All language subtitles for Interview with the Vampire - 02x06 - Like the Light by Which God Made the World Before He Made Light.WEB-SuccessfulCrab.Trans.English.HI.C.orig.Addic7ed.com
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LOUIS: Pieces of my life gone.
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I knew who I was without those pieces.
3
00:00:31,530 --> 00:00:32,540
_
4
00:00:32,560 --> 00:00:36,350
No vampire must commit to writing
the history of the vampires.
5
00:00:36,370 --> 00:00:38,360
Santiago wants to be coven leader.
6
00:00:38,414 --> 00:00:39,580
ARMAND: Others will follow him.
7
00:00:39,581 --> 00:00:40,624
You should think to leave.
8
00:00:40,625 --> 00:00:43,570
I'm staying in Paris... with you.
9
00:00:45,462 --> 00:00:47,030
You sold me a dress.
10
00:00:47,089 --> 00:00:48,129
I liked you.
11
00:00:48,130 --> 00:00:49,139
CLAUDIA: There's something broken in me,
12
00:00:49,140 --> 00:00:50,910
- like I want to go bang.
- Well, go bang.
13
00:00:50,968 --> 00:00:53,290
I let you whine and have your say.
14
00:00:53,340 --> 00:00:55,220
Most in my position
will treat you no better
15
00:00:55,260 --> 00:00:57,250
than you treated your maker.
16
00:00:58,920 --> 00:01:01,420
And the friend you made,
you will not see again.
17
00:01:01,470 --> 00:01:03,479
The name is Raglan James.
18
00:01:03,480 --> 00:01:05,930
You're not the first to
attempt this, Mr. Molloy.
19
00:01:05,980 --> 00:01:07,620
I could give you the
names of four others,
20
00:01:07,650 --> 00:01:09,890
and they're all dead or undead.
21
00:01:09,940 --> 00:01:12,330
Four Fred Steins in the album!
You made me look foolish.
22
00:01:12,360 --> 00:01:13,739
- _
- MAN: Louis!
23
00:01:13,740 --> 00:01:14,949
MAN: Is that our original interview?
24
00:01:14,950 --> 00:01:16,940
DANIEL: Both our memories cut out.
25
00:01:16,970 --> 00:01:20,820
Same precise edit on two brains.
26
00:01:25,450 --> 00:01:28,440
[GENTLE ORCHESTRAL MUSIC]
27
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[MUSIC INTENSIFIES]
28
00:01:38,850 --> 00:01:43,200
- Synced & corrected by MementMori -
-- www.addic7ed.com --
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[MUSIC FADES]
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_
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["NOCTURNE NO 2" BY CHOPIN]
32
00:01:58,960 --> 00:02:00,740
How did I get the tapes?
33
00:02:03,380 --> 00:02:07,570
There was no postage on
the package with the tapes.
34
00:02:08,700 --> 00:02:09,960
Rashid.
35
00:02:11,360 --> 00:02:14,340
The bylaws of my co-op
say only the mailman
36
00:02:14,390 --> 00:02:17,020
can have the key that opens
up all the mailboxes.
37
00:02:17,070 --> 00:02:19,360
So, did you guys get to my mailman?
38
00:02:20,100 --> 00:02:23,330
Huh? I usually give him a little
something for Christmas,
39
00:02:23,380 --> 00:02:27,420
but I mean... you know,
I mean, if he's in on it,
40
00:02:27,470 --> 00:02:32,100
then... I'm thinking do I
still have that obligation?
41
00:02:33,000 --> 00:02:34,550
Rashid?
42
00:02:44,400 --> 00:02:46,020
I'm going to the bathroom.
43
00:02:48,260 --> 00:02:50,060
I'm gonna make a run for it...
44
00:02:51,380 --> 00:02:53,040
Rashid.
45
00:02:53,090 --> 00:02:54,610
They're gonna turn you into broth bags
46
00:02:54,640 --> 00:02:55,800
'cos you couldn't hold it.
47
00:02:55,860 --> 00:02:57,920
- [CHEF TAKA] Irasshaimase.
- [RAGLAN] Ojamashimasu.
48
00:02:58,760 --> 00:03:00,440
[COUGHS POLITELY] Hello.
49
00:03:02,080 --> 00:03:05,720
They sent a chaperone.
I'm sorry. Go away.
50
00:03:05,770 --> 00:03:08,330
Rashid? He loves the hand
soap they use here.
51
00:03:08,380 --> 00:03:10,340
I wouldn't worry too much about Rashid.
52
00:03:10,399 --> 00:03:13,640
[SIGHS] I've been dreaming
about the mackerel here.
53
00:03:16,390 --> 00:03:18,380
[ARMAND] The two Barcelo's would fit.
54
00:03:18,430 --> 00:03:20,160
[LOUIS] If we replaced the couch.
55
00:03:20,210 --> 00:03:23,690
- I assumed we would.
- The couch, then the table,
56
00:03:23,740 --> 00:03:28,240
then the Antieau Javelina,
then, then, then, then.
57
00:03:28,292 --> 00:03:30,140
How about the Ai Weiwei wallpaper
58
00:03:30,190 --> 00:03:32,050
with the Hockney lemons?
59
00:03:32,100 --> 00:03:34,740
Like we're a Firmdale hotel lobby?
60
00:03:36,710 --> 00:03:40,230
Okay, what do you think
we should do with the wall?
61
00:03:40,280 --> 00:03:42,650
[MOLLOY] How big is the Talamasca?
62
00:03:42,700 --> 00:03:44,390
- Mmm!
- Who funds you guys?
63
00:03:44,391 --> 00:03:46,750
Do you work with nation states?
64
00:03:46,800 --> 00:03:48,360
That's why you called me here?
65
00:03:49,460 --> 00:03:52,040
You had pictures of me in 1973.
66
00:03:52,090 --> 00:03:53,520
Pictures of them.
67
00:03:53,550 --> 00:03:55,200
You were a fly on the windshield.
68
00:03:55,230 --> 00:03:56,403
Can you protect me?
69
00:03:56,404 --> 00:03:57,600
Ah!
70
00:03:57,650 --> 00:03:59,640
From being killed? No.
71
00:03:59,690 --> 00:04:02,600
We're particularly poor at
keeping our assets alive.
72
00:04:02,650 --> 00:04:03,950
I'm not an asset.
73
00:04:03,980 --> 00:04:05,870
You messaged me, I showed up.
74
00:04:06,560 --> 00:04:08,400
The mackerel was better last time.
75
00:04:08,457 --> 00:04:10,560
I want to get out alive.
76
00:04:10,610 --> 00:04:12,240
You want a book.
77
00:04:13,180 --> 00:04:15,700
I want... both.
78
00:04:15,750 --> 00:04:18,300
You fear Armand.
79
00:04:18,340 --> 00:04:20,010
You should fear the other one.
80
00:04:20,060 --> 00:04:25,160
What about a selection of Fred
Stein's, tastefully framed?
81
00:04:25,210 --> 00:04:27,086
They've been sitting in
my albums all this time,
82
00:04:27,110 --> 00:04:28,580
seems a waste.
83
00:04:29,500 --> 00:04:33,020
Or better not to have
so tangible a reminder
84
00:04:33,070 --> 00:04:34,470
of Paris up on our walls?
85
00:04:34,520 --> 00:04:38,240
An interview about Paris is
a more tangible reminder
86
00:04:38,250 --> 00:04:40,800
of Paris than a few photographs.
87
00:04:40,850 --> 00:04:41,865
Huh.
88
00:04:42,910 --> 00:04:44,820
Leave it bare then.
89
00:04:44,870 --> 00:04:47,400
Wait for revelation to enter the room.
90
00:04:49,220 --> 00:04:50,710
[RAGLAN] We can help
you find a publisher.
91
00:04:50,730 --> 00:04:52,910
- [MOLLOY] I have a publisher.
- Your publisher will...
92
00:04:52,960 --> 00:04:55,820
get a phone call before you turn it in.
93
00:04:55,879 --> 00:04:59,132
They will pay you handsomely
for your manuscript and bury it.
94
00:04:59,133 --> 00:05:01,820
You won't even see a galley proof.
95
00:05:01,870 --> 00:05:03,428
It's all going to come out soon enough
96
00:05:03,429 --> 00:05:05,220
and there's a number of us in the order
97
00:05:05,240 --> 00:05:09,620
who think better it happens
with Daniel Molloy in paperback
98
00:05:09,670 --> 00:05:12,450
than the bumbling
governments of the world.
99
00:05:13,720 --> 00:05:16,270
- What's the ask?
- My superiors have a list,
100
00:05:16,320 --> 00:05:18,410
a few hundred questions
they'd like you to weave
101
00:05:18,460 --> 00:05:20,930
into your interview and I'm...
102
00:05:20,980 --> 00:05:24,480
professionally charged to
press you to include them.
103
00:05:24,530 --> 00:05:26,180
And apart from your charge?
104
00:05:26,230 --> 00:05:28,180
I think it would be disastrous.
105
00:05:28,220 --> 00:05:29,730
I think you've been masterful.
106
00:05:29,780 --> 00:05:32,900
I think if I could swap bodies with you,
107
00:05:32,950 --> 00:05:34,950
I'd be running the order by now.
108
00:05:38,700 --> 00:05:40,720
How's the soap, Agent Rashid?
109
00:05:41,640 --> 00:05:43,440
We should be returning now.
110
00:05:43,490 --> 00:05:46,700
Mr. Molloy would like
to stay alive, Rashid.
111
00:05:46,750 --> 00:05:48,790
Then perhaps he should've
thrown the tapes away
112
00:05:48,840 --> 00:05:50,710
when he found them in his mailbox.
113
00:05:54,150 --> 00:05:56,980
Oh, that's very kind of you. Thank you.
114
00:05:57,940 --> 00:05:59,580
I'm leaving you.
115
00:06:00,560 --> 00:06:02,240
I wish to tell you that now.
116
00:06:03,550 --> 00:06:04,800
[SANTIAGO] I thought as much.
117
00:06:05,690 --> 00:06:09,170
And I thought as well that you'd
make a flowery announcement.
118
00:06:09,220 --> 00:06:11,220
[GENTLE PIANO]
119
00:06:11,270 --> 00:06:14,530
Tell me what a monster I
am, what a vulgar fiend.
120
00:06:14,570 --> 00:06:18,070
I make no judgement of you.
I am not interested in you.
121
00:06:18,128 --> 00:06:20,780
I am interested in my own
vampire nature now.
122
00:06:20,839 --> 00:06:22,870
What do you think a vampire is?
123
00:06:22,920 --> 00:06:25,480
[SAM] I don't pretend to know.
124
00:06:26,360 --> 00:06:28,010
What is it?
