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These are the user uploaded subtitles that are being translated: 1 00:00:00,900 --> 00:00:02,800 * 2 00:00:02,833 --> 00:00:05,500 Narrator: THE VALLEY OF THE KINGS, 3 00:00:05,533 --> 00:00:08,667 AN UNDERGROUND MAZE OF ANCIENT EGYPTIAN TOMBS 4 00:00:08,700 --> 00:00:12,200 CARVED OUT OVER 3,000 YEARS AGO 5 00:00:12,233 --> 00:00:13,600 AND THE FINAL RESTING PLACE 6 00:00:13,633 --> 00:00:14,967 OF THE FAMED BOY KING, 7 00:00:15,000 --> 00:00:16,867 TUTANKHAMEN. 8 00:00:16,900 --> 00:00:19,033 WHEN HE FOUND THE TOMB OF THE KING OF TUT, 9 00:00:19,067 --> 00:00:20,833 IT WAS FANTASTIC. 10 00:00:20,867 --> 00:00:23,500 AND NO DISCOVERY THEN OR SINCE 11 00:00:23,533 --> 00:00:25,467 HAS EVER HAD THE EXCITEMENT 12 00:00:25,500 --> 00:00:27,367 THAT KING TUT'S DID. 13 00:00:27,400 --> 00:00:29,033 Narrator: TODAY, TEAMS ARE WORKING 14 00:00:29,067 --> 00:00:31,967 INSIDE TUTANKHAMEN'S TOMB 15 00:00:32,000 --> 00:00:33,933 TO UNEARTH ITS MYSTERIES. 16 00:00:33,967 --> 00:00:36,433 EVEN TODAY, EVERY TIME WE TURN AROUND 17 00:00:36,467 --> 00:00:39,333 WE FIND MORE QUESTIONS TO ASK. 18 00:00:39,367 --> 00:00:43,400 Narrator: WHY IS THE TOMB OF TUTANKHAMEN SO UNIQUE, 19 00:00:43,433 --> 00:00:46,800 AND HOW DID IT STAY HIDDEN FOR OVER 3,000 YEARS? 20 00:00:49,033 --> 00:00:50,767 TO FIND OUT... 21 00:00:50,800 --> 00:00:54,933 WE WILL VENTURE INSIDE THE VALLEY OF THE KINGS. 22 00:00:54,967 --> 00:00:56,367 BLOWING IT APART, 23 00:00:56,400 --> 00:01:00,067 WE'LL EXPLORE ITS HIDDEN CHAMBERS... 24 00:01:00,100 --> 00:01:02,833 AND GOLDEN COFFINS... 25 00:01:02,867 --> 00:01:05,467 TO REVEAL THE SECRETS 26 00:01:05,500 --> 00:01:08,333 AT THE HEART OF THIS ANCIENT WONDER. 27 00:01:08,367 --> 00:01:11,333 -- Captions by VITAC -- www.vitac.com 28 00:01:11,367 --> 00:01:14,333 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 29 00:01:14,367 --> 00:01:17,233 Narrator: BY THE BANKS OF THE RIVER NILE, 30 00:01:17,267 --> 00:01:19,300 HIDDEN IN A LABYRINTH OF ROCK, 31 00:01:19,333 --> 00:01:22,300 LIES A MONUMENTAL ANCIENT BURIAL SITE... 32 00:01:24,067 --> 00:01:26,533 ...THE VALLEY OF THE KINGS. 33 00:01:26,567 --> 00:01:30,133 * 34 00:01:30,167 --> 00:01:33,367 EXTENDING DEEP BEYOND GIANT STONE ENTRANCES, 35 00:01:33,400 --> 00:01:35,500 DOZENS OF SUBTERRANEAN TOMBS 36 00:01:35,533 --> 00:01:37,467 BECAME THE FINAL RESTING PLACE 37 00:01:37,500 --> 00:01:41,300 FOR POWERFUL EGYPTIAN PHARAOHS. 38 00:01:41,333 --> 00:01:42,933 THE VALLEY OF THE KINGS WAS IN USE 39 00:01:42,967 --> 00:01:46,200 AS A ROYAL BURIAL PLACE FOR ABOUT 500 YEARS. 40 00:01:46,233 --> 00:01:47,633 THE PRIMARY CONCERN 41 00:01:47,667 --> 00:01:49,800 WAS THAT THE PHARAOH'S BODY 42 00:01:49,833 --> 00:01:51,133 BE PROTECTED, 43 00:01:51,167 --> 00:01:54,633 THAT IT COULD SURVIVE, COULD ENDURE FOR AN ETERNITY. 44 00:01:54,667 --> 00:01:57,367 Narrator: TODAY, TEAMS FROM AROUND THE WORLD USE 45 00:01:57,400 --> 00:02:00,067 THE LATEST SCANNING AND FORENSIC TECHNOLOGY 46 00:02:00,067 --> 00:02:01,667 TO UNEARTH THE SECRETS 47 00:02:01,700 --> 00:02:03,833 OF THESE SUBTERRANEAN CHAMBERS. 48 00:02:08,900 --> 00:02:10,533 BENEATH THIS VALLEY 49 00:02:10,567 --> 00:02:12,733 LIE MORE THAN 60 HIDDEN TOMBS 50 00:02:12,767 --> 00:02:15,400 CARVED DEEP INTO THE ROCK. 51 00:02:15,433 --> 00:02:17,767 MOST ARE SIMILAR IN DESIGN, 52 00:02:17,800 --> 00:02:19,733 THEIR SNAKING TUNNELS DESCENDING 53 00:02:19,767 --> 00:02:22,300 TOWARDS THE UNDERWORLD, 54 00:02:22,333 --> 00:02:23,900 CREATING A RABBIT WARREN 55 00:02:23,933 --> 00:02:26,700 OF HUNDREDS OF PAINTED CHAMBERS 56 00:02:26,733 --> 00:02:28,167 FILLED WITH HIEROGLYPHS 57 00:02:28,200 --> 00:02:29,933 AND PAINTINGS OF THE AFTERLIFE. 58 00:02:32,367 --> 00:02:34,967 HIDDEN NEAR THE CENTER LIES THE TOMB 59 00:02:35,067 --> 00:02:37,900 OF THE MOST FAMOUS PHARAOH OF ALL -- 60 00:02:37,933 --> 00:02:40,900 KING TUTANKHAMEN. 61 00:02:40,933 --> 00:02:42,833 THIS MYSTERIOUS CHAMBER 62 00:02:42,867 --> 00:02:45,700 IS UNLIKE ANY ROYAL TOMB IN THE VALLEY 63 00:02:45,733 --> 00:02:48,500 AND PUZZLES ARCHAEOLOGISTS TO THIS DAY. 64 00:02:53,300 --> 00:02:57,067 TUTANKHAMEN'S TOMB LIES AT THE HEART OF THE VALLEY, 65 00:02:57,100 --> 00:02:59,300 SURROUNDED BY THE TOMBS OF THE GREAT PHARAOHS 66 00:02:59,333 --> 00:03:03,133 THAT CAME BEFORE AND AFTER HIM. 67 00:03:03,167 --> 00:03:06,567 TODAY, TUTANKHAMEN IS THE MOST FAMOUS NAME 68 00:03:06,600 --> 00:03:08,833 OF ALL THESE ANCIENT KINGS, 69 00:03:08,867 --> 00:03:10,733 BUT DURING HIS LIFETIME, 70 00:03:10,767 --> 00:03:13,967 HISTORIANS BELIEVE HE WAS INSIGNIFICANT. 71 00:03:14,067 --> 00:03:15,300 HE WAS A KID -- 72 00:03:15,333 --> 00:03:17,200 9, 10, 11 YEARS OLD. 73 00:03:17,233 --> 00:03:21,967 THE LITTLE-KNOWN RELATIVELY MINOR PHARAOH. 74 00:03:22,067 --> 00:03:23,700 Narrator: YET, TUTANKHAMEN'S TOMB 75 00:03:23,733 --> 00:03:25,833 TRANSFORMED HIS FATE. 76 00:03:25,867 --> 00:03:28,067 THIS YOUNG BOY KING BECAME 77 00:03:28,067 --> 00:03:30,600 ONE OF THE MOST POWERFUL SYMBOLS 78 00:03:30,633 --> 00:03:32,633 IN EGYPTOLOGICAL HISTORY. 79 00:03:35,400 --> 00:03:37,867 Narrator: KENT WEEKS HAS SPENT 40 YEARS STUDYING 80 00:03:37,900 --> 00:03:41,167 THE VALLEY OF THE KINGS. 81 00:03:41,200 --> 00:03:43,233 KENT AND TEAMS OF ARCHAEOLOGISTS 82 00:03:43,267 --> 00:03:45,867 ARE WORKING TO RESOLVE A CRUCIAL MYSTERY. 83 00:03:45,900 --> 00:03:47,600 * 84 00:03:47,633 --> 00:03:51,300 HOW DID TUTANKHAMEN'S TOMB TRANSFORM THE BOY KING 85 00:03:51,333 --> 00:03:52,933 FROM A MINOR PHARAOH 86 00:03:52,967 --> 00:03:56,067 TO ONE OF THE MOST CELEBRATED MEN IN HISTORY? 87 00:03:58,433 --> 00:04:00,533 KENT BELIEVES THE FIRST CLUE LIES 88 00:04:00,567 --> 00:04:01,967 IN HOW THE TOMBS IN THE VALLEY 89 00:04:02,067 --> 00:04:04,100 ARE DECORATED. 90 00:04:04,133 --> 00:04:07,300 HE WANTS TO UNDERSTAND WHY THE IMAGERY IN TUT'S TOMB 91 00:04:07,333 --> 00:04:09,233 IS SO DIFFERENT TO THOSE BELONGING 92 00:04:09,267 --> 00:04:11,900 TO MORE POWERFUL PHARAOHS. 93 00:04:11,933 --> 00:04:13,533 Weeks: ROYAL TOMBS IN THE VALLEY OF THE KINGS, 94 00:04:13,567 --> 00:04:17,300 THEY ALL FOLLOW PRETTY MUCH THE SAME STANDARD RULES, 95 00:04:17,333 --> 00:04:20,433 CONTAIN THE SAME STANDARDS SCENES, 96 00:04:20,467 --> 00:04:21,800 BUT THE TOMB OF TUTANKHAMEN 97 00:04:21,833 --> 00:04:24,933 IS UNUSUAL. 98 00:04:24,967 --> 00:04:27,533 Narrator: KENT HEADS TO A DIFFERENT TOMB BELONGING 99 00:04:27,567 --> 00:04:29,800 TO THE GREAT KING SETI II 100 00:04:29,833 --> 00:04:31,767 TO INVESTIGATE HOW ROYAL TOMBS 101 00:04:31,800 --> 00:04:33,533 ARE TRADITIONALLY DECORATED. 102 00:04:33,567 --> 00:04:35,333 OKAY, LET'S DO THE OTHER SIDE. 103 00:04:35,367 --> 00:04:37,133 * 104 00:04:37,167 --> 00:04:39,300 INSIDE, HE FORENSICALLY RECORDS 105 00:04:39,333 --> 00:04:40,467 EVERY SQUARE INCH 106 00:04:40,500 --> 00:04:43,067 OF THE CARVINGS ADORNING THE WALLS. 