All language subtitles for The.Death.of.Cinema.and.My.Father.Too.2020.720p.WEB.x264-gooz

Scene one,

Yoel, a robust
64 years old,

is floating
with his eyes closed.

The sun has set,
and there's no one on the beach.

He'll get out of the water
and ride his bike home.

This is
the new opening scene.

Did you like it, Dad?

Dad?

I understand your frustration,

I understand that you are
under a lot of stress

and you want to
get out of it.

I understand that you...

You say to yourself

that there are few things
you can do,

but, as you will need to feed
your unborn child,

if you go for it, you'll
bring down the whole structure.

You can't allow yourself to
to do anything,

you start to trust
in the fact that...

You'll end up
in a dead end

for lack of organization.

You don't know how to think.

You don't think about what you have,
what you can do.

You're an adult,
you have a family to support,

and that's what you can do.

-I've thought of everything.
-You haven't thought of anything.

Every suggestion
is childish.

It's not. And I can adapt
the script to your current situation.

Don't answer me, I'm tired.
Don't talk to me.

You tell me you want to be
a Turkish movie director

and based his work
in 1952,

in "Bicycle Thieves"
or "Victims of the Storm",

shows that you are out of
with the world,

in a world of your own.

I just wanted to record
my conversation with you.

I've said several times
that I don't want to.

-You don't have to act.
-I don't want to.

Get a job.
Leave me alone.

-Okay, but...
-Let me...

Turn off the camera.

-Come on.
-All right.

Yoel is on the beach,

he floats in the sea for hours
like he used to in his childhood.

When you open your eyes,

you'll see that it's already dark
and you need to go home.

Because, as prime minister
of Israel,

I feel a great obligation

to talk to you
about a subject

that could threaten
the survival of my country

and the future of my people:

Iran's quest
for nuclear weapons.

Hi, Gideon.

Yoel, I can't say
why,

but you have to take Mom
and the children

and leave Tel Aviv now.

THE DEATH OF CINEMA
AND MY FATHER TOO

You don't even have time to
your clothes.

Did you hear? Yoel?

Did you hear me?

Yoel?

Nina. Ninuchka, wake up.

-What?
-Israel is going to attack Iran today.

I'm asleep.

Gideon warned that Iran
will bomb us soon.

We have to get out of here.

Nobody is going to bomb
anyone.

I went to the Ehrlich house,
it's abandoned, they ran away.

Did you dream it?

This place is going to catch fire.

Stop it.

Hello?

Why are you calling so late?
What happened?

Gideon said
in two hours,

Israeli fighter jets
are going to attack Iran.

Then it's better
we'd all better get out of here,

including you and your son,
and get to Jerusalem quickly.

-Is it serious?
-Assafie, it's okay.

The Edelstein brothers have decided
that there's a war on.

But why Jerusalem?

Because ever since Muhammad
tied his donkey there,

that's a holy city.

Dad, have you gone mad?

-Give it to Mom...
-Then hurry up and get Avivi ready...

Wait, Dad.

-I'll pick you up now.
-But Avivi is with Zohar today.

Then pay for his cab,
you cheapskate.

-Why aren't you answering me?
-I didn't hear you.

Give me some water.

I thought Mom
had convinced you.

Do you really think
that your sick father

would you go up four floors
if it wasn't an emergency?

Gideon doesn't mess around.

Neither do the Iranians

nor the Israel Defense Forces
Forces.

The only clowns here
are you and your mother.

Relax, this stress
is not good for you.

Doctor, pack your bags,
you have other responsibilities,

you have to pick up
your child.

-Are you listening, Dad?
-Yes.

"Israel Film Fund's response
to your grant request.

-Reader: Libi Lat."
-"Lee"...?

"Libi Lat".

She's a screenwriter and director,
but she was a reader.

Right.

Yoel is the protagonist
instead of Nathan.

Right.

"Yoel receives a phone call
from reliable sources

informing him
confidentially

that a war will start
between Iran and Israel.

He decides to flee with his family
to Jerusalem

because of the missiles,
where he's waiting..."

"Missile launch"?

-"Because of the missiles..."
-"Missile launch"?

-What?
-No, never mind.

"Decides to flee Jerusalem
because of the Iranian missiles.

That night becomes
a family trip,

in which the viewer gets to know
the members of this family

and its complex network
of relationships.

All of this is wrapped up in
in the famous Israeli paranoia,

which is sad and funny."

Now for her review.

"This script is good, complete,
with consistent text,

it's cinematic
and funny.

It's written with confidence

and keeps the tension and interest
in the story..."

-"With confidence"?
-Yes, "well written".

Okay, go on.

"...Israeli
in the positive sense of the word.

A specific story

that sums up a national
and personal paranoia equally.

It's a very mature script,
and it was a pleasure to read."

Right...

"There should be an emphasis on the relationship
between Yoel and Assaf..."

Assaf is my name.

"I will be specific
in what I say..."

Are you with me, Dad?
Dad?

