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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:51,051 --> 00:00:52,353 Man: THIS IS THE CONCLUSIVE 4 00:00:52,353 --> 00:00:55,323 KIDNAP AND RANSOM REPORT FOR MR. PIERRE LENOIR. 5 00:00:55,323 --> 00:00:57,024 LOCATION: CHECHNYA. 6 00:00:57,024 --> 00:00:58,692 RESULT: POSITIVE. 7 00:00:58,692 --> 00:01:01,895 WE WERE CONTRACTED BY A.G.P. UNDERWRITERS 8 00:01:01,895 --> 00:01:03,264 WHO INSURED THE VICTIM. 9 00:01:04,632 --> 00:01:07,468 MR. LENOIR WAS ABDUCTED JANUARY 21 10 00:01:07,468 --> 00:01:09,670 FROM RUSSIAN-HELD TERRITORY 11 00:01:09,670 --> 00:01:12,240 BY MEMBERS OF THE CHECHEN NATIONALIST MILITIA. 12 00:01:14,041 --> 00:01:17,478 THEIR FIRST DEMAND WAS FOR $5 MILLION U.S. 13 00:01:20,314 --> 00:01:22,650 MY ABILITY TO NEGOTIATE DIRECTLY WITH THE CHECHENS 14 00:01:22,650 --> 00:01:25,119 WAS SUBVERTED BY LOCAL RUSSIAN MILITARY COMMAND, 15 00:01:25,119 --> 00:01:26,754 WHO MONITORED MY EVERY MOVE. 16 00:01:26,754 --> 00:01:27,955 [SPEAKING RUSSIAN] 17 00:01:27,955 --> 00:01:29,957 [SPEAKING RUSSIAN] 18 00:01:29,957 --> 00:01:31,192 AFTER 36 DAYS, 19 00:01:31,192 --> 00:01:33,527 I'D NEGOTIATED THE FINAL RANSOM FIGURE DOWN 20 00:01:33,527 --> 00:01:36,397 TO $750,000. 21 00:01:36,397 --> 00:01:37,698 FINAL PROOF OF LIFE 22 00:01:37,698 --> 00:01:41,602 WAS RECEIVED MIDNIGHT, WEDNESDAY, FEBRUARY 27. 23 00:01:41,602 --> 00:01:42,903 [SPEAKING RUSSIAN] 24 00:01:42,903 --> 00:01:45,306 [SPEAKING RUSSIAN] 25 00:01:45,306 --> 00:01:48,776 THE NEXT MORNING, I WAS INFORMED BY THE RUSSIANS 26 00:01:48,776 --> 00:01:49,877 THAT I WOULD BE PROHIBITED 27 00:01:49,877 --> 00:01:52,213 FROM PERSONALLY DELIVERING THE RANSOM PAYMENT. 28 00:01:52,213 --> 00:01:53,414 [SPEAKING RUSSIAN] 29 00:01:56,850 --> 00:01:58,519 ANY CONFIDENCE THAT THESE MEN 30 00:01:58,519 --> 00:02:00,120 WOULD DELIVER THE RANSOM MONEY 31 00:02:00,120 --> 00:02:01,655 AND RETURN THE HOSTAGE SAFELY 32 00:02:01,655 --> 00:02:04,124 HAD, BY THIS POINT, BEEN COMPLETELY DISSIPATED. 33 00:02:04,124 --> 00:02:05,459 YOU TELL YOUR COLONEL 34 00:02:05,459 --> 00:02:06,994 IT'S HIS RESPONSIBILITY NOW. 35 00:02:06,994 --> 00:02:08,396 HE'S GOT HIS ORDERS. 36 00:02:08,396 --> 00:02:09,997 IF HE FUCKS ABOUT, 37 00:02:09,997 --> 00:02:11,632 I'LL BE THE LEAST OF HIS PROBLEMS. 38 00:02:13,867 --> 00:02:15,503 [SOLDIER SPEAKING RUSSIAN] 39 00:02:18,406 --> 00:02:20,040 FACTORING THE TIME-SENSITIVE INTERESTS 40 00:02:20,040 --> 00:02:21,442 OF THE THE GROUP HOLDING MR. LENOIR, 41 00:02:21,442 --> 00:02:23,411 THE LIMITED COMMUNICATION AVAILABLE 42 00:02:23,411 --> 00:02:24,812 WITH THE LONDON OFFICE, 43 00:02:24,812 --> 00:02:26,414 AND THE RUSSIAN INSISTENCE 44 00:02:26,414 --> 00:02:29,850 THAT THEY, AND THEY ALONE, DELIVER THE RANSOM PAYMENT... 45 00:02:29,850 --> 00:02:31,151 [GUNSHOTS] 46 00:02:31,151 --> 00:02:32,553 I MADE THE DECISION THAT THERE WAS SIMPLY 47 00:02:32,553 --> 00:02:35,256 NO ALTERNATIVE BUT TO GIVE THE RUSSIANS 48 00:02:35,256 --> 00:02:36,457 EXACTLY WHAT THEY WANTED. 49 00:02:37,991 --> 00:02:41,329 [SOLDIERS SPEAKING RUSSIAN] 50 00:02:45,165 --> 00:02:46,867 KNOWING THAT I WOULD RETAIN POSSESSION 51 00:02:46,867 --> 00:02:47,968 OF THE RANSOM MONEY, 52 00:02:47,968 --> 00:02:50,037 I'D MANAGED TO CONTACT THE CHECHENS PRIVATELY. 53 00:02:50,037 --> 00:02:53,941 WE HAD AGREED TO RENDEZVOUS AT AN ALTERNATIVE LOCATION. 54 00:02:53,941 --> 00:02:57,978 TRANSPORT OPTIONS IN THIS AREA ARE LIMITED... 55 00:02:57,978 --> 00:02:59,046 DRIVE! 56 00:02:59,046 --> 00:03:00,848 SO I DID THE BEST THAT I COULD. 57 00:03:03,217 --> 00:03:06,053 THE GROUP HOLDING MR. LENOIR IS RESPONSIBLE 58 00:03:06,053 --> 00:03:07,321 FOR AT LEAST A DOZEN KIDNAPPINGS 59 00:03:07,321 --> 00:03:08,756 OVER THE PAST 2 YEARS. 60 00:03:08,756 --> 00:03:11,392 THIS IS A BATTLE-TESTED GUERRILLA MILITIA. 61 00:03:11,392 --> 00:03:13,227 THEY ARE WELL-ARMED, HIGHLY MOBILE, 62 00:03:13,227 --> 00:03:14,795 AND EXTREMELY UNPREDICTABLE. 63 00:03:17,531 --> 00:03:18,732 MR. LENOIR WAS FOUND TO BE 64 00:03:18,732 --> 00:03:21,201 IN AN EXCELLENT STATE OF HEALTH, 65 00:03:21,201 --> 00:03:22,236 CONSIDERING THE CIRCUMSTANCES. 66 00:03:22,236 --> 00:03:24,071 WHERE ARE YOU? COULD YOU HELP-- 67 00:03:24,071 --> 00:03:25,273 AAH! 68 00:03:30,611 --> 00:03:31,812 I SENT THE RUSSIANS AWAY. 69 00:03:31,812 --> 00:03:33,247 I DON'T KNOW HOW MUCH TIME WE GOT, MATE. 70 00:03:33,247 --> 00:03:34,482 [SPEAKING RUSSIAN] 71 00:03:34,482 --> 00:03:36,684 FOLLOWING A REVIEW OF THE RANSOM PAYMENT, 72 00:03:36,684 --> 00:03:39,753 MR. LENOIR WAS RELEASED INTO OUR CARE. 73 00:03:39,753 --> 00:03:41,455 AAH! AAH! 74 00:03:42,690 --> 00:03:44,024 THE SUCCESS OF THIS EXTRACTION 75 00:03:44,024 --> 00:03:47,361 DEPENDED UPON A BRISK, TIMELY TRANSFER SCHEDULE. 76 00:03:47,361 --> 00:03:50,698 WE WERE, HOWEVER, NOT QUITE FAST ENOUGH. 77 00:03:57,371 --> 00:03:59,840 AIRBORNE! 78 00:03:59,840 --> 00:04:01,775 COME IN HOT, JOSEPH. THIS PLACE IS GOING LOUD. 79 00:04:04,345 --> 00:04:05,746 EVAC EMERGENCY R.V. 80 00:04:05,746 --> 00:04:07,481 REPEAT, E.R.V.! 81 00:04:28,235 --> 00:04:31,104 AIRBORNE, I HAVE A VISUAL! 82 00:04:31,104 --> 00:04:32,506 THERE ARE 2 DEAD TREES 83 00:04:32,506 --> 00:04:33,841 IN THE CENTER OF THE FIELD. 84 00:04:33,841 --> 00:04:36,844 I'M 50 YARDS TO THE WEST OF THE SOUTH TREE. 85 00:04:36,844 --> 00:04:37,711 [PILOT REPLIES] 86 00:04:37,711 --> 00:04:38,646 DON'T GIVE ME ANY SHIT, JOSEPH. 87 00:04:38,646 --> 00:04:39,980 I'VE GOT INJURED CARGO. 88 00:04:39,980 --> 00:04:41,349 GET YOUR FUCKIN' ASS DOWN! 89 00:04:48,889 --> 00:04:49,890 GET DOWN! 90 00:04:49,890 --> 00:04:51,659 BLOODY HELL! 91 00:05:07,775 --> 00:05:08,909 GO! 92 00:05:10,411 --> 00:05:12,312 AAH! AAH! 93 00:05:12,312 --> 00:05:13,614 AAH! 94 00:05:19,653 --> 00:05:20,654 AAH! 95 00:05:34,535 --> 00:05:36,103 ULTIMATELY, THIS EXTRACTION 96 00:05:36,103 --> 00:05:37,270 DID NOT GO DOWN WELL 97 00:05:37,270 --> 00:05:38,672 FOR EITHER THE CHECHENS 98 00:05:38,672 --> 00:05:40,674 OR OUR RUSSIAN HOSTS. 99 00:05:40,674 --> 00:05:43,010 AS A RESULT, MY ABILITY TO FUNCTION 100 00:05:43,010 --> 00:05:45,413 AS A KIDNAP AND RANSOM CONSULTANT IN THIS AREA 101 00:05:45,413 --> 00:05:47,815 HAS BEEN PERMANENTLY COMPROMISED. 102 00:05:47,815 --> 00:05:50,017 MR. LENOIR WAS EXAMINED BY MOBILE MEDICAL, 103 00:05:50,017 --> 00:05:52,420 AND AS PER HIS INSURANCE COMPANY'S REQUEST, 104 00:05:52,420 --> 00:05:54,121 TRANSPORTED TO ATHENS YESTERDAY 105 00:05:54,121 --> 00:05:56,189 FOR SURGICAL TREATMENT. 106 00:05:56,189 --> 00:05:57,758 AT THE MOMENT, WE HAVE CONTRACTS 107 00:05:57,758 --> 00:05:59,493 WITH ALL 3 INSURANCE UNDERWRITERS 108 00:05:59,493 --> 00:06:00,961 HOLDING K AND R POLICIES 109 00:06:00,961 --> 00:06:03,464 IN THE WEST ASIAN POST-SOVIET REPUBLICS. 110 00:06:03,464 --> 00:06:06,299 THIS AREA IS CLEARLY IN A CRITICAL STATE 111 00:06:06,299 --> 00:06:07,701 OF TRANSITION 112 00:06:07,701 --> 00:06:10,504 AND DEMANDS THE MOST VIGOROUS SECURITY PRECAUTIONS. 113 00:06:10,504 --> 00:06:12,105 WHAT DID THEY BILL LAST YEAR, 114 00:06:12,105 --> 00:06:13,173 OUR 3 UNDERWRITERS? 115 00:06:13,173 --> 00:06:14,174 TOTAL PREMIUMS? 116 00:06:14,174 --> 00:06:16,677 $28 MILLION. 117 00:06:16,677 --> 00:06:17,678 AND THE RANSOM TOTAL? 118 00:06:17,678 --> 00:06:18,879 PAID OUT ON POLICIES? 119 00:06:18,879 --> 00:06:19,880 MM-HMM. 120 00:06:19,880 --> 00:06:20,881 26 MILLION. 121 00:06:20,881 --> 00:06:22,816 BLOODY HELL. 122 00:06:22,816 --> 00:06:24,618 I'LL SET UP SOME PREMIUM MEETINGS, 123 00:06:24,618 --> 00:06:25,819 WAVE THE RED FLAG A BIT. 124 00:06:25,819 --> 00:06:28,522 EXCELLENT JOB, TERRY. THANK YOU. 125 00:06:28,522 --> 00:06:30,190 AS ALWAYS, OUTSTANDING. 126 00:06:30,190 --> 00:06:32,125 SIR. 127 00:06:32,125 --> 00:06:33,326 WHERE'RE WE NEXT? 128 00:06:33,326 --> 00:06:36,029 PAKISTAN... 129 00:06:36,029 --> 00:06:37,865 COLUMBIA... 130 00:07:04,492 --> 00:07:07,695 [MARKET CHATTER IN SPANISH] 131 00:07:14,301 --> 00:07:15,636 [SPANISH] 132 00:07:15,636 --> 00:07:16,837 CUA--CUATRO. 133 00:07:16,837 --> 00:07:17,905 CUATRO. 134 00:07:22,142 --> 00:07:24,177 [CELL PHONE RINGS] 135 00:07:24,177 --> 00:07:26,647 HELLO? 136 00:07:26,647 --> 00:07:28,448 PETER? IS THAT YOU? 137 00:07:28,448 --> 00:07:29,683 YEAH, HEY, BABY, IT'S ME. 138 00:07:29,683 --> 00:07:31,418 CAN YOU HEAR ME? IT'S ABOUT TONIGHT. 139 00:07:31,418 --> 00:07:33,053 I'M SHOPPING FOR DINNER. 140 00:07:33,053 --> 00:07:36,156 YEAH, WELL, THE GOOD NEWS IS I'LL DEFINITELY BE BACK. 141 00:07:36,156 --> 00:07:37,858 YEAH? GO ON. 142 00:07:37,858 --> 00:07:39,727 WELL, WE GOTTA GO TO THIS THING TONIGHT. 143 00:07:39,727 --> 00:07:42,563 THE--THE DINNER? THE CHARITY EVENT? 144 00:07:42,563 --> 00:07:44,565 OH, YOU'RE KIDDING, RIGHT? 145 00:07:44,565 --> 00:07:46,867 NO, I AM GETTING COMPLETELY SCREWED HERE. 146 00:07:46,867 --> 00:07:48,068 NONE OF MY EQUIPMENT'S HERE, 147 00:07:48,068 --> 00:07:49,336 NONE OF THE STUFF THEY PROMISED ME. 148 00:07:49,336 --> 00:07:50,571 IT HASN'T EVEN LEFT THE STATES. 149 00:07:50,571 --> 00:07:52,472 I GOT 60 GUYS RUNNING AROUND THE JUNGLE, 150 00:07:52,472 --> 00:07:53,874 AND THEY GOT NOTHING TO DO. 151 00:07:53,874 --> 00:07:55,509 SOMETHING IS REALLY MESSED UP HERE. 152 00:07:55,509 --> 00:07:57,745 I GOTTA PIN THESE BASTARDS DOWN TONIGHT. 153 00:07:57,745 --> 00:07:59,346 YOU REALLY WANNA PUT ME 154 00:07:59,346 --> 00:08:01,615 AT A TABLE FULL OF OIL EXECUTIVES? 155 00:08:01,615 --> 00:08:04,151 WELL, THEY'RE BIG BOYS. 156 00:08:04,151 --> 00:08:05,252 I THINK THEY CAN STAND UP 157 00:08:05,252 --> 00:08:06,286 TO A LITTLE HIPPIE LIKE YOU. 158 00:08:06,286 --> 00:08:07,621 [CHUCKLES] 159 00:08:07,621 --> 00:08:09,089 CAN I TELL THEM WHAT I THINK OF THEM? 160 00:08:09,089 --> 00:08:12,392 NO, LOOK, IF YOU REALLY WANNA SKIP IT-- 161 00:08:12,392 --> 00:08:14,161 NO, NO, I'LL GO. I'LL BE THERE. 162 00:08:14,161 --> 00:08:15,495 I WILL... 163 00:08:15,495 --> 00:08:18,031 AH, AND I'LL BE ON MY BEST BEHAVIOR. 164 00:08:18,031 --> 00:08:21,635 GREAT. THANK YOU, ALICE. I MEAN IT. 165 00:08:21,635 --> 00:08:22,636 WELL, I'LL HAVE TO BORROW 166 00:08:22,636 --> 00:08:23,971 A DRESS FROM NORMA. 167 00:08:23,971 --> 00:08:25,639 YEAH, OH, AND LOOK, CAN YOU GET SANDRO 168 00:08:25,639 --> 00:08:27,040 TO DROP MY TUX BY THE AIRFIELD 169 00:08:27,040 --> 00:08:28,976 BEFORE HE STOPS BACK AND PICKS YOU UP? 170 00:08:28,976 --> 00:08:31,178 YEAH, YEAH, DON'T WORRY ABOUT IT. 171 00:08:31,178 --> 00:08:33,013 PLEASE DON'T LEAVE ME HANGING OUT THERE 172 00:08:33,013 --> 00:08:34,582 WITH THOSE PEOPLE! 173 00:08:34,582 --> 00:08:35,716 AND BE CAREFUL. 174 00:08:35,716 --> 00:08:37,250 I WILL. I LOVE YOU. 175 00:08:37,250 --> 00:08:38,251 [PHONE BEEPS OFF] 176 00:08:46,727 --> 00:08:48,195 PETER! WHAT IS HAPPENING? 177 00:08:48,195 --> 00:08:49,730 WHAT HAVE YOU HEARD ABOUT THE EQUIPMENT? 178 00:08:49,730 --> 00:08:51,665 IT'S ALL RIGHT. EVERYTHING'S TAKEN CARE OF. 179 00:08:51,665 --> 00:08:54,301 I'M MEETING THE GUYS FROM QUAD-CARBON TONIGHT. 180 00:08:54,301 --> 00:08:57,237 [LIVE BAND PLAYING LATIN MUSIC] 181 00:09:02,109 --> 00:09:04,477 HIS MOM SAYS HE WAS EXACTLY THE SAME 182 00:09:04,477 --> 00:09:05,478 WHEN HE WAS A BABY. 183 00:09:05,478 --> 00:09:07,080 Man: SHE'S RIGHT, YOU KNOW. 184 00:09:07,080 --> 00:09:07,881 HEY, BABY. OH! 185 00:09:07,881 --> 00:09:09,282 PETER, THANK GOD YOU'RE HERE. 186 00:09:09,282 --> 00:09:12,485 I WAS WORRIED ABOUT YOU. 187 00:09:12,485 --> 00:09:13,486 I TOLD YOU HE'D MAKE IT. 188 00:09:13,486 --> 00:09:14,487 HI, PETER. 189 00:09:14,487 --> 00:09:15,689 OK, LET'S FIND OUR TABLES. 190 00:09:15,689 --> 00:09:16,690 WE'LL SEE YOU INSIDE. 191 00:09:16,690 --> 00:09:18,258 Couple: OK. 192 00:09:24,231 --> 00:09:25,498 LOOK AT YOU... 193 00:09:25,498 --> 00:09:27,701 ALL DECKED OUT IN NORMA'S DUDS. 194 00:09:27,701 --> 00:09:29,369 IT'S MY DEBUT AS A CORPORATE WIFE. 195 00:09:29,369 --> 00:09:30,370 YEAH, WELL, 196 00:09:30,370 --> 00:09:33,173 WHATEVER IT IS... 197 00:09:33,173 --> 00:09:34,107 IT IS WORKING. 198 00:09:34,107 --> 00:09:36,243 YOU KNOW, I'M, UH, DRESSING LIKE THIS 199 00:09:36,243 --> 00:09:37,177 ALL THE TIME NOW. 200 00:09:37,177 --> 00:09:38,912 YOU OUGHT TO COME AROUND MORE OFTEN. 201 00:09:40,047 --> 00:09:41,615 OOH! 202 00:09:41,615 --> 00:09:43,083 I GUESS I GOT SOME MAKIN' UP TO DO. 203 00:09:43,083 --> 00:09:44,384 I GUESS SO. 204 00:09:44,384 --> 00:09:47,587 [SINGING IN SPANISH] 205 00:10:03,971 --> 00:10:06,006 QUE LINDA. OH, MY BEAUTIFUL DARLING. 206 00:10:12,412 --> 00:10:13,747 [SONG ENDS] 207 00:10:13,747 --> 00:10:15,949 [NEW MUSIC BEGINS] 208 00:10:18,185 --> 00:10:19,286 AMIGAS Y AMIGOS... 209 00:10:37,270 --> 00:10:39,773 I JUST WANNA KNOW WHAT THE HELL IS GOING ON. 210 00:10:39,773 --> 00:10:40,774 NOBODY CALLED? 211 00:10:40,774 --> 00:10:43,711 NO. I WAS THERE ALL DAY. 212 00:10:43,711 --> 00:10:45,913 HEY, Y'ALL. SORRY WE'RE LATE. 213 00:10:45,913 --> 00:10:47,280 WHERE IS EVERYBODY? 214 00:10:47,280 --> 00:10:48,415 NOBODY CALLED YOU? 215 00:10:48,415 --> 00:10:50,217 ARE YOU SHITTIN' ME? 216 00:10:50,217 --> 00:10:51,518 FELLNER AND BUDDY AND THEIR WHOLE GANG 217 00:10:51,518 --> 00:10:52,886 HAD TO GO TO HOUSTON THIS MORNING. 218 00:10:52,886 --> 00:10:54,121 SOME KINDA POWWOW. 219 00:10:54,121 --> 00:10:56,089 PEGGY SAID IF HE WAS GOING, SHE WAS GOING. 220 00:10:56,089 --> 00:10:58,759 I GUESS ALL THE GIRLS JUMPED ON THAT. 221 00:10:58,759 --> 00:10:59,893 SO IT'S JUST US. 222 00:10:59,893 --> 00:11:01,394 HEY, HEY, HEY, HEY! 223 00:11:01,394 --> 00:11:03,964 BETTER LATE THAN NEVER. 224 00:11:03,964 --> 00:11:05,999 SO, IVY TELL YOU? 225 00:11:05,999 --> 00:11:07,367 HOUSTON. 226 00:11:07,367 --> 00:11:08,635 THIS MORNING. ALL OF 'EM. 227 00:11:08,635 --> 00:11:10,070 FELLNER CHARTERED A PLANE. 228 00:11:10,070 --> 00:11:12,272 SO WHAT'S IN HOUSTON? 229 00:11:12,272 --> 00:11:14,074 NEW MONEY. 230 00:11:22,682 --> 00:11:25,085 OH...PETER. 231 00:11:25,085 --> 00:11:27,955 PETER, LOOK. [CHUCKLES] 232 00:11:36,529 --> 00:11:38,832 SO, HOW'D IT GET SO BAD SO FAST? 233 00:11:38,832 --> 00:11:41,201 OH, COME ON, MAN. 234 00:11:41,201 --> 00:11:43,070 WHERE THE HELL'VE YOU BEEN? 235 00:11:43,070 --> 00:11:44,838 I'VE BEEN TRYING TO BUILD A DAM. 236 00:11:44,838 --> 00:11:46,039 WELL, YOU OUGHT TO PICK YOUR HEAD UP 237 00:11:46,039 --> 00:11:47,875 EVERY NOW AND THEN, TAKE A LOOK AROUND. 238 00:11:47,875 --> 00:11:50,077 YOU'RE BUILDING A CHARITY WATER PROJECT, 239 00:11:50,077 --> 00:11:51,544 AND AS FAR AS THE COMPANY'S CONCERNED, 240 00:11:51,544 --> 00:11:52,612 YOU'RE NOTHING 241 00:11:52,612 --> 00:11:53,814 BUT HUMANITARIAN WINDOW DRESSING. 242 00:11:53,814 --> 00:11:55,048 QUAD-CARBON CAME DOWN HERE 243 00:11:55,048 --> 00:11:56,549 LOOKING FOR A LUCKY BREAK, 244 00:11:56,549 --> 00:11:57,717 AND WE GOT NAILED. 245 00:11:57,717 --> 00:11:58,986 WE GOT A BILLION-DOLLAR PIPELINE 246 00:11:58,986 --> 00:12:00,988 HASN'T SPIT OUT A GALLON YET. 247 00:12:00,988 --> 00:12:02,722 OIL PRICES ARE GOING THROUGH THE ROOF. 248 00:12:02,722 --> 00:12:05,859 WE CAN'T TAKE ADVANTAGE OF IT. 249 00:12:05,859 --> 00:12:07,928 YOU KNOW, MARKET CLOSED TODAY. 250 00:12:07,928 --> 00:12:12,532 QUAD-CARBON STOCK DOWN 10 AND FALLING. 251 00:12:12,532 --> 00:12:15,068 THE VULTURES ARE CIRCLING. 252 00:12:15,068 --> 00:12:16,804 SO, WHICH VULTURE IS IN HOUSTON? 253 00:12:16,804 --> 00:12:18,271 IT'S OCTONAL. 254 00:12:18,271 --> 00:12:19,873 THEY'RE THE ONLY ONES BIG AND BAD ENOUGH 255 00:12:19,873 --> 00:12:21,875 TO COME DOWN HERE, GET THIS THING ON TRACK. 256 00:12:21,875 --> 00:12:23,476 PETER, LOOK. 257 00:12:28,348 --> 00:12:29,516 PETER, LOOK. 258 00:12:36,456 --> 00:12:38,125 Peter: I DON'T KNOW. MAYBE YOU MISSED IT, 259 00:12:38,125 --> 00:12:41,594 BUT THIS HAPPENS TO BE A VERY BIG DEAL FOR ME. 260 00:12:41,594 --> 00:12:43,030 I THINK I KNOW THAT. 261 00:12:43,030 --> 00:12:45,432 WELL, YOU SURE DON'T ACT LIKE IT. 262 00:12:45,432 --> 00:12:46,666 MAYBE... 263 00:12:46,666 --> 00:12:47,935 MAYBE IT'S A SIGN. 264 00:12:47,935 --> 00:12:48,936 MAYBE IT'S JUST A SIGN 265 00:12:48,936 --> 00:12:50,370 THAT WE SHOULD GO HOME. 266 00:12:50,370 --> 00:12:51,371 ALL RIGHT, YOU TELL ME. 267 00:12:51,371 --> 00:12:52,405 THIS ALL FALLS APART, 268 00:12:52,405 --> 00:12:53,640 THIS GOES AWAY, 269 00:12:53,640 --> 00:12:54,808 WHAT WAS THE POINT? 270 00:12:54,808 --> 00:12:56,209 THE POINT OF WHAT? 271 00:12:56,209 --> 00:12:58,378 WELL, I DON'T KNOW. HOW ABOUT EVERYTHING? 272 00:12:58,378 --> 00:13:00,180 HOW 'BOUT AFRICA? 273 00:13:00,180 --> 00:13:03,050 HOW 'BOUT EGYPT? HOW 'BOUT THAILAND? 274 00:13:03,050 --> 00:13:04,918 HOW ABOUT 8 YEARS OF SHIT POSTINGS? 275 00:13:04,918 --> 00:13:06,719 8 YEARS OF WORKING FOR ASSHOLES? 276 00:13:06,719 --> 00:13:09,322 8 YEARS OF WORKING WITH SOMEBODY ELSE'S BAD IDEAS? 277 00:13:09,322 --> 00:13:10,991 LOOK, WAIT, I DON'T-- I DON'T GET IT HERE. 278 00:13:10,991 --> 00:13:13,326 SO, SUDDENLY THE LAST 8 YEARS, 279 00:13:13,326 --> 00:13:15,062 WHAT, THAT'S JUST ALL SHIT NOW? 280 00:13:15,062 --> 00:13:16,196 IS THAT WHAT I SAID? 281 00:13:16,196 --> 00:13:17,664 BECAUSE I THOUGHT THAT WE WERE DOING 282 00:13:17,664 --> 00:13:19,099 EXACTLY WHAT WE WANTED TO DO. 283 00:13:19,099 --> 00:13:21,134 I THOUGHT WE WERE LIVING OUR LIVES TOGETHER! 284 00:13:21,134 --> 00:13:23,904 THAT IS NOT WHAT I SAID! THIS ISN'T JUST A JOB. 285 00:13:23,904 --> 00:13:25,805 THIS IS EVERYTHING I HAVE PREPARED FOR 286 00:13:25,805 --> 00:13:27,574 MY ENTIRE LIFE. 287 00:13:29,076 --> 00:13:30,210 SO, IF JERRY IS RIGHT, 288 00:13:30,210 --> 00:13:31,611 IF IT'S OCTONAL, IF THEY COME IN HERE 289 00:13:31,611 --> 00:13:34,314 AND TAKE THIS OVER, I AM FUCKED. 290 00:13:35,983 --> 00:13:38,485 WELL, I WOULDN'T GET TOO UPSET ABOUT IT. 291 00:13:38,485 --> 00:13:41,288 MAYBE OCTONAL WANTS A DAM OF THEIR VERY OWN. 292 00:13:41,288 --> 00:13:43,356 OCTONAL DOESN'T BUILD DAMS. THEY KICK ASS. 293 00:13:43,356 --> 00:13:44,858 THEY DON'T CARE ABOUT THESE PEOPLE. 294 00:13:44,858 --> 00:13:46,193 IT'S ALL ABOUT PROFITS TO THEM. 295 00:13:46,193 --> 00:13:47,694 I DON'T GET IT. I JUST DON'T-- 296 00:13:47,694 --> 00:13:48,862 WHAT IS THE SURPRISE HERE? 297 00:13:48,862 --> 00:13:50,563 YOU WANTED TO WORK FOR AN OIL COMPANY. 298 00:13:50,563 --> 00:13:52,299 THIS IS WHAT YOU WANTED! 299 00:13:52,299 --> 00:13:53,566 THAT IS NOT WHAT I AM DOING HERE. 300 00:13:53,566 --> 00:13:54,701 I'M BUILDING A DAM 301 00:13:54,701 --> 00:13:56,103 THAT'S GOING TO SAVE PEOPLE'S LIVES! 302 00:13:56,103 --> 00:13:58,238 YOU ARE BUILDING A DAM SO AN OIL COMPANY 303 00:13:58,238 --> 00:14:00,773 CAN GET A PIPELINE CONTRACT. 304 00:14:00,773 --> 00:14:02,109 WHO CARES WHO PAYS FOR IT? 305 00:14:02,109 --> 00:14:04,912 APPARENTLY NO ONE! 306 00:14:06,379 --> 00:14:08,048 YOU'RE DRUNK. 307 00:14:08,848 --> 00:14:11,051 NO. NO, PETER... 308 00:14:11,051 --> 00:14:13,453 THIS ISN'T US. 309 00:14:13,453 --> 00:14:14,521 LET'S JUST GO HOME. 310 00:14:14,521 --> 00:14:15,889 OH, GREAT. THAT'S GREAT. 