All language subtitles for Slave.Play..Not.A.Movie..A.Play..2024.720p.WEBRip.x264.AAC-[YTS.MX]
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Downloaded from
YTS.MX
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00:00:08,000 --> 00:00:13,000
Official YIFY movies site:
YTS.MX
3
00:00:21,521 --> 00:00:25,108
[whimsical orchestral music
playing]
4
00:00:36,661 --> 00:00:39,497
- [screaming]
- [orchestral chord resounds]
5
00:00:40,081 --> 00:00:43,710
[woman 1]
6
00:00:43,710 --> 00:00:46,963
[woman 2]
7
00:00:46,963 --> 00:00:50,508
[audience cheering]
8
00:00:50,508 --> 00:00:53,178
[indistinct yelling]
9
00:01:07,650 --> 00:01:09,527
[man on stage]
10
00:01:18,536 --> 00:01:20,288
[scattered laughter
in audience]
11
00:01:38,682 --> 00:01:41,643
[applause and cheering]
12
00:01:50,568 --> 00:01:52,696
[man on stage]
13
00:01:55,073 --> 00:01:57,784
[audience clamoring]
14
00:02:06,251 --> 00:02:08,920
[audience applauding
and laughing]
15
00:02:08,920 --> 00:02:11,256
[tense music playing]
16
00:02:13,341 --> 00:02:14,759
[people shushing]
17
00:02:14,759 --> 00:02:17,554
[woman recording] This is like
the best day of my life!
18
00:02:17,554 --> 00:02:19,639
[laughing]
19
00:02:26,104 --> 00:02:29,649
[audience cheering]
20
00:02:37,741 --> 00:02:40,326
[laughter and cheering]
21
00:02:44,122 --> 00:02:47,792
[man 1]
22
00:02:47,792 --> 00:02:50,545
[man 2]
23
00:02:50,545 --> 00:02:53,590
[woman 1]
24
00:02:53,590 --> 00:02:56,009
[woman 2]
25
00:02:56,009 --> 00:03:00,472
[man 3]
26
00:03:00,805 --> 00:03:02,140
[woman 3]
27
00:03:02,140 --> 00:03:03,808
[man 4]
28
00:03:03,808 --> 00:03:07,812
[reporter]
29
00:03:07,812 --> 00:03:09,939
[dramatic music playing]
30
00:03:21,284 --> 00:03:23,703
[woman 4]
31
00:03:34,297 --> 00:03:36,841
[woman 5]
32
00:03:44,849 --> 00:03:48,978
[man 5]
33
00:04:00,031 --> 00:04:02,951
[dramatic orchestral music
playing]
34
00:04:09,708 --> 00:04:12,877
[Jeremy O. Harris] Slave Play
is a comedy of sorts.
35
00:04:12,877 --> 00:04:15,672
It should be played as such.
36
00:04:15,672 --> 00:04:19,009
The events of the play are
happening in real time.
37
00:04:20,051 --> 00:04:21,428
Southern accents
should be used,
38
00:04:21,428 --> 00:04:23,013
deeply and broadly,
39
00:04:23,013 --> 00:04:24,431
until they are not.
40
00:04:24,431 --> 00:04:25,890
You will know when.
41
00:04:26,433 --> 00:04:28,435
Perhaps the spaces on
the MacGregor Plantation
42
00:04:28,435 --> 00:04:31,438
are literalized
with deep verisimilitude.
43
00:04:31,438 --> 00:04:33,606
This is preferred
in some ways.
44
00:04:34,024 --> 00:04:38,236
But... if they are not,
they should be presented
45
00:04:38,236 --> 00:04:39,904
with the bareness
of a black box.
46
00:04:39,904 --> 00:04:42,949
An aesthetic that will
telegraph to an audience:
47
00:04:42,949 --> 00:04:44,576
"If only they had more money,
48
00:04:44,576 --> 00:04:46,828
but they are doing
what they can."
49
00:04:46,828 --> 00:04:49,622
This is a play about shades,
colors
50
00:04:49,622 --> 00:04:51,624
as much as it is about race.
