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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,934 --> 00:00:04,472 (indistinct conversations) 2 00:00:09,877 --> 00:00:11,044 (siren wails) 3 00:00:11,044 --> 00:00:13,846 (train whistle blows) 4 00:00:13,846 --> 00:00:17,650 (woman speaking indistinctly over radio) 5 00:00:17,650 --> 00:00:22,056 4972 West 21st Street... (speaks indistinctly) 6 00:00:23,657 --> 00:00:24,658 (Lisbon) AH. 7 00:00:24,658 --> 00:00:25,693 (groans) 8 00:00:25,693 --> 00:00:28,295 NICE OF YOU TO SHOW UP, POKEY. 9 00:00:28,295 --> 00:00:30,597 YEAH, SORRY I'M LATE. HAD TRAFFIC ON THE 50. 10 00:00:30,597 --> 00:00:32,700 LOOKS LIKE THE CORONER'S FINISHING UP. 11 00:00:32,700 --> 00:00:35,868 TALK TO HIM, SEE WHAT HE'S GOT. THE TRAFFIC GOT LIPSTICK ON YOU. 12 00:00:35,868 --> 00:00:37,438 WHAT? WHERE? 13 00:00:37,438 --> 00:00:39,640 HOPE SHE GAVE YOU BREAKFAST. FORENSICS ATE ALL THE BAGELS. 14 00:00:39,640 --> 00:00:42,442 LATE AND LATER. WHAT'S YOUR EXCUSE? 15 00:00:42,442 --> 00:00:44,712 IT'S ALL A JOURNEY, LISBON. 16 00:00:44,712 --> 00:00:46,914 SHE WASHED UP HERE SOMETIME LAST NIGHT. 17 00:00:46,914 --> 00:00:49,682 A JOGGER FOUND HER THIS MORNING, CALLED IT IN. 18 00:00:49,682 --> 00:00:51,951 THE ONLY IDENTIFIABLE MARK IS THAT TATTOO. 19 00:00:51,951 --> 00:00:54,688 CORONER SAYS SHE WAS STRANGLED BEFORE SHE HIT THE WATER. 20 00:00:54,688 --> 00:00:57,591 SOME TISSUE UNDER HER FINGERNAILS. 21 00:00:57,591 --> 00:00:59,726 MIGHT'VE SCRATCHED THE KILLER. NO SIGN OF SEXUAL ASSAULT. 22 00:01:01,795 --> 00:01:02,795 LISBON. YEAH? 23 00:01:02,795 --> 00:01:05,332 CHECK BETWEEN HER TOES. WHY? 24 00:01:05,332 --> 00:01:08,801 BECAUSE I DON'T REALLY WANT TO. 25 00:01:08,801 --> 00:01:10,069 NEEDLE MARKS. 26 00:01:10,069 --> 00:01:12,039 (Rigsby) SHE WAS AN ADDICT? 27 00:01:12,039 --> 00:01:13,740 MANICURE BUT NO PEDICURE. 28 00:01:13,740 --> 00:01:16,609 DIDN'T WANT PEOPLE TO SEE HER FEET. 29 00:01:16,609 --> 00:01:18,745 THE TRACK MARKS DON'T SEEM FRESH. MAYBE SHE GOT CLEAN. 30 00:01:18,745 --> 00:01:21,448 AS SOON AS THE M.E. IDENTIFIES HER, 31 00:01:21,448 --> 00:01:23,584 I WANT YOU TO GO AND SEE IF SHE HAS ANY DRUG ARRESTS 32 00:01:23,584 --> 00:01:25,753 AND CHECK OUT THE LOCAL REHAB CENTERS. 33 00:01:25,753 --> 00:01:27,287 (Rigsby) YEAH, YOU GOT IT. 34 00:01:27,287 --> 00:01:29,557 (cell phone rings) 35 00:01:29,557 --> 00:01:30,890 (ring) 36 00:01:30,890 --> 00:01:33,260 YEAH? (man) Mr. Jane, 37 00:01:33,260 --> 00:01:35,263 this is Agent Vint Molinari, Missing Persons. 38 00:01:35,263 --> 00:01:36,864 I'm on the Kristina Frye case. 39 00:01:36,864 --> 00:01:38,865 AN OLD CLIENT OF FRYE'S WAS LISTENING TO 40 00:01:38,865 --> 00:01:41,902 SOME PSYCHIC CALL-IN SHOW ON THE RADIO THE OTHER DAY, 41 00:01:41,902 --> 00:01:45,004 HEARD SOMEBODY SHE SWEARS WAS KRISTINA. 42 00:01:45,004 --> 00:01:47,540 We've got a recording of the show. 43 00:01:47,540 --> 00:01:49,710 CAN YOU TELL ME IF THIS IS HER VOICE? (click) 44 00:01:49,710 --> 00:01:53,146 (Kristina) I spoke to the last caller's late mother Susan. 45 00:01:53,146 --> 00:01:55,182 She told me she's happy 46 00:01:55,182 --> 00:01:58,618 and wants her daughter to know how proud of her she is. 47 00:01:58,618 --> 00:02:01,087 IT'S HER. DID YOU TRACE THE CALL? 48 00:02:01,087 --> 00:02:02,590 Comes from a landline, 49 00:02:02,590 --> 00:02:05,959 HOUSE ON DELLMORE ROAD, NORTH OF FREMONT LANDING. 50 00:02:05,959 --> 00:02:08,528 I'LL LET YOU KNOW IF WE FIND ANYTHING THERE. 51 00:02:10,264 --> 00:02:13,866 (woman) 4972 West 21st Street, Number 3. 52 00:02:15,436 --> 00:02:17,538 (woman) I need an escort for 148 North St. Andrews. 53 00:02:17,538 --> 00:02:19,372 (speaks indistinctly) 54 00:02:24,444 --> 00:02:26,747 (woman) Unit 14, clear. 55 00:02:29,216 --> 00:02:31,585 (knocks on door) 56 00:02:31,585 --> 00:02:32,686 JANE. 57 00:02:32,686 --> 00:02:34,322 HOW YOU DOING? 58 00:03:24,204 --> 00:03:27,307 ** 59 00:03:35,215 --> 00:03:36,683 BLOOD ON THE WALL-- 60 00:03:36,683 --> 00:03:39,387 D.N.A. ANALYSIS SAYS IT'S FRYE'S. 61 00:03:39,387 --> 00:03:41,655 AND THE HOUSE WAS CLEAN. 62 00:03:41,655 --> 00:03:44,491 NO PRINTS OR TRACE EVIDENCE OF ANY KIND. 63 00:03:44,491 --> 00:03:46,627 NO SIGN OF A BODY OR A GRAVE. 64 00:03:46,627 --> 00:03:48,161 SHE'S ALIVE. 65 00:03:48,161 --> 00:03:50,598 IF HE KILLED HER, HE WOULD'VE LEFT HER BODY OUT ON DISPLAY. 66 00:03:50,598 --> 00:03:52,733 VINT, IT LOOKS LIKE THIS IS 67 00:03:52,733 --> 00:03:55,402 MORE THAN JUST A MISSING PERSONS CASE TO ME. 68 00:03:55,402 --> 00:03:57,737 I'M GONNA TALK TO THE HEAD OF THE DIVISION 69 00:03:57,737 --> 00:04:00,508 AND ASK HIM TO HAND THE CASE OVER TO US. WHY? 70 00:04:00,508 --> 00:04:02,509 BECAUSE IT'S RED JOHN, YOU'RE THE RED JOHN GUYS? 71 00:04:02,509 --> 00:04:04,478 I'VE READ HIS FILE, TOO. 72 00:04:04,478 --> 00:04:06,280 FRYE'S BEEN MISSING FOR FOUR MONTHS. 73 00:04:06,280 --> 00:04:08,615 RED JOHN NEVER KEPT A VICTIM ALIVE FOR MORE THAN A FEW DAYS. 74 00:04:08,615 --> 00:04:11,451 HE NEVER LEFT A-A CLUE ON THE SCENE 75 00:04:11,451 --> 00:04:13,454 EXCEPT FOR THE--THE PAINTED FACE. 76 00:04:13,454 --> 00:04:16,223 AND THAT CALL FRYE MADE-- THAT'S HARDLY A CRY FOR HELP. 77 00:04:16,223 --> 00:04:19,526 WHAT'S YOUR POINT? WELL, WHO KNOWS IF RED JOHN HAD ANYTHING TO DO WITH THIS? 78 00:04:19,526 --> 00:04:22,228 AS FAR AS I KNOW, FRYE PAINTED THE FACE HERSELF. 79 00:04:22,228 --> 00:04:23,896 WHY WOULD SHE DO THAT? 80 00:04:23,896 --> 00:04:27,634 (scoffs) WELL, THE WOMAN THINKS SHE TALKS TO THE DEAD. 81 00:04:27,634 --> 00:04:30,237 SHE'S HALF A NUTCASE WALKING OUT THE DOOR. 82 00:04:30,237 --> 00:04:32,473 LISBON, I-I AGREE WITH AGENT MOLINARI. 83 00:04:32,473 --> 00:04:34,608 KRISTINA'S CASE SHOULD REMAIN IN HIS CAPABLE HANDS. 84 00:04:34,608 --> 00:04:37,444 LET'S, UH, NOT GET IN THE WAY. 85 00:04:39,346 --> 00:04:40,980 (sets down mug) 86 00:04:42,350 --> 00:04:44,183 I DON'T UNDERSTAND. 87 00:04:44,183 --> 00:04:46,119 YOU DON'T WANT THE CASE? 88 00:04:46,119 --> 00:04:49,122 SO WHAT ARE YOU DOING? (elevator bell dings, doors slide open) 89 00:04:49,122 --> 00:04:53,026 NOTHING. WHY DON'T WE JUST SKIP THE PART WHERE YOU LIE TO ME 90 00:04:53,026 --> 00:04:54,827 AND GET RIGHT TO THE PART 91 00:04:54,827 --> 00:04:57,163 WHERE YOU TELL ME WHAT YOU'RE GONNA DO? 92 00:04:57,163 --> 00:05:00,367 RED JOHN LET KRISTINA MAKE A CALL THAT COULD BE TRACED. 