All language subtitles for The.Beast.2023.720p.BluRay.x264.AAC-[YTS.MX]-eng

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- Move forward a little.

Again.

OK. This way, it's okay.

Turn around a little. That's it, like that.

Uh.

See there, behind me?

This is the living room you came from.

The staircase is right there,
on the left.

On your right,

you have the kitchen window.

Uh.

On the table here,

you have the knife.

And you see the mark in tape,

really on your right?

This is where
the shadow of the beast will appear.

At one point
you look over and see it. OK?

- Uh...

Push your hair back a little.

That's it, like that. Perfect.

And take two, three steps towards me.

That's it, like that.

How are you?
- Yes, I am fine. I am ready.

- We are going to go there.

And it's.

when you want to.

Helicopter flyover

- THANKS.

Pauline,

you haven't seen my husband?

- He was in the other living room
a few minutes ago.

- You haven't seen Georges?

- Yes. He was in the living room
on the other side five minutes ago.

Tell me, why at parties,

we always try
to find the people we live with

and that we see every day?

- You are having fun?
- A lot.

But I lost my husband.
- What luck! Enjoy it.

- I'm taking advantage of it.

Too much.

- I saw him go that way.
He must have gone to see the workshop.

- L'atelier?

- You haven't met Anton?
- No.

- Anton!

Gabrielle.

We lent him a room
so he could work.

Tonight he shows things.

Go see it. It's powerful,

and as dark
as the times are bright.

Curious contrast.

- In this case.

- I leave you.

- It's over there?
- Yes.

After the back lounge, on the right.

I can take you if you want.

- Thanks, but I can manage.

- You don't want a drink first?

- I have a drink.

- And a glove that hides something.

I bow.

I hope that pleases you.

- I am sure.

THANKS.

- What do you think?

- It's violent. Psychiatric.

Quite beautiful, I think.

- He could paint you.

- No way.
I hold on to my soul.

- You remember, don't you?

- What?

- That we have already met.

- Oh yes?

- In Rome. Years ago.

Three years ago.

A dinner,

organized after a performance
of Madame Butterfly.

You were with your uncle
and your aunt.

You were wearing a
fairly dark green dress, with a bun.

- It was in Naples.

Not in Rome.

It was six years ago.

I was with my mother and my brother.

In fact, you don't remember
me at all.

- Maybe I'm a little vague
on the details.

But on the other hand,
I remember you very well.

- That much?
- Yes.

- And why?

- Because you told me something
that I never forgot

and who, since then,
often makes me think of you.

Something you told me
on the way home.

You have forgotten?

- We spoke in French?

- I think we were mixing tongues.

I don't know if I'm doing the right thing
by trying to remind you, then.

- But yes, go ahead.

- I'm sorry to disturb you
in your conversation,

but I can't resist.

You are Gabrielle Monnier,
right?

- Indeed.

- So, I just wanted
to confess my admiration to you.

You are a magnificent musician.

A pianist
of rare sensitivity and...

- THANKS.

It touches me infinitely.

- Since I dare to speak to you,
I dare to tell you:

I would love to
dress you one day.

- Get dressed?
- Yes, I am Paul Poiret.

- Oh?

In this case, I happily accept.

I am very flattered.

- But not as much as me.

I won't bother you any longer.

Beauty, how are you?

- GOOD.

- Have you seen the paintings
in the workshop?

- Yes.

- Is George there?

- In one of the living rooms, I imagine.

- All right.

Well, I'll go say hello, then.

Good visit.

- I am very touched.

- Are you okay, darling?

Where were you?
- I was looking for you.

- I am here.

How are you?
- Yes.

- If you had to describe
your skills,

your training and your
personal project, what would you say?

- I don't know.
I am fast, intuitive.

As for training,
I never really had any,

because...

I moved to the United States
when I was nine years old.

- For what?

- I don't remember very well,
I was very little.

My parents said
that the climate had become unbearable.

They were scared.

And then,

when we arrived in the United States,
the civil war broke out.

