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*
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Narrator:
THE VALLEY OF THE KINGS,
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AN UNDERGROUND MAZE
OF ANCIENT EGYPTIAN TOMBS
4
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CARVED OUT OVER 3,000 YEARS AGO
5
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AND THE FINAL RESTING PLACE
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OF THE FAMED BOY KING,
7
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TUTANKHAMEN.
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WHEN HE FOUND THE TOMB
OF THE KING OF TUT,
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IT WAS FANTASTIC.
10
00:00:20,867 --> 00:00:23,500
AND NO DISCOVERY THEN OR SINCE
11
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HAS EVER HAD THE EXCITEMENT
12
00:00:25,500 --> 00:00:27,367
THAT KING TUT'S DID.
13
00:00:27,400 --> 00:00:29,033
Narrator:
TODAY, TEAMS ARE WORKING
14
00:00:29,067 --> 00:00:31,967
INSIDE TUTANKHAMEN'S TOMB
15
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TO UNEARTH ITS MYSTERIES.
16
00:00:33,967 --> 00:00:36,433
EVEN TODAY,
EVERY TIME WE TURN AROUND
17
00:00:36,467 --> 00:00:39,333
WE FIND MORE QUESTIONS TO ASK.
18
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Narrator: WHY IS THE TOMB
OF TUTANKHAMEN SO UNIQUE,
19
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AND HOW DID IT STAY HIDDEN
FOR OVER 3,000 YEARS?
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TO FIND OUT...
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WE WILL VENTURE INSIDE
THE VALLEY OF THE KINGS.
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BLOWING IT APART,
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WE'LL EXPLORE
ITS HIDDEN CHAMBERS...
24
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AND GOLDEN COFFINS...
25
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TO REVEAL THE SECRETS
26
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AT THE HEART
OF THIS ANCIENT WONDER.
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-- Captions by VITAC --
www.vitac.com
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CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
29
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Narrator: BY THE BANKS
OF THE RIVER NILE,
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HIDDEN IN A LABYRINTH OF ROCK,
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LIES A MONUMENTAL
ANCIENT BURIAL SITE...
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...THE VALLEY OF THE KINGS.
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*
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EXTENDING DEEP BEYOND
GIANT STONE ENTRANCES,
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DOZENS OF SUBTERRANEAN TOMBS
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BECAME THE FINAL RESTING PLACE
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FOR POWERFUL EGYPTIAN PHARAOHS.
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THE VALLEY OF THE KINGS
WAS IN USE
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AS A ROYAL BURIAL PLACE
FOR ABOUT 500 YEARS.
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THE PRIMARY CONCERN
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WAS THAT THE PHARAOH'S BODY
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BE PROTECTED,
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THAT IT COULD SURVIVE,
COULD ENDURE FOR AN ETERNITY.
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Narrator: TODAY,
TEAMS FROM AROUND THE WORLD USE
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THE LATEST SCANNING
AND FORENSIC TECHNOLOGY
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TO UNEARTH THE SECRETS
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OF THESE SUBTERRANEAN CHAMBERS.
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BENEATH THIS VALLEY
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LIE MORE THAN 60 HIDDEN TOMBS
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CARVED DEEP INTO THE ROCK.
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MOST ARE SIMILAR IN DESIGN,
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THEIR SNAKING TUNNELS DESCENDING
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TOWARDS THE UNDERWORLD,
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CREATING A RABBIT WARREN
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OF HUNDREDS OF PAINTED CHAMBERS
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FILLED WITH HIEROGLYPHS
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AND PAINTINGS OF THE AFTERLIFE.
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HIDDEN NEAR THE CENTER
LIES THE TOMB
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OF THE MOST FAMOUS PHARAOH
OF ALL --
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KING TUTANKHAMEN.
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THIS MYSTERIOUS CHAMBER
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IS UNLIKE ANY ROYAL TOMB
IN THE VALLEY
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AND PUZZLES ARCHAEOLOGISTS
TO THIS DAY.
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TUTANKHAMEN'S TOMB LIES
AT THE HEART OF THE VALLEY,
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SURROUNDED BY THE TOMBS
OF THE GREAT PHARAOHS
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THAT CAME BEFORE AND AFTER HIM.
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TODAY, TUTANKHAMEN
IS THE MOST FAMOUS NAME
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OF ALL THESE ANCIENT KINGS,
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BUT DURING HIS LIFETIME,
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HISTORIANS BELIEVE
HE WAS INSIGNIFICANT.
