All language subtitles for [English (auto-generated)] 1 Las páginas iniciales [DownSub.com]

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish Download
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,900 --> 00:00:09,240 [Music] 2 00:00:09,240 --> 00:00:10,960 in this lesson we'll talk about how to 3 00:00:10,960 --> 00:00:13,320 hook a publisher and work towards your 4 00:00:13,320 --> 00:00:14,960 final project which is to write the 5 00:00:14,960 --> 00:00:17,480 first two pages of your novel you may 6 00:00:17,480 --> 00:00:18,880 already have an idea for the beginning 7 00:00:18,880 --> 00:00:20,720 of your novel as part of your big idea 8 00:00:20,720 --> 00:00:21,960 but if not this is where you need to 9 00:00:21,960 --> 00:00:23,560 come up with something that is going to 10 00:00:23,560 --> 00:00:25,840 hook a publisher from almost from the 11 00:00:25,840 --> 00:00:27,199 moment they sit down to start reading 12 00:00:27,199 --> 00:00:30,199 your book my editor once said to me your 13 00:00:30,199 --> 00:00:31,840 job is to write the book that you love 14 00:00:31,840 --> 00:00:33,879 it's our job to sell it but I already 15 00:00:33,879 --> 00:00:35,640 had a book deal so I was really lucky in 16 00:00:35,640 --> 00:00:37,600 that respect if you don't already have a 17 00:00:37,600 --> 00:00:39,480 book deal in advance then you need to 18 00:00:39,480 --> 00:00:41,840 give your publisher some idea of how 19 00:00:41,840 --> 00:00:43,800 they might sell your novel remember 20 00:00:43,800 --> 00:00:45,640 literary agents and Publishers are 21 00:00:45,640 --> 00:00:47,879 literally looking for a reason to say no 22 00:00:47,879 --> 00:00:50,120 they get sent so many manuscripts so you 23 00:00:50,120 --> 00:00:51,680 need to give them a reason to say yes 24 00:00:51,680 --> 00:00:53,239 and I think that needs to happen within 25 00:00:53,239 --> 00:00:55,160 the first couple of pages of your novel 26 00:00:55,160 --> 00:00:56,399 you want to make sure that anyone 27 00:00:56,399 --> 00:00:58,160 reading it whether it's a literary agent 28 00:00:58,160 --> 00:01:00,079 or a publisher or just your reader is is 29 00:01:00,079 --> 00:01:01,640 so intrigued by what happens in those 30 00:01:01,640 --> 00:01:03,239 first couple of pages that they can't 31 00:01:03,239 --> 00:01:05,438 wait to read on think about how a 32 00:01:05,438 --> 00:01:08,119 publisher might Market your book in the 33 00:01:08,119 --> 00:01:10,720 case of my debut novel Lucy in the Sky I 34 00:01:10,720 --> 00:01:12,400 gave them an idea in the very first 35 00:01:12,400 --> 00:01:14,479 couple of pages about this idea of this 36 00:01:14,479 --> 00:01:16,520 heroin sitting on a plane going to 37 00:01:16,520 --> 00:01:18,400 Australia and receiving a text from her 38 00:01:18,400 --> 00:01:19,720 boyfriend's mobile from the woman 39 00:01:19,720 --> 00:01:22,159 claiming to sleep with him the posters 40 00:01:22,159 --> 00:01:23,840 that appeared on the Underground Station 41 00:01:23,840 --> 00:01:25,560 posst the question how would you react 42 00:01:25,560 --> 00:01:27,079 if you received this text message just 43 00:01:27,079 --> 00:01:29,159 before a 24-hour flight I have slept 44 00:01:29,159 --> 00:01:30,439 with your boyfriend for four times this 45 00:01:30,439 --> 00:01:32,960 month just in the first couple of pages 46 00:01:32,960 --> 00:01:34,840 my character Lucy received that text 47 00:01:34,840 --> 00:01:38,200 message and it gave my publisher an idea 48 00:01:38,200 --> 00:01:40,040 for how they might sell my novel because 49 00:01:40,040 --> 00:01:41,799 readers were intrigued you know what was 50 00:01:41,799 --> 00:01:43,520 going to happen like was her boyfriend 51 00:01:43,520 --> 00:01:45,640 cheating on her they wanted to find out 52 00:01:45,640 --> 00:01:47,840 so it gives the