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1
00:00:13,514 --> 00:00:15,683
[ SIGHS ] COME ON.
2
00:00:17,351 --> 00:00:20,488
[ SIGHS ]
3
00:00:20,521 --> 00:00:21,722
OKAY.
4
00:00:42,976 --> 00:00:43,944
[ GROANS ]
5
00:00:43,977 --> 00:00:45,779
WHAT IS ALL THIS CRAP?
6
00:00:45,813 --> 00:00:48,382
OUTGOING INVENTORY.
7
00:00:48,416 --> 00:00:49,717
[ SIGHS ]
8
00:00:49,750 --> 00:00:50,784
HERE.
9
00:00:50,818 --> 00:00:52,620
[ GRUNTS ]
10
00:00:53,787 --> 00:00:56,124
HELPFUL HINT --
11
00:00:56,157 --> 00:00:58,392
MANSCAPING.
12
00:01:01,495 --> 00:01:02,430
OH.
13
00:01:02,463 --> 00:01:04,632
I KNOW, RIGHT?
BEYOND REPROACH.
14
00:01:04,665 --> 00:01:06,234
I CALL IT A "BOYZILIAN."
15
00:01:06,267 --> 00:01:08,769
YOU ARE NOT READY
FOR THAT.
16
00:01:08,802 --> 00:01:11,572
BABY STEPS.
17
00:01:15,276 --> 00:01:17,077
Serafian:
* INTO THE LIGHT... *
18
00:01:17,111 --> 00:01:19,247
Niedermayer:
BEHOLD, THE INESCAPABLE TRUTH
19
00:01:19,280 --> 00:01:20,881
ONSTAGE THREE WEEKS AGO.
20
00:01:20,914 --> 00:01:22,983
MAY I HAVE
YOUR ATTENTION, PLEASE?
21
00:01:23,016 --> 00:01:25,085
I HAVE A VERY IMPORTANT
QUESTION.
22
00:01:25,119 --> 00:01:26,287
IT'S ABOUT PENISES.
23
00:01:26,320 --> 00:01:27,955
YEAH, I THINK
THAT CAN WAIT.
24
00:01:27,988 --> 00:01:29,990
WE HAVE AN URGENT
MISSING-MUSICIAN CASE.
25
00:01:30,023 --> 00:01:31,259
MISSING MUSICIANS?
26
00:01:31,292 --> 00:01:32,626
THEY'RE NEVER URGENT.
27
00:01:32,660 --> 00:01:35,563
UGH, SOUNDS LIKE NOISE TO ME.
I HATE MUSIC.
28
00:01:35,596 --> 00:01:37,565
AMUSIA, POSSIBLY DUE TO DAMAGE
TO THE FRONTAL LOBE
29
00:01:37,598 --> 00:01:39,633
WHEN YOUR FATHER SMACKED YOU
ON THE HEAD WITH HIS GUN.
30
00:01:39,667 --> 00:01:41,469
I'D LIKE TO SMACK YOU
IN THE HEAD WITH A GUN.
31
00:01:41,502 --> 00:01:45,005
SEBASTIAN SERAFIAN,
AGE 26,
32
00:01:45,038 --> 00:01:48,309
VANISHED
FROM COURT-MANDATED REHAB.
33
00:01:48,342 --> 00:01:49,910
THIS COMES STRAIGHT
FROM THE CHIEF.
34
00:01:49,943 --> 00:01:52,413
THIS COMES
FROM THE CHIEF.
35
00:01:52,446 --> 00:01:55,683
ALMOND,
YOU KNOW WHAT THAT MEANS.
36
00:01:55,716 --> 00:01:57,518
WHAT?
POLITICS.
37
00:01:57,551 --> 00:01:59,287
YEAH, POLITICS.
38
00:01:59,320 --> 00:02:01,655
OH, GOD, LOOK AT HIM.
39
00:02:01,689 --> 00:02:04,625
BUNCH OF FAILED BARISTAS
STARING AT THEIR NAVELS
40
00:02:04,658 --> 00:02:06,960
AND STICKING THEIR PARENTS
WITH THE BILL.
41
00:02:06,994 --> 00:02:08,629
AW.
MUSICIANS ARE ADORABLE.
42
00:02:08,662 --> 00:02:11,165
THEY DESERVE
SPECIAL ARTIST FREEDOMS.
43
00:02:11,199 --> 00:02:13,033
YOUR ATTITUDE
DISGUSTS ME.
44
00:02:13,066 --> 00:02:16,470
NO SPECIAL DISPENSATION
FOR ARTISTS.
45
00:02:16,504 --> 00:02:19,340
OKAY, HERE'S WHAT
WE'RE GONNA DO TODAY, KIDS.
46
00:02:19,373 --> 00:02:21,475
WE'RE GONNA FIND
THIS POLITICALLY
CONNECTED NOISEMAKER.
47
00:02:21,509 --> 00:02:24,312
WE'RE GONNA SLAM HIM BACK
INTO REHAB, WHERE HE BELONGS.
48
00:02:24,345 --> 00:02:26,314
YOU AND ME,
WE'RE GONNA TAKE THE REHAB.
49
00:02:26,347 --> 00:02:29,983
NIEDERMAYER, YOU AND ALMOND
TALK TO THAT...BAND,
50
00:02:30,017 --> 00:02:31,819
FIND OUT WHO'S HIDING HIM.
51
00:02:31,852 --> 00:02:35,956
Chapin: OKAY, THIS IS WHERE
WE HOLD GROUP THERAPY.
52
00:02:35,989 --> 00:02:37,491
THE PLACE
IS COURT-MANDATED?
53
00:02:37,525 --> 00:02:39,693
WHERE'S THE PUKE-GREEN WALLS
AND THE VIOLENT ORDERLIES?
54
00:02:39,727 --> 00:02:42,730
YOU KNOW, THE HOSTILITY
YOU'VE DISPLAYED OVER
THE PAST 10 MINUTES
55
00:02:42,763 --> 00:02:44,965
SUGGESTS THAT YOU'RE CONFLICTED
WITH YOURSELF
56
00:02:44,998 --> 00:02:46,133
OVER ADDICTION ISSUES.
57
00:02:46,166 --> 00:02:47,635
LIEUTENANT BACKSTROM
IS CONFLICTED
58
00:02:47,668 --> 00:02:49,637
WITH EVERYONE
ABOUT EVERYTHING.
MM-HMM.
59
00:02:49,670 --> 00:02:51,972
WHAT CAN YOU TELL US
ABOUT SEBASTIAN SERAFIAN?
60
00:02:52,005 --> 00:02:53,474
I'M UNCOMFORTABLE
EVEN CONFIRMING
61
00:02:53,507 --> 00:02:55,142
THAT SEBASTIAN
WAS A GUEST HERE.
62
00:02:55,175 --> 00:02:56,377
WE GUARANTEE
DISCRETION.
63
00:02:56,410 --> 00:02:57,645
DID HE HAVE
ANY VISITORS?
64
00:02:57,678 --> 00:02:59,513
AGAIN, I MUST PUT
THE RIGHT TO PRIVACY
65
00:02:59,547 --> 00:03:02,350
OF OUR GUESTS BEFORE --
JUST PUT YOUR FINGER
ON YOUR NOSE
66
00:03:02,383 --> 00:03:04,652
IF ANY OF HIS BANDMATES
SMUGGLED IN DRUGS.
67
00:03:04,685 --> 00:03:06,019
OKAY, FELLA.
68
00:03:06,053 --> 00:03:08,856
SO, WHAT'S YOUR POISON?
HMM?
69
00:03:08,889 --> 00:03:10,224
DRUGS, ALCOHOL?
70
00:03:10,258 --> 00:03:11,392
KEEP GOING?
YEAH.
71
00:03:11,425 --> 00:03:13,561
OH, YOU'RE
AN "ALL OF THE ABOVE" MAN.
72
00:03:13,594 --> 00:03:15,263
[ CHUCKLES ]
WELL,
MR. "ALL OF THE ABOVE,"
73
00:03:15,296 --> 00:03:17,598
TRY CLOSING YOUR MOUTH
AND OPENING YOUR HEART.
74
00:03:17,631 --> 00:03:20,100
TRY OPENING YOUR MOUTH
AND CLOSING YOUR EYES.
EXCUSE ME?
75
00:03:20,133 --> 00:03:21,769
WITHOUT CONFIRMING
THAT SEBASTIAN
76
00:03:21,802 --> 00:03:23,271
WAS EVER A PATIENT HERE,
77
00:03:23,304 --> 00:03:25,306
CAN YOU TELL US EXACTLY
WHAT TIME HE WENT MISSING?
78
00:03:26,740 --> 00:03:29,610
YEAH, I CAN DO THAT.
79
00:03:29,643 --> 00:03:32,112
[ KEYS CLACKING ]
80
00:03:32,145 --> 00:03:35,383
30th. SEE?
81
00:03:35,416 --> 00:03:38,786
THAT'S SEBASTIAN SERAFIAN.
DID HE LEAVE A DATA TRAIL?
82
00:03:38,819 --> 00:03:41,555
NO. GUESTS FORGO ALL PHONE
AND COMPUTER PRIVILEGES.
83
00:03:41,589 --> 00:03:43,524
YEAH? HOW DO THE GUESTS
KEEP IN TOUCH
84
00:03:43,557 --> 00:03:45,125
WITH THEIR DEALERS
AND THEIR BOOKIES?
85
00:03:45,158 --> 00:03:47,595
ADDICTION IS NOT A JOKE.
IT IS A DISEASE.
86
00:03:47,628 --> 00:03:50,431
YOU KNOW WHAT'S A DISEASE?
ANTHRAX.
87
00:03:50,464 --> 00:03:53,434
YOU KNOW WHAT'S FUN?
DRUGS AND ALCOHOL.
88
00:03:53,467 --> 00:03:54,735
YOU DON'T BELIEVE ME,
89
00:03:54,768 --> 00:03:56,404
LOOK AT HIM JUMPING
OVER THAT WALL.
90
00:03:56,437 --> 00:03:58,205
YOU'RE A FRAUD.
THIS PLACE IS BOGUS.
91
00:03:58,238 --> 00:03:59,707
WHEN I CATCH HIM,
92
00:03:59,740 --> 00:04:01,775
HE'S NOT COMING BACK
TO THIS SHANGRI-LA.
93
00:04:01,809 --> 00:04:04,778
NO, HE'S GOING TO JAIL,
WHERE HE CAN GET SOME REAL HELP.
94
00:04:06,314 --> 00:04:09,450
THE WHOLE BAND OPERATES
AS A CREATIVE COMMUNE.
95
00:04:09,483 --> 00:04:13,086
MOST OF THEM LIVE RIGHT HERE,
WHERE THEY PRACTICE.
96
00:04:13,120 --> 00:04:15,456
HEY, SPECIAL CRIMES UNIT!
97
00:04:15,489 --> 00:04:18,826
[ ROCK MUSIC PLAYING ]
THAT MEANS STOP PLAYING.
98
00:04:18,859 --> 00:04:19,927
[ MUSIC STOPS ]
99
00:04:19,960 --> 00:04:21,261
THANK YOU.
100
00:04:21,295 --> 00:04:24,064
UH, WE ARE LOOKING
FOR SEBASTIAN SERAFIAN.
101
00:04:24,097 --> 00:04:25,232
HE'S NOT HERE.
102
00:04:25,265 --> 00:04:26,667
YOU MIND?
103
00:04:29,670 --> 00:04:32,306
DOES ANYBODY KNOW
HIS WHEREABOUTS?
104
00:04:32,340 --> 00:04:34,107
YEAH, HE'S IN REHAB.
105
00:04:34,141 --> 00:04:36,076
WRONG.
Hausberg: WHAT?
106
00:04:36,109 --> 00:04:37,611
SEBASTIAN LEFT REHAB?
107
00:04:37,645 --> 00:04:39,947
HE'S GONNA DIE
IF HE DOESN'T GET OFF DRUGS.
108
00:04:39,980 --> 00:04:41,449
WE CAN ALL SEE IT COMING.
109
00:04:41,482 --> 00:04:43,283
I HAVE TOTAL FAITH
IN SEBASTIAN.
110
00:04:43,317 --> 00:04:45,319
Almond: MAYBE IT'S BEST
IF YOU HELP US FIND HIM.
111
00:04:45,353 --> 00:04:46,654
MIND IF WE LOOK AROUND?
112
00:04:46,687 --> 00:04:49,457
SEBASTIAN'S NOT HERE.
TOTAL WASTE OF TIME.
113
00:04:49,490 --> 00:04:51,692
LARA'S NOT THE ONLY ONE
THAT WANTS SEBASTIAN TO LIVE.
114
00:04:51,725 --> 00:04:55,463
SEBASTIAN WROTE THE MUSIC
AND WORDS,
115
00:04:55,496 --> 00:04:57,130
AND HE WAS THE FRONT MAN
OF THE BAND.
116
00:04:57,164 --> 00:04:59,767
WOULD IT BE FAIR TO SAY THAT
HE WAS THE LEADER OF THE BAND?
117
00:04:59,800 --> 00:05:01,969
WE DON'T HAVE A LEADER.