93 00:05:00,367 --> 00:05:02,502 HE'S PLAYING A GAME. WITH WHO? 94 00:05:04,437 --> 00:05:05,872 SEE YOU LATER. 95 00:05:09,108 --> 00:05:11,944 YEAH, THAT SOUNDS GREAT. I CAN MAKE IT THERE BY 7:00. 96 00:05:11,944 --> 00:05:14,814 LISTEN, I HAVE TO GO. I'LL SPEAK TO YOU LATER, OKAY? BYE. 97 00:05:14,814 --> 00:05:16,783 IF YOU'RE SEEING TRAFFIC ON THE 50 TONIGHT, 98 00:05:16,783 --> 00:05:18,786 YOU THINK SHE COULD SET HER ALARM A LITTLE EARLIER? 99 00:05:18,786 --> 00:05:21,187 (sighs) OKAY, LOOK, I GET IT. THIS IS, UH, 100 00:05:21,187 --> 00:05:23,891 IT'S THE LAST TIME YOU HAVE TO HEAR ABOUT MY LOVE LIFE. 101 00:05:23,891 --> 00:05:25,893 I DON'T CARE ABOUT YOUR LOVE LIFE. 102 00:05:25,893 --> 00:05:28,060 JUST DON'T LET IT AFFECT THE JOB. 103 00:05:28,060 --> 00:05:30,062 MY LOVE LIFE IS NOT GONNA AFFECT-- (Lisbon) HEY. 104 00:05:30,062 --> 00:05:31,999 HEY, BOSS. ANYTHING ON THE GIRL IN THE RIVER? 105 00:05:31,999 --> 00:05:34,067 NAME'S CELIA JOVANOVICH. 106 00:05:34,067 --> 00:05:37,269 SOME CONVICTIONS FOR NARCOTICS POSSESSION. NO FAMILY. WHAT ABOUT THE REHAB ANGLE? 107 00:05:37,269 --> 00:05:39,105 NO MENTION OF A PROGRAM IN HER RECORD. 108 00:05:39,105 --> 00:05:41,108 (computer alert chimes) WELL, SHE MUST'VE CLEANED UP SOMEHOW. 109 00:05:41,108 --> 00:05:43,543 NO ARRESTS IN ALMOST TWO YEARS. HEY, THAT TATTOO ON OUR VIC? 110 00:05:43,543 --> 00:05:45,545 IT'S WORN BY MEMBERS OF VISUALIZE. 111 00:05:45,545 --> 00:05:49,115 VISUALIZE? THE CULT? THEY DO WORK WITH ADDICTS. SHE COULD'VE CLEANED UP THERE. 112 00:05:49,115 --> 00:05:52,019 SEE? THE WINGS FORM A "V" FOR "VISUALIZE." YEAH. 113 00:05:52,019 --> 00:05:54,387 WHAT WAS THE NAME OF THE GUY WHO RUNS IT? 114 00:05:54,387 --> 00:05:56,889 STILES. BRET STILES. 115 00:06:00,259 --> 00:06:01,293 AGENT LISBON, 116 00:06:01,293 --> 00:06:03,230 I'M BROTHER STEVEN WENCH. 117 00:06:03,230 --> 00:06:04,732 MR. JANE... MM? 118 00:06:04,732 --> 00:06:07,668 THIS IS WARNER VANDER HOEK, OUR CHIEF OF SECURITY. 119 00:06:07,668 --> 00:06:10,302 JULIUS COLES, OUR ATTORNEY. HOW DO YOU DO, AGENT? 120 00:06:10,302 --> 00:06:12,673 QUITE AN IMPRESSIVE FILE AT CBI, LISBON. 121 00:06:12,673 --> 00:06:16,143 I KNOW IF ANYONE CAN FIND CELIA'S KILLER, YOU CAN. 122 00:06:16,143 --> 00:06:19,278 I APPRECIATE YOUR CONFIDENCE, MR. VANDER HOEK. 123 00:06:19,278 --> 00:06:21,481 HOW DID YOU READ MY FILE? 124 00:06:21,481 --> 00:06:23,082 I SPENT 11 YEARS WORKING SEATTLE HOMICIDE, 125 00:06:23,082 --> 00:06:25,685 SEVEN YEARS IN THE INTELLIGENCE DIVISION. 126 00:06:25,685 --> 00:06:28,622 OOH. THAT'S A WHOLE LOT OF COP FOR A SELF-HELP GROUP. 127 00:06:28,622 --> 00:06:31,158 WE HAVE ENEMIES. 128 00:06:31,158 --> 00:06:33,526 AS MR. STILES SAYS, 129 00:06:33,526 --> 00:06:36,629 THE TRUTH ALWAYS DOES. 130 00:06:36,629 --> 00:06:38,766 WHERE IS, UH, BRET? 131 00:06:38,766 --> 00:06:40,701 I'M AFRAID BROTHER STILES 132 00:06:40,701 --> 00:06:42,702 IS BUSY WITH CHURCH BUSINESS AT THE MOMENT. 133 00:06:42,702 --> 00:06:45,838 AND WHY ARE YOU SO AFRAID? IT'S A FIGURE OF SPEECH? 134 00:06:45,838 --> 00:06:49,677 YES, IT IS. SHALL WE? YES, WE SHOULD. 135 00:06:49,677 --> 00:06:52,312 (Patrick) LEAD THE WAY. 136 00:06:52,312 --> 00:06:54,113 MY NAME IS CELIA JOVANOVICH. 137 00:06:54,113 --> 00:06:56,649 THIS PICTURE WAS TAKEN WHEN I HAD BEEN A HEROIN ADDICT 138 00:06:56,649 --> 00:06:58,218 FOR NINE YEARS. 139 00:06:58,218 --> 00:07:00,620 I HAD NO JOB OR HOME, 140 00:07:00,620 --> 00:07:04,557 NO FUTURE, NO HOPE. 141 00:07:04,557 --> 00:07:07,894 BUT I BEAT ADDICTION AND CHANGED MY LIFE 142 00:07:07,894 --> 00:07:11,163 WHEN I BEGAN TO VISUALIZE. (click) 143 00:07:11,163 --> 00:07:12,932 OUR ADDICTION COUNSELORS 144 00:07:12,932 --> 00:07:15,101 FOUND HER LITERALLY LIVING IN THE STREETS. 145 00:07:15,101 --> 00:07:17,103 SHE ATTEMPTED SUICIDE THREE TIMES. 146 00:07:17,103 --> 00:07:20,507 THEY... THEY BROUGHT HER HERE, AND... 147 00:07:20,507 --> 00:07:24,877 THIS IS WHAT SHE BECAME. WELL, SHE CERTAINLY BECAME BETTER AT DOING HER MAKEUP. 148 00:07:24,877 --> 00:07:26,947 YOUR LOW PERSONAL OPINION OF VISUALIZE 149 00:07:26,947 --> 00:07:29,016 IS DULY NOTED... BUT IRRELEVANT. 150 00:07:29,016 --> 00:07:31,752 LET'S TRY AND CONFINE OUR DISCUSSION TO THE FACTS. 151 00:07:31,752 --> 00:07:35,723 OF COURSE. UH, MR. COLES, YOU'RE NOT A MEMBER HERE, ARE YOU? I AM NOT. 152 00:07:35,723 --> 00:07:38,057 MM. THAT'S INTERESTING THAT MR. STILES WOULD HIRE 153 00:07:38,057 --> 00:07:40,560 A LAWYER OUTSIDE OF THE SACRED FOLD. HMM? 154 00:07:40,560 --> 00:07:42,562 OH, WHAT DID CELIA DO HERE? 155 00:07:42,562 --> 00:07:44,497 SHE WORKED IN OUR SECURITY SECTION. 156 00:07:44,497 --> 00:07:46,199 IT'S CALLED VIGILANCE. 157 00:07:46,199 --> 00:07:48,869 WE PROVIDE PERSONAL SECURITY FOR THE CHURCH'S SENIOR LEADERS. 158 00:07:48,869 --> 00:07:51,904 I WAS HER, UH, SUPERVISOR. WHAT'S HER HOME ADDRESS? 159 00:07:51,904 --> 00:07:55,042 SHE LIVED HERE. WE PROVIDE HOMES FOR MEMBERS WHO WANT THEM. 160 00:07:55,042 --> 00:07:58,745 CELIA HAD HAD IT TOUGH. THE--THE CHURCH WAS HER HAVEN. 161 00:07:58,745 --> 00:08:01,615 AND WE'RE GONNA NEED TO SPEAK TO ALL OF HER FRIENDS, 162 00:08:01,615 --> 00:08:03,983 ACQUAINTANCES, COWORKERS. THAT'LL BE FINE, WITH THE PROVISO 163 00:08:03,983 --> 00:08:07,086 THAT I OR ONE OF MY ASSOCIATES BE PRESENT AT ALL TIMES. 164 00:08:07,086 --> 00:08:09,923 WAS THERE ANYBODY IN PARTICULAR THAT SHE WAS CLOSE TO? 165 00:08:09,923 --> 00:08:12,358 THERE WAS A FIANCé, DAVID HERREN. 166 00:08:12,358 --> 00:08:14,961 HE'S A MEMBER OF THE CHURCH, 167 00:08:14,961 --> 00:08:18,031 BUT I DON'T KNOW WHERE HE IS RIGHT NOW. HUH. 168 00:08:18,031 --> 00:08:22,069 I'M SURE YOU'LL BE ABLE TO LOCATE HIM FOR US. AGENT, I ASSUME 169 00:08:22,069 --> 00:08:24,538 YOU WILL BE LOOKING AT SUSPECTS OUTSIDE THE CHURCH. 170 00:08:24,538 --> 00:08:27,975 I'D HATE TO THINK THAT THIS WAS SOME SORT OF WITCH HUNT. 171 00:08:27,975 --> 00:08:29,942 WE'LL GO WHEREVER THE INVESTIGATION LEADS US. 172 00:08:29,942 --> 00:08:33,446 (man) SO, UM, THANK YOU VERY MUCH. OKAY. 173 00:08:33,446 --> 00:08:34,947 UH, EXCUSE ME. 174 00:08:34,947 --> 00:08:38,018 HMM? UH, TEC-- INTERESTING NAME. 175 00:08:38,018 --> 00:08:40,587 YEAH. YEAH. (chuckles) YOU LOOK LIKE AN HONEST YOUNG MAN. 176 00:08:40,587 --> 00:08:43,956 DO YOU KNOW WHERE BROTHER STILES IS RIGHT NOW? NO, SIR, I DON'T. 177 00:08:43,956 --> 00:08:47,894 VERY HONEST. TERRIBLE LIAR. IS--IS HE THIS WAY? OH. UH... 178 00:08:47,894 --> 00:08:50,230 OR IS HE THIS WAY? OKAY. 179 00:08:50,230 --> 00:08:52,331 SIR, I-I DON'T THINK THAT-- UH, SIR? 180 00:08:52,331 --> 00:08:55,034 YEAH, SPIT IT OUT. I-I DON'T UNDERSTAND WHAT YOU'RE DOING. 