Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:07,841 --> 00:00:10,111
NINA, I STILL
DON'T GET IT.
2
00:00:10,144 --> 00:00:12,012
WHICH ONE IS BABY SPICE?
3
00:00:12,046 --> 00:00:14,882
OH, SHE'S THE ONE
THAT GOES LIKE THIS.
4
00:00:17,585 --> 00:00:18,786
MARY!
5
00:00:18,819 --> 00:00:19,753
DADDY!
6
00:00:19,787 --> 00:00:20,588
HEY, MAGPIE.
7
00:00:20,621 --> 00:00:23,324
HA HA HA! OH...
OH.
8
00:00:23,357 --> 00:00:24,758
WHAT A NICE SURPRISE!
9
00:00:24,792 --> 00:00:28,462
WELL, NOT REALLY.
I'VE LEFT YOUR MOTHER.
10
00:00:28,496 --> 00:00:29,163
AGAIN?
11
00:00:29,197 --> 00:00:30,398
OH, I'M SO SORRY.
12
00:00:30,431 --> 00:00:32,032
LET ME GIVE YOU TWO
SOME TIME ALONE.
13
00:00:32,066 --> 00:00:33,534
OH, THAT'S NOT NECESSARY.
14
00:00:33,567 --> 00:00:36,036
THEY DO THIS EVERY YEAR.
15
00:00:36,070 --> 00:00:40,208
I KNOW. I JUST CAN'T
BEAR TO HEAR IT AGAIN.
BUH-BYE.
16
00:00:40,241 --> 00:00:42,443
SO HOW LONG
IS THIS FIGHT
GOING TO LAST?
17
00:00:42,476 --> 00:00:44,545
OH, THIS
WAS A BAD ONE, MARY.
18
00:00:44,578 --> 00:00:46,314
I BROKE HER
SOUND OF MUSIC BOX.
19
00:00:46,347 --> 00:00:47,181
OH, NO!
20
00:00:47,215 --> 00:00:48,349
YEP.
21
00:00:48,382 --> 00:00:50,784
YOUR MOTHER AND I ARE THROUGH!
22
00:00:50,818 --> 00:00:53,221
45 YEARS DOWN THE TOILET.
23
00:00:53,254 --> 00:00:55,256
YOU STILL GOT THAT HIDE-A-BED
IN THE LIVING ROOM?
24
00:00:55,289 --> 00:00:56,023
YES.
25
00:00:56,056 --> 00:00:59,427
AND YOU DON'T MIND
SLEEPING ON IT?
26
00:00:59,460 --> 00:01:01,695
NOT REALLY. NO.
27
00:01:01,729 --> 00:01:02,430
GOOD MORNING, MARY.
28
00:01:02,463 --> 00:01:03,464
OH, GOOD MORNING,
DICK.
29
00:01:03,497 --> 00:01:04,332
GOOD MORNING, DICK.
30
00:01:04,365 --> 00:01:05,166
GOOD MORNING, GEORGE.
31
00:01:05,199 --> 00:01:06,467
AAH!
32
00:01:06,500 --> 00:01:07,901
WHAT?
33
00:01:07,935 --> 00:01:10,003
IF HE'S HERE, THAT MEANS
THE OTHER ONE'S HERE, TOO,
34
00:01:10,037 --> 00:01:13,574
AND--AND SHE SCARES ME.
35
00:01:13,607 --> 00:01:16,210
NO, DICK.
DADDY'S HERE ALONE.
36
00:01:16,244 --> 00:01:17,511
[WHISPERING]
He left Mother.
37
00:01:17,545 --> 00:01:18,612
OH...
38
00:01:18,646 --> 00:01:20,114
FINALLY.
39
00:01:55,916 --> 00:01:57,551
[DOORBELL RINGS]
40
00:01:57,585 --> 00:01:59,420
I'LL GET IT!
41
00:02:01,589 --> 00:02:02,656
HELLO, SOLOMONS.
42
00:02:02,690 --> 00:02:03,724
HELLO, GEORGE!
43
00:02:03,757 --> 00:02:05,559
UH, THIS
IS MY BROTHER HARRY.
44
00:02:05,593 --> 00:02:07,728
CHARMED, I'M SURE.
45
00:02:07,761 --> 00:02:09,563
AND THIS
IS MY SON TOMMY.
46
00:02:09,597 --> 00:02:11,599
HEY, THERE, SPORT!
47
00:02:11,632 --> 00:02:13,734
HEY!
CUT IT OUT!
48
00:02:13,767 --> 00:02:15,369
HE STARTED IT!
49
00:02:15,403 --> 00:02:17,305
IT'S ALL RIGHT.
50
00:02:17,338 --> 00:02:19,673
I LEFT MYSELF WIDE OPEN.
51
00:02:19,707 --> 00:02:20,508
COME ON IN.
52
00:02:20,541 --> 00:02:21,475
ALL RIGHT, THEN.
53
00:02:21,509 --> 00:02:22,776
I'M SORRY.
HI. I'M SALLY.
54
00:02:22,810 --> 00:02:24,345
HI. LET ME TAKE
YOUR COAT, YOUNG LADY.
55
00:02:24,378 --> 00:02:26,780
OH, THANK YOU.
56
00:02:26,814 --> 00:02:28,282
YOU KNOW...
57
00:02:28,316 --> 00:02:32,386
YOU REMIND ME OF A GAL
NAMED BETTY GRABLE,
58
00:02:32,420 --> 00:02:34,788
BUT I BET SHE
WAS BEFORE YOUR TIME.
59
00:02:34,822 --> 00:02:38,426
YEAH, I'VE ONLY BEEN HERE
A COUPLE YEARS.
60
00:02:38,459 --> 00:02:40,294
SIT DOWN AND LET ME
FIX YOU A DRINK.
61
00:02:40,328 --> 00:02:41,462
GREAT. I'LL HAVE A BEER.
62
00:02:41,495 --> 00:02:43,030
A BEER?
63
00:02:43,063 --> 00:02:44,998
A BEER'S NO DRINK
FOR A LADY.
64
00:02:45,032 --> 00:02:47,635
LET ME MAKE YOU
A LADY'S DRINK.
65
00:02:48,302 --> 00:02:49,803
YEAH.
66
00:02:51,239 --> 00:02:53,274
A LADY'S DRINK.
67
00:02:59,847 --> 00:03:01,114
I LIKE THIS SCOTCH.
