All language subtitles for Unearthed.(2016).S02E11.Lost.World.of.the.Colosseum.1080p.AMZN.WEB-DL.DD+2.0.H.264-Cinefeel_track3_[eng]

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These are the user uploaded subtitles that are being translated: 1 00:00:01,000 --> 00:00:02,000 * 2 00:00:02,033 --> 00:00:05,400 Narrator: THE ANCIENT CITY OF ROME. 3 00:00:05,433 --> 00:00:08,967 FOUNDED NEARLY 3,000 YEARS AGO. 4 00:00:09,000 --> 00:00:11,467 FOR FIVE CENTURIES, THE ROMAN EMPIRE 5 00:00:11,500 --> 00:00:14,700 WAS THE MIGHTIEST ON EARTH. 6 00:00:14,733 --> 00:00:19,267 AND ONE EXTRAORDINARY BUILDING STANDS AT ITS HEART -- 7 00:00:19,300 --> 00:00:20,900 THE COLOSSEUM. 8 00:00:20,933 --> 00:00:24,867 THIS BUILDING REPRESENTS THE EVOLUTION OF THE ROMAN EMPIRE 9 00:00:24,900 --> 00:00:27,933 FROM ITS RISE THROUGH ITS FALL. 10 00:00:27,967 --> 00:00:31,533 Narrator: FOR CENTURIES, THIS ANCIENT THEATER HAS HELD DARK SECRETS 11 00:00:31,567 --> 00:00:33,900 ABOUT THE EMPIRE THAT BUILT IT 12 00:00:33,933 --> 00:00:36,567 AND THE THOUSANDS WHO DIED WITHIN IT. 13 00:00:36,600 --> 00:00:38,700 IF PEOPLE HAD TO BE KILLED, THEY WERE KILLED. 14 00:00:38,733 --> 00:00:42,233 THE ROMANS DIDN'T HAVE ANY PROBLEMS WITH DOING THAT. 15 00:00:42,267 --> 00:00:45,667 Narrator: TODAY, ADVANCED TECHNOLOGY IS HELPING SCIENTISTS 16 00:00:45,700 --> 00:00:48,933 MAKE BRAND-NEW DISCOVERIES WITH UNIQUE ACCESS 17 00:00:48,967 --> 00:00:52,533 TO THE BONES OF FALLEN WARRIORS. 18 00:00:52,567 --> 00:00:55,567 HOW DID THE ANCIENT ROMANS PRESENT MAGICAL SPECTACLES 19 00:00:55,600 --> 00:00:58,567 IN THIS GIANT ARENA 20 00:00:58,600 --> 00:01:00,600 AND CREATE ENTERTAINMENT WITH THE POWER 21 00:01:00,633 --> 00:01:05,500 TO SPREAD ROME'S MESSAGE ACROSS THE WHOLE EMPIRE? 22 00:01:05,533 --> 00:01:09,200 THE ONLY WAY TO SOLVE THESE MYSTERIES 23 00:01:09,233 --> 00:01:13,400 IS TO DISMANTLE THE COLOSSEUM BRICK BY BRICK. 24 00:01:13,433 --> 00:01:18,700 WE'LL BLOW APART ITS ARCHES AND TUNNELS TO EXPERIENCE LIFE 25 00:01:18,733 --> 00:01:21,400 AND DEATH WITHIN ITS WALLS 26 00:01:21,433 --> 00:01:26,167 AND REVEAL THE SECRETS HIDDEN INSIDE THIS ANCIENT WONDER. 27 00:01:26,200 --> 00:01:29,167 -- Captions by VITAC -- www.vitac.com 28 00:01:29,200 --> 00:01:32,167 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 29 00:01:32,200 --> 00:01:33,400 * 30 00:01:33,433 --> 00:01:35,433 Narrator: THE COLOSSEUM. 31 00:01:35,467 --> 00:01:40,400 A GIANT COMPLEX AT THE HEART OF THE ANCIENT CITY OF ROME. 32 00:01:40,433 --> 00:01:44,300 THIS WAS AN ARENA OF DEATH AND MAGIC, 33 00:01:44,333 --> 00:01:49,300 OF POTENT SPECTACLES WITH THE POWER TO SUSTAIN AN EMPIRE. 34 00:01:49,333 --> 00:01:52,300 BURIED WITHIN ITS WALLS ARE CLUES THAT REVEAL 35 00:01:52,333 --> 00:01:55,433 THIS WAS MUCH MORE THAN JUST A THEATER. 36 00:01:55,467 --> 00:01:58,567 THE COLOSSEUM STILL STRIKES OUR HEART TODAY. 37 00:01:58,600 --> 00:02:00,567 YOU CAN STILL FEEL THE SAME FEELING 38 00:02:00,600 --> 00:02:04,667 THAT THE ROMAN SPECTATORS FELT AT THE TIME 39 00:02:04,700 --> 00:02:07,633 OF THE PERFORMANCES. 40 00:02:07,667 --> 00:02:10,567 TODAY, TEAMS OF EXPERTS ARE EXPLORING DEEPER 41 00:02:10,600 --> 00:02:13,967 THAN EVER INTO THE HEART OF THE BUILDING, 42 00:02:14,067 --> 00:02:17,933 SOLVING THE MYSTERIES OF THIS ANCIENT ARENA 43 00:02:17,967 --> 00:02:22,700 TO REVEAL HOW, FOR 500 YEARS, THE HIDDEN SECRETS OF THIS VAST 44 00:02:22,733 --> 00:02:28,733 RUIN HELPED ROME BUILD AN EMPIRE ACROSS EUROPE AND BEYOND. 45 00:02:28,767 --> 00:02:31,700 CONCEALED UNDER ITS MONUMENTAL SKIN 46 00:02:31,733 --> 00:02:35,867 IS A COMPLEX SYSTEM OF PILLARS, ARCHES, AND VAULTS. 47 00:02:35,900 --> 00:02:39,067 THEY SPREAD THE COLOSSAL LOAD OF NEARLY A QUARTER 48 00:02:39,067 --> 00:02:40,767 OF A MILLION TONS OF STONE, 49 00:02:40,800 --> 00:02:44,400 ALLOWING THIS BUILDING TO TOWER 160 FEET 50 00:02:44,433 --> 00:02:46,833 ABOVE THE STREETS OF ROME. 51 00:02:46,867 --> 00:02:51,100 IN THE STADIUM, SPACE FOR UP TO 80,000 SPECTATORS, 52 00:02:51,133 --> 00:02:54,067 BIG ENOUGH TO HOLD THE SUPER BOWL. 53 00:02:54,100 --> 00:02:56,067 BUILT INTO THE ARENA FLOOR, 54 00:02:56,067 --> 00:02:59,400 A SUBTERRANEAN MAZE OF TUNNELS AND CHAMBERS, 55 00:02:59,433 --> 00:03:03,367 THE SECRET DOMAIN OF THE EMPIRE'S MOST DEADLY SERVANT -- 56 00:03:03,400 --> 00:03:05,367 THE GLADIATOR. 57 00:03:05,400 --> 00:03:08,400 THE COLOSSEUM AND THE MEN WHO FOUGHT IN IT 58 00:03:08,433 --> 00:03:11,533 ARE THE MOST ICONIC SYMBOLS OF THE ROMAN EMPIRE. 59 00:03:14,400 --> 00:03:19,067 EVEN TODAY, THE COLOSSEUM IS AN IMPRESSIVE STRUCTURE. 60 00:03:19,067 --> 00:03:22,533 BUT PERHAPS ITS GREATEST MYSTERY IS NOT HOW IT WAS BUILT, 61 00:03:22,567 --> 00:03:26,100 BUT WHY IT WAS BUILT IN SUCH A STRANGE PLACE. 62 00:03:27,167 --> 00:03:30,067 GEOLOGIST GUIDO GIORDANO HAS SPENT YEARS 63 00:03:30,067 --> 00:03:33,433 STUDYING THIS EXTRAORDINARY BUILDING. 64 00:03:33,467 --> 00:03:36,767 HIS THEORY IS THAT ITS LOCATION IS NO ACCIDENT 65 00:03:36,800 --> 00:03:38,833 AND MAY EVEN EXPLAIN A KEY MOMENT 66 00:03:38,867 --> 00:03:42,267 IN THE RISE OF THE ROMAN EMPIRE. 67 00:03:42,300 --> 00:03:46,667 YOU CAN SEE BACK THERE, THE COLOSSEUM, AND BEYOND THAT, 68 00:03:46,700 --> 00:03:49,433 THERE IS THE BUSINESS CENTER FOR ROME. 69 00:03:49,467 --> 00:03:51,733 Narrator: THE COLOSSEUM WAS BUILT RIGHT IN THE CENTER 70 00:03:51,767 --> 00:03:54,600 OF ANCIENT ROME'S GOVERNMENT DISTRICT. 71 00:03:54,633 --> 00:03:58,567 THIS IS A STRANGE PLACE TO BUILD AN ARENA FOR ENTERTAINMENT, 72 00:03:58,600 --> 00:04:00,767 SO WHY WAS IT BUILT HERE? 73 00:04:03,500 --> 00:04:06,433 GUIDO THINKS THERE MAY BE ANSWERS HIDDEN IN THE PARKLANDS 74 00:04:06,467 --> 00:04:09,300 THAT SURROUND THE COLOSSEUM. 75 00:04:09,333 --> 00:04:10,800 Giordano: WE HAVE CLUES HERE. 76 00:04:10,833 --> 00:04:16,700 THIS IS AN EXCAVATION SITE, AND WHAT'S BENEATH IS EXTRAORDINARY. 77 00:04:16,733 --> 00:04:19,867 Narrator: THESE EXCAVATORS ARE REMOVING HEAVY BANKS OF SOIL 78 00:04:19,900 --> 00:04:22,867 FROM THE HILLSIDE NEXT TO THE COLOSSEUM. 79 00:04:22,900 --> 00:04:26,300 UNDER THE WEIGHT OF THIS SOIL, THE BANKS HAD BEGUN TO COLLAPSE, 80 00:04:26,333 --> 00:04:30,600 REVEALING A HIDDEN, SUBTERRANEAN WORLD -- 81 00:04:30,633 --> 00:04:32,800 A WORLD THAT GUIDO FEELS CAN SHED LIGHT 82 00:04:32,833 --> 00:04:36,833 ON THE COLOSSEUM'S PUZZLING LOCATION. 