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in this lesson I'm going to talk to you
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about how to create Vivid strong
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realistic settings that really bring
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your story to Life we'll talk about the
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importance of research and visiting the
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places that you're going to write about
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ever since going to Sydney to research
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my debut novel Lucy and the sky and
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hearing from countless readers
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afterwards that told me that they felt
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like they were there I've tried to go
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and visit the places that I'm writing
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about there's nothing quite like being
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able to sit in a place where you're
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setting your novel and actually writing
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about what you see and hear and taste
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and smell and actually rooting
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everything in reality I've set books in
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Australia and la and Rome and Norway and
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Key West and Cornwall and Thailand so
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many places around the world and
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sometimes it's where I am planning to go
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on a family holiday sometimes I go to a
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place specifically for research I always
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prefer it if I can go somewhere
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specifically for research because it
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just means that my mind is more focused
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and I'm really taking in what I'm seeing
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and what I'm hearing but I will always
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try to write a book set in a location
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that I visited because once you've been
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there you just can write from uh from
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your own experiences rather than
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researching things online and there's
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nothing quite like being able to sit in
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a location that you plan to write about
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and actually write a scene set there so
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start thinking about the places where
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you might like to set your novel is
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there somewhere that you'd really like
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to shine shine a light on is there
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somewhere that you would love to visit
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and will be able to go there for
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research or perhaps it's even just your
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hometown because writing about your
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hometown is is really lovely too
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especially when you can return
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repeatedly to the places that you might
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be wanting to set your novel and
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actually sit there and write from that
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cafe that might appear in your novel for
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example so definitely writing from your
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hometown is a great thing to do but I do
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also think it's just lovely to be able
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to pick some really beautiful
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inspirational settings that will be
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fantastic for your readers to later read
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in your novel The most important thing
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to remember is that you need to make
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your setting feel as real as possible
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because if it feels real to you then it
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will feel real to your readers and your
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story will ultimately feel more
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realistic so you need to make your
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setting feel as Vivid and realistic to
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you as any of your
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characters I decided to set the opening
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scenes of Only Love Can Hurt Like This
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in a place called berryon Edmonds in
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England it was a place that I really
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liked visiting on day trips and it was
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really nice to be able to go there and
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imagine where my character Ren would be
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visualizing this moment that her fiance
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realizes that he's fallen in love with
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someone else they have this incredible
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park there which has all these Cathedral
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ruins and it looks like something kind
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of a fairy tale so it was a really
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inspirational setting for me to be able
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to go to then just being able to wander
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the streets and imagine where Ren might
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live and later being able to describe
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what I actually saw the sort of house
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that she might choose to live in and the
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journey home even from work I ended up
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not writing that into the book but it
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was really helpful for me to be able to
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imagine it because it just made Ren feel
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more more realistic to me so try to do
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as much of that as you possibly can and
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also take plenty of pictures because
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it's brilliant when you can go back and
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look at the photographs you know later
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and also it's really helpful for posting
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about things like that online like I
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post a lot of my research pictures on my
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Instagram page and my readers really
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love seeing the real places that
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inspired the places in my novels so I
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definitely recommend taking loads and
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loads of pictures while you're out on
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Research
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trips as much as possible go to places
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that you're going to be setting scenes
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from your novel because if you can sit
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there you don't have to take a laptop
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with you you can take your notepad sit
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there order a drink at the bar or a nice
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cup of coffee and just sit there and
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imagine the scene that's going to take
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place in this location because often
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you'll see other things that might you
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know lead you to have other ideas you
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know and spin-off ideas it might be a
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character or something else that
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inspires you so it's really really
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helpful to go to the places when you can
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if you can't go to the locations then
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spend some time visualizing them maybe
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it's a location that you've been
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somewhere before in which case you can
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look up photographs that you might have
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taken if it was somewhere that you went
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on holiday but you need to just close
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your eyes and just really imagine what
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it's like to be there you can also do
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this with pictures online so look up
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some really inspirational places places
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that you might not be able to get there
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to visit and just imagine um where you
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might set your book close your eyes
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imagine that you're actually there what
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can you see what can you hear what can
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you smell what can you taste how do you
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feel imagine small details like if
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you're walking on a beach you know what
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the sand feels like or what the waves
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sound like what birds might be in the
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sky or if you're at a bar or you know
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restaurant you know what what do the
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flowers look like that might be you know
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surrounding the restaurant perhaps you
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can imagine that there are citronella
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candles burning you know perhaps you
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imagine that a mosquito has just landed
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on your arm and you've just brushed it
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away all of these little things if you
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can write a few of them into your novel
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it will help your story to feel more
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realistic and like I say you know
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sometimes you might have been to a
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location but you haven't been there in a
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while and that was the case for me with
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Only Love Can Hurt Like This and the
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location of Indiana I had spent some
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time living in Indianapolis and visiting
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Indiana and the surrounding Countryside
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but it had been a long time so I needed
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to do plenty of research looked up these
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places online look up Google Street View
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and I could plot the directions of the
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character going from Indianapolis to
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this amazing location called Fountain
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Square for example and I set one whole
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chapter in this location Fountain Square
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and remembered that I had photographs of
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it so I could look them up and then I
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had to really try and imagine placing
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myself back in that situation sitting
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there at that table looking at the
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sunset looking at the Billboards and the
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things that I could see and just
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imagining my characters seeing them as
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well and it's so cool if you can write
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about places that you've actually been
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it brings you closer to those places and
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it just brings you a little bit closer
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to your character you know if you can
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actually write about the things that you
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saw when you were there but I also had
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to go online and look up things like the
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Indiana Countryside and I wanted to