-Good night.
-Good night too.

Can you wake her up? It's urgent.

No, I can't.

Yoyo?

What are you doing here?

Yoyo.

We have to run.

Is it the Germans?

It's the Iranians, the Persians.

I understand.

Not there.

You little bitch.

Naughty...

Mom, we don't have time.
We have to go.

-You've already said too much.
-We don't have time.

What about the food?

What food? We have to
get ready to leave.

It's important to eat too.

I want to see you live a day
without food.

In 10 minutes,
everything will be ready, okay?

We don't have 10 minutes.

The Jewish planes
are already in Iran, understand?

-Did you understand?
-I understand that my son is crazy.

Hello.

-Why are you here?
-He didn't answer the phone.

He's just gone to sleep.

You didn't answer.

-So you came here?
-Listen, the Iranians...

-We're attacking the Iranians.
-What?

In 90 minutes,
missiles will start falling here,

and there will be retaliation.

I know it sounds crazy,
but it's happening. War.

So I want
you to wake up Avivi,

and the three of us are going to get out of here.

If it were to happen,
I would know.

It's confidential information.

Gideon called my father
from the embassy in Washington,

is happening,

and I want you to take Avivi
to get us out of here.

You and him
are all I have.

Sorry, I don't like it

that you come here
in the middle of the night,

threatening me with war.

And I don't like
in front of the nursery with balloons.

I don't like it.

You said
that I was arresting you.

Now I'm setting you free,
like a little bird,

You have Tuesdays
and Fridays.

I want you to go
to Jerusalem with me now.

-Why?
-It's sacred to Muslims.

Hold still. You're crazy.

There won't be any missiles,

you don't love me,
and Avivi won't leave this house.

And if anything happens,
we'll go down to the shelter.

But tomorrow
I would pick him up anyway.

Then tomorrow you can play
Noah's Ark with him.

But the war begins today.

You chose Tuesdays.

She's asleep.

Let's go.

Come on, come on.

Dad.

-Do you want water?
-No.

-I'll get you some water.
-No. Come on.

-I'm going to give you a foot.
-No, I got it.

I'll help you.

Okay.

Lift the other foot.

I'll hold you.

Soldiers.

I saw it, Mom, I saw it.

Behind the mountains,

has an air force base,
Wing 2.

They're warming up the engines,
you hear?

No, I didn't.

Couldn't hear it?

Yoel.

She ran away.

Mitzi, Mitzi.

Mitzi.

Mitzi?

Mitzi.

She's there.

Mitzi.

Let's surround it
on both sides.

Naughty.

Dad.

Take this.

Got it.

Cut, cut, stop.

Avivi... Revive...

Mom.

What is it, darling?

Grandpa
isn't feeling well.

Grandpa Yoel?

He was coughing a lot.

And they said it was preventing
filming.

He's only your grandfather in the movie.
He's a fake grandpa.

I know.

But I'm worried
about him.

We're storing everything.
Bring the things here.

Are you going home?

-What about your mother?
-I'm going to get her.

Get Shirley Temple
and his mother and leave.

-You're tired.
-You're fine.

See you later.

-Do you want me to bring something?
-No, Yoel, thank you.

Everything's fine.

Confirmed for next week?

Of course.

I know he has
health problems.

No, it's fine.

-Really?
-Yes, everything's fine.

The agency said
that if they need to postpone,

need to give
48 hours in advance.

I know, but let's not put it off.

Okay.

-Are you all right?
-Yes. Thank you.

-Good night.
-Good night.

-Pepper sauce?
-Yes.

-Yes?
-Yes.

Hello?

Is he home?
Is he all right?

Are you alone?

Hello.

I think you need to find
another actor.

Of course not.

Can't you see he's not well
for that?

He looked tired,
so I stopped,

but I'll continue
next week.

He almost fainted.
He's in pain.

-Where?
-In the stomach.

The chemotherapy?

No, metastasis.

-Why didn't he say anything?
-He doesn't want to disappoint you.

At worst,
we'll stop for a few days

and wait for
everything to stabilize.

It won't stabilize,
it will only get worse.

-I need to think.
-There's nothing to think about.

The metastasis is spreading.
Don't you understand?

It's over. Do you understand that?

The movie is over.

I can't talk now, Mom,

Hillel has just got
the car.

We will help you
pay the costs.

Harm reduction.

Sell that camera.

Let's talk tomorrow,
okay?

How did it go?

Did your father catch the cat?

The stuffed cat.

You'd better shower
before going to bed.

Do I stink?

You are.

A lot.

Don't pass the smell on to me.

-Go take a shower.
-Is it that bad?

You are.

No problem.

We arrive at the Massada ramp,
built by the Assyrian empire

under the command
of the king's general.

Sennacherib was on a mission
of conquest in the east...

in the western part
of his empire.

He came here,

the city walls
are a major obstacle,

are reinforced, very strong,
as you can see,

the end of the hill there, in the distance,
it's a very big place,

the second greatest of Judah,
inside we have a passage...