83 00:04:36,867 --> 00:04:38,067 THIS IS GRAND. 84 00:04:38,100 --> 00:04:40,867 LOOK AT THIS CAVE. 85 00:04:40,900 --> 00:04:42,567 FRESCOES EVERYWHERE HERE. 86 00:04:42,600 --> 00:04:46,367 BEAUTIFULLY PAINTED, BEAUTIFULLY PRESERVED. 87 00:04:46,400 --> 00:04:48,500 Narrator: INCREDIBLY, BURIED UNDER THE HILLS 88 00:04:48,533 --> 00:04:52,500 THAT RISE NEXT TO THE COLOSSEUM IS A VAST, ABANDONED PALACE, 89 00:04:52,533 --> 00:04:56,167 LOST FOR 1,400 YEARS. 90 00:04:56,200 --> 00:04:59,533 Giordano: HERE WE HAVE A CROWN, AN EAGLE HERE. 91 00:04:59,567 --> 00:05:02,733 THE BEAUTY OF THESE FRESCOES SHOWS 92 00:05:02,767 --> 00:05:05,200 THIS DEFINITELY MUST BE THE RESIDENCE 93 00:05:05,233 --> 00:05:07,700 OF A VERY, VERY IMPORTANT PERSON. 94 00:05:07,733 --> 00:05:10,067 * 95 00:05:10,067 --> 00:05:13,467 Narrator: HOW DID THIS LAVISH, ROYAL PALACE END UP BEING BURIED 96 00:05:13,500 --> 00:05:16,300 BENEATH THE COLOSSEUM? 97 00:05:16,333 --> 00:05:20,867 GUIDO THINKS THAT THE ANSWER LIES IN ITS SHEER EXTRAVAGANCE. 98 00:05:20,900 --> 00:05:22,933 Giordano: THIS MUST HAVE BEEN A WATERFALL, 99 00:05:22,967 --> 00:05:27,367 SHOOTING WATER RIGHT INTO THIS PIPE. 100 00:05:27,400 --> 00:05:29,867 AND THEN GET PRESSURIZED, 101 00:05:29,900 --> 00:05:34,100 AND THEN SHOOTING RIGHT IN THE MIDDLE OF THE ROOM, 102 00:05:34,133 --> 00:05:36,800 SPRAYING UP IN THE AIR. 103 00:05:36,833 --> 00:05:38,367 Narrator: GUIDO THINKS THE COLOSSEUM 104 00:05:38,400 --> 00:05:40,400 WAS BUILT ON TOP OF THE PALACE GROUNDS 105 00:05:40,433 --> 00:05:43,500 TO MAKE A HUGE STATEMENT TO THE PUBLIC. 106 00:05:43,533 --> 00:05:45,433 BECAUSE COMPARED TO THE PALACE, 107 00:05:45,467 --> 00:05:47,833 THE THEATER LOOKED VERY DIFFERENT. 108 00:05:51,067 --> 00:05:54,267 IN THE COLOSSEUM, THERE WAS NO PERSONAL INDULGENCE. 109 00:05:54,300 --> 00:05:58,367 INSTEAD, THERE WAS SCALE AND AMBITION. 110 00:05:58,400 --> 00:06:01,767 THIS BUILDING SENT A MESSAGE TO ORDINARY ROMANS. 111 00:06:01,800 --> 00:06:03,767 IT WAS A PALACE FOR THEM, 112 00:06:03,800 --> 00:06:08,633 DESIGNED TO WIN THEIR HEARTS IN EXCHANGE FOR ENTERTAINMENT. 113 00:06:08,667 --> 00:06:11,667 AT ITS ENTRANCE ONCE STOOD A COLOSSUS -- 114 00:06:14,600 --> 00:06:17,900 A MONUMENTAL STATUE THAT GAVE THE BUILDING ITS NAME. 115 00:06:21,333 --> 00:06:23,300 TALLER THAN THE STATUE OF LIBERTY, 116 00:06:23,333 --> 00:06:28,133 THIS BRONZE BEHEMOTH WAS A STATUE OF THE SUN GOD SOL. 117 00:06:28,167 --> 00:06:31,100 BUT IT HAD ONCE PORTRAYED AN EMPEROR. 118 00:06:31,133 --> 00:06:34,300 * 119 00:06:34,333 --> 00:06:39,100 ITS STORY IS A CLUE TO THE FATE OF THE PALACE. 120 00:06:39,133 --> 00:06:42,733 GUIDO BELIEVES IT HAD BEEN BUILT BY EMPEROR NERO, 121 00:06:42,767 --> 00:06:46,567 ONE OF THE MOST HATED LEADERS OF ROME. 122 00:06:46,600 --> 00:06:48,567 THE PALATIAL ROOMS REVEAL EVIDENCE 123 00:06:48,600 --> 00:06:51,467 OF HOW MUCH HE WAS DESPISED. 124 00:06:51,500 --> 00:06:53,900 THIS IS ALL BACK FILLING. 125 00:06:53,933 --> 00:06:59,267 SOMEONE FILL UP THIS BEAUTIFUL AND HUGE ROOM. 126 00:06:59,300 --> 00:07:01,867 Narrator: THE PEOPLE OF ROME HATED EMPEROR NERO, 127 00:07:01,900 --> 00:07:05,200 EVENTUALLY DRIVING HIM TO SUICIDE. 128 00:07:05,233 --> 00:07:07,933 THEN THEY DESTROYED HIS PLAYBOY PALACE, 129 00:07:07,967 --> 00:07:10,600 WHICH WAS BUILT ON LAND HE HAD STOLEN FROM THEM. 130 00:07:10,633 --> 00:07:14,767 [ FIRE CRACKLING ] 131 00:07:14,800 --> 00:07:17,900 THE LAND HAD BEEN DEVASTATED BY THE GREAT FIRE OF ROME 132 00:07:17,933 --> 00:07:21,400 IN 64 A.D. 133 00:07:21,433 --> 00:07:24,200 BUT INSTEAD OF REBUILDING HOUSES FOR THE PEOPLE, 134 00:07:24,233 --> 00:07:27,100 NERO BUILT A PALACE OF HIS OWN, 135 00:07:27,133 --> 00:07:29,833 COMPLETE WITH A GIANT BOATING LAKE 136 00:07:29,867 --> 00:07:32,933 AND A STATUE OF HIMSELF. 137 00:07:32,967 --> 00:07:38,067 AFTER NERO'S DEATH, HIS SUCCESSOR TORE DOWN THE PALACE, 138 00:07:38,067 --> 00:07:40,667 BUT SAVED THE STATUE. 139 00:07:40,700 --> 00:07:44,300 RETURNING THE LAND TO THE PEOPLE, HE DRAINED NERO'S LAKE 140 00:07:44,333 --> 00:07:46,700 AND BUILT AN AMPHITHEATER IN ITS PLACE, 141 00:07:46,733 --> 00:07:49,700 AND HE PUT THE GIANT STATUE OUTSIDE, 142 00:07:49,733 --> 00:07:52,633 DISGUISED AS THE SUN GOD SOL. 143 00:07:52,667 --> 00:07:54,500 * 144 00:07:54,533 --> 00:07:57,933 THE COLOSSEUM WAS BUILT AS A GIFT TO ROMANS, 145 00:07:57,967 --> 00:08:00,833 TO WIN BACK THEIR SUPPORT. 146 00:08:00,867 --> 00:08:02,800 THE NEW EMPEROR, VESPASIAN, 147 00:08:02,833 --> 00:08:04,633 UNDERSTOOD THAT TO STAY IN POWER, 148 00:08:04,667 --> 00:08:08,700 HE HAD TO PROVE HE WASN'T SELFISH LIKE NERO. 149 00:08:08,733 --> 00:08:14,100 Giordano: LATER EMPEROR WANTED TO ERASE THE MEMORY OF HIM. 150 00:08:14,133 --> 00:08:18,133 NOW IT'S A BIRD AND DARKNESS. 151 00:08:18,167 --> 00:08:20,167 Narrator: AFTER NERO'S SELFISH EXCESS, 152 00:08:20,200 --> 00:08:24,100 THE COLOSSEUM MARKED A TURNING POINT. 153 00:08:24,133 --> 00:08:26,067 IT WAS A BUILDING FOR ORDINARY ROMANS 154 00:08:26,067 --> 00:08:29,133 TO CELEBRATE THE MIGHT OF THEIR GROWING EMPIRE. 155 00:08:31,733 --> 00:08:34,767 AND WHAT THEY CAME TO SEE WERE PEOPLE WILLING TO DIE 156 00:08:34,800 --> 00:08:38,867 IN THE EMPIRE'S HONOR -- GLADIATORS. 157 00:08:38,900 --> 00:08:42,533 VERY LITTLE IS KNOWN ABOUT THESE DEADLY MESSENGERS OF ROME 158 00:08:42,567 --> 00:08:45,233 BECAUSE IN THE RUINS OF THE GREAT COLOSSEUM, 159 00:08:45,267 --> 00:08:49,333 NOT A SINGLE GLADIATOR BONE HAS EVER BEEN FOUND. 160 00:08:49,367 --> 00:08:53,300 BUT NOW, EXPERIMENTS ON UNIQUE REMAINS FOUND IN TURKEY 161 00:08:53,333 --> 00:08:55,300 REVEAL INCREDIBLE NEW INSIGHTS 162 00:08:55,333 --> 00:08:57,967 INTO THE MYSTERIOUS LIVES OF THESE WARRIORS. 163 00:09:06,967 --> 00:09:09,800 THE COLOSSEUM OF ANCIENT ROME -- 164 00:09:09,833 --> 00:09:14,567 A THEATER FOR THE PEOPLE AND AN ARENA OF DEATH. 165 00:09:14,600 --> 00:09:19,433 THE GIANT AMPHITHEATER CARRIED A MESSAGE FROM ROME'S LEADERS -- 166 00:09:19,467 --> 00:09:22,833 FOLLOW US, AND WE WILL KEEP YOU THRILLED. 167 00:09:22,867 --> 00:09:26,067 AND THE STARS OF THE SHOW WERE THE GLADIATORS. 168 00:09:26,067 --> 00:09:29,067 * 169 00:09:29,067 --> 00:09:33,600 BUT VERY LITTLE IS KNOWN ABOUT THESE LEGENDARY WARRIORS. 