181 00:08:55,034 --> 00:08:57,269 YOU DON'T WANT TO TELL ME WHERE STILES IS, 182 00:08:57,269 --> 00:09:00,139 SO WHEN I MOVE YOU IN HIS LOCATION, YOU REACT NEGATIVELY. 183 00:09:00,139 --> 00:09:03,744 I'M JUST READING YOUR NEGATIVE REACTION. WELL, PLEASE STOP. YOU'RE GONNA GET ME IN TROUBLE. 184 00:09:03,744 --> 00:09:07,080 THIS WAY? 185 00:09:07,080 --> 00:09:10,116 PLEASE DON'T GO IN THERE, SIR. 186 00:09:10,116 --> 00:09:11,619 THANK YOU. 187 00:09:11,619 --> 00:09:14,153 (door beeps and closes) 188 00:09:14,153 --> 00:09:16,523 OH. 189 00:09:16,523 --> 00:09:18,557 (man) YOU SEE, 190 00:09:18,557 --> 00:09:20,559 IF THE MIND IS FREE, 191 00:09:20,559 --> 00:09:23,697 THERE'S NOTHING THAT YOU CAN'T ACHIEVE. 192 00:09:23,697 --> 00:09:26,933 BECAUSE THEN THE MIND HAS NO LIMITS. 193 00:09:26,933 --> 00:09:31,938 I-IT'S A SPACESHIP WITH THE POWER TO TRAVEL ACROSS 194 00:09:31,938 --> 00:09:34,441 ALL SIX DIMENSIONS, 195 00:09:34,441 --> 00:09:35,942 JOURNEYING OFF TO-- 196 00:09:35,942 --> 00:09:38,611 EXCUSE ME, UH, BRET? I HAVE A QUESTION. 197 00:09:38,611 --> 00:09:39,980 WHAT? 198 00:09:39,980 --> 00:09:41,749 SORRY. DID SOMEBODY SPEAK? 199 00:09:41,749 --> 00:09:43,850 UH, IT--IT WAS ME. 200 00:09:43,850 --> 00:09:45,786 OH. (chuckles) 201 00:09:45,786 --> 00:09:47,453 PATRICK? YEAH. 202 00:09:47,453 --> 00:09:49,588 HOW NICE TO SEE YOU. 203 00:09:49,588 --> 00:09:51,524 WHY OFFER ONLY SIX DIMENSIONS? 204 00:09:51,524 --> 00:09:55,962 IS--IS IT TO HOLD OFF A COUPLE OF DIMENSIONS TO SELL LATER? 205 00:09:55,962 --> 00:09:56,963 (laughs) 206 00:09:56,963 --> 00:09:59,633 I THINK SIX IS QUITE ENOUGH. 207 00:09:59,633 --> 00:10:02,870 WHEN DID YOU LAST SEE CELIA JOVANOVICH? 208 00:10:02,870 --> 00:10:04,270 OH, UH, CELIA. 209 00:10:04,270 --> 00:10:07,674 YES, UM, LET ME THINK. UM... 210 00:10:07,674 --> 00:10:10,409 I BELIEVE SHE WORKED A SECURITY DETAIL FOR ME 211 00:10:10,409 --> 00:10:12,779 EARLIER IN THE WEEK-- 212 00:10:12,779 --> 00:10:16,082 A SEMINAR FOR PREMEMBERS AT THE HYATT. 213 00:10:16,082 --> 00:10:17,817 PREMEMBERS? 214 00:10:17,817 --> 00:10:21,453 THOSE THAT HAVE NOT YET SEEN THE TRUTH. 215 00:10:21,453 --> 00:10:24,191 YOU WOULD BE A PREMEMBER. 216 00:10:24,191 --> 00:10:25,625 POOR CELIA. 217 00:10:25,625 --> 00:10:26,960 IT'S TRAGIC. 218 00:10:26,960 --> 00:10:29,929 UH, SHE FOUGHT SO HARD FOR HER SOBRIETY. 219 00:10:29,929 --> 00:10:32,465 WHEN DID YOU LEARN OF HER DEATH? 220 00:10:32,465 --> 00:10:33,801 WELL, I DON'T KNOW. 221 00:10:33,801 --> 00:10:35,769 I SUPPOSE WHEN THEY IDENTIFIED THE BODY. 222 00:10:35,769 --> 00:10:38,772 YOU KNOW, MANY POLICEMEN ARE VISUALIZE MEMBERS. 223 00:10:38,772 --> 00:10:40,874 WHAT DO YOU THINK HAPPENED TO HER? 224 00:10:40,874 --> 00:10:43,342 NO IDEA. YOU HAVE A THEORY? 225 00:10:43,342 --> 00:10:45,345 OH, NO. 226 00:10:45,345 --> 00:10:47,346 I NEVER THEORIZE. 227 00:10:47,346 --> 00:10:51,751 WE GURUS MUST ALWAYS SPEAK THE TRUTH 228 00:10:51,751 --> 00:10:53,986 OR... NOTHING. 229 00:10:53,986 --> 00:10:56,188 YOU WERE SURPRISED I WAS HERE ABOUT CELIA. 230 00:10:56,188 --> 00:10:58,725 WHY DID YOU THINK I WAS HERE? 231 00:10:58,725 --> 00:11:00,994 KRISTINA FRYE, OF COURSE. 232 00:11:07,234 --> 00:11:08,836 KRISTINA FRYE? 233 00:11:08,836 --> 00:11:11,804 RED JOHN HAS HER, RIGHT? 234 00:11:13,306 --> 00:11:16,143 IT'S A TERRIBLE THING. 235 00:11:16,143 --> 00:11:19,846 FIRST YOUR WIFE AND CHILD, 236 00:11:19,846 --> 00:11:22,014 NOW MISS FRYE. 237 00:11:23,682 --> 00:11:26,186 SOUNDS LIKE HE'S JEALOUS, PATRICK. 238 00:11:26,186 --> 00:11:27,620 IT SOUNDS LIKE 239 00:11:27,620 --> 00:11:29,688 HE WANTS TO TAKE AWAY EVERYTHING 240 00:11:29,688 --> 00:11:32,692 AND EVERYONE THAT YOU CARE ABOUT. 241 00:11:32,692 --> 00:11:35,796 IT'S A FORM OF LOVE, YOU KNOW. 242 00:11:37,463 --> 00:11:41,934 WHAT DO YOU KNOW ABOUT KRISTINA FRYE AND RED JOHN? 243 00:11:44,403 --> 00:11:47,740 PATRICK, I LIKE YOU. 244 00:11:47,740 --> 00:11:50,277 I LIKE YOUR VIM. 245 00:11:50,277 --> 00:11:52,044 AND RED JOHN-- 246 00:11:52,044 --> 00:11:56,817 HE SEEMS TO BE A PERFECTLY UNPLEASANT SORT OF FELLOW. 247 00:11:56,817 --> 00:12:02,022 IF I KNEW HOW TO GET YOU EVEN HALF A STEP CLOSER TO HIM, 248 00:12:02,022 --> 00:12:05,893 I WOULD CROSS DESERT WASTES TO TELL YOU. 249 00:12:05,893 --> 00:12:08,595 BUT I DON'T KNOW. 250 00:12:08,595 --> 00:12:10,998 (knock on door) AVANTI. 251 00:12:10,998 --> 00:12:13,767 AH, STARSKY AND HUTCH. 252 00:12:13,767 --> 00:12:15,302 THANK GOODNESS. 253 00:12:15,302 --> 00:12:19,239 MR. JANE MIGHT HAVE CUT ME INTO SMALL CUBES BY NOW. 254 00:12:24,812 --> 00:12:27,580 GOD IS IN YOUR MIND, RIGHT HERE. 255 00:12:27,580 --> 00:12:31,183 ALL YOU HAVE TO DO TO SEE HIM IS CLEAR OUT THE BAD ENERGY. 256 00:12:31,183 --> 00:12:32,719 I'LL REPEAT THE QUESTION. 257 00:12:32,719 --> 00:12:35,956 HAVE YOU SEEN CELIA JOVANOVICH IN THE PAST 48 HOURS? 258 00:12:35,956 --> 00:12:37,990 I'VE BEEN VISITING MY MOTHER IN CHINO. 259 00:12:37,990 --> 00:12:39,993 I GOT BACK THIS MORNING. 260 00:12:39,993 --> 00:12:42,394 THAT'S ALL I NEED. THANKS. AREN'T YOU INTERESTED 261 00:12:42,394 --> 00:12:46,165 IN THE PATH TO SPIRITUAL CLARITY AND PERSONAL FREEDOM? NO. 262 00:12:48,335 --> 00:12:49,701 HOW'S IT GOIN'? 263 00:12:49,701 --> 00:12:52,438 (sighs) WELL, CELIA WAS NICE, AND A GOOD TEAM MEMBER, 264 00:12:52,438 --> 00:12:57,043 AND JOINING VISUALIZE IS A GOOD IDEA. THAT'S IT, PRETTY MUCH. KEEP TRYING. YOU SEEN JANE? 265 00:12:57,043 --> 00:12:58,577 YEAH, HE'S UPSTAIRS. 266 00:12:58,577 --> 00:13:00,746 VANDER HOEK TOOK HIM UPSTAIRS TO SEE CELIA'S ROOM. 267 00:13:00,746 --> 00:13:03,482 IS HE OKAY? I GUESS. WHY? 268 00:13:03,482 --> 00:13:06,686 NOTHING. STILES JUST SEEMS TO GET TO HIM A LITTLE BIT. THAT'S A NEAT TRICK. 269 00:13:06,686 --> 00:13:09,456 YEAH, I WISH HE'D TEACH IT TO ME. I GOT THE FIANCé'S DETAILS. 270 00:13:09,456 --> 00:13:11,825 DAVID HERREN WORKS AT A RESTAURANT DOWNTOWN. 271 00:13:11,825 --> 00:13:13,927 GO TALK TO HIM. OKAY. 272 00:13:13,927 --> 00:13:16,028 YOU--COME ON. LET'S TALK. 273 00:13:16,028 --> 00:13:18,498 BEFORE WE DO, CAN I JUST ASK, 274 00:13:18,498 --> 00:13:20,100 ARE YOU HAPPY IN YOUR LIVES? 