And so, we left.

- Yes, in Chengdu, for nine years.
You didn't go to school there.

- Non.

But I still learned a lot
on my own.

I learn rather easily.

- And your personal project?

- To work.

If possible

somewhere
WHERE I can feel useful.

- Useful?

- Yes, useful.

Something other than what I'm
doing now.

- Pardon!

Do you work here?

- No, I'm sorry.

- Ah! You're like me, then.

- I don't know what you are like.

- A little lost.

- In the building

or in life?

- In the building already, that's for sure.

I'm coming for an interview,
I don't know where it is.

- I'm coming out.

It's just behind, to the right.

- It went well?

- It's even.

I have to go to work.

Good luck.

- THANKS.

- If you had to give me
a good reason

so that we can help you
find another job?

- I am smart.

I know how to do lots of things.

- Today, there is no shortage of intelligence .

- The intelligence you speak of
still lacks humanity.

- The intelligence I speak
of saved humanity.

- I'm talking about humanity in the human sense.

Of human presence.

- Artificial intelligence
has become responsible and fair.

So, ultimately, human.
This is immense progress.

- Honestly, I find it difficult
to talk about progress,

with 67% unemployment
and 20% mechanical work.

They call us useless people.

I don't know
if you realize the contempt?

I'm just asking for work
that matches my abilities.

- Do you hear your anger?

You have far too much affect
for certain jobs.

As it stands, you will
only be able to do work in which the affect

cannot interfere with the result.

Like the one you have today.

- Because we have to choose
between work and affects?

- For certain jobs, yes.

Particularly those which involve
responsibility and reflection.

And these are obviously
the ones that interest you.

Today,
there are no more biased decisions

taken by someone
who is upset or depressed.

Look at the calm.

- Yes. Well,
I don't know if that's a good thing.

- Do you want to relive the same thing
as in 2025?

The same dramas?

- No, of course.

- Don't be paranoid,
or worse, sentimental.

All this is very recent,
hence your distrust.

But the worker will readjust
as he always has.

We have already suggested
that you dive back into your past lives

to clean your DNA.

And you refused.

- I've just

a little afraid of the consequences.

- In which way?

- I am afraid of.

to no longer be able to feel.

- It's a rumor, that.

Obviously we can still feel.

But we feel more serenely,
that's all.

- You know, stop being afraid, darling.
You can always fuck.

Besides, I fuck more than you.

It's a little different,
but it's not necessarily worse.

This is another thing.

And it�s been scientifically proven
to work.

You can trust science.

- Science
has proven absolutely nothing.

And we absolutely don't know
how it works,

artificial intelligence.

In any case, I am sure

that it cannot be objective.

- Yes. We discover what Buddhism
has always known, that's all.

You go through everything that has damaged you
for centuries,

and you get rid of it.

- Oh yes?

And when you wake up,
do you remember it?

- Oh yes.

And I can tell you: it works.

- In any case, I
don't want to become

neither a Buddhist nor a robot.

- No, but I haven't become
a robot.

Simply,
my emotions no longer make me suffer.

You have nothing to lose

and everything to gain.

- And.

Exactly, I have to lose.

- What?

What do you have to lose,
for example?

- Not maybe

never experience a strong feeling.

- Great novels
are fantasy, darling.

In any case,
I don't regret it for a second.

Fall.

Let go.

And above all,
you have the right to more interesting work

than checking the temperature
of the data plates.

So, if we offer it to you,
that might mean

that, in some way,
you are worth it.

Like me.

- By purifying your DNA,

you cleanse old trauma

which you have inherited
for centuries

and which have contaminated your subconscious.

It's like regulating
hormones,

but at a much higher level.

You understand?

- Yes I think.

- As I told you,
we can help you.

We can help you
get rid of your affects.

- Of all?

Of all?

It's just
that I have a very deep feeling

that something terrible
is going to happen.

Kind of a disaster.

And that I will have to face it.

Be there.

Even though it terrifies me.

- You see? Affects, that�s it.