170 00:09:33,633 --> 00:09:36,200 HIDDEN IN THE VAULTS AND COLUMNS OF THE COLOSSEUM 171 00:09:36,233 --> 00:09:40,467 ARE TANTALIZING CLUES INTO THE WORLD OF THE GLADIATOR. 172 00:09:40,500 --> 00:09:43,600 * 173 00:09:44,533 --> 00:09:48,433 THESE WARRIORS WERE THE BIGGEST ATTRACTION IN THE EMPIRE. 174 00:09:48,467 --> 00:09:52,433 INSIDE THE ARENA, THEY BECAME THE STARS OF A TRUE SPECTACLE. 175 00:09:52,467 --> 00:09:55,667 DEEP WITHIN THE MAZE OF BRICK WALLS UNDER THE COLOSSEUM 176 00:09:55,700 --> 00:09:59,833 LIES A SECRET ENTRANCE TO THEIR MYSTERIOUS WORLD -- 177 00:09:59,867 --> 00:10:03,233 A DOORWAY CONNECTING A 180-FOOT-LONG TUNNEL 178 00:10:03,267 --> 00:10:06,400 THAT BROUGHT THE FIGHTERS INTO THE ARENA. 179 00:10:06,433 --> 00:10:09,200 2,000 YEARS AGO, THIS WOULD HAVE LED TO ROME'S 180 00:10:09,233 --> 00:10:12,567 FABLED FIGHTING SCHOOL, THE LUDUS MAGNUS. 181 00:10:15,133 --> 00:10:17,367 STANDING RIGHT NEXT TO THE COLOSSEUM, 182 00:10:17,400 --> 00:10:18,700 THIS WAS THE BREEDING GROUND 183 00:10:18,733 --> 00:10:22,467 OF THE MOST POWERFUL ROMAN PROPAGANDA TOOL -- 184 00:10:22,500 --> 00:10:26,367 THE GLADIATOR. 185 00:10:26,400 --> 00:10:27,867 BUT THERE'S A MYSTERY. 186 00:10:27,900 --> 00:10:30,733 NO BONES HAVE EVER BEEN DISCOVERED AT THE COLOSSEUM 187 00:10:30,767 --> 00:10:34,533 TO TELL US MORE ABOUT THE LIVES OF THE GLADIATORS. 188 00:10:34,567 --> 00:10:37,833 WERE THEY JUST THE EMPIRE'S DISPOSABLE THUGS? 189 00:10:40,033 --> 00:10:43,767 FABIAN KANZ WANTS TO FIND OUT WHO THESE WARRIORS WERE. 190 00:10:57,400 --> 00:11:00,500 FABIAN HAS UNEARTHED SOMETHING ASTONISHING -- 191 00:11:00,533 --> 00:11:04,433 THE ONLY GLADIATOR BONES THAT HAVE EVER BEEN FOUND. 192 00:11:04,467 --> 00:11:06,667 THEY WERE DISCOVERED IN THE GROUNDS OF AN AMPHITHEATER 193 00:11:06,700 --> 00:11:09,067 THAT ONCE SAT ON THE EDGE OF THE EMPIRE 194 00:11:09,067 --> 00:11:11,267 IN WHAT'S NOW MODERN-DAY TURKEY. 195 00:11:20,567 --> 00:11:25,067 THESE PRECIOUS REMAINS GIVE FABIAN A UNIQUE OPPORTUNITY. 196 00:11:25,067 --> 00:11:28,233 HE WANTS TO UNLOCK NEW SECRETS ABOUT THE LIFE OF A GLADIATOR 197 00:11:28,267 --> 00:11:30,067 IN ANCIENT ROME. 198 00:11:59,300 --> 00:12:03,133 FABIAN THINKS THIS HEALED SKULL MAY REVEAL MORE ABOUT THE WAY 199 00:12:03,167 --> 00:12:07,633 THESE MEN WERE TREATED BY THE EMPIRE THAT USED THEM. 200 00:12:07,667 --> 00:12:09,267 * 201 00:12:09,300 --> 00:12:11,233 AND THAT MEANS SLICING A CROSS-SECTION 202 00:12:11,267 --> 00:12:13,300 FROM THE BONE ITSELF. 203 00:12:24,200 --> 00:12:26,400 UNDER THE MICROSCOPE, THE SKULL FRAGMENT 204 00:12:26,433 --> 00:12:28,867 REVEALS SOMETHING EXTRAORDINARY. 205 00:12:49,167 --> 00:12:52,367 WHAT'S REMARKABLE IS THAT MANY OF THE GLADIATOR'S BONES 206 00:12:52,400 --> 00:12:53,867 FROM THE SITE IN TURKEY SHOW 207 00:12:53,900 --> 00:12:57,167 SIMILAR SIGNS OF HEALED INJURIES LIKE THIS. 208 00:13:06,067 --> 00:13:08,600 FAR FROM BEING DISPOSABLE THUGS, 209 00:13:08,633 --> 00:13:10,300 FABIAN THINKS THE MEN WERE TEATED 210 00:13:10,333 --> 00:13:12,800 MORE LIKE RESPECTED ATHLETES. 211 00:13:25,600 --> 00:13:27,567 TURNING THESE MEN INTO GLADIATORS 212 00:13:27,600 --> 00:13:30,467 WAS AN INVESTMENT ROME COULD AFFORD. 213 00:13:30,500 --> 00:13:34,433 WITH ITS EXPANDING EMPIRE, IT HAD NO SHORTAGE OF NEW STOCK. 214 00:13:36,700 --> 00:13:41,567 SLAVES, CONVICTS, AND CAPTURED SOLDIERS WERE SHIPPED IN 215 00:13:41,600 --> 00:13:43,433 FROM ACROSS THE EMPIRE 216 00:13:43,467 --> 00:13:48,633 TO PLAY A PART IN THE GREAT SPECTACLE. 217 00:13:48,667 --> 00:13:53,900 IN GLADIATOR SCHOOL, THEY WERE TURNED INTO FIGHTING MACHINES 218 00:13:53,933 --> 00:13:57,300 WITH CAREFULLY DESIGNED STRENGTHS AND WEAKNESSES. 219 00:13:59,633 --> 00:14:03,733 THE NIMBLE RETIARIUS, ARMED WITH TRIDENT AND NET, 220 00:14:03,767 --> 00:14:06,967 WOULD FIGHT THE SECUTOR, AN ARMORED JUGGERNAUT 221 00:14:07,067 --> 00:14:10,067 WIELDING A HEAVY SHIELD AND SWORD. 222 00:14:10,067 --> 00:14:14,500 EACH PAIR WAS CAREFULLY MATCHED TO GUARANTEE SPECTACULAR COMBAT 223 00:14:14,533 --> 00:14:17,333 THAT COULD LEAD TO GLORY OR DEATH. 224 00:14:20,933 --> 00:14:24,200 AND FABIAN'S DISCOVERED THAT THESE INCREDIBLY RARE BONES 225 00:14:24,233 --> 00:14:29,967 CAN TELL HIM EVEN MORE ABOUT THEIR LIVES AND THEIR DIET. 226 00:14:30,067 --> 00:14:32,133 CHEMICAL TRACES OF A PERSON'S FOOD 227 00:14:32,167 --> 00:14:34,267 ALWAYS BUILD UP IN THEIR BONES. 228 00:14:34,300 --> 00:14:37,300 TO ANALYZE THE CHEMICALS IN THESE GLADIATOR SKELETONS, 229 00:14:37,333 --> 00:14:42,067 HE GRINDS A BONE SAMPLE INTO A POWDER AND ADDS IT TO A LIQUID. 230 00:14:42,067 --> 00:14:44,200 WHEN HE SPRAYS THE LIQUID INTO A FLAME, 231 00:14:44,233 --> 00:14:46,367 IT WILL BURN WITH A SIGNATURE COLOR, 232 00:14:46,400 --> 00:14:48,400 A FINGERPRINT THAT REVEALS THE CHEMICALS 233 00:14:48,433 --> 00:14:50,300 LOCKED INSIDE THE BONE. 234 00:15:05,700 --> 00:15:08,067 STRONTIUM IS A MINERAL SIMILAR TO CALCIUM 235 00:15:08,100 --> 00:15:09,933 WHICH STRENGTHENS BONE. 236 00:15:09,967 --> 00:15:12,267 BECAUSE ITS PRESENCE HERE IS SO HIGH, 237 00:15:12,300 --> 00:15:14,067 FABIAN CONCLUDES THE GLADIATORS 238 00:15:14,067 --> 00:15:16,967 WERE GIVEN A LITTLE EXTRA HELP WITH THEIR DIET. 239 00:15:45,933 --> 00:15:49,067 THE GLADIATORS WHO FOUGHT IN THE COLOSSEUM STARTED LIFE 240 00:15:49,067 --> 00:15:52,233 AS OUTCAST OF ROMAN SOCIETY, 241 00:15:52,267 --> 00:15:53,733 BUT CAREFUL NURTURING TURNED THEM 242 00:15:53,767 --> 00:15:56,067 INTO ELITE FIGHTING MACHINES, 243 00:15:56,100 --> 00:15:59,300 FIT TO DELIVER THE EMPIRE'S MESSAGE OF POWER. 244 00:16:07,800 --> 00:16:11,200 THESE NEW HEROES OF THE COLOSSEUM PROVIDED A SPECTACLE 245 00:16:11,233 --> 00:16:14,167 THAT SHOWED OFF THE MIGHT OF THE EMPIRE 246 00:16:14,200 --> 00:16:18,633 AND ROUSED PATRIOTIC PASSION IN ITS CITIZENS. 247 00:16:18,667 --> 00:16:21,633 THE COLOSSEUM HAD BECOME ROME'S MOST SUCCESSFUL 248 00:16:21,667 --> 00:16:24,933 MARKETING CAMPAIGN. 249 00:16:24,967 --> 00:16:28,167 BUT BEYOND THE SPECTACLE, WHAT IMPACT DID THE COLOSSEUM 250 00:16:28,200 --> 00:16:31,967 HAVE ON THE EVERYDAY LIVES OF ROMANS? 251 00:16:32,067 --> 00:16:35,300 NOW NEW EVIDENCE REVEALS HOW THE COLOSSEUM FUELED 252 00:16:35,333 --> 00:16:37,800 THE EXPLOSION OF A WHOLE NEW INDUSTRY 253 00:16:37,833 --> 00:16:40,667 TO POWER THE EMPIRE ACROSS EUROPE. 