107 00:04:43,100 --> 00:04:45,533 MANY OF THESE ARTWORKS SHOW SCENES 108 00:04:45,567 --> 00:04:47,667 FROM THE IMPORTANT RELIGIOUS TEXT, 109 00:04:47,700 --> 00:04:50,733 "THE BOOK OF THE DEAD." 110 00:04:50,767 --> 00:04:51,933 Weeks: THEIR PRIMARY OBJECTIVE 111 00:04:51,967 --> 00:04:54,767 WAS TO ENSURE THE SAFE PASSAGE OF THE PHARAOH 112 00:04:54,800 --> 00:04:56,867 FROM THIS LIFE INTO THE NEXT. 113 00:04:56,900 --> 00:04:59,067 THIS WAS A MAJOR CONCERN TO EGYPTIANS. 114 00:04:59,100 --> 00:05:01,733 WHEN A PHARAOH DIED, CAN WE BE SURE THE PHARAOH 115 00:05:01,767 --> 00:05:02,967 IS GOING TO HAVE A SAFE JOURNEY 116 00:05:03,067 --> 00:05:04,900 INTO THE AFTERLIFE? 117 00:05:04,933 --> 00:05:06,333 ALL OF THE TEXTS, 118 00:05:06,367 --> 00:05:08,500 ALL OF THE SCENES IN THESE TOMBS 119 00:05:08,533 --> 00:05:12,067 ARE DESIGNED TO SERVE THOSE SIMPLE FUNCTIONS. 120 00:05:12,067 --> 00:05:14,200 * 121 00:05:14,233 --> 00:05:16,400 Narrator: IN ANCIENT EGYPTIAN BELIEFS, 122 00:05:16,433 --> 00:05:20,167 THE JOURNEY TO THE AFTERLIFE BEGINS AS THE SUN SETS. 123 00:05:20,200 --> 00:05:22,433 THE PHARAOH TAKES THE ROUTE OF THE SUN 124 00:05:22,467 --> 00:05:24,933 AS IT PASSES DOWN INTO THE UNDERWORLD. 125 00:05:26,667 --> 00:05:29,233 ARMED WITH SPELLS FROM THE WALLS OF THE TOMB, 126 00:05:29,267 --> 00:05:31,733 HE FACES MANY CHALLENGES, 127 00:05:31,767 --> 00:05:33,800 INCLUDING A LAKE OF FIRE 128 00:05:33,833 --> 00:05:36,367 AND GIANT SERPENT. 129 00:05:36,400 --> 00:05:40,267 MOST EGYPTIANS WOULD THEN FACE THE MOST RIGOROUS TEST -- 130 00:05:40,300 --> 00:05:44,067 TO HAVE THEIR HEART WEIGHED AGAINST THE FEATHER OF TRUTH, 131 00:05:44,100 --> 00:05:47,100 BUT THE PHARAOH WAS THOUGHT TO BE EXEMPT. 132 00:05:47,133 --> 00:05:48,933 WHEN HE REACHES THE END, 133 00:05:48,967 --> 00:05:52,633 A PARADE OF GODS WELCOMES HIM TO THE AFTERLIFE. 134 00:05:52,667 --> 00:05:55,133 HE IS TRANSFORMED INTO THE SUN GOD 135 00:05:55,167 --> 00:05:57,133 AND THE SUN CAN RISE AGAIN. 136 00:05:59,867 --> 00:06:03,267 WITH THE SPELLS AND PRAYERS ON THE WALLS OF THE TOMBS 137 00:06:03,300 --> 00:06:05,500 ACTING LIKE A GUIDEBOOK FOR THE PHARAOH, 138 00:06:05,533 --> 00:06:09,367 THE ANCIENT ENGRAVERS COULDN'T MAKE A SINGLE MISTAKE. 139 00:06:09,400 --> 00:06:11,100 Weeks: WHEN YOU LOOK AT THESE RELIEF CARVINGS, 140 00:06:11,133 --> 00:06:12,967 EVEN SOMETHING AS STRAIGHTFORWARD 141 00:06:13,067 --> 00:06:15,667 AS COLUMNS OF HIEROGLYPHIC TEXT, 142 00:06:15,700 --> 00:06:17,667 THE FIRST THING I THINK THAT STRIKES A PERSON 143 00:06:17,700 --> 00:06:18,933 IS THE CARE, 144 00:06:18,967 --> 00:06:20,433 THE ATTENTION TO DETAIL. 145 00:06:20,467 --> 00:06:22,300 THE BIRDS ARE METICULOUSLY SHOWN. 146 00:06:22,333 --> 00:06:24,267 YOU CAN IDENTIFY SPECIES OF BIRDS 147 00:06:24,300 --> 00:06:26,100 FROM THE WAY THEY'RE DEPICTED. 148 00:06:26,133 --> 00:06:28,167 THE CARE IS IMPORTANT 149 00:06:28,200 --> 00:06:32,233 BECAUSE THESE TEXTS ARE IMPORTANT. 150 00:06:32,267 --> 00:06:33,400 Narrator: MOST ROYAL TOMBS ARE 151 00:06:33,433 --> 00:06:35,767 JUST AS EXTENSIVELY DECORATED 152 00:06:35,800 --> 00:06:38,500 WITH INCREDIBLE ATTENTION TO DETAIL, 153 00:06:38,533 --> 00:06:41,867 BUT SURPRISINGLY, THE TOMB OF TUTANKHAMEN, 154 00:06:41,900 --> 00:06:44,067 THE MOST FAMOUS TOMB IN THE VALLEY, 155 00:06:44,067 --> 00:06:45,867 IS FAR LESS IMPRESSIVE. 156 00:06:48,967 --> 00:06:52,700 TUTANKHAMEN'S TOMB IS JUST FOUR SMALL CHAMBERS, 157 00:06:52,733 --> 00:06:55,333 EACH NO MORE THAN 14 FEET WIDE. 158 00:06:57,067 --> 00:06:58,333 AT THE HEART OF THE TOMB 159 00:06:58,367 --> 00:07:01,233 IS A SPARSELY DECORATED BURIAL ROOM 160 00:07:01,267 --> 00:07:04,700 MODESTLY PAINTED AND WITH NO CARVINGS. 161 00:07:04,733 --> 00:07:06,067 HIDDEN IN THE WALLS, 162 00:07:06,067 --> 00:07:10,967 MYSTERIOUS NICHES ONCE HELD SACRED STATUES, 163 00:07:11,067 --> 00:07:14,900 USHABTI TO COME TO LIFE AS THE PHARAOH'S SERVANT 164 00:07:14,933 --> 00:07:18,233 AND THE JACKAL GOD OF THE DEAD, ANUBIS. 165 00:07:18,267 --> 00:07:20,067 TUTANKHAMEN'S BURIAL CHAMBER 166 00:07:20,067 --> 00:07:22,533 IS FILLED WITH MAGICAL DECORATION, 167 00:07:22,567 --> 00:07:23,667 BUT BESIDE IT, 168 00:07:23,700 --> 00:07:26,500 THE REST OF THE TOMB IS LEFT BARE. 169 00:07:26,533 --> 00:07:28,233 THIS SIMPLE TOMB IS UNLIKE 170 00:07:28,267 --> 00:07:30,733 ANY OTHER ROYAL TOMB IN THE VALLEY. 171 00:07:34,500 --> 00:07:35,467 Weeks: ALL OF THESE THINGS 172 00:07:35,500 --> 00:07:37,867 CONSPIRE TO MAKE TUTANKHAMEN'S TOMB 173 00:07:37,900 --> 00:07:39,933 UNLIKE ANY OTHER IN THE VALLEY OF THE KINGS, 174 00:07:39,967 --> 00:07:41,567 AND WE CAN'T BE SURE WHY. 175 00:07:41,600 --> 00:07:43,333 * 176 00:07:45,300 --> 00:07:47,833 Narrator: TODAY, KENT HAS A RARE OPPORTUNITY 177 00:07:47,867 --> 00:07:49,400 TO STUDY THE RELIGIOUS TEXT 178 00:07:49,433 --> 00:07:52,200 INSIDE TUTANKHAMEN'S BURIAL CHAMBER 179 00:07:52,233 --> 00:07:54,600 UP CLOSE. 180 00:07:54,633 --> 00:07:57,067 HE SEARCHES FOR CLUES THAT MIGHT EXPLAIN 181 00:07:57,067 --> 00:07:59,767 WHY THEY'RE NOT AS ELABORATE AS OTHER PHARAOHS'. 182 00:08:01,667 --> 00:08:04,167 KENT WORKS WITH A TEAM CAREFULLY CONSERVING 183 00:08:04,200 --> 00:08:07,200 THE DELICATE DECORATION. 184 00:08:07,233 --> 00:08:09,833 LORI WONG HAS FOUND MYSTERIOUS ANOMALIES 185 00:08:09,867 --> 00:08:12,600 IN THE WAY THE ANCIENT WALLS HAVE BEEN PAINTED. 186 00:08:12,633 --> 00:08:14,867 Wong: IF WE NOTICE HERE, THE VERY BASE OF THE WALL, 187 00:08:14,900 --> 00:08:16,700 YOU CAN SEE THAT THERE'S DRIPS RUNNING DOWN. 188 00:08:16,733 --> 00:08:19,133 THROUGHOUT THIS TOMB, WE HAVE DRIP MARKS, 189 00:08:19,167 --> 00:08:22,767 SO IT SUGGESTS THIS VERY FAST FLUID ACTION 190 00:08:22,800 --> 00:08:26,167 IN TERMS OF THE APPLICATION OF THE PAINTING MATERIALS. 191 00:08:26,200 --> 00:08:27,800 ALSO, WHAT'S REALLY UNUSUAL 192 00:08:27,833 --> 00:08:30,100 IS THAT IN THIS SMALL BURIAL CHAMBER, 193 00:08:30,133 --> 00:08:33,300 EACH WALL HAS A SLIGHTLY DIFFERENT PAINTING TECHNIQUE. 194 00:08:33,333 --> 00:08:35,400 IT'S UNUSUAL BECAUSE ONE WOULD EXPECT, 195 00:08:35,433 --> 00:08:36,633 IN A SMALL CHAMBER, 196 00:08:36,667 --> 00:08:38,400 THAT THE PAINTING TECHNOLOGY WOULD BE THE SAME 197 00:08:38,433 --> 00:08:41,733 FROM WALL-TO-WALL. 198 00:08:41,767 --> 00:08:43,800 Narrator: KENT HAS FOUND SOMETHING ELSE STRANGE 199 00:08:43,833 --> 00:08:46,300 ABOUT THE IMAGERY IN THE CHAMBER. 200 00:08:46,333 --> 00:08:49,067 Weeks: IN OTHER TOMBS, LONG CORRIDORS WERE FILLED 201 00:08:49,067 --> 00:08:51,233 WITH COLUMN AFTER COLUMN AFTER COLUMN 202 00:08:51,267 --> 00:08:52,767 OF RELIGIOUS TEXTS. 203 00:08:52,800 --> 00:08:57,667 HERE, WE HAVE JUST A FEW HIGHLY ABBREVIATED SCENES. 204 00:08:57,700 --> 00:08:59,467 Narrator: KENT HAS SPOTTED AN ILLUSTRATION 205 00:08:59,500 --> 00:09:02,167 OF THE PHARAOH'S JOURNEY THROUGH THE UNDERWORLD, 206 00:09:02,200 --> 00:09:04,933 BUT IT'S BEEN DRAMATICALLY SIMPLIFIED. 207 00:09:04,967 --> 00:09:06,833 Weeks: WE HAVE 12 BABOONS SHOWN HERE, 208 00:09:06,867 --> 00:09:08,367 EACH IN A RECTANGLE, 209 00:09:08,400 --> 00:09:11,633 EACH OF THE REPRESENTING ONE OF THE 12 HOURS OF THE NIGHT 210 00:09:11,667 --> 00:09:13,567 THROUGH WHICH THE DECEASED PHARAOH 211 00:09:13,600 --> 00:09:16,667 HAS TO PASS TO ACHIEVE IMMORTALITY. 