It�s this fear, for example.

Nothing serious can happen anymore.
Rest assured.

All the disasters are behind.

- What should I do
to rehabilitate?

- You close your eyes.

You reopen them. That's all.

Do it.

- What?

- Close your eyes.

Reopen them.

It's going to be like this.

Nothing more.

Metallic rumbles in the distance

- Do not move.

You're going to get a sting
in your ear.

It's absolutely not painful.

- I'm a little scared.

- CIt�s going to go very well.

You will close your eyes,
and that's it.

Nothing more.

Close your eyes.

- Close your eyes.

- Do you find me old?

- Non.

- Obviously a little.

- How old were you?

- Is that a fancy way of asking
how old I am today?

He's laughing.
- No way. No way.

Excuse me.

It's none of my business, but.

The dolls,

Is this your idea?

- Because as a child,
I was a little girl?

Non.

I'm only interested in music.

- But how did your husband get
into doll making?

- A bit by chance.

He was studying law.

And one morning
he woke up and said to me:

�I had this dream.

�I want to make dolls.

"I saw them."

So.

-And so you married him.

- And so, now
we have this factory.

- Indeed.

At the moment, I don't have one, but.

I want some.

And I will have some.

- I have no doubt about it.

- And you, then?

- I find Paris more stimulating
than London at the moment.

- You are not answering my question.

- Moi?

Let's just say I'm a big loner.

- I'm hungry.

I want pancakes.

- We'll get you some pancakes.

- And jam.

Jam
and pain au chocolat.

I would love to hear you play.

- I am not ready.

- What are you working
on at the moment?

- Schonberg.

I am suffering.

- Is it that difficult?

- For me, yes.

It's full of invention, but.

it's hard to find the feeling
inside that.

- What were you playing
just now?

- A piece by Schoenberg.

- You are doing well.

- I don't know.

I don't feel like
I understand everything yet.

- We don't
always have to understand everything, right?

- I guess not.

- We're fine without electricity, actually.

I've never seen the living room like that.

It's beautiful.

We should go on a trip.

We haven't been alone for a long time.

You do not want?

- Doesn't that scare you?

- What?

- To be alone with me?

Not approaching

- I like being scared.

I feel alive.

Gabrielle.

I would like to tell you something.

- Do you want me to close the shutters,
sir?

- No, I will, thank you. See you tomorrow.

- I still have a little work to do.

- Everything is fine. Everything is fine.

He went out.

I am here.

It's nothing, it's a pigeon.

He went in, he went out.

- I hope you don't want to know
if Paris is going to be swallowed up,

because I can't
answer this question anymore.

- No, that's not why I came.
- So much the better.

- This is the first time I've done this.

How exactly does it happen?

- Things are going pretty well, in general.

- I ask you questions
and you answer me, right?

- Do you know that I do hypnosis?

- No I did not know.

- Oh?

- And how much does it cost?

- It's already paid for.

What exactly are you coming for?

- It is difficult to explain.

I have had anxiety for a long time.

A feeling.

For years,

a feeling

that something is going to happen,

but which, at the same time, does not happen.

And I wanted to know.
- A love story?

- Non.

- You seem confident.

- Yes.

I married a man I love
and who loves me.

- Tell me about him.

- He was someone who helped me a lot
when I was younger.

Precisely
when this anxiety was suffocating me.

Besides, I know
he's still worried about me.

Even if that fear has gone away.

We get on very well.

It concerns something else.

Don't influence me.

- But I just wanted to know.

Is there a risk?

- Of course.

There is definitely a risk.

But a risk is beautiful,
it�s strong, it�s alive.

Close your eyes.

An intriguing note

Close your eyes.

And listen to me.

There is a natural disaster,

but it's not the one
everyone is talking about.

There is a beast.

A beast ready to pounce.

There is also a pigeon,

but it's not that beast.

Pigeon,

it is a representation
of the Holy Spirit.

He's a messenger.

It's a good sign.

Unless he comes into your house.

That means
someone is going to die.

Maybe you, maybe a loved one.

There is a man.

But he can only make love
in his dreams.

There is a difficult choice to make.

A feeling of impossibility to do it,

without the possibility of destroying everything.

Like an inner pain

which slowly eats away at you and burns you.

But the most destructive,

it�s this non-choice.

On a table,

a knife that you take.

A man in the next room.

A disaster.

But it's not the one
you're thinking of.

It's because you hesitate
that there will be a catastrophe.

You should not.

We have to leave.

It's far too dangerous.

He can only make love
in his dreams.

At three,

you can slowly open your eyes.

And,

two,

three.

An intriguing note

- I stopped by the factory this morning,

and the electricity is miraculously
not cut off.

These walls

are very humid.
But there is no infiltration.

On the other hand, this wall

has a crack.

Water from the street
could flow into the workshop.

- What if the water rises again?

- For now, it should be fine.
But when the flood has subsided,

The damaged part of the wall will have to be repaired .

- Unless he comes into your house.

A man in the next room.

- Afterwards, what I would like
is to recover this floor, here,

which overlooks the street.

I tell myself
that with a minimum of work.

With a minimum of work, we could
open one store and sell the other.

- My love,

I know you tried everything
to accompany me

in a path that would be personal to me,

towards a confidence, towards a possibility,

at a time when I was not able

to do nothing, I was so paralyzed.

And those years
were the happiest of my life.

But I have an inner pain
that slowly eats away at me and burns me.

That of feeling a part of me
that begins to move away from us,

the difficulty of retaining it
and reuniting with you,

the intuition of immense loss,
impossible to imagine,

and my resistance to this tear.

I tried to hold on

all those months that seemed pale to you.

I tried to be there,
to believe in us,

but we couldn't escape

to this panic, to this evil.

And everything started to send us back there,

the day and the night.

What has become most unbearable
is seeing ourselves unhappy,

while we
loved each other so much, carried each other,

since day one
and all these years.

I also feel like I'm walking
in an unreal world.

I can never tell you
that you are no longer part of my life,

because in every intimate plot,

my substance
is all that we have been together.

Saying �goodbye�
is too difficult for me.

I hope you will pass me
this weakness,

because all these words already hurt so much.

- Good morning.

I am Kelly doll.

I'm part of the protocol.

I'm here to make sure
everything is okay

and accompany you.

I'm like a nurse.

- Can we address each other in a less formal manner?

Come on, come on.

I'll take you.

Barking in the distance

I understand
that you keep things to yourself.

And I'm not asking you to tell everything.

It's a very special experience
to go through all that.

I just want to know how you feel.

- I feel good.

- You don't look like it.
What's the matter?

- There is nothing.

- Tell me.

- It's just that I don't want
to become like you.

- What do you mean, like me?

- Like you.

You're not even going to die.

Sorry excuse me.
That's not what I meant.

It's just that you bore me.

- I have a lot of possibilities,
you know.

Take advantage of me.

I can tell stories.

I also make puns.

Do you want to play something?

- Not really, no?

- You want to make love with me?

- You're a little creepy, you know.

- What do you want to do, then?

- To dance?

- Here?

T'as l'air cool.

- THANKS.

- Do you want a cigarette?
- No thanks.

- Here you can smoke.

- Ah? OK.

- All the music is from 1972, I love it.

- And why 1972?

- I don't know, but it's crazy.

- Enjoy!

But what is this here?

- There's no real name.

Here you can do lots of things
that you can't do elsewhere.

It's like an airlock.

What do you want to do?

- I want to piss.

- The purification center.
- Yes.

- What are you doing here?

"Yuki Ga Furu"

- I am with a friend.

Have you decided
to try the experience?

- I didn't go there.

- For what?

- I don't know. An intuition.

I think I don't like
that they call it "purification".

I don't feel impure, actually.

- I too am starting to doubt.

Yesterday I was certain of my decision,
and today,

it's the contrary.

So, I think I can't stand
my anxiety attacks anymore.