WE'RE AN ARTISTIC COLLECTIVE.
118
00:05:02,002 --> 00:05:02,970
AH.
119
00:05:03,003 --> 00:05:05,639
THUS THE SPIRIT-GUIDE HEADS.
120
00:05:05,673 --> 00:05:08,976
IT'S AN IRONIC COMMENT
ON THE EGO.
121
00:05:09,009 --> 00:05:10,978
ANYONE THAT WANTS TO LET
THE COPS LOOK AROUND,
122
00:05:11,011 --> 00:05:12,012
RAISE YOUR HAND.
123
00:05:17,651 --> 00:05:19,487
IT'S UNANIMOUS.
THANK YOU.
124
00:05:20,988 --> 00:05:24,525
Backstrom:
IF I ESCAPED REHAB ON FOOT,
I HEAD TO THE NEAREST PLACE
125
00:05:24,558 --> 00:05:26,293
I CAN GET BLASTED
OUT OF MY JUNKIE SKULL.
126
00:05:26,326 --> 00:05:27,895
Gravely:
WELL, THIS IS THE NEAREST BAR.
127
00:05:27,928 --> 00:05:29,997
SEBASTIAN SERAFIAN --
DO YOU RECOGNIZE HIM?
128
00:05:30,030 --> 00:05:31,832
NEVER SAW HIM
IN MY LIFE.
129
00:05:31,865 --> 00:05:33,501
YOU DIDN'T
EVEN LOOK.
130
00:05:35,102 --> 00:05:36,570
ARE THERE ANY CAMERAS
IN HERE?
131
00:05:36,604 --> 00:05:38,138
YOU SEE ANY CAMERAS
IN HERE?
132
00:05:38,171 --> 00:05:42,710
MS. McMURRAY, ARE YOU THE OWNER
OF THIS ESTABLISHMENT?
133
00:05:42,743 --> 00:05:44,745
ME, AN EX-HUSBAND,
AND THE BANK.
134
00:05:44,778 --> 00:05:48,516
GRAVELY, GO SEE
IF HE'S IN THE BATHROOM.
135
00:05:48,549 --> 00:05:51,419
HE MIGHT BE
SHOOTING UP.
136
00:05:54,221 --> 00:05:57,257
YOUR HOSTILITY SUGGESTS
YOU'RE IN CONFLICT WITH YOURSELF
137
00:05:57,290 --> 00:05:58,859
OVER ADDICTION ISSUES.
138
00:06:00,293 --> 00:06:02,262
NO, I AM NOT.
139
00:06:02,295 --> 00:06:04,164
ADDICTION IS WHAT KEEPS
THIS PLACE AFLOAT.
140
00:06:04,197 --> 00:06:06,400
YEAH, AND THE REHAB
UP THE STREET.
141
00:06:06,434 --> 00:06:09,036
I GUESS YOU GUYS
KEEP EACH OTHER AFLOAT
142
00:06:09,069 --> 00:06:10,203
SWAPPING CUSTOMERS.
143
00:06:10,237 --> 00:06:13,407
[ BOTH CHUCKLE ]
144
00:06:13,441 --> 00:06:15,443
[ SIGHS ]
145
00:06:15,476 --> 00:06:17,177
YOUR DAUGHTER ASKED
THE WRONG QUESTION.
146
00:06:17,210 --> 00:06:19,580
[ CHUCKLES ]
YOU WANT TO TRY?
147
00:06:21,248 --> 00:06:24,752
ARE THERE CAMERAS
ON THE OUTSIDE OF THIS PLACE?
148
00:06:28,221 --> 00:06:31,559
OKAY.
149
00:06:32,793 --> 00:06:35,295
WHY HAVE A CAMERA
OUTSIDE OF THE BAR?
150
00:06:35,328 --> 00:06:37,731
SO COPS CAN'T SEE
WHAT GOES ON INSIDE THE BAR.
151
00:06:37,765 --> 00:06:40,534
AND TO MAKE SURE ALL THE REALLY
BAD STUFF HAPPENS OUTSIDE.
152
00:06:40,568 --> 00:06:42,269
WHERE IT'S NOT YOUR FAULT.
153
00:06:42,302 --> 00:06:43,437
THAT YOUR BOY?
154
00:06:43,471 --> 00:06:44,371
THAT'S HIM.
155
00:06:44,404 --> 00:06:45,639
11:28 P.M.
156
00:06:45,673 --> 00:06:47,875
AND THAT'S HER
LICENSE-PLATE NUMBER.
157
00:06:47,908 --> 00:06:49,443
LET'S TRACK DOWN
THE JUNKIE MESSIAH,
158
00:06:49,477 --> 00:06:50,878
THROW HIM IN JAIL,
159
00:06:50,911 --> 00:06:53,681
AND COME BACK AND ENJOY
A COUPLE OF COLD ONES.
160
00:06:58,285 --> 00:06:59,753
EXCUSE ME.
161
00:07:33,821 --> 00:07:34,588
Gravely:
IS THIS YOUR VAN?
162
00:07:34,622 --> 00:07:35,989
YEAH, THAT'S MY VAN.
163
00:07:36,023 --> 00:07:37,791
IT USED TO BE, ANYWAY.
164
00:07:37,825 --> 00:07:40,761
A FEW WEEKS AGO, I DONATED IT
TO ONE OF MY PATIENTS.
165
00:07:40,794 --> 00:07:43,363
MY CLIENT
IS A WELL-RESPECTED ORTHOPEDIST.
166
00:07:43,396 --> 00:07:45,799
WHAT IS THE NAME
OF YOUR PATIENT, DR. KOBRINE?
167
00:07:45,833 --> 00:07:47,935
SEBASTIAN SERAFIAN,
A LOCAL MUSICIAN.
168
00:07:47,968 --> 00:07:50,704
HAD THREE BROKEN METACARPALS
IN HIS RIGHT HAND.
169
00:07:50,738 --> 00:07:52,506
YOUR PATIENT
IS AN ESCAPED JUNKIE,
170
00:07:52,540 --> 00:07:54,341
AND YOU BROUGHT YOUR LAWYER
WITH YOU.
171
00:07:54,374 --> 00:07:55,976
WHAT'S WRONG
WITH THIS PICTURE?
172
00:07:56,009 --> 00:07:58,546
ANYONE CALLED IN FOR A POLICE
INTERVIEW SHOULD BE REPRESENTED.
173
00:07:58,579 --> 00:08:00,614
ESPECIALLY IF THEY'RE GUILTY
OF SOMETHING.
174
00:08:00,648 --> 00:08:01,615
[ KNOCK ON DOOR ]
175
00:08:01,649 --> 00:08:03,150
YOU'RE GONNA LOVE THIS.
176
00:08:03,183 --> 00:08:06,386
APPARENTLY, THE GOOD DOCTOR'S
UNDER INVESTIGATION
177
00:08:06,419 --> 00:08:08,922
AS PORTLAND'S BIGGEST
PILL PUSHER.
178
00:08:10,157 --> 00:08:11,792
SON OF A BITCH.
179
00:08:11,825 --> 00:08:14,962
OH, NICE TO SEE YOU, TOO,
DETECTIVE.
180
00:08:14,995 --> 00:08:17,531
THIS IS ASSISTANT
DISTRICT ATTORNEY STEVE KINES.
181
00:08:17,565 --> 00:08:19,299
I HATE HIM.
182
00:08:19,332 --> 00:08:20,701
LOVE AFFAIR GONE BAD?
Both: NO.
183
00:08:20,734 --> 00:08:22,803
MY THEORY
IS OUR MISSING MUSICIAN
184
00:08:22,836 --> 00:08:25,906
IS A MATERIAL WITNESS
IN YOUR CASE AGAINST THE DOCTOR.
185
00:08:25,939 --> 00:08:28,842
REHAB WAS A LAST-DITCH EFFORT
TO GET HIM CLEAN
186
00:08:28,876 --> 00:08:30,744
BEFORE PROPPING HIM UP
IN FRONT OF A GRAND JURY.
187
00:08:30,778 --> 00:08:33,313
GREAT.
WE UNDERSTAND ONE ANOTHER.
188
00:08:33,346 --> 00:08:35,883
WHAT IF THE DOCTOR
KILLED HIM?
189
00:08:35,916 --> 00:08:36,917
HE DIDN'T.
190
00:08:36,950 --> 00:08:38,051
SURVEILLANCE?
191
00:08:38,085 --> 00:08:39,252
AND WIRETAPPED AND BUGGED,
192
00:08:39,286 --> 00:08:40,721
SO WE KNOW
HE DIDN'T HIRE SOMEONE
193
00:08:40,754 --> 00:08:42,222
TO KILL
SEBASTIAN SERAFIAN.
194
00:08:42,255 --> 00:08:45,158
SO WILL YOU PLEASE QUIT
WASTING TIME WITH MY TARGET,
195
00:08:45,192 --> 00:08:46,727
LET HIM GO,
196
00:08:46,760 --> 00:08:48,796
AND FIND
MY MISSING WITNESS.
197
00:08:52,132 --> 00:08:54,902
TELL ME
YOU HATE HIM, TOO.
198
00:08:54,935 --> 00:08:56,403
I HATE EVERYBODY.
199
00:08:56,436 --> 00:08:58,271
OUR APOLOGIES.
200
00:08:58,305 --> 00:08:59,707
WE WERE MEETING
WITH THE PROSECUTOR,
201
00:08:59,740 --> 00:09:01,675
WHO SAID YOU KILLED
SEBASTIAN SERAFIAN
202
00:09:01,709 --> 00:09:03,243
BECAUSE HE WAS
THE PRIME WITNESS
203
00:09:03,276 --> 00:09:04,745
AGAINST YOU
IN A NARCOTICS CASE.
204
00:09:04,778 --> 00:09:08,682
WE'RE OUT OF HERE, ALAN.
YOU'VE COOPERATED ENOUGH.
205
00:09:08,716 --> 00:09:11,118
GOOD LUCK
FINDING SEBASTIAN.
206
00:09:11,151 --> 00:09:12,720
HE'S VERY TALENTED.
207
00:09:16,056 --> 00:09:18,759
THAT WOULD BE AWESOME
IF WE COULD GET HIM FOR MURDER
208
00:09:18,792 --> 00:09:21,094
BEFORE KINES GETS HIM
FOR TRAFFICKING.
209
00:09:21,128 --> 00:09:21,962
OOH!
210
00:09:21,995 --> 00:09:23,530
YEAH,
BECAUSE EVERYTHING WE DO
211
00:09:23,563 --> 00:09:25,766
IS TO GET REVENGE
ON YOUR EX-BOYFRIENDS.
212
00:09:28,101 --> 00:09:29,803
[ "BLACK STONE" PLAYING ]
THIS SUCKS.
213
00:09:29,837 --> 00:09:31,639
WHY ARE WE LISTENING
TO THIS HOOEY?
214
00:09:31,672 --> 00:09:34,041
WE'RE ANALYZING
SEBASTIAN'S SONGS
215
00:09:34,074 --> 00:09:37,310
THROUGH THE FILTER
OF FORENSIC LINGUISTICS.
216
00:09:37,344 --> 00:09:41,615
"BLACK WATER, BLACK CHAINS.
217
00:09:41,649 --> 00:09:43,784
BLACK VISIONS
RUNS THROUGH MY VEINS."
218
00:09:43,817 --> 00:09:46,419
SEE, THIS SONG IN PARTICULAR,
"BLACK STONE,"
219
00:09:46,453 --> 00:09:47,621
COULD BE ABOUT SUICIDE
220
00:09:47,655 --> 00:09:50,090
OR SURRENDERING
TO A GREATER POWER
221
00:09:50,123 --> 00:09:51,424
THAT HE DOESN'T TRUST.
222
00:09:51,458 --> 00:09:52,960
AND THIS SONG
MIGHT GIVE US INSIGHT
223
00:09:52,993 --> 00:09:55,663
INTO HIS DEFINITION
OF A SANCTUARY.
224
00:09:55,696 --> 00:09:57,130
[ MUSIC STOPS ]
225
00:09:57,164 --> 00:09:59,099
CAN I ASK YOU SOMETHING?
226
00:09:59,132 --> 00:10:03,136
YES, FORENSIC LINGUISTICS
IS A REAL THING.
227
00:10:03,170 --> 00:10:04,404
NO, NO.
228
00:10:04,437 --> 00:10:06,039
PENISES.
229
00:10:07,007 --> 00:10:09,109
ARE THEY MORE LIKE SNOWFLAKES
OR BUTTONS?
230
00:10:09,142 --> 00:10:12,512
YOU MEAN UNIQUE
VERSUS MASS-PRODUCED?
231
00:10:12,545 --> 00:10:13,513
YOU'VE SEEN LOTS OF THEM.
232
00:10:13,546 --> 00:10:14,948
YOU MEAN IN AUTOPSIES?
233
00:10:14,982 --> 00:10:17,117
YEAH, SURE.
THAT'S -- THAT'S HOW I MEAN IT.