275 00:13:23,436 --> 00:13:25,437 SIT DOWN. 276 00:13:27,875 --> 00:13:30,210 THIS WAS CELIA'S ROOM. 277 00:13:31,744 --> 00:13:33,446 THANK YOU. 278 00:14:07,514 --> 00:14:08,981 DAVID HERREN? 279 00:14:08,981 --> 00:14:11,283 YEAH. WAYNE RIGSBY, CBI. 280 00:14:11,283 --> 00:14:15,388 I NEED TO, UH, TALK TO YOU ABOUT CELIA JOVANOVICH. YEAH, YEAH. LISTEN, THE THING IS I-- 281 00:14:15,388 --> 00:14:16,623 ONE MOMENT, DAVID. 282 00:14:16,623 --> 00:14:19,125 HI. I'M JULIUS COLES, DAVID'S ATTORNEY. 283 00:14:19,125 --> 00:14:22,129 WOW. YOU GUYS ARE ORGANIZED. "US GUYS"? FEELS PREJUDICIAL. 284 00:14:22,129 --> 00:14:24,596 YOU HAVE A PROBLEM WITH CONSTITUTIONAL RIGHTS? NO, SIR. 285 00:14:24,596 --> 00:14:27,267 I WAS A MESS WHEN I HEARD THE NEWS. 286 00:14:27,267 --> 00:14:29,970 BUT I REMEMBER WHAT MR. STILES SAYS-- 287 00:14:29,970 --> 00:14:33,206 CLARIFY THE MIND WITH DISCIPLINE, ORDER, WORK. ARE YOU THE HEAD CHEF? 288 00:14:33,206 --> 00:14:36,009 PREP CHEF NOW. MAYBE MORE THAN THAT SOMEDAY. 289 00:14:36,009 --> 00:14:38,644 HOW LONG HAD YOU BEEN ENGAGED TO CELIA? 290 00:14:38,644 --> 00:14:41,880 A COUPLE OF WEEKS. AND HOW LONG HAD YOU KNOWN HER BEFORE? 291 00:14:41,880 --> 00:14:43,951 I DIDN'T... KNOW HER. 292 00:14:43,951 --> 00:14:45,952 I MEAN-- I DON'T UNDERSTAND. 293 00:14:45,952 --> 00:14:48,288 I HAD NEVER SEEN HER BEFORE. 294 00:14:48,288 --> 00:14:49,788 HIGH LEVEL VISUALIZE MEMBERS 295 00:14:49,788 --> 00:14:52,424 OFTEN OPT FOR WHAT ARE CALLED DESIGNED MARRIAGES. 296 00:14:52,424 --> 00:14:55,495 THE PARTNERS ARE MATCHED FOR, UH... ENERGY CONSILIENCE. 297 00:14:55,495 --> 00:14:58,398 SO IT WAS AN ARRANGED MARRIAGE? A RATIONAL MARRIAGE. 298 00:14:58,398 --> 00:15:01,400 I KNEW THE MINUTE I SAW CELIA WE BELONGED TOGETHER. 299 00:15:01,400 --> 00:15:04,504 WAS THERE SOMEONE ELSE? SOMEONE ANGRY ABOUT BEING REPLACED? 300 00:15:04,504 --> 00:15:07,307 AN EX-BOYFRIEND PERHAPS? ABSOLUTELY NOT. 301 00:15:07,307 --> 00:15:10,409 HOW CAN YOU BE SO CERTAIN? YOU ONLY JUST MET HER. 302 00:15:10,409 --> 00:15:13,679 KNOWLEDGE COMES TO THOSE WHO ARE OPEN TO IT, AGENT. 303 00:15:13,679 --> 00:15:16,515 I KNEW CELIA. THERE WAS NO ONE ELSE. 304 00:15:16,515 --> 00:15:19,251 ARE YOU SURE? BECAUSE CELIA WAS STRANGLED. 305 00:15:19,251 --> 00:15:22,288 THAT'S A KILLER WHO'S UPSET, REALLY WANTS TO HURT THE VICTIM. 306 00:15:22,288 --> 00:15:25,292 THERE WASN'T ANYBODY WHO MIGHT HAVE BEEN MAD AT YOU AND CELIA, 307 00:15:25,292 --> 00:15:27,626 MIGHT HAVE MADE YOU MAD? THERE'S NO NEED TO ANSWER THAT. 308 00:15:27,626 --> 00:15:30,797 I'M JUST TRYING TO GET THE PICTURE HERE. NO, YOU'RE POKING AT HIM WITH WILD CONJECTURE 309 00:15:30,797 --> 00:15:33,600 TO SEE HOW HE REACTS, AND I WON'T HAVE IT. 310 00:15:33,600 --> 00:15:35,668 THIS IS OVER. 311 00:15:37,037 --> 00:15:40,440 (exhales deeply) 312 00:15:49,849 --> 00:15:51,451 (closes book) 313 00:16:01,727 --> 00:16:03,230 (rips plastic) 314 00:16:21,213 --> 00:16:24,051 SO I CHECKED INTO HERREN. COOKING'S JUST A HOBBY. 315 00:16:24,051 --> 00:16:26,552 HIS FAMILY'S LOADED-- OLD LUMBER MONEY. 316 00:16:26,552 --> 00:16:29,422 WHEN HE TURNS 27, HE INHERITS $10 MILLION. 317 00:16:29,422 --> 00:16:31,557 THAT'S PROBABLY WHY STILES ARRANGED THE MARRIAGE. 318 00:16:31,557 --> 00:16:34,360 WITH CELIA MARRIED TO HERREN, THE CHURCH IS MORE LIKELY 319 00:16:34,360 --> 00:16:37,629 TO TAP INTO THE MONEY. YEAH, BUT IT'S NOT MOTIVE FOR HERREN TO KILL CELIA. 320 00:16:37,629 --> 00:16:40,832 OH, WAS THERE ANYTHING ELSE FROM THE INTERVIEWS AT VISUALIZE? 321 00:16:40,832 --> 00:16:42,335 NOTHING USEFUL. 322 00:16:42,335 --> 00:16:44,671 THEY ALL SEEM SO HAPPY. I MEAN, TRULY HAPPY. 323 00:16:44,671 --> 00:16:46,572 YEAH. IT'S CREEPY. 324 00:16:46,572 --> 00:16:50,842 JANE. KINDA LOST TRACK OF YOU AT VISUALIZE. 325 00:16:50,842 --> 00:16:53,480 TOOK A NAP. 326 00:16:55,347 --> 00:16:57,549 IS SOMETHING ON YOUR MIND? 327 00:16:57,549 --> 00:17:00,620 NO, NO. UM, I'M GONNA BE UPSTAIRS. 328 00:17:00,620 --> 00:17:02,922 UH... 329 00:17:02,922 --> 00:17:05,458 CELIA HAD SOME PROBLEMS WITH VISUALIZE PHILOSOPHY-- 330 00:17:05,458 --> 00:17:07,960 QUESTIONS, ISSUES WITH THE DOGMA. 331 00:17:07,960 --> 00:17:11,198 SHE, UH, MIGHT HAVE WANTED TO TALK TO SOMEONE ABOUT IT. 332 00:17:11,198 --> 00:17:14,300 SOMEONE OUTSIDE OF THE CHURCH. 333 00:17:16,603 --> 00:17:20,772 SOMEONE MENTIONED A FRIEND OF HERS WHO WAS A MEMBER BUT LEFT. 334 00:17:20,772 --> 00:17:23,710 UM... LUCY JOEL. 335 00:17:27,346 --> 00:17:30,282 ARE YOU SURE NOBODY WAS FOLLOWING YOU, SAW YOU COME IN? 336 00:17:30,282 --> 00:17:31,584 LUCY, NOBODY FOLLOWED US. 337 00:17:31,584 --> 00:17:34,421 (Lucy sighs) I'M NOT CRAZY, OKAY? 338 00:17:34,421 --> 00:17:36,888 I HAVE BEEN FOLLOWED AND THREATENED. 339 00:17:36,888 --> 00:17:40,326 VISUALIZE DOESN'T LIKE WHEN PEOPLE LEAVE THE HIVE. 340 00:17:40,326 --> 00:17:43,563 WHEN YOU'RE A MEMBER, EVERY WEEK YOU SIT DOWN 341 00:17:43,563 --> 00:17:48,134 IN FRONT OF A CAMERA AND LAY OUT EVERY BAD THING YOU'VE DONE. 342 00:17:48,134 --> 00:17:50,670 I MEAN, EVERYTHING. 343 00:17:50,670 --> 00:17:51,971 IT'S CALLED VENTILATION. 344 00:17:51,971 --> 00:17:55,407 YOUR VENT VIDS. IT'S SUPPOSED TO AIR YOU OUT. 345 00:17:55,407 --> 00:17:58,577 IT MAKES YOU FEEL GREAT, CLEAN. 346 00:17:58,577 --> 00:18:00,579 (scoffs) THEN WHEN YOU'RE LEAVING, 347 00:18:00,579 --> 00:18:04,016 THEY SAY, "WHOA. WE KNOW ALL THIS NASTY STUFF. 348 00:18:04,016 --> 00:18:07,220 YOU'RE NOT GONNA SAY ANYTHING BAD ABOUT VISUALIZE, ARE YOU?" 349 00:18:07,220 --> 00:18:09,221 WE'RE NOT HERE TO GET DIRT ON VISUALIZE. 350 00:18:09,221 --> 00:18:11,691 WE WANNA TALK ABOUT CELIA. 351 00:18:11,691 --> 00:18:13,192 YEAH. 352 00:18:13,192 --> 00:18:14,826 SHE WAS SWEET, 353 00:18:14,826 --> 00:18:17,297 ALMOST TOO NICE, YOU KNOW? 354 00:18:17,297 --> 00:18:19,731 SHE NEEDED PEOPLE A LITTLE TOO MUCH. 355 00:18:21,099 --> 00:18:23,170 SHE KNEW VISUALIZE WAS CRAZY, 356 00:18:23,170 --> 00:18:26,472 BUT THEY'D GOTTEN HER CLEAN. 357 00:18:26,472 --> 00:18:30,143 UGH. AND SHE WAS SCARED TO LEAVE, YOU KNOW? 358 00:18:30,143 --> 00:18:32,578 THOUGHT SHE'D START USING AGAIN. 359 00:18:32,578 --> 00:18:34,814 WAS SHE IN TOUCH WITH YOU? 360 00:18:34,814 --> 00:18:37,416 SHE'D CALL, JUST TO TALK, 361 00:18:37,416 --> 00:18:40,220 BITCH ABOUT THE CHURCH, YOU KNOW, STUFF. 