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HE WAS A KID --
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9, 10, 11 YEARS OLD.
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THE LITTLE-KNOWN
RELATIVELY MINOR PHARAOH.
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Narrator: YET,
TUTANKHAMEN'S TOMB
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TRANSFORMED HIS FATE.
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THIS YOUNG BOY KING BECAME
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ONE OF THE MOST POWERFUL SYMBOLS
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IN EGYPTOLOGICAL HISTORY.
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Narrator: KENT WEEKS
HAS SPENT 40 YEARS STUDYING
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THE VALLEY OF THE KINGS.
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KENT AND TEAMS OF ARCHAEOLOGISTS
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ARE WORKING
TO RESOLVE A CRUCIAL MYSTERY.
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*
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HOW DID TUTANKHAMEN'S TOMB
TRANSFORM THE BOY KING
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FROM A MINOR PHARAOH
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TO ONE OF THE MOST
CELEBRATED MEN IN HISTORY?
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00:03:58,433 --> 00:04:00,533
KENT BELIEVES
THE FIRST CLUE LIES
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IN HOW THE TOMBS IN THE VALLEY
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ARE DECORATED.
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HE WANTS TO UNDERSTAND
WHY THE IMAGERY IN TUT'S TOMB
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00:04:07,333 --> 00:04:09,233
IS SO DIFFERENT
TO THOSE BELONGING
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00:04:09,267 --> 00:04:11,900
TO MORE POWERFUL PHARAOHS.
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Weeks: ROYAL TOMBS
IN THE VALLEY OF THE KINGS,
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THEY ALL FOLLOW PRETTY MUCH
THE SAME STANDARD RULES,
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00:04:17,333 --> 00:04:20,433
CONTAIN THE SAME
STANDARDS SCENES,
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00:04:20,467 --> 00:04:21,800
BUT THE TOMB OF TUTANKHAMEN
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IS UNUSUAL.
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Narrator: KENT HEADS
TO A DIFFERENT TOMB BELONGING
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TO THE GREAT KING SETI II
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TO INVESTIGATE HOW ROYAL TOMBS
101
00:04:31,800 --> 00:04:33,533
ARE TRADITIONALLY DECORATED.
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00:04:33,567 --> 00:04:35,333
OKAY,
LET'S DO THE OTHER SIDE.
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*
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INSIDE, HE FORENSICALLY RECORDS
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EVERY SQUARE INCH
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OF THE CARVINGS
ADORNING THE WALLS.
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00:04:43,100 --> 00:04:45,533
MANY OF THESE ARTWORKS
SHOW SCENES
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FROM THE IMPORTANT
RELIGIOUS TEXT,
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"THE BOOK OF THE DEAD."
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Weeks: THEIR PRIMARY OBJECTIVE
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WAS TO ENSURE THE SAFE PASSAGE
OF THE PHARAOH
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FROM THIS LIFE INTO THE NEXT.
113
00:04:56,900 --> 00:04:59,067
THIS WAS A MAJOR CONCERN
TO EGYPTIANS.
114
00:04:59,100 --> 00:05:01,733
WHEN A PHARAOH DIED,
CAN WE BE SURE THE PHARAOH
115
00:05:01,767 --> 00:05:02,967
IS GOING TO HAVE A SAFE JOURNEY
116
00:05:03,067 --> 00:05:04,900
INTO THE AFTERLIFE?
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00:05:04,933 --> 00:05:06,333
ALL OF THE TEXTS,
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00:05:06,367 --> 00:05:08,500
ALL OF THE SCENES
IN THESE TOMBS
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ARE DESIGNED TO SERVE
THOSE SIMPLE FUNCTIONS.
120
00:05:12,067 --> 00:05:14,200
*
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00:05:14,233 --> 00:05:16,400
Narrator:
IN ANCIENT EGYPTIAN BELIEFS,
122
00:05:16,433 --> 00:05:20,167
THE JOURNEY TO THE AFTERLIFE
BEGINS AS THE SUN SETS.
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00:05:20,200 --> 00:05:22,433
THE PHARAOH TAKES
THE ROUTE OF THE SUN
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00:05:22,467 --> 00:05:24,933
AS IT PASSES DOWN
INTO THE UNDERWORLD.