311 00:14:15,889 --> 00:14:19,126 THAT IS JUST-- IT IS SO SUPPORTIVE. 312 00:14:19,126 --> 00:14:20,760 YOU DON'T LIKE THIS PLACE, EITHER. 313 00:14:20,760 --> 00:14:21,761 YOU DON'T. 314 00:14:21,761 --> 00:14:22,862 I LIKE THE PROJECT. 315 00:14:22,862 --> 00:14:23,964 I DON'T HAVE A PROJECT. 316 00:14:23,964 --> 00:14:26,433 WELL, THEN FIND A FUCKING PROJECT! 317 00:14:28,635 --> 00:14:30,203 OH, DAMN. 318 00:14:31,371 --> 00:14:32,239 OH, ALICE. 319 00:14:32,239 --> 00:14:34,874 USE YOUR TALENT, YOUR EXPERIENCE. 320 00:14:34,874 --> 00:14:37,978 LOOK, THERE'S GOTTA BE, I DON'T KNOW, 321 00:14:37,978 --> 00:14:39,612 THERE'S GOTTA BE 25 AGENCIES WORKING DOWN HERE. 322 00:14:39,612 --> 00:14:40,713 THERE'S FOOD PROJECTS, 323 00:14:40,713 --> 00:14:42,015 THERE'S HEALTHCARE PROJECTS. 324 00:14:42,015 --> 00:14:43,250 ANY ONE OF THEM, THEY'D BE THRILLED 325 00:14:43,250 --> 00:14:44,551 TO HAVE YOU ON THEIR STAFF. 326 00:14:44,551 --> 00:14:45,652 I JUST... 327 00:14:45,652 --> 00:14:47,054 I DON'T GET THIS. 328 00:14:47,054 --> 00:14:48,155 YOU'VE HIT THE GROUND RUNNING 329 00:14:48,155 --> 00:14:49,322 EVERY PLACE WE'VE EVER GONE. 330 00:14:49,322 --> 00:14:51,824 WELL, I'M SORRY I'M NOT BOUNCING BACK 331 00:14:51,824 --> 00:14:53,160 FAST ENOUGH FOR YOU. 332 00:14:53,160 --> 00:14:54,962 5 MONTHS, YOU'RE FLAPPIN' AROUND HERE, 333 00:14:54,962 --> 00:14:56,997 YOU HAVEN'T EVEN STARTED TO LEARN THE LANGUAGE. 334 00:14:56,997 --> 00:14:58,765 I AM NOT GETTING PREGNANT AGAIN 335 00:14:58,765 --> 00:14:59,832 IN THE THIRD WORLD. 336 00:14:59,832 --> 00:15:02,002 OH, NO, NOT AFRICA! 337 00:15:02,002 --> 00:15:03,170 NO, NO, NO! 338 00:15:03,170 --> 00:15:05,172 WE'RE NOT GONNA BRING THAT INTO THIS. 339 00:15:05,172 --> 00:15:06,506 THAT? YES, THAT. 340 00:15:06,506 --> 00:15:07,440 THAT?! THAT! 341 00:15:07,440 --> 00:15:08,741 WHEN THE HELL ARE YOU GONNA MOVE ON? 342 00:15:08,741 --> 00:15:10,377 IT'S OVER! IT HAPPENED! 343 00:15:10,377 --> 00:15:12,612 IT WASN'T MEANT TO BE. JUST GET OVER IT. 344 00:15:12,612 --> 00:15:15,015 I DON'T WANT TO MOVE ON! 345 00:15:15,015 --> 00:15:16,216 WELL, I HAVE, AND GOD DAMN IT, 346 00:15:16,216 --> 00:15:19,152 I'M RIGHT HERE! RIGHT NOW! 347 00:15:19,152 --> 00:15:21,054 MY WHOLE SITUATION IS FALLING APART, 348 00:15:21,054 --> 00:15:24,091 AND, SOMEHOW, WE'RE BACK TO THIS AGENDA. 349 00:15:25,225 --> 00:15:27,927 I AM NOT AN AGENDA. 350 00:15:36,603 --> 00:15:38,671 WELL, YOU KNOW WHAT? 351 00:15:38,671 --> 00:15:40,807 GO HOME. 352 00:15:40,807 --> 00:15:42,976 I'M SERIOUS. JUST... 353 00:15:42,976 --> 00:15:44,511 TAKE A BREAK. 354 00:15:46,679 --> 00:15:47,914 WOW. 355 00:15:47,914 --> 00:15:51,451 WELL, IT'S WHAT YOU WANT. ISN'T IT? 356 00:15:52,885 --> 00:15:54,988 I NEVER SAID THAT. 357 00:15:54,988 --> 00:15:56,889 YOU'RE RIGHT. 358 00:15:56,889 --> 00:15:59,692 THEN I GUESS IT'S ME. 359 00:16:16,709 --> 00:16:18,045 Peter: NO, NO, NO, NO, NO. 360 00:16:18,045 --> 00:16:21,048 NO, LOOK, TED, YOU'D BETTER TELL OCTONAL 361 00:16:21,048 --> 00:16:23,550 HOW MUCH LOCAL SUPPORT WE'VE GOT DOWN HERE. 362 00:16:23,550 --> 00:16:24,851 Ted: I DON'T KNOW WHAT TO TELL YOU, PETER. 363 00:16:24,851 --> 00:16:26,619 WE'RE IN HOUSTON LOOKIN' FOR HELP! 364 00:16:26,619 --> 00:16:29,389 OCTONAL HAS THEIR OWN WAY OF DOING THINGS. 365 00:16:29,389 --> 00:16:30,723 WELL, IT'S NOT JUST ME, TED. 366 00:16:30,723 --> 00:16:32,059 I'M NOT THE ONLY ONE WHO'S GONNA FIGHT FOR THIS. 367 00:16:32,059 --> 00:16:33,326 Ted: IF THAT'S A THREAT, PETER, 368 00:16:33,326 --> 00:16:34,494 I'M NOT SURE WHAT THAT IS. 369 00:16:34,494 --> 00:16:36,263 BUT YOU LOSE SIGHT OF WHERE YOU STAND-- 370 00:16:36,263 --> 00:16:38,365 NO, NO, NO. LOOK, OH-- 371 00:16:38,365 --> 00:16:39,966 TED, YOU'RE BREAKING UP. 372 00:16:39,966 --> 00:16:41,501 DON'T LOSE TRACK OF WHERE YOU STAND 373 00:16:41,501 --> 00:16:43,403 IN THE FOOD CHAIN ROUND HERE. 374 00:16:43,403 --> 00:16:44,971 WELL, LOOK, I'VE GOT PEOPLE DOWN HERE 375 00:16:44,971 --> 00:16:46,039 WHO BURNED THEIR BRIDGES 376 00:16:46,039 --> 00:16:47,307 TO COME WORK WITH US. 377 00:16:47,307 --> 00:16:48,741 I CAN BARELY HEAR YOU. 378 00:16:48,741 --> 00:16:49,909 CAN YOU HEAR ME? 379 00:16:49,909 --> 00:16:51,811 TED, WHENEVER YOU'RE READY. 380 00:16:51,811 --> 00:16:54,414 WHAT THE HELL AM I SUPPOSED TO TELL MY PEOPLE? 381 00:16:54,414 --> 00:16:56,183 Ted: TELL 'EM QUAD-CARBON IS FINISHED. 382 00:16:56,183 --> 00:16:58,151 TELL 'EM OCTONAL IS TAKING US OVER. 383 00:16:58,151 --> 00:16:59,252 WELL, IT-- 384 00:16:59,252 --> 00:17:01,721 TELL 'EM TO GET THEIR RESUMéS OUT. 385 00:17:01,721 --> 00:17:04,891 TED? TE-- 386 00:17:04,891 --> 00:17:06,093 LOOK, I'M HEADED TO THE OFFICE. 387 00:17:06,093 --> 00:17:07,060 I'M GONNA CALL YOU BACK ON A LAND LINE. 388 00:17:07,060 --> 00:17:08,261 CAN YOU HEAR-- 389 00:17:08,261 --> 00:17:11,464 [SINGING IN SPANISH] 390 00:17:38,925 --> 00:17:39,959 Peter: HEY, BEATRICE, 391 00:17:39,959 --> 00:17:41,794 THANKS FOR COMING IN ON SUNDAY. 392 00:17:41,794 --> 00:17:42,995 YEAH, CALL TED FELLNER. 393 00:17:42,995 --> 00:17:43,863 WOULD YOU TELL HIM I'LL BE AT THE OFFICE 394 00:17:43,863 --> 00:17:45,031 IN 20 MINUTES? 395 00:17:45,031 --> 00:17:47,500 YEAH, I GOTTA TAKE THE LONG WAY AROUND. 396 00:17:47,500 --> 00:17:49,736 RIGHT. OH... 397 00:17:49,736 --> 00:17:50,770 [SPEAKING SPANISH] 398 00:17:50,770 --> 00:17:52,505 FUCK THIS. 399 00:17:52,505 --> 00:17:54,907 OH, GOD. SHIT. 400 00:17:54,907 --> 00:17:57,444 I DON'T BELIEVE THIS! 401 00:17:57,444 --> 00:17:58,445 FUCK! 402 00:18:04,684 --> 00:18:07,520 [SPEAKING SPANISH] 403 00:18:13,660 --> 00:18:14,761 OH, SHIT! 404 00:18:16,196 --> 00:18:17,864 OH, MY GOD. 405 00:18:17,864 --> 00:18:19,466 OH, MY GOD! 406 00:18:19,466 --> 00:18:20,767 [POLICE WHISTLES] COME ON! 407 00:18:23,836 --> 00:18:25,638 [YELLS IN SPANISH] 408 00:18:27,039 --> 00:18:28,375 [WHISTLE BLOWING] 409 00:18:31,778 --> 00:18:33,746 GOD DAMN IT. 410 00:18:37,284 --> 00:18:38,418 NO, NO, NO, NO! IT'S A TELEPHONE! 411 00:18:38,418 --> 00:18:39,952 IT'S A TELEPHONE, ALL RIGHT? 412 00:18:39,952 --> 00:18:42,222 IT'S JUST A TELEPHONE! 413 00:18:42,222 --> 00:18:43,456 LOOK, I'M NOT DOING ANYTHING. 414 00:18:43,456 --> 00:18:45,325 I'M NOT DOING ANYTHING. 415 00:18:45,325 --> 00:18:46,926 I'M NOT DOING ANYTHING, OK? 416 00:18:46,926 --> 00:18:48,461 JESUS CHRIST. ALL RIGHT, LOOK. 417 00:18:48,461 --> 00:18:50,330 ALL RIGHT, LOOK, I--I NEED MY BRIEFCASE. 418 00:18:50,330 --> 00:18:51,898 I JUST NEED MY BRIEFCASE! 419 00:18:51,898 --> 00:18:53,200 I'M NOT A TERRORIST, ALL RIGHT? 420 00:18:53,200 --> 00:18:54,634 I WASN'T DOING ANYTHING. I'M NOT PART OF THIS. 421 00:18:57,737 --> 00:18:59,206 iFUEGO! 422 00:19:00,373 --> 00:19:01,841 [HOSTAGES SCREAMING] 423 00:19:09,015 --> 00:19:10,650 Ivy: ALICE. OH, ALICE. 424 00:19:10,650 --> 00:19:12,519 I HAVE SOME REALLY BAD NEWS. 425 00:19:12,519 --> 00:19:15,288 YOU OUGHT TO GO INSIDE AND SIT DOWN. 426 00:19:15,288 --> 00:19:16,423 IT'S ABOUT PETER. 427 00:19:16,423 --> 00:19:20,159 [MACHINE-GUN FIRE AND YELLING] 428 00:19:22,262 --> 00:19:24,397 THIS MORNING ON HIS WAY TO WORK, 429 00:19:24,397 --> 00:19:26,266 THERE WAS A BARRICADE, A ROADBLOCK, 430 00:19:26,266 --> 00:19:28,201 AND THESE GUYS IN SKI MASKS-- 431 00:19:30,803 --> 00:19:32,472 AND THEY HAD GUNS, AND THEY TOOK HIM 432 00:19:32,472 --> 00:19:34,807 WITH A BUNCH OF OTHER PEOPLE. 433 00:19:34,807 --> 00:19:36,409 HE'S BEEN KIDNAPPED. 434 00:19:36,409 --> 00:19:39,712 DO YOU UNDERSTAND WHAT I'M SAYING? KIDNAPPED. 435 00:19:53,460 --> 00:19:56,429 WE, UM, GOT A CALL FROM TECALA THIS MORNING. 436 00:19:56,429 --> 00:19:58,398 YOU'RE NOT SENDING ME THERE? 437 00:19:58,398 --> 00:19:59,699 WELL, I THINK IF YOU HEAR ME OUT-- 438 00:19:59,699 --> 00:20:02,168 I JUST GOT OFF THE PLANE, MATE, OK? 439 00:20:02,168 --> 00:20:03,836 TERRY, I NEED YOU DOWN THERE. 440 00:20:03,836 --> 00:20:07,039 I'M JUST NOT GOOD AT THE MOMENT HERE. 441 00:20:07,039 --> 00:20:08,107 I WANT YOU TO CONSIDER THIS 442 00:20:08,107 --> 00:20:09,509 YOUR FIRST MANAGEMENT ASSIGNMENT. 443 00:20:11,077 --> 00:20:13,246 THE FIRST OF MANY. 444 00:20:14,046 --> 00:20:15,315 WE ALL GET RATTLED, RIGHT? 445 00:20:15,315 --> 00:20:16,616 IT'S NOT THE FIRST TIME. 446 00:20:16,616 --> 00:20:19,752 YEAH, WELL, IT WAS KIND OF MY POINT. 447 00:20:26,058 --> 00:20:27,294 SIR. 448 00:20:27,294 --> 00:20:28,661 HEY, HENRY. 449 00:20:29,629 --> 00:20:31,598 I'M ON MY WAY TO THE AIRPORT. 450 00:20:31,598 --> 00:20:33,600 I'M GONNA CALL YOUR MUM 451 00:20:33,600 --> 00:20:34,601 AND SEE IF HER AND MICHAEL 452 00:20:34,601 --> 00:20:36,703 CAN MAKE IT UP THIS WEEKEND. 453 00:20:36,703 --> 00:20:38,271 I'LL CALL HER. 454 00:20:40,273 --> 00:20:42,275 WHAT TIME'S KICKOFF ON SUNDAY? 2:00? 455 00:20:43,175 --> 00:20:44,377 YES, SIR. 456 00:20:45,612 --> 00:20:48,415 I WAS REALLY LOOKING FORWARD TO IT. 457 00:20:54,354 --> 00:20:56,423 BETTER GET BACK OUT THERE WITH YOUR MATES, EH? 458 00:20:57,256 --> 00:20:59,292 YES, SIR. 459 00:21:27,387 --> 00:21:28,588 ARE YOU OK? 460 00:21:31,157 --> 00:21:32,525 ALL RIGHT! 461 00:21:34,427 --> 00:21:35,628 WHAT IS THIS? 462 00:21:36,463 --> 00:21:38,998 WHAT IS THIS? 463 00:21:38,998 --> 00:21:40,533 CAN I--CAN I SPEAK NOW? 464 00:21:40,533 --> 00:21:42,268 BECAUSE THIS IS WRONG. 465 00:21:42,268 --> 00:21:43,870 YOU KNOW, THIS IS SO WRONG. I'M A, UH-- 466 00:21:43,870 --> 00:21:46,739 I'M HERE TO HELP THE TECALEÑO PEOPLE. 467 00:21:46,739 --> 00:21:48,274 YEAH, I'M HERE TO BUILD A DAM. 468 00:21:48,274 --> 00:21:49,809 LA REPRESA. 469 00:21:49,809 --> 00:21:50,810 EL RIO CAYA. 470 00:21:52,445 --> 00:21:53,613 OH, NO, NO, NO, NO. I DON'T WORK ON THE-- 471 00:21:53,613 --> 00:21:54,981 NO, I DON'T WORK ON THE PIPELINE. 472 00:21:54,981 --> 00:21:58,050 Peter: NO TRABAJO POR EL POZO PETROLERO. 473 00:21:58,050 --> 00:22:00,820 NO, I'M HERE TO BUILD THE DAM AT CHIMAYA. 474 00:22:00,820 --> 00:22:02,455 UH, LA REPRESA DE RIO CAYA! 475 00:22:02,455 --> 00:22:03,656 FOR THE PIPELINE. 476 00:22:03,656 --> 00:22:04,991 NOT FOR THE PIPELINE! 477 00:22:04,991 --> 00:22:06,025 YES, FOR THE PIPELINE. 478 00:22:06,025 --> 00:22:08,027 LISTEN TO ME! NOT-- 479 00:22:08,828 --> 00:22:10,563 LISTEN TO ME. JUST LISTEN TO ME. 480 00:22:10,563 --> 00:22:11,964 TO STOP THE FLOODING. 481 00:22:11,964 --> 00:22:14,033 CAN YOU UNDERSTAND THAT? STOP THE FLOODING. 482 00:22:16,102 --> 00:22:18,438 TURO? DON'T YOU HEAR ME? DIDN'T YOU HEAR ME? 483 00:22:18,438 --> 00:22:19,572 I DON'T WORK FOR THE PIPELINE! 484 00:22:19,572 --> 00:22:21,307 I'M HERE TO HELP THE TECALEÑO PEOPLE! 485 00:22:21,307 --> 00:22:23,543 iBASTA! 486 00:22:23,543 --> 00:22:24,977 YOU ARE A PRISONER. 487 00:22:29,582 --> 00:22:30,617 iUNO MOMENTO! iUNO MOMENTO! 488 00:22:30,617 --> 00:22:33,486 POR FAVOR, POR FAVOR. 489 00:22:33,486 --> 00:22:36,756 UNO FOTO. UNO FOTO, POR FAVOR. 490 00:22:38,290 --> 00:22:39,826 Peter: Sí. 491 00:22:39,826 --> 00:22:41,761 THAT'S IT. 492 00:22:41,761 --> 00:22:43,663 THAT'S IT. 493 00:22:49,068 --> 00:22:51,237 Peter: GRACIAS. 494 00:22:51,237 --> 00:22:54,340 [ALICE PANTING] 495 00:22:54,340 --> 00:22:57,209 THIS WHOLE BOX IS JUST, UH... 496 00:22:57,209 --> 00:22:58,445 WHAT IS ALL... 497 00:22:58,445 --> 00:23:01,714 HE BROUGHT SOME ALBUMS OUT, I WAS... 498 00:23:01,714 --> 00:23:03,750 I WAS GONNA ORGANIZE ALL THIS, 499 00:23:03,750 --> 00:23:05,618 AND I JUST NEVER GOT IT TOGETHER. 500 00:23:05,618 --> 00:23:07,720 I JUST NEVER GOT IT TO--OH... 501 00:23:08,955 --> 00:23:10,957 OH, GOD. WHAT'S THAT? IT'S INDIA? 502 00:23:10,957 --> 00:23:12,459 ALICE, STOP NOW. 503 00:23:12,459 --> 00:23:15,227 WE NEED JUST ONE GOOD PICTURE OF HIS FACE. 504 00:23:15,227 --> 00:23:16,429 OH... 505 00:23:17,964 --> 00:23:20,032 SORRY. 506 00:23:20,032 --> 00:23:21,768 I'M THE ONE WHO'S SORRY. 507 00:23:21,768 --> 00:23:24,971 I DON'T UNDERSTAND MY COUNTRY ANYMORE. 508 00:23:33,446 --> 00:23:35,748 NO, IT WAS COMPLETELY RANDOM. 509 00:23:35,748 --> 00:23:37,717 HE WAS OUT, I GUESS, OUT ON THE BARRIO, 510 00:23:37,717 --> 00:23:39,919 AND ANYTHING CAN HAPPEN OUT THERE. 511 00:23:39,919 --> 00:23:42,722 THEY STEAL YOUR CAR, YOUR MONEY, WHATEVER. 512 00:23:42,722 --> 00:23:45,357 NO, WE DON'T REALLY KNOW A DAMN THING. 513 00:23:45,357 --> 00:23:47,860 NOTHING DEFINITE AT ALL. 514 00:23:49,395 --> 00:23:52,965 LET ME CALL YOU BACK. YEAH. 515 00:23:52,965 --> 00:23:54,734 YOU'RE TELLING HIM WE DON'T KNOW WHAT HAPPENED? 516 00:23:54,734 --> 00:23:57,504 ALICE, AT THIS POINT, WE DON'T KNOW. 517 00:23:57,504 --> 00:23:59,438 HE WAS KIDNAPPED, JERRY. 518 00:23:59,438 --> 00:24:00,673 LOOK, UNTIL THEY-- 519 00:24:00,673 --> 00:24:03,676 HE WAS TAKEN AT GUNPOINT IN A ROADBLOCK. 520 00:24:03,676 --> 00:24:06,979 25 PEOPLE SAW HIM DRIVE AWAY IN THE GODDAMN TRUCK. 521 00:24:06,979 --> 00:24:08,881 NOW, I DON'T KNOW, MAYBE IT'S ME, 522 00:24:08,881 --> 00:24:11,417 BUT THAT SOUNDS PRETTY FUCKING DEFINITIVE. 523 00:24:11,417 --> 00:24:14,821 Ivy: ALICE, IT'S YOUR SISTER-IN-LAW AGAIN. 524 00:24:18,057 --> 00:24:19,492 [CLEARS THROAT] 525 00:24:19,492 --> 00:24:21,393 JANIS. DID YOU GET THE FLIGHT? 526 00:24:21,393 --> 00:24:22,695 WELCOME BACK, MR. THORN. 527 00:24:22,695 --> 00:24:25,131 HOW LONG ARE YOU GOING TO STAY THIS TIME? 528 00:24:25,131 --> 00:24:26,566 [SPEAKING SPANISH] 529 00:24:40,312 --> 00:24:42,849 MR. PETER BOWMAN. 530 00:24:42,849 --> 00:24:45,084 LET'S HAVE A LOOK AT YOU, MATE. 531 00:25:08,474 --> 00:25:10,810 Alice: JANIS! 532 00:25:10,810 --> 00:25:11,778 ALICE! 533 00:25:12,812 --> 00:25:16,482 HI. GO HERE. SANDRO WILL GET YOUR BAGS. RIGHT HERE. 534 00:25:16,482 --> 00:25:17,684 OK, OK. 535 00:25:19,251 --> 00:25:20,687 [SPEAKING IN SPANISH] 536 00:25:20,687 --> 00:25:21,688 TICKETS, BADGE, PASSPORT... 537 00:25:21,688 --> 00:25:23,355 OH, YEAH, YEAH! 538 00:25:23,355 --> 00:25:25,024 OK. OH. 539 00:25:25,024 --> 00:25:26,225 HERE. THERE. 540 00:25:26,225 --> 00:25:27,126 YEAH, OK. DON'T-- 541 00:25:27,126 --> 00:25:28,795 PLEASE DON'T LOSE MY LUGGAGE, OK? 542 00:25:40,439 --> 00:25:42,041 THERE SHE IS. HI, ALICE. 543 00:25:47,980 --> 00:25:49,649 Man: THERE'S A GUY WAITING FOR YOU. 544 00:25:49,649 --> 00:25:50,717 CAME FROM ENGLAND. 545 00:25:50,717 --> 00:25:52,284 WANTS TO TALK TO YOU ABOUT PETER. 546 00:25:52,284 --> 00:25:53,720 HE SAYS IT'S IMPORTANT. 547 00:25:53,720 --> 00:25:55,054 Janis: HI. HOW ARE YOU? 548 00:25:55,054 --> 00:25:58,357 SEÑORA ALICIA, I WAS AGAINST THIS, 549 00:25:58,357 --> 00:25:59,491 BUT THEY INSIST. 550 00:25:59,491 --> 00:26:00,793 SORRY. I HOPE WE DID THE RIGHT THING, 551 00:26:00,793 --> 00:26:01,994 YOU KNOW, LETTING HIM IN-- 552 00:26:01,994 --> 00:26:03,596 Janis: WHAT'S LUTHAN RISK INTERNATIONAL? 553 00:26:03,596 --> 00:26:05,197 HE'S A NEGOTIATOR. 554 00:26:05,197 --> 00:26:06,165 SHALL I GO WITH YOU? 555 00:26:06,165 --> 00:26:08,200 NO, NO, NO, NO. I'LL TAKE CARE OF IT. 556 00:26:08,200 --> 00:26:09,602 HI. 557 00:26:09,602 --> 00:26:11,704 HOW ARE YOU? I'M PETER'S SISTER. 558 00:26:11,704 --> 00:26:12,805 CAN WE HELP YOU? 559 00:26:12,805 --> 00:26:15,207 I'M TERRENCE THORNE. HOW DO YOU DO? 560 00:26:15,207 --> 00:26:17,409 WELL, CONSIDERING THE CIRCUMSTANCES, 561 00:26:17,409 --> 00:26:18,444 I GUESS WE'RE DOING ALL RIGHT. 562 00:26:18,444 --> 00:26:20,546 HOW DO YOU DO, MRS. BOWMAN? 563 00:26:20,546 --> 00:26:21,814 I'M WITH, UH, LUTHAN RISK. 564 00:26:21,814 --> 00:26:22,915 WE'RE AN INTERNATIONAL CONSULTANCY. WE'RE-- 565 00:26:22,915 --> 00:26:25,084 I HAVE ONE. YOUR CARD. 566 00:26:25,084 --> 00:26:27,519 RIGHT. UH, WE'RE BASED OUT OF LONDON. 567 00:26:27,519 --> 00:26:28,621 I'M WITH OUR 568 00:26:28,621 --> 00:26:30,089 SECURITY AND CRISIS RESPONSE UNIT. 569 00:26:30,089 --> 00:26:31,357 I APOLOGIZE FOR JUST APPEARING LIKE THIS. 570 00:26:31,357 --> 00:26:32,424 MY COMPANY IS 571 00:26:32,424 --> 00:26:34,060 THE DESIGNATED K AND R CONSULTANT 572 00:26:34,060 --> 00:26:34,861 FOR QUAD-CARBON. 573 00:26:34,861 --> 00:26:36,863 "K AND R." WHAT IS K AND R? 574 00:26:36,863 --> 00:26:38,631 KIDNAP AND RANSOM. 575 00:26:38,631 --> 00:26:40,767 SO, YOU JUST FLEW IN? 576 00:26:40,767 --> 00:26:42,702 CORRECT, YES. LAST NIGHT. 577 00:26:42,702 --> 00:26:44,771 HAVE YOU SPOKEN TO ANYONE AT QUAD-CARBON? 578 00:26:44,771 --> 00:26:46,372 LONDON MAY HAVE. I WAS JUST ASSIGNED. 579 00:26:46,372 --> 00:26:48,207 ALL I'VE SEEN SO FAR IS AN EMPLOYMENT DOSSIER. 580 00:26:48,207 --> 00:26:50,242 I WOULD LIKE TO GET A PROPER FILE GOING. 581 00:26:50,242 --> 00:26:51,243 I HAVE SOME QUESTIONS. 582 00:26:51,243 --> 00:26:52,645 I'M SURE YOU DO AS WELL. 583 00:26:52,645 --> 00:26:54,947 I'LL TRY AND EXPLAIN AS MUCH AS I CAN. 584 00:26:56,382 --> 00:26:58,517 [SPEAKING SPANISH] 585 00:26:58,517 --> 00:27:01,453 NECESITO BAÑO. 586 00:27:01,453 --> 00:27:02,621 Terry: THIS IS A GAME. 587 00:27:02,621 --> 00:27:04,023 IT S A GAME YOU PLAY 588 00:27:04,023 --> 00:27:06,625 WHETHER YOU LIKE IT OR NOT. 589 00:27:06,625 --> 00:27:08,127 FOR YOU, IT'S EMOTIONAL. 590 00:27:08,127 --> 00:27:10,863 FOR THE PEOPLE HOLDING PETER, IT'S A BUSINESS. 591 00:27:10,863 --> 00:27:14,233 THE SOONER YOU GET COMFORTABLE AND OBJECTIVE ABOUT THAT, 592 00:27:14,233 --> 00:27:15,334 THE EASIER THIS WILL BE. 593 00:27:17,103 --> 00:27:19,005 NOW, PEOPLE TAKE HOSTAGES ALL OVER THE WORLD. 594 00:27:19,005 --> 00:27:21,140 SOMETIMES, IT'S PURELY TERROR. 595 00:27:21,140 --> 00:27:23,843 OTHER TIMES, IT'S POLITICAL, FOR PROPAGANDA PURPOSES. 596 00:27:23,843 --> 00:27:27,346 DOWN HERE, IT'S SIMPLY ABOUT MONEY. 597 00:27:27,346 --> 00:27:28,881 SO, UM... [CLEARS THROAT] 598 00:27:28,881 --> 00:27:31,350 WHERE IS PETER? WHERE IS HE NOW? 599 00:27:31,350 --> 00:27:32,985 PROBABLY IN THE MOUNTAINS. 600 00:27:32,985 --> 00:27:34,921 HE'S MORE THAN LIKELY BEEN TAKEN BY THE E.L.T. 601 00:27:34,921 --> 00:27:38,958 LOOK, UH... I JUST GOT OFF A PLANE. 602 00:27:38,958 --> 00:27:42,729 I MEAN, CAN WE JUST BACK UP A LITTLE BIT HERE, PLEASE? 603 00:27:42,729 --> 00:27:46,165 NOW, THIS E.L.T., THIS GROUP... 604 00:27:46,165 --> 00:27:48,167 WHO, WHO THE HELL ARE THEY? 605 00:27:48,167 --> 00:27:49,635 AND HOW CAN YOU BE SO DAMN SURE 606 00:27:49,635 --> 00:27:51,771 THAT THEY'RE THE ONES WHO HAVE MY BROTHER? 607 00:27:53,339 --> 00:27:54,741 E.L.T. 608 00:27:54,741 --> 00:27:56,075 THIS IS A LAND REFORM MOVEMENT. 609 00:27:56,075 --> 00:27:57,744 THESE PEOPLE ARE REVOLUTIONARIES. 610 00:27:59,311 --> 00:28:02,681 INITIALLY, THERE WAS A POLITICAL AGENDA. 611 00:28:02,681 --> 00:28:04,050 HOWEVER, WHAT YOU HAVE TO UNDERSTAND 612 00:28:04,050 --> 00:28:06,018 IS THAT TODAY'S VERSION OF THE E.L.T. 613 00:28:06,018 --> 00:28:08,020 IS A COMPLETELY DIFFERENT ANIMAL. 614 00:28:08,020 --> 00:28:09,421 20 YEARS AGO, THEY WERE 615 00:28:09,421 --> 00:28:11,057 JUST ANOTHER STRUGGLING MARXIST REVOLUTIONARY GROUP 616 00:28:11,057 --> 00:28:12,358 HIDING OUT IN THE MOUNTAINS. 617 00:28:12,358 --> 00:28:14,560 THE END OF THE COLD WAR CHANGED EVERYTHING. 