51
00:04:52,250 --> 00:04:54,586
Color play, shade play.
52
00:04:54,919 --> 00:04:57,797
They should be of interest
to those casting this piece.
53
00:04:58,340 --> 00:05:01,092
What does it mean if Gary
isn't "blue-black"
54
00:05:01,092 --> 00:05:02,677
but just "black black"?
55
00:05:03,011 --> 00:05:06,139
Does it change his
relationship to the space?
56
00:05:06,139 --> 00:05:08,266
In my mind, yes.
57
00:05:08,266 --> 00:05:11,478
Everything in life
is a performance.
58
00:05:12,103 --> 00:05:14,564
The performance I have chosen
to engage with
59
00:05:14,564 --> 00:05:16,524
for this piece is one
that looks at
60
00:05:16,524 --> 00:05:18,068
our collective imagination
61
00:05:18,068 --> 00:05:20,945
about the Antebellum
American South.
62
00:05:22,322 --> 00:05:25,116
[dramatic orchestral
music continues]
63
00:05:25,116 --> 00:05:28,620
[music swells]
64
00:05:41,633 --> 00:05:45,679
[TV host]
65
00:05:51,142 --> 00:05:53,687
[indistinct chatter]
66
00:05:55,313 --> 00:05:57,482
[Jeremy]
67
00:06:00,276 --> 00:06:01,611
- [instructor]
- [Jeremy]
68
00:06:59,544 --> 00:07:01,087
[people chuckling]
69
00:07:02,881 --> 00:07:04,716
[laughter]
70
00:07:44,923 --> 00:07:46,758
[Jeremy]
71
00:07:46,758 --> 00:07:48,051
[cast chuckles]
72
00:07:56,267 --> 00:07:57,602
...28, a dark, black woman
73
00:07:57,602 --> 00:07:59,854
unafraid of what she
knows she wants.
74
00:08:11,241 --> 00:08:13,868
[laughter]
75
00:08:30,802 --> 00:08:33,304
[Jeremy]
76
00:08:35,974 --> 00:08:37,142
[laughter]
77
00:08:38,768 --> 00:08:40,520
...a white man
and inheritor of more
78
00:08:40,520 --> 00:08:42,564
than he knows
how to handle.
79
00:08:44,899 --> 00:08:48,194
[Jeremy] Philip, 30,
an m-atto...
80
00:08:55,785 --> 00:08:57,162
- I'm sorry.
- Yes.
81
00:08:59,831 --> 00:09:03,084
[Jeremy] Gary, 27, a dark--
82
00:09:11,009 --> 00:09:14,012
...36, a white woman who wants
more than the world
83
00:09:14,012 --> 00:09:15,138
sees fit for her.
84
00:09:22,854 --> 00:09:25,690
[Jeremy] Dustin, 28,
a white man
85
00:09:25,690 --> 00:09:27,525
but the lowest type of white:
86
00:09:27,525 --> 00:09:30,195
dingy, an off-white.
87
00:09:37,452 --> 00:09:38,870
[phone shutter clicks]
88
00:09:40,038 --> 00:09:42,874
[Jeremy] Gary, 27,
a dark, black man
89
00:09:42,874 --> 00:09:46,252
whose life has been lived with
the full trauma of his color.
90
00:09:49,547 --> 00:09:50,840
[laughter]
91
00:09:50,840 --> 00:09:52,676
[male actor]
92
00:09:57,722 --> 00:10:01,601
[Jeremy] Teá, 26, an m-atto
93
00:10:01,601 --> 00:10:04,979
who is studied
in her black and white.
94
00:10:11,820 --> 00:10:14,656
[Jeremy] Patricia, 30,
a light brown woman
95
00:10:14,656 --> 00:10:16,241
who knows many lives.
