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1
00:00:00,934 --> 00:00:04,472
(indistinct conversations)
2
00:00:09,877 --> 00:00:11,044
(siren wails)
3
00:00:11,044 --> 00:00:13,846
(train whistle blows)
4
00:00:13,846 --> 00:00:17,650
(woman speaking indistinctly
over radio)
5
00:00:17,650 --> 00:00:22,056
4972 West 21st Street...
(speaks indistinctly)
6
00:00:23,657 --> 00:00:24,658
(Lisbon) AH.
7
00:00:24,658 --> 00:00:25,693
(groans)
8
00:00:25,693 --> 00:00:28,295
NICE OF YOU TO SHOW UP,
POKEY.
9
00:00:28,295 --> 00:00:30,597
YEAH, SORRY I'M LATE.
HAD TRAFFIC ON THE 50.
10
00:00:30,597 --> 00:00:32,700
LOOKS LIKE THE CORONER'S
FINISHING UP.
11
00:00:32,700 --> 00:00:35,868
TALK TO HIM,
SEE WHAT HE'S GOT.
THE TRAFFIC GOT LIPSTICK
ON YOU.
12
00:00:35,868 --> 00:00:37,438
WHAT? WHERE?
13
00:00:37,438 --> 00:00:39,640
HOPE SHE GAVE YOU BREAKFAST.
FORENSICS ATE ALL THE BAGELS.
14
00:00:39,640 --> 00:00:42,442
LATE AND LATER.
WHAT'S YOUR EXCUSE?
15
00:00:42,442 --> 00:00:44,712
IT'S ALL A JOURNEY, LISBON.
16
00:00:44,712 --> 00:00:46,914
SHE WASHED UP HERE
SOMETIME LAST NIGHT.
17
00:00:46,914 --> 00:00:49,682
A JOGGER FOUND HER THIS MORNING,
CALLED IT IN.
18
00:00:49,682 --> 00:00:51,951
THE ONLY IDENTIFIABLE MARK
IS THAT TATTOO.
19
00:00:51,951 --> 00:00:54,688
CORONER SAYS SHE WAS STRANGLED
BEFORE SHE HIT THE WATER.
20
00:00:54,688 --> 00:00:57,591
SOME TISSUE
UNDER HER FINGERNAILS.
21
00:00:57,591 --> 00:00:59,726
MIGHT'VE SCRATCHED THE KILLER.
NO SIGN OF SEXUAL ASSAULT.
22
00:01:01,795 --> 00:01:02,795
LISBON.
YEAH?
23
00:01:02,795 --> 00:01:05,332
CHECK BETWEEN HER TOES.
WHY?
24
00:01:05,332 --> 00:01:08,801
BECAUSE
I DON'T REALLY WANT TO.
25
00:01:08,801 --> 00:01:10,069
NEEDLE MARKS.
26
00:01:10,069 --> 00:01:12,039
(Rigsby) SHE WAS AN ADDICT?
27
00:01:12,039 --> 00:01:13,740
MANICURE BUT NO PEDICURE.
28
00:01:13,740 --> 00:01:16,609
DIDN'T WANT PEOPLE
TO SEE HER FEET.
29
00:01:16,609 --> 00:01:18,745
THE TRACK MARKS DON'T
SEEM FRESH. MAYBE SHE GOT CLEAN.
30
00:01:18,745 --> 00:01:21,448
AS SOON AS THE M.E.
IDENTIFIES HER,
31
00:01:21,448 --> 00:01:23,584
I WANT YOU TO GO AND SEE
IF SHE HAS ANY DRUG ARRESTS
32
00:01:23,584 --> 00:01:25,753
AND CHECK OUT
THE LOCAL REHAB CENTERS.
33
00:01:25,753 --> 00:01:27,287
(Rigsby) YEAH, YOU GOT IT.
34
00:01:27,287 --> 00:01:29,557
(cell phone rings)
35
00:01:29,557 --> 00:01:30,890
(ring)
36
00:01:30,890 --> 00:01:33,260
YEAH?
(man) Mr. Jane,
37
00:01:33,260 --> 00:01:35,263
this is Agent Vint Molinari,
Missing Persons.
38
00:01:35,263 --> 00:01:36,864
I'm on the Kristina Frye case.
39
00:01:36,864 --> 00:01:38,865
AN OLD CLIENT OF FRYE'S
WAS LISTENING TO
40
00:01:38,865 --> 00:01:41,902
SOME PSYCHIC CALL-IN SHOW
ON THE RADIO THE OTHER DAY,
41
00:01:41,902 --> 00:01:45,004
HEARD SOMEBODY SHE SWEARS
WAS KRISTINA.
42
00:01:45,004 --> 00:01:47,540
We've got a recording
of the show.
43
00:01:47,540 --> 00:01:49,710
CAN YOU TELL ME
IF THIS IS HER VOICE?
(click)
44
00:01:49,710 --> 00:01:53,146
(Kristina) I spoke to the last
caller's late mother Susan.
45
00:01:53,146 --> 00:01:55,182
She told me she's happy
46
00:01:55,182 --> 00:01:58,618
and wants her daughter to know
how proud of her she is.
47
00:01:58,618 --> 00:02:01,087
IT'S HER.
DID YOU TRACE THE CALL?
48
00:02:01,087 --> 00:02:02,590
Comes from a landline,
49
00:02:02,590 --> 00:02:05,959
HOUSE ON DELLMORE ROAD,
NORTH OF FREMONT LANDING.
50
00:02:05,959 --> 00:02:08,528
I'LL LET YOU KNOW
IF WE FIND ANYTHING THERE.
51
00:02:10,264 --> 00:02:13,866
(woman) 4972 West 21st Street,
Number 3.
52
00:02:15,436 --> 00:02:17,538
(woman) I need an escort
for 148 North St. Andrews.
53
00:02:17,538 --> 00:02:19,372
(speaks indistinctly)
54
00:02:24,444 --> 00:02:26,747
(woman) Unit 14, clear.
55
00:02:29,216 --> 00:02:31,585
(knocks on door)
56
00:02:31,585 --> 00:02:32,686
JANE.
57
00:02:32,686 --> 00:02:34,322
HOW YOU DOING?
58
00:03:24,204 --> 00:03:27,307
**
59
00:03:35,215 --> 00:03:36,683
BLOOD ON THE WALL--
60
00:03:36,683 --> 00:03:39,387
D.N.A. ANALYSIS SAYS
IT'S FRYE'S.
61
00:03:39,387 --> 00:03:41,655
AND THE HOUSE WAS CLEAN.
62
00:03:41,655 --> 00:03:44,491
NO PRINTS OR TRACE EVIDENCE
OF ANY KIND.
63
00:03:44,491 --> 00:03:46,627
NO SIGN OF A BODY
OR A GRAVE.
64
00:03:46,627 --> 00:03:48,161
SHE'S ALIVE.
65
00:03:48,161 --> 00:03:50,598
IF HE KILLED HER, HE WOULD'VE
LEFT HER BODY OUT ON DISPLAY.
66
00:03:50,598 --> 00:03:52,733
VINT, IT LOOKS LIKE THIS IS
67
00:03:52,733 --> 00:03:55,402
MORE THAN JUST
A MISSING PERSONS CASE TO ME.
68
00:03:55,402 --> 00:03:57,737
I'M GONNA TALK TO
THE HEAD OF THE DIVISION
69
00:03:57,737 --> 00:04:00,508
AND ASK HIM TO
HAND THE CASE OVER TO US.
WHY?
70
00:04:00,508 --> 00:04:02,509
BECAUSE IT'S RED JOHN,
YOU'RE THE RED JOHN GUYS?
71
00:04:02,509 --> 00:04:04,478
I'VE READ HIS FILE, TOO.
72
00:04:04,478 --> 00:04:06,280
FRYE'S BEEN MISSING
FOR FOUR MONTHS.
73
00:04:06,280 --> 00:04:08,615
RED JOHN NEVER KEPT A VICTIM
ALIVE FOR MORE THAN A FEW DAYS.
74
00:04:08,615 --> 00:04:11,451
HE NEVER LEFT
A-A CLUE ON THE SCENE
75
00:04:11,451 --> 00:04:13,454
EXCEPT
FOR THE--THE PAINTED FACE.
76
00:04:13,454 --> 00:04:16,223
AND THAT CALL FRYE MADE--
THAT'S HARDLY A CRY FOR HELP.
77
00:04:16,223 --> 00:04:19,526
WHAT'S YOUR POINT?
WELL, WHO KNOWS IF RED JOHN
HAD ANYTHING TO DO WITH THIS?
78
00:04:19,526 --> 00:04:22,228
AS FAR AS I KNOW,
FRYE PAINTED THE FACE HERSELF.
79
00:04:22,228 --> 00:04:23,896
WHY WOULD SHE DO THAT?
80
00:04:23,896 --> 00:04:27,634
(scoffs) WELL, THE WOMAN THINKS
SHE TALKS TO THE DEAD.
81
00:04:27,634 --> 00:04:30,237
SHE'S HALF A NUTCASE
WALKING OUT THE DOOR.
82
00:04:30,237 --> 00:04:32,473
LISBON, I-I AGREE
WITH AGENT MOLINARI.
83
00:04:32,473 --> 00:04:34,608
KRISTINA'S CASE SHOULD REMAIN
IN HIS CAPABLE HANDS.
84
00:04:34,608 --> 00:04:37,444
LET'S, UH, NOT GET IN THE WAY.
85
00:04:39,346 --> 00:04:40,980
(sets down mug)
86
00:04:42,350 --> 00:04:44,183
I DON'T UNDERSTAND.
87
00:04:44,183 --> 00:04:46,119
YOU DON'T WANT THE CASE?
88
00:04:46,119 --> 00:04:49,122
SO WHAT ARE YOU DOING?
(elevator bell dings,
doors slide open)
89
00:04:49,122 --> 00:04:53,026
NOTHING.
WHY DON'T WE JUST SKIP THE PART
WHERE YOU LIE TO ME
90
00:04:53,026 --> 00:04:54,827
AND GET RIGHT TO THE PART
91
00:04:54,827 --> 00:04:57,163
WHERE YOU TELL ME
WHAT YOU'RE GONNA DO?
92
00:04:57,163 --> 00:05:00,367
RED JOHN LET KRISTINA MAKE
A CALL THAT COULD BE TRACED.
93
00:05:00,367 --> 00:05:02,502
HE'S PLAYING A GAME.
WITH WHO?
94
00:05:04,437 --> 00:05:05,872
SEE YOU LATER.
95
00:05:09,108 --> 00:05:11,944
YEAH, THAT SOUNDS GREAT.
I CAN MAKE IT THERE BY 7:00.