618 00:28:14,560 --> 00:28:16,295 THE MONEY FROM MOSCOW DRIED UP, 619 00:28:16,295 --> 00:28:19,198 AND THE E.L.T. HAD TO FIND A NEW WAY TO SUPPORT ITSELF, 620 00:28:19,198 --> 00:28:20,566 SO THEY GOT INTO THE KIDNAPPING BUSINESS, 621 00:28:20,566 --> 00:28:22,234 WHICH HAS MADE THEM MILLIONS. 622 00:28:22,234 --> 00:28:23,402 THEN THEY REALIZED 623 00:28:23,402 --> 00:28:25,805 THAT THEY WERE SITTING ON AN EVEN BIGGER GOLD MINE. 624 00:28:25,805 --> 00:28:27,273 BEHIND COLUMBIA, 625 00:28:27,273 --> 00:28:29,942 TECALA IS THE WORLD'S LARGEST SUPPLIER OF COCAINE. 626 00:28:29,942 --> 00:28:32,178 AND THE E.L.T. HAD THE WEAPONS AND AN UNLIMITED SUPPLY 627 00:28:32,178 --> 00:28:34,380 OF YOUNG, POOR, ILLITERATE SOLDIERS. 628 00:28:34,380 --> 00:28:36,749 THEY CAME IN HARD, AND THEY CAME IN FAST, 629 00:28:36,749 --> 00:28:39,018 AND THEY TOOK OVER THE DRUG TRADE. 630 00:28:39,018 --> 00:28:41,153 WHATEVER POLITICAL AGENDA THEY STARTED WITH 631 00:28:41,153 --> 00:28:44,023 HAS, AT THIS POINT, BEEN COMPLETELY PERVERTED. 632 00:28:44,023 --> 00:28:46,292 DID YOU KNOW THAT WHEN YOU MOVED HERE? 633 00:28:49,762 --> 00:28:50,930 LISTEN, CAN WE JUST GET PRACTICAL HERE? 634 00:28:50,930 --> 00:28:52,298 JUST FOR A SECOND? 635 00:28:52,298 --> 00:28:55,067 CAN YOU JUST EXPLAIN HOW THIS WORKS, STEP BY STEP? 636 00:28:55,067 --> 00:28:56,302 YOU WAIT FOR A CONTACT. 637 00:28:56,302 --> 00:28:58,504 THEY MAKE A DEMAND. WE START NEGOTIATING. 638 00:28:58,504 --> 00:29:00,940 NEGOTIATE? WHAT'S TO NEGOTIATE? 639 00:29:00,940 --> 00:29:04,076 EVERYTHING. WE PAY TOO FAST, PAY TOO MUCH, 640 00:29:04,076 --> 00:29:05,577 MAKE IT LOOK TOO EASY, 641 00:29:05,577 --> 00:29:06,846 AND INSTEAD OF GETTING PETER BACK, 642 00:29:06,846 --> 00:29:08,180 WHAT WE'LL GET IS A NEW MESSAGE, 643 00:29:08,180 --> 00:29:09,515 THANKING US FOR THE DOWN PAYMENT 644 00:29:09,515 --> 00:29:10,783 AND ASKING FOR MORE. 645 00:29:10,783 --> 00:29:12,084 WHAT WE WANT TO DO, ALL THAT WE WANT TO DO, 646 00:29:12,084 --> 00:29:14,220 IS FIND A NUMBER, A DOLLAR FIGURE 647 00:29:14,220 --> 00:29:17,323 THAT GETS PETER BACK IN ONE PIECE AS QUICKLY AS POSSIBLE. 648 00:29:24,530 --> 00:29:26,498 [SPEAKING SPANISH] 649 00:29:29,802 --> 00:29:31,971 NO. NO. 650 00:29:32,939 --> 00:29:33,940 Terry: LET ME JUST CLARIFY SOMETHING. 651 00:29:33,940 --> 00:29:35,407 THIS IS NOT ABOUT RESCUES. 652 00:29:35,407 --> 00:29:37,576 THIS IS NOT ABOUT BRINGING ANYBODY TO JUSTICE. 653 00:29:37,576 --> 00:29:39,778 RELYING ON THE POLICE DOWN HERE IS DANGEROUS. 654 00:29:39,778 --> 00:29:41,047 THE ARMY'S NO BETTER. 655 00:29:41,047 --> 00:29:42,381 THEY'RE PUMPED UP, AND THEY'RE TRIGGER-HAPPY. 656 00:29:42,381 --> 00:29:44,083 THE LAST THING WE NEED IS HEROICS. 657 00:29:44,083 --> 00:29:45,952 SO WE RELY ON NOBODY, AT LEAST NOBODY LOCAL. 658 00:29:45,952 --> 00:29:47,219 WAIT A MINUTE, WHAT ABOUT THE EMBASSY? 659 00:29:47,219 --> 00:29:48,754 I'M STILL WAITING FOR THEM TO CALL ME BACK. 660 00:29:48,754 --> 00:29:51,223 THE U.S. MISSION DOWN HERE AT THE MOMENT 661 00:29:51,223 --> 00:29:53,392 IS TO TRY AND FIND A WAY TO BREAK THE E.L.T.'s BACK, 662 00:29:53,392 --> 00:29:56,195 AND SWITCH THIS COUNTRY'S ECONOMY FROM DRUGS TO PETROLEUM. 663 00:29:56,195 --> 00:29:58,597 PETER DOES NOT FIT INTO THOSE PLANS. 664 00:29:58,597 --> 00:30:01,834 THE EMBASSY CANNOT HELP YOU, AND THEY KNOW IT. 665 00:30:01,834 --> 00:30:03,102 THE MOST YOU'RE GONNA GET 666 00:30:03,102 --> 00:30:05,404 IS A SYMPATHETIC SMILE AND A PAT ON THE BACK. 667 00:30:05,404 --> 00:30:07,573 Janis: HOW LONG IS THIS GONNA TAKE? 668 00:30:07,573 --> 00:30:09,241 Terry: IN TRUTH, I DON'T KNOW. 669 00:30:09,241 --> 00:30:11,243 YOU NEED TO SETTLE IN FOR A LONG HAUL. 670 00:30:11,243 --> 00:30:13,045 NOTHING GOES QUICKLY IN TECALA. 671 00:30:13,045 --> 00:30:14,346 BUT THE PEOPLE HOLDING PETER, 672 00:30:14,346 --> 00:30:16,182 THEY DO KNOW WHAT THEY'RE DOING. 673 00:30:16,182 --> 00:30:17,616 HE'S A VERY VALUABLE COMMODITY, 674 00:30:17,616 --> 00:30:19,785 AND YOU MUST BELIEVE THAT IT'S IN THEIR BEST INTEREST 675 00:30:19,785 --> 00:30:20,786 TO KEEP HIM HEALTHY. 676 00:30:20,786 --> 00:30:23,923 [SPEAKING SPANISH] 677 00:30:23,923 --> 00:30:25,024 Terry: IS PETER IN THE HABIT 678 00:30:25,024 --> 00:30:26,225 OF TAKING OFF FOR A COUPLE OF DAYS 679 00:30:26,225 --> 00:30:27,526 AND NOT TELLING YOU WHERE HE'S GONNA BE? 680 00:30:28,627 --> 00:30:31,330 NO. WHAT ARE YOU GETTING AT? 681 00:30:31,330 --> 00:30:33,065 HOW'S HIS HEALTH? 682 00:30:33,065 --> 00:30:35,434 Janis: PETER'S HEALTH'S ALWAYS BEEN FINE. 683 00:30:35,434 --> 00:30:36,468 Terry: MEDICATION? 684 00:30:36,468 --> 00:30:38,670 Alice: NO. 685 00:30:38,670 --> 00:30:39,805 WHAT ABOUT ALLERGIES? 686 00:30:39,805 --> 00:30:41,607 NO! NOTHING! 687 00:30:41,607 --> 00:30:43,943 HE'S ALLERGIC TO CHLORINE AND STRAWBERRIES. 688 00:30:43,943 --> 00:30:46,512 A BLOOD VESSEL POPPED IN HIS EYE LAST MONTH. 689 00:30:46,512 --> 00:30:48,314 HE'S BEEN TAKING DROPS, 690 00:30:48,314 --> 00:30:51,250 AND HE'S VERY PRONE TO EAR INFECTIONS. 691 00:30:54,954 --> 00:30:56,388 WHAT ABOUT EMOTIONALLY? 692 00:30:56,388 --> 00:30:58,157 YOU THINK HE'S EQUIPPED TO HANDLE THIS KIND OF STRESS? 693 00:30:58,157 --> 00:31:01,327 WHAT KIND OF STRESS ARE WE TALKING ABOUT? 694 00:31:05,231 --> 00:31:06,232 HEY! 695 00:31:15,441 --> 00:31:16,442 [SPEAKING SPANISH] 696 00:31:16,442 --> 00:31:17,443 OH! 697 00:31:18,477 --> 00:31:20,712 [LAUGHING] 698 00:31:20,712 --> 00:31:23,449 [SPEAKING SPANISH] 699 00:31:26,185 --> 00:31:28,187 [SPEAKING SPANISH] 700 00:31:30,656 --> 00:31:32,524 Janis: I DON'T KNOW, FRANK. HE DOESN'T KNOW. 701 00:31:32,524 --> 00:31:34,393 IT COULD BE ONE WEEK. IT COULD BE 6. 702 00:31:34,393 --> 00:31:35,261 I JUST DON'T KNOW! 703 00:31:35,261 --> 00:31:36,828 SHE'S ALICE. WHAT CAN I TELL YOU? 704 00:31:36,828 --> 00:31:38,830 ALICE IS ALICE. SHE'S STILL OUT THERE 705 00:31:38,830 --> 00:31:40,166 TRYING TO SAVE THE WORLD. 706 00:31:40,166 --> 00:31:41,533 I CAN'T TELL YOU WHAT SHE'S FEELING. 707 00:31:41,533 --> 00:31:44,903 SO, WHO ARE YOU? I MEAN, PEOPLE WHO DO THIS. 708 00:31:44,903 --> 00:31:47,373 ARE YOU LAWYERS, FOREIGN SERVICE, WHAT? 709 00:31:47,373 --> 00:31:49,541 SOME LAW ENFORCEMENT, SOME INTELLIGENCE. 710 00:31:49,541 --> 00:31:50,842 MOSTLY IT'S MILITARY. 711 00:31:50,842 --> 00:31:52,144 WHICH ARE YOU? 712 00:31:52,144 --> 00:31:54,613 I WAS A SOLDIER. 713 00:31:54,613 --> 00:31:56,048 WHAT KIND OF SOLDIER? 714 00:31:56,048 --> 00:31:58,250 BRITISH ARMY. 715 00:31:58,250 --> 00:32:00,852 YOU SOUND AUSTRALIAN. 716 00:32:00,852 --> 00:32:02,188 I AM, YEAH. 717 00:32:02,188 --> 00:32:03,990 I WAS IN THE REGIMENT AT HOME, BUT, UH... 718 00:32:03,990 --> 00:32:05,324 WE DON'T GET INTO A LOT OF ACTION DOWN THERE, 719 00:32:05,324 --> 00:32:06,658 SO I WENT TO ENGLAND FOR THAT. 720 00:32:06,658 --> 00:32:10,196 S.A.S.-- SPECIAL AIR SERVICE. 721 00:32:10,196 --> 00:32:12,531 "SPECIAL" MEANING WHAT? SPECIAL FORCES? 722 00:32:12,531 --> 00:32:14,300 RIGHT. 723 00:32:14,300 --> 00:32:15,767 Janis: DUFFY, WHERE ARE YOU GUYS? 724 00:32:15,767 --> 00:32:18,204 ALL RIGHT, I WANT YOU TO GO DOWNSTAIRS, AND I WANT YOU-- 725 00:32:18,204 --> 00:32:21,440 YEAH. SHE IS A TRIP, HUH? 726 00:32:21,440 --> 00:32:23,042 Janis: AND I WANT YOU TO DO IT RIGHT NOW. 727 00:32:23,042 --> 00:32:24,143 THEY GET ON? 728 00:32:24,143 --> 00:32:26,778 WITH PETER? SHE DRIVES HIM CRAZY. 729 00:32:26,778 --> 00:32:28,914 SOMETIMES I THINK WE'VE BEEN BOUNCING ALL OVER THE WORLD 730 00:32:28,914 --> 00:32:30,482 JUST SO HE CAN AVOID HER. 731 00:32:30,482 --> 00:32:33,019 I READ THAT IN THE EMPLOYMENT DOSSIER. 732 00:32:35,021 --> 00:32:36,288 THE BOUNCING AROUND. 733 00:32:37,789 --> 00:32:40,092 AHH. HE SHOULDN'T HAVE BEEN IN THAT CONVERTIBLE. 734 00:32:40,092 --> 00:32:44,230 HIS STUPID, GODDAMN CAR. 735 00:32:45,297 --> 00:32:48,534 TELL ME, WHAT'S, UH, WITH ALL THE SCORPIONS? 736 00:32:51,303 --> 00:32:54,340 YEAH. THIS HOUSE. YEAH, IT'S INSANE, ISN'T IT? 737 00:32:54,340 --> 00:32:57,309 SOME BUSTED DRUG LORD, "EL ESCORPION," 738 00:32:57,309 --> 00:32:59,778 BUILT IT FOR ONE OF HIS MISTRESSES. 739 00:32:59,778 --> 00:33:01,347 REALLY? 740 00:33:01,347 --> 00:33:03,515 PETER CALLED, HE SAID HE FOUND THIS RIDICULOUS, ENORMOUS HOUSE 741 00:33:03,515 --> 00:33:04,683 THAT NOBODY WANTED 742 00:33:04,683 --> 00:33:06,618 BECAUSE IT WAS SUPPOSED TO BE CURSED OR SOMETHING. 743 00:33:06,618 --> 00:33:10,322 CINTA, ONE OF THE MAIDS, COMES EVERY SINGLE, UH, MONDAY, 744 00:33:10,322 --> 00:33:12,424 AND SHE SPRINKLES HOLY WATER AROUND. 745 00:33:12,424 --> 00:33:15,394 SO, MAYBE IT IS CURSED, ALL THAT BAD JUJU. 746 00:33:22,768 --> 00:33:27,339 SO...THIS IS YOUR LIFE, HUH? THIS IS WHAT YOU DO-- 747 00:33:27,339 --> 00:33:30,709 GO INTO PEOPLE'S HOUSES, TELL THEM HOW IT IS. 748 00:33:30,709 --> 00:33:31,643 IT'S A PART OF IT. 749 00:33:31,643 --> 00:33:33,179 TRY TO FIGURE OUT WHAT THEY'RE LIKE, 750 00:33:33,179 --> 00:33:34,646 HOW THEY'RE GONNA BE, HOW THEY'RE GONNA HOLD UP, 751 00:33:34,646 --> 00:33:37,015 I MEAN, THAT'S WHAT YOU'RE DOING, ISN'T IT? 752 00:33:38,084 --> 00:33:39,651 MRS. BOWMAN, I'M ON YOUR SIDE. 753 00:33:42,221 --> 00:33:44,123 SO, HOW AM I DOING? 754 00:33:44,123 --> 00:33:46,058 YOU KNOW, FOR THE BEREAVED SPOUSE? 755 00:33:46,058 --> 00:33:48,127 YOUR HUSBAND ISN'T DEAD. 756 00:33:48,127 --> 00:33:49,995 HE'S ALIVE. 757 00:33:49,995 --> 00:33:51,097 AND I'M GONNA DO EVERYTHING I CAN 758 00:33:51,097 --> 00:33:52,664 TO MAKE SURE HE GETS HOME SAFE. 759 00:33:53,965 --> 00:33:55,834 THIS WON'T WORK IF YOU BULLSHIT ME. 760 00:33:55,834 --> 00:33:57,936 I CAN SEE THAT. 761 00:33:57,936 --> 00:33:59,505 SO, WE'LL BE STRAIGHT UP, THEN? 762 00:33:59,505 --> 00:34:02,608 THAT'S EXACTLY HOW WE'LL DO IT. 763 00:34:05,344 --> 00:34:07,779 SORRY. 764 00:34:07,779 --> 00:34:11,250 GOD, YOU'D THINK I'D BEEN GONE FOR A MONTH. 765 00:34:11,250 --> 00:34:12,818 JANIS, WOULD YOU LIKE SOME WINE? 766 00:34:12,818 --> 00:34:14,853 YOU KNOW I DON'T DRINK. 767 00:34:14,853 --> 00:34:16,755 SO, WHERE WERE WE? 768 00:34:24,463 --> 00:34:25,731 OH, SHIT! 769 00:34:41,847 --> 00:34:44,216 I LIKE THIS! 770 00:34:46,118 --> 00:34:47,853 iME GUSTA! 771 00:34:47,853 --> 00:34:49,255 [SPEAKING SPANISH] 772 00:34:55,561 --> 00:34:56,662 I'M LINDA. 773 00:34:56,662 --> 00:34:57,729 LINDA. 774 00:34:57,729 --> 00:34:58,897 HE'S LOCO. 775 00:34:58,897 --> 00:35:00,566 Sí. DON'T BE AFRAID. 776 00:35:00,566 --> 00:35:02,100 WE'RE NOT GONNA KILL YOU. 777 00:35:12,378 --> 00:35:15,181 [MAN SINGING IN SPANISH] 778 00:35:21,019 --> 00:35:22,421 FROM THE SEÑOR. 779 00:35:23,889 --> 00:35:26,292 AHA... 780 00:35:26,292 --> 00:35:28,794 THE COMPETITION ARRIVES. 781 00:35:28,794 --> 00:35:30,796 [SPEAKING SPANISH] 782 00:35:38,270 --> 00:35:39,538 HEY, HEY, HEY! 783 00:35:39,538 --> 00:35:40,939 HELLO, MATE. 784 00:35:40,939 --> 00:35:43,775 HEY, HEARD AN UGLY RUMOR YOU WERE AROUND SOMEWHERE. 785 00:35:43,775 --> 00:35:44,676 I SUPPOSED YOU'D GONE 786 00:35:44,676 --> 00:35:46,212 ALL CIVILIZED AND UNSOCIAL ON US. 787 00:35:46,212 --> 00:35:47,246 YEAH. 788 00:35:47,246 --> 00:35:49,147 WHAT'S THIS, THEN? A FACE-LIFT? 789 00:35:49,147 --> 00:35:51,217 YEAH, YEAH. I'M DOING ONE SIDE AT A TIME. 790 00:35:51,217 --> 00:35:52,384 YOU'RE GOOD? 791 00:35:52,384 --> 00:35:54,220 HE LOOKS LIKE SHIT, BUT HE'S WORKING. 792 00:35:54,220 --> 00:35:56,555 SO WHAT ARE YOU LADIES CELEBRATING? 793 00:35:56,555 --> 00:35:58,957 LIFE, LIBERTY, AND THE ABILITY TO PURCHASE CLITORIS. 794 00:35:58,957 --> 00:36:00,492 JESUS, MATE. 795 00:36:00,492 --> 00:36:02,761 THANK GOD YOU'RE HERE, TERRY. 796 00:36:02,761 --> 00:36:04,963 BECAUSE, I TELL YOU, THE QUALITY OF CONVERSATION 797 00:36:04,963 --> 00:36:05,964 HAS BEEN JUST... 798 00:36:05,964 --> 00:36:07,633 All: BLOODY APPALLING! 799 00:36:09,835 --> 00:36:11,102 SO WHERE WAS IT? 800 00:36:11,102 --> 00:36:13,305 SOMEBODY SAID YOU WERE IN TURKEY? 801 00:36:13,305 --> 00:36:16,242 NUH-UH. NOT TURKEY, CHECHNYA, RIGHT? 802 00:36:16,242 --> 00:36:18,277 WITH THE FRENCHMAN, LENOIR, YES? 803 00:36:18,277 --> 00:36:19,278 KEEPING UPDATED, HUH? 804 00:36:19,278 --> 00:36:20,912 MY GUYS TURNED THAT ONE DOWN. 805 00:36:20,912 --> 00:36:23,849 SOUNDS LIKE A JOB WYATT'S OUTFIT WOULD TAKE, THOUGH. 806 00:36:23,849 --> 00:36:24,650 OH, THANK YOU. 807 00:36:24,650 --> 00:36:26,252 I HEARD YOU WERE RETIRING. 808 00:36:26,252 --> 00:36:29,154 WELL, YES, I WAS, BUT INHERENT RISK 809 00:36:29,154 --> 00:36:32,524 RANG ME WITH A SOB STORY. YOU KNOW. 810 00:36:32,524 --> 00:36:35,394 COULD I, PLEASE? OLD TIMES' SAKE. 811 00:36:35,394 --> 00:36:36,795 YEAH. WHAT ARE YOU DOING? 812 00:36:36,795 --> 00:36:40,266 UM, I AM WORKING ON THE BIGGEST THING DOWN HERE. 813 00:36:40,266 --> 00:36:41,700 MM-HMM. 814 00:36:41,700 --> 00:36:46,372 HE'S DOING THE ITALIAN. YES, CALITRI. BANKER. 815 00:36:46,372 --> 00:36:48,607 OOH, HE'S VERY PLEASED WITH HIMSELF. 816 00:36:48,607 --> 00:36:49,708 I CAN TELL. 817 00:36:49,708 --> 00:36:50,842 HA HA. 818 00:36:50,842 --> 00:36:54,280 AND IAN HAS YOU OFF IN FUCKIN' CHECHNYA, ALONE. 819 00:36:54,280 --> 00:36:55,814 THAT'S WHY I LEFT THERE, MAN. 820 00:36:55,814 --> 00:36:58,784 LUTHAN RISK DOESN'T GIVE A SHIT ABOUT YOU, AND YOU KNOW IT. 821 00:36:58,784 --> 00:36:59,851 THANKS VERY MUCH. 822 00:36:59,851 --> 00:37:01,152 NOW, YOU STILL GOT THOSE COPS ON THE PAYROLL? 823 00:37:01,152 --> 00:37:02,621 BETTER THAN EVER. JUDGES, TOO. 824 00:37:02,621 --> 00:37:03,789 GOOD. RUN SOME NAMES FOR ME. 825 00:37:03,789 --> 00:37:05,691 THAT TOP ONE IS THIS CLIENT'S DRIVER. 826 00:37:05,691 --> 00:37:07,926 OK. SHOULDN'T BE A PROBLEM. 827 00:37:07,926 --> 00:37:09,094 FOR A HEFTY PRICE. 828 00:37:09,094 --> 00:37:11,363 DO YOU THINK WE'LL EVER GET A FUCKING DRINK HERE? 829 00:37:11,363 --> 00:37:13,432 I THINK SOMEBODY'S KIDNAPPED THE BLOODY BARMAN. 830 00:37:13,432 --> 00:37:15,233 THAT'S ALL RIGHT, MATE. 831 00:37:15,233 --> 00:37:16,435 MY SHARE. 832 00:37:17,569 --> 00:37:20,171 BLOODY HELL. IT'S JUST LIKE MINE. 833 00:37:20,171 --> 00:37:21,773 IT IS YOURS. 834 00:37:22,974 --> 00:37:24,676 IT IS MINE. YOU... 835 00:37:26,745 --> 00:37:29,415 HEY, OLD MATE. IT'S GOOD TO SEE YOU. 836 00:37:32,150 --> 00:37:33,619 ALICE, HONEY, I CAN'T TELL YOU 837 00:37:33,619 --> 00:37:36,154 HOW SHOCKED I AM SOMETHING LIKE THIS COULD HAPPEN. 838 00:37:36,154 --> 00:37:37,255 DID YOU GET MY WIRE? 839 00:37:37,255 --> 00:37:38,357 HOW ARE YOU HOLDING UP? ARE YOU-- 840 00:37:38,357 --> 00:37:40,158 JANIS GOODMAN. I'M PETER'S SISTER. 841 00:37:40,158 --> 00:37:41,493 TED FELLNER. I'M PETER'S BOSS. 842 00:37:41,493 --> 00:37:43,329 LET'S STEP INTO MY OFFICE. 843 00:37:43,329 --> 00:37:44,696 YOU KNOW, I WAS UP IN HOUSTON. 844 00:37:44,696 --> 00:37:46,398 I GOT THIS PHONE CALL. I JUST COULDN'T BELIEVE IT. 845 00:37:46,398 --> 00:37:48,199 I GOT, UH, FLEW BACK HERE LAST NIGHT. 846 00:37:48,199 --> 00:37:49,601 WE'VE HAD EVERYONE WORKING PHONES, 847 00:37:49,601 --> 00:37:51,603 TRYING TO ACCESS THE INFORMATION WE NEED 848 00:37:51,603 --> 00:37:54,239 TO MAKE SOME INFORMED DECISIONS AND MAKE THEM QUICKLY. 849 00:37:54,239 --> 00:37:55,541 YES. THE RIGHT DECISIONS. 850 00:37:55,541 --> 00:37:57,075 PLEASE, SIT DOWN. BOTH OF YOU. 851 00:37:57,075 --> 00:37:58,076 WOULD YOU, UH, 852 00:37:58,076 --> 00:37:59,611 LIKE SOME COFFEE OR TEA OR... 853 00:37:59,611 --> 00:38:01,813 NO. NO, I THINK WE'RE FINE. 854 00:38:06,184 --> 00:38:07,819 UM, WHERE'S MR. THORNE? 855 00:38:09,988 --> 00:38:11,957 THE GUY FROM LUTHAN RISK. 856 00:38:11,957 --> 00:38:14,360 Janis: RIGHT. 857 00:38:14,360 --> 00:38:15,761 THERE'S BEEN A CHANGE IN PLANS. 858 00:38:15,761 --> 00:38:18,029 WELL, WHAT KIND OF CHANGE? 859 00:38:19,865 --> 00:38:21,933 WE THINK IT'S BEST FOR ALL OF US, 860 00:38:21,933 --> 00:38:23,301 UNDER THE CIRCUMSTANCES, 861 00:38:23,301 --> 00:38:25,537 TO GO WITH A LOCAL REPRESENTATIVE. 862 00:38:25,537 --> 00:38:27,038 YOU DON'T WANT TO USE LUTHAN RISK? 863 00:38:27,038 --> 00:38:29,341 WHAT...WHAT CIRCUMSTANCES? 864 00:38:31,610 --> 00:38:33,445 THERE'S NO INSURANCE. 865 00:38:35,246 --> 00:38:37,215 NONE OF US, NO ONE AT QUAD-CARBON 866 00:38:37,215 --> 00:38:38,884 HAS BEEN INSURED FOR KIDNAPPING 867 00:38:38,884 --> 00:38:39,985 SINCE LAST JULY. 868 00:38:39,985 --> 00:38:42,488 SOME IDIOT IN NEW YORK WAS TRYING TO CUT COSTS 869 00:38:42,488 --> 00:38:45,156 AND DIDN'T REALIZE WHAT THEY WERE DOING. 870 00:38:45,156 --> 00:38:49,227 ALICE, HONEY, PLEASE... 871 00:38:49,227 --> 00:38:51,697 I MEAN, THIS COULD BE ANY ONE OF US. 872 00:38:51,697 --> 00:38:52,931 NOW, WE'RE DOING WHAT WE CAN. 873 00:38:52,931 --> 00:38:54,533 WE'RE TALKING TO OCTONAL. 874 00:38:54,533 --> 00:38:55,801 WE'RE TRYING TO GET THEIR INPUT. 875 00:38:55,801 --> 00:38:57,536 WE'RE HOPING THEY'LL STEP UP AND COVER THIS, 876 00:38:57,536 --> 00:38:58,770 BUT AT THIS POINT-- 877 00:38:58,770 --> 00:39:00,706 WELL, DON'T THEY HAVE TO? 878 00:39:00,706 --> 00:39:01,807 WELL, THEIR POSITION IS THEY'RE-- 879 00:39:01,807 --> 00:39:03,008 THEY'RE BUYING A PIPELINE, 880 00:39:03,008 --> 00:39:03,809 NOT THE COMPANY, 881 00:39:03,809 --> 00:39:05,544 SO IT'S A BIT COMPLICATED. 882 00:39:05,544 --> 00:39:06,812 THEIR POSITION? 883 00:39:06,812 --> 00:39:08,313 HOW DO THEY ALREADY HAVE A POSITION? 884 00:39:08,313 --> 00:39:09,615 THIS JUST HAPPENED. 885 00:39:09,615 --> 00:39:11,950 Janis: EXCUSE ME, COULD YOU JUST TELL ME WHERE 886 00:39:11,950 --> 00:39:14,319 QUAD-CARBON STANDS IN ALL OF THIS? 887 00:39:14,319 --> 00:39:16,488 QUAD-CARBON IS EVAPORATING. 888 00:39:17,523 --> 00:39:19,190 I MEAN, THEY'RE SELLING OFF 889 00:39:19,190 --> 00:39:20,258 WHAT THEY CAN. 890 00:39:20,258 --> 00:39:22,628 JUST A LITTLE LATE FOR MIRACLES. 891 00:39:25,296 --> 00:39:27,433 SO, YOU'RE ALL OUT OF WORK? 892 00:39:27,433 --> 00:39:29,134 IT WOULD SEEM SO. 893 00:39:35,073 --> 00:39:36,341 Alice: AND WHO'S THIS? 894 00:39:36,341 --> 00:39:38,810 ALICE, THIS IS ARTURO FERNANDEZ. 895 00:39:38,810 --> 00:39:40,278 SEÑORA BOWMAN. 896 00:39:40,278 --> 00:39:41,480 NOW, MR. FERNANDEZ HAS BEEN 897 00:39:41,480 --> 00:39:43,449 OUR LOCAL SECURITY COORDINATOR FOR YEARS. 898 00:39:43,449 --> 00:39:46,351 HE IS VERY WELL-CONNECTED AND VERY EXPERIENCED. 899 00:39:46,351 --> 00:39:47,453 AND I THINK IF YOU GIVE US 900 00:39:47,453 --> 00:39:48,687 A COUPLE MINUTES TO TALK THIS OVER, 901 00:39:48,687 --> 00:39:50,522 YOU'RE GONNA REALIZE JUST HOW LUCKY WE ARE 902 00:39:50,522 --> 00:39:52,858 TO HAVE HIM WORKING WITH US. 903 00:40:11,943 --> 00:40:13,845 MR. THORNE, YOU'RE LEAVING SO SOON. 904 00:40:13,845 --> 00:40:16,047 GRACIAS. PERHAPS NEXT TIME, WE CAN GO DANCING. 905 00:40:16,047 --> 00:40:16,848 WONDERFUL. 906 00:40:16,848 --> 00:40:19,050 BOY, DID YOU HAVE ME FOOLED. 907 00:40:20,852 --> 00:40:22,120 I WAS JUST ABOUT TO CALL YOU. 908 00:40:22,120 --> 00:40:23,522 WHERE, FROM THE PLANE? 909 00:40:24,856 --> 00:40:26,558 YOU STOOD IN MY HOUSE, AND YOU TOLD ME 910 00:40:26,558 --> 00:40:28,159 THAT I DIDN'T HAVE TO WORRY ANYMORE. 