212 00:09:18,733 --> 00:09:21,067 Narrator: THE KEY SCENES ARE ALL THERE, 213 00:09:21,067 --> 00:09:23,367 BUT THE ARTWORK IS NOWHERE NEAR AS ELABORATE 214 00:09:23,400 --> 00:09:26,433 AS THE CARVINGS FOUND IN SETI'S TOMB. 215 00:09:26,467 --> 00:09:28,900 Weeks: THE ABSENCE OF DETAIL IN THE RELIGIOUS TEXTS 216 00:09:28,933 --> 00:09:32,400 IS UNUSUAL BY ANY STANDARD. 217 00:09:32,433 --> 00:09:34,233 Narrator: KENT BELIEVES THE DRIP MARKS 218 00:09:34,267 --> 00:09:36,333 AND ABBREVIATED RELIGIOUS DECORATION 219 00:09:36,367 --> 00:09:38,700 CAN ONLY MEAN ONE THING. 220 00:09:38,733 --> 00:09:41,800 PEOPLE WERE OPERATING UNDER A TIME CONSTRAINT HERE, 221 00:09:41,833 --> 00:09:44,133 AND THAT ACCOUNTS FOR A LOT OF THE PAINTING, 222 00:09:44,167 --> 00:09:45,600 THE ABSENCE OF DETAIL 223 00:09:45,633 --> 00:09:47,700 IN THE RELIGIOUS TEXTS ON THE WALL, 224 00:09:47,733 --> 00:09:49,367 THE HIGHLY ABBREVIATED FORM 225 00:09:49,400 --> 00:09:51,067 OF THE "BOOK OF THE DEAD." 226 00:09:51,067 --> 00:09:52,567 TIME WAS OF THE ESSENCE 227 00:09:52,600 --> 00:09:54,067 FOR WHATEVER REASONS -- 228 00:09:54,067 --> 00:09:56,300 POLITICAL, RELIGIOUS, OR WHAT HAVE YOU. 229 00:09:56,333 --> 00:09:59,600 THEY DID WANT TO GET IT DONE QUICKLY. 230 00:09:59,633 --> 00:10:04,533 Narrator: SO WHY WERE THE PAINTERS IN SUCH A RUSH? 231 00:10:04,567 --> 00:10:07,333 TO FIND ANSWERS, EGYPTOLOGIST BELIEVE 232 00:10:07,367 --> 00:10:09,733 A CLUE LIES IN THE ABNORMAL SIZE 233 00:10:09,767 --> 00:10:11,633 OF TUTANKHAMEN'S TOMB. 234 00:10:13,367 --> 00:10:16,233 CAVERNOUS CHAMBERS AND LONG-SNAKING TUNNELS 235 00:10:16,267 --> 00:10:17,733 ARE THE HALLMARKS OF ALMOST 236 00:10:17,767 --> 00:10:19,933 ALL OF THE TOMBS IN THE VALLEY, 237 00:10:19,967 --> 00:10:21,800 YET THE TOMB OF TUTANKHAMEN IS 238 00:10:21,833 --> 00:10:24,200 THE SMALLEST OF ALL THE KINGS. 239 00:10:24,233 --> 00:10:27,333 WHY? 240 00:10:34,100 --> 00:10:35,867 * 241 00:10:35,900 --> 00:10:38,100 Narrator: KING TUTANKHAMEN'S TOMB -- 242 00:10:38,133 --> 00:10:40,867 A MAGICAL MACHINE DESIGNED 243 00:10:40,900 --> 00:10:43,800 TO TRANSPORT TUT INTO THE AFTERLIFE. 244 00:10:46,067 --> 00:10:47,467 BUT IT'S A DWARF 245 00:10:47,500 --> 00:10:49,367 IN A VALLEY FULL OF GIANTS. 246 00:10:51,200 --> 00:10:54,167 MOST PHARAOHS OF EGYPT HAS COLOSSAL TOMBS 247 00:10:54,200 --> 00:10:56,367 TO MATCH THEIR POWER AND WEALTH. 248 00:11:02,933 --> 00:11:07,167 ONE EXAMPLE IS THE GRAND TOMB OF SETI I. 249 00:11:07,200 --> 00:11:09,267 A POLISHED MASTERPIECE, 250 00:11:09,300 --> 00:11:11,633 ITS CHAMBERS ARE INCREDIBLY PRECISE 251 00:11:11,667 --> 00:11:14,133 WITH PERFECTLY ALIGNED PILLARED HALLS 252 00:11:14,167 --> 00:11:17,767 AND RAISED RELIEF PAINTINGS CARVED ONTO THE WALLS. 253 00:11:21,500 --> 00:11:25,967 HIDDEN BENEATH KING SETI'S BURIAL CHAMBER -- 254 00:11:26,067 --> 00:11:29,633 A ROCKY CORRIDOR EXTENDS OVER 300 FEET DOWN 255 00:11:29,667 --> 00:11:31,600 INTO THE BEDROCK, 256 00:11:31,633 --> 00:11:35,700 AS DEEP AS THE GREAT PYRAMID IS HIGH. 257 00:11:35,733 --> 00:11:39,200 WITH 17 IMMACULATELY DECORATED CHAMBERS, 258 00:11:39,233 --> 00:11:42,067 THIS VAST BURIAL IS SIX TIMES LARGER 259 00:11:42,067 --> 00:11:44,167 THAN THE TOMB OF TUTANKHAMEN. 260 00:11:49,800 --> 00:11:52,567 WHY IS TUTANKHAMEN'S TOMB SO SMALL 261 00:11:52,600 --> 00:11:54,500 WHEN SETI'S COLOSSAL CHAMBERS 262 00:11:54,533 --> 00:11:57,367 ARE SO LARGE? 263 00:11:57,400 --> 00:11:58,667 COULD IT BE THE WORKERS 264 00:11:58,700 --> 00:12:01,833 DIDN'T HAVE ENOUGH TIME TO BUILD SOMETHING BIGGER? 265 00:12:04,767 --> 00:12:06,667 EGYPTOLOGIST CATHARINE ROEHRIG 266 00:12:06,700 --> 00:12:09,067 BELIEVES THE SHORT LIFE OF TUTANKHAMEN 267 00:12:09,067 --> 00:12:11,600 MIGHT HOLD THE KEY. 268 00:12:11,633 --> 00:12:13,433 Roehrig: HE WAS ABOUT 18 WHEN HE DIED, 269 00:12:13,467 --> 00:12:20,067 AND I SUSPECT NO ONE EXPECTED HIM TO DIE AS A TEENAGER. 270 00:12:20,067 --> 00:12:22,433 Narrator: CATHARINE AND A TEAM OF STONEMASONS 271 00:12:22,467 --> 00:12:23,967 HAVE JOURNEYED INTO THE DESERT 272 00:12:24,067 --> 00:12:26,333 TO CARVE A TOMB INTO THE CLIFFS. 273 00:12:28,333 --> 00:12:31,967 THEY WANT TO DISCOVER WHETHER TUTANKHAMEN'S SUDDEN DEATH 274 00:12:32,067 --> 00:12:36,300 MEANT THERE WASN'T ENOUGH TIME TO BUILD A LARGER TOMB. 275 00:12:36,333 --> 00:12:39,133 Roehrig: IT'S ASSUMED THAT THEY START BUILDING ROYAL TOMBS 276 00:12:39,167 --> 00:12:41,700 WHEN THE PHARAOH TAKES THE THORN. 277 00:12:41,733 --> 00:12:44,467 WE THINK TUTANKHAMEN CAME TO POWER 278 00:12:44,500 --> 00:12:46,067 WHEN HE WAS ABOUT 9 YEARS OLD, 279 00:12:46,100 --> 00:12:50,267 AND WE KNOW HE RULED FOR ABOUT NINE YEARS. 280 00:12:50,300 --> 00:12:51,767 Narrator: TO TEST THE THEORY, 281 00:12:51,800 --> 00:12:56,333 THE TEAM WANTS TO CARVE A TOMB INTO THE ROCK. 282 00:12:56,367 --> 00:12:59,833 THEY WILL INVESTIGATE HOW FAR WORK CAN PROGRESS IN A DAY 283 00:12:59,867 --> 00:13:02,233 TO REVEAL HOW BIG A TOMB COULD BE 284 00:13:02,267 --> 00:13:05,800 AFTER NINE YEARS OF CONTINUOUS DIGGING. 285 00:13:05,833 --> 00:13:07,633 THEY LINE UP THE ENTRANCE, 286 00:13:07,667 --> 00:13:09,967 THEN BEGIN TO CARVE. 287 00:13:10,067 --> 00:13:12,867 * 288 00:13:20,700 --> 00:13:25,500 THE WORK IS HARD AND SLOW. 289 00:13:25,533 --> 00:13:26,967 Roehrig: THE ANCIENT EGYPTIANS COULDN'T HAVE BEEN 290 00:13:27,067 --> 00:13:29,433 MUCH FASTER THAN THIS. 291 00:13:29,467 --> 00:13:32,800 THEY MIGHT HAVE STARTED WITH BIG STONE HAMMERS. 292 00:13:32,833 --> 00:13:35,933 THEY ALSO, BY THIS TIME OF TUTANKHAMEN, 293 00:13:35,967 --> 00:13:38,133 HAD BRONZE CHISELS. 294 00:13:45,100 --> 00:13:46,800 Narrator: CATHARINE ASSESS THE PROGRESS 295 00:13:46,833 --> 00:13:49,167 AFTER A SHIFT OF WORK. 296 00:13:49,200 --> 00:13:50,467 THE WORKMEN HAVE BEEN WORKING 297 00:13:50,500 --> 00:13:52,600 FOR ABOUT THREE HOURS. 298 00:13:52,633 --> 00:13:55,633 THEY'VE MADE A FAIR AMOUNT OF PROGRESS. 299 00:13:55,667 --> 00:13:57,367 THIS IS ABOUT WHERE THE CORNER WAS. 300 00:13:57,400 --> 00:13:59,100 YOU CAN SEE THE RED THERE, 301 00:13:59,133 --> 00:14:00,700 AND IN HERE IS, WHAT? 302 00:14:00,733 --> 00:14:04,167 ABOUT 8 INCHES OR SO? 303 00:14:04,200 --> 00:14:06,600 CATHARINE BELIEVES THAT AT THIS RATE, 304 00:14:06,633 --> 00:14:09,467 KING TUT'S BUILDERS WOULD HAVE HAD MORE THAN ENOUGH TIME 305 00:14:09,500 --> 00:14:11,567 TO CONSTRUCT A BIGGER TOMB. 306 00:14:11,600 --> 00:14:14,733 ANCIENT EGYPTIAN WORKMEN PROBABLY WORKED ON THE TOMB 307 00:14:14,767 --> 00:14:16,367 EVERY SINGLE DAY 308 00:14:16,400 --> 00:14:18,367 BECAUSE YOU'D WORK FOR 10 DAYS, 309 00:14:18,400 --> 00:14:19,600 AND THEN ANOTHER CREW WOULD COME IN. 310 00:14:19,633 --> 00:14:21,100 IT'S NOT LIKE THEY HAD A WEEKEND 311 00:14:21,133 --> 00:14:23,467 WHEN NOBODY DID ANYTHING, 312 00:14:23,500 --> 00:14:25,833 SO SKILLED ANCIENT EGYPTIAN WORKMEN 313 00:14:25,867 --> 00:14:27,600 ATTACKING A WALL LIKE THIS 314 00:14:27,633 --> 00:14:30,067 COULD HAVE MADE A GREAT DEAL OF PROGRESS 315 00:14:30,067 --> 00:14:31,633 IN JUST A YEAR. 316 00:14:31,667 --> 00:14:34,100 Narrator: THIS PROGRESS, SCALED OVER TIME, 317 00:14:34,133 --> 00:14:36,967 WOULD RESULT IN SOMETHING FAR LARGER THAN TUT'S TOMB 318 00:14:37,067 --> 00:14:39,633 IN JUST A FEW YEARS. 