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*
2
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Narrator:
THE ANCIENT CITY OF ROME.
3
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FOUNDED NEARLY 3,000 YEARS AGO.
4
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FOR FIVE CENTURIES,
THE ROMAN EMPIRE
5
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WAS THE MIGHTIEST ON EARTH.
6
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AND ONE EXTRAORDINARY BUILDING
STANDS AT ITS HEART --
7
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THE COLOSSEUM.
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THIS BUILDING REPRESENTS THE
EVOLUTION OF THE ROMAN EMPIRE
9
00:00:24,900 --> 00:00:27,933
FROM ITS RISE THROUGH ITS FALL.
10
00:00:27,967 --> 00:00:31,533
Narrator:
FOR CENTURIES, THIS ANCIENT
THEATER HAS HELD DARK SECRETS
11
00:00:31,567 --> 00:00:33,900
ABOUT THE EMPIRE THAT BUILT IT
12
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AND THE THOUSANDS
WHO DIED WITHIN IT.
13
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IF PEOPLE HAD TO BE KILLED,
THEY WERE KILLED.
14
00:00:38,733 --> 00:00:42,233
THE ROMANS DIDN'T HAVE
ANY PROBLEMS WITH DOING THAT.
15
00:00:42,267 --> 00:00:45,667
Narrator: TODAY, ADVANCED
TECHNOLOGY IS HELPING SCIENTISTS
16
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MAKE BRAND-NEW DISCOVERIES
WITH UNIQUE ACCESS
17
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TO THE BONES OF FALLEN WARRIORS.
18
00:00:52,567 --> 00:00:55,567
HOW DID THE ANCIENT ROMANS
PRESENT MAGICAL SPECTACLES
19
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IN THIS GIANT ARENA
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AND CREATE ENTERTAINMENT
WITH THE POWER
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TO SPREAD ROME'S MESSAGE
ACROSS THE WHOLE EMPIRE?
22
00:01:05,533 --> 00:01:09,200
THE ONLY WAY TO SOLVE
THESE MYSTERIES
23
00:01:09,233 --> 00:01:13,400
IS TO DISMANTLE
THE COLOSSEUM BRICK BY BRICK.
24
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WE'LL BLOW APART ITS ARCHES
AND TUNNELS TO EXPERIENCE LIFE
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AND DEATH WITHIN ITS WALLS
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AND REVEAL THE SECRETS HIDDEN
INSIDE THIS ANCIENT WONDER.
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-- Captions by VITAC --
www.vitac.com
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CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
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*
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Narrator: THE COLOSSEUM.
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A GIANT COMPLEX AT THE HEART
OF THE ANCIENT CITY OF ROME.
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THIS WAS AN ARENA
OF DEATH AND MAGIC,
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OF POTENT SPECTACLES WITH
THE POWER TO SUSTAIN AN EMPIRE.
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00:01:49,333 --> 00:01:52,300
BURIED WITHIN ITS WALLS
ARE CLUES THAT REVEAL
35
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THIS WAS MUCH MORE
THAN JUST A THEATER.
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THE COLOSSEUM STILL STRIKES
OUR HEART TODAY.
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YOU CAN STILL FEEL
THE SAME FEELING
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THAT THE ROMAN SPECTATORS
FELT AT THE TIME
39
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OF THE PERFORMANCES.
40
00:02:07,667 --> 00:02:10,567
TODAY, TEAMS OF EXPERTS
ARE EXPLORING DEEPER
41
00:02:10,600 --> 00:02:13,967
THAN EVER INTO THE HEART
OF THE BUILDING,
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00:02:14,067 --> 00:02:17,933
SOLVING THE MYSTERIES
OF THIS ANCIENT ARENA
43
00:02:17,967 --> 00:02:22,700
TO REVEAL HOW, FOR 500 YEARS,
THE HIDDEN SECRETS OF THIS VAST
44
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RUIN HELPED ROME BUILD AN EMPIRE
ACROSS EUROPE AND BEYOND.
45
00:02:28,767 --> 00:02:31,700
CONCEALED
UNDER ITS MONUMENTAL SKIN
46
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IS A COMPLEX SYSTEM OF PILLARS,
ARCHES, AND VAULTS.
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THEY SPREAD THE COLOSSAL LOAD
OF NEARLY A QUARTER
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OF A MILLION TONS OF STONE,
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00:02:40,800 --> 00:02:44,400
ALLOWING THIS BUILDING
TO TOWER 160 FEET
50
00:02:44,433 --> 00:02:46,833
ABOVE THE STREETS OF ROME.
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00:02:46,867 --> 00:02:51,100
IN THE STADIUM, SPACE FOR UP
TO 80,000 SPECTATORS,
52
00:02:51,133 --> 00:02:54,067
BIG ENOUGH TO HOLD
THE SUPER BOWL.
53
00:02:54,100 --> 00:02:56,067
BUILT INTO THE ARENA FLOOR,
54
00:02:56,067 --> 00:02:59,400
A SUBTERRANEAN MAZE
OF TUNNELS AND CHAMBERS,
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00:02:59,433 --> 00:03:03,367
THE SECRET DOMAIN OF THE
EMPIRE'S MOST DEADLY SERVANT --
56
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THE GLADIATOR.
57
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THE COLOSSEUM AND THE MEN
WHO FOUGHT IN IT
58
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ARE THE MOST ICONIC SYMBOLS
OF THE ROMAN EMPIRE.
59
00:03:14,400 --> 00:03:19,067
EVEN TODAY, THE COLOSSEUM
IS AN IMPRESSIVE STRUCTURE.
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00:03:19,067 --> 00:03:22,533
BUT PERHAPS ITS GREATEST MYSTERY
IS NOT HOW IT WAS BUILT,
61
00:03:22,567 --> 00:03:26,100
BUT WHY IT WAS BUILT
IN SUCH A STRANGE PLACE.
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00:03:27,167 --> 00:03:30,067
GEOLOGIST GUIDO GIORDANO
HAS SPENT YEARS
63
00:03:30,067 --> 00:03:33,433
STUDYING THIS
EXTRAORDINARY BUILDING.
64
00:03:33,467 --> 00:03:36,767
HIS THEORY IS THAT ITS LOCATION
IS NO ACCIDENT
65
00:03:36,800 --> 00:03:38,833
AND MAY EVEN EXPLAIN
A KEY MOMENT
66
00:03:38,867 --> 00:03:42,267
IN THE RISE OF THE ROMAN EMPIRE.
67
00:03:42,300 --> 00:03:46,667
YOU CAN SEE BACK THERE,
THE COLOSSEUM, AND BEYOND THAT,
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THERE IS THE BUSINESS
CENTER FOR ROME.
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00:03:49,467 --> 00:03:51,733
Narrator: THE COLOSSEUM
WAS BUILT RIGHT IN THE CENTER
70
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OF ANCIENT ROME'S
GOVERNMENT DISTRICT.
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THIS IS A STRANGE PLACE TO BUILD
AN ARENA FOR ENTERTAINMENT,
72
00:03:58,600 --> 00:04:00,767
SO WHY WAS IT BUILT HERE?
73
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GUIDO THINKS THERE MAY BE
ANSWERS HIDDEN IN THE PARKLANDS
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THAT SURROUND THE COLOSSEUM.
75
00:04:09,333 --> 00:04:10,800
Giordano:
WE HAVE CLUES HERE.
76
00:04:10,833 --> 00:04:16,700
THIS IS AN EXCAVATION SITE, AND
WHAT'S BENEATH IS EXTRAORDINARY.
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Narrator:
THESE EXCAVATORS ARE REMOVING
HEAVY BANKS OF SOIL
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00:04:19,900 --> 00:04:22,867
FROM THE HILLSIDE
NEXT TO THE COLOSSEUM.
79
00:04:22,900 --> 00:04:26,300
UNDER THE WEIGHT OF THIS SOIL,
THE BANKS HAD BEGUN TO COLLAPSE,
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00:04:26,333 --> 00:04:30,600
REVEALING A HIDDEN,
SUBTERRANEAN WORLD --
81
00:04:30,633 --> 00:04:32,800
A WORLD THAT GUIDO
FEELS CAN SHED LIGHT
82
00:04:32,833 --> 00:04:36,833
ON THE COLOSSEUM'S
PUZZLING LOCATION.
83
00:04:36,867 --> 00:04:38,067
THIS IS GRAND.
84
00:04:38,100 --> 00:04:40,867
LOOK AT THIS CAVE.
85
00:04:40,900 --> 00:04:42,567
FRESCOES EVERYWHERE HERE.
86
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BEAUTIFULLY PAINTED,
BEAUTIFULLY PRESERVED.
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Narrator: INCREDIBLY,
BURIED UNDER THE HILLS
88
00:04:48,533 --> 00:04:52,500
THAT RISE NEXT TO THE COLOSSEUM
IS A VAST, ABANDONED PALACE,
89
00:04:52,533 --> 00:04:56,167
LOST FOR 1,400 YEARS.
90
00:04:56,200 --> 00:04:59,533
Giordano: HERE WE HAVE A CROWN,
AN EAGLE HERE.
91
00:04:59,567 --> 00:05:02,733
THE BEAUTY
OF THESE FRESCOES SHOWS
92
00:05:02,767 --> 00:05:05,200
THIS DEFINITELY
MUST BE THE RESIDENCE
93
00:05:05,233 --> 00:05:07,700
OF A VERY, VERY
IMPORTANT PERSON.
94
00:05:07,733 --> 00:05:10,067
*
95
00:05:10,067 --> 00:05:13,467
Narrator: HOW DID THIS LAVISH,
ROYAL PALACE END UP BEING BURIED
96
00:05:13,500 --> 00:05:16,300
BENEATH THE COLOSSEUM?
97
00:05:16,333 --> 00:05:20,867
GUIDO THINKS THAT THE ANSWER
LIES IN ITS SHEER EXTRAVAGANCE.
98
00:05:20,900 --> 00:05:22,933
Giordano:
THIS MUST HAVE BEEN A WATERFALL,
99
00:05:22,967 --> 00:05:27,367
SHOOTING WATER
RIGHT INTO THIS PIPE.