234
00:10:17,150 --> 00:10:18,618
[ LAUGHS ]
235
00:10:18,652 --> 00:10:21,121
ALL RIGHT, WELL,
PERHAPS IF YOU PROVIDE CONTEXT.
236
00:10:21,154 --> 00:10:24,424
VALENTINE'S PENIS...
237
00:10:24,457 --> 00:10:26,459
LOOKS EXACTLY LIKE MINE.
238
00:10:26,493 --> 00:10:29,262
YOUR NOSES
ARE ALSO IDENTICAL.
WHAT?
239
00:10:29,296 --> 00:10:32,432
WHICH LED ME TO ASSUME
THAT VALENTINE WAS YOUR SON.
240
00:10:32,465 --> 00:10:33,934
GET OUT OF HERE.
241
00:10:33,967 --> 00:10:36,970
IS IT NOT
A PHYSICAL POSSIBILITY?
242
00:10:37,004 --> 00:10:38,706
SIR, YOU'RE DOING THE MATH
IN YOUR HEAD,
243
00:10:38,739 --> 00:10:40,040
WHICH MEANS
THAT YOU HAVE, IN FACT,
244
00:10:40,073 --> 00:10:41,842
HAD SEX
WITH VALENTINE'S MOTHER.
245
00:10:41,875 --> 00:10:45,145
MATH IN MY HEAD MAKES HIM
NOT MY KID BY ABOUT TWO YEARS.
246
00:10:45,178 --> 00:10:48,015
WELL, BUT YOUR NOSES
INDICATE OTHERWISE.
247
00:10:49,149 --> 00:10:51,351
SIR, NOT ONLY DOES
CIGAR SMOKING
248
00:10:51,384 --> 00:10:54,654
CAUSE MALIGNANCIES
IN THE LARYNX AND ESOPHAGUS,
249
00:10:54,688 --> 00:10:58,125
BUT IT ALSO CAN CONTRIBUTE
TO PANCREATIC CANCERS.
250
00:10:58,158 --> 00:11:03,030
THE VAN TURNED EAST OUT OF
THE ROADHOUSE PARKING LOT.
251
00:11:03,063 --> 00:11:03,831
RIGHT.
252
00:11:03,864 --> 00:11:05,398
WELL,
THERE'S NOTHING THERE.
253
00:11:05,432 --> 00:11:07,634
I MEAN, IT'S THE REHAB AND A
MILLION MILES OF LOGGING ROADS.
254
00:11:07,667 --> 00:11:09,336
IS THERE ANYTHING
IN THOSE LYRICS
255
00:11:09,369 --> 00:11:12,239
ABOUT A SANCTUARY
OUT IN THE MIDDLE OF NOWHERE?
256
00:11:15,776 --> 00:11:17,177
HEY, NADIA,
257
00:11:17,210 --> 00:11:19,312
WOULD YOU PULL UP A MAP
OF THE AREA
258
00:11:19,346 --> 00:11:20,480
EAST OF THE ROADHOUSE?
259
00:11:20,513 --> 00:11:21,648
YEAH.
260
00:11:21,681 --> 00:11:24,317
SO, THIS IS A SATELLITE VIEW
OF THE AREA.
261
00:11:24,351 --> 00:11:25,986
OH, WOW.
THAT WAS FAST.
262
00:11:26,019 --> 00:11:26,887
UH, OKAY.
263
00:11:26,920 --> 00:11:28,155
IN ONE OF
SEBASTIAN'S SONGS,
264
00:11:28,188 --> 00:11:30,390
HE REFERS TO A PLACE
CALLED BLACK STONE.
265
00:11:30,423 --> 00:11:34,094
NOW, I-IT COULD BE THE NAME
OF A MOUNTAIN, UH,
266
00:11:34,127 --> 00:11:35,362
OR A RIVER.
267
00:11:35,395 --> 00:11:36,363
QUARRY.
268
00:11:36,396 --> 00:11:38,398
BLACKSTONE QUARRY.
269
00:11:38,431 --> 00:11:41,802
NOW FILLED
WITH BLACK WATER.
270
00:11:53,480 --> 00:11:55,916
Niedermayer:
HAVE YOU GUYS NOTICED
THAT THE VICTIM'S VAN
271
00:11:55,949 --> 00:11:57,617
IS A MIRROR
OF THE SPECIAL CRIMES UNIT?
272
00:11:57,650 --> 00:11:58,852
Backstrom: NO, NO.
273
00:11:58,886 --> 00:12:01,088
Moto:
WHAT DO YOU MEAN, "MIRROR"?
274
00:12:01,121 --> 00:12:04,624
WE HAVE A DEFINITE LEADER
WITH AN ADDICTIVE PERSONALITY.
275
00:12:04,657 --> 00:12:06,293
OH, SHUT UP,
NIEDERMAYER.
276
00:12:06,326 --> 00:12:09,196
OKAY, THINK OF HIS SPIRIT GUIDE.
IT'S A MOUNTAIN LION, RIGHT?
277
00:12:09,229 --> 00:12:11,298
TOP OF THE FOOD CHAIN,
KING OF ALL HE SURVEYS.
278
00:12:11,331 --> 00:12:13,633
YOU'RE ON TO SOMETHING
WITH THAT "KING" STUFF.
279
00:12:13,666 --> 00:12:14,802
ALL RIGHT, LOOK AT THIS.
280
00:12:14,835 --> 00:12:17,037
THE BASSIST
AND THE DRUMMER
281
00:12:17,070 --> 00:12:19,239
ARE DETECTIVES GRAVELY
AND ALMOND RESPECTIVELY.
282
00:12:19,272 --> 00:12:21,274
OH, YEAH,
SO IT'S THE RHYTHM SECTION
283
00:12:21,308 --> 00:12:22,609
THAT'S KEEPING THE BEAT
284
00:12:22,642 --> 00:12:24,945
AND DRIVING
EVERYTHING FORWARD.
285
00:12:24,978 --> 00:12:27,781
YEAH, YOU GOT IT.
ALL RIGHT, SO, LOOKIT.
286
00:12:27,815 --> 00:12:30,550
ALMOND'S SPIRIT ANIMAL
IS THE MOUNTAIN RAM --
287
00:12:30,583 --> 00:12:31,819
FARSEEING, SUREFOOTED.
288
00:12:31,852 --> 00:12:34,287
AND, OF COURSE,
GRAVELY IS THE BEAR.
289
00:12:34,321 --> 00:12:35,555
STINKS OF RAW FISH?
290
00:12:35,588 --> 00:12:36,990
BRAVE BUT NURTURING.
291
00:12:37,024 --> 00:12:40,193
OKAY, W-WHAT ABOUT
THE HOT RACCOON WITH THE CELLO?
292
00:12:41,461 --> 00:12:42,762
PAQUET.
[ LAUGHS ]
293
00:12:42,796 --> 00:12:45,132
SHE'S CHARMING,
INTELLIGENT, MISCHIEVOUS.
294
00:12:45,165 --> 00:12:48,468
SHE'S AN ENIGMATIC BANDIT
WHO WILL STEAL YOUR HEART.
295
00:12:48,501 --> 00:12:50,237
THERE'S NOTHING HERE.
296
00:12:50,270 --> 00:12:52,772
AND I WAS HOPING THAT WE'D FIND
SEBASTIAN OUT HERE
297
00:12:52,806 --> 00:12:54,674
GETTING HIGH IN A TENT
WITH A GROUPIE.
298
00:12:54,707 --> 00:12:56,643
[ LAUGHS ]
YEAH, THAT'S A NICE THOUGHT.
299
00:12:56,676 --> 00:12:58,311
NIEDERMAYER
IS SUCH AN IMBECILE,
300
00:12:58,345 --> 00:13:01,181
DRAGGING US OUT HERE
OVER SOME STUPID SONG.
301
00:13:07,220 --> 00:13:08,455
LIEUTENANT...
302
00:13:08,488 --> 00:13:10,958
A VEHICLE
WAS PARKED HERE.
303
00:13:10,991 --> 00:13:12,492
I HAVE AN OIL STAIN.
304
00:13:12,525 --> 00:13:16,496
AND A DROP PATTERN
LEADING TOWARD THESE TIRE MARKS.
305
00:13:20,968 --> 00:13:23,336
YOU THINK THE VAN
WENT OVER HERE?
306
00:13:40,353 --> 00:13:42,089
[ POLICE RADIO CHATTER ]
307
00:13:44,557 --> 00:13:46,326
[ INDISTINCT SHOUTING ]
308
00:13:54,567 --> 00:13:58,038
Gravely:
IS THAT OUR MUSICIAN?
309
00:13:58,071 --> 00:14:00,173
Niedermayer: SEBASTIAN SERAFIAN,
IN THE FLESH.
310
00:14:00,207 --> 00:14:02,009
IT COULD BE SUICIDE,
EXCEPT WHAT HAPPENED
311
00:14:02,042 --> 00:14:03,810
TO WHOEVER BROUGHT HIM
ALL THE WAY OUT HERE?
312
00:14:03,843 --> 00:14:05,478
IT'S NOT SUICIDE.
313
00:14:05,512 --> 00:14:07,547
NOTE THE AMPLIFIER
JAMMED AGAINST THE GAS PEDAL.
314
00:14:07,580 --> 00:14:09,516
YOU KNOW, YOU'VE GOT TO HAND IT
TO BACKSTROM --
315
00:14:09,549 --> 00:14:11,051
ACTUALLY, IF I MAY,
316
00:14:11,084 --> 00:14:15,555
IT WAS SOLID FORENSIC
LINGUISTICS AND LOGIC THAT --
317
00:14:17,390 --> 00:14:19,292
HEY, GUYS?
318
00:14:23,796 --> 00:14:24,597
[ CRASH ]
319
00:14:24,631 --> 00:14:26,233
OOPS! SORRY.
320
00:14:26,266 --> 00:14:28,768
NOW THAT YOU'RE AWAKE,
FEEL LIKE HELPING ME?
321
00:14:28,801 --> 00:14:30,938
I'M A COP.
322
00:14:30,971 --> 00:14:33,740
I CAN'T HELP YOU
TRANSPORT STOLEN GOODS.
323
00:14:33,773 --> 00:14:36,076
I GOT TO SHIP
ALL THIS STUFF TO SEATTLE.
324
00:14:36,109 --> 00:14:40,080
IF THE GUY WHO, LET'S SAY,
DEALS IN DISCOUNT ELECTRONICS
325
00:14:40,113 --> 00:14:41,949
FINDS OUT
I'M UNDERSELLING HIM,
326
00:14:41,982 --> 00:14:44,384
YOU'LL BE INVESTIGATING
MY MURDER.
327
00:14:44,417 --> 00:14:45,785
HEY, HEY.
328
00:14:45,818 --> 00:14:47,087
WHAT?
329
00:14:47,120 --> 00:14:49,556
DID YOU TALK
TO YOUR MOM RECENTLY?
330
00:14:49,589 --> 00:14:50,590
[ LAUGHS ]
331
00:14:50,623 --> 00:14:51,959
NO.
332
00:14:51,992 --> 00:14:54,694
EVER SINCE LOU BECAME A NUN,
WE DON'T TALK MUCH.
333
00:14:54,727 --> 00:14:56,363
SHE DIDN'T BECOME A NUN.
334
00:14:56,396 --> 00:14:58,966
SHE EVER TELL YOU ANYTHING
ABOUT YOUR FATHER?
335
00:14:58,999 --> 00:15:00,367
MY MOTHER WAS A HOOKER.
336
00:15:00,400 --> 00:15:03,803
I DOUBT SHE'D EVER BE ABLE TO
FINGER THE GUILTY PARTY.
337
00:15:03,836 --> 00:15:05,705
SO TO SPEAK.
ALL SHE EVER SAID
338
00:15:05,738 --> 00:15:07,407
WAS THAT MY FATHER
WAS A CLIENT
339
00:15:07,440 --> 00:15:10,077
AND SOME KIND OF GENIUS.
340
00:15:10,110 --> 00:15:11,078
OH.
341
00:15:11,111 --> 00:15:14,714
OH, AND, UH --
AND A TOTAL DICK.
342
00:15:14,747 --> 00:15:15,983
[ CHUCKLES ]
343
00:15:16,016 --> 00:15:19,452
SO, AT LEAST I KNOW
WHERE I GOT MY GENIUS.
344
00:15:21,488 --> 00:15:23,790
AND YOUR NOSE.
345
00:15:23,823 --> 00:15:26,159
AND YOUR PENIS.
346
00:15:26,193 --> 00:15:30,998
PRELIM TOX SCREENS SHOW ALCOHOL,
THC, OXYCODONE, AND HEROIN.
347
00:15:31,031 --> 00:15:32,299
ALSO, HE WAS GARROTED
348
00:15:32,332 --> 00:15:34,234
TO THE POINT
WHERE HE LOST CONSCIOUSNESS.
349
00:15:34,267 --> 00:15:36,603
HIS HEAD HIT THE STEERING WHEEL
WHEN THE VAN HIT THE WATER.
350
00:15:36,636 --> 00:15:38,005
BUT STILL,
HE DIED OF DROWNING.
351
00:15:38,038 --> 00:15:40,507
JUNKIES
ARE HARD TO KILL.
