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1
00:00:07,408 --> 00:00:08,109
HEY, CARYN.
2
00:00:08,142 --> 00:00:09,277
OH, HEY, SALLY, LOOK,
3
00:00:09,310 --> 00:00:10,411
YOU'VE GOT TO COME
TO OUR PROTEST.
4
00:00:10,444 --> 00:00:11,512
WHAT'S GOING ON?
5
00:00:11,545 --> 00:00:13,481
PLAYPEN MAGAZINE IS
COMING HERE NEXT WEEK
6
00:00:13,514 --> 00:00:14,982
TO LOOK FOR STUDENTS
TO POSE NAKED.
7
00:00:15,015 --> 00:00:16,817
IT'S THEIR "COEDS
OF THE MIDWEST" ISSUE.
8
00:00:16,850 --> 00:00:18,586
OH, MY GOD.
THEY'RE COMING HERE?
9
00:00:18,619 --> 00:00:21,555
THEY'RE OFFERING $600
TO POSE NAKED.
10
00:00:21,589 --> 00:00:22,856
I MEAN,
HOW DEGRADING IS THAT?
11
00:00:22,890 --> 00:00:25,993
I'M SO SORRY.
DID YOU SAY $600?
12
00:00:26,026 --> 00:00:27,295
CAN YOU BELIEVE THIS?
13
00:00:27,328 --> 00:00:29,997
I MEAN, THEY HAVE
SOME NERVE EXPECTING
THAT THE WOMEN AROUND HERE
14
00:00:30,030 --> 00:00:32,133
ARE JUST GOING TO LINE UP
TO EXPLOIT THEMSELVES.
15
00:00:32,166 --> 00:00:34,268
YEAH, I HATE
WAITING IN LINE.
16
00:00:43,211 --> 00:00:44,745
DR. SOLOMON,
WHAT ARE YOU DOING?
17
00:00:44,778 --> 00:00:48,048
MEASURING MY FACE.
18
00:00:48,082 --> 00:00:49,483
WHY?
19
00:00:49,517 --> 00:00:51,185
I'VE BEEN
PUTTING IT OFF.
20
00:00:53,887 --> 00:00:55,423
OH, DICK, I BROUGHT YOU
YOUR LUNCH. LOOK!
21
00:00:55,456 --> 00:00:59,560
LOOK. PLAYPEN MAGAZINE IS
COMING TO PENDLETON UNIVERSITY
22
00:00:59,593 --> 00:01:03,331
TO LOOK FOR WOMEN
WHO WILL POSE NAKED,
AND I WAS THINKING...
23
00:01:03,364 --> 00:01:05,366
I AM PERFECT FOR THAT.
24
00:01:05,399 --> 00:01:06,767
YOU, SALLY?
25
00:01:06,800 --> 00:01:09,237
MY LITTLE SISTER
POSING FOR A NUDIE RAG.
26
00:01:09,270 --> 00:01:12,773
YOUR EXPOSED BODY
PINNED UP INSIDE EVERY
SCHOOL BOY'S LOCKER
27
00:01:12,806 --> 00:01:16,177
AND MECHANIC'S GARAGE
ACROSS THIS
ENTIRE COUNTRY?
28
00:01:16,210 --> 00:01:18,379
GOOD FOR YOU!
29
00:01:18,412 --> 00:01:21,282
SALLY!
30
00:01:21,315 --> 00:01:23,251
I'M GOING TO GO NOW
AND SIGN UP.
31
00:01:23,284 --> 00:01:25,953
GOOD LUCK, BABY!
32
00:01:25,986 --> 00:01:27,321
SIGN UP FOR WHAT?
33
00:01:27,355 --> 00:01:29,223
TO POSE FOR
PLAYPEN MAGAZINE.
34
00:01:29,257 --> 00:01:30,991
PRETTY NIFTY, HUH?
35
00:01:31,024 --> 00:01:33,093
POSING NUDE. YOU DON'T
HAVE A PROBLEM WITH THAT?
36
00:01:33,127 --> 00:01:33,994
WHY SHOULD I?
37
00:01:34,027 --> 00:01:36,063
BECAUSE IT'S SO DEMEANING.
38
00:01:36,096 --> 00:01:37,698
WHY DO YOU HAVE
SO MANY HANG-UPS
39
00:01:37,731 --> 00:01:39,900
ABOUT THE HUMAN BODY?
40
00:01:39,933 --> 00:01:43,437
IS IT BECAUSE
OF ALL THE HANG-DOWNS?
41
00:01:43,471 --> 00:01:45,639
THIS IS YOUR SISTER
WE'RE TALKING ABOUT.
42
00:01:45,673 --> 00:01:48,008
SO? SHE'S JUST LIKE
ANY OTHER WOMAN.
43
00:01:48,041 --> 00:01:50,611
WOMEN SHOW THEIR BODIES
ALL THE TIME.
44
00:01:50,644 --> 00:01:52,946
GRANTED,
THERE ARE VARIATIONS
IN THE TOPOGRAPHY,
45
00:01:52,980 --> 00:01:55,383
BUT ESSENTIALLY,
IT'S ALL THE SAME MAP.
46
00:01:58,452 --> 00:02:00,120
I JUST THINK THERE'S
SOMETHING TO BE SAID
47
00:02:00,154 --> 00:02:02,956
FOR GOOD
OLD-FASHIONED MODESTY.
48
00:02:02,990 --> 00:02:05,125
WOW, DR. ALBRIGHT,
IT ONLY TOOK YOU
49
00:02:05,159 --> 00:02:07,261
20 YEARS
TO CHANGE YOUR TUNE.
50
00:02:10,464 --> 00:02:11,632
WHAT'S THAT
SUPPOSED TO MEAN?
51
00:02:11,665 --> 00:02:12,900
THAT'S WHEN
SHE POSED NAKED.
52
00:02:12,933 --> 00:02:14,902
NINA!
MARY...
53
00:02:14,935 --> 00:02:16,237
YOU POSED NAKED?
54
00:02:16,270 --> 00:02:19,340
BUH-BYE.
55
00:02:19,373 --> 00:02:21,342
ARE YOU TRYING
TO TELL ME THAT
THERE ARE PICTURES
56
00:02:21,375 --> 00:02:23,611
SOMEWHERE OUT THERE
OF MY MARY ALBRIGHT
57
00:02:23,644 --> 00:02:26,847
NAKED AS A JAYWALKER?