96
00:05:11,944 --> 00:05:14,814
LISTEN, I HAVE TO GO. I'LL SPEAK
TO YOU LATER, OKAY? BYE.
97
00:05:14,814 --> 00:05:16,783
IF YOU'RE SEEING TRAFFIC
ON THE 50 TONIGHT,
98
00:05:16,783 --> 00:05:18,786
YOU THINK SHE COULD SET
HER ALARM A LITTLE EARLIER?
99
00:05:18,786 --> 00:05:21,187
(sighs) OKAY, LOOK, I GET IT.
THIS IS, UH,
100
00:05:21,187 --> 00:05:23,891
IT'S THE LAST TIME YOU HAVE
TO HEAR ABOUT MY LOVE LIFE.
101
00:05:23,891 --> 00:05:25,893
I DON'T CARE
ABOUT YOUR LOVE LIFE.
102
00:05:25,893 --> 00:05:28,060
JUST DON'T LET IT
AFFECT THE JOB.
103
00:05:28,060 --> 00:05:30,062
MY LOVE LIFE
IS NOT GONNA AFFECT--
(Lisbon) HEY.
104
00:05:30,062 --> 00:05:31,999
HEY, BOSS.
ANYTHING
ON THE GIRL IN THE RIVER?
105
00:05:31,999 --> 00:05:34,067
NAME'S CELIA JOVANOVICH.
106
00:05:34,067 --> 00:05:37,269
SOME CONVICTIONS FOR
NARCOTICS POSSESSION. NO FAMILY.
WHAT ABOUT THE REHAB ANGLE?
107
00:05:37,269 --> 00:05:39,105
NO MENTION OF A PROGRAM
IN HER RECORD.
108
00:05:39,105 --> 00:05:41,108
(computer alert chimes)
WELL, SHE MUST'VE
CLEANED UP SOMEHOW.
109
00:05:41,108 --> 00:05:43,543
NO ARRESTS
IN ALMOST TWO YEARS.
HEY, THAT TATTOO ON OUR VIC?
110
00:05:43,543 --> 00:05:45,545
IT'S WORN BY MEMBERS
OF VISUALIZE.
111
00:05:45,545 --> 00:05:49,115
VISUALIZE? THE CULT?
THEY DO WORK WITH ADDICTS.
SHE COULD'VE CLEANED UP THERE.
112
00:05:49,115 --> 00:05:52,019
SEE? THE WINGS FORM A "V"
FOR "VISUALIZE."
YEAH.
113
00:05:52,019 --> 00:05:54,387
WHAT WAS THE NAME
OF THE GUY WHO RUNS IT?
114
00:05:54,387 --> 00:05:56,889
STILES. BRET STILES.
115
00:06:00,259 --> 00:06:01,293
AGENT LISBON,
116
00:06:01,293 --> 00:06:03,230
I'M BROTHER STEVEN WENCH.
117
00:06:03,230 --> 00:06:04,732
MR. JANE...
MM?
118
00:06:04,732 --> 00:06:07,668
THIS IS WARNER VANDER HOEK,
OUR CHIEF OF SECURITY.
119
00:06:07,668 --> 00:06:10,302
JULIUS COLES, OUR ATTORNEY.
HOW DO YOU DO, AGENT?
120
00:06:10,302 --> 00:06:12,673
QUITE AN IMPRESSIVE FILE
AT CBI, LISBON.
121
00:06:12,673 --> 00:06:16,143
I KNOW IF ANYONE CAN FIND
CELIA'S KILLER, YOU CAN.
122
00:06:16,143 --> 00:06:19,278
I APPRECIATE YOUR CONFIDENCE,
MR. VANDER HOEK.
123
00:06:19,278 --> 00:06:21,481
HOW DID YOU READ MY FILE?
124
00:06:21,481 --> 00:06:23,082
I SPENT 11 YEARS
WORKING SEATTLE HOMICIDE,
125
00:06:23,082 --> 00:06:25,685
SEVEN YEARS
IN THE INTELLIGENCE DIVISION.
126
00:06:25,685 --> 00:06:28,622
OOH. THAT'S A WHOLE LOT OF COP
FOR A SELF-HELP GROUP.
127
00:06:28,622 --> 00:06:31,158
WE HAVE ENEMIES.
128
00:06:31,158 --> 00:06:33,526
AS MR. STILES SAYS,
129
00:06:33,526 --> 00:06:36,629
THE TRUTH ALWAYS DOES.
130
00:06:36,629 --> 00:06:38,766
WHERE IS, UH, BRET?
131
00:06:38,766 --> 00:06:40,701
I'M AFRAID BROTHER STILES
132
00:06:40,701 --> 00:06:42,702
IS BUSY WITH CHURCH BUSINESS
AT THE MOMENT.
133
00:06:42,702 --> 00:06:45,838
AND WHY ARE YOU SO AFRAID?
IT'S A FIGURE OF SPEECH?
134
00:06:45,838 --> 00:06:49,677
YES, IT IS. SHALL WE?
YES, WE SHOULD.
135
00:06:49,677 --> 00:06:52,312
(Patrick) LEAD THE WAY.
136
00:06:52,312 --> 00:06:54,113
MY NAME IS CELIA JOVANOVICH.
137
00:06:54,113 --> 00:06:56,649
THIS PICTURE WAS TAKEN WHEN
I HAD BEEN A HEROIN ADDICT
138
00:06:56,649 --> 00:06:58,218
FOR NINE YEARS.
139
00:06:58,218 --> 00:07:00,620
I HAD NO JOB OR HOME,
140
00:07:00,620 --> 00:07:04,557
NO FUTURE, NO HOPE.
141
00:07:04,557 --> 00:07:07,894
BUT I BEAT ADDICTION
AND CHANGED MY LIFE
142
00:07:07,894 --> 00:07:11,163
WHEN I BEGAN TO VISUALIZE.
(click)
143
00:07:11,163 --> 00:07:12,932
OUR ADDICTION COUNSELORS
144
00:07:12,932 --> 00:07:15,101
FOUND HER LITERALLY
LIVING IN THE STREETS.
145
00:07:15,101 --> 00:07:17,103
SHE ATTEMPTED SUICIDE
THREE TIMES.
146
00:07:17,103 --> 00:07:20,507
THEY...
THEY BROUGHT HER HERE, AND...
147
00:07:20,507 --> 00:07:24,877
THIS IS WHAT SHE BECAME.
WELL, SHE CERTAINLY BECAME
BETTER AT DOING HER MAKEUP.
148
00:07:24,877 --> 00:07:26,947
YOUR LOW PERSONAL OPINION
OF VISUALIZE
149
00:07:26,947 --> 00:07:29,016
IS DULY NOTED...
BUT IRRELEVANT.
150
00:07:29,016 --> 00:07:31,752
LET'S TRY AND CONFINE
OUR DISCUSSION TO THE FACTS.
151
00:07:31,752 --> 00:07:35,723
OF COURSE. UH, MR. COLES, YOU'RE
NOT A MEMBER HERE, ARE YOU?
I AM NOT.
152
00:07:35,723 --> 00:07:38,057
MM. THAT'S INTERESTING
THAT MR. STILES WOULD HIRE
153
00:07:38,057 --> 00:07:40,560
A LAWYER OUTSIDE
OF THE SACRED FOLD. HMM?
154
00:07:40,560 --> 00:07:42,562
OH,
WHAT DID CELIA DO HERE?
155
00:07:42,562 --> 00:07:44,497
SHE WORKED
IN OUR SECURITY SECTION.
156
00:07:44,497 --> 00:07:46,199
IT'S CALLED VIGILANCE.
157
00:07:46,199 --> 00:07:48,869
WE PROVIDE PERSONAL SECURITY
FOR THE CHURCH'S SENIOR LEADERS.
158
00:07:48,869 --> 00:07:51,904
I WAS HER, UH, SUPERVISOR.
WHAT'S HER HOME ADDRESS?
159
00:07:51,904 --> 00:07:55,042
SHE LIVED HERE. WE PROVIDE HOMES
FOR MEMBERS WHO WANT THEM.
160
00:07:55,042 --> 00:07:58,745
CELIA HAD HAD IT TOUGH.
THE--THE CHURCH WAS HER HAVEN.
161
00:07:58,745 --> 00:08:01,615
AND WE'RE GONNA NEED TO SPEAK
TO ALL OF HER FRIENDS,
162
00:08:01,615 --> 00:08:03,983
ACQUAINTANCES, COWORKERS.
THAT'LL BE FINE,
WITH THE PROVISO
163
00:08:03,983 --> 00:08:07,086
THAT I OR ONE OF MY ASSOCIATES
BE PRESENT AT ALL TIMES.
164
00:08:07,086 --> 00:08:09,923
WAS THERE ANYBODY IN PARTICULAR
THAT SHE WAS CLOSE TO?
165
00:08:09,923 --> 00:08:12,358
THERE WAS A FIANCé,
DAVID HERREN.
166
00:08:12,358 --> 00:08:14,961
HE'S A MEMBER OF THE CHURCH,
167
00:08:14,961 --> 00:08:18,031
BUT I DON'T KNOW
WHERE HE IS RIGHT NOW.
HUH.
168
00:08:18,031 --> 00:08:22,069
I'M SURE YOU'LL BE ABLE
TO LOCATE HIM FOR US.
AGENT, I ASSUME
169
00:08:22,069 --> 00:08:24,538
YOU WILL BE LOOKING AT SUSPECTS
OUTSIDE THE CHURCH.
170
00:08:24,538 --> 00:08:27,975
I'D HATE TO THINK THAT THIS WAS
SOME SORT OF WITCH HUNT.
171
00:08:27,975 --> 00:08:29,942
WE'LL GO WHEREVER
THE INVESTIGATION LEADS US.
172
00:08:29,942 --> 00:08:33,446
(man) SO, UM,
THANK YOU VERY MUCH.
OKAY.
173
00:08:33,446 --> 00:08:34,947
UH, EXCUSE ME.
174
00:08:34,947 --> 00:08:38,018
HMM?
UH, TEC--
INTERESTING NAME.
175
00:08:38,018 --> 00:08:40,587
YEAH. YEAH. (chuckles)
YOU LOOK LIKE
AN HONEST YOUNG MAN.
176
00:08:40,587 --> 00:08:43,956
DO YOU KNOW WHERE BROTHER STILES
IS RIGHT NOW?
NO, SIR, I DON'T.
177
00:08:43,956 --> 00:08:47,894
VERY HONEST. TERRIBLE LIAR.
IS--IS HE THIS WAY?
OH. UH...
178
00:08:47,894 --> 00:08:50,230
OR IS HE THIS WAY? OKAY.
