166 IT WOULD BE-- 1220 00:44:49,250 --> 00:44:50,250 KARL DIETZ. 1221 00:44:50,333 --> 00:44:53,000 AND OBVIOUSLY SOMEONE ELSE AS WELL. 1222 00:44:53,083 --> 00:44:54,208 WHAT ABOUT 1223 00:44:54,291 --> 00:44:56,709 THAT CASPAR DAVID FRIEDRICH PAINTING? 1224 00:44:56,792 --> 00:44:58,625 YOU ASK ME, 1225 00:44:58,709 --> 00:45:01,792 I THINK THAT AUCTIONEER IS UP TO NO GOOD. 1226 00:45:09,792 --> 00:45:11,375 BONJOUR, SERGEANT. 1227 00:45:11,458 --> 00:45:13,458 WHAT DO YOU WANT, JACQUES? 1228 00:45:13,542 --> 00:45:14,875 OH, THE SAME THING AS YOU. 1229 00:45:14,959 --> 00:45:16,959 EVERYTHING THAT KARL DIETZ 1230 00:45:17,041 --> 00:45:19,458 NEGLECTED TO PLACE ON THE AUCTION TABLE. 1231 00:45:19,542 --> 00:45:21,709 MISSING ART. 1232 00:45:21,792 --> 00:45:23,375 MISSING ANTIQUITIES. 1233 00:45:23,458 --> 00:45:26,583 MISSING JEWELS. 1234 00:45:26,667 --> 00:45:28,208 OH, COME, SERGEANT, 1235 00:45:28,291 --> 00:45:30,417 OUR INTERESTS HERE COULD BE BENEFITED MUTUALLY, NO? 1236 00:45:30,500 --> 00:45:32,750 UNLESS YOU PREFER TO CONTINUE 1237 00:45:32,834 --> 00:45:34,709 BEING THE MINION 1238 00:45:34,792 --> 00:45:38,500 OF THAT CHARLATAN, CONRAD SILES? 1239 00:45:38,583 --> 00:45:39,542 OUI. 1240 00:45:39,625 --> 00:45:40,875 WELL... 1241 00:45:40,959 --> 00:45:42,792 THINK ABOUT IT. 1242 00:45:42,875 --> 00:45:44,917 A BIENTOT, SERGEANT. 1243 00:46:53,291 --> 00:46:55,250 [♪♪♪] 1244 00:47:03,917 --> 00:47:06,000 FIND ANYTHING NEW, SIR? 1245 00:47:06,083 --> 00:47:08,709 I HAVE HERE A LETTER 1246 00:47:08,792 --> 00:47:11,041 WRITTEN BY DIETZ'S DAUGHTER, HELGA, 1247 00:47:11,125 --> 00:47:12,834 A LITTLE MORE THAN THREE MONTHS AGO, 1248 00:47:12,917 --> 00:47:14,750 SHORTLY BEFORE HER PASSING. 1249 00:47:14,834 --> 00:47:16,792 SHE OUTRIGHT REJECTS 1250 00:47:16,875 --> 00:47:19,500 HER FATHER'S OFFER TO RECONCILE THEIR DIFFERENCES, 1251 00:47:19,583 --> 00:47:21,875 OR TO HAVE HER OR HER DAUGHTER, CAROLYN, 1252 00:47:21,959 --> 00:47:24,875 REINSTATED IN HIS WILL. 1253 00:47:24,959 --> 00:47:27,500 THAT CERTAINLY HEADS OFF ANY LAWSUIT COMING YOUR WAY. 1254 00:47:27,583 --> 00:47:28,500 YES, INDEED. 1255 00:47:28,583 --> 00:47:31,166 BUT THERE'S MORE. 1256 00:47:31,250 --> 00:47:34,125 SHE SAYS HERE, AND I QUOTE, 1257 00:47:34,208 --> 00:47:37,667 "I DO NOT WANT YOUR PRECIOUS PIANO, 1258 00:47:37,750 --> 00:47:40,000 "AND I WILL NOT HAVE CAROLYN MADE LIABLE 1259 00:47:40,083 --> 00:47:41,709 "FOR YOUR ILL-GOTTEN GAINS. 1260 00:47:41,792 --> 00:47:44,542 "IF YOU HAD ANY INTEGRITY LEFT AT ALL, 1261 00:47:44,625 --> 00:47:45,875 "YOU WILL MAKE AMENDS, 1262 00:47:45,959 --> 00:47:48,083 "AND OFFER RESTITUTION TO THOSE YOU HAVE WRONGED. 1263 00:47:48,166 --> 00:47:52,166 THEN, MAYBE, WE CAN ALL DIE IN PEACE." 1264 00:47:54,500 --> 00:47:56,125 [CHUCKLING] 1265 00:47:56,208 --> 00:47:58,709 IT'S THE VESTONE-DOBROTT PLAYER PIANO, DWYER. 1266 00:47:58,792 --> 00:48:02,750 IT MUST CONTAIN THE KEY TO DIETZ'S HIDDEN VAULT! 1267 00:48:02,834 --> 00:48:05,041 THAT'S WHY JACQUES GRENIER BROKE INTO DEAN CONNICK'S SHOP. 1268 00:48:05,125 --> 00:48:07,417 MAKES SENSE. 1269 00:48:07,500 --> 00:48:08,875 YES, BUT NOW HE'S WANTED BY THE POLICE, 1270 00:48:08,959 --> 00:48:11,500 WHICH GIVES US THE ADVANTAGE. 1271 00:48:11,583 --> 00:48:14,041 ARE YOU SUGGESTING LIBERATING ANOTHER ITEM? 1272 00:48:14,125 --> 00:48:15,625 DO YOU HAVE A PROBLEM WITH THAT? 1273 00:48:15,709 --> 00:48:17,458 NO, SIR. 1274 00:48:18,417 --> 00:48:19,417 GOOD. 1275 00:48:19,500 --> 00:48:20,417 I BELIEVE YOU'LL FIND THE PIANO 1276 00:48:20,500 --> 00:48:21,542 AT A SHOP CALLED RAGS-TO-RICHES. 1277 00:48:23,291 --> 00:48:25,375 BY THE WAY, HOW'S THE ARM? 1278 00:48:25,458 --> 00:48:28,834 IT COULD PROBABLY USE A FEW STITCHES. 1279 00:48:28,917 --> 00:48:30,250 YES, WELL, SEE TO IT. 1280 00:48:30,333 --> 00:48:33,500 I WANT THIS TAKEN CARE OF AS QUICKLY AS POSSIBLE, DWYER. 1281 00:48:33,583 --> 00:48:34,792 WE'VE ALREADY MISSED ONE OPPORTUNITY HERE. 1282 00:48:34,875 --> 00:48:35,750 DO NOT FAIL. 1283 00:48:36,875 --> 00:48:38,834 NO, SIR. 1284 00:48:48,834 --> 00:48:50,458 IT'S A GOOD FIND, 1285 00:48:50,542 --> 00:48:52,458 BUT HOW CAN WE BE CERTAIN IT BELONGED TO DIETZ? 1286 00:48:52,542 --> 00:48:54,291 WELL, IT WAS FOUND IN HIS PIANO BENCH, 1287 00:48:54,375 --> 00:48:55,750 THE CONTENTS ARE WRITTEN IN GERMAN, 1288 00:48:55,834 --> 00:48:56,667 AND IT'S DIETZ'S HANDWRITING. 1289 00:48:57,834 --> 00:48:59,208 WELL, I COMPARED SOME NOTES 1290 00:48:59,291 --> 00:49:00,917 THAT HE SCRIBBLED ONTO JASON'S RECITAL HALL BLUEPRINTS. 1291 00:49:01,000 --> 00:49:02,208 OKAY. 1292 00:49:02,291 --> 00:49:03,625 I'M CONVINCED. 1293 00:49:07,083 --> 00:49:10,917 JEEZ, LOOK AT ALL THE DATES, PLACES... 1294 00:49:11,000 --> 00:49:12,041 BERLIN, 1295 00:49:12,125 --> 00:49:13,792 DRESDEN, LEIPZIG. 1296 00:49:13,875 --> 00:49:15,291 AND NAMES. 1297 00:49:15,375 --> 00:49:16,709 SOME OF THEM FAMOUS ARTISTS. 1298 00:49:16,792 --> 00:49:18,125 GOYA, MENZEL, DELACROIX. 1299 00:49:18,208 --> 00:49:19,834 OH, AND LOOK HERE... 1300 00:49:21,208 --> 00:49:23,458 CASPAR DAVID FRIEDRICH, 1301 00:49:23,542 --> 00:49:25,625 AND HERMANN HERZOG. 1302 00:49:26,792 --> 00:49:29,542 SO, THIS IS WHAT JACQUES WAS AFTER. 1303 00:49:29,625 --> 00:49:32,000 WHY DIDN'T YOU SAY SO, INSPECTOR? 1304 00:49:32,083 --> 00:49:33,709 FRANK, WHAT'S WRONG? 1305 00:49:33,792 --> 00:49:34,959 JACQUES? 1306 00:49:35,041 --> 00:49:36,542 YEAH, HE LIED TO ME, JENN. 1307 00:49:36,625 --> 00:49:39,750 I FOUND OUT THAT HE'S ACTUALLY EX-EMCA. 1308 00:49:39,834 --> 00:49:41,542 HE HAD BEEN FIRED OVER A YEAR AGO 1309 00:49:41,625 --> 00:49:43,709 FOR USING EXCESSIVE FORCE ON SUSPECTS 1310 00:49:43,792 --> 00:49:45,834 CONNECTED TO AN ART THEFT CASE. 1311 00:49:45,917 --> 00:49:47,792 SPECIFICALLY, THE KARL DIETZ CASE. 1312 00:49:47,875 --> 00:49:49,250 HOWEVER, 1313 00:49:49,333 --> 00:49:50,458 I DID FIND OUT 1314 00:49:50,542 --> 00:49:52,000 THAT HE WAS RECENTLY HIRED 1315 00:49:52,083 --> 00:49:54,959 BY THE STOLEN ART RECOVERY LEAGUE. 1316 00:49:55,041 --> 00:49:56,417 EVER HEARD OF THEM? 1317 00:49:56,500 --> 00:49:58,500 YES, THEY WERE FORMED TOWARD THE END OF WORLD WAR II. 1318 00:49:58,583 --> 00:50:00,500 THEY'RE RESPONSIBLE FOR RECOVERING 1319 00:50:00,583 --> 00:50:02,208 HUNDREDS OF LOST AND STOLEN ARTWORKS. 1320 00:50:02,291 --> 00:50:03,583 WHO KNOWS? 1321 00:50:03,667 --> 00:50:07,667 MAYBE HE USED THEM AS A COVER FOR HIS OWN AGENDA. 1322 00:50:07,750 --> 00:50:09,375 WHAT I DO KNOW... 1323 00:50:09,458 --> 00:50:11,125 IS I DON'T TRUST THE GUY. 1324 00:50:11,208 --> 00:50:12,959 NOR HAVE I BEEN ABLE TO LOCATE HIM AGAIN. 1325 00:50:13,041 --> 00:50:15,291 THE GOOD NEWS? 1326 00:50:15,375 --> 00:50:18,792 WE HAVE BOTH THE HERZOG AND FRIEDRICH PAINTINGS 1327 00:50:18,875 --> 00:50:20,500 LOGGED IN HERE, 1328 00:50:20,583 --> 00:50:22,000 SO THAT GIVES ME DUE CAUSE 1329 00:50:22,083 --> 00:50:24,500 TO GET A SEARCH WARRANT FOR THE SILES' AUCTION RECORDS. 1330 00:50:41,375 --> 00:50:42,291 [GUN COCKING] 1331 00:50:42,375 --> 00:50:43,375 [SHOTS BLAST] 1332 00:50:48,625 --> 00:50:50,375 THAT'S ABOUT WHAT'S GOING TO HAPPEN. 1333 00:51:02,208 --> 00:51:04,291 SORRY FOR THE EARLY HOUR, MR. DWYER. 1334 00:51:04,375 --> 00:51:06,291 I CALLED, RANG THE BELL, 1335 00:51:06,375 --> 00:51:07,417 NO ANSWER. 1336 00:51:07,500 --> 00:51:10,208 WELL, MR. SILES IS A HEAVY SLEEPER, 1337 00:51:10,291 --> 00:51:12,959 ESPECIALLY AFTER A COUPLE OF GLASSES OF PORT. 1338 00:51:13,041 --> 00:51:15,291 WHAT'S THIS ABOUT, SIR? 1339 00:51:17,291 --> 00:51:18,208 I HAVE A WARRANT, 1340 00:51:18,291 --> 00:51:20,917 SIGNED BY JUDGE MALLARY, 1341 00:51:21,000 --> 00:51:22,083 TO SEARCH ALL RECORDS 1342 00:51:22,166 --> 00:51:23,417 PERTAINING TO THE DIETZ ESTATE AUCTION. 