58
00:02:26,880 --> 00:02:29,917
THEY WERE VERY TASTEFUL.
JUST SOME BLACK AND WHITE
ART PHOTOS.
59
00:02:29,950 --> 00:02:31,419
ART PHOTOS!
60
00:02:31,452 --> 00:02:33,821
A SEPIA-TONED SNAPSHOT
OF OLD FAITHFUL--
61
00:02:33,854 --> 00:02:36,123
THAT'S AN ART PHOTO.
62
00:02:36,156 --> 00:02:38,292
BUT YOU JUST SAID
POSING NUDE WAS FINE.
63
00:02:38,326 --> 00:02:41,028
FOR MY LITTLE SISTER,
NOT MY GIRLFRIEND!
64
00:03:17,765 --> 00:03:20,701
ART...SMUT...SMUT...
65
00:03:20,734 --> 00:03:23,271
ART...SMUT.
66
00:03:23,304 --> 00:03:24,372
WAIT A MINUTE.
THAT'S SMUT?
67
00:03:24,405 --> 00:03:25,239
YEAH.
68
00:03:25,273 --> 00:03:28,442
BUT SHE'S SO MUCH
NAKEDER THAN THEY ARE.
69
00:03:28,476 --> 00:03:31,379
YEAH, BUT, YOU SEE,
THIS IS MICHELANGELO
AND THIS IS--
70
00:03:31,412 --> 00:03:34,248
WELL, THIS IS
MICHAEL AND ANGELO.
71
00:03:36,617 --> 00:03:39,320
I'M SORRY. I JUST
DON'T SEE THE DIFFERENCE.
72
00:03:39,353 --> 00:03:42,089
I MEAN, YOU TELL ME THAT
THIS IS MEANT FOR AROUSAL,
73
00:03:42,122 --> 00:03:45,058
AND THIS IS MEANT FOR
AESTHETIC APPRECIATION.
74
00:03:45,092 --> 00:03:46,527
BUT WHEN I LOOK AT THEM,
75
00:03:46,560 --> 00:03:48,562
WELL, THIS WOMAN
WASHING HER SPORTS CAR,
76
00:03:48,596 --> 00:03:50,631
SHE DOES NOTHING FOR ME.
77
00:03:50,664 --> 00:03:55,936
BUT THIS WOMAN WITH
THE APPLE AND THE SNAKE..
78
00:03:55,969 --> 00:03:57,471
WELL, THAT'S JUST HOT.
79
00:04:02,009 --> 00:04:03,511
TOMMY, DO YOU HAVE
A LAB PARTNER?
80
00:04:03,544 --> 00:04:04,312
NO.
81
00:04:04,345 --> 00:04:06,814
HERS IS OUT SICK,
SO SHE'S WITH YOU.
82
00:04:10,451 --> 00:04:11,619
THANKS.
83
00:04:11,652 --> 00:04:12,986
HI. I'M ALISSA.
84
00:04:13,020 --> 00:04:15,356
YEAH, I KNOW. UH, NO,
I MEAN I'M TOMMY.
85
00:04:15,389 --> 00:04:17,090
THAT'S MY NAME.
I'M TOMMY.
86
00:04:17,124 --> 00:04:18,559
YOU KNOW, I THINK WE'VE BEEN
IN CLASS TOGETHER ALL YEAR
87
00:04:18,592 --> 00:04:19,627
AND WE'VE NEVER MET.
88
00:04:19,660 --> 00:04:22,630
NO, WE HAVE NOT
NEVER MET.
89
00:04:22,663 --> 00:04:23,864
I'M--I'M TOMMY.
90
00:04:23,897 --> 00:04:27,801
YEAH, SO, WE'RE TRYING
TO GET THESE FRUIT FLIES
TO MATE, HUH?
91
00:04:27,835 --> 00:04:28,969
YEAH.
92
00:04:29,002 --> 00:04:30,170
WELL, THAT'S KIND
OF COLD, ISN'T IT?
93
00:04:30,203 --> 00:04:33,006
I MEAN,
THEY JUST MET.
94
00:04:33,040 --> 00:04:34,207
WHAT?
95
00:04:34,241 --> 00:04:36,544
CAN YOU IMAGINE
MEETING SOMEBODY
FOR THE FIRST TIME,
96
00:04:36,577 --> 00:04:39,313
AND THEN ALL OF A SUDDEN,
THERE'S PEOPLE TRYING
TO FORCE YOU TO MATE?
97
00:04:39,347 --> 00:04:42,316
THAT'S A LOT OF PRESSURE.
I COULDN'T DO IT.
98
00:04:42,350 --> 00:04:44,718
WELL, IF MY LIFE SPAN
WAS ONLY FOR, LIKE, A DAY,
99
00:04:44,752 --> 00:04:46,454
I THINK I'D BE OK WITH IT.
100
00:04:49,256 --> 00:04:51,525
LET'S LET THEM GO.
101
00:04:51,559 --> 00:04:52,460
ARE YOU SERIOUS?
102
00:04:52,493 --> 00:04:54,027
NO, I MEAN, THEY ONLY
HAVE ONE DAY TO LIVE,
103
00:04:54,061 --> 00:04:54,928
THEY SHOULD
ENJOY THEIR LIVES.
104
00:04:54,962 --> 00:04:57,765
LET THEM GO.
105
00:04:57,798 --> 00:04:59,600
ALL RIGHT. OK.
NO, I'LL LET THEM GO.
106
00:04:59,633 --> 00:05:01,268
I AM LETTING THEM GO.
107
00:05:03,337 --> 00:05:05,138
SOLOMON,
WHAT ARE YOU DOING?
108
00:05:05,172 --> 00:05:06,340
UH, I SLIPPED.
109
00:05:06,374 --> 00:05:08,442
WELL, YOU GET AN "F."
110
00:05:12,012 --> 00:05:14,214
THANK YOU SO MUCH.
111
00:05:14,247 --> 00:05:15,649
I'M SORRY.
I WAS JUST KIDDING.
112
00:05:15,683 --> 00:05:16,717
YOU WERE KIDDING?
113
00:05:16,750 --> 00:05:18,552
I DIDN'T KNOW
YOU'D ACTUALLY DO IT.
114
00:05:18,586 --> 00:05:19,853
YEAH, WELL,
I'M THE KIND OF GUY
115
00:05:19,887 --> 00:05:21,722
THAT ACTUALLY
DOES THINGS.
116
00:05:22,823 --> 00:05:24,625
HOW WAS I
SUPPOSED TO KNOW?