68
00:03:01,148 --> 00:03:04,218
YEAH. SO DOES
EVERYBODY ELSE.
69
00:03:04,252 --> 00:03:06,520
SO TELL ME ABOUT NORMANDY
AGAIN, GEORGE.
70
00:03:06,554 --> 00:03:09,823
OH, YOU JUST
CAN'T HEAR ENOUGH ABOUT
THE BIG ONE, CAN YA?
71
00:03:09,857 --> 00:03:11,992
NO.
72
00:03:12,025 --> 00:03:14,161
I LO WAR.
73
00:03:14,194 --> 00:03:18,366
OH, I MEAN, I HATE WAR,
BUT I LOVE HEARING
ABOUT THE KILLING.
74
00:03:18,399 --> 00:03:22,736
YOU KNOW,
I ONCE KILLED A NAZI
WITH MY BARE HANDS.
75
00:03:22,770 --> 00:03:25,138
OH, PLEASE!
76
00:03:26,106 --> 00:03:27,375
SO, HOW DID IT HAPPEN?
77
00:03:27,408 --> 00:03:30,143
WELL, I WAS ASLEEP IN
THIS BURNED-OUT CHURCH
78
00:03:30,177 --> 00:03:31,712
IN THE FRENCH
COUNTRYSIDE.
79
00:03:31,745 --> 00:03:33,080
AND HE TRIPPED,
AND YOU CHOKED HIM,
80
00:03:33,113 --> 00:03:34,248
AND I THINK
IT'S GETTING LATE.
81
00:03:34,282 --> 00:03:35,549
DICK!
82
00:03:35,583 --> 00:03:36,450
HUH?
83
00:03:36,484 --> 00:03:37,785
OH!
84
00:03:37,818 --> 00:03:39,353
OH, MARY!
85
00:03:39,387 --> 00:03:41,054
OH, THANK GOD
YOU'RE HERE!
86
00:03:41,088 --> 00:03:42,890
I HAD A TERRIBLE DREAM.
87
00:03:42,923 --> 00:03:45,158
YOUR FATHER WAS THERE...
88
00:03:45,192 --> 00:03:46,560
AND--
89
00:03:46,594 --> 00:03:48,996
AND HE WAS TELLING ALL
THESE BORING WAR STORIES.
90
00:03:49,029 --> 00:03:52,533
I COULDN'T KEEP
MY EYES OPEN!
91
00:03:57,137 --> 00:03:58,339
HELLO, GEORGE.
92
00:03:58,372 --> 00:03:59,840
CHOP-CHOP, EVERYONE!
TIME TO GO!
93
00:03:59,873 --> 00:04:05,045
OH, COOL,
I'M STILL KINDA DRUNK.
94
00:04:05,078 --> 00:04:08,416
HEY, THERE'S
NO HAIR ON MY CHEST.
95
00:04:08,449 --> 00:04:09,450
THANK YOU, MARY.
96
00:04:09,483 --> 00:04:11,018
GEORGE, IT WAS
A WONDERFUL EVENING,
97
00:04:11,051 --> 00:04:13,020
BUT I'M AFRAID WE'VE
GOT TO BE OFF. SALLY!
98
00:04:13,053 --> 00:04:14,555
REALLY? SO SOON?
99
00:04:14,588 --> 00:04:18,058
I DIDN'T EVEN GET
A CHANCE TO TELL SALLY
ABOUT MY DISCHARGE.
100
00:04:18,091 --> 00:04:21,329
THAT'S NOT
APPROPRIATE, DAD!
101
00:04:23,063 --> 00:04:25,533
FROM THE AIR FORCE!
102
00:04:25,566 --> 00:04:27,167
OH.
103
00:04:27,200 --> 00:04:28,602
WELL, HEY...
104
00:04:28,636 --> 00:04:32,573
WHY DON'T YOU TAKE SALLY
TO THE RUTHERFORD AIR
AND SPACE MUSEUM TOMORROW.
105
00:04:32,606 --> 00:04:34,007
YOU CAN TELL HER
ALL ABOUT IT.
106
00:04:34,041 --> 00:04:37,711
HEY, BUT I THOUGHT WE
WERE GONNA HAVE LUNCH
TOMORROW, MAGPIE.
107
00:04:37,745 --> 00:04:39,079
OH, THAT'S OK.
108
00:04:39,112 --> 00:04:40,781
WELL, I'D LOVE TO GO.
109
00:04:40,814 --> 00:04:43,951
THEY'VE GOT
A PERFECTLY RECONSTRUCTED
P-38 LIGHTNING.
110
00:04:43,984 --> 00:04:47,521
COULD WE GET IT
AND PRETEND
WE'RE BOMBING CITIES?
111
00:04:47,555 --> 00:04:49,122
I'LL SLIP THE GUARD
A FIVER.
112
00:04:49,156 --> 00:04:51,459
OH, YOU ARE AWESOME!
113
00:05:03,837 --> 00:05:06,239
HEY, TOMMY,
DO YOU LIKE EGG SALAD?
114
00:05:06,273 --> 00:05:07,941
'CAUSE I LIKE EGG SALAD.
115
00:05:07,975 --> 00:05:10,511
HARRY,
IF YOU EAT DICK'S LUNCH
BEFORE WE FIND HIM,
116
00:05:10,544 --> 00:05:12,680
THEN WE HAVE NO REASON
TO FIND DICK.
117
00:05:12,713 --> 00:05:14,548
THAT'S A LOAD OFF.
118
00:05:16,283 --> 00:05:17,818
OOH, LOOK!
119
00:05:17,851 --> 00:05:20,020
AN EXHIBIT ON
THE EARLY DAYS
OF RADIO.
120
00:05:20,053 --> 00:05:23,524
NO. THIS IS JUST
THE COLLEGE'S CRUDDY
OLD RADIO STATION.
121
00:05:23,557 --> 00:05:27,127
NO. I'M PRETTY SURE
THAT GUY'S ANIMATRONIC.
122
00:05:31,565 --> 00:05:32,833
HEY, EDDIE.
123
00:05:32,866 --> 00:05:33,734
ARE YOU THE D.J.?
124
00:05:33,767 --> 00:05:36,169
HUH? NO. HE LEFT
FOR SPRING BREAK.
125
00:05:36,203 --> 00:05:38,071
WHAT? YOU MEAN
THERE IS NO D.J.?