100
00:05:27,400 --> 00:05:29,867
AND THEN GET PRESSURIZED,
101
00:05:29,900 --> 00:05:34,100
AND THEN SHOOTING RIGHT
IN THE MIDDLE OF THE ROOM,
102
00:05:34,133 --> 00:05:36,800
SPRAYING UP IN THE AIR.
103
00:05:36,833 --> 00:05:38,367
Narrator:
GUIDO THINKS THE COLOSSEUM
104
00:05:38,400 --> 00:05:40,400
WAS BUILT ON TOP
OF THE PALACE GROUNDS
105
00:05:40,433 --> 00:05:43,500
TO MAKE A HUGE STATEMENT
TO THE PUBLIC.
106
00:05:43,533 --> 00:05:45,433
BECAUSE COMPARED TO THE PALACE,
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00:05:45,467 --> 00:05:47,833
THE THEATER LOOKED
VERY DIFFERENT.
108
00:05:51,067 --> 00:05:54,267
IN THE COLOSSEUM, THERE WAS
NO PERSONAL INDULGENCE.
109
00:05:54,300 --> 00:05:58,367
INSTEAD, THERE WAS
SCALE AND AMBITION.
110
00:05:58,400 --> 00:06:01,767
THIS BUILDING SENT A MESSAGE
TO ORDINARY ROMANS.
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00:06:01,800 --> 00:06:03,767
IT WAS A PALACE FOR THEM,
112
00:06:03,800 --> 00:06:08,633
DESIGNED TO WIN THEIR HEARTS
IN EXCHANGE FOR ENTERTAINMENT.
113
00:06:08,667 --> 00:06:11,667
AT ITS ENTRANCE
ONCE STOOD A COLOSSUS --
114
00:06:14,600 --> 00:06:17,900
A MONUMENTAL STATUE THAT GAVE
THE BUILDING ITS NAME.
115
00:06:21,333 --> 00:06:23,300
TALLER
THAN THE STATUE OF LIBERTY,
116
00:06:23,333 --> 00:06:28,133
THIS BRONZE BEHEMOTH WAS
A STATUE OF THE SUN GOD SOL.
117
00:06:28,167 --> 00:06:31,100
BUT IT HAD ONCE
PORTRAYED AN EMPEROR.
118
00:06:31,133 --> 00:06:34,300
*
119
00:06:34,333 --> 00:06:39,100
ITS STORY IS A CLUE
TO THE FATE OF THE PALACE.
120
00:06:39,133 --> 00:06:42,733
GUIDO BELIEVES IT HAD BEEN
BUILT BY EMPEROR NERO,
121
00:06:42,767 --> 00:06:46,567
ONE OF THE MOST
HATED LEADERS OF ROME.
122
00:06:46,600 --> 00:06:48,567
THE PALATIAL ROOMS
REVEAL EVIDENCE
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00:06:48,600 --> 00:06:51,467
OF HOW MUCH HE WAS DESPISED.
124
00:06:51,500 --> 00:06:53,900
THIS IS ALL BACK FILLING.
125
00:06:53,933 --> 00:06:59,267
SOMEONE FILL UP THIS
BEAUTIFUL AND HUGE ROOM.
126
00:06:59,300 --> 00:07:01,867
Narrator: THE PEOPLE OF ROME
HATED EMPEROR NERO,
127
00:07:01,900 --> 00:07:05,200
EVENTUALLY DRIVING
HIM TO SUICIDE.
128
00:07:05,233 --> 00:07:07,933
THEN THEY DESTROYED
HIS PLAYBOY PALACE,
129
00:07:07,967 --> 00:07:10,600
WHICH WAS BUILT ON LAND
HE HAD STOLEN FROM THEM.
130
00:07:10,633 --> 00:07:14,767
[ FIRE CRACKLING ]
131
00:07:14,800 --> 00:07:17,900
THE LAND HAD BEEN DEVASTATED
BY THE GREAT FIRE OF ROME
132
00:07:17,933 --> 00:07:21,400
IN 64 A.D.
133
00:07:21,433 --> 00:07:24,200
BUT INSTEAD OF REBUILDING
HOUSES FOR THE PEOPLE,
134
00:07:24,233 --> 00:07:27,100
NERO BUILT A PALACE OF HIS OWN,
135
00:07:27,133 --> 00:07:29,833
COMPLETE WITH
A GIANT BOATING LAKE
136
00:07:29,867 --> 00:07:32,933
AND A STATUE OF HIMSELF.
137
00:07:32,967 --> 00:07:38,067
AFTER NERO'S DEATH, HIS
SUCCESSOR TORE DOWN THE PALACE,
138
00:07:38,067 --> 00:07:40,667
BUT SAVED THE STATUE.
139
00:07:40,700 --> 00:07:44,300
RETURNING THE LAND TO THE
PEOPLE, HE DRAINED NERO'S LAKE
140
00:07:44,333 --> 00:07:46,700
AND BUILT AN AMPHITHEATER
IN ITS PLACE,
141
00:07:46,733 --> 00:07:49,700
AND HE PUT THE GIANT
STATUE OUTSIDE,
142
00:07:49,733 --> 00:07:52,633
DISGUISED AS THE SUN GOD SOL.
143
00:07:52,667 --> 00:07:54,500
*
144
00:07:54,533 --> 00:07:57,933
THE COLOSSEUM WAS BUILT
AS A GIFT TO ROMANS,
145
00:07:57,967 --> 00:08:00,833
TO WIN BACK THEIR SUPPORT.
146
00:08:00,867 --> 00:08:02,800
THE NEW EMPEROR, VESPASIAN,
147
00:08:02,833 --> 00:08:04,633
UNDERSTOOD THAT
TO STAY IN POWER,
148
00:08:04,667 --> 00:08:08,700
HE HAD TO PROVE
HE WASN'T SELFISH LIKE NERO.
149
00:08:08,733 --> 00:08:14,100
Giordano: LATER EMPEROR WANTED
TO ERASE THE MEMORY OF HIM.
150
00:08:14,133 --> 00:08:18,133
NOW IT'S A BIRD AND DARKNESS.
151
00:08:18,167 --> 00:08:20,167
Narrator:
AFTER NERO'S SELFISH EXCESS,
152
00:08:20,200 --> 00:08:24,100
THE COLOSSEUM MARKED
A TURNING POINT.
153
00:08:24,133 --> 00:08:26,067
IT WAS A BUILDING
FOR ORDINARY ROMANS
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00:08:26,067 --> 00:08:29,133
TO CELEBRATE THE MIGHT
OF THEIR GROWING EMPIRE.
155
00:08:31,733 --> 00:08:34,767
AND WHAT THEY CAME TO SEE
WERE PEOPLE WILLING TO DIE
156
00:08:34,800 --> 00:08:38,867
IN THE EMPIRE'S HONOR --
GLADIATORS.
157
00:08:38,900 --> 00:08:42,533
VERY LITTLE IS KNOWN ABOUT
THESE DEADLY MESSENGERS OF ROME
158
00:08:42,567 --> 00:08:45,233
BECAUSE IN THE RUINS
OF THE GREAT COLOSSEUM,
159
00:08:45,267 --> 00:08:49,333
NOT A SINGLE GLADIATOR
BONE HAS EVER BEEN FOUND.
160
00:08:49,367 --> 00:08:53,300
BUT NOW, EXPERIMENTS ON UNIQUE
REMAINS FOUND IN TURKEY
161
00:08:53,333 --> 00:08:55,300
REVEAL INCREDIBLE NEW INSIGHTS
162
00:08:55,333 --> 00:08:57,967
INTO THE MYSTERIOUS LIVES
OF THESE WARRIORS.
163
00:09:06,967 --> 00:09:09,800
THE COLOSSEUM OF ANCIENT ROME --
164
00:09:09,833 --> 00:09:14,567
A THEATER FOR THE PEOPLE
AND AN ARENA OF DEATH.
165
00:09:14,600 --> 00:09:19,433
THE GIANT AMPHITHEATER CARRIED
A MESSAGE FROM ROME'S LEADERS --
166
00:09:19,467 --> 00:09:22,833
FOLLOW US, AND WE WILL
KEEP YOU THRILLED.
167
00:09:22,867 --> 00:09:26,067
AND THE STARS OF THE SHOW
WERE THE GLADIATORS.
168
00:09:26,067 --> 00:09:29,067
*
169
00:09:29,067 --> 00:09:33,600
BUT VERY LITTLE IS KNOWN ABOUT
THESE LEGENDARY WARRIORS.
170
00:09:33,633 --> 00:09:36,200
HIDDEN IN THE VAULTS AND COLUMNS
OF THE COLOSSEUM
171
00:09:36,233 --> 00:09:40,467
ARE TANTALIZING CLUES
INTO THE WORLD OF THE GLADIATOR.
172
00:09:40,500 --> 00:09:43,600
*
173
00:09:44,533 --> 00:09:48,433
THESE WARRIORS WERE THE BIGGEST
ATTRACTION IN THE EMPIRE.
174
00:09:48,467 --> 00:09:52,433
INSIDE THE ARENA, THEY BECAME
THE STARS OF A TRUE SPECTACLE.
175
00:09:52,467 --> 00:09:55,667
DEEP WITHIN THE MAZE OF BRICK
WALLS UNDER THE COLOSSEUM
176
00:09:55,700 --> 00:09:59,833
LIES A SECRET ENTRANCE
TO THEIR MYSTERIOUS WORLD --
177
00:09:59,867 --> 00:10:03,233
A DOORWAY CONNECTING
A 180-FOOT-LONG TUNNEL
178
00:10:03,267 --> 00:10:06,400
THAT BROUGHT THE FIGHTERS
INTO THE ARENA.
179
00:10:06,433 --> 00:10:09,200
2,000 YEARS AGO, THIS WOULD
HAVE LED TO ROME'S
180
00:10:09,233 --> 00:10:12,567
FABLED FIGHTING SCHOOL,
THE LUDUS MAGNUS.
181
00:10:15,133 --> 00:10:17,367
STANDING RIGHT NEXT
TO THE COLOSSEUM,
182
00:10:17,400 --> 00:10:18,700
THIS WAS THE BREEDING GROUND
183
00:10:18,733 --> 00:10:22,467
OF THE MOST POWERFUL
ROMAN PROPAGANDA TOOL --
184
00:10:22,500 --> 00:10:26,367
THE GLADIATOR.
