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1
00:00:52,626 --> 00:00:56,459
(INDISTINCT VOICES)
2
00:01:08,751 --> 00:01:11,254
(FOOTSTEPS)
3
00:01:11,334 --> 00:01:14,170
WOMAN: Does she remember
why we're here?
4
00:01:14,250 --> 00:01:15,999
WOMAN 2: Yes.
5
00:01:23,375 --> 00:01:26,667
(INDISTINCT ANNOUNCEMENT
OVER P.A.)
6
00:01:30,999 --> 00:01:32,170
Shayda.
7
00:01:32,250 --> 00:01:36,337
Mona, see these counters?
8
00:01:36,417 --> 00:01:37,254
It's really important
9
00:01:37,334 --> 00:01:39,709
you remember
what they look like, OK?
10
00:01:53,999 --> 00:01:56,000
{\an8}(HIGH-PITCHED BEEPING)
11
00:01:59,751 --> 00:02:03,959
{\an8}(INDISTINCT CHATTER
AND ANNOUNCEMENTS)
12
00:02:06,459 --> 00:02:09,254
WOMAN: Tell her that
if he brings her here,
13
00:02:09,334 --> 00:02:12,754
she's to run to
one of the officers in blue.
14
00:02:12,834 --> 00:02:14,671
She's got to
give him her full name.
15
00:02:14,751 --> 00:02:16,712
They'll search her
on the watch list
16
00:02:16,792 --> 00:02:19,417
and notify us immediately.
17
00:02:19,542 --> 00:02:23,876
This is our safest measure,
if he abducts her.
18
00:02:24,500 --> 00:02:25,420
(WHISPERS)
What if she can't find?
19
00:02:25,500 --> 00:02:30,000
She will, Shay. She's just got
to remember the blue uniform.
20
00:03:23,042 --> 00:03:25,838
Come on. Come and sit down.
21
00:03:25,918 --> 00:03:28,754
- (BREATHES SHAKILY)
- It's OK.
22
00:03:28,834 --> 00:03:32,417
Deep breath. In and out.
23
00:03:34,500 --> 00:03:37,667
- Want some water?
- Ah...
24
00:03:40,500 --> 00:03:42,500
She's safe.
25
00:03:42,959 --> 00:03:45,667
- You did the right thing.
- (SOBS)
26
00:03:54,083 --> 00:03:58,125
(PERSIAN MUSIC PLAYS)
27
00:04:07,834 --> 00:04:09,918
(HUMS)
28
00:04:15,042 --> 00:04:18,792
WOMAN: Are you familiar
with this area?
29
00:04:19,876 --> 00:04:20,838
WOMAN 2: Mmm...
30
00:04:20,918 --> 00:04:25,462
WOMAN 1: Do you
and your husband
have family in this area?
31
00:04:25,542 --> 00:04:26,999
WOMAN 2: No.
32
00:04:27,667 --> 00:04:31,919
WOMAN 1: Um, when was the, um,
last time you saw him?
33
00:04:31,999 --> 00:04:34,962
- WOMAN 2: Tuesday night.
- WOMAN 1: Mm-hm.
34
00:04:35,042 --> 00:04:36,629
And, um,
35
00:04:36,709 --> 00:04:38,712
it's important
you and the girls
36
00:04:38,792 --> 00:04:40,420
keep our location secret.
37
00:04:40,500 --> 00:04:42,919
It's for everyone's safety.
38
00:04:42,999 --> 00:04:44,796
- OK?
- Mmm.
39
00:04:44,876 --> 00:04:46,918
WOMAN 1: Thank you, Shayda.
40
00:04:47,500 --> 00:04:50,087
- (RUSTLING)
- (KID SHOUTS, SCREAMS)
41
00:04:50,167 --> 00:04:51,712
(KIDS TALK INDISTINCTLY)
42
00:04:51,792 --> 00:04:54,709
{\an8}GIRL: You're always
playing with it!
43
00:04:58,999 --> 00:05:00,587
She pinched me. It hurts.
44
00:05:00,667 --> 00:05:04,999
{\an8}Mmm.
(WOMAN 2 SPEAKS VIETNAMESE)
45
00:05:05,626 --> 00:05:08,003
- She did it. I saw.
- (BABY FUSSES)
46
00:05:08,083 --> 00:05:10,919
(TV PLAYS LOUDLY)
47
00:05:10,999 --> 00:05:12,999
Say sorry, Mona.
48
00:05:18,876 --> 00:05:20,667
Sorry.
49
00:05:25,250 --> 00:05:26,999
Mona!
50
00:05:38,667 --> 00:05:40,292
{\an8}(SNIFFLES)
51
00:05:46,083 --> 00:05:49,667
{\an8}(ENERGETIC MUSIC)
52
00:06:04,876 --> 00:06:06,751
(CONTINUES COUNTING)
53
00:06:21,959 --> 00:06:24,000
(CONTINUES COUNTING)
54
00:06:27,999 --> 00:06:30,999
(CONTINUES COUNTING)
55
00:06:44,999 --> 00:06:45,919
(CONTINUES COUNTING)
56
00:06:45,999 --> 00:06:48,587
- (DOOR OPENS)
- WOMAN 3: We're heading out.
57
00:06:48,667 --> 00:06:50,003
It's her birthday.
58
00:06:50,083 --> 00:06:51,919
SHAYDA: Where is the party?
59
00:06:51,999 --> 00:06:53,254
In the city.
60
00:06:53,334 --> 00:06:55,003
Is there dancing?
61
00:06:55,083 --> 00:06:57,919
Not really your kind.
62
00:06:57,999 --> 00:07:00,999
Hey, um, can you
look after Dylan?
63
00:07:02,375 --> 00:07:03,254
Just for a few hours.
64
00:07:03,334 --> 00:07:06,999
Trevor's gonna be there.
I haven't seen him in weeks.
65
00:07:07,292 --> 00:07:08,712
Ask Vi.
66
00:07:08,792 --> 00:07:10,919
Vi's out with the girls.
67
00:07:10,999 --> 00:07:12,919
(EXHALES)
68
00:07:12,999 --> 00:07:17,125
- Please?
- (DYLAN FUSSES AND CRIES)
69
00:07:31,000 --> 00:07:34,083
(QUIET RUMMAGING)
70
00:09:14,250 --> 00:09:18,959
(DYLAN CRIES)
71
00:09:22,959 --> 00:09:24,626
Shh...
72
00:09:27,292 --> 00:09:31,125
(CONTINUES CRYING)
73
00:09:35,000 --> 00:09:38,375
(CONTINUES CRYING)
74
00:09:41,999 --> 00:09:45,999
- GIRL: (WHISPERS) Yeah.
- (MAN WHISPERS INDISTINCTLY)
75
00:09:47,083 --> 00:09:48,212
MAN: Oh-oh.
76
00:09:48,292 --> 00:09:50,000
BOTH: Mmm.
77
00:09:52,959 --> 00:09:55,999
(MAN LAUGHS)
78
00:10:05,125 --> 00:10:07,919
MAN: I think we might
need a freshie soon.
79
00:10:07,999 --> 00:10:10,999
Get another good drag
out of that.