126
00:05:38,105 --> 00:05:40,240
WELL, ISN'T THAT KIND
OF CHEATING PEOPLE?
127
00:05:40,273 --> 00:05:42,075
THIS IS, LIKE, 8 WATTS, MAN.
128
00:05:42,109 --> 00:05:45,446
I MEAN, HOW MANY PEOPLE
IS THAT, LIKE...
129
00:05:45,479 --> 00:05:47,415
8?
130
00:05:47,448 --> 00:05:48,782
OH! EDDIE!
131
00:05:48,816 --> 00:05:50,150
CAN I BE YOUR D.J.?
132
00:05:50,183 --> 00:05:52,252
UH, I DON'T KNOW.
133
00:05:52,285 --> 00:05:54,221
DO YOU HAVE ANY EXPERIENCE?
134
00:05:54,254 --> 00:05:56,990
WHY, YES, I DO!
135
00:05:57,024 --> 00:06:02,062
YES. I WAS IN CHARGE
OF THE MORNING DRIVE TIME
ZOO CREW TEAM
136
00:06:02,095 --> 00:06:05,799
AT WLMNOP.
137
00:06:05,833 --> 00:06:07,468
I CAN WORK THE KNOBS
PERFECT.
138
00:06:07,501 --> 00:06:09,236
OH, KNOCK YOURSELVES OUT.
139
00:06:09,269 --> 00:06:11,071
ALL RIGHT!
OOH!
140
00:06:11,104 --> 00:06:12,906
OH, UH, JUST...
141
00:06:12,940 --> 00:06:14,274
DON'T CURSE...
142
00:06:14,307 --> 00:06:16,109
AND DON'T SPILL NOTHIN',
143
00:06:16,143 --> 00:06:18,278
AND IF YA SPILL SOMETHIN',
144
00:06:18,311 --> 00:06:20,548
DON'T CURSE.
145
00:06:26,253 --> 00:06:27,421
OH, WAIT--
WAIT A SECOND.
146
00:06:27,455 --> 00:06:27,955
WHOA! WHOA!
147
00:06:27,988 --> 00:06:28,722
WHAT DO I SAY?
148
00:06:28,756 --> 00:06:32,359
IN 4...3...2...
149
00:06:32,392 --> 00:06:34,562
GOOD MORNING,
RUTHERFORD.
150
00:06:34,595 --> 00:06:36,196
I'M HARRY SOLOMON.
151
00:06:36,229 --> 00:06:39,967
IT'S 10:52 IN THE A.M.
HERE AT WPDL.
152
00:06:40,000 --> 00:06:41,001
IT'S A SUNNY DAY,
153
00:06:41,034 --> 00:06:45,338
AND I'VE GOT A SUNNY WAY
TO PLAY.
154
00:06:45,372 --> 00:06:46,406
HERE'S ONE
OF MY FAVORITES,
155
00:06:46,440 --> 00:06:49,276
AND I HOPE
IT'S ONE OF YOURS.
156
00:06:49,309 --> 00:06:52,312
SEE IF YOU
RECOGNIZE THIS ONE.
157
00:06:56,850 --> 00:06:57,551
PUT THE TAPE IN.
158
00:06:57,585 --> 00:07:01,522
I DON'T KNOW HOW.
159
00:07:01,555 --> 00:07:05,893
WELCOME TO TALK RADIO,
PEOPLE.
160
00:07:06,226 --> 00:07:08,395
VROOOOM!
161
00:07:08,428 --> 00:07:10,330
RAT-A-TAT-TAT-
TAT-TAT-TAT!
162
00:07:10,363 --> 00:07:13,200
OH, HOW WAS THE AIR
AND SPACE MUSEUM?
163
00:07:13,233 --> 00:07:14,702
IT WAS TERRIFIC!
164
00:07:14,735 --> 00:07:16,036
I HAD THE BEST TIME!
165
00:07:16,069 --> 00:07:17,237
OOH!
166
00:07:17,270 --> 00:07:19,372
SO, YOU SURE
YOU DON'T MIND ME
TAKING THE LINCOLN?
167
00:07:19,406 --> 00:07:20,407
NOT AT ALL.
168
00:07:20,440 --> 00:07:22,142
YOU RUN YOUR ERRANDS
IN STYLE.
169
00:07:22,175 --> 00:07:23,043
THANKS.
170
00:07:23,076 --> 00:07:24,411
I'M GONNA PICK UP
THAT ELLA FITZGERALD CD.
171
00:07:24,444 --> 00:07:25,445
OH, YOU'RE
GONNA LOVE IT!
172
00:07:25,479 --> 00:07:29,950
OH, I KNOW I WILL
'CAUSE YOU KNOW
WHAT I LIKE.
173
00:07:29,983 --> 00:07:32,620
OH, ISN'T SHE SWEET?
174
00:07:32,653 --> 00:07:34,555
YOU KNOW, MUFFIN,
IF I DIDN'T KNOW BETTER,
175
00:07:34,588 --> 00:07:38,091
I'D SAY THAT LITTLE GAL
REALLY LIKES ME.
176
00:07:38,125 --> 00:07:42,362
WELL, OF COURSE SHE DOES.
YOU'RE WONDERFUL.
177
00:07:42,395 --> 00:07:46,233
NO. I MEAN
SHE REALLY LIKES ME.
178
00:07:46,266 --> 00:07:48,101
OH, PLEASE.
179
00:07:48,135 --> 00:07:50,103
SHE DIDN'T WANT TO
LEAVE THE AIR MUSEUM.
180
00:07:50,137 --> 00:07:57,077
WELL, OBVIOUSLY, SHE
HAS SOME PERVERSE INTEREST
IN OLD WAR RELICS.
181
00:07:57,110 --> 00:08:00,113
IN MY OPINION,
IF DOGS WERE MEANT
TO BE ON LEASHES,
182
00:08:00,147 --> 00:08:03,817
THEY WOULD HAVE BEEN
BORN WITH THEM.
183
00:08:03,851 --> 00:08:06,086
AND DON'T GIVE ME
THAT TIRED, OLD ARGUMENT
184
00:08:06,119 --> 00:08:10,123
THAT THEIR TAILS
ARE LEASHES.
185
00:08:10,157 --> 00:08:12,225
OK, LET'S CHECK IN
WITH THE TRAFFIC
186
00:08:12,259 --> 00:08:14,595
WITH OUR GOOD BUDDY
TOMMY G!