185
00:10:26,400 --> 00:10:27,867
BUT THERE'S A MYSTERY.
186
00:10:27,900 --> 00:10:30,733
NO BONES HAVE EVER BEEN
DISCOVERED AT THE COLOSSEUM
187
00:10:30,767 --> 00:10:34,533
TO TELL US MORE ABOUT
THE LIVES OF THE GLADIATORS.
188
00:10:34,567 --> 00:10:37,833
WERE THEY JUST THE EMPIRE'S
DISPOSABLE THUGS?
189
00:10:40,033 --> 00:10:43,767
FABIAN KANZ WANTS TO FIND OUT
WHO THESE WARRIORS WERE.
190
00:10:57,400 --> 00:11:00,500
FABIAN HAS UNEARTHED
SOMETHING ASTONISHING --
191
00:11:00,533 --> 00:11:04,433
THE ONLY GLADIATOR BONES
THAT HAVE EVER BEEN FOUND.
192
00:11:04,467 --> 00:11:06,667
THEY WERE DISCOVERED IN
THE GROUNDS OF AN AMPHITHEATER
193
00:11:06,700 --> 00:11:09,067
THAT ONCE SAT ON THE EDGE
OF THE EMPIRE
194
00:11:09,067 --> 00:11:11,267
IN WHAT'S NOW MODERN-DAY TURKEY.
195
00:11:20,567 --> 00:11:25,067
THESE PRECIOUS REMAINS GIVE
FABIAN A UNIQUE OPPORTUNITY.
196
00:11:25,067 --> 00:11:28,233
HE WANTS TO UNLOCK NEW SECRETS
ABOUT THE LIFE OF A GLADIATOR
197
00:11:28,267 --> 00:11:30,067
IN ANCIENT ROME.
198
00:11:59,300 --> 00:12:03,133
FABIAN THINKS THIS HEALED SKULL
MAY REVEAL MORE ABOUT THE WAY
199
00:12:03,167 --> 00:12:07,633
THESE MEN WERE TREATED
BY THE EMPIRE THAT USED THEM.
200
00:12:07,667 --> 00:12:09,267
*
201
00:12:09,300 --> 00:12:11,233
AND THAT MEANS SLICING
A CROSS-SECTION
202
00:12:11,267 --> 00:12:13,300
FROM THE BONE ITSELF.
203
00:12:24,200 --> 00:12:26,400
UNDER THE MICROSCOPE,
THE SKULL FRAGMENT
204
00:12:26,433 --> 00:12:28,867
REVEALS SOMETHING EXTRAORDINARY.
205
00:12:49,167 --> 00:12:52,367
WHAT'S REMARKABLE IS THAT MANY
OF THE GLADIATOR'S BONES
206
00:12:52,400 --> 00:12:53,867
FROM THE SITE IN TURKEY SHOW
207
00:12:53,900 --> 00:12:57,167
SIMILAR SIGNS OF HEALED
INJURIES LIKE THIS.
208
00:13:06,067 --> 00:13:08,600
FAR FROM BEING DISPOSABLE THUGS,
209
00:13:08,633 --> 00:13:10,300
FABIAN THINKS
THE MEN WERE TEATED
210
00:13:10,333 --> 00:13:12,800
MORE LIKE RESPECTED ATHLETES.
211
00:13:25,600 --> 00:13:27,567
TURNING THESE MEN
INTO GLADIATORS
212
00:13:27,600 --> 00:13:30,467
WAS AN INVESTMENT
ROME COULD AFFORD.
213
00:13:30,500 --> 00:13:34,433
WITH ITS EXPANDING EMPIRE,
IT HAD NO SHORTAGE OF NEW STOCK.
214
00:13:36,700 --> 00:13:41,567
SLAVES, CONVICTS, AND CAPTURED
SOLDIERS WERE SHIPPED IN
215
00:13:41,600 --> 00:13:43,433
FROM ACROSS THE EMPIRE
216
00:13:43,467 --> 00:13:48,633
TO PLAY A PART
IN THE GREAT SPECTACLE.
217
00:13:48,667 --> 00:13:53,900
IN GLADIATOR SCHOOL, THEY WERE
TURNED INTO FIGHTING MACHINES
218
00:13:53,933 --> 00:13:57,300
WITH CAREFULLY DESIGNED
STRENGTHS AND WEAKNESSES.
219
00:13:59,633 --> 00:14:03,733
THE NIMBLE RETIARIUS,
ARMED WITH TRIDENT AND NET,
220
00:14:03,767 --> 00:14:06,967
WOULD FIGHT THE SECUTOR,
AN ARMORED JUGGERNAUT
221
00:14:07,067 --> 00:14:10,067
WIELDING A HEAVY SHIELD
AND SWORD.
222
00:14:10,067 --> 00:14:14,500
EACH PAIR WAS CAREFULLY MATCHED
TO GUARANTEE SPECTACULAR COMBAT
223
00:14:14,533 --> 00:14:17,333
THAT COULD LEAD
TO GLORY OR DEATH.
224
00:14:20,933 --> 00:14:24,200
AND FABIAN'S DISCOVERED THAT
THESE INCREDIBLY RARE BONES
225
00:14:24,233 --> 00:14:29,967
CAN TELL HIM EVEN MORE ABOUT
THEIR LIVES AND THEIR DIET.
226
00:14:30,067 --> 00:14:32,133
CHEMICAL TRACES
OF A PERSON'S FOOD
227
00:14:32,167 --> 00:14:34,267
ALWAYS BUILD UP IN THEIR BONES.
228
00:14:34,300 --> 00:14:37,300
TO ANALYZE THE CHEMICALS
IN THESE GLADIATOR SKELETONS,
229
00:14:37,333 --> 00:14:42,067
HE GRINDS A BONE SAMPLE INTO A
POWDER AND ADDS IT TO A LIQUID.
230
00:14:42,067 --> 00:14:44,200
WHEN HE SPRAYS THE LIQUID
INTO A FLAME,
231
00:14:44,233 --> 00:14:46,367
IT WILL BURN
WITH A SIGNATURE COLOR,
232
00:14:46,400 --> 00:14:48,400
A FINGERPRINT THAT REVEALS
THE CHEMICALS
233
00:14:48,433 --> 00:14:50,300
LOCKED INSIDE THE BONE.
234
00:15:05,700 --> 00:15:08,067
STRONTIUM IS A MINERAL
SIMILAR TO CALCIUM
235
00:15:08,100 --> 00:15:09,933
WHICH STRENGTHENS BONE.
236
00:15:09,967 --> 00:15:12,267
BECAUSE ITS PRESENCE HERE
IS SO HIGH,
237
00:15:12,300 --> 00:15:14,067
FABIAN CONCLUDES THE GLADIATORS
238
00:15:14,067 --> 00:15:16,967
WERE GIVEN A LITTLE EXTRA HELP
WITH THEIR DIET.
239
00:15:45,933 --> 00:15:49,067
THE GLADIATORS WHO FOUGHT
IN THE COLOSSEUM STARTED LIFE
240
00:15:49,067 --> 00:15:52,233
AS OUTCAST OF ROMAN SOCIETY,
241
00:15:52,267 --> 00:15:53,733
BUT CAREFUL NURTURING
TURNED THEM
242
00:15:53,767 --> 00:15:56,067
INTO ELITE FIGHTING MACHINES,
243
00:15:56,100 --> 00:15:59,300
FIT TO DELIVER THE EMPIRE'S
MESSAGE OF POWER.
244
00:16:07,800 --> 00:16:11,200
THESE NEW HEROES OF THE
COLOSSEUM PROVIDED A SPECTACLE
245
00:16:11,233 --> 00:16:14,167
THAT SHOWED OFF
THE MIGHT OF THE EMPIRE
246
00:16:14,200 --> 00:16:18,633
AND ROUSED PATRIOTIC PASSION
IN ITS CITIZENS.
247
00:16:18,667 --> 00:16:21,633
THE COLOSSEUM HAD BECOME ROME'S
MOST SUCCESSFUL
248
00:16:21,667 --> 00:16:24,933
MARKETING CAMPAIGN.
249
00:16:24,967 --> 00:16:28,167
BUT BEYOND THE SPECTACLE,
WHAT IMPACT DID THE COLOSSEUM
250
00:16:28,200 --> 00:16:31,967
HAVE ON THE EVERYDAY
LIVES OF ROMANS?
251
00:16:32,067 --> 00:16:35,300
NOW NEW EVIDENCE REVEALS
HOW THE COLOSSEUM FUELED
252
00:16:35,333 --> 00:16:37,800
THE EXPLOSION
OF A WHOLE NEW INDUSTRY
253
00:16:37,833 --> 00:16:40,667
TO POWER THE EMPIRE
ACROSS EUROPE.
254
00:16:49,833 --> 00:16:53,267
Narrator: THE COLOSSEUM,
BUILT IN 80 A.D.
255
00:16:53,300 --> 00:16:57,833
AS A GIFT TO WIN THE HEARTS
OF THE CITIZENS OF ROME,
256
00:16:57,867 --> 00:17:00,967
TO ENTERTAIN AND THRILL
WITH ASTONISHING BATTLES
257
00:17:01,067 --> 00:17:03,933
AND TERRIFYING CARNAGE.
258
00:17:03,967 --> 00:17:05,467
BUT THE GAMES WERE ONLY A PART
259
00:17:05,500 --> 00:17:07,100
OF WHAT THE COLOSSEUM
HAD TO OFFER
260
00:17:07,133 --> 00:17:10,867
TO CITIZENS THAT TRAVELED
FROM ALL CORNERS OF THE EMPIRE.
261
00:17:10,900 --> 00:17:13,167
*
262
00:17:13,200 --> 00:17:16,200
SO HOW DID THE COLOSSEUM
CONTINUE TO INFLUENCE THE PEOPLE
263
00:17:16,233 --> 00:17:19,233
ONCE THEY HAD LEFT THE ARENA?
264
00:17:19,267 --> 00:17:22,333
SOMETIMES THE GAMES
ACTUALLY LASTED FOR WEEKS,
265
00:17:22,367 --> 00:17:26,867
BUT IT WAS REALLY BIG ACTIVITY
DAY AND NIGHT.
266
00:17:26,900 --> 00:17:30,067
Narrator:
THE TOWERING REMAINS OF THE
COLOSSEUM STILL IMPRESS US,
267
00:17:30,100 --> 00:17:32,633
EVEN TODAY.