352
00:15:40,540 --> 00:15:41,674
GARROTED HOW?
353
00:15:41,708 --> 00:15:42,942
SOME SORT OF STRING,
354
00:15:42,976 --> 00:15:44,244
POSSIBLY PIANO,
PERHAPS GUITAR.
355
00:15:44,277 --> 00:15:45,945
LOOK FOR LACERATIONS
ON THE HANDS.
356
00:15:45,979 --> 00:15:47,280
DID YOU FIND
THE GARROTE?
357
00:15:47,314 --> 00:15:49,016
YEAH, THERE WERE
A TON OF STRINGS
358
00:15:49,049 --> 00:15:51,451
IN THE BACK OF THE VAN,
BUT NONE BLOODY, AS EXPECTED.
359
00:15:51,484 --> 00:15:53,353
SO PERHAPS THE KILLER
TOOK IT WITH HIM,
360
00:15:53,386 --> 00:15:55,288
OR IT GOT WASHED CLEAN
IN THE QUARRY.
361
00:15:55,322 --> 00:15:56,990
GOT DRUGGED,
STRANGLED FROM BEHIND
362
00:15:57,024 --> 00:15:59,026
BY SOMEONE
WHO HE THOUGHT WAS HIS FRIEND,
363
00:15:59,059 --> 00:16:00,793
AND THEN DUMPED
IN A ROCK QUARRY.
364
00:16:00,827 --> 00:16:02,462
I MEAN,
IT'S A WONDER WE FOUND HIM.
365
00:16:02,495 --> 00:16:03,997
IT'S A BACKSTROM
WE FOUND HIM.
366
00:16:04,031 --> 00:16:06,033
LISTEN, I DON'T WANT TO TOOT
MY OWN HORN --
367
00:16:06,066 --> 00:16:07,800
THE VAN HAD
DOZENS OF PARKING TICKETS
368
00:16:07,834 --> 00:16:10,670
GOING BACK EIGHT WEEKS
OUTSIDE PLACES THE BAND PLAYED.
369
00:16:10,703 --> 00:16:12,505
WELL, LOOK,
THE -- THE WHOLE BAND
370
00:16:12,539 --> 00:16:14,307
HAD ACCESS
TO THE VAN.
371
00:16:14,341 --> 00:16:17,010
OH, THAT'S NOT SO BAD.
WHAT IS THAT, A DOZEN PEOPLE?
OH, DEAR.
372
00:16:17,044 --> 00:16:18,378
THE INESCAPABLE TRUTH,
373
00:16:18,411 --> 00:16:21,514
ALONG WITH SPIN-CYCLE BANDS
AND SIDE PROJECTS.
374
00:16:21,548 --> 00:16:23,216
THAT'S A LOT OF PEOPLE.
375
00:16:23,250 --> 00:16:26,486
THIS GUY LEFT TO FORM
MOO SHOO WHARF.
376
00:16:26,519 --> 00:16:28,555
THEN HE TEAMED UP
WITH THIS GUY AND THIS GUY
377
00:16:28,588 --> 00:16:32,192
TO FORM CASH-BAR WEDDING
AS A SIDE PROJECT.
378
00:16:32,225 --> 00:16:35,528
AND THEN THESE FOUR GUYS,
THEY MAKE RECORDINGS
379
00:16:35,562 --> 00:16:38,298
AS, UH,
THE DAYS OF WINE AND NEUROSIS.
380
00:16:38,331 --> 00:16:41,034
BUT THESE GUYS
ACTUALLY ALSO PRODUCE,
381
00:16:41,068 --> 00:16:44,304
UH, THE INESCAPABLE TRUTH
CASSETTE-ONLY RELEASE.
382
00:16:44,337 --> 00:16:47,174
OH, AND SOMETIMES
ALL THESE 13,
383
00:16:47,207 --> 00:16:50,310
THEY PLAY SHOWS TOGETHER
AS HOLY MEAT PARADE.
384
00:16:50,343 --> 00:16:53,980
OH, AND, UH, THE BASS PLAYER
OF HOLY MEAT IS ACTUALLY
385
00:16:54,013 --> 00:16:56,916
THE SINGER
OF PHANTOM THOMAS PAINE.
386
00:16:56,949 --> 00:16:58,218
WHILE THE HORN PLAYER --
387
00:16:58,251 --> 00:16:59,719
Almond:
WHOA, WHOA, WHOA, WHOA, WHOA.
388
00:16:59,752 --> 00:17:02,989
HOW MANY PEOPLE IN TOTAL
HAVE ACCESS TO THIS VAN?
389
00:17:03,022 --> 00:17:03,990
57.
390
00:17:04,023 --> 00:17:05,392
[ GROANS ]
[ WHISTLES ]
391
00:17:05,425 --> 00:17:07,360
BET IT WAS THE GUY
WHO PLAYS THE STUPID FLUGELHORN.
392
00:17:07,394 --> 00:17:08,928
OH, THE FLUGELHORN PLAYER --
393
00:17:08,961 --> 00:17:10,730
HE MOVED TO BROOKLYN
TWO MONTHS AGO WITH --
394
00:17:10,763 --> 00:17:13,400
ALL RIGHT, THEN IT WAS THE GUY
WHO PLAYED THE STUPID ACCORDION.
395
00:17:13,433 --> 00:17:14,534
Moto: COYOTE MAN!
396
00:17:14,567 --> 00:17:15,535
[ LAUGHS ]
THAT'S ME.
397
00:17:15,568 --> 00:17:16,836
MATT ENGLISH.
WHY HIM?
398
00:17:16,869 --> 00:17:17,937
ACCORDION PLAYER --
399
00:17:17,970 --> 00:17:19,772
EVIL, ANGRY, BITTER,
AND POINTLESS,
400
00:17:19,806 --> 00:17:21,374
RESENTFUL
OF REAL MUSICIANS.
401
00:17:21,408 --> 00:17:24,911
OKAY, NOT ACTUALLY SURE THAT
THAT IS A MOTIVE, BUT THAT'S --
402
00:17:24,944 --> 00:17:26,379
OH.
WHAT "OH"?
403
00:17:26,413 --> 00:17:28,915
WELL, MATT ENGLISH
IS ACTUALLY THE GUY
404
00:17:28,948 --> 00:17:30,383
THAT BROKE SEBASTIAN'S HAND
SIX MONTHS AGO
405
00:17:30,417 --> 00:17:32,619
AND WAS KICKED
OUT OF THE BAND.
406
00:17:32,652 --> 00:17:35,122
ACCORDION PLAYERS, PEOPLE.
407
00:17:35,155 --> 00:17:37,490
SATAN'S SQUEEZE-BOX.
408
00:17:39,659 --> 00:17:42,395
Almond: TELL US
ABOUT THE ALTERCATION.
409
00:17:42,429 --> 00:17:44,364
SEBASTIAN BROKE
HIS OWN HAND
410
00:17:44,397 --> 00:17:47,134
BY PUNCHING ME IN THE HEAD
WHEN HE WAS HIGH.
411
00:17:47,167 --> 00:17:48,868
IT SERVED HIM RIGHT
HE BROKE HIS HAND.
412
00:17:48,901 --> 00:17:49,969
WHY DID HE PUNCH YOU?
413
00:17:50,002 --> 00:17:51,271
I QUIT HIS BAND.
414
00:17:51,304 --> 00:17:53,573
YOU WEREN'T
KICKED OUT?
415
00:17:56,409 --> 00:17:58,911
YOU THINK
I KILLED SEBASTIAN
416
00:17:58,945 --> 00:18:01,781
FOR KICKING ME OUT
OF THE INESCAPABLE TRUTH?
417
00:18:01,814 --> 00:18:03,116
NO.
418
00:18:03,150 --> 00:18:05,618
I QUIT BECAUSE LARA
FELL IN LOVE WITH HIM
419
00:18:05,652 --> 00:18:06,786
AND BROKE MY HEART.
420
00:18:06,819 --> 00:18:09,289
LARA HAUSBERG,
THE CELLO PLAYER?
421
00:18:09,322 --> 00:18:13,293
YEAH, NOW I'M A SUSPECT
BECAUSE MY GIRLFRIEND LEFT ME.
422
00:18:13,326 --> 00:18:15,495
IT'S WHAT WE CALL
A CLASSIC MOTIVE, SON.
423
00:18:23,336 --> 00:18:26,139
THIS IS MY DAUGHTER,
DELILAH.
424
00:18:26,173 --> 00:18:29,909
THE ONLY THING THAT DELILAH
FINDS COOL ABOUT ME
425
00:18:29,942 --> 00:18:31,478
IS THAT I WAS
IN SEBASTIAN'S BAND.
426
00:18:31,511 --> 00:18:35,448
FIVE DAYS AGO,
SEBASTIAN ASKED ME TO COME BACK.
427
00:18:35,482 --> 00:18:37,617
WHY WOULD I RUIN THAT
BY KILLING HIM?
428
00:18:37,650 --> 00:18:38,918
FIVE DAYS AGO?
429
00:18:38,951 --> 00:18:40,187
ASKED YOU HOW?
430
00:18:40,220 --> 00:18:41,621
ON THE TELEPHONE.
431
00:18:41,654 --> 00:18:44,457
WELL, THERE ARE NO PHONE CALLS
ALLOWED IN REHAB.
432
00:18:46,293 --> 00:18:49,128
Almond: ONE OF YOU GAVE
SEBASTIAN UNAUTHORIZED ACCESS
433
00:18:49,162 --> 00:18:52,332
TO THE OFFICE PHONE.
434
00:18:52,365 --> 00:18:56,636
WE HAVE PHONE RECORDS,
PEOPLE.
435
00:18:56,669 --> 00:18:59,105
SOMEONE WAS HELPING HIM
MAKE CONTACT
436
00:18:59,138 --> 00:19:00,440
WITH THE OUTSIDE WORLD,
437
00:19:00,473 --> 00:19:02,675
SOMEONE
WITH A SET OF OFFICE KEYS.
438
00:19:02,709 --> 00:19:03,976
OKAY.
439
00:19:04,010 --> 00:19:06,179
EVERYONE THAT WORKS HERE
CARES VERY DEEPLY
440
00:19:06,213 --> 00:19:08,481
ABOUT OUR SACRED MISSION
AND OUR RULES,
441
00:19:08,515 --> 00:19:10,950
SO SEBASTIAN MUST HAVE FOUND
ANOTHER WAY INTO THE OFFICE.
442
00:19:10,983 --> 00:19:12,319
WHAT'S THIS HOOEY?
443
00:19:12,352 --> 00:19:14,287
THOSE ARE HANDWRITTEN
HEALING MILESTONES
444
00:19:14,321 --> 00:19:16,055
OF PAST SEASONS'
RESIDENTS.
445
00:19:16,088 --> 00:19:18,225
IT'S A --
IT'S A SACRED REPOSITORY
446
00:19:18,258 --> 00:19:20,693
OF OUR GOOD WORK
GOING BACK LIKE 14 YEARS.
447
00:19:20,727 --> 00:19:22,495
AH, INTERESTING.
448
00:19:23,663 --> 00:19:24,697
[ GASPS ] AH!
449
00:19:28,868 --> 00:19:30,069
IT'S HIM,
450
00:19:30,102 --> 00:19:31,971
THE LEANING TOWER
OF "I DON'T CARE."
451
00:19:32,004 --> 00:19:34,974
HE DOESN'T GIVE A RAT'S ASS
ABOUT YOUR SACRED REPOSITORY.
452
00:19:35,007 --> 00:19:36,243
[ CROWD MURMURING ]
453
00:19:36,276 --> 00:19:39,145
Woody: I DIDN'T KILL
SEBASTIAN SERAFIAN.
454
00:19:39,178 --> 00:19:43,483
OKAY, OKAY,
SO YOU LET HIM INTO THE OFFICE,
455
00:19:43,516 --> 00:19:45,985
AND YOU STOOD WATCH
AT THE DOOR.
456
00:19:46,018 --> 00:19:48,355
YOU LISTENED
TO HIS CONVERSATIONS.
457
00:19:49,188 --> 00:19:50,557
WHAT DID HE SAY?
458
00:19:50,590 --> 00:19:52,725
ONE GUY WANTED TO COME BACK
IN THE VAN.
459
00:19:52,759 --> 00:19:54,361
ALL THE OTHER CALLS,
460
00:19:54,394 --> 00:19:55,928
SEBASTIAN WAS BEGGING PEOPLE
TO HELP HIM ESCAPE.
461
00:19:55,962 --> 00:19:57,264
TO GO GET HIGH?
462
00:19:57,297 --> 00:19:59,499
I'M PRETTY SURE.
463
00:19:59,532 --> 00:20:01,100
YOU EVER SEE
WHO PICKED HIM UP?
464
00:20:01,133 --> 00:20:03,703
ONCE. A GIRL.
465
00:20:06,473 --> 00:20:07,440
HER?
466
00:20:07,474 --> 00:20:08,941
MM...NO.
467
00:20:08,975 --> 00:20:10,109
HER?
468
00:20:10,142 --> 00:20:11,210
NO.