319 00:14:39,667 --> 00:14:41,167 Roehrig: TUTANKHAMEN REIGNED FOR NINE YEARS, 320 00:14:41,200 --> 00:14:42,767 SO BY RIGHTS, 321 00:14:42,800 --> 00:14:45,900 IF THEY BEGAN THE TOMB WHEN HE WAS YOUNG, 322 00:14:45,933 --> 00:14:47,867 WHEN HE WAS FIRST ON THE THRONE, 323 00:14:47,900 --> 00:14:49,967 HE COULD HAVE HAD A TOMB THE SAME SIZE 324 00:14:50,067 --> 00:14:52,733 AS ANY OF HIS PREDECESSORS. 325 00:14:52,767 --> 00:14:55,567 HE SHOULD HAVE HAD A MORE SPECTACULAR TOMB THAN THAT. 326 00:14:57,600 --> 00:15:00,267 Narrator: IF CONSTRUCTION TIME ISN'T THE ANSWER, 327 00:15:00,300 --> 00:15:03,533 THEN WHY IS TUT'S TOMB SO SMALL? 328 00:15:03,567 --> 00:15:05,700 IT'S POSSIBLE THEY HADN'T BEGUN HIS TOMB 329 00:15:05,733 --> 00:15:06,967 BECAUSE HE WAS SO YOUNG. 330 00:15:07,067 --> 00:15:09,500 HE WAS ONLY 9 OR 10 WHEN HE COMES TO THE THRONE, 331 00:15:09,533 --> 00:15:12,333 SO WHY WOULD YOU START A TOMB FOR SOMEBODY THAT YOUNG? 332 00:15:14,600 --> 00:15:17,267 Narrator: WHEN THE BOY KING DIED UNEXPECTEDLY, 333 00:15:17,300 --> 00:15:19,133 THE WORKERS MAY HAVE RUSHED TO CREATE 334 00:15:19,167 --> 00:15:20,967 A MAKESHIFT BURIAL CHAMBER. 335 00:15:26,167 --> 00:15:29,100 ONE THEORY IS, WHEN TUTANKHAMEN DIED, 336 00:15:29,133 --> 00:15:32,200 HIS TOMB WAS JUST A CORRIDOR. 337 00:15:32,233 --> 00:15:35,133 IT WAS THEN A RACE AGAINST THE CLOCK TO FINISH IT. 338 00:15:37,300 --> 00:15:41,967 THE CORRIDOR WAS HASTILY EXTENDED JUST 14 FEET WIDE. 339 00:15:42,067 --> 00:15:45,133 IT WAS THE BARE MINIMUM TO HOUSE HIS SARCOPHAGUS. 340 00:15:47,067 --> 00:15:48,533 ARTISTS MOVED IN TO PAINT 341 00:15:48,567 --> 00:15:50,600 THE RESURRECTION INSTRUCTIONS. 342 00:15:50,633 --> 00:15:52,967 ONE DREW THE ROUGH OUTLINES IN RED, 343 00:15:53,067 --> 00:15:55,467 ANOTHER CORRECTED THEM IN BLACK 344 00:15:55,500 --> 00:15:57,133 AND PAINTED THEM WITH COLOR. 345 00:15:59,767 --> 00:16:04,167 WORKERS LOWER TUTANKHAMEN'S SARCOPHAGUS INTO POSITION 346 00:16:04,200 --> 00:16:06,733 AND THEN SEAL THE TOMB FOREVER. 347 00:16:11,700 --> 00:16:14,267 THE WORKERS HAD A DEADLINE TO MEET, 348 00:16:14,300 --> 00:16:17,300 ONE THAT COULD NOT BE MISSED. 349 00:16:17,333 --> 00:16:19,967 THEY WOULD HAVE HAD 70 TO 80 DAYS 350 00:16:20,067 --> 00:16:21,167 BETWEEN THE TIME HE DIED 351 00:16:21,200 --> 00:16:23,567 AND THE TIME HIS MUMMIFICATION WAS FINISHED. 352 00:16:23,600 --> 00:16:26,333 AND WHATEVER THEY WERE DOING... 353 00:16:26,367 --> 00:16:30,100 THEY HAD TO FINISH WHAT THEY WANTED TO BURY HIM IN 354 00:16:30,133 --> 00:16:32,667 IN THAT AMOUNT OF TIME. 355 00:16:32,700 --> 00:16:35,533 Narrator: WAS THE TINY TOMB OF TUTANKHAMEN 356 00:16:35,567 --> 00:16:38,700 A POSTPONED RUSH JOB? 357 00:16:38,733 --> 00:16:41,900 IT'S POSSIBLE, 358 00:16:41,933 --> 00:16:43,833 BUT SOME ARCHAEOLOGISTS BELIEVE 359 00:16:43,867 --> 00:16:46,067 THERE'S ANOTHER EXPLANATION. 360 00:16:46,100 --> 00:16:48,800 COULD IT BE THAT TUTANKHAMEN'S TOMB 361 00:16:48,833 --> 00:16:51,467 WAS BUILT FOR SOMEONE ELSE? 362 00:17:02,367 --> 00:17:04,500 Narrator: THE VALLEY OF THE KINGS -- 363 00:17:04,533 --> 00:17:06,800 THIS ROCKY LANDSCAPE WAS 364 00:17:06,833 --> 00:17:09,100 THE BURIAL PLACE OF EGYPTIAN PHARAOHS 365 00:17:09,133 --> 00:17:11,200 FOR OVER 500 YEARS, 366 00:17:12,933 --> 00:17:15,067 BUT ENTRANCE TO THIS VAST GRAVEYARD 367 00:17:15,100 --> 00:17:17,367 WASN'T ONLY RESERVED FOR KINGS. 368 00:17:18,800 --> 00:17:22,433 NON-ROYALS, PRIESTS, EVEN PETS WERE BURIED HERE, 369 00:17:22,467 --> 00:17:25,967 TOO, IN SMALLER, SIMPLER TOMBS. 370 00:17:26,067 --> 00:17:29,100 COULD TUTANKHAMEN HAVE ACTUALLY BEEN BURIED IN ONE 371 00:17:29,133 --> 00:17:31,867 OF THESE SO-CALLED PRIVATE TOMBS, 372 00:17:31,900 --> 00:17:34,500 AND IF HE WAS, WHY? 373 00:17:39,367 --> 00:17:41,800 TODAY, ARCHAEOLOGIST DONALD RYAN 374 00:17:41,833 --> 00:17:43,600 IS DIGGING IN THE VALLEY OF THE KINGS 375 00:17:43,633 --> 00:17:46,167 TO FIND ANSWERS. 376 00:17:46,200 --> 00:17:48,433 HE THINKS THAT TUTANKHAMEN'S TOMB 377 00:17:48,467 --> 00:17:50,833 LOOKS SUSPICIOUSLY LIKE THE PRIVATE TOMBS 378 00:17:50,867 --> 00:17:54,067 THAT HE HAS RECENTLY UNEARTHED. 379 00:17:54,067 --> 00:17:56,667 SO FAR, THESE INAUSPICIOUS TOMBS 380 00:17:56,700 --> 00:17:59,467 HAVE REVEALED SOME STRIKING SECRETS. 381 00:17:59,500 --> 00:18:03,267 ONE TOMB, JUST A SHAFT AND A CHAMBER, 382 00:18:03,300 --> 00:18:06,200 WE HAVE 13 SETS OF HUMAN REMAINS IN IT. 383 00:18:06,233 --> 00:18:09,533 ANOTHER ONE, WE FOUND MUMMIES OF ANIMALS 384 00:18:09,567 --> 00:18:12,833 INCLUDING A DOG, MONKEYS, BABOONS. 385 00:18:12,867 --> 00:18:14,833 EVERY ONE OF THEM IS DIFFERENT. 386 00:18:14,867 --> 00:18:18,300 EVERY ONE IS INTERESTING. 387 00:18:18,333 --> 00:18:21,067 Narrator: BUT DON BELIEVES THERE ARE STRIKING SIMILARITIES 388 00:18:21,067 --> 00:18:24,200 BETWEEN THE SMALL SCALE OF TUTANKHAMEN'S TOMB 389 00:18:24,233 --> 00:18:26,867 AND THESE SIMPLER PRIVATE TOMBS. 390 00:18:29,067 --> 00:18:32,167 THERE ARE SEVERAL DIFFERENT PLANS FOR THEM, 391 00:18:32,200 --> 00:18:35,200 THE SIMPLEST BEING A SHAFT 392 00:18:35,233 --> 00:18:38,533 THAT LEADS TO A SINGLE ROOM. 393 00:18:38,567 --> 00:18:40,667 THERE ARE OTHERS A LITTLE MORE ELABORATE 394 00:18:40,700 --> 00:18:44,467 WITH ROOMS OFF TO THE SIDE AND STAIRS. 395 00:18:44,500 --> 00:18:48,733 SOME OF THE LARGER ONES MIGHT HAVE A PILLAR ON THE INSIDE. 396 00:18:48,767 --> 00:18:52,933 Narrator: BUT TUT'S TOMB HAS ONE GIANT DIFFERENCE -- 397 00:18:52,967 --> 00:18:55,900 HIS HUGE ELABORATE SARCOPHAGUS. 398 00:19:01,100 --> 00:19:02,733 INSIDE THE TOMB STANDS 399 00:19:02,767 --> 00:19:07,533 THE RARE QUARTZITE SARCOPHAGUS OF TUTANKHAMEN. 400 00:19:07,567 --> 00:19:10,133 WITHIN IT LIES THE 7-FOOT COFFIN 401 00:19:10,167 --> 00:19:12,567 WEIGHING OVER A TON 402 00:19:12,600 --> 00:19:14,833 AND GILDED WITH GOLD LEAF. 403 00:19:14,867 --> 00:19:18,233 BUT NESTED INSIDE TWO RUSSIAN DOLL LAYERS... 404 00:19:20,067 --> 00:19:22,800 ...IS A COFFIN OF SOLID GOLD, 405 00:19:22,833 --> 00:19:25,433 DECORATED WITH GEMS. 406 00:19:25,467 --> 00:19:28,467 FINALLY, AT ITS CORE -- 407 00:19:28,500 --> 00:19:31,067 THE MUMMY OF THE BOY KING, 408 00:19:31,100 --> 00:19:33,067 WEARING A GOLDEN DEATH MASK 409 00:19:33,067 --> 00:19:36,300 FOR RECOGNITION IN THE AFTERLIFE. 410 00:19:36,333 --> 00:19:38,767 THIS ROYAL ENTOMBMENT... 411 00:19:40,800 --> 00:19:44,167 ...PROTECTED THE BOY KING'S BODY FOR MILLENNIA. 412 00:19:49,967 --> 00:19:55,900 DON EXPLORES INSIDE AN UNDECORATED PRIVATE TOMB. 413 00:19:55,933 --> 00:19:58,633 HE'S NEVER FOUND A LARGE STONE SARCOPHAGUS 414 00:19:58,667 --> 00:20:00,533 IN ONE OF THESE TOMBS. 