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1
00:00:02,300 --> 00:00:04,300
HOW TO KILL PEOPLE--PSYCHOPATHS
AND MYSTERY WRITERS.
2
00:00:04,333 --> 00:00:07,600
I'M THE KIND THAT PAYS BETTER.
WHO AM I?
I'M RICK CASTLE.
3
00:00:07,633 --> 00:00:09,167
CASTLE.
CASTLE.
4
00:00:09,200 --> 00:00:11,800
I REALLY AM
RUGGEDLY HANDSOME, AREN'T I?
EVERY WRITER
NEEDS INSPIRATION,
5
00:00:11,833 --> 00:00:13,733
AND I'VE FOUND MINE.
I'M DETECTIVE KATE BECKETT.
6
00:00:13,767 --> 00:00:15,300
BECKETT.
AAH!
7
00:00:15,333 --> 00:00:17,433
BECKETT?
COULD YOU GET
SOME BACKUP, PLEASE?
8
00:00:17,467 --> 00:00:19,367
AND THANKS TO MY FRIENDSHIP
WITH THE MAYOR,
9
00:00:19,400 --> 00:00:21,067
I GET TO BE ON HER CASE.
OH!
10
00:00:21,100 --> 00:00:23,533
DO I LOOK LIKE A KILLER
TO YOU?
YES, YOU KILL MY PATIENCE.
11
00:00:23,567 --> 00:00:25,233
AND TOGETHER,
WE CATCH KILLERS.
12
00:00:25,267 --> 00:00:29,033
I HATE THIS CASE.
I KNOW. ISN'T IT GREAT?
13
00:00:31,567 --> 00:00:34,100
(panting)
14
00:00:34,133 --> 00:00:35,500
(man) WHERE'D HE GO?!
15
00:00:35,533 --> 00:00:38,267
(man) I LOST HIM.
16
00:00:38,300 --> 00:00:40,433
I THINK HE WENT THROUGH HERE!
17
00:00:40,467 --> 00:00:42,333
(door opens, hinge squeaks)
18
00:00:42,367 --> 00:00:43,367
(door closes)
19
00:00:43,400 --> 00:00:47,233
(gunfire)
20
00:00:50,733 --> 00:00:54,167
(gunfire continues)
21
00:00:57,300 --> 00:00:59,567
(gun clicks)
CASTLE,
DOWN ON THE GROUND, NOW!
22
00:00:59,600 --> 00:01:00,667
(click)
23
00:01:14,400 --> 00:01:16,067
(man clears throat)
24
00:01:16,067 --> 00:01:17,800
(blows air) COME ON.
25
00:01:17,833 --> 00:01:21,700
(police radio chatter)
26
00:01:26,733 --> 00:01:29,433
(Ryan exhales)
27
00:01:29,467 --> 00:01:32,633
ARE YOU GUYS RE-ENACTING
THE HUMPTY DUMPTY CRIME SCENE?
28
00:01:32,667 --> 00:01:35,267
IT'S THE AUTUMNAL EQUINOX
TODAY.
29
00:01:35,300 --> 00:01:37,267
YEAH, AND ACCORDING
TO MR. WIZARD THERE,
30
00:01:37,300 --> 00:01:39,433
IT'S THE ONLY TIME OF YEAR YOU
CAN BALANCE AN EGG ON ITS TIP.
31
00:01:39,467 --> 00:01:41,667
DON'T YOU GUYS
HAVE WORK TO DO?
NAH.
32
00:01:41,700 --> 00:01:44,267
NO, NOT REALLY.
HMM. WELL, NOW YOU DO.
33
00:01:44,300 --> 00:01:46,500
(snaps fingers)
34
00:01:46,533 --> 00:01:49,400
BY THE WAY, THAT WHOLE THING
WITH THE EGG
35
00:01:49,433 --> 00:01:51,067
IS JUST URBAN LEGEND.
NOT TRUE.
36
00:01:51,067 --> 00:01:54,067
I SAW CASTLE DO IT
LAST YEAR.
37
00:01:56,567 --> 00:01:59,167
(lowered voice)
WHAT'S WRONG WITH YOU?
38
00:01:59,200 --> 00:02:01,167
(normal voice)
STILL NO WORD FROM HIM?
39
00:02:01,200 --> 00:02:03,167
NO.
40
00:02:04,700 --> 00:02:06,800
MAYBE YOU SHOULD CALL HIM.
41
00:02:06,833 --> 00:02:09,433
HE SAID THAT HE WOULD
BE BACK IN THE FALL,
42
00:02:09,467 --> 00:02:12,400
AND IT'S FALL, SO CLEARLY,
HE HAS BETTER THINGS TO DO.
43
00:02:12,433 --> 00:02:14,333
MAYBE HE'S NOT BACK
FROM THE HAMPTONS YET.
44
00:02:14,367 --> 00:02:16,267
MAYBE HE'S STILL WORKING
ON HIS BOOK.
45
00:02:16,300 --> 00:02:17,733
(telephone rings)
46
00:02:17,767 --> 00:02:21,200
(ring)
47
00:02:21,233 --> 00:02:24,500
BECKETT.
48
00:02:24,533 --> 00:02:26,267
YEAH.
49
00:02:28,267 --> 00:02:30,167
(man) I NEED YOU PEOPLE
TO MOVE BACK, PLEASE.
50
00:02:30,200 --> 00:02:31,333
MA'AM, PLEASE GET BACK.
51
00:02:31,367 --> 00:02:34,200
(camera shutter clicking,
siren wailing)
52
00:02:34,233 --> 00:02:36,767
(Ryan) OOH.
SPEAKING OF HUMPTY DUMPTY.
53
00:02:36,800 --> 00:02:39,767
MAYBE SOMEBODY TRIED
TO STAND HER UP ON HER HEAD.
54
00:02:39,800 --> 00:02:42,300
AFTER ALL, IT IS
THE AUTUMNAL EQUINOX.
55
00:02:42,333 --> 00:02:44,700
(Lanie) IT WASN'T THE FALL
THAT KILLED HER.
56
00:02:44,733 --> 00:02:46,633
MORE LIKE MULTIPLE
GUNSHOT WOUNDS TO THE TORSO
57
00:02:46,667 --> 00:02:49,533
BEFORE DOING A GREG LOUGANIS
OUT THAT WINDOW UP THERE.
58
00:02:49,567 --> 00:02:51,433
VICTIM'S NAME IS CHLOE WHITMAN.
COUPLE OF PEDESTRIANS
59
00:02:51,467 --> 00:02:54,300
HEARD SHOTS AND SAW THE BODY
FALL OUT THE WINDOW,
60
00:02:54,333 --> 00:02:56,233
BUT WHEN UNIFORMS GOT HERE,
THE APARTMENT WAS EMPTY.
61
00:02:56,267 --> 00:02:58,667
THERE'S NO DOORMAN ON DUTY,
SO, SO FAR, NO ONE RECALLS
62
00:02:58,700 --> 00:03:00,100
SEEING ANYONE FLEE THE SCENE.
63
00:03:00,133 --> 00:03:01,833
ALL RIGHT, HAVE UNIFORMS
START KNOCKING ON DOORS.
64
00:03:01,867 --> 00:03:04,800
FIND OUT WHAT ELSE
OUR NEIGHBORS DIDN'T SEE.
65
00:03:04,833 --> 00:03:08,067
HEY, IT'S CASTLE.
66
00:03:14,300 --> 00:03:15,433
(exhales)
67
00:03:17,733 --> 00:03:20,067
GUESS HE DID
FINISH THAT BOOK.
68
00:03:22,200 --> 00:03:25,767
NICE OF HIM
TO SEND US A COPY.
69
00:03:27,433 --> 00:03:29,433
IT LOOKS LIKE
HE'S BACK IN TOWN.
70
00:03:29,467 --> 00:03:30,667
NICE OF HIM TO CALL.
71
00:03:30,700 --> 00:03:33,567
ALL RIGHT, GUYS. YOU CAN STOP
PINING FOR YOUR GIRLFRIEND.
72
00:03:33,600 --> 00:03:35,500
AFTER ALL, WE GOT A BODY
FULL OF HOLES.
73
00:03:35,533 --> 00:03:39,133
SO WHAT ELSE DO WE KNOW
ABOUT OUR VICTIM?
SHE'S GOT A BOYFRIEND.
EVAN MURPHY. HE'S ON HIS WAY.
74
00:03:39,167 --> 00:03:43,267
OKAY, LET'S GO UPSTAIRS
AND SEE WHAT ELSE WE CAN FIND.
75
00:03:43,300 --> 00:03:47,800
(police radio chatter)
76
00:03:56,233 --> 00:03:58,167
HE REALLY IS RUGGEDLY HANDSOME.
77
00:03:58,200 --> 00:03:59,400
MM.
78
00:03:59,433 --> 00:04:00,667
(police radio chatter,
camera shutter clicks)
79
00:04:00,700 --> 00:04:04,300
FROM THE SPATTER PATTERN, SHE
WAS BACKING AWAY FROM THE DOOR.
80
00:04:04,333 --> 00:04:06,333
AFTER THE FIRST BULLET HITS HER,
SHE TRIES TO GET AWAY.
81
00:04:06,367 --> 00:04:08,700
GOT NOWHERE TO GO
BUT OUT THE WINDOW.
82
00:04:08,733 --> 00:04:10,133
SO LARGE CALIBER GUN.
83
00:04:10,167 --> 00:04:12,767
ROUND GOES THROUGH HER
AND BREAKS THE GLASS.
84
00:04:12,800 --> 00:04:14,367
SHE GOES DIVING OUT.
85
00:04:16,700 --> 00:04:18,733
LOOKS LIKE
SHE WAS LEAVING TOWN.
86
00:04:18,767 --> 00:04:21,167
(camera shutter clicks)
87
00:04:21,200 --> 00:04:23,067
(radio chatter continues)
88
00:04:23,100 --> 00:04:25,733
WELL, IT WASN'T A ROBBERY.
89
00:04:25,767 --> 00:04:27,667
WOULD YOU CHECK THESE ITEMS
FOR FIBERS AND PRINTS?
90
00:04:27,700 --> 00:04:30,700
IF WE'RE LUCKY,
THERE WAS A STRUGGLE.
SURE. WE'LL TAKE CARE OF IT.
91
00:04:30,733 --> 00:04:34,200
BECKETT,
CHLOE'S BOYFRIEND EVAN IS HERE.
92
00:04:34,233 --> 00:04:35,367
(camera shutter clicks)
93
00:04:35,400 --> 00:04:39,067
SO SOMEONE JUST CAME HERE
AND SHOT HER FOR NO REASON?
94
00:04:39,067 --> 00:04:41,767
WELL, USUALLY, IN CASES
LIKE THESE, THERE IS A REASON.
95
00:04:41,800 --> 00:04:45,067
HOW LONG HAD YOU
AND MS. WHITMAN BEEN DATING?
96
00:04:45,067 --> 00:04:46,500
ABOUT SIX MONTHS.
97
00:04:46,533 --> 00:04:49,467
AND WAS THERE ANYONE IN HER LIFE
WITH VIOLENT TENDENCIES,
98
00:04:49,500 --> 00:04:51,833
MAYBE ANYONE THAT
SHE HAD DISPUTES WITH?
99
00:04:51,867 --> 00:04:53,300
NO. (sniffles) NO, SHE...
100
00:04:53,333 --> 00:04:57,100
THE WORST THING I EVER
SAW HER DO WAS JAYWALK.
101
00:04:57,133 --> 00:04:59,833
WHAT DID SHE DO
FOR A LIVING?
SHE'S A TEACHER.
102
00:04:59,867 --> 00:05:02,267
SHE WAS A TEACHER.
103
00:05:02,300 --> 00:05:03,667
THEY ALL LOVED HER.
104
00:05:03,700 --> 00:05:05,633
WERE YOU
EXPECTING HER OVER TONIGHT?
105
00:05:05,667 --> 00:05:08,633
NO. WHY?
WELL, SHE PACKED
AN OVERNIGHT BAG.
106
00:05:08,667 --> 00:05:11,567
THAT--
THAT DOESN'T MAKE SENSE.
107
00:05:11,600 --> 00:05:13,067
SHE--SHE HAS CLASS TOMORROW.
108
00:05:13,100 --> 00:05:16,267
SHE WOULDN'T JUST LEAVE
WITHOUT SAYING ANYTHING.
109
00:05:16,300 --> 00:05:17,333
(police radio chatter)
110
00:05:17,367 --> 00:05:19,133
EXCUSE ME.
111
00:05:19,167 --> 00:05:21,800
(camera shutter clicks)
112
00:05:21,833 --> 00:05:24,400
VICTIM HAD IT IN HER HAND.
IT WAS IN HER FINGERS SO TIGHT,
113
00:05:24,433 --> 00:05:26,067
I ALMOST DIDN'T SEE IT.
114
00:05:26,100 --> 00:05:29,200
THIS IS AN ADDRESS IN TRIBECA.