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00:05:26,667 --> 00:05:29,233
ARMED WITH SPELLS
FROM THE WALLS OF THE TOMB,
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00:05:29,267 --> 00:05:31,733
HE FACES MANY CHALLENGES,
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INCLUDING A LAKE OF FIRE
128
00:05:33,833 --> 00:05:36,367
AND GIANT SERPENT.
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00:05:36,400 --> 00:05:40,267
MOST EGYPTIANS WOULD THEN FACE
THE MOST RIGOROUS TEST --
130
00:05:40,300 --> 00:05:44,067
TO HAVE THEIR HEART WEIGHED
AGAINST THE FEATHER OF TRUTH,
131
00:05:44,100 --> 00:05:47,100
BUT THE PHARAOH WAS
THOUGHT TO BE EXEMPT.
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00:05:47,133 --> 00:05:48,933
WHEN HE REACHES THE END,
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00:05:48,967 --> 00:05:52,633
A PARADE OF GODS WELCOMES HIM
TO THE AFTERLIFE.
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00:05:52,667 --> 00:05:55,133
HE IS TRANSFORMED
INTO THE SUN GOD
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00:05:55,167 --> 00:05:57,133
AND THE SUN CAN RISE AGAIN.
136
00:05:59,867 --> 00:06:03,267
WITH THE SPELLS AND PRAYERS
ON THE WALLS OF THE TOMBS
137
00:06:03,300 --> 00:06:05,500
ACTING LIKE A GUIDEBOOK
FOR THE PHARAOH,
138
00:06:05,533 --> 00:06:09,367
THE ANCIENT ENGRAVERS COULDN'T
MAKE A SINGLE MISTAKE.
139
00:06:09,400 --> 00:06:11,100
Weeks: WHEN YOU LOOK
AT THESE RELIEF CARVINGS,
140
00:06:11,133 --> 00:06:12,967
EVEN SOMETHING
AS STRAIGHTFORWARD
141
00:06:13,067 --> 00:06:15,667
AS COLUMNS OF HIEROGLYPHIC TEXT,
142
00:06:15,700 --> 00:06:17,667
THE FIRST THING I THINK
THAT STRIKES A PERSON
143
00:06:17,700 --> 00:06:18,933
IS THE CARE,
144
00:06:18,967 --> 00:06:20,433
THE ATTENTION TO DETAIL.
145
00:06:20,467 --> 00:06:22,300
THE BIRDS ARE
METICULOUSLY SHOWN.
146
00:06:22,333 --> 00:06:24,267
YOU CAN IDENTIFY SPECIES
OF BIRDS
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00:06:24,300 --> 00:06:26,100
FROM THE WAY THEY'RE DEPICTED.
148
00:06:26,133 --> 00:06:28,167
THE CARE IS IMPORTANT
149
00:06:28,200 --> 00:06:32,233
BECAUSE THESE TEXTS
ARE IMPORTANT.
150
00:06:32,267 --> 00:06:33,400
Narrator: MOST ROYAL TOMBS ARE
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JUST AS EXTENSIVELY DECORATED
152
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WITH INCREDIBLE ATTENTION
TO DETAIL,
153
00:06:38,533 --> 00:06:41,867
BUT SURPRISINGLY,
THE TOMB OF TUTANKHAMEN,
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00:06:41,900 --> 00:06:44,067
THE MOST FAMOUS TOMB
IN THE VALLEY,
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00:06:44,067 --> 00:06:45,867
IS FAR LESS IMPRESSIVE.
156
00:06:48,967 --> 00:06:52,700
TUTANKHAMEN'S TOMB IS JUST
FOUR SMALL CHAMBERS,
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EACH NO MORE THAN 14 FEET WIDE.
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AT THE HEART OF THE TOMB
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00:06:58,367 --> 00:07:01,233
IS A SPARSELY DECORATED
BURIAL ROOM
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00:07:01,267 --> 00:07:04,700
MODESTLY PAINTED
AND WITH NO CARVINGS.
161
00:07:04,733 --> 00:07:06,067
HIDDEN IN THE WALLS,
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00:07:06,067 --> 00:07:10,967
MYSTERIOUS NICHES
ONCE HELD SACRED STATUES,
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00:07:11,067 --> 00:07:14,900
USHABTI TO COME TO LIFE
AS THE PHARAOH'S SERVANT
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00:07:14,933 --> 00:07:18,233
AND THE JACKAL GOD
OF THE DEAD, ANUBIS.