362 00:18:40,220 --> 00:18:42,689 WAS THERE ANYTHING SPECIFIC ON HER MIND? 363 00:18:42,689 --> 00:18:46,393 I-I CAN'T. I'M SORRY. I DON'T WANT ANY TROUBLE. LUCY, LISTEN. WE CAN OFFER YOU-- 364 00:18:46,393 --> 00:18:48,994 NO. L--IT WAS REALLY HARD TO LEAVE THAT PLACE. 365 00:18:48,994 --> 00:18:53,065 NOW I'M GOOD WITH THE CHURCH, AND THE CHURCH IS GOOD WITH ME. 366 00:18:53,065 --> 00:18:55,535 EVERYTHING'S GOOD. 367 00:18:55,535 --> 00:18:57,537 LISTEN, I KNOW YOU'RE SCARED, 368 00:18:57,537 --> 00:19:00,406 BUT RIGHT NOW YOU'RE CELIA'S GUARDIAN, 369 00:19:00,406 --> 00:19:02,974 THE ONLY ONE THAT CAN HELP HER. 370 00:19:02,974 --> 00:19:05,178 IT'S UP TO YOU. 371 00:19:05,178 --> 00:19:07,180 (sighs) 372 00:19:08,780 --> 00:19:11,983 SHE WAS HAVING AN AFFAIR WITH SOMEBODY VERY BIG IN THE CHURCH. 373 00:19:11,983 --> 00:19:13,952 SHE WOULDN'T TELL ME HIS NAME. 374 00:19:13,952 --> 00:19:16,923 THEN SHE WAS SUPPOSED TO MARRY HERREN. 375 00:19:16,923 --> 00:19:18,990 AND HE WAS SWEET, 376 00:19:18,990 --> 00:19:21,193 KEPT SAYING HE LOVED HER. 377 00:19:21,193 --> 00:19:24,631 SHE FELT BAD LYING TO HIM. 378 00:19:24,631 --> 00:19:26,598 LAST TIME I TALKED TO HER, 379 00:19:26,598 --> 00:19:28,800 SHE SAID SHE HAD TO DO SOMETHING, 380 00:19:28,800 --> 00:19:30,737 BUT SHE DIDN'T SAY WHAT. 381 00:19:32,104 --> 00:19:35,974 AND IF ANYBODY FINDS OUT I TOLD YOU THAT, 382 00:19:35,974 --> 00:19:38,911 I AM SO DEAD. 383 00:19:42,315 --> 00:19:44,550 YOU WERE GREAT IN THERE. 384 00:19:44,550 --> 00:19:46,152 "YOU'RE CELIA'S GUARDIAN." 385 00:19:46,152 --> 00:19:49,154 IT WAS NICE. 386 00:19:49,154 --> 00:19:51,691 I LIED THIS MORNING. 387 00:19:53,226 --> 00:19:55,295 I DO CARE THAT YOU'RE SEEING SOMEONE ELSE. 388 00:19:55,295 --> 00:19:57,663 IT HURTS A LITTLE. 389 00:19:57,663 --> 00:20:00,567 I MEAN, IT'S NO BIGGIE. I'LL GET OVER IT. 390 00:20:00,567 --> 00:20:03,836 I WANT US TO BE FRIENDS. 391 00:20:03,836 --> 00:20:04,836 (sighs) 392 00:20:04,836 --> 00:20:08,007 WE CAN GET TO THAT POINT, RIGHT? 393 00:20:08,007 --> 00:20:10,876 CAN WE BE JUST FRIENDS? 394 00:20:10,876 --> 00:20:12,979 YEAH. SURE, WE CAN. 395 00:20:12,979 --> 00:20:15,347 GOOD. I'D LIKE THAT. 396 00:20:18,984 --> 00:20:20,819 BEHIND US. 397 00:20:20,819 --> 00:20:22,020 HUH? 398 00:20:22,020 --> 00:20:23,390 SOMEONE'S TAILING US. 399 00:20:23,390 --> 00:20:26,726 VISUALIZE? 400 00:20:26,726 --> 00:20:29,796 OH, YEAH. I GUESS LUCY ISN'T CRAZY. 401 00:20:29,796 --> 00:20:31,498 GETTING THE PLATES. 402 00:20:31,498 --> 00:20:33,532 SHOULD I PULL 'EM OVER? 403 00:20:33,532 --> 00:20:37,036 CAN YOU GET BEHIND 'EM? 404 00:20:37,036 --> 00:20:39,971 THROW A LOOP? EASY. WATCH. 405 00:20:39,971 --> 00:20:42,308 (engine revs) GRACE! 406 00:20:42,308 --> 00:20:45,278 (tires screech) 407 00:20:48,280 --> 00:20:51,317 GRACE! (tires screech) 408 00:20:51,317 --> 00:20:53,353 OHH. OHH. 409 00:20:53,353 --> 00:20:55,954 YOU OKAY? YOU OKAY? YEAH, YEAH. YOU? 410 00:20:55,954 --> 00:20:58,458 YEAH. I JUST-- I JUST NEED A MINUTE. 411 00:20:58,458 --> 00:21:01,294 CAN YOU GO CHECK ON THE OTHER GUYS? MM. 412 00:21:03,430 --> 00:21:08,034 (groaning and panting) 413 00:21:08,034 --> 00:21:12,404 HEY. CBI. YOU WANNA TELL ME WHAT THE HELL YOU'RE DOING? 414 00:21:12,404 --> 00:21:15,407 FBI. I COULD ASK YOU THE SAME THING. 415 00:21:19,479 --> 00:21:20,946 AGENT O'LAUGHLIN, IS IT? 416 00:21:20,946 --> 00:21:23,214 CRAIG O'LAUGHLIN. THAT'S RIGHT, MA'AM. 417 00:21:23,214 --> 00:21:27,153 YOU WANNA TELL ME WHY THE FBI WAS TAILING TWO OF MY AGENTS? 418 00:21:27,153 --> 00:21:30,155 SURE. WE'VE BEEN LOOKING AT BRET STILES AND VISUALIZE 419 00:21:30,155 --> 00:21:32,525 FOR A COUPLE YEARS NOW. AND WE'VE HAD ALLEGATIONS 420 00:21:32,525 --> 00:21:35,193 OF TAX FRAUD, RACKETEERING, AND A LOT WORSE, 421 00:21:35,193 --> 00:21:38,130 BUT WE HAVEN'T GOTTEN OUR HANDS ON ANYBODY THAT COULD TELL US 422 00:21:38,130 --> 00:21:40,967 ABOUT THE ORGANIZATION. TIGHT AS A DRUM. YEAH, BUT WHY FOLLOW US? 423 00:21:40,967 --> 00:21:43,903 MY BOSS THINKS STILES MAY HAVE PEOPLE INSIDE LAW ENFORCEMENT, 424 00:21:43,903 --> 00:21:46,538 WHICH WOULD EXPLAIN WHY WE'RE NOT GETTING ANYWHERE 425 00:21:46,538 --> 00:21:50,209 WITH THE INVESTIGATION. Y-YOU THINK THAT WE'RE WORKING WITH VISUALIZE? 426 00:21:50,209 --> 00:21:53,380 SHE WANTED US TO LOOK INTO THE POSSIBILITY. THAT'S ALL. 427 00:21:53,380 --> 00:21:56,214 AND I'VE SEEN NO EVIDENCE OF IT. 428 00:21:56,214 --> 00:21:58,150 WHAT YOU DID WAS RECKLESS. 429 00:21:58,150 --> 00:22:00,752 I SHOULD BRING YOU UP FOR DEPARTMENTAL DISCIPLINE. 430 00:22:00,752 --> 00:22:03,423 BUT HE SHOULDN'T HAVE BEEN FOLLOWING YOU, 431 00:22:03,423 --> 00:22:05,791 SO I'M GONNA LET IT PASS. 432 00:22:05,791 --> 00:22:09,295 AND YOU TELL YOUR BOSS IF SHE WANTS TO CATCH BAD GUYS, 433 00:22:09,295 --> 00:22:11,431 SHE SHOULD FOLLOW BAD GUYS. 434 00:22:11,431 --> 00:22:15,734 IT WAS A PLEASURE WORKING WITH THE FBI. 435 00:22:15,734 --> 00:22:17,169 (scoffs) 436 00:22:17,169 --> 00:22:21,207 HEY, LISTEN. I'M SORRY ABOUT THAT. DOES IT HURT? 437 00:22:21,207 --> 00:22:23,776 NO. NO, IT'S NOT THAT BAD. 438 00:22:23,776 --> 00:22:25,778 THANKS. 439 00:22:25,778 --> 00:22:27,814 YOU KNOW, 440 00:22:27,814 --> 00:22:29,248 VAN PELT... 441 00:22:29,248 --> 00:22:32,451 MM-HMM. YOU--YOU RELATED TO AMOS VAN PELT, BY ANY CHANCE, 442 00:22:32,451 --> 00:22:35,153 THE FOOT-FOOTBALL COACH AT BURTON? 443 00:22:35,153 --> 00:22:36,989 HE'S MY FATHER. 444 00:22:36,989 --> 00:22:39,659 WHOA. UH, HE WAS ONE HELL OF A COACH. 445 00:22:39,659 --> 00:22:41,627 I WAS A WIDE RECEIVER AT U. OF M. 446 00:22:41,627 --> 00:22:45,297 YOUR, UH, YOUR DAD GAVE US ONE TOUGH GAME. 447 00:22:45,297 --> 00:22:46,633 O'LAUGHLIN... 448 00:22:46,633 --> 00:22:49,402 DIDN'T YOU GO NFL? TENNESSEE. 449 00:22:49,402 --> 00:22:51,738 I DID, YEAH. YEAH, JUST A COUPLE OF YEARS. 450 00:22:51,738 --> 00:22:53,038 THANKS FOR REMEMBERING. 451 00:22:53,038 --> 00:22:56,375 ANYWAY, I SHOULD GET BACK TO THE OFFICE, 452 00:22:56,375 --> 00:22:58,944 GET BEAT UP BY MY OWN BOSS. 453 00:22:58,944 --> 00:23:02,013 YOU SEE YOUR DAD, TELL HIM HE'S REMEMBERED. 454 00:23:02,013 --> 00:23:04,150 I WILL. THANKS. 455 00:23:04,150 --> 00:23:05,718 YEAH. 456 00:23:09,055 --> 00:23:11,057 HEY. EXCUSE ME. 457 00:23:12,157 --> 00:23:14,727 YOU'RE THE FBI GUY, RIGHT? 