1343 00:51:25,333 --> 00:51:29,250 YOU'LL FIND EVERYTHING IS IN ORDER. 1344 00:51:33,709 --> 00:51:34,875 [ENTRY LOCK BEEPS OPEN] 1345 00:51:36,959 --> 00:51:38,500 [KNOCKING ON OFFICE DOOR] 1346 00:51:38,583 --> 00:51:39,583 MR. SILES? 1347 00:51:42,250 --> 00:51:43,834 MR. SILES! 1348 00:51:43,917 --> 00:51:45,917 CALL IT IN. 1349 00:51:47,709 --> 00:51:50,208 DO YOU HAVE A PERMIT FOR THAT GUN? 1350 00:51:50,291 --> 00:51:51,208 ARMS OUT, AWAY FROM YOUR SIDES. 1351 00:51:59,417 --> 00:52:00,667 SOMETHING WRONG WITH YOUR ARM THERE, MR. DWYER? 1352 00:52:02,000 --> 00:52:03,333 IT'S JUST SOME TENDONITIS. 1353 00:52:03,417 --> 00:52:05,000 THEN YOU WOULDN'T MIND ROLLING UP YOUR SLEEVE. 1354 00:52:16,250 --> 00:52:18,792 MEET ANY DOGS LATELY? 1355 00:52:20,709 --> 00:52:22,000 CUFF HIM. 1356 00:52:25,125 --> 00:52:26,000 [HANDCUFFS CLINKING] 1357 00:52:36,750 --> 00:52:40,166 GOT A HOLD OF YOUR MILITARY JACKET HERE, SERGEANT. 1358 00:52:40,250 --> 00:52:42,083 LET'S HAVE A LOOK. 1359 00:52:43,083 --> 00:52:45,583 OOH, FOUR TOURS IN IRAQ, 1360 00:52:45,667 --> 00:52:47,291 LED A SPECIAL DETACHMENT 1361 00:52:47,375 --> 00:52:48,500 CHARGED WITH SECURING AND PROTECTING 1362 00:52:48,583 --> 00:52:52,750 HIGH-VALUE ART AND ANTIQUES IN COMBAT ZONES. 1363 00:52:52,834 --> 00:52:55,333 AH... THAT'S WHY MR. SILES HIRED YOU. 1364 00:52:55,417 --> 00:52:56,750 I DIDN'T KILL HIM. 1365 00:52:56,834 --> 00:52:57,917 WELL, WE'LL LET BALLISTICS WEIGH IN ON THAT. 1366 00:52:59,250 --> 00:53:01,542 YOU ARE WASTING YOUR TIME. 1367 00:53:01,625 --> 00:53:03,417 I HEAR THAT A LOT. 1368 00:53:03,500 --> 00:53:05,333 FOR THE RECORD, WHERE WERE YOU LAST NIGHT? 1369 00:53:05,417 --> 00:53:09,166 BESIDES THE EAST SIDE URGENT CARE CLINIC? 1370 00:53:09,250 --> 00:53:12,458 YEAH, I HAVE THE, UH,... TREATMENT SUMMARY RIGHT HERE. 1371 00:53:13,834 --> 00:53:16,750 HMM, REALLY GLAD YOU GOT THAT DOG BITE TAKEN CARE OF. 1372 00:53:16,834 --> 00:53:19,625 ANYWAY... LAST NIGHT? 1373 00:53:19,709 --> 00:53:20,834 I HAD A BEER. 1374 00:53:20,917 --> 00:53:22,583 PETEY'S TAVERN. 1375 00:53:22,667 --> 00:53:26,625 OH, YES, THE LOCAL MARINE CORPS WATERING HOLE. 1376 00:53:26,709 --> 00:53:29,041 YOU'VE READ ME MY RIGHTS. 1377 00:53:29,125 --> 00:53:30,750 WHEN DO I GET MY PHONE CALL? 1378 00:53:30,834 --> 00:53:32,667 JUST A FEW MORE QUESTIONS. 1379 00:53:34,583 --> 00:53:36,500 DID KARL DIETZ EVER ASK YOUR BOSS 1380 00:53:36,583 --> 00:53:39,208 TO HANDLE ANY ARTWORK OF QUESTIONABLE PROVENANCE? 1381 00:53:39,291 --> 00:53:41,542 NOT THAT I'M AWARE OF. 1382 00:53:41,625 --> 00:53:43,333 WHAT WAS INSIDE THE EMPTY LETTER BOX? 1383 00:53:43,417 --> 00:53:46,250 I'M GUESSING LETTERS. 1384 00:53:46,333 --> 00:53:47,834 BELONGING TO DIETZ OR SILES? 1385 00:53:47,917 --> 00:53:49,583 NO IDEA. 1386 00:53:49,667 --> 00:53:50,750 HMM. 1387 00:53:50,834 --> 00:53:51,750 HERE'S MY GUESS... 1388 00:53:53,917 --> 00:53:55,583 THEY BELONGED TO DIETZ. 1389 00:53:55,667 --> 00:53:58,208 SOMETHING HAD TO CLUE YOUR BOSS IN 1390 00:53:58,291 --> 00:54:00,917 AS TO THE WHEREABOUTS OF THE HERZOG PAINTING. 1391 00:54:01,000 --> 00:54:02,208 HOW ELSE WOULD HE HAVE KNOWN TO ASK YOU 1392 00:54:02,291 --> 00:54:04,333 TO STEAL IT BACK? 1393 00:54:07,125 --> 00:54:08,041 LAWYER. 1394 00:54:09,208 --> 00:54:10,166 RIGHT. 1395 00:54:10,250 --> 00:54:11,417 [SLAPS TABLE] 1396 00:54:11,500 --> 00:54:12,542 THOUGHT SO. 1397 00:54:17,875 --> 00:54:18,709 SO... 1398 00:54:18,792 --> 00:54:19,750 I'VE BEEN SUSPENDED. 1399 00:54:19,834 --> 00:54:20,959 HAPPY NOW? 1400 00:54:21,041 --> 00:54:22,542 NO. 1401 00:54:22,625 --> 00:54:24,667 YOU KNOW, IT'S NOT TOO LATE TO TURN YOUR SITUATION AROUND. 1402 00:54:24,750 --> 00:54:27,542 I HAVE YOUR SCHEDULE HERE, 1403 00:54:27,625 --> 00:54:28,417 AND I NOTICED 1404 00:54:28,500 --> 00:54:29,792 THAT YOU HAVE AN HOUR 1405 00:54:29,875 --> 00:54:31,375 BETWEEN TWO OF YOUR MORNING CLASSES 1406 00:54:31,458 --> 00:54:34,166 AND AN HOUR BETWEEN TWO OF YOUR AFTERNOON CLASSES, 1407 00:54:34,250 --> 00:54:36,834 AS WELL AS AN HOUR LUNCH BREAK. 1408 00:54:36,917 --> 00:54:38,375 THAT GIVES US AT LEAST THREE HOURS A DAY 1409 00:54:38,458 --> 00:54:39,458 TO WORK TOGETHER, 1410 00:54:39,542 --> 00:54:40,542 GET YOU BACK UP TO SPEED. 1411 00:54:42,083 --> 00:54:43,542 I HAVE GIVEN YOU MY GAME PLAN. 1412 00:54:43,625 --> 00:54:45,250 WHAT'S YOURS? 1413 00:54:51,000 --> 00:54:52,792 WAIT. 1414 00:54:54,750 --> 00:54:57,166 YOU SURE YOU CAN STAND ME FOR THREE HOURS A DAY? 1415 00:54:59,125 --> 00:55:00,750 AS LONG AS THEY'RE PAYING ME. 1416 00:55:02,875 --> 00:55:03,709 [GIGGLES] 1417 00:55:03,792 --> 00:55:05,500 [♪♪♪] 1418 00:55:13,083 --> 00:55:14,375 DR. TRAMMEL? 1419 00:55:14,458 --> 00:55:15,583 AH, JENNIFER, I GOT YOUR TEXT-- 1420 00:55:15,667 --> 00:55:16,625 OH, THANK YOU. 1421 00:55:16,709 --> 00:55:17,792 SORRY, I ONLY HAVE A MINUTE. 1422 00:55:17,875 --> 00:55:18,875 BUSY DAY, 1423 00:55:18,959 --> 00:55:20,583 PEOPLE JUST DYING TO GET IN HERE. 1424 00:55:20,667 --> 00:55:21,709 [CHUCKLES DRYLY] 1425 00:55:21,792 --> 00:55:24,083 SO, WHO ARE WE VISITING TODAY? 1426 00:55:24,166 --> 00:55:25,250 CONRAD SILES. 1427 00:55:25,333 --> 00:55:27,333 OH-HO-HO, GOING ONCE... 1428 00:55:27,417 --> 00:55:30,291 GOING TWICE... 1429 00:55:30,375 --> 00:55:32,166 AND, UM... 1430 00:55:34,583 --> 00:55:36,375 TWO CLOSE-RANGE GUNSHOT WOUNDS. 1431 00:55:36,458 --> 00:55:37,417 [CHUCKLES RUEFULLY] 1432 00:55:37,500 --> 00:55:38,583 THAT'S PERSONAL, ISN'T IT? 1433 00:55:38,667 --> 00:55:40,583 WELL, YOU CAN READ INTO IT HOWEVER YOU LIKE. 1434 00:55:40,667 --> 00:55:41,709 AND YOU CAN CHECK WITH BALLISTICS 1435 00:55:41,792 --> 00:55:43,083 IF YOU WANT SPECIFICS. 1436 00:55:43,166 --> 00:55:44,875 THEY GOT THE BULLETS. 1437 00:55:44,959 --> 00:55:46,333 ANYTHING ELSE? 1438 00:55:46,417 --> 00:55:47,458 KARL DIETZ. 1439 00:55:47,542 --> 00:55:49,000 DETECTIVE LYNNWOOD SAID 1440 00:55:49,083 --> 00:55:51,000 YOU'D CONCLUDED HE DIED FROM CARDIAC ARREST? 1441 00:55:51,083 --> 00:55:52,083 WELL, A PULMONARY EMBOLISM 1442 00:55:52,166 --> 00:55:54,291 HAS BEEN KNOWN TO TRIGGER SUCH THINGS. 1443 00:55:54,375 --> 00:55:56,500 EVEN IN ELDERLY PEOPLE WITH CHRONIC HEART FAILURE? 1444 00:55:56,583 --> 00:55:57,917 WHY NOT? 1445 00:55:58,000 --> 00:55:59,959 THEN WHY ARE YOU HOLDING ONTO THE BODY? 1446 00:56:00,041 --> 00:56:02,709 OH-HOO-HOO... YOU ARE A CRAFTY ONE. 1447 00:56:02,792 --> 00:56:04,125 SORRY! 1448 00:56:04,208 --> 00:56:05,417 TIME'S UP. 1449 00:56:05,500 --> 00:56:07,000 OH, OH, JUST TWO MORE QUESTIONS. 1450 00:56:07,083 --> 00:56:08,667 I'M ASSUMING YOU HAVE A COPY 1451 00:56:08,750 --> 00:56:10,125 OF KARL DIETZ'S HOSPITAL RECORDS? 1452 00:56:10,208 --> 00:56:11,208 YES. 1453 00:56:11,291 --> 00:56:13,208 ONE DOWN, ONE TO GO. 1454 00:56:13,291 --> 00:56:14,458 WOULD YOU MIND TELLING ME 1455 00:56:14,542 --> 00:56:16,583 WHO HE PUT DOWN FOR HIS EMERGENCY CONTACT? 1456 00:56:16,667 --> 00:56:18,125 JENNIFER, SHAME ON YOU, 1457 00:56:18,208 --> 00:56:20,583 THAT WOULD BE A VIOLATION OF DOCTOR-PATIENT CONFIDENTIALITY. 1458 00:56:20,667 --> 00:56:21,834 EVEN IF THE PATIENT IS DEAD? 1459 00:56:21,917 --> 00:56:23,625 TOUCHE. 1460 00:56:23,709 --> 00:56:27,208 MR. DIETZ'S EMERGENCY CONTACT WAS... 1461 00:56:27,291 --> 00:56:30,250 OH, WHAT DO YOU KNOW? 1462 00:56:30,333 --> 00:56:31,792 -CONRAD SILES. -MM-HMM. 1463 00:56:32,875 --> 00:56:34,792 ALL RIGHT, YOU WIN. 1464 00:56:34,875 --> 00:56:36,959 I AM HOLDING ONTO MR. DIETZ'S BODY 1465 00:56:37,041 --> 00:56:38,792 BECAUSE I'M STILL NAGGED BY THE FACT THAT 1466 00:56:38,875 --> 00:56:40,875 HIS VENTRICULAR ASSIST MACHINE 1467 00:56:40,959 --> 00:56:42,458 DIDN'T SOUND THE ALARM SOONER. 