All language subtitles for Before.The.World.Set.On.Fire.2023.1080p.AMZN.WEB-DL.DDP5.1.H.264-BYNDR.Hi

[leaves crunching]

[buzzing of insects]

[suspenseful music]

[birds chirping in distance]

[indistinct chatter]

[fire crackling]

[sighs]

[water running]

[indistinct chatter]

Anya Davis?

Hi, I'm... Sorry,
I'm Cole Keating,

the philosophy department.

- Oh, hi.
- I was on the hiring committee.

- Right.
- Can I?

Yes, yes, yes. Sure, sure.

Your dissertation on
the Nietzschean will

of individualism
was fascinating.

- Thank you.
- So, I really admire you.

You um... You cover Nietzsche?

No, no, I focus on the
practices and aesthetics

of the 18th century,
so, Diderot, Voltaire.

- Right. Enlightenment.
- Yes.

Um, although I teach a
survey course here and there.

We're so lucky to get you.

Thanks. [chuckles]

Uh, so, will I see you
at the fire tonight?

Sorry, will you see me
at the fire tonight?

Oh, do you not...

- [chuckling]
- No.

Um, so back in 1886, when
Eastling was all men,

at the end of a term,

the students all decided
to burn their books.

It only happened once,

but it sort of
became a tradition.

Oh, yeah, like a
ritual of sorts, right?

Yeah, it's tonight.
So see you there?

Yeah, sure.

[soft piano melody]

[indistinct chatter]

Hi.

Hi.

- You're new.
- Yes.

I'm a new hire in the
philosophy department.

Anya... Dr. Davis.

Do you believe in all
that, burning of books?

They say it's this
Eastling tradition,

the burning of
literature and the like.

It's actually a serious
practice with meaning.

I hear it's treated as a joke...

people just throwing their
shit into the fire...

leaving the world
outside behind.

When really, what
it actually means...

it's eliminating ideology that
may threaten any kind of power.

Burning a person...

burning a mind.

Yeah, I understand that.

So, basically, all
these lunatic co-eds

have taken this
practice and turned it

into a kind of celebration.

A reason to get drunk.

I don't think that's what
education should be about.

All right, Anya, I think
we're ready for you.

[Dean Johnson] Anya,
can I get you anything?

No, thank you.

This is Joanna Higgins.

She's investigating the
death of Wilder Hewitt.

[Joanna] We've spoken to all of
the students from your seminar.

Wow. All of them?

Except Mara Headley. We
can't get in touch with her.

- Have you heard from her?
- [Anya] No.

And Selena?

Selena Ferreira, my student?

We've spoken with her.

- So, she's okay?
- [Dean Johnson] Yes.

Okay.

We've learned you did a
recording of the class?

Reed Harris shared it with us.

Yes, uh, per my instructions,

I was required to record
all remote classes.

What's strange is from
this specific seminar,

the recording stops.

Is there a reason
you stopped it?

That I stopped the recording?

It stops with Reed Harris
saying, and I quote,

"The Upashans have a
theory about this."

He goes on to argue
with Molly Stanovitz.

It gets a little out of
hand. You call five minutes.

Yes, yeah, I had... I had
called a break in the class.

Yes, and at that point,
someone stopped the recording

and didn't restart it.

We assumed that person was you.

[soft suspenseful melody]

[Dean Johnson]
Students, faculty,

and staff of
Eastling, greetings.

This message is to inform
you that all classes

will remain being conducted
online and only online.

This is necessary as we continue
to deal with the outbreak.

As your Dean, I
ask you to please

remain safe and stay
tuned for further updates.

Thank you.

[computer chimes]

- [video call chimes]
- Hi, Dr. Davis.

Oh, hi, Mara. Hi.

[Mara] I can't hear you.

- Hello? Hello, hello, hello?
- Hi, hi.

I can hear you.

- How are you?
- [Mara] Um, I'm okay.

I mean, all my classes
have been on here,

- so I'm kind of...
- [video call chimes]

- [Mara] Hi, Reed.
- Hi.

Hey.

- Did you just wake up?
- [phone buzzing]

[Reed] Yeah, so?

[Mara] Oh, no. Sorry...

- I'll be right back.
- [Reed] Where's Wilder?

He's not with you?

No, we, um...

uh, we had a fight last night,
so I came back to my dorm.

Oh.

Cool.

[Wilder] This is Wilder. Leave
a message after the beep.

- [phone chiming]
- [Reed] Hey.

[Hanna] Hey.

[Reed] You're not part of
this class unless somehow

I've missed you out of the
six people that are in it.

- Are you, like, here to troll?
- Dr. Davis is my mom.

- [soft music plays]
- What's that in your background?

That's music.

I knew that, but I
mean, like, what kind?

- Hanna?
- Hi.

How did you even get in here?

Your calendar
synced to my phone.

And all your passwords are
saved there, too, by the way.

Uh, you always use the same one.

Okay, so...

So where is everyone?

Aren't you two in
the same house?

No, Hannah's actually
with her dad this week.

So what are you
listening to exactly?

[Hanna] Polish jazz.

Yeah, I knew that.

Yeah, during the
communist takeover,

jazz was totally repressed.

And when Stalin died,
a new wave began.

Krzysztof Komeda? Like...

Wow.

Polish jazz is the bomb.

My dad plays in a band that
kind of emulates the movement.

It's not as good, but...

[Anya] Hannah, it's really
not time for a concert.

Well, it's not a concert.

It's just a
conversation, but fine.

I'll leave.

Reach out to the others,

and then we can start
officially, officially.

[Reed] Cool.

[phone buzzes]

- [video call chimes]
- [Molly] Hey!

- [Kasper] Hello!
- [Reed] Hi!

It's my favorite
Molly! [vocalizes]

I don't want to see
that. Put that away.

Also, how many Mollys
do you even know?

A lot. Like, 12.

Yeah, I don't feel special.

- Kasper! Nice place, dude.
- Oh, thank you.

Yeah, they decided to
give all the funding

to foreign student housing,

but I'm chill, because
I'm off campus.

Okay, the dorms aren't that bad.

But anyway, I mean,
how are you guys?

I don't know. Just vibing.

I mean, this whole thing
is so fucking weird.

So what are the
signs of this thing?

The... the sweat?

Feels weird to say.
Like, the bubonic plague?

Well, actually, "sweat"
is much easier to say,

because it's one syllable,
"bubonic" is three.

Oh, come on, Molly.
You know what I mean.

Actually, I don't, because
I've never experienced

the bubonic plague.

[scoffs] Why don't you
tell us about it, Kasper?

Come on, you're... you're
from Germany, right?

So, in your homeland,
isn't that the origin

of all these hateful and
evil things in the world?

I think that's what
Molly is getting at.

What, like, the plague?

Mm, no, the whole world
blames Germany for,

like, every problem.
I swear to God.

Where is Dr. Davis?

Oh, God.

She is looking so hot today.

Okay, um, she went
to get coffee.

Oh, coffee's super
important, by the way.

Okay, wait, you guys,
there's this rumor

that it, like,
started from this leak

in a botched experiment
in the lab at Decker Hall.

Yeah, I heard that, too.

Now, I... I'm not so sure
that's a rumor, Molly.

I think that actually happened.

- Really?
- [phone buzzing]

[Kasper] I mean, it did
start somewhere, right?

A... and if someone
did do it on purpose,

like, uh... like it was
a deranged science major

or... or faculty, what
would the purpose be?

Why?

I mean, I happen to
think that it was just

an honest mistake, you know?

I... I... it doesn't exactly
lead to world domination.

We are all crazy.

People do crazy shit sometimes.

You don't even know.

Oh, my God, put
your computer down.

It's, like, super disorienting.

- Yeah, but, guys...
- Sorry.

someone at Jasper's
party had it,

which really disturbs
me because I was there,

and so was Wilder.

Oh, my God, no way. Who?

Uh, Jessica Williams,
the art history major.

Oh, yeah, yeah,
yeah, I know her.

But, like, we're fine.

Only, like, three
people have it anyway.

- No, five.
- No, I heard eight.

Okay, this is ridiculous.

Like, the entire student
body is, like, what?

800 students?

So why do we all
have to quarantine

and not just those, like,
six or eight people?

Well, you know, they don't
know how it spreads, right?

If people have touched, uh...

Yeah, I've touched a lot of
people in the last week, so...

Well, all of that is
under investigation, Reed.

Wait, wait, wait, the Sweat or
how many people I've touched?

No, but seriously,
Mara, come on.

This is a question
of the individual

versus the greatest good, right?

So, if you want to
selfishly go out

and... and do whatever,

go to a party with
your boyfriend,

you could catch it from
some Hawaiian student,

and then you go give
it to your barista,

and they go into the city,
and they give it to whomever,

and then we're all
fucked, the whole planet.

But isn't that where
you'd get herd immunity?

[Reed] Herd immunity?

I... I'm sorry, are
you an anti-vaxxer?

No, okay, I'm just saying

that sometimes you have
to make these decisions.

Like, in nature, they accept

that the weakest
don't always survive.

You... so, you're
talking about Darwinism?

I'm sorry, but we're at a
tiny liberal arts school.

What is your point?

Okay, I'm just playing
devil's advocate.

Like, if we were to go
out, people would survive.

Like, humanity would survive.

I heard that when you get it...

it drips into your sinus system,
and it can make you go blind.

Your eyes get all milky

- like some old dog.
- What?

Yeah, dude.

- Think about it, Mara.
- Stop it.

Your beautiful blue
eyes will get all foamy

- like a cappuccino.
- [phone buzzing]

[Mara] No, you're
just making that up.

It's not funny.

[Reed] It also
fucks with your, uh,

I don't know if I can
say this in front of...

[Molly] ...anyways,
so, thank you.

All right, guys, all right.

Who are we still missing?

Um, Parker, Selena.

All right, so what do you
think? Two more minutes?

[Reed] And Wilder.

[Mara] Yeah, he'll be here soon.

Molly, Molly, bo-bally, banana,
tana, poppoly, me, my, mo Molly.

- Where's Hillary?
- She went home.

- Fuck. To the city?
- Yeah.

She didn't want to be
holed up here any longer

than she had to be.

I mean, you know, she's
like a real hypochondriac,

plus her dad's not
really doing well.

- Sorry to hear that.
- Yeah, he's really old.

Well, send her my love.

Um, who... who is Hillary?

Hillary is Molly's girlfriend.

She was the TA in my
early Greek seminar.

I tried to fuck
her, but she's gay.

Well, actually, she's bi.

She just wasn't into you, so...

- She told me that...
- That's just not true.

multiple times.

I'm [indistinct] you know,
actually. [indistinct].

- [computer chimes]
- Hello!

Hey, Selena.

I'm sorry I'm late, Dr. Davis.

I had to go to the
clinic this morning.

I, um, I thought
I had the Sweat.

Oh, my God, really?

- [Selena] Yeah.
- I'm so sorry I'm late.

I went for a run.

- What's up?
- How was that for you?

Well, no one's out, and
my endorphins are flowing,

so I feel really good.

Last night, I threw
my own personal rave.

Oh, I did the same thing, too.

I pretended I was
in a club in Berlin

- with all the lights.
- Exactly.

- But I wasn't in Berlin.
- Okay, Parker, thank you.

Can you... can you take
a seat and join us?

- [computer chimes]
- Hey. Sorry.

- [computer chimes]
- [synthetic voice] Recording.

Okay, let's start.

Sorry, can I just say one thing?

I... It's relevant, I promise.

[laughing] No.

I sold Lucinda and the Argonauts

to Fox Pictures.

I'm so excited. I
can't believe it.

- [Parker] That's amazing.
- It is so popular in Germany.

What's that?

A... a young adult novel.

- [Anya] Congratulations, Selena.
- Okay.

Thank you.

But we need Lucinda
and the Argonauts?

Come on, Molly.

I just don't really know

what this has to
do with philosophy.

Oh, but it has, like,
everything to do

- with philosophy.
- Okay.

Anyway, Lucinda is faced

with so many
fight-or-flight situations.

You know, monsters, saboteurs,

the natural elements,
all working against her.

There is a big fight on the sea,

so you don't know if she's
gonna make it or not.

And then, over the course
of 300 or so odd pages,

you realize that
she's superhuman.

[doorbell chimes]

- [Molly] Oh, I...
- [Parker] Nice, Molly.

did not mean to send
that to everybody.

[Parker] Okay, wait. You
kind of may have a point.

[indistinct] it feels medieval.

Like, maybe we're going
back to the biblical plagues

of the Greeks and Romans.

You know, Nietzsche
was a classicist.

- [clears throat]
- Really?

Yeah, he was. Yeah,
actually. Parker, thank you.

And Selena, thank you.

I, um, I...

I wanted to start today's
seminar by taking a look

at Nietzsche's
roots to classicism,

which, of course, is covered
in this week's reading.

So, if we go back
to Greek mythology,

what we have here is...
is a kind of storytelling,

a way of transcribing
the human experience

in a way that I think
Nietzsche has felt

that we have strayed from

or, um, lost contact with.

So, what I'm talking about...

is a storytelling.

Mythology is a storytelling

that sort of
encompasses the carnal,

the animal, the spiritual,

the intellectual, even madness,

all of these elements
of the human experience

come together.

And then also, um,
this... this idea of...

destiny and fate being, um,

being based on one's
type or one's character.

As Plato says, uh,

character is destiny.

But so what you have

with the rational philosophers

who have completely strayed
from this type of...

of storytelling, what
we have with them

is more of a... a...
a... a doctrinization

and a... a rationalization,

a separation

of all of these elements, uh...

in a way that I think
Nietzsche finds...

much less complex, you know?

Uh, this...

this experience of
living, you know,

the Leibniz philosophy, Kasper.

Yeah, philosophy of life.

Kierkegaard was also
implicated in this.

- Schopenhauer, too, actually.
- [Anya] Right.

So now look, I mean...

Nietzsche's a philosopher
who is... He's... he's...

he's very difficult to explore

in a session like this.

I mean, we could spend
forever really...

Sorry, can we just
go back to this idea

of fate and destiny
being based on your type

- or your character?
- [Anya] Yeah, yeah.

Okay, so character is destiny,

as Plato says,

but what about circumstance

and chance shaping your destiny?

I mean, I was raised by
two women, two moms, okay?

And, you know, they
lived in, like,

a completely separate reality.

They were cool and
progressive, you know, sure,

but they are incredibly
brilliant, both of them,

and they essentially
forced me to come here.

I mean, I didn't
even really know

if I wanted to pursue college,
higher education in general,

but they wanted a
higher existence for me,

- so now I'm here.
- Because that's what you wanted.

Well, no, even if I
want this, I want that,

I'm still living their
trajectory for me

by getting a degree.

Yes, Molly.

Before we get into this, I...
I... I think it's crucial

that in... in
order to understand

these somewhat
controversial ideas here

that we really need to, um,

we really need to know
about the 19th century

in terms of the historical,

political, philosophical climate

in which Nietzsche emerged.

So, look, the 19th
century can... can...

can really be separated into
two very distinct parts.

We have before 1848,
1850, and after.

Can anyone speak to me

about what is
happening in Europe

at this time?

Well, the revolutions of 1848...

[Wilder] Sorry,
it's just, like...

are some of the largest...

kind of sounds like

we're just kind of reading
from an encyclopedia.

Sorry?

[Wilder] No, it's just
not very challenging.

I mean, this seminar, right,

this whole class is supposed
to be a challenging discussion,

supposed to move things
forward, I just...

I'm not really challenged.

We just started the discussion,
like, a few minutes ago, um...

I know, but challenge me,
or I'll challenge you.

So, uh...

so what we see happening here

in the middle of the
19th century is this,

like, major reconstruction

or reconstitution
of liberal values

with the restitution

of the Bourbon
monarchy in France

and with the apotheosis
of Bismarck in Germany.

So, these two events, in a way,

sort of denied all
of this progress

that the revolutions
in... in France

and in America had made
in the previous century.

Um, up to this point,

history and politics

and art and philosophy

were all sort of converging

and building unilaterally,

cohesively, on
top of one another

towards this notion of progress.

Um, but now, all of a sudden,

there's this sort of
terrifying reversal.

And... and you know,
this... this of course,

really, um,

throws things on their head.

So, a large sense of...
of nihilism looms.

Um, and what we have
now with Nietzsche

and his contemporaries

are, um... Or let's
look at these artists.

So, the... the...

the celebrated
artists of the time

are Van Gogh, Monet, Manet.

Uh, what you're looking at here

is the emergence
of an avant-garde

for the first time, you know?

Uh, you have a, uh,
an avant-garde class,

a rejection of institutions,
of religions, of...

The, uh, the... the rejects,
the Salon des Refusés.

[Anya] Right. That's right.

These people become the
stars of the moment.

Nietzsche...

is re-evaluating

our whole philosophical
tradition, in a sense.

There is no longer any sort
of pan-universal set of truths

for which we could all
sort of ascribe meaning.

Um, it's the individual

that must search
for the salvation.

So, who and what
does he introduce

to express this
ultimate aspiration?

- Anyone?
- He introduces the Ubermensch.

Okay, Mara, okay. So,
let's unpack that.

Well, through Ubermensch,

Nietzsche introduces

the idea of a superior man,

who can rise above
conventional Christian morality

to create and impose
his own set of values.

Well, that's just bullshit

because what you're
describing is patriarchy.

Not patriarchy. Hierarchy.

And hierarchy should,
and does, exist.

I mean, even in
this class, right?

Yeah, there's a hierarchy
created by who will progress

and excel in this environment.

You know, who will get an A
at the end of the semester.

[Wilder] Exactly, Mara.

And I feel like it's, uh,

the most important part
of that is to consider

what happens if
society or this class

or structure accepts
the Ubermensch, right?

The Ubermensch may harm
others, may overtake others.

Therefore, one
adheres to suffering,

accepting the earth, but
aiming to be above it,

to be above mankind.

You're really cute.
Are you dating?

Isn't that one of the
theories Hitler used

to define the Holocaust?

Creating and perfecting
the master race, yeah.

Uh, I... I do want
to state, though,

before we kind of
delve into that,

that... that... that...

that it was through
misinterpretation, of course,

that Hitler and others were
able to exploit Nietzschean...

The Lebensborn program.

- The what?
- His Das Lebensborn-Programm.

The Lebensborn program was
created by Hitler to, um,

in a sense, spring to life
the master race, right?

So basically, he created
breeding facilities

where Aryan women
were recruited,

uh, to be impregnated

by genetically pure SS officers.

42,000.

There were 42,000 babies

produced during that time.

Yeah, my grandfather
was one of them.

He... he was born
from the program.

Really? That is fascinating.

So this... this
Sweat, right, this...

this illness that's
going around campus,

could just be, like,
some kind of mindset.

Like some kind of

psychological or
sociological experiment.

I mean, not even real.

Yeah, I mean, I have
thought this all along,

you know?

So, one person is so
convinced that they have it,

then it spreads
to another person

who also feigns illness,

and eventually, we
all have it, right?

Or we think we do,
and then we succumb

to some kind of, like,
widespread hysteria.

Well, okay, Selena,
I guess if...

if we're going to
switch gears here,

if we were to view this moment

through a Nietzschean
lens, we might...

see it as mass hysteria or...

or conformity of sorts
of the weaker man,

- the weaker spirit.
- [Wilder] Yes, yes.

But I still feel like
that's missing something.

I mean, it's... it is a theory
about power and control,

the masses, the conformity
of the herd, yes.

But you're missing that
if we become above man,

if we become the Uberman,
then we can't get sick.

I mean, not in that way.

I thought suffering was
elevated in the Ubermensch.

Uh, uh, it is, it is.

So, I'm not sure I'm... I...
I'm not sure I'm following

or agreeing with
your point, Wilder.

Can we go back for a second?

Nietzsche denounced God,
right? Like, threw him out?

Well, you know, this idea
of throwing off religion

is kind of a sort of part
of the moral nihilism

of Nietzschean philosophy.

So, really, if you're a
follower of anything of...

of an institution, of a
religion, of whatever,

you're hoarding
your individualism.

Okay, but he also claimed
there was a crisis of nihilism.

He didn't throw God away.

He admitted that
the death of God

would profoundly
disrupt society.

Remember, religion at this
time was the construct

through which
individuals organized

their sense of the world.

Therefore, the loss of God
was a loss of coherence,

- a loss of objective truth.
- [Anya] Yeah. Yes.

God, I forgot how
smart you are, Parker.

Um, who here believes in God?

Reed, we're not
going to do a poll

on people's religious beliefs.

I feel like it's valuable
to the discussion.

Uh, Wilder,

- what about you, man?
- What?

- Do you believe in God?
- No.

So you're an agnostic?

- I'm an atheist.
- Whatever, same difference.

Actually, they're
not similar at all.

You don't believe
in God. We got it.

Mara, what about you?
Do you believe in God?

I... I have a feeling that
might affect your coupling.

Are we really doing this?

Why are you so interested
in our relationship?

Good question.

[Anya] Um...

Mara does not believe in God.

okay, look...

- I'm right here.
- Okay, all right, cool.

While I do think
that personal beliefs

can be relevant to
our discussions,

I'm... I'm... I'm
really not sure

why it's coming up
right here, Reed.

But Anya, you yourself
always talk about

how you're from Pittsburgh,

how that's shaped
your personal views,

how you move through the world.

I mean, shouldn't we be
doing the same thing?

How did we get to Pittsburgh?

Yeah, I didn't know that.

When did she mention
being from Pittsburgh?

Where's Pittsburgh?

Look, I... it's possible
that I have mentioned things

in previous classes.

The point is is that
no one has to adhere

to any of these theories,
obviously, in order to study...

Wait, okay, so I was
raised Catholic, right?

I, like, went to a
Catholic high school.

Okay, can we...

No, wait, Dr. Davis, I...

I promise I'm gonna make
my point really quick,

- and it's relevant.
- [Anya] All right.

Like, all that we were
talking about earlier, right?

How you're bringing
influences to your being,

or you wanting to be
like them, or whatever.

But, see, as I grew up,

I made the decision not
to be Catholic anymore.

Can you... Selena,

can you please stop
co-opting the class,

just to interrupt Dr. Davis

and say something
completely irrelevant?

What Selena is saying is
not completely unrelated.

Let's take a second here.

I... it is clear that people
pray to a higher spiritual being,

or a god, or institution,

or the like, in dark times

because they want
something to believe in.

I mean, much like we're doing
in this class right now.

Yeah, I mean, God has
stood the test of time

because much of society

- is entirely hopeless.
- Right.

And our judgment

of others is fickle.

I mean, actually, Molly,
when you think about it,

there is no right and wrong
when it comes to beliefs.

Wait, wait, wait, wait, wait.

So you're saying Hitler, and
like, all of his beliefs,

attempting to exterminate
the entire Jewish population

was correct?

[Wilder] No, that's not
what I'm saying at all.

Or the way the Russians
decided to hide

what actually
happened at Chernobyl

in order to glorify
their country

and maintain their
politics, their beliefs.

That's all a-okay?

It's not an issue of
morality, which is the trap

that this conversation
keeps falling into.

So, if it's not an
issue of morality...

what is the metric
that defines this?

[Molly] Well, I'm not...
I'm not moralizing though.

[Wilder] not morality,

- it's vitality.
- That's right.

The strength of
character is all.

- That's right.
- Yeah.

It's an issue of vitality.

And by the way, Molly, you know,

those are two more
obvious examples, right?

You know, kind of generic.

You can be a little more
specific is all I'm saying.

I'm sorry my digression
offended so many people.

Wow, Molly, I am so impressed

with you apologizing
for your behavior.

I am just pointing
out to you, Wilder,

that what you are saying,

despite your expertise on
all subjects all the time,

is not always correct.

Yeah, but I never said I was.

Well, then it's an incredibly
calculated performance.

Oh, no one's gonna back me up.

Okay, cool. That's
awesome. Great.

At my bar mitzvah,
my pants split

during the chair dance.

Oh.

Never set foot in
a synagogue again.

So, you gave up the
entirety of Judaism

because your pants split?

Well that and the whole
singing in Hebrew part.

That's pretty tough.

[Reed] Don't worry
about it, dude.

I went to so many bar
mitzvahs when I was a kid.

I technically lost
my virginity at one.

I got a BJ from this
girl with braces.

Oh, my God. Reed, shut up.
Shut... Just stop talking.

Nobody wants to
hear about your BJ.

I mean, we were having...

All of you, have you
been present recently?

Because we were having a
very intense conversation

about the Holocaust,

and all you can think about

- is getting head?
- Could... could we just try...

[Molly] That's so
insensitive and disgusting!

Okay, Molly.

What, oh, oh, I'm being
the crazy one right now?

No, I just...

I'm gonna ask us
all to just return

to a more respectful way
of talking to each other.

Well, it's not my fault that
Reed loves to just listen

to the sound of his own voice.

What's wrong with listening
to the sound of my own voice?

Your voice tells you a
lot about your being.

The Upanishads actually came up
with a lot of their philosophies

based on questions about
the origins of the voice.

[Molly] Stop and
listen to Dr. Davis

and stop being so disrespectful.

[Anya] I'd like to end this now.

[Molly] Shut up! Oh, my God.

I can't even handle
this anymore, bye!

- [Wilder] Reed?
- [Anya sighs]

Reed, can I, uh, can
I tell you something?

- [Reed] I'd be honored.
- Wilder.

You're an idiotic representation
of your generation.

A pig.

You're a pig grappling through
the vines of intelligentsia,

plotting against our
prolonged thought

trying to move things forward,

and then chewing our
ideas with your slime.

- You're just...
- Uh, okay.

Let's take ten.

[computer chiming]

[laughs]

[sighs]

Dr. Davis, we are missing
significant information

pertaining to what
actually happened

during the rest of the class
and the lead-up to the jump.

We've been in contact
with everyone involved.

We have testimonies

from your students
and your daughter.

You've been in contact
with my daughter?

We're just asking questions.

We've had to question
everyone involved.

So that's why he's here?

Professor Keating's the head
of the Standards Committee.

[Anya] Uh-huh.

Right.

So then he told you
we were fucking?

No, I hadn't.

And that I had called him
during the break in the class?

- So it's my fault now?
- Fault? No.

I mean, I just... I assumed
that's why you were here.

[Dean Johnson] Is this true?

[Cole] Yes, she
called me that day.

That's not what I'm asking you.

I'm asking you if you
were in a relationship

with her.

I don't see why that matters.

[Dean Johnson] Because
you're the head

of the Standards
Committee, Cole.

[Joanna] What exactly did
she tell you, Mr. Keating,

on that phone call?

- It's good to see you.
- Like, it's been that long?

It's been like five days.

Well, uh, yeah, but I mean,

feels like longer.

A lot has happened.

Like before the world
set on fire. [chuckling]

- Can you come over tonight?
- Yeah.

Uh, I got to finish this outline
for this grant application.

My Diderot research.

Um, are you okay?

[sighs]

Yeah, it's just my
seminar just got so crazy.

Which one was that?

Just like my only one, the
one with Wilder Hewitt.

Oh, what's up with him?

I thought you liked him.

I do like him, it's just...

he's just very volatile today.

So, uh, students, like,

so a lot of his kind, you know,

any of his type...

they can totally have

their heads stuck
up their own asses.

You know what I mean?

They think they know
everything about everything,

and you can't teach them.

But you can influence them.

And, you know, it's...

Often it's the most difficult
ones that teach us the most.

She said the class was hard
and that she felt overwhelmed.

Why didn't you tell us this?

[Cole] I... It didn't seem
like it was important.

You didn't think
it was important?

It was a conversation with
an academic colleague.

[Dean Johnson] Mm-hmm.

Okay, Cole, I think
you should go.

Is there anything else
that you'd like to tell us?

It seemed like she
was drawn to him.

[Dean Johnson] Drawn
to him in what way?

In the way that a teacher is
drawn to a bright student.

[Joanna] What did you
talk about with Wilder?

Many things.

We... we spoke often.

It seemed very much
part of his process.

It's... it's normal,
it's standard

that I speak with my students.

What... what is it
that you think I know?

Let's not jump to
any conclusions.

I'm not jumping to conclusions.

I'm just... I'm simply
asking questions.

I teach philosophy. It's
the nature of what I do.

December 2nd, 2009. Does
that date ring a bell?

No.

[Joanna] There was
a custody hearing.

Your daughter was five
years old, correct?

[sighs] Yes.

During the hearing, your
ex-husband, Phil Archer,

claimed that you were
unable to leave the house

for six weeks.

Yes, I was severely
depressed during my divorce.

That you were living in a
state of alarming disarray,

and according to your
daughter's testimony

during the proceedings,

"I saw Mommy eating."

Eating roots and
plants from the garden.

She said she wanted to
go back to the earth,

"to the way things
were supposed to be."

What does this have
to do with anything?

Uh, well, um...

what strikes me
about that statement

from your daughter, Anya,

is that it sounds very similar

to some of the things that
Wilder was talking about

just before he jumped.

Relevant to the
Nietzschean theories

you were discussing
in that class?

Yeah, I just... I'm... I'm sorry,
I don't... I don't understand.

[Joanna] Your daughter brings
up a level of instability...

- Oh my God, instability.
- which was also mentioned.

In December of 2014,

you resigned from
your last position

at Jones College.

Can you tell us about that?

What is going on here?

A student flung
himself from his window

- during your class, Anya.
- I know!

So I'm sure you can understand

- the urgency of the matter.
- I'm sorry.

I'm sorry.

I need a minute.

- [low somber music plays]
- [bell tolling in the distance]

- [Cole] Hey.
- Hi.

[Cole] I've been looking
for you everywhere.

Sorry.

I'm just, uh, really
glad you came.

I didn't think you would.

Hi, Wilder.

Hi, Professor Keating.

I'm glad you two met, uh,

as you know, Anya,
we don't really have

traditional majors here,

but I'd say Wilder's
focus is our department.

Uh, where do you live?

Oh, uh, the housing

over on Ponce.

Why?

Wanted to walk you home.

Great.

I'll see you tomorrow.

I'm in your seminar.

Great. See you tomorrow.

[Cole] Interesting kid.

[Anya] Yeah.

What'd you guys talk about?

[Anya] Oh.

The bonfire.

[computer chiming]

Kasper, Vlad?

Vlad, Vlad, Vlad, Vlad, Vlad.

- Seriously?
- Oh, Vlad!

[Vlad] Hey, hey! Parker!

- What's up, man?
- [computer chiming]

Oh, bye, Vlad.

Molly, how are you doing?

I know that was a
little tense before.

So sorry I got so
upset, you guys.

[Selena] ♪ What do you want?

♪ I want to be lonely ♪

Is that Selena
Ferrara on vocals?

Oh, I didn't realize
I was still on.

- Hi, guys.
- Hi.

Um, hey, is... is Reed coming?

- Or is he... Oh.
- [computer chimes]

[Parker] Yo! Reed, man.

I miss you.

It's been too long.

When we're... When this is done,
we're going to Bubby's, okay?

As soon as this is done, the
day this is fucking over.

Oh. Has anyone heard

about Dr. Davis and Dr. Keaton?

[Molly] No, why?

I saw them getting drinks
at Bubby's the other day.

[Molly] Yeah, okay, but maybe
they like their happy hour.

I mean, I sure do.

[Reed] Yeah, me too.

Yeah, she's also new.
It could be routine.

Maybe, yeah, maybe, I... I
saw them not once, though,

not twice, three
times, and last week.

Gossip!

You think they're fucking, bro?

I don't think they're
grading papers.

- Hello.
- [Reed] Hey, Wilder.

Hi.

That was really
emotional before,

and I just want to
discuss our feelings.

You know, you kind
of attacked me there

with that poetic gibberish

that sounded like it was
from Planet of the Apes.

Okay, they speak English
in Planet of the Apes.

- No, they don't.
- Yeah, they do.

[sighs]

- [clears throat]
- [computer chimes]

Okay, guys, so we're back.

Uh, I wanted to
start this next half

by just grounding
us in some text.

Really?

All right, guys, look, I, uh...

I know you don't
want to acknowledge

that there's any kind
of hierarchy here,

but I am your professor.

I am trying to lead
you in a discussion.

[Reed] I don't
believe in hierarchy.

Oh, wow, Reed, that
might be the first thing

you and I actually agree on.

Uh, your question
of my authority

or hierarchy in this
context is what?

Is directed at academia?

Yes, I mean, the institution.

And you bringing it up, you
yourself are questioning it.

You know, Reed, yes, he's
being an asshole dickhead,

but he still has the
authority to question you

just like you have the
authority to question him.

I mean, Plato, Socrates,
that was like the first

student-teacher
relationship, right?

But look at where
hierarchy has gotten us.

We live in a completely
patriarchal, racist society.

This isn't a philosophy,
it's gender studies.

Oh, well, thank you for
bringing up my minor.

Also, I hate it when any
time a woman loves to talk

about patriarchy or equality,

a man has to question
it and be like,

"Oh, do you know
gender studies?"

It's, like, so frustrating.

All this male versus
female bullshit.

I mean, God, we've
been dealing with it

since the beginning
of fucking time.

We are still dealing with it.

Ah, I mean, for example, okay,
at the beginning of this class,

Parker brought up
the fact that you are

in a sexual relationship
with Dr. Keaton.

[Parker] Whoa,
whoa, whoa, Molly!

What? You did.

And just by the way,
if you were a man,

do you think anybody would be
saying something like that?

[sighs]

Right, um...

I, uh...

I'm gonna disregard
that last statement

that you made, Molly, about
my personal life, and I am...

I'm just gonna
read the text now.

Uh, this is from
Beyond Good and Evil.

"What inspires
respect for women,

and often enough even fear,

is her nature, which is
more natural than man's.

The genuine, cunning, suppleness

of a beast of prey.

The tiger's claw
under the glove.

"Her inner wildness."

Men oppress women,
because they know

they're a force to
be reckoned with.

Well, Nietzsche also claims
that the emancipation of women

from feminism is
merely just a...

I mean, kind of a resentment

of some women
against other women

because they're better
physically constituted

and more able to bear children.

It sounds like a little bit of
a compliment from Nietzsche,

layered with this
bit of misogyny, no?

No, exactly, Kasper,
because literally,

any time a woman is competing
against another woman,

it's inherently misogynist,

because it's for the
benefit of a man.

That's, like, the first thing
I've heard in this class

that makes sense.

Look, Lucinda and the
Argonauts is a great example

of a text that actively
engages with...

- Are you serious?
- No, no, no!

We are still questioning
if men are the greater sex,

and that's insane!

Right, but that's because
they are, I mean...

In Nietzsche's theory, right,

a woman's whole purpose...
Her whole purpose, her goal,

is to give birth
to an Ubermensch.

Which is just a theory.

Right, but her
ability to do that

dictates her
relationship to man.

Nietzsche talks
about the Ubermensch

that literally
translates to "superman."

Okay, so, Wilder,

you're actually
interpreting it literally.

You know, Wilder,

I think that that
interpretation is valid.

Okay, thank you, yes,
more than valid, but...

- So you're agreeing with him?
- No, I'm not, I'm just...

I'm saying that
it's interesting,

and that I'm acknowledging it.

Look, it's impossible
to talk about Nietzsche

and... and sort of
skip over misogyny.

It's... it's in his writings.

But wouldn't it be interesting
to think of misogyny

as a part of, perhaps,
an overall strategy...

of Nietzsche's to
demonstrate that our attitude

towards gender and sex
is completely cultural?

And it's often
incredibly destructive

to our... our potential
as individuals

and as a species, and...

perhaps it's something
to be overcome.

It's an interesting, I mean,
glorified, positive reading.

But it's all besides the point,

because when it
comes down to it,

men did come first.

And were created first.

According to the Bible?

- Yeah, which is...
- So we're interpreting

the Bible literally?

Yeah, it's a source of
mythological creation.

Okay, but we've seen
in this class, right,

mythology, philosophy,
and it's also...

There's plenty of
scientific evidence

that backs this up.

Okay, Nietzsche had very
controversial views on this.

Next text.

"From the beginning,

nothing has been more
alien, repugnant,

or hostile to woman than truth.

Her great art is the lie

"and highest concern is
mere appearance and beauty."

Oh, Selena, the prime
example of that.

- Wilder.
- Excuse me, I'm sorry?

Well, no, it's
just, you obviously

put a lot of effort
into your appearance

just to come onto
this online class.

You know what I mean?

- Easy, Wilder.
- Oh, my God.

That is just offensive.

It's not offensive, it's
just an observation.

No, no, no, no, no, no.

This whole fucking
seminar is offensive.

Yeah, this whole
seminar is offensive.

It's fucking biased,

and set in a bunch
of made-up beliefs!

- None of you...
- [Reed] Selena!

- None of you...
- Selena!

can even comprehend
or understand the fact

that I might actually
have a brain.

- Yeah, and that I...
- Stop, stop, stop!

I... I...

There's something
wrong with your eyes.

What? What is it?

[gasps] Oh, my God.

Oh, my God, you guys,

help me, tell me what to do.

Help me! Tell me what to do.

Wash out your eyes
with water and...

I have to go. I
have to go, just...

Where did she go?

Maybe someone should
go check on her?

[Parker] Yeah, yeah, yeah,
I'm on it, all right.

Reed, the eye thing,

is it really a
sign of the Sweat?

- I thought you were joking.
- I thought I was joking, too.

Well, if you were joking,
then how do you explain

her eyes actually being white?

I don't fucking know. Pink eye?

- Seriously?
- Look, has anyone been

in contact with her
in the last few days?

I left... I left
cookies at her door.

But long story.

- [Wilder laughs]
- [Reed] What's so funny, weirdo?

Look, guys, I... I, um...

I'm not so sure that
we should continue.

Yeah, it... it
doesn't feel right.

I think I'm... I'm gonna
go, and check on her.

No, Mara. Mara, Mara,
just stay, stay.

We should absolutely
continue. What else can we do?

No, I... I actually think
that... that we should

probably just end this.

No, Anya, we should
absolutely continue.

Nothing can be done for Selena.

- How do you know?
- Because I do.

Look, we have an obligation
to continue this class.

What obligation, I can
leave whenever I want, okay?

It's a free zone.

Okay, then go ahead.

"I love all who are,
like heavy drops,

falling one by one
from the dark clouds

that lowers over man.

They herald the coming
of the lightning,

"and succumb to the heralds."

I feel sick.

I'm going to
call... call Selena.

Hey, um...

I, uh...

So, what are we doing?

Uh, we're gonna continue.

- Really?
- Next quote.

"Lead back to the earth

the virtue that
flew away, as I do.

Back to life, back to the body,

that it may give
the earth meaning.

"A human meaning."

Okay.

Does anyone have
anything to say?

Anyone?

Mara?

I think that on this
notion of virtue

and the power of virtue,
I think that he's saying

that we need to
ground ourselves.

Right, but we can't
ground ourselves

in something that's unfit.

Right, but what I'm saying
is that I think we need to...

We need to find... No, we
need to find something...

Hey, Wilder, I think
Mara was speaking.

- I was.
- Oh, well, I speak through her.

She speaks through me.

- No, but that isn't...
- Shh. Mara.

Mara. Mara.

I just need you to give me
a second so I can figure

these ideas out for myself.

What's the point
when your analysis

is gonna be so generic?

You're not moving
anything forward.

You're afraid, Mara.

- You're afraid.
- Stop telling me what I feel.

I can tell you whatever
I want to tell you.

That is not okay for you to say.

Yeah, you're right, it's not.

The Earth has become small,
and on it hops the last man

who makes everything small.

Therefore, one must sacrifice
themselves to the Earth

so that the Earth
of the superman

may hereafter arrive.

That's incomprehensible.

It's not incomprehensible.
It's so clear.

It's just difficult and...

and it's difficult to
inhabit and understand,

but it is possible.

No, I don't think it is.

That's just because you're
convincing yourself of that.

Because our reality has
superimposed certain ideas,

certain images into your brain,

you think that
it's not possible.

But there's been no
proof, no actual proof

that this can't be achieved.

And look, right now,

right now, this is our chance.

I mean, we're all gonna
become extinct anyway.

What are you talking about?

Oh, my God, Mara!

Come on, stop... stop acting
like you don't know me.

It's me.

If you want to
keep on pretending,

then you can join the
throngs of women like Selena

who prostitute themselves,
and end up infected.

[laughs] So what
are you gonna do?

I mean, either stay or go.

Go. Go, leave. Leave the call.

Hang up on me like
you did last time.

If you're not strong enough
to continue this work,

then you should leave.

You are not God, Wilder.

- [computer chimes]
- [Anya sighs]

[computer chimes]

The fuck just happened?

I don't know. Did
either of them answer?

No, but maybe...
maybe Parker's there.

- I'm gonna call him.
- I'll call too.

Reed, give me the number.

I hope she's okay.

It feels real bad.

What all of you
are not realizing

is that this Sweat,
this... this illness,

it has the potential to
wipe us all out entirely.

I mean, look at what just
happened to one of our own.

We don't know what that was.

We have to face
the consequences.

We have to be ready.

Ready... ready for what?

- [computer chimes]
- We...

We have to prepare ourselves.

We have to take risks.

Anya, Anya, tell them.

Tell them what you
told me last night.

Last night?

"Our minds are the
most dangerous.

Man is but a rope

between the animal
and the superman.

A rope over an abyss.

Wilder, what?

What is great about man
is that he is a bridge,

"not a goal."

Wilder, you have to stop.

[laughs] I knew. I knew it.

I knew you were never really
devoted to me, Mara, I knew.

I knew this would never last.

We... we have to
endure the unthinkable.

We have to get
ready for the pain.

Wilder, Wilder, you have
to listen to me, okay?

You have to stop this.

Everything... everything
is pitted against us.

Wilder, don't... What
are you doing, okay?

Listen to me, Wilder,
I care about you, okay?

I'm coming over. I'm
coming now, okay?

[Molly] Wait, how
far do you live?

Um, close, five minutes.

No, no, no, no, no, no.
Not... not close enough.

See, that's the problem. We
can never be close enough.

Okay, I'm gonna meet
you there, okay?

- I'll come right now.
- No, wait, it's better

if it's just me, I know him.

You don't, you
don't know me, Mara.

You really don't know me.

I don't know me. No one knows.

- [Mara] Wilder.
- [Wilder] No one.

[Mara] Please, I'm
on my way, okay?

I'm coming right now.

Dude, Mara's on her way.
Everything's gonna be okay.

- Sit down, okay?
- It's going to be fine.

Anya? Anya, we're in
this together, right?

Like you said, right?

We're doing this work together.

Dr. Davis.

[Wilder] "Lo, for I am a
herald of the lightning,

a drop out of the cloud."

But I am not the lightning.

The lightning, however,
is the superman.

Anya, Anya, don't...
don't be afraid.

I... I have imagined
this moment.

This beautiful,
beautiful moment.

Do you trust me?

Trust me.

Wilder.

This is just the beginning.

[Molly] Don't... [screaming]

Oh, my God!

Oh!

Is anybody there?
What's happening?

Students of Eastling, hello.

I hope you are all
keeping safe and well

during this challenging time.

I come to you with grave news,
but also with some news of hope.

All of you know the challenges
our college has faced

over these past few weeks.

Ours is a small and
familiar campus.

And so it is with great
sadness that I share with you

the passing of
undergraduate fellow

Wilder Buck-Hewitt.

Wilder had just begun
his junior year.

And those of you who knew him

or may have encountered
Wilder on campus

may remember his generous

and formidable academic spirit.

We ask for privacy regarding
Wilder's sudden death

from his peers,
faculty, and friends.

Now, as we take this
time to mourn Wilder,

we also take this opportunity

to open our campus again.

We believe that this outbreak,

or what has been
referred to as the Sweat,

has been contained.

And so over the next two weeks,

we will start making
our way back to class.

Now, I know this has been a
difficult time for all of us.

It is my promise to you that
Eastling College will come back,

and we will be better than ever.

Thank you, and take care.

[somber piano
instrumental playing]

[bell chiming in distance]

♪

We've been going
through the testimonies,

and there's been a kind
of unanimous statement

between the students who
witnessed what happened

that you didn't
try to stop Wilder

as he went towards his window.

With all due respect,
nobody could stop him,

but I was actively trying
to keep him online.

Kasper Krogmann said that Wilder
was encouraging you to join him.

According to some
of your students,

it appears as if Wilder
believed that, uh,

through jumping, he was flying
to prove a higher existence.

I mean, it's clear that
something went wrong here.

He clearly grabbed
onto these ideas

in some kind of state,

and created an alternate
truth for himself.

That he existed above all
of us, of humanity, per se.

That he was actually
trying to align himself

with the Ubermensch?

Sorry, David, wh... what
is it that you're implying?

That... that I was complicit?

That I somehow influenced

the death of my own student?

Anya, I'm sorry to have
to put you through this,

but it's something
that we absolutely...

David, David, please, I...
I just can't sit here,

and listen to you sort
of defend or glorify

the... the shortcomings
of the institution.

I... I mean, you've really spent

the greater part of
this interrogation...

[woman] This is not
an interrogation.

Well, whatever this is,

you've spent the
greater part of it

sort of illuminating and...

broadcasting my...

private and personal frailties,

of which I have many.

I... I suppose this
is of interest of you,

because you... you need
to assign blame for what

transpired in my
class, of course.

I mean, this is...

It's... This is an issue
of liability, right?

You know, it is
my responsibility

to sort of open the
door to... to becoming,

but it is not my responsibility,

and it is not in my
charge what becomes.

I did not take
Wilder Hewitt's life.

What transpired in my class

is incredibly heartbreaking,

and please, never
underestimate the depth

of suffering that
I have incurred.

But...

I... I reject

your moral accountability
of this situation

and... and honestly, shame
on me for ever spending

any portion of my life
trying to gain acceptance

in a realm that
purports a notion...

of radical...

intellectual freedom
without the capacity for...

[clock ticking]

[Dean Johnson]
Anya, as you know,

we have security
cameras all over campus.

Yes.

And we've been checking them
to see what might have happened

near Decker Hall.

Science building.

Anya, what we're about
to share with you

is strictly confidential.

[Joanna] 18th September,
we have security footage

of Wilder Hewitt
entering Decker Hall.

That date is about a week
before the campus shut down

due to a highly
infectious virus.

So Wilder, he wasn't
studying science.

Decker Hall is all labs.

How did he get access?

Only faculty have access
after 7:00 p.m., correct?

That's right.

Sorry, where is this going?

There's significant evidence
that this Sweat, this virus

that spread all over
campus was caused

by a leak in one of those labs.

So, that night, the
night of September 18th,

was the last time Wilder
Hewitt visited Decker Hall.

According to our footage,
he visited two times

prior to that night on his own.

[clock ticking]

And you think that I
knew about these visits?

I don't know what you knew,
but we have clear evidence

that your card was used

to let him in on the
night in question.

[fire crackling]

[Wilder] Sometimes I think
there never really was a plan.

We were all just put
here on this earth

to wither and squander, and...

wither away and not make
any progress at all.

When I think that I feel scared.

I feel defeated.

Then I hear this voice.

This voice like, inside.

And this voice tells me
that there is a plan.

It's not going to be
easy to understand.

But it's higher.

Higher than anything
I've ever imagined.

I don't think I'm even
ready to understand it.

Not yet, anyway.

But I was hoping that maybe you
could help me understand it.

Because I don't think
I can do it alone.

I feel...

I feel so alone.

Am I alone?

Dr. Davis?

[clock ticking]

[insects buzzing]

[contemplating melody playing]

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♪

♪

♪

♪

[music fades]