80
00:10:24,999 --> 00:10:26,546
{\an8}(BREATHES SHAKILY,
MURMURS INDISTINCTLY)
81
00:10:26,626 --> 00:10:29,337
WOMAN 1: Who do you think
you're trying to
fool here, Renee?
82
00:10:29,417 --> 00:10:32,959
I know what you
got up to last night.
83
00:10:34,999 --> 00:10:37,838
- You recognise it?
- WOMAN 3: Nope.
84
00:10:37,918 --> 00:10:40,375
- WOMAN 1: You?
- GIRL: Nup.
85
00:10:40,999 --> 00:10:42,337
This what you got us up for?
86
00:10:42,417 --> 00:10:43,087
- Cathy!
- (MONA MURMURS)
87
00:10:43,167 --> 00:10:45,462
CATHY: Look - she's having
a panic attack, and for what?
88
00:10:45,542 --> 00:10:46,587
WOMAN 1: Yeah, I can see that.
89
00:10:46,667 --> 00:10:48,420
I think we'd know if someone
was really coming for us...
90
00:10:48,500 --> 00:10:50,919
- Sit down.
- ..after all the shit
we've been through.
91
00:10:50,999 --> 00:10:52,838
Just want some
peace and bloody quiet.
92
00:10:52,918 --> 00:10:53,504
Is that too much to ask?
93
00:10:53,584 --> 00:10:55,919
- WOMAN 1: There's a hotel
down the road.
- (DYLAN CRIES)
94
00:10:55,999 --> 00:10:58,919
{\an8}If you feel safer there,
you be my guest.
95
00:10:58,999 --> 00:10:59,838
{\an8}Can you shush?
96
00:10:59,918 --> 00:11:00,129
Excuse me?
97
00:11:00,209 --> 00:11:01,587
- She woke him up.
Make her stop.
- (CRIES LOUDLY)
98
00:11:01,667 --> 00:11:05,629
No, you just left me alone
last night with your baby,
and now you're...
99
00:11:05,709 --> 00:11:08,417
Like you had
anything better to do.
100
00:11:09,125 --> 00:11:11,500
(DYLAN CONTINUES CRYING)
101
00:11:12,459 --> 00:11:16,417
(VI BREATHS UNSTEADILY)
102
00:11:21,626 --> 00:11:24,295
- (ENGINE REVS LOUDLY)
- Excuse me!
103
00:11:24,375 --> 00:11:26,042
{\an8}Can I help you?
104
00:11:30,459 --> 00:11:33,919
"5th of January, 1995, Tehran.
105
00:11:33,999 --> 00:11:39,292
"Three days had passed since
they'd taken Mona away from me.
106
00:11:39,417 --> 00:11:42,919
"Those three days
passed like a lifetime."
107
00:11:42,999 --> 00:11:46,542
(WOMAN SPEAKS FARSI ON PHONE)
108
00:11:52,999 --> 00:11:54,254
Yeah.
109
00:11:54,334 --> 00:11:55,504
"My mother-in-law said,
110
00:11:55,584 --> 00:11:58,919
"'If you continue this path,
you'll never see her again,'
111
00:11:58,999 --> 00:12:01,003
"so I withdrew
my application for divorce
112
00:12:01,083 --> 00:12:05,587
"and agreed to
return to Australia
until the end of his studies."
113
00:12:05,667 --> 00:12:09,751
(WOMAN ON PHONE SPEAKS FARSI)
114
00:12:14,250 --> 00:12:16,125
(SILENCE)
115
00:12:28,999 --> 00:12:32,379
- What's she saying?
- Turn it off.
116
00:12:32,459 --> 00:12:32,920
(HANGS UP)
117
00:12:33,000 --> 00:12:35,834
She knows me!
She said my name.
118
00:12:37,751 --> 00:12:39,626
{\an8}(MONA GROANS)
119
00:12:44,334 --> 00:12:46,751
(MURMURS INDISTINCTLY)
120
00:12:48,834 --> 00:12:52,584
(GASPS, BREATHES HEAVILY)
121
00:12:56,375 --> 00:13:00,083
(BREATHES RAPIDLY)
122
00:13:14,999 --> 00:13:17,334
(MONA GRUNTS SOFTLY)
123
00:13:51,375 --> 00:13:55,918
(OPENS AND CLOSES DOOR
REPEATEDLY)
124
00:14:40,167 --> 00:14:44,250
(MAGPIES WARBLE)
125
00:14:52,417 --> 00:14:57,587
WOMAN 1: It's a communal
kitchen, pantry's...
126
00:14:57,667 --> 00:14:58,712
(WASHING MACHINE STARTS)
127
00:14:58,792 --> 00:15:01,504
WOMAN 1: Um, this here
is your fridge.
128
00:15:01,584 --> 00:15:03,879
I'll give it a clean.
129
00:15:03,959 --> 00:15:05,462
I'm on pager.
130
00:15:05,542 --> 00:15:06,671
Any time, day or night,
131
00:15:06,751 --> 00:15:09,170
- I can be here on call.
- (LOUD SNORING)
132
00:15:09,250 --> 00:15:11,420
It's important
you understand that
133
00:15:11,500 --> 00:15:14,379
we must
keep this location a secret,
134
00:15:14,459 --> 00:15:15,045
for all our safety.
135
00:15:15,125 --> 00:15:18,337
You don't have any family here,
do you, in Australia?
136
00:15:18,417 --> 00:15:18,962
- No.
- OK.
137
00:15:19,042 --> 00:15:21,712
WOMAN 1: Did you have
any questions at all, or...?
138
00:15:21,792 --> 00:15:24,087
WOMAN 2: Uh, no.
Not right now, no.
139
00:15:24,167 --> 00:15:25,754
WOMAN 1: OK, great.
140
00:15:25,834 --> 00:15:28,337
Um, toilet and bathroom.
141
00:15:28,417 --> 00:15:32,254
Through here will be your room.
142
00:15:32,334 --> 00:15:34,292
Hay, Shayda.
143
00:15:36,292 --> 00:15:38,337
Lara, this is, uh, Shayda.
144
00:15:38,417 --> 00:15:41,712
She's here
with her daughter, Mona.
145
00:15:41,792 --> 00:15:44,420
- Hi.
- Hi.
146
00:15:44,500 --> 00:15:45,462
(CLATTERING)
147
00:15:45,542 --> 00:15:49,379
Lara's had
a LONG flight from the UK.
148
00:15:49,459 --> 00:15:50,379
You must be tired.
149
00:15:50,459 --> 00:15:53,083
Come in. Put your bag down.
150
00:15:55,167 --> 00:15:58,379
Hopefully, Lara's son
will be joining us.
151
00:15:58,459 --> 00:16:00,919
Um, what was his name again?
152
00:16:00,999 --> 00:16:02,999
- Tobias.
- Tobias.
153
00:16:03,167 --> 00:16:09,417
- Anything he'd prefer to eat?
- Um, he used to like pasta.
154
00:16:13,792 --> 00:16:17,626
(HUMS)
155
00:18:06,918 --> 00:18:08,542
(GASPS SOFTLY)
156
00:18:54,375 --> 00:18:57,375
You missed
a few bits there, Shay.