911 00:40:28,159 --> 00:40:29,995 YOU STOOD THERE. 912 00:40:29,995 --> 00:40:32,063 WE ALL THOUGHT QUAD-CARBON WAS STILL A CLIENT. 913 00:40:32,063 --> 00:40:34,099 WHAT ABOUT US? WE CAN'T BE THE CLIENT? 914 00:40:34,099 --> 00:40:35,133 LOOK, I REALLY AM SORRY. 915 00:40:35,133 --> 00:40:36,935 IT'S NOT A GOOD SITUATION FOR US, EITHER. 916 00:40:36,935 --> 00:40:40,338 "US"? YOU. 917 00:40:40,338 --> 00:40:41,973 YOU STOOD IN MY KITCHEN, 918 00:40:41,973 --> 00:40:44,810 AND YOU TOLD ME MY HUSBAND WAS COMING HOME. 919 00:40:46,011 --> 00:40:48,614 QUAD-CARBON IS OUT OF BUSINESS, OK? 920 00:40:48,614 --> 00:40:51,282 OCTONAL SPENDS 40 MILLION A YEAR ON K AND R INSURANCE 921 00:40:51,282 --> 00:40:52,651 ALL OVER THE WORLD. 922 00:40:52,651 --> 00:40:54,686 MY COMPANY HAS 30% OF THAT PACKAGE. 923 00:40:54,686 --> 00:40:55,887 OCTONAL DOES NOT LIKE CONFLICT. 924 00:40:55,887 --> 00:40:58,156 PETER DOESN'T WORK FOR OCTONAL! 925 00:40:58,156 --> 00:41:00,626 THAT'S THE POINT. THAT'S THE WAY THEY WANT IT, 926 00:41:00,626 --> 00:41:02,227 NO QUAD-CARBON CONFUSION. 927 00:41:04,362 --> 00:41:05,831 I'M NOT EVEN SUPPOSED TO TALK TO YOU. 928 00:41:05,831 --> 00:41:07,766 SO THIS IS, WHAT, THIS IS YOU BEING BRAVE? 929 00:41:07,766 --> 00:41:08,967 NO, THIS IS ME DOING MY JOB. 930 00:41:08,967 --> 00:41:10,168 WELL, IT'S GOOD I CAME BY, THEN. 931 00:41:10,168 --> 00:41:11,036 RIGHT, SOLDIER? 932 00:41:11,036 --> 00:41:13,404 LET YOU GET THAT OFF YOUR CHEST. 933 00:41:13,404 --> 00:41:14,606 I'M SURE IT'S ALL GONNA WORK OUT. 934 00:41:14,606 --> 00:41:15,874 HEY! YOU KNOW THEY'RE GIVING US 935 00:41:15,874 --> 00:41:17,442 SOME LOCAL SECURITY GUY? 936 00:41:17,442 --> 00:41:19,377 THEY'RE GIVING US EXACTLY THE KIND OF GUY 937 00:41:19,377 --> 00:41:20,411 YOU WARNED ME ABOUT. 938 00:41:20,411 --> 00:41:21,379 I DON'T KNOW WHAT TO TELL YOU. 939 00:41:21,379 --> 00:41:22,748 I DON'T MAKE POLICY. 940 00:41:22,748 --> 00:41:25,150 GREAT. SO, WHEN THIS IS OVER AND MY HUSBAND'S DEAD 941 00:41:25,150 --> 00:41:27,385 AND I'M SUING THE SHIT OUT OF THESE BASTARDS, 942 00:41:27,385 --> 00:41:28,654 YOU CAN TELL THE JUDGE 943 00:41:28,654 --> 00:41:30,188 YOU DID EVERYTHING YOU COULD TO HELP ME OUT? 944 00:41:32,490 --> 00:41:33,792 WAIT A MINUTE. WAIT! WAIT! 945 00:41:33,792 --> 00:41:36,728 WAIT! WA-- OH, NO! NO! WAIT! 946 00:41:36,728 --> 00:41:38,630 LISTEN TO ME. I'M SORRY, ALL RIGHT? 947 00:41:38,630 --> 00:41:41,466 I APOLOGI-- I'M SORRY! I'M S-- 948 00:41:41,466 --> 00:41:45,036 I'M SORRY TO BE LIKE THIS, BUT... 949 00:41:45,036 --> 00:41:47,939 YOU ARE... YOU ARE THE FIRST... 950 00:41:47,939 --> 00:41:51,409 YOU ARE THE ONLY PERSON I'VE MET... 951 00:41:51,409 --> 00:41:53,511 WHO KNOWS WHAT THEY'RE TALKING ABOUT. 952 00:41:53,511 --> 00:41:54,980 SO I AM BEGGING YOU, 953 00:41:54,980 --> 00:41:57,583 I AM TOTALLY BEGGING YOU TO HELP ME OUT ON THIS. 954 00:41:57,583 --> 00:41:59,350 YOU ASKED ME NOT TO BULLSHIT YOU, RIGHT? 955 00:41:59,350 --> 00:42:01,419 RIGHT. 956 00:42:01,419 --> 00:42:03,021 I GOT A PLANE TO CATCH. 957 00:42:05,657 --> 00:42:07,926 Doorman: HAVE A NICE DAY. THANK YOU VERY MUCH. 958 00:43:01,512 --> 00:43:03,448 [SPEAKING SPANISH] 959 00:43:03,448 --> 00:43:08,086 [CONTINUOUS KNOCKING] 960 00:43:15,861 --> 00:43:18,764 ALICE. HI. I'M SORRY. WE JUST HAD A CALL. 961 00:43:18,764 --> 00:43:20,165 IT'S ABOUT PETER. 962 00:43:20,165 --> 00:43:21,366 THEY SAID TO LOOK IN OUR CAR, WE'D FIND A CELL PHONE, 963 00:43:21,366 --> 00:43:22,734 AND THIS WAS THERE! 964 00:43:22,734 --> 00:43:24,770 THEY ARE CALLING BACK TO THIS PHONE IN 20 MINUTES. 965 00:43:24,770 --> 00:43:28,173 GOD, ALICE. THEY HAVE OUR PHONE NUMBER. 966 00:43:28,173 --> 00:43:30,141 OH, MY GOD. 967 00:43:30,141 --> 00:43:33,178 Fernandez: Sí, Sí, Sí. COMPRENDO. COMPRENDO. 968 00:43:33,178 --> 00:43:34,813 [SPEAKING SPANISH] 969 00:43:34,813 --> 00:43:37,615 IRE YO MISMO SI ES NECESARIO. 970 00:43:37,615 --> 00:43:39,217 [SPEAKING SPANISH] 971 00:43:39,217 --> 00:43:41,586 Sí. Sí, Sí, Sí. NO, NO, NO. 972 00:43:41,586 --> 00:43:43,621 IRE YO MISMO SI ES NECESARIO 973 00:43:43,621 --> 00:43:45,490 Sí, Sí, Sí, HABLAMOS. 974 00:43:45,490 --> 00:43:47,793 PETER IS ALIVE! 975 00:43:47,793 --> 00:43:49,294 HE'S DEFINITELY BEING HELD 976 00:43:49,294 --> 00:43:51,296 BY EL EJERCITO DE LIBERACIO DE TECALA. 977 00:43:51,296 --> 00:43:54,632 AND HE'S IN GOOD HEALTH, BUT HE IS A PRISONER OF WAR, 978 00:43:54,632 --> 00:43:56,567 AND THEY WANT $5 MILLION FOR HIS RELEASE. 979 00:43:56,567 --> 00:43:57,869 OH, MY GOD! 980 00:43:57,869 --> 00:44:01,072 OBVIOUSLY, THIS IS NEGOTIABLE. 981 00:44:01,072 --> 00:44:03,341 OK? THEY ALWAYS START WITH A BIG NUMBER. 982 00:44:03,341 --> 00:44:06,778 AND HE SAYS THAT IN ORDER TO MAKE IT BETTER 983 00:44:06,778 --> 00:44:08,579 FOR PETER'S CARE AND FOOD 984 00:44:08,579 --> 00:44:11,149 AND TO PROVE TO US THAT HE'S ALIVE... 985 00:44:11,149 --> 00:44:13,651 THEY WANT TO GET A FIRST TRANSFER. 986 00:44:13,651 --> 00:44:16,387 AS A GESTURE OF GOOD FAITH, UH... 987 00:44:16,387 --> 00:44:17,388 AS SOON AS POSSIBLE. 988 00:44:17,388 --> 00:44:19,725 FIRST TRANSFER BEING WHAT? 989 00:44:19,725 --> 00:44:22,193 UH, 1.5 BILLION PESOS. 990 00:44:22,193 --> 00:44:22,994 JESUS! 991 00:44:22,994 --> 00:44:25,864 IT'S ONLY-- ONLY $50,000. 992 00:44:25,864 --> 00:44:27,432 CAN I TALK TO HIM? 993 00:44:27,432 --> 00:44:30,401 NO, I DON'T THINK SO. 994 00:44:30,401 --> 00:44:31,502 NO, THIS GUY, 995 00:44:31,502 --> 00:44:33,504 HE'S GONNA MAKE ONE LAST CONTACT. 996 00:44:33,504 --> 00:44:34,773 HE'S GONNA LET US KNOW 997 00:44:34,773 --> 00:44:36,708 WHERE TO GO FOR THIS. 998 00:44:40,812 --> 00:44:42,347 BUT, LADIES... 999 00:44:42,347 --> 00:44:45,951 THE IMPORTANT THING IS THAT PETER IS ALIVE. 1000 00:44:45,951 --> 00:44:48,653 THIS IS VERY POSITIVE. 1001 00:44:48,653 --> 00:44:50,121 IT'S VERY FAST. 1002 00:44:50,121 --> 00:44:54,092 A CASE LIKE THIS, VERY FAST. HONEST. 1003 00:44:54,092 --> 00:44:55,493 COULD YOU EXCUSE US FOR A MOMENT, PLEASE? 1004 00:44:55,493 --> 00:44:56,494 SURE. 1005 00:44:56,494 --> 00:44:57,929 THANK YOU. 1006 00:45:01,867 --> 00:45:06,471 I AM NOT TRUSTING THAT MAN WITH $50,000. 1007 00:45:06,471 --> 00:45:07,739 WHAT IS THE ALTERNATIVE? 1008 00:45:07,739 --> 00:45:08,774 WILL YOU FEEL GOOD ABOUT THIS? ABOUT HIM? 1009 00:45:08,774 --> 00:45:10,175 IS THAT WHAT YOU'RE TELLING ME? 1010 00:45:10,175 --> 00:45:11,609 NO, THAT IS NOT WHAT I SAID. THAT'S NOT WHAT I MEANT. 1011 00:45:11,609 --> 00:45:12,610 THAT'S NOT THE POINT! 1012 00:45:12,610 --> 00:45:14,012 IT FEELS OUT OF CONTROL! 1013 00:45:14,012 --> 00:45:15,046 NOW, THERE'S MORE THAN ONE 1014 00:45:15,046 --> 00:45:16,181 PERSON OUT THERE WHO DOES THIS. 1015 00:45:16,181 --> 00:45:17,215 YOU'VE BEEN ON THE PHONE FOR 2 DAYS, 1016 00:45:17,215 --> 00:45:18,349 AND WHAT HAVE WE GOT? NOTHING! 1017 00:45:18,349 --> 00:45:20,651 I WANT TO WAIT FOR THE GUY IN MIAMI. 1018 00:45:20,651 --> 00:45:22,120 HOW LONG? 5 DAYS? 2 WEEKS? 1019 00:45:22,120 --> 00:45:23,554 YOU WANT TO COMPARISON SHOP? 1020 00:45:23,554 --> 00:45:24,856 PETER IS ALIVE NOW! 1021 00:45:24,856 --> 00:45:27,192 PETER IS MY LITTLE BROTHER! 1022 00:45:30,628 --> 00:45:33,198 I'M TRYING TO BE SMART ABOUT THIS. 1023 00:45:33,198 --> 00:45:35,967 I'VE NEVER DONE THIS BEFORE. 1024 00:45:35,967 --> 00:45:38,103 I KNOW. I'M JUST... 1025 00:45:38,103 --> 00:45:40,238 I KNOW. 1026 00:45:40,238 --> 00:45:41,306 I KNOW. 1027 00:45:48,947 --> 00:45:50,849 Peter: ASK HIM WHERE DOES HE THINK I'M GONNA GO? 1028 00:46:00,291 --> 00:46:02,794 ASK HIM HOW LONG I HAVE TO BE HERE. 1029 00:46:19,677 --> 00:46:22,347 WHAT DID HE SAY? 1030 00:46:22,347 --> 00:46:23,581 NEVER MIND. 1031 00:46:23,581 --> 00:46:26,017 IT'S OK. IT'S OK. 1032 00:46:34,325 --> 00:46:37,695 UM, LORD LUCAN IS ACTUALLY LIVING IN THE UKRAINE 1033 00:46:37,695 --> 00:46:40,966 IN--IN--IN A SANATORIUM WITH RUBBER-- 1034 00:46:40,966 --> 00:46:43,869 TERRY. TERRY, WELCOME BACK. 1035 00:46:43,869 --> 00:46:45,904 HELLO, TERRY. HELLO. SIR. 1036 00:46:48,039 --> 00:46:49,240 PLEASURE SEEING YOU AGAIN. 1037 00:46:49,240 --> 00:46:50,842 CHEERS. 1038 00:46:52,177 --> 00:46:53,311 STEVE, ROUND AT WESTMINSTER 1039 00:46:53,311 --> 00:46:54,245 AND BACK DOWN TO GREENWICH, PLEASE, 1040 00:46:54,245 --> 00:46:55,580 IF YOU WOULD. AYE, SIR. 1041 00:46:55,580 --> 00:46:57,916 TERRY. 1042 00:46:57,916 --> 00:47:00,351 UH, TWO OF THESE, PLEASE. 1043 00:47:03,321 --> 00:47:06,925 HERE'S TO, UH, DODGING BULLETS. 1044 00:47:06,925 --> 00:47:08,459 [GLASSES CLINK] 1045 00:47:11,997 --> 00:47:14,732 CAN YOU BELIEVE WE ALMOST LOST A $12 MILLION CONTRACT 1046 00:47:14,732 --> 00:47:16,201 OVER THIS QUAD-CARBON FIASCO? 1047 00:47:16,201 --> 00:47:19,270 OCTONAL GOT QUITE PUT OFF BY THE WHOLE ADVENTURE. 1048 00:47:19,270 --> 00:47:20,805 OH, I'M SURE YOU DID AS WELL. 1049 00:47:20,805 --> 00:47:23,308 QUITE RIGHT, TOO. 1050 00:47:23,308 --> 00:47:25,610 I'LL MAKE IT UP TO YOU, TERRY. 1051 00:47:25,610 --> 00:47:26,611 I WILL. 1052 00:47:28,679 --> 00:47:30,481 SO WHAT HAPPENS TO THESE PEOPLE? 1053 00:47:30,481 --> 00:47:31,449 WHO? 1054 00:47:31,449 --> 00:47:34,452 THE BOWMANS--WHAT HAPPENS TO THEM NOW? 1055 00:47:34,452 --> 00:47:37,322 OH, COME ON. THEY'LL FIND A WAY THROUGH. 1056 00:47:37,322 --> 00:47:38,756 CHRIST, WE GOT HALF A DOZEN FIRMS 1057 00:47:38,756 --> 00:47:39,925 BREATHING DOWN OUR BACKS AS IT IS. 1058 00:47:39,925 --> 00:47:42,260 BELIEVE ME, SOMEBODY WANTS THIS CASE. 1059 00:47:42,260 --> 00:47:43,161 OK. WHO? 1060 00:47:43,161 --> 00:47:45,130 GIVE ME A NAME OF A COMPANY 1061 00:47:45,130 --> 00:47:46,731 THAT DOESN'T HAVE OCTONAL BUSINESS 1062 00:47:46,731 --> 00:47:48,133 THAT YOU WOULD TRUST-- 1063 00:47:48,133 --> 00:47:50,068 TRUST WITH YOUR OWN FAMILY. 1064 00:47:50,068 --> 00:47:51,903 THEY'LL BE FINE. 1065 00:47:56,507 --> 00:47:59,210 SO, LOOK... 1066 00:47:59,210 --> 00:48:01,947 I GOT A TRIP TO BANGKOK NEEDS DOING. 1067 00:48:01,947 --> 00:48:02,981 2 OR 3 DAYS AT THE MOST. 1068 00:48:02,981 --> 00:48:04,182 STRICTLY MANAGEMENT ASSIGNMENT. 1069 00:48:04,182 --> 00:48:06,284 WAVE THE FLAG. TALK TO A FEW PEOPLE. 1070 00:48:06,284 --> 00:48:07,518 AFTER THAT, I THOUGHT YOU MIGHT WANT 1071 00:48:07,518 --> 00:48:10,055 A TRIP TO THE BEACH AT PHUKET. 1072 00:49:18,123 --> 00:49:20,325 [ALL COUNTING] 1073 00:49:28,866 --> 00:49:30,001 HEY, IF YOU'RE HANDLING THE TWENTIES, 1074 00:49:30,001 --> 00:49:31,269 IT'S 50, 1075 00:49:31,269 --> 00:49:33,404 AND IF YOU'RE HANDLING THE FIFTIES, IT'S 20. 1076 00:49:33,404 --> 00:49:35,006 I KNOW! I KNOW! SHE KNOWS! 1077 00:49:35,006 --> 00:49:36,907 DON'T! 1078 00:49:36,907 --> 00:49:39,410 [COUNTING RESUMES] 1079 00:49:46,884 --> 00:49:48,619 Janis: OH, DAMN IT! 1080 00:49:48,619 --> 00:49:49,720 OH, MY CHRIST! 1081 00:49:49,720 --> 00:49:53,158 SHIT! THIS IS RIDICULOUS! 1082 00:49:53,158 --> 00:49:54,625 JANIS! JANIS! 1083 00:49:54,625 --> 00:49:56,494 [ALL TALKING AT ONCE] 1084 00:49:58,163 --> 00:49:59,464 Janis: DAMN IT! 1085 00:49:59,464 --> 00:50:00,298 Alice: HOLD ON. 1086 00:50:00,298 --> 00:50:01,466 HOW MANY DID YOU HAVE IN THERE? 1087 00:50:01,466 --> 00:50:02,800 I HAD 50! I MEAN HOW COME 1088 00:50:02,800 --> 00:50:04,102 EVERYBODY KEEPS ASKING ME HOW MUCH MONEY I HAD?! 1089 00:50:04,102 --> 00:50:06,071 NO! NO! NO! PLEASE, MR. FERNANDEZ. 1090 00:50:06,071 --> 00:50:07,905 COME ON, JANIS. CALM DOWN. 1091 00:50:07,905 --> 00:50:09,707 [TAPPING ON DOOR] 1092 00:50:11,309 --> 00:50:12,910 ARE YOU EXPECTING SOMEONE? 1093 00:50:12,910 --> 00:50:14,345 NO. 1094 00:50:16,914 --> 00:50:17,915 WATCH OUT. 1095 00:50:17,915 --> 00:50:19,184 OW! OW! 1096 00:50:19,184 --> 00:50:20,485 Janice: THAT GUY IS SO-- 1097 00:50:20,485 --> 00:50:21,519 MAYBE IT'S ELIO. 1098 00:50:25,223 --> 00:50:26,724 WHOEVER IT IS--OUT. 1099 00:50:26,724 --> 00:50:29,794 PLEASE, MR. FERNANDEZ, LET ME HANDLE IT. 1100 00:50:29,794 --> 00:50:31,662 [TAPPING ON DOOR] 1101 00:50:41,672 --> 00:50:44,041 WHAT ARE YOU DOING HERE? 1102 00:50:44,041 --> 00:50:46,911 I WANTED TO APOLOGIZE. 1103 00:50:46,911 --> 00:50:50,081 I THOUGHT YOU DID THAT ALREADY. 1104 00:50:50,081 --> 00:50:53,318 OH, MY GOD. IT'S YOU. 1105 00:50:53,318 --> 00:50:54,752 Terry: HELLO, JANIS. 1106 00:50:54,752 --> 00:50:56,053 Alice: WHAT DO YOU WANT? 1107 00:50:56,053 --> 00:50:57,322 I JUST WANTED TO TELL YOU HOW SORRY I WAS 1108 00:50:57,322 --> 00:50:58,389 ABOUT THE WAY THINGS WENT. 1109 00:50:58,389 --> 00:51:00,525 WELL, GREAT. IT'S JUST THAT, UH, 1110 00:51:00,525 --> 00:51:02,493 WE'RE KIND OF IN THE MIDDLE OF SOMETHING HERE. 1111 00:51:02,493 --> 00:51:04,295 LOOK, I UNDERSTAND YOU MIGHT BE RELUCTANT TO HEAR ME OUT, 1112 00:51:04,295 --> 00:51:05,930 BUT I WANT TO OFFER YOU MY SERVICES. 1113 00:51:05,930 --> 00:51:07,332 HAVEN'T WE DONE THIS ALREADY? 1114 00:51:07,332 --> 00:51:08,733 I THOUGHT YOUR HANDS WERE TIED. 1115 00:51:08,733 --> 00:51:09,834 THEY WERE. 1116 00:51:09,834 --> 00:51:12,770 WHAT ABOUT YOUR COMPANY? 1117 00:51:15,273 --> 00:51:16,841 I'D BE DOING THIS ALONE. 1118 00:51:16,841 --> 00:51:20,345 SEÑORA. SEÑORA! 1119 00:51:20,345 --> 00:51:21,546 SEÑORA, PLEASE-- 1120 00:51:21,546 --> 00:51:23,748 HEY, IT'S OK. IT'S ALL RIGHT. 1121 00:51:32,157 --> 00:51:33,391 WHAT'S ALL THIS? 1122 00:51:33,391 --> 00:51:35,893 WE'RE ACTUALLY PUTTING TOGETHER A PAYMENT. 1123 00:51:35,893 --> 00:51:37,061 WHAT KIND OF PAYMENT? 1124 00:51:37,061 --> 00:51:38,929 FOR PETER. IT'S A GOOD-FAITH PAYMENT. 1125 00:51:38,929 --> 00:51:40,198 GOOD FAITH. 1126 00:51:40,198 --> 00:51:42,133 Janis: WE'RE GETTING A PROOF OF LIFE. 1127 00:51:42,133 --> 00:51:43,134 SO WHO PUT THIS TOGETHER? 1128 00:51:43,134 --> 00:51:44,335 SEÑORA, I MUST INSIST. 1129 00:51:44,335 --> 00:51:45,270 HI, HOW'RE YOU DOING? I'M TERRY THORNE. 1130 00:51:45,270 --> 00:51:46,804 NICE TO MEET YOU. 1131 00:51:46,804 --> 00:51:49,006 HEY, YOU CAN'T COME IN HERE! 1132 00:51:49,006 --> 00:51:51,108 [ALL YELLING AT ONCE] 1133 00:51:52,177 --> 00:51:53,344 WHOA! WHAT HAVE WE GOT HERE? 1134 00:51:53,344 --> 00:51:55,913 WE GOT 1, 2, 3 GUYS WITH GUNS IN HERE, 1135 00:51:55,913 --> 00:51:57,148 A SHITLOAD OF MONEY. 1136 00:51:57,148 --> 00:51:59,016 HOLY SNAPPIN' ASSHOLES, LOOK AT THIS, EH? 1137 00:51:59,016 --> 00:52:00,418 [SCREAMING] 1138 00:52:00,418 --> 00:52:02,387 [ALL YELLING AT ONCE] 1139 00:52:03,188 --> 00:52:05,190 Alice: YOU TELL THEM TO PUT THAT GUN DOWN! 1140 00:52:05,190 --> 00:52:08,125 ALL RIGHT! ALL RIGHT! ALL RIGHT! 1141 00:52:08,125 --> 00:52:10,127 [SPEAKING SPANISH] 1142 00:52:11,396 --> 00:52:12,997 I ASK YOU NOT TO COME IN. 1143 00:52:12,997 --> 00:52:15,065 NOW, THESE LADIES, MAYBE THEY DON'T UNDERSTAND SO GOOD, 1144 00:52:15,065 --> 00:52:17,067 BUT YOU--YOU UNDERSTAND, DON'T YOU? 1145 00:52:17,067 --> 00:52:18,135 OH, YEAH. I GET THIS, MATE. 1146 00:52:18,135 --> 00:52:19,204 YOU WANT TO TALK TO THESE LADIES, 1147 00:52:19,204 --> 00:52:21,372 YOU COME BACK LATER. LATER? 1148 00:52:21,372 --> 00:52:22,773 LIKE WHEN THE MONEY'S GONE? 1149 00:52:22,773 --> 00:52:24,342 THERE YOU GO. 1150 00:52:24,342 --> 00:52:25,943 I GET THAT ONE, TOO, MATE. 1151 00:52:25,943 --> 00:52:28,446 OK. ALL RIGHT. 1152 00:52:28,446 --> 00:52:29,880 OK, THAT'S WHAT I'M DOING, MATE. 1153 00:52:29,880 --> 00:52:32,217 OK? YOU KNOW, I DO THIS FOR A LIVING, MATE. 1154 00:52:32,217 --> 00:52:34,118 I DO THIS ALL THE TIME, OK? 1155 00:52:34,118 --> 00:52:35,820 THIS IS MY JOB, YOU KNOW. 1156 00:52:35,820 --> 00:52:36,654 AND YOU KNOW WHAT? 1157 00:52:36,654 --> 00:52:38,289 YOU NEVER BUY A PROOF OF LIFE. 1158 00:52:38,289 --> 00:52:39,524 THAT'S BULLSHIT. 1159 00:52:39,524 --> 00:52:40,691 YOU DON'T KNOW WHAT YOU'RE TALKING ABOUT. 1160 00:52:40,691 --> 00:52:42,126 Terry: I KNOW WHAT I'M TALKING ABOUT. 1161 00:52:42,126 --> 00:52:43,361 YOU NEVER PAY FOR A PROOF OF LIFE. 1162 00:52:43,361 --> 00:52:44,429 YOU NEVER PACK MONEY IN YOUR CLIENT'S HOUSE 1163 00:52:44,429 --> 00:52:45,696 UNLESS IT'S A FUCKING EMERGENCY. 1164 00:52:45,696 --> 00:52:47,332 AND YOU KNOW WHAT ELSE? YOU DON'T WAVE GUNS 1165 00:52:47,332 --> 00:52:48,966 AROUND PEOPLE YOU'RE TRYING TO HELP. 1166 00:52:48,966 --> 00:52:51,202 [SCREAMING] DON'T DO THAT! 1167 00:52:51,202 --> 00:52:53,003 PUT YOUR GUN DOWN. PUT YOUR GUN DOWN. 1168 00:52:53,003 --> 00:52:55,105 PUT IT DOWN, OR I'LL BLOW YOUR HEAD OFF. 1169 00:52:55,105 --> 00:52:56,241 NOW! LOOK AT THIS. 1170 00:52:56,241 --> 00:52:57,775 LOOK. THERE IT IS. 1171 00:52:57,775 --> 00:52:58,943 [SPEAKING SPANISH] 1172 00:52:58,943 --> 00:52:59,944 JUST CALM DOWN. 1173 00:52:59,944 --> 00:53:02,247 DO IT! 1174 00:53:02,247 --> 00:53:04,114 THERE YOU GO, ALL RIGHT? 1175 00:53:04,114 --> 00:53:06,517 WHAT ARE YOU GONNA DO NOW, ASSHOLE? 1176 00:53:06,517 --> 00:53:09,320 ALICE... 1177 00:53:09,320 --> 00:53:10,888 ASK HIM TO LEAVE. 1178 00:53:10,888 --> 00:53:13,123 WHAT? 1179 00:53:13,123 --> 00:53:15,460 THANK THEM VERY MUCH FOR THEIR HELP 1180 00:53:15,460 --> 00:53:16,894 AND ASK THEM TO LEAVE. 1181 00:53:16,894 --> 00:53:18,996 ME? YOU ARE TELLING ME? 1182 00:53:18,996 --> 00:53:19,997 Sí. 1183 00:53:19,997 --> 00:53:21,065 YOU'RE TAKING THE CASE? 1184 00:53:21,065 --> 00:53:22,300 YES. 1185 00:53:22,300 --> 00:53:24,369 ENOUGH WITH THIS! LEAVE NOW! 1186 00:53:28,406 --> 00:53:31,742 MR. FERNANDEZ... 1187 00:53:31,742 --> 00:53:32,777 I'D LIKE YOU TO GO. 1188 00:53:34,412 --> 00:53:36,046 NOW, YOU HEARD MRS. BOWMAN. 1189 00:53:36,046 --> 00:53:37,047 BUT I'M NOT GOING ANYWHERE, PAL! 1190 00:53:37,047 --> 00:53:40,651 YOU ARE! NOW! 1191 00:53:43,153 --> 00:53:44,422 CAN I MAKE A SUGGESTION? 1192 00:53:44,422 --> 00:53:46,724 I CAN HARDLY WAIT, CAN I? 1193 00:53:47,825 --> 00:53:49,960 I THINK YOU SHOULD TAKE A DEEP BREATH AND CALM DOWN 1194 00:53:49,960 --> 00:53:52,363 AND LOOK OVER YOUR SHOULDER AND MEET A FRIEND OF MINE. 1195 00:53:53,931 --> 00:53:55,199 AAH! [GASPS] 1196 00:53:55,199 --> 00:53:58,336 ARTURO! [GUN COCKS] 1197 00:53:59,704 --> 00:54:01,639 DOWN. PUT THE FUCKING THING DOWN, MATE. 1198 00:54:01,639 --> 00:54:02,840 THOUGHT YOU WERE GOING LEGIT, MAN. 1199 00:54:02,840 --> 00:54:04,241 Terry: DOWN. DINO. 1200 00:54:04,241 --> 00:54:05,710 WELL, YEAH. 1201 00:54:05,710 --> 00:54:07,378 iVAMOS! GO! ALL OF YOU! YOU, TOO! 1202 00:54:07,378 --> 00:54:09,179 YOU, TOO! RIGHT NOW! 1203 00:54:09,179 --> 00:54:10,848 [SPEAKING SPANISH] 1204 00:54:13,784 --> 00:54:15,453 OKEY-DOKEY. 1205 00:54:15,453 --> 00:54:17,755 LET'S GET THIS ALL CLEANED UP, HUH? 1206 00:54:17,755 --> 00:54:20,391 OH, GOD! 1207 00:54:39,944 --> 00:54:41,546 [INDISTINCT RADIO CHATTER] 1208 00:54:44,982 --> 00:54:46,083 OH, JEEZ. 1209 00:54:46,083 --> 00:54:48,252 WHEN ARE YOU GUYS GONNA PUT THOSE THINGS AWAY? 1210 00:54:48,252 --> 00:54:50,721 HAVE A CIGARETTE. IT MIGHT HELP. 1211 00:54:53,023 --> 00:54:54,058 SANDRO'S GOING AROUND AGAIN. 1212 00:54:54,058 --> 00:54:55,225 ELIODORO'S READY WHEN YOU ARE. 1213 00:54:55,225 --> 00:54:57,094 OK, WE ARE THE TALK OF THE TOWN, BUDDY. 1214 00:54:57,094 --> 00:54:58,095 IS IT COMPLIMENTARY? 