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00:07:18,267 --> 00:07:20,067
TUTANKHAMEN'S BURIAL CHAMBER
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00:07:20,067 --> 00:07:22,533
IS FILLED
WITH MAGICAL DECORATION,
167
00:07:22,567 --> 00:07:23,667
BUT BESIDE IT,
168
00:07:23,700 --> 00:07:26,500
THE REST OF THE TOMB
IS LEFT BARE.
169
00:07:26,533 --> 00:07:28,233
THIS SIMPLE TOMB IS UNLIKE
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00:07:28,267 --> 00:07:30,733
ANY OTHER ROYAL TOMB
IN THE VALLEY.
171
00:07:34,500 --> 00:07:35,467
Weeks: ALL OF THESE THINGS
172
00:07:35,500 --> 00:07:37,867
CONSPIRE TO MAKE
TUTANKHAMEN'S TOMB
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00:07:37,900 --> 00:07:39,933
UNLIKE ANY OTHER
IN THE VALLEY OF THE KINGS,
174
00:07:39,967 --> 00:07:41,567
AND WE CAN'T BE SURE WHY.
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00:07:41,600 --> 00:07:43,333
*
176
00:07:45,300 --> 00:07:47,833
Narrator: TODAY,
KENT HAS A RARE OPPORTUNITY
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TO STUDY THE RELIGIOUS TEXT
178
00:07:49,433 --> 00:07:52,200
INSIDE TUTANKHAMEN'S
BURIAL CHAMBER
179
00:07:52,233 --> 00:07:54,600
UP CLOSE.
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00:07:54,633 --> 00:07:57,067
HE SEARCHES FOR CLUES
THAT MIGHT EXPLAIN
181
00:07:57,067 --> 00:07:59,767
WHY THEY'RE NOT AS ELABORATE
AS OTHER PHARAOHS'.
182
00:08:01,667 --> 00:08:04,167
KENT WORKS WITH A TEAM
CAREFULLY CONSERVING
183
00:08:04,200 --> 00:08:07,200
THE DELICATE DECORATION.
184
00:08:07,233 --> 00:08:09,833
LORI WONG HAS FOUND
MYSTERIOUS ANOMALIES
185
00:08:09,867 --> 00:08:12,600
IN THE WAY THE ANCIENT WALLS
HAVE BEEN PAINTED.
186
00:08:12,633 --> 00:08:14,867
Wong: IF WE NOTICE HERE,
THE VERY BASE OF THE WALL,
187
00:08:14,900 --> 00:08:16,700
YOU CAN SEE THAT
THERE'S DRIPS RUNNING DOWN.
188
00:08:16,733 --> 00:08:19,133
THROUGHOUT THIS TOMB,
WE HAVE DRIP MARKS,
189
00:08:19,167 --> 00:08:22,767
SO IT SUGGESTS THIS
VERY FAST FLUID ACTION
190
00:08:22,800 --> 00:08:26,167
IN TERMS OF THE APPLICATION
OF THE PAINTING MATERIALS.
191
00:08:26,200 --> 00:08:27,800
ALSO, WHAT'S REALLY UNUSUAL
192
00:08:27,833 --> 00:08:30,100
IS THAT
IN THIS SMALL BURIAL CHAMBER,
193
00:08:30,133 --> 00:08:33,300
EACH WALL HAS A SLIGHTLY
DIFFERENT PAINTING TECHNIQUE.
194
00:08:33,333 --> 00:08:35,400
IT'S UNUSUAL BECAUSE
ONE WOULD EXPECT,
195
00:08:35,433 --> 00:08:36,633
IN A SMALL CHAMBER,
196
00:08:36,667 --> 00:08:38,400
THAT THE PAINTING TECHNOLOGY
WOULD BE THE SAME
197
00:08:38,433 --> 00:08:41,733
FROM WALL-TO-WALL.
198
00:08:41,767 --> 00:08:43,800
Narrator: KENT HAS FOUND
SOMETHING ELSE STRANGE
199
00:08:43,833 --> 00:08:46,300
ABOUT THE IMAGERY
IN THE CHAMBER.