117
00:05:24,658 --> 00:05:27,461
GO AHEAD AND LAUGH.
I'M VERY UPSET.
118
00:05:27,495 --> 00:05:28,929
NO, YOU'RE NOT.
119
00:05:31,632 --> 00:05:33,300
NO, I'M NOT.
120
00:05:35,202 --> 00:05:36,103
I LIKE YOUR LAUGH.
121
00:05:36,136 --> 00:05:37,838
OH, THANK YOU.
122
00:05:37,871 --> 00:05:39,640
[SNORTS]
123
00:05:43,176 --> 00:05:44,878
OK, SALLY,
FIRST THING.
124
00:05:44,912 --> 00:05:49,216
IF YOU WANT TO POSE,
YOU GOT TO HAVE
ALL THE RIGHT MOVES.
125
00:05:49,249 --> 00:05:51,985
I GOT THE RIGHT MOVES,
BABY.
126
00:05:52,019 --> 00:05:54,087
YOU DON'T HAVE
THE MOVES, DO YOU?
127
00:05:54,121 --> 00:05:55,322
NO.
128
00:05:55,355 --> 00:05:56,223
ALL RIGHT.
129
00:05:56,256 --> 00:05:57,224
WELL, THE FIRST THING
YOU GOT TO REMEMBER
130
00:05:57,257 --> 00:05:59,460
IS THE WOMEN
IN THESE MAGAZINES,
131
00:05:59,493 --> 00:06:02,530
THEY ALWAYS
SEEMED SURPRISED
TO SEE THEIR BOOBS.
132
00:06:05,699 --> 00:06:08,902
LIKE THEY'RE SEEING THEM
FOR THE FIRST TIME.
133
00:06:08,936 --> 00:06:10,404
THAT IS SO SEXY.
134
00:06:10,438 --> 00:06:12,272
SO TRY TO REMEMBER
HOW IT FELT
135
00:06:12,305 --> 00:06:14,775
THE FIRST TIME
YOU SAW YOUR BOOBS.
136
00:06:14,808 --> 00:06:18,178
YOU KNOW,
LIKE RIGHT AFTER
WE LANDED ON EARTH.
137
00:06:20,013 --> 00:06:23,150
AAH!
138
00:06:27,955 --> 00:06:30,424
THAT'S GOOD.
139
00:06:30,458 --> 00:06:33,927
NOW TRY IT AFTER YOU
DISCOVERED HOW MUCH
FUN THEY WERE.
140
00:06:36,464 --> 00:06:38,331
THERE YOU GO!
141
00:06:40,300 --> 00:06:41,835
OH, NOW, YOU ALSO
GOT TO REMEMBER
142
00:06:41,869 --> 00:06:44,838
TO LOOK SORT OF
SLEEPY AND PARANOID.
143
00:06:44,872 --> 00:06:46,139
SLEEPY AND PARANOID?
144
00:06:46,173 --> 00:06:48,008
YEAH, YEAH,
'CAUSE THE WOMEN
IN THESE MAGAZINES,
145
00:06:48,041 --> 00:06:50,444
THEY'RE ALWAYS
STRETCHING,
146
00:06:50,478 --> 00:06:53,681
LOOKING BEHIND
THEMSELVES TO SEE IF
SOMEBODY'S WATCHING.
147
00:06:56,349 --> 00:06:58,886
OH, I GOT THIS,
BABY, HUH?
148
00:06:58,919 --> 00:07:00,921
OOH, BUT
DON'T SMILE, OK?
149
00:07:00,954 --> 00:07:03,591
GUYS DON'T LIKE IT
WHEN A WOMAN SMILES.
150
00:07:03,624 --> 00:07:05,092
THEY LIKE THEM POUTY.
151
00:07:05,125 --> 00:07:06,694
OR ANGRY.
152
00:07:06,727 --> 00:07:07,528
ANGRIER!
153
00:07:07,561 --> 00:07:11,198
HATE ME. GOOD!
154
00:07:11,231 --> 00:07:13,501
NOW, YOU'RE
ON A SAFARI.
155
00:07:13,534 --> 00:07:14,935
YOU'RE LISTENING
TO THE BIRDS,
156
00:07:14,968 --> 00:07:15,869
BUT YOU'RE SLEEPY.
157
00:07:15,903 --> 00:07:18,772
GOOD!
158
00:07:18,806 --> 00:07:20,040
YOU'RE LOOKING
THROUGH BINOCULARS,
159
00:07:20,073 --> 00:07:21,308
BUT YOU'RE ANGRY.
160
00:07:21,341 --> 00:07:22,910
NICE!
161
00:07:22,943 --> 00:07:23,944
YOU'RE BEING CHASED
BY A TIGER,
162
00:07:23,977 --> 00:07:25,479
AND IT'S JUST ABOUT
TO CATCH YOU.
163
00:07:25,513 --> 00:07:28,015
ALL OF A SUDDEN,
YOU SEE YOUR BOOBS!
164
00:07:34,421 --> 00:07:37,357
[MUTTERING]
165
00:07:40,227 --> 00:07:43,296
DR. SOLOMON, I WOULDN'T
NORMALLY ASK THIS,
166
00:07:43,330 --> 00:07:45,566
BUT ARE YOU GOING
TO TEACH?
167
00:07:45,599 --> 00:07:47,000
I'VE GOT TOO MUCH
ON MY MIND.
168
00:07:47,034 --> 00:07:48,468
LIKE WHAT?
169
00:07:48,502 --> 00:07:51,104
LIKE WOMEN LEWDLY
EXPOSING THEMSELVES
170
00:07:51,138 --> 00:07:53,106
TO PRURIENT AND
LASCIVIOUS SHUTTERBUGS.
171
00:07:53,140 --> 00:07:54,174
THAT'S WHAT.
172
00:07:54,207 --> 00:07:56,376
OH, WELL, I KNOW HOW
YOU FEEL, DR. SOLOMON,
173
00:07:56,409 --> 00:07:59,346
WHICH IS WHY WE'RE STAGING
A PROTEST THIS FRIDAY.
174
00:07:59,379 --> 00:08:02,449
OH, SHUT UP, CARYN.
175
00:08:02,482 --> 00:08:04,351
THIS HAS NOTHING
TO DO WITH YOUR
STUPID LITTLE PEP RALLY.
176
00:08:04,384 --> 00:08:06,286
THIS IS ABOUT SOMEONE THAT
I'M DEEPLY INVOLVED WITH.