415 00:20:00,567 --> 00:20:04,433 Ryan: THE TOMBS OF RULERS HAVE GREAT SARCOPHAGUS, 416 00:20:04,467 --> 00:20:06,333 BUT THESE SMALLER TOMBS, 417 00:20:06,367 --> 00:20:08,233 THE COFFINS CAN BE VERY, VERY NICE, 418 00:20:08,267 --> 00:20:10,967 BUT THEY'RE NOT IN LARGE STONE BOXES 419 00:20:11,000 --> 00:20:14,267 WITH HEAVY STONE LIDS ON THEM. 420 00:20:14,300 --> 00:20:17,167 Narrator: DON IS CONVINCED THAT A SMALL PRIVATE TOMB, 421 00:20:17,200 --> 00:20:18,533 JUST LIKE THIS ONE, 422 00:20:18,567 --> 00:20:23,233 WAS HIJACKED TO HOUSE THE SARCOPHAGUS OF TUTANKHAMEN. 423 00:20:23,267 --> 00:20:27,033 THE TOMB ITSELF WAS PROBABLY NOT INTENDED FOR HIM. 424 00:20:30,100 --> 00:20:33,100 Narrator: INSIDE THE TOMB OF TUTANKHAMEN, 425 00:20:33,133 --> 00:20:37,067 ARCHAEOLOGISTS FIND ANOTHER CLUE. 426 00:20:37,100 --> 00:20:39,600 THEY BELIEVE THAT THIS CHUNK OF ROCK, 427 00:20:39,633 --> 00:20:41,567 CUT FROM ONE OF THE WALLS, 428 00:20:41,600 --> 00:20:44,300 IS EVIDENCE OF A STRING OF BLUNDERS 429 00:20:44,333 --> 00:20:46,633 CAUSED BY CONDUCTING A ROYAL BURIAL 430 00:20:46,667 --> 00:20:50,067 IN A TINY TOMB. 431 00:20:50,100 --> 00:20:53,400 GIANT GILDED PANELS NEEDED TO BE LOWERED INTO THE TOMB 432 00:20:53,433 --> 00:20:54,733 TO FORM A SHRINE, 433 00:20:54,767 --> 00:20:58,200 BUT ARCHAEOLOGISTS SUSPECT THEY WERE TOO BIG, 434 00:20:58,233 --> 00:20:59,767 AND WORKERS HAD TO CUT CHUNKS 435 00:20:59,800 --> 00:21:02,967 OUT OF THE WALL TO SQUEEZE THEM IN. 436 00:21:03,067 --> 00:21:05,533 THERE IS ALSO EVIDENCE THE SARCOPHAGUS LID CRACKED 437 00:21:05,567 --> 00:21:07,300 RIGHT DOWN THE MIDDLE 438 00:21:07,333 --> 00:21:09,067 AND WORKERS HAD TO FILL THE CRACK 439 00:21:09,067 --> 00:21:13,600 WITH GYPSUM PLASTER AND PAINT OVER THE DAMAGE. 440 00:21:13,633 --> 00:21:16,300 THEN, WHEN THE WOODEN COFFIN WAS LAID INSIDE, 441 00:21:16,333 --> 00:21:18,733 IT APPEARS THE LID WOULDN'T CLOSE, 442 00:21:18,767 --> 00:21:21,500 AS WORKERS HAD TO CHOP OFF THE TOES 443 00:21:21,533 --> 00:21:24,933 TO SEAL THE MUMMY INSIDE, 444 00:21:24,967 --> 00:21:26,600 AND FINALLY, WHEN THE TIGHT-FITTING 445 00:21:26,633 --> 00:21:29,200 FLAT PACK PANELS WERE PLACED AROUND THE BODY, 446 00:21:29,233 --> 00:21:32,133 THEY WOULD ONLY HAVE LEFT A FEW INCHES TO SPARE 447 00:21:32,167 --> 00:21:34,200 FOR THE WORKERS TO BACK OUT. 448 00:21:37,533 --> 00:21:40,700 Ryan: MANY PEOPLE BELIEVE THAT THERE'S ANOTHER TOMB 449 00:21:40,733 --> 00:21:42,900 THAT WAS PROBABLY BEING PREPARED FOR HIM, 450 00:21:42,933 --> 00:21:44,500 BUT IT WASN'T READY. IT WASN'T FINISHED, 451 00:21:44,533 --> 00:21:47,333 BUT HERE WAS A TOMB THAT COULD BE PUT TO USE 452 00:21:47,367 --> 00:21:52,567 FOR THE UNEXPECTED BURIAL OF TUTANKHAMEN. 453 00:21:52,600 --> 00:21:54,867 Narrator: IF TUT'S TOMB WASN'T BUILT FOR HIM, 454 00:21:54,900 --> 00:21:57,967 WHO WAS IT BUILT FOR? 455 00:21:58,067 --> 00:22:00,267 IT FITS THE PROFILE 456 00:22:00,300 --> 00:22:02,733 OF A HIGH-STATUS PRIVATE INDIVIDUAL 457 00:22:02,767 --> 00:22:04,400 THAT IS SOMEONE OTHER THAN THE RULER, 458 00:22:04,433 --> 00:22:06,233 MAYBE IT'S A QUEEN. 459 00:22:06,267 --> 00:22:08,833 MAYBE IT'S A PRINCE, PRINCESS, 460 00:22:08,867 --> 00:22:10,567 SOMEONE OBVIOUSLY VERY SPECIAL 461 00:22:10,600 --> 00:22:13,133 BUT NOT THE RULER. 462 00:22:13,167 --> 00:22:15,300 Narrator: WHOEVER THE INTENDED OCCUPANT, 463 00:22:15,333 --> 00:22:20,267 THE TOMB TRANSFORMED THE FATE OF TUTANKHAMEN. 464 00:22:20,300 --> 00:22:24,400 THAT'S BECAUSE SOMETHING ELSE MADE TUT'S TOMB UNIQUE. 465 00:22:24,433 --> 00:22:28,133 IT WAS FOUND IN NEAR-PERFECT CONDITION. 466 00:22:28,167 --> 00:22:29,833 Ryan: ALMOST EVERY ONE OF THESE TOMBS, 467 00:22:29,867 --> 00:22:32,067 WITH A COUPLE OF NOTABLE EXCEPTIONS, 468 00:22:32,100 --> 00:22:34,900 WAS ROBBED IN ANCIENT TIMES, 469 00:22:34,933 --> 00:22:37,267 BUT THE TOMB OF TUTANKHAMEN, 470 00:22:37,300 --> 00:22:39,400 IT WAS FOUND VIRTUALLY INTACT. 471 00:22:41,433 --> 00:22:43,900 ANCIENT LOOTERS STRIPPED MOST OF THESE TOMBS 472 00:22:43,933 --> 00:22:49,600 BARE LONG BEFORE THEY WERE UNCOVERED BY ARCHAEOLOGISTS. 473 00:22:49,633 --> 00:22:51,967 HOW DID TUT'S TOMB ELUDE ROBBERS 474 00:22:52,067 --> 00:22:54,867 FOR OVER 3,000 YEARS? 475 00:23:02,733 --> 00:23:04,667 * 476 00:23:04,700 --> 00:23:06,667 TUTANKHAMEN'S TOMB -- 477 00:23:06,700 --> 00:23:09,067 A SMALL AND MAKESHIFT 478 00:23:09,067 --> 00:23:10,767 BURIAL BUILT FOR A NOBLEMAN, 479 00:23:10,800 --> 00:23:13,433 NOT A KING, 480 00:23:13,467 --> 00:23:15,633 YET, IT REMAINED HIDDEN FOR MILLENNIA. 481 00:23:15,667 --> 00:23:19,800 THE TOMB PROTECTED THE BODY OF TUTANKHAMEN 482 00:23:19,833 --> 00:23:23,067 FOR OVER 3,000 YEARS. 483 00:23:23,100 --> 00:23:25,567 IT EVEN MANAGED TO DEFEND HIS GOLDEN TREASURES 484 00:23:25,600 --> 00:23:29,500 FROM THE VALLEY OF THE KINGS' BIGGEST THREAT -- 485 00:23:29,533 --> 00:23:31,400 GRAVE ROBBERS. 486 00:23:41,600 --> 00:23:44,667 ARCHAEOLOGIST ESSAM SHIHAB UNDERSTANDS THE THREAT 487 00:23:44,700 --> 00:23:47,800 POSED BY THIEVES BETTER THAN MOST. 488 00:23:55,467 --> 00:23:58,633 ESSAM HAS EXPLORED MANY TOMBS IN THE REGION, 489 00:23:58,667 --> 00:24:02,333 BUT THE MUMMIES HE RECOVERS ARE ALWAYS BADLY DAMAGED 490 00:24:02,367 --> 00:24:04,233 AND THEIR TREASURES STOLEN. 491 00:24:19,433 --> 00:24:21,267 THE EGYPTIANS WENT TO GREAT LENGTHS 492 00:24:21,300 --> 00:24:23,300 TO PROTECT THE TOMBS OF THEIR RULERS. 493 00:24:23,333 --> 00:24:27,500 THE TOMB OF TUTANKHAMEN WAS NO DIFFERENT. 494 00:24:27,533 --> 00:24:31,767 A FALSE WALL BLOCKED OFF THE BURIAL CHAMBER, 495 00:24:31,800 --> 00:24:36,300 AND A PLASTERED DOORWAY SEALED THE TOMB ENTRANCE. 496 00:24:36,333 --> 00:24:40,533 IN FRONT OF IT, 40 TONS OF RUBBLE PACKED THE CORRIDOR 497 00:24:40,567 --> 00:24:43,467 FROM FLOOR TO CEILING CREATING A SOLID 498 00:24:43,500 --> 00:24:44,833 25-FOOT BARRICADE. 499 00:24:44,867 --> 00:24:49,500 A THIRD DOORWAY PLUGGED THE ENTRANCE SECURELY SHUT, 500 00:24:49,533 --> 00:24:53,733 STAMPED WITH THE PHARAOH'S SEAL. 501 00:24:53,767 --> 00:24:56,167 THESE THREE SOLID LAYERS OF PROTECTION 502 00:24:56,200 --> 00:24:58,067 WERE THEN BURIED BENEATH CHIPPINGS 503 00:24:58,067 --> 00:25:01,633 TO CAMOUFLAGE THE TOMB IN BARREN VALLEY LANDSCAPE. 504 00:25:04,567 --> 00:25:06,633 WERE THESE DEFENSES THE REASON 505 00:25:06,667 --> 00:25:10,567 THAT TUTANKHAMEN WAS LEFT INTACT? 506 00:25:10,600 --> 00:25:12,900 ESSAM ISN'T SO SURE. 507 00:25:12,933 --> 00:25:15,267 TODAY, HE'S INVESTIGATING OTHER TOMBS 508 00:25:15,300 --> 00:25:17,633 FROM THE ERA OF TUTANKHAMEN 509 00:25:17,667 --> 00:25:20,300 IN THE NEARBY VALLEY OF THE NOBLES. 510 00:25:22,367 --> 00:25:24,633 MOST OF THESE TOMBS HAD SIMILAR DEFENSES 511 00:25:24,667 --> 00:25:26,100 TO TUT'S CHAMBER, 512 00:25:26,133 --> 00:25:28,867 BUT ALL SUFFERED MULTIPLE BREAK-INS. 513 00:25:37,067 --> 00:25:38,467 ESSAM WANTS TO INVESTIGATE 514 00:25:38,500 --> 00:25:40,533 WHY THE LAYERS OF SECURITY FAILED 515 00:25:40,567 --> 00:25:43,133 TO PROTECT THIS TOMB. 516 00:25:43,167 --> 00:25:45,833 HE ALREADY KNOWS THE MOST COMMON WAYS 517 00:25:45,867 --> 00:25:48,100 THIEVES USED TO BREAK IN. 518 00:25:51,167 --> 00:25:52,633 THROUGHOUT THE VALLEY, 519 00:25:52,667 --> 00:25:56,300 THE NECROPOLIS POLICE STOOD GUARD, 520 00:25:56,333 --> 00:25:58,800 BUT AT NIGHT, VISIBILITY WAS POOR, 521 00:25:58,833 --> 00:26:00,467 AND THE TOMBS WERE VULNERABLE. 522 00:26:00,500 --> 00:26:03,933 ROBBERS OFTEN BRIBED THE GUARDS 523 00:26:03,967 --> 00:26:06,800 TO TELL THEM WHERE TO FIND THE ENTRANCES. 524 00:26:06,833 --> 00:26:09,200 THEY COULD THEN TUNNEL THROUGH THE RUBBLE 525 00:26:09,233 --> 00:26:10,867 AND BREAK THE PLASTERED DOORWAYS 526 00:26:10,900 --> 00:26:12,233 TO GET INTO THE TOMB. 527 00:26:14,700 --> 00:26:19,233 LATER TOMBS FEATURED 50-FOOT-DEEP PITS, 528 00:26:19,267 --> 00:26:21,967 BUT THE ROBBERS SMASHED THE FALSE WALLS 529 00:26:22,067 --> 00:26:24,800 AND CLIMBED THROUGH WITH ROPES. 530 00:26:24,833 --> 00:26:28,800 THEY ROBBED ALL THE TREASURES THEY COULD CARRY, 531 00:26:28,833 --> 00:26:31,400 THEN SET FIRE TO THE TOMB 532 00:26:31,433 --> 00:26:35,067 USING THE INFERNO TO EXTRACT THE VALUABLE GOLD LEAF, 533 00:26:37,333 --> 00:26:39,400 BUT AT THE TOMB ESSAM IS EXPLORING, 534 00:26:39,433 --> 00:26:41,967 THINGS WERE A LITTLE DIFFERENT. 535 00:26:42,067 --> 00:26:44,900 HERE, THE MAIN ENTRANCE REMAINED SEALED, 536 00:26:44,933 --> 00:26:46,733 YET THIEVES MANAGED TO STEAL 537 00:26:46,767 --> 00:26:50,733 ALL THE TREASURES HIDDEN INSIDE. 538 00:26:50,767 --> 00:26:52,600 ESSAM IS SEARCHING FOR CLUES 539 00:26:52,633 --> 00:26:54,800 AS TO HOW THE ROBBERS BROKE IN. 540 00:27:10,967 --> 00:27:12,967 EVEN IF THEY COULDN'T FIND THE ENTRANCE, 541 00:27:13,067 --> 00:27:14,433 THE TOMB RAIDERS KNEW 542 00:27:14,467 --> 00:27:16,600 THEY COULD JUST DIG DOWN INTO THE EARTH 543 00:27:16,633 --> 00:27:18,700 AND HOPE TO STRIKE IT RICH. 544 00:27:20,667 --> 00:27:24,167 ESSAM HEAD INSIDE AND FINDS ANOTHER CLUE. 545 00:27:33,767 --> 00:27:35,833 ONCE THEY'D FOUND THE TOMB, 546 00:27:35,867 --> 00:27:37,833 THIEVES SMASHED THROUGH THE WALLS 547 00:27:37,867 --> 00:27:40,633 TO FIND EVERY PIECE OF HIDDEN TREASURE. 548 00:27:55,300 --> 00:27:56,767 IT SEEMS THAT GRAVE ROBBERS 549 00:27:56,800 --> 00:27:59,733 WERE SO GREEDY AND DESPERATE TO GET INSIDE, 550 00:27:59,767 --> 00:28:02,400 NO DEFENSES COULD HOLD THEM BACK. 551 00:28:08,433 --> 00:28:10,700 IT WAS EVEN COMMON FOR TOMB RAIDERS 552 00:28:10,733 --> 00:28:14,767 TO SMASH UP MUMMIES IN THE HOPE OF FINDING VALUABLE JEWELRY. 553 00:28:29,767 --> 00:28:32,300 BROKEN LIMBS, FRACTURED SKULLS, 554 00:28:32,333 --> 00:28:34,700 AND FIRE DAMAGE SHOW HOW FAR 555 00:28:34,733 --> 00:28:36,900 LOOTERS WENT IN THEIR PURSUIT OF TREASURE. 556 00:28:46,333 --> 00:28:49,633 WHATEVER THE ANCIENT EGYPTIANS DID TO PROTECT THEIR TOMBS, 557 00:28:49,667 --> 00:28:51,833 THIEVES WOULD FIND A WAY IN. 558 00:28:54,200 --> 00:28:56,167 SO HOW DID TUTANKHAMEN MANAGE 559 00:28:56,200 --> 00:28:58,067 TO AVOID SUCH BRUTAL TREATMENT 560 00:28:58,100 --> 00:29:00,800 WITH IDENTICAL DEFENSES? 561 00:29:02,867 --> 00:29:04,067 IF THE SEALED DOORS 562 00:29:04,100 --> 00:29:06,433 AND HIDDEN ENTRANCE OF TUTANKHAMEN'S TOMB 563 00:29:06,467 --> 00:29:08,400 DIDN'T KEEP ROBBERS AWAY... 564 00:29:08,433 --> 00:29:10,867 WHAT DID? 565 00:29:10,900 --> 00:29:13,100 NOW NEW DISCOVERIES SUGGEST 566 00:29:13,133 --> 00:29:15,467 THAT A TERRIFYING FORCE OF NATURE 567 00:29:15,500 --> 00:29:18,567 MAY HAVE PROVIDED THE GREATEST DEFENSE OF ALL. 568 00:29:26,933 --> 00:29:29,067 Narrator: THE TOMBS OF THE ANCIENT PHARAOHS 569 00:29:29,100 --> 00:29:32,367 ONCE HELD FORTUNES IN GOLD, 570 00:29:32,400 --> 00:29:35,600 BUT THESE RICHES DIDN'T LAST FOR LONG. 571 00:29:35,633 --> 00:29:37,400 TOMB RAIDERS SMASHED THEIR WAY 572 00:29:37,433 --> 00:29:40,333 INTO NEARLY EVERY CHAMBER IN THE VALLEY, 573 00:29:40,367 --> 00:29:41,767 STRIPPING THEM BARE, 574 00:29:41,800 --> 00:29:46,200 WITH ONE NOTABLE EXCEPTION. 575 00:29:46,233 --> 00:29:49,800 Weeks: THERE ARE 62 TOMBS IN THE EAST VALLEY OF THE KINGS. 576 00:29:49,833 --> 00:29:53,167 TUTANKHAMEN'S IS CERTAINLY THE MOST FAMOUS OF THE BUNCH. 577 00:29:53,200 --> 00:29:55,100 IT WAS ONE OF THE VERY FEW TOMBS, 578 00:29:55,133 --> 00:29:57,233 NOT JUST IN THE VALLEY BUT ANYWHERE IN EGYPT, 579 00:29:57,267 --> 00:29:59,467 THAT WAS INTACT WHEN IT WAS FOUND. 580 00:30:01,533 --> 00:30:03,167 Narrator: EGYPTOLOGIST KENT WEEKS 581 00:30:03,200 --> 00:30:04,700 IS ON THE HUNT FOR CLUES 582 00:30:04,733 --> 00:30:08,733 AS TO WHY TUT'S TOMB REMAINED INTACT. 583 00:30:08,767 --> 00:30:12,133 HE SPOTTED SOMETHING INTERESTING IN PHOTOGRAPHS TAKEN 584 00:30:12,167 --> 00:30:14,333 WHEN THE TOMB WAS FIRST DISCOVERED 585 00:30:14,367 --> 00:30:17,000 BY ARCHAEOLOGIST HOWARD CARTER. 586 00:30:17,033 --> 00:30:18,367 CARTER HAD WORKED FOR MANY YEARS 587 00:30:18,400 --> 00:30:20,800 IN THE VALLEY OF THE KINGS BEFORE BECOMING, 588 00:30:20,833 --> 00:30:22,233 I WOULD SAY, ALMOST FIXATED, 589 00:30:22,267 --> 00:30:23,967 ON THE POSSIBILITY OF THERE BEING A TOMB 590 00:30:24,000 --> 00:30:25,600 BELONGING TO TUTANKHAMEN, 591 00:30:25,633 --> 00:30:28,300 WHO AT THAT TIME, WAS LARGELY UNKNOWN, 592 00:30:28,333 --> 00:30:30,767 EVEN TO EGYPTOLOGISTS. 593 00:30:35,900 --> 00:30:39,533 Narrator: WHEN CARTER'S MEN UNEARTHED THE TOMB, 594 00:30:39,567 --> 00:30:42,567 THEY FOUND IT CRAMMED WITH EARTHLY TREASURE 595 00:30:42,600 --> 00:30:46,133 AND ITEMS THE KING WOULD NEED IN THE AFTERLIFE. 596 00:30:46,167 --> 00:30:48,567 SIX DISMANTLED CHARIOTS, 597 00:30:48,600 --> 00:30:50,233 HIS CHILDHOOD THRONE 598 00:30:50,267 --> 00:30:52,800 AND PROVISIONS OF FOOD AND WINE. 599 00:30:54,900 --> 00:30:56,700 TWO STATUES OF THE BOY KING 600 00:30:56,733 --> 00:31:00,067 STOOD GUARD BY HIS BURIAL CHAMBER. 601 00:31:00,067 --> 00:31:03,067 BEYOND THE FALSE WALL... 602 00:31:03,067 --> 00:31:05,167 A MASSIVE SHRINE FILLED THE ROOM 603 00:31:05,200 --> 00:31:08,900 FROM WALL-TO-WALL WITH THE GLIMMER OF GOLD. 604 00:31:08,933 --> 00:31:10,167 HIDDEN IN THE TREASURY, 605 00:31:10,200 --> 00:31:11,867 THE KING'S INTERNAL ORGANS 606 00:31:11,900 --> 00:31:14,867 LAY MUMMIFIED IN A GOLDEN SHRINE. 607 00:31:14,900 --> 00:31:17,800 THIS TROVE OF GRAVE GOODS WAS LEFT UNTOUCHED 608 00:31:17,833 --> 00:31:20,433 FOR OVER 3,000 YEARS, 609 00:31:20,467 --> 00:31:23,533 ONE OF THE FEW TOMBS IN THE VALLEY TO SURVIVE. 610 00:31:27,333 --> 00:31:30,233 KENT BELIEVES THAT PHOTOS OF CARTER'S EXCAVATION 611 00:31:30,267 --> 00:31:34,567 HOLD A CLUE TO HOW TUTANKHAMEN'S TREASURE WAS KEPT SAFE. 612 00:31:34,600 --> 00:31:37,400 Weeks: THIS IS A PHOTOGRAPH OF CARTER'S WORKMEN. 613 00:31:37,433 --> 00:31:38,600 IT WAS HERE, EVENTUALLY, 614 00:31:38,633 --> 00:31:41,433 THEY WOULD UNCOVER THE TOMB OF TUTANKHAMEN. 615 00:31:41,467 --> 00:31:44,067 IT WAS IN AN AREA WHERE NOBODY HAD EXPECTED ANYTHING, 616 00:31:44,067 --> 00:31:46,167 BUT THAT'S BECAUSE SO MUCH MATERIAL 617 00:31:46,200 --> 00:31:48,833 HAD OBSCURED THE ENTRANCE TO WHAT TURNED OUT TO BE 618 00:31:48,867 --> 00:31:52,833 THE MOST EXCITING DISCOVERY IN THE VALLEY OF THE KINGS. 619 00:31:52,867 --> 00:31:54,667 LOOK AT THE SIZE OF THESE BOULDERS, 620 00:31:54,700 --> 00:31:56,200 THE SIZE OF BASKETBALLS, 621 00:31:56,233 --> 00:32:00,067 SOME OF THEM WEIGHING 50 TO 60 KILOS EACH. 622 00:32:00,100 --> 00:32:01,967 Narrator: KENT BELIEVES THESE BOULDERS WEREN'T 623 00:32:02,067 --> 00:32:04,133 PUT THERE BY THE EGYPTIANS. 624 00:32:06,667 --> 00:32:09,700 TODAY, HE'S LOOKING FOR EVIDENCE OF A NATURAL EVENT 625 00:32:09,733 --> 00:32:11,167 THAT MAY HAVE BURIED TUT'S TOMB 626 00:32:11,200 --> 00:32:13,900 MUCH DEEPER THAN ITS NEIGHBORS. 627 00:32:13,933 --> 00:32:16,233 KENT THINKS A CLUE LIES IN THE GRAFFITI 628 00:32:16,267 --> 00:32:19,967 ON THIS TOWERING CLIFF FACE. 629 00:32:20,067 --> 00:32:22,800 Weeks: WE KNOW OF ABOUT 2,000 GRAFFITI HERE 630 00:32:22,833 --> 00:32:25,400 ON THE HILLSIDE IN THE VALLEY OF THE KINGS, 631 00:32:25,433 --> 00:32:27,667 AND THEY RECORD LITTLE BITS OF EVERYTHING, 632 00:32:27,700 --> 00:32:29,267 AND THESE ARE BRIEF GLIMPSES 633 00:32:29,300 --> 00:32:30,833 OF WHAT LIFE MIGHT HAVE BEEN LIKE 634 00:32:30,867 --> 00:32:33,967 BACK IN ANCIENT DAYS. 635 00:32:34,067 --> 00:32:37,067 Narrator: KENT SCOURS THE CLIFF FOR THE FAINT INSCRIPTION. 636 00:32:39,067 --> 00:32:40,900 MY GOD, IT'S DIFFICULT. 637 00:32:43,567 --> 00:32:45,967 YEAH, THIS IS IT. 638 00:32:46,067 --> 00:32:47,800 JUST... IT LOOKS LIKE NOTHING, 639 00:32:47,833 --> 00:32:51,667 BUT IT IS, IN FACT, A PROPER INSCRIPTION. 640 00:32:51,700 --> 00:32:54,067 THIS IS THE RECORD OF A SCRIBE 641 00:32:54,100 --> 00:32:56,233 WHO BROUGHT THREE OF HIS SONS HERE 642 00:32:56,267 --> 00:32:58,867 TO OBSERVE THE RESULTS OF A FLASH FLOOD. 643 00:33:00,567 --> 00:33:02,400 Narrator: KENT BELIEVES THAT A BIG FLOOD 644 00:33:02,433 --> 00:33:04,067 WOULD HAVE DRAGGED TONS OF BOULDERS 645 00:33:04,067 --> 00:33:06,833 ALONG FOR THE RIDE. 646 00:33:06,867 --> 00:33:09,633 Weeks: PRESUMABLY, THE WATERS WASHED OFF THIS CLIFF, 647 00:33:09,667 --> 00:33:13,067 BRINGING WITH IT, TONS OF FLOOD DEBRIS, 648 00:33:13,100 --> 00:33:15,933 SAND, GRAVEL, LIMESTONE BLOCKS, 649 00:33:15,967 --> 00:33:17,400 SOME OF WHICH YOU CAN SEE DOWN HERE, 650 00:33:17,433 --> 00:33:19,833 WEIGHING A 100 KILOS OR MORE 651 00:33:19,867 --> 00:33:23,967 AND DEPOSITING A VAST AMOUNT OF WATER RIGHT HERE. 652 00:33:24,067 --> 00:33:25,367 AN UNUSUAL ENOUGH EVENT 653 00:33:25,400 --> 00:33:26,900 THAT HE WANTED TO BRING HIS CHILDREN 654 00:33:26,933 --> 00:33:29,467 TO COME AND SEE IT. 655 00:33:32,233 --> 00:33:34,100 Narrator: KENT THINKS THAT A DESERT STORM 656 00:33:34,133 --> 00:33:36,700 MAY HAVE TRIGGERED A FLASH FLOOD, 657 00:33:36,733 --> 00:33:39,167 CASCADING WATER INTO THE VALLEY 658 00:33:39,200 --> 00:33:43,633 AND OVER TUTANKHAMEN'S TOMB. 659 00:33:43,667 --> 00:33:45,467 THE RIVER DUMPED LAYERS OF ROCKS 660 00:33:45,500 --> 00:33:48,467 AND SEDIMENT OVER THE CLOSED ENTRANCE. 661 00:33:48,500 --> 00:33:51,067 WHEN THE HOT EGYPTIAN SUN BAKED THE MUD, 662 00:33:51,067 --> 00:33:55,367 IT SET LIKE CONCRETE, SEALING THE TOMB BENEATH. 663 00:33:55,400 --> 00:33:57,867 YEARS LATER, TOMB BUILDERS 664 00:33:57,900 --> 00:33:59,467 UNWITTINGLY COVERED THE AREA 665 00:33:59,500 --> 00:34:00,800 WITH STONE CHIPPINGS 666 00:34:00,833 --> 00:34:04,833 AND BUILD WORK HUTS ON TOP. 667 00:34:04,867 --> 00:34:08,567 OVER 3,000 YEARS, MORE EARTH PILED OVER, 668 00:34:08,600 --> 00:34:10,667 MAKING TUTANKHAMEN'S TOMB 669 00:34:10,700 --> 00:34:12,967 THE SAFEST IN EGYPT'S HISTORY. 670 00:34:17,933 --> 00:34:19,633 KENT IS CURIOUS TO DISCOVER 671 00:34:19,667 --> 00:34:23,067 WHAT EFFECT A FLASH FLOOD MAY HAVE HAD. 672 00:34:23,100 --> 00:34:25,467 Weeks: WE'VE BEEN TRYING TO FIGURE OUT THE FLOOD PATTERNS 673 00:34:25,500 --> 00:34:27,500 THAT OCCURRED IN DYNASTIC TIMES, 674 00:34:27,533 --> 00:34:29,233 WHERE THE WATER WOULD GO, 675 00:34:29,267 --> 00:34:30,867 HOW MUCH OF IT IS LIKELY TO HIT 676 00:34:30,900 --> 00:34:33,133 IN THE AREA OF TUTANKHAMEN, 677 00:34:33,167 --> 00:34:34,967 BURYING THE ENTRANCE OF THAT TOMB 678 00:34:35,067 --> 00:34:36,933 AND CONCEALING IT. 679 00:34:36,967 --> 00:34:38,167 Narrator: HE MAPS THE VALLEY 680 00:34:38,200 --> 00:34:41,067 TO FIGURE OUT WHERE WATER WOULD FLOW. 681 00:34:41,067 --> 00:34:43,700 Weeks: RIGHT IN THE HEART OF THE VALLEY IS KV-62, 682 00:34:43,733 --> 00:34:45,600 THE TOMB OF TUTANKHAMEN. 683 00:34:45,633 --> 00:34:49,067 IT'S LOCATED IN A VERY CENTRAL POSITION. 684 00:34:49,100 --> 00:34:51,967 IF THERE IS RAINFALL ALMOST ANYWHERE, 685 00:34:52,067 --> 00:34:54,367 THAT WATER IS GOING TO WASH DOWN 686 00:34:54,400 --> 00:34:56,900 INTO THE VALLEY AT CONSIDERABLE SPEED 687 00:34:56,933 --> 00:34:58,900 AND BURYING A LOT OF FLOOD DEBRIS 688 00:34:58,933 --> 00:35:02,467 RIGHT INTO THE ENTRANCE OF THE TOMB. 689 00:35:02,500 --> 00:35:04,800 Narrator: BURIED BENEATH SO MUCH RUBBLE, 690 00:35:04,833 --> 00:35:09,067 TUT'S TOMB WOULD HAVE BEEN ALMOST IMPOSSIBLE TO FIND. 691 00:35:09,067 --> 00:35:10,533 Weeks: WHEN HOWARD CARTER CAME ALONG 692 00:35:10,567 --> 00:35:12,367 TO EXCAVATE THAT AREA, 693 00:35:12,400 --> 00:35:14,067 HE SAW THE WORKMEN'S HUTS, 694 00:35:14,067 --> 00:35:16,133 HE SAW FLOOD DEBRIS BELOW IT 695 00:35:16,167 --> 00:35:20,100 AND DECIDED, INITIALLY, "THERE'S PROBABLY NOTHING HERE," 696 00:35:20,133 --> 00:35:22,333 BUT HE PERSISTED IN HIS EXCAVATIONS. 697 00:35:22,367 --> 00:35:24,300 HE DUG THROUGH A WORKMEN'S VILLAGE, 698 00:35:24,333 --> 00:35:25,967 THROUGH FLOOD DEBRIS, 699 00:35:26,067 --> 00:35:28,067 UNTIL FINALLY, HE DISCOVERED THE TOMB 700 00:35:28,067 --> 00:35:30,400 HE REALLY HAD BEEN LOOKING FOR ALL ALONG. 701 00:35:37,733 --> 00:35:41,067 Narrator: TUTANKHAMEN'S TREASURE WAS PROTECTED BY A FLOOD, 702 00:35:41,067 --> 00:35:42,433 BUT THAT STROKE OF LUCK 703 00:35:42,467 --> 00:35:46,167 STILL DOESN'T ANSWER ALL THE QUESTIONS. 704 00:35:46,200 --> 00:35:49,400 IF EGYPTIANS KNEW THERE WAS A PHARAOH'S FORTUNE HIDDEN 705 00:35:49,433 --> 00:35:51,700 IN THE FLOOD-DAMAGED VALLEY, 706 00:35:51,733 --> 00:35:54,667 WHY DIDN'T THE ANCIENT THIEVES GO LOOKING FOR IT, 707 00:35:54,700 --> 00:35:57,867 JUST LIKE CARTER DID IN THE '20s? 708 00:35:57,900 --> 00:36:00,333 TODAY, NEW RESEARCH IS UNRAVELING 709 00:36:00,367 --> 00:36:02,467 A SORDID TALE OF HIGH POLITICS 710 00:36:02,500 --> 00:36:04,700 AND INTRIGUE 711 00:36:04,733 --> 00:36:07,733 THAT COULD HAVE SAFEGUARDED THE BOY KING'S TOMB 712 00:36:07,767 --> 00:36:10,733 BY ERASING HIM FROM HISTORY. 713 00:36:17,400 --> 00:36:19,067 * 714 00:36:19,067 --> 00:36:22,067 Narrator: THE TOMB OF KING TUTANKHAMEN -- 715 00:36:22,067 --> 00:36:23,633 A FLASH FLOOD CONCEALED 716 00:36:23,667 --> 00:36:25,167 AN UNPRECEDENTED HOARD 717 00:36:25,200 --> 00:36:29,333 OF EGYPTIAN TREASURE THAT MADE TUT WORLD FAMOUS, 718 00:36:29,367 --> 00:36:31,900 BUT A FLOOD MIGHT NOT HAVE BEEN THE ONLY REASON 719 00:36:31,933 --> 00:36:37,367 THAT THE TOMB LAID UNTOUCHED FOR OVER 3,000 YEARS. 720 00:36:37,400 --> 00:36:39,867 TODAY, KENT WEEKS IS CROSSING THE NILE 721 00:36:39,900 --> 00:36:42,967 TO FIND CLUES FOR ANOTHER POSSIBILITY 722 00:36:43,067 --> 00:36:47,133 THAT PERHAPS NOBODY KNEW THE TOMB EXISTED. 723 00:36:47,167 --> 00:36:49,800 HE BELIEVES THE NAME TUTANKHAMEN 724 00:36:49,833 --> 00:36:53,567 COULD HAVE BEEN DELIBERATELY SCRUBBED FROM ANCIENT RECORDS. 725 00:36:53,600 --> 00:36:55,967 NOBODY HAD BEEN LOOKING FOR THE TOMB OF THIS PERSON. 726 00:36:56,067 --> 00:36:58,667 HIS NAME PROBABLY DIDN'T EVEN REGISTER 727 00:36:58,700 --> 00:37:00,067 ON THE LIST OF PHARAOHS 728 00:37:00,100 --> 00:37:03,267 THAT EARLIER EXCAVATORS WERE LOOKING FOR. 729 00:37:03,300 --> 00:37:05,633 BY MOST CRITERION, TUTANKHAMEN WOULD BE 730 00:37:05,667 --> 00:37:07,633 AN UNREMARKABLE, 731 00:37:07,667 --> 00:37:11,067 UNIMPORTANT, ALMOST UNKNOWN PHARAOH. 732 00:37:15,733 --> 00:37:18,100 Narrator: KENT WANTS TO INVESTIGATE INSCRIPTIONS 733 00:37:18,133 --> 00:37:21,200 IN THE VAST TEMPLE COMPLEX AT LUXOR. 734 00:37:25,067 --> 00:37:26,933 ANCIENT LUXOR WAS THE RELIGIOUS 735 00:37:26,967 --> 00:37:29,367 AND POLITICAL CENTER OF THE EGYPTIAN EMPIRE 736 00:37:29,400 --> 00:37:31,233 FOR HUNDREDS OF YEARS. 737 00:37:31,267 --> 00:37:32,700 THE ART ON THE WALLS 738 00:37:32,733 --> 00:37:36,067 REPRESENTS EGYPT'S GREATEST RULERS. 739 00:37:36,067 --> 00:37:38,900 TUTANKHAMEN'S NAME SHOULD BE EVERYWHERE, 740 00:37:38,933 --> 00:37:41,433 BUT IT'S NOT, 741 00:37:41,467 --> 00:37:44,133 AND KENT BELIEVES TUTANKHAMEN'S FATHER, 742 00:37:44,167 --> 00:37:47,667 AKHENATEN, IS TO BLAME. 743 00:37:47,700 --> 00:37:51,067 Weeks: AKHENATEN'S MAJOR CHANGES WERE CLOSING THE TEMPLES 744 00:37:51,067 --> 00:37:53,433 OF VIRTUALLY ALL EGYPTIAN DEITIES. 745 00:37:53,467 --> 00:37:55,133 THE TEMPLES PLAYED A VERY ACTIVE ROLE 746 00:37:55,167 --> 00:37:56,900 IN THE ECONOMY OF EGYPT 747 00:37:56,933 --> 00:37:58,567 AND SO BY CLOSING THE TEMPLES, 748 00:37:58,600 --> 00:38:00,067 HE WAS, IN EFFECT, 749 00:38:00,067 --> 00:38:02,333 GUTTING THE WHOLE FOUNDATION 750 00:38:02,367 --> 00:38:04,700 OF THE EGYPTIAN ECONOMIC STRUCTURE, 751 00:38:04,733 --> 00:38:08,667 SO THIS AFFECTED ALMOST ALL ASPECTS OF EGYPTIAN SOCIETY. 752 00:38:08,700 --> 00:38:12,167 IT ALSO PRESUMABLY PUT A LOT OF PEOPLE OUT OF WORK. 753 00:38:12,200 --> 00:38:15,633 IT WAS A TRAUMATIC TIME. 754 00:38:15,667 --> 00:38:18,667 Narrator: KENT BELIEVES AKHENATEN WAS SO UNPOPULAR 755 00:38:18,700 --> 00:38:20,400 THAT HIS SON, TUTANKHAMEN, 756 00:38:20,433 --> 00:38:22,600 WAS TARRED WITH THE SAME BRUSH 757 00:38:22,633 --> 00:38:25,133 AND HIS NAME WIPED FROM THE TEMPLE. 758 00:38:31,667 --> 00:38:33,767 KENT FINDS EVIDENCE IN A CARVING 759 00:38:33,800 --> 00:38:36,700 OF A FRESH-FACED YOUNG PHARAOH. 760 00:38:36,733 --> 00:38:39,167 Weeks: THIS IS THE BEGINNING OF THE PROCESSION, 761 00:38:39,200 --> 00:38:42,667 UP AT THE TOP, REPRESENTATION OF THE KING. 762 00:38:42,700 --> 00:38:44,200 Narrator: HE BELIEVES THIS FIGURE 763 00:38:44,233 --> 00:38:46,300 CAN ONLY BE KING TUT, 764 00:38:46,333 --> 00:38:49,267 BUT SURPRISINGLY, THE HIEROGLYPHS NEXT 765 00:38:49,300 --> 00:38:52,767 TO THE PICTURE READ A DIFFERENT NAME. 766 00:38:52,800 --> 00:38:54,867 Weeks: HERE HIS NAME, TUTANKHAMEN, 767 00:38:54,900 --> 00:38:58,067 HAS BEEN ERASED AND REPLACED BY HIS SUCCESSOR. 768 00:38:58,067 --> 00:39:01,367 THE NAME IS NOW HOREMHEB. 769 00:39:01,400 --> 00:39:03,067 Narrator: THE CARVING ON THE RIGHT APPEARS 770 00:39:03,100 --> 00:39:05,500 TO BE DEEPER THAN THOSE AROUND IT. 771 00:39:05,533 --> 00:39:07,167 KENT SEES THIS AS EVIDENCE 772 00:39:07,200 --> 00:39:10,067 THAT THE ORIGINAL NAME WAS CHISELED OUT, 773 00:39:10,067 --> 00:39:14,133 AND HOREMHEB'S NAME WAS CARVED IN THE SPACE. 774 00:39:14,167 --> 00:39:15,867 ONE OF THE FIRST THINGS THAT HOREMHEB DID 775 00:39:15,900 --> 00:39:18,600 WHEN HE TOOK OVER THE THRONE FROM YOUNG TUTANKHAMEN 776 00:39:18,633 --> 00:39:21,433 WAS TO TRY TO EXPUNGE FROM THE RECORD 777 00:39:21,467 --> 00:39:25,333 ANY EVIDENCE OF THIS HERETICAL PERIOD. 778 00:39:25,367 --> 00:39:28,633 AKHENATEN AND TUTANKHAMEN WERE SO DISLIKED 779 00:39:28,667 --> 00:39:32,400 THAT HOREMHEB TRIED TO REMOVE ALL TRACE OF THEM. 780 00:39:32,433 --> 00:39:34,933 LATER RULERS, INCLUDING RAMESSES II, 781 00:39:34,967 --> 00:39:37,233 WENT AFTER THIS KIND OF WORK BIG TIME, 782 00:39:37,267 --> 00:39:40,067 ERASING THE NAME OF AKHENATEN AND TUTANKHAMEN 783 00:39:40,067 --> 00:39:42,467 WHENEVER HE FOUND IT. 784 00:39:42,500 --> 00:39:46,200 Narrator: TUTANKHAMEN WAS SCRUBBED FROM THE HISTORY BOOKS, 785 00:39:46,233 --> 00:39:48,567 SO UNTIL HOWARD CARTER CAME ALONG, 786 00:39:48,600 --> 00:39:50,500 NOBODY THOUGHT TO LOOK FOR THE FORGOTTEN 787 00:39:50,533 --> 00:39:53,833 TOMB OF THE FORGOTTEN PHARAOH. 788 00:39:53,867 --> 00:39:57,300 Weeks: IT'S IRONIC IN A WAY THAT THIS YOUNG BOY KING 789 00:39:57,333 --> 00:39:59,067 WHO DIDN'T HAVE ANY AUTHORITY, 790 00:39:59,067 --> 00:40:01,767 WHO PROBABLY WAS SITTING AT HOME PLAYING WITH HIS TOYS, 791 00:40:01,800 --> 00:40:06,200 BECAME ONE OF THE MOST POWERFUL SYMBOLS OF ANCIENT EGYPT. 792 00:40:06,233 --> 00:40:09,433 Narrator: BECAUSE HIS TOMB SURVIVED INTACT, 793 00:40:09,467 --> 00:40:12,700 TUTANKHAMEN WAS RISEN FROM MINOR PHARAOH 794 00:40:12,733 --> 00:40:15,400 TO THE MOST THE MOST FAMOUS OF THEM ALL. 795 00:40:15,433 --> 00:40:18,167 ON TOMB INSCRIPTIONS FROM THE OLD KINGDOM ONWARD, 796 00:40:18,200 --> 00:40:21,133 THERE ARE OFTEN TEXTS THAT SAY, "O, YE TRAVEL, 797 00:40:21,167 --> 00:40:23,933 IF YOU PASS BY THIS TOMB AND SPEAK MY NAME, 798 00:40:23,967 --> 00:40:26,733 I WILL RICHLY REWARD YOU." WHY? 799 00:40:26,767 --> 00:40:28,000 BECAUSE YOU COULD ENSURE 800 00:40:28,033 --> 00:40:30,100 THE ETERNAL LIFE OF AN INDIVIDUAL 801 00:40:30,133 --> 00:40:33,967 SIMPLY BY REPEATING HIS NAME 802 00:40:34,000 --> 00:40:36,400 AND WHO OF ALL THE PHARAOHS IN EGYPT, 803 00:40:36,433 --> 00:40:38,833 HAS HIS NAME REPEATED MORE OFTEN 804 00:40:38,867 --> 00:40:40,700 EVERYDAY BY MILLIONS OF PEOPLE 805 00:40:40,733 --> 00:40:43,367 AROUND THE WORLD THAN TUTANKHAMEN? 806 00:40:43,400 --> 00:40:47,000 TUTANKHAMEN, TUTANKHAMEN. 807 00:40:47,033 --> 00:40:50,300 HE, ABOVE ALL OTHER PHARAOHS, 808 00:40:50,333 --> 00:40:52,733 I THINK, IS GUARANTEED ETERNAL LIFE. 809 00:40:57,233 --> 00:40:59,533 Narrator: WHEN THE BOY KING DIED, 810 00:40:59,567 --> 00:41:01,733 HIS MUMMY WAS RUSHED INTO A TOMB 811 00:41:01,767 --> 00:41:03,733 NEVER MEANT FOR A PHARAOH. 812 00:41:03,767 --> 00:41:06,567 THIS RUSHED JOB, A FLASH FLOOD 813 00:41:06,600 --> 00:41:09,067 AND A FINAL ACT OF TREACHERY TRANSFORMED 814 00:41:09,067 --> 00:41:11,700 A MINOR KING FROM OBSCURITY 815 00:41:11,733 --> 00:41:14,833 INTO A MODERN-DAY LEGEND. 816 00:41:14,867 --> 00:41:16,367 FOR 3,000 YEARS, 817 00:41:16,400 --> 00:41:18,067 HIS MUMMY LAY UNDISTURBED 818 00:41:18,100 --> 00:41:21,400 INSIDE HIS GOLDEN COFFIN, 819 00:41:21,433 --> 00:41:22,633 SURROUNDED BY HOARDS 820 00:41:22,667 --> 00:41:25,167 OF SHIMMERING TREASURES. 821 00:41:25,200 --> 00:41:28,400 HE ALONE HAS STEPPED OVER HIS GREATEST RIVALS 822 00:41:28,433 --> 00:41:29,600 TO ACHIEVE THE GOAL 823 00:41:29,633 --> 00:41:32,600 OF ALL PHARAOHS -- 824 00:41:32,633 --> 00:41:34,300 IMMORTALITY. 825 00:41:34,333 --> 00:41:37,200 * 61436

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