1468 00:56:42,542 --> 00:56:44,875 THIS IS A DIGITAL READOUT 1469 00:56:44,959 --> 00:56:47,709 OF HIS CARDIOGRAM, 1470 00:56:47,792 --> 00:56:48,709 AND O-2 SAT READINGS, 1471 00:56:48,792 --> 00:56:53,250 RECORDED AT THE TIME IN QUESTION. 1472 00:56:53,333 --> 00:56:54,625 SEE HOW HIS HEART RATE 1473 00:56:54,709 --> 00:56:56,792 MOVES SHARPLY INTO A-FIB HERE? 1474 00:56:56,875 --> 00:56:58,709 THAT'S PROBABLY WHEN THE EMBOLISM STRUCK. 1475 00:56:58,792 --> 00:57:00,125 WHEN DID THE ALARM GO OFF? 1476 00:57:00,208 --> 00:57:03,166 HERE. 18 SECONDS LATER. 1477 00:57:03,250 --> 00:57:06,834 WHICH SUGGESTS THAT THERE WAS A GLITCH IN THE MACHINERY. 1478 00:57:06,917 --> 00:57:08,375 OR PERHAPS SABOTAGE? 1479 00:57:08,458 --> 00:57:11,792 OH, YOU JUST HAD TO GO THERE... 1480 00:57:11,875 --> 00:57:13,458 WELL, THE ALARMS ON THESE MACHINES 1481 00:57:13,542 --> 00:57:14,375 CAN BE SWITCHED ON AND OFF, RIGHT? 1482 00:57:14,458 --> 00:57:15,709 [GROANS] 1483 00:57:15,792 --> 00:57:17,500 JUST SAYIN'... 1484 00:57:21,000 --> 00:57:21,792 HEY, FRANK? 1485 00:57:21,875 --> 00:57:22,959 WHAT'S UP? 1486 00:57:23,041 --> 00:57:24,083 HEY, JENN. 1487 00:57:24,166 --> 00:57:25,333 I THOUGHT YOU SHOULD KNOW 1488 00:57:25,417 --> 00:57:27,125 THE BALLISTICS REPORTS CAME BACK. 1489 00:57:27,208 --> 00:57:28,458 DWYER'S BERETTA IS NOT A MATCH 1490 00:57:28,542 --> 00:57:30,166 FOR THE BULLETS THAT KILLED SILES. 1491 00:57:30,250 --> 00:57:31,709 WELL, YOU CAN STILL CHARGE HIM 1492 00:57:31,792 --> 00:57:33,041 WITH THE BREAK-IN AT HELEN'S, RIGHT? 1493 00:57:33,125 --> 00:57:35,750 YES, I'M CONFIDENT WE CAN GET AN INDICTMENT THERE, 1494 00:57:35,834 --> 00:57:38,959 ONCE THE LAB FINISHES PROCESSING ALL THE KEY EVIDENCE. 1495 00:57:39,041 --> 00:57:40,375 THE BAD NEWS? 1496 00:57:40,458 --> 00:57:41,458 DWYER MADE BAIL. 1497 00:57:41,542 --> 00:57:42,458 OH, NO... 1498 00:57:42,542 --> 00:57:43,709 AFRAID SO. 1499 00:57:43,792 --> 00:57:44,667 SO... 1500 00:57:45,875 --> 00:57:48,417 THE SCREENSHOTS YOU SENT ME? 1501 00:57:48,500 --> 00:57:49,417 THE LOGOS MATCH. 1502 00:57:49,500 --> 00:57:51,834 IT MEANS 1503 00:57:51,917 --> 00:57:53,250 THAT DIETZ WAS AN OFFICER 1504 00:57:53,333 --> 00:57:55,542 IN THE EAST GERMAN SECURITY SERVICE. 1505 00:57:55,625 --> 00:57:57,500 NOW, I HAD THOUGHT AFTER MY INTERVIEW WITH JACQUES, 1506 00:57:57,583 --> 00:57:59,333 THAT, WELL, MAYBE DIETZ WAS A COP 1507 00:57:59,417 --> 00:58:00,542 BEFORE HE WAS A DIPLOMAT. 1508 00:58:00,625 --> 00:58:01,375 MAYBE A CORRUPT COP? 1509 00:58:01,458 --> 00:58:02,959 JACQUES SAID 1510 00:58:03,041 --> 00:58:05,333 DIETZ "ABUSED THE POWER AND PRIVILEGE 1511 00:58:05,417 --> 00:58:06,750 THAT WAS BESTOWED UPON HIM." 1512 00:58:06,834 --> 00:58:08,000 COULD BE. 1513 00:58:08,083 --> 00:58:11,458 I MEAN, AT THE VERY LEAST, YOU KNOW, 1514 00:58:11,542 --> 00:58:14,834 DIETZ'S JOURNAL APPEARS TO BE A LOG FOR STOLEN ARTIFACTS. 1515 00:58:14,917 --> 00:58:16,750 IT'S JUST SO HARD TO BELIEVE 1516 00:58:16,834 --> 00:58:18,417 AFTER EVERYTHING HE'S DONE FOR THE COMMUNITY. 1517 00:58:18,500 --> 00:58:19,333 YEAH. 1518 00:58:19,417 --> 00:58:20,875 I KNOW. 1519 00:58:20,959 --> 00:58:23,667 HOW'S THE RESEARCH GOING ON THE HERZOG PAINTING? 1520 00:58:23,750 --> 00:58:25,417 WELL, ACCORDING TO THE STOLEN ARTS RECOVERY LEAGUE, 1521 00:58:25,500 --> 00:58:26,834 IT WENT MISSING SOON AFTER THE WAR. 1522 00:58:26,917 --> 00:58:27,917 INTERESTING. 1523 00:58:28,000 --> 00:58:29,208 AND THEN THERE'S MRS. BAUER'S CLAIM 1524 00:58:29,291 --> 00:58:30,417 REGARDING 1525 00:58:30,500 --> 00:58:31,792 THE CASPAR DAVID FRIEDRICH PROVENANCE. 1526 00:58:31,875 --> 00:58:32,792 I... 1527 00:58:32,875 --> 00:58:34,583 YOU KNOW WHAT? 1528 00:58:34,667 --> 00:58:35,959 I'M GOING TO FIND A GERMAN TRANSLATOR 1529 00:58:36,041 --> 00:58:37,083 TO BREAK ALL THIS DOWN. 1530 00:58:37,166 --> 00:58:38,834 FRANK, THERE'S SOMETHING BOTHERING ME 1531 00:58:38,917 --> 00:58:40,208 ABOUT DIETZ'S DEATH, 1532 00:58:40,291 --> 00:58:41,250 AND THE TIMING OF ALL OF THIS. 1533 00:58:42,625 --> 00:58:44,792 WOULD YOU MIND IF I TOOK A LOOK AROUND HIS HOUSE? 1534 00:58:47,125 --> 00:58:48,709 [SIGHS] 1535 00:58:52,917 --> 00:58:54,625 OKAY, DON'T TOUCH ANYTHING. 1536 00:58:54,709 --> 00:58:55,834 WHAT AM I, NEW? 1537 00:58:55,917 --> 00:58:57,125 [CHUCKLES] 1538 00:58:58,291 --> 00:59:02,750 ALL RIGHT, THE IV PUMP HAD THREE LINES, 1539 00:59:02,834 --> 00:59:04,458 ONE SALINE, 1540 00:59:04,542 --> 00:59:06,125 ONE FOR IVABRADINE-- 1541 00:59:06,208 --> 00:59:07,750 I THINK THAT'S HOW YOU SAY IT-- 1542 00:59:07,834 --> 00:59:09,792 AND DOPAMINE, FOR PAIN. 1543 00:59:11,250 --> 00:59:12,250 WHERE DID YOU SAY 1544 00:59:12,333 --> 00:59:14,625 THE NURSES' CALL BUTTON WAS FOUND? 1545 00:59:14,709 --> 00:59:17,458 UM... BESIDE THE BED, 1546 00:59:17,542 --> 00:59:19,667 RIGHT NEXT TO A SYRINGE WRAPPER 1547 00:59:19,750 --> 00:59:21,917 AND AN END CAP. 1548 00:59:23,250 --> 00:59:25,375 ON THE TABLE THERE, THERE WAS THREE SYRINGES, 1549 00:59:25,458 --> 00:59:27,083 ONE OF THEM USED IN CPR, 1550 00:59:27,166 --> 00:59:30,083 A HEPARIN INJECTION. 1551 00:59:30,166 --> 00:59:32,542 WAS THE WRAPPER A MATCH 1552 00:59:32,625 --> 00:59:34,208 TO THE ONE ON THE FLOOR? 1553 00:59:34,291 --> 00:59:35,375 LET'S SEE, 1554 00:59:35,458 --> 00:59:36,083 I'VE GOT A PHOTO HERE. 1555 00:59:44,291 --> 00:59:46,166 THAT'S INTERESTING. 1556 00:59:46,250 --> 00:59:48,125 GENERIC WRAPPER. 1557 00:59:48,208 --> 00:59:49,542 HEY, FRANK? 1558 00:59:49,625 --> 00:59:50,583 MM-HMM? 1559 00:59:50,667 --> 00:59:52,125 TAKE A LOOK AT THIS. 1560 00:59:52,208 --> 00:59:53,041 IT LOOKS LIKE THERE'S A PUNCTURE MARK 1561 00:59:53,125 --> 00:59:56,083 ON THIS TUBE. 1562 00:59:58,750 --> 00:59:59,709 CIRCULAR. 1563 00:59:59,792 --> 01:00:01,542 VERY CLEAN. 1564 01:00:01,625 --> 01:00:03,875 LOOKS LIKE IT COULD HAVE BEEN DONE BY A NEEDLE. 1565 01:00:07,667 --> 01:00:09,125 [SIGHING] OKAY... 1566 01:00:09,208 --> 01:00:10,625 THIS IS JUST A THEORY, 1567 01:00:10,709 --> 01:00:12,917 BUT COULD SOMEONE HAVE COME IN, AND TURNED OFF THE ALARM? 1568 01:00:13,000 --> 01:00:15,208 AND GIVEN MR. DIETZ AN UNSCHEDULED INJECTION? 1569 01:00:15,291 --> 01:00:18,000 DR. TRAMMEL SAID IT WAS A PULMONARY EMBOLISM 1570 01:00:18,083 --> 01:00:19,792 THAT TRIGGERED CARDIAC ARREST. 1571 01:00:19,875 --> 01:00:21,709 WELL, IF WHAT YOU'RE SAYING IS TRUE, 1572 01:00:21,792 --> 01:00:24,375 WE'RE NOT JUST TALKING ABOUT A HEART FAILURE. 1573 01:00:24,458 --> 01:00:26,000 WE'RE LOOKING AT PREMEDITATED MURDER. 1574 01:00:41,625 --> 01:00:42,583 [SHOP BELL JINGLES] 1575 01:00:45,500 --> 01:00:48,125 BONJOUR, MRS. SHANNON. 1576 01:00:48,208 --> 01:00:50,917 INSPECTOR GRENIER. 1577 01:00:51,000 --> 01:00:52,375 HOW DID YOU GET IN HERE? 1578 01:00:52,458 --> 01:00:54,291 THROUGH THE FRONT DOOR. 1579 01:00:54,375 --> 01:00:55,417 WHICH WAS LOCKED. 1580 01:00:55,500 --> 01:00:56,333 WAS IT? 1581 01:00:56,417 --> 01:00:58,083 IF SO, NOT VERY WELL. 1582 01:00:58,166 --> 01:01:00,709 MY FRIEND, DETECTIVE LYNNWOOD, IS LOOKING FOR YOU. 1583 01:01:00,792 --> 01:01:02,083 OH, I AM SURE. 1584 01:01:02,166 --> 01:01:05,125 I UNDERSTAND YOU HAVE RECOVERED A HERZOG PAINTING? 1585 01:01:06,417 --> 01:01:07,917 I DO HAVE MY SOURCES. 1586 01:01:08,000 --> 01:01:09,166 THROUGH THE EMCA, RIGHT? 1587 01:01:10,625 --> 01:01:11,583 I HAVE MY SOURCES, TOO. 1588 01:01:11,667 --> 01:01:12,959 WELL... 1589 01:01:13,041 --> 01:01:15,583 I WOULD VERY MUCH LIKE TO FINISH MY EXAMINING 1590 01:01:15,667 --> 01:01:16,458 OF YOUR VESTONE PIANO, 1591 01:01:16,542 --> 01:01:17,625 AND... 1592 01:01:17,709 --> 01:01:19,375 THE MUSIC SCROLL, 1593 01:01:19,458 --> 01:01:20,291 S'IL VOUS PLAIT. 1594 01:01:20,375 --> 01:01:21,709 WHY? 1595 01:01:21,792 --> 01:01:24,208 IT PERTAINS TO A CASE I AM WORKING ON. 1596 01:01:24,291 --> 01:01:26,125 THE CASE INVOLVING THE LATE KARL DIETZ? 