268
00:17:34,933 --> 00:17:39,433
1,900 YEARS AGO, IT WOULD HAVE
LOOKED EVEN MORE MAGNIFICENT.
269
00:17:39,467 --> 00:17:42,367
THE STONE, NOW WEATHERED
AFTER TWO MILLENNIA,
270
00:17:42,400 --> 00:17:44,767
WOULD HAVE SHOWN
BRIGHTLY POLISHED.
271
00:17:47,200 --> 00:17:50,867
IN THE PERFECT ARCHWAYS,
STATUES OF MARBLE AND GOLD
272
00:17:50,900 --> 00:17:52,800
TRUMPETED THE GLORY OF ROME.
273
00:17:56,500 --> 00:18:01,433
ITS WALLS STRETCHED NEARLY
2,000 FEET AROUND THE OUTSIDE,
274
00:18:01,467 --> 00:18:05,767
RISING HIGHER THAN ANY
OTHER STRUCTURE IN THE CITY.
275
00:18:05,800 --> 00:18:08,167
THIS WAS THE BIGGEST
SINGLE BUILDING
276
00:18:08,200 --> 00:18:10,300
EVER CREATED BY THE EMPIRE.
277
00:18:10,333 --> 00:18:13,367
*
278
00:18:16,333 --> 00:18:19,367
*
279
00:18:21,067 --> 00:18:23,733
TODAY IN ROME,
LITTLE TRACE EXISTS
280
00:18:23,767 --> 00:18:28,233
OF ANYTHING BEYOND
THE AMPHITHEATER WALLS.
281
00:18:28,267 --> 00:18:29,600
*
282
00:18:29,633 --> 00:18:32,367
BUT WOLFGANG NEUBAUER THINKS
THERE WAS MUCH MORE
283
00:18:32,400 --> 00:18:34,767
TO ROME'S SPECTACLE
OF ENTERTAINMENT.
284
00:18:37,833 --> 00:18:41,167
NEAR VIENNA, AUSTRIA, HE IS
HOPING TO FIND NEW EVIDENCE
285
00:18:41,200 --> 00:18:43,067
OF HOW THE EMPIRE DESIGNED
286
00:18:43,067 --> 00:18:45,367
AND LAID OUT THE COMPLEX
OF BUILDINGS
287
00:18:45,400 --> 00:18:48,067
SURROUNDING THE AMPHITHEATER.
288
00:18:48,100 --> 00:18:52,167
IN THESE FIELDS LIE THE REMAINS
OF A MYSTERIOUS LOST ROMAN TOWN
289
00:18:52,200 --> 00:18:53,800
CALLED CARNUNTUM,
290
00:18:53,833 --> 00:18:55,600
COMPLETE WITH
ITS OWN AMPHITHEATER
291
00:18:55,633 --> 00:18:57,433
MODELED ON THE COLOSSEUM.
292
00:18:59,467 --> 00:19:01,600
Neubauer: ALL THE REMAINS OF
THESE BUILDINGS, ALL THE WALLS,
293
00:19:01,633 --> 00:19:03,567
ALL THE FLOORS,
THEY ARE INVISIBLE TO THE EYE.
294
00:19:03,600 --> 00:19:08,367
IT'S JUST A GREEN FIELD,
BUT WE HAVE A HUGE TOWN HERE.
295
00:19:08,400 --> 00:19:11,567
THE CENTRAL AREA OF CARNUNTUM
IS SPREADING ALL OVER
296
00:19:11,600 --> 00:19:14,767
ABOUT 10 SQUARE KILOMETERS.
297
00:19:14,800 --> 00:19:19,133
Narrator:
BUT UNLIKE IN ROME, THE RUINS
HERE HAVE NEVER BEEN BUILT ON.
298
00:19:19,167 --> 00:19:24,433
UNDERGROUND, THE REMAINS
OF EVERY BUILDING LIE INTACT.
299
00:19:24,467 --> 00:19:27,767
THIS LOST TOWN CAN GIVE WOLFGANG
CLUES ABOUT THE NETWORK
300
00:19:27,800 --> 00:19:32,233
OF BUILDINGS AROUND THE COLISEUM
AND THE ROLE THEY PLAYED.
301
00:19:32,267 --> 00:19:33,867
HE'S SEARCHING
FOR HIDDEN BUILDINGS
302
00:19:33,900 --> 00:19:37,400
USING GROUND-PENETRATING RADAR.
303
00:19:37,433 --> 00:19:39,067
THIS IS THE LARGEST SURVEY
304
00:19:39,067 --> 00:19:41,567
EVER UNDERTAKEN ON A ROMAN TOWN
SO FAR.
305
00:19:41,600 --> 00:19:43,900
EVERYTHING IS PRESERVED
IN THE GROUND.
306
00:19:43,933 --> 00:19:47,700
THE ONLY TASK WE HAVE TO DO
IS TO MAKE IT VISIBLE AGAIN.
307
00:19:47,733 --> 00:19:50,167
Narrator: HIS SCANS REVEAL
A MASSIVE BUILDING
308
00:19:50,200 --> 00:19:53,933
SURROUNDING
THE AMPHITHEATER ITSELF.
309
00:19:53,967 --> 00:19:58,167
Neubauer:
WE CAN NOW DEPICT HERE COMPLETE
NEW QUARTER OF CARNUNTUM.
310
00:19:58,200 --> 00:19:59,533
IT'S OUTSIDE OF THE TOWN,
311
00:19:59,567 --> 00:20:02,900
AND IT'S BUILT DIRECT
IN RELATION TO THE AMPHITHEATER.
312
00:20:02,933 --> 00:20:05,633
*
313
00:20:05,667 --> 00:20:09,133
Narrator:
AN ENTIRE VILLAGE GREW AROUND
THE AMPHITHEATER TO CATER
314
00:20:09,167 --> 00:20:11,467
FOR THE VAST CROWDS
THAT WOULD FLOCK HERE,
315
00:20:11,500 --> 00:20:14,533
JUST LIKE AT A MODERN-DAY
FOOTBALL GAME,
316
00:20:14,567 --> 00:20:17,667
THE SAME AS AT THE COLOSSEUM.
317
00:20:17,700 --> 00:20:20,867
THE SCANS OF THIS
INVISIBLE TOWN ALSO REVEAL
318
00:20:20,900 --> 00:20:22,533
THAT THE STARS OF THE GAMES,
319
00:20:22,567 --> 00:20:25,833
THE GLADIATORS,
WERE GIVEN SPECIAL PRIVILEGES.
320
00:20:25,867 --> 00:20:28,333
Neubauer:
THIS IS THE FIRST SCHOOL
OF GLADIATORS THAT WE FOUND
321
00:20:28,367 --> 00:20:32,267
OUTSIDE OF ROME THAT HAS BEEN
COMPLETELY SURVEYED.
322
00:20:32,300 --> 00:20:35,367
YOU CAN CLEARLY SEE A LINE
OF SMALL ROOMS.
323
00:20:35,400 --> 00:20:38,533
SO THIS MUST HAVE BEEN THE CELLS
FOR THE GLADIATORS.
324
00:20:38,567 --> 00:20:40,533
HERE WE HAVE ROOMS
THAT THEY MIGHT HAVE USED
325
00:20:40,567 --> 00:20:42,000
FOR MEDICAL CARE.
326
00:20:42,033 --> 00:20:46,167
BUT, ALSO, THERE IS A BIG HALL
WHERE THEY COULD EAT TOGETHER.
327
00:20:46,200 --> 00:20:50,567
THE GLADIATORIAL SCHOOL IN
CARNUNTUM IS ABSOLUTELY UNIQUE.
328
00:20:50,600 --> 00:20:52,567
WOLFGANG'S
WORK IS BRINGING TO LIFE
329
00:20:52,600 --> 00:20:56,300
THE INTRICATE DETAIL
OF THE GLADIATOR SCHOOL.
330
00:20:56,333 --> 00:20:58,600
BUT HIS SCANS ALSO REVEAL
THE ROLE PLAYED
331
00:20:58,633 --> 00:21:03,933
BY ALL THE BUSINESSES THAT
GREW AROUND THE AMPHITHEATER.
332
00:21:03,967 --> 00:21:08,100
THE REMAINS REVEAL AN ENTIRE
TOWN THAT, LIKE THE COLOSSEUM,
333
00:21:08,133 --> 00:21:10,867
HELD GLADIATOR GAMES.
334
00:21:10,900 --> 00:21:15,667
THIS WAS THE FOURTH BIGGEST
AMPHITHEATER IN THE EMPIRE.
335
00:21:15,700 --> 00:21:18,533
THERE WAS AN ENTIRE
STREET SYSTEM,
336
00:21:18,567 --> 00:21:22,267
A MAIN ROAD INTO TOWN WAS LINED
WITH FAST-FOOD OUTLETS,
337
00:21:22,300 --> 00:21:24,267
SOUVENIR STALLS, SHOPS,
338
00:21:24,300 --> 00:21:29,100
AND BUSINESSES CATERING
FOR THE COLOSSAL CROWDS.
339
00:21:29,133 --> 00:21:32,367
THERE WAS EVEN ACCOMMODATION
FOR GLADIATORS
340
00:21:32,400 --> 00:21:36,767
WITH A HEATED TRAINING HALL,
A GARDEN, AND A BATH AND SPA.
341
00:21:36,800 --> 00:21:39,700
*
342
00:21:39,733 --> 00:21:44,100
THESE GLADIATORS ENJOYED EVERY
HOME COMFORT YOU COULD WANT.
343
00:21:44,133 --> 00:21:47,067
*
344
00:21:47,067 --> 00:21:49,133
WOLFGANG'S
DISCOVERIES HERE REVEALED
345
00:21:49,167 --> 00:21:52,067
THE FULL STORY
OF ROME'S COLOSSEUM.
346
00:21:52,067 --> 00:21:54,100
Neubauer:
THE COMBINATION OF ALL THIS DATA
347
00:21:54,133 --> 00:21:57,333
AND THE IMAGERY
THAT WE PRODUCED OUT OF IT,
348
00:21:57,367 --> 00:22:01,933
THIS IS A LOOK INTO THE DAY
OF THE SPECTACLE THAT HAPPENED,
349
00:22:01,967 --> 00:22:04,567
REALLY ON AN INDUSTRIAL SCALE.