177
00:08:06,319 --> 00:08:08,388
DR. ALBRIGHT?
178
00:08:08,421 --> 00:08:09,056
HOW DID YOU KNOW?
179
00:08:09,089 --> 00:08:10,724
HAVE YOU SEEN
THE PICTURES?
180
00:08:10,758 --> 00:08:12,993
WHAT, THERE ARE PICTURES
OF DR. ALBRIGHT?
181
00:08:13,026 --> 00:08:16,096
THERE ARE
NO NAKED PICTURES!
182
00:08:16,129 --> 00:08:17,831
NAKED PICTURES
OF DR. ALBRIGHT?
183
00:08:17,865 --> 00:08:19,032
I'D LIKE TO SEE THOSE.
184
00:08:19,066 --> 00:08:21,401
OH, OVER MY DEAD BODY!
185
00:08:21,434 --> 00:08:23,070
LOOK AT YOU. YOU'RE ALL
OBSESSED WITH NUDITY.
186
00:08:23,103 --> 00:08:25,639
AND IT'S DIRTY,
FILTHY, AND VILE!
187
00:08:25,673 --> 00:08:27,074
IT'S NOT DIRTY,
DR. SOLOMON.
188
00:08:27,107 --> 00:08:28,542
WE ALL COME INTO
THIS WORLD NAKED.
189
00:08:28,576 --> 00:08:30,043
I DIDN'T.
190
00:08:51,098 --> 00:08:51,899
HI, DICK.
191
00:08:57,170 --> 00:09:00,774
HARRY, ARE YOU NAKED
OR AM I SEEING THINGS?
192
00:09:00,808 --> 00:09:02,576
WHY, ACTUALLY,
IT'S A LITTLE OF BOTH.
193
00:09:04,778 --> 00:09:06,279
NO, YOU KNOW, I WAS
JUST TRYING TO FIGURE OUT
194
00:09:06,313 --> 00:09:08,481
IF THIS WHOLE CLOTHING THING
IS JUST A BIG SCAM.
195
00:09:08,515 --> 00:09:09,683
AND YOU KNOW WHAT?
196
00:09:09,717 --> 00:09:12,385
I'M STARTING TO THINK
THAT IT IS.
197
00:09:12,419 --> 00:09:13,887
HEY, GUYS,
WHAT DO YOU THINK
198
00:09:13,921 --> 00:09:15,022
I SHOULD WEAR
TO SCHOOL TOMORROW?
199
00:09:15,055 --> 00:09:18,558
EL NADA!
200
00:09:18,592 --> 00:09:20,127
WHY? WHAT'S GOING ON
AT SCHOOL?
201
00:09:20,160 --> 00:09:23,396
THIS GIRL ALISSA.
202
00:09:23,430 --> 00:09:25,799
I'VE NEVER FELT THIS WAY
ABOUT A GIRL BEFORE.
203
00:09:25,833 --> 00:09:28,301
SHE'S SO DIFFERENT.
YOU KNOW WHAT I MEAN?
204
00:09:28,335 --> 00:09:30,871
I DON'T EVEN KNOW
HOW TO EXPLAIN IT,
BUT SHE'S--
205
00:09:30,904 --> 00:09:33,807
SHE'S JUST
ABSOLUTELY AMAZING.
206
00:09:33,841 --> 00:09:35,175
AM I--AM I NUTS?
207
00:09:35,208 --> 00:09:37,577
TOMMY, TOMMY, TOMMY.
208
00:09:37,611 --> 00:09:41,114
OH, YES, I'VE RIDDEN
ON THAT BUS, TOO.
209
00:09:41,148 --> 00:09:44,685
WHAT YOU'RE GOING THROUGH
IS EXACTLY WHAT I FELT
210
00:09:44,718 --> 00:09:46,253
WHEN I FIRST MET MARY.
211
00:09:46,286 --> 00:09:51,258
MARY? THIS IS NOTHING
LIKE HOW YOU FELT
ABOUT MARY.
212
00:09:51,291 --> 00:09:53,293
THIS IS LOVE.
DO YOU UNDERSTAND?
213
00:09:53,326 --> 00:09:55,996
LOVE. YOU DON'T KNOW
WHAT LOVE IS.
214
00:09:56,029 --> 00:09:59,733
YOU WILL NEVER KNOW
WHAT LOVE IS.
215
00:09:59,767 --> 00:10:00,467
TOMMY, WHEN MARY AND I--
216
00:10:00,500 --> 00:10:04,237
CAN'T I HAVE ANYTHING
OF MY OWN?
217
00:10:08,175 --> 00:10:09,409
YOU WANT ME TO GO
KICK HIS BUTT?
218
00:10:09,442 --> 00:10:10,377
STAY WHERE YOU ARE!
219
00:10:13,313 --> 00:10:15,048
* HE'S A COMPLICATED MAN
220
00:10:15,082 --> 00:10:17,885
* AND NO ONE UNDERSTANDS
HIM BUT HIS WOMAN *
221
00:10:17,918 --> 00:10:20,353
* DON SHAFT
222
00:10:20,387 --> 00:10:22,555
OH, DON, I'M SO GLAD
YOU'RE STILL HERE.
223
00:10:22,589 --> 00:10:24,024
HEY, SALLY, WHAT'S UP?
224
00:10:24,057 --> 00:10:26,593
YOU KNOW
PLAYPEN MAGAZINE?
225
00:10:26,626 --> 00:10:28,996
NO.
226
00:10:29,029 --> 00:10:32,565
SURE, YOU DO. YOU KEEP
THEM UNDER THE COUCH.
227
00:10:32,599 --> 00:10:35,235
OH, THOSE?
THOSE AREN'T MINE.
228
00:10:35,268 --> 00:10:37,470
THOSE CAME
WITH THE COUCH.
229
00:10:37,504 --> 00:10:39,907
OH, GOD, NOW YOU
THINK I'M A PERV.
230
00:10:39,940 --> 00:10:43,043
NO, I DON'T. YOU LIKE
TO LOOK AT NAKED LADIES.
231
00:10:43,076 --> 00:10:45,145
IT'S PERFECTLY NORMAL.
232
00:10:45,178 --> 00:10:47,715
WHY, YES, IT IS.
233
00:10:47,748 --> 00:10:49,049
THAT'S WHY I COULDN'T
WAIT TO TELL YOU.
234
00:10:49,082 --> 00:10:50,851
I AM SO EXCITED.