200
00:08:46,333 --> 00:08:49,067
Weeks: IN OTHER TOMBS,
LONG CORRIDORS WERE FILLED
201
00:08:49,067 --> 00:08:51,233
WITH COLUMN
AFTER COLUMN AFTER COLUMN
202
00:08:51,267 --> 00:08:52,767
OF RELIGIOUS TEXTS.
203
00:08:52,800 --> 00:08:57,667
HERE, WE HAVE JUST A FEW
HIGHLY ABBREVIATED SCENES.
204
00:08:57,700 --> 00:08:59,467
Narrator: KENT HAS
SPOTTED AN ILLUSTRATION
205
00:08:59,500 --> 00:09:02,167
OF THE PHARAOH'S JOURNEY
THROUGH THE UNDERWORLD,
206
00:09:02,200 --> 00:09:04,933
BUT IT'S BEEN
DRAMATICALLY SIMPLIFIED.
207
00:09:04,967 --> 00:09:06,833
Weeks:
WE HAVE 12 BABOONS SHOWN HERE,
208
00:09:06,867 --> 00:09:08,367
EACH IN A RECTANGLE,
209
00:09:08,400 --> 00:09:11,633
EACH OF THE REPRESENTING
ONE OF THE 12 HOURS OF THE NIGHT
210
00:09:11,667 --> 00:09:13,567
THROUGH WHICH
THE DECEASED PHARAOH
211
00:09:13,600 --> 00:09:16,667
HAS TO PASS
TO ACHIEVE IMMORTALITY.
212
00:09:18,733 --> 00:09:21,067
Narrator:
THE KEY SCENES ARE ALL THERE,
213
00:09:21,067 --> 00:09:23,367
BUT THE ARTWORK IS
NOWHERE NEAR AS ELABORATE
214
00:09:23,400 --> 00:09:26,433
AS THE CARVINGS FOUND
IN SETI'S TOMB.
215
00:09:26,467 --> 00:09:28,900
Weeks: THE ABSENCE OF DETAIL
IN THE RELIGIOUS TEXTS
216
00:09:28,933 --> 00:09:32,400
IS UNUSUAL BY ANY STANDARD.
217
00:09:32,433 --> 00:09:34,233
Narrator: KENT BELIEVES
THE DRIP MARKS
218
00:09:34,267 --> 00:09:36,333
AND ABBREVIATED
RELIGIOUS DECORATION
219
00:09:36,367 --> 00:09:38,700
CAN ONLY MEAN ONE THING.
220
00:09:38,733 --> 00:09:41,800
PEOPLE WERE OPERATING
UNDER A TIME CONSTRAINT HERE,
221
00:09:41,833 --> 00:09:44,133
AND THAT ACCOUNTS
FOR A LOT OF THE PAINTING,
222
00:09:44,167 --> 00:09:45,600
THE ABSENCE OF DETAIL
223
00:09:45,633 --> 00:09:47,700
IN THE RELIGIOUS TEXTS
ON THE WALL,
224
00:09:47,733 --> 00:09:49,367
THE HIGHLY ABBREVIATED FORM
225
00:09:49,400 --> 00:09:51,067
OF THE "BOOK OF THE DEAD."
226
00:09:51,067 --> 00:09:52,567
TIME WAS OF THE ESSENCE
227
00:09:52,600 --> 00:09:54,067
FOR WHATEVER REASONS --
228
00:09:54,067 --> 00:09:56,300
POLITICAL, RELIGIOUS,
OR WHAT HAVE YOU.
229
00:09:56,333 --> 00:09:59,600
THEY DID WANT
TO GET IT DONE QUICKLY.
230
00:09:59,633 --> 00:10:04,533
Narrator: SO WHY WERE
THE PAINTERS IN SUCH A RUSH?
231
00:10:04,567 --> 00:10:07,333
TO FIND ANSWERS,
EGYPTOLOGIST BELIEVE
232
00:10:07,367 --> 00:10:09,733
A CLUE LIES IN THE ABNORMAL SIZE
233
00:10:09,767 --> 00:10:11,633
OF TUTANKHAMEN'S TOMB.
234
00:10:13,367 --> 00:10:16,233
CAVERNOUS CHAMBERS
AND LONG-SNAKING TUNNELS
235
00:10:16,267 --> 00:10:17,733
ARE THE HALLMARKS OF ALMOST
236
00:10:17,767 --> 00:10:19,933
ALL OF THE TOMBS IN THE VALLEY,
237
00:10:19,967 --> 00:10:21,800
YET THE TOMB OF TUTANKHAMEN IS
238
00:10:21,833 --> 00:10:24,200
THE SMALLEST OF ALL THE KINGS.