157
00:18:58,417 --> 00:19:00,709
(CHUCKLES)
158
00:19:03,500 --> 00:19:06,500
(SNIPPING)
159
00:19:26,999 --> 00:19:28,999
Suits you.
160
00:19:31,500 --> 00:19:33,337
Good for you.
161
00:19:33,417 --> 00:19:35,459
I like it.
162
00:19:53,876 --> 00:19:55,542
Here.
163
00:20:03,000 --> 00:20:05,542
I'm here.
164
00:20:09,834 --> 00:20:13,542
(PERSIAN MUSIC PLAYS)
165
00:20:56,999 --> 00:20:58,667
(CLEARS THROAT)
166
00:21:49,042 --> 00:21:50,999
WOMAN 1: It's OK.
167
00:21:58,250 --> 00:22:00,629
Maybe we should
get the ball rolling
168
00:22:00,709 --> 00:22:03,999
on the, um, new interpreter.
169
00:22:06,125 --> 00:22:08,170
It's vital we
build your evidence
170
00:22:08,250 --> 00:22:10,751
for the custody hearing.
171
00:22:18,334 --> 00:22:20,999
{\an8}(WOMAN ON PHONE SPEAKS FARSI)
172
00:22:24,584 --> 00:22:27,962
"13th of January,
1995, Brisbane.
173
00:22:28,042 --> 00:22:32,919
"Two days after our return,
it was late at night.
174
00:22:32,999 --> 00:22:34,587
"I came out of the shower.
175
00:22:34,667 --> 00:22:38,709
"He pushed me hard,
up against the wall."
176
00:22:38,834 --> 00:22:43,000
(INTERPRETER SPEAKS FARSI
OVER PHONE)
177
00:22:55,792 --> 00:22:57,087
"I screamed.
178
00:22:57,167 --> 00:22:59,087
"He hit me on the head
179
00:22:59,167 --> 00:23:01,920
"and forced me onto the bed."
180
00:23:02,000 --> 00:23:06,209
(INTERPRETER CONTINUES)
181
00:23:08,083 --> 00:23:09,919
"He put his hand over my mouth,
182
00:23:09,999 --> 00:23:12,003
"so that I could
hardly breathe,
183
00:23:12,083 --> 00:23:14,999
"and forced himself onto me."
184
00:23:15,292 --> 00:23:18,375
(INTERPRETER CONTINUES)
185
00:23:24,334 --> 00:23:29,170
"I was crying and protesting,
but he just continued.
186
00:23:29,250 --> 00:23:30,919
"When he finally let go,
187
00:23:30,999 --> 00:23:34,334
"I ran from the house
and called the police."
188
00:23:35,000 --> 00:23:38,792
(INTERPRETER CONTINUES)
189
00:23:46,375 --> 00:23:48,709
(SOBS QUIETLY)
190
00:23:49,167 --> 00:23:52,999
(SNIFFLES, BREATHES SHAKILY)
191
00:23:54,250 --> 00:23:58,250
(INTERPRETER CONTINUES)
192
00:24:05,375 --> 00:24:07,876
(SOBS)
193
00:24:09,999 --> 00:24:12,292
(SNIFFLES, SPEAKS FARSI)
194
00:24:12,876 --> 00:24:15,254
INTERPRETER: She would like
to add the word 'rape'
195
00:24:15,334 --> 00:24:16,920
in the description there.
196
00:24:17,000 --> 00:24:18,962
I think it's more accurate.
197
00:24:19,042 --> 00:24:21,712
WOMAN 1: Yes, I agree.
198
00:24:21,792 --> 00:24:22,712
(SNIFFLES)
199
00:24:22,792 --> 00:24:24,999
WOMAN 1: Was it the only time?
200
00:24:26,999 --> 00:24:29,083
(SHAYDA SOBS)
201
00:24:31,459 --> 00:24:34,999
(SOBS)
202
00:24:37,792 --> 00:24:40,417
WOMAN 1:
She's just stepped out.
203
00:24:41,500 --> 00:24:42,919
INTERPRETER: OK.
204
00:24:42,999 --> 00:24:45,459
(SOBS)
205
00:24:49,834 --> 00:24:53,417
Shay, we can continue this
another day.
206
00:24:55,000 --> 00:24:57,834
(SOBS)
207
00:24:58,999 --> 00:25:01,209
(WHISPERS) It'll be OK.
208
00:25:06,083 --> 00:25:09,959
(BREATHES SHAKILY)
209
00:25:15,167 --> 00:25:17,209
(SOBS)
210
00:25:20,250 --> 00:25:22,918
I'll get you a tissue.
211
00:25:28,042 --> 00:25:29,999
Here.
212
00:25:30,542 --> 00:25:32,500
(SOBS SOFTLY)
213
00:25:37,000 --> 00:25:39,999
(CALMS BREATHING)
214
00:26:02,584 --> 00:26:05,542
(SPEAKS FARSI)
215
00:26:12,167 --> 00:26:12,919
INTERPRETER: She says
216
00:26:12,999 --> 00:26:15,838
during the part where
he pushed me against the wall,
217
00:26:15,918 --> 00:26:19,087
he said, "I'm going to
make you pregnant again
218
00:26:19,167 --> 00:26:21,919
"so you can't separate
from me."
219
00:26:21,999 --> 00:26:24,459
(EXHALES)
220
00:26:25,542 --> 00:26:27,292
(SNIFFLES)
221
00:26:32,125 --> 00:26:36,125
WOMAN 1: Where was your
daughter during the incident?
222
00:26:49,375 --> 00:26:53,209
She was hiding, in her room.
223
00:26:57,417 --> 00:27:00,999
And was she awake
when the police came?
224
00:27:02,999 --> 00:27:04,292
Yes.
225
00:27:17,999 --> 00:27:19,504
"The police told me that
226
00:27:19,584 --> 00:27:21,170
it "would take
at least six months
227
00:27:21,250 --> 00:27:23,629
"to deal with
my complaint in court,
228
00:27:23,709 --> 00:27:26,003
"that if they
locked up my husband,
229
00:27:26,083 --> 00:27:30,000
"I have no way
of supporting myself."
230
00:27:34,459 --> 00:27:38,083
Is there anything else
they said to you that night?
231
00:27:40,459 --> 00:27:42,542
(PAPERS RUSTLE)
232
00:27:46,999 --> 00:27:49,000
(EXHALES)
233
00:27:51,500 --> 00:27:54,000
(BIRDS CALL)
234
00:27:59,500 --> 00:28:02,459
MONA: Ooh!
235
00:29:47,999 --> 00:29:50,918
Shay.
It's Annabelle.
236
00:29:55,876 --> 00:29:58,337
(MONA WHISPERS)
Simba. Simba.
237
00:29:58,417 --> 00:29:59,546
WOMAN 1: Um, Shayda's here.
238
00:29:59,626 --> 00:30:02,254
If you want to start
from the beginning?
239
00:30:02,334 --> 00:30:03,754
ANNABELLE: Hi, Shayda.
240
00:30:03,834 --> 00:30:09,584
So, the judge has issued
Hossein temporary access.
241
00:30:12,459 --> 00:30:13,295
Uh, I don't under...