1597 01:01:27,917 --> 01:01:29,333 IT WAS HIS PIANO. 1598 01:01:29,417 --> 01:01:30,834 STANDS TO REASON. 1599 01:01:30,917 --> 01:01:33,750 YOU KNOW, I THINK YOU KNOW MORE THAN YOU ARE LETTING ON. 1600 01:01:33,834 --> 01:01:37,667 I KNOW THAT MR. DIETZ WAS A FORMER EAST GERMAN POLICEMAN. 1601 01:01:37,750 --> 01:01:40,250 HOW CORRUPT WAS HE, JACQUES? 1602 01:01:40,333 --> 01:01:42,709 THE MAN BETRAYED EVERYONE IN HIS PATH, 1603 01:01:42,792 --> 01:01:45,625 INCLUDING MEMBERS OF HIS CRIMINAL ORGANIZATION. 1604 01:01:45,709 --> 01:01:47,583 NOW... 1605 01:01:47,667 --> 01:01:48,792 MAY I? 1606 01:01:50,250 --> 01:01:53,417 I WOULD FEEL BETTER IF DETECTIVE LYNNWOOD WAS HERE. 1607 01:01:53,500 --> 01:01:54,709 I HAVE HIM ON SPEED DIAL. 1608 01:01:54,792 --> 01:01:56,125 WE CAN MAKE AN APPOINTMENT. 1609 01:01:56,208 --> 01:01:58,458 I'M SORRY, BUT I PREFER TO PURSUE THIS INVESTIGATION 1610 01:01:58,542 --> 01:01:59,875 ON MY OWN. 1611 01:01:59,959 --> 01:02:02,375 AND I WOULD PREFER IF DETECTIVE LYNNWOOD WERE HERE. 1612 01:02:13,083 --> 01:02:15,667 SO, JACQUES IS STILL AROUND, HUH? 1613 01:02:15,750 --> 01:02:17,375 HE'S STILL ON THE HUNT. 1614 01:02:17,458 --> 01:02:19,125 YOU WOULDN'T HAPPEN TO KNOW WHERE HE'S STAYING, WOULD YOU? 1615 01:02:19,208 --> 01:02:21,250 NO, BUT I GOT THE MAKE, MODEL, AND LICENSE PLATE 1616 01:02:21,333 --> 01:02:23,709 OF HIS RENTAL CAR. 1617 01:02:23,792 --> 01:02:25,834 VERY WELL DONE. 1618 01:02:27,291 --> 01:02:29,959 BY THE WAY, OUR CT HAS FOUND EVIDENCE 1619 01:02:30,041 --> 01:02:31,500 THAT THE GROUND-FLOOR WINDOW OF THE AUCTION HOUSE 1620 01:02:31,583 --> 01:02:32,542 HAD BEEN JIMMIED. 1621 01:02:32,625 --> 01:02:34,166 FROM THERE, 1622 01:02:34,250 --> 01:02:34,959 THE ASSAILANT WOULD HAVE MADE THEIR WAY 1623 01:02:35,041 --> 01:02:37,709 UP TO SILES' STUDY. 1624 01:02:37,792 --> 01:02:38,959 I THINK WE'RE LOOKING AT A REAL PRO HERE. 1625 01:02:39,041 --> 01:02:40,041 [SIGHS] 1626 01:02:40,125 --> 01:02:41,125 NOT TO MENTION A KILLER. 1627 01:02:41,208 --> 01:02:43,166 SPEAKING OF, 1628 01:02:43,250 --> 01:02:45,750 DR. TRAMMEL HAS NOW CHANGED THE CAUSE OF DEATH 1629 01:02:45,834 --> 01:02:46,917 FOR KARL DIETZ. 1630 01:02:47,000 --> 01:02:48,875 HE'S NOW SAYING 1631 01:02:48,959 --> 01:02:51,417 THAT THE EMBOLISM WAS PURPOSELY INDUCED 1632 01:02:51,500 --> 01:02:52,500 BY AN AIR BUBBLE, 1633 01:02:52,583 --> 01:02:54,333 MOST LIKELY BY A WIDE-BORE SYRINGE. 1634 01:02:56,625 --> 01:02:58,709 I NOW HAVE A DOUBLE HOMICIDE ON MY HANDS 1635 01:02:58,792 --> 01:03:00,542 AND A VERY UNHAPPY MAYOR. 1636 01:03:06,166 --> 01:03:07,542 [BLOWS WHISTLE] GUYS! 1637 01:03:09,458 --> 01:03:10,750 WE NEED TO FEED OFF FROM THE TOP OF THE KEY, 1638 01:03:10,834 --> 01:03:12,417 AND CROSS-COURT PASS TO THE CORNERS. 1639 01:03:12,500 --> 01:03:13,542 HEY, HEY, HEY! 1640 01:03:13,625 --> 01:03:14,959 WHAT THE IN THE WIDE-WIDE WORLD OF SPORTS 1641 01:03:15,041 --> 01:03:16,083 IS GOING ON HERE? 1642 01:03:16,166 --> 01:03:17,792 UH, THEY'RE JUST 1643 01:03:17,875 --> 01:03:18,709 HELPING ME WITH MY HOMEWORK, COACH. 1644 01:03:18,792 --> 01:03:20,458 YOUR HOMEWORK? 1645 01:03:20,542 --> 01:03:21,709 YES, SIR. 1646 01:03:21,792 --> 01:03:24,000 THIS A STATISTICAL ANALYSIS 1647 01:03:24,083 --> 01:03:25,375 OF ALL THEIR SHOOTING PERCENTAGES, 1648 01:03:25,458 --> 01:03:27,625 AND BEST PASSING LANES... 1649 01:03:27,709 --> 01:03:30,375 AND YOU TOOK IT UPON YOURSELF TO WORK UP SOME NEW PLAYS? 1650 01:03:30,458 --> 01:03:32,667 BASED ON THESE STATS HERE, YES. 1651 01:03:36,083 --> 01:03:37,709 I LIKE WHAT I'M SEEING HERE. 1652 01:03:37,792 --> 01:03:39,583 BUT GIVE ME THE WHISTLE. 1653 01:03:39,667 --> 01:03:40,542 GIMME... 1654 01:03:42,917 --> 01:03:45,083 ALL RIGHT, GUYS, RUN THE PLAY. 1655 01:03:45,166 --> 01:03:46,083 LET ME SEE IT, LET'S GO. 1656 01:03:46,166 --> 01:03:47,333 [BLOWS WHISTLE] 1657 01:03:55,083 --> 01:03:57,417 [SOLO PIANIST PLAYING] 1658 01:03:57,500 --> 01:03:59,000 [♪♪♪] 1659 01:04:01,041 --> 01:04:04,375 [FINISHES PIECE] 1660 01:04:06,333 --> 01:04:09,125 [APPLAUSE] 1661 01:04:17,041 --> 01:04:19,208 SHE WAS SO GOOD, 1662 01:04:19,291 --> 01:04:21,125 AND, JASON, YOU DID AN INCREDIBLE JOB 1663 01:04:21,208 --> 01:04:22,083 WITH THIS PLACE. 1664 01:04:22,166 --> 01:04:23,208 THANK YOU. 1665 01:04:23,291 --> 01:04:24,792 I FORGOT HOW MUCH I LOVE THE THEATER. 1666 01:04:24,875 --> 01:04:26,166 DO YOU REMEMBER WHEN WE WERE SENIORS, 1667 01:04:26,250 --> 01:04:27,333 AND I WAS THE LIGHTING DESIGNER 1668 01:04:27,417 --> 01:04:28,959 AND THE STAGE MANAGER? 1669 01:04:29,041 --> 01:04:30,333 HELLO? 1670 01:04:30,417 --> 01:04:31,542 DO YOU REMEMBER THAT KISS WE SHARED ON THE CATWALK. 1671 01:04:31,625 --> 01:04:32,959 I KNEW YOU'D GO THERE. 1672 01:04:33,041 --> 01:04:34,417 YOU GUYS, I'LL MEET YOU OUTSIDE. 1673 01:04:34,500 --> 01:04:35,291 I'M JUST GOING TO TALK TO CAROLYN 1674 01:04:39,959 --> 01:04:41,458 CAROLYN, I JUST WANTED TO SAY 1675 01:04:41,542 --> 01:04:43,333 THAT THAT WAS WONDERFUL. 1676 01:04:43,417 --> 01:04:44,959 IT WAS SUCH A BEAUTIFUL PERFORMANCE. 1677 01:04:45,041 --> 01:04:46,333 THANK YOU. 1678 01:04:46,417 --> 01:04:48,375 AND I KNOW THIS MIGHT NOT BE THE RIGHT TIME OR PLACE, 1679 01:04:48,458 --> 01:04:49,709 BUT I'D LIKE TO TALK TO YOU 1680 01:04:49,792 --> 01:04:51,208 ABOUT THE PIANO THAT YOU BOUGHT AT THE AUCTION. 1681 01:04:51,291 --> 01:04:53,625 YES, MY PARTNER, DANI, DID MENTION THAT. 1682 01:04:53,709 --> 01:04:55,542 I'M SORRY, IT'S BEEN A REALLY EMOTIONAL TIME, 1683 01:04:55,625 --> 01:04:56,917 AND I DON'T KNOW HOW ELSE TO SAY THIS, 1684 01:04:57,000 --> 01:04:58,959 BUT I'D LIKE TO GET BACK SOME OF MY FAMILY HEIRLOOMS, 1685 01:04:59,041 --> 01:04:59,875 ESPECIALLY THAT PIANO. 1686 01:05:01,375 --> 01:05:02,750 I'M WILLING TO MAKE A VERY FAIR OFFER. 1687 01:05:02,834 --> 01:05:03,792 WELL, AS YOU KNOW, 1688 01:05:03,875 --> 01:05:05,875 I DID PROMISE THE PIANO TO A CLIENT, 1689 01:05:05,959 --> 01:05:07,458 BUT... 1690 01:05:07,542 --> 01:05:09,792 LET ME CALL HIM, AND-AND SEE WHAT I CAN DO. 1691 01:05:09,875 --> 01:05:11,625 THAT WOULD MEAN SO MUCH TO ME. 1692 01:05:11,709 --> 01:05:12,625 THANK YOU. 1693 01:05:12,709 --> 01:05:13,709 OF COURSE. 1694 01:05:13,792 --> 01:05:15,041 YOUR GRANDFATHER WOULD BE PROUD. 1695 01:05:26,500 --> 01:05:28,083 YOU WANT YOUR INHERITANCE? 1696 01:05:30,333 --> 01:05:31,500 I CAN HELP. 1697 01:05:31,583 --> 01:05:33,291 WHAT IS THIS? 1698 01:05:33,375 --> 01:05:35,250 I HAVE INFORMATION. 1699 01:05:35,333 --> 01:05:37,250 YOU HAVE INFORMATION. 1700 01:05:37,333 --> 01:05:39,166 WE COULD PARTNER UP. 1701 01:05:39,250 --> 01:05:41,375 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 1702 01:05:53,875 --> 01:05:55,417 -MISS TURNER? -THANK YOU. 1703 01:05:55,500 --> 01:05:56,375 YES. 1704 01:05:56,458 --> 01:05:57,458 DETECTIVE LYNNWOOD. 1705 01:05:57,542 --> 01:05:58,792 I GOT YOUR VOICEMAIL. 1706 01:05:58,875 --> 01:05:59,750 THANK YOU FOR SEEING ME. 1707 01:05:59,834 --> 01:06:01,792 YEAH, NO PROBLEM. 1708 01:06:01,875 --> 01:06:03,583 SO, YOU HAD A RUN-IN WITH MR. DWYER AT THE RECITAL HALL? 1709 01:06:03,667 --> 01:06:04,709 MM-HMM. 1710 01:06:04,792 --> 01:06:06,083 AND I READ IN THE PAPERS THIS MORNING 1711 01:06:06,166 --> 01:06:07,750 THAT HIS BOSS WAS FOUND MURDERED? 1712 01:06:07,834 --> 01:06:09,333 SHOULD I BE CONCERNED? 1713 01:06:09,417 --> 01:06:10,667 I'VE ALREADY CONTACTED HIS ATTORNEY 1714 01:06:10,750 --> 01:06:12,333 ABOUT THE ALTERCATION YOU TWO HAD. 1715 01:06:12,417 --> 01:06:13,500 HE'S BEING ISSUED A SUMMONS. 1716 01:06:14,750 --> 01:06:16,208 I'M BEGINNING TO THINK 1717 01:06:16,291 --> 01:06:17,667 IT'S TIME FOR ME TO GET BACK TO MY JOB AT THE CDC, DETECTIVE. 