235
00:10:50,884 --> 00:10:53,586
I'VE DECIDED TO POSE
FOR PLAYPEN.
236
00:10:55,956 --> 00:10:58,358
ISN'T THAT GREAT?
237
00:10:58,391 --> 00:11:01,128
YOU, SALLY, POSE NAKED?!
238
00:11:01,161 --> 00:11:02,295
WHAT'S THE MATTER, DON?
239
00:11:02,329 --> 00:11:03,463
WHAT'S THE MATTER?
240
00:11:03,496 --> 00:11:06,133
SALLY, I DON'T WANT
YOU POSING NAKED
FOR SOME MAGAZINE.
241
00:11:06,166 --> 00:11:07,935
BUT YOU LOVE
THESE MAGAZINES.
242
00:11:07,968 --> 00:11:11,905
I MEAN, YOU MUST.
THIS ONE'S FALLING APART.
243
00:11:11,939 --> 00:11:13,373
NO!
244
00:11:13,406 --> 00:11:14,641
THAT'S DIFFERENT.
245
00:11:14,674 --> 00:11:17,477
HOW?
WELL, THEY'RE NOT YOU,
THAT'S HOW.
246
00:11:17,510 --> 00:11:19,880
LISTEN, SALLY, I KNOW
WHAT KIND OF PEOPLE
READ THESE THINGS
247
00:11:19,913 --> 00:11:21,514
AND WHAT THEY'RE
THINKING WHEN I DO.
248
00:11:24,051 --> 00:11:27,921
AND I'M SORRY,
BUT YOU ARE NOT POSING
AND THAT'S FINAL!
249
00:11:31,658 --> 00:11:34,327
OH, REALLY
250
00:11:34,361 --> 00:11:39,632
WELL, TAKE A GOOD LONG LOOK
AT THESE BABIES, DON,
251
00:11:39,666 --> 00:11:41,802
'CAUSE THE NEXT TIME
YOU SEE THEM,
252
00:11:41,835 --> 00:11:44,371
THEY'LL BE IN A MAGAZINE!
253
00:11:44,404 --> 00:11:45,605
AAH!
254
00:11:49,910 --> 00:11:51,611
WHAT'S THE MATTER
WITH THESE WOMEN?
255
00:11:51,644 --> 00:11:54,247
YOU GIVE AND GIVE, AND
ALL THEY WANT TO DO
IS POSE NAKED.
256
00:11:54,281 --> 00:11:55,582
YEAH.
257
00:11:55,615 --> 00:11:58,318
AND THEN THEY COVER IT
UP BY CALLING IT ART.
WHAT A BUNCH OF HOOEY.
258
00:11:58,351 --> 00:11:59,619
WHEN THOSE PICTURES
COME OUT,
259
00:11:59,652 --> 00:12:01,621
MY LIFE IS GOING
TO BE A LIVING HELL.
260
00:12:01,654 --> 00:12:03,390
IT MAKES
MY BLOOD RUN COLD.
261
00:12:03,423 --> 00:12:05,325
MY ANGEL IS A CENTERFOLD.
262
00:12:08,161 --> 00:12:10,397
SOME SCUM OF THE EARTH
DIRT PEDDLER
263
00:12:10,430 --> 00:12:12,265
IS OUT THERE
WITH PICTURES
OF MY MARY ALBRIGHT,
264
00:12:12,299 --> 00:12:14,467
AND WHAT CAN I DO?
265
00:12:14,501 --> 00:12:16,837
YOU CAN GET
THOSE PICTURES BACK.
266
00:12:16,870 --> 00:12:17,670
WILL YOU HELP ME?
267
00:12:17,704 --> 00:12:18,839
DAMN RIGHT I WILL.
268
00:12:18,872 --> 00:12:20,774
WILL YOU ABUSE
YOUR POLICE POWERS
TO DO IT?
269
00:12:20,808 --> 00:12:24,011
I THINK THAT'S A GIVEN.
270
00:12:24,044 --> 00:12:25,779
YOU'RE A MAN
AMONG MEN, DON.
271
00:12:25,813 --> 00:12:28,015
A MAN AMONG MEN.
272
00:12:28,048 --> 00:12:28,748
MORE CHIPS?
273
00:12:28,782 --> 00:12:30,217
YEAH.
274
00:12:37,124 --> 00:12:38,591
I'M JUST GETTING
A COOKIE.
275
00:12:42,295 --> 00:12:44,764
MAYBE A CHIP.
276
00:12:52,940 --> 00:12:56,243
* MY ANGEL
IS A CENTERFOLD *
277
00:12:56,276 --> 00:12:59,112
HEY, I THOUGHT YOU GUYS
WERE COMING OVER.
278
00:12:59,146 --> 00:12:59,880
WHAT?
279
00:12:59,913 --> 00:13:03,016
OH, RIGHT. I FORGOT
TO INVITE YOU.
280
00:13:03,050 --> 00:13:04,451
WELL, HEY,
NOW THAT I'M HERE,
281
00:13:04,484 --> 00:13:06,253
I WAS WONDERING
IF I COULD, UM,
282
00:13:06,286 --> 00:13:07,787
DISCUSS SOMETHING
WITH YOU.
283
00:13:07,821 --> 00:13:10,323
YOU KNOW,
ONE PIN-UP TO ANOTHER.
284
00:13:10,357 --> 00:13:13,660
OH, WELL, I HARDLY
CONSIDER MYSELF A PIN-UP.
285
00:13:13,693 --> 00:13:16,329
HA HA, WELL, DUH,
NOT ANYMORE.
286
00:13:16,363 --> 00:13:18,731
YOU SEE, LISTEN...
287
00:13:18,765 --> 00:13:20,767
DON AND I GOT INTO
THIS REAL HUGE FIGHT
288
00:13:20,800 --> 00:13:23,370
AND NOW HE'S FORBIDDING ME
TO POSE IN THE MAGAZINE.
289
00:13:23,403 --> 00:13:25,005
OH, THAT IS SO TYPICAL.
290
00:13:25,038 --> 00:13:26,739
MEN ARE SO TERRITORIAL.
291
00:13:26,773 --> 00:13:28,708
LIKE THEY HAVE A DEED
TO YOUR BODY.
292
00:13:28,741 --> 00:13:32,412
EXACTLY. I POSE
FOR A FEW PHOTOS
IN AN ART CLASS
293
00:13:32,445 --> 00:13:34,347
20 YEARS BEFORE
I EVEN KNEW DICK,
294
00:13:34,381 --> 00:13:36,917
AND HE IS SO BENT
OUT OF SHAPE.