1215 00:54:58,095 --> 00:54:59,564 YOU'D BE FLATTERED. 1216 00:54:59,564 --> 00:55:00,565 WHERE'S MRS. BOWMAN? 1217 00:55:00,565 --> 00:55:02,199 CHECK THE KITCHEN. 1218 00:55:02,199 --> 00:55:03,334 HEY. 1219 00:55:03,334 --> 00:55:04,335 YEAH? 1220 00:55:04,335 --> 00:55:05,770 THAT WAS FUN. 1221 00:55:05,770 --> 00:55:07,505 YEAH. 1222 00:55:12,843 --> 00:55:13,911 MRS. BOWMAN. 1223 00:55:22,687 --> 00:55:25,390 [SOBBING] 1224 00:55:27,358 --> 00:55:29,026 ALICE? 1225 00:55:31,929 --> 00:55:33,063 OH. 1226 00:55:36,867 --> 00:55:41,038 DINO AND SANDRO ARE GOING TO TAKE THE DUMMY BAGS INTO TOWN, 1227 00:55:41,038 --> 00:55:42,740 MAKE IT LOOK GOOD. 1228 00:55:42,740 --> 00:55:45,476 WE'LL KEEP THE CASH HERE. 1229 00:55:45,476 --> 00:55:47,612 LOOK, I NEED TO KNOW. WAS THERE ANY KIND OF PLAN? 1230 00:55:47,612 --> 00:55:49,814 WAS THERE A CONTACT SCHEDULE? 1231 00:55:51,916 --> 00:55:53,484 NO. 1232 00:55:53,484 --> 00:55:56,387 WE WERE JUST WAITING FOR ANOTHER CALL. 1233 00:55:56,387 --> 00:56:00,157 I HAVEN'T CRIED SINCE THIS STARTED. 1234 00:56:00,157 --> 00:56:01,626 IT'S JUST-- 1235 00:56:01,626 --> 00:56:02,960 HEY, HEY, HEY. IT'S OK. 1236 00:56:02,960 --> 00:56:06,096 IT'S JUST THE TENSION FINALLY JUST-- 1237 00:56:06,096 --> 00:56:07,698 IT'S OK. 1238 00:56:22,647 --> 00:56:24,782 WHY ARE YOU DOING THIS? 1239 00:56:27,785 --> 00:56:30,721 NOBODY WAS GONNA TAKE YOUR CASE. 1240 00:56:30,721 --> 00:56:33,157 NOBODY ANY GOOD, ANYWAY. 1241 00:56:33,157 --> 00:56:35,125 I KNOW. 1242 00:56:38,663 --> 00:56:40,364 BUT YOU CAME BACK. 1243 00:56:40,364 --> 00:56:43,968 AND WE HAVE TO DO THIS MY WAY, RIGHT? 1244 00:56:43,968 --> 00:56:46,537 WE'LL DO IT TOGETHER, BUT YOU JUST GOT TO-- 1245 00:56:46,537 --> 00:56:50,307 EVEN IF IT GETS TOUGH. 1246 00:56:50,307 --> 00:56:52,643 YOU HAVE TO LEARN TO TRUST ME. 1247 00:57:18,969 --> 00:57:20,037 Peter: MORNING. 1248 00:57:20,037 --> 00:57:20,838 HOW ARE YOU? YEAH. 1249 00:57:20,838 --> 00:57:22,006 CóMO ESTá? BIEN. 1250 00:57:22,006 --> 00:57:24,174 WE'VE BEEN LISTENING TO THIS ALL NIGHT. 1251 00:57:24,174 --> 00:57:25,375 ESTúPIDO. 1252 00:57:25,375 --> 00:57:26,677 ESTúPIDO IS RIGHT. 1253 00:57:26,677 --> 00:57:29,013 SO, WHAT ARE YOU DOING HERE? 1254 00:57:29,013 --> 00:57:30,180 LINDA, YOU'RE SMART. 1255 00:57:30,180 --> 00:57:31,448 YOU'RE A GOOD PERSON. 1256 00:57:31,448 --> 00:57:33,117 I HAVE NO FAMILY. 1257 00:57:33,117 --> 00:57:34,652 THIS IS NOT YOUR FAMILY. 1258 00:57:34,652 --> 00:57:36,453 THEY ARE MY FAMILY. 1259 00:57:36,453 --> 00:57:37,454 LET ME BE YOUR FAMILY. 1260 00:57:37,454 --> 00:57:38,989 NO. Sí. Sí. 1261 00:57:38,989 --> 00:57:42,426 THEY'RE MY FAMILY. YES, THEY ARE MY FAMILY. 1262 00:57:42,426 --> 00:57:44,461 LINDA... 1263 00:57:44,461 --> 00:57:46,030 PLEASE. PLEASE. 1264 00:57:46,030 --> 00:57:48,599 JUST HELP ME. 1265 00:57:48,599 --> 00:57:51,201 LINDA, YOU CAN DO IT. 1266 00:57:51,201 --> 00:57:52,202 QUé? 1267 00:57:52,202 --> 00:57:53,871 HELP ME. 1268 00:57:56,473 --> 00:57:59,009 LINDA JUST-- NO, LEAVE THE WOOD. 1269 00:57:59,009 --> 00:58:00,210 LINDA, NO. I NEED THE WOOD. 1270 00:58:03,080 --> 00:58:04,682 [SPEAKING SPANISH] 1271 00:58:19,630 --> 00:58:21,065 [CAR HORN HONKING] 1272 00:58:28,438 --> 00:58:30,374 WHO ANSWERED THE PHONE? 1273 00:58:30,374 --> 00:58:33,110 MARIA. I WAS IN THE SHOWER. 1274 00:58:33,110 --> 00:58:35,379 JANIS STAYED HOME IN CASE THERE WERE ANY MORE CALLS. 1275 00:58:35,379 --> 00:58:36,647 WHERE DID THEY HIDE IT? 1276 00:58:36,647 --> 00:58:38,649 LOOK FOR THE JESUS WITH THE PURPLE ROBE. 1277 00:58:38,649 --> 00:58:40,217 IT SHOULD BE UNDER THE ALTAR CLOTH. 1278 00:59:20,424 --> 00:59:21,458 Alice: DID YOU GET IT? 1279 00:59:21,458 --> 00:59:22,660 IT'S GOOD. 1280 00:59:22,660 --> 00:59:24,194 WE GOT RADIO FREQUENCIES, TIMES TO CALL. 1281 00:59:24,194 --> 00:59:27,064 WE'RE ON FOR WEDNESDAYS AND SUNDAYS. 1282 00:59:42,479 --> 00:59:44,615 [GUNSHOT] 1283 00:59:58,162 --> 01:00:01,165 [3 GUNSHOTS] 1284 01:00:01,165 --> 01:00:02,800 iHOLA! 1285 01:00:21,852 --> 01:00:23,387 [SPEAKING SPANISH] 1286 01:00:53,417 --> 01:00:54,785 Peter: YOU KNOW WHAT I WANT? 1287 01:00:54,785 --> 01:00:57,121 I'D LIKE 5 MINUTES ALONE WITH YOU WITHOUT YOUR GUN. 1288 01:00:57,121 --> 01:00:58,823 I'D TAKE YOUR WHOLE FUCKING WORLD APART 1289 01:00:58,823 --> 01:01:01,391 WITHOUT BREAKING A SWEAT. COMPRENDE? 1290 01:01:03,093 --> 01:01:05,863 I WANT MY SHIRT. I WANT MY SPOON. 1291 01:01:15,105 --> 01:01:17,307 POINT THAT FUCKING THING AT ME ONE MORE TIME-- 1292 01:01:17,307 --> 01:01:20,811 OH, BIG MAN! SHOW ME HOW FUCKING BIG YOU ARE! 1293 01:01:20,811 --> 01:01:23,814 I'LL MAKE YOU EAT THAT GODDAMN RIFLE! 1294 01:01:23,814 --> 01:01:25,249 I WANT MY-- 1295 01:01:25,249 --> 01:01:26,650 [GUNSHOTS] 1296 01:01:26,650 --> 01:01:29,019 [SCREAMING] 1297 01:02:32,516 --> 01:02:35,119 [MAN ON RADIO SPEAKING] 1298 01:02:42,559 --> 01:02:43,894 THE FAMILY-- HE WANTS THE FAMILY. 1299 01:02:43,894 --> 01:02:45,930 JUST TELL HIM TO FORGET IT, ALL RIGHT? 1300 01:02:45,930 --> 01:02:47,364 WE REPRESENT THE FAMILY. 1301 01:02:47,364 --> 01:02:48,432 BUT I-- JUST DO IT. 1302 01:02:48,432 --> 01:02:49,633 DO IT. 1303 01:02:49,633 --> 01:02:51,001 [ELIODORO SPEAKING SPANISH] 1304 01:02:54,604 --> 01:02:57,174 Man on radio: PUT HIS WIFE ON THE RADIO RIGHT NOW, 1305 01:02:57,174 --> 01:03:00,878 OR WE FORGET THE WHOLE FUCKING THING. 1306 01:03:00,878 --> 01:03:02,312 WHO IS THIS? 1307 01:03:02,312 --> 01:03:06,383 Man: I SAID I WANT TO SPEAK WITH THE WIFE, ASSHOLE. 1308 01:03:06,383 --> 01:03:07,351 WHO IS THIS? 1309 01:03:07,351 --> 01:03:09,920 YOU CAN CALL ME TIO. WHAT'S YOUR NAME? 1310 01:03:09,920 --> 01:03:13,891 HA. TIO. CARAJO. CALL ME MARCO. 1311 01:03:13,891 --> 01:03:15,225 Terry: OK, MARCO, 1312 01:03:15,225 --> 01:03:17,461 NOW, YOU'RE NOT MAKING ALL THE RULES HERE, MATE. 1313 01:03:17,461 --> 01:03:19,296 WE WANT TO WORK WITH YOU, 1314 01:03:19,296 --> 01:03:21,331 BUT WE WANT A PROOF OF LIFE, AND WE'RE NOT PAYING FOR IT. 1315 01:03:21,331 --> 01:03:22,532 IF THERE'S ANY GOOD FAITH, MATE, 1316 01:03:22,532 --> 01:03:23,567 IT CAN START WITH THAT. 1317 01:03:23,567 --> 01:03:26,270 Marco: OK, UNCLE TIO. 1318 01:03:26,270 --> 01:03:28,072 SO YOU ARE THE ONE IN CHARGE NOW, HUH? 1319 01:03:28,072 --> 01:03:30,174 THAT'S RIGHT. GOOD. 1320 01:03:30,174 --> 01:03:31,708 THEN YOU WILL BE RESPONSIBLE 1321 01:03:31,708 --> 01:03:33,310 FOR THE DEATH OF PETER BOWMAN. 1322 01:03:33,310 --> 01:03:34,378 OH, JESUS. 1323 01:03:34,378 --> 01:03:37,247 DO YOU UNDERSTAND ME?! YOU ARE RESPONSIBLE. 1324 01:03:37,247 --> 01:03:39,116 HE'S GONE? 1325 01:03:39,116 --> 01:03:41,051 YEAH. IT'S ALL RIGHT. JUST GET USED TO IT. 1326 01:03:41,051 --> 01:03:42,252 IT'S THE WAY IT'S DONE. 1327 01:03:48,926 --> 01:03:50,895 [HELICOPTER APPROACHES] 1328 01:04:11,081 --> 01:04:12,917 GET OFF. GET OFF, POR FAVOR. 1329 01:04:12,917 --> 01:04:14,584 GOD DAMN IT. 1330 01:04:29,934 --> 01:04:31,235 I'VE NEVER SEEN YOU SMOKE. 1331 01:04:31,235 --> 01:04:33,837 I SMOKE WHEN I PLAY CARDS. 1332 01:04:33,837 --> 01:04:36,206 IS THAT SUPPOSED TO BE REASSURING? 1333 01:04:37,841 --> 01:04:40,710 THIS IS HOW IT GOES, ALICE, OK? 1334 01:04:40,710 --> 01:04:41,878 THEY'VE COME TO US. 1335 01:04:41,878 --> 01:04:43,180 WE'VE ESTABLISHED RADIO CONTACT. 1336 01:04:43,180 --> 01:04:45,449 THIS IS ALL POSITIVE. 1337 01:04:45,449 --> 01:04:46,984 WHO DO YOU CARE ABOUT? 1338 01:04:46,984 --> 01:04:48,618 I TOLD YOU YOU'D HAVE TO TRUST ME, 1339 01:04:48,618 --> 01:04:49,920 AND YOU SAID YOU COULD. 1340 01:04:53,023 --> 01:04:55,492 DINO SAYS YOU HAVE A 13-YEAR-OLD SON. 1341 01:04:56,961 --> 01:04:58,728 YEAH. 1342 01:04:58,728 --> 01:04:59,930 SURPRISED? 1343 01:04:59,930 --> 01:05:01,731 WHAT IF IT WAS HIM? 1344 01:05:01,731 --> 01:05:04,634 WHAT IF IT WAS YOUR SON UP THERE IN THE MOUNTAINS? 1345 01:05:04,634 --> 01:05:06,870 THEN I WOULD FIND SOMEBODY THAT I COULD TRUST, 1346 01:05:06,870 --> 01:05:09,039 AND I WOULD DO WHAT THEY TOLD ME. 1347 01:05:16,546 --> 01:05:18,482 SO WHAT'S HE LIKE? WHAT'S YOUR SON LIKE? 1348 01:05:20,084 --> 01:05:22,052 HE'S QUIET... 1349 01:05:22,052 --> 01:05:23,487 SMART, YOU KNOW... 1350 01:05:25,022 --> 01:05:27,157 SEEMS TO MAKE GOOD FRIENDS... 1351 01:05:27,157 --> 01:05:28,525 GOOD RUGBY PLAYER. 1352 01:05:30,094 --> 01:05:31,161 YOU KNOW, I SEE HIM ALL DONE UP, 1353 01:05:31,161 --> 01:05:32,629 AND I THINK, GOD, 1354 01:05:32,629 --> 01:05:35,966 HE'S JUST AT THE END OF BEING A BOY, AND... 1355 01:05:35,966 --> 01:05:38,068 I MISSED IT. 1356 01:05:38,068 --> 01:05:42,239 I JUST HAVEN'T BEEN THERE FOR HIM. 1357 01:05:42,239 --> 01:05:45,042 YOU KNOW, TRUTHFULLY, WE... 1358 01:05:45,042 --> 01:05:46,943 WE REALLY DON'T KNOW EACH OTHER. 1359 01:05:46,943 --> 01:05:48,078 WHEN HE TALKS TO ME, 1360 01:05:48,078 --> 01:05:50,914 IT'S LIKE HE'S ON A PARADE ROUTE. 1361 01:05:50,914 --> 01:05:53,150 SO HE'S A SOLDIER LIKE HIS DAD. 1362 01:05:53,150 --> 01:05:55,652 NO, HE WANTS TO BE A PILOT 1363 01:05:55,652 --> 01:05:57,687 AND GET ALL THE GIRLS. 1364 01:05:59,789 --> 01:06:01,191 AND HIS MOTHER? 1365 01:06:01,191 --> 01:06:03,327 MMM. NOW, THERE'S THE SOLDIER. 1366 01:06:03,327 --> 01:06:05,462 OH, I GUESS SHE'D HAVE TO BE. 1367 01:06:05,462 --> 01:06:08,098 HA. YOU KNOW HOW AN ENGLISH GENERAL'S DAUGHTER 1368 01:06:08,098 --> 01:06:09,533 GETS BACK AT DADDY? 1369 01:06:11,735 --> 01:06:13,637 SHE MARRIES AN AUSTRALIAN. 1370 01:06:16,506 --> 01:06:17,974 YOU NEVER REMARRIED? 1371 01:06:17,974 --> 01:06:20,177 MM-MMM. I TOOK UP THE VEIL. 1372 01:06:20,177 --> 01:06:22,012 YOU KNOW, THIS JOB. 1373 01:06:22,012 --> 01:06:24,981 YOU--YOU GOT A RHYTHM. YOU START MOVING, AND... 1374 01:06:27,684 --> 01:06:29,519 JUST TAKES OVER. 1375 01:06:55,079 --> 01:06:56,213 NAME? 1376 01:06:56,213 --> 01:06:57,581 PETER BOWMAN. 1377 01:06:57,581 --> 01:06:58,582 Officer: PETER-- 1378 01:06:58,582 --> 01:06:59,649 BOWMAN. 1379 01:07:04,088 --> 01:07:06,190 Soldier: COME. 1380 01:07:15,865 --> 01:07:16,866 HEY. 1381 01:07:16,866 --> 01:07:19,203 YOU STAY HERE. 1382 01:07:40,390 --> 01:07:41,391 HEY! 1383 01:07:41,391 --> 01:07:42,826 WHAT? 1384 01:07:42,826 --> 01:07:46,330 SHH. QUIET, JA. WHISPER. 1385 01:07:46,330 --> 01:07:49,065 You came today from the mountains. 1386 01:07:49,065 --> 01:07:51,301 I'm Kessler-- Erich Kessler. 1387 01:07:52,969 --> 01:07:54,304 Peter-- 1388 01:07:54,304 --> 01:07:56,039 Peter Bowman. 1389 01:07:56,039 --> 01:07:58,074 Kessler. Did you know my name? 1390 01:07:58,074 --> 01:08:00,377 I'm a missionary. 1391 01:08:00,377 --> 01:08:03,880 You--you know something, perhaps? 1392 01:08:03,880 --> 01:08:05,149 About my situation? 1393 01:08:05,149 --> 01:08:06,650 Some news, ja? 1394 01:08:06,650 --> 01:08:08,252 Something? 1395 01:08:08,252 --> 01:08:10,187 No, I don't know. 1396 01:08:10,187 --> 01:08:12,822 Are you a hostage, too? 1397 01:08:16,059 --> 01:08:17,261 There's an Italian 1398 01:08:17,261 --> 01:08:19,896 up the hill at the farmhouse. 1399 01:08:19,896 --> 01:08:21,931 He came a week ago. 1400 01:08:21,931 --> 01:08:23,533 Is he your friend? 1401 01:08:23,533 --> 01:08:27,003 No. No, I was brought here alone. 1402 01:08:27,003 --> 01:08:31,875 What kind of camp is this? 1403 01:08:31,875 --> 01:08:34,478 Once it was only for drugs, 1404 01:08:34,478 --> 01:08:37,347 to make cocaine at the river... 1405 01:08:37,914 --> 01:08:40,984 but now from the fighting, 1406 01:08:40,984 --> 01:08:42,219 it's all the soldiers. 1407 01:08:42,219 --> 01:08:44,554 How long have you been here? 1408 01:08:44,554 --> 01:08:46,156 SHH! 1409 01:08:49,959 --> 01:08:51,361 You need soap for your feet. 1410 01:08:51,361 --> 01:08:54,264 Maybe tomorrow I can steal some. 1411 01:08:56,333 --> 01:08:58,368 How long have you been here? 1412 01:09:01,004 --> 01:09:02,706 19 months. 1413 01:09:04,140 --> 01:09:06,843 They think I'm crazy. 1414 01:09:09,746 --> 01:09:11,715 [YELLING IN SPANISH] 1415 01:09:21,791 --> 01:09:22,692 DOVER. 1416 01:09:22,692 --> 01:09:24,794 OH, HEY, TERRY, I'M REALLY SORRY. 1417 01:09:24,794 --> 01:09:26,430 THIS IS ALICE BOWMAN, JANIS GOODMAN. 1418 01:09:26,430 --> 01:09:27,697 DOVER McLOON, CONSULATE OFFICER. 1419 01:09:27,697 --> 01:09:29,999 LOOK, I KNOW WE WERE SCHEDULED TO MEET TODAY, 1420 01:09:29,999 --> 01:09:31,235 BUT SOMETHING'S COME UP. 1421 01:09:31,235 --> 01:09:33,270 WE'VE BEEN WAITING FOR AN HOUR AND A HALF. 1422 01:09:33,270 --> 01:09:34,638 I KNOW THAT. I KNOW. 1423 01:09:34,638 --> 01:09:36,640 I REALLY WANT TO HEAR ABOUT YOUR PROGRESS. 1424 01:09:36,640 --> 01:09:39,209 LOOK, I'M SYMPATHETIC. WE ALL ARE, 1425 01:09:39,209 --> 01:09:40,210 BUT WE'VE GOT A SITUATION. 1426 01:09:40,210 --> 01:09:41,711 WHAT KIND OF SITUATION? 1427 01:09:41,711 --> 01:09:44,281 LOOK, I REALLY JUST THINK WE HAVE TO RESCHEDULE. 1428 01:09:44,281 --> 01:09:46,583 SYMPATHETIC? 1429 01:09:46,583 --> 01:09:49,486 WHAT THE HELL DOES THAT MEAN?! SYMPATHETIC? 1430 01:09:50,420 --> 01:09:53,156 THE E.L.T. JUST LIT OFF 3 CAR BOMBS AROUND THE CITY. 1431 01:09:53,156 --> 01:09:54,424 THEY'VE THREATENED THE EMBASSY. 1432 01:09:54,424 --> 01:09:56,693 IT'S A MESS. I GOTTA GO ISSUE A STATEMENT. 1433 01:09:56,693 --> 01:09:57,894 THAT'S OK, MATE. YOU STAY SAFE. 1434 01:09:57,894 --> 01:09:58,895 THANKS, TERRY. 1435 01:09:58,895 --> 01:10:00,897 HEY, MATE. SIR. 1436 01:10:02,466 --> 01:10:04,133 WE NEED TO CLEAR OUT. THEY'VE HAD A BOMB THREAT. 1437 01:10:04,133 --> 01:10:05,502 Janis: THERE'S BEEN WHAT?! 1438 01:10:08,204 --> 01:10:10,374 Alice: IT'S OK. STAY CALM. 1439 01:10:14,444 --> 01:10:15,779 [CAR ALARM CHIRPS] 1440 01:10:18,448 --> 01:10:19,616 Janis: WHAT'S HAPPENING? 1441 01:10:19,616 --> 01:10:21,685 JUST GET IN THE CAR, JANIS. 1442 01:10:23,920 --> 01:10:24,921 WHAT IS THIS? 1443 01:10:24,921 --> 01:10:25,889 IS IT FROM THEM? 1444 01:10:25,889 --> 01:10:27,357 DON'T OPEN THAT, ALICE. DON'T OPEN IT. 1445 01:10:27,357 --> 01:10:28,425 NO, NO, NO, TERRY. WHAT ARE YOU DOING? 1446 01:10:28,425 --> 01:10:29,793 WHAT--JUST OPEN IT. 1447 01:10:29,793 --> 01:10:31,461 PUT YOUR SEAT BELTS ON. WE'RE GOING TO THE HOTEL. 1448 01:10:31,461 --> 01:10:34,631 WHAT ARE YOU DOING? JUST OPEN IT, TERRY. 1449 01:10:34,631 --> 01:10:35,765 NOT HERE. 1450 01:10:36,733 --> 01:10:39,202 OK, HOW ABOUT A NICE, BIG SMILE? 1451 01:10:39,202 --> 01:10:41,471 QUESO, YOU SKINNY MOTHERFUCKER. 1452 01:10:41,471 --> 01:10:44,007 [SPEAKING SPANISH] 1453 01:10:44,007 --> 01:10:45,809 AH! SHIT. 1454 01:10:45,809 --> 01:10:47,377 EH...AH...SHIT. 1455 01:10:49,946 --> 01:10:52,081 GO ON. CLOSE THE DOOR. 1456 01:10:52,081 --> 01:10:53,483 TAKE A SEAT. 1457 01:10:53,483 --> 01:10:55,084 TERRY, JUST OPEN IT. 1458 01:10:55,084 --> 01:10:56,353 PLEASE, JUST OPEN IT. 1459 01:10:56,353 --> 01:10:58,422 COME ON. IS IT A PROOF OF LIFE OR NOT? 1460 01:10:58,422 --> 01:11:01,658 JANIS, GIVE ME A MINUTE AND TAKE A SEAT, OK? 1461 01:11:14,237 --> 01:11:15,405 Janis: IT IS. 1462 01:11:15,405 --> 01:11:17,674 IT'S A PROOF OF LIFE, ISN'T IT? 1463 01:11:17,674 --> 01:11:19,509 USUALLY I DO THIS BY MYSELF, OK? 1464 01:11:19,509 --> 01:11:20,810 JUST WAIT A MINUTE. 1465 01:11:20,810 --> 01:11:24,848 THERE'S THINGS HERE THAT THEY WANT US TO SEE. 1466 01:11:28,017 --> 01:11:30,620 HMM... 1467 01:11:30,620 --> 01:11:35,525 LOOK, YOU NEVER GET A PRETTY PICTURE, OK? 1468 01:11:39,128 --> 01:11:40,530 [GASPS] 1469 01:11:40,530 --> 01:11:43,199 OH. OH, GOD. 1470 01:11:43,199 --> 01:11:45,502 Janis: HIS FEET. 1471 01:11:45,502 --> 01:11:48,237 OH, HE LOOKS TERRIBLE. 1472 01:11:48,237 --> 01:11:49,272 OH. 1473 01:11:49,272 --> 01:11:52,409 WHAT HAPPENED TO HIS FEET? 1474 01:11:52,409 --> 01:11:56,546 YOU SAID THAT THEY KNEW HE WAS VALUABLE, 1475 01:11:56,546 --> 01:11:59,616 THAT THEY WOULD TAKE CARE OF HIM. 1476 01:11:59,616 --> 01:12:01,985 WHAT ARE YOU DOING? 1477 01:12:05,422 --> 01:12:06,956 THIS IS IT, RIGHT? 1478 01:12:06,956 --> 01:12:08,592 THE ONE HE'S HOLDING IN THE PICTURE? 1479 01:12:08,592 --> 01:12:10,460 WHAT? DO YOU SAVE ALL THE PAPERS? 1480 01:12:10,460 --> 01:12:12,696 THIS IS GOOD NEWS, OK? 1481 01:12:12,696 --> 01:12:14,864 I MEAN, THIS IS GOOD LUCK. 1482 01:12:14,864 --> 01:12:16,199 IT'S WHAT WE'VE BEEN WAITING FOR. 1483 01:12:16,199 --> 01:12:17,567 NOW WE KNOW WE'RE IN PLAY. 1484 01:12:17,567 --> 01:12:20,136 ALL WE HAVE TO DO NOW IS START TALKING SPECIFICS. 1485 01:12:20,136 --> 01:12:21,838 MONEY. 1486 01:12:21,838 --> 01:12:25,074 I NEED TO KNOW EXACTLY HOW MUCH I'VE GOT TO WORK WITH. 1487 01:12:25,074 --> 01:12:26,976 JANIS, YOU'RE GOING TO HAVE TO GET BACK TO DENVER 1488 01:12:26,976 --> 01:12:29,178 AND START PUTTING THIS CASH TOGETHER. 1489 01:12:29,178 --> 01:12:31,314 WE'RE GONNA SHOOT FOR $600,000. 1490 01:12:31,314 --> 01:12:34,518 I'M HOPING THAT'S WHERE WE LAND. 1491 01:13:17,226 --> 01:13:18,428 THANK YOU. 1492 01:13:19,228 --> 01:13:20,229 GRACIAS. 1493 01:13:20,229 --> 01:13:21,965 GRACIAS. 1494 01:13:21,965 --> 01:13:24,267 GRACIAS. 1495 01:13:24,267 --> 01:13:26,102 DON'T BE A FOOL. STOP IT! 1496 01:13:27,336 --> 01:13:28,337 CALM DOWN. 1497 01:13:28,337 --> 01:13:29,973 IT'S NOTHING. 1498 01:13:30,907 --> 01:13:34,778 YOU SEE UP THERE, THE FARMHOUSE? 1499 01:13:34,778 --> 01:13:37,447 THAT'S WHERE THEY'VE GOT THE ITALIAN. 1500 01:13:38,782 --> 01:13:41,651 ON THE OTHER SIDE, DOWN THE VALLEY, 1501 01:13:41,651 --> 01:13:44,187 THAT IS WHERE THEY MAKE COCAINE. 1502 01:13:47,123 --> 01:13:48,558 WHEN YOU GET HOME, 1503 01:13:48,558 --> 01:13:50,226 YOU'RE GONNA WANT TO TALK ABOUT THIS. 1504 01:13:50,226 --> 01:13:51,427 IT'S UNDERSTANDABLE. 1505 01:13:51,427 --> 01:13:53,530 I KNOW. IT'S NOT RESTAURANT CONVERSATION. 1506 01:13:53,530 --> 01:13:54,798 IT'S NOT FOR MY FRIENDS. 1507 01:13:54,798 --> 01:13:56,132 IT'S NOT EVEN FOR MY KIDS. 1508 01:13:56,132 --> 01:13:57,300 RIGHT. RIGHT. 1509 01:13:57,300 --> 01:13:58,935 SO TURN THAT SCRAMBLE PHONE ON WHEN YOU GET THERE. 1510 01:13:58,935 --> 01:14:01,070 TEST IT OUT STRAIGHT AWAY. IF IT DOESN'T WORK, 1511 01:14:01,070 --> 01:14:02,405 I'LL COME UP WITH SOMETHING ELSE, EH? 1512 01:14:02,405 --> 01:14:03,807 RIGHT. 1513 01:14:03,807 --> 01:14:05,475 YOU'RE DOING GREAT, JANIS. 1514 01:14:15,018 --> 01:14:16,352 THANK YOU, JANIS. 1515 01:14:16,352 --> 01:14:17,821 IT'S NOT EVERY SOCCER MOM 1516 01:14:17,821 --> 01:14:20,423 WHO GETS HER OWN ENCRYPTED PHONE, RIGHT? 1517 01:14:20,423 --> 01:14:22,559 [CHUCKLES] 1518 01:14:22,559 --> 01:14:25,495 IT'S A LOT OF MONEY, ALICE-- 1519 01:14:25,495 --> 01:14:29,298 $600,000. 1520 01:14:29,298 --> 01:14:31,234 HE'S NOT EVEN SURE. 1521 01:14:31,234 --> 01:14:33,837 I KNOW. 1522 01:14:33,837 --> 01:14:36,339 I KNOW, YOU'VE GOT THE KIDS, 1523 01:14:36,339 --> 01:14:38,107 TUITIONS, YOUR MORTGAGE-- 1524 01:14:38,107 --> 01:14:39,308 I KNOW, ALL OF IT. 1525 01:14:39,308 --> 01:14:41,310 IT'S IMPOSSIBLE TO ASK, 1526 01:14:41,310 --> 01:14:44,047 BUT YOU'RE OUR ONLY CHANCE, JANIS. 1527 01:14:44,047 --> 01:14:47,050 WHAT IF IT'S MORE? 1528 01:14:48,585 --> 01:14:51,454 I DON'T KNOW. 1529 01:14:51,454 --> 01:14:54,190 BUT I SWEAR, IF IT TAKES EVERY DAY 1530 01:14:54,190 --> 01:14:55,458 FOR THE REST OF MY LIFE, 1531 01:14:55,458 --> 01:14:57,260 I WILL PAY YOU BACK, YOU AND FRANK. 1532 01:14:57,260 --> 01:14:58,728 I WILL. 1533 01:14:58,728 --> 01:15:03,132 I'M SORRY IF I'VE BEEN, UH... 1534 01:15:03,132 --> 01:15:06,469 IT'S JUST THAT I'M TRYING TO GET THROUGH THIS, 1535 01:15:06,469 --> 01:15:09,272 TRYING TO BE... 1536 01:15:09,272 --> 01:15:10,774 STRONG. 1537 01:15:12,475 --> 01:15:14,544 HE'S LUCKY TO HAVE YA. 1538 01:15:32,095 --> 01:15:33,963 DON'T WORRY. 1539 01:16:13,269 --> 01:16:15,238 UNH! 1540 01:16:15,238 --> 01:16:17,173 [BELL CLANGS] 1541 01:16:17,173 --> 01:16:18,307 [MAN SHOUTS IN SPANISH] 1542 01:16:18,307 --> 01:16:19,308 WHAT'S THAT? 1543 01:16:19,308 --> 01:16:21,410 IT'S THE ALARM. 1544 01:16:21,410 --> 01:16:23,412 WHEN THEY RING THE BELL LIKE THAT, 1545 01:16:23,412 --> 01:16:24,681 THE ARMY'S COMING ACROSS THE RIVER 1546 01:16:24,681 --> 01:16:26,115 WHERE AREON A RAID. THEY GOING? 1547 01:16:26,115 --> 01:16:27,016 THEY ARE GOING DOWN 1548 01:16:27,016 --> 01:16:28,584 TO PROTECT THEIR COCAINE FACTORIES. 1549 01:16:28,584 --> 01:16:30,887 IT'S BECOMING A WAR. 1550 01:16:33,623 --> 01:16:36,092 AMIGO, GRACIAS. 1551 01:16:57,046 --> 01:16:58,314 WHAT IS IT? 1552 01:16:58,314 --> 01:16:59,315 NOTHING. 1553 01:17:00,316 --> 01:17:02,185 [CROWD SCREAMING] 1554 01:17:07,056 --> 01:17:08,591 WHAT WAS THAT? 1555 01:17:08,591 --> 01:17:09,993 E.L.T. SENDING A MESSAGE. 1556 01:17:09,993 --> 01:17:11,194 IT'S GOT NOTHING TO DO WITH US. 1557 01:17:11,194 --> 01:17:12,328 COME ON. LET'S GO. 1558 01:17:12,328 --> 01:17:15,598 Marco: $3 MILLION IS THE PRICE FOR PETER BOWMAN. 1559 01:17:15,598 --> 01:17:17,033 THAT'S A RIDICULOUS FIGURE. 1560 01:17:17,033 --> 01:17:19,502 THIS IS NOT A BUSINESSMAN. 1561 01:17:19,502 --> 01:17:20,670 HE IS AN ENGINEER. 1562 01:17:20,670 --> 01:17:21,971 HE WAS HERE TO CONSTRUCT A DAM. 1563 01:17:21,971 --> 01:17:24,107 YOU'RE GONNA HAVE TO COME DOWN FROM 3 MILLION. 1564 01:17:24,107 --> 01:17:25,709 OH, COME ON. LIKE THIS IS A GAME. 1565 01:17:25,709 --> 01:17:27,276 WE ARE SAYING CONCRETE THINGS, 1566 01:17:27,276 --> 01:17:32,481 AND YOU'RE HAVING US SUCK COCK HERE WITH THIS BULLSHIT? 1567 01:17:32,481 --> 01:17:33,616 [SPEAKING SPANISH] 1568 01:17:33,616 --> 01:17:35,218 MARCO, LOOK... 1569 01:17:35,218 --> 01:17:36,619 AT 400,000, 1570 01:17:36,619 --> 01:17:39,155 YOU'RE ALREADY OVER MY LIMIT, 1571 01:17:39,155 --> 01:17:41,590 SO WHAT YOU NEED TO DO IS TAKE THAT OFFER BACK. 1572 01:17:41,590 --> 01:17:43,459 Peter: WHAT THE HELL IS THAT? 1573 01:17:43,459 --> 01:17:44,660 WHAT ARE THEY BRINGING BACK? 1574 01:17:44,660 --> 01:17:46,495 IT'S A FRENCH HELICOPTER. 1575 01:17:46,495 --> 01:17:48,898 [SPEAKING FRENCH] 1576 01:17:48,898 --> 01:17:50,834 AND HOW WOULD YOU KNOW THAT? 1577 01:17:53,770 --> 01:17:55,104 WHAT THE HELL IS THAT? 1578 01:17:58,207 --> 01:18:00,376 [TV REPORTER SPEAKING SPANISH] 1579 01:18:06,049 --> 01:18:08,317 Terry: WELL, MARCO, I'VE GOT SOME VERY GOOD NEWS FOR YOU. 1580 01:18:08,317 --> 01:18:10,619 I'VE COME UP WITH ANOTHER $50,000, MARCO. 1581 01:18:10,619 --> 01:18:12,922 Marco: $50,000 CHANGES NOTHING. 1582 01:18:12,922 --> 01:18:15,191 I MIGHT AS WELL WALK ACROSS THE CAMP, 1583 01:18:15,191 --> 01:18:18,261 GO INTO HIS CELL, AND BLOW HIS BRAINS OUT. 1584 01:18:18,261 --> 01:18:19,395 OH, MY GOD. 1585 01:18:19,395 --> 01:18:21,030 ALICE... 1586 01:18:21,030 --> 01:18:22,766 HE'S NOWHERE NEAR PETER. 1587 01:18:22,766 --> 01:18:24,333 HOW DO YOU KNOW? 1588 01:18:24,333 --> 01:18:25,969 LOOK. 1589 01:18:25,969 --> 01:18:27,370 THAT'S A WEATHER SHEET FROM LAST SUNDAY, 1590 01:18:27,370 --> 01:18:29,472 WHEN I WAS TALKING TO HIM ON THE RADIO. 1591 01:18:29,472 --> 01:18:30,639 IT WAS RAINING OUTSIDE, 1592 01:18:30,639 --> 01:18:31,707 AND WHEN IT WAS THUNDERING OUT THERE, 1593 01:18:31,707 --> 01:18:33,009 IT WAS THUNDERING ON THE RADIO. 1594 01:18:33,009 --> 01:18:34,543 BUT IT'S NOT RAINING IN THE MOUNTAINS, 1595 01:18:34,543 --> 01:18:35,879 SO WE KNOW PETER'S 3 DAYS AWAY. 1596 01:18:35,879 --> 01:18:39,682 THAT MEANS THAT THIS GUY IS IN THE CITY. 1597 01:18:39,682 --> 01:18:43,486 MARCO, IF YOU ARE NEAR PETER BOWMAN, 1598 01:18:43,486 --> 01:18:45,955 JUST GO AND GET HIM AND PUT HIM ON THE RADIO 1599 01:18:45,955 --> 01:18:47,356 SO HE CAN TALK TO HIS WIFE, 1600 01:18:47,356 --> 01:18:50,559 AND WE'LL ACCEPT THAT AS A CURRENT PROOF OF LIFE. 1601 01:18:50,559 --> 01:18:52,161 OVER. 1602 01:18:56,699 --> 01:18:59,168 MARCO, DO YOU COPY? 1603 01:19:05,842 --> 01:19:07,376 YOU MUST UNDERSTAND 1604 01:19:07,376 --> 01:19:09,012 THAT YOU'RE DEALING WITH A SINGLE FAMILY HERE. 1605 01:19:09,012 --> 01:19:12,748 Marco: WE KNOW HE WORKS FOR THAT OIL COMPANY OCTONAL. 1606 01:19:12,748 --> 01:19:14,017 WE KNOW THAT OCTONAL 1607 01:19:14,017 --> 01:19:15,819 IS THE BIGGEST OIL COMPANY IN THE WORLD. 1608 01:19:15,819 --> 01:19:17,987 PETER BOWMAN DOES NOT WORK FOR OCTONAL. 1609 01:19:17,987 --> 01:19:19,155 GET THE MONEY FROM THEM. 1610 01:19:19,155 --> 01:19:20,790 Terry: PETER BOWMAN WAS HERE 1611 01:19:20,790 --> 01:19:21,891 AS A SUBCONTRACTOR... 1612 01:19:21,891 --> 01:19:24,160 IT'S HER--ALICE. 1613 01:19:24,160 --> 01:19:25,028 BEAUTIFUL. 1614 01:19:25,028 --> 01:19:26,295 Marco: I ASKED YOU FOR 3 MILLION. 1615 01:19:26,295 --> 01:19:28,998 I COME DOWN TO 2 MILLION. THIS IS AN INSULT. 1616 01:19:28,998 --> 01:19:31,034 HE IS LOSING FAITH IN THE FAMILY 1617 01:19:31,034 --> 01:19:32,635 AND ESPECIALLY IN THE WIFE. 1618 01:19:32,635 --> 01:19:34,703 THIS IS BULLSHIT, OK? YOU KNOW HIM. 1619 01:19:34,703 --> 01:19:38,374 WE CAN'T BE RESPONSIBLE FOR WHAT HE MAY DO TO HIMSELF. 1620 01:19:38,374 --> 01:19:39,909 I THINK WE JUSTALICE. PUT HIM OUT OF HIS HEAD 1621 01:19:39,909 --> 01:19:41,878 AND SELL YOU THE BODY, OK? 1622 01:19:41,878 --> 01:19:44,413 [SPEAKING SPANISH] 1623 01:19:49,785 --> 01:19:52,055 I COULDN'T LISTEN ANYMORE. 1624 01:19:54,390 --> 01:19:56,392 IT'S ALL RIGHT. 1625 01:19:59,662 --> 01:20:02,098 YOU OK? 1626 01:20:04,467 --> 01:20:06,802 PEOPLE SAY THINGS HAPPEN FOR A REASON. 1627 01:20:06,802 --> 01:20:10,006 YOU MUST GET A LOT OF THAT, RIGHT? 1628 01:20:15,811 --> 01:20:18,414 I HAD A MISCARRIAGE 8 MONTHS AGO 1629 01:20:18,414 --> 01:20:19,815 IN AFRICA. 1630 01:20:19,815 --> 01:20:21,750 IT WASN'T ANYBODY'S FAULT. 1631 01:20:21,750 --> 01:20:23,286 IT WASN'T PETER'S FAULT, 1632 01:20:23,286 --> 01:20:25,554 NOT LIKE I DIDN'T TRY TO BLAME HIM 1633 01:20:25,554 --> 01:20:27,924 OR... 1634 01:20:27,924 --> 01:20:29,625 BLAME MYSELF, LIKE I DESERVED IT, 1635 01:20:29,625 --> 01:20:33,429 LIKE THERE WAS A REASON, IF I COULD JUST FIGURE IT OUT. 1636 01:20:33,429 --> 01:20:34,697 Peter: I ALWAYS THOUGHT 1637 01:20:34,697 --> 01:20:36,365 IF I WASN'T THE ONE KEEPING CONTROL, 1638 01:20:36,365 --> 01:20:39,202 THEN EVERYTHING WOULD FALL APART, 1639 01:20:39,202 --> 01:20:41,971 AND I THOUGHT THAT I COULD JUST... 1640 01:20:41,971 --> 01:20:44,173 MAKE IT ALL HAPPEN. 1641 01:20:45,374 --> 01:20:48,444 THE PLACES WE'VE BEEN, LIKE THAILAND... 1642 01:20:48,444 --> 01:20:51,580 UH, AFRICA... 1643 01:20:53,716 --> 01:20:55,851 THERE'S SO MUCH PAIN, YOU KNOW? 1644 01:20:55,851 --> 01:20:58,922 YOU CAN'T POSSIBLY MAKE ANY SENSE OUT OF IT. 1645 01:20:58,922 --> 01:21:02,458 YOU CAN'T PUSH IT AWAY, EVEN IF YOU'RE PARALYZED BY IT. 1646 01:21:02,458 --> 01:21:04,327 WHAT GOOD ARE YOU? SO... 1647 01:21:06,595 --> 01:21:08,297 YOU LET IT GO. 1648 01:21:09,398 --> 01:21:11,901 Kessler: AND NOW THAT YOU DON'T HAVE CONTROL? 1649 01:21:11,901 --> 01:21:14,737 [CHUCKLING] IT'S LIKE FAITH. 1650 01:21:14,737 --> 01:21:17,173 ONCE YOU LET GO... 1651 01:21:17,173 --> 01:21:21,177 HOW EVERYTHING BECOMES CLEAR, HUH? 1652 01:21:21,177 --> 01:21:24,447 AND ALL THE STUPID, STUPID SHIT 1653 01:21:24,447 --> 01:21:26,882 THAT I WORRIED ABOUT, 1654 01:21:26,882 --> 01:21:29,285 EVERYTHING THAT I PUT HER THROUGH. 1655 01:21:29,285 --> 01:21:31,754 I FEEL LIKE, WELL, SINCE THE BABY, 1656 01:21:31,754 --> 01:21:33,689 I, UM... 1657 01:21:33,689 --> 01:21:35,925 IT'S LIKE EVERYTHING I'VE LEARNED ALONG THE WAY 1658 01:21:35,925 --> 01:21:38,294 SOMEHOW DIDN'T APPLY TO ME, TOO. 1659 01:21:38,294 --> 01:21:42,298 YOU THINK I WOULD HAVE GOTTEN THE MESSAGE. 1660 01:21:42,298 --> 01:21:45,768 I GOTTA GET THROUGH THIS. 1661 01:21:45,768 --> 01:21:47,170 I GOTTA GET HOME. 1662 01:21:47,170 --> 01:21:50,106 THINGS DON'T HAPPEN FOR A REASON. 1663 01:21:52,508 --> 01:21:54,910 THEY JUST... 1664 01:21:54,910 --> 01:21:56,379 HAPPEN. 1665 01:22:01,184 --> 01:22:03,519 MY DAUGHTER IS BURIED IN AFRICA. 1666 01:22:07,523 --> 01:22:09,993 WHO CAN EXPLAIN THAT? 1667 01:22:11,694 --> 01:22:13,296 WHAT WAS HER NAME? 1668 01:22:15,931 --> 01:22:18,534 MALI. 1669 01:22:18,534 --> 01:22:20,669 MALI JASMINE BOWMAN. 1670 01:22:20,669 --> 01:22:23,339 IT'S A BEAUTIFUL NAME. 1671 01:22:24,807 --> 01:22:28,177 YOU KNOW, NOBODY EVER ASKED ME THAT. 1672 01:22:31,214 --> 01:22:34,217 [SHOUTING IN SPANISH] 1673 01:22:48,964 --> 01:22:50,799 Terry: OK, MARCO, 1674 01:22:50,799 --> 01:22:53,502 WE'VE GOT $475,000. 1675 01:22:53,502 --> 01:22:55,404 Marco: THAT IS NOT A GOOD NUMBER. 1676 01:22:55,404 --> 01:22:57,606 MARCO, YOU GOTTA THINK ABOUT IT. 1677 01:22:57,606 --> 01:22:59,842 IT IS A GOOD NUMBER. IT'S THE RIGHT NUMBER. 1678 01:22:59,842 --> 01:23:01,844 IT'S THE ONLY NUMBER. 1679 01:23:01,844 --> 01:23:04,047 [MARIA SPEAKING SPANISH] 1680 01:23:08,384 --> 01:23:11,120 Terry: TELL YOUR FRIENDS THERE IS NO COMPANY. 1681 01:23:11,120 --> 01:23:12,388 THERE'S NO INSURANCE. 1682 01:23:12,388 --> 01:23:14,590 ALL YOU'RE DEALING WITH HERE IS THE FAMILY. 1683 01:23:14,590 --> 01:23:16,259 THIS FAMILY IS BULLSHIT. 1684 01:23:16,259 --> 01:23:18,261 THEY NEED TO START THINKING HARDER, 1685 01:23:18,261 --> 01:23:19,395 LIKE AROUND 2 MILLION, 1686 01:23:19,395 --> 01:23:21,864 OR THEY'LL NEVER SEE HIM AGAIN. 1687 01:23:21,864 --> 01:23:22,865 [SPEAKING SPANISH] 1688 01:23:22,865 --> 01:23:25,000 Terry: IF WE CLOSE AT 500, 1689 01:23:25,000 --> 01:23:26,269 AND THAT'S WHAT WE SHOULD LOOK AT, 1690 01:23:26,269 --> 01:23:27,670 WE SHOULD LOOK AT $500,000. 1691 01:23:27,670 --> 01:23:29,872 YOU CAN FORGET IT. I AM STARTING AT ONE-- 1692 01:23:29,872 --> 01:23:31,140 MARCO, YOU KEEP TALKING-- 1693 01:23:31,140 --> 01:23:32,308 THE FAMILY'S WORKED VERY HARD. 1694 01:23:32,308 --> 01:23:33,642 NOW YOU CAN'T JUST LEAP THE NET WORTH 1695 01:23:33,642 --> 01:23:35,644 OF THE ASSETS OF THIS MAN'S FAMILY. 1696 01:23:35,644 --> 01:23:36,645 Marco: TIO. 1697 01:23:36,645 --> 01:23:37,580 IT'S JUST NOT POSSIBLE. 1698 01:23:37,580 --> 01:23:39,682 I AM TRYING. CAN YOU UNDERSTAND? 1699 01:23:39,682 --> 01:23:43,018 I AM TRYING. I AM WORKING MY PEOPLE! 1700 01:23:43,018 --> 01:23:45,154 I AM TRYING TO MAKE THIS HAPPEN, 1701 01:23:45,154 --> 01:23:46,889 BUT I NEED SOMETHING FROM YOU. 1702 01:23:46,889 --> 01:23:50,093 YOU GIVE ME NOTHING. NOTHING! 1703 01:23:52,428 --> 01:23:56,165 MARCO, WE'VE GOT 600,000 U.S. DOLLARS. 1704 01:23:56,165 --> 01:23:59,435 600,000! IT CHANGES NOTHING. 1705 01:23:59,435 --> 01:24:01,170 THE MAINTENANCE ALONE FOR THIS PRODUCT 1706 01:24:01,170 --> 01:24:03,038 IS MORE THAN YOU ARE OFFERING. 1707 01:24:03,038 --> 01:24:04,807 IF THAT CHANGES NOTHING... 1708 01:24:07,176 --> 01:24:09,445 THEN YOU'RE GONNA HAVE TO COME UP WITH A NUMBER 1709 01:24:09,445 --> 01:24:11,580 THAT DOES START TO CHANGE THINGS. 1710 01:24:14,049 --> 01:24:16,051 Marco: IF YOU GO TO 650, 1711 01:24:16,051 --> 01:24:20,055 I WILL TAKE THAT BACK TO MY PEOPLE. 1712 01:24:22,358 --> 01:24:25,394 YOU THINK YOU CAN GET 650? 1713 01:24:28,164 --> 01:24:30,166 RIGHT, MARCO. 1714 01:24:30,166 --> 01:24:32,435 WE'RE GONNA CLOSE IT AT 650. 1715 01:24:32,435 --> 01:24:34,570 OK, I WILL GO TO MY PEOPLE, 1716 01:24:34,570 --> 01:24:38,807 AND I WILL TALK TO YOU AGAIN ON SUNDAY NIGHT. 1717 01:25:18,481 --> 01:25:20,349 NO, NO, NO. IT'S ALL RIGHT. IT'S ALL RIGHT. 1718 01:25:20,349 --> 01:25:22,017 IT'S FINE. IT'S FINE. I'LL BE OVER HERE. 1719 01:25:22,017 --> 01:25:23,018 [SPEAKING SPANISH] 1720 01:25:23,018 --> 01:25:25,188 Peter: Sí. 1721 01:25:30,092 --> 01:25:31,093 PETER. 1722 01:25:31,093 --> 01:25:33,496 PETER, WHAT ARE YOU DOING? 1723 01:25:33,496 --> 01:25:34,797 [WHISPERING] Be quiet. 1724 01:25:41,204 --> 01:25:42,371 ARE YOU CRAZY? 1725 01:25:42,371 --> 01:25:45,107 WATCH. WATCH FOR ME. WATCH FOR ME. 1726 01:25:45,107 --> 01:25:47,476 WHAT ARE YOU DOING? IT'S TOO DANGEROUS. 1727 01:25:47,476 --> 01:25:49,245 IT'S TOO DANGEROUS.GIVE ME THE BIBLE. 1728 01:25:49,245 --> 01:25:50,513 WHAT FOR? 1729 01:25:50,513 --> 01:25:51,980 GIVE ME YOUR GODDAMN BIBLE! 1730 01:25:51,980 --> 01:25:53,449 ALL RIGHT. 1731 01:25:53,449 --> 01:25:55,117 WATCH. 1732 01:25:55,117 --> 01:25:56,519 PETER. 1733 01:25:56,519 --> 01:25:59,988 IT'S ALL RIGHT. IT'S ALL RIGHT. 1734 01:25:59,988 --> 01:26:01,257 OH, JESUS, WE'RE RIGHT THERE, 1735 01:26:01,257 --> 01:26:02,725 AND THERE'S THE PIPELINE RIGHT THERE. 1736 01:26:02,725 --> 01:26:04,159 HURRY UP. HURRY UP. 1737 01:26:04,159 --> 01:26:05,994 WE'RE SO CLOSE. 1738 01:26:05,994 --> 01:26:07,430 I CAN'T BELIEVE WE'RE SO CLOSE. 1739 01:26:07,430 --> 01:26:09,598 THEY'RE COMING BACK. OK. 1740 01:26:09,598 --> 01:26:10,733 PETER. 1741 01:26:10,733 --> 01:26:11,700 OH, SHIT. OK. 1742 01:26:11,700 --> 01:26:13,902 YOU'RE CRAZY. YOU'RE RISKING OUR LIVES. 1743 01:26:13,902 --> 01:26:15,638 OK, ALMOST. ALMOST. 1744 01:26:15,638 --> 01:26:16,672 GODDAMN FOOL! 1745 01:26:16,672 --> 01:26:18,006 ALL RIGHT, I'M GONNA BRING IT BACK. 1746 01:26:18,006 --> 01:26:19,308 I'M BRINGIN' IT BACK. 1747 01:26:20,276 --> 01:26:24,213 NO. IT'S TOO DANGEROUS. I'LL DO IT. 1748 01:26:34,890 --> 01:26:36,892 MIRA, MIRA... 1749 01:26:36,892 --> 01:26:38,026 LOOK AT ME. LOOK AT ME. 1750 01:26:38,026 --> 01:26:39,295 LOOK AT ME. 1751 01:26:39,295 --> 01:26:40,496 AH! EH! 1752 01:26:40,496 --> 01:26:43,098 [SPEAKING IN SPANISH] 1753 01:26:43,098 --> 01:26:45,334 [IMITATING GUNSHOTS] 1754 01:26:48,971 --> 01:26:50,539 HOLA. 1755 01:26:57,546 --> 01:26:58,347 Sí. 1756 01:26:58,347 --> 01:26:59,682 MUY, MUY LUCKY. 1757 01:27:02,318 --> 01:27:05,921 THESE PIGS ARE LUCKY TO HAVE YOU. 1758 01:27:07,890 --> 01:27:09,258 Sí... 1759 01:27:12,060 --> 01:27:14,263 MUY, MUY LUCKY. 1760 01:27:17,199 --> 01:27:18,534 Terry: SO THAT'S FOR YOUR MAIN ACCOUNT. 1761 01:27:18,534 --> 01:27:20,202 THESE OTHER ONES ARE FOR THE SUBSIDIARY ACCOUNTS. 1762 01:27:20,202 --> 01:27:21,304 I'M SIGNING ALL OF THESE? 1763 01:27:21,304 --> 01:27:22,538 MM-HMM, AND INITIAL EACH PAGE. 1764 01:27:22,538 --> 01:27:24,172 YOU HAVE TO KEEP EACH ACCOUNT 1765 01:27:24,172 --> 01:27:25,808 UNDER $200,000. 1766 01:27:25,808 --> 01:27:27,175 ANYTHING OVER THAT, 1767 01:27:27,175 --> 01:27:29,745 THEY PUT A MAGNIFYING GLASS ON IT. 1768 01:27:29,745 --> 01:27:31,514 ONCE THE ACCOUNTS ARE AVAILABLE, 1769 01:27:31,514 --> 01:27:34,317 IT TAKES LESS THAN AN HOUR FOR THE FUNDS 1770 01:27:34,317 --> 01:27:36,685 TO BE TRANSFERRED FROM YOUR BANK IN DENVER. 1771 01:27:38,921 --> 01:27:40,255 AHH! OH...OH... 1772 01:27:40,255 --> 01:27:42,224 HEY, DINO, THAT THIRD DRAWER DOWN 1773 01:27:42,224 --> 01:27:44,092 IN THE BOTTOM THERE, THERE'S CANDLES. 1774 01:27:44,092 --> 01:27:45,361 AND, MARIA? 1775 01:27:45,361 --> 01:27:46,595 YES?CAN YOU GRAB ME SOME CANDLE HOLDERS? 1776 01:27:46,595 --> 01:27:48,163 Eliodoro: IT'S THE THIRD TIME THIS WEEK. 1777 01:27:48,163 --> 01:27:49,598 SORRY ABOUT THAT. 1778 01:27:49,598 --> 01:27:51,166 DON'T APOLOGIZE. ONE HAS TO LIVE WITH THESE GUERILLAS, 1779 01:27:51,166 --> 01:27:52,368 I SUPPOSE. 1780 01:27:52,368 --> 01:27:55,237 TORCH IT UP VERY CAREFUL. 1781 01:27:55,237 --> 01:27:56,905 Alice: THANKS. 1782 01:27:56,905 --> 01:27:59,508 AND YOU NEED TO INITIAL THE PASSPORT NUMBERS. 1783 01:27:59,508 --> 01:28:00,743 THE HOST WITH THE MOST. 1784 01:28:00,743 --> 01:28:03,379 JUST LIKE YOUR LAST BIRTHDAY PARTY, DINO. 1785 01:28:03,379 --> 01:28:04,613 [CHUCKLING] 1786 01:28:04,613 --> 01:28:07,115 WHAT HAPPENED AT YOUR LAST BIRTHDAY PARTY? 1787 01:28:07,115 --> 01:28:08,984 TERRY POPPED OUT OF A CAKE, 1788 01:28:08,984 --> 01:28:11,520 SCARED THE SHIT OUT OF US. 1789 01:28:11,520 --> 01:28:12,888 IT'S A K AND R THING. 1790 01:28:12,888 --> 01:28:14,657 [BOTH LAUGH] 1791 01:28:17,626 --> 01:28:20,663 YOU GOTTA GET ME A PAIR OF THOSE BOOTS. 1792 01:28:20,663 --> 01:28:23,799 I'M NEVER GONNA MAKE IT OUTTA HERE IN THESE. 1793 01:28:23,799 --> 01:28:25,868 YOU WON'T MAKE IT WITHOUT ME. 1794 01:28:25,868 --> 01:28:26,835 NO. 1795 01:28:26,835 --> 01:28:29,538 I AM NOT GONNA BE RESPONSIBLE FOR YOU. 1796 01:28:29,538 --> 01:28:32,274 THIS IS MY DECISION FOR ME. 1797 01:28:32,274 --> 01:28:35,277 ONCE I START, I AM NOT GONNA TURN BACK. 1798 01:28:35,277 --> 01:28:37,245 YOU'RE NOT RESPONSIBLE. 1799 01:28:37,413 --> 01:28:40,248 ERICH, I HAVE TO GET BACK TO MY WIFE. 1800 01:28:40,248 --> 01:28:41,650 I HAVE TO. 1801 01:28:41,650 --> 01:28:43,986 IF I STAY HERE, I'M GONNA DIE. 1802 01:28:43,986 --> 01:28:45,388 I KNOW IT. 1803 01:28:45,388 --> 01:28:47,590 THIS IS NOT YOUR PROBLEM. 1804 01:28:49,858 --> 01:28:51,527 I'M COMING WITH YOU. 1805 01:28:51,527 --> 01:28:54,397 I CAN'T STAY HERE ALONE. 1806 01:28:54,397 --> 01:28:55,998 NOT NOW. 1807 01:28:55,998 --> 01:28:58,434 I'D GO CRAZY. 1808 01:28:59,267 --> 01:29:01,870 MARCO, IT'S TIO. ACKNOWLEDGE. 1809 01:29:03,271 --> 01:29:06,141 MARCO, IT'S TIO. DO YOU COPY? 1810 01:29:06,141 --> 01:29:07,576 OVER. 1811 01:29:07,576 --> 01:29:10,145 IS THIS UNUSUAL? I MEAN, WHAT IS THIS, A PLOY? 1812 01:29:10,145 --> 01:29:11,414 WHAT IS HE DOING? 1813 01:29:11,414 --> 01:29:14,282 HE SAID HE WOULD BE ON THE RADIO ON SUNDAY. 1814 01:29:14,282 --> 01:29:16,284 HE'S TAKING THE FIGURE BACK. 1815 01:29:16,284 --> 01:29:17,486 THAT'S A DEAL. 1816 01:29:17,486 --> 01:29:18,621 THEN, WHERE IS HE? 1817 01:29:18,621 --> 01:29:20,022 MARCO, IF FOR SOME REASON 1818 01:29:20,022 --> 01:29:23,692 YOU CAN HEAR ME BUT I CAN'T HEAR YOU, 1819 01:29:23,692 --> 01:29:26,028 WE HAVE TO WORK OUT SOME OTHER WAY 1820 01:29:26,028 --> 01:29:27,162 OF COMMUNICATING. 1821 01:29:27,162 --> 01:29:29,297 MARCO, DO YOU COPY? 1822 01:29:29,297 --> 01:29:31,434 [SPEAKING SPANISH] 1823 01:29:31,434 --> 01:29:33,168 MARCO, ACKNOWLEDGE. 1824 01:29:33,168 --> 01:29:35,938 MARCO, YOU COPY? IT'S TIO. 1825 01:29:35,938 --> 01:29:39,274 CALLING MARCO. MARCO, DO YOU COPY? 1826 01:29:39,274 --> 01:29:41,577 WE'RE GETTING A LITTLE ANXIOUS TO KNOW 1827 01:29:41,577 --> 01:29:44,312 WHETHER THIS DEAL IS 100%. 1828 01:29:44,312 --> 01:29:46,582 ASK IF PETER'S ALL RIGHT, CAN YOU? 1829 01:29:46,582 --> 01:29:48,584 WE NEED SOME KIND OF INDICATION 1830 01:29:48,584 --> 01:29:50,085 THAT PETER BOWMAN IS OK. 1831 01:29:53,388 --> 01:29:54,657 WHICH WAY? 1832 01:29:54,657 --> 01:29:57,660 THE RIVER'S GOTTA BE THIS WAY. 1833 01:30:00,463 --> 01:30:01,730 YOU GOTTA GET UP. 1834 01:30:01,730 --> 01:30:02,965 ERICH, WE GOTTA KEEP MOVIN'. 