239
00:10:24,233 --> 00:10:27,333
WHY?
240
00:10:34,100 --> 00:10:35,867
*
241
00:10:35,900 --> 00:10:38,100
Narrator:
KING TUTANKHAMEN'S TOMB --
242
00:10:38,133 --> 00:10:40,867
A MAGICAL MACHINE DESIGNED
243
00:10:40,900 --> 00:10:43,800
TO TRANSPORT TUT
INTO THE AFTERLIFE.
244
00:10:46,067 --> 00:10:47,467
BUT IT'S A DWARF
245
00:10:47,500 --> 00:10:49,367
IN A VALLEY FULL OF GIANTS.
246
00:10:51,200 --> 00:10:54,167
MOST PHARAOHS OF EGYPT
HAS COLOSSAL TOMBS
247
00:10:54,200 --> 00:10:56,367
TO MATCH THEIR POWER AND WEALTH.
248
00:11:02,933 --> 00:11:07,167
ONE EXAMPLE
IS THE GRAND TOMB OF SETI I.
249
00:11:07,200 --> 00:11:09,267
A POLISHED MASTERPIECE,
250
00:11:09,300 --> 00:11:11,633
ITS CHAMBERS ARE
INCREDIBLY PRECISE
251
00:11:11,667 --> 00:11:14,133
WITH PERFECTLY ALIGNED
PILLARED HALLS
252
00:11:14,167 --> 00:11:17,767
AND RAISED RELIEF PAINTINGS
CARVED ONTO THE WALLS.
253
00:11:21,500 --> 00:11:25,967
HIDDEN BENEATH KING SETI'S
BURIAL CHAMBER --
254
00:11:26,067 --> 00:11:29,633
A ROCKY CORRIDOR EXTENDS
OVER 300 FEET DOWN
255
00:11:29,667 --> 00:11:31,600
INTO THE BEDROCK,
256
00:11:31,633 --> 00:11:35,700
AS DEEP AS THE GREAT PYRAMID
IS HIGH.
257
00:11:35,733 --> 00:11:39,200
WITH 17 IMMACULATELY
DECORATED CHAMBERS,
258
00:11:39,233 --> 00:11:42,067
THIS VAST BURIAL
IS SIX TIMES LARGER
259
00:11:42,067 --> 00:11:44,167
THAN THE TOMB OF TUTANKHAMEN.
260
00:11:49,800 --> 00:11:52,567
WHY IS TUTANKHAMEN'S TOMB
SO SMALL
261
00:11:52,600 --> 00:11:54,500
WHEN SETI'S COLOSSAL CHAMBERS
262
00:11:54,533 --> 00:11:57,367
ARE SO LARGE?
263
00:11:57,400 --> 00:11:58,667
COULD IT BE THE WORKERS
264
00:11:58,700 --> 00:12:01,833
DIDN'T HAVE ENOUGH TIME
TO BUILD SOMETHING BIGGER?
265
00:12:04,767 --> 00:12:06,667
EGYPTOLOGIST CATHARINE ROEHRIG
266
00:12:06,700 --> 00:12:09,067
BELIEVES THE SHORT LIFE
OF TUTANKHAMEN
267
00:12:09,067 --> 00:12:11,600
MIGHT HOLD THE KEY.
268
00:12:11,633 --> 00:12:13,433
Roehrig: HE WAS
ABOUT 18 WHEN HE DIED,
269
00:12:13,467 --> 00:12:20,067
AND I SUSPECT NO ONE EXPECTED
HIM TO DIE AS A TEENAGER.
270
00:12:20,067 --> 00:12:22,433
Narrator: CATHARINE
AND A TEAM OF STONEMASONS
271
00:12:22,467 --> 00:12:23,967
HAVE JOURNEYED INTO THE DESERT
272
00:12:24,067 --> 00:12:26,333
TO CARVE A TOMB INTO THE CLIFFS.
273
00:12:28,333 --> 00:12:31,967
THEY WANT TO DISCOVER WHETHER
TUTANKHAMEN'S SUDDEN DEATH
274
00:12:32,067 --> 00:12:36,300
MEANT THERE WASN'T ENOUGH TIME
TO BUILD A LARGER TOMB.