254 00:16:49,833 --> 00:16:53,267 Narrator: THE COLOSSEUM, BUILT IN 80 A.D. 255 00:16:53,300 --> 00:16:57,833 AS A GIFT TO WIN THE HEARTS OF THE CITIZENS OF ROME, 256 00:16:57,867 --> 00:17:00,967 TO ENTERTAIN AND THRILL WITH ASTONISHING BATTLES 257 00:17:01,067 --> 00:17:03,933 AND TERRIFYING CARNAGE. 258 00:17:03,967 --> 00:17:05,467 BUT THE GAMES WERE ONLY A PART 259 00:17:05,500 --> 00:17:07,100 OF WHAT THE COLOSSEUM HAD TO OFFER 260 00:17:07,133 --> 00:17:10,867 TO CITIZENS THAT TRAVELED FROM ALL CORNERS OF THE EMPIRE. 261 00:17:10,900 --> 00:17:13,167 * 262 00:17:13,200 --> 00:17:16,200 SO HOW DID THE COLOSSEUM CONTINUE TO INFLUENCE THE PEOPLE 263 00:17:16,233 --> 00:17:19,233 ONCE THEY HAD LEFT THE ARENA? 264 00:17:19,267 --> 00:17:22,333 SOMETIMES THE GAMES ACTUALLY LASTED FOR WEEKS, 265 00:17:22,367 --> 00:17:26,867 BUT IT WAS REALLY BIG ACTIVITY DAY AND NIGHT. 266 00:17:26,900 --> 00:17:30,067 Narrator: THE TOWERING REMAINS OF THE COLOSSEUM STILL IMPRESS US, 267 00:17:30,100 --> 00:17:32,633 EVEN TODAY. 268 00:17:34,933 --> 00:17:39,433 1,900 YEARS AGO, IT WOULD HAVE LOOKED EVEN MORE MAGNIFICENT. 269 00:17:39,467 --> 00:17:42,367 THE STONE, NOW WEATHERED AFTER TWO MILLENNIA, 270 00:17:42,400 --> 00:17:44,767 WOULD HAVE SHOWN BRIGHTLY POLISHED. 271 00:17:47,200 --> 00:17:50,867 IN THE PERFECT ARCHWAYS, STATUES OF MARBLE AND GOLD 272 00:17:50,900 --> 00:17:52,800 TRUMPETED THE GLORY OF ROME. 273 00:17:56,500 --> 00:18:01,433 ITS WALLS STRETCHED NEARLY 2,000 FEET AROUND THE OUTSIDE, 274 00:18:01,467 --> 00:18:05,767 RISING HIGHER THAN ANY OTHER STRUCTURE IN THE CITY. 275 00:18:05,800 --> 00:18:08,167 THIS WAS THE BIGGEST SINGLE BUILDING 276 00:18:08,200 --> 00:18:10,300 EVER CREATED BY THE EMPIRE. 277 00:18:10,333 --> 00:18:13,367 * 278 00:18:16,333 --> 00:18:19,367 * 279 00:18:21,067 --> 00:18:23,733 TODAY IN ROME, LITTLE TRACE EXISTS 280 00:18:23,767 --> 00:18:28,233 OF ANYTHING BEYOND THE AMPHITHEATER WALLS. 281 00:18:28,267 --> 00:18:29,600 * 282 00:18:29,633 --> 00:18:32,367 BUT WOLFGANG NEUBAUER THINKS THERE WAS MUCH MORE 283 00:18:32,400 --> 00:18:34,767 TO ROME'S SPECTACLE OF ENTERTAINMENT. 284 00:18:37,833 --> 00:18:41,167 NEAR VIENNA, AUSTRIA, HE IS HOPING TO FIND NEW EVIDENCE 285 00:18:41,200 --> 00:18:43,067 OF HOW THE EMPIRE DESIGNED 286 00:18:43,067 --> 00:18:45,367 AND LAID OUT THE COMPLEX OF BUILDINGS 287 00:18:45,400 --> 00:18:48,067 SURROUNDING THE AMPHITHEATER. 288 00:18:48,100 --> 00:18:52,167 IN THESE FIELDS LIE THE REMAINS OF A MYSTERIOUS LOST ROMAN TOWN 289 00:18:52,200 --> 00:18:53,800 CALLED CARNUNTUM, 290 00:18:53,833 --> 00:18:55,600 COMPLETE WITH ITS OWN AMPHITHEATER 291 00:18:55,633 --> 00:18:57,433 MODELED ON THE COLOSSEUM. 292 00:18:59,467 --> 00:19:01,600 Neubauer: ALL THE REMAINS OF THESE BUILDINGS, ALL THE WALLS, 293 00:19:01,633 --> 00:19:03,567 ALL THE FLOORS, THEY ARE INVISIBLE TO THE EYE. 294 00:19:03,600 --> 00:19:08,367 IT'S JUST A GREEN FIELD, BUT WE HAVE A HUGE TOWN HERE. 295 00:19:08,400 --> 00:19:11,567 THE CENTRAL AREA OF CARNUNTUM IS SPREADING ALL OVER 296 00:19:11,600 --> 00:19:14,767 ABOUT 10 SQUARE KILOMETERS. 297 00:19:14,800 --> 00:19:19,133 Narrator: BUT UNLIKE IN ROME, THE RUINS HERE HAVE NEVER BEEN BUILT ON. 298 00:19:19,167 --> 00:19:24,433 UNDERGROUND, THE REMAINS OF EVERY BUILDING LIE INTACT. 299 00:19:24,467 --> 00:19:27,767 THIS LOST TOWN CAN GIVE WOLFGANG CLUES ABOUT THE NETWORK 300 00:19:27,800 --> 00:19:32,233 OF BUILDINGS AROUND THE COLISEUM AND THE ROLE THEY PLAYED. 301 00:19:32,267 --> 00:19:33,867 HE'S SEARCHING FOR HIDDEN BUILDINGS 302 00:19:33,900 --> 00:19:37,400 USING GROUND-PENETRATING RADAR. 303 00:19:37,433 --> 00:19:39,067 THIS IS THE LARGEST SURVEY 304 00:19:39,067 --> 00:19:41,567 EVER UNDERTAKEN ON A ROMAN TOWN SO FAR. 305 00:19:41,600 --> 00:19:43,900 EVERYTHING IS PRESERVED IN THE GROUND. 306 00:19:43,933 --> 00:19:47,700 THE ONLY TASK WE HAVE TO DO IS TO MAKE IT VISIBLE AGAIN. 307 00:19:47,733 --> 00:19:50,167 Narrator: HIS SCANS REVEAL A MASSIVE BUILDING 308 00:19:50,200 --> 00:19:53,933 SURROUNDING THE AMPHITHEATER ITSELF. 309 00:19:53,967 --> 00:19:58,167 Neubauer: WE CAN NOW DEPICT HERE COMPLETE NEW QUARTER OF CARNUNTUM. 310 00:19:58,200 --> 00:19:59,533 IT'S OUTSIDE OF THE TOWN, 311 00:19:59,567 --> 00:20:02,900 AND IT'S BUILT DIRECT IN RELATION TO THE AMPHITHEATER. 312 00:20:02,933 --> 00:20:05,633 * 313 00:20:05,667 --> 00:20:09,133 Narrator: AN ENTIRE VILLAGE GREW AROUND THE AMPHITHEATER TO CATER 314 00:20:09,167 --> 00:20:11,467 FOR THE VAST CROWDS THAT WOULD FLOCK HERE, 315 00:20:11,500 --> 00:20:14,533 JUST LIKE AT A MODERN-DAY FOOTBALL GAME, 316 00:20:14,567 --> 00:20:17,667 THE SAME AS AT THE COLOSSEUM. 317 00:20:17,700 --> 00:20:20,867 THE SCANS OF THIS INVISIBLE TOWN ALSO REVEAL 318 00:20:20,900 --> 00:20:22,533 THAT THE STARS OF THE GAMES, 319 00:20:22,567 --> 00:20:25,833 THE GLADIATORS, WERE GIVEN SPECIAL PRIVILEGES. 320 00:20:25,867 --> 00:20:28,333 Neubauer: THIS IS THE FIRST SCHOOL OF GLADIATORS THAT WE FOUND 321 00:20:28,367 --> 00:20:32,267 OUTSIDE OF ROME THAT HAS BEEN COMPLETELY SURVEYED. 322 00:20:32,300 --> 00:20:35,367 YOU CAN CLEARLY SEE A LINE OF SMALL ROOMS. 323 00:20:35,400 --> 00:20:38,533 SO THIS MUST HAVE BEEN THE CELLS FOR THE GLADIATORS. 324 00:20:38,567 --> 00:20:40,533 HERE WE HAVE ROOMS THAT THEY MIGHT HAVE USED 325 00:20:40,567 --> 00:20:42,000 FOR MEDICAL CARE. 326 00:20:42,033 --> 00:20:46,167 BUT, ALSO, THERE IS A BIG HALL WHERE THEY COULD EAT TOGETHER. 327 00:20:46,200 --> 00:20:50,567 THE GLADIATORIAL SCHOOL IN CARNUNTUM IS ABSOLUTELY UNIQUE. 328 00:20:50,600 --> 00:20:52,567 WOLFGANG'S WORK IS BRINGING TO LIFE 329 00:20:52,600 --> 00:20:56,300 THE INTRICATE DETAIL OF THE GLADIATOR SCHOOL. 330 00:20:56,333 --> 00:20:58,600 BUT HIS SCANS ALSO REVEAL THE ROLE PLAYED 331 00:20:58,633 --> 00:21:03,933 BY ALL THE BUSINESSES THAT GREW AROUND THE AMPHITHEATER. 332 00:21:03,967 --> 00:21:08,100 THE REMAINS REVEAL AN ENTIRE TOWN THAT, LIKE THE COLOSSEUM, 333 00:21:08,133 --> 00:21:10,867 HELD GLADIATOR GAMES. 334 00:21:10,900 --> 00:21:15,667 THIS WAS THE FOURTH BIGGEST AMPHITHEATER IN THE EMPIRE. 335 00:21:15,700 --> 00:21:18,533 THERE WAS AN ENTIRE STREET SYSTEM, 336 00:21:18,567 --> 00:21:22,267 A MAIN ROAD INTO TOWN WAS LINED WITH FAST-FOOD OUTLETS, 337 00:21:22,300 --> 00:21:24,267 SOUVENIR STALLS, SHOPS, 338 00:21:24,300 --> 00:21:29,100 AND BUSINESSES CATERING FOR THE COLOSSAL CROWDS. 