125
00:06:28,060 --> 00:06:29,740
- _
- [ARMAND] A flaccid full-length play
126
00:06:29,790 --> 00:06:32,840
based on nothing other than
the superficial observations
127
00:06:32,890 --> 00:06:35,140
of the vampire Sam, his meditation
128
00:06:35,150 --> 00:06:37,550
on vampiric existence and enduring.
129
00:06:37,606 --> 00:06:41,010
Strange, I remember you
racing back from rehearsals
130
00:06:41,068 --> 00:06:43,110
to tell me how ambitious
the conceit was.
131
00:06:43,160 --> 00:06:44,980
Well, I was following
your advice, wasn't I?
132
00:06:45,030 --> 00:06:47,430
I didn't want to bring the work's
anxieties into our home.
133
00:06:47,480 --> 00:06:50,420
Or you're recalling the events with bias
134
00:06:50,470 --> 00:06:52,454
because of the machinations
surrounding it.
135
00:06:55,140 --> 00:06:56,640
Lead with a velvet glove
136
00:06:56,660 --> 00:06:58,990
instead of an iron gauntlet
was the advice.
137
00:06:59,044 --> 00:07:01,990
Indulge the buffoon were my words.
138
00:07:02,047 --> 00:07:05,580
Feed Santiago his own ego back to him...
139
00:07:05,630 --> 00:07:08,520
and smother mutiny with praise.
140
00:07:08,570 --> 00:07:10,580
What does it mean to die...
141
00:07:13,260 --> 00:07:15,840
when you can live until
the end of the world?
142
00:07:17,180 --> 00:07:20,840
And what is the end of the
world... except a phrase?
143
00:07:20,890 --> 00:07:23,000
I have lived now in two centuries,
144
00:07:23,050 --> 00:07:27,029
seen the illusions of one utterly
shattered by the other,
145
00:07:27,030 --> 00:07:31,460
been eternally young
and eternally ancient,
146
00:07:31,500 --> 00:07:32,911
living moment to moment
147
00:07:32,912 --> 00:07:39,060
in a way that made me picture
a silver clock ticking in a void.
148
00:07:39,876 --> 00:07:41,340
- Line?
- As a painted face.
149
00:07:41,390 --> 00:07:44,129
- Oh! A painted face, yes.
- Let's stop there.
150
00:07:44,130 --> 00:07:45,590
Take the passage again, Santiago.
151
00:07:45,640 --> 00:07:48,160
And a foot forward downstage.
152
00:07:48,700 --> 00:07:50,330
It's quite lovely, Sam.
153
00:07:50,980 --> 00:07:54,040
Even more, what you're
doing with it, Santiago.
154
00:07:55,240 --> 00:07:56,560
Thank you, Maitre.
155
00:07:59,020 --> 00:08:02,100
[GENTLE PIANO]
156
00:08:05,640 --> 00:08:07,810
What does it mean to die
157
00:08:07,863 --> 00:08:10,390
when you can live until
the end of the world?
158
00:08:10,440 --> 00:08:12,320
[ARMAND] I thought I was being clever,
159
00:08:12,370 --> 00:08:13,890
nailing him to the stage.
160
00:08:13,920 --> 00:08:18,050
And what is the end of the
world except a phrase?
161
00:08:18,060 --> 00:08:20,120
[ARMAND] My eyes on him
till curfew every night.
162
00:08:20,170 --> 00:08:22,240
I have lived now in two centuries...
163
00:08:22,280 --> 00:08:24,620
But the play had no roles for women
164
00:08:24,671 --> 00:08:26,140
and petulant members of the coven
165
00:08:26,190 --> 00:08:27,580
were free to roam the night.
166
00:08:27,630 --> 00:08:30,210
[PIERRE ROGET] I walked by
the theater a fortnight ago.
167
00:08:30,260 --> 00:08:32,700
- I saw it was that it was dark.
- Yes.
168
00:08:32,750 --> 00:08:35,310
The theater is updating its repertoire.
169
00:08:35,360 --> 00:08:37,100
[PIERRE] Isn't that exciting?
170
00:08:37,140 --> 00:08:40,080
For those with roles in
the updated repertoire
171
00:08:40,100 --> 00:08:41,920
obstreperously exciting.
172
00:08:41,960 --> 00:08:46,100
It's why we sit across from you
this evening, Pierre Roget.
173
00:08:46,150 --> 00:08:48,190
Monsieur Lioncourt,
174
00:08:48,240 --> 00:08:52,040
the gentlemen whose wealth has
made our sacred art possible
175
00:08:52,090 --> 00:08:54,980
for the last 150 years.
176
00:08:55,030 --> 00:08:57,900
Maitre wishes to invite him
to attend the premiere.
177
00:08:57,954 --> 00:09:00,820
Ah, a lovely mission.
178
00:09:00,860 --> 00:09:05,709
Of course, the difficulty is,
uh... communications
179
00:09:05,710 --> 00:09:08,980
with your esteemed patron
occur only one way.
180
00:09:09,020 --> 00:09:10,230
[SANTIAGO TELEPATHICALLY]
Ask him when was the last time
181
00:09:10,250 --> 00:09:11,660
they were in communication.
182
00:09:11,690 --> 00:09:15,260
May we ask, when the last
time you spoke with him?
183
00:09:15,310 --> 00:09:18,840
Ah, hard to say.
Communications are irregular.
184
00:09:18,892 --> 00:09:21,720
[SANTIAGO] Has there been
a lapse in communication?
185
00:09:21,770 --> 00:09:24,790
There hasn't been a lapse in
communication, has there?
186
00:09:24,840 --> 00:09:27,710
On that point, I haven't been
authorized to divulge.
187
00:09:27,760 --> 00:09:31,640
[SANTIAGO] Get on with it!
The day, the hour, the minute
188
00:09:31,660 --> 00:09:33,670
you last spoke with...
189
00:09:33,720 --> 00:09:36,520
[CELESTE AND SANTIAGO]
... Lestat de Lioncourt.
190
00:09:36,570 --> 00:09:37,840
Telegram.
191
00:09:38,980 --> 00:09:43,460
New Orleans, Louisiana,
early February, 1940.
192
00:09:43,510 --> 00:09:45,168
[SANTIAGO] Merci, Monsieur Roget.
193
00:09:45,169 --> 00:09:47,419
... illuminated by light.
194
00:09:47,420 --> 00:09:51,210
In retrospect, the buffoon
was in the audience.
195
00:09:51,260 --> 00:09:53,990
Like the light by which God...
196
00:09:55,090 --> 00:09:57,430
made the world before He made light.
197
00:09:57,480 --> 00:09:59,270
[ARMAND] Scribbling in the margins...
198
00:09:59,320 --> 00:10:02,200
oblivious to the conspiracy
uniting around him.
199
00:10:02,220 --> 00:10:04,960
Ticking, ticking, ticking.
200
00:10:05,010 --> 00:10:12,230
The precision of a clock, in a
room as vast as the universe.
201
00:10:15,100 --> 00:10:16,880
[ARMAND INHALES]
202
00:10:19,550 --> 00:10:21,036
- Bravo!
- Bravo!
203
00:10:21,037 --> 00:10:22,780
Bravo!
204
00:10:22,831 --> 00:10:24,110
Bravo!
205
00:10:24,620 --> 00:10:26,240
- Really?
- Yes.
206
00:10:26,290 --> 00:10:27,440
You were an ancient vampire,
207
00:10:27,450 --> 00:10:28,837
you could read any mind you want.
208
00:10:28,838 --> 00:10:30,990
I was in love.
209
00:10:31,520 --> 00:10:32,540
You buy that?
210
00:10:32,591 --> 00:10:35,900
I buy he'd been in power a long time.
211
00:10:36,780 --> 00:10:39,330
- You can get lazy.
- It was love.
212
00:10:40,560 --> 00:10:41,860
Okay.
213
00:10:42,400 --> 00:10:43,469
And love.
214
00:10:43,470 --> 00:10:45,970
He was loving in those days, sure.
215
00:10:46,920 --> 00:10:48,140
Love.
216
00:10:48,740 --> 00:10:53,060
Rashid. Did you and Mr. Molloy
talk to anyone during dinner?
217
00:10:53,111 --> 00:10:54,880
[RASHID] Just the chef
when ordering, sir.
218
00:10:54,930 --> 00:10:56,750
Were you with Mr. Molloy
the entire dinner?
219
00:10:56,800 --> 00:10:59,060
He used the restroom for
approximately five minutes.
220
00:10:59,110 --> 00:11:01,390
Had a piece of halibut
that still wanted to swim.
221
00:11:01,410 --> 00:11:03,060
You were not to leave Mr. Molloy alone.
222
00:11:03,110 --> 00:11:06,360
He didn't. Stood by the
hand dryer like a creep.
223
00:11:06,400 --> 00:11:08,260
Why do you ask?
224
00:11:09,060 --> 00:11:10,570
Love?
225
00:11:11,560 --> 00:11:13,200
[DRINK POURING]
226
00:11:16,860 --> 00:11:18,640
Mmm.
227
00:11:18,690 --> 00:11:22,560
"Diaries are friends of last resort.
228
00:11:22,610 --> 00:11:25,960
I have found one not
made of paper and glue.
229
00:11:26,019 --> 00:11:28,430
Fuck these vampires."
230
00:11:29,980 --> 00:11:31,480
That's her last entry.
231
00:11:31,520 --> 00:11:34,340
Unless you're sitting on more
of those ripped out pages.
232
00:11:35,760 --> 00:11:37,360
You have everything we have.
233
00:11:38,240 --> 00:11:40,350
Unless you're sitting on something
234
00:11:40,400 --> 00:11:42,500
behind your encrypted laptop.
235
00:11:42,550 --> 00:11:46,100
Madeleine, Claudia's immortal beloved.
236
00:11:46,720 --> 00:11:48,030
Not yet immortal.
237
00:11:48,080 --> 00:11:50,500
Note to self, everything
related to Claudia
238
00:11:50,520 --> 00:11:53,120
from this point forward is
without written corroboration.
239
00:11:54,060 --> 00:11:56,220
Just our memories of her.
240
00:11:58,210 --> 00:12:00,080
However porous they come.
241
00:12:03,830 --> 00:12:05,840
Little more vermouth next time, Rashid.
242
00:12:05,890 --> 00:12:07,980
- I can make another.
- No, it's good.
243
00:12:08,570 --> 00:12:10,380
Just his were better.