96
00:10:37,095 --> 00:10:38,680
[all applauding]
97
00:10:40,598 --> 00:10:43,268
[instructor]
98
00:10:46,187 --> 00:10:49,858
[instructor]
99
00:10:52,569 --> 00:10:55,280
[dark, somber
ambient music playing]
100
00:11:07,125 --> 00:11:08,418
[Jeremy]
101
00:11:12,380 --> 00:11:13,798
[mutters]
102
00:11:30,357 --> 00:11:33,902
[rhythmic bass notes playing
over ambient music]
103
00:11:46,039 --> 00:11:47,499
[door opens]
104
00:11:52,629 --> 00:11:55,715
[Jeremy]
105
00:12:10,105 --> 00:12:11,856
[music fades]
106
00:12:12,357 --> 00:12:14,859
[birdsong]
107
00:12:16,486 --> 00:12:18,196
[Jim]
108
00:13:22,552 --> 00:13:24,846
[uneasy music playing]
109
00:13:43,114 --> 00:13:45,283
[Jeremy]
110
00:13:50,789 --> 00:13:53,291
[dramatic music playing]
111
00:14:35,625 --> 00:14:38,003
[somber music playing]
112
00:15:10,952 --> 00:15:12,996
[bass note resonates]
113
00:15:29,637 --> 00:15:30,722
Uh...
114
00:15:49,699 --> 00:15:51,117
- [male actor]
- [Jeremy]
115
00:15:51,826 --> 00:15:53,411
[tense music playing]
116
00:17:25,378 --> 00:17:26,421
[scoffs]
117
00:17:44,856 --> 00:17:47,192
[music intensifies]
118
00:18:10,632 --> 00:18:11,633
[object clatters]
119
00:18:11,633 --> 00:18:13,802
[ominous music playing]
120
00:19:12,527 --> 00:19:13,611
[script flicks]
121
00:19:14,404 --> 00:19:16,698
[music distorts, fades]
122
00:19:18,742 --> 00:19:19,826
[female actor]
123
00:19:25,957 --> 00:19:27,459
[somber music playing]
124
00:19:50,899 --> 00:19:53,193
[indistinct dialogue]
125
00:19:56,237 --> 00:19:59,699
[music swells]
126
00:20:03,286 --> 00:20:04,954
- [whip cracks]
- [Jeremy chuckles]
127
00:20:09,042 --> 00:20:10,001
[instructor]
128
00:20:10,001 --> 00:20:12,671
[pensive music playing]
129
00:20:12,671 --> 00:20:14,547
[Jeremy]
130
00:20:54,713 --> 00:20:57,716
[instructor]
131
00:20:59,426 --> 00:21:01,720
[pensive music continues]
132
00:21:23,283 --> 00:21:24,826
[instructor]
133
00:21:24,826 --> 00:21:26,327
[Jeremy]
134
00:21:36,129 --> 00:21:37,422
[Jeremy]
135
00:21:39,924 --> 00:21:43,428
[Jeremy]
136
00:21:46,097 --> 00:21:47,891
[birdsong]
137
00:21:48,475 --> 00:21:49,768
[soft string music playing]
138
00:21:49,768 --> 00:21:51,394
[sighs heavily]
139
00:21:52,270 --> 00:21:53,605
Oh!
140
00:22:11,331 --> 00:22:12,540
[music fades]
141
00:22:53,498 --> 00:22:56,835
[instructor]
142
00:23:13,518 --> 00:23:15,687
[static crackles]
143
00:24:18,500 --> 00:24:19,876
[female actor]
144
00:24:19,876 --> 00:24:22,253
[instructor]
145
00:24:22,253 --> 00:24:23,672
[female actor]
146
00:24:24,214 --> 00:24:27,634
[light string music playing]
147
00:25:03,211 --> 00:25:04,629
[Alana sighs]
148
00:25:39,372 --> 00:25:41,249
[laughter]
149
00:26:16,701 --> 00:26:18,328
[exhales sharply]
150
00:26:50,193 --> 00:26:51,236
Yeah.
151
00:27:52,630 --> 00:27:55,008
[Alana gasping]
152
00:27:55,592 --> 00:27:59,179
[Alana]
153
00:29:47,829 --> 00:29:49,873
[light waltz music playing]
154
00:30:27,619 --> 00:30:30,997
["Pony" by Ginuwine playing]
155
00:30:30,997 --> 00:30:33,375
[Jeremy]
156
00:30:36,503 --> 00:30:38,046
[female actor] Thank you.