458 00:23:14,727 --> 00:23:18,998 I'M A SPECIAL AGENT IN CHARGE, IF THAT'S WHAT YOU MEAN. NO, THAT'S EXACTLY WHAT I MEAN. 459 00:23:18,998 --> 00:23:21,768 SO YOU GUYS ARE INVESTIGATING VISUALIZE 460 00:23:21,768 --> 00:23:25,136 AND THIS CHARACTER BRET STILES, RIGHT? I GUESS THAT'S COMMON KNOWLEDGE BY NOW. 461 00:23:25,136 --> 00:23:26,638 YEAH. 462 00:23:26,638 --> 00:23:29,675 DO YOU HAVE A GUY DEEP INSIDE THE CHURCH, 463 00:23:29,675 --> 00:23:33,613 YOU KNOW, UN-UNDERCOVER AGENT? YOU CAN'T SERIOUSLY BE ASKING ME THAT. 464 00:23:33,613 --> 00:23:36,281 SO THAT'S A "YES." ANY CHANCE OF A NAME? 465 00:23:36,281 --> 00:23:39,351 NO. NO CHANCE. 466 00:23:39,351 --> 00:23:42,153 WE HAVE TO GET BACK TO VISUALIZE. 467 00:23:42,153 --> 00:23:43,722 WHY IS THAT? 468 00:23:43,722 --> 00:23:46,224 CELIA JOVANOVICH WAS ALMOST CERTAINLY KILLED BY HER LOVER, 469 00:23:46,224 --> 00:23:49,060 SO SHE ALMOST CERTAINLY MENTIONED HIS NAME 470 00:23:49,060 --> 00:23:50,362 IN HER VENT VIDEO. 471 00:23:50,362 --> 00:23:52,499 ERGO, WE NEED TO SEE HER VIDEOS. 472 00:23:52,499 --> 00:23:54,866 I'LL GET MY COAT. 473 00:23:56,469 --> 00:23:59,872 WHAT DO YOU HAVE IN THERE? 474 00:23:59,872 --> 00:24:02,575 OH, LOOK AT THAT. THANK YOU. 475 00:24:04,009 --> 00:24:07,012 "TO MAKE OURSELVES FULLY CONSCIOUS, 476 00:24:07,012 --> 00:24:10,849 "THE CHALLENGE IS TO EXPAND THE POWER OF MIND 477 00:24:10,849 --> 00:24:13,853 "BY DISPELLING DOUBT AND GUILT 478 00:24:13,853 --> 00:24:17,056 SO THAT WE MAY FIND IN OUR--" (loud pop) 479 00:24:17,056 --> 00:24:19,892 SORRY. DIDN'T MEAN TO STARTLE ANYONE. 480 00:24:19,892 --> 00:24:24,096 WELL, ACTUALLY, I DID. YOU GOT A MINUTE? 481 00:24:24,096 --> 00:24:25,998 WHAT IS IT, MR. JANE? 482 00:24:28,433 --> 00:24:31,303 (lowered voice) YOU'RE THE FBI's UNDERCOVER AGENT, RIGHT? 483 00:24:31,303 --> 00:24:32,771 WHAT? 484 00:24:32,771 --> 00:24:35,106 I NEED A FAVOR. JUST A SMALL ONE. 485 00:24:35,106 --> 00:24:37,076 GET RID OF 'EM. 486 00:24:37,076 --> 00:24:40,980 GUYS, TAKE A BREAK. 487 00:24:45,518 --> 00:24:49,087 (lowered voice) I HAVE NO IDEA WHAT YOU'RE TALKING ABOUT. 488 00:24:49,087 --> 00:24:51,657 WELL, WHEN I JUST POPPED THE BAG RIGHT NOW, 489 00:24:51,657 --> 00:24:53,660 YOUR HAND WENT FOR YOUR HIP. 490 00:24:53,660 --> 00:24:55,627 YOU WERE REACHING FOR YOUR GUN. 491 00:24:55,627 --> 00:24:58,730 IT'S A COP INSTINCT. NEVER GOES AWAY. 492 00:24:58,730 --> 00:25:01,467 (indistinct conversations) 493 00:25:01,467 --> 00:25:03,869 DO YOU HAVE ANY IDEA WHAT YOU'RE DOING? 494 00:25:03,869 --> 00:25:05,672 THIS IS AN ONGOING INVESTIGATION, 495 00:25:05,672 --> 00:25:08,807 AND I SPENT THREE YEARS WORKING MY WAY INTO THIS ORGANIZATION. 496 00:25:08,807 --> 00:25:11,577 HEY, DON'T FREAK OUT, SERPICO. I NEED ONE LITTLE THING. 497 00:25:11,577 --> 00:25:13,311 FORGET IT. 498 00:25:13,311 --> 00:25:15,280 YOUR INVESTIGATION IS DEAD. 499 00:25:15,280 --> 00:25:18,284 IF I PICKED YOU OUT, THEN STILES HAS DEFINITELY PICKED YOU OUT. 500 00:25:18,284 --> 00:25:21,287 THE ONLY REASON HE HASN'T GOTTEN RID OF YOU IS BECAUSE 501 00:25:21,287 --> 00:25:23,789 HE'S USING YOU. HE'S FEEDING YOU FALSE INFORMATION. 502 00:25:23,789 --> 00:25:26,291 DO YOU HAVE ANY USABLE EVIDENCE? 503 00:25:26,291 --> 00:25:28,760 NO. DIDN'T THINK SO. 504 00:25:28,760 --> 00:25:31,396 AND YOU NEVER WILL. YOU CAN HELP ME, THOUGH. 505 00:25:31,396 --> 00:25:34,532 TOGETHER, WE CAN CATCH CELIA JOVANOVICH'S KILLER. 506 00:25:34,532 --> 00:25:36,769 WHAT'S THIS ABOUT? 507 00:25:36,769 --> 00:25:39,337 I NEED TO SEE ONE OF HER VENT VIDEOS, 508 00:25:39,337 --> 00:25:42,808 AND I NEED YOU TO TAKE ME TO WHERE THEY'RE KEPT. GET A WARRANT. 509 00:25:42,808 --> 00:25:44,844 WARRANTS TAKE TIME. AND MEANWHILE, 510 00:25:44,844 --> 00:25:47,278 BACK AT THE RANCH, THEY'RE WIPING THE TAPES. 511 00:25:50,348 --> 00:25:53,051 THE ROOM WHERE THEY'RE STORED 512 00:25:53,051 --> 00:25:55,788 IS FULL OF SECURITY CAMERAS. 513 00:25:55,788 --> 00:25:58,190 THEY'LL BE ON TO YOU IN MINUTES. 514 00:25:58,190 --> 00:25:59,991 YES, THEY WILL. 515 00:25:59,991 --> 00:26:04,230 THAT'S WHAT I'M TALKING ABOUT. LET'S GO. 516 00:26:06,498 --> 00:26:07,967 (door closes) 517 00:26:12,304 --> 00:26:14,405 AH, AGENT LISBON. 518 00:26:14,405 --> 00:26:16,909 WHAT'S ALL THIS ABOUT YOU WANTING CELIA'S VENT VIDEOS? 519 00:26:16,909 --> 00:26:18,845 WE BELIEVE CELIA JOVANOVICH MAY HAVE IDENTIFIED HER KILLER 520 00:26:18,845 --> 00:26:21,380 IN ONE OF THE VIDEOS. 521 00:26:21,380 --> 00:26:24,983 WE'D LIKE TO TAKE A LOOK AT 'EM. NO, NO, NO. THAT'S IMPOSSIBLE. THE VENTILATIONS SHOW 522 00:26:24,983 --> 00:26:27,252 OUR MEMBERS AT THEIR MOST VULNERABLE. 523 00:26:27,252 --> 00:26:29,454 ONLY SENIOR MEMBERS OF THE CHURCH 524 00:26:29,454 --> 00:26:31,257 ARE ALLOWED TO SEE THEM. 525 00:26:31,257 --> 00:26:33,792 I MEAN, I COULD NO MORE SHOW YOU THEM 526 00:26:33,792 --> 00:26:35,994 THAN A PRIEST COULD DISCUSS A CONFESSION. HMM? 527 00:26:35,994 --> 00:26:39,164 NOW IF YOU'LL PLEASE EXCUSE ME... 528 00:26:39,164 --> 00:26:40,666 SIR? YEAH. 529 00:26:40,666 --> 00:26:43,134 SECURITY FEED OF PATRICK JANE. 530 00:26:43,134 --> 00:26:44,603 WHAT? 531 00:26:47,138 --> 00:26:50,643 AGENT, THIS IS A SECURITY CAMERA FEED 532 00:26:50,643 --> 00:26:52,544 FROM OUR VIDEO ROOM. 533 00:26:52,544 --> 00:26:54,380 WHAT'S GOING ON? 534 00:27:05,825 --> 00:27:08,728 IT'S BEEN ABOUT HALF AN HOUR. 535 00:27:08,728 --> 00:27:10,429 THIS IS OUTRAGEOUS. 536 00:27:10,429 --> 00:27:12,131 I'M GETTING BORED. 537 00:27:12,131 --> 00:27:15,734 MR. STILES IS CALLING IN EVERY IMPORTANT PERSON HE KNOWS 538 00:27:15,734 --> 00:27:17,836 TO TRY AND GET US FIRED. 539 00:27:17,836 --> 00:27:19,538 IT TAKES TIME. 540 00:27:19,538 --> 00:27:20,972 (door opens) 541 00:27:22,709 --> 00:27:24,676 AH. 542 00:27:24,676 --> 00:27:27,846 YOU'RE DONE. YOU ARE DONE. WE'VE SPOKEN TO YOUR SUPERIORS, 543 00:27:27,846 --> 00:27:29,848 EXPLAINED TO THEM THAT WE VIEW MR. JANE'S ACTIONS 544 00:27:29,848 --> 00:27:31,616 AS A GRIEVOUS BREACH OF CIVIL LIBERTIES. 545 00:27:31,616 --> 00:27:34,886 WE'LL BE PURSUING CIVIL AND CRIMINAL REMEDIES. MEH. 546 00:27:34,886 --> 00:27:36,622 I'M CURIOUS. 547 00:27:36,622 --> 00:27:40,826 YOU COULDN'T HOPE TO WATCH THESE VIDEOS FOR ANY LENGTH OF TIME. 548 00:27:40,826 --> 00:27:43,930 WHAT DID YOU THINK YOU'D ACCOMPLISH BY COMING HERE? 549 00:27:43,930 --> 00:27:46,198 OH, WE'LL SEE THE VIDEOS. 