187
00:08:14,628 --> 00:08:15,729
THANK YOU VERY MUCH.
188
00:08:15,763 --> 00:08:19,600
WELL, UH...THERE'S
A TRUCK OUT THERE,
AND NOW IT'S GONE.
189
00:08:19,633 --> 00:08:21,368
BACK TO YOU, HARRY!
190
00:08:22,269 --> 00:08:24,905
LET'S BE CAREFUL
OUT THERE,
PEOPLE!
191
00:08:24,938 --> 00:08:27,507
OOH, HEY, WE
GOT AN IN-STUDIO
GUEST:
192
00:08:27,541 --> 00:08:28,776
MISS
NINA CAMPBELL!
193
00:08:28,809 --> 00:08:31,211
HEY, YOU GUYS,
I TURNED ON THE RADIO,
AND I COULDN'T BELIEVE IT!
194
00:08:31,244 --> 00:08:32,580
THIS IS SO GREAT!
195
00:08:32,613 --> 00:08:35,549
YEAH. I WANNA SEND SOME
SHOUTS OUT TO STEVEN
AND BOBBY AND CLARISSE--
196
00:08:35,583 --> 00:08:37,685
OOH! AND REGGIE AND SHY GIRL
AND LITTLE B AND--
197
00:08:37,718 --> 00:08:40,287
NO. THIS IS MY SHOW.
198
00:08:40,320 --> 00:08:43,356
OOH, WE'VE
GOT A CALLER
ON LINE 1.
199
00:08:43,390 --> 00:08:44,625
GO AHEAD, CALLER.
200
00:08:44,658 --> 00:08:48,461
YEAH. I TOTALLY DISAGREE
WITH YOU ON THAT WHOLE
LEASH LAW THING.
201
00:08:48,495 --> 00:08:50,230
OH...
202
00:08:53,300 --> 00:08:55,769
WELL, THAT'S TOO BAD...
203
00:08:56,904 --> 00:08:59,673
BECAUSE YOU,
MY FRIEND, ARE WRONG.
204
00:08:59,707 --> 00:09:01,074
YOU TELL HIM, HARRY!
205
00:09:01,108 --> 00:09:02,309
YEAH! NEXT SOUND
YOU HEAR
206
00:09:02,342 --> 00:09:06,313
WILL BE THE SOUND
OF ME HANGIN' UP
ON A DUMB ASS.
207
00:09:10,317 --> 00:09:14,254
OK, SO FAR YOU'VE
ATTACKED LEASH LAWS,
CITY COUNCIL,
208
00:09:14,287 --> 00:09:17,024
AND SOME OLD LADY.
209
00:09:17,057 --> 00:09:19,326
YEAH, BUT I'M RUNNIN' OUT
OF STUFF TO SAY.
210
00:09:19,359 --> 00:09:20,594
I MEAN, WE NEED A GUEST.
211
00:09:20,628 --> 00:09:22,596
OH, YOU KNOW
WHO YOU SHOULD HAVE ON?
212
00:09:22,630 --> 00:09:23,664
GEORGE ALBRIGHT.
213
00:09:23,697 --> 00:09:26,299
HE KILLED A NAZI
WITH HIS BARE HANDS.
214
00:09:26,333 --> 00:09:27,868
THAT'S COOL.
215
00:09:27,901 --> 00:09:30,537
WELL, YOU CERTAINLY
ARE SPENDING A LOT
OF TIME WITH THAT MAN.
216
00:09:30,570 --> 00:09:32,606
WELL, WHY NOT? HE'S GREAT.
217
00:09:32,640 --> 00:09:34,441
HE'S NOT LIKE ANY GUY
I'VE EVER MET.
218
00:09:34,474 --> 00:09:35,809
HE'S SO CONFIDENT.
219
00:09:35,843 --> 00:09:39,046
I MEAN, LOOK AT ALL
THE PLAID HE WEARS.
220
00:09:39,079 --> 00:09:41,314
WELL, I WILL ADMIT
HE IS JAZZY.
221
00:09:41,348 --> 00:09:43,784
OH, YEAH. HE'S GOT STYLE,
222
00:09:43,817 --> 00:09:46,319
PLUS HE SMELLS LIKE SPICES.
223
00:09:46,353 --> 00:09:49,623
OLD SPICES.
224
00:09:49,657 --> 00:09:52,425
DICK, I FINALLY UNDERSTAND
YOUR ALBRIGHT ATTRACTION.
225
00:09:52,459 --> 00:09:55,295
IT MUST BE THEIR DNA.
THEY'RE IRRESISTIBLE.
226
00:09:55,328 --> 00:09:57,297
YES! AT LAST
I'M UNDERSTOOD!
227
00:09:57,330 --> 00:09:58,999
THERE'S SOMETHING
ABOUT THEM, A CHARM...
228
00:09:59,032 --> 00:09:59,767
A MAGNETISM...
229
00:09:59,800 --> 00:10:00,567
A STRENGTH...
230
00:10:00,600 --> 00:10:01,434
A QUIET FORCE--
231
00:10:01,468 --> 00:10:04,537
THEY'RE
BOTH A PAIN
IN THE ASS.
232
00:10:04,571 --> 00:10:06,106
I DON'T KNOW, YOU GUYS.
233
00:10:06,139 --> 00:10:07,107
DO YOU REALLY THINK
A GUY LIKE GEORGE
234
00:10:07,140 --> 00:10:09,677
WOULD BE INTERESTED
IN A GAL LIKE ME?
235
00:10:09,710 --> 00:10:15,015
SALLY, WHY WOULD A GUY
IN HIS 70s WANT TO BE
WITH A WOMAN IN HER 20s?
236
00:10:15,048 --> 00:10:16,950
OH!
237
00:10:19,887 --> 00:10:24,491
[KNOCK ON DOOR]
238
00:10:24,524 --> 00:10:26,660
OH, HEY, ALBRIGHT,
IS GEORGE HERE?
239
00:10:26,694 --> 00:10:27,961
OH, ACTUALLY,
HE JUST WENT OUT.
240
00:10:27,995 --> 00:10:29,296
WITH WHO?
241
00:10:29,329 --> 00:10:30,297
TO GET A PAPER.
242
00:10:30,330 --> 00:10:31,298
OH.
243
00:10:31,331 --> 00:10:31,999
COME IN.