244
00:12:14,230 --> 00:12:17,480
[GENTLE MUSIC]
245
00:12:29,416 --> 00:12:34,320
[PEOPLE SINGING RAUCOUSLY]
246
00:12:34,379 --> 00:12:38,720
[DRUNKEN SINGING IN FRENCH]
247
00:12:46,700 --> 00:12:50,510
[SINGING CONTINUES]
248
00:12:50,560 --> 00:12:52,647
_
249
00:12:56,900 --> 00:12:59,400
_
250
00:12:59,440 --> 00:13:02,890
_
251
00:13:08,460 --> 00:13:10,190
[GLASS SHATTERS]
252
00:13:13,590 --> 00:13:15,060
[MADELEINE SCREAMS]
253
00:13:22,620 --> 00:13:23,840
[MADELEINE SCREAMS] Lâches-moi !
254
00:13:23,860 --> 00:13:26,880
[BOTH WOMEN SPEAKING FRENCH]
255
00:13:27,320 --> 00:13:29,550
[MADELEINE YELLING]
256
00:13:31,720 --> 00:13:33,600
_
257
00:13:33,640 --> 00:13:35,720
_
258
00:13:43,000 --> 00:13:46,740
[MADELEINE SCREAMING]
259
00:13:51,490 --> 00:13:52,780
_
260
00:13:54,250 --> 00:13:55,360
_
261
00:13:55,410 --> 00:13:58,190
[CRASHING AND BANGING]
262
00:13:59,120 --> 00:14:03,110
[MADELEINE YELLING AND SCREAMING]
263
00:14:07,597 --> 00:14:11,220
[MADELEINE YELLING AND STRUGGLING]
264
00:14:11,260 --> 00:14:13,750
_
265
00:14:13,960 --> 00:14:14,979
Uhh!
266
00:14:15,300 --> 00:14:18,520
[MAN SCREAMS]
267
00:14:19,060 --> 00:14:21,090
[DISTANT SCREAMS]
268
00:14:21,140 --> 00:14:22,890
[MADELEINE PANTING]
269
00:14:24,010 --> 00:14:25,940
[METALLIC RATTLING]
270
00:14:26,500 --> 00:14:28,700
[RATTLING AND BANGING]
271
00:14:28,750 --> 00:14:31,830
[MADELEINE PANTING]
272
00:14:38,240 --> 00:14:40,200
[GENTLE MUSIC]
273
00:14:46,510 --> 00:14:48,760
[SOFT WHIMPER]
274
00:14:49,520 --> 00:14:52,420
[LIQUID DRIPPING, SNARLING]
275
00:14:53,390 --> 00:14:55,470
[SOFT WHIMPER]
276
00:14:55,520 --> 00:14:57,510
[MADELEINE PANTING WITH FEAR]
277
00:14:57,564 --> 00:15:01,520
[WOMAN SPLUTTERING]
278
00:15:01,570 --> 00:15:03,890
[SOFT WHIMPER]
279
00:15:03,945 --> 00:15:06,040
[SPLUTTERING]
280
00:15:06,920 --> 00:15:09,700
[MAN SPEAKS FRENCH SOFTLY]
281
00:15:14,140 --> 00:15:16,490
[MADELEINE GASPING]
282
00:15:21,590 --> 00:15:23,890
[MAN GROANING]
283
00:15:23,940 --> 00:15:26,370
[MAN WHIMPERING]
284
00:15:28,730 --> 00:15:31,720
[MADELEINE GASPING]
285
00:15:31,770 --> 00:15:35,900
[MADELEINE MUTTERS SOFTLY IN FRENCH]
286
00:15:36,850 --> 00:15:41,190
_
287
00:15:41,191 --> 00:15:43,820
[MAN GROANING]
288
00:15:47,690 --> 00:15:48,720
_
289
00:15:53,540 --> 00:15:54,860
You gonna run?
290
00:15:54,913 --> 00:15:57,320
[MAN GROANING]
291
00:15:57,373 --> 00:15:58,750
Don't.
292
00:16:00,260 --> 00:16:02,360
Don't run, 'cos...
293
00:16:03,540 --> 00:16:06,830
a lot of noise just happened,
middle of Paris.
294
00:16:06,883 --> 00:16:09,830
I gotta clean up. I can do it fast.
295
00:16:09,880 --> 00:16:11,500
I can do it right, but...
296
00:16:12,860 --> 00:16:14,440
if I don't clean up,
297
00:16:16,220 --> 00:16:17,710
you could be in some trouble.
298
00:16:20,313 --> 00:16:23,430
[MAN GROANING]
299
00:16:33,300 --> 00:16:34,440
That's good.
300
00:16:36,280 --> 00:16:37,600
Sit down.
301
00:16:39,800 --> 00:16:43,160
[MADELEINE BREATHES HEAVILY]
302
00:16:44,880 --> 00:16:46,080
I'm gonna clean up.
303
00:16:48,020 --> 00:16:50,240
- [MADELEINE GASPS]
- And then we can talk.
304
00:16:51,100 --> 00:16:53,300
_
305
00:16:53,350 --> 00:16:55,060
Vampire.
306
00:16:57,600 --> 00:16:59,680
[GASPS SOFTLY]
307
00:16:59,730 --> 00:17:02,160
[MAN SPLUTTERING]
308
00:17:09,240 --> 00:17:11,180
Where is the light switch?
309
00:17:19,280 --> 00:17:25,660
[INDISTINCT CHATTER IN FRENCH]
310
00:17:27,500 --> 00:17:29,850
Eh? You seen Armand?
311
00:17:29,900 --> 00:17:32,300
- In his office.
- Thank you.
312
00:17:35,680 --> 00:17:37,750
[DISTANT MUSIC PLAYS]
313
00:17:37,800 --> 00:17:38,960
Hey.
314
00:17:40,640 --> 00:17:42,200
Top of the morning.
315
00:17:42,729 --> 00:17:45,200
[FOOTSTEPS]
316
00:17:45,250 --> 00:17:46,500
I got that Wols.
317
00:17:47,840 --> 00:17:52,120
Different brushes, hands,
stains, rubbing, scratching.
318
00:17:52,170 --> 00:17:55,430
Gestures of anxiety, but then the blues.
319
00:17:55,480 --> 00:17:58,260
Like little cigar ends.
320
00:17:58,310 --> 00:18:01,350
Like portals to the sky beyond.
321
00:18:01,380 --> 00:18:02,913
Like he got sick on the canvas?
322
00:18:02,914 --> 00:18:06,130
Watch. I'll sell it for five
times the price in a year.
323
00:18:06,750 --> 00:18:08,780
Thirty times if he keeps
drinking and dies.
324
00:18:08,830 --> 00:18:10,840
- And what then?
- Re-invest.
325
00:18:10,890 --> 00:18:12,760
- More Wols?
- [CHUCKLES]
326
00:18:12,810 --> 00:18:16,370
More Wols. More Mathieu, Soulages.
327
00:18:16,420 --> 00:18:20,130
Real estate. Dividend stocks
with compound interest.
328
00:18:20,183 --> 00:18:22,200
- Maybe a plane.
- [ARMAND LAUGHS]
329
00:18:22,250 --> 00:18:24,250
And who is going to fly your plane?
330
00:18:24,290 --> 00:18:27,700
- I'll fly it.
- The first vampire capitalist.
331
00:18:27,750 --> 00:18:30,460
- The first vampire pilot.
- Why not?
332
00:18:30,950 --> 00:18:31,986
Take your clothes off.
333
00:18:33,690 --> 00:18:35,790
I am going through Sam's new pages.
334
00:18:35,820 --> 00:18:37,560
Clothes off, face down in the coffin.
335
00:18:37,617 --> 00:18:39,360
You can read 'em to me while I fuck you.
336
00:18:47,450 --> 00:18:49,660
Uh! Uhh!
337
00:18:49,712 --> 00:18:53,050
[WOMAN SINGING]
♪ Happiness for everyone ♪
338
00:18:53,070 --> 00:18:56,750
♪ So let's go sunning ♪
339
00:18:57,470 --> 00:19:00,598
_
340
00:19:05,990 --> 00:19:07,090
[MADELEINE SMIRKS]
341
00:19:08,720 --> 00:19:13,160
It probably reads shallow now,
but not... not insightful.
342
00:19:13,180 --> 00:19:14,940
Human death in all its variety.
343
00:19:17,240 --> 00:19:18,600
What's blood taste like?
344
00:19:18,650 --> 00:19:19,940
You've bit your lip before.
345
00:19:19,992 --> 00:19:21,600
No, um...
346
00:19:22,570 --> 00:19:24,650
What's it like to drink blood?
347
00:19:25,620 --> 00:19:28,990
Is it like drinking life itself?
348
00:19:29,040 --> 00:19:31,030
Warm.
349
00:19:31,060 --> 00:19:32,950
Thick. It's...
350
00:19:32,970 --> 00:19:35,930
It's not answers to life's
mystery. It's food.
351
00:19:35,980 --> 00:19:37,310
I need it.
352
00:19:39,240 --> 00:19:41,780
And me? Right now?
353
00:19:45,640 --> 00:19:48,670
I can't lie. I watch it
slide along your veins.
354
00:19:57,630 --> 00:19:58,656
Take a sip!
355
00:20:01,560 --> 00:20:03,210
- No.
- [IN FRENCH] Pourquoi non ?
356
00:20:03,260 --> 00:20:04,280
- No.
- Pourquoi...
357
00:20:04,320 --> 00:20:06,560
'Cos once she starts,
you can't stop her.
358
00:20:08,350 --> 00:20:10,700
This the dressmaker you were
supposed to run out of town?
359
00:20:12,640 --> 00:20:14,950
Um, yes. I'm the forbidden friend.
360
00:20:15,000 --> 00:20:16,750
Madeleine this is Louis. Louis...
361
00:20:16,760 --> 00:20:19,870
She's reading one of your
diaries in my coffin.
362
00:20:19,920 --> 00:20:21,660
- I won't tattle.
- She says another word,
363
00:20:21,690 --> 00:20:23,472
I break her arms and
throw her out the window.
364
00:20:23,473 --> 00:20:26,840
Pull up a chair. Let's start again.
365
00:20:27,590 --> 00:20:29,920
I'd like a couple of months...
366
00:20:29,970 --> 00:20:31,356
- Louis.
- ... when you don't tear things down...
367
00:20:31,380 --> 00:20:32,920
- This is Madeleine.
- ... or fuck things up.
368
00:20:32,940 --> 00:20:34,250
- I had you covered.
- She sold me that lavender dress
369
00:20:34,270 --> 00:20:35,317
I wore out a while back.
370
00:20:35,318 --> 00:20:37,640
She's... She's funny, she's blunt
371
00:20:37,690 --> 00:20:40,600
and it's a long story,
but I killed in front of her.
372
00:20:41,280 --> 00:20:42,360
[SCOFFS] Of course you did.
373
00:20:42,390 --> 00:20:43,680
And she sat in the corner and watched
374
00:20:43,700 --> 00:20:45,000
while I bundled up bodies.