550 00:27:46,198 --> 00:27:51,037 OH, YOU WILL SEE THEM, WILL YOU? AND--AND HOW IS THAT? (chuckles) YOU'LL GIVE THEM TO US. 551 00:27:51,037 --> 00:27:53,772 OH, REALLY? AND WHY? WHY? 552 00:28:00,980 --> 00:28:03,782 (lowered voice) CELIA JOVANOVICH WAS KILLED BY HER LOVER-- 553 00:28:03,782 --> 00:28:06,417 SOMEONE VERY HIGH UP IN YOUR CHURCH, 554 00:28:06,417 --> 00:28:10,189 SOMEONE THAT IS VERY PROBABLY IN THIS ROOM RIGHT NOW. (lowered voice) WELL, 555 00:28:10,189 --> 00:28:12,324 THAT'S VERY INTERESTING, IF IT WERE TRUE. 556 00:28:12,324 --> 00:28:15,294 AND I DARESAY, IS MENTIONED IN HER VIDEOS. 557 00:28:15,294 --> 00:28:18,663 SO IF YOU SAY YOU'LL GIVE US THE VIDEOS, 558 00:28:18,663 --> 00:28:21,299 THE KILLER WILL IDENTIFY HIMSELF. 559 00:28:21,299 --> 00:28:24,103 HE WILL BE THE MAN THAT INSISTS MOST FORCEFULLY 560 00:28:24,103 --> 00:28:26,571 THAT YOU SHOULDN'T GIVE 'EM TO US. 561 00:28:26,571 --> 00:28:28,440 WHAT IF I KILLED HER? 562 00:28:28,440 --> 00:28:30,742 YOU? 563 00:28:30,742 --> 00:28:32,711 YOU WOULDN'T HURT A FLY. 564 00:28:32,711 --> 00:28:35,847 (chuckles) 565 00:28:35,847 --> 00:28:37,916 (clears throat) 566 00:28:37,916 --> 00:28:39,919 (normal voice) PATRICK HAS OFFERED 567 00:28:39,919 --> 00:28:42,354 A VERY, UM, PERSUASIVE ARGUMENT. 568 00:28:42,354 --> 00:28:46,491 I'M GOING TO BE HANDING OVER THE VIDEOS TO HIM. 569 00:28:46,491 --> 00:28:47,960 NO. 570 00:28:47,960 --> 00:28:50,296 NO. ABSOLUTELY N-- I-I CAN'T ALLOW THAT. 571 00:28:50,296 --> 00:28:53,298 WHY NOT? THE PRECEDENT WOULD BE UNACCEPTABLE. 572 00:28:53,298 --> 00:28:55,467 IT WOULD-- IT WOULD OPEN UP ALL MANNER 573 00:28:55,467 --> 00:28:58,470 OF INTRUSIVE POLICE ACTION. (lowered voice) THAT SOUNDS LIKE LAWYER SPEAK 574 00:28:58,470 --> 00:29:02,074 FOR "I DID IT. I DID IT. I'M GUILTY." MR. COLES, 575 00:29:02,074 --> 00:29:04,210 IN A WEEK OR SO, FORENSICS IS GONNA HAVE PROCESSED 576 00:29:04,210 --> 00:29:06,979 THE D.N.A. THAT WAS UNDER THE VICTIM'S FINGERNAILS. 577 00:29:06,979 --> 00:29:11,150 WE'RE GONNA NEED A SAMPLE FROM YOU. THAT'S RIDICULOUS. THAT-- THAT IS COMPLETELY UNNECESSARY. 578 00:29:11,150 --> 00:29:13,751 (normal voice) NO, IT'S JUST A PINPRICK. DOESN'T HURT A BIT. 579 00:29:13,751 --> 00:29:15,386 JULIUS, PLEASE. 580 00:29:15,386 --> 00:29:17,455 TELL ME... 581 00:29:17,455 --> 00:29:19,691 YOU DID NOT KILL... 582 00:29:19,691 --> 00:29:22,594 THAT YOUNG WOMAN. 583 00:29:22,594 --> 00:29:25,798 NO, I DIDN'T. 584 00:29:28,099 --> 00:29:31,369 THAT ONE--THAT--THAT LOOKED LIKE IT DID HURT. HUH? 585 00:29:33,839 --> 00:29:35,842 SHE WAS A SWEET GIRL. 586 00:29:35,842 --> 00:29:38,009 I'D SEE HER WHEN I CAME TO MEET BRET. 587 00:29:38,009 --> 00:29:41,113 SHE LIKED TO TALK ABOUT THE BOOK SHE WAS READING. 588 00:29:41,113 --> 00:29:43,214 THINGS JUST WENT FROM THERE. 589 00:29:43,214 --> 00:29:45,550 I-I WAS... 590 00:29:45,550 --> 00:29:48,153 I WAS VERY FOND OF HER. 591 00:29:48,153 --> 00:29:51,123 AND THEN HERREN CAME INTO THE PICTURE. 592 00:29:51,123 --> 00:29:53,592 CELIA SAID SHE HAD TO TELL HERREN THE TRUTH... 593 00:29:53,592 --> 00:29:55,927 ABOUT US. 594 00:29:55,927 --> 00:29:58,797 I TOLD HER, VISUALIZE WAS MY ONLY CLIENT. 595 00:29:58,797 --> 00:30:00,098 BRET WOULD BANISH ME 596 00:30:00,098 --> 00:30:03,801 IF HE KNEW I-I WAS INVOLVED WITH A MEMBER. 597 00:30:03,801 --> 00:30:08,140 SHE JUST KEPT SAYING SHE COULDN'T LIE. 598 00:30:08,140 --> 00:30:11,277 SHE COULDN'T LIE TO SAVE MY CAREER. 599 00:30:11,277 --> 00:30:12,912 (sighs) 600 00:30:12,912 --> 00:30:14,946 I GOT ANGRY. 601 00:30:14,946 --> 00:30:16,949 AND WE FOUGHT. 602 00:30:19,285 --> 00:30:21,086 IT HAPPENED. 603 00:30:22,453 --> 00:30:25,124 (gulps) 604 00:30:27,026 --> 00:30:29,795 SO WE HAVE A DEAL? D.A. AGREED-- 605 00:30:29,795 --> 00:30:33,432 INVOLUNTARY MANSLAUGHTER. THREE YEARS WITH TIME SERVED. 606 00:30:33,432 --> 00:30:35,433 IN EXCHANGE FOR YOUR COOPERATION 607 00:30:35,433 --> 00:30:39,637 WITH THE FBI's INVESTIGATION INTO VISUALIZE AND BRET STILES. 608 00:30:39,637 --> 00:30:43,174 OKAY, YOU GOT IT. 609 00:30:43,174 --> 00:30:46,345 I LOOK FORWARD TO WORKING WITH YOU, MR. COLES. 610 00:30:46,345 --> 00:30:47,913 MM. 611 00:30:47,913 --> 00:30:51,049 (police radio chatter) 612 00:30:54,921 --> 00:30:58,257 AH. THREE YEARS IS NOTHING. 613 00:30:58,257 --> 00:31:00,192 IT'S THE WAY OF THE WORLD. 614 00:31:00,192 --> 00:31:02,827 HE'S SELLING STILES. HE'S A BIG FISH. THE FBI HAS TO PAY. 615 00:31:02,827 --> 00:31:05,263 IF YOU THINK ABOUT THIS STUFF TOO MUCH, 616 00:31:05,263 --> 00:31:06,832 YOU'LL DRIVE YOURSELF CRAZY. 617 00:31:06,832 --> 00:31:10,236 HEY, THAT'S THE BOYFRIEND-- DAVID HERREN. OH! 618 00:31:10,236 --> 00:31:12,471 GUN! (engine revs) 619 00:31:16,807 --> 00:31:19,244 (O'Laughlin) DROP YOUR GUN! DROP IT! 620 00:31:19,244 --> 00:31:21,512 DROP IT NOW! GET YOUR HANDS ABOVE YOUR HEAD! 621 00:31:21,512 --> 00:31:24,049 DON'T MOVE! 622 00:31:26,785 --> 00:31:28,253 GET YOUR HEAD DOWN! 623 00:31:28,253 --> 00:31:30,189 HEAD DOWN! 624 00:31:40,499 --> 00:31:43,102 INACTIVITY IS THE SIGN OF THE CLOUDED MIND. 625 00:31:43,102 --> 00:31:46,605 DISCIPLINE, ORDER, WORK. WHERE'D YOU GET THE GUN? 626 00:31:46,605 --> 00:31:49,174 I STOLE IT FROM THE DESK OF THE MANAGER. 627 00:31:49,174 --> 00:31:51,643 HE KEEPS IT FOR MAKING NIGHT DEPOSITS. 628 00:31:51,643 --> 00:31:54,880 DID ANYONE ELSE KNOW WHAT YOU WERE GONNA DO? 629 00:31:54,880 --> 00:31:57,016 PUT ME IN PRISON. I DON'T CARE. 630 00:31:57,016 --> 00:31:58,884 MY HEART IS FREE. 631 00:31:58,884 --> 00:32:03,055 THE MINUTE I SAW HIM, I KNEW. I DID THE RIGHT THING. 632 00:32:03,055 --> 00:32:06,258 DID ANYONE ELSE KNOW? 633 00:32:06,258 --> 00:32:07,058 NO. 634 00:32:07,058 --> 00:32:09,461 IT WAS MY IDEA. 635 00:32:29,214 --> 00:32:31,416 (cell phone alert chimes) 636 00:32:43,929 --> 00:32:46,531 (horn honks) 637 00:32:57,343 --> 00:33:00,546 THANKS FOR YOUR TIME. 638 00:33:00,546 --> 00:33:03,348 I UNDERSTAND HERREN CONFESSED. 639 00:33:04,715 --> 00:33:07,786 HE DIDN'T MENTION YOUR NAME. 640 00:33:07,786 --> 00:33:10,422 THE POOR SOUL. 641 00:33:10,422 --> 00:33:14,425 BUT... WHY WOULD HE MENTION ME? 642 00:33:14,425 --> 00:33:17,828 WELL... YOU DIDN'T GO AND TELL HIM TO KILL THE MAN, 643 00:33:17,828 --> 00:33:19,631 BUT YOU CLARIFIED HIS OPTIONS, 644 00:33:19,631 --> 00:33:24,336 WHICH IS AS GOOD AS KILLING HIM, AS FAR AS I'M CONCERNED. 