1835 01:30:02,965 --> 01:30:04,500 [BARKING] 1836 01:30:04,500 --> 01:30:07,936 [SHOUTING IN SPANISH] 1837 01:30:21,183 --> 01:30:23,519 AAH! AAH! AH! AH! 1838 01:30:23,519 --> 01:30:24,820 NO! COME ON. 1839 01:30:24,820 --> 01:30:27,556 NO, NO! NO, YOU GOTTA GET OUTTA HERE. 1840 01:30:27,556 --> 01:30:29,291 TAKE THIS.I CAN'T LEAVE YOU ALONE. 1841 01:30:29,291 --> 01:30:30,493 GET THE MAP OUT OF HERE. 1842 01:30:30,493 --> 01:30:31,627 IT'S OUR ONLY CHANCE. 1843 01:30:31,627 --> 01:30:32,995 PROMISE ME YOU'LL KEEP GOING. 1844 01:30:32,995 --> 01:30:33,996 I PROMISE. 1845 01:30:33,996 --> 01:30:35,498 AH! 1846 01:30:35,498 --> 01:30:36,965 EH... 1847 01:30:36,965 --> 01:30:38,100 SHIT. 1848 01:30:58,186 --> 01:31:00,455 WHERE IS YOUR PIGS? 1849 01:31:01,990 --> 01:31:03,892 [GUNSHOT] 1850 01:31:04,793 --> 01:31:06,729 [SHOUTING IN DISTANCE] 1851 01:31:10,933 --> 01:31:13,869 MARCO, THIS IS TIO. DO YOU COPY? 1852 01:31:44,399 --> 01:31:45,601 AAH! 1853 01:32:09,457 --> 01:32:11,727 GOOD DAY. 1854 01:32:11,727 --> 01:32:14,062 YOU'D BETTER GET OUT OF THERE. 1855 01:32:14,062 --> 01:32:15,463 WHAT'S UP? 1856 01:32:15,463 --> 01:32:17,465 THE GERMAN--KESSLER... 1857 01:32:17,465 --> 01:32:19,001 THAT MISSIONARY FELLA? 1858 01:32:19,001 --> 01:32:20,869 HE'S OUT. SOME FARMER DUMPED HIM OFF 1859 01:32:20,869 --> 01:32:22,605 AT ONE OF MY PRECINCTS LAST NIGHT. 1860 01:32:22,605 --> 01:32:25,340 WHAT'S THAT GOT TO DO WITH ME? 1861 01:32:25,340 --> 01:32:27,610 HE SAYS HE WAS WITH PETER. 1862 01:32:27,610 --> 01:32:29,812 HE SAYS THEY MADE A RUN FOR IT. 1863 01:32:29,812 --> 01:32:32,080 IT DOESN'T SOUND GOOD, TERRY. 1864 01:32:33,749 --> 01:32:38,486 FOR THE MEALS, WE COULD EAT TOGETHER, 1865 01:32:38,486 --> 01:32:40,623 BUT THE FOOD IS NOTHING. 1866 01:32:40,623 --> 01:32:42,758 IT'S JUST TO KEEP YOU ALIVE, 1867 01:32:42,758 --> 01:32:46,494 BUT PETER WOULD TRANSFORM THIS CRAP 1868 01:32:46,494 --> 01:32:48,563 INTO A FEAST. HE WOULD SAY, 1869 01:32:48,563 --> 01:32:50,498 "TONIGHT LET'S SEE 1870 01:32:50,498 --> 01:32:53,636 WHAT ALICE HAS MADE FOR US." 1871 01:32:53,636 --> 01:32:55,971 ALICE. 1872 01:32:58,040 --> 01:33:00,108 YOU WERE EVERYTHING FOR HIM. 1873 01:33:00,108 --> 01:33:01,777 OH... 1874 01:33:01,777 --> 01:33:05,781 HE TALKED ABOUT YOU AND YOUR DAUGHTER MALI 1875 01:33:05,781 --> 01:33:08,884 ALL THE TIME. 1876 01:33:08,884 --> 01:33:11,386 HE LOVED YOU BOTH SO VERY MUCH. 1877 01:33:11,386 --> 01:33:13,455 [ALICE SOBS SOFTLY] 1878 01:33:13,455 --> 01:33:16,024 YOU HAVE TO KNOW THAT-- 1879 01:33:16,024 --> 01:33:18,126 NO. 1880 01:33:18,126 --> 01:33:19,862 I'M SO SORRY. 1881 01:33:21,263 --> 01:33:23,666 HE DIDN'T SEE HIM KILLED. HE DIDN'T SEE A BODY. 1882 01:33:23,666 --> 01:33:24,800 HE HEARD A SHOT, MATE. 1883 01:33:24,800 --> 01:33:25,968 YOU GOTTA WAKE UP, TERRY. 1884 01:33:25,968 --> 01:33:27,936 YOU GOTTA GET REAL ON THIS NOW. 1885 01:33:27,936 --> 01:33:31,406 YOU DON'T SPEND THAT MUCH TIME WORKING ON A DEAL 1886 01:33:31,406 --> 01:33:32,708 AND KILL YOUR HOSTAGE. 1887 01:33:32,708 --> 01:33:34,409 WHEN WAS THE LAST TIME YOU HAD A RADIO CONTACT? 1888 01:33:34,409 --> 01:33:35,678 A WEEK? 2 WEEKS? 1889 01:33:35,678 --> 01:33:38,080 I'VE JUST HAD NOTHING BUT 22 DAYS OF STATIC. 1890 01:33:38,080 --> 01:33:40,683 NOW, MAYBE THERE ARE NO MORE DEALS TO BE HAD. 1891 01:33:40,683 --> 01:33:42,284 MAYBE THIS IS COMING APART. 1892 01:33:42,284 --> 01:33:43,551 MAYBE HE'S ALIVE, MATE. 1893 01:33:43,551 --> 01:33:46,221 YEAH. MAYBE HE IS. MAYBE HE IS. 1894 01:33:46,221 --> 01:33:47,555 BUT WHAT WE DO KNOW 1895 01:33:47,555 --> 01:33:48,957 IS THAT MY GUY IS STILL UP THERE, 1896 01:33:48,957 --> 01:33:50,826 AND THEY DON'T KNOW KESSLER MADE IT OUT. 1897 01:33:50,826 --> 01:33:52,094 THEY THINK HE'S DEAD. 1898 01:33:52,094 --> 01:33:53,962 NOW, KESSLER KNOWS EVERY INCH 1899 01:33:53,962 --> 01:33:55,097 OF THAT FUCKING CAMP, 1900 01:33:55,097 --> 01:33:56,498 AND HE'S WILLING TO HELP ME. 1901 01:33:56,498 --> 01:33:57,499 HE'S A MISSIONARY. 1902 01:33:57,499 --> 01:33:58,767 OK, HE IS NOT! 1903 01:33:58,767 --> 01:34:01,236 HE IS FROM THE FRENCH FOREIGN LEGION, TERRY. 1904 01:34:01,236 --> 01:34:03,005 SO WHAT? HE FOUND GOD. 1905 01:34:03,005 --> 01:34:04,907 HE'S GOT A MAP IN THERE, 1906 01:34:04,907 --> 01:34:07,776 A MAP THAT I THINK IS REAL. 1907 01:34:09,244 --> 01:34:11,446 WHERE ARE YOU GOING WITH THIS, MATE? 1908 01:34:11,446 --> 01:34:12,881 OK... 1909 01:34:12,881 --> 01:34:16,351 THIS HAS TO STAY QUIET, 1910 01:34:16,351 --> 01:34:18,353 AND SHE HAS TO KNOW THAT. 1911 01:34:23,291 --> 01:34:25,593 YOU'RE THINKIN' OF GOIN' IN, ARE YOU, MATE? 1912 01:34:25,593 --> 01:34:26,962 IS THAT WHAT YOU'RE THINKING, MATE? 1913 01:34:26,962 --> 01:34:28,363 [CHUCKLING] FUCK THINKING. 1914 01:34:28,363 --> 01:34:29,464 THAT'S WHAT I'M DOING. 1915 01:34:29,464 --> 01:34:30,899 I'M SITTIN' IN THERE ON THE FUCKING TELEPHONE. 1916 01:34:30,899 --> 01:34:32,034 THAT'S ALL I CAN DO. 1917 01:34:32,034 --> 01:34:33,702 YOU TELL ME WHAT ELSE I SHOULD DO. 1918 01:34:35,904 --> 01:34:38,106 TALK TO ME BEFORE YOU DO ANYTHING, OK? 1919 01:34:38,106 --> 01:34:39,041 OK. 1920 01:34:39,041 --> 01:34:40,608 FOR YOU, I CAN DO THAT. 1921 01:34:40,608 --> 01:34:41,910 FOR YOU. 1922 01:34:41,910 --> 01:34:43,545 IF YOU DON'T KEEP ME UP TO SPEED, 1923 01:34:43,545 --> 01:34:45,180 I'M GONNA TAKE IT PERSONALLY, MATE. 1924 01:34:45,180 --> 01:34:47,716 YOU'VE BEEN DOIN' THAT A LOT LATELY. 1925 01:34:49,785 --> 01:34:52,120 NO. I CAN'T HEAR ANY MORE OF THIS. 1926 01:34:52,120 --> 01:34:52,955 ALICE, WAIT! 1927 01:34:52,955 --> 01:34:55,323 AN EYEWITNESS SAW HIM KILLED. 1928 01:34:55,323 --> 01:34:57,459 UNTIL WE KNOW FOR SURE, THIS HAS GOT TO STAY IN PLAY. 1929 01:34:57,459 --> 01:35:01,263 WHAT ARE YOU DOING? WHY ARE YOU DOING THIS? 1930 01:35:01,263 --> 01:35:02,931 HE DIDN'T SEE A BODY! 1931 01:35:02,931 --> 01:35:05,667 OOH! PETER IS DEAD! 1932 01:35:05,667 --> 01:35:07,602 LET ME GRIEVE! 1933 01:35:07,602 --> 01:35:09,537 WHY CAN'T YOU DO THAT? 1934 01:35:09,537 --> 01:35:10,638 INSTINCT. 1935 01:35:10,638 --> 01:35:13,041 UNTIL I KNOW, UNTIL I'M SURE, 1936 01:35:13,041 --> 01:35:15,543 UNTIL I'VE RECEIVED A 100% VISUAL CONFIRMATION 1937 01:35:15,543 --> 01:35:16,812 OF THE BODY OF PETER BOWMAN, 1938 01:35:16,812 --> 01:35:17,946 I'M LOOKING TO RETRIEVE MY CARGO 1939 01:35:17,946 --> 01:35:19,214 AND COMPLETE MY MISSION. 1940 01:35:42,370 --> 01:35:45,774 [MARIA AND SANDRO SHOUTING IN SPANISH] 1941 01:35:45,774 --> 01:35:48,844 [SOBBING] 1942 01:35:53,348 --> 01:35:56,318 [MARIA AND SANDRO CONTINUE SHOUTING] 1943 01:36:08,864 --> 01:36:10,532 SHE'S JUST A GIRL. 1944 01:36:10,532 --> 01:36:11,599 [SPEAKING SPANISH] 1945 01:36:11,599 --> 01:36:13,335 [SPEAKING SPANISH] 1946 01:36:14,870 --> 01:36:18,206 SHE'S TOO YOUNG TO BE INVOLVED IN THIS, PLEASE. 1947 01:36:18,206 --> 01:36:20,142 IT IS VERY DANGEROUS FOR HER. 1948 01:36:34,489 --> 01:36:35,690 MARCO? 1949 01:36:35,690 --> 01:36:36,959 Sí. 1950 01:36:43,631 --> 01:36:44,766 CINTA... 1951 01:36:44,766 --> 01:36:45,901 POR FAVOR. 1952 01:36:45,901 --> 01:36:47,569 [SOBBING] 1953 01:37:21,870 --> 01:37:23,872 IT'S OK. COME HERE. 1954 01:37:24,806 --> 01:37:27,009 IT'S OK NOW. 1955 01:38:10,485 --> 01:38:11,486 [SPEAKING SPANISH] 1956 01:38:29,871 --> 01:38:31,073 HOW YOU DOIN'? 1957 01:38:33,408 --> 01:38:35,010 I THOUGHT WE HAD A DEAL GOING. 1958 01:38:35,010 --> 01:38:37,279 I HAVEN'T HEARD FROM YOU IN 2 WEEKS. I MISS YOU. 1959 01:38:41,883 --> 01:38:43,618 WHY DON'T YOU CALL ME "TIO"? 1960 01:38:44,987 --> 01:38:46,554 AND I'LL CALL YOU "MARCO." 1961 01:38:51,326 --> 01:38:52,727 YOU GOT A GOOD GAME GOING HERE, MATE. 1962 01:38:52,727 --> 01:38:55,730 YOUR WIFE THINKS YOU'RE OUT WITH YOUR CARD BUDDIES. 1963 01:38:55,730 --> 01:38:57,865 CARD BUDDIES THINK YOU'RE OFF WITH THE MISTRESS. 1964 01:38:57,865 --> 01:38:59,134 AND THERE YOU ARE, 1965 01:38:59,134 --> 01:39:01,169 ON THE RADIO EVERY WEDNESDAY NIGHT, 1966 01:39:01,169 --> 01:39:03,205 BARTERING HUMAN LIFE. 1967 01:39:07,642 --> 01:39:08,643 YEAH, OK. 1968 01:39:12,914 --> 01:39:14,516 THIS IS A TAPE OF MY FRIEND MARCO. 1969 01:39:16,151 --> 01:39:17,719 IT'S NOT THE ONLY ONE. 1970 01:39:20,722 --> 01:39:22,590 IS PETER BOWMAN ALIVE? 1971 01:39:25,927 --> 01:39:28,363 IS PETER BOWMAN ALIVE? 1972 01:39:30,198 --> 01:39:32,467 HE TRIED TO ESCAPE. 1973 01:39:32,467 --> 01:39:34,869 HE WAS HURT. 1974 01:39:34,869 --> 01:39:36,138 YEAH. 1975 01:39:36,138 --> 01:39:37,405 HE'S ALIVE. 1976 01:39:39,041 --> 01:39:40,875 Man: JUACO! 1977 01:39:40,875 --> 01:39:42,077 [YELLING IN SPANISH] 1978 01:39:47,182 --> 01:39:49,517 IS HE WITH THE ITALIAN? CALITRI? 1979 01:39:51,953 --> 01:39:55,390 HOW DID YOU FIND ME? 1980 01:39:55,390 --> 01:39:58,226 NOW, I HAVE $600,000 WAITING. 1981 01:39:58,226 --> 01:40:01,496 I'VE GOT ANOTHER 50 OFF THE BOOKS... 1982 01:40:01,496 --> 01:40:05,833 BETWEEN YOU AND ME, IF WE GET THIS DONE. 1983 01:40:05,833 --> 01:40:07,535 OR I'VE GOT THIS TAPE. 1984 01:40:07,535 --> 01:40:09,071 I LAY IT ON YOUR GOLFING BUDDIES 1985 01:40:09,071 --> 01:40:12,006 AND YOU DON'T MAKE IT OUT OF THE CAR PARK ALIVE. 1986 01:40:12,006 --> 01:40:15,110 SO LET'S JUST GET THIS DEAL DONE, SHALL WE? 1987 01:40:15,110 --> 01:40:16,744 IT'S NOT THE MONEY. 1988 01:40:16,744 --> 01:40:18,513 THAT DOESN'T MATTER ANYMORE. 1989 01:40:18,513 --> 01:40:21,116 IT'S ALWAYS THE MONEY, FRED. 1990 01:40:21,116 --> 01:40:22,917 YOU HAVE A BILLION DOLLARS? 1991 01:40:22,917 --> 01:40:24,052 [WHISPERING] Because that is the money 1992 01:40:24,052 --> 01:40:25,853 we are talking about. 1993 01:40:25,853 --> 01:40:27,989 YOU THINK OCTONAL COMES IN, 1994 01:40:27,989 --> 01:40:29,624 THEY BUY THIS PIPELINE WITHOUT A PROMISE 1995 01:40:29,624 --> 01:40:32,327 FROM THE ARMY TO COMPLETELY DESTROY US? 1996 01:40:32,327 --> 01:40:34,496 THAT PIPELINE GOES RIGHT THROUGH 1997 01:40:34,496 --> 01:40:36,698 OUR COCA FIELDS. 1998 01:40:36,698 --> 01:40:39,067 THEY ARE BUYING A WAR. 1999 01:40:39,067 --> 01:40:41,603 PETER BOWMAN WILL NEVER GET DOWN. 2000 01:40:41,603 --> 01:40:44,272 HE KNOWS TOO MUCH. 2001 01:40:44,272 --> 01:40:46,741 WE ARE FIGHTING FOR OUR LIFE. 2002 01:40:46,741 --> 01:40:47,942 LISTEN TO ME. 2003 01:40:47,942 --> 01:40:51,079 THERE ARE NO MORE DEALS. 2004 01:40:51,079 --> 01:40:53,515 ENJOY THE PARADE, FRED. 2005 01:40:56,484 --> 01:40:58,120 Dino: OK, THIS IS THE CAMP. 2006 01:40:58,120 --> 01:41:00,222 HE SAID THEY CALL IT CAÑON VERDE. 2007 01:41:00,222 --> 01:41:01,456 AND THIS IS THE RIVER. 2008 01:41:01,456 --> 01:41:03,158 NOW, THIS VALLEY, THE BIG ONE BELOW, 2009 01:41:03,158 --> 01:41:04,259 IT'S VERY ACTIVE. 2010 01:41:04,259 --> 01:41:05,827 EVERY TIME THE ARMY MOVES THROUGH, 2011 01:41:05,827 --> 01:41:07,061 THERE'S A SKIRMISH. 2012 01:41:07,061 --> 01:41:08,730 HERE'S MARCH, MAY, AND JUNE. 2013 01:41:08,730 --> 01:41:10,965 KESSLER ALSO SAID THAT EVERY COUPLE OF WEEKS, 2014 01:41:10,965 --> 01:41:12,066 THE WHOLE CAMP WOULD MUSTER UP 2015 01:41:12,066 --> 01:41:13,435 AND RUN OUT AND FIGHT. 2016 01:41:15,303 --> 01:41:16,371 PIPELINE? Dino: MM-HMM. 2017 01:41:16,371 --> 01:41:18,940 15 CLICKS DOWN RIVER. 2018 01:41:18,940 --> 01:41:20,908 HE-HE-HE-HEY. HEY, TOMAS, HEY. 2019 01:41:20,908 --> 01:41:21,943 READY, BOSS. 2020 01:41:21,943 --> 01:41:23,511 OH, HERMANO. 2021 01:41:23,511 --> 01:41:26,781 TERRY THORNE, TOMAS MORALES. 2022 01:41:26,781 --> 01:41:27,782 THESE GUYS ARE TOP. 2023 01:41:27,782 --> 01:41:28,783 THEY'RE MY PANAMA CREW. 2024 01:41:28,783 --> 01:41:30,118 I TRAINED THEM MYSELF. 2025 01:41:30,118 --> 01:41:31,319 [SPEAKING SPANISH] 2026 01:41:35,089 --> 01:41:38,260 SO SIMPLY ALL WE HAVE TO DO... 2027 01:41:38,260 --> 01:41:40,428 IS ENCOURAGE THE ARMY TO CROSS THE RIVER. 2028 01:41:40,428 --> 01:41:41,996 RIGHT ABOUT HERE WOULD BE CONVENIENT. 2029 01:41:41,996 --> 01:41:43,865 START A BATTLE, DRAIN THE CAMP. 2030 01:41:43,865 --> 01:41:44,899 MM-HMM. 2031 01:41:44,899 --> 01:41:46,801 DROP INTO THIS FLAT AREA HERE. 2032 01:41:46,801 --> 01:41:49,003 WHILE THEY'RE FIGHTING, WE SLIP IN FROM BEHIND, 2033 01:41:49,003 --> 01:41:50,738 EXTRACT PRINCIPAL CARGO, AND EXIT. 2034 01:41:50,738 --> 01:41:52,140 SO BASICALLY, WE JUST CALL THE ARMY, 2035 01:41:52,140 --> 01:41:53,475 SCHEDULE A BATTLE. 2036 01:41:53,475 --> 01:41:55,610 HOW WOULD WEDNESDAY AROUND 3:00 BE FOR YOU? 2037 01:41:59,013 --> 01:42:00,182 WE DON'T CALL THEM, MATE. 2038 01:42:00,182 --> 01:42:02,517 ALICE IS GONNA DO IT FOR US. 2039 01:42:02,517 --> 01:42:04,419 MMM. 2040 01:42:05,687 --> 01:42:08,556 CAN YOU GET A BIRD? CREW PLUS 7? 2041 01:42:08,556 --> 01:42:10,458 ARE YOU IN LOVE WITH THIS WOMAN? 2042 01:42:12,660 --> 01:42:14,429 TERRY. 2043 01:42:14,429 --> 01:42:17,232 I DON'T KNOW WHAT YOU'RE HOLDING OUT HOPE FOR. 2044 01:42:17,232 --> 01:42:18,500 THAT YOU'RE GONNA SAVE THIS LADY'S HUSBAND 2045 01:42:18,500 --> 01:42:19,701 AND SHE'S GONNA SEE THE LIGHT 2046 01:42:19,701 --> 01:42:20,502 AND RUN OFF WITH YOU? 2047 01:42:20,502 --> 01:42:21,869 IT DOESN'T WORK THAT WAY. 2048 01:42:21,869 --> 01:42:23,171 YOU KNOW THAT. 2049 01:42:27,542 --> 01:42:28,443 LOOK... 2050 01:42:28,443 --> 01:42:30,712 I WANT TO CASH OUT OF HERE. 2051 01:42:30,712 --> 01:42:33,848 I WANT MY OWN SHOP. 2052 01:42:33,848 --> 01:42:36,150 IF WE COULD PULL THIS OFF, 2053 01:42:36,150 --> 01:42:37,785 THIS IS THE STUFF OF LEGENDS. 2054 01:42:37,785 --> 01:42:39,053 WE COULD SELL THIS. 2055 01:42:39,053 --> 01:42:40,422 DO NOT GET ME WRONG. 2056 01:42:40,422 --> 01:42:42,123 I WOULD LOVE TO GO OUT OF HERE A WINNER. 2057 01:42:42,123 --> 01:42:45,427 BUT I HAVE BEEN OVER THIS AND OVER THIS 2058 01:42:45,427 --> 01:42:47,862 A THOUSAND TIMES, AND IT'S FUCKED! 2059 01:42:54,101 --> 01:42:56,338 SO WE'RE ON, THEN. 2060 01:42:56,338 --> 01:42:58,172 ABSOLUTELY. 2061 01:42:59,674 --> 01:43:00,675 [SPEAKING SPANISH] 2062 01:43:03,177 --> 01:43:04,879 Terry: YOU'RE GONNA HAVE TO LIE, ALICE. 2063 01:43:04,879 --> 01:43:08,283 NOW, YOU GOTTA TOTALLY BULLSHIT THIS BASTARD. 2064 01:43:08,283 --> 01:43:09,417 WE'VE GOT TO GET THE ARMY 2065 01:43:09,417 --> 01:43:11,519 TO INVADE E.L.T. TERRITORY TOMORROW. 2066 01:43:11,519 --> 01:43:13,288 PETER'S LIFE DEPENDS ON IT. 2067 01:43:13,288 --> 01:43:14,389 YOU JUST HAVE TO WALK IN THERE, 2068 01:43:14,389 --> 01:43:16,224 YOU WALK RIGHT UP TO FELLNER, 2069 01:43:16,224 --> 01:43:18,192 AND YOU FLAT-OUT LIE. 2070 01:43:18,192 --> 01:43:19,394 AND HE'S GOTTA BUY IT, 2071 01:43:19,394 --> 01:43:21,128 OR WE RUN OUT OF OPTIONS. 2072 01:43:21,128 --> 01:43:23,698 OH, NOW! I GOT YOU! 2073 01:43:23,698 --> 01:43:26,100 ALICE. ARE YOU... 2074 01:43:26,100 --> 01:43:28,536 YOU OK? 2075 01:43:28,536 --> 01:43:30,372 E.L.T. WANTS A MILLION DOLLARS FOR PETER. 2076 01:43:30,372 --> 01:43:31,973 THEY WON'T MOVE. WE DON'T HAVE IT. 2077 01:43:31,973 --> 01:43:34,276 WELL, THAT'S A LOT OF MONEY. 2078 01:43:35,977 --> 01:43:37,178 IF I GAVE YOU INFORMATION 2079 01:43:37,178 --> 01:43:38,513 CRITICAL IN PROTECTING THE PIPELINE, 2080 01:43:38,513 --> 01:43:40,715 WOULD OCTONAL STEP UP AND DO THE RIGHT THING? 2081 01:43:42,584 --> 01:43:45,253 WHAT KIND OF INFORMATION ARE WE TALKING ABOUT? 2082 01:43:48,923 --> 01:43:51,293 ALICE, NOW, STOP. ALONZO, DON'T GO AWAY. 2083 01:43:51,293 --> 01:43:52,360 I'LL BE RIGHT BACK. 2084 01:43:52,360 --> 01:43:54,228 ALICE, COME ON. 2085 01:43:54,228 --> 01:43:55,863 PLEA--YOU THINK I DON'T GET UP EVERY MORNING 2086 01:43:55,863 --> 01:43:57,098 AND THINK ABOUT PETER? 2087 01:43:57,098 --> 01:43:59,701 LOOK, I HAVE HAD A DOZEN MEETINGS 2088 01:43:59,701 --> 01:44:01,035 WITH THE TRANSITION TEAM ALREADY 2089 01:44:01,035 --> 01:44:02,470 ABOUT THIS WHOLE SITUATION, 2090 01:44:02,470 --> 01:44:03,838 JUST HOW WRONG I THINK IT IS. 2091 01:44:03,838 --> 01:44:05,206 FUCK YOU, TED. 2092 01:44:05,206 --> 01:44:09,677 LOOK, ALICE, I'M... 2093 01:44:09,677 --> 01:44:12,314 I'M NOT SURE WHAT WE'RE TALKING ABOUT HERE, 2094 01:44:12,314 --> 01:44:13,948 BUT YOU GIVE ME SOMETHING TO WORK WITH, 2095 01:44:13,948 --> 01:44:17,552 AND MAYBE I CAN PUSH THIS THE LAST MILE. 2096 01:44:19,821 --> 01:44:22,023 E.L.T. IS GOING AFTER THE PIPELINE TOMORROW. 2097 01:44:22,023 --> 01:44:24,292 I KNOW WHERE. 2098 01:44:24,292 --> 01:44:27,228 DO YOU STEP UP FOR PETER OR NOT? 2099 01:44:27,228 --> 01:44:28,830 I DON'T KNOW WHAT YOU THINK 2100 01:44:28,830 --> 01:44:31,032 YOU'RE TRYING TO ACCOMPLISH HERE, ALICE, 2101 01:44:31,032 --> 01:44:32,199 OR WHAT YOU THINK YOU KNOW 2102 01:44:32,199 --> 01:44:33,901 OR HOW STUPID YOU THINK I AM, 2103 01:44:33,901 --> 01:44:36,304 BUT I GET 3 MILITARY BRIEFINGS A WEEK, 2104 01:44:36,304 --> 01:44:38,172 AND IT'S A GOOD BET THAT IF ANYONE KNEW 2105 01:44:38,172 --> 01:44:39,341 WHAT WAS HAPPENING DOWN HERE, 2106 01:44:39,341 --> 01:44:41,309 IT WOULD BE ME. 2107 01:44:41,309 --> 01:44:42,444 IS THAT A NO? 2108 01:44:42,444 --> 01:44:44,512 HOW COULD YOU POSSIBLY KNOW THIS? 2109 01:44:52,954 --> 01:44:54,556 AND WHO THE HELL IS THAT? 2110 01:44:59,361 --> 01:45:01,228 I AM KESSLER, 2111 01:45:01,228 --> 01:45:03,297 ERICH KESSLER. 2112 01:45:09,737 --> 01:45:12,507 Terry: SO, 2 PHOSPHOROUS, 2 SMOKE, 2 H.E. 2113 01:45:12,507 --> 01:45:14,942 2 FLASHBANGS. 2114 01:45:22,617 --> 01:45:23,951 G36... 2115 01:45:23,951 --> 01:45:26,354 BUT IT'S A BRITISH KIT. 2116 01:45:28,390 --> 01:45:29,957 Terry: ONE DAY'S RATIONS. 2117 01:45:29,957 --> 01:45:30,958 Tomas: ONE DAY? 2118 01:45:30,958 --> 01:45:31,959 [KNOCK ON DOOR] 2119 01:45:31,959 --> 01:45:33,495 HOLA, PEOPLE. 2120 01:45:33,495 --> 01:45:34,796 I'VE JUST COME FROM AN URGENT SIT-DOWN 2121 01:45:34,796 --> 01:45:35,997 WITH OUR OLD FRIEND DOVER McLOON 2122 01:45:35,997 --> 01:45:37,465 OVER AT THE EMBASSY, 2123 01:45:37,465 --> 01:45:38,666 WHO'S A LITTLE FREAKED OUT TODAY 2124 01:45:38,666 --> 01:45:40,735 OVER A REBEL PUSH UP TOWARDS RIO VERDE. 2125 01:45:40,735 --> 01:45:43,538 NICE GOING, ALICE. READY TO ROCK, TERRY. 2126 01:45:43,538 --> 01:45:45,239 OK. FULL KIT INSPECTION IN 15 MINUTES. 2127 01:45:45,239 --> 01:45:46,508 WE'RE ON THAT BIRD IN ONE HOUR. 2128 01:45:46,508 --> 01:45:47,509 YOU HEARD THE MAN. LET'S GO! 2129 01:45:47,509 --> 01:45:49,210 [YELLS IN SPANISH] 2130 01:45:49,210 --> 01:45:50,512 LET'S GO! LET'S GO! 2131 01:45:50,512 --> 01:45:52,814 WE GOTTA MOVE RIGHT NOW! 2132 01:45:56,884 --> 01:45:58,653 Dino: DON'T MAKE ME WAIT, CABALLEROS. 2133 01:45:58,653 --> 01:46:01,389 WE GOTTA PREP THAT LZ RIGHT NOW! LET'S GO! 2134 01:46:01,389 --> 01:46:04,926 I'VE NEVER SEEN YOU NERVOUS. 2135 01:46:04,926 --> 01:46:06,027 YES, YOU HAVE. 2136 01:47:39,220 --> 01:47:40,822 [BELL RINGING] 2137 01:47:42,223 --> 01:47:44,692 [MEN SHOUTING IN SPANISH] 2138 01:48:00,542 --> 01:48:02,376 Dino: I MAKE IT 90 TO 100, 2139 01:48:02,376 --> 01:48:04,979 AND THAT AIN'T NO OVERNIGHT STAY. 2140 01:48:09,050 --> 01:48:11,519 Dino: KESSLER'S MAP IS PERFECT. 