reader a reason to read 53 00:01:47,840 --> 00:01:49,640 on so you want to make sure that 54 00:01:49,640 --> 00:01:51,640 something similar something that shakes 55 00:01:51,640 --> 00:01:54,320 your character out of their comfort zone 56 00:01:54,320 --> 00:01:55,799 and makes the reader think you know 57 00:01:55,799 --> 00:01:58,040 what's going to happen next 58 00:01:58,040 --> 00:02:00,960 [Music] 59 00:02:00,960 --> 00:02:02,799 these first couple of pages won't be 60 00:02:02,799 --> 00:02:05,159 quite as imperative for any other novel 61 00:02:05,159 --> 00:02:06,560 that you write because once you have a 62 00:02:06,560 --> 00:02:10,000 book deal you already have an editor who 63 00:02:10,000 --> 00:02:11,280 has you know you've bought yourself some 64 00:02:11,280 --> 00:02:12,959 patience they can read on and it might 65 00:02:12,959 --> 00:02:15,440 be that something much bigger much more 66 00:02:15,440 --> 00:02:17,000 exciting happens later on your novel 67 00:02:17,000 --> 00:02:18,879 that will be where all of the marketing 68 00:02:18,879 --> 00:02:20,840 goes or all of the advertising goes you 69 00:02:20,840 --> 00:02:22,280 know to really push your novel to 70 00:02:22,280 --> 00:02:24,840 readers and and retailers but certainly 71 00:02:24,840 --> 00:02:27,160 for your first book just because you're 72 00:02:27,160 --> 00:02:29,040 trying to hook a publisher or a literary 73 00:02:29,040 --> 00:02:31,080 agent in it needs to happen really 74 00:02:31,080 --> 00:02:33,239 really quickly as in the case of Only 75 00:02:33,239 --> 00:02:34,959 Love Can her like this which is my 20th 76 00:02:34,959 --> 00:02:37,599 novel we actually ended up focusing on 77 00:02:37,599 --> 00:02:40,040 the earth shattering secret this twist 78 00:02:40,040 --> 00:02:41,680 that happens later on in the novel and 79 00:02:41,680 --> 00:02:42,920 that's what all the marketing sort of 80 00:02:42,920 --> 00:02:45,560 focuses on we had videos that go out 81 00:02:45,560 --> 00:02:47,519 saying Earth shattering secret a 82 00:02:47,519 --> 00:02:49,400 life-changing love story and the front 83 00:02:49,400 --> 00:02:51,159 cover of my book literally has those 84 00:02:51,159 --> 00:02:54,280 words there now but the back cover blur 85 00:02:54,280 --> 00:02:55,760 which is on the back of the book and 86 00:02:55,760 --> 00:02:58,200 this is what any reader who is 87 00:02:58,200 --> 00:03:00,080 interested in buying this book off the 88 00:03:00,080 --> 00:03:02,040 book shelf shelf will have a look at to 89 00:03:02,040 --> 00:03:03,159 see whether or not it's something that 90 00:03:03,159 --> 00:03:06,000 they might want to read that opens up 91 00:03:06,000 --> 00:03:07,560 with what happens actually in the first 92 00:03:07,560 --> 00:03:10,319 two pages when Ren realizes her fiance 93 00:03:10,319 --> 00:03:11,920 is in love with someone else she thinks 94 00:03:11,920 --> 00:03:13,640 her heart will never recover so it's 95 00:03:13,640 --> 00:03:15,159 still really really important to make 96 00:03:15,159 --> 00:03:16,599 sure something exciting enough that 97 00:03:16,599 --> 00:03:18,400 could feature on the back of your book 98 00:03:18,400 --> 00:03:21,400 does appear very very 99 00:03:22,400 --> 00:03:24,480 quickly it might be that your writing 100 00:03:24,480 --> 00:03:26,319 Sparkles so much that it would be the 101 00:03:26,319 --> 00:03:27,920 writing itself that keeps someone 102 00:03:27,920 --> 00:03:29,360 reading on and that is absolutely 103 00:03:29,360 --> 00:03:31,439 amazing that's certainly the case for 104 00:03:31,439 --> 00:03:33,040 one of my favorite books watermelon by 105 00:03:33,040 --> 00:03:35,400 Marian Keys her writing Sparkles so much 106 00:03:35,400 --> 00:03:38,040 in those first few pages but it does 107 00:03:38,040 --> 00:03:40,239 also focus on the