350
00:22:04,600 --> 00:22:08,167
Narrator: AND ALL ACROSS EUROPE,
COPIES OF THE COLOSSEUM OFFERED
351
00:22:08,200 --> 00:22:12,933
NEW ROMAN CITIZENS
A PART IN THAT INDUSTRY.
352
00:22:12,967 --> 00:22:16,200
Neubauer:
SUCH A DAY WAS REALLY IMPORTANT
FOR THE WHOLE SOCIETY HERE.
353
00:22:16,233 --> 00:22:18,900
IT'S JUST AMAZING TO BRING
THIS TO LIFE AGAIN,
354
00:22:18,933 --> 00:22:22,433
TO SEE HOW THIS ALL WORKED AND
ON WHAT HIGH INDUSTRIAL LEVEL
355
00:22:22,467 --> 00:22:25,800
THIS ENTERTAINMENT
BUSINESS ACTUALLY WAS.
356
00:22:25,833 --> 00:22:28,233
Narrator: WITH SUCH A HUGE
INDUSTRY IN PLACE,
357
00:22:28,267 --> 00:22:32,800
MANY LIVELIHOODS DEPENDED
ON THE GAMES HERE AND IN ROME.
358
00:22:32,833 --> 00:22:35,300
THE COLOSSEUM AND THE THEATERS
THAT COPIED
359
00:22:35,333 --> 00:22:38,133
IT WERE THE LIFEBLOOD
OF THE EMPIRE.
360
00:22:38,167 --> 00:22:40,700
Neubauer:
THESE FINDINGS HERE IN CARNUNTUM
CLEARLY CHANGED OUR IMAGE
361
00:22:40,733 --> 00:22:44,733
OF HOW THE GLADIATORIAL GAMES
IN THE PROVINCES WAS ORGANIZED.
362
00:22:44,767 --> 00:22:47,233
SO IT WAS NOT PEOPLE
TRAVELING AROUND,
363
00:22:47,267 --> 00:22:49,400
GLADIATORS
WHICH WERE BROUGHT IN.
364
00:22:49,433 --> 00:22:50,800
IT WAS REALLY STABLE.
365
00:22:50,833 --> 00:22:53,533
IT WAS AN INFRASTRUCTURE
THAT WAS SET UP.
366
00:22:53,567 --> 00:22:58,067
YEAH, IT WAS A BIG BUSINESS.
367
00:22:58,067 --> 00:23:01,600
Narrator:
OUT OF THIS VAST BUSINESS
GREW EQUALLY HUGE LEGENDS
368
00:23:01,633 --> 00:23:05,333
OF REMARKABLE EVENTS
STAGED INSIDE THE COLOSSEUM.
369
00:23:05,367 --> 00:23:08,833
AND MYSTERY STILL SURROUNDS
ONE OF THE GREATEST.
370
00:23:08,867 --> 00:23:14,667
COULD THEY PERFORM GIANT SEA
BATTLES INSIDE THE ARENA?
371
00:23:14,700 --> 00:23:18,300
AND HOW DID THE ERA OF THE
GLADIATOR FINALLY COME TO AN END
372
00:23:18,333 --> 00:23:21,133
FOR THE GREATEST
EMPIRE ON EARTH?
373
00:23:29,167 --> 00:23:30,800
*
374
00:23:30,833 --> 00:23:35,200
Narrator:
THE COLOSSEUM, CENTERPIECE
TO A VAST INDUSTRY OF PROPAGANDA
375
00:23:35,233 --> 00:23:37,600
AND ENTERTAINMENT.
376
00:23:37,633 --> 00:23:41,800
ANCIENT ROMANS FLOCKED HERE
IN THEIR THOUSANDS TO BE AMAZED
377
00:23:41,833 --> 00:23:45,433
BY THE EMPIRE'S
MOST LEGENDARY STARS --
378
00:23:45,467 --> 00:23:47,733
GLADIATORS.
379
00:23:47,767 --> 00:23:51,567
BUT ONE COLOSSEUM LEGEND
IS CLOAKED IN MYSTERY.
380
00:23:51,600 --> 00:23:56,067
WERE GIANT SEA BATTLES
STAGED INSIDE THE ARENA?
381
00:23:56,100 --> 00:23:58,333
Higgins: THE COLOSSEUM
WAS A REAL SHOWPIECE,
382
00:23:58,367 --> 00:24:00,533
SO I THINK IT'S NOT
IMPROBABLE AT ALL
383
00:24:00,567 --> 00:24:04,200
THAT THE ROMANS WOULD HOLD
SUCH A SEA SPECTACLE.
384
00:24:04,233 --> 00:24:09,200
Narrator:
HOW COULD THIS STADIUM POSSIBLY
BE FILLED WITH BATTLESHIPS?
385
00:24:12,867 --> 00:24:17,333
THERE'S A CLUE BURIED
RIGHT NEXT TO THE COLOSSEUM --
386
00:24:17,367 --> 00:24:21,333
A THREE-FOOT-WIDE TUNNEL THAT
RUNS RIGHT BENEATH THE WALLS.
387
00:24:21,367 --> 00:24:24,667
*
388
00:24:24,700 --> 00:24:27,933
ARCHAEOLOGISTS BELIEVED THAT IT
MAY FEED INTO A LABYRINTH
389
00:24:27,967 --> 00:24:31,567
OF STRANGE, SHALLOW CHANNELS --
390
00:24:31,600 --> 00:24:35,167
CHANNELS THAT LEAD
TO THE CENTER OF THE ARENA.
391
00:24:35,200 --> 00:24:39,733
COULD THESE BE THE REMAINS OF
A GIGANTIC SYSTEM WITH THE POWER
392
00:24:39,767 --> 00:24:41,867
TO FLOOD THE COLOSSEUM
WITH WATER...
393
00:24:41,900 --> 00:24:45,067
*
394
00:24:45,833 --> 00:24:49,600
...SO THE EMPEROR COULD STAGE
FULL-BLOWN SEA BATTLES,
395
00:24:49,633 --> 00:24:53,433
THE ULTIMATE DISPLAY OF ROMAN
MIGHT AND INGENUITY?
396
00:24:53,467 --> 00:24:56,500
*
397
00:24:58,100 --> 00:25:00,467
THE LEGEND OF THE COLOSSEUM'S
SEA BATTLES
398
00:25:00,500 --> 00:25:03,467
COMES FROM A SINGLE
ANCIENT TEXT.
399
00:25:03,500 --> 00:25:07,933
IT DESCRIBES THE ARENA
FLOODING IN A MATTER OF HOURS.
400
00:25:07,967 --> 00:25:10,500
HOW COULD THIS BE POSSIBLE?
401
00:25:13,467 --> 00:25:17,333
HIGH UP IN THE MOUNTAINS
OUTSIDE ROME,
402
00:25:17,367 --> 00:25:20,733
VALERIE HIGGINS IS TRYING
TO FIND THE ANSWER.
403
00:25:20,767 --> 00:25:23,767
SHE STARTS AT ONE OF ROME'S
FAMOUS AQUEDUCTS,
404
00:25:23,800 --> 00:25:25,533
THE AQUA CLAUDIA.
405
00:25:25,567 --> 00:25:27,867
IT'S THE BIGGEST
OF 11 GIANT CHANNELS
406
00:25:27,900 --> 00:25:31,200
THAT PIPED WATER
INTO THE ANCIENT CITY.
407
00:25:31,233 --> 00:25:34,867
Higgins:
WE WANT TO UNDERSTAND HOW MUCH
WATER COULD GO THROUGH IT.
408
00:25:34,900 --> 00:25:39,267
WE WANT TO UNDERSTAND HOW
IT DELIVERED WATER INTO ROME.
409
00:25:39,300 --> 00:25:45,133
HOW DIFFICULT IS IT FOR
THE ROMANS TO FILL AN ARENA?
410
00:25:45,167 --> 00:25:47,867
Narrator: HELPING VALERIE
IS ADRIANA MORABIDO,
411
00:25:47,900 --> 00:25:52,067
AN EXPERT IN ROMAN
SUBTERRANEAN TUNNELS.
412
00:25:52,067 --> 00:25:56,300
THIS ANCIENT AQUEDUCT ONCE
CHANNELED FRESH WATER 46 MILES
413
00:25:56,333 --> 00:25:58,467
INTO THE CENTER OF ROME.
414
00:25:58,500 --> 00:26:02,633
Higgins:
ALONG HERE, WE CAN SEE THE LEVEL
OF THE WATER GOING ALONG.
415
00:26:02,667 --> 00:26:04,600
MAXIMUM
HALF A METER OF WATER,
416
00:26:04,633 --> 00:26:06,467
AND THEN THE REST
WAS JUST EMPTY.
417
00:26:06,500 --> 00:26:09,933
OBVIOUSLY, IT WAS GOING DOWN
BY GRAVITY, NOT BY PRESSURE.
418
00:26:09,967 --> 00:26:12,733
Narrator:
VALERIE WANTS TO WORK OUT
WHETHER THIS AQUEDUCT
419
00:26:12,767 --> 00:26:15,767
COULD HAVE SUPPLIED ENOUGH WATER
TO FILL THE COLOSSEUM
420
00:26:15,800 --> 00:26:18,433
IN JUST A FEW HOURS.
421
00:26:18,467 --> 00:26:19,533
WHAT WE WOULD LIKE TO DO
422
00:26:19,567 --> 00:26:21,300
IS MEASURE THE HEIGHT
OF THE AQUEDUCT,
423
00:26:21,333 --> 00:26:23,700
AND THEN MEASURE IT
IN ANOTHER PLACE, AS WELL,
424
00:26:23,733 --> 00:26:26,567
SO WE CAN WORK OUT
THE GRADIENT.
425
00:26:26,600 --> 00:26:29,500
THE SLOPE OF THE TUNNEL FLOOR
WILL HELP THEM CALCULATE
426
00:26:29,533 --> 00:26:33,200
HOW FAST WATER FLOWED INTO ROME.
427
00:26:33,233 --> 00:26:37,133
SO HERE IS 110,
AND THERE IS 87.