COULD BE WHERE SHE WAS GOING.
115
00:05:29,233 --> 00:05:31,133
ONLY ONE WAY TO FIND OUT.
116
00:05:31,167 --> 00:05:34,433
THE ADDRESS IS REGISTERED
TO A MAYA SANTORI.
117
00:05:34,467 --> 00:05:36,067
32. SHE'S CLEAN.
NO PRIORS.
118
00:05:36,100 --> 00:05:37,367
417?
YEAH.
119
00:05:37,400 --> 00:05:40,400
YEAH, RIGHT THERE.
120
00:05:40,433 --> 00:05:42,267
IT'S OPEN.
121
00:05:42,300 --> 00:05:45,333
(gun safeties click)
122
00:05:56,667 --> 00:05:59,533
(door bangs)
123
00:06:04,133 --> 00:06:06,467
(object thuds and shatters)
124
00:06:08,300 --> 00:06:12,133
(object clatters)
125
00:06:12,167 --> 00:06:14,433
(Beckett) NYPD!
(Esposito)
NYPD! LET ME SEE YOUR HANDS.
126
00:06:14,467 --> 00:06:15,733
DROP IT, NOW!
GUN!
127
00:06:15,767 --> 00:06:17,667
(Esposito) NO!
(gunshot, plaster crackles)
128
00:06:17,700 --> 00:06:19,567
(Castle) WHOA!
129
00:06:19,600 --> 00:06:20,567
CASTLE?
130
00:06:20,600 --> 00:06:22,267
BECKETT?
131
00:06:22,300 --> 00:06:24,233
WHAT ARE YOU DOING HERE?
132
00:06:24,267 --> 00:06:26,133
I... UH...
133
00:06:26,167 --> 00:06:27,800
DOWN! DOWN!
PUT IT DOWN!
134
00:06:27,833 --> 00:06:30,233
DROP THAT GUN NOW!
DROP THE GUN, STUPID!
DROP THE GUN!
135
00:06:30,267 --> 00:06:32,100
YEAH, NO, NO, IT'S OKAY.
DROP IT, SLIMEBAG!
136
00:06:32,133 --> 00:06:34,433
WHOA. OKAY, GUYS, EASY.
IT'S NOT WHAT IT LOOKS LIKE.
(gun thuds)
137
00:06:34,467 --> 00:06:37,433
IT NEVER IS. TURN AROUND.
138
00:06:37,467 --> 00:06:39,300
CASTLE, TURN AROUND.
(handcuffs jangle)
139
00:06:39,333 --> 00:06:42,333
RICHARD CASTLE,
YOU'RE UNDER ARREST FOR MURDER.
140
00:06:47,533 --> 00:06:50,200
***
141
00:06:55,400 --> 00:06:56,633
SOMETHING'S DIFFERENT.
142
00:06:56,667 --> 00:06:59,133
DID YOU REMODEL?
143
00:07:01,333 --> 00:07:04,067
(notebook thuds)
144
00:07:04,067 --> 00:07:06,767
YOU'VE BEEN INFORMED
OF YOUR RIGHTS, MR. CASTLE?
145
00:07:06,800 --> 00:07:08,233
REALLY?
146
00:07:08,267 --> 00:07:10,733
YOU'RE NOT EVEN GONNA ASK ME
HOW MY SUMMER WAS?
147
00:07:10,767 --> 00:07:13,267
YOU ARE AWARE THAT YOU'RE
UNDER ARREST FOR MURDER?
148
00:07:13,300 --> 00:07:16,600
I THOUGHT YOU WERE BEING ROUGH
WITH THE CUFFS JUST FOR FUN.
149
00:07:16,633 --> 00:07:18,233
YOU LOOK GOOD.
150
00:07:18,267 --> 00:07:20,267
YOU LOOK GOOD, TOO.
151
00:07:20,300 --> 00:07:21,167
YEAH?
152
00:07:21,200 --> 00:07:23,400
FOR MURDER.
WHY ARE YOU SO MAD AT ME?
153
00:07:23,433 --> 00:07:25,333
MAYBE BECAUSE YOU WERE FOUND
STANDING OVER A DEAD BODY
154
00:07:25,367 --> 00:07:27,233
WITH A GUN IN YOUR HAND.
155
00:07:27,267 --> 00:07:29,733
YEAH, BUT I TOLD YOU,
SHE WAS DEAD WHEN I GOT THERE.
156
00:07:29,767 --> 00:07:31,800
WHY DIDN'T YOU CALL?
157
00:07:33,167 --> 00:07:36,667
I WAS GOING TO CALL YOU.
158
00:07:36,700 --> 00:07:39,367
BUT THEN YOU SHOWED UP
BEFORE I COULD.
159
00:07:39,400 --> 00:07:42,133
REALLY?
160
00:07:42,167 --> 00:07:45,300
WELL, THEN WHY DID WE FIND YOU
IN OUR VICTIM'S APARTMENT?
161
00:07:45,333 --> 00:07:46,367
WELL, BECAUSE SHE CALLED ME.
162
00:07:46,400 --> 00:07:49,500
OH, SO YOU AND MS. SANTORI
WERE IN A RELATIONSHIP.
163
00:07:49,533 --> 00:07:52,200
WELL, I WOULDN'T SAY
IT WAS A RELATIONSHIP.
164
00:07:52,233 --> 00:07:54,600
I BOUGHT A COUPLE
OF SCULPTURES FROM HER.
WERE YOU SLEEPING WITH HER?
165
00:07:54,633 --> 00:07:56,233
HOW IS THAT RELEVANT?
MOTIVE.
166
00:07:56,267 --> 00:07:57,733
AH.
167
00:07:57,767 --> 00:08:00,500
NO, I WASN'T
SLEEPING WITH HER.
168
00:08:00,533 --> 00:08:02,400
ARE YOU SURE?
BEAUTIFUL WOMAN--
169
00:08:02,433 --> 00:08:04,400
I'M IN A RELATIONSHIP.
WITH WHOM?
170
00:08:04,433 --> 00:08:06,533
IS THAT A NEW LIPSTICK?
CASTLE.
171
00:08:06,567 --> 00:08:09,367
YOU KNOW WITH WHOM.
HOW SHOULD I KNOW?
I HAVEN'T SEEN YOU IN MONTHS.
172
00:08:09,400 --> 00:08:11,300
YOU COULD'VE BEEN
IN DOZENS OF RELATIONSHIPS
173
00:08:11,333 --> 00:08:13,333
WITH WOMEN SINCE THEN.
YOU SOUND JEALOUS.
174
00:08:13,367 --> 00:08:15,167
JEALOUS OF YOU DATING YOUR
SECOND EX-WIFE AND PUBLISHER?
175
00:08:15,200 --> 00:08:18,067
TELL ME, DOES SHE MAKE YOU
DO EVERYTHING ON A DEADLINE?
176
00:08:18,067 --> 00:08:19,567
SO HOW ABOUT YOU?
177
00:08:19,600 --> 00:08:21,633
YOU STILL WITH THAT,
UH, COP BOYFRIEND OF YOURS?
178
00:08:21,667 --> 00:08:23,667
WHAT WAS HIS NAME AGAIN--
DEMMING?
179
00:08:25,833 --> 00:08:27,467
YOU BROKE UP?
180
00:08:27,500 --> 00:08:30,533
THIS VICTIM THAT CALLED YOU,
WHAT WAS IT ABOUT?
181
00:08:30,567 --> 00:08:32,467
SHE SAID SHE WAS IN TROUBLE
182
00:08:32,500 --> 00:08:35,300
AND SHE COULDN'T GO
TO THE POLICE.
SO WHY DID SHE CALL YOU?
183
00:08:35,333 --> 00:08:39,267
BECAUSE MAYA KNEW I HAD
A RELATIONSHIP WITH YOU--OOH.
184
00:08:39,300 --> 00:08:40,833
WITH THE NYPD.
185
00:08:40,867 --> 00:08:43,067
SHE THOUGHT I COULD HELP.
HELP HOW?
186
00:08:43,067 --> 00:08:45,200
WELL, SHE DIDN'T SAY.
SHE JUST TOLD ME TO COME OVER.
187
00:08:45,233 --> 00:08:47,700
WHEN I GOT THERE, THE DOOR
WAS OPEN. THE PLACE WAS TRASHED.
188
00:08:47,733 --> 00:08:49,500
SHE WAS DEAD ON THE BED,
189
00:08:49,533 --> 00:08:51,433
AND THERE WAS A GUN
ON THE FLOOR.
190
00:08:51,467 --> 00:08:54,200
SO YOU, BEING THE EXPERT VETERAN
OF DOZENS OF CRIME SCENES,
191
00:08:54,233 --> 00:08:56,133
DECIDED TO PICK UP
THE MURDER WEAPON TO,
192
00:08:56,167 --> 00:08:58,067
WHAT, ENSURE THAT
WE HAD YOUR PRINTS?
193
00:08:58,100 --> 00:09:00,800
MAYBE YOU MISSED THE PART
WHERE I SAID SHE WAS SHOT DEAD.
194
00:09:00,833 --> 00:09:02,467
WHEN I HEARD THE NOISES
COMING FROM THE NEXT ROOM,
195
00:09:02,500 --> 00:09:04,267
I THOUGHT WHOEVER KILLED HER
WAS COMING BACK.
196
00:09:04,300 --> 00:09:06,200
SO I PICKED UP THE GUN
TO DEFEND MYSELF.
197
00:09:06,233 --> 00:09:09,067
IT SEEMED LIKE A VERY GOOD IDEA
AT THE TIME. THAT'S WHEN YOU,
198
00:09:09,067 --> 00:09:11,567
ESPOSITO AND ANNIE OAKLEY COME
BURSTING THROUGH THE DOOR.
199
00:09:11,600 --> 00:09:13,700
ANNIE OAKLEY?
(Beckett) DETECTIVE ESPOSITO
WAS RESPONDING--
200
00:09:13,733 --> 00:09:17,167
(Castle) I AM NOT A THREAT...
I KINDA
ALMOST SHOT CASTLE.
201
00:09:17,200 --> 00:09:19,100
WHAT? HE HAD A GUN.
202
00:09:19,133 --> 00:09:20,500
SHOULDA LET YOU SHOOT HIM.
203
00:09:20,533 --> 00:09:23,100
IT WOULD'VE SERVED HIM RIGHT
FOR NOT CALLING.
(Castle) WE SHOULD BE
204
00:09:23,133 --> 00:09:25,300
AT THE CRIME SCENE
LOOKING FOR CLUES.
205
00:09:25,333 --> 00:09:28,267
(Beckett) SO TELL ME,
WHY SHOULD I BELIEVE YOU,
206
00:09:28,300 --> 00:09:30,833
CONSIDERING THAT YOU PRETTY MUCH
MAKE UP STORIES FOR A LIVING?
207
00:09:30,867 --> 00:09:32,333
BECAUSE YOU KNOW ME.
208
00:09:34,767 --> 00:09:36,633
DO YOU KNOW HER?
CHLOE WHITMAN.
209
00:09:36,667 --> 00:09:38,367
SHE WAS SHOT TO DEATH.
210
00:09:38,400 --> 00:09:41,233
YOUR FRIEND'S ADDRESS
WAS FOUND IN HER HANDS
211
00:09:41,267 --> 00:09:42,533
AFTER SHE WAS KILLED.
212
00:09:42,567 --> 00:09:44,600
ANOTHER MURDER?
WHAT'S THEIR CONNECTION?
213
00:09:44,633 --> 00:09:47,767
I DON'T KNOW. YOU WERE THE ONE
WITH THE GUN. YOU TELL ME.
214
00:09:47,800 --> 00:09:49,333
(knock on door)
215
00:09:49,367 --> 00:09:50,833
BECKETT, A WORD.
216
00:09:50,867 --> 00:09:53,667
HEY, CAPTAIN.
HOW'S IT GOING?
217
00:09:53,700 --> 00:09:55,233
WHAT? YOU, TOO?
218
00:09:55,267 --> 00:09:56,533
REAL--
219
00:09:56,567 --> 00:09:58,700
COME ON, GUYS.
220
00:09:59,767 --> 00:10:01,567
C.S.U. RECOVERED THE SLUGS
221
00:10:01,600 --> 00:10:03,467
FROM MAYA SANTORI
AND CHLOE WHITMAN'S PLACE.
222
00:10:03,500 --> 00:10:06,400
THE GUN WAS A .45.
CASTLE WAS HOLDING A .38.
223
00:10:06,433 --> 00:10:10,233
SO IT MUST HAVE BELONGED
TO THE VICTIM FOR SELF-DEFENSE,
224
00:10:10,267 --> 00:10:12,267
WHICH MEANS THAT CASTLE
WAS TELLING THE TRUTH.
225
00:10:12,300 --> 00:10:15,133
BUT I'D BE HAPPY TO HOLD HIM
IF YOU LIKE.
226
00:10:15,167 --> 00:10:16,800
YOU'RE FREE TO GO.