242
00:30:13,375 --> 00:30:16,629
WOMAN 1: It means, um,
Hossein can see Mona,
243
00:30:16,709 --> 00:30:18,629
alone, unsupervised.
244
00:30:18,709 --> 00:30:20,920
ANNABELLE: Saturdays,
half a day.
245
00:30:21,000 --> 00:30:24,587
WOMAN 1: So...
they cut his phone access,
246
00:30:24,667 --> 00:30:25,712
but they've approved this?
247
00:30:25,792 --> 00:30:27,712
ANNABELLE: I know.
It's not ideal.
248
00:30:27,792 --> 00:30:30,796
But it's in our best interest
to cooperate.
249
00:30:30,876 --> 00:30:31,420
Until when?
250
00:30:31,500 --> 00:30:35,999
ANNABELLE: Until the custody
hearing in two months' time.
251
00:30:39,375 --> 00:30:42,375
(SNIFFLES)
252
00:30:58,042 --> 00:31:02,125
{\an8}- (PERSIAN MUSIC PLAYS)
- (BOTH SING)
253
00:31:10,792 --> 00:31:14,709
{\an8}(BOTH SING AND LAUGH)
254
00:32:04,959 --> 00:32:06,379
Chocolate?
255
00:32:06,459 --> 00:32:08,250
No?
256
00:32:10,834 --> 00:32:13,792
(PAPER CRUMPLES)
257
00:32:27,918 --> 00:32:31,125
(FOOTSTEPS APPROACH)
258
00:36:28,083 --> 00:36:30,999
(GASPS) Simba!
259
00:40:00,250 --> 00:40:03,792
(BREATHES SHAKILY)
260
00:41:25,999 --> 00:41:28,000
MONA: Bendy bus!
261
00:41:32,999 --> 00:41:35,292
- (CLATTERING)
- MONA: Simba...
262
00:41:45,834 --> 00:41:47,962
(DOOR CLOSES)
263
00:41:48,042 --> 00:41:50,129
(BUS DRIVES)
264
00:41:50,209 --> 00:41:53,792
(INDISTINCT CHATTER)
265
00:42:09,500 --> 00:42:12,500
{\an8}(PERSIAN MUSIC PLAYS)
266
00:43:04,626 --> 00:43:06,462
CATHY: I really like
this colour.
267
00:43:06,542 --> 00:43:08,462
VI: Told you.
It really suits you.
268
00:43:08,542 --> 00:43:11,170
CATHY: What time's
he gonna be there?
269
00:43:11,250 --> 00:43:11,962
VI: Nine.
270
00:43:12,042 --> 00:43:13,962
CATHY: Will he bring
any mates?
271
00:43:14,042 --> 00:43:16,129
- (VI LAUGHS)
- CATHY: Hey!
272
00:43:16,209 --> 00:43:17,879
Old bags need love too.
273
00:43:17,959 --> 00:43:19,838
VI: (SINGS) ♪ Everybody's free
274
00:43:19,918 --> 00:43:21,379
(EVERYBODY'S FREE
[TO FEEL GOOD] PLAYS)
275
00:43:21,459 --> 00:43:22,920
♪ To feel good... ♪
276
00:43:23,000 --> 00:43:24,462
- (PHONE RINGS)
- You not old.
277
00:43:24,542 --> 00:43:26,962
CATHY: (SINGS)
♪ Everybody's free... ♪
278
00:43:27,042 --> 00:43:31,462
Mummy! Can we PLEASE go too?
279
00:43:31,542 --> 00:43:33,919
No! (VI SPEAKS VIETNAMESE)
280
00:43:33,999 --> 00:43:36,379
GIRL: Oh, but I want to
see Mr Pierre!
281
00:43:36,459 --> 00:43:39,999
(VI SPEAKS VIETNAMESE)
282
00:43:40,999 --> 00:43:42,337
Why don't you come?
283
00:43:42,417 --> 00:43:43,838
Mona. I can't.
284
00:43:43,918 --> 00:43:45,420
Lara stays home.
285
00:43:45,500 --> 00:43:46,546
You need to dance.
286
00:43:46,626 --> 00:43:52,420
- (SONG CONTINUES)
- (SINGS LATE)
♪ Everybody's free
287
00:43:52,500 --> 00:43:54,420
♪ To feel good... ♪
288
00:43:54,500 --> 00:43:55,962
Next time.
289
00:43:56,042 --> 00:43:58,129
What next time?
290
00:43:58,209 --> 00:43:59,087
Life is short!
291
00:43:59,167 --> 00:44:01,919
CATHY: Forget
the Persian princess.
292
00:44:01,999 --> 00:44:02,919
Cathy!
293
00:44:02,999 --> 00:44:06,083
(WHISPERS) Shayda, don't worry.
294
00:44:07,999 --> 00:44:11,209
(THUNDER RUMBLES, HEAVY RAIN)
295
00:45:29,083 --> 00:45:32,751
(BUSY SIGNAL)
296
00:45:35,000 --> 00:45:38,542
(HEAVY FOOTSTEPS)
297
00:45:44,751 --> 00:45:46,587
LARA: You OK?
298
00:45:46,667 --> 00:45:49,584
Yeah. Just my mother...
299
00:45:50,626 --> 00:45:53,292
LARA: Come. Sit.
300
00:46:00,375 --> 00:46:03,167
Some things need time.
301
00:46:07,375 --> 00:46:09,417
Who's that?
302
00:46:11,042 --> 00:46:12,459
My son.
303
00:46:13,459 --> 00:46:15,125
Can I...?
304
00:46:20,667 --> 00:46:22,792
He's sweet.
305
00:46:27,792 --> 00:46:29,709
Big boy, yeah?
306
00:46:30,042 --> 00:46:33,170
Him on his first day of school.
307
00:46:33,250 --> 00:46:35,667
Here with his dad.
308
00:46:39,167 --> 00:46:41,584
Haven't you seen him?
309
00:46:44,792 --> 00:46:47,792
It's 886 days.
310
00:46:51,209 --> 00:46:53,250
I'm sorry.
311
00:47:02,751 --> 00:47:04,334
{\an8}MONA: Mm-hm.
312
00:47:23,542 --> 00:47:26,209
(WHISPERS) Where is he?
313
00:47:29,918 --> 00:47:32,834
The police are looking for him.
314
00:47:34,959 --> 00:47:37,500
VI: OK, Shayda...
315
00:47:38,667 --> 00:47:40,667
Which one?
316
00:47:45,626 --> 00:47:47,876
(GIRLS SQUEAL)
317
00:47:49,542 --> 00:47:50,337
See?
318
00:47:50,417 --> 00:47:52,546
- It glows.
- GIRLS: Whoa!
319
00:47:52,626 --> 00:47:56,542
- It's fun. (CHUCKLES)
- (VI GIGGLES)
320
00:47:57,876 --> 00:48:00,667
Don't worry. Fit you.
321
00:48:01,834 --> 00:48:04,170
LARA: Let's choose
a movie, hmm?
322
00:48:04,250 --> 00:48:05,838
- This one?
- I like this one.
323
00:48:05,918 --> 00:48:07,629
It has a magical rainforest
in it.
324
00:48:07,709 --> 00:48:10,712
And fairies,
and blossom trees.
325
00:48:10,792 --> 00:48:13,167
(GIGGLING)
326
00:48:17,125 --> 00:48:20,542
(HOUSE MUSIC PLAYS)
327
00:48:57,417 --> 00:48:58,462
(CHEERING)
328
00:48:58,542 --> 00:49:01,250
VI: Come on, Shayda! Shayda!
329
00:49:04,500 --> 00:49:06,667
VI: Whoo!
330
00:49:09,999 --> 00:49:12,959
(CHEERING)
331
00:49:25,500 --> 00:49:27,999
(CHEERS)
332
00:49:32,999 --> 00:49:34,379
No! No more.
333
00:49:34,459 --> 00:49:35,712
CATHY: I'm a grown up.
334
00:49:35,792 --> 00:49:37,420
VI: No, you... You drunk.
335
00:49:37,500 --> 00:49:39,999
You very drunk. (LAUGHS)
336
00:49:52,834 --> 00:49:54,919
- This place is cool!
- Yeah.
337
00:49:54,999 --> 00:49:56,959
This is Shayda.
338
00:50:04,999 --> 00:50:08,417
Tequila! Tequila! (LAUGHS)
339
00:50:35,584 --> 00:50:36,712
He's cute.
340
00:50:36,792 --> 00:50:39,334
(CHEERING)
341
00:50:53,542 --> 00:50:57,999
(EVERYBODY'S FREE
[TO FEEL GOOD] PLAYS)
342
00:52:11,999 --> 00:52:13,334
Shayda!
343
00:52:15,792 --> 00:52:17,584
(REPEATS FARSI)
344
00:53:22,918 --> 00:53:23,919
Sorry.
345
00:53:23,999 --> 00:53:25,420
WOMAN 1: Oh, no.
346
00:53:25,500 --> 00:53:28,626
This is divine. Thank you.
347
00:53:32,709 --> 00:53:33,962
What's wrong, Mona?
348
00:53:34,042 --> 00:53:36,919
Fire jumping night...
(SNIFFLES)
349
00:53:36,999 --> 00:53:42,500
WOMAN 1: Oh, look at
all your beautiful drawings!
350
00:53:43,999 --> 00:53:46,584
You think he'll be there?
351
00:53:47,876 --> 00:53:50,083
I could come for a bit.
352
00:53:51,667 --> 00:53:53,000
Hmm?
353
00:53:57,792 --> 00:54:00,667
(SNIFFLES)
354
00:54:03,167 --> 00:54:06,999
(DRUMS PLAY,
CLAPPING, CHEERING)
355
00:54:25,999 --> 00:54:28,792
Wow, you jumped so high!
356
00:54:37,918 --> 00:54:40,999
(MUSIC CONTINUES)
357
00:55:11,876 --> 00:55:13,546
- Hello. I'm Elly.
- Uh, hello.
358
00:55:13,626 --> 00:55:15,999
- MAN: Parviz.
- Joyce.
359
00:55:36,792 --> 00:55:37,999
Shay...
360
00:55:38,999 --> 00:55:39,962
I've gotta go.
361
00:55:40,042 --> 00:55:42,918
Do you want to stay, or...?
362
00:55:44,918 --> 00:55:47,087
We'll take the bus. It's OK.
363
00:55:47,167 --> 00:55:48,671
Be careful.
364
00:55:48,751 --> 00:55:50,250
Yeah.
365
00:56:11,999 --> 00:56:14,999
Are you studying here too?
366
00:56:26,167 --> 00:56:29,042
{\an8}We're at the uni library
most afternoons.
367
00:57:27,500 --> 00:57:29,999
With discount, $30.
368
00:57:34,375 --> 00:57:36,000
Thank you.
369
00:58:48,083 --> 00:58:49,334
Oh!
370
00:59:24,500 --> 00:59:26,295
- Ah.
- (ZIPPER SLIDES)
371
00:59:26,375 --> 00:59:28,417
(HOSSEIN MURMURS)
372
01:00:40,334 --> 01:00:42,667
(WHISPERS) Farhad.
373
01:00:44,999 --> 01:00:46,751
Farhad.
374
01:00:53,999 --> 01:00:57,209
"Professionalism
In Engineering, Volume 2."
375
01:01:55,500 --> 01:01:57,919
FARHAD: Deep, huh?
376
01:01:57,999 --> 01:01:59,999
Letting go.
377
01:02:01,500 --> 01:02:03,999
{\an8}(SIGHS)
378
01:02:06,083 --> 01:02:09,792
Maybe we should take a moment
to let it go.
379
01:02:11,999 --> 01:02:14,751
- Whatever you want.
- (LAUGHS)
380
01:02:16,626 --> 01:02:17,959
I mean, um...
381
01:02:42,999 --> 01:02:46,125
..we'll take
a breath in and out...
382
01:02:54,125 --> 01:02:57,542
(BOTH INHALE AND EXHALE)
383
01:03:18,709 --> 01:03:20,250
Good.
384
01:03:23,542 --> 01:03:26,375
(TOILET FLUSHES)
385
01:03:28,167 --> 01:03:30,999
(WATER RUNS)
386
01:03:57,292 --> 01:03:58,796
(DOOR CLOSES)
387
01:03:58,876 --> 01:04:00,751
(TURNS OFF WATER)
388
01:04:03,334 --> 01:04:05,209
(SIGHS)
389
01:06:59,667 --> 01:07:03,542
(KIDS CHATTER INDISTINCTLY)
390
01:07:14,792 --> 01:07:17,626
LARA: What if
he doesn't want me?
391
01:07:19,918 --> 01:07:23,712
I mean, wh...
what if he can't...
392
01:07:23,792 --> 01:07:25,999
Come and sit.
393
01:07:29,876 --> 01:07:32,667
Hafez poet knows that.
394
01:07:33,292 --> 01:07:35,417
Let's try.
395
01:07:37,999 --> 01:07:39,879
Close your eyes.
396
01:07:39,959 --> 01:07:40,919
Make a wish.
397
01:07:40,999 --> 01:07:47,334
And then, you open a page
with your finger, like this.
398
01:08:15,083 --> 01:08:18,999
(READS FARSI)
399
01:08:39,709 --> 01:08:43,838
"Your lost Joseph
will return to Canaan,
400
01:08:43,918 --> 01:08:45,337
"do not grieve.
401
01:08:45,417 --> 01:08:49,919
"This house of sorrows
will become a garden,
402
01:08:49,999 --> 01:08:52,334
"do not grieve.
403
01:08:52,999 --> 01:08:56,337
"O grieving heart,
you will mend,
404
01:08:56,417 --> 01:08:57,919
"do not despair.
405
01:08:57,999 --> 01:09:02,919
"This frenzied mind
will return to calm,
406
01:09:02,999 --> 01:09:05,667
"do not grieve."
407
01:09:07,167 --> 01:09:09,999
It's so beautiful.
408
01:09:10,667 --> 01:09:12,542
(MUFFLED SOB)
409
01:09:15,918 --> 01:09:17,295
How does he know?
410
01:09:17,375 --> 01:09:19,918
He knows everything.
411
01:09:21,709 --> 01:09:24,462
Hafez wish is always true.