Hello?

Hello.

Yes, I'm busy.

What happened?

Is everyone there?

Okay, I'll be right there.

I'm off.

King Hezekiah
kept his reign,

has taken over this area.

About 100 years later,
the Babylonians came...

I'll be out for an hour.
Cover me there.

-Can I let you in?
-Who came?

Everyone.

-Michael too?
-Yes.

Let me in.
Let's get this over with.

Come on in.

-All right, Dad?
-All right.

-Hi, Yoel.
-Hi.

-Can I?
-Only you.

Are you in pain?
You look...

The only thing that bothers me
is my roommate,

who pissed
on the toilet seat.

Sorry for ruining
your movie.

No problem.

-Do you know why?
-Why?

Why didn't you put Michael
in the movie,

so his boss
is angry.

I wrote a new scene
for him. Very good.

Being in the movie
wasn't easy,

my character
was a divorced solo mother.

-Because you only gave me one day.
-Is that why?

Exactly.

Would you like something to eat or drink?
I'll bring your father some tea.

-I don't want to.
-Also not. Thank you.

Michael, I'm not dead yet.

Everything's fine.

Dad.

The script for "The Night Escape"
is no longer relevant.

Imagine a neorealist drama
simple.

You and Mom at home,
dealing with the whole situation.

Hi, Mom.

Your bag, Dani.

Thank you.

I told Dani
a sad story.

-But Dani isn't sad.
-"Dani doesn't get sad"?

-It won't stay.
-Why?

I tell you real stories,
and you talk nonsense.

"Don't be sad"?

Boring? Is it difficult
for him to be sad?

No matter what you say,
he won't stay.

Sorry, that's not true.

You were offended, son.

My son was offended.

One, two, police.

"THE FALLING MAN"

You don't have
new messages.

Happy birthday to me,
Happy Birthday to me

I'm falling.

THE FALLING MAN -
NATAN ROSENBERG

NEIGHBOR - INA ROSENBERG

Put this in the cupboard.

I don't know why
he decided to bake bread today.

What difference does it make?
I decided.

"My friends,
resisting Iran is not easy."

"Resisting dark
and murderous regimes is not easy.

With us today,
the Holocaust survivor..."

It was obvious that he would.

"Nobel Prize winner,
Elie Wiesel."

Now he's looking for his roots.
Help me up.

Just a second.

I'm going to try to pee,

then I'll come back
to have my soup.

-Don't film.
-I'm not filming you.

I told you.

-I'm filming the speech.
-No, you're not.

Give me the tapes.

Can I answer?

You can, but keep it short,

because I said
I'm not feeling well.

I couldn't eat,
understand?

-I didn't want to give you food.
-Right.

-He didn't want to feed me.
-Listen.

Give baby food
for your child.

I want you to know
that I understand your frustrations.

-What do you mean?
-What do you think happened to me?

What about?

I started working
at N. Rosenberg Brushes,

but I'm superior to most
of the people I know

in my ability
to understand things

and their context.

When I was young,
I was mired in debt

that my father threw
on me.

I didn't do that to you.

Until I was 45,
I had to accept that

and find out
how to pay off debts

so I can stay
with my family, right?

But you did it.

And what happened next?

The years go by, Dani,
they never come back.

And as the years go by...

The years go by,
they never come back,

and we need to be vigilant.

Dad, I'm very attentive.

That's why I want to film
our life now,

after he came back
from the hospital.

-Listen... Ina, Ina...
-Stop, Dani.

Can we talk?

No.

-I stopped.
-I'm leaving.

I'm leaving.

-Okay, Dad, I'm going.
-I don't care.

That's not...

Dad, I'm going.

I can't deal with it.

Wait for me upstairs.

I'm going.
Relax, I'm coming.

Yoel
has been discharged from hospital,

and now in the afternoon,
the clouds cover the sun.

When they pass,

a ray of light will touch
Yoel's foot,

he'll wake up
without remembering where he is.

At the same time, Assaf,
still trying to finish the movie,

walks back and forth
in the garden.

Ninuchka.

What have you lost?
a screw?

A filter.

-How much does it cost?
-Very expensive.

How did you get here?

I was doing
a long shot of the house.

-Still, how much does it cost?
-A lot.

-How much?
-A thousand shekels.

Did you throw
two thousand shekels away?

It's here somewhere,
it could have rolled there.

You don't have to
following me.

You don't
to lose filters.

What's that?

So I had
another idea yesterday

for a very good
at the end of the movie.

A few hours on a hill,
you, Dudu and me, and that's it.

-What mountain?
-I don't know. Let's find one.

Where?

I haven't found one yet.

-I see.
-Where?

Two more steps,
now kneel.

Do you want me to fall?

Can't you see it?
Kneel down, it's there.

It means
that piece of glass

costs 2,000 shekel?

That's right.

At least your eyes
are still good.

What do you think of the scene?