469
00:20:14,146 --> 00:20:15,415
YEAH. THAT'S HER.
470
00:20:19,218 --> 00:20:23,290
OH, THE BEAR.
THAT'S YOU, DETECTIVE GRAVELY.
471
00:20:23,323 --> 00:20:24,724
LET'S GO PICK UP
THE BEAR.
472
00:20:31,664 --> 00:20:33,933
YOU'RE GRINDING YOUR TEETH,
EVERETT.
473
00:20:33,966 --> 00:20:35,302
IT'S A SIGN OF ANXIETY.
474
00:20:35,335 --> 00:20:37,604
YEAH, WELL,
YOUR SON IS STILL QUEER,
475
00:20:37,637 --> 00:20:39,772
IF THAT'S WHAT
YOU WANTED TO ASK.
476
00:20:39,806 --> 00:20:42,809
FATHER HALL
SAYS GOD LOVES HOMOSEXUALS
477
00:20:42,842 --> 00:20:44,143
BUT ABHORS SODOMY.
478
00:20:44,176 --> 00:20:46,879
YEAH, WELL,
VALENTINE LOVES SODOMY.
479
00:20:46,913 --> 00:20:48,247
[ THUD ]
AAH!
480
00:20:51,484 --> 00:20:53,453
HE'S NOT GONNA CHANGE, LOU.
481
00:20:53,486 --> 00:20:56,723
GOD FORGAVE ME FOR
MY FORMER SEXUAL DEPRAVITIES.
482
00:20:56,756 --> 00:21:00,126
HE'LL FORGIVE VAL, TOO,
IF HE ASKS FOR FORGIVENESS.
483
00:21:00,159 --> 00:21:04,096
I WANT TO THANK GOD FOR
YOUR FORMER SEXUAL DEPRAVITIES.
484
00:21:04,130 --> 00:21:05,231
[ BOTH LAUGH ]
485
00:21:05,264 --> 00:21:07,900
YOU WERE
SUCH A SWEET KID.
486
00:21:07,934 --> 00:21:09,068
HM.
487
00:21:09,101 --> 00:21:11,471
18-YEAR-OLD VIRGIN
STANDING THERE
488
00:21:11,504 --> 00:21:13,640
WITH YOUR WADDED CASH.
489
00:21:13,673 --> 00:21:14,774
[ LAUGHS ]
490
00:21:14,807 --> 00:21:17,610
OH, WE HAD SUCH A GOOD TIME,
YOU AND ME.
491
00:21:17,644 --> 00:21:21,013
WE SURE DID.
[ CHUCKLES ]
492
00:21:21,047 --> 00:21:25,452
YOU KNOW, I SAW VALENTINE'S
TWIG AND BERRIES THE OTHER DAY.
493
00:21:25,485 --> 00:21:29,121
IT WAS LIKE LOOKING
IN A MIRROR.
494
00:21:29,155 --> 00:21:30,957
TAKE IT
FROM AN EX-HOOKER.
495
00:21:30,990 --> 00:21:32,625
PENISES
ARE LIKE ROOSTERS.
496
00:21:32,659 --> 00:21:35,362
THEY ALL LOOK ALIKE
WHEN THEY AREN'T CROWING.
497
00:21:35,395 --> 00:21:37,497
WHAT ABOUT NOSES?
498
00:21:39,366 --> 00:21:41,768
WHAT DO YOU
WANT TO ASK ME?
499
00:21:41,801 --> 00:21:44,270
WHEN VALENTINE NEEDED
A PLACE TO STAY AND A JOB,
500
00:21:44,303 --> 00:21:45,638
YOU BROUGHT HIM TO ME,
501
00:21:45,672 --> 00:21:48,174
EVEN THOUGH YOU HADN'T SEEN ME
IN YEARS.
502
00:21:48,207 --> 00:21:50,377
BECAUSE I KNEW
YOU'D DO ME A FAVOR.
503
00:21:50,410 --> 00:21:52,044
SO IT WASN'T BECAUSE...
504
00:21:55,014 --> 00:21:56,315
...I WAS HIS FATHER?
505
00:21:56,349 --> 00:21:59,486
I WISH
YOU WERE VAL'S FATHER.
506
00:21:59,519 --> 00:22:01,388
BUT DO THE MATH.
507
00:22:01,421 --> 00:22:04,123
I KNOW.
I'VE DONE THE MATH.
508
00:22:04,156 --> 00:22:07,494
ALL THOSE TIMES
I DRUNK-DIALED YOU,
509
00:22:07,527 --> 00:22:09,829
WE NEVER...
DID ANYTHING?
510
00:22:12,164 --> 00:22:13,966
YOU'RE NOT VAL'S FATHER.
511
00:22:14,000 --> 00:22:15,668
YOU'RE A GOOD FRIEND
512
00:22:15,702 --> 00:22:19,606
WHO DID ME A FAVOR
THAT I CAN NEVER REPAY.
513
00:22:21,207 --> 00:22:24,577
SO YOU DIDN'T PICK UP SEBASTIAN
ON THE DAY HE DISAPPEARED?
514
00:22:24,611 --> 00:22:25,478
NO.
515
00:22:25,512 --> 00:22:27,747
BUT YOU DID
OTHER TIMES?
516
00:22:30,182 --> 00:22:31,684
WHY DID YOU LIE
ABOUT THAT?
517
00:22:31,718 --> 00:22:35,922
IF THE OTHERS KNEW,
THEY'D FREAK OUT.
518
00:22:35,955 --> 00:22:37,089
BECAUSE OF LARA?
519
00:22:37,123 --> 00:22:38,324
YEAH. LARA.
520
00:22:38,357 --> 00:22:40,593
PLUS, IF THE OTHERS KNEW
521
00:22:40,627 --> 00:22:44,130
SEBASTIAN AND I WERE WRITING
SONGS TOGETHER...
522
00:22:52,905 --> 00:22:54,173
WHAT DO YOU THINK?
523
00:22:54,206 --> 00:22:56,443
I THINK SEBASTIAN USED HER
TO GET DRUGS.
524
00:22:56,476 --> 00:22:59,011
MINDI FIGURED IT OUT
AND KILLS HIM?
MM.
525
00:22:59,045 --> 00:23:01,380
SEARCHING THE BAND SPACE
DIDN'T COME UP WITH ANYTHING
526
00:23:01,414 --> 00:23:02,582
WE COULD HOLD HER ON,
DID IT?
527
00:23:02,615 --> 00:23:05,284
FOUND SOME WEED
AND THESE.
528
00:23:05,317 --> 00:23:08,921
OXYCODONE.
DR. KOBRINE'S SPECIALTY.
529
00:23:08,955 --> 00:23:10,557
MM.
530
00:23:10,590 --> 00:23:12,759
FOUND IT IN A COMMON AREA,
SO NO GOOD FOR LEVERAGE.
531
00:23:12,792 --> 00:23:16,763
WELL, I'LL HOLD HER ON LYING
DURING A HOMICIDE INVESTIGATION.
532
00:23:16,796 --> 00:23:18,731
THERE IS ONE MORE AVENUE
WE CAN EXPLORE.
533
00:23:18,765 --> 00:23:21,367
YOU SAY THAT LIKE
IT'S A BAD AVENUE.
534
00:23:21,400 --> 00:23:23,936
THE LIEUTENANT CAN TRY
HIS DOUBLE-FEINT BOLO.
535
00:23:23,970 --> 00:23:25,772
WHAT'S THAT, NOW?
536
00:23:25,805 --> 00:23:28,374
A DOUBLE-FEINT BOLO?
WHAT THE HELL'S THAT?
537
00:23:28,407 --> 00:23:30,443
[ SCOFFS ]
YOU CALL YOURSELF A PROSECUTOR?
538
00:23:30,477 --> 00:23:32,211
TWO CROOKS,
DIFFERENT OFFENSES.
539
00:23:32,244 --> 00:23:34,213
WE GET THEM
TO IMPLICATE EACH OTHER.
540
00:23:34,246 --> 00:23:35,815
SOUNDS CRAZY.
541
00:23:35,848 --> 00:23:38,618
YOUR MATERIAL WITNESS IS DEAD.
YOUR CASE IS DEAD.
542
00:23:38,651 --> 00:23:40,753
MR. KINES,
WHAT HAVE YOU GOT TO LOSE?
543
00:23:40,787 --> 00:23:43,255
OUR LIEUTENANT INVENTED
THE DOUBLE-FEINT BOLO.
544
00:23:43,289 --> 00:23:44,791
BACKSTROM --
THAT BAG OF DISASTER?
545
00:23:44,824 --> 00:23:46,659
PLEASE.
HE'LL BLOW MY CASE AND YOURS.
546
00:23:46,693 --> 00:23:48,561
CUT A BROTHER A BREAK
AND WALK AWAY.
547
00:23:48,595 --> 00:23:50,497
A BROTHER?
UH...
548
00:23:51,498 --> 00:23:54,467
ONE YEAR AGO,
YOU SHUT DOWN A WHOLE OPERATION,
549
00:23:54,501 --> 00:23:55,968
AND YOU BLAMED IT ON ME,
550
00:23:56,002 --> 00:23:58,638
SO DON'T TALK TO ME
ABOUT CUTTING A BROTHER A BREAK.
551
00:23:58,671 --> 00:24:00,339
OH.
552
00:24:00,372 --> 00:24:01,674
[ DOOR SLAMS ]
553
00:24:01,708 --> 00:24:04,276
YOU'RE THAT GUY.
554
00:24:04,310 --> 00:24:05,678
YEAH.
555
00:24:07,313 --> 00:24:10,617
KOBRINE IS ON THE BACK NINE
AT THE OREGONIAN COUNTRY CLUB.
556
00:24:10,650 --> 00:24:13,119
WHAT YOU DO WITH THAT
INFORMATION IS YOUR BUSINESS.
557
00:24:13,152 --> 00:24:14,353
Backstrom:
COMING THROUGH.
558
00:24:14,386 --> 00:24:15,488
MOVE IT OR LOSE IT.
559
00:24:15,522 --> 00:24:16,589
THERE HE IS.
560
00:24:16,623 --> 00:24:18,257
KOBRINE,
WE NEED TO TALK.
561
00:24:18,290 --> 00:24:19,792
NOT WITHOUT
MY LAWYER.
562
00:24:19,826 --> 00:24:21,661
THE SECOND YOU CALL
YOUR LAWYER,
563
00:24:21,694 --> 00:24:24,363
WE ARE GOING TO OFFER
THE BUYER OF THESE DRUGS A DEAL
564
00:24:24,396 --> 00:24:26,032
IN WHICH WE DROP
POSSESSION CHARGES
565
00:24:26,065 --> 00:24:28,501
IN EXCHANGE FOR IDENTIFYING YOU
AS HIS SELLER.
566
00:24:28,535 --> 00:24:30,537
WHAT BUYER? SEBASTIAN?
HE'S DEAD!
567
00:24:30,570 --> 00:24:31,971
WHY DO YOU WANT A NAME?
568
00:24:32,004 --> 00:24:34,473
SO THAT YOU CAN DROP
ANOTHER CUSTOMER IN THE QUARRY?
569
00:24:34,507 --> 00:24:36,108
I HAD NOTHING TO DO
WITH SEBASTIAN'S DEATH!
570
00:24:36,142 --> 00:24:39,178
WHOA, WHOA, WHOA, WHOA,
WHOA, WHOA, WHOA, WHOA, WHOA!
571
00:24:39,211 --> 00:24:41,147
[ SIGHS ]
572
00:24:41,180 --> 00:24:42,314
THAT WAS
POLICE ENDANGERMENT.
573
00:24:42,348 --> 00:24:43,349
[ PARKING BRAKE ENGAGES ]
574
00:24:43,382 --> 00:24:46,318
GRAVELY,
DRIVE THE CART BACK.
575
00:24:46,352 --> 00:24:49,689
I NEED TO TALK
TO KOBRINE ALONE.
576
00:24:49,722 --> 00:24:51,524
HM.
577
00:24:51,558 --> 00:24:53,826
[ PARKING BRAKE DISENGAGES ]
578
00:24:55,662 --> 00:24:57,964
SOMEONE BOUGHT THESE
FROM YOU.
579
00:24:57,997 --> 00:24:59,131
WE DON'T KNOW WHO.
580
00:24:59,165 --> 00:25:00,466
YOU NEED TO TELL US.
581
00:25:00,499 --> 00:25:03,235
WHY WOULD I INCRIMINATE
MYSELF?
582
00:25:03,269 --> 00:25:07,974
SEBASTIAN WAS KILLED BY SOMEONE
HE THOUGHT WAS A FRIEND.
583
00:25:08,007 --> 00:25:12,144
THAT FRIEND BOUGHT THESE
FROM YOU TO GIVE TO HIM.
584
00:25:12,178 --> 00:25:13,680
THAT'S WHO WE WANT.
585
00:25:13,713 --> 00:25:15,314
I HOPE YOU GET HIM.
586
00:25:15,347 --> 00:25:17,817
SEBASTIAN
WAS A MAJOR TALENT.
587
00:25:17,850 --> 00:25:19,586
OKAY.