1718 01:06:17,750 --> 01:06:19,417 HMM. 1719 01:06:19,500 --> 01:06:20,792 BATTLING PLAGUE OUTBREAKS SEEMS A LOT SAFER 1720 01:06:20,875 --> 01:06:21,917 THAN STICKING AROUND HERE. 1721 01:06:22,000 --> 01:06:23,041 RIGHT. 1722 01:06:23,125 --> 01:06:24,000 WELL, WE'RE ON IT, NOT TO WORRY. 1723 01:06:24,083 --> 01:06:24,917 [CELL PHONE RINGS] 1724 01:06:25,000 --> 01:06:26,000 OH. 1725 01:06:26,083 --> 01:06:27,250 I'VE GOT TO TAKE THIS. 1726 01:06:27,333 --> 01:06:28,125 OKAY. THANK YOU. 1727 01:06:29,333 --> 01:06:31,583 HEY, JENN, THANKS FOR CALLING BACK. 1728 01:06:31,667 --> 01:06:35,041 IT SEEMS THAT DWYER HAS BEEN STALKING DIETZ'S GRANDDAUGHTER. 1729 01:06:35,125 --> 01:06:36,625 SHE FILED A RESTRAINING ORDER. 1730 01:06:36,709 --> 01:06:38,041 [SHOP BELL JINGLES] [JENN]: OH, NO. 1731 01:06:38,125 --> 01:06:40,041 WHAT HAPPENED TO JACQUES? 1732 01:06:40,125 --> 01:06:42,667 [FRANK CHUCKLES] OUR SLIPPERY FRENCHMAN? 1733 01:06:42,750 --> 01:06:45,458 I DON'T KNOW WHAT TO MAKE OF THE GUY. 1734 01:06:45,542 --> 01:06:47,583 ON THE ONE HAND, HE LIED TO ME. 1735 01:06:47,667 --> 01:06:50,000 ON THE OTHER HAND, HE ACTUALLY CHECKS OUT. 1736 01:06:50,083 --> 01:06:52,875 IN FACT, I JUST RECEIVED AN OFFICIAL REQUEST 1737 01:06:52,959 --> 01:06:54,291 FROM THE STOLEN ART RECOVERY LEAGUE 1738 01:06:54,375 --> 01:06:56,417 TO HAND OVER THE HERZOG PAINTING TO HIM. 1739 01:06:56,500 --> 01:06:58,291 NO... 1740 01:06:58,375 --> 01:06:59,709 YES. 1741 01:06:59,792 --> 01:07:02,083 ACTUALLY, YOU KNOW WHAT, I'VE GOT TO GO. 1742 01:07:02,166 --> 01:07:03,166 OKAY, I'LL TALK TO YOU LATER. 1743 01:07:03,250 --> 01:07:04,834 OKAY. 1744 01:07:04,917 --> 01:07:05,792 [SIGHING] 1745 01:07:05,875 --> 01:07:07,250 SO, HELEN WILL BE BY 1746 01:07:07,333 --> 01:07:08,583 TO PICK UP THE DRESDEN TOMORROW, 1747 01:07:08,667 --> 01:07:11,625 AND I TUCKED JASON'S BLUEPRINTS DOWN THERE. 1748 01:07:11,709 --> 01:07:13,041 -OH, THANK YOU. -YOU'RE WELCOME. 1749 01:07:13,125 --> 01:07:14,208 [SHOP BELL JINGLES] 1750 01:07:14,291 --> 01:07:15,333 WHAT'S WRONG WITH THIS PICTURE? 1751 01:07:15,417 --> 01:07:17,166 WHY AM I NOT HEARING MUSIC? 1752 01:07:17,250 --> 01:07:18,458 DEAN! 1753 01:07:18,542 --> 01:07:19,667 [CHUCKLING IN DELIGHT] IT'S SO GOOD TO SEE YOU! 1754 01:07:20,667 --> 01:07:22,166 HOW ABOUT SOME BRAHMS? 1755 01:07:22,250 --> 01:07:23,959 THE PERFECT ANTIDOTE FOR A MIGRAINE. 1756 01:07:24,041 --> 01:07:25,041 [CHUCKLING] 1757 01:07:25,125 --> 01:07:26,208 OH, I WOULD LIKE YOU TO MEET 1758 01:07:26,291 --> 01:07:28,333 MY CHAUFFEUR- SLASH-VIRTUOSO-CAREGIVER, 1759 01:07:28,417 --> 01:07:29,500 HOWIE NASH. 1760 01:07:29,583 --> 01:07:31,458 I THINK HIS BEDSIDE GUITAR PICKING 1761 01:07:31,542 --> 01:07:33,875 HAS WORKED MIRACLES. 1762 01:07:33,959 --> 01:07:34,917 HEY, ALL. 1763 01:07:35,000 --> 01:07:36,125 NICE TO MEET YOU, HOWIE. 1764 01:07:36,208 --> 01:07:37,709 BUT, DEAN, SHOULDN'T YOU BE HOME, THOUGH, 1765 01:07:37,792 --> 01:07:38,709 TAKING IT EASY? 1766 01:07:38,792 --> 01:07:39,667 AND WHAT DO YOU KNOW ABOUT THAT? 1767 01:07:40,792 --> 01:07:41,709 TOUCHE. 1768 01:07:41,792 --> 01:07:42,709 [LAUGHTER] 1769 01:07:42,792 --> 01:07:44,375 SO, DOES IT WORK? 1770 01:07:44,458 --> 01:07:46,083 WELL, IT DID AT AUCTION, 1771 01:07:46,166 --> 01:07:47,208 BUT I HAVEN'T TRIED IT 1772 01:07:47,291 --> 01:07:49,709 SINCE IT WAS VANDALIZED AT YOUR STORE. 1773 01:07:49,792 --> 01:07:51,250 BRAHMS, WAS IT? 1774 01:07:51,333 --> 01:07:52,750 ALWAYS A GOOD PLACE TO START. 1775 01:07:52,834 --> 01:07:53,709 I'M A LITTLE PARTIAL 1776 01:07:53,792 --> 01:07:55,000 TO MOZART, 1777 01:07:55,083 --> 01:07:56,959 "FANTASIA IN D MINOR," IF YOU DON'T MIND. 1778 01:07:57,041 --> 01:07:57,917 LET ME DO THAT FOR YOU. 1779 01:07:58,000 --> 01:07:58,917 THANK YOU. 1780 01:07:59,000 --> 01:07:59,917 IT'S RIGHT THERE ON THE LEFT. 1781 01:08:04,625 --> 01:08:06,041 YOU SEE PRONGS ON EACH SIDE OF THE WINDOW THERE? 1782 01:08:08,458 --> 01:08:09,750 OKAY. 1783 01:08:10,959 --> 01:08:12,750 IT SHOULD POP RIGHT IN... 1784 01:08:19,500 --> 01:08:21,083 OH, SO THAT'S HOW YOU DO IT. 1785 01:08:21,166 --> 01:08:22,959 BOY, WE HAD THAT REALLY WRONG. 1786 01:08:23,041 --> 01:08:25,166 YEAH, REALLY WRONG. 1787 01:08:25,250 --> 01:08:27,417 AND THE SWITCH IS RIGHT BELOW THE KEYBOARD TO YOUR RIGHT. 1788 01:08:28,792 --> 01:08:30,000 WE'RE ALL SET. 1789 01:08:30,083 --> 01:08:31,083 [MECHANISM WHIRRING] 1790 01:08:32,500 --> 01:08:33,250 [ATONAL PIANO CHORDS PLAY] 1791 01:08:33,333 --> 01:08:35,166 OW! WHAT IS THAT? 1792 01:08:35,250 --> 01:08:36,583 THESE ARE FRAGILE PEOPLE HERE! 1793 01:08:37,834 --> 01:08:39,834 [TURNS OFF PIANO] 1794 01:08:41,208 --> 01:08:42,250 MAYBE I PUT IT IN WRONG? 1795 01:08:42,333 --> 01:08:43,333 DO YOU MIND 1796 01:08:43,417 --> 01:08:44,750 IF I TAKE A LOOK AT THAT FOR A SECOND? 1797 01:08:48,667 --> 01:08:51,125 DEAN, LOOK AT THIS. 1798 01:08:51,208 --> 01:08:53,417 THE MOZART LOOKS LIKE IT'S ON DIFFERENT PAPER STOCK. 1799 01:08:53,500 --> 01:08:55,208 OH, IT'S DEFINITELY A NEWER PAPER, 1800 01:08:55,291 --> 01:08:56,667 MAYBE A FEW YEARS OLD, AS OPPOSED TO THE BRAHMS, 1801 01:08:56,750 --> 01:08:58,667 WHICH HAS YELLOWED WITH TIME. 1802 01:08:58,750 --> 01:09:00,750 COULD IT BE FROM A DIFFERENT PIANO MAYBE? 1803 01:09:00,834 --> 01:09:01,667 A NEWER MODEL? 1804 01:09:01,750 --> 01:09:03,208 POSSIBLY. 1805 01:09:03,291 --> 01:09:04,834 BUT WHY WOULD THE ROLLS BE IN WITH THESE? 1806 01:09:06,583 --> 01:09:08,083 THIS WAS DIETZ'S FAVORITE PIECE. 1807 01:09:08,166 --> 01:09:10,750 HE TAUGHT IT TO HIS DAUGHTER, HIS GRANDDAUGHTER. 1808 01:09:10,834 --> 01:09:12,709 I THINK THIS IS HERE FOR A REASON. 1809 01:09:12,792 --> 01:09:15,333 A MYSTERY WRAPPED UP IN MOZART. 1810 01:09:15,417 --> 01:09:16,542 YOU GOTTA LOVE IT. 1811 01:09:16,625 --> 01:09:17,542 [LAUGHTER] 1812 01:09:17,625 --> 01:09:19,417 DEAN, I'D BETTER GET YOU HOME. 1813 01:09:19,500 --> 01:09:20,875 WHAT? 1814 01:09:20,959 --> 01:09:22,542 OH, COME ON, THINGS ARE JUST STARTING TO GET INTERESTING. 1815 01:09:22,625 --> 01:09:23,959 I PROMISED YOUR DOCTORS. 1816 01:09:24,041 --> 01:09:25,667 SAY "SO LONG". 1817 01:09:25,750 --> 01:09:27,041 SO LONG, EVERYONE. 1818 01:09:28,709 --> 01:09:30,125 DEAN, I'M GLAD YOU'RE DOING WELL. 1819 01:09:30,208 --> 01:09:31,667 SO AM I. 1820 01:09:31,750 --> 01:09:32,625 WE'RE OUTTA HERE. 1821 01:09:32,709 --> 01:09:34,375 BYE. 1822 01:09:34,458 --> 01:09:36,000 LISTEN, I'M GONNA TAKE OFF, TOO. 1823 01:09:36,083 --> 01:09:37,500 WE HAVE DINNER RESERVATIONS. 1824 01:09:37,583 --> 01:09:38,375 ARE YOU OKAY TO LOCK UP? 1825 01:09:38,458 --> 01:09:39,625 I AM FINE. YOU HAVE FUN. 1826 01:09:39,709 --> 01:09:40,917 OKAY. 1827 01:09:41,000 --> 01:09:42,417 [SHOP BELL JINGLES] 1828 01:09:50,667 --> 01:09:51,667 [SHOP BELL JINGLES] 1829 01:09:51,750 --> 01:09:52,709 HEY, JENN! 1830 01:09:52,792 --> 01:09:53,750 HEY, GUYS, 1831 01:09:53,834 --> 01:09:54,917 WHAT A NICE SURPRISE. 1832 01:09:55,000 --> 01:09:56,333 WE THOUGHT WE'D STOP BY BEFORE THE BIG GAME. 1833 01:09:56,417 --> 01:09:57,542 OH, THAT'S RIGHT. 1834 01:09:57,625 --> 01:09:58,542 GOOD LUCK, LOGAN. 1835 01:09:58,625 --> 01:09:59,792 OH, HE WON'T NEED ANY LUCK. 1836 01:09:59,875 --> 01:10:01,875 ACCORDING TO COACH BYERS, 1837 01:10:01,959 --> 01:10:04,291 LOGAN'S COME UP WITH A WINNING GAME PLAN. 1838 01:10:04,375 --> 01:10:05,417 YEAH. 1839 01:10:05,500 --> 01:10:06,792 TELL ME THAT AFTER THE FINAL BUZZER. 1840 01:10:06,875 --> 01:10:07,917 [CHUCKLES FONDLY] 1841 01:10:09,125 --> 01:10:10,667 WHAT'S THIS? 1842 01:10:10,750 --> 01:10:13,083 WELL, IT'S SUPPOSED TO BE 1843 01:10:13,166 --> 01:10:15,208 MOZART'S "FANTASIA IN D MINOR," 1844 01:10:15,291 --> 01:10:17,041 BUT TURNS OUT IT'S JUST A BUNCH OF NOISE. 