179
00:08:50,230 --> 00:08:52,331
SIR, I-I DON'T THINK THAT--
UH, SIR?
180
00:08:52,331 --> 00:08:55,034
YEAH, SPIT IT OUT.
I-I DON'T UNDERSTAND
WHAT YOU'RE DOING.
181
00:08:55,034 --> 00:08:57,269
YOU DON'T WANT TO TELL ME
WHERE STILES IS,
182
00:08:57,269 --> 00:09:00,139
SO WHEN I MOVE YOU IN HIS
LOCATION, YOU REACT NEGATIVELY.
183
00:09:00,139 --> 00:09:03,744
I'M JUST READING
YOUR NEGATIVE REACTION.
WELL, PLEASE STOP.
YOU'RE GONNA GET ME IN TROUBLE.
184
00:09:03,744 --> 00:09:07,080
THIS WAY?
185
00:09:07,080 --> 00:09:10,116
PLEASE DON'T GO IN THERE,
SIR.
186
00:09:10,116 --> 00:09:11,619
THANK YOU.
187
00:09:11,619 --> 00:09:14,153
(door beeps and closes)
188
00:09:14,153 --> 00:09:16,523
OH.
189
00:09:16,523 --> 00:09:18,557
(man) YOU SEE,
190
00:09:18,557 --> 00:09:20,559
IF THE MIND IS FREE,
191
00:09:20,559 --> 00:09:23,697
THERE'S NOTHING
THAT YOU CAN'T ACHIEVE.
192
00:09:23,697 --> 00:09:26,933
BECAUSE THEN THE MIND
HAS NO LIMITS.
193
00:09:26,933 --> 00:09:31,938
I-IT'S A SPACESHIP
WITH THE POWER TO TRAVEL ACROSS
194
00:09:31,938 --> 00:09:34,441
ALL SIX DIMENSIONS,
195
00:09:34,441 --> 00:09:35,942
JOURNEYING OFF TO--
196
00:09:35,942 --> 00:09:38,611
EXCUSE ME, UH, BRET?
I HAVE A QUESTION.
197
00:09:38,611 --> 00:09:39,980
WHAT?
198
00:09:39,980 --> 00:09:41,749
SORRY. DID SOMEBODY SPEAK?
199
00:09:41,749 --> 00:09:43,850
UH, IT--IT WAS ME.
200
00:09:43,850 --> 00:09:45,786
OH. (chuckles)
201
00:09:45,786 --> 00:09:47,453
PATRICK?
YEAH.
202
00:09:47,453 --> 00:09:49,588
HOW NICE TO SEE YOU.
203
00:09:49,588 --> 00:09:51,524
WHY OFFER
ONLY SIX DIMENSIONS?
204
00:09:51,524 --> 00:09:55,962
IS--IS IT TO HOLD OFF A COUPLE
OF DIMENSIONS TO SELL LATER?
205
00:09:55,962 --> 00:09:56,963
(laughs)
206
00:09:56,963 --> 00:09:59,633
I THINK SIX IS QUITE ENOUGH.
207
00:09:59,633 --> 00:10:02,870
WHEN DID YOU LAST SEE
CELIA JOVANOVICH?
208
00:10:02,870 --> 00:10:04,270
OH, UH, CELIA.
209
00:10:04,270 --> 00:10:07,674
YES, UM, LET ME THINK. UM...
210
00:10:07,674 --> 00:10:10,409
I BELIEVE SHE WORKED
A SECURITY DETAIL FOR ME
211
00:10:10,409 --> 00:10:12,779
EARLIER IN THE WEEK--
212
00:10:12,779 --> 00:10:16,082
A SEMINAR FOR PREMEMBERS
AT THE HYATT.
213
00:10:16,082 --> 00:10:17,817
PREMEMBERS?
214
00:10:17,817 --> 00:10:21,453
THOSE THAT HAVE NOT YET SEEN
THE TRUTH.
215
00:10:21,453 --> 00:10:24,191
YOU WOULD BE A PREMEMBER.
216
00:10:24,191 --> 00:10:25,625
POOR CELIA.
217
00:10:25,625 --> 00:10:26,960
IT'S TRAGIC.
218
00:10:26,960 --> 00:10:29,929
UH, SHE FOUGHT SO HARD
FOR HER SOBRIETY.
219
00:10:29,929 --> 00:10:32,465
WHEN DID YOU LEARN
OF HER DEATH?
220
00:10:32,465 --> 00:10:33,801
WELL, I DON'T KNOW.
221
00:10:33,801 --> 00:10:35,769
I SUPPOSE
WHEN THEY IDENTIFIED THE BODY.
222
00:10:35,769 --> 00:10:38,772
YOU KNOW, MANY POLICEMEN
ARE VISUALIZE MEMBERS.
223
00:10:38,772 --> 00:10:40,874
WHAT DO YOU THINK
HAPPENED TO HER?
224
00:10:40,874 --> 00:10:43,342
NO IDEA.
YOU HAVE A THEORY?
225
00:10:43,342 --> 00:10:45,345
OH, NO.
226
00:10:45,345 --> 00:10:47,346
I NEVER THEORIZE.
227
00:10:47,346 --> 00:10:51,751
WE GURUS MUST ALWAYS
SPEAK THE TRUTH
228
00:10:51,751 --> 00:10:53,986
OR... NOTHING.
229
00:10:53,986 --> 00:10:56,188
YOU WERE SURPRISED
I WAS HERE ABOUT CELIA.
230
00:10:56,188 --> 00:10:58,725
WHY DID YOU THINK
I WAS HERE?
231
00:10:58,725 --> 00:11:00,994
KRISTINA FRYE, OF COURSE.
232
00:11:07,234 --> 00:11:08,836
KRISTINA FRYE?
233
00:11:08,836 --> 00:11:11,804
RED JOHN HAS HER, RIGHT?
234
00:11:13,306 --> 00:11:16,143
IT'S A TERRIBLE THING.
235
00:11:16,143 --> 00:11:19,846
FIRST YOUR WIFE AND CHILD,
236
00:11:19,846 --> 00:11:22,014
NOW MISS FRYE.
237
00:11:23,682 --> 00:11:26,186
SOUNDS LIKE HE'S JEALOUS,
PATRICK.
238
00:11:26,186 --> 00:11:27,620
IT SOUNDS LIKE
239
00:11:27,620 --> 00:11:29,688
HE WANTS TO TAKE AWAY
EVERYTHING
240
00:11:29,688 --> 00:11:32,692
AND EVERYONE
THAT YOU CARE ABOUT.
241
00:11:32,692 --> 00:11:35,796
IT'S A FORM OF LOVE,
YOU KNOW.
242
00:11:37,463 --> 00:11:41,934
WHAT DO YOU KNOW ABOUT
KRISTINA FRYE AND RED JOHN?
243
00:11:44,403 --> 00:11:47,740
PATRICK, I LIKE YOU.
244
00:11:47,740 --> 00:11:50,277
I LIKE YOUR VIM.
245
00:11:50,277 --> 00:11:52,044
AND RED JOHN--
246
00:11:52,044 --> 00:11:56,817
HE SEEMS TO BE A PERFECTLY
UNPLEASANT SORT OF FELLOW.
247
00:11:56,817 --> 00:12:02,022
IF I KNEW HOW TO GET YOU EVEN
HALF A STEP CLOSER TO HIM,
248
00:12:02,022 --> 00:12:05,893
I WOULD CROSS DESERT WASTES
TO TELL YOU.
249
00:12:05,893 --> 00:12:08,595
BUT I DON'T KNOW.
250
00:12:08,595 --> 00:12:10,998
(knock on door)
AVANTI.
251
00:12:10,998 --> 00:12:13,767
AH, STARSKY AND HUTCH.
252
00:12:13,767 --> 00:12:15,302
THANK GOODNESS.
253
00:12:15,302 --> 00:12:19,239
MR. JANE MIGHT HAVE CUT ME
INTO SMALL CUBES BY NOW.
254
00:12:24,812 --> 00:12:27,580
GOD IS IN YOUR MIND,
RIGHT HERE.
255
00:12:27,580 --> 00:12:31,183
ALL YOU HAVE TO DO TO SEE HIM
IS CLEAR OUT THE BAD ENERGY.
256
00:12:31,183 --> 00:12:32,719
I'LL REPEAT THE QUESTION.
257
00:12:32,719 --> 00:12:35,956
HAVE YOU SEEN CELIA JOVANOVICH
IN THE PAST 48 HOURS?
258
00:12:35,956 --> 00:12:37,990
I'VE BEEN VISITING MY MOTHER
IN CHINO.
259
00:12:37,990 --> 00:12:39,993
I GOT BACK THIS MORNING.
260
00:12:39,993 --> 00:12:42,394
THAT'S ALL I NEED. THANKS.
AREN'T YOU INTERESTED
261
00:12:42,394 --> 00:12:46,165
IN THE PATH TO SPIRITUAL CLARITY
AND PERSONAL FREEDOM?
NO.
262
00:12:48,335 --> 00:12:49,701
HOW'S IT GOIN'?
263
00:12:49,701 --> 00:12:52,438
(sighs) WELL, CELIA WAS NICE,
AND A GOOD TEAM MEMBER,
264
00:12:52,438 --> 00:12:57,043
AND JOINING VISUALIZE IS A GOOD
IDEA. THAT'S IT, PRETTY MUCH.
KEEP TRYING. YOU SEEN JANE?
265
00:12:57,043 --> 00:12:58,577
YEAH, HE'S UPSTAIRS.
266
00:12:58,577 --> 00:13:00,746
VANDER HOEK TOOK HIM UPSTAIRS
TO SEE CELIA'S ROOM.
267
00:13:00,746 --> 00:13:03,482
IS HE OKAY?
I GUESS. WHY?
268
00:13:03,482 --> 00:13:06,686
NOTHING. STILES JUST SEEMS
TO GET TO HIM A LITTLE BIT.
THAT'S A NEAT TRICK.
269
00:13:06,686 --> 00:13:09,456
YEAH, I WISH
HE'D TEACH IT TO ME.
I GOT THE FIANCé'S DETAILS.
270
00:13:09,456 --> 00:13:11,825
DAVID HERREN WORKS
AT A RESTAURANT DOWNTOWN.
271
00:13:11,825 --> 00:13:13,927
GO TALK TO HIM.
OKAY.
272
00:13:13,927 --> 00:13:16,028
YOU--COME ON. LET'S TALK.
273
00:13:16,028 --> 00:13:18,498
BEFORE WE DO,
CAN I JUST ASK,
274
00:13:18,498 --> 00:13:20,100
ARE YOU HAPPY IN YOUR LIVES?
275
00:13:23,436 --> 00:13:25,437
SIT DOWN.