295
00:13:36,950 --> 00:13:40,153
YOU GUYS, IT'S JUST THAT
DON IS REALLY, REALLY UPSET.
296
00:13:40,187 --> 00:13:42,856
WELL, BOO-HOO
FOR DON.
297
00:13:42,890 --> 00:13:45,325
SEE, I JUST DON'T KNOW
IF I SHOULD POSE OR NOT.
298
00:13:45,358 --> 00:13:47,294
WHY, JUST BECAUSE
DON THINKS HE OWNS YOU?
299
00:13:47,327 --> 00:13:49,396
HE CAN'T TELL YOU
WHAT TO DO WITH YOUR BODY.
300
00:13:49,429 --> 00:13:52,765
THAT'S RIGHT. IF WE ARE
EVER GOING TO MAKE
ANY PROGRESS AS WOMEN,
301
00:13:52,799 --> 00:13:54,567
WE'VE GOT TO DO
WHAT WE WANT TO DO
302
00:13:54,601 --> 00:13:56,703
AND NOT WHAT
OUR BOYFRIENDS
TELL US TO DO.
303
00:13:56,736 --> 00:13:58,471
SO, I SHOULD POSE?
304
00:13:58,505 --> 00:14:02,009
IF YOU WANT DON
TO RESPECT YOU
AS A WOMAN,
305
00:14:02,042 --> 00:14:03,476
YOU HAVE TO.
306
00:14:17,324 --> 00:14:19,726
HEY, TOMMY,
YOU WANT A BLT?
307
00:14:19,759 --> 00:14:20,827
NO, I'M NOT HUNGRY.
308
00:14:20,860 --> 00:14:22,662
OH, WHAT'S WRONG?
309
00:14:22,695 --> 00:14:24,097
OH! AH! AH! AH! AAH!
310
00:14:27,767 --> 00:14:30,037
IT'S THIS GIRL ALISSA,
YOU KNOW.
311
00:14:30,070 --> 00:14:31,638
SHE DIDN'T SHOW UP
TO CLASS TODAY.
312
00:14:31,671 --> 00:14:32,572
SO?
313
00:14:32,605 --> 00:14:35,442
SO--SO OBVIOUSLY SHE THINKS
I'M SUCH A LOSER
314
00:14:35,475 --> 00:14:38,078
THAT SHE'D RATHER TRANSFER
TO ANOTHER CLASS
315
00:14:38,111 --> 00:14:39,812
THAN BE MY LAB PARTNER.
316
00:14:39,846 --> 00:14:42,115
MAYBE SHE'S SICK.
317
00:14:42,149 --> 00:14:43,016
SICK?
318
00:14:43,050 --> 00:14:46,453
YEAH, YOU KNOW,
THE FLU'S GOING AROUND.
319
00:14:46,486 --> 00:14:49,957
SICK. SHE'S SICK.
THAT'S GREAT!
320
00:14:49,990 --> 00:14:51,691
HARRY, YOU'RE BRILLIANT!
321
00:14:51,724 --> 00:14:52,892
OH, I KNOW--
322
00:14:52,926 --> 00:14:56,363
OH, AH, AH, AH, AAH!
323
00:14:56,396 --> 00:14:57,697
AAH!
324
00:15:03,403 --> 00:15:07,440
HA HA, LOOK AT THIS SMUT.
325
00:15:07,474 --> 00:15:08,341
HI, CAN I HELP YOU?
326
00:15:08,375 --> 00:15:09,909
ALL RIGHT, BUDDY,
WHERE ARE THEY?
DICK!
327
00:15:09,943 --> 00:15:10,877
WHAT ARE YOU
TALKING ABOUT, MAN?
328
00:15:10,910 --> 00:15:12,879
DON'T PLAY DUMB WITH ME,
BUSTER, THE PICTURES.
329
00:15:12,912 --> 00:15:13,713
WHERE ARE THE PICTURES?
330
00:15:13,746 --> 00:15:16,716
DICK, SIT DOWN,
SIT DOWN, SIT DOWN!
331
00:15:16,749 --> 00:15:19,119
I'LL HANDLE THIS.
332
00:15:19,152 --> 00:15:21,254
HE'S A LITTLE UPSET.
333
00:15:21,288 --> 00:15:23,723
IT SEEMS THAT YOU
TOOK NAKED PICTURES
334
00:15:23,756 --> 00:15:25,592
OF HIS GIRLFRIEND
20 YEARS AGO
335
00:15:25,625 --> 00:15:27,660
AND HE WANTS THEM BACK.
336
00:15:27,694 --> 00:15:29,196
20 YEARS AGO?
337
00:15:29,229 --> 00:15:30,897
MAN, I'VE TAKEN PICTURES
OF THOUSANDS OF PEOPLE.
338
00:15:30,930 --> 00:15:33,166
THERE'S NO WAY I'M
GOING TO REMEMBER HER.
339
00:15:33,200 --> 00:15:34,834
THE NAME'S
MARY ALBRIGHT.
340
00:15:34,867 --> 00:15:36,669
OH, YEAH,
WHAT A HOTTIE!
341
00:15:36,703 --> 00:15:38,638
OH, I'LL KILL HIM!
342
00:15:38,671 --> 00:15:40,307
LET HIM GO!
LET HIM GO!
343
00:15:40,340 --> 00:15:42,309
LET...HIM...GO!
344
00:15:48,181 --> 00:15:50,483
[DOORBELL RINGS]
345
00:15:55,455 --> 00:15:56,389
TOMMY.
346
00:15:56,423 --> 00:15:57,590
HI.
347
00:15:57,624 --> 00:15:59,492
WHAT ARE YOU
DOING HERE?
348
00:15:59,526 --> 00:16:01,361
UH, WELL, I WAS JUST
IN THE NEIGHBORHOOD,
349
00:16:01,394 --> 00:16:03,230
AND I THOUGHT I'D STOP BY
AND, YOU KNOW,
350
00:16:03,263 --> 00:16:05,298
SEE--SEE HOW
YOU'RE FEELING.
351
00:16:05,332 --> 00:16:08,368
OH, UH, WELL, I WAS
BARFING A LOT EARLIER
352
00:16:08,401 --> 00:16:12,039
AND NOW I'M NOT
BARFING AS MUCH.
353
00:16:12,072 --> 00:16:13,740
OH, I BROUGHT YOU
SOME SOUP.