588
00:25:21,453 --> 00:25:24,156
SEE WHAT I'M DOING
RIGHT NOW?
589
00:25:24,190 --> 00:25:25,858
THAT IS HIGHLY ILLEGAL.
590
00:25:25,892 --> 00:25:28,227
LOOK AT ME.
I'M BREAKING THE LAW.
591
00:25:28,260 --> 00:25:29,495
WHEE!
592
00:25:29,528 --> 00:25:31,698
SO, WHAT WERE TO HAPPEN
593
00:25:31,731 --> 00:25:36,002
IF I WERE TO MAKE
THIS BAG DISAPPEAR, HUH,
594
00:25:36,035 --> 00:25:37,870
EAT ALL THESE PILLS?
595
00:25:37,904 --> 00:25:40,039
YOU'D HAVE NO WAY
TO LINK ME.
596
00:25:40,072 --> 00:25:42,108
EXACTLY.
597
00:25:42,141 --> 00:25:43,375
AAH...
598
00:25:43,409 --> 00:25:45,211
OH.
599
00:25:45,244 --> 00:25:47,446
BUT YOU WANT
A NAME FIRST.
600
00:25:47,479 --> 00:25:49,916
I DON'T EVEN NEED A NAME,
JUST AN INDICATION.
601
00:25:49,949 --> 00:25:51,951
IT WON'T EVEN HOLD UP
IN COURT.
602
00:25:51,984 --> 00:25:53,085
WHAT IF I REFUSE?
603
00:25:53,119 --> 00:25:55,421
THEN I'M GONNA TELL
DISTRICT ATTORNEY KINES,
604
00:25:55,454 --> 00:25:59,358
WHO HATES YOU,
THAT YOU SOLD THESE TO ME.
605
00:25:59,391 --> 00:26:02,294
THAT WOULD BE PERJURY
AND BLACKMAIL.
606
00:26:02,328 --> 00:26:03,262
Man: FORE!
607
00:26:03,295 --> 00:26:04,530
YEAH.
YEAH, IT WOULD.
608
00:26:04,563 --> 00:26:06,633
WHY DO YOU THINK
I SENT MY PARTNER AWAY?
609
00:26:06,666 --> 00:26:07,867
[ LAUGHS ]
610
00:26:07,900 --> 00:26:09,969
I KNOW AN ADDICT
WHEN I SEE ONE.
611
00:26:10,002 --> 00:26:13,139
YOU SENT YOUR PARTNER AWAY
SO YOU CAN SWALLOW THESE PILLS.
612
00:26:13,172 --> 00:26:14,941
YOU SHOULD GET HELP.
613
00:26:14,974 --> 00:26:16,976
AH.
614
00:26:18,477 --> 00:26:20,613
[ CRUNCHING ]
615
00:26:22,949 --> 00:26:24,951
KOBRINE SOLD THE PILLS
TO THE DRUMMER.
616
00:26:24,984 --> 00:26:26,085
HE ADMITTED THAT?
617
00:26:26,118 --> 00:26:27,286
HE DID THIS.
618
00:26:28,320 --> 00:26:30,890
STAND BACK.
COMING THROUGH.
619
00:26:30,923 --> 00:26:33,592
HERE.
GO ARREST THE DRUMMER.
620
00:26:33,626 --> 00:26:36,562
SOME OF THESE PILLS
ARE MISSING.
621
00:26:36,595 --> 00:26:38,264
YEAH, YEAH.
622
00:26:42,835 --> 00:26:44,804
WE HAVE A SWORN STATEMENT
FROM DR. ALAN KOBRINE
623
00:26:44,837 --> 00:26:49,809
IMPLICATING YOU
IN THE SALE OF THIS OXYCODONE.
624
00:26:51,644 --> 00:26:52,912
I DON'T DO DRUGS.
625
00:26:52,945 --> 00:26:55,281
WHAT ARE WE
HOPING FOR HERE?
626
00:26:55,314 --> 00:26:59,118
IF THIS BOY ADMITS
TO BUYING DRUGS FROM KOBRINE,
627
00:26:59,151 --> 00:27:02,288
YOU WILL HAVE YOUR NEW
MATERIAL WITNESS.
628
00:27:02,321 --> 00:27:04,791
DR. KOBRINE SAID
YOU BOUGHT A HUNDRED PILLS
629
00:27:04,824 --> 00:27:06,125
AT $1 PER MILLIGRAM.
630
00:27:06,158 --> 00:27:08,260
DULY SWORN STATEMENT.
631
00:27:08,294 --> 00:27:09,796
DR. KOBRINE.
632
00:27:09,829 --> 00:27:11,297
I DON'T DO DRUGS.
633
00:27:11,330 --> 00:27:12,631
TAKE MY BLOOD.
634
00:27:12,665 --> 00:27:13,800
AND TAKE MY URINE
AND MY BONE MARROW,
635
00:27:13,833 --> 00:27:15,802
AND THEN DO THE SAME
WITH MINDI,
636
00:27:15,835 --> 00:27:17,904
AND THEN SEE
WHO USES DRUGS.
637
00:27:25,211 --> 00:27:27,346
[ TAPPING RHYTHMICALLY ]
638
00:27:30,349 --> 00:27:31,884
ALL DRUMMERS
DO DRUGS.
639
00:27:31,918 --> 00:27:34,153
HOW ELSE CAN THEY
MAKE IT LOOK LIKE
640
00:27:34,186 --> 00:27:37,857
THEIR ARMS AND THEIR LEGS
BELONG TO DIFFERENT PEOPLE?
641
00:27:39,658 --> 00:27:40,793
IS BACKSTROM DRUNK?
642
00:27:40,827 --> 00:27:44,897
I PROMISE YOU...
HE IS NOT DRUNK.
643
00:27:44,931 --> 00:27:45,965
I'M YOU.
644
00:27:45,998 --> 00:27:50,102
I DON'T DO DRUGS.
I'M REFORMED.
645
00:27:52,839 --> 00:27:54,173
WHO AM I AGAIN?
646
00:27:54,206 --> 00:27:55,407
HIM. YOU'RE HIM.
647
00:27:55,441 --> 00:27:57,309
I'M MINDI.
648
00:27:57,343 --> 00:27:59,578
NOW I'M MINDI.
649
00:27:59,611 --> 00:28:01,313
I'M MINDI.
650
00:28:01,347 --> 00:28:05,918
I THINK THAT SEBASTIAN WANTS ME
TO WRITE SONGS WITH HIM.
651
00:28:05,952 --> 00:28:11,423
BUT, NO, HE JUST WANTS ME
TO BRING HIM DRUGS INTO REHAB.
652
00:28:11,457 --> 00:28:12,558
MINDI?
653
00:28:12,591 --> 00:28:14,994
THAT'S GOT NOTHING TO DO
WITH ME.
654
00:28:15,027 --> 00:28:16,863
I'M MINDI.
655
00:28:16,896 --> 00:28:19,999
THE DRUGS I GAVE SEBASTIAN
I GOT FROM YOU.
656
00:28:20,032 --> 00:28:20,900
WHAT?
657
00:28:20,933 --> 00:28:23,202
HE'S PRETENDING
TO BE MINDI
658
00:28:23,235 --> 00:28:24,603
SELLING YOU DRUGS.
659
00:28:24,636 --> 00:28:26,438
I DON'T DO DRUGS.
660
00:28:26,472 --> 00:28:28,274
I DON'T DO DRUGS.
661
00:28:30,109 --> 00:28:31,778
SEEMS LIKE
HE MIGHT BE ON DRUGS.
662
00:28:31,811 --> 00:28:34,113
THE LIEUTENANT LIKES TO PRETEND
HE'S A LOT OF THINGS
663
00:28:34,146 --> 00:28:36,348
[CHUCKLES]
TO GET THE ANSWERS HE NEEDS.
664
00:28:36,382 --> 00:28:39,085
MM-HMM.
665
00:28:39,118 --> 00:28:40,086
I'M YOU.
666
00:28:40,119 --> 00:28:43,189
I PICK UP SEBASTIAN
IN MY VAN...
667
00:28:43,222 --> 00:28:46,725
AND I DRIVE HIM
TO THE QUARRY...
668
00:28:46,759 --> 00:28:48,560
WHERE I KILL HIM,
669
00:28:48,594 --> 00:28:50,797
'CAUSE I DON'T WANT HIM
TO TELL ME --
670
00:28:50,830 --> 00:28:52,131
ME, THE COPS --
671
00:28:52,164 --> 00:28:53,432
THAT I -- YOU --
672
00:28:53,465 --> 00:28:55,067
AM HER --
673
00:28:55,101 --> 00:28:59,939
MINDI'S -- DRUG SUPPLIER,
674
00:28:59,972 --> 00:29:01,774
SUPPLIER OF DRUGS.
675
00:29:01,808 --> 00:29:03,409
NO WAY IN THE WORLD
THE JURY FOLLOWS THAT.
676
00:29:03,442 --> 00:29:04,944
I PICKED HIM UP
IN THE VAN?
677
00:29:04,977 --> 00:29:06,112
I CAN'T EVEN DRIVE.
678
00:29:06,145 --> 00:29:08,380
I CAN'T DRIVE,
OR I WON'T DRIVE?
679
00:29:08,414 --> 00:29:09,415
I CAN'T DRIVE.
680
00:29:09,448 --> 00:29:10,616
OR I WON'T DRIVE?
681
00:29:10,649 --> 00:29:12,451
I CAN'T DRIVE!
I HAVE A DRIVING PHOBIA!
682
00:29:12,484 --> 00:29:13,552
OKAY.
683
00:29:13,585 --> 00:29:15,221
I CAN'T GET BEHIND
THE WHEEL!
684
00:29:15,254 --> 00:29:17,623
I-I CAN'T BREATHE.
I FEEL LIKE I'M DYING.
685
00:29:17,656 --> 00:29:19,591
TO EVEN GET THE PILLS
FROM DR. KOBRINE,
686
00:29:19,625 --> 00:29:20,726
I HAD TO TAKE THE BUS.
687
00:29:20,759 --> 00:29:22,228
WHAT DID HE JUST SAY?
688
00:29:22,261 --> 00:29:25,231
WHAT HE JUST SAID
IS WE DO NOT HAVE OUR MURDERER.
689
00:29:25,264 --> 00:29:29,301
HE JUST NAMED KOBRINE.
I GOT MY MATERIAL WITNESS.
690
00:29:29,335 --> 00:29:30,336
HIGH FIVE.
691
00:29:32,204 --> 00:29:33,505
YEAH, OKAY.
692
00:29:36,843 --> 00:29:39,311
IS THAT WHAT YOU CALL
A SINGLE-FEINT BOLO?
693
00:29:39,345 --> 00:29:41,747
[ KNOCK ON DOOR ]
694
00:29:41,780 --> 00:29:43,249
[ DOOR OPENS ]
695
00:29:43,282 --> 00:29:46,018
LIEUTENANT?
696
00:29:47,820 --> 00:29:50,756
I JUST GOT A CALL FROM
ONE OF MY BUDDIES ON PATROL.
697
00:29:50,789 --> 00:29:54,326
GREGORY VALENTINE
GOT BEAT UP PRETTY BAD.
698
00:30:00,166 --> 00:30:01,934
NOBODY'S MAKING
A STATEMENT,
699
00:30:01,968 --> 00:30:04,971
BUT IT'S OBVIOUS THAT THE BOYS
GOT A JUMP ON VALENTINE.
700
00:30:05,004 --> 00:30:08,007
HE FOUGHT BACK, BUT...
701
00:30:08,040 --> 00:30:11,510
THE GUY HE GOT A PIECE OF
WAS DANTE TRIPPI.
702
00:30:13,345 --> 00:30:16,983
GIVE THE LIEUTENANT
A MINUTE, PLEASE.
703
00:30:18,684 --> 00:30:20,186
WHAT HAPPENED?
704
00:30:20,219 --> 00:30:23,956
WHAT I SAID.
I GOT SCHOOLED.
705
00:30:23,990 --> 00:30:27,259
I GOT CAUGHT POACHING
ON TRIPPI'S TURF.
706
00:30:29,061 --> 00:30:31,797
WORST PART
IS I FOUGHT BACK.
707
00:30:31,830 --> 00:30:35,801
I KICKED DANTE TRIPPI
IN THE JAW AND BUSTED IT,
708
00:30:35,834 --> 00:30:37,169
MADE HIM BITE THROUGH
HIS TONGUE.
709
00:30:37,203 --> 00:30:39,471
SO I GUESS
I HAVE TO CHANGE MY NAME
710
00:30:39,505 --> 00:30:40,907
AND MOVE TO CANADA NOW,
HUH?
711
00:30:40,940 --> 00:30:42,574
I'M A DEAD MAN.
712
00:30:44,610 --> 00:30:46,478
IT'S NOT EVEN GONNA BE
NICE CANADA,
713
00:30:46,512 --> 00:30:47,646
YOU KNOW, LIKE VANCOUVER.
714
00:30:47,679 --> 00:30:49,315
IT'S GONNA BE PROBABLY
SOME HELLHOLE
715
00:30:49,348 --> 00:30:51,383
THAT JUSTIN BIEBER
CRAWLED OUT OF.