339 00:21:29,133 --> 00:21:32,367 THERE WAS EVEN ACCOMMODATION FOR GLADIATORS 340 00:21:32,400 --> 00:21:36,767 WITH A HEATED TRAINING HALL, A GARDEN, AND A BATH AND SPA. 341 00:21:36,800 --> 00:21:39,700 * 342 00:21:39,733 --> 00:21:44,100 THESE GLADIATORS ENJOYED EVERY HOME COMFORT YOU COULD WANT. 343 00:21:44,133 --> 00:21:47,067 * 344 00:21:47,067 --> 00:21:49,133 WOLFGANG'S DISCOVERIES HERE REVEALED 345 00:21:49,167 --> 00:21:52,067 THE FULL STORY OF ROME'S COLOSSEUM. 346 00:21:52,067 --> 00:21:54,100 Neubauer: THE COMBINATION OF ALL THIS DATA 347 00:21:54,133 --> 00:21:57,333 AND THE IMAGERY THAT WE PRODUCED OUT OF IT, 348 00:21:57,367 --> 00:22:01,933 THIS IS A LOOK INTO THE DAY OF THE SPECTACLE THAT HAPPENED, 349 00:22:01,967 --> 00:22:04,567 REALLY ON AN INDUSTRIAL SCALE. 350 00:22:04,600 --> 00:22:08,167 Narrator: AND ALL ACROSS EUROPE, COPIES OF THE COLOSSEUM OFFERED 351 00:22:08,200 --> 00:22:12,933 NEW ROMAN CITIZENS A PART IN THAT INDUSTRY. 352 00:22:12,967 --> 00:22:16,200 Neubauer: SUCH A DAY WAS REALLY IMPORTANT FOR THE WHOLE SOCIETY HERE. 353 00:22:16,233 --> 00:22:18,900 IT'S JUST AMAZING TO BRING THIS TO LIFE AGAIN, 354 00:22:18,933 --> 00:22:22,433 TO SEE HOW THIS ALL WORKED AND ON WHAT HIGH INDUSTRIAL LEVEL 355 00:22:22,467 --> 00:22:25,800 THIS ENTERTAINMENT BUSINESS ACTUALLY WAS. 356 00:22:25,833 --> 00:22:28,233 Narrator: WITH SUCH A HUGE INDUSTRY IN PLACE, 357 00:22:28,267 --> 00:22:32,800 MANY LIVELIHOODS DEPENDED ON THE GAMES HERE AND IN ROME. 358 00:22:32,833 --> 00:22:35,300 THE COLOSSEUM AND THE THEATERS THAT COPIED 359 00:22:35,333 --> 00:22:38,133 IT WERE THE LIFEBLOOD OF THE EMPIRE. 360 00:22:38,167 --> 00:22:40,700 Neubauer: THESE FINDINGS HERE IN CARNUNTUM CLEARLY CHANGED OUR IMAGE 361 00:22:40,733 --> 00:22:44,733 OF HOW THE GLADIATORIAL GAMES IN THE PROVINCES WAS ORGANIZED. 362 00:22:44,767 --> 00:22:47,233 SO IT WAS NOT PEOPLE TRAVELING AROUND, 363 00:22:47,267 --> 00:22:49,400 GLADIATORS WHICH WERE BROUGHT IN. 364 00:22:49,433 --> 00:22:50,800 IT WAS REALLY STABLE. 365 00:22:50,833 --> 00:22:53,533 IT WAS AN INFRASTRUCTURE THAT WAS SET UP. 366 00:22:53,567 --> 00:22:58,067 YEAH, IT WAS A BIG BUSINESS. 367 00:22:58,067 --> 00:23:01,600 Narrator: OUT OF THIS VAST BUSINESS GREW EQUALLY HUGE LEGENDS 368 00:23:01,633 --> 00:23:05,333 OF REMARKABLE EVENTS STAGED INSIDE THE COLOSSEUM. 369 00:23:05,367 --> 00:23:08,833 AND MYSTERY STILL SURROUNDS ONE OF THE GREATEST. 370 00:23:08,867 --> 00:23:14,667 COULD THEY PERFORM GIANT SEA BATTLES INSIDE THE ARENA? 371 00:23:14,700 --> 00:23:18,300 AND HOW DID THE ERA OF THE GLADIATOR FINALLY COME TO AN END 372 00:23:18,333 --> 00:23:21,133 FOR THE GREATEST EMPIRE ON EARTH? 373 00:23:29,167 --> 00:23:30,800 * 374 00:23:30,833 --> 00:23:35,200 Narrator: THE COLOSSEUM, CENTERPIECE TO A VAST INDUSTRY OF PROPAGANDA 375 00:23:35,233 --> 00:23:37,600 AND ENTERTAINMENT. 376 00:23:37,633 --> 00:23:41,800 ANCIENT ROMANS FLOCKED HERE IN THEIR THOUSANDS TO BE AMAZED 377 00:23:41,833 --> 00:23:45,433 BY THE EMPIRE'S MOST LEGENDARY STARS -- 378 00:23:45,467 --> 00:23:47,733 GLADIATORS. 379 00:23:47,767 --> 00:23:51,567 BUT ONE COLOSSEUM LEGEND IS CLOAKED IN MYSTERY. 380 00:23:51,600 --> 00:23:56,067 WERE GIANT SEA BATTLES STAGED INSIDE THE ARENA? 381 00:23:56,100 --> 00:23:58,333 Higgins: THE COLOSSEUM WAS A REAL SHOWPIECE, 382 00:23:58,367 --> 00:24:00,533 SO I THINK IT'S NOT IMPROBABLE AT ALL 383 00:24:00,567 --> 00:24:04,200 THAT THE ROMANS WOULD HOLD SUCH A SEA SPECTACLE. 384 00:24:04,233 --> 00:24:09,200 Narrator: HOW COULD THIS STADIUM POSSIBLY BE FILLED WITH BATTLESHIPS? 385 00:24:12,867 --> 00:24:17,333 THERE'S A CLUE BURIED RIGHT NEXT TO THE COLOSSEUM -- 386 00:24:17,367 --> 00:24:21,333 A THREE-FOOT-WIDE TUNNEL THAT RUNS RIGHT BENEATH THE WALLS. 387 00:24:21,367 --> 00:24:24,667 * 388 00:24:24,700 --> 00:24:27,933 ARCHAEOLOGISTS BELIEVED THAT IT MAY FEED INTO A LABYRINTH 389 00:24:27,967 --> 00:24:31,567 OF STRANGE, SHALLOW CHANNELS -- 390 00:24:31,600 --> 00:24:35,167 CHANNELS THAT LEAD TO THE CENTER OF THE ARENA. 391 00:24:35,200 --> 00:24:39,733 COULD THESE BE THE REMAINS OF A GIGANTIC SYSTEM WITH THE POWER 392 00:24:39,767 --> 00:24:41,867 TO FLOOD THE COLOSSEUM WITH WATER... 393 00:24:41,900 --> 00:24:45,067 * 394 00:24:45,833 --> 00:24:49,600 ...SO THE EMPEROR COULD STAGE FULL-BLOWN SEA BATTLES, 395 00:24:49,633 --> 00:24:53,433 THE ULTIMATE DISPLAY OF ROMAN MIGHT AND INGENUITY? 396 00:24:53,467 --> 00:24:56,500 * 397 00:24:58,100 --> 00:25:00,467 THE LEGEND OF THE COLOSSEUM'S SEA BATTLES 398 00:25:00,500 --> 00:25:03,467 COMES FROM A SINGLE ANCIENT TEXT. 399 00:25:03,500 --> 00:25:07,933 IT DESCRIBES THE ARENA FLOODING IN A MATTER OF HOURS. 400 00:25:07,967 --> 00:25:10,500 HOW COULD THIS BE POSSIBLE? 401 00:25:13,467 --> 00:25:17,333 HIGH UP IN THE MOUNTAINS OUTSIDE ROME, 402 00:25:17,367 --> 00:25:20,733 VALERIE HIGGINS IS TRYING TO FIND THE ANSWER. 403 00:25:20,767 --> 00:25:23,767 SHE STARTS AT ONE OF ROME'S FAMOUS AQUEDUCTS, 404 00:25:23,800 --> 00:25:25,533 THE AQUA CLAUDIA. 405 00:25:25,567 --> 00:25:27,867 IT'S THE BIGGEST OF 11 GIANT CHANNELS 406 00:25:27,900 --> 00:25:31,200 THAT PIPED WATER INTO THE ANCIENT CITY. 407 00:25:31,233 --> 00:25:34,867 Higgins: WE WANT TO UNDERSTAND HOW MUCH WATER COULD GO THROUGH IT. 408 00:25:34,900 --> 00:25:39,267 WE WANT TO UNDERSTAND HOW IT DELIVERED WATER INTO ROME. 409 00:25:39,300 --> 00:25:45,133 HOW DIFFICULT IS IT FOR THE ROMANS TO FILL AN ARENA? 410 00:25:45,167 --> 00:25:47,867 Narrator: HELPING VALERIE IS ADRIANA MORABIDO, 411 00:25:47,900 --> 00:25:52,067 AN EXPERT IN ROMAN SUBTERRANEAN TUNNELS. 412 00:25:52,067 --> 00:25:56,300 THIS ANCIENT AQUEDUCT ONCE CHANNELED FRESH WATER 46 MILES 413 00:25:56,333 --> 00:25:58,467 INTO THE CENTER OF ROME. 414 00:25:58,500 --> 00:26:02,633 Higgins: ALONG HERE, WE CAN SEE THE LEVEL OF THE WATER GOING ALONG. 415 00:26:02,667 --> 00:26:04,600 MAXIMUM HALF A METER OF WATER, 416 00:26:04,633 --> 00:26:06,467 AND THEN THE REST WAS JUST EMPTY. 417 00:26:06,500 --> 00:26:09,933 OBVIOUSLY, IT WAS GOING DOWN BY GRAVITY, NOT BY PRESSURE. 418 00:26:09,967 --> 00:26:12,733 Narrator: VALERIE WANTS TO WORK OUT WHETHER THIS AQUEDUCT 419 00:26:12,767 --> 00:26:15,767 COULD HAVE SUPPLIED ENOUGH WATER TO FILL THE COLOSSEUM 420 00:26:15,800 --> 00:26:18,433 IN JUST A FEW HOURS. 