354
00:16:13,773 --> 00:16:18,178
UH, YOU KNOW THAT THEY SAY
THAT IT'S GOOD, UM, FOOD.
355
00:16:18,211 --> 00:16:19,146
YOU BROUGHT ME SOUP.
356
00:16:19,179 --> 00:16:21,681
YEAH, YEAH,
TO HELP YOU FEEL BETTER.
357
00:16:21,714 --> 00:16:24,484
DO YOU ALWAYS BRING SOUP
TO GIRLS YOU LIKE?
358
00:16:24,517 --> 00:16:27,987
L-L-LIKE? YOU?
NO, NO, I DON'T LIKE YOU.
359
00:16:28,021 --> 00:16:30,123
NO, NO, NO, I MEAN
I DON'T HATE YOU.
360
00:16:30,157 --> 00:16:32,825
I MEAN I JUST MET YOU,
BUT I DON'T LIKE YOU,
361
00:16:32,859 --> 00:16:34,394
YOU KNOW, LIKE YOU.
362
00:16:34,427 --> 00:16:35,862
THEN WHY'D YOU
BRING ME SOUP?
363
00:16:35,895 --> 00:16:38,998
BECAUSE--BECAUSE
YOU'RE MY LAB PARTNER,
THAT'S WHY.
364
00:16:39,032 --> 00:16:42,969
IT'S STRICTLY, UH, STRICTLY
LAB-RELATED GESTURE HERE.
365
00:16:43,002 --> 00:16:44,704
YEAH, BUT TO JUMP
TO ME LIKING YOU,
366
00:16:44,737 --> 00:16:47,207
THAT'S UH, THAT'S VERY, UH,
YOU'RE JUMPING.
367
00:16:47,240 --> 00:16:48,741
I MEAN, MAYBE YOU LIKE ME.
368
00:16:48,775 --> 00:16:49,742
YOU KNOW, MAYBE THAT'S IT.
369
00:16:49,776 --> 00:16:52,379
IN--IN WHICH CASE,
WE CAN TALK.
370
00:16:52,412 --> 00:16:53,313
BUT--BUT OK, LOOK,
371
00:16:53,346 --> 00:16:54,714
I'M TRYING TO PRESERVE
A LITTLE DIGNITY HERE.
372
00:16:54,747 --> 00:16:58,285
YOU KNOW, SO WHY DON'T YOU
JUST GIVE ME BACK MY SOUP?
373
00:16:58,318 --> 00:17:00,019
TOMMY, I'M SORRY.
374
00:17:00,053 --> 00:17:01,688
I SHOULDN'T HAVE
SAID ANYTHING.
NOW I FEEL STUPID.
375
00:17:01,721 --> 00:17:03,356
YEAH, WELL,
THERE YOU HAVE IT.
376
00:17:05,358 --> 00:17:06,993
SEE YA!
YEAH, OK.
377
00:17:14,134 --> 00:17:15,068
[DOORBELL RINGS]
378
00:17:24,043 --> 00:17:27,547
GOOD-BYE, NAKED MARY.
379
00:17:27,580 --> 00:17:30,450
YOU SHALL
TAUNT ME NO MORE.
380
00:17:39,259 --> 00:17:40,927
OH, MY GOD!
381
00:17:40,960 --> 00:17:42,729
THESE ARE BEAUTIFUL.
382
00:17:42,762 --> 00:17:44,131
THE LIGHT...
383
00:17:44,164 --> 00:17:45,765
THE LINES...
384
00:17:45,798 --> 00:17:47,234
THE LEGS...
385
00:17:47,267 --> 00:17:48,868
THE LOINS.
386
00:17:51,938 --> 00:17:52,739
WHAT ARE YOU DOING?
387
00:17:52,772 --> 00:17:55,408
MARY, I WAS LOOKING
AT YOUR PICTURES.
388
00:17:55,442 --> 00:17:56,676
WHAT PICTURES?
OF YOU.
389
00:17:56,709 --> 00:17:57,677
FROM WHERE?
IN THE BUFF.
390
00:17:57,710 --> 00:17:59,712
NO!
YES!
391
00:17:59,746 --> 00:18:00,513
WHERE DID YOU GET THOSE?
392
00:18:00,547 --> 00:18:01,814
I ROUGHED UP
THE PHOTOGRAPHER.
393
00:18:01,848 --> 00:18:02,549
YOU WHAT?!
394
00:18:02,582 --> 00:18:03,816
AND I WAS GOING
TO DESTROY THEM.
395
00:18:03,850 --> 00:18:05,518
OH, YOU'RE A JEALOUS FOOL,
DICK SOLOMON.
396
00:18:07,320 --> 00:18:09,789
AND THEN I SAW THEM.
397
00:18:09,822 --> 00:18:10,890
LOOK.
NO.
398
00:18:10,923 --> 00:18:14,761
NO, NO, MARY, LOOK.
399
00:18:14,794 --> 00:18:16,696
BOY, I WAS A HOTTIE,
WASN'T I?
400
00:18:18,465 --> 00:18:19,866
YOU SURE WERE.
401
00:18:19,899 --> 00:18:21,468
I WISH I LOOKED
LIKE THAT NOW.
402
00:18:21,501 --> 00:18:23,470
OH, MARY, NO.
403
00:18:23,503 --> 00:18:27,073
I THINK THAT YOU'VE AGED
LIKE A FINE WINE.
404
00:18:27,106 --> 00:18:29,409
AND I'VE BEEN OFF
THE BOTTLE FOR TOO LONG.
405
00:18:35,782 --> 00:18:39,919
OH, DICK...STOP.
406
00:18:39,952 --> 00:18:42,689
COME ON, MARY. LET'S
TAKE SOME PICTURES.
407
00:18:42,722 --> 00:18:44,591
OH, WE CAN'T.
408
00:18:44,624 --> 00:18:45,658
THEN LET'S
JUST GET NAKED.
409
00:18:45,692 --> 00:18:47,760
DICK!
410
00:18:47,794 --> 00:18:49,028
LOCK THE DOORS!
411
00:18:58,638 --> 00:18:59,872
CHUNKY CHICKEN.
412
00:18:59,906 --> 00:19:01,708
WHAT?
413
00:19:01,741 --> 00:19:04,177
THE SOUP. GOOD CALL.
414
00:19:04,211 --> 00:19:09,081
OH, THANK YOU.
I'M GLAD YOU LIKED IT.