375
00:20:45,050 --> 00:20:47,540
Didn't cry, didn't get flustered
376
00:20:47,590 --> 00:20:49,610
and since then we've been talking.
377
00:20:50,460 --> 00:20:51,860
Is it romantic?
378
00:20:51,918 --> 00:20:53,040
- No.
- No.
379
00:20:53,090 --> 00:20:54,280
Not yet.
380
00:20:59,926 --> 00:21:01,620
You were Lestat's, now you're Armand's.
381
00:21:01,677 --> 00:21:03,420
Or Armand is mine.
382
00:21:05,580 --> 00:21:08,410
I've been a third all my life.
383
00:21:08,460 --> 00:21:11,560
Not saying that to fight,
just saying that it's true.
384
00:21:12,380 --> 00:21:15,420
I feel like I get to pick
385
00:21:15,460 --> 00:21:18,520
one thing for myself,
386
00:21:18,570 --> 00:21:19,810
and it's her.
387
00:21:20,580 --> 00:21:22,890
A weird white lady I
met by happenstance.
388
00:21:26,140 --> 00:21:29,550
[GENTLE MUSIC]
389
00:21:36,090 --> 00:21:38,320
[CHAIR LEGS SCRAPING ON FLOOR]
390
00:21:40,120 --> 00:21:43,090
[GENTLE MUSIC]
391
00:21:43,140 --> 00:21:44,460
You want a companion?
392
00:21:47,100 --> 00:21:48,300
Uh-uh.
393
00:21:49,890 --> 00:21:51,060
She does.
394
00:21:52,590 --> 00:21:53,780
Yes?
395
00:22:00,736 --> 00:22:04,350
Last time I tried, those
young boys back in...
396
00:22:05,080 --> 00:22:06,900
They all died, Louis.
397
00:22:06,951 --> 00:22:08,400
I'm too small.
398
00:22:09,680 --> 00:22:12,000
I never made one before.
I'm not sure if I can...
399
00:22:12,040 --> 00:22:13,730
No. Not you.
400
00:22:13,780 --> 00:22:17,160
Not... Not Lestat's blood.
I wouldn't want that for anyone.
401
00:22:17,210 --> 00:22:20,080
- It was good enough for us.
- Not good enough for her.
402
00:22:20,900 --> 00:22:23,530
She swore an oath, trampled on the laws
403
00:22:23,550 --> 00:22:25,440
and I am to reward her for it?
404
00:22:25,490 --> 00:22:27,880
To every vampire a dressmaker?
405
00:22:27,930 --> 00:22:29,996
They'll bitch at the moon,
mock you in their coffins,
406
00:22:30,020 --> 00:22:31,359
but she'll never fit in.
407
00:22:31,380 --> 00:22:32,393
They won't miss her.
408
00:22:33,060 --> 00:22:35,020
You think you're happy with me now?
409
00:22:35,070 --> 00:22:38,733
Can you imagine me
without the burden of her?
410
00:22:41,500 --> 00:22:46,480
Paris is yours, Maitre.
I ask for this respectfully.
411
00:22:49,260 --> 00:22:51,287
Respect comes without a shield.
412
00:22:51,780 --> 00:22:54,580
You're a manipulator,
Claudia de Lioncourt!
413
00:22:54,630 --> 00:22:55,810
No.
414
00:23:07,400 --> 00:23:10,250
Close your minds, both of you.
415
00:23:10,880 --> 00:23:12,380
I'll know it if you haven't.
416
00:23:13,100 --> 00:23:14,960
[CURTAINS WHOOSH]
417
00:23:23,610 --> 00:23:25,237
_
418
00:23:26,860 --> 00:23:28,900
_
419
00:23:28,950 --> 00:23:30,520
_
420
00:23:31,320 --> 00:23:33,245
They always think they're different.
421
00:23:34,260 --> 00:23:37,380
Stronger, superior.
422
00:23:40,330 --> 00:23:42,200
_
423
00:23:43,000 --> 00:23:45,091
_
424
00:23:45,960 --> 00:23:47,051
_
425
00:23:50,260 --> 00:23:53,380
_
426
00:23:55,280 --> 00:23:59,271
[GENTLE MUSIC]
427
00:24:01,190 --> 00:24:05,230
[ARMAND AND MADELEINE SPEAKING
INDISTINCTLY NEXT DOOR]
428
00:24:13,020 --> 00:24:14,880
[CLAUDIA CHUCKLES]
429
00:24:16,820 --> 00:24:19,610
Without the burden of me?
430
00:24:19,660 --> 00:24:21,480
I said it to get him through the door.
431
00:24:21,530 --> 00:24:22,940
Hmm.
432
00:24:27,480 --> 00:24:30,695
- Did you mean it?
- Does it matter?
433
00:24:30,740 --> 00:24:32,250
I got the result.
434
00:24:34,180 --> 00:24:37,090
Getting results, Louie du Lac.
435
00:24:38,800 --> 00:24:41,100
Is that what you found when
you went looking for yourself?
436
00:24:41,150 --> 00:24:43,180
Shortcut to the end of things?
437
00:24:44,500 --> 00:24:46,340
That's your nerves talking now.
438
00:24:54,780 --> 00:24:57,038
_
439
00:24:57,910 --> 00:25:00,780
_
440
00:25:00,830 --> 00:25:03,280
_
441
00:25:03,335 --> 00:25:06,420
_
442
00:25:06,460 --> 00:25:08,240
_
443
00:25:08,290 --> 00:25:09,675
_
444
00:25:10,300 --> 00:25:11,580
_
445
00:25:12,170 --> 00:25:15,000
_
446
00:25:16,390 --> 00:25:18,768
_
447
00:25:19,390 --> 00:25:22,710
_
448
00:25:23,690 --> 00:25:25,970
_
449
00:25:27,270 --> 00:25:28,510
_
450
00:25:28,560 --> 00:25:29,720
_
451
00:25:29,760 --> 00:25:31,780
There's been a war.
452
00:25:33,820 --> 00:25:38,070
Claudia, he thinks there is
something left of my era!
453
00:25:38,120 --> 00:25:40,030
[MADELEINE LAUGHS]
454
00:25:40,080 --> 00:25:41,520
He's going to say yes.
455
00:25:41,570 --> 00:25:43,900
[ARMAND TALKING INDISTINCTLY]
456
00:25:43,950 --> 00:25:46,000
You're stronger. I can feel it.
457
00:25:46,720 --> 00:25:48,160
I am.
458
00:25:48,210 --> 00:25:49,640
Harder too.
459
00:25:51,240 --> 00:25:54,420
But you gotta give up
something to get something.
460
00:25:55,570 --> 00:25:58,380
[MADELEINE TALKING INDISTINCTLY]
461
00:25:58,420 --> 00:25:59,800
He's going to say yes.
462
00:26:01,936 --> 00:26:03,840
[MADELEINE LAUGHS]
463
00:26:14,070 --> 00:26:16,367
_
464
00:26:21,240 --> 00:26:23,860
_
465
00:26:23,910 --> 00:26:25,360
_
466
00:26:27,080 --> 00:26:30,420
_
467
00:26:30,460 --> 00:26:32,040
_
468
00:26:32,091 --> 00:26:34,290
_
469
00:26:34,340 --> 00:26:35,880
_
470
00:26:35,920 --> 00:26:38,120
_
471
00:26:38,470 --> 00:26:42,130
_
472
00:26:43,470 --> 00:26:45,312
_
473
00:26:45,770 --> 00:26:47,940
_
474
00:26:47,980 --> 00:26:49,608
_
475
00:26:50,060 --> 00:26:51,700
_
476
00:26:51,730 --> 00:26:53,640
_
477
00:26:53,690 --> 00:26:55,220
_
478
00:26:56,360 --> 00:26:58,600
_
479
00:27:00,600 --> 00:27:01,980
And I have again.
480
00:27:03,289 --> 00:27:04,580
Hmm.
481
00:27:07,376 --> 00:27:10,760
[GENTLE MUSIC]
482
00:27:19,760 --> 00:27:21,730
_
483
00:27:21,760 --> 00:27:24,600
_
484
00:27:24,640 --> 00:27:26,920
_
485
00:27:28,100 --> 00:27:29,630
_
486
00:27:34,110 --> 00:27:37,000
_
487
00:27:37,030 --> 00:27:38,600
_
488
00:27:40,570 --> 00:27:43,310
_
489
00:27:49,480 --> 00:27:52,530
- He said no.
- I said I would not do it.
490
00:27:52,588 --> 00:27:54,200
Maitre in the bedroom.
491
00:27:54,240 --> 00:27:56,640
Maitre only when it's hot or convenient.
492
00:27:56,690 --> 00:27:58,660
- That's how I took it.
- I had reasoning.
493
00:27:58,680 --> 00:27:59,990
What was it?
494
00:28:02,310 --> 00:28:03,849
He had never made one.
495
00:28:05,310 --> 00:28:07,370
- What?
- I have never made a vampire.
496
00:28:07,410 --> 00:28:09,729
You are a 500-year-old vampire.
497
00:28:09,730 --> 00:28:13,470
You led the Parisian coven
for two centuries.
498
00:28:13,520 --> 00:28:16,080
- And he hadn't told me.
- I did once. He didn't hear it.
499
00:28:16,130 --> 00:28:18,160
He didn't, no.
500
00:28:19,260 --> 00:28:22,200
The idea repulsed me, repulses me.
501
00:28:22,250 --> 00:28:25,280
Well, at least we can agree
it was a disingenuous act.
502
00:28:25,330 --> 00:28:27,326
- I went there open-minded.
- You walked into Madeleine's...
503
00:28:27,350 --> 00:28:29,940
- It was an outrageous request.
- ... with your mind made up!
504
00:28:29,990 --> 00:28:31,760
Louis's opinion.
505
00:28:31,810 --> 00:28:33,740
Claudia's opinion.
506
00:28:33,796 --> 00:28:37,160
Uh, let's see, let's see, um...
507
00:28:38,900 --> 00:28:41,790
"Fuck these vampires."
508
00:28:45,980 --> 00:28:49,170
[SANTIAGO] What I learned
I learned from draining men,
509
00:28:49,220 --> 00:28:51,300
reading their thoughts.
510
00:28:51,350 --> 00:28:54,960
Not from books. I never went to
school long enough as a mortal.
511
00:28:55,010 --> 00:28:58,140
[QUANG PHAM] You do not
know your vampire nature.
512
00:28:58,190 --> 00:29:00,760
When our maker Guido gets
here, he'll tell you the same!
513
00:29:00,790 --> 00:29:02,810
[SANTIAGO] And what
if Guido never shows?
514
00:29:02,860 --> 00:29:05,180
Santiago, why is your
back to the audience?
515
00:29:05,230 --> 00:29:07,050
I've got an impulse.
516
00:29:07,580 --> 00:29:09,140
It doesn't work, turn around.
517
00:29:09,890 --> 00:29:12,890
But if we stage it in the round...
518
00:29:12,940 --> 00:29:14,266
And where shall we put the audience?
519
00:29:14,290 --> 00:29:16,200
Behind the fucking projection screen?
520
00:29:16,250 --> 00:29:18,240
Ooh! What's up your arse tonight?
521
00:29:18,290 --> 00:29:22,280
Is your... [COUGHS]
... companion stuck up there,
522
00:29:22,330 --> 00:29:24,305
chewing on your inner
bits like a hamster?
523
00:29:27,540 --> 00:29:32,040
Claudia, can you respectfully
find another object to buff?
524
00:29:35,440 --> 00:29:37,067
Always a yes, Maitre.
525
00:29:39,540 --> 00:29:41,404
Projections are our aesthetic.
526
00:29:41,405 --> 00:29:43,970
- Or a crutch.
- I am the director, directing.
527
00:29:44,020 --> 00:29:45,730
A play is a map for production.
528
00:29:45,750 --> 00:29:49,880
Uh, no. Uh, a play is the script.
529
00:29:49,920 --> 00:29:52,791
And there are no mentions
in this script of projections.
530
00:29:55,169 --> 00:29:56,820
That's your cue, Sam.
531
00:29:57,640 --> 00:29:58,760
Uh...
532
00:29:58,800 --> 00:30:00,257
It's a work in progress.
533
00:30:00,820 --> 00:30:03,180
Oh! Oh, I see.
534
00:30:04,210 --> 00:30:05,466
[ARMAND] Pick it up, where we left off.
535
00:30:05,490 --> 00:30:09,040
Well, if it is a work in progress,
536
00:30:09,090 --> 00:30:13,870
can I ask when the fuck is Guido
arriving on the stage, please?
537
00:30:13,890 --> 00:30:15,590
[SAM] He doesn't, he can't.
538
00:30:15,647 --> 00:30:17,760
- He mustn't.
- Where we left off, Santiago.
539
00:30:17,810 --> 00:30:20,100
Guido is hope. There can be no hope.
540
00:30:20,150 --> 00:30:23,260
You want to write poetry,
write poems. This is a stage.
541
00:30:23,300 --> 00:30:25,610
We perform plays on a stage.
542
00:30:25,660 --> 00:30:26,783
Is this you honoring the playwright?
543
00:30:26,784 --> 00:30:29,430
Not prose, poems or fucking maps!
544
00:30:29,480 --> 00:30:31,980
And plays require events, Sam!
545
00:30:32,039 --> 00:30:34,820
And there are no events in
your shitty little play!
546
00:30:34,875 --> 00:30:36,860
And Quang and I are
bloody dangling up here!
547
00:30:36,910 --> 00:30:38,990
That can be remedied!
548
00:30:39,046 --> 00:30:40,540
Gustave!
549
00:30:41,240 --> 00:30:44,070
We do horror shows so we can eat people!
550
00:30:44,120 --> 00:30:45,850
You're fangless!
551
00:30:46,510 --> 00:30:48,550
[SANTIAGO TELEPATHICALLY]
I love your work, Sam.
552
00:30:48,600 --> 00:30:49,790
Apologies.
553
00:30:49,848 --> 00:30:51,590
[SAM] Well played, Maitre.
554
00:30:51,642 --> 00:30:53,180
- You summoned me?
- There's a script on stage.
555
00:30:53,200 --> 00:30:54,520
It's yours for the moment.
556
00:30:55,540 --> 00:30:57,380
In the round? Humans on stage?
557
00:30:57,439 --> 00:31:00,520
Ignore him. He'll be back.
558
00:31:00,560 --> 00:31:04,000
[GENTLE MUSIC]
559
00:31:04,050 --> 00:31:06,730
[LOUIS] The Berlin
Blockade ended in May.
560
00:31:06,782 --> 00:31:09,360
The Geneva Convention
was agreed in August.
561
00:31:09,410 --> 00:31:11,960
Some of the front pages from that year.
562
00:31:12,600 --> 00:31:13,831
But if you look in the filler,
563
00:31:13,832 --> 00:31:16,624
- in the back pages.
- _
564
00:31:16,625 --> 00:31:19,150
Strange crimes reported.
565
00:31:19,200 --> 00:31:20,980
[MOTORBIKE ENGINES PURR]
566
00:31:21,030 --> 00:31:24,050
[ARMAND] A telescopic lens stolen
from the Observatory at Meudon.
567
00:31:24,100 --> 00:31:25,400
_
568
00:31:26,940 --> 00:31:29,550
A film company shooting the
crime thriller 'Porte D'Orient'
569
00:31:29,590 --> 00:31:31,040
- delayed when its inventory...
- _
570
00:31:31,070 --> 00:31:33,790
... of color film stock is snatched.
571
00:31:33,820 --> 00:31:35,400
[LOUIS] A gang of drunkards,
572
00:31:35,450 --> 00:31:38,040
hanging off of the side
of the Eiffel Tower,
573
00:31:38,090 --> 00:31:40,560
all facing south by southwest,
574
00:31:40,610 --> 00:31:43,400
- all muttering in unison...
- _
575
00:31:43,440 --> 00:31:46,100
... gone by the time
police arrive by elevator.
576
00:31:46,150 --> 00:31:48,340
[ARMAND] Crimes all left unsolved.
577
00:31:49,260 --> 00:31:50,900
[LOUIS] A thousand
humans arrive in Paris
578
00:31:50,950 --> 00:31:52,050
each carrying a suitcase.
579
00:31:52,080 --> 00:31:53,199
What's one more vampire?
580
00:31:53,200 --> 00:31:54,660
Why are we still talking about this?
581
00:31:54,690 --> 00:31:55,720
This should be behind us.
582
00:31:55,740 --> 00:31:57,380
I'm not satisfied with your answer.
583
00:31:57,410 --> 00:32:01,020
Those we make ourselves will
always despise us for it.
584
00:32:01,070 --> 00:32:04,320
Celeste and Estelle,
they're inseparable.
585
00:32:04,370 --> 00:32:08,540
Merde'em, Basilic, Planche.
That's a tight band.
586
00:32:08,590 --> 00:32:10,520
And he made you and Claudia.
587
00:32:13,120 --> 00:32:15,420
- You're going to do it?
- Yes.
588
00:32:15,470 --> 00:32:17,900
- When?
- Tonight.
589
00:32:19,000 --> 00:32:20,800
It's forbidden.
590
00:32:20,820 --> 00:32:22,560
Claudia does not want his blood.
591
00:32:23,960 --> 00:32:25,780
She doesn't have an alternative.
592
00:32:25,830 --> 00:32:27,060
It could fail.
593
00:32:27,100 --> 00:32:29,340
The woman could turn into one
of those drooling revenants
594
00:32:29,370 --> 00:32:30,500
you saw back in...
595
00:32:31,480 --> 00:32:32,580
[LOUIS] Mmm.
596
00:32:34,840 --> 00:32:38,570
[INDISTINCT CHATTER
AND LAUGHTER OF CROWD]
597
00:32:42,410 --> 00:32:45,420
You shouldn't do it.
You shouldn't tell me.
598
00:32:45,460 --> 00:32:46,580
My mind, I...
599
00:32:47,380 --> 00:32:49,860
I... I can't keep it closed anymore.
600
00:32:49,900 --> 00:32:51,630
I want you to come.
601
00:32:51,680 --> 00:32:53,520
I want you to witness.
602
00:32:54,950 --> 00:32:56,200
Why?
603
00:32:57,210 --> 00:33:01,160
'Cos... it could be beautiful.
604
00:33:02,140 --> 00:33:04,930
We can bring one in a good way.
605
00:33:08,830 --> 00:33:11,200
Are you asking or making me?
606
00:33:16,920 --> 00:33:18,220
Okay.
607
00:33:21,416 --> 00:33:23,440
- I'm sorry.
- It's okay.
608
00:33:25,760 --> 00:33:27,180
It's okay.
609
00:33:27,798 --> 00:33:29,900
Make sure we're not bothered.
610
00:33:29,940 --> 00:33:31,190
Yeah?
611
00:33:32,780 --> 00:33:37,540
[INDISTINCT CHATTER
AND LAUGHTER CONTINUES]
612
00:33:49,730 --> 00:33:52,520
_
613
00:33:54,490 --> 00:33:56,810
_
614
00:33:57,720 --> 00:33:59,820
- [JOSEPHINE BAKER SINGING]
- Oh, I like this song!
615
00:33:59,871 --> 00:34:02,740
"My Heart Is An Island Bird".
616
00:34:04,560 --> 00:34:06,790
I've never been to an island.
617
00:34:06,840 --> 00:34:08,700
Well, once.
618
00:34:09,240 --> 00:34:12,100
On a lake, surrounded by carp.
619
00:34:13,020 --> 00:34:15,580
I don't like carp,
I don't like Chardonnay.
620
00:34:17,340 --> 00:34:19,420
This feels right for my life.
621
00:34:20,726 --> 00:34:22,059
Gonna go crazy if we don't start.
622
00:34:22,060 --> 00:34:24,380
Yeah, me too. [COUGHS]
623
00:34:28,560 --> 00:34:31,430
Now then, if you get scared,
624
00:34:32,960 --> 00:34:34,940
you just look at that light...
625
00:34:36,325 --> 00:34:38,480
and listen to my voice.
626
00:34:38,535 --> 00:34:40,230
I won't let anything go wrong.
627
00:34:40,280 --> 00:34:42,720
Don't worry about the blood.
628
00:34:43,960 --> 00:34:45,860
It's the blood that made you.
629
00:34:47,040 --> 00:34:48,900
[SNARLING]
630
00:34:49,460 --> 00:34:51,660
[SOFT SNARLS]
631
00:34:57,679 --> 00:35:01,000
[THE SONG CONTINUES]
632
00:35:07,180 --> 00:35:09,720
[MADELEINE GASPS]
633
00:35:13,400 --> 00:35:16,480
Madeleine welcomed my fangs.
634
00:35:16,520 --> 00:35:20,150
The lamb smiling up at the wolf
635
00:35:20,202 --> 00:35:24,570
with unsettling passivity.
636
00:35:24,623 --> 00:35:27,320
- [SQUELCHING]
- [MADELEINE GASPS]
637
00:35:27,376 --> 00:35:30,320
[LOUIS] She watched the
lamp while I fed on her.
638
00:35:31,750 --> 00:35:32,969
_
639
00:35:32,970 --> 00:35:34,960
That's good. That's right.
640
00:35:35,020 --> 00:35:38,250
You're turning cold. That's good too.
641
00:35:38,300 --> 00:35:40,670
[LOUIS] And Claudia guided her softly
642
00:35:40,720 --> 00:35:44,680
down the path, down the dark path.
643
00:35:44,710 --> 00:35:46,561
Just hold on to my voice.
644
00:35:47,380 --> 00:35:50,630
[MADELEINE BREATHING HEAVILY]
645
00:35:54,280 --> 00:35:55,820
[SOFTLY] I want you to.
646
00:35:59,000 --> 00:36:00,880
[SOFTLY] I want you to.
647
00:36:10,127 --> 00:36:12,320
[THE SONG REACHES A CRESCENDO AND ENDS]
648
00:36:12,379 --> 00:36:13,960
[MADELEINE GASPS]
649
00:36:17,640 --> 00:36:20,450
[HER GASPS CONTINUE]
650
00:36:20,500 --> 00:36:23,450
[RECORD NEEDLE CRACKLES]
651
00:36:23,500 --> 00:36:26,970
Claudia drank with reverence.
652
00:36:28,510 --> 00:36:29,840
I drank with...
653
00:36:31,160 --> 00:36:32,500
obligation.
654
00:36:36,250 --> 00:36:38,810
Disjointed fragments of Madeleine's life
655
00:36:38,850 --> 00:36:40,100
filled my head,
656
00:36:40,960 --> 00:36:44,990
carried on the warm
current of her blood.
657
00:36:47,400 --> 00:36:50,820
The pleasures of a sly coupling.
658
00:36:55,780 --> 00:36:58,480
The joys of a sunny afternoon.
659
00:37:00,980 --> 00:37:04,840
The anguish of an unexpected death.
660
00:37:06,558 --> 00:37:08,320
[FLASH BULB POPS]
661
00:37:13,460 --> 00:37:19,030
The rage and humiliation
of a trial by mob.
662
00:37:19,080 --> 00:37:22,810
[CROWD SHOUTING, DRUM BEATING]
663
00:37:29,410 --> 00:37:33,760
But amongst the pastiche
of war and desire,
664
00:37:33,800 --> 00:37:36,050
beauty and damage...
665
00:37:36,100 --> 00:37:37,980
I saw Claudia...
666
00:37:39,400 --> 00:37:43,140
in an impossible afternoon light
she could never survive in.
667
00:37:44,860 --> 00:37:48,360
Claudia as Madeleine perceived her.
668
00:37:49,890 --> 00:37:51,360
Resplendent.
669
00:37:52,720 --> 00:37:56,890
Rendered even more
beautiful by her beholder.
670
00:37:58,280 --> 00:38:02,510
And I knew then, with all certainty,
671
00:38:02,560 --> 00:38:06,120
she would be a better
companion to Claudia
672
00:38:06,170 --> 00:38:07,940
than I ever had.
673
00:38:09,720 --> 00:38:11,510
I tore my wrist...
674
00:38:12,280 --> 00:38:14,250
and fed her the gift.
675
00:38:15,370 --> 00:38:18,910
[BLOOD SPLASHES]
676
00:38:20,640 --> 00:38:23,480
[DOOR OPENS AND CLOSES]
677
00:38:27,020 --> 00:38:30,960
[FOOTSTEPS APPROACHING]
678
00:38:42,550 --> 00:38:43,800
Did she take?
679
00:38:46,880 --> 00:38:48,060
Yeah.
680
00:38:48,820 --> 00:38:51,100
Yeah, she is.
681
00:38:51,130 --> 00:38:54,520
They're both... on their way.
682
00:38:55,870 --> 00:38:57,820
I told 'em to get out of town.
683
00:38:58,660 --> 00:39:00,650
They're out of town.
684
00:39:01,270 --> 00:39:02,540
And I know that...
685
00:39:04,180 --> 00:39:06,090
because I can feel her.
686
00:39:07,670 --> 00:39:09,000
Madeleine.
687
00:39:09,840 --> 00:39:12,010
This stranger.
688
00:39:13,300 --> 00:39:15,180
My fledgling.
689
00:39:17,980 --> 00:39:19,340
What happened here?
690
00:39:20,100 --> 00:39:21,720
Opened my wrist back up.
691
00:39:22,720 --> 00:39:25,196
Gagged myself, tried to
throw the blood back up.
692
00:39:26,780 --> 00:39:29,980
I thought I'd feel like
I was losing Claudia.
693
00:39:31,860 --> 00:39:33,400
I did not care.
694
00:39:35,690 --> 00:39:37,400
I finished the job.
695
00:39:38,840 --> 00:39:40,340
Claudia took my hand.
696
00:39:40,390 --> 00:39:42,820
We said something about being even.
697
00:39:44,750 --> 00:39:46,350
I did not care.
698
00:39:47,970 --> 00:39:49,220
You were right.
699
00:39:51,450 --> 00:39:52,790
Give it time.
700
00:39:54,100 --> 00:39:56,970
She is a difficult one,
but one worth having.
701
00:39:57,020 --> 00:39:58,660
Hmm.
702
00:40:00,520 --> 00:40:02,880
You'll find your way back to each other.
703
00:40:03,540 --> 00:40:04,930
What's in the suitcase?
704
00:40:05,720 --> 00:40:07,040
Some clothes.
705
00:40:07,990 --> 00:40:09,590
A few books.
706
00:40:09,640 --> 00:40:12,180
A cutting from a magnolia
tree I've been growing.
707
00:40:18,700 --> 00:40:20,250
I could have fought.
708
00:40:22,480 --> 00:40:23,922
They might've killed me.
709
00:40:25,700 --> 00:40:28,040
Hunted the three of you down,
710
00:40:28,090 --> 00:40:29,920
caught you, burned you.
711
00:40:29,970 --> 00:40:33,980
I don't know if it will satisfy.
There might be hostilities
712
00:40:34,020 --> 00:40:37,080
or the first bloodless vampire coup.
713
00:40:39,620 --> 00:40:41,147
You broke with the coven?
714
00:40:43,260 --> 00:40:44,970
They gave me a choice.
715
00:40:46,980 --> 00:40:48,270
I chose.
716
00:40:48,320 --> 00:40:49,980
[LOUIS] That's what
you said to me, right?
717
00:40:50,031 --> 00:40:52,890
Standing in my blood, stroking my hair.
718
00:40:53,820 --> 00:40:55,450
You know it is.
719
00:40:55,500 --> 00:40:57,120
That's my memory of it.
720
00:40:57,170 --> 00:40:58,810
But you were there too.
721
00:40:58,820 --> 00:41:00,780
Maybe there's something I missed?
722
00:41:00,834 --> 00:41:02,292
Or maybe there's something
723
00:41:02,293 --> 00:41:04,740
- you put in there later.
- Stop it!
724
00:41:05,380 --> 00:41:06,680
Stop it.
725
00:41:07,549 --> 00:41:10,290
This is too important a moment
in our story for these games.
726
00:41:10,880 --> 00:41:13,630
Oh, is there a game being played?
727
00:41:17,800 --> 00:41:22,220
You've remembered what you did
to yourself in San Francisco.
728
00:41:22,890 --> 00:41:24,970
And you're angry that I erased it.
729
00:41:32,640 --> 00:41:33,980
I am.
730
00:41:34,030 --> 00:41:35,750
You've no right to be.
731
00:41:35,800 --> 00:41:37,230
You asked me to do it.
732
00:41:40,910 --> 00:41:43,000
- What?
- He's full of shit.
733
00:41:43,040 --> 00:41:44,760
I've failed Louis once in my life.
734
00:41:44,800 --> 00:41:47,096
- It wasn't in San Francisco.
- I'd never ask you to do that!
735
00:41:47,120 --> 00:41:49,260
The pages I tore out
of Claudia's diaries,
736
00:41:49,300 --> 00:41:51,080
- we did most of those together.
- Not all of them.
737
00:41:51,100 --> 00:41:53,650
And the ones I did on my
own were to protect me
738
00:41:53,700 --> 00:41:55,555
from you, Mr. Molloy.
739
00:41:57,060 --> 00:41:58,750
Why did I owe you my shame?
740
00:42:00,750 --> 00:42:05,470
Why did I owe you my
one act of cowardice?
741
00:42:07,380 --> 00:42:12,450
The series of abhorrent
consequences that followed?
742
00:42:21,060 --> 00:42:24,460
I've spent the rest of my life
trying to make up for it.
743
00:42:24,510 --> 00:42:26,120
I'll never make up for it.
744
00:42:28,040 --> 00:42:29,620
But he forgave me for it.
745
00:42:31,170 --> 00:42:32,740
I didn't forgive you.
746
00:42:34,940 --> 00:42:36,820
Drugs did far more damage to your mind
747
00:42:36,850 --> 00:42:38,590
than five nights in San Francisco.
748
00:42:38,640 --> 00:42:40,940
- It was six.
- My point made.
749
00:42:42,010 --> 00:42:44,354
You've as sharp a mind
as any human that walks.
750
00:42:49,710 --> 00:42:52,270
You want an apology. I'm sorry.
751
00:42:52,320 --> 00:42:54,970
He thought it was the
right thing to do too.
752
00:42:55,020 --> 00:42:57,060
You were going to drain me, pal.
753
00:42:57,680 --> 00:42:59,980
Belated apology number two.
754
00:43:07,680 --> 00:43:11,120
I asked you to erase it?
755
00:43:11,870 --> 00:43:12,990
Yes.
756
00:43:13,040 --> 00:43:15,520
[GENTLE PIANO]
757
00:43:15,570 --> 00:43:19,080
After you came out of a shower
in our home in Sausalito.
758
00:43:20,530 --> 00:43:22,880
Three days after we abandoned him.
759
00:43:26,710 --> 00:43:28,920
[GENTLE PIANO]
760
00:43:28,970 --> 00:43:31,260
[SIGHS AND SHUDDERS]
761
00:43:39,400 --> 00:43:44,520
Continuing on the record,
Mr. Molloy, I was a coward.
762
00:43:44,560 --> 00:43:46,570
[GENTLE PIANO]
763
00:43:49,419 --> 00:43:52,330
[CLAUDIA] We've been burying
our meals outside Saint Denis.
764
00:43:52,380 --> 00:43:54,420
Flowers are starting pop
up out of the ground.
765
00:43:54,470 --> 00:43:58,150
Lavender, sweet iris, peony.
766
00:43:58,200 --> 00:44:01,510
Flowers growing from the dead.
Cold things becoming warm.
767
00:44:02,220 --> 00:44:05,260
I saw a dead girl in your mind,
while you were dying.
768
00:44:05,310 --> 00:44:07,970
Oui. Aimee, my sister.
769
00:44:08,840 --> 00:44:10,800
She the replacement?
770
00:44:11,450 --> 00:44:12,482
What?
771
00:44:12,483 --> 00:44:14,150
I saw the same thing that night.
772
00:44:14,180 --> 00:44:15,240
We already had it out.
773
00:44:15,290 --> 00:44:18,100
Aimee, we used to call
her the family idiot.
774
00:44:18,156 --> 00:44:19,850
She would eat pinecones.
775
00:44:21,530 --> 00:44:22,780
And I didn't tell her about Aimee
776
00:44:22,800 --> 00:44:24,820
because I didn't want
her thinking she was...
777
00:44:24,870 --> 00:44:27,150
- What was your word?
- A replacement.
778
00:44:28,260 --> 00:44:32,020
So thank you for falling right
back into Daddy Lou shoes.
779
00:44:32,060 --> 00:44:34,680
And thank you for never
treating me like a child.
780
00:44:34,730 --> 00:44:36,260
Take some lessons, Louis.
781
00:44:37,980 --> 00:44:39,756
[ARMAND] Are you thinking
of coming back to Paris?
782
00:44:39,780 --> 00:44:43,600
Trash piles and men who smell
like cheese? Non, merci. No.
783
00:44:43,650 --> 00:44:46,090
- We're going to wander.
- [LOUIS] Wander?
784
00:44:46,140 --> 00:44:47,685
- Mm-hm.
- [LOUIS CHUCKLES]
785
00:44:47,686 --> 00:44:49,130
Wander?
786
00:44:49,180 --> 00:44:50,320
- This one?
- Mm-hm.
787
00:44:50,370 --> 00:44:52,720
She of the straight line to
the next X on the map?
788
00:44:52,774 --> 00:44:55,180
This is the X, Louis.
789
00:44:57,528 --> 00:45:02,075
Alright. Okay, well... to finding the X.
790
00:45:03,880 --> 00:45:05,970
- [MADELEINE] Santé !
- Santé !
791
00:45:09,580 --> 00:45:11,042
How do you like my coffin?
792
00:45:11,043 --> 00:45:16,320
I wake up at night and the
Phams aren't trading insults,
793
00:45:16,370 --> 00:45:18,500
Estelle isn't smearing
makeup all over herself
794
00:45:18,530 --> 00:45:20,950
- or humming off-key.
- [CLAUDIA] Singing off-key.
795
00:45:21,000 --> 00:45:24,250
No one is forcing me to
listen to their gossips
796
00:45:24,270 --> 00:45:27,040
or solve their petty crises.
797
00:45:27,090 --> 00:45:28,101
It's bliss.
798
00:45:28,800 --> 00:45:32,020
Still, we didn't make it easy for you.
799
00:45:32,050 --> 00:45:33,380
I'm sorry for that.
800
00:45:36,560 --> 00:45:37,694
You alright there?
801
00:45:39,220 --> 00:45:40,810
I cannot read your mind.
802
00:45:42,320 --> 00:45:45,230
The architects of our, uh... [COUGHS]
803
00:45:46,500 --> 00:45:48,413
I made you, that's just the way it is.
804
00:45:48,414 --> 00:45:50,740
Yes, but I feel you, Louis.
805
00:45:51,370 --> 00:45:53,930
I feel you too, Madeleine.
806
00:45:56,220 --> 00:45:58,423
I told Claudia I can
feel you love her...
807
00:45:59,420 --> 00:46:01,340
and we should see him once more.
808
00:46:02,550 --> 00:46:04,040
I'm glad you did.
809
00:46:04,950 --> 00:46:06,460
I'm glad we did this.
810
00:46:07,910 --> 00:46:09,710
I can feel you too.
811
00:46:11,728 --> 00:46:12,970
Through him.
812
00:46:16,149 --> 00:46:18,430
- Yes, he loves you.
- Okay.
813
00:46:18,484 --> 00:46:21,100
Okay, well, let's get the
hell out of my soul!
814
00:46:21,150 --> 00:46:22,189
[LAUGHTER]
815
00:46:22,190 --> 00:46:23,410
He gets enough affection.
816
00:46:23,430 --> 00:46:25,950
I don't need his head getting
too big to get out the door.
817
00:46:27,020 --> 00:46:30,280
Taking a stretch.
Order me another, love.
818
00:46:30,800 --> 00:46:31,980
There he goes.
819
00:46:32,680 --> 00:46:36,460
- Mm-hm, there he goes!
- [LAUGHTER]
820
00:46:36,510 --> 00:46:39,260
Will he get through the
door with that big head?
821
00:46:39,310 --> 00:46:41,200
[LAUGHTER]
822
00:46:41,250 --> 00:46:43,620
[MADELEINE LAUGHS]
823
00:46:43,676 --> 00:46:46,790
Why don't you want him to know
how much you love him?
824
00:46:46,846 --> 00:46:48,820
[LOUIS] That's a little personal.
825
00:46:48,870 --> 00:46:51,770
- He knows.
- [MADELEINE] Uh-huh.
826
00:46:51,830 --> 00:46:53,300
[LOUIS] He knows.
827
00:47:02,737 --> 00:47:07,270
[TENSE MUSIC]
828
00:47:13,150 --> 00:47:16,750
[DAUNTING MUSIC]
829
00:47:32,680 --> 00:47:34,510
They gave him a choice.
830
00:47:37,260 --> 00:47:38,540
He chose.
831
00:47:39,200 --> 00:47:40,366
[SANTIAGO] Ladies and gentlemen!
832
00:47:40,390 --> 00:47:41,960
Mesdames et messieurs !
833
00:47:42,010 --> 00:47:43,780
Offal and offalesses!
834
00:47:43,830 --> 00:47:46,920
And all those who flourish
outside the divide, welcome.
835
00:47:46,940 --> 00:47:48,060
_
836
00:47:48,110 --> 00:47:52,100
For 150 years, we here at
the Theatre Des Vampires
837
00:47:52,150 --> 00:47:55,970
- have shown you "you".
- [AUDIENCE LAUGHS]
838
00:47:56,020 --> 00:47:58,320
Your obscene predilections,
839
00:47:58,370 --> 00:48:00,800
your savage desires.
840
00:48:01,500 --> 00:48:06,730
But today, we're shunting
human affairs aside.
841
00:48:06,780 --> 00:48:09,240
So if you want to kill your
lover or fuck your mother,
842
00:48:09,270 --> 00:48:10,343
it'll have to wait.
843
00:48:10,344 --> 00:48:11,630
[AUDIENCE LAUGHS]
844
00:48:13,400 --> 00:48:15,130
Because today...
845
00:48:15,184 --> 00:48:20,430
we're turning our lurid
spotlight on ourselves!
846
00:48:20,480 --> 00:48:23,860
I stand before you in broad daylight
847
00:48:23,880 --> 00:48:28,240
at this first ever matinee
at the Theatre Des Vampires
848
00:48:28,280 --> 00:48:32,440
to perform for your
salacious gratification...
849
00:48:32,490 --> 00:48:34,060
[AUDIENCE] Yes!
850
00:48:34,110 --> 00:48:35,980
... us!
851
00:48:37,500 --> 00:48:40,970
Are you ready, you filthy animals?
852
00:48:41,020 --> 00:48:43,200
- [AUDIENCE SHOUTING] Yes!
- Yes?
853
00:48:43,254 --> 00:48:45,830
- [CHEERING AND APPLAUSE]
- Yes?
854
00:48:45,882 --> 00:48:47,590
[WHISTLING AND CHEERING]
855
00:48:47,640 --> 00:48:50,500
The jury may be seated!
856
00:48:50,550 --> 00:48:53,710
[CHEERING AND APPLAUSE]
857
00:48:53,764 --> 00:48:57,550
[DRAMATIC CLASSICAL MUSIC]
858
00:49:00,100 --> 00:49:02,280
- [SANTIAGO] Whoa!
- [CELESTE] Advocat!
859
00:49:02,320 --> 00:49:07,430
Read the crimes for which this
iniquitous trio stand accused.
860
00:49:07,487 --> 00:49:09,520
[SANTIAGO SPEAKS INDISTINCTLY ON STAGE]
861
00:49:09,570 --> 00:49:13,900
... the making of a vampire
from a mortal child.
862
00:49:14,780 --> 00:49:17,270
Ten minutes to your entrance,
Monsieur Lioncourt.
863
00:49:17,320 --> 00:49:21,480
[SANTIAGO] ... of the vampires to
the mortal, Madeleine Eparvier.
864
00:49:21,530 --> 00:49:22,640
[ROMAINE] Monsieur Lioncourt?
865
00:49:22,660 --> 00:49:25,580
- [SANTIAGO] Finally, the most...
- [LESTAT] Thank you.
866
00:49:25,630 --> 00:49:29,580
[SANTIAGO] ... the heretical
desecration of Law Five...
867
00:49:29,630 --> 00:49:31,670
[LESTAT] Ten minutes.
868
00:49:31,720 --> 00:49:34,000
[SANTIAGO] The pre-meditated murders
869
00:49:34,040 --> 00:49:36,580
of the vampiress Antoinette Brown
870
00:49:36,620 --> 00:49:41,280
and the vampire Lestat de Lioncourt.
871
00:49:41,310 --> 00:49:42,840
[MUSIC STOPS ABRUPTLY]
872
00:49:44,560 --> 00:49:46,734
LOUIS: We were on trial for murder...
873
00:49:47,640 --> 00:49:49,100
and all I could think was...
874
00:49:49,150 --> 00:49:51,220
♪
875
00:49:51,270 --> 00:49:52,850
... he's coming.
876
00:49:52,900 --> 00:49:57,449
SANTIAGO: Lestat de
Lioncourt, the victim.
877
00:49:57,450 --> 00:50:00,920
It's justice for the attempted
murder of my being.
878
00:50:00,940 --> 00:50:01,957
... guilty...
879
00:50:01,958 --> 00:50:03,270
♪
880
00:50:03,290 --> 00:50:04,920
Aah!
881
00:50:04,970 --> 00:50:07,200
... or not guilty?
882
00:50:07,255 --> 00:50:12,910
- Synced & corrected by MementMori -
-- www.addic7ed.com --
883
00:50:16,890 --> 00:50:20,380
_
884
00:50:20,601 --> 00:50:22,220
- Mmm.
- Who funds you guys?
885
00:50:22,270 --> 00:50:24,080
Do you work with nation states?
886
00:50:24,120 --> 00:50:27,820
I think the stakes for
Molloy in Episode 6
887
00:50:27,870 --> 00:50:29,180
really begin to ramp up.
888
00:50:29,220 --> 00:50:33,240
I mean, it doesn't help that
the Talamasca is telling him
889
00:50:33,270 --> 00:50:35,810
that things are getting intense.
890
00:50:35,866 --> 00:50:36,980
Can you protect me?
891
00:50:37,030 --> 00:50:38,060
Oh!
892
00:50:38,090 --> 00:50:39,310
From being killed?
893
00:50:39,360 --> 00:50:43,190
No. We're particularly poor
at keeping our assets alive.
894
00:50:43,240 --> 00:50:46,410
But also, he's really making headway.
895
00:50:46,460 --> 00:50:48,500
And he's an experienced
enough journalist to know
896
00:50:48,520 --> 00:50:51,780
that with powerful people,
they're liable to lash out.
897
00:50:51,820 --> 00:50:53,840
So I think, yeah, there's real fear.
898
00:50:53,880 --> 00:50:55,056
And you can see it in Eric's performance
899
00:50:55,080 --> 00:50:57,020
that he's still cracking wise,
900
00:50:57,070 --> 00:50:59,630
but it may not be quite as convincing.
901
00:50:59,682 --> 00:51:01,330
I wanna get out alive.
902
00:51:01,380 --> 00:51:04,450
You fear Armand.
903
00:51:04,470 --> 00:51:06,130
You should fear the other one.
904
00:51:06,170 --> 00:51:07,870
Imagine a tightrope walker.
905
00:51:07,890 --> 00:51:11,160
He knows that he knows
how to walk a tightrope.
906
00:51:11,700 --> 00:51:14,170
But every once in a while,
he glances down,
907
00:51:14,190 --> 00:51:17,850
and a little shiver goes
through his stomach,
908
00:51:17,900 --> 00:51:19,243
that cold chill.
909
00:51:19,700 --> 00:51:21,110
Rashid.
910
00:51:21,160 --> 00:51:24,110
Did you and Mr. Molloy talk
to anyone during dinner?
911
00:51:24,160 --> 00:51:26,740
As soon as he gets an inkling
912
00:51:26,790 --> 00:51:30,120
that they know, he's already working on
913
00:51:30,171 --> 00:51:33,360
how to manipulate it and spin a new web.
914
00:51:33,410 --> 00:51:37,000
Why do you ask... love?
915
00:51:37,050 --> 00:51:39,800
Louis' known for a long time
that there's something wrong.
916
00:51:39,850 --> 00:51:41,098
There's a lie being told,
917
00:51:41,099 --> 00:51:44,240
and that penthouse in
Dubai is a bit of a prison,
918
00:51:44,290 --> 00:51:47,240
and I think Louis and Daniel
throughout the years
919
00:51:47,290 --> 00:51:50,850
have been like sort of
kept things for Armand.
920
00:51:50,900 --> 00:51:54,850
♪
921
00:51:54,904 --> 00:51:57,770
[CHOKING]
922
00:51:57,820 --> 00:52:00,180
MARK: Claudia revealing
that she's a vampire
923
00:52:00,230 --> 00:52:02,260
shows how comfortable she is
924
00:52:02,310 --> 00:52:04,230
revealing that to another person.
925
00:52:04,280 --> 00:52:05,800
Don't run.
926
00:52:05,850 --> 00:52:07,415
DELAINEY: I think it's really beautiful
927
00:52:07,416 --> 00:52:09,500
that she gives Madeleine the choice
928
00:52:09,540 --> 00:52:12,240
on how to react to her being a vampire.
929
00:52:13,620 --> 00:52:14,950
I'm gonna clean up.
930
00:52:15,670 --> 00:52:18,330
They have such amazing chemistry.
931
00:52:18,386 --> 00:52:20,490
I was just drawn to
what they were doing.
932
00:52:20,520 --> 00:52:21,960
Is it romantic?
933
00:52:22,014 --> 00:52:23,020
- No.
- No.
934
00:52:23,030 --> 00:52:25,000
- Not yet.
- She likes her so much
935
00:52:25,020 --> 00:52:26,580
and sees that there's something in her
936
00:52:26,600 --> 00:52:31,430
that she's actually like,
"Here's me in all my entirety.
937
00:52:31,482 --> 00:52:33,760
What are you going to do now?
You have a choice to make."
938
00:52:33,818 --> 00:52:39,900
I feel like I get to pick
one thing for myself.
939
00:52:39,960 --> 00:52:41,210
And it's her.
940
00:52:41,260 --> 00:52:43,860
Louis turns Madeleine without doubt
941
00:52:43,900 --> 00:52:46,000
because he loves Claudia.
942
00:52:46,050 --> 00:52:47,650
And that's what he wants to do for her.
943
00:52:47,707 --> 00:52:49,910
LOUIS: You think you're
happy with me now?
944
00:52:49,920 --> 00:52:53,740
Can you imagine me
without the burden of her?
945
00:52:55,423 --> 00:52:57,591
Claudia's very good at reading people.
946
00:52:58,060 --> 00:53:00,670
She knows that she can convince Louis.
947
00:53:00,720 --> 00:53:01,810
You're going to do it?
948
00:53:01,860 --> 00:53:02,960
Yes.
949
00:53:03,013 --> 00:53:05,100
- When?
- Tonight.
950
00:53:05,150 --> 00:53:06,376
The reason that Louis does it is
951
00:53:06,400 --> 00:53:08,080
because they're reaching that stage
952
00:53:08,110 --> 00:53:10,100
where they're growing apart now,
953
00:53:10,140 --> 00:53:13,930
and it's like, oh, okay, so once
we do this, we're done.
954
00:53:14,740 --> 00:53:17,580
JACOB: Turning Madeleine was
a really beautiful moment
955
00:53:17,620 --> 00:53:18,990
for Madeleine and Claudia,
956
00:53:19,040 --> 00:53:20,796
and I was just thinking, like,
I just don't want to get in the way.
957
00:53:20,820 --> 00:53:22,241
I'm gonna go crazy if we don't start.
958
00:53:22,242 --> 00:53:24,140
- Yeah, me, too.
- And I couldn't anyway.
959
00:53:24,190 --> 00:53:26,480
What they're doing is so magnetic.
960
00:53:26,537 --> 00:53:29,190
If you get scared, you
just look at that light.
961
00:53:29,240 --> 00:53:32,060
Working with Kat, who was
our intimacy coordinator,
962
00:53:32,080 --> 00:53:35,090
we worked on, like, levels of distance
963
00:53:35,110 --> 00:53:36,700
between like mouth to neck.
964
00:53:36,750 --> 00:53:38,600
[BOTH GASPING]
965
00:53:38,650 --> 00:53:42,290
When we see Louis take
a bite of Madeleine,
966
00:53:42,340 --> 00:53:45,420
it's like Claudia's hunger
takes over, as well,
967
00:53:45,450 --> 00:53:47,360
and she gets involved.
968
00:53:48,200 --> 00:53:51,220
JACOB: I love that scene.
I love that relationship.
969
00:53:51,270 --> 00:53:52,630
Those two characters deserve more
970
00:53:52,650 --> 00:53:54,520
than any of the characters in the show
971
00:53:54,550 --> 00:53:58,640
to just be able to live,
like, an eternal life,
972
00:53:58,690 --> 00:54:00,140
companionship together.
973
00:54:00,196 --> 00:54:01,770
[GASPS]
974
00:54:02,865 --> 00:54:03,870
♪
975
00:54:03,880 --> 00:54:05,520
MADELEINE: Flowers
growing from the dead.
976
00:54:05,576 --> 00:54:06,900
Cold things becoming warm.
977
00:54:06,950 --> 00:54:09,913
The scene in the cafe where
they, like, meet up...
978
00:54:09,914 --> 00:54:11,440
To finding the X.
979
00:54:11,499 --> 00:54:12,792
... seems like a romantic comedy
980
00:54:12,793 --> 00:54:14,542
or like a family Thanksgiving.
981
00:54:14,543 --> 00:54:16,740
Everyone's getting back
together, and it's awkward,
982
00:54:16,780 --> 00:54:18,669
and you feel the tensions.
983
00:54:18,670 --> 00:54:19,790
You alright there?
984
00:54:19,840 --> 00:54:21,250
The sets were beautiful.
985
00:54:21,300 --> 00:54:25,320
They built a cafe, with a
band and beautiful lights.
986
00:54:25,350 --> 00:54:28,590
For the Mishka Bar,
named after my eldest dog,
987
00:54:28,641 --> 00:54:32,370
we wanted this almost to
feel like a fever dream,
988
00:54:32,380 --> 00:54:34,900
but really playing with light and space
989
00:54:34,950 --> 00:54:37,482
in a way that connects kind of deeply
990
00:54:37,483 --> 00:54:39,370
with what's happening with the scene.
991
00:54:39,420 --> 00:54:40,940
And we got to do a bit of improvising
992
00:54:40,950 --> 00:54:42,180
in that scene, as well.
993
00:54:42,230 --> 00:54:44,980
I got to shout things at Armand.
994
00:54:45,020 --> 00:54:47,840
Will he get through the
door with that big head?
995
00:54:47,860 --> 00:54:50,420
- [LAUGHTER]
- DELAINEY: Filming it was so bittersweet,
996
00:54:50,440 --> 00:54:52,910
because we were having
such a lovely dinner,
997
00:54:52,960 --> 00:54:55,170
and then it all goes...
998
00:54:55,780 --> 00:55:00,510
♪
999
00:55:00,560 --> 00:55:03,580
Gustav was the vampire
that kidnaps Claudia.
1000
00:55:03,630 --> 00:55:06,554
And you can hear Louis
screaming for Claudia.
1001
00:55:07,180 --> 00:55:10,930
Louis' just, like, missile
focused on Claudia.
1002
00:55:10,980 --> 00:55:13,644
He's like, how do I get
her out of this situation?
1003
00:55:14,460 --> 00:55:16,740
I have to give massive props
1004
00:55:16,780 --> 00:55:19,890
to the background actors on our show
1005
00:55:19,942 --> 00:55:24,320
who would just like, be
completely still in place
1006
00:55:24,340 --> 00:55:27,600
and just do it again and again
and again and again and again.
1007
00:55:27,650 --> 00:55:29,368
- [CHEERS AND APPLAUSE]
- _
1008
00:55:30,100 --> 00:55:32,630
I think pissed doesn't really
cover how Louis feels
1009
00:55:32,650 --> 00:55:36,200
- when they're kidnapped.
- The jury may be seated.
1010
00:55:36,250 --> 00:55:39,620
MAN: 10 minutes to your
entrance, Monsieur Lioncourt.
1011
00:55:39,670 --> 00:55:41,410
Lestat returns for the trial.
1012
00:55:41,463 --> 00:55:42,950
Thank you.
1013
00:55:43,007 --> 00:55:46,920
He's back in all his kind of
hectic, complicated glory.
1014
00:55:46,940 --> 00:55:48,630
What is he going to do?
1015
00:55:48,680 --> 00:55:53,320
EMCEE: And the vampire
Lestat de Lioncourt.
1016
00:55:53,370 --> 00:55:56,740
♪
71640
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