227
00:10:16,833 --> 00:10:18,567
WELL, THAT'S IT?
228
00:10:18,600 --> 00:10:21,633
BULLETS DON'T MATCH YOUR GUN.
YOU'RE OFF THE HOOK.
229
00:10:21,667 --> 00:10:24,067
I'M--OOH!
230
00:10:24,100 --> 00:10:25,567
SO WHAT'S OUR NEXT MOVE?
231
00:10:25,600 --> 00:10:27,500
THERE ISN'T ONE,
AT LEAST NOT FOR YOU.
232
00:10:27,533 --> 00:10:29,500
YOU'RE GOING HOME.
WHOA, WHOA, WHOA.
233
00:10:29,533 --> 00:10:31,667
TWO VICTIMS, ONE OF 'EM
AN ACQUAINTANCE OF MINE,
234
00:10:31,700 --> 00:10:35,133
AND YOU'RE SENDING ME HOME?
YOU'RE A WITNESS, CASTLE.
I CAN'T HAVE YOU INVOLVED.
235
00:10:35,167 --> 00:10:37,167
I'M ALREADY INVOLVED.
CASTLE, GO HOME.
236
00:10:37,200 --> 00:10:40,133
GO BACK TO YOUR HAMPTONS,
YOUR EX-WIFE,
237
00:10:40,167 --> 00:10:41,633
YOUR BOOK PARTIES.
238
00:10:41,667 --> 00:10:45,500
OKAY? I'VE GOT WORK TO DO.
239
00:10:45,533 --> 00:10:47,733
WHAT DID I DO?
240
00:10:52,500 --> 00:10:55,300
(sighs)
241
00:10:55,333 --> 00:10:56,467
(banjo music playing,
blooping noise)
242
00:10:56,500 --> 00:10:58,233
(whooshing sound)
243
00:10:58,267 --> 00:11:00,067
(both laugh)
244
00:11:00,067 --> 00:11:01,733
(door closes)
DARLING!
245
00:11:01,767 --> 00:11:04,600
HELLO! OH,
YOU MUST SEE THIS VIDEO.
246
00:11:04,633 --> 00:11:07,567
IT'S ABSOLUTELY...
(kisses) CHARMING.
247
00:11:07,600 --> 00:11:10,133
A PENGUIN SMACKS ANOTHER PENGUIN
INTO AN ICE HOLE.
248
00:11:10,167 --> 00:11:11,633
I'LL SHOW YOU.
249
00:11:11,667 --> 00:11:12,833
AH, MAYBE LATER.
250
00:11:12,867 --> 00:11:16,700
OH, YOU LOOK AS IF SOMEONE
SMACKED YOU INTO AN ICE HOLE.
251
00:11:16,733 --> 00:11:19,600
I STOPPED BY THE PRECINCT.
252
00:11:19,633 --> 00:11:22,233
I THOUGHT YOU WEREN'T GOING BACK
TILL AFTER THE BOOK TOUR.
253
00:11:22,267 --> 00:11:24,067
YEAH, WELL, FATE INTERVENED.
254
00:11:24,067 --> 00:11:26,267
SOMEONE I KNOW
WAS MURDERED TODAY.
OH, LORD.
255
00:11:26,300 --> 00:11:27,800
DAD, THAT'S AWFUL. WHO?
256
00:11:27,833 --> 00:11:30,300
MAYA. THE WOMAN WHO MADE
THAT SCULPTURE FOR ME.
257
00:11:30,333 --> 00:11:33,767
ANY LEADS?
NO, NOT YET.
258
00:11:33,800 --> 00:11:35,800
SO HOW IS EVERYONE?
259
00:11:35,833 --> 00:11:38,400
BECKETT HAVE
A NICE SUMMER?
260
00:11:38,433 --> 00:11:40,400
YEAH, EVERYONE'S FINE.
261
00:11:40,433 --> 00:11:42,433
NOW WHY DON'T I BELIEVE YOU?
262
00:11:42,467 --> 00:11:44,467
AREN'T YOU WITH CHET
ON TUESDAYS?
263
00:11:44,500 --> 00:11:46,400
OH! THAT WAS NEVER
SET IN STONE.
264
00:11:46,433 --> 00:11:48,333
BESIDES,
ALEXIS IS IN CRISIS.
265
00:11:48,367 --> 00:11:50,800
THE YOUNG MAN
FROM THE SUMMER PROGRAM
266
00:11:50,833 --> 00:11:53,233
STILL HASN'T CALLED HER.
DESPITE THE FACT HE SAID
WE'D TALK
267
00:11:53,267 --> 00:11:56,067
WHEN HE GOT BACK FROM EUROPE,
WHICH HE ALREADY DID.
268
00:11:56,100 --> 00:11:58,800
WELL, IF YOU KNEW HE WAS BACK,
WHY DON'T YOU JUST CALL HIM?
HE'S THE ONE WHO WENT AWAY.
269
00:11:58,833 --> 00:12:01,700
I MEAN, IF HE STILL CARED,
HE WOULD'VE CALLED.
MAYBE HE WAS GOING TO,
BUT HE DIDN'T KNOW
270
00:12:01,733 --> 00:12:03,800
HOW YOU'D FEEL ABOUT IT.
MAYBE HE WAS WORRIED
271
00:12:03,833 --> 00:12:06,567
THAT SOMETHING HAD CHANGED
WHILE HE WAS AWAY.
272
00:12:06,600 --> 00:12:08,400
(scoffs)
OH, RICHARD CASTLE,
273
00:12:08,433 --> 00:12:10,333
THAT IS THE STUPIDEST THING
I EVER HEARD.
274
00:12:10,367 --> 00:12:12,533
HAVE I TAUGHT YOU NOTHING
ABOUT RELATIONSHIPS?
275
00:12:12,567 --> 00:12:16,067
YOU'RE A SHINING EXAMPLE. JUST
HOW BIG A DEAL IS THIS ANYWAY?
276
00:12:16,100 --> 00:12:18,700
I DON'T KNOW IF I EVEN
WANT TO SEE HIM ANYMORE.
277
00:12:18,733 --> 00:12:21,400
OH, COME ON. YOU'RE NOT EVEN
GIVING HIM A CHANCE.
278
00:12:21,433 --> 00:12:23,600
WHY ARE YOU SIDING WITH HIM?
279
00:12:23,633 --> 00:12:26,333
I'M NOT. I JU--
MAYBE HE'LL DO SOMETHING
280
00:12:26,367 --> 00:12:27,667
THAT WILL MAKE IT RIGHT.
281
00:12:27,700 --> 00:12:31,300
MAYBE HE'LL JUST--
MAYBE HE'LL SURPRISE YOU.
282
00:12:31,333 --> 00:12:33,700
MAYBE HE MISSED HIS CHANCE.
283
00:12:48,767 --> 00:12:51,600
(chair wheels rattle)
284
00:12:51,633 --> 00:12:54,500
IF YOU ASK ME, YOU SHOULDA
LOCKED HIM UP JUST OUTTA SPITE.
285
00:12:54,533 --> 00:12:57,100
NO, THAT'D BE UNETHICAL...
286
00:12:57,133 --> 00:12:59,167
MAKING THE PEOPLE DOWN
IN HOLDING DEAL WITH HIM.
287
00:12:59,200 --> 00:13:00,500
TRUE.
288
00:13:00,533 --> 00:13:02,200
(chair wheels rattle)
HEY. WHOA.
289
00:13:02,233 --> 00:13:03,833
SO... BALLISTICS RAN
A COMPARISON
290
00:13:03,867 --> 00:13:05,767
OF THE SLUGS
FROM THE TWO MURDERS.
291
00:13:05,800 --> 00:13:07,567
THEY'RE FROM THE SAME GUN.
292
00:13:07,600 --> 00:13:09,433
ANYTHING ON THE CANVASS?
293
00:13:09,467 --> 00:13:11,433
WELL, WE SHOWED CHLOE'S PHOTOS
TO MAYA'S FRIENDS AND NEIGHBORS.
294
00:13:11,467 --> 00:13:13,433
THEY DON'T RECOGNIZE HER.
AND CHLOE'S BOYFRIEND
295
00:13:13,467 --> 00:13:15,533
AND HER COLLEAGUES
FROM HER PREP SCHOOL,
296
00:13:15,567 --> 00:13:18,400
THEY DON'T KNOW MAYA EITHER.
297
00:13:26,800 --> 00:13:29,633
OKAY, SO WE'VE GOT...
298
00:13:29,667 --> 00:13:31,567
A HIGH SCHOOL
CHEMISTRY TEACHER
299
00:13:31,600 --> 00:13:32,800
AND A SCULPTOR
300
00:13:32,833 --> 00:13:34,733
WHO LIVE ON
TWO DIFFERENT SIDES OF TOWN
301
00:13:34,767 --> 00:13:37,700
AND BY ALL ACCOUNTS, RUN IN
COMPLETELY DIFFERENT CIRCLES.
302
00:13:37,733 --> 00:13:39,633
THEY'RE BOTH KILLED
ON THE SAME DAY
303
00:13:39,667 --> 00:13:42,367
AND BY THE SAME PERSON.
304
00:13:42,400 --> 00:13:46,300
THEIR LIVES
MUST INTERSECT SOMEHOW.
305
00:13:46,333 --> 00:13:48,200
ALL RIGHT,
RUN PHONES AND FINANCIALS.
306
00:13:48,233 --> 00:13:50,133
LET'S SEE IF ANYTHING POPS.
307
00:13:50,167 --> 00:13:52,367
(taps desk)
ON IT.
308
00:13:52,400 --> 00:13:55,400
(wheels rattle)
309
00:13:58,800 --> 00:14:02,500
I'M GONNA GO AND SEE LANIE
AND SEE IF SHE'S FOUND ANYTHING.
310
00:14:05,400 --> 00:14:07,400
RYAN!
311
00:14:08,267 --> 00:14:09,600
(police radio chatter)
312
00:14:09,633 --> 00:14:11,133
HEY, L.T.
313
00:14:11,167 --> 00:14:13,067
HEY, CASTLE.
BACK ON THE BEAT.
314
00:14:13,100 --> 00:14:15,400
YEAH, LOOKING THAT WAY.
IS, UH, BECKETT HERE?
315
00:14:15,433 --> 00:14:17,333
FINISHED HER SWEEP
ABOUT AN HOUR AGO.
316
00:14:17,367 --> 00:14:18,733
DID SHE FIND ANYTHING?
317
00:14:18,767 --> 00:14:20,800
NOTHING USEFUL.
318
00:14:20,833 --> 00:14:22,733
MIND IF I TAKE
A LOOK AROUND?
319
00:14:22,767 --> 00:14:25,767
(police radio chatter)
320
00:14:43,667 --> 00:14:45,533
HEY, BROTHER.
321
00:14:45,567 --> 00:14:48,133
YEAH.
LOOKS LIKE YOU MISSED ONE.
322
00:14:48,167 --> 00:14:50,467
OKAY.
323
00:14:55,333 --> 00:14:57,233
HEY.
324
00:14:57,267 --> 00:14:59,400
HEY. I HEAR YOU MADE
AN INTERESTING ARREST TODAY.
325
00:14:59,433 --> 00:15:01,333
YOU WANT TO TALK ABOUT IT?
326
00:15:01,367 --> 00:15:03,700
NO.
OKAY.
327
00:15:03,733 --> 00:15:05,767
KEEP HOLDING THAT STUFF IN.
YOU GON' GET AN ULCER.
328
00:15:05,800 --> 00:15:07,600
ANYTHING UNUSUAL?
329
00:15:07,633 --> 00:15:09,133
YOU MEAN BESIDES THE GUNSHOTS?
330
00:15:09,167 --> 00:15:10,467
YEAH,
I'M LOOKING FOR ANYTHING
331
00:15:10,500 --> 00:15:12,400
THAT WILL CONNECT
THESE TWO VICTIMS.
332
00:15:12,433 --> 00:15:14,567
THEY BOTH HAD TATTOOS.
EVERYONE HAS TATTOOS.
333
00:15:14,600 --> 00:15:16,767
CHLOE WHITMAN, OUR JUMPER,
334
00:15:16,800 --> 00:15:18,367
HAS A ROSE.
335
00:15:18,400 --> 00:15:21,433
AND MS. SANTORI
HAS A MERMAID...
336
00:15:21,467 --> 00:15:23,567
ON HER BACK.
337
00:15:23,600 --> 00:15:26,733
LOOKING AT THE WORK, IT COULD
BE THE SAME TATTOO ARTIST.
338
00:15:26,767 --> 00:15:28,200
ANYTHING ELSE?
339
00:15:28,233 --> 00:15:29,667
IT MAY BE NOTHING,
340
00:15:29,700 --> 00:15:32,767
BUT I FOUND THIS
ON MS. WHITMAN'S HAND.
341
00:15:34,667 --> 00:15:37,367
"2-2-7"?