428
00:26:37,167 --> 00:26:42,067
SO WE HAVE A 23 CENTIMETERS'
DIFFERENCE IN 9 METERS.
429
00:26:42,067 --> 00:26:45,167
BUT WHAT THEY FIND
IS A VERY GENTLE SLOPE,
430
00:26:45,200 --> 00:26:47,867
A GRADIENT OF ONLY 1 IN 40.
431
00:26:47,900 --> 00:26:50,767
THEY DIDN'T ACTUALLY WANT
THE GRADIENT TO BE TOO STEEP.
432
00:26:50,800 --> 00:26:53,200
WATER THAT'S FLOWING TOO FAST
ERODES THE STRUCTURE.
433
00:26:53,233 --> 00:26:55,067
[ BEEPING ]
434
00:26:55,100 --> 00:26:56,933
VALERIE'S WORK SHOWS
THE WATER HERE
435
00:26:56,967 --> 00:26:58,967
WOULD HAVE FLOWED FAR TOO SLOWLY
436
00:26:59,067 --> 00:27:02,500
TO FILL THE COLOSSEUM
AS THE LEGEND DESCRIBES.
437
00:27:02,533 --> 00:27:04,567
Higgins: IT'S AN EXTRAORDINARILY
LARGE ARENA.
438
00:27:04,600 --> 00:27:06,133
IT ISN'T FILLED VERY HIGH.
439
00:27:06,167 --> 00:27:08,467
IT'S ONLY FILLED TO LIKE
A METER AND A HALF.
440
00:27:08,500 --> 00:27:11,800
BUT NEVERTHELESS, IT'S REALLY
HARD TO IMAGINE WATER
441
00:27:11,833 --> 00:27:15,733
COMING THROUGH HERE
FILLING THE COLOSSEUM.
442
00:27:15,767 --> 00:27:17,667
BUT VALERIE BELIEVES
THE AQUEDUCT
443
00:27:17,700 --> 00:27:20,500
MAY NOT TELL THE WHOLE STORY.
444
00:27:20,533 --> 00:27:23,067
SHE THINKS THERE MAY BE
A CRUCIAL PIECE MISSING
445
00:27:23,067 --> 00:27:26,333
FROM THIS COMPLEX PUZZLE
OF ROMAN PLUMBING.
446
00:27:26,367 --> 00:27:28,767
*
447
00:27:28,800 --> 00:27:32,200
MULTIPLE AQUEDUCTS, 11 IN TOTAL,
448
00:27:32,233 --> 00:27:36,300
CHANNELED FRESHWATER
DIRECTLY INTO ANCIENT ROME.
449
00:27:36,333 --> 00:27:39,433
VALERIE'S THEORY IS THAT
WHEN THE COLOSSEUM WAS BUILT,
450
00:27:39,467 --> 00:27:44,633
A HUGE WATER TANK WAS ADDED
SOMEWHERE NEAR THE AMPHITHEATER.
451
00:27:44,667 --> 00:27:50,667
THE TANK STORED ENOUGH WATER TO
FLOOD THE COLOSSEUM IN ONE SHOT.
452
00:27:50,700 --> 00:27:54,533
BENEATH THE AMPHITHEATER,
THE NETWORK OF CIRCULAR CHANNELS
453
00:27:54,567 --> 00:27:56,633
DISTRIBUTED
THE STORED WATER QUICKLY
454
00:27:56,667 --> 00:28:00,067
AND EVENLY INTO THE ARENA FLOOR,
455
00:28:00,100 --> 00:28:03,233
READY FOR A SPECTACULAR
SEA BATTLE.
456
00:28:03,267 --> 00:28:05,500
THEN, FOUR HUGE
DRAINAGE CHANNELS
457
00:28:05,533 --> 00:28:08,233
OPENED TO FLUSH
THE WATER AWAY AGAIN
458
00:28:08,267 --> 00:28:11,333
IN TIME FOR THE NEXT GAMES.
459
00:28:11,367 --> 00:28:14,067
*
460
00:28:14,067 --> 00:28:17,833
BUT IF A GIANT STORAGE TANK WAS
THE KEY TO FILLING THE COLOSSEUM
461
00:28:17,867 --> 00:28:21,633
WITH WATER, WHERE IS IT?
462
00:28:21,667 --> 00:28:24,067
WITH THE HELP
OF DR. MATEO BARONI,
463
00:28:24,067 --> 00:28:28,433
VALERIE FOLLOWS THE ROUTE OF
THE AQUEDUCT THROUGH URBAN ROME.
464
00:28:28,467 --> 00:28:31,267
NEAR THE COLOSSEUM, SHE
DISCOVERS THE PARTIAL REMAINS
465
00:28:31,300 --> 00:28:34,600
OF A MUCH LARGER STRUCTURE
THAT ONCE EXISTED HERE.
466
00:28:34,633 --> 00:28:37,633
COULD THIS BE THE MISSING
PIECE OF THE JIGSAW?
467
00:28:37,667 --> 00:28:40,967
Higgins: WE HAVE SOME REMAINS
OF A MONUMENTAL FOUNTAIN.
468
00:28:41,067 --> 00:28:44,067
WHAT IS INTERESTING ABOUT
THE MONUMENTAL FOUNTAIN
469
00:28:44,067 --> 00:28:48,067
IS THERE WAS A WATER
STORAGE UNIT IN IT.
470
00:28:48,067 --> 00:28:50,767
Narrator:
VALERIE THINKS THE ORIGINAL
STRUCTURE IS NOW MISSING,
471
00:28:50,800 --> 00:28:54,400
BUT WOULD HAVE BEEN BIG ENOUGH
TO HOLD THE 3.5 MILLION GALLONS
472
00:28:54,433 --> 00:28:56,400
NEEDED TO FILL THE COLOSSEUM.
473
00:28:56,433 --> 00:28:58,300
WE'VE GOT THE COLOSSEUM
OVER THERE,
474
00:28:58,333 --> 00:29:02,233
SO THIS COULD QUITE EASILY
BE DIVERTED
475
00:29:02,267 --> 00:29:04,800
TO BE USED IN THE COLOSSEUM.
476
00:29:04,833 --> 00:29:07,167
Narrator:
BUT IT WOULD HAVE TO FLOW FAST
TO DO THE JOB
477
00:29:07,200 --> 00:29:10,067
IN JUST A FEW HOURS.
478
00:29:10,067 --> 00:29:12,900
SHE MAKES ONE FINAL MEASUREMENT
TO WORK OUT THE SLOPE
479
00:29:12,933 --> 00:29:16,833
BETWEEN THE TANK
AND THE FLOOR OF THE COLOSSEUM.
480
00:29:16,867 --> 00:29:22,067
IT'S SIX METERS DIFFERENCE
BETWEEN HERE AND THE COLOSSEUM.
481
00:29:22,100 --> 00:29:25,100
IT'S VERY STEEP GOING DOWN HERE.
482
00:29:25,133 --> 00:29:27,167
IT DESCENDS QUITE FAST.
483
00:29:27,200 --> 00:29:30,233
YOU COULD GET A BIG,
HYDRAULIC PRESSURE FROM HERE
484
00:29:30,267 --> 00:29:34,433
THAT WOULD PUSH THE WATER
INTO THE COLOSSEUM VERY QUICKLY.
485
00:29:34,467 --> 00:29:39,333
SO I THINK IT'S A FEASIBLE
PROPOSITION.
486
00:29:39,367 --> 00:29:40,800
*
487
00:29:40,833 --> 00:29:43,933
Narrator:
THANKS TO THE INGENUITY
OF ROMAN WATER ENGINEERS,
488
00:29:43,967 --> 00:29:46,067
THE COLOSSEUM STAGED SPECTACLES
489
00:29:46,067 --> 00:29:50,333
THAT BECAME LEGENDARY
ACROSS THE EXPANDING EMPIRE.
490
00:29:50,367 --> 00:29:54,867
BUT SEA BATTLES COULDN'T BE
STAGED AT EVERY AMPHITHEATER.
491
00:29:54,900 --> 00:29:59,067
HOW DID THE EMPIRE CAPTIVATE
ITS CITIZENS WITHOUT THEM?
492
00:29:59,100 --> 00:30:02,400
NOW, NEW CLUES IN NAPLES
REVEAL THE MAGICAL TECHNIQUES
493
00:30:02,433 --> 00:30:04,433
ONCE USED TO STRIKE AWE
AND WONDER
494
00:30:04,467 --> 00:30:07,600
INTO THE COLOSSEUM'S CROWDS.
495
00:30:14,467 --> 00:30:16,900
*
496
00:30:16,933 --> 00:30:18,333
Narrator: THE COLOSSEUM.
497
00:30:18,367 --> 00:30:20,800
A SPECTACULAR BUILDING
THAT HELPED ESTABLISH
498
00:30:20,833 --> 00:30:24,333
THE GREATEST EMPIRE IN HISTORY.
499
00:30:24,367 --> 00:30:28,200
THIS IS WHERE THE ROMAN EMPIRE
CAST ITS SPELL ON ITS CITIZENS.
500
00:30:28,233 --> 00:30:30,833
*
501
00:30:30,867 --> 00:30:33,633
INSIDE,
A MYSTERIOUS MAZE OF WALLS
502
00:30:33,667 --> 00:30:38,100
AND PASSAGES FILLS
THE FLOOR OF THE ARENA.
503
00:30:38,133 --> 00:30:40,500
THEY SUGGEST
THAT SOMETHING EXTRAORDINARY
504
00:30:40,533 --> 00:30:43,567
ONCE HAPPENED HERE,
505
00:30:43,600 --> 00:30:45,700
BUT THESE REMAINS
HAVE CRUMBLED TOO MUCH
506
00:30:45,733 --> 00:30:47,700
TO REVEAL THEIR SECRETS.
507
00:30:50,833 --> 00:30:52,400
*
508
00:30:52,433 --> 00:30:55,400
HEINZ BESTE HAS COME
TO THE CAPUA AMPHITHEATER,
509
00:30:55,433 --> 00:30:59,533
A TWIN ARENA TO THE COLOSSEUM.
510
00:30:59,567 --> 00:31:01,233
HE BELIEVES
THERE IS EVIDENCE HERE
511
00:31:01,267 --> 00:31:03,500
THAT THE ROMANS
COULD MAKE EXOTIC ANIMALS,
512
00:31:03,533 --> 00:31:04,933
LIKE LIONS AND TIGERS,
513
00:31:04,967 --> 00:31:08,067
SUDDENLY APPEAR OUT
OF NOWHERE IN THE ARENA.