1845 01:10:17,125 --> 01:10:20,542 AND I'M FAIRLY CERTAIN THERE'S A CODE EMBEDDED IN HERE. 1846 01:10:20,625 --> 01:10:22,583 I JUST DON'T KNOW HOW TO FIGURE IT OUT. 1847 01:10:22,667 --> 01:10:24,667 DO YOU HAVE ANY OTHER AUTHENTIC ROLLS OF MUSIC? 1848 01:10:24,750 --> 01:10:26,000 I DO. 1849 01:10:26,083 --> 01:10:27,041 I HAVE A PIECE BY BRAHMS. 1850 01:10:27,125 --> 01:10:28,291 WELL THEN, 1851 01:10:28,375 --> 01:10:30,250 PRINT OFF THE BRAHMS SHEET MUSIC OFF THE INTERNET, 1852 01:10:30,333 --> 01:10:31,750 AND, YOU KNOW, 1853 01:10:31,834 --> 01:10:34,834 MARK DOWN THE CORRECT NOTES ALONGSIDE EACH PERFORATION. 1854 01:10:34,917 --> 01:10:36,875 AND THAT WAY I CAN CROSS-REFERENCE 1855 01:10:36,959 --> 01:10:40,333 TO SEE WHICH NOTE EACH PERFORATION REPRESENTS. 1856 01:10:40,417 --> 01:10:42,083 LOGAN, YOU ARE A GENIUS. 1857 01:10:43,333 --> 01:10:45,291 WHAT IF THE PIECE IS WRITTEN IN D MINOR? 1858 01:10:45,375 --> 01:10:48,333 WELL THEN, "D" WOULD REPRESENTS THE NUMBER ONE, 1859 01:10:48,417 --> 01:10:49,667 AND "E" THE NUMBER TWO, 1860 01:10:49,750 --> 01:10:51,083 YOU KNOW, AND SO ON AND SO FORTH. 1861 01:10:51,166 --> 01:10:52,333 WHAT ABOUT SHARPS AND FLATS? 1862 01:10:52,417 --> 01:10:55,667 THAT COULD BE... LETTERS? 1863 01:10:55,750 --> 01:10:57,875 D-SHARP COULD REPRESENT THE LETTER "A", 1864 01:10:57,959 --> 01:10:59,834 OR MAYBE 1865 01:10:59,917 --> 01:11:02,208 IT'S THE FIRST SHARP OR FLAT AFTER "D" MINOR. 1866 01:11:02,291 --> 01:11:03,709 I DON'T KNOW, YOU'LL HAVE TO PLAY WITH IT. 1867 01:11:03,792 --> 01:11:05,041 AND, UH, WE HAVE A GAME TO PLAY, 1868 01:11:05,125 --> 01:11:06,000 SO WE SHOULD GO. 1869 01:11:06,083 --> 01:11:07,166 RIGHT. SO, GOOD LUCK, MOM. 1870 01:11:07,250 --> 01:11:08,625 GOOD LUCK TO YOU, TOO, LOGAN, 1871 01:11:08,709 --> 01:11:09,542 AND JUST HAVE FUN. 1872 01:11:12,000 --> 01:11:14,458 [SIGHING EAGERLY] 1873 01:11:16,166 --> 01:11:17,125 HANNAH! 1874 01:11:17,208 --> 01:11:18,125 HEY, HANNAH! 1875 01:11:18,208 --> 01:11:19,166 YOU DID IT. 1876 01:11:19,250 --> 01:11:20,792 I GOT A B! 1877 01:11:20,875 --> 01:11:22,125 YOU DID IT, RICK. 1878 01:11:22,208 --> 01:11:23,625 HIGH-FIVE. 1879 01:11:26,625 --> 01:11:27,667 [LAUGHS] 1880 01:11:27,750 --> 01:11:30,500 [♪♪♪] 1881 01:11:33,667 --> 01:11:35,834 [ROAR OF SPORTS CROWD] 1882 01:11:38,000 --> 01:11:39,083 [CROWD CHEERING] 1883 01:11:39,166 --> 01:11:40,583 [FINAL BUZZER BLARES] 1884 01:11:40,667 --> 01:11:42,291 WHOO! 1885 01:11:42,375 --> 01:11:44,458 [TEAM CHEERING] 1886 01:11:47,333 --> 01:11:49,375 LOGAN! 1887 01:11:49,458 --> 01:11:51,291 BRILLIANT. WELL DONE. 1888 01:11:51,375 --> 01:11:52,709 THANK YOU, SIR. 1889 01:11:52,792 --> 01:11:53,959 YOU'VE GOT YOURSELF QUITE THE STRATEGIST HERE, 1890 01:11:54,041 --> 01:11:54,834 MR. SHANNON. 1891 01:11:54,917 --> 01:11:56,417 DON'T I KNOW IT. 1892 01:11:58,417 --> 01:11:59,625 WHAT DID I TELL YOU? 1893 01:12:00,834 --> 01:12:01,959 YOU STEPPED UP, 1894 01:12:02,041 --> 01:12:03,083 AND YOU WERE THE RIGHT PERSON TO DO IT. 1895 01:12:03,166 --> 01:12:05,333 THANKS FOR THE ENCOURAGEMENT, DAD, 1896 01:12:05,417 --> 01:12:07,291 AND ALL THE SUPPORT. 1897 01:12:07,375 --> 01:12:08,250 IT MEANS A LOT. 1898 01:12:08,333 --> 01:12:10,041 ANYTIME, SON. 1899 01:12:10,125 --> 01:12:11,333 NOW, GO ON, 1900 01:12:11,417 --> 01:12:12,625 PARTY WITH THE GUYS. 1901 01:12:14,000 --> 01:12:14,875 WHOO! 1902 01:12:17,625 --> 01:12:20,291 [TOGETHER]: JETS! JETS! JETS! JETS! JETS! 1903 01:12:20,375 --> 01:12:22,000 [CHEERING] WHOO! 1904 01:12:26,166 --> 01:12:28,166 [MUTTERING] SHARPS, FLATS... 1905 01:12:28,250 --> 01:12:30,083 OR THE NOTE THAT COMES BEFORE "D" MINOR, 1906 01:12:30,166 --> 01:12:32,500 I THINK THAT'S A "C"... 1907 01:12:32,583 --> 01:12:33,834 [DOOR RATTLING] 1908 01:12:38,208 --> 01:12:39,125 [SPEED-DIALING] 1909 01:12:39,208 --> 01:12:40,125 [FRAME SPLINTERS] 1910 01:12:40,208 --> 01:12:41,667 [GASPS IN FRIGHT] FRANK! 1911 01:12:41,750 --> 01:12:42,750 DWYER JUST BROKE INTO MY STORE! 1912 01:12:42,834 --> 01:12:44,041 MR. DWYER! 1913 01:12:44,125 --> 01:12:45,458 I'VE CALLED THE POLICE! 1914 01:12:45,542 --> 01:12:46,583 FRANK, ARE YOU THERE? 1915 01:12:46,667 --> 01:12:47,542 YEAH, I'M STILL HERE, JENN. 1916 01:12:47,625 --> 01:12:48,709 UNITS ARE ABOUT A BLOCK AWAY. 1917 01:12:48,792 --> 01:12:49,750 I'LL BE ARRIVING SHORTLY. 1918 01:13:01,709 --> 01:13:03,125 WE HAVE AN ALL-POINTS OUT ON DWYER NOW, 1919 01:13:03,208 --> 01:13:05,041 AND I'M GOING TO KEEP A PATROL UNIT 1920 01:13:05,125 --> 01:13:06,083 HERE AT YOUR SHOP. 1921 01:13:06,166 --> 01:13:07,208 DO YOU WANT ONE AT YOUR RESIDENCE? 1922 01:13:07,291 --> 01:13:08,291 ABSOLUTELY. THANKS, FRANK. 1923 01:13:08,375 --> 01:13:09,375 THANK YOU. 1924 01:13:09,458 --> 01:13:10,792 YEAH, NO PROBLEM. 1925 01:13:10,875 --> 01:13:12,333 HEY, I HEAR CONGRATULATIONS ARE IN ORDER? 1926 01:13:12,417 --> 01:13:14,250 OH, YEAH. LOGAN'S TEAM WON THEIR FIRST GAME. 1927 01:13:14,333 --> 01:13:15,208 HEY, WELL, GIVE HIM MY BEST. 1928 01:13:15,291 --> 01:13:16,208 I WILL. 1929 01:13:19,875 --> 01:13:21,667 [♪♪♪] 1930 01:13:23,625 --> 01:13:25,000 CRACK IT YET, MOM? 1931 01:13:25,083 --> 01:13:27,291 MM, I HOPE SO. 1932 01:13:27,375 --> 01:13:28,375 I THINK I'M GETTING CLOSE, 1933 01:13:28,458 --> 01:13:30,291 BUT THERE COULD BE THREE LINES OF CODE. 1934 01:13:30,375 --> 01:13:31,959 YOU SEE THESE TWO COLUMNS 1935 01:13:32,041 --> 01:13:32,959 THAT ARE VERTICAL RIGHT HERE? 1936 01:13:33,041 --> 01:13:34,250 THEY'RE THE ONLY TWO GROUPED TOGETHER 1937 01:13:34,333 --> 01:13:35,500 ON THE ENTIRE ROLL, 1938 01:13:35,583 --> 01:13:36,750 AND THE NUMBERS AND THE LETTERS, 1939 01:13:36,834 --> 01:13:38,208 THEY MATCH UP PERFECTLY. 1940 01:13:38,291 --> 01:13:39,417 HMM... 1941 01:13:39,500 --> 01:13:40,792 BOTH ALPHA-NUMERIC... 1942 01:13:42,667 --> 01:13:43,667 WAIT... 1943 01:13:43,750 --> 01:13:46,750 THOSE LOOK JUST LIKE GPS COORDINATES. 1944 01:13:46,834 --> 01:13:48,000 YOU THINK? 1945 01:13:48,083 --> 01:13:49,583 HOLD ON. 1946 01:13:57,458 --> 01:13:58,333 YUP. 1947 01:13:58,417 --> 01:13:59,583 SEE? 1948 01:14:01,083 --> 01:14:04,000 LOGAN, THAT'S THE DIETZ RECITAL HALL! 1949 01:14:05,208 --> 01:14:07,250 THIS IS INCREDIBLE. 1950 01:14:07,333 --> 01:14:10,125 DO YOU HAVE ANY IDEA WHAT THESE NUMBERS MIGHT BE? 1951 01:14:10,208 --> 01:14:13,125 WELL, IT'S NOT LONGITUDE OR LATITUDE. 1952 01:14:13,208 --> 01:14:14,917 THERE'S NOT ENOUGH DIGITS THERE. 1953 01:14:15,000 --> 01:14:17,208 SO, UH... 1954 01:14:17,291 --> 01:14:19,000 YEAH, I HAVEN'T GOT A CLUE, SORRY, MOM. 1955 01:14:19,083 --> 01:14:20,917 THAT'S OKAY, LOGAN, YOU HAVE BEEN A BIG HELP. 1956 01:14:21,000 --> 01:14:22,208 I'M GONNA GRAB YOUR DAD'S SET OF BLUEPRINTS 1957 01:14:22,291 --> 01:14:23,208 FROM MY STORE, 1958 01:14:23,291 --> 01:14:24,166 AND I'M GONNA CALL FRANK. 1959 01:14:24,250 --> 01:14:25,291 THANK YOU. 1960 01:14:28,208 --> 01:14:29,875 [SHOP BELL JINGLES] 1961 01:14:32,125 --> 01:14:33,583 -HI. -HI. 1962 01:14:33,667 --> 01:14:34,542 BYE. 1963 01:14:36,667 --> 01:14:38,709 FRANK, I'M ON MY WAY TO THE RECITAL HALL. 1964 01:14:38,792 --> 01:14:40,333 I HOPE YOU CAN MEET ME THERE. 1965 01:14:43,542 --> 01:14:45,917 [STARTS ENGINE] 1966 01:15:02,792 --> 01:15:04,542 BONJOUR, MRS. SHANNON. 1967 01:15:04,625 --> 01:15:06,417 WE MEET AGAIN. 1968 01:15:06,500 --> 01:15:08,083 SO WE DO. 1969 01:15:08,166 --> 01:15:09,583 THE HERZOG PAINTING. 1970 01:15:09,667 --> 01:15:10,917 WHERE IS IT? 1971 01:15:11,000 --> 01:15:14,083 SAFELY IN THE HANDS OF THE AUSTRIAN CONSULATE, 1972 01:15:14,166 --> 01:15:16,333 SOON BE RETURNED TO ITS RIGHTFUL HEIR, 1973 01:15:16,417 --> 01:15:18,583 A JEWISH FAMILY FROM VIENNA 1974 01:15:18,667 --> 01:15:20,083 WHOSE PARENTS HAD IT TAKEN FROM THEM 1975 01:15:20,166 --> 01:15:22,125 DURING THE ANSCHLUSS OF 1938. 