244
00:10:32,032 --> 00:10:34,534
COME IN.
THANKS.
245
00:10:36,303 --> 00:10:38,005
YOU KNOW, SALLY,
246
00:10:38,038 --> 00:10:39,873
MOTHER AND DAD
DO THIS EVERY YEAR,
247
00:10:39,907 --> 00:10:41,709
AND I DO NOT
LOOK FORWARD TO IT,
248
00:10:41,742 --> 00:10:43,343
SO THANK YOU
FOR HELPING ME OUT.
249
00:10:43,376 --> 00:10:46,346
DAD APPRECIATES IT.
HE REALLY DOES.
250
00:10:46,379 --> 00:10:48,181
HE DOES? HE SAID THAT?
251
00:10:48,215 --> 00:10:50,317
TELL ME EXACTLY
WHAT HE SAID, RIGHT NOW.
252
00:10:50,350 --> 00:10:52,252
OH! HE'S HAVING A BALL,
253
00:10:52,285 --> 00:10:55,022
AND I KNOW IT'S NOT EASY
ENTERTAINING DAD
ALL DAY.
254
00:10:55,055 --> 00:10:56,790
NO, NO. I LIKE IT.
255
00:10:56,824 --> 00:11:01,494
YOU'RE SO LUCKY.
YOUR DAD IS AMAZING.
256
00:11:01,528 --> 00:11:05,598
SOMETIMES HE GETS
A LITTLE CARRIED AWAY,
AND HE GETS THESE IDEAS.
257
00:11:05,632 --> 00:11:08,501
ALL I'M ASKING
IS THAT YOU BE GENTLE
WITH HIM, OK?
258
00:11:08,535 --> 00:11:11,304
OK. NO MORE WRESTLING.
259
00:11:13,040 --> 00:11:15,408
NO. I'M SERIOUS.
I WON'T DO IT AGAIN.
260
00:11:17,110 --> 00:11:20,680
OH, DON. THANKS
FOR COMING DOWN.
261
00:11:20,714 --> 00:11:22,482
WE KNOW HOW BUSY
YOU ARE.
262
00:11:22,515 --> 00:11:24,184
WE APPRECIATE
YOUR TIME.
263
00:11:24,217 --> 00:11:25,618
OH.
264
00:11:25,652 --> 00:11:26,787
IT'S MY PLEASURE.
265
00:11:26,820 --> 00:11:28,856
IN FACT, I THINK
I GOT AN INTERESTING STORY
FOR YOU GUYS.
266
00:11:28,889 --> 00:11:31,058
IN 4...3...2...
267
00:11:31,091 --> 00:11:33,360
AND WE'RE BACK!
268
00:11:33,393 --> 00:11:36,529
WELL, LOOK WHO
DROPPED BY
TO SAY HELLO.
269
00:11:36,563 --> 00:11:38,732
OFFICER DON ORVEL.
270
00:11:38,766 --> 00:11:43,236
OR AS HE'S KNOWN
ON THE STREETS,
MADGE WITH A BADGE.
271
00:11:45,238 --> 00:11:46,840
I'VE GOT THIS STORY
FOR YOU GUYS.
272
00:11:46,874 --> 00:11:50,911
YEAH, SO TELL ME,
OFFICER BACON BITS...
273
00:11:52,112 --> 00:11:54,281
WHEN YOU'RE
WORKING OVER A SUSPECT,
274
00:11:54,314 --> 00:11:56,283
DOES THAT MAKE YOU
FEEL LIKE A BIG MAN?
275
00:11:56,316 --> 00:12:00,888
[MAN SCREAMS ON TAPE]
276
00:12:00,921 --> 00:12:03,356
WELL, HARRY, I TRY NOT
TO ABUSE MY BADGE,
277
00:12:03,390 --> 00:12:05,325
WHICH BRINGS ME
TO MY STORY.
IT'S ABOUT--
278
00:12:05,358 --> 00:12:07,727
BORING!
279
00:12:07,761 --> 00:12:10,263
[MAN SNORES ON TAPE]
280
00:12:11,131 --> 00:12:12,966
SO, DON, TELL ME,
WHAT DO YOU THINK
281
00:12:13,000 --> 00:12:15,969
ABOUT OLD DUDES
DATING YOUNG,
HOT BABES?
282
00:12:16,003 --> 00:12:18,571
IS IT SMART
OR SKANKY.
283
00:12:20,307 --> 00:12:22,609
I DON'T KNOW. I GUESS
I'M DOWN WITH THAT.
284
00:12:22,642 --> 00:12:24,611
MM, YOU'RE DOWN
WITH THAT?
285
00:12:24,644 --> 00:12:27,848
YEAH. I AM.
I'M DOWN WITH THAT.
286
00:12:27,881 --> 00:12:31,184
YEAH! HE'S DOWN
WITH THAT.
287
00:12:31,218 --> 00:12:33,053
WELL, WOULD YOU
STILL BE DOWN WITH IT
288
00:12:33,086 --> 00:12:37,791
IF THE YOUNG, HOT BABE
WAS, OH, SAY, SALLY...
289
00:12:37,825 --> 00:12:41,428
AND THE OLD DUDE
WAS ALBRIGHT'S DAD?
290
00:12:42,495 --> 00:12:44,932
THAT I'M NOT DOWN WITH.
291
00:12:44,965 --> 00:12:49,502
SO, SALLY LIKES MR. ALBRIGHT.
HA, THAT'S MESSED UP.
292
00:12:49,536 --> 00:12:51,738
OH, WE'VE GOT A
CALLER ON LINE ONE.
293
00:12:51,771 --> 00:12:53,673
YOU'RE ON THE AIR
WITH HARRY SOLOMON.
294
00:12:53,706 --> 00:12:56,243
Sally: YEAH,
THIS IS, UM, THELMA...
295
00:12:56,276 --> 00:12:58,745
FROM OHIO.
296
00:12:58,778 --> 00:13:00,547
IT'S NONE OF YOUR
BUSINESS WHAT I DO,
297
00:13:00,580 --> 00:13:02,549
AND IF YOU IDIOTS
KEEP TALKING ABOUT ME,
298
00:13:02,582 --> 00:13:06,519
I'M GONNA BEAT YOUR FACES IN
WITH A MONKEY WRENCH
WHEN YOU GET HOME.
299
00:13:07,454 --> 00:13:10,557
NEW TOPIC.