342
00:15:37,400 --> 00:15:38,833
COULD BE AN APARTMENT NUMBER,
343
00:15:38,867 --> 00:15:41,133
GYM LOCKER CODE,
AND LOOKING HOW FADED IT IS,
344
00:15:41,167 --> 00:15:43,433
I'D SAY SHE WROTE IT
ABOUT A WEEK AGO.
OKAY.
345
00:15:43,467 --> 00:15:47,300
OH, AND I FOUND THESE
IN MS. SANTORI'S POCKETS.
346
00:15:47,333 --> 00:15:49,400
CAB RECEIPTS?
347
00:15:49,433 --> 00:15:51,400
DATED TODAY, JUST A FEW HOURS
BEFORE SHE WAS KILLED.
348
00:15:51,433 --> 00:15:53,333
(cell phone ringing)
OKAY, I'LL CALL UP
THE CAB COMPANY,
349
00:15:53,367 --> 00:15:55,567
SEE IF WE CAN RETRACE
HER WHEREABOUTS.
350
00:15:55,600 --> 00:15:57,500
ARE YOU SURE YOU DON'T WANT
TO TALK ABOUT IT?
351
00:15:57,533 --> 00:15:59,567
POSITIVE!
(beep)
352
00:15:59,600 --> 00:16:01,100
BECKETT.
(Esposito) Yo.
353
00:16:01,133 --> 00:16:03,067
WE JUST GOT THE PHONE RECORDS
BACK ON OUR VICS.
354
00:16:03,067 --> 00:16:04,600
TURNS OUT THEY DID HAVE
A CONNECTION.
355
00:16:04,633 --> 00:16:06,533
THEY BOTH RECEIVED PHONE CALLS
FROM THE SAME NUMBER
356
00:16:06,567 --> 00:16:08,467
WITHIN HOURS OF THEIR DEATHS.
WERE YOU ABLE
TO RUN IT DOWN?
357
00:16:08,500 --> 00:16:10,333
Yeah, it traced back
to a Todd McCutchin.
358
00:16:10,367 --> 00:16:12,400
HE'S GOT PRIORS INCLUDING
ROBBERY AND DOMESTIC ASSAULT.
359
00:16:12,433 --> 00:16:14,667
YOU GOT AN ADDRESS?
YEAH, WE GOT AN ADDRESS.
360
00:16:14,700 --> 00:16:16,367
(Esposito)
LET ME SEE YOUR HANDS!
361
00:16:16,400 --> 00:16:19,233
I SAID LET ME SEE YOUR H--
362
00:16:20,300 --> 00:16:22,633
OH, HI.
363
00:16:25,100 --> 00:16:26,567
(chuckles)
364
00:16:36,267 --> 00:16:38,600
I CAN EXPLAIN.
365
00:16:38,633 --> 00:16:41,067
TURN AROUND.
OH, WOULD YOU JUST
LISTEN TO ME, PLEASE?
366
00:16:41,067 --> 00:16:42,833
WHY? YOU DON'T LISTEN TO ME.
367
00:16:42,867 --> 00:16:45,500
LOOK, I WAS DOING SOME DIGGING
AROUND ON MY OWN.
368
00:16:45,533 --> 00:16:48,833
THAT'S NOT A CRIME, IS IT?
NO, BUT CRIMINAL TRESPASSING IS,
AND SO IS MURDER.
369
00:16:48,867 --> 00:16:51,700
I WAS JUST TRYING TO HELP.
I DON'T NEED YOUR HELP.
HOW DID YOU GET HERE ANYWAY?
370
00:16:51,733 --> 00:16:54,600
I WAS FOLLOWING UP A LEAD,
SAME AS YOU.
OH, REALLY?
371
00:16:54,633 --> 00:16:56,533
SO YOU SUBPOENAED
THE VICTIMS' PHONE RECORDS
372
00:16:56,567 --> 00:16:59,267
AND LOOKED FOR COMMONALITIES?
NO, NOT EXACTLY.
373
00:16:59,300 --> 00:17:02,333
THEN WHAT?
374
00:17:02,367 --> 00:17:05,233
OW! OKAY! I STAR-6-9'ed.
I STAR-6-9'ed.
375
00:17:05,267 --> 00:17:07,367
YOU STAR-69'ed?
YES, ON MAYA'S PHONE.
376
00:17:07,400 --> 00:17:09,600
I FIGURED IT WOULD GIVE ME
HER LAST CALL.
377
00:17:09,633 --> 00:17:12,367
IT RANG UP McCUTCHIN HERE. I GOT
HIS NAME FROM HIS VOICE MAIL,
378
00:17:12,400 --> 00:17:15,133
AND THEN I DID A WEB SEARCH.
TELL ME YOU'RE NOT IMPRESSED.
379
00:17:15,167 --> 00:17:17,067
YOU WENT
TO AN ACTIVE CRIME SCENE
380
00:17:17,100 --> 00:17:19,133
WITHOUT AUTHORIZATION.
381
00:17:19,167 --> 00:17:20,733
UH...
382
00:17:20,767 --> 00:17:22,400
YEAH.
383
00:17:22,433 --> 00:17:23,633
BUT I WORE GLOVES.
384
00:17:23,667 --> 00:17:25,100
YO, BECKETT.
385
00:17:25,133 --> 00:17:27,533
HIS BODY'S COLD.
HE'S BEEN DEAD FOR HOURS.
386
00:17:27,567 --> 00:17:30,700
SEE? I DIDN'T KILL HIM.
387
00:17:30,733 --> 00:17:32,133
SLUGS?
388
00:17:32,167 --> 00:17:34,100
WE'LL HAVE TO RUN BALLISTICS,
389
00:17:34,133 --> 00:17:36,567
BUT THE ENTRY WOUNDS ARE
THE SAME SIZE AS OUR OTHER VICS.
ODD.
390
00:17:36,600 --> 00:17:38,800
WHAT?
WELL, THE GUY'S
IN VENDING MACHINES.
391
00:17:38,833 --> 00:17:40,733
NOT AN OBVIOUS CHOICE
TO BE RUNNING AROUND
392
00:17:40,767 --> 00:17:42,767
WITH AN ARTIST
AND A PREP SCHOOL TEACHER.
393
00:17:42,800 --> 00:17:44,333
HMM.
394
00:17:46,700 --> 00:17:48,600
OKAY, SO LET'S GET C.S.U.
DOWN HERE
395
00:17:48,633 --> 00:17:50,400
TO LOOK FOR FIBERS AND PRINTS.
396
00:17:50,433 --> 00:17:52,333
AND HAVE THEM START LOOKING
FOR COMMONALITIES
397
00:17:52,367 --> 00:17:54,167
BETWEEN
THE THREE CRIME SCENES.
398
00:17:54,200 --> 00:17:55,467
LET'S START DIGGING
INTO THEIR LIVES.
399
00:17:55,500 --> 00:17:57,433
IF THEY WERE ON THE SAME
DATING SITE, I WANT TO KNOW.
400
00:17:57,467 --> 00:18:00,200
IF THEY WERE IN THE SAME
12-STEP PROGRAM, I WANT TO KNOW.
401
00:18:00,233 --> 00:18:02,733
HOW CAN I HELP?
402
00:18:02,767 --> 00:18:05,633
LOOK, CASTLE,
I'M SORRY ABOUT YOUR FRIEND.
403
00:18:05,667 --> 00:18:08,467
I REALLY AM, BUT THAT DOESN'T
MEAN THAT YOU CAN JUST SHOW UP
404
00:18:08,500 --> 00:18:10,667
AND ACT LIKE
NOTHING HAS HAPPENED.
405
00:18:10,700 --> 00:18:13,100
THE TRUTH IS,
IS IF YOU WANTED TO COME BACK,
406
00:18:13,133 --> 00:18:15,067
YOU WOULD'VE ALREADY,
BUT YOU DIDN'T.
407
00:18:15,067 --> 00:18:16,767
SO LET'S JUST FACE IT.
THE ONLY REASON
408
00:18:16,800 --> 00:18:18,700
THAT YOU'RE HERE RIGHT NOW
IS BECAUSE YOU WERE
409
00:18:18,733 --> 00:18:20,700
AT THE WRONG PLACE
AT THE WRONG TIME.
410
00:18:20,733 --> 00:18:23,600
YOU EVER STOP AND THINK, MAYBE
I WAS WAITING TO HEAR FROM YOU?
411
00:18:23,633 --> 00:18:26,133
DO YOU KNOW WHAT
THESE BODIES ARE? A SIGN.
412
00:18:26,167 --> 00:18:27,400
A SIGN?
413
00:18:27,433 --> 00:18:30,067
A SIGN.
A SIGN FROM THE UNIVERSE
414
00:18:30,100 --> 00:18:32,500
TELLING US WE NEED
TO SOLVE THIS CASE TOGETHER.
415
00:18:32,533 --> 00:18:35,467
YOU DON'T WANT TO LET
THE UNIVERSE DOWN, DO YOU?
416
00:18:35,500 --> 00:18:39,333
YOU'RE NOT GONNA GO AWAY
NO MATTER WHAT I DO, ARE YOU?
417
00:18:39,367 --> 00:18:42,167
I RESPECT THE UNIVERSE.
418
00:18:42,200 --> 00:18:44,067
OKAY. FINE.
419
00:18:44,100 --> 00:18:46,567
I WILL LET YOU JOIN ME
ON THIS ONE CASE
420
00:18:46,600 --> 00:18:49,500
AS LONG AS YOU PROMISE
TO DO WHAT I SAY WHEN I SAY IT
421
00:18:49,533 --> 00:18:51,633
AND NOT TO DO
ANY INVESTIGATING ON YOUR OWN.
422
00:18:51,667 --> 00:18:54,133
I PROMISE.
YOU WON'T REGRET THIS.
423
00:18:54,167 --> 00:18:57,067
I ALREADY DO.
STARTING NOW.
424
00:19:01,167 --> 00:19:04,367
WHAT IS IT
ABOUT THE REFRIGERATOR?
425
00:19:04,400 --> 00:19:07,333
IS IT THE COLD, THE LIGHT
OR THE COMBINATION OF THE TWO?
426
00:19:07,367 --> 00:19:10,067
I CAN'T SLEEP.
AH, THE BOY.
427
00:19:10,067 --> 00:19:12,467
HE FINALLY CALLED.
GREAT.
428
00:19:12,500 --> 00:19:14,300
I DIDN'T ANSWER.
WHY NOT?
429
00:19:14,333 --> 00:19:16,233
I WAS MAD. I THOUGHT
HE'D LEAVE A MESSAGE,
430
00:19:16,267 --> 00:19:18,133
BUT HE DIDN'T.
SO NOW WHAT DO I DO?
431
00:19:18,167 --> 00:19:20,600
HE KNOWS I KNOW HE CALLED.
BUT IF CALL BACK RIGHT AWAY,
432
00:19:20,633 --> 00:19:23,200
THEN CLEARLY I'M ADMITTING
I WAS WAITING FOR HIS CALL.
433
00:19:23,233 --> 00:19:25,467
HOW LONG DO I NEED TO WAIT
TO CALL HIM BACK,
434
00:19:25,500 --> 00:19:27,400
A DAY, AT LEAST A DAY,
MAYBE TWO?
435
00:19:27,433 --> 00:19:30,400
MAYBE YOU SHOULD GET
A NEW BOYFRIEND AND START OVER.
436
00:19:30,433 --> 00:19:32,567
YOU'RE NOT VERY GOOD AT THIS,
ARE YOU?
437
00:19:32,600 --> 00:19:35,600
APPARENTLY NOT.
(opens refrigerator door)
438
00:19:35,633 --> 00:19:39,067
(sighs)
439
00:19:49,467 --> 00:19:51,467
ANYTHING?
440
00:19:51,500 --> 00:19:53,767
UH, WE TRACKED DOWN
TODD McCUTCHIN'S FIANCéE.
441
00:19:53,800 --> 00:19:55,233
SHE'S ON HER WAY.
442
00:19:55,267 --> 00:19:58,133
YOU FIND ANYTHING
IN THEIR BACKGROUND CHECKS?
443
00:20:00,400 --> 00:20:03,367
WELL, WE WENT AS FAR BACK
AS GRADE SCHOOL,
444
00:20:03,400 --> 00:20:05,633
AND NOTHING HAS POPPED YET.
445
00:20:05,667 --> 00:20:08,067
HMM. MAYBE THEY'RE
TOP CIA AGENTS
446
00:20:08,100 --> 00:20:10,033
TARGETED FOR TERMINATION,
HUH?
447
00:20:10,067 --> 00:20:12,133
CIA's A POPULAR THEORY
WITH YOU.
448
00:20:12,167 --> 00:20:14,067
YES, WELL,
LAW OF AVERAGES DEMANDS
449
00:20:14,100 --> 00:20:16,367
THAT I'LL EVENTUALLY
BE RIGHT.
450
00:20:16,400 --> 00:20:18,733
I'VE FORGOTTEN HOW HELPFUL
YOUR INSIGHTS CAN BE.
451
00:20:18,767 --> 00:20:20,500
OH, YEAH?
452
00:20:20,533 --> 00:20:23,400
I BET I FIGURE OUT HOW THEY'RE
CONNECTED BEFORE YOU DO.
453
00:20:23,433 --> 00:20:25,500
ALL RIGHT. YOU'RE ON.
454
00:20:25,533 --> 00:20:28,400
BUT IF I WIN,
YOU HAVE TO PROMISE TO GO AWAY
455
00:20:28,433 --> 00:20:31,800
AND NEVER INTERFERE
WITH ANY OF MY CASES AGAIN.
456
00:20:31,833 --> 00:20:35,367
FINE. AND IF I WIN...
457
00:20:35,400 --> 00:20:39,167
YOU HAVE TO TAKE ME BACK
AS YOUR PARTNER.
DEAL.
458
00:20:41,367 --> 00:20:43,367
WHAT IF
THEY FIGURE IT OUT FIRST?
459
00:20:46,333 --> 00:20:48,200
NAH.
NAH.
460
00:20:48,233 --> 00:20:51,067
WHAT ARE YOU TWO
TALKING ABOUT?
461
00:20:51,067 --> 00:20:53,300
CASTLE WAS JUST APOLOGIZING
FOR NOT CALLING.
462
00:20:57,733 --> 00:21:00,400
SO WHAT'D YOU GUYS FIND?
463
00:21:00,433 --> 00:21:01,767
FORENSICS
ON THAT BLOOD SMEAR
464
00:21:01,800 --> 00:21:03,700
THAT CASTLE FOUND
IN MAYA'S APARTMENT--
465
00:21:03,733 --> 00:21:05,600
IT'S A MATCH
TO TODD McCUTCHIN'S.
AND C.S.U. FOUND
466
00:21:05,633 --> 00:21:07,533
SOME OF McCUTCHIN'S BLOOD
ON MAYA'S SHOE.
467
00:21:07,567 --> 00:21:10,267
WHICH MEANS THAT YOUR FRIEND
WAS AT HIS PLACE
468
00:21:10,300 --> 00:21:12,733
EITHER DURING
OR AFTER THE MURDER.
RAN DOWN THOSE CAB RECEIPTS
FROM HER POCKET.
469
00:21:12,767 --> 00:21:14,667
ACCORDING TO THE TAXI COMPANY,
THEY PICKED HER UP
470
00:21:14,700 --> 00:21:16,333
OUTSIDE McCUTCHIN'S APARTMENT
YESTERDAY MORNING,
471
00:21:16,367 --> 00:21:18,267
TOOK HER SOMEWHERE
IN THE BOWERY.
THE BOWERY?
472
00:21:18,300 --> 00:21:20,200
YEAH.
THEN 20 MINUTES LATER,
473
00:21:20,233 --> 00:21:23,067
THEY PICKED HER UP AND THEY
DROPPED HER OFF AT HOME.
474
00:21:23,067 --> 00:21:25,300
IT WAS JUST AFTER THAT
THAT SHE CALLED ME.
475
00:21:25,333 --> 00:21:27,067
BECKETT,
McCUTCHIN'S FIANCéE IS HERE.
476
00:21:27,100 --> 00:21:31,200
I'M SORRY.
I'VE NEVER SEEN THEM BEFORE.
477
00:21:31,233 --> 00:21:33,567
ARE YOU SURE?
YOUR FIANCé HAD A RECORD.
478
00:21:33,600 --> 00:21:37,333
IS IT POSSIBLE HE WAS INVOLVED
IN... UH, ANYTHING ILLEGAL?
479
00:21:37,367 --> 00:21:39,400
TODD WAS A GOOD MAN.
480
00:21:39,433 --> 00:21:41,800
I KNOW HE DID SOME BAD THINGS
IN THE PAST, BUT...
481
00:21:41,833 --> 00:21:44,067
HE GOT HIMSELF
HIS OWN BUSINESS.
482
00:21:44,100 --> 00:21:45,667
HE WAS TOTALLY LEGIT NOW.
483
00:21:45,700 --> 00:21:47,800
ONLY...
484
00:21:47,833 --> 00:21:49,700
ONLY WHAT?
485
00:21:49,733 --> 00:21:53,367
A COUPLE MONTHS AGO, TODD HURT
HIS BACK AND COULDN'T WORK.
486
00:21:53,400 --> 00:21:56,667
THE BANK WANTED TO TAKE AWAY
HIS BUSINESS, SO...
487
00:21:56,700 --> 00:21:59,567
HE BORROWED SOME MONEY FROM
A GUY IN THE NEIGHBORHOOD.
488
00:21:59,600 --> 00:22:02,133
THIS GUY...
489
00:22:02,167 --> 00:22:03,700
HE'S NO GOOD.
490
00:22:03,733 --> 00:22:06,167
DID HE THREATEN TODD?
491
00:22:06,200 --> 00:22:09,067
TODD WAS MAKING PAYMENTS,
BUT HE FELL BEHIND.
492
00:22:09,100 --> 00:22:12,333
A COUPLE WEEKS BACK, THE MAN
CAME TO THE HOUSE WITH A GUN.
493
00:22:12,367 --> 00:22:14,267
HE SAID
HE WAS GONNA KILL TODD
494
00:22:14,300 --> 00:22:17,633
IF HE DIDN'T PAY BACK
WHAT HE OWED.
495
00:22:17,667 --> 00:22:20,567
I LOANED HIM MONEY.
15 G's. SO WHAT?
496
00:22:20,600 --> 00:22:22,500
MR. CARBINO,
WE HAVE A WITNESS
497
00:22:22,533 --> 00:22:25,367
WHO SAYS THAT YOU THREATENED
TO KILL HIM.
SO?
498
00:22:25,400 --> 00:22:28,067
SO NOW HE'S DEAD.
499
00:22:28,100 --> 00:22:29,600
YEAH, I COULD SEE THAT.
500
00:22:29,633 --> 00:22:31,567
LOOK, DETECTIVE, FIRST OFF,
501
00:22:31,600 --> 00:22:34,067
15 G's IS NOT AN AMOUNT OF MONEY
WORTH KILLING FOR.
502
00:22:34,100 --> 00:22:35,767
NOT UNLESS YOU'VE EXHAUSTED
OTHER AVENUES,
503
00:22:35,800 --> 00:22:37,133
TO WHICH I HAD NOT.
504
00:22:37,167 --> 00:22:38,833
AND SECONDLY,
AND MORE TO THE POINT,
505
00:22:38,867 --> 00:22:43,200
YOUR BOY HERE, HE PAID ME BACK
THE ENTIRE SUM PLUS INTEREST.
506
00:22:43,233 --> 00:22:45,533
DO YOU REALLY EXPECT ME
TO BELIEVE THAT?
507
00:22:45,567 --> 00:22:47,467
(scoffs) NO, I DON'T,
SWEETHEART.
508
00:22:47,500 --> 00:22:50,067
BUT THAT DON'T MEAN
IT AIN'T TRUE.
509
00:22:52,267 --> 00:22:54,633
(receiver clatters)
HIS ALIBI CHECKS.
510
00:22:54,667 --> 00:22:56,833
HE WAS IN JERSEY
ALL DAY YESTERDAY
511
00:22:56,867 --> 00:22:59,567
SHOPPING AT SHORT HILLS
WITH THE MISSUS.
512
00:22:59,600 --> 00:23:02,300
WOW, LUCKY GIRL.
DOESN'T MEAN HE DIDN'T DO IT.
HE COULDA HIRED SOMEONE.
513
00:23:02,333 --> 00:23:05,167
YEAH, TO KILL McCUTCHIN,
BUT WHY MAYA AND CHLOE?
514
00:23:05,200 --> 00:23:07,700
MAYBE THEY WITNESSED THE HIT.
MAYBE THEY COSIGNED THE LOAN.
515
00:23:07,733 --> 00:23:09,767
DO WE HAVE
McCUTCHIN'S FINANCIALS?
516
00:23:16,267 --> 00:23:18,733
YEAH, THEY SHOULD ALL
BE UP SHORTLY. WHY?
517
00:23:18,767 --> 00:23:21,700
UH, WELL,
CARBINO SAID THAT, UH,
518
00:23:21,733 --> 00:23:24,333
McCUTCHIN PAID OFF HIS DEBT
IN FULL PLUS INTEREST.
519
00:23:24,367 --> 00:23:26,267
I WAS JUST THINKING,
THAT'S A LOT OF MONEY...
520
00:23:26,300 --> 00:23:28,200
(lowered voice) FOR A GUY IN
THE VENDING MACHINE BUSINESS.
521
00:23:28,233 --> 00:23:30,767
AND I THOUGHT, MAYBE,
WHERE DID THAT MONEY COME FROM?
522
00:23:30,800 --> 00:23:33,633
(clears throat)
523
00:23:35,633 --> 00:23:38,267
YOU KNOW, ALL OF McCUTCHIN'S
ACCOUNTS WERE OVERDRAWN?
524
00:23:38,300 --> 00:23:42,567
AND THEN SUDDENLY, 2 WEEKS AGO,
$9,500 APPEARS IN HIS SAVINGS.
525
00:23:42,600 --> 00:23:44,233
TWO WEEKS AGO?
526
00:23:44,267 --> 00:23:47,167
YEAH. ON THE, UH, THE 7th.
527
00:23:47,200 --> 00:23:50,067
THERE WAS A DEPOSIT MADE
IN MAYA SANTORI'S ACCOUNT
528
00:23:50,100 --> 00:23:53,300
ON THE 7th
FOR THE SAME AMOUNT.
529
00:23:53,333 --> 00:23:56,267
WHAT ABOUT CHLOE WHITMAN?
530
00:23:56,300 --> 00:23:58,267
$9,500
DEPOSITED ON THE 7th.
531
00:23:58,300 --> 00:24:00,433
WHICH MEANS THEY WERE ALL
RECEIVING MONEY
532
00:24:00,467 --> 00:24:03,367
FROM THE SAME SOURCE.
AND SPENDING IT
IN THE SAME PLACE.
533
00:24:03,400 --> 00:24:05,567
BOTH MAYA SANTORI
AND CHLOE WHITMAN
534
00:24:05,600 --> 00:24:08,100
HAD CHARGES ON THEIR CREDIT CARD
FOR A PLACE CALLED K.C.B.C.--
535
00:24:08,133 --> 00:24:10,067
BOTH OF THEM
ON THE 9th AND THE 16th,
536
00:24:10,067 --> 00:24:13,667
BOTH OF THEM SMALL AMOUNTS,
LESS THAN 20 BUCKS.
SAME THING WITH McCUTCHIN.
537
00:24:13,700 --> 00:24:16,633
THE RESTAURANT
WHERE THEY MET?
ALL RIGHT, CALL UP THE BANK.
538
00:24:16,667 --> 00:24:19,400
LET'S SEE IF THEY CAN HELP US
TRACK WHO MADE THOSE DEPOSITS.
539
00:24:19,433 --> 00:24:22,067
AND I'D LIKE TO CONTACT
THE CREDIT CARD COMPANY
540
00:24:22,100 --> 00:24:24,367
TO FIND OUT
WHAT THIS K.C.B.C. IS.
ON IT.
541
00:24:29,067 --> 00:24:32,100
DON'T THINK THAT THIS MEANS
THAT YOU WON THE BET.
542
00:24:32,133 --> 00:24:34,067
ALL WE KNOW IS THAT
THEY ARE CONNECTED.
543
00:24:34,067 --> 00:24:36,767
WE STILL DON'T KNOW HOW.
544
00:24:36,800 --> 00:24:38,667
I MISSED YOU, TOO.
545
00:24:38,700 --> 00:24:42,067
(papers rustling)
546
00:24:47,367 --> 00:24:51,400
(pen squeaks)
547
00:24:53,267 --> 00:24:54,600
HEY.
548
00:24:54,633 --> 00:24:57,600
BAD NEWS.
ACCORDING TO THE BANKS,
549
00:24:57,633 --> 00:24:59,567
OUR VICTIMS' DEPOSITS
WERE MADE IN CASH.
550
00:24:59,600 --> 00:25:01,500
THERE'S NO WAY
TO TRACE THE PAYMENTS.
551
00:25:01,533 --> 00:25:04,233
AND SINCE THE DEPOSITS WERE
LESS THAN $10,000,
552
00:25:04,267 --> 00:25:06,267
THERE WAS NO REPORT MADE
TO THE I.R.S.
WHICH MEANS THAT OUR VICTIMS
553
00:25:06,300 --> 00:25:09,433
WERE MOST LIKELY INVOLVED
IN SOMETHING ILLEGAL.
JUST SO YOU KNOW, I GOT THAT
FROM "SHOT TO DEATH."
554
00:25:09,467 --> 00:25:10,467
SO?
555
00:25:10,500 --> 00:25:12,200
SO...