157
00:30:38,463 --> 00:30:41,091
[Ginuwine]
♪ Come and jump on it ♪
158
00:30:41,091 --> 00:30:43,218
[song fades]
159
00:30:52,519 --> 00:30:55,605
[moody electronic music
playing]
160
00:30:59,734 --> 00:31:01,194
[sighs]
161
00:31:12,122 --> 00:31:15,417
[discordant electronic music
playing]
162
00:31:22,215 --> 00:31:26,594
[dramatic synthesized notes
playing]
163
00:33:16,204 --> 00:33:18,248
[tense music playing]
164
00:34:33,531 --> 00:34:35,116
[audience laughs]
165
00:34:53,176 --> 00:34:55,470
[somber music playing]
166
00:34:57,764 --> 00:34:59,724
[audience laughing]
167
00:34:59,724 --> 00:35:03,436
[dramatic music playing]
168
00:35:22,038 --> 00:35:23,581
[music distorts]
169
00:35:26,167 --> 00:35:28,920
[music intensifies]
170
00:35:28,920 --> 00:35:30,839
[loud moaning]
171
00:35:36,386 --> 00:35:38,805
[in British accent]
172
00:35:38,805 --> 00:35:40,598
[audience chuckling]
173
00:35:54,863 --> 00:35:57,949
[alarm blaring]
174
00:35:57,949 --> 00:36:01,536
[woman 1]
175
00:36:01,536 --> 00:36:04,372
[woman 2]
176
00:36:04,372 --> 00:36:08,168
[alarm continues blaring]
177
00:36:08,168 --> 00:36:09,961
[uneasy music playing]
178
00:36:09,961 --> 00:36:11,588
[door slams]
179
00:36:14,257 --> 00:36:16,801
[music distorts, halts]
180
00:36:16,801 --> 00:36:20,472
[overlapping chatter]
181
00:36:22,515 --> 00:36:25,352
[woman 2]
182
00:36:25,977 --> 00:36:27,979
[droning synth note plays]
183
00:36:27,979 --> 00:36:31,733
[woman 2]
184
00:36:34,736 --> 00:36:37,947
[discordant electronic music
playing]
185
00:37:15,694 --> 00:37:18,363
[Jeremy]
186
00:37:19,656 --> 00:37:21,950
[woman screams
over laptop speakers]
187
00:37:22,867 --> 00:37:26,621
[woman in crowd 1]
188
00:37:26,621 --> 00:37:29,749
[woman in crowd 2]
189
00:37:33,253 --> 00:37:36,339
[news anchor 1]
190
00:37:39,259 --> 00:37:41,052
[multiple speakers]
191
00:37:41,052 --> 00:37:44,222
[news anchor 2]
192
00:37:44,222 --> 00:37:47,225
[woman in TikTok clip]
193
00:37:47,225 --> 00:37:48,935
[Kaneisha]
194
00:37:48,935 --> 00:37:50,895
[Phillip]
195
00:37:50,895 --> 00:37:53,773
[Alana]
196
00:37:53,773 --> 00:37:55,734
[Dustin]
197
00:37:55,734 --> 00:37:58,069
[Jim]
198
00:37:58,069 --> 00:38:00,321
[alarm blares, stops]
199
00:38:00,739 --> 00:38:02,449
[Jeremy]
200
00:38:22,010 --> 00:38:23,595
[male voice]
201
00:38:28,058 --> 00:38:30,018
[male voice speeds up]
202
00:38:30,018 --> 00:38:31,978
[dramatic music playing]
203
00:38:31,978 --> 00:38:34,356
[Jeremy]
204
00:38:35,357 --> 00:38:38,068
[xylophone tones chiming]
205
00:38:41,279 --> 00:38:42,614
[Jeremy]
206
00:38:47,952 --> 00:38:50,789
[Jeremy]
207
00:38:57,962 --> 00:39:00,799
[Jeremy]
208
00:39:29,786 --> 00:39:30,662
[Jeremy laughs]
209
00:39:30,662 --> 00:39:32,831
[discordant pulsing sounds]
210