- It makes anxiety come alive.

- Maybe.

But I thought about the Stoics.

Fulfillment
is in the lack of passion.

- Do you know Madame Butterfly?

The opera.

- Not really.

- Look at my hand.

Take it,

Please.

- You have beautiful hands, yes.

- What are you going to do, then?

- Maybe we can give ourselves
a few more days.

- Maybe yes.

I had never seen people

dance like that.

- Me neither.

That's why I come here often.

- I'll come back then.

- Who were you talking to?

- One day, I left my husband
for this man.

You did well.

- I don't know.

- You still have this feeling

that something terrible
is going to happen?

- No, not really anymore.

Well, I don't think so.

- Not really anymore?

- No, I don't have it anymore.

- I'll show you a picture.

You're going to tell me
what that means to you.

- What is this?

- You can open your eyes.

The image is no longer there.

It's a difficult test,

but it shows where you are.

There is something
that still resists.

It happens sometimes.

You will have
another session in two days.

Don't worry.

- How long did it last in total?

- Apparently, ten minutes.

- And do you remember everything
exactly?

- Yes, it's quite disturbing.

However, it is difficult to know
the degree of reality of things.

- Believe me, it's real.

- It's scary. I'm hesitant to start again.

- What do you really fear?
Ask yourself honestly.

- I am torn between the will

to continue in the past

and the fear of ruining the present.

- It is continuing in the past
that will allow you

not to spoil the present, precisely.

Either way, losing your loved one
is so excruciating that...

even when things go well,

you are still in anguish
of the loss to come, then.

You might as well not live it.
You're so much better.

You get rid of the pain.

- Certainly.

In any case,
I don't want to end here.

I'm going to turn myself into a wardrobe.

- You're better than that, yes.

- Say, Sophie.

Do you think
we'll meet one day?

- I don't know.

But I love you, darling.

- Me too.

- Would you like some tea, madam?

- No. Thank you, Bertrand.

- I am late?

- No way.

Let's go, Bertrand.

- Hello Sir. This way.

We are in the middle of a
manufacturing transition.

We are going to move on from the classic
porcelain doll,

to a new celluloid doll.

You will be able to see a little of both.

We make 30 dolls per day,
for a production of 7,000 per year.

There are 12 employees here at the company
and three who work from home.

On celluloid, everything is done

using a new method
of blowing into the mold.

A pasty liquid is introduced,
then the mold is removed.

And it gives a plate like this.

- Fascinating.

- Once they have removed
all the members from the plates,

We sand gently
so that it is soft.

We call it trimming.

- It's true that the skin is very soft.

It smells like vanilla.

- We also continue
the classic porcelain doll.

The transition will happen gradually
over a few years.

It's this way.

No, don't smoke, please.

Celluloid is very flammable.

- Excuse me.

- That's the problem with this material,

but we arrive at much more realistic dolls .

There, we give them a little color.

Next,
we finalize the dolls' heads.

- Over here we have lockpicking.

The bodies are made of papier-m�ch�

and we assemble all the members
to have a complete doll.

There, on the other side,
is the doll clinic.

- The clinic?
- Yes.

We repair broken dolls.

Thank you, Bertrand.

Shall I show you the showroom?

- Gladly.

What scares you
so much?

You can tell me now.

- I don't know.

It's hard to put
a feeling into words.

- You can trust me.

Try.

- I spent my life thinking
only about terrible things

that I can't tell.

- Because they are
too terrible?

- Yes.

- Saying goodbye is too difficult.

I hope you will forgive me
this weakness,

because all these words already hurt so much.

We are not made the same

and it's very beautiful
because we get along so well.

You need to experience
absolute love.

I need to pursue
a form of sweet reverie,

while telling myself that our bond
will not be cut forever

and that something, one day,
will reinvent itself.

Otherwise, I fall.

You can't even sleep anymore.

- Five o'clock in the morning.

- I do not really know.

I'm looking for work, I guess.

- Nothing special.