556
00:25:12,233 --> 00:25:14,200
WHAT ILLEGAL ACTIVITY
INVOLVES VENDING MACHINES,
557
00:25:14,233 --> 00:25:16,200
AN ARTIST
AND A HIGH SCHOOL TEACHER?
I KNOW.
558
00:25:16,233 --> 00:25:20,267
EVEN THE STUFF I'M MAKING UP
IN MY HEAD DOESN'T MAKE SENSE.
I TALKED TO
THE CREDIT CARD COMPANIES.
559
00:25:20,300 --> 00:25:22,200
K.C.B.C. BILLS THROUGH
560
00:25:22,233 --> 00:25:24,100
AN INTERNET
CARD PROCESSING SERVICE.
561
00:25:24,133 --> 00:25:26,367
THERE'S NO ADDRESS ON FILE.
WE CAN'T EVEN TRACK IT DOWN?
562
00:25:26,400 --> 00:25:28,367
I DIDN'T SAY THAT.
563
00:25:28,400 --> 00:25:31,367
THERE'S NO ADDRESS ON FILE,
BUT THEY DO REGISTER THE I.S.P.
564
00:25:31,400 --> 00:25:34,267
OF EVERY SWIPED CARD TRANSACTION
THAT GOES THROUGH.
565
00:25:34,300 --> 00:25:36,200
SO I HAD TECH TRACK IT DOWN.
566
00:25:36,233 --> 00:25:39,233
WHOEVER RAN THOSE CHARGES
DID IT FROM THIS ADDRESS.
567
00:25:39,267 --> 00:25:41,067
I GOT THIS.
568
00:25:41,067 --> 00:25:42,767
CASTLE, ROAD TRIP.
569
00:25:44,100 --> 00:25:46,733
UH, THANK YOU.
570
00:25:46,767 --> 00:25:48,667
(siren wailing)
571
00:25:48,700 --> 00:25:50,600
YOU SURE THIS IS THE PLACE?
572
00:25:50,633 --> 00:25:52,300
AS SURE AS YOU ARE.
573
00:25:52,333 --> 00:25:54,467
THIS DOESN'T LOOK LIKE
A CREDIT CARD KIND OF PLACE.
574
00:25:54,500 --> 00:25:56,167
THIS LOOKS MORE LIKE
575
00:25:56,200 --> 00:25:58,100
A "GET SHOT AND ROBBED"
KIND OF PLACE.
576
00:25:58,133 --> 00:26:00,233
THERE'S...
577
00:26:00,267 --> 00:26:02,167
(dog barks)
578
00:26:02,200 --> 00:26:04,200
(wailing continues)
579
00:26:04,233 --> 00:26:07,100
(keypad beeping)
WHAT ARE YOU DOING?
580
00:26:07,133 --> 00:26:08,733
THAT WAS THE NUMBER
ON CHLOE'S HAND.
581
00:26:08,767 --> 00:26:10,500
(keypad beeps, lock clicks)
OOH!
582
00:26:10,533 --> 00:26:12,333
SHE WAS HERE.
583
00:26:12,367 --> 00:26:15,400
(Sarah Vaughan, Adam Freeland
remix) * YOU GIVE ME FEVER
584
00:26:17,600 --> 00:26:19,567
(door creaks)
585
00:26:19,600 --> 00:26:24,067
* IN THE MORNING
586
00:26:24,067 --> 00:26:27,733
* WHAT A LOVELY WAY TO BURN
587
00:26:27,767 --> 00:26:30,600
* YOU GIVE ME FEVER
588
00:26:30,633 --> 00:26:36,267
* FEVER, FEVER,
FEVER, FEVER, FEVER *
589
00:26:37,700 --> 00:26:39,500
* YOU GIVE ME FEVER
590
00:26:39,533 --> 00:26:42,700
* NEVER KNOW
HOW MUCH I LOVE YOU *
591
00:26:42,733 --> 00:26:47,067
* NEVER KNOW HOW MUCH I CARE
592
00:26:47,067 --> 00:26:49,233
* WHEN YOU PUT YOUR ARMS
AROUND ME *
593
00:26:49,267 --> 00:26:52,167
* I GET A FEVER
THAT'S SO HARD TO BEAR *
594
00:26:52,200 --> 00:26:53,800
* YOU GIVE ME FEVER
595
00:26:53,833 --> 00:26:58,067
THIS PLACE--IT'S LIKE
THE CIRCUS WITH ALCOHOL.
596
00:26:58,100 --> 00:27:00,800
HOW HAVE I NEVER
BEEN HERE BEFORE?
YOU THINK THIS IS CRAZY,
597
00:27:00,833 --> 00:27:03,300
YOU SHOULD SEE SOME OF
THE CLUBS I'VE BEEN TO.
598
00:27:03,333 --> 00:27:05,433
***
599
00:27:05,467 --> 00:27:08,333
* YEAH, YOU GIVE ME FEVER
600
00:27:08,367 --> 00:27:09,567
WHAT CAN I GET YOU?
601
00:27:09,600 --> 00:27:12,267
INFORMATION.
602
00:27:12,300 --> 00:27:13,533
DO YOU RECOGNIZE
THESE PEOPLE?
603
00:27:13,567 --> 00:27:15,833
***
604
00:27:15,867 --> 00:27:18,367
THEY'RE PART
OF KITTY'S BURLESQUE TROUPE.
KITTY'S TROUPE?
605
00:27:18,400 --> 00:27:20,300
KITTY CANARY.
SHE RUNS THE PLACE.
606
00:27:20,333 --> 00:27:23,700
AND WHERE CAN I FIND
THIS THIS KITTY?
607
00:27:23,733 --> 00:27:25,533
***
608
00:27:25,567 --> 00:27:29,233
* YOU GIVE ME FEVER
609
00:27:29,267 --> 00:27:32,767
(crowd cheering)
610
00:27:36,333 --> 00:27:38,133
***
611
00:27:38,167 --> 00:27:39,367
THEY'RE REALLY DEAD?
612
00:27:39,400 --> 00:27:41,067
(Beckett) I'M AFRAID SO.
613
00:27:41,067 --> 00:27:44,133
YOUR BARTENDER SAID THAT THEY
WERE A PART OF YOUR TROUPE.
614
00:27:44,167 --> 00:27:46,567
CHLOE WOULD DANCE
FROM TIME TO TIME.
615
00:27:46,600 --> 00:27:48,633
TODD HAD A SNAKE ACT.
WHAT ABOUT MAYA?
616
00:27:48,667 --> 00:27:51,367
SHE WAS MORE OF A PATRON.
SHE CAME FOR INSPIRATION.
617
00:27:51,400 --> 00:27:52,567
HEY, I JUST HEARD.
618
00:27:52,600 --> 00:27:54,567
DETECTIVE, THIS IS
MY HUSBAND EARL.
619
00:27:54,600 --> 00:27:57,233
HE RUNS THE BURLESQUE WITH ME.
DO YOU KNOW WHAT HAPPENED?
620
00:27:57,267 --> 00:27:59,233
WE'RE LOOKING INTO IT.
621
00:27:59,267 --> 00:28:02,067
RIGHT NOW, THE ONLY CONNECTION
THAT WE CAN FIND IS THIS CLUB.
622
00:28:02,100 --> 00:28:04,767
WELL, YOU DON'T THINK
SOMEONE HERE KILLED THEM?
HOW WELL DID YOU KNOW THEM?
623
00:28:04,800 --> 00:28:08,067
THEY WERE WORK FRIENDS.
YOU KNOW, "HI, HOW ARE YOU?"
624
00:28:08,067 --> 00:28:09,800
ALTHOUGH MAYA AND CHLOE
DID COME TO THE SHOP ONCE
625
00:28:09,833 --> 00:28:11,800
TO GET TATTOOS.
626
00:28:11,833 --> 00:28:15,333
MY DAY JOB.
DID THE THREE OF THEM SPEND
A LOT OF TIME TOGETHER?
627
00:28:15,367 --> 00:28:18,767
NO MORE SO THAN ANYBODY ELSE.
DID THEY SPEND A LOT OF TIME
WITH ANYONE ELSE HERE?
628
00:28:18,800 --> 00:28:22,367
NOT THAT I NOTICED.
DO YOU HAVE A MAILING LIST
OF YOUR REGULARS?
629
00:28:22,400 --> 00:28:25,267
YES. I CAN GET A COPY
IF YOU WANT.
YES, AND I'LL ALSO NEED A LIST
OF ALL OF YOUR EMPLOYEES
630
00:28:25,300 --> 00:28:27,200
AND ANY OTHER MEMBERS
OF YOUR TROUPE.
631
00:28:27,233 --> 00:28:29,400
OF COURSE.
CAN YOU THINK OF
ANY OTHER CONNECTION
632
00:28:29,433 --> 00:28:31,333
BETWEEN THE THREE OF THEM?
633
00:28:31,367 --> 00:28:34,133
WELL, THERE W--
THERE WAS THE INCIDENT.
634
00:28:34,167 --> 00:28:36,267
***
635
00:28:36,300 --> 00:28:38,600
A COUPLE OF WEEKS AGO,
CHLOE'S BOYFRIEND CAME AROUND.
636
00:28:38,633 --> 00:28:40,533
APPARENTLY, HE DIDN'T LIKE
HER DANCING HERE.
637
00:28:40,567 --> 00:28:42,333
HE GOT A LITTLE ROUGH.
638
00:28:42,367 --> 00:28:44,400
BOTH MAYA AND TODD INTERVENED.
EVAN WAS DRUNK,
639
00:28:44,433 --> 00:28:46,300
YELLING ALL KINDS
OF CRAZY STUFF.
640
00:28:46,333 --> 00:28:48,233
WHAT KIND OF STUFF?
641
00:28:48,267 --> 00:28:50,333
"I KNOW WHAT YOU'RE DOING.
I KNOW ALL ABOUT IT."
642
00:28:50,367 --> 00:28:53,200
I GUESS HE THOUGHT SHE WAS
SCREWING SOMEONE ELSE.
643
00:28:54,667 --> 00:28:57,533
OKAY, SO I FOLLOWED CHLOE
TO THE CLUB THAT NIGHT,
644
00:28:57,567 --> 00:29:00,533
BUT ONLY BECAUSE SHE WAS
ACTING WEIRD, SECRETIVE,
645
00:29:00,567 --> 00:29:02,533
AND I THOUGHT SHE WAS SEEING
ANOTHER GUY.
646
00:29:02,567 --> 00:29:04,467
MR. MURPHY, WHY DIDN'T YOU
TELL US THIS BEFORE?
647
00:29:04,500 --> 00:29:06,733
THAT I'D BEEN FIGHTING
WITH MY GIRLFRIEND,
648
00:29:06,767 --> 00:29:08,800
THAT I'D THREATENED HER?
I KNOW HOW COPS WORK.
649
00:29:08,833 --> 00:29:10,700
AND WHEN YOU FOUND OUT
ABOUT THE OTHER VICTIMS,
650
00:29:10,733 --> 00:29:13,267
THAT THEY WERE ALL THERE
AT THE CLUB?
I DIDN'T KILL HER.
651
00:29:13,300 --> 00:29:16,733
I DIDN'T KILL ANY OF THEM.
WHAT WOULD YOU HAVE DONE?
652
00:29:16,767 --> 00:29:18,433
I WOULD TRY TO HELP FIND
HER KILLER.
653
00:29:18,467 --> 00:29:21,333
BUT IF I HAD TOLD YOU THEN
WHAT YOU KNOW NOW,
654
00:29:21,367 --> 00:29:23,533
WOULD YOU HAVE LOOKED
ANY FURTHER THAN ME?
655
00:29:23,567 --> 00:29:25,433
MR. MURPHY,
THE MONEY IN CHLOE'S ACCOUNT,
656
00:29:25,467 --> 00:29:27,400
WHERE DID IT COME FROM?
657
00:29:27,433 --> 00:29:29,600
WHAT MONEY?
658
00:29:31,500 --> 00:29:34,233
SO HE ADMITS TO THE FIGHTS
AND THE THREATS,
659
00:29:34,267 --> 00:29:37,567
BUT HE CLAIMS NOT TO KNOW
ANYTHING ABOUT THE MONEY...
OR HOW OUR VICTIMS
ARE CONNECTED
660
00:29:37,600 --> 00:29:39,500
OTHER THAN THE EVENTS
OF THAT NIGHT.
661
00:29:39,533 --> 00:29:41,833
DO YOU BELIEVE HIM?
IT DOESN'T MATTER
WHAT I BELIEVE.
662
00:29:41,867 --> 00:29:43,633
HE'S A VIABLE SUSPECT.
HEY, RYAN.
663
00:29:43,667 --> 00:29:47,233
I NEED YOU TO GET A SEARCH
WARRANT FOR EVAN MURPHY'S PLACE.
664
00:29:47,267 --> 00:29:49,033
AND, ESPOSITO, HOW ARE THINGS
GOING OVER THERE?
665
00:29:49,067 --> 00:29:52,400
WE RAN THE CLUB'S MAILING LIST
FOR PEOPLE WITH PRIORS.
666
00:29:52,433 --> 00:29:54,600
THESE ARE THE ONES
THAT HAVE POPPED SO FAR.
667
00:29:54,633 --> 00:29:57,600
ALL RIGHT, RUN 'EM FOR
ANY CONNECTIONS WITH OUR VICS.
RIGHT ON.
668
00:29:57,633 --> 00:30:00,133
WHAT?
669
00:30:00,167 --> 00:30:03,133
I'VE SEEN THIS GUY'S FACE.
670
00:30:09,233 --> 00:30:11,767
THAT'S THE SAME GUY.
671
00:30:11,800 --> 00:30:14,467
MAYA KNEW HIM.
672
00:30:14,500 --> 00:30:15,800
"XANDER DOYLE."
673
00:30:15,833 --> 00:30:18,267
WEAPONS CHARGES,
CONSPIRACY TO DISTRIBUTE,
674
00:30:18,300 --> 00:30:20,767
AND APPARENTLY,
HE LIVES IN THE BOWERY.
675
00:30:20,800 --> 00:30:23,667
HOW MUCH YOU WANT TO BET
MAYA WAS ON HER WAY TO SEE HIM
676
00:30:23,700 --> 00:30:25,567
AFTER McCUTCHIN'S MURDER?
677
00:30:25,600 --> 00:30:27,067
YEAH, SURE. I KNEW MAYA.
678
00:30:27,100 --> 00:30:29,067
I MET HER AT THE CLUB
A FEW MONTHS BACK.
679
00:30:29,100 --> 00:30:31,800
(Beckett) AND WHAT WAS
THE NATURE OF YOUR RELATIONSHIP?
680
00:30:31,833 --> 00:30:34,167
SHE SAID SHE LIKED
THE WAY I LOOKED.
681
00:30:34,200 --> 00:30:35,533
YOU KNOW HOW IT GOES.
682
00:30:35,567 --> 00:30:37,633
WHEN WAS THE LAST TIME
YOU SAW HER?
683
00:30:39,167 --> 00:30:41,367
MR. DOYLE, WE HAVE EVIDENCE
THAT INDICATES
684
00:30:41,400 --> 00:30:43,533
THAT MAYA CAME TO SEE YOU
THE DAY SHE DIED.
685
00:30:43,567 --> 00:30:46,733
LOOK, SHE SAID SHE WAS
IN TROUBLE. SHE NEEDED MY HELP.
WHAT KIND OF TROUBLE?
686
00:30:46,767 --> 00:30:48,667
SHE WOULDN'T SAY.
687
00:30:48,700 --> 00:30:50,600
SOMEONE MUST HAVE BEEN
AFTER HER.
688
00:30:50,633 --> 00:30:52,533
AND WHY WOULD YOU SAY THAT?
689
00:30:52,567 --> 00:30:54,467
'CAUSE THE REASON
SHE CAME TO SEE ME IS,
690
00:30:54,500 --> 00:30:56,400
SHE WANTED TO BORROW A GUN.
691
00:30:56,433 --> 00:30:58,333
(lowered voice)
THAT'S WHY SHE WAS ARMED.
692
00:30:58,367 --> 00:31:00,500
SHE SAW WHAT HAPPENED
TO McCUTCHIN.
693
00:31:00,533 --> 00:31:03,167
SHE FIGURED SHE'D BE NEXT.
MR. DOYLE, DID MAYA GIVE YOU
ANY INDICATION
694
00:31:03,200 --> 00:31:05,500
AS TO WHAT SHE MIGHT HAVE
BEEN INVOLVED IN?
695
00:31:05,533 --> 00:31:07,467
NO.
IF I WAS A BETTING MAN...
696
00:31:07,500 --> 00:31:11,200
I RAN INTO MAYA
A FEW WEEKS AGO ON THE STREET.
697
00:31:11,233 --> 00:31:14,067
SHE GAVE ME A HUG.
I COULD SMELL IT.
698
00:31:14,067 --> 00:31:16,300
YOU COULD SMELL WHAT?
699
00:31:16,333 --> 00:31:18,833
THAT SICK SMELL--PAINT THINNER,
ACETONE, BLEACH.
700
00:31:18,867 --> 00:31:21,633
I GOT A BUDDY WHO SMELLS LIKE
THAT. YOU KNOW WHAT HE DOES?
701
00:31:21,667 --> 00:31:24,667
HE MAKES METH.
702
00:31:24,700 --> 00:31:26,833
(Castle) IT'S SO OBVIOUS.
703
00:31:26,867 --> 00:31:29,367
I CAN'T BELIEVE I DIDN'T
THINK OF IT SOONER.
704
00:31:29,400 --> 00:31:31,300
DO YOU REALLY THINK
IT WAS METH?
705
00:31:31,333 --> 00:31:33,233
IT'S THE ONLY THING
THAT MAKES ANY SENSE.
706
00:31:33,267 --> 00:31:35,167
ALL OF OUR VICTIMS
WERE STRUGGLING FINANCIALLY.
707
00:31:35,200 --> 00:31:37,333
ONE NIGHT AFTER THE CLUB CLOSES,
THEY'RE ALL TOGETHER
708
00:31:37,367 --> 00:31:39,267
TALKING ABOUT THEIR MONEY WOES
709
00:31:39,300 --> 00:31:41,767
UNTIL OUR HIGH SCHOOL
CHEMISTRY TEACHER CRACKS A SMILE
710
00:31:41,800 --> 00:31:43,700
AND SAYS, "WELL, WE COULD
ALWAYS MAKE METH." (laughs)
711
00:31:43,733 --> 00:31:45,100
BUT THE OTHERS DON'T LAUGH.
712
00:31:45,133 --> 00:31:47,500
THEY SAY,
"YEAH, WE COULD MAKE METH."
713
00:31:47,533 --> 00:31:50,467
JUST LIKE THAT CABLE SHOW.
714
00:31:50,500 --> 00:31:52,667
I'M TELLING YOU, IT'S DRUGS.
715
00:31:52,700 --> 00:31:55,200
IT'S NOT DRUGS.
ARE YOU SURE?
716
00:31:55,233 --> 00:31:57,333
YES, AND YOUR GUY WAS RIGHT
ABOUT THE CHEMICALS.
717
00:31:57,367 --> 00:31:59,267
I FOUND TRACE AMOUNTS
OF BLEACH, ACETONE,
718
00:31:59,300 --> 00:32:02,233
SODIUM CHLORIDE AND AMMONIA
ON ALL THREE BODIES.
719
00:32:02,267 --> 00:32:05,200
SO HOW CAN YOU TELL
IT'S NOT DRUGS?
BECAUSE OF WHAT'S MISSING.
720
00:32:05,233 --> 00:32:07,133
IF YOUR GUYS
HAD BEEN COOKING UP METH
721
00:32:07,167 --> 00:32:08,600
OR ANY OTHER STREET-LAB DRUGS,
722
00:32:08,633 --> 00:32:10,533
THERE WOULD BE
OTHER SUBSTANCES PRESENT,
723
00:32:10,567 --> 00:32:13,100
NOT TO MENTION THE TRACE AMOUNTS
OF THE FINISHED PRODUCT.
724
00:32:13,133 --> 00:32:15,700
THAT BEING SAID, THEY DEFINITELY
WERE UP TO SOMETHING.
(cell phone rings)
725
00:32:15,733 --> 00:32:17,100
HMM.
(beeps)
726
00:32:17,133 --> 00:32:18,633
BECKETT.
Hey, it's Ryan.
727
00:32:18,667 --> 00:32:20,567
That search warrant on
Evan Murphy's place?
728
00:32:20,600 --> 00:32:21,767
It paid off.
729
00:32:21,800 --> 00:32:24,333
WE FOUND THE MURDER WEAPON.
730
00:32:24,367 --> 00:32:28,433
I SWEAR TO GOD, I'VE NEVER SEEN
THAT BEFORE IN MY LIFE.
THEN WHAT WAS IT DOING
IN YOUR PLACE?
731
00:32:28,467 --> 00:32:31,367
I DON'T KNOW!
WHAT REALLY HAPPENED THE NIGHT
THAT YOU FOLLOWED CHLOE
732
00:32:31,400 --> 00:32:33,700
TO THE CLUB?
I TOLD YOU, WE FOUGHT.
733
00:32:33,733 --> 00:32:36,667
ABOUT WHAT?
AND DO NOT SAY THE AFFAIR.
734
00:32:36,700 --> 00:32:38,800
WHAT WERE THE FOUR OF YOU INTO?
EVAN, WHAT'S THE CONNECTION?
735
00:32:38,833 --> 00:32:40,733
WHY DID YOU KILL THEM?
736
00:32:40,767 --> 00:32:44,333
I WANT A LAWYER. I'M NOT SAYING
ANYTHING ELSE WITHOUT A LAWYER.
737
00:32:46,733 --> 00:32:49,600
P.D.'s OFFICE HAS BEEN NOTIFIED.
THEY'RE SENDING SOMEONE OVER.
738
00:32:49,633 --> 00:32:52,500
OKAY, NOTIFY THE D.A.
MAYBE THEY CAN CUT US A DEAL
739
00:32:52,533 --> 00:32:55,300
AND HELP US FIGURE OUT
WHAT WAS REALLY GOING ON.
740
00:32:55,333 --> 00:32:57,233
(indistinct conversations)
741
00:32:57,267 --> 00:32:59,667
(exhales deeply)
742
00:32:59,700 --> 00:33:01,600
I KNOW THAT LOOK.
743
00:33:01,633 --> 00:33:03,133
WHAT LOOK?
744
00:33:03,167 --> 00:33:06,500
THAT "SOMETHING DOESN'T ADD UP"
LOOK.
745
00:33:06,533 --> 00:33:09,467
IT'S JUST THE LAB REPORT
ON THE MURDER WEAPON.
746
00:33:09,500 --> 00:33:11,500
WHAT ABOUT IT?
747
00:33:11,533 --> 00:33:13,367
THEY DIDN'T FIND
ANY FINGERPRINTS.
748
00:33:13,400 --> 00:33:15,567
HE PROBABLY WIPED IT DOWN.
749
00:33:15,600 --> 00:33:18,467
WHY WOULD HE WIPE IT DOWN
IF HE WAS GONNA HANG ON TO IT?
750
00:33:18,500 --> 00:33:21,333
MAYBE HE WAS GOING TO DITCH IT
BUT DIDN'T GET AROUND TO IT.
MM.
751
00:33:21,367 --> 00:33:24,200
DITCHING IT WOULD BE THE FIRST
THING THAT HE WOULD DO.
MAYBE HE THOUGHT
HE STILL NEEDED IT.
752
00:33:24,233 --> 00:33:26,500
TO KILL SOMEONE ELSE?
OR PROTECT HIMSELF.
753
00:33:28,333 --> 00:33:30,300
(Esposito) HEY, YO, BECKETT.
754
00:33:30,333 --> 00:33:32,233
FINANCIALS CAME BACK
ON YOUR BOY EVAN.
755
00:33:32,267 --> 00:33:35,200
THERE'S NO UNUSUAL ACTIVITY.
MAYBE THAT WAS HIS MOTIVE.
756
00:33:35,233 --> 00:33:37,400
WHATEVER IT WAS THEY WERE UP TO,
HE DIDN'T GET HIS CUT.
757
00:33:37,433 --> 00:33:39,833
BUT WHAT WAS HIS CUT? I MEAN,
WHAT THE HELL WERE THEY INTO?
758
00:33:39,867 --> 00:33:41,767
IT'S LIKE A BAD JOKE--
A SCULPTOR,
759
00:33:41,800 --> 00:33:43,700
A VENDING MACHINE SALESMAN
AND A CHEMISTRY TEACHER
760
00:33:43,733 --> 00:33:45,567
WALK INTO A BURLESQUE BAR.
761
00:33:45,600 --> 00:33:48,167
(chuckles) YEAH, ONLY WE DON'T
HAVE A PUNCH LINE.
762
00:33:48,200 --> 00:33:51,500
OTHER THAN THEY MADE A BUNCH OF
MONEY AND GOT THEMSELVES KILLED.
763
00:33:51,533 --> 00:33:53,067
"MADE A BUNCH OF MONEY."
764
00:33:53,100 --> 00:33:54,733
WHAT?
765
00:33:54,767 --> 00:33:58,133
A SCULPTOR WHO WORKS
WITH METAL, A CHEMIST...
766
00:33:58,167 --> 00:34:00,533
AND A VENDING MACHINE
OPERATOR...
767
00:34:00,567 --> 00:34:03,433
I THINK I KNOW
WHAT OUR VICTIMS WERE UP TO.
768
00:34:03,467 --> 00:34:06,067
DO WE STILL HAVE
CHLOE'S PURSE?
769
00:34:08,333 --> 00:34:10,233
(speaking indistinctly)
770
00:34:10,267 --> 00:34:11,667
WHOA.