1976 01:15:22,208 --> 01:15:23,750 THAT'S GOOD NEWS. 1977 01:15:25,125 --> 01:15:26,875 SO, WHAT ARE YOU DOING HERE? 1978 01:15:26,959 --> 01:15:27,917 BESIDES STALKING ME? 1979 01:15:29,000 --> 01:15:30,542 STALKING? NO, MADAME, 1980 01:15:30,625 --> 01:15:33,375 I AM MERELY HERE TO OFFER ASSISTANCE. 1981 01:15:33,458 --> 01:15:37,041 YOU SEE, KARL DIETZ WAS NOT THE ONLY ONE... 1982 01:15:37,125 --> 01:15:38,041 TO KEEP A JOURNAL. 1983 01:15:39,875 --> 01:15:42,500 DETECTIVE LYNNWOOD INDICATED TO MY SUPERIORS 1984 01:15:42,583 --> 01:15:45,000 THAT YOU FOUND HIS JOURNAL, 1985 01:15:45,083 --> 01:15:47,709 SO I THOUGHT NOW WOULD BE A GOOD TIME TO COMPARE NOTES. 1986 01:15:48,875 --> 01:15:51,333 DO ANY OF THESE NAMES, 1987 01:15:51,417 --> 01:15:53,333 OR DATES, ARTISTS, 1988 01:15:53,417 --> 01:15:55,208 LOOK FAMILIAR? 1989 01:15:55,291 --> 01:15:56,208 GOYA... 1990 01:15:57,333 --> 01:15:58,333 MENZEL... 1991 01:16:01,458 --> 01:16:04,291 YOU KNEW ABOUT THE CASPAR DAVID FRIEDRICH? 1992 01:16:04,375 --> 01:16:08,250 WELL, I DID NOT JUST MERELY SIT BEHIND THE DESK AT THE EMCA 1993 01:16:08,333 --> 01:16:09,667 FOR ALL THOSE YEARS. 1994 01:16:09,750 --> 01:16:11,250 [INHALES DEEPLY] 1995 01:16:11,333 --> 01:16:15,291 NOW... WHAT BROUGHT YOU HERE WITH YOUR HUSBAND'S BLUEPRINTS? 1996 01:16:17,542 --> 01:16:19,834 OF COURSE. 1997 01:16:19,917 --> 01:16:21,709 IT'S PERFECT. 1998 01:16:21,792 --> 01:16:23,083 THE RECITAL HALL. 1999 01:16:23,166 --> 01:16:24,792 AND DIETZ HELPED TO MAKE IT! 2000 01:16:24,875 --> 01:16:26,208 [STAMMERING EXCITEDLY] 2001 01:16:26,291 --> 01:16:29,125 AND THAT PIANO, DID THE PIANO HAVE A... A MAP? 2002 01:16:29,208 --> 01:16:33,291 A CODE, IN A PIANO ROLL. 2003 01:16:33,375 --> 01:16:35,709 MOZART'S "FANTASIA IN D MINOR". 2004 01:16:35,792 --> 01:16:36,667 [SMACKS BOOK] 2005 01:16:36,750 --> 01:16:39,375 I KNEW IT! I KNEW IT! 2006 01:16:39,458 --> 01:16:40,458 LET ME SHOW YOU, 2007 01:16:40,542 --> 01:16:42,542 UM... THIS DATA ENTRY. 2008 01:16:42,625 --> 01:16:45,125 THESE ARE SHIPPING AND CRATING SERVICES, 2009 01:16:45,208 --> 01:16:46,875 CARGO CONTAINER I.D. NUMBERS. 2010 01:16:46,959 --> 01:16:48,375 I TRACED THEM ALL BACK TO A TIME 2011 01:16:48,458 --> 01:16:50,667 WHEN KARL DIETZ WAS A NATO LIAISON. 2012 01:16:50,750 --> 01:16:52,542 YOU SEE, HIS DIPLOMATIC STATUS 2013 01:16:52,625 --> 01:16:55,667 ALLOW HIM TO, UH, BYPASS U.S. CUSTOMS, HUH? 2014 01:16:55,750 --> 01:16:57,834 I BELIEVE HE USE HIS PRIVILEGE 2015 01:16:57,917 --> 01:17:00,875 TO SMUGGLE ART AND STOLEN JEWELS 2016 01:17:00,959 --> 01:17:01,917 OUT OF GERMANY INTO THIS COUNTRY, 2017 01:17:02,000 --> 01:17:03,375 PIECE BY PIECE. 2018 01:17:03,458 --> 01:17:05,125 SO, THAT'S HOW HE DID IT. 2019 01:17:05,208 --> 01:17:06,667 YES, 2020 01:17:06,750 --> 01:17:07,750 HOWEVER, A FEW YEARS AGO, 2021 01:17:07,834 --> 01:17:09,709 THE EMCA RECEIVED AN ANONYMOUS TIP, 2022 01:17:09,792 --> 01:17:12,125 WHICH I BELIEVE CAME FROM DIETZ'S DAUGHTER, HELGA. 2023 01:17:12,208 --> 01:17:15,667 BUT BEFORE THE FBI COULD FILE A SEARCH WARRANT, 2024 01:17:15,750 --> 01:17:19,375 DIETZ HID HIS STOLEN GOODS. 2025 01:17:19,458 --> 01:17:20,667 BUT WHERE? 2026 01:17:20,750 --> 01:17:22,375 THAT WAS ALWAYS THE MYSTERY. 2027 01:17:23,291 --> 01:17:24,542 NOW... 2028 01:17:24,625 --> 01:17:27,792 THE MOZART IN D MINOR DIRECTED YOU HERE. 2029 01:17:29,917 --> 01:17:31,750 I THINK THE LOCK ON THE STAGE DOOR 2030 01:17:31,834 --> 01:17:33,709 MIGHT BE BROKEN. 2031 01:17:33,792 --> 01:17:34,750 FOLLOW ME. 2032 01:17:47,291 --> 01:17:48,875 [♪♪♪] 2033 01:17:52,917 --> 01:17:54,208 [SIGHS] 2034 01:17:54,291 --> 01:17:56,542 I GUESS JASON FIXED THE LOCK. 2035 01:17:56,625 --> 01:17:58,000 WELL, HE IS EFFICIENT. 2036 01:17:58,083 --> 01:18:00,333 ALLOW ME, MADAME. 2037 01:18:00,417 --> 01:18:01,667 SOMETIMES, TO CATCH A THIEF... 2038 01:18:03,583 --> 01:18:05,333 YOU HAVE TO PLAY THE THIEF. 2039 01:18:11,041 --> 01:18:11,917 VOILA! 2040 01:18:15,333 --> 01:18:16,792 [♪♪♪] 2041 01:18:22,458 --> 01:18:24,500 THIS FIRST SET OF NUMBERS... 2042 01:18:26,625 --> 01:18:29,250 IT'S TOO SHORT TO BE A TRACKING NUMBER 2043 01:18:29,333 --> 01:18:31,125 OR A ZIP CODE. 2044 01:18:33,875 --> 01:18:36,375 THERE HAS TO BE SOME CORRELATION 2045 01:18:36,458 --> 01:18:38,500 TO THE RECITAL HALL. 2046 01:18:44,792 --> 01:18:45,875 JACQUES... 2047 01:18:45,959 --> 01:18:47,000 MY HUSBAND SAID 2048 01:18:47,083 --> 01:18:49,291 THAT KARL DIETZ HAD HIS OWN SPECIALISTS 2049 01:18:49,375 --> 01:18:51,250 WHO DID THE ACOUSTICS, THE STAGE FLOORING, 2050 01:18:51,333 --> 01:18:52,250 AND THE VIP SEATS. 2051 01:18:56,208 --> 01:18:58,125 HERE'S KARL DIETZ'S CHAIR. 2052 01:18:58,208 --> 01:18:59,917 "B-9." 2053 01:19:00,000 --> 01:19:03,000 "SL-R1-B9." 2054 01:19:03,083 --> 01:19:04,000 OF COURSE, 2055 01:19:04,083 --> 01:19:05,834 IT'S "STAGE LEFT, ROW ONE, B-9." 2056 01:19:05,917 --> 01:19:08,458 WE HAVE A MATCH. 2057 01:19:12,333 --> 01:19:14,208 HEY. 2058 01:19:14,291 --> 01:19:16,417 THERE IS AN ELECTRICAL CONDUIT RUNNING UNDER EACH SEAT. 2059 01:19:18,041 --> 01:19:19,458 PERHAPS IT'S JUST FOR THE LIGHT. 2060 01:19:19,542 --> 01:19:21,709 WAIT A MINUTE. 2061 01:19:21,792 --> 01:19:23,500 IT LOOKS LIKE THERE MIGHT BE A... 2062 01:19:23,583 --> 01:19:24,709 A SWITCH DOWN HERE. 2063 01:19:25,959 --> 01:19:26,875 [MECHANISM WHIRS] 2064 01:19:39,166 --> 01:19:41,041 ALLOW ME, MADAME. 2065 01:19:43,125 --> 01:19:44,417 [HATCH CREAKING] 2066 01:19:46,542 --> 01:19:48,458 [GASPING] 2067 01:19:48,542 --> 01:19:50,709 KARL DIETZ'S VAULT. 2068 01:19:50,792 --> 01:19:52,125 AT LAST. 2069 01:19:53,375 --> 01:19:55,166 BLESS YOU, MS. SHANNON. 2070 01:19:55,250 --> 01:19:57,542 WORDS CANNOT EXPRESS HOW I FEEL. 2071 01:19:57,625 --> 01:19:58,583 YOU MUST UNDERSTAND, 2072 01:19:58,667 --> 01:20:00,000 THIS IS WHAT MY LIFE, 2073 01:20:00,083 --> 01:20:02,750 WHAT MY WORK IS ALL ABOUT. 2074 01:20:02,834 --> 01:20:04,500 RESTITUTION? 2075 01:20:05,500 --> 01:20:07,417 OUI. 2076 01:20:07,500 --> 01:20:09,208 RESTITUTION. 2077 01:20:14,667 --> 01:20:16,500 WAIT A MINUTE. 2078 01:20:21,208 --> 01:20:23,250 OH, HERE IT IS. 2079 01:20:23,333 --> 01:20:27,333 THE ORIGINAL MOZART "FANTASIA IN D MINOR," 2080 01:20:27,417 --> 01:20:30,041 WHICH CONFIRMS THAT KARL DIETZ MANUFACTURED THE OTHER ONE. 2081 01:20:31,917 --> 01:20:34,208 OH, WAIT A MINUTE. 2082 01:20:34,291 --> 01:20:35,166 WHAT? 2083 01:20:35,250 --> 01:20:37,250 IT'S CAROLYN. 2084 01:20:37,333 --> 01:20:39,333 CAROLYN, SHE HAD TO HAVE KNOWN. 2085 01:20:39,417 --> 01:20:40,750 THAT'S WHY SHE'S BEEN ON ME 2086 01:20:40,834 --> 01:20:42,709 TO BUY BACK THE VESTONE. 2087 01:20:42,792 --> 01:20:43,667 ACTUALLY... 2088 01:20:45,208 --> 01:20:47,959 I'VE ALWAYS HATED THAT WHEEZING EXCUSE FOR A PIANO. 2089 01:20:49,250 --> 01:20:52,000 BUT THANKS TO YOU, JENNIFER, 2090 01:20:52,083 --> 01:20:54,709 I NOW HAVE MY INHERITANCE. 2091 01:20:54,792 --> 01:20:57,709 WHICH YOU ASSUMED WAS YOURS ALL ALONG, DIDN'T YOU? 2092 01:20:59,083 --> 01:21:02,250 I MEAN, YOU HAD THE LETTER 2093 01:21:02,333 --> 01:21:04,125 FROM YOUR GRANDFATHER TO YOUR MOTHER, 2094 01:21:04,208 --> 01:21:06,959 INFORMING HER THAT YOU HAD BEEN 2095 01:21:07,041 --> 01:21:09,125 REINSTATED IN HIS WILL... 2096 01:21:10,834 --> 01:21:13,250 BUT AFTER YOUR MOTHER DIED, 2097 01:21:13,333 --> 01:21:16,125 AFTER YOU RETURNED FROM OVERSEAS, 2098 01:21:16,208 --> 01:21:19,083 YOU SUDDENLY FOUND OUT THAT THINGS HAD CHANGED... 2099 01:21:21,333 --> 01:21:22,417 THAT YOUR MOTHER AND GRANDFATHER 2100 01:21:22,500 --> 01:21:24,250 DIDN'T HEAL THEIR RIFT, 2101 01:21:24,333 --> 01:21:25,917 AND THAT YOUR GRANDFATHER DECIDED 2102 01:21:26,000 --> 01:21:27,792 TO SELL HIS ESTATE FOR CHARITY, 2103 01:21:27,875 --> 01:21:29,458 LEAVING YOU CUT OFF ONCE AGAIN. 