I must be the only model in LA
who doesn't fuck on Saturday nights.

I feel like I'm 150 years old.

-Are you a model now?

- Well, I don't really know what I am.

I don't really know what I'm doing here.
�Indian music

Find love?
My professional future?

- My darling, I'm going to leave you.

- Yes, I am fine.

I love you.

- Kelly is absent today.
She is undergoing tests.

- It's serious?

- Nothing is serious.
Don't worry.

- Darling,

It's normal to go
through difficult times.

- I do not understand anymore.
There was the TV on,

and there was this song.

And I started crying
while listening to it.

I don't know why,
but I was crying so much.

- It shows how
necessary what you are doing is.

- Where are you?

- At home, my cat is sick.

- Oh? I'm sorry.

It's serious?

- He has a fever and...

difficulty breathing.

But I will cure him.

- I know you love
your little cat so much.

I have one last session tomorrow.

They say it still hasn't worked
and they have to start again.

-And where are you?

- Good evening.

- You are looking for someone?

- Yes, I'm looking for someone
named Louis.

He comes here often.

- He often came here.

- Do you know where I can find it?

- That's not the kind of thing we say,
even here.

- Please. It is important.

I'll have a vodka,
please.

THANKS.

Can I sit with you?

- For what?

- I don't know, just for discussion.

I don't want to be alone.

- Who is this whore?
- I don't know.

- Girl, we're between us now.
Cleared.

- Yeah, if you sit with us,
you have to assume.

There, you don't seem to assume it.

- Get out, bitch.

Either way,
we screwed it up.

We had everything.

But we blew it.

Nothing can happen to us anymore.
The catastrophe has already occurred.

We're pissing ourselves off.

- I am ready.

Whore.

- You should not collapse
in front of this image.

Even if it is that
of your own death,

of your decline,

of the end

- Pardon.

- It's me who's sorry.

It doesn't work on you.

It doesn't work at all.

We only have 0.7% failure

and you are
unfortunately one of them.

I am really sorry.

- You're sad?
- No.

On the contrary.

- So, how are you.

I had a dream with you
last night.

This is the first time
I've done one.

You were in that club
we went to together.

But this time the atmosphere
was completely different.

There was no one there
except you and a man.

You were dancing on the floor,
against each other.

And then,

there was a song

�which spoke of a love
enduring through the years.

An evergreen love.

- And what happened afterwards?

- I do not know anymore.

I just remember you,

so happy,

so sexy.

I want you.

- You're a doll, Kelly.

I have something to ask you.

I know you don't have the right,

but you need to help me
find someone's contact.

Please.

- Would that really make you happy?

- Yes.

Louis? It's Gabrielle.

We said to ourselves
that we would give ourselves a few days,

and we did well.

Every time we were
in front of each other,

we were completely helpless.

We were lost because we were moved,

without really knowing why.

Now I know why.

We need to see each other.

As soon as possible.

Try to meet me tonight at the club
where we last saw each other.

Tonight, if you can.

I will wait for you.

I beg you, come.

Ok.

See you tonight.

- What is stronger?

Your fear or your love for me?

- Because you think
I love you?

- Show me your hand again.

- He came back.
- Where?

- He's over here.

Do you want one?

- It's weird.

There is absolutely no
one there today.

- Yes, it's weird.

It's not bad that there's no one there.

- I agree.

After we saw each other
last time,

I listened to Madame Butterfly in its entirety.

It�s true that it�s magnificent.

- I am happy to see you.

- Me too.

You wanted to tell me something?
- Yes.

But it's hard to say.

I don't really know where to start.

- In this case,
you have to start at the end.

- Do you want to dance with me?

We did well to wait.

- We listened to
this piece together so much.

- But when?

- When it came out.

I reviewed all the images
during the purification.

- What did you do?

- I got a job
at the Ministry of Justice.

I have just started.

It's quite exciting.

You should apply.

It would be nice if we were together,
don't you think?

We would see each other often, like this.

- Me too.

I'm happy to see you.

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