771
00:34:16,433 --> 00:34:19,133
WHAT ARE YOU LOOKING FOR?
772
00:34:20,633 --> 00:34:22,300
AHA!
773
00:34:22,333 --> 00:34:25,067
TAKE A LOOK
AT THE SERIAL NUMBERS
774
00:34:25,067 --> 00:34:27,067
ON THOSE BILLS.
775
00:34:33,833 --> 00:34:36,067
THEY'RE THE SAME.
776
00:34:36,100 --> 00:34:39,467
THESE BILLS ARE ALL PRE-1998.
THAT'S BEFORE
THEY REDESIGNED THE CURRENCY.
777
00:34:39,500 --> 00:34:42,333
THAT'S OUR PUNCH LINE. THAT'S
HOW THESE PEOPLE ARE CONNECTED.
778
00:34:42,367 --> 00:34:45,400
IN COUNTERFEITING, THE HARDEST
THING TO MAKE IS THE PAPER.
779
00:34:45,433 --> 00:34:47,333
BUT THEY HAD ALL THE PAPER
THEY NEEDED.
780
00:34:47,367 --> 00:34:50,500
THEY HAD AN UNLIMITED SUPPLY
OF $1 BILLS.
FROM THE VENDING MACHINES.
781
00:34:50,533 --> 00:34:52,733
AND THOSE CHEMICALS WE FOUND
ON OUR VICTIMS' BODIES...
782
00:34:52,767 --> 00:34:54,667
WERE USED TO WHITEWASH
THE SINGLES
783
00:34:54,700 --> 00:34:57,300
IN ORDER TO MAKE
BLANK BANK NOTES.
784
00:34:57,333 --> 00:34:59,767
A PROCEDURE REQUIRING
THE EXPERTISE OF A CHEMIST.
785
00:34:59,800 --> 00:35:02,200
AND WHAT DO COUNTERFEITERS DO
WITH BLANK BANK NOTES?
786
00:35:02,233 --> 00:35:03,567
PRINT LARGER DENOMINATIONS,
787
00:35:03,600 --> 00:35:05,500
FOR WHICH THEY NEED
A METAL PRESS PLATE.
788
00:35:05,533 --> 00:35:08,567
AND WHO BETTER TO PROVIDE THAT
THAN A SCULPTOR?
789
00:35:08,600 --> 00:35:10,467
SO...
790
00:35:10,500 --> 00:35:13,600
PLATES, PAPER...
791
00:35:13,633 --> 00:35:16,100
THERE'S ONLY
ONE MISSING INGREDIENT.
792
00:35:16,133 --> 00:35:19,133
(gasps) I KNOW
WHO THE KILLER IS!
(gasps) I KNOW
WHO THE KILLER IS!
793
00:35:25,800 --> 00:35:29,100
COME ON. LET'S GO.
794
00:35:32,267 --> 00:35:33,767
(cash register bell dings)
795
00:35:33,800 --> 00:35:35,767
(metal clatters)
796
00:35:38,833 --> 00:35:40,567
(woman) COME ON! HURRY UP!
797
00:35:40,600 --> 00:35:43,133
(closes cash register drawer)
798
00:35:46,367 --> 00:35:49,733
GET THE PLATES! THE PLATES!
799
00:35:53,367 --> 00:35:55,533
GOING SOMEWHERE?
800
00:35:57,633 --> 00:35:59,767
LET ME SEE YOUR HANDS.
801
00:36:01,600 --> 00:36:05,067
STEP AWAY FROM THE BAGS
AND WALK FORWARD.
802
00:36:13,167 --> 00:36:15,567
YEAH, THEY'RE FAKE.
803
00:36:15,600 --> 00:36:17,400
WHAT GAVE ME AWAY?
804
00:36:17,433 --> 00:36:19,100
THE MISSING INGREDIENT.
805
00:36:19,133 --> 00:36:22,333
INK. AND WHO BETTER TO
PROVIDE IT THAN A TATTOO ARTIST?
806
00:36:22,367 --> 00:36:24,067
(Beckett)
THAT AND EVAN MURPHY.
807
00:36:24,067 --> 00:36:27,067
YOU KNEW THAT WE'D FOLLOW UP
AFTER YOU TOLD US THAT STORY,
808
00:36:27,067 --> 00:36:29,467
SO YOU PLANTED THAT GUN, BUT YOU
JUST DIDN'T HAVE ENOUGH TIME
809
00:36:29,500 --> 00:36:31,400
TO PUT HIS PRINTS ON IT,
DID YOU?
810
00:36:31,433 --> 00:36:33,300
SWEEP THE AREA--
LOOK OUT!
811
00:36:33,333 --> 00:36:34,733
OH!
(grunts)
812
00:36:37,533 --> 00:36:40,433
GO! GO! GET HIM!
(Esposito) MOVE! MOVE! MOVE!
LET'S GO! LET'S GO! COME ON!
813
00:36:40,467 --> 00:36:42,467
HE'S OVER THERE!
LET'S GET HIM! COME ON!
814
00:36:42,500 --> 00:36:45,233
WHERE'S KITTY?
THE MONEY'S GONE.
815
00:36:45,267 --> 00:36:48,467
YOU STAY HERE.
WHAT IF THEY COME BACK?
816
00:37:05,300 --> 00:37:08,267
(footsteps sound)
817
00:37:08,300 --> 00:37:11,200
HEY! HEY!
818
00:37:11,233 --> 00:37:13,233
(grunts)
819
00:37:17,400 --> 00:37:19,800
(Esposito) HE'S OUT HERE.
YOU GOT HIM?
820
00:37:19,833 --> 00:37:23,167
(shouts indistinctly)
(Ryan) I THINK HE WENT AROUND
THIS WAY.
821
00:37:23,200 --> 00:37:26,333
DO YOU SEE HIM?
I DON'T SEE HIM.
I DON'T SEE HIM.
822
00:37:26,367 --> 00:37:28,500
COME ON! POLICE!
POLICE!
823
00:37:28,533 --> 00:37:31,200
SHOW YOURSELF. NYPD.
COME OUT.
824
00:37:31,233 --> 00:37:34,200
(creaks and closes)
825
00:37:34,233 --> 00:37:36,067
(gunshot)
826
00:37:36,100 --> 00:37:39,567
(gunfire)
827
00:37:42,767 --> 00:37:46,433
(gunfire continues)
828
00:37:51,400 --> 00:37:53,500
(gun clicks)
CASTLE,
DOWN ON THE GROUND, NOW!
829
00:37:53,533 --> 00:37:54,533
(click)
830
00:38:01,233 --> 00:38:03,067
AAH!
AAH! OH-OHH-OH!
831
00:38:03,100 --> 00:38:05,467
(groaning)
(screaming)
832
00:38:05,500 --> 00:38:06,700
OH.
833
00:38:06,733 --> 00:38:08,700
DROP IT. DROP IT.
834
00:38:08,733 --> 00:38:11,567
DON'T MOVE.
STAY ON THE GROUND,
RIGHT WHERE YOU ARE.
835
00:38:11,600 --> 00:38:15,567
(Kitty and Earl groaning)
TURN OVER. STAY WHERE YOU ARE.
DON'T TOUCH THE GUN.
836
00:38:15,600 --> 00:38:17,400
YEAH.
837
00:38:17,433 --> 00:38:18,767
(groaning continues)
838
00:38:18,800 --> 00:38:21,267
THEY HATCHED THE PLAN
LATE ONE NIGHT AT THE CLUB.
839
00:38:21,300 --> 00:38:23,600
THEY FIGURED, VICTIMLESS CRIME,
NOBODY WOULD GET HURT.
840
00:38:23,633 --> 00:38:25,800
KITTY AND EARL WOULD LAUNDER
THE BILLS THROUGH THE CLUB
841
00:38:25,833 --> 00:38:27,733
AND THEN MAKE CASH PAYMENTS
TO THE OTHERS.
842
00:38:27,767 --> 00:38:29,667
IT SOUNDS LIKE THEY HAD
A SWEET DEAL GOING ON.
843
00:38:29,700 --> 00:38:31,600
HOW'D IT ALL GO WRONG?
TODD McCUTCHIN.
844
00:38:31,633 --> 00:38:33,533
HE WAS GETTING SQUEEZED BY
A LOAN SHARK, FIGURED HE'D TRY
845
00:38:33,567 --> 00:38:35,567
TO MAKE A PAYMENT
WITH COUNTERFEIT BILLS.
846
00:38:35,600 --> 00:38:37,500
THE SHARK THREATENED
TO RAT HIM OUT
847
00:38:37,533 --> 00:38:39,433
UNLESS HE TURNED OVER
THE OPERATION.
848
00:38:39,467 --> 00:38:41,733
MAYA AND CHLOE WERE WILLING,
BUT KITTY AND EARL WEREN'T.
849
00:38:41,767 --> 00:38:43,300
AND WHEN TODD CONFRONTED THEM,
850
00:38:43,333 --> 00:38:45,333
HE HAD NO IDEA
WHO HE WAS DEALING WITH.
851
00:38:45,367 --> 00:38:46,833
KITTY CANARY,
A.K.A. CARLA BREEZER.
852
00:38:46,867 --> 00:38:48,767
SHE WAS A STRIPPER IN SEATTLE.
853
00:38:48,800 --> 00:38:50,700
SHE DID A NICKEL
FOR A MANSLAUGHTER CHARGE
854
00:38:50,733 --> 00:38:52,633
FOR TRYING TO RUN OVER
HER BOYFRIEND.
855
00:38:52,667 --> 00:38:54,767
WHEN SHE GOT OUT, SHE GOT
A NEW NAME, NEW BOYFRIEND
856
00:38:54,800 --> 00:38:56,700
AND EVEN CHANGED COASTS.
857
00:38:56,733 --> 00:38:59,433
SHE WASN'T THE TYPE OF GIRL
TO LET TODD TAKE HER DOWN.
858
00:38:59,467 --> 00:39:00,700
THEY HAD EVERYTHING
THEY NEEDED--
859
00:39:00,733 --> 00:39:02,400
THE CHEMICAL FORMULAS,
THE PLATES.
860
00:39:02,433 --> 00:39:04,533
ALL THEY HAD TO DO
WAS GET RID OF THE OTHERS.
861
00:39:04,567 --> 00:39:06,467
NICE WORK, YOU TWO.
VERY IMPRESSIVE.
862
00:39:06,500 --> 00:39:08,400
BUT TOMORROW, I WANT YOU
TO TELL ME THE STORY
863
00:39:08,433 --> 00:39:11,200
ABOUT HOW CASTLE GOT YOUR GUN.
864
00:39:12,733 --> 00:39:16,833
SO, UH...
I GUESS YOU WON THE BET.
865
00:39:16,867 --> 00:39:18,567
YEAH.
866
00:39:19,767 --> 00:39:22,300
BUT LOOK, IF YOU DON'T
WANT ME TO--
867
00:39:22,333 --> 00:39:25,767
NO, NO, NO. NO.
YOU WON FAIR AND SQUARE.
868
00:39:28,600 --> 00:39:31,133
SO...
869
00:39:31,167 --> 00:39:33,233
SEE YOU TOMORROW?
870
00:39:33,267 --> 00:39:35,167
SEE YOU TOMORROW.
871
00:39:35,200 --> 00:39:39,667
(Lucy Schwartz's "Those Days"
playing)
872
00:39:39,700 --> 00:39:41,600
SO...
873
00:39:41,633 --> 00:39:43,100
HOW LONG BEFORE CASTLE
874
00:39:43,133 --> 00:39:45,533
DID YOU KNOW THIS WAS
ABOUT COUNTERFEITING?
875
00:39:45,567 --> 00:39:48,400
* ACHING,
CAUGHT IN A HURRICANE *
876
00:39:48,433 --> 00:39:50,100
* IT'S TAKING
877
00:39:50,133 --> 00:39:53,200
* EVERY MUSCLE TO MOVE AGAIN
878
00:39:53,233 --> 00:39:55,133
* AND SLEEPLESS NIGHTS
879
00:39:55,167 --> 00:39:56,267
(laughs)
880
00:39:56,300 --> 00:39:57,433
* LAZY SUNDAYS
881
00:39:57,467 --> 00:39:59,167
UH-HUH. THANK YOU.
882
00:39:59,200 --> 00:40:01,500
* HEAVY EYES,
IT'S A CASE OF THE MONDAYS *
883
00:40:01,533 --> 00:40:03,033
IS THAT...
884
00:40:03,067 --> 00:40:05,367
YEAH. SHE'S BEEN ON THE PHONE
FOR OVER AN HOUR.
885
00:40:05,400 --> 00:40:08,033
SO WHO CALLED WHOM FIRST?
WHAT'S IT MATTER...
886
00:40:08,067 --> 00:40:11,167
AS LONG AS THEY CONNECTED?
887
00:40:11,200 --> 00:40:13,100
* DO, DO, DO
888
00:40:13,133 --> 00:40:16,133
THANK YOU.
67603
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