I don't know. I'll think about it
after the treatment.

In the meantime, I suggest
that you stay with your wife.

Wait, help me.

Give me the filter.

Come slowly.

-Do you need anything?
-No, thank you.

-Are you sure?
-Yes.

-So bye.
-Bye.

Hello, Tammy,
from Avner Initiatives?

This is Yoel Edelstein,

of your reform project
disgraced

on the Street
of the Six-Day War.

I know that the call
is being recorded.

Then please record it.

I know that the building was built
on public land,

but the tenants have
a 999-year lease

and, according to
according to Ottoman law,

that you know
that still applies,

if the building is not built
on a catacomb,

you will have to wait
patiently until 2964.

And Blutinger won't help.

Didn't you hear me?
I don't care about the elevator.

Because if they make
two more floors,

the building will fall down.

But first Avner Initiatives
goes bankrupt

because it's
a crap company.

Bye.

Everything is fine

Everything you do
is right, Mom

Everything is fine

Everything is fine

Everything you do
is right, Mom

Everything is fine

Everything you do

That's right, Mom

Dad, stop moving,
we're looking for focus.

Make me look good.

Do I look good?

-The most beautiful.
-Wonderful.

-Is the sound ready?
-Yoel, say something.

He has a house in New Orleans

which is called Rising Sun

and it's the misfortune
of a poor boy

and God,
the Lord knows that I am

Put it down, please.

But the treatment
should help, right?

It's to relieve the pain,
nothing more.

And whenever he
a little still

you can hear him panting.

What if you
scenes that already exist?

I can't,
I filmed everything in order,

I have no end and no middle.

I set up a part,
but it didn't work.

Nadine.

Are you all right?
This is my good friend, Assaf.

Hello.

-It's a pleasure.
-Assaf, this is Nadine.

She's a jazz drummer,

came to do a residency
for six months.

Assaf is also a director.

He's filming a
very interesting

with his family
as protagonists.

And your father
is a famous actor in Israel?

No, my father is not an actor,

I filmed him in a few movies,
but in short films...

Short films.

Thank you.

Thank you.

Nadine, this is the friend
I told you about.

From film school?
Your only friend?

É. His father has cancer
and it's getting worse.

There won't be a movie.

-Assaf.
-What's up?

What's up?

-Everything.
-Sit down.

Come here.

Can I take this chair?

I heard you hired
the Arab girl, Luna.

-Life is like that.
-But she's a great actress.

Don't eat that, Primo.

I'll meet her on Tuesday.

Maybe they want her
to make "Topsy-Turvy".

What's the problem?

-It's my father.
-What?

Dad.

Dad.

Dad.

Dad.

Dad.

Dad.

Hold on.

The well-equipped kitchen.

Grandma...

He's making a cake.

Let's focus on
her actions.

The cake...

That's Dana.

Dana.

-Hello, Dana?
-Hello, Dani?

Dana.

Dana and Grandma.

Excuse me.

Now we're in the kitchen.

It looks like Grandma
is working very hard.

The cake. Dana near Grandma.

Come on, children.

My father is looking
at nothing,

he doesn't know where he is.

-Your father?
-Yes.

This is how someone looks
when you don't know where you are.

But that's my father, Grandma.

That's my father in the photo.

-It's my father, Nathan...
-Yes.

And you, me,

my mother and my brother.

-Yes, I recognize him.
-It's your son, Nathan.

-Do you remember him?
-Yes.

It's your son, Nathan.

-Him?
-É.

Yes, he has...

What's wrong with him?

There's something
on his face.

What?

This makes you recognizable
right away.

Who is this old woman?

What old woman?

Her?

Grandma, it's you.

At my wedding.
She looked so beautiful!

And close to you,
your son, Miki, from Boston.

Here?

This is Miki taking you
to the Chuppah.

-Is this Miki taking me?
-É.

I have no idea.

Of what?

I have no idea.

You can't tell me
"This is Miki",

and I say
"Yes, I remember him".

-Hello?
-Hi, Dad.

Hello.

I'm not going to ask how you are,
I know you're in pain.

Exactly.

-How are you?
-Good. I'm listening to Mitzi.

Yes, she wants food.
I'm not going to feed her.

Cool. I'll show you
the wedding video.

Look, Dani...
I'm not having a good day.

-Ok.
-Let's do it another day.

I'll come by tomorrow.

Tomorrow I have
chemotherapy.

I'm fine.
You'd better go tomorrow.

É. We'll arrange it
when I'm better, okay?

Okay, Dad. Sorry, Dad.

We'll talk tomorrow.

-All right.
-Bye.

Can you hear it?

No, I don't hear anything.

Today I put on some music,
and he danced.

Really?

Hello?

So what?

I didn't know
I was in Israel.

I'm making progress,

I've already written some scenes
for my mother,

a sub-story with her at home
and also traveling,

so I'm going to film it.

And when my father
is better,

I'm going to film it again.

I think it will be
the same time.