514
00:31:20,333 --> 00:31:23,967
THESE UNDERGROUND WALLS ARE
DOTTED WITH CLUES THAT CAN TELL
515
00:31:24,067 --> 00:31:27,600
HEINZ HOW THE EMPIRE DAZZLED
ITS AUDIENCES WITH SHOWS
516
00:31:27,633 --> 00:31:30,433
DESIGNED TO DEMONSTRATE
THE MIGHT OF ROME.
517
00:31:34,100 --> 00:31:37,500
AND IT'S NOT LONG BEFORE HE
STARTS TO SEE TELLTALE PATTERNS
518
00:31:37,533 --> 00:31:39,867
EMERGE IN THE MASONRY MARKINGS.
519
00:31:50,533 --> 00:31:55,167
THESE SMALL HOLES IN THE WALLS
ARE CRUCIAL CLUES TO HEINZ.
520
00:31:55,200 --> 00:31:57,300
THEY REVEAL THAT THE SHAFTS
AND COLUMNS
521
00:31:57,333 --> 00:32:00,200
ONCE SUPPORTED COMPLEX
THEATRICAL MACHINERY,
522
00:32:00,233 --> 00:32:02,967
LIFTS, TRAP DOORS, AND RAMPS.
523
00:32:12,433 --> 00:32:14,900
THESE THEATRICAL MACHINES
WERE THE KEY
524
00:32:14,933 --> 00:32:19,400
TO THE UNBELIEVABLE SPECTACLE
STAGED IN THE ARENA,
525
00:32:19,433 --> 00:32:21,267
AND HE THINKS
THAT SOME NEW CLUES
526
00:32:21,300 --> 00:32:24,567
REVEAL THE SCALE OF
THE MACHINES THAT WERE USED
527
00:32:24,600 --> 00:32:26,800
AND HOW THEY MANAGED
TO RAISE HUGE,
528
00:32:26,833 --> 00:32:30,067
WILD BEASTS TO THE ARENA FLOOR.
529
00:32:30,067 --> 00:32:32,533
*
530
00:32:32,567 --> 00:32:34,433
BENEATH THE ARENA FLOOR
531
00:32:34,467 --> 00:32:39,067
AND AMONG THE DENSE MAZE
OF CONCRETE SHAFTS...
532
00:32:43,567 --> 00:32:46,667
...ENGINEERS BUILT
INSIDE EACH CHAMBER
533
00:32:46,700 --> 00:32:48,967
ELABORATE WOODEN ELEVATORS
534
00:32:49,067 --> 00:32:53,233
TO RAISE DANGEROUS BEASTS
TO THE ARENA.
535
00:32:53,267 --> 00:32:57,267
SLAVES DROVE A CAPSTAN
THAT WINCHED THE CAGED ANIMAL
536
00:32:57,300 --> 00:33:01,133
UP TO A TRAP DOOR
BENEATH THE ARENA FLOOR...
537
00:33:01,167 --> 00:33:02,467
[ ANIMAL GROWLS ]
538
00:33:02,500 --> 00:33:05,600
*
539
00:33:06,367 --> 00:33:12,133
...MAKING BEASTS AND FIGHTERS
APPEAR AS IF BY MAGIC.
540
00:33:12,167 --> 00:33:13,900
[ BLADES CLANKING,
CROWD CHEERING ]
541
00:33:13,933 --> 00:33:16,800
*
542
00:33:27,900 --> 00:33:31,433
THIS UNDERGROUND LABYRINTH
WAS THE BAKING-HOT SWEATSHOP
543
00:33:31,467 --> 00:33:33,067
THAT DROVE THE ARENA,
544
00:33:33,067 --> 00:33:34,500
AND IT WOULD HAVE LOOKED
VERY DIFFERENT
545
00:33:34,533 --> 00:33:36,300
FROM HOW IT APPEARS TODAY.
546
00:33:59,233 --> 00:34:03,767
BELOW THE ARENA, EVERYTHING HAD
TO RUN LIKE CLOCKWORK
547
00:34:03,800 --> 00:34:06,200
BECAUSE HERE
AND AT THE COLOSSEUM,
548
00:34:06,233 --> 00:34:08,567
ONLY A PERFECT SHOW WOULD DO.
549
00:34:23,533 --> 00:34:25,933
AUDIENCES WOULD ROAR
WITH EXCITEMENT,
550
00:34:25,967 --> 00:34:30,167
IN AWE AT THE BREATHTAKING POWER
OF THEIR ROMAN MASTERS.
551
00:34:30,200 --> 00:34:32,367
[ CROWD CHEERS ]
552
00:34:32,400 --> 00:34:35,100
HEINZ'S DISCOVERIES REVEAL
HOW THE COLOSSEUM
553
00:34:35,133 --> 00:34:38,233
WAS DESIGNED WITH ONE PURPOSE --
554
00:34:38,267 --> 00:34:41,200
TO DEFY BELIEF.
555
00:34:41,233 --> 00:34:44,833
WITHIN ITS WALLS AND THOSE
OF AMPHITHEATERS ACROSS EUROPE,
556
00:34:44,867 --> 00:34:46,967
AUDIENCES WOULD FALL
UNDER THE SPELL
557
00:34:47,067 --> 00:34:49,600
OF THE MIGHTY ROMAN EMPIRE.
558
00:34:49,633 --> 00:34:52,667
*
559
00:34:54,100 --> 00:34:57,633
BUT THE COLOSSEUM
DID NOT LAST FOREVER.
560
00:34:57,667 --> 00:35:00,300
CAN NEW EVIDENCE BENEATH
THE STREETS OF ROME
561
00:35:00,333 --> 00:35:05,067
REVEAL WHAT LED TO THE COLLAPSE
OF THIS ONCE MIGHTY STRUCTURE?
562
00:35:05,100 --> 00:35:08,633
AND DID IT CRUMBLE AS THE ROMAN
EMPIRE CRUMBLED AROUND IT?
563
00:35:20,067 --> 00:35:25,400
Narrator:
THE COLOSSEUM, ONCE A SYMBOL
OF ANCIENT ROMAN POWER.
564
00:35:25,433 --> 00:35:28,367
FIRST BUILT TO WIN
OVER THE CITIZENS OF ROME,
565
00:35:28,400 --> 00:35:30,933
IT BECAME THE BLUEPRINT
FOR MANY AMPHITHEATERS
566
00:35:30,967 --> 00:35:34,567
CONSTRUCTED ACROSS THE EMPIRE.
567
00:35:34,600 --> 00:35:38,633
AND LIKE THE EMPIRE,
IT BECAME A WAY OF LIFE.
568
00:35:38,667 --> 00:35:41,667
NOW, IT LIES IN RUINS.
569
00:35:41,700 --> 00:35:44,867
Giordano: THIS BUILDING
IS ICONIC AS IT REPRESENTS
570
00:35:44,900 --> 00:35:47,633
THE EVOLUTION
OF THE ROMAN EMPIRE
571
00:35:47,667 --> 00:35:52,167
FROM ITS RISE THROUGH ITS FALL.
572
00:35:52,200 --> 00:35:54,433
Narrator: WAS IT THE END
OF THE EMPIRE ITSELF
573
00:35:54,467 --> 00:35:57,567
THAT TRIGGERED THE COLLAPSE
OF THE COLOSSEUM?
574
00:35:57,600 --> 00:36:00,800
OR DO CLUES INSIDE THE ARENA
ITSELF SUGGEST
575
00:36:00,833 --> 00:36:04,933
THAT AN ACT OF NATURE
BROUGHT DOWN ITS WALLS?
576
00:36:04,967 --> 00:36:08,067
*
577
00:36:08,100 --> 00:36:10,800
UNDER THE QUARTER OF
A MILLION TONS OF MASONRY
578
00:36:10,833 --> 00:36:14,600
SIT TRULY COLOSSAL FOUNDATIONS.
579
00:36:14,633 --> 00:36:19,600
A GIGANTIC DOUGHNUT OVER HALF
A MILE AROUND, 100 FEET THICK
580
00:36:19,633 --> 00:36:25,067
AND 40 FEET DEEP, MADE FROM
THE ROMANS' TOUGHEST CONCRETE.
581
00:36:25,067 --> 00:36:28,767
BUT EXPERTS BELIEVE
IT WASN'T TOUGH ENOUGH,
582
00:36:28,800 --> 00:36:30,733
CAUSING CRACKS TO FORM,
583
00:36:30,767 --> 00:36:33,233
WHICH DIVIDED
THE FOUNDATION IN HALF
584
00:36:33,267 --> 00:36:37,433
AND RUINED THE STABILITY
OF THE STRUCTURE ABOVE.
585
00:36:37,467 --> 00:36:39,767
BUT WHAT COULD HAVE
CAUSED THESE CRACKS?
586
00:36:39,800 --> 00:36:43,500
HOW DID THE GREATEST EMPIRE
BUILDERS MAKE A MISTAKE
587
00:36:43,533 --> 00:36:46,867
THAT ULTIMATELY BROUGHT DOWN
THE ARENA'S GIANT WALL?
588
00:36:53,367 --> 00:36:56,300
GEOLOGIST GUIDO GIORDANO
HAS STUDIED THE LANDSCAPE
589
00:36:56,333 --> 00:36:59,700
AROUND THE COLOSSEUM
FOR SEVERAL YEARS.
590
00:36:59,733 --> 00:37:02,300
HE THINKS CRACKS IN THE
FOUNDATION OF THE COLOSSEUM
591
00:37:02,333 --> 00:37:05,600
WOULD EXPLAIN WHAT CAUSED
THE AMPHITHEATER'S COLLAPSE.
592
00:37:07,600 --> 00:37:11,967
THE NORTH SIDE IS BUILT ON THE
SAME ROCK THAT MAKE THIS HILL,
593
00:37:12,067 --> 00:37:14,700
WHICH ARE STRONG, GOOD BEDROCK.
594
00:37:14,733 --> 00:37:16,767
BUT ON THE SOUTH
SIDE, THE COLOSSEUM
595
00:37:16,800 --> 00:37:20,333
IS BUILT ON VERY SOFT SEDIMENT.