716
00:30:58,024 --> 00:31:00,159
I'M CRYING
OUT OF SHOCK,
717
00:31:00,192 --> 00:31:03,029
NOT 'CAUSE I'M A WIMP,
OKAY?
718
00:31:08,367 --> 00:31:10,802
I NEED A MOMENT.
719
00:31:23,715 --> 00:31:26,852
I KNOW WHO YOU ARE,
MR. TRIPPI.
720
00:31:26,885 --> 00:31:29,721
I KNOW YOU'RE KIND OF A BIG DEAL
ON THE STREETS.
721
00:31:29,755 --> 00:31:31,457
YOU MAY NOT KNOW
WHO I AM.
722
00:31:31,490 --> 00:31:34,226
MY NAME IS
LIEUTENANT EVERETT BACKSTROM.
723
00:31:34,260 --> 00:31:38,797
GREGORY VALENTINE,
THE KID YOU BEAT UP --
724
00:31:38,830 --> 00:31:41,300
HE'S FAMILY.
725
00:31:41,333 --> 00:31:44,403
[ SCREAMS ]
726
00:31:48,007 --> 00:31:50,943
ANYTHING HAPPENS TO HIM,
YOU'RE DEAD.
727
00:31:50,977 --> 00:31:53,645
I KNOW YOU HAVE PEOPLE.
728
00:31:53,679 --> 00:31:54,947
I HAVE PEOPLE, TOO!
729
00:31:54,981 --> 00:31:57,483
[ SCREAMS ]
730
00:31:57,516 --> 00:32:02,388
DO YOU UNDERSTAND
EVERY WORD I'VE JUST SAID?!
731
00:32:02,421 --> 00:32:04,490
[ GROANS ]
732
00:32:04,523 --> 00:32:07,726
[ Muffled ] YEAH.
733
00:32:07,759 --> 00:32:09,728
[ SOBS ]
734
00:32:09,761 --> 00:32:11,530
[ BREATHING HEAVILY ]
735
00:32:14,133 --> 00:32:17,336
YOU'RE NOT USUALLY THAT BRAVE,
NO OFFENSE.
736
00:32:17,369 --> 00:32:20,072
I'M COMING DOWN
OFF OXYCODONE.
737
00:32:20,106 --> 00:32:22,808
WHICH IS WHY,
WHEN IT COMES TO DRUGS,
738
00:32:22,841 --> 00:32:27,113
I ALWAYS SAY...
JUST SAY NO.
739
00:32:27,146 --> 00:32:30,149
I HEARD YOU SAY
VALENTINE WAS FAMILY.
740
00:32:30,182 --> 00:32:33,785
YOU'VE BEEN WONDERING
IF MAYBE HE'S YOUR SON?
741
00:32:33,819 --> 00:32:36,922
I GOT A SON -- DARIUS,
10 YEARS OLD.
742
00:32:36,955 --> 00:32:39,758
HE LIVES UP WITH HIS MOM
IN WENATCHEE.
743
00:32:39,791 --> 00:32:40,959
I'D KILL FOR HIM.
744
00:32:40,993 --> 00:32:42,961
DARIUS
IS THE MAIN REASON
745
00:32:42,995 --> 00:32:46,465
I WANT TO BE OUT OF UNIFORM
AND IN THE PLAINCLOTHES,
746
00:32:46,498 --> 00:32:50,102
TO LET HIM KNOW THAT MOTOS
GOT WHAT IT TAKES TO SUCCEED,
747
00:32:50,136 --> 00:32:54,173
PROVE TO HIM THAT HE CAN BE
PROUD OF HIS DADDY.
748
00:32:56,008 --> 00:32:59,945
VALENTINE IS MY ROOMMATE.
THAT'S IT.
749
00:32:59,978 --> 00:33:01,980
STOP TALKING TO ME.
750
00:33:02,014 --> 00:33:04,150
YES, SIR,
BUT IF HE'S NOT YOUR SON,
751
00:33:04,183 --> 00:33:05,784
YOU GOT TO CUT HIM LOOSE.
752
00:33:05,817 --> 00:33:08,154
WHY?
753
00:33:08,187 --> 00:33:09,621
VALENTINE'S A CROOK.
754
00:33:09,655 --> 00:33:12,858
HE DRAGGED YOU IN THIS MESS
WITH DANTE TRIPPI.
755
00:33:12,891 --> 00:33:15,461
NOW, IF HE'S FAMILY,
THAT'S ONE THING,
756
00:33:15,494 --> 00:33:17,063
BUT IF HE'S NOT,
757
00:33:17,096 --> 00:33:19,398
THEN YOU'RE GIVING THIS BOY
A FALSE SENSE OF SECURITY
758
00:33:19,431 --> 00:33:21,667
THAT'S GOING TO KILL HIM
OR RUIN YOU,
759
00:33:21,700 --> 00:33:23,735
WHICHEVER ONE
COMES FIRST.
760
00:33:23,769 --> 00:33:27,339
IT'S BETTER FOR EVERYBODY
IF YOU CUT HIM LOOSE.
761
00:33:31,043 --> 00:33:32,678
[ DOOR CLOSES ]
762
00:33:36,248 --> 00:33:38,850
[ GASPS ] MAYBE THE MURDER
WAS A GROUP EFFORT.
763
00:33:38,884 --> 00:33:40,386
RECHECK
EVERYBODY'S ALIBIS.
764
00:33:40,419 --> 00:33:42,254
ESPECIALLY
WHERE ONE BAND MEMBER
765
00:33:42,288 --> 00:33:44,323
IS ANOTHER
BAND MEMBER'S ALIBI.
766
00:33:44,356 --> 00:33:44,990
WHY?
767
00:33:45,023 --> 00:33:46,692
HOW'S VALENTINE?
768
00:33:46,725 --> 00:33:48,160
HE GOT WHAT HE DESERVED.
769
00:33:48,194 --> 00:33:50,996
WHY ARE YOU
RECHECKING ALIBIS?
770
00:33:51,029 --> 00:33:52,164
BECAUSE AS IT TURNS OUT,
771
00:33:52,198 --> 00:33:53,732
EVERYONE IN THE BAND
HATED SEBASTIAN.
772
00:33:53,765 --> 00:33:56,535
ONLY LARA HAUSBERG WAS
PERSONALLY SORRY THAT HE'S GONE.
773
00:33:56,568 --> 00:33:58,104
WHAT'S THIS?
774
00:33:58,137 --> 00:34:00,506
OH, THAT'S JUST
NIEDERMAYER'S LITTLE GAME,
775
00:34:00,539 --> 00:34:01,773
NOT TO BE TAKEN SERIOUS.
776
00:34:01,807 --> 00:34:03,442
NO, THIS IS GOOD.
777
00:34:03,475 --> 00:34:07,946
EVERYONE IN THE BAND
HATED SEBASTIAN,
778
00:34:07,979 --> 00:34:11,517
JUST LIKE ALL OF YOU
HATE ME.
779
00:34:11,550 --> 00:34:13,985
I LIKE YOU, SIR.
SHUT UP, NIEDERMAYER.
780
00:34:15,554 --> 00:34:18,257
YEAH, NIEDERMAYER'S
STUPID LITTLE EXPERIMENT
781
00:34:18,290 --> 00:34:19,858
JUST MIGHT BE THE ANSWER.
782
00:34:19,891 --> 00:34:22,528
ONE OF YOU KILLED ME.
783
00:34:22,561 --> 00:34:24,296
WHICH ONE?
784
00:34:26,898 --> 00:34:29,635
GET THE BAND TOGETHER.
LET'S GO.
785
00:34:29,668 --> 00:34:30,936
WE ALL GO?
786
00:34:30,969 --> 00:34:34,240
NO ONE IS ABOVE SUSPICION,
PAQUET.
787
00:34:43,182 --> 00:34:46,152
NONE OF YOU LIKED
SEBASTIAN SERAFIAN,
788
00:34:46,185 --> 00:34:48,620
BUT YOU ALL NEEDED HIM.
789
00:34:48,654 --> 00:34:52,558
I'M YOU.
790
00:34:52,591 --> 00:34:56,328
I'M THE GLUE
THAT HOLDS THE BAND TOGETHER
791
00:34:56,362 --> 00:34:59,298
WHILE SEBASTIAN
PULLS EVERYTHING APART.
792
00:34:59,331 --> 00:35:02,601
I'D NEVER
CALL MYSELF GLUE.
793
00:35:02,634 --> 00:35:03,935
I'M YOU.
794
00:35:03,969 --> 00:35:07,306
I LOVE SEBASTIAN.
795
00:35:07,339 --> 00:35:09,175
THAT DIDN'T STOP ME
FROM BEING JEALOUS
796
00:35:09,208 --> 00:35:11,943
THAT HIS RAW TALENT
TRUMPS MY BRAINS.
797
00:35:11,977 --> 00:35:13,579
TO BE CLEAR,
"NO" ON THE LOVE,
798
00:35:13,612 --> 00:35:15,914
"MAYBE" ON THE JEALOUSY.
[ CHUCKLES ]
799
00:35:15,947 --> 00:35:17,849
I'M YOU.
800
00:35:17,883 --> 00:35:21,587
I JUST CAN'T UNDERSTAND
WHY SEBASTIAN CAN'T DO HIS WORK
801
00:35:21,620 --> 00:35:24,156
WITHOUT BEING SO AWFUL
TO EVERYBODY.
802
00:35:24,190 --> 00:35:26,192
I'M TOTALLY ON BOARD
WITH THAT.
803
00:35:29,661 --> 00:35:31,597
I'M YOU.
804
00:35:31,630 --> 00:35:34,333
I RESENT SEBASTIAN.
805
00:35:34,366 --> 00:35:36,802
I'M GONNA SUCK UP TO HIM
IN ORDER TO IMPRESS MY KID.
806
00:35:36,835 --> 00:35:40,105
NOTHING WRONG WITH WANTING TO BE
SOMETHING TO YOUR KID.
807
00:35:40,138 --> 00:35:42,674
Borden: ANYONE WHO THINKS
WE NEED A LAWYER,
808
00:35:42,708 --> 00:35:43,542
RAISE YOUR HAND.
809
00:35:43,575 --> 00:35:45,311
YEAH. AMENDMENT
TO THE FORGOING,
810
00:35:45,344 --> 00:35:47,713
WHO THINKS WE SHOULD SAY NOTHING
UNTIL WE HAVE THAT LAWYER?
811
00:35:47,746 --> 00:35:48,680
YEAH.
DEFINITELY.
812
00:35:48,714 --> 00:35:51,717
NIEDERMAYER...
813
00:35:51,750 --> 00:35:56,522
HOW MUCH DO EAGLES HATE BEING
BOSSED AROUND BY MOUNTAIN LIONS?
814
00:35:58,390 --> 00:36:03,161
EAGLES ARE
VISIONARY CREATORS.
815
00:36:03,195 --> 00:36:04,963
EVERYBODY KNOWS
I LIKED SEBASTIAN.
816
00:36:04,996 --> 00:36:05,964
I TOLD HIM.
817
00:36:05,997 --> 00:36:07,633
I TOLD EVERYONE.
818
00:36:07,666 --> 00:36:10,669
WHAT?
819
00:36:10,702 --> 00:36:11,970
Backstrom: I'M YOU.
820
00:36:12,003 --> 00:36:14,973
I'M A VISIONARY.
I'M A CREATOR.
821
00:36:15,006 --> 00:36:18,143
BUT WITH SEBASTIAN
OUT OF THE WAY,
822
00:36:18,176 --> 00:36:21,313
I'M NEXT IN LINE
TO BE THE LEADER.
823
00:36:21,347 --> 00:36:22,381
WE DON'T HAVE A LEADER.
824
00:36:22,414 --> 00:36:23,815
WE'RE A COLLECTIVE.
825
00:36:23,849 --> 00:36:25,251
I'M YOU.
826
00:36:25,284 --> 00:36:29,721
I'M NOT AS TALL AS SEBASTIAN
OR AS CHARISMATIC.
827
00:36:29,755 --> 00:36:32,558
YOU MUST REALLY RESENT ME.
828
00:36:33,525 --> 00:36:36,194
BUT I KNOW WHAT TO DO
WHEN HE CALLS.
829
00:36:36,228 --> 00:36:38,430
I DRIVE HIM UP TO THE QUARRY.
830
00:36:38,464 --> 00:36:40,999
I PLY HIM WITH THE DRUGS
831
00:36:41,032 --> 00:36:44,436
HE LOVES
MORE THAN ANYTHING ELSE.
832
00:36:44,470 --> 00:36:48,240
SOMEHOW, HE STAYS CONSCIOUS.
833
00:36:49,207 --> 00:36:51,142
SO I USE A GUITAR STRING...
834
00:36:52,143 --> 00:36:53,779
...TO CHOKE HIM.
835
00:36:53,812 --> 00:36:58,284
WHEN HE'S UNCONSCIOUS,
I DUMP HIM IN THE QUARRY.