He has never been
so dedicated,

he's going through so much,
and I'm going to film it.

Just a moment.

-It's Yoav. -Wait.
-I want to tell him something.

-Yoav?
-Hey, Zohar. What's up?

-I'm fine. And you?
-Also.

Look...

-Give me the phone...
-It's Saturday.

-I can't stand it.
-It's Saturday.

-E...
-Zohar.

Wait. Assaf and I
are lying down,

and he's listening to his son
in my belly,

then it's not time
to talk.

-It's okay...
-What do you mean, "okay"?

-Zohar, give me the phone.
-No.

I won't give it to you.

I don't want to give you the phone,
you abuser.

-Zohar, give me the phone.
-I said no.

Assaf, can we talk
later?

Don't let him hang up.
Zohar, give me the phone.

The movie is very important
to me as well.

It's everything to me.

And you should understand that
more than anyone else.

Do you pay attention
to what you say?

Presto. The living come first,
then the dead,

and those about to be born.

I'm making a movie
about my father,

the baby will be born later,

so let's base
our schedule on that.

What do you think?

I think I was born 35 years ago,
in case you hadn't noticed.

What does that mean?

It means, you idiot,

that if you carry on like this,
I'll leave, I swear.

Then go.
Do you think I care?

You know what? I'm going.

Yoav, I'm on my way.

Go. Go to your
your parents' house.

My father is dying.
Don't you see, Zohar?

Too bad he
didn't teach you anything

before I die...

I'm sick of it.

-I'm leaving.
-Full of what?

The baby?

-I didn't say that.
-That's what I heard.

-That's not what I said.
-But that's what I heard

-Hey, Yoel.
-Hi.

Thank you.

-Are you ready?
-Yes.

-Mom?
-Yes.

Right. Action.

Siren.

No.

Cut, cut.

I cut it.

Mom, it's too dramatic.

And I can see you're not asleep,
your pupils are moving.

They're like that, Assafie.

That's fine.
The details don't appear.

Isn't it forced?

-We can try again.
-Okay.

Let's do another take,

this time, be more relaxed,
open your eyes, that's all.

-Are you all right?
-Are you all right?

-We're getting there.
-Let's go.

Ready?

-Open up a bit more.
-No problem.

-That's it.
-E...

Action.

Siren.

Blutinger,
don't give me any stories.

Engineer, architect...
Cut it out, Blutinger.

No, I'm going to ask
the questions here.

Then answer me:

you signed the document,
yes or no?

Thank you, Mr. Blutinger.
Thank you very much.

-Want coffee?
-Make it.

Listen. I have another idea.

I thought of that when you mentioned
about the prime minister.

Imagine that you
have known him for years

and that you were colleagues
in the army.

He knows you're ill
and decides to come and visit you.

And you're at home,

thinking about the next war
with Iran.

And he realizes that he will only save
his family next time

to prevent
war from happening.

So I kill him?

Exactly.

So you tell him:

"Remember Oxford?
We used to get high..."

But what did I study?

-What difference does it make?
-It makes a difference to me.

Astrophysics.

No.

-History of the Middle East.
-Okay.

The most important thing

is that you imply
that you have a joint

for you to smoke
like in the old days.

So I say to him:
"Mr. Prime Minister,

remember how much fun we used to have
at parties at Rachel's house?"

Then he understands
and tells his bodyguards:

"Please get out of here.

We have to deal
a delicate matter."

They leave,

but two bodyguards
have to stay close,

then one leaves,
and the other stays in the room.

You smoke,
you get a little high,

tell a few jokes,
until you tell him:

"Sorry,

I need to urinate, my prostate
isn't what it used to be."

-Stand up.
-Wait.

Stand up.

You go to the bathroom.

-Are you all right?
-Yes.

But don't forget

that the bodyguard
is still in the room.

Right. So I say:

"Hey, bodyguard,
why are you so tense?

The Prime Minister and I
have been friends for 30 years. Relax.

It's all right."

You roll him up
like you did with Blutinger

and enter here.

What you need for the job
is here in the bathroom.

-Is it a surprise?
-É.

What?

Look, Dad.
What movie does that look like?

-"The Godfather".
-Exactly.

I hid a gun
in the toilet.

I take the lid off,
put my hand inside...

What's that?

You don't have a gun.
Your mother got rid of it.

What? But she left you
a note.

She writes:

"No surprises, Yoel,
at least until you're dead.

Love, Nina."

Shit.

The prime minister
is waiting.

-He'll end up getting suspicious.
-What do I do now?

Nina's cake.

That's right. He's got the munchies.

-Yes, I'll go to the fridge.
-That's it.

I take the cake...

I'm looking for the
knife.

"Yoel, do you need any help?"

"No, Mr. Prime Minister,
I'll take care of it, thank you."

"I haven't eaten all day."

He's busy with...

-Don't peek.
-Okay.

He's busy
reading secret messages.

-"The head of the GSS wrote..."
-I approach.

And I stabbed him in the back.

I take him by surprise
and stab him in the stomach.

You hold me and I fall.

-Then the bodyguards come in...
-And they shoot me.

But no, Dad, like a panther,
you escape the bullets...

-No, no, no...
-And run away.

No. One comes from here...
No, from here.

And they shoot me. Boom!

Then two more come in
and shoot me...

Then I fall and die.

That's it. The end.

A MOVIE BY DANI ROSENBERG

WITH NATAN ROSENBERG

"MR. A'S MATINEE"

I was thinking
about Igal Naor.

You know Igal Naor,
don't you, Gili?

A great actor.

-A big guy, a bit fat.
-Not so fat.

Igal Naor?

So I could be thinking
someone else.

Igal Naor, Mom, you know him.
He's a Hollywood and theater actor.

He played
of Saddam Hussein.

Oh yes, I know who it is...

-What do you think?
-It could be good.

-Could you play my father?
-Yes.

I know who it is.
I mistook him for someone else.

Maybe I'll let my father
choose the cast.

Who will play you?

I don't know,
I'll find someone...

It's serious.

Who will play Gili?

I've changed a lot...
It's not what you read.

The script was criticized

for not being dramatic
enough,

so I decided to make you
a reborn Jew.

Okay.

Star of David.

Iron Dome.

Darling.

I'm going, I'm going.

-Hi, Mom.
-Hi.

What's up?

-More or less.
-What?

Your father looks terrible.

What did the X-ray show?

Bad news.
The tumor is spreading.

What tumor? In the liver?

There's a fluid
in the stomach cavity.

-But there is hope in chemo...
-Yes.

It's the only thing
that can help.

Yesterday he felt better
than the day before,

but today it's terrible.

-There's a snail here.
-A snail? A snail?

Don't throw it away.

Snail.

-Put him down.
-What?

Put it on the floor.

We're such idiots...

Bringing your father
chrysanthemum from the street.

Wow, what a beautiful shot!

-What do you mean?
-You look beautiful.

Let's have some time alone
after the hospital?

What do you mean?

Yes, we'll have time.

It's beautiful, isn't it?

"Listen,

their story
is where we were deported.

And that doesn't mean that we have
our own territory.

On the contrary, their homeland,
their family, their home, their speech

trap us
in closed spaces.

Their property
is our exile,

the fences,
the death of our love.

Their words,
our gag."

Cool.

Why did you think it was "cool"?
Did you understand it?

I get it.
It's a powerful text.

I'm sorry, Tylenolie,
your father is an idiot,

he says he understands,
but he doesn't understand anything.

What was I supposed to understand?

I've had enough
of your looks.

And a couple who get married young
and go on a trip at dawn

not interesting enough
as a story?

How many times
do you have to talk about it?

You said you only had
two free hours.

Because I don't want to
to be part of your story.

-You don't know how to write to me.
-And you do?

Better than you, yes.

Right, Lena Dunham,
what would you write?

-What an idiot!
-What would you write?

Write down what I say.

Okay? It's going to be the best scene
of the movie.

Right, I'm recording.

I understand that it's
a new technique.

-Command.
-Press "record".

Inside, during the day, outside,
whatever. Right?

Private
gynecological.

Women are waiting
service.

Some are waiting for
nuchal transluscence,

others, complete ultrasound.

She's going to take a test
to show...

We see them waiting.

A woman is standing
waiting for her husband.

She's going for a test
to show

if the fetus has
Down's syndrome.

She looks at her cell phone

and sees that her husband
is late.

She calls him,
but his cell phone is off.

The doctor leaves the office

and says:
"Mrs. Edelstein, come in."

The woman says to the doctor:

"My husband will be here soon.
Can you wait?

I'm afraid
to go alone."

The doctor says she can,
and they wait.

She calls again,

but gives up
after the fifth time

because she's embarrassed
that he doesn't answer.

The woman accepts her fate
and enters the office.

The scene doesn't end there.

In the corridor,
waiting to see the doctor,

a frightening thought
occurs to him,

that maybe it's not
so bad to find out

that the baby
has Down's syndrome,

because it could be
to escape from her husband

who forgot his appointment.

And that thought
moves her so much,

and then she starts to think
the opposite,

to hell with him,

that it's better for the baby not to have
Down's syndrome,

she hopes
that he doesn't have Down's syndrome,

that he is well and healthy
because she wants the fetus,

but she doesn't want
that stupid man

who forgot his appointment.

-Stefan.
-All right, Yoel?

Can you give me a lift?

-Good days and bad days.
-Don't tell me!

Is that a camera?
Is it filming us?

Dude, are you filming us?

I'm doing general shots
by Kfar Blum.

What for?

I'm directing
a promotional movie

about the kibbutz.

-Fuck the kibbutz!
-I don't want them to see us.

I just need
for this kibbutz to see me.

And I can cut that out
in the edit,

I've been filming for hours
families, children...

-Don't film.
-Filming children?

No... Children, women...

Anyone
swimming in the river.

Not us.

Why not?
It's a great shot.

The light is all around you.

How are you, Dad?

I'll be fine, Assaf.

Can you tell me
how you're feeling?

You look...

Give me a break, will you?

Assaf, how much are they paying you
for the movie?

I had never won
so much...

They gave me
a hotel room.

Great.

What are you filming?

A promotional film
about Kfar Blum.

Cool. Good luck.

FATHER

Another opinion,
we can try another country,

we meet people...

You've never looked like this,
you look very...

All right, Assaf.

Tell me something
you really feel,

you seem to be...

-Tell me how you feel, Dad...
-Forget about it.

-Hello.
-Hi.

Nice to meet you,
Yiftach.

You must be the...

Oh, no... I'm
the client's brother.

-The client is in the shower, come in.
-Thank you very much.

-Do you want some water?
-Yes. Thank you.

Thank you.

That is...

Here you can read

about the services
we offer.

-All right.
-The process.

-Right.
-Here you can see...

Is it Freud?

Freud, Albert Einstein,
Paul Newman, Amy Winehouse.

The one who sings...

No, no, no

Exactly.

Our father continues...

Our father continues...

Our father continues...

Our father continues...

It's a pleasure, Yiftach Sharvit,
from Autumn Leaves.

Where do I sign and how much is it?

Let me introduce you to our service,
we have many options.

No need, I read it on the website,
I understood everything.

I know, but before you
sign the document, by law...

Look, Gideon, it's like in the US,
you're afraid of being sued.

Maybe we should sit down...

After you die,

your eldest son
will call our agents,

we'll send
an ambulance,

the process will take
two days,

there we will contact
the eldest son

to collect the ballot box.

-Unless you want the ring.
-The ring?

Yes,
we also offer storage

a little bit of ash
in a diamond

and put on a ring

if the widow or a relative
wants to use it.

We call it
the "Ring of Eternity".

That's in addition to the ballot box,
and for an additional fee, of course.

Ninuchka, do you want me
in a ring?

Not at all.

-We don't want to.
-Right.

We just need
your signature here.

That's it,

and you can find
our range of urns here.

This one is...

Nina, are you all right?

-Nina?
-I'm fine.

Stay down.
Gideon, get some water and coffee.

-What about a pillow?
-Get out, Eichmann.

It's getting in the way.

-It's a pleasure.
-Ina. Nice to meet you.

-You must be...
-His son.

-It looks like it.
-Is that so?

And you're his wife?
It's a pleasure.

Dr. Daniel told me
the whole story,

I just wanted to know
why you're here today.

I was feeling
very bad.

What did you feel?

I couldn't drink
or eat.

I was in pain,

and the pain
wouldn't let me sleep.

Where does it hurt?

It's hard to say.

It started with stomach pain,
that's where it's centered.

Right.

He couldn't walk.
He came in a wheelchair.

I can't walk
because I can't stand up.

Got it.

You saw Dr. Mishaeli.
What did he say?

Dr. Mishaeli...

Today I had
appointment,

and I said I'll stop.

You said you're going to stop
treatment?

I got tired.

I'm tired of this game.

That's why I want to make sure
that you understand...

I made that decision
a year ago.

What did you decide a year ago?

That I don't want to suffer.

Okay.

Right.

The decision is yours.

No one can decide
for you,

we are here to offer
guidance and help...

Right. I understand.

I shouldn't...

It shouldn't be like that.

Please, Nina.

-We're going to have a grandchild.
-Don't do that.

Isn't it nice to have a grandchild?

Who won't meet you?

Who won't have a grandfather?

We are following
the crossfire

between the Iranian
and the Israel Defense Forces.

Hello?

Hello.

We've just arrived
from the hospital.

We're going up.

I'll get back to you. Bye.

Turn on the light.

Yoel, how are you feeling?

Well, Mrs. Blutinger.

Let's sign the appeal.

Considering this.

How nice...

-All the best.
-Thank you.

-Open the door.
-Are you all right?

It's all right. Come on.

No, it's not good,
it doesn't fit.

It's very big.

It's too fast.
Hold on. Hold it.

It's too chaotic.
Too big.

Do we need something
more refined, more delicate?

-Think of a man...
-Perhaps in C minor?

Think of someone walking
through the rain slowly...

It's no bigger.

Did you like the song?

It's my wedding klezmer,
they charged cheaply.

I couldn't care less.

I told him to stop filming
and sell the camera.

The story is perfect
so far, isn't it?

Look, I understand your frustration,
you want to finish the movie,

but he's about to
to become a father,

and your priority should be
what's best for the baby.

Dad, I thought about it.

You haven't thought of anything,
your speeches are childish.

Look, Dad...

I have an idea
for a great scene,

happens at the end of the trip,

when we know
there will be no war,

you climb a hill,

and Gideon tries to convince him
to return home.

Assaf, people go to the movies
to see actors,

not your father

in a
story

that has
nothing to do with me.