2141 01:48:11,519 --> 01:48:13,187 PETER'S THE ENGINEER, MATE. 2142 01:48:17,525 --> 01:48:18,526 Soldiers: VIVA! 2143 01:48:18,526 --> 01:48:19,827 Dino: VIVA. 2144 01:48:19,827 --> 01:48:22,797 I'M IMPRESSED. FELLMAN DOES HAVE CLOUT. 2145 01:48:22,797 --> 01:48:24,666 IN LESS THAN 24 HOURS, 2146 01:48:24,666 --> 01:48:28,002 THE ARMY HAS CROSSED THE RIVER. 2147 01:48:28,002 --> 01:48:29,804 HOW SILLY. 2148 01:48:29,804 --> 01:48:31,172 WELL, ME OLD MATE... 2149 01:48:33,274 --> 01:48:34,942 WHY DON'T YOU WANDER UPTOWN? 2150 01:48:34,942 --> 01:48:36,911 I'LL CATCH YOU ON THE FLIP SIDE. 2151 01:49:36,638 --> 01:49:39,273 DOWNTOWN-3 IS IN POSITION. 2152 01:49:39,273 --> 01:49:40,875 COPY, DOWNTOWN-3. 2153 01:49:40,875 --> 01:49:42,977 Dino: DOWNTOWN-1, STAND BY. 2154 01:49:42,977 --> 01:49:44,679 THIS IS UPTOWN-1. WE HAVE ARRIVED 2155 01:49:44,679 --> 01:49:46,914 AND TAKEN A POSITION ABOVE THE FARMHOUSE. OVER. 2156 01:49:46,914 --> 01:49:49,651 UPTOWN-1, THIS IS DOWNTOWN-1. 2157 01:49:49,651 --> 01:49:51,686 SOLID VISUAL ON THE WOOD SHACK. 2158 01:49:51,686 --> 01:49:52,954 BREAKFAST IN BED FOR ONE. 2159 01:49:52,954 --> 01:49:55,356 APPEARS PRINCIPAL CARGO IS ON BOARD. OVER. 2160 01:49:55,356 --> 01:49:56,357 Carlos: ROGER THAT. 2161 01:49:58,525 --> 01:50:00,461 Dino: DOWNTOWN-1, THIS IS UPTOWN-1. 2162 01:50:00,461 --> 01:50:03,798 WE HAVE BREAKFAST FOR 3 AND DELIVERY IN PROGRESS. 2163 01:50:03,798 --> 01:50:06,200 ALL CALL SIGNS, LET'S GO ON A FINAL HEAD COUNT. 2164 01:50:06,200 --> 01:50:08,569 WOOD SHACK, ONE PLAYER: 2165 01:50:08,569 --> 01:50:11,939 RED BANDANA, P.O.R. DOOR, 6 O'CLOCK. 2166 01:50:11,939 --> 01:50:14,976 BARRACKS: 3 O'CLOCK, 5 PLAYERS. OVER. 2167 01:50:14,976 --> 01:50:17,378 Dino: UPTOWN-1 HAS A 2-MAN DETAIL ON THE FARM 2168 01:50:17,378 --> 01:50:19,080 WITH A POSSIBLE CARGO INSIDE. 2169 01:50:19,080 --> 01:50:22,483 AND WE HAVE A PLAYER RETURNING DOWNTOWN 2170 01:50:22,483 --> 01:50:23,851 VIA THE UPPER PATH. 2171 01:50:23,851 --> 01:50:26,220 DOWNTOWN-1, THIS IS DOWNTOWN-3. 2172 01:50:26,220 --> 01:50:27,321 PARADE GROUND: 15. 2173 01:50:27,321 --> 01:50:30,958 Terry: COPY. THAT GIVES US 21 VISUALS DOWNTOWN, 2174 01:50:30,958 --> 01:50:33,260 2 UPTOWN, AND ONE IN TRANSIT. 2175 01:50:33,260 --> 01:50:34,395 24 CONFIRMED. 2176 01:50:34,395 --> 01:50:35,730 COPY. THAT MAKES US READY. 2177 01:50:35,730 --> 01:50:38,866 UPTOWN-1 IS GOOD TO GO. STANDING BY, DOWNTOWN. 2178 01:51:59,180 --> 01:52:00,181 PETER. 2179 01:52:02,884 --> 01:52:03,951 SHH! SHH! SHH! 2180 01:52:03,951 --> 01:52:06,788 PETER BOWMAN. PETER BOWMAN. 2181 01:52:06,788 --> 01:52:08,389 ALICE--ALICE SENT ME. 2182 01:52:08,389 --> 01:52:10,557 ALICE. YOUR WIFE SENT ME. 2183 01:52:10,557 --> 01:52:12,093 ALICE. YOUR WIFE. ALICE. 2184 01:52:12,093 --> 01:52:13,594 SHE TOLD ME ABOUT MALI, YOUR DAUGHTER, 2185 01:52:13,594 --> 01:52:15,496 HOW SHE DIED IN AFRICA. 2186 01:52:19,233 --> 01:52:20,501 MY DAUGHTER. 2187 01:52:20,501 --> 01:52:23,704 MALI. 2188 01:52:23,704 --> 01:52:25,172 MALI. 2189 01:52:25,172 --> 01:52:27,374 ALICE TOLD ME. YOUR WIFE. 2190 01:52:27,374 --> 01:52:29,176 SO YOU WOULD KNOW. 2191 01:52:29,176 --> 01:52:32,179 I'M HERE TO GET YOU HOME, OK? 2192 01:52:32,179 --> 01:52:33,848 ALL RIGHT? 2193 01:52:33,848 --> 01:52:36,417 YOU'RE NOT FUCKING WITH ME? 2194 01:52:36,417 --> 01:52:39,053 NO, MATE. I'M FOR REAL. 2195 01:52:39,053 --> 01:52:41,522 WE'RE GONNA GET OUT OF HERE. 2196 01:52:43,657 --> 01:52:45,793 ALL RIGHT? 2197 01:52:45,793 --> 01:52:48,262 OK. 2198 01:52:52,333 --> 01:52:55,002 DOWNTOWN-2, YOU GOT A PLAYER AT 5 O'CLOCK. 2199 01:52:57,371 --> 01:52:58,906 WHAT FUCKING PLAYER? 2200 01:53:04,411 --> 01:53:07,481 Soldier: HEY! RAMBO! 2201 01:53:10,952 --> 01:53:13,187 SOFTLY, MATE. SOFTLY. 2202 01:53:13,821 --> 01:53:15,890 [YELLING IN SPANISH] 2203 01:53:20,928 --> 01:53:22,129 CAP-- 2204 01:53:23,530 --> 01:53:24,531 [GUNSHOT] 2205 01:53:24,531 --> 01:53:25,532 FUCK! 2206 01:53:27,334 --> 01:53:29,003 [YELLING IN SPANISH] 2207 01:53:30,671 --> 01:53:32,506 DOWNTOWN-1, WHAT THE FUCK WAS THAT? 2208 01:53:32,506 --> 01:53:34,608 ALL CALL SIGNS WAIT OUT. 2209 01:53:34,608 --> 01:53:36,810 Man: RAMBO! [YELLING] 2210 01:53:36,810 --> 01:53:38,679 REPEAT: WHAT THE FUCK WAS THAT, TERRY? 2211 01:53:38,679 --> 01:53:40,247 DOWNTOWN-2? 2212 01:53:40,247 --> 01:53:41,048 UHH. 2213 01:53:41,048 --> 01:53:42,183 DOWNTOWN-2, RESPOND! 2214 01:53:42,183 --> 01:53:44,751 THIS IS DOWNTOWN-2. NOT IN POSITION. 2215 01:53:44,751 --> 01:53:46,387 FUCK. 2216 01:53:46,387 --> 01:53:47,354 [YELLING IN SPANISH] 2217 01:53:47,354 --> 01:53:48,622 Terry: I GOT A 25th CONFIRMED. 2218 01:53:48,622 --> 01:53:51,558 VISUAL. DOWNTOWN-3, 12 O'CLOCK. 2219 01:53:51,558 --> 01:53:53,627 DOWNTOWN-1, I GOT HIM. 2220 01:53:53,627 --> 01:53:54,828 WHAT ARE WE DOING HERE? 2221 01:53:54,828 --> 01:53:56,430 STAND BY. 2222 01:53:56,430 --> 01:53:58,299 RAMBO! 2223 01:53:58,299 --> 01:54:00,234 RAMBO! 2224 01:54:00,234 --> 01:54:01,969 Carlos: WHAT ARE WE DOING HERE? 2225 01:54:01,969 --> 01:54:03,971 [YELLING IN SPANISH] 2226 01:54:06,207 --> 01:54:07,041 FUCK. 2227 01:54:07,041 --> 01:54:09,310 DOWNTOWN-1, WHAT ARE WE DOING? 2228 01:54:12,346 --> 01:54:13,447 GO LOUD. 2229 01:54:13,447 --> 01:54:14,448 FUCK. 2230 01:54:14,448 --> 01:54:15,849 ROGER THAT. 2231 01:54:17,318 --> 01:54:19,386 HE'S DOWN! HE'S DOWN! SHIFTING LEFT. 2232 01:54:21,255 --> 01:54:22,456 YOU KNOW HOW TO USE ONE OF THESE? 2233 01:54:26,060 --> 01:54:27,261 [YELLING IN SPANISH] 2234 01:54:30,932 --> 01:54:33,300 NO! YOU FUCKING MISSED! COVER ME! 2235 01:55:00,661 --> 01:55:01,662 THE SAFETY IS ON. 2236 01:55:01,662 --> 01:55:02,663 THE SAFETY IS ON. GET DOWN. 2237 01:55:10,771 --> 01:55:11,772 READY, PETER? 2238 01:55:11,772 --> 01:55:13,040 I'M WITH YOU. LET'S GO. 2239 01:55:15,943 --> 01:55:17,378 BACK! BACK! 2240 01:55:20,281 --> 01:55:23,184 DOWNTOWN-1, I GOT THE PLAYER FROM THE FARMHOUSE. 2241 01:55:23,184 --> 01:55:24,751 I'M SHIFTING POSITION. 2242 01:55:24,751 --> 01:55:26,087 DOWNTOWN-3! 2243 01:55:26,087 --> 01:55:27,989 GIVE ME SOME PRESSURE AT 9 O'CLOCK, ON MY COUNT! 2244 01:55:28,822 --> 01:55:30,457 1...2... 2245 01:55:30,457 --> 01:55:31,692 3! 2246 01:55:36,397 --> 01:55:38,465 PETER, LET'S GO! STAY LOW! STAY LOW! 2247 01:55:46,073 --> 01:55:47,274 AH, FUCK! 2248 01:55:59,020 --> 01:56:00,021 PETER! 2249 01:56:00,021 --> 01:56:01,322 YEAH, I'M READY. 2250 01:56:03,857 --> 01:56:05,726 UP! UP! UP! 2251 01:56:12,133 --> 01:56:13,334 THROUGH THERE! THROUGH! 2252 01:56:13,334 --> 01:56:14,335 DOWN HERE. 2253 01:56:36,123 --> 01:56:38,325 Tomas: CLEAR! 2254 01:56:38,325 --> 01:56:39,326 CLEAR! 2255 01:56:45,699 --> 01:56:47,101 STAY DOWN! STAY DOWN! 2256 01:56:47,101 --> 01:56:48,169 [SPEAKING ITALIAN] 2257 01:56:48,169 --> 01:56:49,870 STAY DOWN, MOTHERFUCKER! 2258 01:56:49,870 --> 01:56:50,871 SIGNORE CALITRI? 2259 01:56:50,871 --> 01:56:52,873 SIGNORE CALITRI? 2260 01:56:52,873 --> 01:56:54,275 Sí? 2261 01:56:57,344 --> 01:56:58,445 Sí! 2262 01:57:10,757 --> 01:57:12,159 WHICH WAY? COME ON. 2263 01:57:12,159 --> 01:57:13,927 DOWNTOWN-1, THIS IS UPTOWN-1. 2264 01:57:13,927 --> 01:57:15,028 WE ARE SECURE. 2265 01:57:15,028 --> 01:57:16,430 DINO, I'M ON THE LOWER PATH. 2266 01:57:16,430 --> 01:57:17,864 I GOT THE CARGO IN TOW. 2267 01:57:17,864 --> 01:57:18,932 WE GOT BOGIES UP OUR ASS, MATE. 2268 01:57:18,932 --> 01:57:21,102 BRING THE BIG BIRD TO LZ 3. 2269 01:57:21,102 --> 01:57:23,370 COPY, DOWNTOWN-1. MOVE TO LZ 3. 2270 01:57:23,370 --> 01:57:25,706 WE ARE BLUE, OPTION 3. 2271 01:57:25,706 --> 01:57:28,142 BIG BIRD, BIG BIRD, THIS IS UPTOWN-1. 2272 01:57:28,142 --> 01:57:30,611 REQUEST EXFIL. WE ARE OPTION 3. 2273 01:57:30,611 --> 01:57:32,913 WE ARE GOOD TO GO. PROCEED TO LZ 3. 2274 01:57:32,913 --> 01:57:35,116 I REPEAT, LZ 3. 2275 01:57:49,163 --> 01:57:50,164 SAFETY'S OFF, 2276 01:57:50,164 --> 01:57:52,533 OK? OK? 2277 01:57:52,533 --> 01:57:54,201 KEEP MOVING. 2278 01:57:54,201 --> 01:57:56,137 [SHOUTING IN SPANISH] 2279 01:57:57,138 --> 01:57:59,005 WHAT ARE YOU DOING? 2280 01:57:59,005 --> 01:58:01,342 PETER! 2281 01:58:01,342 --> 01:58:03,677 KEEP GOING DOWN THE PATH! 2282 01:58:03,677 --> 01:58:05,312 FOLLOW THE PATH! 2283 01:58:21,094 --> 01:58:23,297 PETER! PETER, LOOK AT ME! LOOK AT ME! 2284 01:58:23,297 --> 01:58:24,331 YOU GOT TO KEEP GOING, MATE. 2285 01:58:24,331 --> 01:58:25,332 I KNOW YOU'RE IN PAIN, MATE. 2286 01:58:25,332 --> 01:58:26,933 YOU'VE GOT TO KEEP GOING, OK? 2287 01:58:26,933 --> 01:58:28,202 DON'T LET THOSE FUCKERS CATCH YOU. 2288 01:58:28,202 --> 01:58:29,236 THEY'LL KILL YOU THIS TIME, PETER. 2289 01:58:29,236 --> 01:58:30,237 STAY ON THIS PATH. 2290 01:58:30,237 --> 01:58:31,672 THIS PATH LEADS TO ALICE. 2291 01:58:31,672 --> 01:58:32,839 THIS PATH LEADS HOME. 2292 01:58:32,839 --> 01:58:34,040 OK? STAY IN FRONT OF ME. 2293 01:58:34,040 --> 01:58:35,442 GO. 2294 01:58:46,787 --> 01:58:49,256 Dino: TERRY, WHAT THE HELL IS GOING ON DOWN THERE? 2295 01:58:49,256 --> 01:58:51,425 THE BIG BIRD IS EN ROUTE. HE'S EN ROUTE. 2296 01:58:53,627 --> 01:58:55,962 OK. MOTHERFUCKERS. I GOT IT. IT'S OK. 2297 01:58:55,962 --> 01:58:57,198 GET THE CAMISA ON HIM. 2298 01:59:00,534 --> 01:59:02,603 TERRY, WHERE ARE YOU? TERRY! 2299 01:59:02,603 --> 01:59:04,205 DOWNTOWN-1 IS TRAVELING WELL. 2300 01:59:04,205 --> 01:59:05,272 WE GOT A VISUAL ON THE BIRD. 2301 01:59:05,272 --> 01:59:06,607 WE'RE COMING IN, DINO. 2302 01:59:16,149 --> 01:59:18,819 OH, YOU BIG, BEAUTIFUL BITCH. 2303 01:59:18,819 --> 01:59:21,021 THERE SHE IS! 2304 01:59:21,021 --> 01:59:23,524 YOU WANNA GO HOME? HOME? 2305 01:59:23,524 --> 01:59:24,758 YOU'RE GOING TO ROMA, ALL RIGHT, BABY? 2306 01:59:48,515 --> 01:59:51,151 UPTOWN-1, THIS IS DOWNTOWN-2. 2307 01:59:51,151 --> 01:59:54,187 I HAVE A MAN DOWN! DOWNTOWN-3 IS DOWN! 2308 01:59:54,187 --> 01:59:55,422 SAY AGAIN! 2309 01:59:55,422 --> 01:59:58,124 I REPEAT: DOWNTOWN-3 IS DOWN! 2310 01:59:58,124 --> 01:59:59,360 FUCK! 2311 01:59:59,360 --> 02:00:01,662 GIVE ME THAT! GIVE ME THAT FUCKING THING! 2312 02:00:01,662 --> 02:00:03,797 GO! 5! 2313 02:00:08,535 --> 02:00:11,705 DOWNTOWN-2, I'M ON MY WAY. 2314 02:00:14,475 --> 02:00:16,277 DOWNTOWN-1, THIS IS UPTOWN-1. 2315 02:00:16,277 --> 02:00:17,578 I'VE GOT A MAN DOWN. 2316 02:00:17,578 --> 02:00:20,414 DOWNTOWN-3 IS DOWN. I'M GOING BACK TO GET HIM. 2317 02:00:20,414 --> 02:00:22,683 DOWNTOWN-2 HAS MY CARGO ON THE BIRD. 2318 02:00:22,683 --> 02:00:25,752 WE'LL BE EVACUATING DOWNTOWN-3 BACK TO THE LZ. 2319 02:00:25,752 --> 02:00:29,256 I REPEAT: BE EVACUATING BACK TO LZ 3. 2320 02:00:29,256 --> 02:00:31,292 ROGER THAT, DINO. I'M AT THE LZ. 2321 02:00:31,292 --> 02:00:33,894 GOT AN EYE ON THE BIRD. MY CARGO IS IN TOW. 2322 02:00:33,894 --> 02:00:35,496 MY BACK DOOR IS CLEAR. 2323 02:00:35,496 --> 02:00:37,331 IF YOU NEED A HAND, JUST GIVE ME A YELL. 2324 02:00:40,767 --> 02:00:42,235 LOOK OUT! GRENADE! 2325 02:00:46,106 --> 02:00:47,508 AAH! 2326 02:00:55,549 --> 02:00:56,783 JUACO! 2327 02:01:12,799 --> 02:01:13,934 PETER! 2328 02:01:13,934 --> 02:01:15,536 YEAH! 2329 02:01:15,536 --> 02:01:17,571 I CAN'T SEE, MATE! 2330 02:01:17,571 --> 02:01:19,105 HERE. I'M RIGHT HERE. 2331 02:01:19,105 --> 02:01:20,474 I GOT YOU. 2332 02:01:20,474 --> 02:01:22,208 JUST HANG ON TO ME. 2333 02:01:22,208 --> 02:01:23,344 Dino: ARE YOU CRAZY?! 2334 02:01:23,344 --> 02:01:24,845 GET ON THAT FUCKING CHOPPER NOW! 2335 02:01:26,279 --> 02:01:27,481 [ALL SHOUTING] 2336 02:01:30,183 --> 02:01:31,552 EYE WASH! EYE WASH! 2337 02:01:33,219 --> 02:01:34,688 MOVE! 2338 02:01:38,525 --> 02:01:40,126 Peter: HE NEEDS SOMETHING FOR HIS EYES! 2339 02:01:40,126 --> 02:01:41,928 AHH! FUCK! 2340 02:01:41,928 --> 02:01:43,364 Peter: HE NEEDS IT NOW! 2341 02:01:43,364 --> 02:01:45,098 Terry: WHERE'S THE WASH?! 2342 02:01:45,098 --> 02:01:46,166 Peter: HERE! RIGHT HERE! 2343 02:01:46,166 --> 02:01:47,468 IT'S RIGHT HERE! IT'S RIGHT HERE! 2344 02:01:50,737 --> 02:01:52,373 CAROLS, LOOK AT ME! WHO AM I? WHO AM I?! 2345 02:01:52,373 --> 02:01:53,374 YOU'RE AN ASSHOLE. 2346 02:01:53,374 --> 02:01:54,408 RIGHT! THAT'S FUCKING RIGHT! 2347 02:01:54,408 --> 02:01:56,309 THAT'S RIGHT! [MOANS] 2348 02:02:01,114 --> 02:02:02,883 ARE YOU ALL RIGHT? 2349 02:02:02,883 --> 02:02:05,118 DON'T YOU FUCKING DIE ON ME, MAN! 2350 02:02:05,118 --> 02:02:06,453 I DON'T DIE ON YOU! 2351 02:02:06,453 --> 02:02:07,954 YEAH, HE ALWAYS DOES THIS SHIT, MAN. 2352 02:02:07,954 --> 02:02:11,392 YOU'RE A PUSSY! HE'S A FUCKING PUSSY, MAN! 2353 02:02:21,868 --> 02:02:23,236 HOW IS IT? 2354 02:02:23,236 --> 02:02:25,506 YEAH. 2355 02:02:28,742 --> 02:02:31,412 WHO ARE YOU? 2356 02:02:31,412 --> 02:02:33,747 TERRY THORNE. 2357 02:02:34,881 --> 02:02:36,282 HOW'S MY WIFE? 2358 02:02:36,282 --> 02:02:38,885 SHE OK? 2359 02:02:38,885 --> 02:02:39,953 SHE MISSES YOU. 2360 02:02:39,953 --> 02:02:41,788 SHE'S WAITING FOR YOU WHERE WE LAND. 2361 02:03:24,431 --> 02:03:25,466 WELCOME HOME. 2362 02:03:25,466 --> 02:03:26,833 YEAH. 2363 02:03:28,469 --> 02:03:29,970 KEEP YOUR HEAD DOWN. 2364 02:03:41,948 --> 02:03:42,949 HELLO, ALICE. 2365 02:03:48,421 --> 02:03:49,856 YOU ALL RIGHT? 2366 02:04:14,114 --> 02:04:15,616 Dino: HEY, HEY, HEY! WHAT DID I TELL YOU? 2367 02:04:15,616 --> 02:04:16,617 YOU WANT TO GO TO ROMA? 2368 02:04:16,617 --> 02:04:18,719 ARRIVEDERCI! 2369 02:04:18,719 --> 02:04:22,322 ROMA! ROMA! ROMA! 2370 02:04:22,322 --> 02:04:24,324 SEÑOR, POR FAVOR. 2371 02:04:24,324 --> 02:04:25,592 SANDRO. 2372 02:04:29,496 --> 02:04:30,697 [MOANS] 2373 02:04:35,936 --> 02:04:36,770 HI. 2374 02:04:36,770 --> 02:04:38,605 HEY. YOU LOOK GREAT. 2375 02:04:41,542 --> 02:04:42,743 [SPEAKING ITALIAN] 2376 02:04:45,579 --> 02:04:46,780 ARRIVEDERCI! 2377 02:04:54,555 --> 02:04:56,222 I NEED ONE MINUTE. 2378 02:04:58,825 --> 02:04:59,826 OK. 2379 02:05:13,907 --> 02:05:14,908 WE DID IT. 2380 02:05:14,908 --> 02:05:16,509 YOU DID IT. 2381 02:05:16,509 --> 02:05:18,078 YOU KNOW, YOU'D BETTER GET GOING. 2382 02:05:18,078 --> 02:05:21,114 WE COULD BE VERY UNPOPULAR AROUND HERE IN THE NEAR FUTURE. 2383 02:05:21,114 --> 02:05:22,583 JESUS. I THOUGHT WE'D GET A CHANCE-- 2384 02:05:22,583 --> 02:05:25,752 WHAT? SIT AROUND AND CHAT, THE THREE OF US? 2385 02:05:25,752 --> 02:05:27,921 THERE'S A 6:00 AMERICAN FLIGHT TO DALLAS. YOU CAN MAKE IT. 2386 02:05:27,921 --> 02:05:30,757 THERE'S A PROVISIONAL PASSPORT IN THE JEEP FOR PETER. 2387 02:05:30,757 --> 02:05:32,158 NORMA WILL PACK THE HOUSE. 2388 02:05:32,158 --> 02:05:33,259 SHE'LL SEND EVERYTHING UP. 2389 02:05:33,259 --> 02:05:36,396 HIS LEG LOOKS BAD, BUT IT CAN WAIT TILL DALLAS. 2390 02:05:36,396 --> 02:05:37,764 THIS IS IMPORTANT. 2391 02:05:37,764 --> 02:05:41,301 NO TELEPHONE CALLS, NO HIGH-FIVES, 2392 02:05:41,301 --> 02:05:42,603 NO CHAMPAGNE. 2393 02:05:42,603 --> 02:05:46,740 YOU GET TO THE AIRPORT AND YOU MAKE THAT PLANE. 2394 02:05:46,740 --> 02:05:49,676 JUST TELL ME YOU KNOW HOW MUCH YOU MEAN TO ME. 2395 02:05:52,478 --> 02:05:54,047 SO, WE'RE EVEN. 2396 02:05:55,616 --> 02:05:58,384 NO, WE'LL NEVER BE EVEN. 2397 02:05:58,384 --> 02:06:01,622 I'VE GIVEN YOU... NOTHING. 2398 02:06:01,622 --> 02:06:03,256 BELIEVE ME, WE'RE EVEN. 2399 02:06:05,659 --> 02:06:07,728 YOU DESERVE MORE THAN THIS. 2400 02:06:07,728 --> 02:06:09,963 YOU GOT A PLANE TO CATCH. 2401 02:06:11,765 --> 02:06:13,867 I'LL SEE YOU AROUND, MRS. BOWMAN. 2402 02:07:02,515 --> 02:07:03,817 Dino: GET ME MY DUKE ELLINGTON RECORDS. 2403 02:07:03,817 --> 02:07:05,018 GET ME THE SCOTCH. 2404 02:07:05,018 --> 02:07:07,087 THE GOOD SHIT! 12-YEAR-OLD, NOT THE CRAP! 2405 02:07:07,087 --> 02:07:09,455 REMEMBER THE ENCRYPTED PHONE! 2406 02:07:09,455 --> 02:07:10,924 TAKE CARE, ALICE. 2407 02:07:12,793 --> 02:07:14,861 WHO'S THE MAN?! 2408 02:07:14,861 --> 02:07:17,563 STUFF OF LEGENDS, STUFF-- YOU ARE THE MAN! 2409 02:07:17,563 --> 02:07:18,965 Peter: SANDRO, 2410 02:07:18,965 --> 02:07:20,801 YOU KNOW WE GOT TO GET TO THE AIRPORT FAST. 2411 02:07:20,801 --> 02:07:22,368 WE GOT A FLIGHT IN AN HOUR. 2412 02:07:33,714 --> 02:07:35,381 WE MADE IT. 2413 02:07:40,153 --> 02:07:41,454 YEAH. 2414 02:07:41,454 --> 02:07:43,289 LET'S GO HOME. 2415 02:07:48,161 --> 02:07:49,830 YOU AND ME, WE OPEN OUR OWN SHOP. 2416 02:07:49,830 --> 02:07:51,497 I RUN NEW YORK. YOU RUN LONDON. 2417 02:07:51,497 --> 02:07:53,433 WE MEET IN THE CAYMANS ONCE A MONTH 2418 02:07:53,433 --> 02:07:55,368 TO VISIT OUR MONEY. 2419 02:07:55,368 --> 02:07:58,471 OK? STRICTLY WHITE GLOVE, LOTTA LONG LUNCHES. 2420 02:07:58,471 --> 02:08:00,173 NO MORE FUCKING FRONT LINES. 2421 02:08:00,173 --> 02:08:01,641 SOME CONSULTING, SOME POLICIES, 2422 02:08:01,641 --> 02:08:06,412 AND WE GIVE IAN A HEART ATTACK BEFORE WE OPEN THE DOORS. 2423 02:08:06,412 --> 02:08:07,413 HUH? 2424 02:08:10,216 --> 02:08:12,252 I DON'T KNOW IF I WANT YOU VISITING MY MONEY. 2425 02:08:12,252 --> 02:08:13,887 HA! 2426 02:08:15,288 --> 02:08:18,691 [VAN MORRISON'S I'LL BE YOUR LOVER, TOO BEGINS] 2427 02:08:29,602 --> 02:08:33,073 * I'LL BE YOUR MAN * 2428 02:08:35,708 --> 02:08:40,046 * I'LL UNDERSTAND * 2429 02:08:43,516 --> 02:08:45,718 * DO MY BEST TO TAKE * 2430 02:08:47,053 --> 02:08:49,122 * GOOD CARE OF YOU * 2431 02:08:53,393 --> 02:08:54,995 * YES, I WILL * 2432 02:08:57,663 --> 02:09:01,467 * YOU'LL BE MY QUEEN * 2433 02:09:04,504 --> 02:09:07,941 * I'LL BE YOUR KING * 2434 02:09:11,377 --> 02:09:14,747 * AND I'LL BE YOUR * 2435 02:09:15,816 --> 02:09:18,051 * LOVER, TOO * 2436 02:09:20,420 --> 02:09:22,022 * YES, I WILL * 2437 02:09:24,657 --> 02:09:28,361 * DERRY DOWN GREEN * 2438 02:09:32,098 --> 02:09:36,202 * COLOR OF MY DREAM * 2439 02:09:38,504 --> 02:09:45,111 * A DREAM THAT'S DAILY COMING TRUE * 2440 02:09:49,449 --> 02:09:50,450 * I TELL YA * 2441 02:09:51,584 --> 02:09:55,055 * WHEN DAY IS THROUGH * 2442 02:09:58,591 --> 02:10:01,194 * I WILL COME TO YOU * 2443 02:10:04,464 --> 02:10:11,304 * AND TELL YOU OF YOUR MANY CHARMS * 2444 02:10:15,675 --> 02:10:21,547 * AND YOU'LL LOOK AT ME * 2445 02:10:25,118 --> 02:10:28,221 * WITH EYES THAT SEE * 2446 02:10:31,892 --> 02:10:34,827 * AND MELT INTO * 2447 02:10:36,162 --> 02:10:39,199 * EACH OTHERS' ARMS * 2448 02:10:45,005 --> 02:10:48,274 * AND SO I COME * 2449 02:10:53,179 --> 02:10:55,916 * TO BE THE ONE * 2450 02:10:58,985 --> 02:11:02,255 * WHO'S ALWAYS STANDING * 2451 02:11:05,525 --> 02:11:06,993 * NEXT TO YOU * 2452 02:11:09,930 --> 02:11:11,564 * MMM * 2453 02:11:12,798 --> 02:11:15,902 * REACH OUT FOR ME * 2454 02:11:19,205 --> 02:11:22,308 * SO I CAN BE * 2455 02:11:25,811 --> 02:11:28,281 * THE ONE WHO'S ALWAYS * 2456 02:11:29,315 --> 02:11:32,385 * REACHING OUT FOR YOU * 2457 02:11:35,221 --> 02:11:38,158 * YES, I WILL, YES, I WILL * 2458 02:11:39,225 --> 02:11:43,896 * YOU'LL BE MY QUEEN * 2459 02:11:45,765 --> 02:11:50,036 * I'LL BE YOUR KING * 2460 02:11:52,138 --> 02:12:01,047 * AND I'LL BE YOUR LOVER, TOO * 2461 02:12:07,053 --> 02:12:08,688 Van Morrison: HOW'S THAT? 2462 02:12:37,183 --> 02:12:39,986 CAPTIONING MADE POSSIBLE BY WARNER BROS 2463 02:12:39,986 --> 02:12:43,656 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 155352