300
00:13:10,590 --> 00:13:12,725
MICHELLE PFEIFFER'S LIPS.
301
00:13:15,462 --> 00:13:17,664
ARE THEY REAL?
302
00:13:22,135 --> 00:13:25,138
DADDY?
YOU STILL UP?
303
00:13:27,407 --> 00:13:28,641
YES.
304
00:13:28,675 --> 00:13:29,910
OH, MY GOD.
OH, MY GOD.
OH, MY GOD.
305
00:13:29,943 --> 00:13:32,846
OH, MY GOD.
OH, MY GOD.
OH, MY GOD.
306
00:13:32,880 --> 00:13:35,815
HEY! ALBRIGHT! ALBRIGHT!
307
00:13:35,849 --> 00:13:38,718
I'M BEING GENTLE.
308
00:13:45,993 --> 00:13:50,864
HEADS UP! I'M COMING
INTO THE ROOM!
309
00:13:50,898 --> 00:13:52,832
I CAN'T SLEEP.
WE HAVE TO TALK.
310
00:13:52,866 --> 00:13:54,201
GREAT.
LET'S TALK.
311
00:13:54,234 --> 00:13:56,603
I'D LIKE TO SPEAK
TO MY FATHER ALONE,
PLEASE?
312
00:13:56,636 --> 00:13:58,939
OH, OK.
GOOD NIGHT, SUGAR.
313
00:13:59,539 --> 00:14:00,840
OH, LISTEN, UM,
314
00:14:00,874 --> 00:14:02,142
GEORGE AND I WANT
TO TAKE YOU AND DICK
315
00:14:02,175 --> 00:14:03,576
OUT TO DINNER
TOMORROW NIGHT.
316
00:14:03,610 --> 00:14:06,880
OH, GOODY. A DOUBLE DATE
WITH MY DAD.
317
00:14:06,914 --> 00:14:08,916
PLEASE GO.
318
00:14:11,284 --> 00:14:14,254
MARY, LISTEN, I JUST
WANT YOU TO KNOW NOW
319
00:14:14,287 --> 00:14:16,256
THAT GEORGE AND I
ARE TOGETHER,
320
00:14:16,289 --> 00:14:18,391
AND I'M NOT GONNA TRY
TO REPLACE YOUR MOTHER,
321
00:14:18,425 --> 00:14:21,728
OK? I JUST...
322
00:14:21,761 --> 00:14:23,663
I JUST HOPE TO BECOME
A WAY BETTER MOTHER
323
00:14:23,696 --> 00:14:26,633
AND GRADUALLY TURN YOU
AGAINST HER.
324
00:14:28,235 --> 00:14:30,437
I'M NOT GONNA CALL YOU
MUMMY.
325
00:14:30,470 --> 00:14:31,438
SALLY'S FINE. OH!
326
00:14:31,471 --> 00:14:32,839
LISTEN, I WANT TO
TAKE YOU SHOPPING
NEXT WEEK,
327
00:14:32,872 --> 00:14:36,276
GET YOU A PRETTY
NEW DRESS. WOULD YOU
LIKE THAT?
328
00:14:37,444 --> 00:14:39,612
DID I TELL YOU SHE'S
GOT THE HOTS FOR ME?
329
00:14:39,646 --> 00:14:40,981
WAS I RIGHT?
330
00:14:41,014 --> 00:14:43,483
STOP THIS FOOLISHNESS
AND GO BACK TO MOTHER!
331
00:14:43,516 --> 00:14:46,819
NO! AFTER 45 YEARS
OF PURE MISERY,
332
00:14:46,853 --> 00:14:51,691
I FINALLY THINK
THERE'S A PLAN
FOR THE UNIVERSE.
333
00:14:51,724 --> 00:14:53,260
WHY HER?
334
00:14:53,293 --> 00:14:54,928
I'M CRAZY ABOUT HER.
335
00:14:54,962 --> 00:14:58,831
AND THAT'S WHY
I THINK I'M GONNA
GIVE HER THIS.
336
00:14:58,865 --> 00:15:01,234
THAT'S MOTHER'S
HEIRLOOM BRACELET.
337
00:15:01,268 --> 00:15:03,903
WELL, MARTHA DOESN'T
WEAR IT ANYMORE.
338
00:15:03,937 --> 00:15:08,041
I'VE BEEN WAITING FOR HER
TO DIE TO GET THAT!
339
00:15:09,142 --> 00:15:13,013
WE ALL HAVE, HONEY.
WE ALL HAVE.
340
00:15:18,451 --> 00:15:21,521
OH, YEAH? WELL,
WHY DON'T YOU COME
DOWN TO THE STATION
341
00:15:21,554 --> 00:15:24,992
AND MAKE ME,
YA BIG JERK?!
342
00:15:25,025 --> 00:15:27,394
[POW]
343
00:15:27,427 --> 00:15:30,563
HARRY, SHE
WAS 8 YEARS OLD.
344
00:15:32,032 --> 00:15:34,401
SHE JUST WANTED TO KNOW
IF IT WAS GONNA RAIN.
345
00:15:34,434 --> 00:15:37,404
[BOOM]
346
00:15:37,437 --> 00:15:40,740
YOU JUST STIFLE IT,
LITTLE MAN.
347
00:15:42,575 --> 00:15:45,512
SO GEORGE THINKS
WE SHOULD TAKE
A COLD WATER CRUISE,
348
00:15:45,545 --> 00:15:48,982
BECAUSE IT'S FAR MORE
INTERESTING THAN DOING
THAT WHOLE ISLAND THING.
349
00:15:49,016 --> 00:15:49,983
OH, YEAH.
350
00:15:50,017 --> 00:15:51,584
THERE'S NOTHING
LIKE SNUGGLING UP
ON THE DECK
351
00:15:51,618 --> 00:15:54,787
WITH YOUR SWEETIE
AND A HOT TODDY.
352
00:15:54,821 --> 00:15:58,125
WHERE THE HELL HAVE YOU BEEN?
AND DON'T GO TOO FAR!
353
00:16:00,960 --> 00:16:02,062
SHALL WE DANCE?
354
00:16:02,095 --> 00:16:04,998
OH, I'D LOVE TO.
355
00:16:05,032 --> 00:16:08,235
OH, WHOOPSIE, MARY.
LET ME GET IT.