fact that her husband 108 00:03:40,239 --> 00:03:42,280 leaves her her character on the day that 109 00:03:42,280 --> 00:03:44,480 she gives birth to her baby so that also 110 00:03:44,480 --> 00:03:46,680 happens in the first page so combination 111 00:03:46,680 --> 00:03:49,360 of writing sparkling and a really good 112 00:03:49,360 --> 00:03:51,760 idea is what will help make a literary 113 00:03:51,760 --> 00:03:54,079 agent stand up and take notice but also 114 00:03:54,079 --> 00:03:55,760 prologues can be a really good way of 115 00:03:55,760 --> 00:03:57,319 getting a reader interested and hooked 116 00:03:57,319 --> 00:03:59,360 immediately I just read a book by Sophie 117 00:03:59,360 --> 00:04:01,640 cousins called before I do and the 118 00:04:01,640 --> 00:04:03,640 prologue is all about the bride running 119 00:04:03,640 --> 00:04:05,519 out of the church she's got a bump on 120 00:04:05,519 --> 00:04:07,760 her head she's Barefoot and you know 121 00:04:07,760 --> 00:04:09,120 straight away I was thinking what 122 00:04:09,120 --> 00:04:10,959 happened to make this bride run out of 123 00:04:10,959 --> 00:04:13,480 the church and I love the tagline the 124 00:04:13,480 --> 00:04:16,238 tagline was what would you do if the One 125 00:04:16,238 --> 00:04:18,839 That Got Away turns up the night before 126 00:04:18,839 --> 00:04:21,680 you're due to say I do to someone else 127 00:04:21,680 --> 00:04:23,840 so tagline together with idea together 128 00:04:23,840 --> 00:04:25,440 with a prologue and a really strong 129 00:04:25,440 --> 00:04:27,680 opening really made me want to read that 130 00:04:27,680 --> 00:04:29,759 book I've actually used a prologue for 131 00:04:29,759 --> 00:04:32,199 for Only Love Can Hurt Like This because 132 00:04:32,199 --> 00:04:33,800 sometimes it's a really nice way of 133 00:04:33,800 --> 00:04:35,840 drawing the reader's attention to that 134 00:04:35,840 --> 00:04:38,240 lifechanging moment and then you know 135 00:04:38,240 --> 00:04:39,680 you're straight there straight in with 136 00:04:39,680 --> 00:04:41,720 the action and it's really really 137 00:04:41,720 --> 00:04:43,720 exciting and then you can kind of slow 138 00:04:43,720 --> 00:04:45,600 things down a little bit in chapter one 139 00:04:45,600 --> 00:04:47,440 and it may even be that you explain what 140 00:04:47,440 --> 00:04:50,039 happened in the prologue at a later date 141 00:04:50,039 --> 00:04:52,400 or in flashbacks so it's just about 142 00:04:52,400 --> 00:04:54,320 something really exciting happening 143 00:04:54,320 --> 00:04:56,400 really quickly to make someone want to 144 00:04:56,400 --> 00:04:59,640 find out what's going to happen next 145 00:04:59,640 --> 00:05:02,320 [Music] 146 00:05:02,320 --> 00:05:04,000 so I'm going to talk you through the 147 00:05:04,000 --> 00:05:06,320 opening pages of Only Love Can Hurt Like 148 00:05:06,320 --> 00:05:09,120 This so to begin with I'm introducing 149 00:05:09,120 --> 00:05:11,600 the setting because for me the setting 150 00:05:11,600 --> 00:05:14,320 is really beautiful reality it's set in 151 00:05:14,320 --> 00:05:16,440 this gorgeous Park in beron Edmonds 152 00:05:16,440 --> 00:05:18,560 which has these fairy tale ruins all 153 00:05:18,560 --> 00:05:20,639 these old Cathedral ruins and it's just 154 00:05:20,639 --> 00:05:22,720 a really lovely setting so you know I 155 00:05:22,720 --> 00:05:24,720 first of all open it up with the with a 156 00:05:24,720 --> 00:05:27,280 description of where the character is I 157 00:05:27,280 --> 00:05:29,120 also very quickly let the reader know 158 00:05:29,120 --> 00:05:31,039 what time of year it is and in this case 159 00:05:31,039 --> 00:05:32,960 it's early April but it's a really warm 160 00:05:32,960 --> 00:05:35,319 day and funnily enough we're actually 161 00:05:35,319 --> 