836
00:36:58,317 --> 00:37:00,452
DO YOU HAVE PICTURES
TO GO ALONG WITH THAT STORY?
837
00:37:00,486 --> 00:37:01,987
Niedermayer: LIEUTENANT.
838
00:37:03,555 --> 00:37:04,523
WHAT?
839
00:37:04,556 --> 00:37:07,826
LACERATIONS
ON THE KILLER'S HANDS.
840
00:37:10,729 --> 00:37:12,964
Man: SHOW HIM --
SHOW HIM YOUR HANDS, DREW.
841
00:37:12,998 --> 00:37:14,300
Man #2: SHOW HIM YOUR HANDS!
NO.
842
00:37:14,333 --> 00:37:17,303
SHOW HIM YOUR HANDS.
IT'S A COLLECTIVE.
843
00:37:17,336 --> 00:37:18,804
SHOW HIM YOUR HANDS,
DREW!
844
00:37:18,837 --> 00:37:19,805
HEY, HEY, HEY, HEY.
845
00:37:19,838 --> 00:37:21,072
BACK UP, BACK UP!
846
00:37:21,106 --> 00:37:22,474
Almond: RELAX.
847
00:37:25,811 --> 00:37:26,912
LET'S GO.
848
00:37:26,945 --> 00:37:28,947
[ HANDCUFFS CLICK ]
849
00:37:30,582 --> 00:37:36,588
HEY, THAT, UH, WITNESS
YOU GAVE ME TURNED ON KOBRINE.
850
00:37:36,622 --> 00:37:40,426
CAN I SAY THANKS,
BUY YOU A DRINK?
851
00:37:40,459 --> 00:37:42,961
NOT IN A MILLION YEARS.
852
00:37:42,994 --> 00:37:44,430
YOU'RE MAD
AT THE WRONG GUY.
853
00:37:44,463 --> 00:37:46,164
I WAS UNDERCOVER
AS A CALL GIRL.
854
00:37:46,197 --> 00:37:47,499
I BUSTED 24 JOHNS.
855
00:37:47,533 --> 00:37:49,000
ON THE 25th JOHN,
THE CAMERAS WENT DARK,
856
00:37:49,034 --> 00:37:51,803
AND THE MICROPHONES WENT OFF,
AND YOU BLAMED ME.
857
00:37:51,837 --> 00:37:52,971
THAT'S NOT TRUE.
858
00:37:53,004 --> 00:37:54,440
OKAY, WELL,
THEN, WHO WAS IT?
859
00:37:54,473 --> 00:37:56,141
WHO WAS IT WHO REALIZED
THAT WE HAD A FISH IN OUR NET
860
00:37:56,174 --> 00:37:57,275
THAT WE DIDN'T WANT?
861
00:37:57,309 --> 00:37:58,510
WHO REALLY
PULLED THE PLUG?
862
00:37:58,544 --> 00:37:59,478
NOT ME.
863
00:37:59,511 --> 00:38:00,946
YOU KNOW,
IF IT WASN'T YOU,
864
00:38:00,979 --> 00:38:03,815
THEN YOU STAYED QUIET
AND LET THE RUMOR SPREAD.
865
00:38:03,849 --> 00:38:07,152
24 INDICTMENTS WERE DROPPED,
AND YOU LET ME TAKE THE BLAME.
866
00:38:07,185 --> 00:38:08,620
THAT PART IS TRUE,
867
00:38:08,654 --> 00:38:10,656
BUT MAYBE I STOPPED
SOMETHING WORSE FROM HAPPENING.
868
00:38:11,823 --> 00:38:15,627
YOU SHOULD HAVE A DRINK
WITH ME SOMETIME.
869
00:38:15,661 --> 00:38:17,629
I DESERVE IT.
870
00:38:22,501 --> 00:38:25,437
HONEY, I'M HOME.
871
00:38:25,471 --> 00:38:27,473
DOCTOR SAYS
THAT [SNIFFS]
872
00:38:27,506 --> 00:38:31,543
YOU'RE GONNA HAVE TO WAIT ON ME
HAND AND FOOT UNTI--
873
00:38:33,379 --> 00:38:35,313
WHAT THE HELL?
874
00:38:37,349 --> 00:38:38,550
HI, VAL.
875
00:38:38,584 --> 00:38:43,789
MY NAME
IS GREGORY VALENTINE.
876
00:38:43,822 --> 00:38:46,858
WHAT IS HAPPENING?
877
00:38:50,896 --> 00:38:53,331
YOUR MOTHER'S HERE
TO TAKE YOU HOME.
878
00:38:55,166 --> 00:38:57,636
YOU'RE KICKING ME OUT?
879
00:38:57,669 --> 00:38:59,070
REALLY?
880
00:38:59,104 --> 00:39:01,807
HEY, IF THIS IS ABOUT WHAT
HAPPENED WITH YOU AND TRIPPI,
881
00:39:01,840 --> 00:39:03,709
I DIDN'T ASK YOU
TO GO MEDIEVAL ON HIM.
882
00:39:03,742 --> 00:39:07,045
NO. YOU'RE A CROOK,
I'M A COP.
883
00:39:07,078 --> 00:39:08,146
YOU'RE GAY,
I'M STRAIGHT.
884
00:39:08,179 --> 00:39:09,515
IT'S NOT GONNA WORK.
YEAH, RIGHT.
885
00:39:09,548 --> 00:39:12,584
THAT'S FUNNY, 'CAUSE IT WORKED
FOR SEVEN YEARS.
886
00:39:12,618 --> 00:39:15,921
EVERETT'S KICKING YOU OUT
BECAUSE HE'S DISAPPOINTED
887
00:39:15,954 --> 00:39:17,355
THAT YOU'RE NOT HIS SON.
888
00:39:17,389 --> 00:39:18,590
DISAPPOINTED? NO.
889
00:39:18,624 --> 00:39:20,426
COME ON.
I'M ECSTATIC.
890
00:39:20,459 --> 00:39:21,993
YOU THOUGHT
I WAS YOUR SON?
891
00:39:22,027 --> 00:39:23,328
NO --
892
00:39:23,361 --> 00:39:25,597
WELL, YOUR PENIS.
WHAT?
893
00:39:25,631 --> 00:39:28,700
YOU CAN COME LIVE WITH ME
UNTIL YOU FIND A PLACE.
894
00:39:28,734 --> 00:39:29,901
[ SIGHS ]
895
00:39:29,935 --> 00:39:33,605
NO, NO.
I WOULDN'T DO THAT TO YOU.
896
00:39:33,639 --> 00:39:34,906
WHAT WOULD YOUR PRIEST SAY
897
00:39:34,940 --> 00:39:37,075
ABOUT A SODOMITE
MOVING IN WITH YOU?
898
00:39:37,108 --> 00:39:38,677
WHO CARES WHAT HE SAYS?
899
00:39:38,710 --> 00:39:42,781
ALL OUR PROBLEMS ARE BECAUSE
I HATE THAT YOU'RE A THIEF.
900
00:39:42,814 --> 00:39:44,282
THAT'S RIGHT.
I AM.
901
00:39:44,315 --> 00:39:47,185
AND EVERYTHING NICE
IN THIS PLACE IS STOLEN,
902
00:39:47,218 --> 00:39:50,722
SO I GOES, IT GOES,
INCLUDING YOUR PRECIOUS CHAIR!
903
00:39:50,756 --> 00:39:52,123
I'LL BUY THE CHAIR
OFF YOU.
904
00:39:52,157 --> 00:39:54,025
YOU CAN'T AFFORD
THAT CHAIR.
905
00:39:54,059 --> 00:39:56,728
I CAN'T AFFORD THE CHAIR?
NO. WITH WHAT,
YOUR HOOKER AND CIGAR MONEY?
906
00:39:56,762 --> 00:39:58,930
I CAN'T AFFORD A $300 --
YOU HAVE NO IDEA!
907
00:39:58,964 --> 00:40:00,566
HEY!
908
00:40:04,335 --> 00:40:05,837
YOU'RE BROTHERS.
909
00:40:07,839 --> 00:40:09,475
HALF BROTHERS.
910
00:40:13,011 --> 00:40:15,614
[ CLEARS THROAT ]
911
00:40:15,647 --> 00:40:18,617
UM, I'M ASSUMING...
912
00:40:18,650 --> 00:40:23,655
SAME FATHER,
DIFFERENT MOTHER.
913
00:40:23,689 --> 00:40:26,424
EVERETT AND I ARE PRACTICALLY
THE SAME AGE.
914
00:40:26,458 --> 00:40:27,626
REALLY?
915
00:40:27,659 --> 00:40:31,096
YOU HAD SEX
WITH MY FATHER.
916
00:40:31,129 --> 00:40:34,132
YOU HAD SEX
WITH MY MOTHER.
917
00:40:34,165 --> 00:40:35,400
SHE WAS REALLY HOT.
918
00:40:35,433 --> 00:40:37,268
SHE STILL IS.
SHUT UP.
919
00:40:37,302 --> 00:40:39,505
THIS IS REALLY WEIRD.
920
00:40:41,339 --> 00:40:43,975
AH...
921
00:40:44,009 --> 00:40:45,944
OKAY.
922
00:40:45,977 --> 00:40:49,515
MY DAD HATES ME,
AND I'M A STRAIGHT COP.
923
00:40:49,548 --> 00:40:53,251
IMAGINE HOW HE'S GONNA FEEL
ABOUT YOU --
924
00:40:53,284 --> 00:40:56,287
GAY GOTH CRIME WIZARD.
925
00:40:56,321 --> 00:40:58,456
THERE'S NO REASON
FOR VAL TO --
926
00:40:58,490 --> 00:41:02,661
GREGORY TO HAVE BLUE
IN HIS LIFE.
927
00:41:04,329 --> 00:41:06,998
[ BREATHES DEEPLY ]
928
00:41:07,032 --> 00:41:08,667
YOU'RE SERIOUS?
929
00:41:08,700 --> 00:41:11,302
BACKSTROM'S MY BROTHER?
930
00:41:11,336 --> 00:41:12,938
I WILL TELL YOU
ONE THING --
931
00:41:12,971 --> 00:41:15,607
THIS DOES EXPLAIN
WHY YOU HAVE NEVER BEEN
932
00:41:15,641 --> 00:41:17,475
SEXUALLY ATTRACTED
TO ME.
933
00:41:17,509 --> 00:41:18,677
GENETICS.
934
00:41:18,710 --> 00:41:21,613
YES.
THAT EXPLAINS IT.
935
00:41:21,647 --> 00:41:24,883
THAT MUST BE IT.
MYSTERY OF THE AGES SOLVED.
936
00:41:24,916 --> 00:41:26,985
[ SIGHS ]
937
00:41:27,018 --> 00:41:29,688
YOU'VE ALWAYS BEEN GOOD
FOR EACH OTHER.
938
00:41:37,028 --> 00:41:39,197
NOW YOU KNOW WHY.
939
00:41:39,230 --> 00:41:42,400
[ JOSEPH'S "COME IN CLOSE"
PLAYS ]
940
00:41:42,433 --> 00:41:44,970
* MY, I'M COLD
941
00:41:45,003 --> 00:41:47,305
* SO COLD I FEEL
942
00:41:47,338 --> 00:41:50,141
* SEE THE BREATH FROM MY LUNGS
943
00:41:50,175 --> 00:41:51,309
* THERE IT IS, BLUE
944
00:41:51,342 --> 00:41:52,678
[ DOOR OPENS, CLOSES ]
945
00:41:52,711 --> 00:41:55,847
WELL, YOU CAN STAY HERE
UNTIL YOU FIND
946
00:41:55,881 --> 00:41:58,817
SOMEPLACE PERMANENT,
I GUESS.
947
00:41:58,850 --> 00:42:00,686
[ SIGHS ]
948
00:42:03,855 --> 00:42:05,724
* THE NIGHT IS DARK
949
00:42:05,757 --> 00:42:07,025
* MY SKIN IS DOOMED
950
00:42:07,058 --> 00:42:09,661
HEY, UH,
I DON'T HAVE TO PAY RENT NOW,
951
00:42:09,695 --> 00:42:12,163
YOU KNOW,
THAT WE'RE BROTHERS, RIGHT?
952
00:42:12,197 --> 00:42:13,899
HALF BROTHERS.
953
00:42:13,932 --> 00:42:16,868
HALF BROTHERS,
HALF THE RENT.
954
00:42:20,739 --> 00:42:21,973
OKAY.
955
00:42:25,577 --> 00:42:27,879
* HERE, COME IN CLOSE
956
00:42:27,913 --> 00:42:31,282
* WEAR ME
LIKE A WINTER JACKET *
957
00:42:31,316 --> 00:42:36,287
* WHAT DO WE KNOW
BUT THIS, THIS? *
958
00:42:36,321 --> 00:42:38,624
* HOLD OUT YOUR HANDS
959
00:42:38,657 --> 00:42:41,627
* I'LL BREATHE ON THEM
AND PLACE MINE OVER *
960
00:42:41,660 --> 00:42:46,297
* WHAT DO WE HAVE BUT THIS?
961
00:43:19,464 --> 00:43:22,133
WHAT'S THAT MEAN?
67851
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