276
00:13:27,875 --> 00:13:30,210
THIS WAS CELIA'S ROOM.
277
00:13:31,744 --> 00:13:33,446
THANK YOU.
278
00:14:07,514 --> 00:14:08,981
DAVID HERREN?
279
00:14:08,981 --> 00:14:11,283
YEAH.
WAYNE RIGSBY, CBI.
280
00:14:11,283 --> 00:14:15,388
I NEED TO, UH, TALK TO YOU
ABOUT CELIA JOVANOVICH.
YEAH, YEAH.
LISTEN, THE THING IS I--
281
00:14:15,388 --> 00:14:16,623
ONE MOMENT, DAVID.
282
00:14:16,623 --> 00:14:19,125
HI. I'M JULIUS COLES,
DAVID'S ATTORNEY.
283
00:14:19,125 --> 00:14:22,129
WOW. YOU GUYS ARE ORGANIZED.
"US GUYS"? FEELS PREJUDICIAL.
284
00:14:22,129 --> 00:14:24,596
YOU HAVE A PROBLEM WITH
CONSTITUTIONAL RIGHTS?
NO, SIR.
285
00:14:24,596 --> 00:14:27,267
I WAS A MESS
WHEN I HEARD THE NEWS.
286
00:14:27,267 --> 00:14:29,970
BUT I REMEMBER
WHAT MR. STILES SAYS--
287
00:14:29,970 --> 00:14:33,206
CLARIFY THE MIND WITH
DISCIPLINE, ORDER, WORK.
ARE YOU THE HEAD CHEF?
288
00:14:33,206 --> 00:14:36,009
PREP CHEF NOW.
MAYBE MORE THAN THAT SOMEDAY.
289
00:14:36,009 --> 00:14:38,644
HOW LONG HAD YOU BEEN
ENGAGED TO CELIA?
290
00:14:38,644 --> 00:14:41,880
A COUPLE OF WEEKS.
AND HOW LONG
HAD YOU KNOWN HER BEFORE?
291
00:14:41,880 --> 00:14:43,951
I DIDN'T... KNOW HER.
292
00:14:43,951 --> 00:14:45,952
I MEAN--
I DON'T UNDERSTAND.
293
00:14:45,952 --> 00:14:48,288
I HAD
NEVER SEEN HER BEFORE.
294
00:14:48,288 --> 00:14:49,788
HIGH LEVEL VISUALIZE MEMBERS
295
00:14:49,788 --> 00:14:52,424
OFTEN OPT FOR WHAT ARE CALLED
DESIGNED MARRIAGES.
296
00:14:52,424 --> 00:14:55,495
THE PARTNERS ARE MATCHED
FOR, UH...
ENERGY CONSILIENCE.
297
00:14:55,495 --> 00:14:58,398
SO IT WAS
AN ARRANGED MARRIAGE?
A RATIONAL MARRIAGE.
298
00:14:58,398 --> 00:15:01,400
I KNEW THE MINUTE I SAW CELIA
WE BELONGED TOGETHER.
299
00:15:01,400 --> 00:15:04,504
WAS THERE SOMEONE ELSE? SOMEONE
ANGRY ABOUT BEING REPLACED?
300
00:15:04,504 --> 00:15:07,307
AN EX-BOYFRIEND PERHAPS?
ABSOLUTELY NOT.
301
00:15:07,307 --> 00:15:10,409
HOW CAN YOU BE SO CERTAIN?
YOU ONLY JUST MET HER.
302
00:15:10,409 --> 00:15:13,679
KNOWLEDGE COMES TO THOSE
WHO ARE OPEN TO IT, AGENT.
303
00:15:13,679 --> 00:15:16,515
I KNEW CELIA.
THERE WAS NO ONE ELSE.
304
00:15:16,515 --> 00:15:19,251
ARE YOU SURE?
BECAUSE CELIA WAS STRANGLED.
305
00:15:19,251 --> 00:15:22,288
THAT'S A KILLER WHO'S UPSET,
REALLY WANTS TO HURT THE VICTIM.
306
00:15:22,288 --> 00:15:25,292
THERE WASN'T ANYBODY WHO MIGHT
HAVE BEEN MAD AT YOU AND CELIA,
307
00:15:25,292 --> 00:15:27,626
MIGHT HAVE MADE YOU MAD?
THERE'S NO NEED
TO ANSWER THAT.
308
00:15:27,626 --> 00:15:30,797
I'M JUST TRYING TO GET
THE PICTURE HERE.
NO, YOU'RE POKING AT HIM
WITH WILD CONJECTURE
309
00:15:30,797 --> 00:15:33,600
TO SEE HOW HE REACTS,
AND I WON'T HAVE IT.
310
00:15:33,600 --> 00:15:35,668
THIS IS OVER.
311
00:15:37,037 --> 00:15:40,440
(exhales deeply)
312
00:15:49,849 --> 00:15:51,451
(closes book)
313
00:16:01,727 --> 00:16:03,230
(rips plastic)
314
00:16:21,213 --> 00:16:24,051
SO I CHECKED INTO HERREN.
COOKING'S JUST A HOBBY.
315
00:16:24,051 --> 00:16:26,552
HIS FAMILY'S LOADED--
OLD LUMBER MONEY.
316
00:16:26,552 --> 00:16:29,422
WHEN HE TURNS 27,
HE INHERITS $10 MILLION.
317
00:16:29,422 --> 00:16:31,557
THAT'S PROBABLY WHY
STILES ARRANGED THE MARRIAGE.
318
00:16:31,557 --> 00:16:34,360
WITH CELIA MARRIED TO HERREN,
THE CHURCH IS MORE LIKELY
319
00:16:34,360 --> 00:16:37,629
TO TAP INTO THE MONEY.
YEAH, BUT IT'S NOT MOTIVE
FOR HERREN TO KILL CELIA.
320
00:16:37,629 --> 00:16:40,832
OH, WAS THERE ANYTHING ELSE FROM
THE INTERVIEWS AT VISUALIZE?
321
00:16:40,832 --> 00:16:42,335
NOTHING USEFUL.
322
00:16:42,335 --> 00:16:44,671
THEY ALL SEEM SO HAPPY.
I MEAN, TRULY HAPPY.
323
00:16:44,671 --> 00:16:46,572
YEAH. IT'S CREEPY.
324
00:16:46,572 --> 00:16:50,842
JANE. KINDA LOST TRACK OF YOU
AT VISUALIZE.
325
00:16:50,842 --> 00:16:53,480
TOOK A NAP.
326
00:16:55,347 --> 00:16:57,549
IS SOMETHING ON YOUR MIND?
327
00:16:57,549 --> 00:17:00,620
NO, NO.
UM, I'M GONNA BE UPSTAIRS.
328
00:17:00,620 --> 00:17:02,922
UH...
329
00:17:02,922 --> 00:17:05,458
CELIA HAD SOME PROBLEMS
WITH VISUALIZE PHILOSOPHY--
330
00:17:05,458 --> 00:17:07,960
QUESTIONS,
ISSUES WITH THE DOGMA.
331
00:17:07,960 --> 00:17:11,198
SHE, UH, MIGHT HAVE WANTED
TO TALK TO SOMEONE ABOUT IT.
332
00:17:11,198 --> 00:17:14,300
SOMEONE OUTSIDE OF THE CHURCH.
333
00:17:16,603 --> 00:17:20,772
SOMEONE MENTIONED A FRIEND OF
HERS WHO WAS A MEMBER BUT LEFT.
334
00:17:20,772 --> 00:17:23,710
UM... LUCY JOEL.
335
00:17:27,346 --> 00:17:30,282
ARE YOU SURE NOBODY WAS
FOLLOWING YOU, SAW YOU COME IN?
336
00:17:30,282 --> 00:17:31,584
LUCY, NOBODY FOLLOWED US.
337
00:17:31,584 --> 00:17:34,421
(Lucy sighs)
I'M NOT CRAZY, OKAY?
338
00:17:34,421 --> 00:17:36,888
I HAVE BEEN FOLLOWED
AND THREATENED.
339
00:17:36,888 --> 00:17:40,326
VISUALIZE DOESN'T LIKE
WHEN PEOPLE LEAVE THE HIVE.
340
00:17:40,326 --> 00:17:43,563
WHEN YOU'RE A MEMBER,
EVERY WEEK YOU SIT DOWN
341
00:17:43,563 --> 00:17:48,134
IN FRONT OF A CAMERA AND LAY OUT
EVERY BAD THING YOU'VE DONE.
342
00:17:48,134 --> 00:17:50,670
I MEAN, EVERYTHING.
343
00:17:50,670 --> 00:17:51,971
IT'S CALLED VENTILATION.
344
00:17:51,971 --> 00:17:55,407
YOUR VENT VIDS.
IT'S SUPPOSED TO AIR YOU OUT.
345
00:17:55,407 --> 00:17:58,577
IT MAKES YOU FEEL GREAT,
CLEAN.
346
00:17:58,577 --> 00:18:00,579
(scoffs)
THEN WHEN YOU'RE LEAVING,
347
00:18:00,579 --> 00:18:04,016
THEY SAY, "WHOA. WE KNOW
ALL THIS NASTY STUFF.
348
00:18:04,016 --> 00:18:07,220
YOU'RE NOT GONNA SAY ANYTHING
BAD ABOUT VISUALIZE, ARE YOU?"
349
00:18:07,220 --> 00:18:09,221
WE'RE NOT HERE TO GET DIRT
ON VISUALIZE.
350
00:18:09,221 --> 00:18:11,691
WE WANNA TALK ABOUT CELIA.
351
00:18:11,691 --> 00:18:13,192
YEAH.
352
00:18:13,192 --> 00:18:14,826
SHE WAS SWEET,
353
00:18:14,826 --> 00:18:17,297
ALMOST TOO NICE, YOU KNOW?
354
00:18:17,297 --> 00:18:19,731
SHE NEEDED PEOPLE
A LITTLE TOO MUCH.
355
00:18:21,099 --> 00:18:23,170
SHE KNEW VISUALIZE WAS CRAZY,
356
00:18:23,170 --> 00:18:26,472
BUT THEY'D GOTTEN HER CLEAN.
357
00:18:26,472 --> 00:18:30,143
UGH. AND SHE WAS SCARED
TO LEAVE, YOU KNOW?
358
00:18:30,143 --> 00:18:32,578
THOUGHT SHE'D START USING
AGAIN.
359
00:18:32,578 --> 00:18:34,814
WAS SHE IN TOUCH WITH YOU?
360
00:18:34,814 --> 00:18:37,416
SHE'D CALL, JUST TO TALK,
361
00:18:37,416 --> 00:18:40,220
BITCH ABOUT THE CHURCH,
YOU KNOW, STUFF.
362
00:18:40,220 --> 00:18:42,689
WAS THERE ANYTHING SPECIFIC
ON HER MIND?
363
00:18:42,689 --> 00:18:46,393
I-I CAN'T. I'M SORRY.
I DON'T WANT ANY TROUBLE.
LUCY, LISTEN.
WE CAN OFFER YOU--
364
00:18:46,393 --> 00:18:48,994
NO. L--IT WAS REALLY HARD
TO LEAVE THAT PLACE.
365
00:18:48,994 --> 00:18:53,065
NOW I'M GOOD WITH THE CHURCH,
AND THE CHURCH IS GOOD WITH ME.
366
00:18:53,065 --> 00:18:55,535
EVERYTHING'S GOOD.
367
00:18:55,535 --> 00:18:57,537
LISTEN,
I KNOW YOU'RE SCARED,
368
00:18:57,537 --> 00:19:00,406
BUT RIGHT NOW
YOU'RE CELIA'S GUARDIAN,
369
00:19:00,406 --> 00:19:02,974
THE ONLY ONE
THAT CAN HELP HER.
370
00:19:02,974 --> 00:19:05,178
IT'S UP TO YOU.
371
00:19:05,178 --> 00:19:07,180
(sighs)
372
00:19:08,780 --> 00:19:11,983
SHE WAS HAVING AN AFFAIR WITH
SOMEBODY VERY BIG IN THE CHURCH.
373
00:19:11,983 --> 00:19:13,952
SHE WOULDN'T TELL ME HIS NAME.
374
00:19:13,952 --> 00:19:16,923
THEN SHE WAS
SUPPOSED TO MARRY HERREN.
375
00:19:16,923 --> 00:19:18,990
AND HE WAS SWEET,
376
00:19:18,990 --> 00:19:21,193
KEPT SAYING HE LOVED HER.
377
00:19:21,193 --> 00:19:24,631
SHE FELT BAD LYING TO HIM.
378
00:19:24,631 --> 00:19:26,598
LAST TIME I TALKED TO HER,
379
00:19:26,598 --> 00:19:28,800
SHE SAID
SHE HAD TO DO SOMETHING,
380
00:19:28,800 --> 00:19:30,737
BUT SHE DIDN'T SAY WHAT.
381
00:19:32,104 --> 00:19:35,974
AND IF ANYBODY FINDS OUT
I TOLD YOU THAT,
382
00:19:35,974 --> 00:19:38,911
I AM SO DEAD.
383
00:19:42,315 --> 00:19:44,550
YOU WERE GREAT IN THERE.
384
00:19:44,550 --> 00:19:46,152
"YOU'RE CELIA'S GUARDIAN."
385
00:19:46,152 --> 00:19:49,154
IT WAS NICE.
386
00:19:49,154 --> 00:19:51,691
I LIED THIS MORNING.
387
00:19:53,226 --> 00:19:55,295
I DO CARE THAT
YOU'RE SEEING SOMEONE ELSE.
388
00:19:55,295 --> 00:19:57,663
IT HURTS A LITTLE.
389
00:19:57,663 --> 00:20:00,567
I MEAN, IT'S NO BIGGIE.
I'LL GET OVER IT.
390
00:20:00,567 --> 00:20:03,836
I WANT US TO BE FRIENDS.
391
00:20:03,836 --> 00:20:04,836
(sighs)
392
00:20:04,836 --> 00:20:08,007
WE CAN GET TO THAT POINT,
RIGHT?
393
00:20:08,007 --> 00:20:10,876
CAN WE BE JUST FRIENDS?
394
00:20:10,876 --> 00:20:12,979
YEAH. SURE, WE CAN.
395
00:20:12,979 --> 00:20:15,347
GOOD. I'D LIKE THAT.
396
00:20:18,984 --> 00:20:20,819
BEHIND US.
397
00:20:20,819 --> 00:20:22,020
HUH?
398
00:20:22,020 --> 00:20:23,390
SOMEONE'S TAILING US.
399
00:20:23,390 --> 00:20:26,726
VISUALIZE?
400
00:20:26,726 --> 00:20:29,796
OH, YEAH.
I GUESS LUCY ISN'T CRAZY.
401
00:20:29,796 --> 00:20:31,498
GETTING THE PLATES.
402
00:20:31,498 --> 00:20:33,532
SHOULD I PULL 'EM OVER?
403
00:20:33,532 --> 00:20:37,036
CAN YOU GET BEHIND 'EM?
404
00:20:37,036 --> 00:20:39,971
THROW A LOOP? EASY. WATCH.
405
00:20:39,971 --> 00:20:42,308
(engine revs)
GRACE!
406
00:20:42,308 --> 00:20:45,278
(tires screech)
407
00:20:48,280 --> 00:20:51,317
GRACE!
(tires screech)
408
00:20:51,317 --> 00:20:53,353
OHH. OHH.
409
00:20:53,353 --> 00:20:55,954
YOU OKAY? YOU OKAY?
YEAH, YEAH. YOU?
410
00:20:55,954 --> 00:20:58,458
YEAH.
I JUST--
I JUST NEED A MINUTE.
411
00:20:58,458 --> 00:21:01,294
CAN YOU GO CHECK
ON THE OTHER GUYS?
MM.
412
00:21:03,430 --> 00:21:08,034
(groaning and panting)
413
00:21:08,034 --> 00:21:12,404
HEY. CBI. YOU WANNA TELL ME
WHAT THE HELL YOU'RE DOING?
414
00:21:12,404 --> 00:21:15,407
FBI. I COULD ASK YOU
THE SAME THING.
415
00:21:19,479 --> 00:21:20,946
AGENT O'LAUGHLIN, IS IT?
416
00:21:20,946 --> 00:21:23,214
CRAIG O'LAUGHLIN.
THAT'S RIGHT, MA'AM.
417
00:21:23,214 --> 00:21:27,153
YOU WANNA TELL ME WHY THE FBI
WAS TAILING TWO OF MY AGENTS?
418
00:21:27,153 --> 00:21:30,155
SURE. WE'VE BEEN LOOKING
AT BRET STILES AND VISUALIZE
419
00:21:30,155 --> 00:21:32,525
FOR A COUPLE YEARS NOW.
AND WE'VE HAD ALLEGATIONS
420
00:21:32,525 --> 00:21:35,193
OF TAX FRAUD, RACKETEERING,
AND A LOT WORSE,
421
00:21:35,193 --> 00:21:38,130
BUT WE HAVEN'T GOTTEN OUR HANDS
ON ANYBODY THAT COULD TELL US
422
00:21:38,130 --> 00:21:40,967
ABOUT THE ORGANIZATION.
TIGHT AS A DRUM.
YEAH, BUT WHY FOLLOW US?
423
00:21:40,967 --> 00:21:43,903
MY BOSS THINKS STILES MAY HAVE
PEOPLE INSIDE LAW ENFORCEMENT,
424
00:21:43,903 --> 00:21:46,538
WHICH WOULD EXPLAIN
WHY WE'RE NOT GETTING ANYWHERE
425
00:21:46,538 --> 00:21:50,209
WITH THE INVESTIGATION.
Y-YOU THINK THAT WE'RE WORKING
WITH VISUALIZE?
426
00:21:50,209 --> 00:21:53,380
SHE WANTED US TO LOOK INTO
THE POSSIBILITY. THAT'S ALL.
427
00:21:53,380 --> 00:21:56,214
AND I'VE SEEN
NO EVIDENCE OF IT.
428
00:21:56,214 --> 00:21:58,150
WHAT YOU DID WAS RECKLESS.
429
00:21:58,150 --> 00:22:00,752
I SHOULD BRING YOU UP
FOR DEPARTMENTAL DISCIPLINE.
430
00:22:00,752 --> 00:22:03,423
BUT HE SHOULDN'T HAVE BEEN
FOLLOWING YOU,
431
00:22:03,423 --> 00:22:05,791
SO I'M GONNA LET IT PASS.
432
00:22:05,791 --> 00:22:09,295
AND YOU TELL YOUR BOSS
IF SHE WANTS TO CATCH BAD GUYS,
433
00:22:09,295 --> 00:22:11,431
SHE SHOULD FOLLOW BAD GUYS.
434
00:22:11,431 --> 00:22:15,734
IT WAS A PLEASURE
WORKING WITH THE FBI.
435
00:22:15,734 --> 00:22:17,169
(scoffs)
436
00:22:17,169 --> 00:22:21,207
HEY, LISTEN. I'M SORRY
ABOUT THAT. DOES IT HURT?
437
00:22:21,207 --> 00:22:23,776
NO. NO, IT'S NOT THAT BAD.
438
00:22:23,776 --> 00:22:25,778
THANKS.
439
00:22:25,778 --> 00:22:27,814
YOU KNOW,
440
00:22:27,814 --> 00:22:29,248
VAN PELT...
441
00:22:29,248 --> 00:22:32,451
MM-HMM.
YOU--YOU RELATED
TO AMOS VAN PELT, BY ANY CHANCE,
442
00:22:32,451 --> 00:22:35,153
THE FOOT-FOOTBALL COACH
AT BURTON?
443
00:22:35,153 --> 00:22:36,989
HE'S MY FATHER.
444
00:22:36,989 --> 00:22:39,659
WHOA. UH, HE WAS
ONE HELL OF A COACH.
445
00:22:39,659 --> 00:22:41,627
I WAS A WIDE RECEIVER
AT U. OF M.
446
00:22:41,627 --> 00:22:45,297
YOUR, UH, YOUR DAD GAVE US
ONE TOUGH GAME.
447
00:22:45,297 --> 00:22:46,633
O'LAUGHLIN...
448
00:22:46,633 --> 00:22:49,402
DIDN'T YOU GO NFL? TENNESSEE.
449
00:22:49,402 --> 00:22:51,738
I DID, YEAH.
YEAH, JUST A COUPLE OF YEARS.
450
00:22:51,738 --> 00:22:53,038
THANKS FOR REMEMBERING.
451
00:22:53,038 --> 00:22:56,375
ANYWAY, I SHOULD GET BACK
TO THE OFFICE,
452
00:22:56,375 --> 00:22:58,944
GET BEAT UP BY MY OWN BOSS.
453
00:22:58,944 --> 00:23:02,013
YOU SEE YOUR DAD,
TELL HIM HE'S REMEMBERED.
454
00:23:02,013 --> 00:23:04,150
I WILL. THANKS.
455
00:23:04,150 --> 00:23:05,718
YEAH.
456
00:23:09,055 --> 00:23:11,057
HEY. EXCUSE ME.
457
00:23:12,157 --> 00:23:14,727
YOU'RE THE FBI GUY, RIGHT?
458
00:23:14,727 --> 00:23:18,998
I'M A SPECIAL AGENT IN CHARGE,
IF THAT'S WHAT YOU MEAN.
NO, THAT'S EXACTLY
WHAT I MEAN.
459
00:23:18,998 --> 00:23:21,768
SO YOU GUYS ARE
INVESTIGATING VISUALIZE
460
00:23:21,768 --> 00:23:25,136
AND THIS CHARACTER
BRET STILES, RIGHT?
I GUESS THAT'S
COMMON KNOWLEDGE BY NOW.
461
00:23:25,136 --> 00:23:26,638
YEAH.
462
00:23:26,638 --> 00:23:29,675
DO YOU HAVE A GUY DEEP INSIDE
THE CHURCH,
463
00:23:29,675 --> 00:23:33,613
YOU KNOW, UN-UNDERCOVER AGENT?
YOU CAN'T SERIOUSLY
BE ASKING ME THAT.
464
00:23:33,613 --> 00:23:36,281
SO THAT'S A "YES."
ANY CHANCE OF A NAME?
465
00:23:36,281 --> 00:23:39,351
NO. NO CHANCE.
466
00:23:39,351 --> 00:23:42,153
WE HAVE TO GET BACK
TO VISUALIZE.
467
00:23:42,153 --> 00:23:43,722
WHY IS THAT?
468
00:23:43,722 --> 00:23:46,224
CELIA JOVANOVICH WAS ALMOST
CERTAINLY KILLED BY HER LOVER,
469
00:23:46,224 --> 00:23:49,060
SO SHE ALMOST CERTAINLY
MENTIONED HIS NAME
470
00:23:49,060 --> 00:23:50,362
IN HER VENT VIDEO.
471
00:23:50,362 --> 00:23:52,499
ERGO, WE NEED
TO SEE HER VIDEOS.
472
00:23:52,499 --> 00:23:54,866
I'LL GET MY COAT.
473
00:23:56,469 --> 00:23:59,872
WHAT DO YOU HAVE IN THERE?
474
00:23:59,872 --> 00:24:02,575
OH, LOOK AT THAT.
THANK YOU.
475
00:24:04,009 --> 00:24:07,012
"TO MAKE OURSELVES
FULLY CONSCIOUS,
476
00:24:07,012 --> 00:24:10,849
"THE CHALLENGE IS
TO EXPAND THE POWER OF MIND
477
00:24:10,849 --> 00:24:13,853
"BY DISPELLING DOUBT AND GUILT
478
00:24:13,853 --> 00:24:17,056
SO THAT WE MAY FIND IN OUR--"
(loud pop)
479
00:24:17,056 --> 00:24:19,892
SORRY. DIDN'T MEAN
TO STARTLE ANYONE.
480
00:24:19,892 --> 00:24:24,096
WELL, ACTUALLY, I DID.
YOU GOT A MINUTE?
481
00:24:24,096 --> 00:24:25,998
WHAT IS IT, MR. JANE?
482
00:24:28,433 --> 00:24:31,303
(lowered voice) YOU'RE THE FBI's
UNDERCOVER AGENT, RIGHT?
483
00:24:31,303 --> 00:24:32,771
WHAT?
484
00:24:32,771 --> 00:24:35,106
I NEED A FAVOR.
JUST A SMALL ONE.
485
00:24:35,106 --> 00:24:37,076
GET RID OF 'EM.
486
00:24:37,076 --> 00:24:40,980
GUYS, TAKE A BREAK.
487
00:24:45,518 --> 00:24:49,087
(lowered voice) I HAVE NO IDEA
WHAT YOU'RE TALKING ABOUT.
488
00:24:49,087 --> 00:24:51,657
WELL, WHEN I JUST
POPPED THE BAG RIGHT NOW,
489
00:24:51,657 --> 00:24:53,660
YOUR HAND WENT FOR YOUR HIP.
490
00:24:53,660 --> 00:24:55,627
YOU WERE REACHING
FOR YOUR GUN.
491
00:24:55,627 --> 00:24:58,730
IT'S A COP INSTINCT.
NEVER GOES AWAY.
492
00:24:58,730 --> 00:25:01,467
(indistinct conversations)
493
00:25:01,467 --> 00:25:03,869
DO YOU HAVE ANY IDEA
WHAT YOU'RE DOING?
494
00:25:03,869 --> 00:25:05,672
THIS IS
AN ONGOING INVESTIGATION,
495
00:25:05,672 --> 00:25:08,807
AND I SPENT THREE YEARS WORKING
MY WAY INTO THIS ORGANIZATION.
496
00:25:08,807 --> 00:25:11,577
HEY, DON'T FREAK OUT, SERPICO.
I NEED ONE LITTLE THING.
497
00:25:11,577 --> 00:25:13,311
FORGET IT.
498
00:25:13,311 --> 00:25:15,280
YOUR INVESTIGATION IS DEAD.
499
00:25:15,280 --> 00:25:18,284
IF I PICKED YOU OUT, THEN STILES
HAS DEFINITELY PICKED YOU OUT.
500
00:25:18,284 --> 00:25:21,287
THE ONLY REASON HE HASN'T
GOTTEN RID OF YOU IS BECAUSE
501
00:25:21,287 --> 00:25:23,789
HE'S USING YOU. HE'S FEEDING YOU
FALSE INFORMATION.
502
00:25:23,789 --> 00:25:26,291
DO YOU HAVE
ANY USABLE EVIDENCE?
503
00:25:26,291 --> 00:25:28,760
NO. DIDN'T THINK SO.
504
00:25:28,760 --> 00:25:31,396
AND YOU NEVER WILL.
YOU CAN HELP ME, THOUGH.
505
00:25:31,396 --> 00:25:34,532
TOGETHER, WE CAN CATCH
CELIA JOVANOVICH'S KILLER.
506
00:25:34,532 --> 00:25:36,769
WHAT'S THIS ABOUT?
507
00:25:36,769 --> 00:25:39,337
I NEED TO SEE
ONE OF HER VENT VIDEOS,
508
00:25:39,337 --> 00:25:42,808
AND I NEED YOU TO TAKE ME
TO WHERE THEY'RE KEPT.
GET A WARRANT.
509
00:25:42,808 --> 00:25:44,844
WARRANTS TAKE TIME.
AND MEANWHILE,
510
00:25:44,844 --> 00:25:47,278
BACK AT THE RANCH,
THEY'RE WIPING THE TAPES.
511
00:25:50,348 --> 00:25:53,051
THE ROOM
WHERE THEY'RE STORED
512
00:25:53,051 --> 00:25:55,788
IS FULL
OF SECURITY CAMERAS.
513
00:25:55,788 --> 00:25:58,190
THEY'LL BE ON TO YOU
IN MINUTES.
514
00:25:58,190 --> 00:25:59,991
YES, THEY WILL.
515
00:25:59,991 --> 00:26:04,230
THAT'S WHAT
I'M TALKING ABOUT. LET'S GO.
516
00:26:06,498 --> 00:26:07,967
(door closes)
517
00:26:12,304 --> 00:26:14,405
AH, AGENT LISBON.
518
00:26:14,405 --> 00:26:16,909
WHAT'S ALL THIS ABOUT
YOU WANTING CELIA'S VENT VIDEOS?
519
00:26:16,909 --> 00:26:18,845
WE BELIEVE CELIA JOVANOVICH
MAY HAVE IDENTIFIED HER KILLER
520
00:26:18,845 --> 00:26:21,380
IN ONE OF THE VIDEOS.
521
00:26:21,380 --> 00:26:24,983
WE'D LIKE TO TAKE A LOOK
AT 'EM.
NO, NO, NO. THAT'S IMPOSSIBLE.
THE VENTILATIONS SHOW
522
00:26:24,983 --> 00:26:27,252
OUR MEMBERS
AT THEIR MOST VULNERABLE.
523
00:26:27,252 --> 00:26:29,454
ONLY SENIOR MEMBERS
OF THE CHURCH
524
00:26:29,454 --> 00:26:31,257
ARE ALLOWED TO SEE THEM.
525
00:26:31,257 --> 00:26:33,792
I MEAN,
I COULD NO MORE SHOW YOU THEM
526
00:26:33,792 --> 00:26:35,994
THAN A PRIEST COULD DISCUSS
A CONFESSION. HMM?
527
00:26:35,994 --> 00:26:39,164
NOW IF YOU'LL PLEASE
EXCUSE ME...
528
00:26:39,164 --> 00:26:40,666
SIR?
YEAH.
529
00:26:40,666 --> 00:26:43,134
SECURITY FEED
OF PATRICK JANE.
530
00:26:43,134 --> 00:26:44,603
WHAT?
531
00:26:47,138 --> 00:26:50,643
AGENT, THIS IS
A SECURITY CAMERA FEED
532
00:26:50,643 --> 00:26:52,544
FROM OUR VIDEO ROOM.
533
00:26:52,544 --> 00:26:54,380
WHAT'S GOING ON?
534
00:27:05,825 --> 00:27:08,728
IT'S BEEN ABOUT HALF AN HOUR.
535
00:27:08,728 --> 00:27:10,429
THIS IS OUTRAGEOUS.
536
00:27:10,429 --> 00:27:12,131
I'M GETTING BORED.
537
00:27:12,131 --> 00:27:15,734
MR. STILES IS CALLING IN
EVERY IMPORTANT PERSON HE KNOWS
538
00:27:15,734 --> 00:27:17,836
TO TRY AND GET US FIRED.
539
00:27:17,836 --> 00:27:19,538
IT TAKES TIME.
540
00:27:19,538 --> 00:27:20,972
(door opens)
541
00:27:22,709 --> 00:27:24,676
AH.
542
00:27:24,676 --> 00:27:27,846
YOU'RE DONE.
YOU ARE DONE.
WE'VE SPOKEN
TO YOUR SUPERIORS,
543
00:27:27,846 --> 00:27:29,848
EXPLAINED TO THEM THAT
WE VIEW MR. JANE'S ACTIONS
544
00:27:29,848 --> 00:27:31,616
AS A GRIEVOUS BREACH
OF CIVIL LIBERTIES.
545
00:27:31,616 --> 00:27:34,886
WE'LL BE PURSUING CIVIL
AND CRIMINAL REMEDIES.
MEH.
546
00:27:34,886 --> 00:27:36,622
I'M CURIOUS.
547
00:27:36,622 --> 00:27:40,826
YOU COULDN'T HOPE TO WATCH THESE
VIDEOS FOR ANY LENGTH OF TIME.
548
00:27:40,826 --> 00:27:43,930
WHAT DID YOU THINK
YOU'D ACCOMPLISH BY COMING HERE?
549
00:27:43,930 --> 00:27:46,198
OH, WE'LL SEE THE VIDEOS.
550
00:27:46,198 --> 00:27:51,037
OH, YOU WILL SEE THEM, WILL YOU?
AND--AND HOW IS THAT? (chuckles)
YOU'LL GIVE THEM TO US.
551
00:27:51,037 --> 00:27:53,772
OH, REALLY? AND WHY? WHY?
552
00:28:00,980 --> 00:28:03,782
(lowered voice) CELIA JOVANOVICH
WAS KILLED BY HER LOVER--
553
00:28:03,782 --> 00:28:06,417
SOMEONE VERY HIGH UP
IN YOUR CHURCH,
554
00:28:06,417 --> 00:28:10,189
SOMEONE THAT IS VERY PROBABLY
IN THIS ROOM RIGHT NOW.
(lowered voice) WELL,
555
00:28:10,189 --> 00:28:12,324
THAT'S VERY INTERESTING,
IF IT WERE TRUE.
556
00:28:12,324 --> 00:28:15,294
AND I DARESAY, IS MENTIONED
IN HER VIDEOS.
557
00:28:15,294 --> 00:28:18,663
SO IF YOU SAY
YOU'LL GIVE US THE VIDEOS,
558
00:28:18,663 --> 00:28:21,299
THE KILLER
WILL IDENTIFY HIMSELF.
559
00:28:21,299 --> 00:28:24,103
HE WILL BE THE MAN
THAT INSISTS MOST FORCEFULLY
560
00:28:24,103 --> 00:28:26,571
THAT YOU SHOULDN'T GIVE 'EM
TO US.
561
00:28:26,571 --> 00:28:28,440
WHAT IF I KILLED HER?
562
00:28:28,440 --> 00:28:30,742
YOU?
563
00:28:30,742 --> 00:28:32,711
YOU WOULDN'T HURT A FLY.
564
00:28:32,711 --> 00:28:35,847
(chuckles)
565
00:28:35,847 --> 00:28:37,916
(clears throat)
566
00:28:37,916 --> 00:28:39,919
(normal voice)
PATRICK HAS OFFERED
567
00:28:39,919 --> 00:28:42,354
A VERY, UM,
PERSUASIVE ARGUMENT.
568
00:28:42,354 --> 00:28:46,491
I'M GOING TO BE HANDING OVER
THE VIDEOS TO HIM.
569
00:28:46,491 --> 00:28:47,960
NO.
570
00:28:47,960 --> 00:28:50,296
NO. ABSOLUTELY N--
I-I CAN'T ALLOW THAT.
571
00:28:50,296 --> 00:28:53,298
WHY NOT?
THE PRECEDENT
WOULD BE UNACCEPTABLE.
572
00:28:53,298 --> 00:28:55,467
IT WOULD--
IT WOULD OPEN UP ALL MANNER
573
00:28:55,467 --> 00:28:58,470
OF INTRUSIVE POLICE ACTION.
(lowered voice)
THAT SOUNDS LIKE LAWYER SPEAK
574
00:28:58,470 --> 00:29:02,074
FOR "I DID IT. I DID IT.
I'M GUILTY."
MR. COLES,
575
00:29:02,074 --> 00:29:04,210
IN A WEEK OR SO, FORENSICS
IS GONNA HAVE PROCESSED
576
00:29:04,210 --> 00:29:06,979
THE D.N.A. THAT WAS UNDER
THE VICTIM'S FINGERNAILS.
577
00:29:06,979 --> 00:29:11,150
WE'RE GONNA NEED A SAMPLE
FROM YOU.
THAT'S RIDICULOUS. THAT--
THAT IS COMPLETELY UNNECESSARY.
578
00:29:11,150 --> 00:29:13,751
(normal voice) NO, IT'S JUST
A PINPRICK. DOESN'T HURT A BIT.
579
00:29:13,751 --> 00:29:15,386
JULIUS, PLEASE.
580
00:29:15,386 --> 00:29:17,455
TELL ME...
581
00:29:17,455 --> 00:29:19,691
YOU DID NOT KILL...
582
00:29:19,691 --> 00:29:22,594
THAT YOUNG WOMAN.
583
00:29:22,594 --> 00:29:25,798
NO, I DIDN'T.
584
00:29:28,099 --> 00:29:31,369
THAT ONE--THAT--THAT
LOOKED LIKE IT DID HURT. HUH?
585
00:29:33,839 --> 00:29:35,842
SHE WAS A SWEET GIRL.
586
00:29:35,842 --> 00:29:38,009
I'D SEE HER
WHEN I CAME TO MEET BRET.
587
00:29:38,009 --> 00:29:41,113
SHE LIKED TO TALK ABOUT
THE BOOK SHE WAS READING.
588
00:29:41,113 --> 00:29:43,214
THINGS JUST WENT FROM THERE.
589
00:29:43,214 --> 00:29:45,550
I-I WAS...
590
00:29:45,550 --> 00:29:48,153
I WAS VERY FOND OF HER.
591
00:29:48,153 --> 00:29:51,123
AND THEN HERREN CAME
INTO THE PICTURE.
592
00:29:51,123 --> 00:29:53,592
CELIA SAID SHE HAD
TO TELL HERREN THE TRUTH...
593
00:29:53,592 --> 00:29:55,927
ABOUT US.
594
00:29:55,927 --> 00:29:58,797
I TOLD HER, VISUALIZE WAS
MY ONLY CLIENT.
595
00:29:58,797 --> 00:30:00,098
BRET WOULD BANISH ME
596
00:30:00,098 --> 00:30:03,801
IF HE KNEW I-I WAS INVOLVED
WITH A MEMBER.
597
00:30:03,801 --> 00:30:08,140
SHE JUST KEPT SAYING
SHE COULDN'T LIE.
598
00:30:08,140 --> 00:30:11,277
SHE COULDN'T LIE
TO SAVE MY CAREER.
599
00:30:11,277 --> 00:30:12,912
(sighs)
600
00:30:12,912 --> 00:30:14,946
I GOT ANGRY.
601
00:30:14,946 --> 00:30:16,949
AND WE FOUGHT.
602
00:30:19,285 --> 00:30:21,086
IT HAPPENED.
603
00:30:22,453 --> 00:30:25,124
(gulps)
604
00:30:27,026 --> 00:30:29,795
SO WE HAVE A DEAL?
D.A. AGREED--
605
00:30:29,795 --> 00:30:33,432
INVOLUNTARY MANSLAUGHTER.
THREE YEARS WITH TIME SERVED.
606
00:30:33,432 --> 00:30:35,433
IN EXCHANGE
FOR YOUR COOPERATION
607
00:30:35,433 --> 00:30:39,637
WITH THE FBI's INVESTIGATION
INTO VISUALIZE AND BRET STILES.
608
00:30:39,637 --> 00:30:43,174
OKAY, YOU GOT IT.
609
00:30:43,174 --> 00:30:46,345
I LOOK FORWARD TO WORKING
WITH YOU, MR. COLES.
610
00:30:46,345 --> 00:30:47,913
MM.
611
00:30:47,913 --> 00:30:51,049
(police radio chatter)
612
00:30:54,921 --> 00:30:58,257
AH.
THREE YEARS IS NOTHING.
613
00:30:58,257 --> 00:31:00,192
IT'S THE WAY OF THE WORLD.
614
00:31:00,192 --> 00:31:02,827
HE'S SELLING STILES. HE'S A BIG
FISH. THE FBI HAS TO PAY.
615
00:31:02,827 --> 00:31:05,263
IF YOU THINK ABOUT
THIS STUFF TOO MUCH,
616
00:31:05,263 --> 00:31:06,832
YOU'LL DRIVE YOURSELF CRAZY.
617
00:31:06,832 --> 00:31:10,236
HEY, THAT'S THE BOYFRIEND--
DAVID HERREN.
OH!
618
00:31:10,236 --> 00:31:12,471
GUN!
(engine revs)
619
00:31:16,807 --> 00:31:19,244
(O'Laughlin) DROP YOUR GUN!
DROP IT!
620
00:31:19,244 --> 00:31:21,512
DROP IT NOW!
GET YOUR HANDS ABOVE YOUR HEAD!
621
00:31:21,512 --> 00:31:24,049
DON'T MOVE!
622
00:31:26,785 --> 00:31:28,253
GET YOUR HEAD DOWN!
623
00:31:28,253 --> 00:31:30,189
HEAD DOWN!
624
00:31:40,499 --> 00:31:43,102
INACTIVITY IS THE SIGN
OF THE CLOUDED MIND.
625
00:31:43,102 --> 00:31:46,605
DISCIPLINE, ORDER, WORK.
WHERE'D YOU GET THE GUN?
626
00:31:46,605 --> 00:31:49,174
I STOLE IT FROM THE DESK
OF THE MANAGER.
627
00:31:49,174 --> 00:31:51,643
HE KEEPS IT
FOR MAKING NIGHT DEPOSITS.
628
00:31:51,643 --> 00:31:54,880
DID ANYONE ELSE KNOW
WHAT YOU WERE GONNA DO?
629
00:31:54,880 --> 00:31:57,016
PUT ME IN PRISON.
I DON'T CARE.
630
00:31:57,016 --> 00:31:58,884
MY HEART IS FREE.
631
00:31:58,884 --> 00:32:03,055
THE MINUTE I SAW HIM, I KNEW.
I DID THE RIGHT THING.
632
00:32:03,055 --> 00:32:06,258
DID ANYONE ELSE KNOW?
633
00:32:06,258 --> 00:32:07,058
NO.
634
00:32:07,058 --> 00:32:09,461
IT WAS MY IDEA.
635
00:32:29,214 --> 00:32:31,416
(cell phone alert chimes)
636
00:32:43,929 --> 00:32:46,531
(horn honks)
637
00:32:57,343 --> 00:33:00,546
THANKS FOR YOUR TIME.
638
00:33:00,546 --> 00:33:03,348
I UNDERSTAND
HERREN CONFESSED.
639
00:33:04,715 --> 00:33:07,786
HE DIDN'T MENTION YOUR NAME.
640
00:33:07,786 --> 00:33:10,422
THE POOR SOUL.
641
00:33:10,422 --> 00:33:14,425
BUT...
WHY WOULD HE MENTION ME?
642
00:33:14,425 --> 00:33:17,828
WELL... YOU DIDN'T GO
AND TELL HIM TO KILL THE MAN,
643
00:33:17,828 --> 00:33:19,631
BUT YOU CLARIFIED HIS OPTIONS,
644
00:33:19,631 --> 00:33:24,336
WHICH IS AS GOOD AS KILLING HIM,
AS FAR AS I'M CONCERNED.
645
00:33:24,336 --> 00:33:26,538
IS THAT THE OFFICIAL VIEW?
646
00:33:26,538 --> 00:33:28,539
IS THIS WHY
YOU WANTED TO SEE ME?
647
00:33:28,539 --> 00:33:30,675
'CAUSE A PHONE CALL
WOULD HAVE BEEN FINE.
648
00:33:30,675 --> 00:33:32,177
THE FBI's GIVEN UP.
649
00:33:32,177 --> 00:33:33,979
OH, THAT'S A SHAME.
650
00:33:33,979 --> 00:33:37,316
I RATHER ENJOYED BROTHER WENCH
AND HIS CLUMSY MACHINATIONS.
651
00:33:37,316 --> 00:33:39,651
OH, WELL, THERE IT IS.
652
00:33:39,651 --> 00:33:41,720
YOU'RE SAFE.
653
00:33:41,720 --> 00:33:44,355
BRAVO.
654
00:33:44,355 --> 00:33:47,593
WELL, ALWAYS NICE TO KNOW,
BUT THAT'S NOT WHY I'M HERE.
655
00:33:47,593 --> 00:33:50,261
IT SEEMS
THAT YOUR FRIEND JOHN
656
00:33:50,261 --> 00:33:53,499
IS PLANNING
A SURPRISE PARTY FOR YOU.
657
00:33:55,967 --> 00:33:59,171
HOW DO YOU KNOW
WHAT RED JOHN IS PLANNING?
DOESN'T MATTER.
658
00:33:59,171 --> 00:34:01,173
IT CERTAINLY MATTERS TO ME.
659
00:34:01,173 --> 00:34:04,210
HOW DO YOU KNOW
WHAT RED JOHN IS PLANNING?
660
00:34:04,210 --> 00:34:06,278
MY DEAR CHAP,
I KNOW SO MUCH MORE
661
00:34:06,278 --> 00:34:10,014
THAN YOU OR RED JOHN
COULD EVER IMAGINE.
662
00:34:10,014 --> 00:34:13,518
ACCEPT THIS
AS A GIFT FROM A FRIEND.
663
00:34:13,518 --> 00:34:15,387
OR NOT.
664
00:34:39,744 --> 00:34:43,315
(police radio chatter)
665
00:34:54,860 --> 00:34:56,295
(door creaks)
666
00:35:00,965 --> 00:35:03,534
(Rigsby) CLEAR!
667
00:35:03,534 --> 00:35:05,204
ALL CLEAR.
668
00:35:05,204 --> 00:35:06,804
(Cho) CLEAR.
669
00:35:06,804 --> 00:35:08,673
BOSS.
670
00:35:29,126 --> 00:35:32,264
(whispers) BOSS.
671
00:35:45,277 --> 00:35:46,777
KRISTINA?
672
00:35:53,585 --> 00:35:55,753
KRISTINA.
673
00:36:03,094 --> 00:36:04,596
E.M.T. SAID
674
00:36:04,596 --> 00:36:07,432
SHE HAD A PUNCTURE WOUND
IN ONE ARM, LIKE FROM AN I.V.
675
00:36:07,432 --> 00:36:11,603
MUST BE HOW RED JOHN
GOT THE BLOOD OUT OF HER.
HE ALSO SAID THERE WAS
NO OTHER SIGN OF ASSAULT--
676
00:36:11,603 --> 00:36:13,871
PHYSICAL, SEXUAL, ANYTHING.
677
00:36:13,871 --> 00:36:17,809
WHY WON'T SHE SPEAK?
WHAT DID HE DO TO HER?
678
00:36:25,684 --> 00:36:28,586
STILL NOTHING.
NOT A SOUND.
679
00:36:28,586 --> 00:36:32,190
OKAY. (clears throat)
680
00:36:35,726 --> 00:36:38,697
(bag rustles)
681
00:36:38,697 --> 00:36:41,233
REMEMBER THIS?
682
00:36:48,706 --> 00:36:51,710
(bag thuds)
COME ON, KRISTINA.
LISTEN, IT'S JANE.
683
00:36:51,710 --> 00:36:54,780
YOU REMEMBER ME.
684
00:36:54,780 --> 00:36:57,782
I KNOW YOU DO.
685
00:36:57,782 --> 00:36:59,485
HMM?
686
00:36:59,485 --> 00:37:03,822
WHAT'S THE WORST DATE
YOU EVER HAD?
687
00:37:03,822 --> 00:37:06,123
HUH?
688
00:37:06,123 --> 00:37:07,958
(chuckles)
689
00:37:15,367 --> 00:37:17,503
KRISTINA, PLEASE.
690
00:37:17,503 --> 00:37:21,239
PLEASE STOP THIS.
JUST SPEAK TO ME.
691
00:37:28,012 --> 00:37:30,014
(sighs)
692
00:37:38,255 --> 00:37:41,159
(telephone rings)
693
00:37:41,159 --> 00:37:44,396
PSYCH PERSONNEL ARE
ON THEIR WAY.
694
00:37:44,396 --> 00:37:47,264
COULD BE WORSE, YOU KNOW.
695
00:37:47,264 --> 00:37:49,434
SHE COULD BE DEAD.
696
00:37:52,269 --> 00:37:56,907
I GUESS TEA IS
ALWAYS WORTH A TRY.
697
00:37:56,907 --> 00:37:58,376
(snaps fingers)
698
00:38:04,583 --> 00:38:06,751
(plastic rustles)
699
00:38:24,135 --> 00:38:27,472
(sighs)
700
00:38:27,472 --> 00:38:30,509
(blinds rattle)
701
00:38:30,509 --> 00:38:32,143
WHAT IS HE DOING?
702
00:38:32,143 --> 00:38:33,945
I HAVE NO IDEA.
703
00:38:33,945 --> 00:38:37,315
(clears throat)
704
00:38:45,322 --> 00:38:49,494
I CALL ON THE SPIRITS.
705
00:38:51,862 --> 00:38:53,097
(clicks tongue)
706
00:38:53,097 --> 00:38:54,900
I ASK FOR THE PRESENCE
707
00:38:54,900 --> 00:38:57,536
OF THE DEPARTED SOUL
OF KRISTINA FRYE.
708
00:39:00,204 --> 00:39:02,907
REVEAL YOURSELF,
KRISTINA FRYE.
709
00:39:04,775 --> 00:39:07,878
CAN YOU HEAR ME, KRISTINA?
710
00:39:13,418 --> 00:39:15,521
I CAN HEAR YOU, PATRICK.
711
00:39:17,088 --> 00:39:19,023
WELL, THANK YOU.
712
00:39:19,023 --> 00:39:21,358
THANK YOU
FOR SPEAKING WITH ME.
713
00:39:21,358 --> 00:39:24,161
I'M SO GLAD YOU CALLED ON ME.
714
00:39:24,161 --> 00:39:27,032
I KNEW IN THE END,
YOU'D BECOME A BELIEVER.
715
00:39:27,032 --> 00:39:31,603
I AM NOT A BELIEVER.
I HEAR SADNESS IN YOUR VOICE.
DON'T BE SAD, PATRICK.
716
00:39:31,603 --> 00:39:34,606
DEATH IS NOT THE END.
717
00:39:34,606 --> 00:39:37,375
THE AFTERLIFE'S
A BEAUTIFUL PLACE.
718
00:39:37,375 --> 00:39:40,344
IT'S PEACEFUL HERE.
719
00:39:40,344 --> 00:39:44,916
HAPPY.
720
00:39:44,916 --> 00:39:46,684
YOU'RE NOT DEAD.
721
00:39:46,684 --> 00:39:51,389
YOU'RE TALKING TO A GHOST
AND STILL YOU'RE A SKEPTIC.
722
00:39:51,389 --> 00:39:53,123
YOU ARE IMPOSSIBLE.
723
00:39:53,123 --> 00:39:55,893
YOU'RE NOT DEAD, KRISTINA.
724
00:39:55,893 --> 00:39:57,528
YOU'RE ALIVE.
725
00:39:57,528 --> 00:40:00,498
YOU'RE IN DENIAL.
726
00:40:00,498 --> 00:40:03,233
EVENTUALLY,
YOU'LL ACCEPT THE TRUTH.
727
00:40:03,233 --> 00:40:04,969
I KNOW IT'S HARD.
728
00:40:06,137 --> 00:40:09,139
GOD KNOWS I STRUGGLED
AGAINST IT MYSELF.
729
00:40:12,677 --> 00:40:16,648
BUT YOU CAN'T... FIGHT...
DEATH.
730
00:40:16,648 --> 00:40:20,117
HOW DID YOU DIE?
731
00:40:20,117 --> 00:40:22,721
I DON'T REMEMBER.
732
00:40:22,721 --> 00:40:25,856
IT'S FUNNY HOW THINGS
BECOME UNIMPORTANT.
733
00:40:27,257 --> 00:40:30,561
IT'S AS IF MY LIFE WAS
A DREAM.
734
00:40:30,561 --> 00:40:32,498
I WOKE UP.
735
00:40:32,498 --> 00:40:36,101
I CAN'T RECALL WHAT HAPPENED.
736
00:40:38,637 --> 00:40:41,072
DID YOU SEE RED JOHN?
737
00:40:42,440 --> 00:40:43,942
WHO?
738
00:40:43,942 --> 00:40:46,010
RED JOHN.
739
00:40:46,010 --> 00:40:49,914
RED JOHN--
THE MAN THAT ABDUCTED YOU.
740
00:40:53,050 --> 00:40:57,054
I DON'T UNDERSTAND
WHAT YOU'RE TALKING ABOUT.
741
00:41:10,702 --> 00:41:12,737
(typing on keyboard)
742
00:41:19,878 --> 00:41:21,246
(telephone ringing in distance)
743
00:41:24,481 --> 00:41:27,052
OH. SURE.
744
00:41:30,789 --> 00:41:34,559
APPARENTLY, BRET STILES
IS OUT OF THE COUNTRY.
745
00:41:34,559 --> 00:41:37,094
HE'S OPENING A CENTER
IN JAKARTA.
746
00:41:37,094 --> 00:41:39,597
VISUALIZE PEOPLE SAY THEY DON'T
KNOW WHEN HE'LL BE BACK.
747
00:41:39,597 --> 00:41:42,132
HMM. FIGURES.
HMM.
748
00:41:42,132 --> 00:41:44,702
BOSS. WE CAUGHT ONE.
749
00:41:44,702 --> 00:41:47,172
DOWNTOWN.
750
00:41:51,275 --> 00:41:52,811
ARE YOU OKAY?
751
00:41:55,213 --> 00:41:57,615
WE'RE UP. LET'S GO.
52523
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