00:05:37,520 going to release this book in April so 162 00:05:37,520 --> 00:05:39,080 that ties in really really nicely for 163 00:05:39,080 --> 00:05:40,800 people who are picking this book up off 164 00:05:40,800 --> 00:05:42,160 the shelves and starting to get a bit 165 00:05:42,160 --> 00:05:43,919 excited about summer this would be a 166 00:05:43,919 --> 00:05:45,240 great book to read on the beach for 167 00:05:45,240 --> 00:05:47,440 example so it's quite nice to set your 168 00:05:47,440 --> 00:05:49,199 book around the time that you think your 169 00:05:49,199 --> 00:05:51,199 readers might want to read it if you 170 00:05:51,199 --> 00:05:52,600 decide that it's going to be a really 171 00:05:52,600 --> 00:05:54,479 cozy Christmasy love story then 172 00:05:54,479 --> 00:05:56,240 guaranteed your publisher is probably 173 00:05:56,240 --> 00:05:59,570 going to put it out there at Christmas 174 00:05:59,570 --> 00:06:02,440 [Music] 175 00:06:02,440 --> 00:06:04,000 and then in the third paragraph I'm just 176 00:06:04,000 --> 00:06:05,800 talking about my character Ren is 177 00:06:05,800 --> 00:06:08,160 wandering around the Abby ruins and 178 00:06:08,160 --> 00:06:09,800 she's just looking for somewhere like a 179 00:06:09,800 --> 00:06:12,639 nice wall to sit down and drink a coffee 180 00:06:12,639 --> 00:06:14,440 when she sees her fiance sitting on a 181 00:06:14,440 --> 00:06:17,080 bench just not that far away from her 182 00:06:17,080 --> 00:06:18,160 there's a tiny little bit of an 183 00:06:18,160 --> 00:06:19,919 introduction to her fiance without going 184 00:06:19,919 --> 00:06:21,319 into too much detail because you don't 185 00:06:21,319 --> 00:06:22,520 want to weigh down the beginning with 186 00:06:22,520 --> 00:06:24,880 too much detail so I'd just say that 187 00:06:24,880 --> 00:06:26,599 Scott set up a landscape gardening 188 00:06:26,599 --> 00:06:28,639 business when we moved here about a year 189 00:06:28,639 --> 00:06:30,880 ago so that kind of very quickly tells 190 00:06:30,880 --> 00:06:32,360 people that she hasn't been there for 191 00:06:32,360 --> 00:06:36,039 very long and what her fiance does also 192 00:06:36,039 --> 00:06:37,280 and the fact that he actually is her 193 00:06:37,280 --> 00:06:40,080 fiance I should also say that before I 194 00:06:40,080 --> 00:06:42,240 got to this point I had managed to 195 00:06:42,240 --> 00:06:44,720 explain that Ren Was An Architect okay 196 00:06:44,720 --> 00:06:46,960 so that happened after when she's saying 197 00:06:46,960 --> 00:06:48,680 that she's got out of the office with 198 00:06:48,680 --> 00:06:50,840 her coffee having had to deal with a 199 00:06:50,840 --> 00:06:53,240 nightmare client and this client is 200 00:06:53,240 --> 00:06:54,840 sometimes someone who could put her off 201 00:06:54,840 --> 00:06:57,080 architecture for life so I've kind of 202 00:06:57,080 --> 00:07:00,160 introduced so far a character a sense of 203 00:07:00,160 --> 00:07:02,240 place you know we know what she does for 204 00:07:02,240 --> 00:07:04,039 a living and we know that she has a 205 00:07:04,039 --> 00:07:07,840 fiance who is a landscape 206 00:07:09,440 --> 00:07:11,319 Gardener at the end of the third 207 00:07:11,319 --> 00:07:13,960 paragraph my character Ren realizes that 208 00:07:13,960 --> 00:07:16,479 her fiance is sitting with his co-worker 209 00:07:16,479 --> 00:07:17,599 then there's a short description about 210 00:07:17,599 --> 00:07:20,560 the cooworker who is a lovely girl she's 211 00:07:20,560 --> 00:07:22,800 absolutely beautiful Ren really likes 212 00:07:22,800 --> 00:07:26,400 her so she's a little bit unsure why 213 00:07:26,400 --> 00:07:28,720 seeing them together like this why she 214 00:07:28,720 --> 00:07:30,520 hasn't shouted out to say hello but 215 00:07:30,520 --> 00:07:31,560 there's