356
00:16:11,438 --> 00:16:14,107
GOOD DOUBLE-BAKED
POTATOES.
357
00:16:14,141 --> 00:16:15,508
LOOK AT THOSE TWO.
358
00:16:15,542 --> 00:16:16,243
WHO?
359
00:16:16,276 --> 00:16:19,446
WOODY AND SOON-YI
OVER THERE.
360
00:16:21,081 --> 00:16:24,717
THIS WORLD WORKS IN WONDERFUL
AND MYSTERIOUS WAYS.
361
00:16:24,751 --> 00:16:26,486
WHAT DOES THAT MEAN?
362
00:16:26,519 --> 00:16:29,256
THOSE TWO PEOPLE
COULD BE FATED
TO FALL IN LOVE,
363
00:16:29,289 --> 00:16:32,892
JUST WHEN YOUR MOTHER
WAS CONVENIENTLY
OUT OF THE WAY.
364
00:16:33,793 --> 00:16:37,864
LOOK AT HIM DANCING,
GUSHING ALL OVER HER.
365
00:16:37,897 --> 00:16:38,998
DANCING?
366
00:16:39,032 --> 00:16:41,401
MAKING A FOOL
OF HIMSELF.
367
00:16:41,434 --> 00:16:43,736
DANCING.
368
00:16:43,770 --> 00:16:45,538
IS THIS MAYONNAISE
OR HORSERADISH?
369
00:16:45,572 --> 00:16:47,240
OF COURSE I KNOW WHAT
IT IS WITH SALLY.
370
00:16:47,274 --> 00:16:50,277
SHE'S JUST TRYING
TO REPLACE THE FATHER
SHE LOST.
371
00:16:50,310 --> 00:16:52,979
OH! OH!
372
00:16:53,012 --> 00:16:55,582
WHATEVER IT IS,
IT'S HOT.
373
00:16:55,615 --> 00:16:57,884
DON'T TELL ME
I'M JEALOUS,
BECAUSE I'M NOT!
374
00:16:57,917 --> 00:17:00,353
MY MOUTH IS ON FIRE.
375
00:17:01,421 --> 00:17:03,523
THAT'S MY DADDY!
376
00:17:03,556 --> 00:17:06,293
THAT'S MY NAPKIN!
377
00:17:06,326 --> 00:17:09,629
DADDY, YOU WANT
TO DANCE WITH ME?
378
00:17:09,662 --> 00:17:13,533
WELL, SURE...
KITTEN.
379
00:17:14,201 --> 00:17:15,968
I'LL DANCE
WITH YOU, SALLY.
380
00:17:16,002 --> 00:17:17,637
HE CALLED HER KITTEN!
381
00:17:17,670 --> 00:17:18,671
I'M KITTEN!
382
00:17:18,705 --> 00:17:20,039
CAN'T YOU BE
PUMPKIN?
383
00:17:20,073 --> 00:17:22,041
I DON'T WANT
TO BE PUMPKIN!
384
00:17:22,075 --> 00:17:24,111
WE'RE GONNA HAVE
TO GET SOME THINGS
STRAIGHTEN OUT
385
00:17:24,144 --> 00:17:25,878
IF SHE'S GONNA BE
MY MOTHER-IN-LAW.
386
00:17:25,912 --> 00:17:28,081
BUT AREN'T YOU GONNA
BE HER STEPMOTHER?
387
00:17:28,115 --> 00:17:29,616
WHATEVER.
388
00:17:29,649 --> 00:17:32,885
EXCUSE ME.
UH, SHALL WE DANCE?
389
00:17:32,919 --> 00:17:35,021
EHH--
390
00:17:36,556 --> 00:17:39,126
SHALL WE DANCE?
391
00:17:39,159 --> 00:17:41,161
NO!
392
00:17:41,194 --> 00:17:43,330
DADDY?
393
00:17:43,363 --> 00:17:45,532
SALLY, PEOPLE
ARE WATCHING.
394
00:17:45,565 --> 00:17:46,899
REALLY?
395
00:17:46,933 --> 00:17:49,236
OHH!
396
00:17:50,337 --> 00:17:53,072
I WAS DANCING
WITH MY DADDY.
397
00:17:53,106 --> 00:17:55,442
NO! YOU WERE DANCING
WITH MY BOYFRIEND.
398
00:17:55,475 --> 00:17:59,146
HE WAS MY DADDY WAY BEFORE
HE WAS YOUR BOYFRIEND.
399
00:17:59,179 --> 00:18:01,281
LISTEN, I THINK
YOU'D BETTER GROW UP.
400
00:18:01,314 --> 00:18:02,182
GEORGE AND I
ARE A THING,
401
00:18:02,215 --> 00:18:04,083
AND YOU JUST BETTER
GET USED TO IT, MISSY.
402
00:18:04,117 --> 00:18:07,687
WELL, YOU JUST BETTER
GET USED TO ME!
403
00:18:07,720 --> 00:18:09,356
IS THERE SOMETHING WRONG,
KITTENS?
404
00:18:09,389 --> 00:18:11,391
NO!
NOTHING!
405
00:18:14,894 --> 00:18:16,863
OK. WE'RE BACK.
406
00:18:16,896 --> 00:18:19,199
LET'S GO
TO THE PHONES.
WHO'S ON?
407
00:18:19,232 --> 00:18:19,832
NOBODY.
408
00:18:19,866 --> 00:18:20,733
YEAH. WE HAVEN'T
HAD A CALL
409
00:18:20,767 --> 00:18:25,538
SINCE YOU MADE FUN
OF THAT LADY'S DEAD CAT.
410
00:18:25,572 --> 00:18:27,440
MAYBE WE NEED A NEW TOPIC.
411
00:18:27,474 --> 00:18:29,476
OOH, THAT'S A GOOD IDEA.
412
00:18:29,509 --> 00:18:33,012
HEY! LET'S GO
ONE-ON-ONE WITH
NINA CAMPBELL.
413
00:18:33,045 --> 00:18:34,046
OK.
414
00:18:34,080 --> 00:18:37,784
OK. SO, NINA,
HOW MANY DATES
HAVE YOU HAD LATELY,
415
00:18:37,817 --> 00:18:39,886
LIKE ZERO?
416
00:18:42,289 --> 00:18:43,423
WHAT?
417
00:18:43,456 --> 00:18:45,658
NO, NO, NO! IT'S OK.
I THINK I KNOW WHAT
THE PROBLEM IS.