2104 01:21:30,500 --> 01:21:31,500 [DIETZ, MUMBLING]: NURSE? 2105 01:21:34,709 --> 01:21:36,667 WHAT ARE YOU DOING? 2106 01:21:38,208 --> 01:21:40,125 WHO ARE YOU? 2107 01:21:43,041 --> 01:21:44,834 YOU... 2108 01:21:44,917 --> 01:21:47,333 HOUNDING ME TO THE GRAVE, 2109 01:21:47,417 --> 01:21:49,250 YOU AND ALL THE OTHERS. 2110 01:21:49,333 --> 01:21:50,333 [JENNIFER]: SO, YOU DECIDED TO RETALIATE... 2111 01:21:51,625 --> 01:21:52,792 ...AND YOU ENDED HIS LIFE. 2112 01:21:52,875 --> 01:21:54,208 HE WAS A HORRIBLE MAN, 2113 01:21:54,291 --> 01:21:56,375 WHO HAD OUTLIVED HIS USEFULNESS. 2114 01:21:56,458 --> 01:21:58,375 AND YOU HAD WHAT YOU NEEDED, 2115 01:21:58,458 --> 01:22:00,625 HIS LETTER TO YOUR MOTHER, 2116 01:22:00,709 --> 01:22:03,166 AND THE CLUE TO HIS HIDDEN TREASURE, 2117 01:22:03,250 --> 01:22:04,583 THE PLAYER PIANO... 2118 01:22:04,667 --> 01:22:06,917 WHICH IS WHY YOU BROKE INTO MY FRIEND'S SHOP 2119 01:22:07,000 --> 01:22:08,709 AND ASSAULTED HIM. 2120 01:22:11,917 --> 01:22:14,166 [HEAVY THUD] 2121 01:22:18,667 --> 01:22:20,041 [SHOP ENTRY BELL CHIMES] 2122 01:22:20,125 --> 01:22:21,667 BUT YOUR SEARCH WAS CUT SHORT 2123 01:22:21,750 --> 01:22:23,083 WHEN HOWIE NASH ARRIVED. 2124 01:22:23,166 --> 01:22:26,500 YOU HAD TO GET OUT OF THERE IN A HURRY. 2125 01:22:26,583 --> 01:22:28,041 THEN THINGS BECAME MORE URGENT 2126 01:22:28,125 --> 01:22:29,166 WHEN YOU LEARNED 2127 01:22:29,250 --> 01:22:30,667 THE HERZOG PAINTING HAD BEEN FOUND, 2128 01:22:30,750 --> 01:22:33,000 TUCKED AWAY INSIDE A RELATIVELY WORTHLESS PIECE OF ART. 2129 01:22:33,083 --> 01:22:34,333 YES, WELL, ACCORDING TO MOTHER, 2130 01:22:34,417 --> 01:22:36,333 GRANDPA WAS A VERY CLEVER SMUGGLER. 2131 01:22:36,417 --> 01:22:37,458 YOU MEAN CRIMINAL-- 2132 01:22:37,542 --> 01:22:38,917 DO I LOOK LIKE I CARE? 2133 01:22:39,000 --> 01:22:40,166 JACQUES IS RIGHT. 2134 01:22:40,250 --> 01:22:41,458 THINGS DID GET MUCH MORE URGENT 2135 01:22:41,542 --> 01:22:42,875 BECAUSE YOU REALIZED 2136 01:22:42,959 --> 01:22:44,750 THAT SILES HAD SECURED 2137 01:22:44,834 --> 01:22:46,834 EVERYTHING IN YOUR GRANDFATHER'S LIBRARY, 2138 01:22:46,917 --> 01:22:48,542 INCLUDING HIS PERSONAL CORRESPONDENCE. 2139 01:22:49,959 --> 01:22:51,750 I BELIEVE THERE WAS ANOTHER LETTER, 2140 01:22:51,834 --> 01:22:53,834 FROM YOUR MOTHER TO YOUR GRANDFATHER, 2141 01:22:53,917 --> 01:22:55,417 ONE IN WHICH 2142 01:22:55,500 --> 01:22:57,834 SHE OUTRIGHT REJECTED HIS OFFER OF AN INHERITANCE. 2143 01:22:57,917 --> 01:22:59,542 NOW YOU'RE JUST SPECULATING. 2144 01:22:59,625 --> 01:23:01,083 AM I? 2145 01:23:01,166 --> 01:23:02,834 THEN WHY WEREN'T YOU LISTED AS NEXT OF KIN 2146 01:23:02,917 --> 01:23:03,917 ON HIS HOSPITAL PAPERS? 2147 01:23:05,875 --> 01:23:07,000 YOUR MOTHER WANTED 2148 01:23:07,083 --> 01:23:08,625 NOTHING TO DO WITH YOUR GRANDFATHER, 2149 01:23:08,709 --> 01:23:09,959 AND THE IRONY IS, 2150 01:23:10,041 --> 01:23:13,375 SHE WAS TRYING TO PROTECT YOU FROM HIS CRIMES, 2151 01:23:13,458 --> 01:23:16,291 BUT WHEN YOU REALIZED SILES HAD HER LETTER... 2152 01:23:18,041 --> 01:23:20,750 WELL, YOU COULDN'T AFFORD TO LET HIM EXPOSE THAT... 2153 01:23:20,834 --> 01:23:21,709 [GUN COCKS] 2154 01:23:26,834 --> 01:23:29,000 COLLATERAL DAMAGE, I'M AFRAID. 2155 01:23:29,083 --> 01:23:31,000 AS ARE YOU! 2156 01:23:31,083 --> 01:23:31,917 SHUT THE HATCH. 2157 01:23:39,625 --> 01:23:41,709 ALL RIGHT, LET'S GO. 2158 01:23:41,792 --> 01:23:43,667 STAGE RIGHT, IF YOU WILL. 2159 01:23:43,750 --> 01:23:44,834 COME ON, GO! 2160 01:23:44,917 --> 01:23:46,125 MAY I ASK YOU WHAT LED YOU 2161 01:23:46,208 --> 01:23:47,875 TO THE MOZART IN D MINOR? 2162 01:23:47,959 --> 01:23:49,917 MOTHER'S LETTERS TO GRANDPA. 2163 01:23:50,000 --> 01:23:51,750 THANKS FOR CRACKING THE CODE, BY THE WAY. 2164 01:23:51,834 --> 01:23:53,542 YOUR MOTHER WAS THE ONE WHO CONTACTED EMCA, YES? 2165 01:23:53,625 --> 01:23:54,500 YES. 2166 01:23:54,583 --> 01:23:56,458 SHE WAS THE ONE 2167 01:23:56,542 --> 01:23:58,166 WHO WANTED EVERYTHING RETURNED TO ITS RIGHTFUL OWNER? 2168 01:23:58,250 --> 01:23:59,208 MOTHER ALWAYS HAD 2169 01:23:59,291 --> 01:24:00,208 A WAYWARD SENSE OF MORALITY. 2170 01:24:00,291 --> 01:24:01,166 WHERE IS YOURS, MISS TURNER? 2171 01:24:02,208 --> 01:24:03,000 [PULLEYS SPIN] 2172 01:24:05,083 --> 01:24:06,000 [GASPS] 2173 01:24:10,083 --> 01:24:11,208 JENN! 2174 01:24:12,500 --> 01:24:13,750 ARE YOU TWO ALL RIGHT? 2175 01:24:13,834 --> 01:24:14,834 [PANTING] 2176 01:24:14,917 --> 01:24:16,166 YES. YES, WE'RE-- 2177 01:24:16,250 --> 01:24:17,625 [JACQUES]: MAGNIFIQUE. 2178 01:24:19,375 --> 01:24:20,375 OUI. 2179 01:24:20,458 --> 01:24:21,417 [CHUCKLES IN RELIEF] 2180 01:24:23,875 --> 01:24:24,709 HELEN! 2181 01:24:24,792 --> 01:24:25,750 JENNIFER. 2182 01:24:25,834 --> 01:24:26,750 LOVELY TO SEE YOU. 2183 01:24:26,834 --> 01:24:27,834 LOVELY TO SEE YOU. 2184 01:24:27,917 --> 01:24:29,375 HOW WAS MY HUSBAND'S DRIVING? 2185 01:24:29,458 --> 01:24:30,500 EXCELLENT. 2186 01:24:30,583 --> 01:24:31,792 RIGHT IN HERE. 2187 01:24:33,917 --> 01:24:35,834 OH, MY. 2188 01:24:35,917 --> 01:24:37,709 JENNIFER, WHAT'S GOING ON HERE? 2189 01:24:37,792 --> 01:24:39,625 IT'S NOT MY BIRTHDAY. 2190 01:24:39,709 --> 01:24:41,375 HELEN, I WOULD LIKE YOU TO MEET 2191 01:24:41,458 --> 01:24:42,583 INSPECTOR JACQUES GRENIER. 2192 01:24:42,667 --> 01:24:44,083 IT'S A PLEASURE, MADAME. 2193 01:24:44,166 --> 01:24:45,834 JACQUES WAS FORMERLY 2194 01:24:45,917 --> 01:24:48,208 WITH EUROPEAN MINISTRY OF CRIMINAL AFFAIRS, 2195 01:24:48,291 --> 01:24:51,959 BUT NOW HE IS WITH THE LOST ART RECOVERY LEAGUE. 2196 01:24:52,041 --> 01:24:53,125 HE'S RESPONSIBLE FOR TRACKING DOWN 2197 01:24:53,208 --> 01:24:54,333 A LOT OF THE ARTWORK 2198 01:24:54,417 --> 01:24:56,083 THAT MR. DIETZ ILLEGALLY CONFISCATED. 2199 01:24:56,166 --> 01:24:57,709 STILL SO SHOCKING. 2200 01:24:57,792 --> 01:24:59,208 HARD TO BELIEVE. 2201 01:24:59,291 --> 01:25:02,125 FORTUNATELY, THE DNA WAS A MATCH TO CAROLYN 2202 01:25:02,208 --> 01:25:05,208 ON THE SYRINGE WRAPPER FOUND IN HER GRANDFATHER'S BEDROOM. 2203 01:25:05,291 --> 01:25:07,041 THE D.A. WILL BE INDICTING HER FOR MURDER. 2204 01:25:07,125 --> 01:25:08,208 OH, AND AS FAR AS 2205 01:25:08,291 --> 01:25:09,667 MR. DWYER IS CONCERNED, 2206 01:25:09,750 --> 01:25:11,333 HE WAS FOUND AND APPREHENDED. 2207 01:25:11,417 --> 01:25:12,959 HE WILL BE FACING BURGLARY CHARGES. 2208 01:25:14,375 --> 01:25:16,542 WELL, NOW FOR SOME EVEN BETTER NEWS. 2209 01:25:16,625 --> 01:25:18,041 LOGAN, SINCE YOU HELPED CRACK THE CODE, 2210 01:25:18,125 --> 01:25:19,583 WOULD YOU LIKE TO DO THE HONORS? 2211 01:25:25,375 --> 01:25:26,250 RECOGNIZE THIS, MRS. BAUER? 2212 01:25:26,333 --> 01:25:28,208 OF COURSE. 2213 01:25:28,291 --> 01:25:30,625 THE PROVENANCE WAS FORGED, HELEN. 2214 01:25:30,709 --> 01:25:31,625 JACQUES AND I FOUND 2215 01:25:31,709 --> 01:25:32,959 THE ORIGINAL CERTIFICATE OF OWNERSHIP 2216 01:25:33,041 --> 01:25:34,333 IN MR. DIETZ'S FILES. 2217 01:25:34,417 --> 01:25:36,834 IT BELONGED TO, AND STILL BELONGS TO, 2218 01:25:36,917 --> 01:25:38,917 THE BAUER FAMILY. 2219 01:25:39,000 --> 01:25:40,625 OH, MY GOODNESS. 2220 01:25:40,709 --> 01:25:42,458 WELL... 2221 01:25:43,667 --> 01:25:45,917 AS MY MOTHER ALWAYS SAID, 2222 01:25:46,000 --> 01:25:49,208 "ALL GOOD THINGS COME TO THOSE WHO WAIT." 2223 01:25:50,959 --> 01:25:53,041 WELL, WE HAVE WAITED LONG ENOUGH. 2224 01:25:53,125 --> 01:25:54,667 WHO WOULD LIKE SOME CHAMPAGNE? 2225 01:25:54,750 --> 01:25:56,000 OH. I WOULD. 2226 01:25:56,083 --> 01:25:56,959 [CORK POPS, EVERYONE CHEERS] 2227 01:25:57,041 --> 01:25:59,000 WHOO! YEAH! 2228 01:26:02,125 --> 01:26:06,041 [♪♪♪] 148365

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