00:39:33,415 --> 00:39:35,500
[laughter]
211
00:39:49,681 --> 00:39:52,517
[Jeremy]
212
00:40:00,734 --> 00:40:02,485
[Veronica]
213
00:40:25,550 --> 00:40:27,552
[interviewer]
214
00:40:29,346 --> 00:40:30,764
[laughter]
215
00:40:32,724 --> 00:40:36,895
[gentle xylophone
tones playing]
216
00:40:46,863 --> 00:40:49,783
[Jeremy]
217
00:42:19,164 --> 00:42:20,915
[laughter]
218
00:42:20,915 --> 00:42:22,083
[man in crowd]
219
00:42:46,274 --> 00:42:47,817
[laughter]
220
00:42:51,196 --> 00:42:53,281
["Multi-Love" playing]
221
00:43:11,299 --> 00:43:12,467
[rapid drum fill plays]
222
00:43:12,467 --> 00:43:16,638
♪ Multi-Love ♪
223
00:43:17,305 --> 00:43:21,476
♪ All of the other
stalker daughters ♪
224
00:43:21,476 --> 00:43:23,812
♪ Dragged her under ♪
225
00:43:24,646 --> 00:43:27,691
♪ May all her minds
be made up ♪
226
00:43:29,317 --> 00:43:33,238
♪ Multi-Love has got me
on my knee ♪
227
00:43:33,238 --> 00:43:36,908
♪ We were one,
then become three ♪
228
00:43:37,283 --> 00:43:41,413
♪ Mama, what have you done
to me? ♪
229
00:43:41,413 --> 00:43:43,665
♪ I’m half crazy ♪
230
00:43:44,290 --> 00:43:45,500
[song ends]
231
00:43:45,500 --> 00:43:47,293
[Jeremy]
232
00:43:55,593 --> 00:43:59,848
[uneasy harp music playing]
233
00:44:01,433 --> 00:44:03,268
[Jeremy]
234
00:44:03,268 --> 00:44:04,644
Oh, okay.
235
00:44:23,329 --> 00:44:25,457
[laughter]
236
00:44:25,457 --> 00:44:27,459
[music fades]
237
00:44:34,090 --> 00:44:35,842
[Jeremy]
238
00:44:39,637 --> 00:44:40,972
[door shuts]
239
00:44:50,607 --> 00:44:52,984
[pensive string music playing]
240
00:46:07,308 --> 00:46:09,185
[Patricia]
241
00:46:31,416 --> 00:46:32,292
[Patricia]
242
00:46:32,292 --> 00:46:34,961
[instructor]
243
00:46:35,253 --> 00:46:39,257
[Jeremy]
244
00:47:15,627 --> 00:47:17,253
[Teá]
245
00:48:40,879 --> 00:48:43,840
[Jeremy]
246
00:48:43,840 --> 00:48:44,883
- [instructor]
- [Jeremy]
247
00:48:44,883 --> 00:48:50,055
[all screaming]
248
00:48:52,682 --> 00:48:53,558
[screaming stops]
249
00:48:53,558 --> 00:48:55,560
[Jeremy chuckles]
250
00:49:49,072 --> 00:49:51,032
[laughter]
251
00:50:42,625 --> 00:50:43,835
[fingers snap]
252
00:50:44,502 --> 00:50:45,712
[fingers snap]
253
00:50:46,588 --> 00:50:47,630
[fingers snap]
254
00:50:49,841 --> 00:50:51,051
[fingers snap]
255
00:50:54,679 --> 00:50:55,847
[fingers snap]
256
00:52:00,704 --> 00:52:02,205
[laughter]
257
00:52:42,287 --> 00:52:43,705
[fingers snap]
258
00:52:45,040 --> 00:52:46,332
[fingers snap]
259
00:52:49,377 --> 00:52:51,671
[emotional music playing]
260
00:52:56,634 --> 00:52:57,969
[fingers snap]
261
00:53:13,985 --> 00:53:16,654
[gentle piano melody playing]
262
00:54:15,130 --> 00:54:17,424
[Gary]
263
00:54:42,240 --> 00:54:43,908
[moody electronic music
playing]
264
00:55:09,184 --> 00:55:10,435
Yeah.