418
00:18:45,692 --> 00:18:46,493
OH, REALLY?
419
00:18:46,526 --> 00:18:49,862
YEAH. YOU'RE
A GREAT BIG LOSER.
420
00:18:49,896 --> 00:18:51,097
I DON'T HAVE TO TAKE THIS!
421
00:18:51,130 --> 00:18:52,732
YES, YOU DO
'CAUSE YOU'RE A LOSER.
422
00:18:52,765 --> 00:18:53,766
I'M OUT OF HERE!
423
00:18:53,800 --> 00:18:55,101
WAIT, HARRY,
WHAT ARE YOU DOING?
424
00:18:55,134 --> 00:18:57,237
WELL, I'LL TELL YOU
WHAT I'M NOT DOING.
425
00:18:57,270 --> 00:19:01,508
I'M NOT JUST
SITTING THERE BEING
A PIMPLE RANCHER.
426
00:19:02,475 --> 00:19:05,212
HOW'S THE NEW CROP
THIS YEAR, TEEN BOY?
427
00:19:05,245 --> 00:19:06,346
THIS IS OVER.
428
00:19:06,379 --> 00:19:07,113
I AM GONE!
429
00:19:07,146 --> 00:19:09,582
OH, GO! LEAVE!
430
00:19:09,616 --> 00:19:12,852
I DON'T CARE.
I DON'T NEED
ANY OF YOU.
431
00:19:15,222 --> 00:19:18,191
COME BAAACK!
432
00:19:18,658 --> 00:19:20,760
[KNOCK ON DOOR]
433
00:19:24,096 --> 00:19:25,064
HEY, SALLY.
434
00:19:25,097 --> 00:19:26,132
HEY, GEORGE.
435
00:19:26,165 --> 00:19:28,034
LISTEN,
WE HAVE TO TALK.
436
00:19:28,067 --> 00:19:30,102
WELL, COME IN.
437
00:19:32,639 --> 00:19:33,840
WHAT'S THE MATTER?
438
00:19:33,873 --> 00:19:35,475
WELL, UM,
I'VE BEEN THINKING.
439
00:19:35,508 --> 00:19:40,747
AND, UH, I THINK WE SHOULD
COOL THINGS OFF A BIT.
440
00:19:40,780 --> 00:19:45,752
OH, IF I HAD A NICKEL
FOR EVERY SECRETARY
I'VE SAID THAT TO.
441
00:19:45,785 --> 00:19:47,420
I'M SERIOUS.
442
00:19:47,454 --> 00:19:49,456
WELL, WHY?
443
00:19:49,489 --> 00:19:52,425
WELL, I JUST--
I'M NOT READY TO BE
WITH SOMEBODY
444
00:19:52,459 --> 00:19:55,061
WHO HAS CHILDREN.
445
00:19:55,094 --> 00:19:58,398
WHAT, MARY?
SHE REALLY CAN TAKE
CARE OF HERSELF.
446
00:19:58,431 --> 00:20:01,334
OH, LET'S NOT FOOL
OURSELVES, GEORGE.
447
00:20:01,368 --> 00:20:03,303
SHE'S GONNA BE
A LOT OF WORK.
448
00:20:03,336 --> 00:20:07,073
KIDS JUST ARE.
YOU KNOW THAT.
449
00:20:07,106 --> 00:20:09,208
SHE'S OLD.
450
00:20:10,843 --> 00:20:13,112
THIS ISN'T EASY
FOR ME, OK?
451
00:20:13,145 --> 00:20:15,582
I DON'T WANT TO PENALIZE YOU
FOR BEING A GREAT DAD.
452
00:20:15,615 --> 00:20:19,419
IT'S JUST--
I HAVE TO BE SELFISH HERE.
453
00:20:19,452 --> 00:20:22,021
I KNEW I SHOULD'VE
CLOSED THIS DEAL
THE NIGHT WE MET.
454
00:20:22,054 --> 00:20:24,757
I KNEW THAT.
455
00:20:24,791 --> 00:20:27,427
I THINK MAYBE YOU SHOULD
GO BACK TO YOUR WIFE.
456
00:20:27,460 --> 00:20:29,496
AW...
457
00:20:30,196 --> 00:20:32,432
WELL, I USUALLY DO.
458
00:20:34,200 --> 00:20:36,303
WELL, THERE YOU GO.
459
00:20:38,037 --> 00:20:40,006
BYE, SUGAR.
460
00:20:42,842 --> 00:20:43,576
SALLY.
461
00:20:43,610 --> 00:20:45,378
ALBRIGHT.
462
00:20:45,412 --> 00:20:48,047
LOOK. I'M SORRY
FOR THE WAY I ACTED
THE OTHER NIGHT.
463
00:20:48,080 --> 00:20:49,749
MAYBE WE SHOULD ALL
TALK THIS OUT.
464
00:20:49,782 --> 00:20:52,251
NO. THERE'S NOTHING TO
TALK ABOUT MUFFIN, I--
465
00:20:52,285 --> 00:20:53,786
I'M GOING BACK TO MOTHER.
466
00:20:53,820 --> 00:20:54,454
REALLY?!
467
00:20:54,487 --> 00:20:55,788
YEAH, HE IS.
468
00:20:55,822 --> 00:20:58,291
AND I'M SORRY
IF THIS CAUSED
469
00:20:58,325 --> 00:21:00,593
ANY FRICTION IN
YOUR RELATIONSHIP.
470
00:21:00,627 --> 00:21:05,432
BUT, MARY, I JUST
WANT YOU TO KNOW
SOMETHING.
471
00:21:05,465 --> 00:21:07,967
I COULD'VE HAD HIM.
472
00:21:17,810 --> 00:21:27,787
SHE AIN'T LYING.
473
00:21:27,820 --> 00:21:30,189
NOW ARE YOU SURE YOU
HAVE EVERYTHING?
474
00:21:30,222 --> 00:21:31,691
YEAH.
475
00:21:34,461 --> 00:21:39,231
MARY, I WOULDN'T
MENTION THIS SALLY
THING TO MOTHER.
476
00:21:39,265 --> 00:21:42,802
GEE DAD, I DON'T KNOW
IF I CAN DO THAT.
477
00:21:42,835 --> 00:21:45,171
HERE.
478
00:21:45,505 --> 00:21:49,008
MY LIPS ARE SEALED.
32557
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese