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>> NARRATOR: Intricate diagrams
carved into the surface of the.
Earth.
>> GIORGIO TSOUKALOS: There are
over 800 straight lines.
One has to wonder, what was
it for?
>> NARRATOR: Massive depictions
of animals and strange beings
seen only from the sky.
>> MARLENE EVANS: There's
enormous amount of mystery about
the Nazca Lines.
Who could have done this, and
why?
>> NARRATOR: And bizarre,
elongated skulls found all over
the world.
>> DAVID CHILDRESS: This is an
unusual cranial, kind of
elongated head.
And we don't know whether
it's really natural or was some
kind of deformation that they
did.
>> NARRATOR: Are the mysterious
geoglyphs of Nazca really just
artistic creations by
ancient man?
Or are they evidence of
otherworldly visitors in the
remote past?
>> ERICH VON DANIKEN: I am
absolutely sure long time ago
the extraterrestrials, they
were seeking for raw material
for energy of all kind.
They found Nazca.
>> NARRATOR: Millions of people
around the world believe we have
been visited in the past by
extraterrestrial beings.
What if it were true?
Did ancient aliens really help
to shape our history?
And if so, might the proof be
found when we explore
found when we explore the mystery Beyond Nazca?
The mystery Beyond Nazca?
>> NARRATOR: Southern Peru.
1927.
While hiking in the foothills of
the arid Nazca Desert,
archaeologist Toribio Mejia.
Xesspe discovers what appears to
be a large network of ancient
roads carved into the earth.
Years later, as airplane travel
to the region becomes more
frequent, aerial flyovers reveal
nearly 100 other designs in the
nearby landscape.
Known as geoglyphs, they depict
animals, flowers, and even a
animals, flowers, and even a mysterious, human-like being.
Mysterious, human-like being.
Scattered over a nearly
200-square-mile area, these
lines and figures have become
collectively known as the Nazca
s.
>> NICK REDFERN: The Nazca Lines
consist of these massive
drawings, or carvings, if you
like, on the ground.
Everything from geometric
symbols, lines, to animals...
Fish, birds.
But the intriguing thing about
them is, you know, number one,
they're massive, and they can
really only be seen properly
from the sky.
>> TSOUKALOS: There are over
800 straight lines.
There are over 70 animal
figures.
There are over 150 geometrical
shapes.
>> JASON MARTELL: We have glyphs
of different figurines on the
ground.
We have these intricate lines
and what appear to be runways
spread all around the desert.
Some of these actually show
mathematical diagrams built
thousands of years ago, which
really raises the question: Why?
>> EVANS: There's an enormous
amount of unanswered and perhaps
unanswerable questions that
arise from the phenomena.
>> NARRATOR: The largest of the
figures is nearly 1,000 feet,
or the size of three football
fields...
while the longest line extends
almost nine miles.
According to mainstream
archaeologists, these mysterious
earth drawings were created by
the Nazca, an ancient people
that flourished in the region
between the 1st and 8th century.
A.D.
The lines were formed by the
careful removal of the reddish
iron oxide pebbles that make up
the desert surface.
Once exposed, the underlying
dirt, which contains high
amounts of lime, hardened and
was resistant to erosion.
>> HUGH NEWMAN: The Nazca plain
is made up of layers of
light-colored kind of rock and
dirt with dark-colored rock and
dirt, just on top.
It's very simple.
And then you just remove the
rk-colored stuff to reveal
these kind of white looking
lines over the landscape.
It's like a canvas that isn't
being disturbed, that's
maintained its integrity for
hundreds or even thousands
of years.
>> PHILIP COPPENS: The reason
why they have survived is
because of the desert
conditions.
Truly, if you make a geoglyph at
the Nazca Desert environment
today, it will be found hundreds
of years from now.
There is hardly any rain, hardly
any wind.
Anything you make here will last.
Anything you make here will last for eternity.
For eternity.
>> NARRATOR: But why did the.
Nazca people feel it necessary
to make these elaborate and
massive drawings in the earth?
What purpose were they intended
to serve?
And why were they designed in
such a way that they could have
only been seen and appreciated
from the sky... at a time when
aircraft didn't even exist?
>> COPPENS: The only place you
can see them above is that
somehow you're floating in
midair.
>> TSOUKALOS: It has been
suggested that whoever inhabited
the Nazca plateau, that they had
access to some type of balloon
flight, so that they could
appreciate what they had created
on the ground.
If the Nazca population had
access to balloon flight, the
Spanish chroniclers would have
most certainly recorded that in
their reports.
But there is not a single word
that describes that the Nazcans
had access to hot air balloons.
They would have written that
down, but they didn't, so it
didn't exist.
>> COPPENS: By default, we're in
the bailiwick of highly advanced
terrestrial technology, and that
is really the anomaly of the.
Nazca Lines.
They really are easy to make,
when you look at it, because it
is only really removing the top
layer of a surface.
But the magnitude of the figures
is what makes this such a
is what makes this such a mplex undertaking.
Mplex undertaking.
>> CHILDRESS: Many of the lines
at Nazca go for miles, perfectly
straight through the desert.
There are various trapezoids and
spirals and other glyphs that
are so large that the surveyors
would need some direction
from the sky.
And this is where aliens or some
kind of people with flight had
to be involved with the creation
to be involved with the creation of the Nazca Lines.
Of the Nazca Lines.
>> LINDA MOULTON HOWE: I was in
Peru for a month in 1987.
I went with a pilot over the
plains of Nazca.
The first pattern that the pilot
said, "Well, let's aim for that
long six-mile triangle."
And there have been laser
surveys done, and it is
remarkably accurate,
this triangle.
And it looked like something had
pressed the whole ground down at
least 24 inches.
How would you press down a
six-mile-long perfect triangle
into the desert of Nazca?
What kind of technology can do
that?
That? Not the feet of ancient people.
Not the feet of ancient people.
>> NARRATOR: How could the
ancient people of Nazca have
created such massive geoglyphs
without the capability of flight
or the use of advanced tools?
Might these mysterious lines
have actually been created with
the help of otherworldly beings,
as ancient astronaut theorists
believe?
>> MIKE BARA: The fact that
these designs can only be seen
from above, from the sky, is an
indication that they were to be
used as navigational markers for
the gods when they were actually
here.
So the question then becomes,
you know, were they drawn in
this way as navigational markers
for the gods to actually fly
their vehicles in?
>> TSOUKALOS: Let's assume for
a moment that extraterrestrials
sent down some type of an
unmanned craft, like a rover
that we have on Mars right now,
that is collecting samples, and
is driving around a desert
plateau.
It, of course, leaves behind
some type of tracks.
And then the natives who just
witnessed this would look at
each other and say, "Wow!
We were just visited by God."
When in reality, no such thing
happened.
>> REDFERN: Now, could it be the
case that the gods directed the
building of them to the
people below?
Could it be that there was some
sort of teaching process
involved?
The fact that we're talking
about geometric lines and things
like this, was it a teaching
process by somebody up there for
the so-called "lesser perceived"
people down below?
We're still asking questions
1,500 years later, but, you
know, to this day they fascinate
people and just provoke endless
controversy.
>> NARRATOR: Were the Nazca.
Lines really navigational
markers for otherworldly beings
visiting Earth?
Or were they meant to
commemorate an extraterrestrial
encounter, one that happened...
encounter, one that happened... tens of thousands of years ago?
Tens of thousands of years ago?
Modern-day historians and
anthropologists believe the.
Nazca people were one of several
ancestors of the Inca
civilization, the largest empire
in pre-Columbian America.
In the 13th century, the Inca.
Empire thrived in the Andes.
Mountain region of South.
America.
According to legend, the
mysterious Incan creator god.
Viracocha, commissioned the.
Nazcnes and glyphs in the
remote past.
>> NEWMAN: And these were said
to be created by the Viracocha
himself, who was the great
teacher god of the Andes.
And so where he came from is
still a mystery.
He could've been from Sumeria.
He could've been connected
somehow with the Anunnaki.
No one really knows.
But the same legends and the
same stories of these great gods
appear throughout the world,
especially all the way through
the Americas.
>> COPPENS: We know that
they are part of a creation
mythology in which some of the
figurines which are depicted
here are said to be deities, are
said to be part of the creation
mythology as to how the people
who lived in that area and who
made these geoglyphs came about.
They are messages to be seen
from above to basically say that
the people on the ground still
live in accordance with the
rules established by the deities
who came from above to teach the
people on the ground about
civilization and various other
aspects of culture.
>> NARRATOR: Could the lines and
glyphs of Nazca really have been
the work of the Inca god.
Viracocha, as their legends
suggest?
If so, what was the purpose of
carving these strange geoglyphs
into the Earth?
Perhaps the answers can be found
by taking a closer look at one
of Nazca's most mysterious
figures, one that has become
figures, one that has become known as El Astronauto.
Known as El Astronauto.
>> NARRATOR: Switzerland, 1968.
Researcher and writer Erich von.
Daniken publishes his first
book, Chariots of the Gods?
In it, he introduces the
revolutionary notion that the.
Nazca Lines were cre by the.
Nazca people after witnessing
extraterrestrials using advanced
technology and a sophisticated
knowledge of mathematics.
>> MARTELL: Erich Von Daniken
was one of the first to actually
do aerial flyovers of the Nazca
region, and was one of the first
researchers to not only look at
the diagrams on the plain floor,
but also in the hills of Nazca.
We find intricate mathematical
diagrams that have never been
diagrams that have never been documented before.
Documented before.
>> VON DANIKEN: When you fly
over the desert, you see down
gigantic lines.
Seen from the air, they give you
the imagination of airstrips
because they start abruptly,
end abruptly; Sometimes they
cross.
They look like airstrips.
>> COPPENS: When Erich drew the
comparison as to how this looks
like a network of runways, it is
to draw a visual comparison to
what they look like from above.
They are not runways.
They would not support the
weight of anything physically
landing there.
>> KEN STORCH: Some theorize
that they were runways.
I don't believe that for a
moment.
Hell, I was in the Air Force
for six years, and none of the
aircraft that we had would be
capable of landing on that as a
runway.
I think it's more of a
attention-getter.
You can see them from space.
So I think that it's a, uh...
a signal.
>> NARRATOR: In the more than
four decades since the
publication of Chariots of the.
Gods?, Erich von Daniken's
controversial theories
concerning the Nazca Lines have
continued to spark widespread
st.
Some scholars, after discovering
curious patterns in the numerous
designs, suggest that the Nazca.
Lines might actually be one of
the earliest known examples of
applied geometry.
>> MICHAEL DENNIN: They were
interesting geometric figures.
They could draw a figure, and
then they could envision making
it even bigger.
You're making angles; You're
approximating distances, and
that innate skill of us to deal
with geometry, I think,
translates to our earliest art
forms.
>> BARA: It's interesting as you
look at these designs on the
plains of Nazca, some of them
have very, very interesting
relationships to the skies
overhead.
There's a very famous glyph of a
spider with one leg that extends
way, way out, and if you take
that and flip it into sort of a
mirror situation, what you can
plainly see is that the spider
is meant to represent the
constellation of Orion, and the
meant to represent the star, is
Sirius.
So whoever put these designs on
the plains of Nazca understood
the same thing that all of the
other ancient cultures before
them understood, which is that
there's some critical importance
to understanding Orion and
Sirius and their relationship to
Sirius and their relationship to the Earth.
The Earth.
>> NARRATOR: But could the Nazca
figures really have had a more
profound purpose?
Some ancient astronaut theorists
believe they were created as a
means of communicating messages
to the gods...
messages that may have also
included a plea for them to
included a plea for them to return.
Return.
Ancient astronaut theorists
believe the mysterious figure
known as El Astronauto could
hold a clue to the Nazca
mystery.
>> CHILDRESS: They call him.
The Spaceman... and he appears
to have a space helmet or
something on his head, and he's
got one arm up and he's waving.
And it would seem this is one of
the sky gods.
Or if he's not one of the sky
gods himself, he's one of the.
Nazca people who's waving to the
sky gods and saying, "Hi, we're
here. Come and land.
We know you came here before.
Come back."
>> TSOUKALOS: You have a figure
that looks like E.T., with the
big eyes and the big head, and
one hand is pointing to the sky
and the other is pointing to.
Earth, as if it was some type of
a message: "Hey, something"
happened here; We were visited
by beings from above.
>> NARRATOR: Is the mysterious
figure known as El Astronauto
evidence of an extraterrestrial
visitation in the distant past,
as some researchers believe?
And if so, might this suggest a
reason why extraterrestrial
visitors may have landed at
visitors may have landed at Nazca in the first place?
Nazca in the first place?
>> VON DANIKEN: We send
scientists from the University
of Dresden to Nazca.
They measured the magnetic
field, and they found a change
in the magnetic field under some
of the lines.
And also, we measured the
conduction, electricity along
the lines, and right next to it,
the ability to conduct currency
was 8,000 time higher on the
lines.
And they found that eight feet
below one of these lines, the
magnetic field definitely
changes.
So we have the result.
There is something in the
ground, but we don't know what
ground, but we don't know what it is.
It is.
>> NARRATOR: Is it really
possible that something in the
earth might have attracted an
otherworldly species to Nazca?
Could it have been an outpost
for a mining operation of
precious metals?
Or perhaps minerals needed for
rocket fuel?
>> MARTELL: It's been said that,
if any extraterrestrial wanted
to come to Earth, Nazca would be
a great place for them to land.
Nitrates and various things that
we use in our modern propulsion
are found in abundance.
Maybe it's possible that
extraterrestrials were aware of
this location as an energy
source, and ancient man left
these depictions and runways as
a way to entice those beings
to come back.
>> COPPENS: We find that the.
Nazca civilization was placed in
nitrate-rich environments.
They had no purpose for these
nitrates.
The question might be, whether
nitrate was indeed of importance
to the people who came to this
area, maybe in prehistoric
times.
Maybe an extraterrestrial
civilization somehow had a
purpose for this nitrate.
Because nitrate is used in an
awful lot of interesting
technological applications
today.
Such applications as space
travel.
>> NARRATOR: But might the
extraterrestrial contact at.
Nazca have been designed to
support an even greater presence
that we have yet to recognize?
And could Nazca have in time
served its purpose, only to
be... abandoned?
>> TSOUKALOS: With any visit, or
with any project, the time
arrives when something is
arrives when something is finished.
Finished.
And that is why some of these
contacts had ended, because the
aterrestrials went on to
different places.
>> CHILDRESS: So why would
extraterrestrials be coming to.
Nazca?
Some of the lines at Nazca are
going straight through the.
Andes.
The lines themselves directed
you farther east.
>> NARRATOR: But if Nazca was
used as an ancient mining site
by extraterrestrials, might
there be evidence of other,
similar sites around the globe?
According to ancient astronaut
theorists, there are.
And they can be found hundreds
of miles away at the ruins of
of miles away at the ruins of another lost civilization.
Another lost civilization.
>> NARRATOR: Western Bolivia.
400 miles east of the Nazca
plain, near Lake Titicaca, lay
the ancient ruins of Tiahuanaco.
According to archaeologists,
this ancient city was the
capital of the Tihuanaco culture
that thrived more than 1,000
years ago.
But ancient astronaut theorists
believe that Tiahuanaco is also
the place where the mysterious.
Nazca Lines seem to be pointing
to.
But if so, why?
>> RICHARD LEVITON: When we
consider the Nazca Lines in
Peru, we have to consider them
in their context.
They're not isolated phenomena.
There might not be other
examples exactly like the Nazca.
Lines, but they would be
embedded in a larger ritualized
or ceremonial landscape that
might include other famous
places from ancient cultures,
such as Tiahuanaco.
>> TSOUKALOS: At Tiahuanaco, we
can find hundreds of glyphs.
We can find faces.
We can find carvings of all
sorts of different things.
>> NARRATOR: According to
legend, Tiahuanaco was created
as a tribute to beings called.
Sky People, under the direction
of Viracocha, the Inca god
linked to Nazca.
But might these Sky People be
the same extraterrestrials who
helped create the Nazca Lines
thousands of years ago?
According to ancient astronaut
theorists, the answer is yes.
>> CHILDRESS: Nazca, in a sense,
is really a way station along
the coast of Peru.
There's an indication there that
once you arrived in Nazca with
your airship, the lines
themselves directed you into the.
Andes to the giant megalithic
cities of Tiahuanaco and.
Pumapunku.
>> NARRATOR: But is there other
evidence of an extraterrestrial
presence at Tiahuanaco?
Evidence that may give us
insight into the true nature of
the ancient aliens who allegedly
visited Nazca in the remote
past?
>> NEWMAN: There are many
connections between the Nazca
culture along the west coast of
Peru, and the inland cultures,
the Andean cultures of.
Tihuanaco, Pumapunku and Cuzco.
All throughout this area, they
found evidence of these unusual
elongated skulls in all these
different places, not just in
one area.
And so, it seems like they were
the builders of these sites.
>> NARRATOR: Found in numerous
gravesites in the region, these
elongated skulls have a cranial
capacity 25% larger than human
skulls.
But where did they come from?
>> HOWE: You will find academic
critics who will say it was
because there were some Incas
who wrapped their baby's heads
in some kind of blankets or
cloths to make them grow long.
A kind of cosmetic procedure.
There's a lot of argument on the
other side that there is not one
single piece of cultural
evidence that the Incas ever
bound the heads.
So, you've got a conflict there
among archeologists, even
looking at the Peruvian heads.
>> VON DANIKEN: I suggest the
extraterrestrials who were here
thousands of years ago... they
hadelongated heads, and our
ancestors simply wanted to copy
it.
They made it in the beginning.
They hoped that they would
become similar to the
extraterrestrials they have seen
a long time ago.
>> COPPENS: They are physically
changing the appearance of their
children to resemble the
physical appearance of the
deities.
For the Nazca people to have
done that, it means that these
people somehow preserved the
memory of such physical contact
with a deity.
>> NARRATOR: But if there is no
evidence of the skulls being
created by means of binding, or
other man-made means, then how
can they be explained?
Could there be another, perhaps
more extraterrestrial,
explanation?
Might they be evidence of some
kind of human-alien hybrid race,
a race that not only lived in
western Peru but who may have
also inhabited ancient Egypt?
According to ancient astronaut
theorists, the answer is a
profound yes.
And they also cite a link
between the people of Nazca and
the god Viracocha.
>> NEWMAN: What's most
interesting is the fact that.
Viracocha was also said to be
the builder of all these sites.
So was he part of the race of
the elongated skull people that
came to this land and built all
these amazing megalithic
temples as well as the Nazca.
Lines?
>> NARRATOR: What is perhaps as
mysterious as the origin of the
elongated skulls is the fate of
the Nazca people.
According to most
archaeologists, both Nazca and.
Tiahuanaco were suddenly
abandoned at about the same time
approximately 1,000 years ago.
>> STORCH: Those civilizations,
I think, are connected to what
was going on in the Peruvian
sert with the Nazca Lines.
To what extent?
I don't think we know.
There's not enough information
that has been gleaned from those
civilizations, but they both
disappeared around the same time
for whatever reasons.
>> CHILDRESS: But there was some
shift in the earth right then,
either some massive earthquake
that even caused Lake Titicaca
to flood the whole area or
perhaps it was some kind of
cosmic war between the
extraterrestrials.
But once that mining center...
The, in a sense, the capital of
this area... was destroyed and no
longer functioning, Nazca became
this backwater where nothing was
really happening anymore.
And it was during that period
probably that many of the lines
were drawn and the figures,
trying to attract the
extraterrestrials.
>> NARRATOR: Might the
elongated skulls found at sites
surrounding Nazca really be
evidence that extraterrestrial
beings once visited Earth
thousands of years ago?
And, if so, is it also possible
that these otherworldly beings
came to mine precious minerals
until they were mysteriously
destroyed, as some ancient
astronaut theorists contend?
Perhaps further evidence can be
found hidden in plain sight at
mysterious mounds and crop
circles found all over the
circles found all over the world.
World.
♪
>> NARRATOR: Pleasant Hill,
Ohio, 1848.
The Smithsonian Institute
surveys a 1,350-foot lon
three-foot high effigy mound
built in the shape of a coiling
serpent.
Like the lines and geoglyphs of.
Nazca, this reptilian motif
known as the Serpent Mound can
only be seen from high above the
earth.
>> CHILDRESS: Similar to Nazca,
what we have with these earth
mounds is that they're put into
easily recognizable symbols, but
unless you're looking at them
from some altitude, they don't
look like anything.
>> CLIFFORD MAHOOTY: In the.
Native American legend, we call
it the plume serpent, which is
probably the same as the.
Quetzalcoatl down in the tribes
in Mexico.
The plume serpent theory is
probably related to something
that came from the sky.
It came from the
aterrestrial territory.
Serpent Mound and other places
of what the Indians used to
call places of worship are very
important to study these things.
There are certain things that
are connected for the well-being
of the planet, whether it be the
magnetic system, whether it be
the ley lines, whether it be
observance points from other
worlds that existed here before.
>> NARRATOR: According to
historians and anthropologists,
an indigenous Native American
culture called the Fort Ancient
people built the mounds nearly
1,000 years ago.
But, if so, why?
>> COPPENS: Serpent Mound is an
extraordinary site.
It is one of the most important
sites in North America.
It's almost as if somebody is
trying to point out, that for
anybody passing from above, he
or she or it is about to
approach a site of importance.
>> NARRATOR: Why would a
so-called primitive people have
constructed a massive earthwork
that, like the geoglyphs and
lines in Nazca, went unnoticed
and undetected by those on the
ground for hundreds of years?
Perhaps a clue can be found in
the fact that the Serpent Mound
was constructed on the edge of a
meteor crater that was formed
approximately 300 million years
ago.
Coincidence?
Or was the mound's proximity to
a meteor site intended to mark
the presence of a very rare and
precious element often found in
meteors... iridium?
>> DENNIN: Iridium has great
conductive abilities.
It's one of the rarest elements
we have, and it tends to be
concentrated in unique areas for
two reasons: Either a meteorite
crashed at some point in the
past or volcanic activity and
lava flow.
>> MARTELL: Looking at locations
like the Serpent Mound in Ohio
and various other sites, we see
some type of energy source that
either was powering these
locations or is still offering
some type of energy source
today, like iridium and other
exotic elements.
And if extraterrestrials are
aware of these locations, were
they tapping into this energy?
>> COPPENS: The concentration
of iridium on that site is ten
times higher than what would be
expected.
Serpent Mound is some kind of
memorial to the presence of
another world involved in mining
of this iridium at some point in
the remote or maybe
not-so-remote past.
>> NEWMAN: There's even
gravitational anomalies such as
you get at the Serpent Mound in
Ohio which has magnetic and
gravitational effects.
And it can really affect your
consciousness.
There's a whole preponderance of
possibilities that these sites
were built on these particular
spots.
>> NARRATOR: Could the Serpent.
Mound be a marker where
extraterrestrial beings mined
iridium as an energy source, as
some ancient astronaut
researchers believe?
And, if so, might there be a
connection between energy in the
ground here and that found in
the Nazca plain?
Perhaps more clues can be found
by examining the mysterious
crop circles discovered
throughout the world.
Wiltshire, England, 1978.
Here, in this tranquil
countryside 90 miles west of
London, strange crop circles
begin to appear overnight in
fields of wheat and corn.
Like the geoglyphs found at.
Nazca, the designs are geometric
shapes seen only from above.
>> MARTELL: Crop circles, they
are described as some type of
energy ball that whizzed
through the field and all of a
sudden there's this intricate
diagram.
We also have to wonder if
extraterrestrials potentially
were involved in Nazca, maybe
they're also trying to get us
messages today through crop
messages today through crop circles.
Circles.
>> LEVITON: There is a
correlation between the ancient
glyphs and the modern crop
circles in that they're both
being presented to the Earth
from what we would call star
people using a higher
technology.
>> NARRATOR: Mainstream
scientists have yet to
acknowledge an extraterrestrial
connection to crop circles.
But ancient astronaut theorists
remain convinced that there is
more here than what meets the
skeptical eye.
While some crop circles are
undoubtedly the work of farmers
and others trying to pull off a
hoax, many cannot be explained
so easily.
They appear to be made too
quickly, too perfectly.
Some magically appear within a
few hours, accompanied by
strange lights in the sky.
Could there be a connection
between these unusual shapes and
the mysterious designs found at.
Nazca?
>> NICK REDFERN: Now, people
suggest that crop circles are
made by either
extraterrestrials or some sort
of non-human intelligence, some
sort of non-human entity that's
possibly trying to give us a
message.
If we draw the parallel between
the crop circles and the Nazca.
Lines, one, yes, is made in,
like, a sandy desert-type
terrain; The other's made in
corn, but the actual designs are
somewhat similar, and maybe even
the message is a similar one,
but it's just been upgraded for
a new era and a different
country.
>> BARA: In the past, we set the
communications in stone.
And what's happening now, today,
in fields all over the world but
especially in England, the crop
circles are so much more complex
than the designs at Nazca.
There definitely seems to be
some sort of communication
taking place.
>> VON DANIKEN: Somebody is
trying to communicate with us,
and we are too stupid to
understand the communication.
One morning, you have a simple
circle in a crop field.
Now, the humans think, "Okay,
circle, it happens by the wind
or by animals overnight or
whatever."
We all are too arrogant, so we
don't try at communication.
>> NARRATOR: Is there really a
profound connection between the.
Nazca lines and crop circles,
as ancient astronaut theorists
believe?
And might they contain messages
that we have yet to decode?
If so, what are they trying to
tell us?
Perhaps answers can be found by
examining other, equally strange
geoglyphs, recently discovered
geoglyphs, recently discovered after nearly 2,000 years.
After nearly 2,000 years.
2011, the Middle East.
[satellite pinging]
Satellite and aerial photography
reveals high numbers of
mysterious stone wheels carved
into the earth in Syria, Saudi
Arabia, and Jordan.
First discovered in 1927, these
stone circles are believed to
number in the thousands, and
date back more than 2,000 years.
Ranging in size from 80 to more
than 200 feet in width, ancient
astronaut theorists believe
these designs fit a global
pattern.
>> HOWE: Seems to me that there
was high intelligence behind
everything that has been
constructed and built, and that
it has all been built for a
reason.
Somebody decided to make these
amazing circles with spokes.
The same thing in Peru, and look
at how far apart we are.
Peru is in one hemisphere, and
Jordan and Syria and Saudi
Arabia are in another
hemisphere, and they're on two
sides of the planet, but you're
talking about a similar kind of,
shall we say, communication.
>> EVANS: Thanks to Google.
Earth, we now have a vehicle by
which we can see some of these glyphs.
They're being called Nazca-like
phenomena.
I think we are opening the first
page of a chapter that deals
with glyphs and structures which
can be seen from the air.
>> MARTELL: It's not only at.
Nazca that ancient man was
trying to communicate to the
heavens, but around the world we
are finding new monuments and
glyphs that raise the question,
"Was there a connected geodetic
presence of sites that the
extraterrestrials used to
navigate around our planet?"
>> NARRATOR: What is the purpose
of the strange shapes and
geoglyphs found at Nazca and all
over the world?
Were they used as navigational
markers, intended to guide space
travelers?
Or might they contain a more
profound message for humanity?
In 1972, cosmologist Carl Sagan
stated that if an
extraterrestrial intelligence
exists in the universe, the
means of contact would be
mathematics.
>> DENNIN: If you think about
this as communication, as Carl.
Sagan was quoted as saying, it
is certainly true that this
would be the way we'd probably
have to start.
A circle is a circle, and that's
just a universal feature of
geometry.
And it would be the same no
matter where you were in the
universe.
>> NARRATOR: Is it possible that
otherworldly beings have been
using basic mathematics and
geometry in an effort to
communicate with us?
And might the proof of this be
found in the many geoglyphs at.
Nazca and throughout the
world?
Could mankind have been
receiving extraterrestrial
messages for hundreds and even
thousands of years...
Messages that have gone unread
and undeciphered right before
our eyes?
>> LEVITON: Imagine you wanted
to reveal a truth about the
higher world to humans.
You would lay down one card at
a time.
Each of these cards would be a
glyph or a crop circle image,
and it would reveal something
about the spiritual world.
Not just knowledge.
It would provide an experience
of the actual reality it was
describing.
>> COPPENS: What we have in the.
Nazca culture is something which
our ancestors knew that what
they were making was gonna have
a lasting effect.
Hundreds of years afterwards,
it is still there.
And it might be very ironic to
realize that they were shouting
out for the deities, saying,
"Please come down and visit us."
And that 100 years later, the.
Nazca Lines have become the
billboard for the ancient alien
theory, whereby they really are
interpreted as, indeed, a
landing place for the deities.
And so we might find that across
time and space and culture,
really the core of the message
of the Nazca Lines is
maintained, even though maybe
slightly placed in a different
context.
>> CHILDRESS: When you look at
some of the glyphs at Nazca,
they would seem to just
simple things... animals and
figures and things like that.
But then other of the figures
and the... and the lines seem to
be so incredibly complicated.
Mathematical, and
they're-they're following energy
lines.
So, there seems to be a much
deeper meaning in all of the
figures and the lines, and where
they're going and why they
intersect.
Intersect. But we can't figure it out.
But we can't figure it out.
>> NARRATOR: Is it possible, as
ancient astronaut theorists
believe, that the lines and
geoglyphs of Nazca are part of
a worldwide communications
network... a network that is
directly connected to
otherworldly visitors from the
remote past?
And if so, might this form
of alien communication
be intended for us
or for something,
or someone not of this world?
Perhaps these strange shapes and
symbols provide clues to
mankind's not-so-distant future,
or serve as an invitation for
other alien visitors to return.
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