596
00:37:20,367 --> 00:37:23,200
Narrator: SOFT, MUDDY RIVER
DEPOSITS BENEATH THE SOUTHERN
597
00:37:23,233 --> 00:37:24,633
HALF OF THE COLOSSEUM
598
00:37:24,667 --> 00:37:28,467
MAKE THIS PART OF
THE BUILDING VERY UNSTABLE.
599
00:37:28,500 --> 00:37:31,933
DID ONE OF THE MANY EARTHQUAKES
THAT ROCKED ANCIENT ROME
600
00:37:31,967 --> 00:37:34,567
CRACK THE COLOSSEUM IN TWO?
601
00:37:34,600 --> 00:37:38,633
Giordano: DURING THE BIG
EARTHQUAKE THAT STRUCK ROME,
602
00:37:38,667 --> 00:37:42,267
THE SHAKING OF THE GROUND
WAS SUBSTANTIALLY DIFFERENT
603
00:37:42,300 --> 00:37:45,367
FROM THE NORTH SIDE
ON THE SOLID ROCK,
604
00:37:45,400 --> 00:37:48,300
WHERE THE SHAKING
WAS JUST LIKE THIS,
605
00:37:48,333 --> 00:37:50,767
TO THE SOUTH SIDE
ON THE SOFT ROCK,
606
00:37:50,800 --> 00:37:52,933
WHERE THE SHAKING WAS LIKE THAT.
607
00:37:52,967 --> 00:37:56,933
AND YOU CAN SEE BIG CRACKS
RUNNING THROUGH.
608
00:37:56,967 --> 00:38:00,733
THIS IS WHAT HAPPENS
WHEN YOU HAVE A BIG SHAKING
609
00:38:00,767 --> 00:38:05,067
AND DIFFERENTIAL SUBSIDENCE.
610
00:38:05,100 --> 00:38:07,833
Narrator: IN FACT, AN EARTHQUAKE
DID BRING DOWN THE SOUTH WALL,
611
00:38:07,867 --> 00:38:11,333
BUT ONLY CENTURIES AFTER
THE END OF THE EMPIRE.
612
00:38:11,367 --> 00:38:14,700
DID SOMETHING ELSE CATASTROPHIC
END THE ERA OF THE COLOSSEUM
613
00:38:14,733 --> 00:38:16,833
MUCH EARLIER?
614
00:38:16,867 --> 00:38:19,433
GUIDO'S HUNTING FOR CLUES
IN OTHER ANCIENT RUINS
615
00:38:19,467 --> 00:38:22,700
CLOSE TO THE AMPHITHEATER.
616
00:38:22,733 --> 00:38:24,833
Giordano: THIS IS THE THEATER
OF MARCELLUS,
617
00:38:24,867 --> 00:38:28,633
THE LARGEST THEATER
OF ANCIENT ROME,
618
00:38:28,667 --> 00:38:30,400
SIMILAR TO THE COLOSSEUM.
619
00:38:30,433 --> 00:38:34,200
IT HAS SEEN A LOT OF CHANGES.
620
00:38:34,233 --> 00:38:36,833
Narrator: LIKE THE COLOSSEUM,
THE THEATER OF MARCELLUS
621
00:38:36,867 --> 00:38:40,633
WAS ONCE A GRAND SYMBOL
OF AN EMPIRE AT ITS PEAK,
622
00:38:40,667 --> 00:38:42,067
BUT SOMETHING CHANGED,
623
00:38:42,100 --> 00:38:43,967
SENDING THIS
MAGNIFICENT BUILDING
624
00:38:44,067 --> 00:38:47,067
INTO DECLINE, TOO.
625
00:38:47,100 --> 00:38:49,600
YOU CAN SEE AROUND HERE
THAT THERE ARE A LOT OF ROCKS
626
00:38:49,633 --> 00:38:53,867
SCATTERED, THAT SORT OF LITTERED
THE GROUND.
627
00:38:53,900 --> 00:38:57,267
THESE HOLES
USED TO HOIST METAL CLAMPS
628
00:38:57,300 --> 00:39:02,767
THAT THE ROMANS USED TO CONNECT
THESE TRAVERTINE BLOCKS
629
00:39:02,800 --> 00:39:05,433
IN ORDER TO STABILIZE
THE STRUCTURE.
630
00:39:05,467 --> 00:39:08,367
THIS IS ONE OF THE FIRST THINGS
THAT WERE STOLEN
631
00:39:08,400 --> 00:39:11,100
FROM THE MONUMENT.
632
00:39:11,133 --> 00:39:12,833
Narrator: DESPITE 300 YEARS
633
00:39:12,867 --> 00:39:16,267
AS THE HEART OF ROME'S VIBRANT
ENTERTAINMENT INDUSTRY,
634
00:39:16,300 --> 00:39:18,733
GUIDO BELIEVES THE MARCELLUS
AND THE COLISEUM
635
00:39:18,767 --> 00:39:22,367
SUFFERED A SUDDEN TWIST OF FATE.
636
00:39:22,400 --> 00:39:24,100
IF YOU LOOK AT THE TOP,
637
00:39:24,133 --> 00:39:27,067
YOU WILL NOTICE
THAT THERE ARE APARTMENTS.
638
00:39:27,067 --> 00:39:28,767
THOSE ARE CLEARLY NOT PART
639
00:39:28,800 --> 00:39:31,433
OF THE ORIGINAL STRUCTURE
OF THE THEATER.
640
00:39:31,467 --> 00:39:35,133
BEEN BUILT UP LATER ON
TO REPLACE THE TOP PART
641
00:39:35,167 --> 00:39:38,067
OF THE THEATER
THAT AT SOME STAGE COLLAPSED,
642
00:39:38,067 --> 00:39:42,567
WHEN THIS BEAUTIFUL THEATER
WAS PROGRESSIVELY ABANDONED.
643
00:39:42,600 --> 00:39:45,667
Narrator:
GUIDO THINKS THE THEATER WAS
ABANDONED FOLLOWING A DECISION
644
00:39:45,700 --> 00:39:48,733
TO MOVE POWER AND WEALTH
AWAY FROM ROME.
645
00:39:50,867 --> 00:39:54,600
NEARBY, AT AN ANCIENT BRIDGE,
GUIDO FINDS FURTHER CLUES
646
00:39:54,633 --> 00:39:57,400
ABOUT THE FATE OF THE THEATER.
647
00:39:57,433 --> 00:39:59,900
CONSIDER THIS NICE LAYERING.
648
00:40:00,067 --> 00:40:03,233
THE BLOCK THAT MAKE
THE COLUMNS OF THE THEATER
649
00:40:03,267 --> 00:40:07,567
JUST 500 METERS AWAY FROM HERE
ARE REMARKABLY SIMILAR.
650
00:40:07,600 --> 00:40:11,000
CONSIDERING THE AMOUNT OF
MATERIAL NEEDED FOR THIS BRIDGE,
651
00:40:11,033 --> 00:40:14,733
YOU CAN IMAGINE THAT POSSIBLY
THE THIRD LAYER OF THE THEATER,
652
00:40:14,767 --> 00:40:16,600
WHICH IS PRESENTLY MISSING,
653
00:40:16,633 --> 00:40:18,533
WAS ACTUALLY THE SITE
654
00:40:18,567 --> 00:40:23,800
WHERE MOST OF THESE BLOCKS
HAVE ACTUALLY BEEN TAKEN.
655
00:40:23,833 --> 00:40:26,033
Narrator: WITH THE EMPIRE'S
WEALTH IN DECLINE,
656
00:40:26,067 --> 00:40:28,933
THE LUXURIES OF LIFE,
THEATER, AND FUN
657
00:40:28,967 --> 00:40:32,267
WERE SACRIFICED
FOR BASIC BUILDING MAINTENANCE.
658
00:40:32,300 --> 00:40:35,200
Giordano: PEOPLE DID NOT HAVE
THE WEALTH TO GO TO THEATER
659
00:40:35,233 --> 00:40:38,600
OR TO GO TO OTHER
KIND OF PERFORMANCES.
660
00:40:38,633 --> 00:40:44,767
ENTERTAINMENT STRUCTURE LIKE THE
COLOSSEUM STARTED TO DECLINE,
661
00:40:44,800 --> 00:40:49,233
DETERIORATE, AND EVENTUALLY,
THROUGH TIME, EVEN COLLAPSE.
662
00:40:49,267 --> 00:40:50,667
*
663
00:40:50,700 --> 00:40:53,233
Narrator: THE CRACKS
IN THE EMPIRE WERE SHOWING,
664
00:40:53,267 --> 00:40:56,067
AND THE COLOSSEUM WAS ABANDONED.
665
00:40:56,100 --> 00:41:00,833
AND WITH THAT, THE GOLDEN ERA
OF THE GLADIATOR WAS OVER.
666
00:41:00,867 --> 00:41:06,967
THESE ROCKS ARE WITNESS OF A
VERY COMPLEX AND LONG HISTORY.
667
00:41:07,067 --> 00:41:09,667
Narrator:
YET, ALMOST 2,000 YEARS LATER,
668
00:41:09,700 --> 00:41:12,900
THE COLOSSEUM'S RUINS HAVE
LOST NONE OF THEIR MAGIC.
669
00:41:15,200 --> 00:41:17,067
*
670
00:41:17,100 --> 00:41:20,733
BUILT TO ERASE THE MEMORY
OF A SELFISH EMPEROR,
671
00:41:20,767 --> 00:41:24,100
THE COLOSSEUM WAS DESIGNED
TO ENTERTAIN THE PEOPLE
672
00:41:24,133 --> 00:41:27,700
AND TO FUEL THE RISE
OF AN EMPIRE.
673
00:41:27,733 --> 00:41:31,567
ITS HIDDEN SECRETS
STILL THRILL US EVEN TODAY.
674
00:41:31,600 --> 00:41:33,800
REMINDING US
THAT THE ROMAN EMPIRE
675
00:41:33,833 --> 00:41:36,733
WAS, INDEED,
THE GREATEST ON EARTH.
676
00:41:36,767 --> 00:41:39,800
*
677
00:41:46,767 --> 00:41:49,800
*
678
00:41:56,767 --> 00:41:59,900
*
54651
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