Look, Dad,

if you don't like the script,
we can change it.

-Assafie, it's late.
-I'm not going anywhere.

Nina, get this man
away from me.

Why don't you listen to me?

I don't want to hear it.
I've had enough of you.

Enough.

Just listen to me.

I don't want to hear it, don't you understand?
It's over.

No, I don't understand.

My liver is falling
to pieces, understand?

Wow, what a surprise!

That's why I'm making
the movie, don't you understand?

That's enough, Assaf.
I'm taking you home.

What will it help with?

For him to fall here,

and you call me to tell me
that he's dead?

That's enough.

Time is passing.
Our time is passing.

And I want to film
to have the recording...

What recording? From where?

You're filming on DVDs,

which will be obsolete
in two years.

"Recording".

They've stopped doing that.
Don't you know?

The last factory
that produced them

was destroyed
in the Japanese earthquake.

What was his name?

Honsho.

Okay, let's do it.

-One plug and that's it.
-All right.

-We just have to be precise.
-I just don't understand...

What...

What does Gideon want from me now?
Why am I talking to him?

You're trying to call
to Gideon,

but there's no signal,

that's why you're
on this hill.

Got it.

Remember this...
Dad, wait.

This is after he told him
that the Iranians won't attack,

that no one will
bomb us.

And that you...

He took us on this trip
for nothing.

And where's your mother and everyone else?

My mother... My mother
will wait downstairs.

I'll film it next time
from your angle.

Got it.

I think this is a good place.
It's quite high up.

You wanted a silhouette
at dawn, and here it is.

Go find the team
and get ready.

But be warned.

I'm going to shout "action",
and you start.

Are we ready to shoot?

We need
two more minutes.

At any time.

Ask him to wait.

-Dad. Dad, wait a minute.
-He's starting.

All right, start rolling.

-The memory card is full.
-Father.

Dad. Stop.

Now I'm listening.

We're all here, safe.

Yes, your mother too.

They're sleeping in the car
downstairs.

According to Waze,
we are in Jordan.

Gideon,
don't try to control me.

Don't do that,

no one will control me
as long as I live.

It's so beautiful here, Gideon!
Sorry. Bye. Bye, Gideon.

-I won't make it through the night.
-What?

I don't think I'll make it through
tonight.

Don't say that.

-Why, Dani?
-What?

Why not say that?

Because it will pass.

-What?
-It'll pass tonight.

I wanted to tell you
one thing.

What?

-I spoke to Roni last night.
-E?

And she likes
the name "Yonatan".

Wonderful.

That's your name too,

and you can say that there are Natans
in the Rosenberg family

for generations.

Why?

-Your grandfather's name was Nathan.
-Right.

And from what I remember,

his grandfather
was also called Nathan.

That's good. Good, good.

You can't do anything, Dani.

I want to be with you.
Don't tell me what to do.

-It's hard for me.
-For me too.

But I want to be with you.

-I know.
-So...?

Do you feel pain?

Do you want me to ask the doctor
more morphine?

No, Dani, it's not really pain.

What are you feeling?

-What?
-What's that?

How can you describe it?

I don't know.

-Hi. Good morning.
-Good morning, Lida. It's Dani.

I have some bad news.

My father died yesterday.

-What?
-É.

É.

-I'm sorry.
-Thank you.

He was sick
and didn't want to tell you.

I didn't know.

He didn't want
you to worry.

-Please don't tell...
-What are we going to do?

Don't tell Grandma anything
for the time being.

No, no, Bina... It's for me.

That's why my father
didn't want to meet her.

He didn't want her to feel
any sudden changes, you know?

And he asked my mother and me
to find her

because he didn't want to
find her.

She woke up and said:

"I saw my son,
I spoke to him just now."

Yes...

So I think it's best if she doesn't know
so as not to make her sad.

We don't want to
make you sad.

Sorry to break the news to you,
Read.

I'm sorry.

Yoel's ashes were
scattered in Promontory

as he asked.

Two months later,
Zohar had the baby.

Two years later,
she and Assaf separated.

Assaf continued working
on the movie.

He looked for someone
to replace his father

and, when he found
he started filming again.

No, take it to the kitchen.

We don't need that.
I want this corner empty.

-Shall we wait for him?
-No, the light is fine.

It's good.

Where's the actor?

-Did anyone call him?
-I did.

What's taking
taking so long?

Apart from that, are we ready?

-Hello? Hello?
-Ready?

Hello? It's Assaf. What's up?

-Remember we're filming today?
-Can I get some water?

Don't tell me!

So where are you?

-Say what you see from the window.
-Be careful.

Do you see a park?

We're near
a large park.

-Right. Is it on your right?
-Good.

He'll be there in 5 minutes.

Right. Right.

Right, good.

If you get lost, call me.

Excuse me,
we have to close the door.

TO YONATAN, MY SON

Translation:
Paula Silva

Subtitles:
4ESTAÇÕES