645 00:33:24,336 --> 00:33:26,538 IS THAT THE OFFICIAL VIEW? 646 00:33:26,538 --> 00:33:28,539 IS THIS WHY YOU WANTED TO SEE ME? 647 00:33:28,539 --> 00:33:30,675 'CAUSE A PHONE CALL WOULD HAVE BEEN FINE. 648 00:33:30,675 --> 00:33:32,177 THE FBI's GIVEN UP. 649 00:33:32,177 --> 00:33:33,979 OH, THAT'S A SHAME. 650 00:33:33,979 --> 00:33:37,316 I RATHER ENJOYED BROTHER WENCH AND HIS CLUMSY MACHINATIONS. 651 00:33:37,316 --> 00:33:39,651 OH, WELL, THERE IT IS. 652 00:33:39,651 --> 00:33:41,720 YOU'RE SAFE. 653 00:33:41,720 --> 00:33:44,355 BRAVO. 654 00:33:44,355 --> 00:33:47,593 WELL, ALWAYS NICE TO KNOW, BUT THAT'S NOT WHY I'M HERE. 655 00:33:47,593 --> 00:33:50,261 IT SEEMS THAT YOUR FRIEND JOHN 656 00:33:50,261 --> 00:33:53,499 IS PLANNING A SURPRISE PARTY FOR YOU. 657 00:33:55,967 --> 00:33:59,171 HOW DO YOU KNOW WHAT RED JOHN IS PLANNING? DOESN'T MATTER. 658 00:33:59,171 --> 00:34:01,173 IT CERTAINLY MATTERS TO ME. 659 00:34:01,173 --> 00:34:04,210 HOW DO YOU KNOW WHAT RED JOHN IS PLANNING? 660 00:34:04,210 --> 00:34:06,278 MY DEAR CHAP, I KNOW SO MUCH MORE 661 00:34:06,278 --> 00:34:10,014 THAN YOU OR RED JOHN COULD EVER IMAGINE. 662 00:34:10,014 --> 00:34:13,518 ACCEPT THIS AS A GIFT FROM A FRIEND. 663 00:34:13,518 --> 00:34:15,387 OR NOT. 664 00:34:39,744 --> 00:34:43,315 (police radio chatter) 665 00:34:54,860 --> 00:34:56,295 (door creaks) 666 00:35:00,965 --> 00:35:03,534 (Rigsby) CLEAR! 667 00:35:03,534 --> 00:35:05,204 ALL CLEAR. 668 00:35:05,204 --> 00:35:06,804 (Cho) CLEAR. 669 00:35:06,804 --> 00:35:08,673 BOSS. 670 00:35:29,126 --> 00:35:32,264 (whispers) BOSS. 671 00:35:45,277 --> 00:35:46,777 KRISTINA? 672 00:35:53,585 --> 00:35:55,753 KRISTINA. 673 00:36:03,094 --> 00:36:04,596 E.M.T. SAID 674 00:36:04,596 --> 00:36:07,432 SHE HAD A PUNCTURE WOUND IN ONE ARM, LIKE FROM AN I.V. 675 00:36:07,432 --> 00:36:11,603 MUST BE HOW RED JOHN GOT THE BLOOD OUT OF HER. HE ALSO SAID THERE WAS NO OTHER SIGN OF ASSAULT-- 676 00:36:11,603 --> 00:36:13,871 PHYSICAL, SEXUAL, ANYTHING. 677 00:36:13,871 --> 00:36:17,809 WHY WON'T SHE SPEAK? WHAT DID HE DO TO HER? 678 00:36:25,684 --> 00:36:28,586 STILL NOTHING. NOT A SOUND. 679 00:36:28,586 --> 00:36:32,190 OKAY. (clears throat) 680 00:36:35,726 --> 00:36:38,697 (bag rustles) 681 00:36:38,697 --> 00:36:41,233 REMEMBER THIS? 682 00:36:48,706 --> 00:36:51,710 (bag thuds) COME ON, KRISTINA. LISTEN, IT'S JANE. 683 00:36:51,710 --> 00:36:54,780 YOU REMEMBER ME. 684 00:36:54,780 --> 00:36:57,782 I KNOW YOU DO. 685 00:36:57,782 --> 00:36:59,485 HMM? 686 00:36:59,485 --> 00:37:03,822 WHAT'S THE WORST DATE YOU EVER HAD? 687 00:37:03,822 --> 00:37:06,123 HUH? 688 00:37:06,123 --> 00:37:07,958 (chuckles) 689 00:37:15,367 --> 00:37:17,503 KRISTINA, PLEASE. 690 00:37:17,503 --> 00:37:21,239 PLEASE STOP THIS. JUST SPEAK TO ME. 691 00:37:28,012 --> 00:37:30,014 (sighs) 692 00:37:38,255 --> 00:37:41,159 (telephone rings) 693 00:37:41,159 --> 00:37:44,396 PSYCH PERSONNEL ARE ON THEIR WAY. 694 00:37:44,396 --> 00:37:47,264 COULD BE WORSE, YOU KNOW. 695 00:37:47,264 --> 00:37:49,434 SHE COULD BE DEAD. 696 00:37:52,269 --> 00:37:56,907 I GUESS TEA IS ALWAYS WORTH A TRY. 697 00:37:56,907 --> 00:37:58,376 (snaps fingers) 698 00:38:04,583 --> 00:38:06,751 (plastic rustles) 699 00:38:24,135 --> 00:38:27,472 (sighs) 700 00:38:27,472 --> 00:38:30,509 (blinds rattle) 701 00:38:30,509 --> 00:38:32,143 WHAT IS HE DOING? 702 00:38:32,143 --> 00:38:33,945 I HAVE NO IDEA. 703 00:38:33,945 --> 00:38:37,315 (clears throat) 704 00:38:45,322 --> 00:38:49,494 I CALL ON THE SPIRITS. 705 00:38:51,862 --> 00:38:53,097 (clicks tongue) 706 00:38:53,097 --> 00:38:54,900 I ASK FOR THE PRESENCE 707 00:38:54,900 --> 00:38:57,536 OF THE DEPARTED SOUL OF KRISTINA FRYE. 708 00:39:00,204 --> 00:39:02,907 REVEAL YOURSELF, KRISTINA FRYE. 709 00:39:04,775 --> 00:39:07,878 CAN YOU HEAR ME, KRISTINA? 710 00:39:13,418 --> 00:39:15,521 I CAN HEAR YOU, PATRICK. 711 00:39:17,088 --> 00:39:19,023 WELL, THANK YOU. 712 00:39:19,023 --> 00:39:21,358 THANK YOU FOR SPEAKING WITH ME. 713 00:39:21,358 --> 00:39:24,161 I'M SO GLAD YOU CALLED ON ME. 714 00:39:24,161 --> 00:39:27,032 I KNEW IN THE END, YOU'D BECOME A BELIEVER. 715 00:39:27,032 --> 00:39:31,603 I AM NOT A BELIEVER. I HEAR SADNESS IN YOUR VOICE. DON'T BE SAD, PATRICK. 716 00:39:31,603 --> 00:39:34,606 DEATH IS NOT THE END. 717 00:39:34,606 --> 00:39:37,375 THE AFTERLIFE'S A BEAUTIFUL PLACE. 718 00:39:37,375 --> 00:39:40,344 IT'S PEACEFUL HERE. 719 00:39:40,344 --> 00:39:44,916 HAPPY. 720 00:39:44,916 --> 00:39:46,684 YOU'RE NOT DEAD. 721 00:39:46,684 --> 00:39:51,389 YOU'RE TALKING TO A GHOST AND STILL YOU'RE A SKEPTIC. 722 00:39:51,389 --> 00:39:53,123 YOU ARE IMPOSSIBLE. 723 00:39:53,123 --> 00:39:55,893 YOU'RE NOT DEAD, KRISTINA. 724 00:39:55,893 --> 00:39:57,528 YOU'RE ALIVE. 725 00:39:57,528 --> 00:40:00,498 YOU'RE IN DENIAL. 726 00:40:00,498 --> 00:40:03,233 EVENTUALLY, YOU'LL ACCEPT THE TRUTH. 727 00:40:03,233 --> 00:40:04,969 I KNOW IT'S HARD. 728 00:40:06,137 --> 00:40:09,139 GOD KNOWS I STRUGGLED AGAINST IT MYSELF. 729 00:40:12,677 --> 00:40:16,648 BUT YOU CAN'T... FIGHT... DEATH. 730 00:40:16,648 --> 00:40:20,117 HOW DID YOU DIE? 731 00:40:20,117 --> 00:40:22,721 I DON'T REMEMBER. 732 00:40:22,721 --> 00:40:25,856 IT'S FUNNY HOW THINGS BECOME UNIMPORTANT. 733 00:40:27,257 --> 00:40:30,561 IT'S AS IF MY LIFE WAS A DREAM. 734 00:40:30,561 --> 00:40:32,498 I WOKE UP. 735 00:40:32,498 --> 00:40:36,101 I CAN'T RECALL WHAT HAPPENED. 736 00:40:38,637 --> 00:40:41,072 DID YOU SEE RED JOHN? 737 00:40:42,440 --> 00:40:43,942 WHO? 738 00:40:43,942 --> 00:40:46,010 RED JOHN. 739 00:40:46,010 --> 00:40:49,914 RED JOHN-- THE MAN THAT ABDUCTED YOU. 740 00:40:53,050 --> 00:40:57,054 I DON'T UNDERSTAND WHAT YOU'RE TALKING ABOUT. 741 00:41:10,702 --> 00:41:12,737 (typing on keyboard) 742 00:41:19,878 --> 00:41:21,246 (telephone ringing in distance) 743 00:41:24,481 --> 00:41:27,052 OH. SURE. 744 00:41:30,789 --> 00:41:34,559 APPARENTLY, BRET STILES IS OUT OF THE COUNTRY. 745 00:41:34,559 --> 00:41:37,094 HE'S OPENING A CENTER IN JAKARTA. 746 00:41:37,094 --> 00:41:39,597 VISUALIZE PEOPLE SAY THEY DON'T KNOW WHEN HE'LL BE BACK. 747 00:41:39,597 --> 00:41:42,132 HMM. FIGURES. HMM. 748 00:41:42,132 --> 00:41:44,702 BOSS. WE CAUGHT ONE. 749 00:41:44,702 --> 00:41:47,172 DOWNTOWN. 750 00:41:51,275 --> 00:41:52,811 ARE YOU OKAY? 751 00:41:55,213 --> 00:41:57,615 WE'RE UP. LET'S GO. 52523

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