265
00:55:11,269 --> 00:55:14,564
[Jeremy]
266
00:55:20,987 --> 00:55:22,280
- [instructor]
- [Jeremy]
267
00:55:22,280 --> 00:55:23,323
[instructor]
268
00:55:23,490 --> 00:55:25,909
[dramatic hip-hop beat
playing]
269
00:55:35,377 --> 00:55:36,795
[music halts]
270
00:55:38,630 --> 00:55:39,881
[Jeremy]
271
00:55:45,345 --> 00:55:48,473
- [dramatic beat resumes]
- [Jeremy]
272
00:56:17,460 --> 00:56:19,921
[instructor]
273
00:56:23,341 --> 00:56:25,010
[cast whooping]
274
00:56:48,783 --> 00:56:49,826
[Jeremy]
275
00:57:29,199 --> 00:57:31,785
[pensive string music playing]
276
00:59:48,588 --> 00:59:50,965
[audience laughs]
277
00:59:59,474 --> 01:00:01,101
[dramatic music playing]
278
01:00:14,239 --> 01:00:15,407
[instructor]
279
01:00:28,378 --> 01:00:30,005
[Jeremy]
280
01:01:18,636 --> 01:01:21,514
[tense music builds]
281
01:01:21,514 --> 01:01:24,142
[uneasy music playing]
282
01:02:34,671 --> 01:02:36,965
[Patricia]
283
01:02:42,262 --> 01:02:44,222
[Kaneisha]
284
01:02:48,601 --> 01:02:49,978
[laughing]
285
01:03:52,248 --> 01:03:54,459
[Patricia] Kaneisha, I know--
286
01:04:41,506 --> 01:04:45,176
[tense music continues]
287
01:04:45,927 --> 01:04:47,262
[music fades]
288
01:04:47,262 --> 01:04:48,388
[screaming]
289
01:04:50,306 --> 01:04:51,516
[screaming]
290
01:04:55,812 --> 01:04:57,397
[gentle music playing]
291
01:04:57,397 --> 01:05:01,192
[cast applauding]
292
01:05:03,111 --> 01:05:05,572
[instructor over laptop]
293
01:05:34,851 --> 01:05:37,687
[dramatic orchestral music
playing]
294
01:05:42,650 --> 01:05:46,029
[applauding]
295
01:05:54,287 --> 01:05:57,999
[audience cheering
and applauding]
296
01:06:01,044 --> 01:06:06,341
[Trevor Noah]
297
01:06:06,341 --> 01:06:09,260
[cheering]
298
01:06:09,260 --> 01:06:11,721
[orchestral music continues]
299
01:06:13,098 --> 01:06:15,725
[yelling indistinctly]
300
01:06:15,725 --> 01:06:17,268
[crowd cheering]
301
01:06:24,943 --> 01:06:27,570
- [music fades]
- [person coughing]
302
01:06:37,789 --> 01:06:42,794
[gentle vocals playing]
303
01:07:18,872 --> 01:07:22,125
[gentle vocals continue]
304
01:07:36,723 --> 01:07:40,268
[dramatic orchestral music
playing over laptop]
305
01:07:43,438 --> 01:07:44,689
[music fades]
306
01:07:54,991 --> 01:07:57,369
[somber music playing]
307
01:08:12,967 --> 01:08:14,386
[editor chuckles]
308
01:08:15,053 --> 01:08:17,097
[laughing]
309
01:09:30,253 --> 01:09:35,091
[up-tempo electronic music
playing]
310
01:09:35,091 --> 01:09:38,470
[Jeremy]
We as in...
[laughs]
311
01:09:38,470 --> 01:09:40,847
...the West, I guess? The--
312
01:09:48,688 --> 01:09:51,441
...inside, inside
like a conch shell.
313
01:09:56,404 --> 01:09:59,908
This is a bad edit.
This is going to be real bad.
314
01:10:01,076 --> 01:10:04,120
We as in...
[laughing]
315
01:10:04,120 --> 01:10:05,497
...the West, I guess?
316
01:10:05,497 --> 01:10:07,791
[audio distorts]
We as in...
317
01:10:08,833 --> 01:10:11,252
[echoing]
...the West?
318
01:10:11,252 --> 01:10:12,796
[chuckling]
319
01:10:22,389 --> 01:10:23,473
This has been said,
320
01:10:23,473 --> 01:10:24,974
these questions
have been asked
321
01:10:24,974 --> 01:10:27,268
and the only to move past it
322
01:10:27,268 --> 01:10:29,688
through-to move
with this history
323
01:10:29,688 --> 01:10:30,855
is to embody it.
324
01:10:34,317 --> 01:10:36,027
[chuckling]
325
01:10:40,365 --> 01:10:41,700
[music halts]
326
01:10:45,495 --> 01:10:46,705
[editor]
327
01:10:54,921 --> 01:10:56,297
[laughing]
328
01:10:57,590 --> 01:10:58,925
[chuckling]
329
01:11:08,810 --> 01:11:10,895
[dramatic music playing]
330
01:13:19,858 --> 01:13:21,067
[editor] Mm-hmm.
331
01:13:27,699 --> 01:13:30,618
[somber ambient music playing]
332
01:13:36,458 --> 01:13:38,752
[knocking]
333
01:13:43,048 --> 01:13:44,049
[knocking]
334
01:13:44,341 --> 01:13:47,677
[discordant electronic music
playing]
335
01:13:49,220 --> 01:13:51,097
[music fades]
336
01:13:51,097 --> 01:13:52,766
[knocking on floor]
337
01:14:31,429 --> 01:14:34,057
I'm just gonna sit here
and listen.
338
01:14:35,725 --> 01:14:38,103
Whether you're speaking
or not.
339
01:15:12,637 --> 01:15:15,223
[melancholy piano music
playing]
340
01:16:52,278 --> 01:16:53,363
[music fades]
341
01:16:55,740 --> 01:16:59,369
[people applauding]
342
01:17:00,412 --> 01:17:02,247
[Jeremy]
343
01:17:10,588 --> 01:17:13,133
[tense string music playing]
344
01:17:26,604 --> 01:17:28,314
[music fades]
345
01:17:28,314 --> 01:17:30,692
[screaming]
346
01:17:34,779 --> 01:17:37,824
[soft string music playing]
347
01:18:12,484 --> 01:18:13,943
[music fades]
348
01:18:28,750 --> 01:18:30,085
[light string music playing]
349
01:18:30,085 --> 01:18:33,171
[cast applauding]
350
01:18:37,967 --> 01:18:44,057
[whimsical orchestral music
playing]
351
01:18:44,516 --> 01:18:46,184
[orchestral chord resounds]
352
01:18:46,643 --> 01:18:49,437
[departing footsteps]
353
01:18:52,857 --> 01:18:56,194
[bright orchestral music
playing]
354
01:19:11,209 --> 01:19:12,794
[music fades]
355
01:19:15,296 --> 01:19:19,050
[audience cheering]
356
01:19:19,509 --> 01:19:22,012
[upbeat dance music playing]
357
01:19:27,642 --> 01:19:29,561
[overlapping chatter]
358
01:19:29,561 --> 01:19:32,897
I said, "Whoa!
What's your story, sir?"
359
01:19:36,192 --> 01:19:40,447
- [gentle music playing]
- [tap running]
360
01:19:44,325 --> 01:19:45,577
[laughter]
361
01:19:45,577 --> 01:19:49,831
[all yelling]
362
01:19:51,666 --> 01:19:53,668
[woman in crowd
over phone]
363
01:19:53,668 --> 01:19:55,253
[chuckling]
364
01:20:09,517 --> 01:20:12,771
[Jeremy over phone]
365
01:20:12,771 --> 01:20:14,105
[laughter]
366
01:20:32,123 --> 01:20:33,541
[Jeremy]
367
01:20:33,541 --> 01:20:35,293
[Annie]
20855