415
00:19:09,115 --> 00:19:11,551
EXCUSE ME
FOR JUST A SECOND.
416
00:19:23,095 --> 00:19:25,498
SALLY, AREN'T YOU
SUPPOSED TO BE
417
00:19:25,532 --> 00:19:30,002
CAVORTING NAKED IN
FRONT OF A CAMERA
RIGHT NOW?
418
00:19:30,036 --> 00:19:32,905
YEAH, I'M SUPPOSED TO BE,
BUT THEY DIDN'T WANT ME.
419
00:19:32,939 --> 00:19:34,641
WHY?
420
00:19:34,674 --> 00:19:36,676
I'M TOO OLD.
421
00:19:36,709 --> 00:19:38,878
WHAT? NO.
422
00:19:38,911 --> 00:19:42,515
HE SAID THAT
I WAS TOO OLD-LOOKING
TO BE A COLLEGE STUDENT.
423
00:19:42,549 --> 00:19:45,485
I MEAN, REALLY, DICK,
DO I LOOK TOO OLD
TO BE A COLLEGE STUDENT?
424
00:19:45,518 --> 00:19:47,554
YOU?
425
00:19:50,257 --> 00:19:51,624
WELL, IF YOU THINK
OF YOURSELF AS SOMEONE
426
00:19:51,658 --> 00:19:54,193
WHO'S DROPPED OUT
FOR A FEW YEARS
TO EXPLORE THE WORLD,
427
00:19:54,227 --> 00:19:59,432
THEN, YEAH, YEAH, YOU DO
LOOK A LITTLE OLD.
428
00:19:59,466 --> 00:20:00,667
OH, DICK.
429
00:20:00,700 --> 00:20:03,135
OH, COME HERE.
430
00:20:03,169 --> 00:20:06,439
OH, SALLY,
SALLY, SALLY.
431
00:20:08,875 --> 00:20:12,211
THERE'S A RIPENESS THAT
COMES WITH GROWING OLDER.
432
00:20:12,245 --> 00:20:13,813
MAYBE IT'S WHAT
THEY CALL MATURITY,
433
00:20:13,846 --> 00:20:16,015
BUT IT'S
WHAT I CALL BEAUTY.
434
00:20:16,048 --> 00:20:17,450
AND YOU, SALLY...
435
00:20:17,484 --> 00:20:19,686
YOU GROW MORE BEAUTIFUL
EVERY DAY.
436
00:20:22,355 --> 00:20:23,189
YOU THINK SO?
437
00:20:23,222 --> 00:20:24,824
WELL, LOOK AT YOU.
438
00:20:24,857 --> 00:20:27,327
YOUR BIG, BEAUTIFUL EYES...
439
00:20:27,360 --> 00:20:29,896
YOUR LONG, SILKY HAIR...
440
00:20:29,929 --> 00:20:31,864
THE CURVE OF YOUR NECK...
441
00:20:31,898 --> 00:20:34,567
YOUR SUPPLE WHITE SKIN...
442
00:20:34,601 --> 00:20:36,669
YOUR SEXY RED LIPS.
443
00:20:38,438 --> 00:20:40,840
I'M A LITTLE CREEPED OUT
RIGHT NOW.
444
00:20:45,678 --> 00:20:46,779
SO, DON MUST
HAVE BEEN RELIEVED
445
00:20:46,813 --> 00:20:48,315
THAT YOU'RE NOT
POSING FOR PLAYPEN.
446
00:20:48,348 --> 00:20:49,949
YEAH, WELL,
HE WAS AT FIRST,
447
00:20:49,982 --> 00:20:52,051
THEN HE GOT TICKED OFF
THAT THEY TURNED ME DOWN.
448
00:20:52,084 --> 00:20:53,786
HE GOT SO ANGRY,
449
00:20:53,820 --> 00:20:57,223
HE CANCELED
HIS LIFETIME SUBSCRIPTION.
450
00:20:57,256 --> 00:20:58,791
WHOA, REALLY?
451
00:20:58,825 --> 00:21:00,993
YEAH. HE'S GOING
YEAR TO YEAR NOW.
452
00:21:03,296 --> 00:21:04,196
YEAH, HE'S
A GREAT GUY, DON.
453
00:21:04,230 --> 00:21:07,434
YEAH, SO, HEY,
YOU SEEN ALISSA NAKED YET?
454
00:21:07,467 --> 00:21:09,369
OH, NO, NO, NO, SALLY,
IT'S NOT LIKE THAT.
455
00:21:09,402 --> 00:21:10,703
YOU SEE, WHAT I FEEL
TOWARDS HER,
456
00:21:10,737 --> 00:21:12,739
IT'S ON A MUCH
HIGHER PLANE, YOU KNOW.
457
00:21:12,772 --> 00:21:15,342
BASED ON
HER INTELLIGENCE
AND HER CHARISMA
458
00:21:15,375 --> 00:21:19,211
AND HER INNER BEAUTY.
459
00:21:19,245 --> 00:21:27,387
BUT, BOY, I'D LIKE TO.
460
00:21:27,420 --> 00:21:28,455
NOW, DO YOU SEE THE USE
461
00:21:28,488 --> 00:21:30,056
OF SHADOW AND LIGHT
IN THIS ONE?
462
00:21:30,089 --> 00:21:31,290
NOW, THAT IS ART.
463
00:21:31,324 --> 00:21:32,492
OH, YEAH.
464
00:21:32,525 --> 00:21:33,560
DID YOU SEE
THIS ONE, LEON?
465
00:21:33,593 --> 00:21:34,994
NO.
466
00:21:35,027 --> 00:21:36,363
OH, DR. SOLOMON,
467
00:21:36,396 --> 00:21:38,230
YOU'RE A LUCKY MAN.
468
00:21:38,264 --> 00:21:40,266
THANK YOU, BUG.
469
00:21:40,299 --> 00:21:41,934
DR. SOLOMON,
I JUST DON'T THINK
THAT THIS IS AT ALL--
470
00:21:41,968 --> 00:21:43,636
OH, SHUT UP, CARYN.
471
00:21:43,670 --> 00:21:45,838
AND THIS ONE
SHE JUST GOES ALL OUT.
472
00:21:45,872 --> 00:21:47,306
THAT'S WHAT I LIKE
ABOUT IT.
473
00:21:47,340 --> 00:21:48,808
DICK, YOU WANTED
TO SEE ME?
474
00:21:48,841 --> 00:21:50,343
HERE SHE IS, GUYS!
32790
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