412
01:09:24,542 --> 01:09:26,584
(FAINTLY) Thank you.
413
01:09:27,792 --> 01:09:31,167
(ENGINE APPROACHES)
414
01:09:45,751 --> 01:09:47,919
(INDISTINCT VOICES)
415
01:09:47,999 --> 01:09:49,459
Come on.
416
01:09:52,500 --> 01:09:54,003
{\an8}VI: Girls!
417
01:09:54,083 --> 01:09:56,999
(TV PLAYS)
418
01:10:10,999 --> 01:10:13,667
Look who we have here.
419
01:10:16,667 --> 01:10:19,999
Oh... (SOBS)
420
01:10:26,999 --> 01:10:28,796
Oh, I've missed you!
421
01:10:28,876 --> 01:10:31,918
- Me too!
- (SOBS)
422
01:10:34,083 --> 01:10:37,504
- Thank you.
- JOYCE: Glad we could help.
423
01:10:37,584 --> 01:10:38,919
(LARA EXHALES)
424
01:10:38,999 --> 01:10:41,920
(SOBS) Oh!
Oh, look at you!
425
01:10:42,000 --> 01:10:45,919
Look how big you are!
Look at your hair!
426
01:10:45,999 --> 01:10:46,462
(LAUGHS)
427
01:10:46,542 --> 01:10:48,999
JOYCE: Let's give them
a minute.
428
01:10:51,999 --> 01:10:53,920
I got you something.
429
01:10:54,000 --> 01:10:56,796
(SNIFFLES) It's for you.
430
01:10:56,876 --> 01:10:59,003
- Thank you.
- That's OK!
431
01:10:59,083 --> 01:10:59,919
That's OK.
432
01:10:59,999 --> 01:11:01,754
Do you want to
take your bag off?
433
01:11:01,834 --> 01:11:04,125
Do you want me to
take that for you?
434
01:11:22,751 --> 01:11:25,042
{\an8}(MUSIC PLAYS)
435
01:11:28,918 --> 01:11:32,796
(ON VIDEO) Let's go...
(CONTINUES IN FARSI)
436
01:11:32,876 --> 01:11:33,919
One, two. One, two.
437
01:11:33,999 --> 01:11:36,999
SHAYDA ONLY:
One, two. One, two.
438
01:11:47,209 --> 01:11:49,709
(ON VIDEO) With partners.
439
01:12:03,834 --> 01:12:07,629
Aha! Here's where
the party's at!
440
01:12:07,709 --> 01:12:08,999
Yes!
441
01:12:10,000 --> 01:12:10,919
Oh, wow!
442
01:12:10,999 --> 01:12:12,170
- Come, Joyce.
- Ooh!
443
01:12:12,250 --> 01:12:14,087
Come and dance with us!
444
01:12:14,167 --> 01:12:18,129
Hey! This is amazing.
Do we copy off that?
445
01:12:18,209 --> 01:12:19,919
You can copy Mona.
446
01:12:19,999 --> 01:12:21,919
Oh, Mona! Ooh!
447
01:12:21,999 --> 01:12:24,999
- Come.
- (JOYCE LAUGHS)
448
01:12:26,209 --> 01:12:28,999
- (LAUGHTER)
- Great!
449
01:12:29,999 --> 01:12:33,167
- (CALLS INSTRUCTION IN FARSI)
- JOYCE: Oh.
450
01:12:33,959 --> 01:12:35,999
Don't forget me, girls!
451
01:12:37,999 --> 01:12:39,129
It's a party!
452
01:12:39,209 --> 01:12:41,962
- Persian club?
- (LAUGHTER)
453
01:12:42,042 --> 01:12:45,045
- VI: Shake like Shayda!
- Shoulder, shoulder.
454
01:12:45,125 --> 01:12:48,250
(LAUGHTER)
455
01:12:57,626 --> 01:12:58,999
ALL: Whoo!
456
01:12:59,918 --> 01:13:02,254
Down, down, down, down..
457
01:13:02,334 --> 01:13:04,003
Up, up, up, up!
458
01:13:04,083 --> 01:13:06,375
(LAUGHTER)
459
01:13:08,042 --> 01:13:09,838
JOYCE: Shayda!
460
01:13:09,918 --> 01:13:12,999
VI: Go, Shayda! Go, Shayda!
461
01:13:14,876 --> 01:13:16,295
This why she's skinny.
462
01:13:16,375 --> 01:13:18,792
(LAUGHTER)
463
01:13:22,334 --> 01:13:23,962
JOYCE: Oh, how lovely.
464
01:13:24,042 --> 01:13:26,919
Oh, that's lovely, Mona.
465
01:13:26,999 --> 01:13:28,999
(CHEERING)
466
01:13:31,125 --> 01:13:34,209
LARA: Oh, you're doing so well!
467
01:13:36,125 --> 01:13:38,667
{\an8}Lion King, Lion King!
468
01:15:30,417 --> 01:15:31,999
(CAMERA WHIRS)
469
01:15:32,375 --> 01:15:35,542
(SHUTTER CLICKS,
CAMERA WHIRS)
470
01:16:16,125 --> 01:16:18,459
(SHUTTER CLICKS,
CAMERA WHIRS)
471
01:16:20,999 --> 01:16:22,919
- (CAMERA WHIRS)
- MAN: Hi.
472
01:16:22,999 --> 01:16:26,459
Excuse me.
I'm looking for, um...
473
01:16:26,834 --> 01:16:30,920
..for a coffee shop, in the...
(CONTINUES INDISTINCTLY)
474
01:16:31,000 --> 01:16:34,334
SHAYDA: I don't know.
Maybe that way.
475
01:16:42,250 --> 01:16:44,212
(GASPS SOFTLY)
476
01:16:44,292 --> 01:16:45,626
Ugh.
477
01:16:48,999 --> 01:16:51,999
(Sniffles)
478
01:17:18,999 --> 01:17:21,626
(SOBS SOFTLY)
479
01:18:40,375 --> 01:18:42,000
Shayda!
480
01:18:47,125 --> 01:18:49,125
Shayda!
481
01:19:37,918 --> 01:19:39,667
Watch me.
482
01:20:00,000 --> 01:20:02,459
JOYCE: Come on, sweetheart.
483
01:20:04,042 --> 01:20:05,834
Where's your belt?
484
01:20:09,209 --> 01:20:10,712
Shayda, what happened?
485
01:20:10,792 --> 01:20:12,129
- (GASPS)
- (ENGINE STARTS)
486
01:20:12,209 --> 01:20:15,334
- Shayda!
- Go! Go, please!
487
01:20:15,500 --> 01:20:19,334
JOYCE: He's pushing his luck,
I tell you.
488
01:20:30,042 --> 01:20:33,999
(PERSIAN MUSIC PLAYS)
489
01:20:56,792 --> 01:20:58,417
(SCREECHING)
490
01:20:59,542 --> 01:21:01,417
(SCREECHING)
491
01:21:12,000 --> 01:21:13,918
(SQUAWKS)
492
01:21:23,751 --> 01:21:25,042
(SQUAWKS)
493
01:21:32,584 --> 01:21:33,920
{\an8}Ooh! Thank you.
494
01:21:34,000 --> 01:21:36,754
- Nowruz Mobarak.
- Did you make these?
495
01:21:36,834 --> 01:21:38,334
Yes.
496
01:21:40,626 --> 01:21:41,462
Mmm!
497
01:21:41,542 --> 01:21:44,959
{\an8}- What are they called?
- Toot.
498
01:21:45,918 --> 01:21:47,212
- Toot?
- Toot.
499
01:21:47,292 --> 01:21:48,087
(BOTH CHUCKLE)
500
01:21:48,167 --> 01:21:50,712
- See you, Deb.
- See you.
501
01:21:50,792 --> 01:21:52,920
- Got any plans?
- Maybe.
502
01:21:53,000 --> 01:21:56,838
Mm-hm...
Well, don't have too much fun.
503
01:21:56,918 --> 01:22:00,254
- Nowru...
- Nowruz Mobarak.
504
01:22:00,334 --> 01:22:02,212
Nowruz Mobarak.
505
01:22:02,292 --> 01:22:03,876
Thank you.
506
01:22:04,876 --> 01:22:06,999
- Bye.
- Bye.
507
01:22:28,709 --> 01:22:30,375
Hmm...
508
01:22:32,209 --> 01:22:33,626
Mmm.
509
01:22:34,375 --> 01:22:36,337
(HUMS)
510
01:22:36,417 --> 01:22:38,999
(FOOTSTEPS APPROACH)
511
01:23:22,999 --> 01:23:25,500
(PERSIAN MUSIC PLAYS)
512
01:23:29,334 --> 01:23:30,918
{\an8}(DOORBELL RINGS)
513
01:23:42,999 --> 01:23:46,999
(MURMURING)
514
01:24:18,667 --> 01:24:22,334
(OVERLAPPING
INDISTINCT CONVERSATIONS)
515
01:24:34,959 --> 01:24:36,999
PARVIZ: It's dinner time.
516
01:25:05,751 --> 01:25:07,584
ELLY: Shayda...
517
01:25:19,876 --> 01:25:21,587
(DOORBELL RINGS)
518
01:25:21,667 --> 01:25:23,459
(DOOR OPENS)
519
01:26:13,167 --> 01:26:14,999
Knock, knock.
520
01:26:25,999 --> 01:26:27,709
Who's there?
521
01:26:32,459 --> 01:26:34,587
Knock, knock.
522
01:26:34,667 --> 01:26:36,999
(SIGHS) Who's there?
523
01:26:38,792 --> 01:26:40,667
Iran.
524
01:26:46,125 --> 01:26:48,959
(LAUGHS) No...
525
01:26:51,876 --> 01:26:53,962
{\an8}Knock, knock.
Who's there?
526
01:26:54,042 --> 01:26:57,459
Iran.
Iran who?
527
01:27:03,709 --> 01:27:05,546
{\an8}Knock, knock.
528
01:27:05,626 --> 01:27:06,919
Who's there?
529
01:27:06,999 --> 01:27:08,129
Iran.
530
01:27:08,209 --> 01:27:08,962
Iran who?
531
01:27:09,042 --> 01:27:10,962
I ran all the way here.
532
01:27:11,042 --> 01:27:13,167
Let me in already!
533
01:27:19,792 --> 01:27:22,834
{\an8}(LAUGHS)
534
01:27:35,042 --> 01:27:38,918
- Knock, knock.
- Who's there?
535
01:27:39,209 --> 01:27:42,918
(PERSIAN MUSIC PLAYS)
536
01:29:34,000 --> 01:29:35,792
{\an8}(HORN PLAYS)
537
01:29:38,125 --> 01:29:40,999
(HORN CONTINUES PLAYING)
538
01:29:43,918 --> 01:29:46,792
(GIGGLING)
539
01:33:31,959 --> 01:33:35,542
(HOSSEIN SHOUTS)
540
01:33:47,334 --> 01:33:48,584
Agh!
541
01:33:51,250 --> 01:33:53,170
{\an8}FARHAD: Hey! Hey! Hey!
542
01:33:53,250 --> 01:33:56,919
{\an8}- (GASPS AND COUGHS)
- (THUD!)
543
01:33:56,999 --> 01:33:59,125
(MEN GRUNT)
544
01:33:59,999 --> 01:34:03,459
{\an8}(FARHAD GROANS)
545
01:34:04,999 --> 01:34:07,999
(SHOUTING)
546
01:34:10,417 --> 01:34:12,250
{\an8}(MEN SHOUT)
547
01:34:14,000 --> 01:34:17,292
- (GASPS FOR AIR)
- HOSSEIN: Shayda! Shayda!
548
01:34:21,083 --> 01:34:24,212
- WOMAN: Farhad!
- (WOMEN EXCLAIM)
549
01:34:24,292 --> 01:34:25,999
{\an8}ELLY: Shayda!
550
01:34:45,500 --> 01:34:47,170
(BANGING)
551
01:34:47,250 --> 01:34:49,919
- HOSSEIN: (SHOUTS) Shayda!
- (ENGINE SPUTTERS)
552
01:34:49,999 --> 01:34:52,919
(BANGING)
553
01:34:52,999 --> 01:34:54,584
HOSSEIN: Shayda!
554
01:34:55,542 --> 01:34:57,999
(ENGINE STARTS)
555
01:35:07,999 --> 01:35:09,045
Shayda!
556
01:35:09,125 --> 01:35:12,337
- (CONTINUES SHOUTING)
- (SIREN WAILS)
557
01:35:12,417 --> 01:35:14,667
Shayda! Shayda!
558
01:35:18,167 --> 01:35:22,417
(BREATHES HEAVILY)
559
01:36:31,334 --> 01:36:33,919
LARA: How does this
even happen? How did he
even find us here?
560
01:36:33,999 --> 01:36:35,254
- MAN: Look, he has an alibi.
- JOYCE: No.
561
01:36:35,334 --> 01:36:40,129
(CALMLY) Around 8 o'clock,
he was standing
right across the street, there.
562
01:36:40,209 --> 01:36:40,754
She saw him!
563
01:36:40,834 --> 01:36:42,919
MAN: As I said,
we made contact with him.
564
01:36:42,999 --> 01:36:45,212
He had an alibi
for being elsewhere.
565
01:36:45,292 --> 01:36:49,295
- She saw him!
- LARA: He abducted my son!
566
01:36:49,375 --> 01:36:50,295
He is capable of anything!
567
01:36:50,375 --> 01:36:53,962
OFFICER: Listen, I'm afraid
there's nothing we can do
without evidence.
568
01:36:54,042 --> 01:36:54,919
JOYCE: What more evidence?
569
01:36:54,999 --> 01:36:56,712
OFFICER: Well, it needs to be
a little more than
570
01:36:56,792 --> 01:36:58,712
"I saw him standing
across the road."
571
01:36:58,792 --> 01:37:00,420
He's got a rock-solid alibi.
572
01:37:00,500 --> 01:37:04,459
JOYCE: Listen here...
(CONTINUES INDISTINCTLY)
573
01:37:07,209 --> 01:37:09,375
(MONA WHIMPERS)
574
01:37:11,167 --> 01:37:13,420
(WHIMPERING CONTINUES)
575
01:37:13,500 --> 01:37:16,083
(LOW RUMBLING)
576
01:37:18,959 --> 01:37:22,334
(MONA WHIMPERS
AND MURMURS INDISTINCTLY)
577
01:37:31,250 --> 01:37:33,626
(DULL CRACKLING)
578
01:37:35,250 --> 01:37:39,417
- (COUGHING)
- (FIRE ALARM BEEPS)
579
01:37:44,500 --> 01:37:45,546
Mona?
580
01:37:45,626 --> 01:37:48,751
{\an8}(ALARM CONTINUES)
581
01:37:51,959 --> 01:37:55,375
{\an8}(INDISTINCT NERVOUS VOICES)
582
01:37:59,459 --> 01:38:00,003
(COUGHING)
583
01:38:00,083 --> 01:38:03,999
VI: Hurry!
(SPEAKS VIETNAMESE)
584
01:38:10,375 --> 01:38:12,959
- (SPEAKS VIETNAMESE) Cathy!
- Cathy!
585
01:38:13,375 --> 01:38:15,003
- MONA: Simba!
- Mona!
586
01:38:15,083 --> 01:38:18,379
VI: Shayda! Shayda!
587
01:38:18,459 --> 01:38:19,337
SHAYDA: Cathy!
588
01:38:19,417 --> 01:38:22,337
- VI: Lara...
- (COUGHING)
589
01:38:22,417 --> 01:38:24,629
LARA: Let's go.
Out the door, darling.
590
01:38:24,709 --> 01:38:27,375
- Out the door.
- (COUGHING)
591
01:38:27,500 --> 01:38:29,212
That's right,
follow them up the path.
592
01:38:29,292 --> 01:38:31,629
- (SIREN APPROACHES)
- (ALL COUGH)
593
01:38:31,709 --> 01:38:33,462
MAN: Was there
anyone else in the house?
594
01:38:33,542 --> 01:38:34,504
SHAYDA: Just Cathy.
595
01:38:34,584 --> 01:38:37,003
- (RADIO STATIC BUZZES)
- MAN: Front living room.
596
01:38:37,083 --> 01:38:39,709
(SIRENS WAIL)
597
01:38:42,918 --> 01:38:45,500
(WHEEZING, COUGHING)
598
01:38:45,667 --> 01:38:49,918
(INDISTINCT CHATTER
AND RADIO CHATTER)
599
01:39:00,999 --> 01:39:02,792
(COUGHING)
600
01:39:04,209 --> 01:39:05,754
It's OK, darling.
601
01:39:05,834 --> 01:39:08,170
Yeah? We're all safe now.
602
01:39:08,250 --> 01:39:10,417
(INDISTINCT)
603
01:39:11,751 --> 01:39:13,629
VI: Cathy...
604
01:39:13,709 --> 01:39:15,919
- Cathy.
- (GROANS)
605
01:39:15,999 --> 01:39:20,167
VI: Cathy. We love you.
606
01:39:20,876 --> 01:39:23,792
- (JOYCE SOBS)
- Cathy...
607
01:39:26,918 --> 01:39:29,417
(SOBS)
608
01:39:29,834 --> 01:39:32,212
I'm sorry. I'm so sorry.
609
01:39:32,292 --> 01:39:34,999
(SNIFFLES) I'm sorry...
610
01:39:35,125 --> 01:39:38,876
(SOBS) I should have been here.
I'm sorry.
611
01:41:47,417 --> 01:41:48,751
Mm.
612
01:44:42,751 --> 01:44:46,876
(THUNDER RUMBLES)
613
01:44:47,751 --> 01:44:51,709
(RAIN POURS, LEAVES RUSTLE)
614
01:45:18,167 --> 01:45:21,999
(BIRDS CALL, LEAVES RUSTLE)
615
01:46:28,000 --> 01:46:31,334
Aha! (CHUCKLES)
616
01:48:06,000 --> 01:48:09,420
- (BANG!)
- (WATER SPLASHES GENTLY)
617
01:48:09,500 --> 01:48:10,999
(BANG!)
618
01:48:11,999 --> 01:48:16,250
(BANGING CONTINUES)
619
01:48:30,167 --> 01:48:32,876
(TURNS WATER ON)
620
01:48:59,000 --> 01:49:03,420
Oh, look at you, darling! Oh!
621
01:49:03,500 --> 01:49:05,920
(CHUCKLES)
622
01:49:06,000 --> 01:49:07,504
Oh!
623
01:49:07,584 --> 01:49:09,919
Let me look at you.
624
01:49:09,999 --> 01:49:11,920
Gorgeous, as always.
625
01:49:12,000 --> 01:49:13,919
- You too.
- Thank you.
626
01:49:13,999 --> 01:49:15,919
- What about me?
- You are too.
627
01:49:15,999 --> 01:49:18,796
Look at you!
You've grown so much!
628
01:49:18,876 --> 01:49:19,796
(LAUGHS)
629
01:49:19,876 --> 01:49:21,546
SHAYDA: I haven't decided.
630
01:49:21,626 --> 01:49:23,420
JOYCE: Do you, uh, enjoy it?
631
01:49:23,500 --> 01:49:26,254
Nursing is good.
It's practical.
632
01:49:26,334 --> 01:49:29,962
But, you know,
psychology is more my passion.
633
01:49:30,042 --> 01:49:33,295
Mmm. So, are you
able to transfer to uni?
634
01:49:33,375 --> 01:49:37,546
When we get
our permanent residency,
635
01:49:37,626 --> 01:49:38,337
yeah, I can.
636
01:49:38,417 --> 01:49:42,999
I say go with your gut.
Hospital work is hard.
637
01:49:43,626 --> 01:49:46,250
Look at you, Miss Mona!
638
01:49:48,292 --> 01:49:49,999
Come on.
639
01:49:50,250 --> 01:49:53,500
(INDISTINCT RADIO CHATTER)
640
01:49:57,083 --> 01:49:59,879
- (WHISPERS) Thank you.
- Welcome.
641
01:49:59,959 --> 01:50:01,999
(SIGHS)
642
01:51:54,250 --> 01:51:57,375
(BREATHES SHAKILY)
643
01:52:17,417 --> 01:52:19,083
{\an8}(SNIFFLES)
644
01:52:44,667 --> 01:52:47,000
MAN: You ready to come through?
645
01:53:29,000 --> 01:53:33,000
(SIGHS)
646
01:53:35,167 --> 01:53:39,209
(BIRDS CALL)
647
01:53:51,459 --> 01:53:54,876
(BIRD SONG CONTINUES)
648
01:54:02,459 --> 01:54:06,999
(BIRD CALLS GROW LOUDER)
649
01:54:16,417 --> 01:54:20,334
(BIRD CALLS CONTINUE)
650
01:54:47,918 --> 01:54:51,796
(BIRD CALLS FADE)
651
01:54:51,876 --> 01:54:54,876
(PERSIAN MUSIC PLAYS)
652
01:55:37,542 --> 01:55:39,375
{\an8}(MUSIC STOPS)
653
01:56:04,375 --> 01:56:07,999
(MUSIC RESUMES)
41903