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write about a big old family Barn so one
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of these big red barns that they have in
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Indiana I just went online and I
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researched big red barns in Indiana it
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just gave me some inspiration for being
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able to talk about it and funnily enough
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some farmhouses came up too cuz I had to
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set the story in a farmhouse and there
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was like a matching red and white
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farmhouse so that was nice because it
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added in a little bit of extra detail
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that Ren could talk about being an
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architect the history of why they use
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red funnily enough that bit was actually
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cut because you can go into too much
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detail and that is something that you
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need to be really really careful about
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too so truthfully you know I definitely
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go into way too much detail when I'm
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doing my research I look up Luna Cycles
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to see when there will be a full moon in
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the sky and make sure that I only tell
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that part of the story if it reflects
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the actual time that my characters are
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there or I look up flight times and see
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you know what time they will land I mean
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you should do this you should always
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check to see what flora and fauna will
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be in season at the time that you're
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writing it's just small details like
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that find it helpful to research it
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because it if it feels realistic to me
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then hopefully that comes across and
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feels more realistic to my readers so
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it's good to go into quite a lot of
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detail it's also good to root your
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settings in a little bit of Reality by
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um just doing the odd seemingly boring
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detail like for example You Only Love
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Can Hurt Like This Ren is quite hung
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over and you know she's walking down the
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stairs and I just said that her hand was
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a little bit sticky and clammy and sort
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of sticking to the highly polished wood
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on the banister and it's just a small
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detail which is seemingly unimportant
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and a little bit boring but it just
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roots your character in that moment of
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reality don't go into too much detail
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because you don't want to bore your
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readers but do just pull on the odd
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little thing you know like it might be
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that if you're out at a restaurant or a
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bar and you're doing some research there
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you might sort of hear a mother s
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shouting at their child or something
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like that just some small thing or
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somebody you know sneezing at the next
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table or talking too loudly you could
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describe the way that a character sits
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forward in their chair for example or
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reaches for the salt and pepper shaker
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and it's just remembering that they're
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there remembering to place your
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characters in a setting and just have
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them interact with the setting too don't
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just say okay here we are and then never
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mention it again because it just then
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sort of feels almost like your
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characters are just floating around this
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fictional Universe you know you kind of
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want it to feel real to the reader so
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just the odd little detail here and
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there without going into too much detail
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but just one or two seemingly
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unimportant things can really help it
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feel a little bit more realistic I often
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hear from readers who love that I've set
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my books in these real places because
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they will go and visit these places and
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they'll take photographs of them and
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they'll post them on social media and
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they'll share them with me and it's so
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nice you know I have so many readers who
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will go and do the tours of places that
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I've written about in my book so I
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personally love setting my books in real
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places but sometimes a real place can
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hold you back a little bit and it might
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be that you might prefer to create a
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fictional town which just has Limitless
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possibilities and that's absolutely fine
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too as much as possible try to go to
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real places to write about fictional
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settings so you can create a completely
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fictional bar which I did in Only Love
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Can Hurt Like This and in fact the town
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that I ended up writing about even
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though I based it on a real town I did
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not want to be constrained by the
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realities of it being that town so I
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wanted to have other shops that they
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could go to and a bar in particular
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where you know quite a few key scenes
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take place and so I just went to another
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grungy bar and you know kind of made a
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note of the exposed brick work on the
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walls and you know the band posters and
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just drew little bits of inspiration
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from memories of you know grungy bars
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that I'd been to but it all helps make
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it feel
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real so it might be helpful if I
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actually show you how I ended up writing
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about some of these settings in my book
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so I'll get a copy of Only Love Can her
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like this and just talk you through a
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few of the the things that I've written
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about
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okay so for example talking about
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berryon Edmonds in the opening couple of
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pages on days like this I love living in
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berryon Edmonds when the spes of the
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cream Stone Cathedral seem illuminated
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against the Vivid blue sky and even the
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black Flintstones on the ruined Abbey
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walls gleams under the sunshine as so
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they've been polished so that was me
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kind of like you know going to the place
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and really you know just writing about
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what I could see and then there's also
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another section where I try to describe
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a Big Red Barn so for example the barn
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is a stunning piece of historic AR
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architecture painted a deep red and
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built almost entirely out of wood with a
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mansard roof I think they call mansard
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rubs Dutch rubs or Gamal Rubes here
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they're symmetrical in shape with two
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slopes on either side of the roof to
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give added height and storage space and
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then also talk about um The Farmhouse so
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yesterday I noticed that the house
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mirrors the design of the barn but only
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now can I take time to appreciate it
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it's red like the barn but much smaller
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and more decorative with white window
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surrounds breaking up the weatherboard
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facade and a central Gable Dormer built
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into the Terracotta tiled roof the
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windows are rectangular and symmetrical
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but below the roof line at the sides and
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at the top of the Dormer are small
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triangular-shaped windows so it's just
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to be honest I described what I saw I
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found a farmhouse that kind of looked
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roughly how I imagined it and um like
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the fact that it mirrored the style of
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the barn and basically sat down wrote
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and described exactly what I saw so you
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don't need to use your imagination all
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of the time sometimes it's just good to
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be able to you know use it to fill in a
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few extra details and it is honestly so
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easier to describe what you see than to
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make up every single thing because
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you'll be using your imagination an
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awful lot for the rest of your
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story so I hope some of those tips on
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creating Vivid settings have been useful
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but I am going to leave you with some
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tasks so you can practice because it is
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so important that your settings feel as
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real to you as any character so I hope
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you enjoy doing these visualization
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techniques and really bringing your own
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settings to life in the next lesson I'm
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going to be talking to you about the
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importance of creating five Big scenes
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that feel really really real to you so
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when you come to ride them you won't hit
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stumbling blocks
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