421 00:26:18,467 --> 00:26:19,533 WHAT WE WOULD LIKE TO DO 422 00:26:19,567 --> 00:26:21,300 IS MEASURE THE HEIGHT OF THE AQUEDUCT, 423 00:26:21,333 --> 00:26:23,700 AND THEN MEASURE IT IN ANOTHER PLACE, AS WELL, 424 00:26:23,733 --> 00:26:26,567 SO WE CAN WORK OUT THE GRADIENT. 425 00:26:26,600 --> 00:26:29,500 THE SLOPE OF THE TUNNEL FLOOR WILL HELP THEM CALCULATE 426 00:26:29,533 --> 00:26:33,200 HOW FAST WATER FLOWED INTO ROME. 427 00:26:33,233 --> 00:26:37,133 SO HERE IS 110, AND THERE IS 87. 428 00:26:37,167 --> 00:26:42,067 SO WE HAVE A 23 CENTIMETERS' DIFFERENCE IN 9 METERS. 429 00:26:42,067 --> 00:26:45,167 BUT WHAT THEY FIND IS A VERY GENTLE SLOPE, 430 00:26:45,200 --> 00:26:47,867 A GRADIENT OF ONLY 1 IN 40. 431 00:26:47,900 --> 00:26:50,767 THEY DIDN'T ACTUALLY WANT THE GRADIENT TO BE TOO STEEP. 432 00:26:50,800 --> 00:26:53,200 WATER THAT'S FLOWING TOO FAST ERODES THE STRUCTURE. 433 00:26:53,233 --> 00:26:55,067 [ BEEPING ] 434 00:26:55,100 --> 00:26:56,933 VALERIE'S WORK SHOWS THE WATER HERE 435 00:26:56,967 --> 00:26:58,967 WOULD HAVE FLOWED FAR TOO SLOWLY 436 00:26:59,067 --> 00:27:02,500 TO FILL THE COLOSSEUM AS THE LEGEND DESCRIBES. 437 00:27:02,533 --> 00:27:04,567 Higgins: IT'S AN EXTRAORDINARILY LARGE ARENA. 438 00:27:04,600 --> 00:27:06,133 IT ISN'T FILLED VERY HIGH. 439 00:27:06,167 --> 00:27:08,467 IT'S ONLY FILLED TO LIKE A METER AND A HALF. 440 00:27:08,500 --> 00:27:11,800 BUT NEVERTHELESS, IT'S REALLY HARD TO IMAGINE WATER 441 00:27:11,833 --> 00:27:15,733 COMING THROUGH HERE FILLING THE COLOSSEUM. 442 00:27:15,767 --> 00:27:17,667 BUT VALERIE BELIEVES THE AQUEDUCT 443 00:27:17,700 --> 00:27:20,500 MAY NOT TELL THE WHOLE STORY. 444 00:27:20,533 --> 00:27:23,067 SHE THINKS THERE MAY BE A CRUCIAL PIECE MISSING 445 00:27:23,067 --> 00:27:26,333 FROM THIS COMPLEX PUZZLE OF ROMAN PLUMBING. 446 00:27:26,367 --> 00:27:28,767 * 447 00:27:28,800 --> 00:27:32,200 MULTIPLE AQUEDUCTS, 11 IN TOTAL, 448 00:27:32,233 --> 00:27:36,300 CHANNELED FRESHWATER DIRECTLY INTO ANCIENT ROME. 449 00:27:36,333 --> 00:27:39,433 VALERIE'S THEORY IS THAT WHEN THE COLOSSEUM WAS BUILT, 450 00:27:39,467 --> 00:27:44,633 A HUGE WATER TANK WAS ADDED SOMEWHERE NEAR THE AMPHITHEATER. 451 00:27:44,667 --> 00:27:50,667 THE TANK STORED ENOUGH WATER TO FLOOD THE COLOSSEUM IN ONE SHOT. 452 00:27:50,700 --> 00:27:54,533 BENEATH THE AMPHITHEATER, THE NETWORK OF CIRCULAR CHANNELS 453 00:27:54,567 --> 00:27:56,633 DISTRIBUTED THE STORED WATER QUICKLY 454 00:27:56,667 --> 00:28:00,067 AND EVENLY INTO THE ARENA FLOOR, 455 00:28:00,100 --> 00:28:03,233 READY FOR A SPECTACULAR SEA BATTLE. 456 00:28:03,267 --> 00:28:05,500 THEN, FOUR HUGE DRAINAGE CHANNELS 457 00:28:05,533 --> 00:28:08,233 OPENED TO FLUSH THE WATER AWAY AGAIN 458 00:28:08,267 --> 00:28:11,333 IN TIME FOR THE NEXT GAMES. 459 00:28:11,367 --> 00:28:14,067 * 460 00:28:14,067 --> 00:28:17,833 BUT IF A GIANT STORAGE TANK WAS THE KEY TO FILLING THE COLOSSEUM 461 00:28:17,867 --> 00:28:21,633 WITH WATER, WHERE IS IT? 462 00:28:21,667 --> 00:28:24,067 WITH THE HELP OF DR. MATEO BARONI, 463 00:28:24,067 --> 00:28:28,433 VALERIE FOLLOWS THE ROUTE OF THE AQUEDUCT THROUGH URBAN ROME. 464 00:28:28,467 --> 00:28:31,267 NEAR THE COLOSSEUM, SHE DISCOVERS THE PARTIAL REMAINS 465 00:28:31,300 --> 00:28:34,600 OF A MUCH LARGER STRUCTURE THAT ONCE EXISTED HERE. 466 00:28:34,633 --> 00:28:37,633 COULD THIS BE THE MISSING PIECE OF THE JIGSAW? 467 00:28:37,667 --> 00:28:40,967 Higgins: WE HAVE SOME REMAINS OF A MONUMENTAL FOUNTAIN. 468 00:28:41,067 --> 00:28:44,067 WHAT IS INTERESTING ABOUT THE MONUMENTAL FOUNTAIN 469 00:28:44,067 --> 00:28:48,067 IS THERE WAS A WATER STORAGE UNIT IN IT. 470 00:28:48,067 --> 00:28:50,767 Narrator: VALERIE THINKS THE ORIGINAL STRUCTURE IS NOW MISSING, 471 00:28:50,800 --> 00:28:54,400 BUT WOULD HAVE BEEN BIG ENOUGH TO HOLD THE 3.5 MILLION GALLONS 472 00:28:54,433 --> 00:28:56,400 NEEDED TO FILL THE COLOSSEUM. 473 00:28:56,433 --> 00:28:58,300 WE'VE GOT THE COLOSSEUM OVER THERE, 474 00:28:58,333 --> 00:29:02,233 SO THIS COULD QUITE EASILY BE DIVERTED 475 00:29:02,267 --> 00:29:04,800 TO BE USED IN THE COLOSSEUM. 476 00:29:04,833 --> 00:29:07,167 Narrator: BUT IT WOULD HAVE TO FLOW FAST TO DO THE JOB 477 00:29:07,200 --> 00:29:10,067 IN JUST A FEW HOURS. 478 00:29:10,067 --> 00:29:12,900 SHE MAKES ONE FINAL MEASUREMENT TO WORK OUT THE SLOPE 479 00:29:12,933 --> 00:29:16,833 BETWEEN THE TANK AND THE FLOOR OF THE COLOSSEUM. 480 00:29:16,867 --> 00:29:22,067 IT'S SIX METERS DIFFERENCE BETWEEN HERE AND THE COLOSSEUM. 481 00:29:22,100 --> 00:29:25,100 IT'S VERY STEEP GOING DOWN HERE. 482 00:29:25,133 --> 00:29:27,167 IT DESCENDS QUITE FAST. 483 00:29:27,200 --> 00:29:30,233 YOU COULD GET A BIG, HYDRAULIC PRESSURE FROM HERE 484 00:29:30,267 --> 00:29:34,433 THAT WOULD PUSH THE WATER INTO THE COLOSSEUM VERY QUICKLY. 485 00:29:34,467 --> 00:29:39,333 SO I THINK IT'S A FEASIBLE PROPOSITION. 486 00:29:39,367 --> 00:29:40,800 * 487 00:29:40,833 --> 00:29:43,933 Narrator: THANKS TO THE INGENUITY OF ROMAN WATER ENGINEERS, 488 00:29:43,967 --> 00:29:46,067 THE COLOSSEUM STAGED SPECTACLES 489 00:29:46,067 --> 00:29:50,333 THAT BECAME LEGENDARY ACROSS THE EXPANDING EMPIRE. 490 00:29:50,367 --> 00:29:54,867 BUT SEA BATTLES COULDN'T BE STAGED AT EVERY AMPHITHEATER. 491 00:29:54,900 --> 00:29:59,067 HOW DID THE EMPIRE CAPTIVATE ITS CITIZENS WITHOUT THEM? 492 00:29:59,100 --> 00:30:02,400 NOW, NEW CLUES IN NAPLES REVEAL THE MAGICAL TECHNIQUES 493 00:30:02,433 --> 00:30:04,433 ONCE USED TO STRIKE AWE AND WONDER 494 00:30:04,467 --> 00:30:07,600 INTO THE COLOSSEUM'S CROWDS. 495 00:30:14,467 --> 00:30:16,900 * 496 00:30:16,933 --> 00:30:18,333 Narrator: THE COLOSSEUM. 497 00:30:18,367 --> 00:30:20,800 A SPECTACULAR BUILDING THAT HELPED ESTABLISH 498 00:30:20,833 --> 00:30:24,333 THE GREATEST EMPIRE IN HISTORY. 499 00:30:24,367 --> 00:30:28,200 THIS IS WHERE THE ROMAN EMPIRE CAST ITS SPELL ON ITS CITIZENS. 500 00:30:28,233 --> 00:30:30,833 * 501 00:30:30,867 --> 00:30:33,633 INSIDE, A MYSTERIOUS MAZE OF WALLS 502 00:30:33,667 --> 00:30:38,100 AND PASSAGES FILLS THE FLOOR OF THE ARENA. 503 00:30:38,133 --> 00:30:40,500 THEY SUGGEST THAT SOMETHING EXTRAORDINARY 504 00:30:40,533 --> 00:30:43,567 ONCE HAPPENED HERE, 505 00:30:43,600 --> 00:30:45,700 BUT THESE REMAINS HAVE CRUMBLED TOO MUCH 506 00:30:45,733 --> 00:30:47,700 TO REVEAL THEIR SECRETS. 