something about their body 216 00:07:31,560 --> 00:07:34,590 language that makes her just 217 00:07:34,590 --> 00:07:38,140 [Music] 218 00:07:38,199 --> 00:07:41,000 pause now I read this moment is one of 219 00:07:41,000 --> 00:07:44,000 my key scenes in the last lesson so I 220 00:07:44,000 --> 00:07:46,199 won't go into in too much detail here 221 00:07:46,199 --> 00:07:49,319 but basically Ren sees this moment she 222 00:07:49,319 --> 00:07:52,120 sees this moment where her fiance turns 223 00:07:52,120 --> 00:07:54,960 and looks at his coworker and she sees 224 00:07:54,960 --> 00:07:57,360 this look of what she later realizes as 225 00:07:57,360 --> 00:07:59,800 longing on his face and she just gets 226 00:07:59,800 --> 00:08:01,240 this sense that there is something 227 00:08:01,240 --> 00:08:03,360 between them there is chemistry between 228 00:08:03,360 --> 00:08:05,840 her fiance and his coworker and her 229 00:08:05,840 --> 00:08:08,560 intuition tells her that something is 230 00:08:08,560 --> 00:08:11,080 very very wrong so that all happens 231 00:08:11,080 --> 00:08:14,280 really really quickly and it gives me a 232 00:08:14,280 --> 00:08:17,319 foundation for my story it gives my 233 00:08:17,319 --> 00:08:20,120 character something to react to and 234 00:08:20,120 --> 00:08:21,440 that's what you want to do your 235 00:08:21,440 --> 00:08:23,240 character needs to be going about their 236 00:08:23,240 --> 00:08:25,440 ordinary day as Ren was just going about 237 00:08:25,440 --> 00:08:28,120 her Ordinary Day having a coffee out in 238 00:08:28,120 --> 00:08:30,319 the gardens and seeing something that is 239 00:08:30,319 --> 00:08:33,200 going to change her life forever so 240 00:08:33,200 --> 00:08:35,240 whatever your character does or sees or 241 00:08:35,240 --> 00:08:36,760 who she meets and it might be that she 242 00:08:36,760 --> 00:08:39,200 meets you know maybe the moment that she 243 00:08:39,200 --> 00:08:40,839 meets the main love interest will be 244 00:08:40,839 --> 00:08:42,919 that opening scene that big sort of 245 00:08:42,919 --> 00:08:45,000 life-changing moment for your character 246 00:08:45,000 --> 00:08:46,880 something needs to happen that's really 247 00:08:46,880 --> 00:08:49,000 exciting and makes you question what on 248 00:08:49,000 --> 00:08:51,920 Earth is going to happen 249 00:08:52,140 --> 00:08:54,920 [Music] 250 00:08:54,920 --> 00:08:57,279 next I really recommend that you have a 251 00:08:57,279 --> 00:08:58,920 look at some other books that you love 252 00:08:58,920 --> 00:09:00,399 and just see what happens in the first 253 00:09:00,399 --> 00:09:02,640 couple of pages it may be that something 254 00:09:02,640 --> 00:09:04,640 there inspires you you might be able to 255 00:09:04,640 --> 00:09:06,920 think of a Different Twist on it or you 256 00:09:06,920 --> 00:09:08,680 know look at another way of something 257 00:09:08,680 --> 00:09:10,560 similar happening but just have a look 258 00:09:10,560 --> 00:09:13,000 for inspiration elsewhere and really now 259 00:09:13,000 --> 00:09:15,399 start concentrating on what will happen 260 00:09:15,399 --> 00:09:17,160 to your character in those first couple 261 00:09:17,160 --> 00:09:19,360 of pages it's really really important 262 00:09:19,360 --> 00:09:21,200 that it's exciting enough not only to 263 00:09:21,200 --> 00:09:23,440 make you want to write the rest of it 264 00:09:23,440 --> 00:09:25,279 but also to make whoever picks it up to 265 00:09:25,279 --> 00:09:28,120 read want to read on in the next lesson 266 00:09:28,120 --> 00:09:29,800 I'm going to talk to you about how to 267 00:09:29,800 --> 00:09:31,480 plan your novel and how to write a 268 00:09:31,480 --> 00:09:32,580 synopsis 269 00:09:32,580 --> 00:09:37,299 [Music] 19349

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.