507 00:30:50,833 --> 00:30:52,400 * 508 00:30:52,433 --> 00:30:55,400 HEINZ BESTE HAS COME TO THE CAPUA AMPHITHEATER, 509 00:30:55,433 --> 00:30:59,533 A TWIN ARENA TO THE COLOSSEUM. 510 00:30:59,567 --> 00:31:01,233 HE BELIEVES THERE IS EVIDENCE HERE 511 00:31:01,267 --> 00:31:03,500 THAT THE ROMANS COULD MAKE EXOTIC ANIMALS, 512 00:31:03,533 --> 00:31:04,933 LIKE LIONS AND TIGERS, 513 00:31:04,967 --> 00:31:08,067 SUDDENLY APPEAR OUT OF NOWHERE IN THE ARENA. 514 00:31:20,333 --> 00:31:23,967 THESE UNDERGROUND WALLS ARE DOTTED WITH CLUES THAT CAN TELL 515 00:31:24,067 --> 00:31:27,600 HEINZ HOW THE EMPIRE DAZZLED ITS AUDIENCES WITH SHOWS 516 00:31:27,633 --> 00:31:30,433 DESIGNED TO DEMONSTRATE THE MIGHT OF ROME. 517 00:31:34,100 --> 00:31:37,500 AND IT'S NOT LONG BEFORE HE STARTS TO SEE TELLTALE PATTERNS 518 00:31:37,533 --> 00:31:39,867 EMERGE IN THE MASONRY MARKINGS. 519 00:31:50,533 --> 00:31:55,167 THESE SMALL HOLES IN THE WALLS ARE CRUCIAL CLUES TO HEINZ. 520 00:31:55,200 --> 00:31:57,300 THEY REVEAL THAT THE SHAFTS AND COLUMNS 521 00:31:57,333 --> 00:32:00,200 ONCE SUPPORTED COMPLEX THEATRICAL MACHINERY, 522 00:32:00,233 --> 00:32:02,967 LIFTS, TRAP DOORS, AND RAMPS. 523 00:32:12,433 --> 00:32:14,900 THESE THEATRICAL MACHINES WERE THE KEY 524 00:32:14,933 --> 00:32:19,400 TO THE UNBELIEVABLE SPECTACLE STAGED IN THE ARENA, 525 00:32:19,433 --> 00:32:21,267 AND HE THINKS THAT SOME NEW CLUES 526 00:32:21,300 --> 00:32:24,567 REVEAL THE SCALE OF THE MACHINES THAT WERE USED 527 00:32:24,600 --> 00:32:26,800 AND HOW THEY MANAGED TO RAISE HUGE, 528 00:32:26,833 --> 00:32:30,067 WILD BEASTS TO THE ARENA FLOOR. 529 00:32:30,067 --> 00:32:32,533 * 530 00:32:32,567 --> 00:32:34,433 BENEATH THE ARENA FLOOR 531 00:32:34,467 --> 00:32:39,067 AND AMONG THE DENSE MAZE OF CONCRETE SHAFTS... 532 00:32:43,567 --> 00:32:46,667 ...ENGINEERS BUILT INSIDE EACH CHAMBER 533 00:32:46,700 --> 00:32:48,967 ELABORATE WOODEN ELEVATORS 534 00:32:49,067 --> 00:32:53,233 TO RAISE DANGEROUS BEASTS TO THE ARENA. 535 00:32:53,267 --> 00:32:57,267 SLAVES DROVE A CAPSTAN THAT WINCHED THE CAGED ANIMAL 536 00:32:57,300 --> 00:33:01,133 UP TO A TRAP DOOR BENEATH THE ARENA FLOOR... 537 00:33:01,167 --> 00:33:02,467 [ ANIMAL GROWLS ] 538 00:33:02,500 --> 00:33:05,600 * 539 00:33:06,367 --> 00:33:12,133 ...MAKING BEASTS AND FIGHTERS APPEAR AS IF BY MAGIC. 540 00:33:12,167 --> 00:33:13,900 [ BLADES CLANKING, CROWD CHEERING ] 541 00:33:13,933 --> 00:33:16,800 * 542 00:33:27,900 --> 00:33:31,433 THIS UNDERGROUND LABYRINTH WAS THE BAKING-HOT SWEATSHOP 543 00:33:31,467 --> 00:33:33,067 THAT DROVE THE ARENA, 544 00:33:33,067 --> 00:33:34,500 AND IT WOULD HAVE LOOKED VERY DIFFERENT 545 00:33:34,533 --> 00:33:36,300 FROM HOW IT APPEARS TODAY. 546 00:33:59,233 --> 00:34:03,767 BELOW THE ARENA, EVERYTHING HAD TO RUN LIKE CLOCKWORK 547 00:34:03,800 --> 00:34:06,200 BECAUSE HERE AND AT THE COLOSSEUM, 548 00:34:06,233 --> 00:34:08,567 ONLY A PERFECT SHOW WOULD DO. 549 00:34:23,533 --> 00:34:25,933 AUDIENCES WOULD ROAR WITH EXCITEMENT, 550 00:34:25,967 --> 00:34:30,167 IN AWE AT THE BREATHTAKING POWER OF THEIR ROMAN MASTERS. 551 00:34:30,200 --> 00:34:32,367 [ CROWD CHEERS ] 552 00:34:32,400 --> 00:34:35,100 HEINZ'S DISCOVERIES REVEAL HOW THE COLOSSEUM 553 00:34:35,133 --> 00:34:38,233 WAS DESIGNED WITH ONE PURPOSE -- 554 00:34:38,267 --> 00:34:41,200 TO DEFY BELIEF. 555 00:34:41,233 --> 00:34:44,833 WITHIN ITS WALLS AND THOSE OF AMPHITHEATERS ACROSS EUROPE, 556 00:34:44,867 --> 00:34:46,967 AUDIENCES WOULD FALL UNDER THE SPELL 557 00:34:47,067 --> 00:34:49,600 OF THE MIGHTY ROMAN EMPIRE. 558 00:34:49,633 --> 00:34:52,667 * 559 00:34:54,100 --> 00:34:57,633 BUT THE COLOSSEUM DID NOT LAST FOREVER. 560 00:34:57,667 --> 00:35:00,300 CAN NEW EVIDENCE BENEATH THE STREETS OF ROME 561 00:35:00,333 --> 00:35:05,067 REVEAL WHAT LED TO THE COLLAPSE OF THIS ONCE MIGHTY STRUCTURE? 562 00:35:05,100 --> 00:35:08,633 AND DID IT CRUMBLE AS THE ROMAN EMPIRE CRUMBLED AROUND IT? 563 00:35:20,067 --> 00:35:25,400 Narrator: THE COLOSSEUM, ONCE A SYMBOL OF ANCIENT ROMAN POWER. 564 00:35:25,433 --> 00:35:28,367 FIRST BUILT TO WIN OVER THE CITIZENS OF ROME, 565 00:35:28,400 --> 00:35:30,933 IT BECAME THE BLUEPRINT FOR MANY AMPHITHEATERS 566 00:35:30,967 --> 00:35:34,567 CONSTRUCTED ACROSS THE EMPIRE. 567 00:35:34,600 --> 00:35:38,633 AND LIKE THE EMPIRE, IT BECAME A WAY OF LIFE. 568 00:35:38,667 --> 00:35:41,667 NOW, IT LIES IN RUINS. 569 00:35:41,700 --> 00:35:44,867 Giordano: THIS BUILDING IS ICONIC AS IT REPRESENTS 570 00:35:44,900 --> 00:35:47,633 THE EVOLUTION OF THE ROMAN EMPIRE 571 00:35:47,667 --> 00:35:52,167 FROM ITS RISE THROUGH ITS FALL. 572 00:35:52,200 --> 00:35:54,433 Narrator: WAS IT THE END OF THE EMPIRE ITSELF 573 00:35:54,467 --> 00:35:57,567 THAT TRIGGERED THE COLLAPSE OF THE COLOSSEUM? 574 00:35:57,600 --> 00:36:00,800 OR DO CLUES INSIDE THE ARENA ITSELF SUGGEST 575 00:36:00,833 --> 00:36:04,933 THAT AN ACT OF NATURE BROUGHT DOWN ITS WALLS? 576 00:36:04,967 --> 00:36:08,067 * 577 00:36:08,100 --> 00:36:10,800 UNDER THE QUARTER OF A MILLION TONS OF MASONRY 578 00:36:10,833 --> 00:36:14,600 SIT TRULY COLOSSAL FOUNDATIONS. 579 00:36:14,633 --> 00:36:19,600 A GIGANTIC DOUGHNUT OVER HALF A MILE AROUND, 100 FEET THICK 580 00:36:19,633 --> 00:36:25,067 AND 40 FEET DEEP, MADE FROM THE ROMANS' TOUGHEST CONCRETE. 581 00:36:25,067 --> 00:36:28,767 BUT EXPERTS BELIEVE IT WASN'T TOUGH ENOUGH, 582 00:36:28,800 --> 00:36:30,733 CAUSING CRACKS TO FORM, 583 00:36:30,767 --> 00:36:33,233 WHICH DIVIDED THE FOUNDATION IN HALF 584 00:36:33,267 --> 00:36:37,433 AND RUINED THE STABILITY OF THE STRUCTURE ABOVE. 585 00:36:37,467 --> 00:36:39,767 BUT WHAT COULD HAVE CAUSED THESE CRACKS? 586 00:36:39,800 --> 00:36:43,500 HOW DID THE GREATEST EMPIRE BUILDERS MAKE A MISTAKE 587 00:36:43,533 --> 00:36:46,867 THAT ULTIMATELY BROUGHT DOWN THE ARENA'S GIANT WALL? 588 00:36:53,367 --> 00:36:56,300 GEOLOGIST GUIDO GIORDANO HAS STUDIED THE LANDSCAPE 589 00:36:56,333 --> 00:36:59,700 AROUND THE COLOSSEUM FOR SEVERAL YEARS. 590 00:36:59,733 --> 00:37:02,300 HE THINKS CRACKS IN THE FOUNDATION OF THE COLOSSEUM 591 00:37:02,333 --> 00:37:05,600 WOULD EXPLAIN WHAT CAUSED THE AMPHITHEATER'S COLLAPSE. 592 00:37:07,600 --> 00:37:11,967 THE NORTH SIDE IS BUILT ON THE SAME ROCK THAT MAKE THIS HILL, 593 00:37:12,067 --> 00:37:14,700 WHICH ARE STRONG, GOOD BEDROCK. 594 00:37:14,733 --> 00:37:16,767 BUT ON THE SOUTH SIDE, THE COLOSSEUM 595 00:37:16,800 --> 00:37:20,333 IS BUILT ON VERY SOFT SEDIMENT. 596 00:37:20,367 --> 00:37:23,200 Narrator: SOFT, MUDDY RIVER DEPOSITS BENEATH THE SOUTHERN 597 00:37:23,233 --> 00:37:24,633 HALF OF THE COLOSSEUM 598 00:37:24,667 --> 00:37:28,467 MAKE THIS PART OF THE BUILDING VERY UNSTABLE. 599 00:37:28,500 --> 00:37:31,933 DID ONE OF THE MANY EARTHQUAKES THAT ROCKED ANCIENT ROME 600 00:37:31,967 --> 00:37:34,567 CRACK THE COLOSSEUM IN TWO? 601 00:37:34,600 --> 00:37:38,633 Giordano: DURING THE BIG EARTHQUAKE THAT STRUCK ROME, 602 00:37:38,667 --> 00:37:42,267 THE SHAKING OF THE GROUND WAS SUBSTANTIALLY DIFFERENT 603 00:37:42,300 --> 00:37:45,367 FROM THE NORTH SIDE ON THE SOLID ROCK, 604 00:37:45,400 --> 00:37:48,300 WHERE THE SHAKING WAS JUST LIKE THIS, 605 00:37:48,333 --> 00:37:50,767 TO THE SOUTH SIDE ON THE SOFT ROCK, 606 00:37:50,800 --> 00:37:52,933 WHERE THE SHAKING WAS LIKE THAT. 607 00:37:52,967 --> 00:37:56,933 AND YOU CAN SEE BIG CRACKS RUNNING THROUGH. 608 00:37:56,967 --> 00:38:00,733 THIS IS WHAT HAPPENS WHEN YOU HAVE A BIG SHAKING 609 00:38:00,767 --> 00:38:05,067 AND DIFFERENTIAL SUBSIDENCE. 610 00:38:05,100 --> 00:38:07,833 Narrator: IN FACT, AN EARTHQUAKE DID BRING DOWN THE SOUTH WALL, 611 00:38:07,867 --> 00:38:11,333 BUT ONLY CENTURIES AFTER THE END OF THE EMPIRE. 612 00:38:11,367 --> 00:38:14,700 DID SOMETHING ELSE CATASTROPHIC END THE ERA OF THE COLOSSEUM 613 00:38:14,733 --> 00:38:16,833 MUCH EARLIER? 614 00:38:16,867 --> 00:38:19,433 GUIDO'S HUNTING FOR CLUES IN OTHER ANCIENT RUINS 615 00:38:19,467 --> 00:38:22,700 CLOSE TO THE AMPHITHEATER. 616 00:38:22,733 --> 00:38:24,833 Giordano: THIS IS THE THEATER OF MARCELLUS, 617 00:38:24,867 --> 00:38:28,633 THE LARGEST THEATER OF ANCIENT ROME, 618 00:38:28,667 --> 00:38:30,400 SIMILAR TO THE COLOSSEUM. 619 00:38:30,433 --> 00:38:34,200 IT HAS SEEN A LOT OF CHANGES. 620 00:38:34,233 --> 00:38:36,833 Narrator: LIKE THE COLOSSEUM, THE THEATER OF MARCELLUS 621 00:38:36,867 --> 00:38:40,633 WAS ONCE A GRAND SYMBOL OF AN EMPIRE AT ITS PEAK, 622 00:38:40,667 --> 00:38:42,067 BUT SOMETHING CHANGED, 623 00:38:42,100 --> 00:38:43,967 SENDING THIS MAGNIFICENT BUILDING 624 00:38:44,067 --> 00:38:47,067 INTO DECLINE, TOO. 625 00:38:47,100 --> 00:38:49,600 YOU CAN SEE AROUND HERE THAT THERE ARE A LOT OF ROCKS 626 00:38:49,633 --> 00:38:53,867 SCATTERED, THAT SORT OF LITTERED THE GROUND. 627 00:38:53,900 --> 00:38:57,267 THESE HOLES USED TO HOIST METAL CLAMPS 628 00:38:57,300 --> 00:39:02,767 THAT THE ROMANS USED TO CONNECT THESE TRAVERTINE BLOCKS 629 00:39:02,800 --> 00:39:05,433 IN ORDER TO STABILIZE THE STRUCTURE. 630 00:39:05,467 --> 00:39:08,367 THIS IS ONE OF THE FIRST THINGS THAT WERE STOLEN 631 00:39:08,400 --> 00:39:11,100 FROM THE MONUMENT. 632 00:39:11,133 --> 00:39:12,833 Narrator: DESPITE 300 YEARS 633 00:39:12,867 --> 00:39:16,267 AS THE HEART OF ROME'S VIBRANT ENTERTAINMENT INDUSTRY, 634 00:39:16,300 --> 00:39:18,733 GUIDO BELIEVES THE MARCELLUS AND THE COLISEUM 635 00:39:18,767 --> 00:39:22,367 SUFFERED A SUDDEN TWIST OF FATE. 636 00:39:22,400 --> 00:39:24,100 IF YOU LOOK AT THE TOP, 637 00:39:24,133 --> 00:39:27,067 YOU WILL NOTICE THAT THERE ARE APARTMENTS. 638 00:39:27,067 --> 00:39:28,767 THOSE ARE CLEARLY NOT PART 639 00:39:28,800 --> 00:39:31,433 OF THE ORIGINAL STRUCTURE OF THE THEATER. 640 00:39:31,467 --> 00:39:35,133 BEEN BUILT UP LATER ON TO REPLACE THE TOP PART 641 00:39:35,167 --> 00:39:38,067 OF THE THEATER THAT AT SOME STAGE COLLAPSED, 642 00:39:38,067 --> 00:39:42,567 WHEN THIS BEAUTIFUL THEATER WAS PROGRESSIVELY ABANDONED. 643 00:39:42,600 --> 00:39:45,667 Narrator: GUIDO THINKS THE THEATER WAS ABANDONED FOLLOWING A DECISION 644 00:39:45,700 --> 00:39:48,733 TO MOVE POWER AND WEALTH AWAY FROM ROME. 645 00:39:50,867 --> 00:39:54,600 NEARBY, AT AN ANCIENT BRIDGE, GUIDO FINDS FURTHER CLUES 646 00:39:54,633 --> 00:39:57,400 ABOUT THE FATE OF THE THEATER. 647 00:39:57,433 --> 00:39:59,900 CONSIDER THIS NICE LAYERING. 648 00:40:00,067 --> 00:40:03,233 THE BLOCK THAT MAKE THE COLUMNS OF THE THEATER 649 00:40:03,267 --> 00:40:07,567 JUST 500 METERS AWAY FROM HERE ARE REMARKABLY SIMILAR. 650 00:40:07,600 --> 00:40:11,000 CONSIDERING THE AMOUNT OF MATERIAL NEEDED FOR THIS BRIDGE, 651 00:40:11,033 --> 00:40:14,733 YOU CAN IMAGINE THAT POSSIBLY THE THIRD LAYER OF THE THEATER, 652 00:40:14,767 --> 00:40:16,600 WHICH IS PRESENTLY MISSING, 653 00:40:16,633 --> 00:40:18,533 WAS ACTUALLY THE SITE 654 00:40:18,567 --> 00:40:23,800 WHERE MOST OF THESE BLOCKS HAVE ACTUALLY BEEN TAKEN. 655 00:40:23,833 --> 00:40:26,033 Narrator: WITH THE EMPIRE'S WEALTH IN DECLINE, 656 00:40:26,067 --> 00:40:28,933 THE LUXURIES OF LIFE, THEATER, AND FUN 657 00:40:28,967 --> 00:40:32,267 WERE SACRIFICED FOR BASIC BUILDING MAINTENANCE. 658 00:40:32,300 --> 00:40:35,200 Giordano: PEOPLE DID NOT HAVE THE WEALTH TO GO TO THEATER 659 00:40:35,233 --> 00:40:38,600 OR TO GO TO OTHER KIND OF PERFORMANCES. 660 00:40:38,633 --> 00:40:44,767 ENTERTAINMENT STRUCTURE LIKE THE COLOSSEUM STARTED TO DECLINE, 661 00:40:44,800 --> 00:40:49,233 DETERIORATE, AND EVENTUALLY, THROUGH TIME, EVEN COLLAPSE. 662 00:40:49,267 --> 00:40:50,667 * 663 00:40:50,700 --> 00:40:53,233 Narrator: THE CRACKS IN THE EMPIRE WERE SHOWING, 664 00:40:53,267 --> 00:40:56,067 AND THE COLOSSEUM WAS ABANDONED. 665 00:40:56,100 --> 00:41:00,833 AND WITH THAT, THE GOLDEN ERA OF THE GLADIATOR WAS OVER. 666 00:41:00,867 --> 00:41:06,967 THESE ROCKS ARE WITNESS OF A VERY COMPLEX AND LONG HISTORY. 667 00:41:07,067 --> 00:41:09,667 Narrator: YET, ALMOST 2,000 YEARS LATER, 668 00:41:09,700 --> 00:41:12,900 THE COLOSSEUM'S RUINS HAVE LOST NONE OF THEIR MAGIC. 669 00:41:15,200 --> 00:41:17,067 * 670 00:41:17,100 --> 00:41:20,733 BUILT TO ERASE THE MEMORY OF A SELFISH EMPEROR, 671 00:41:20,767 --> 00:41:24,100 THE COLOSSEUM WAS DESIGNED TO ENTERTAIN THE PEOPLE 672 00:41:24,133 --> 00:41:27,700 AND TO FUEL THE RISE OF AN EMPIRE. 673 00:41:27,733 --> 00:41:31,567 ITS HIDDEN SECRETS STILL THRILL US EVEN TODAY. 674 00:41:31,600 --> 00:41:33,800 REMINDING US THAT THE ROMAN EMPIRE 675 00:41:33,833 --> 00:41:36,733 WAS, INDEED, THE GREATEST ON EARTH. 676 00:41:36,767 --> 00:41:39,800 * 677 00:41:46,767 --> 00:41:49,800 * 678 00:41:56,767 --> 00:41:59,900 * 54651

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