275
00:12:36,333 --> 00:12:39,133
Roehrig: IT'S ASSUMED THAT
THEY START BUILDING ROYAL TOMBS
276
00:12:39,167 --> 00:12:41,700
WHEN THE PHARAOH
TAKES THE THORN.
277
00:12:41,733 --> 00:12:44,467
WE THINK TUTANKHAMEN
CAME TO POWER
278
00:12:44,500 --> 00:12:46,067
WHEN HE WAS ABOUT 9 YEARS OLD,
279
00:12:46,100 --> 00:12:50,267
AND WE KNOW HE RULED
FOR ABOUT NINE YEARS.
280
00:12:50,300 --> 00:12:51,767
Narrator: TO TEST THE THEORY,
281
00:12:51,800 --> 00:12:56,333
THE TEAM WANTS TO CARVE
A TOMB INTO THE ROCK.
282
00:12:56,367 --> 00:12:59,833
THEY WILL INVESTIGATE HOW FAR
WORK CAN PROGRESS IN A DAY
283
00:12:59,867 --> 00:13:02,233
TO REVEAL HOW BIG
A TOMB COULD BE
284
00:13:02,267 --> 00:13:05,800
AFTER NINE YEARS
OF CONTINUOUS DIGGING.
285
00:13:05,833 --> 00:13:07,633
THEY LINE UP THE ENTRANCE,
286
00:13:07,667 --> 00:13:09,967
THEN BEGIN TO CARVE.
287
00:13:10,067 --> 00:13:12,867
*
288
00:13:20,700 --> 00:13:25,500
THE WORK IS HARD AND SLOW.
289
00:13:25,533 --> 00:13:26,967
Roehrig: THE ANCIENT EGYPTIANS
COULDN'T HAVE BEEN
290
00:13:27,067 --> 00:13:29,433
MUCH FASTER THAN THIS.
291
00:13:29,467 --> 00:13:32,800
THEY MIGHT HAVE STARTED
WITH BIG STONE HAMMERS.
292
00:13:32,833 --> 00:13:35,933
THEY ALSO,
BY THIS TIME OF TUTANKHAMEN,
293
00:13:35,967 --> 00:13:38,133
HAD BRONZE CHISELS.
294
00:13:45,100 --> 00:13:46,800
Narrator:
CATHARINE ASSESS THE PROGRESS
295
00:13:46,833 --> 00:13:49,167
AFTER A SHIFT OF WORK.
296
00:13:49,200 --> 00:13:50,467
THE WORKMEN HAVE BEEN WORKING
297
00:13:50,500 --> 00:13:52,600
FOR ABOUT THREE HOURS.
298
00:13:52,633 --> 00:13:55,633
THEY'VE MADE A FAIR AMOUNT
OF PROGRESS.
299
00:13:55,667 --> 00:13:57,367
THIS IS ABOUT
WHERE THE CORNER WAS.
300
00:13:57,400 --> 00:13:59,100
YOU CAN SEE THE RED THERE,
301
00:13:59,133 --> 00:14:00,700
AND IN HERE IS, WHAT?
302
00:14:00,733 --> 00:14:04,167
ABOUT 8 INCHES OR SO?
303
00:14:04,200 --> 00:14:06,600
CATHARINE BELIEVES THAT
AT THIS RATE,
304
00:14:06,633 --> 00:14:09,467
KING TUT'S BUILDERS WOULD HAVE
HAD MORE THAN ENOUGH TIME
305
00:14:09,500 --> 00:14:11,567
TO CONSTRUCT A BIGGER TOMB.
306
00:14:11,600 --> 00:14:14,733
ANCIENT EGYPTIAN WORKMEN
PROBABLY WORKED ON THE TOMB
307
00:14:14,767 --> 00:14:16,367
EVERY SINGLE DAY
308
00:14:16,400 --> 00:14:18,367
BECAUSE YOU'D WORK FOR 10 DAYS,
309
00:14:18,400 --> 00:14:19,600
AND THEN ANOTHER CREW
WOULD COME IN.
310
00:14:19,633 --> 00:14:21,100
IT'S NOT LIKE THEY HAD A WEEKEND
311
00:14:21,133 --> 00:14:23,467
WHEN NOBODY DID ANYTHING,
312
00:14:23,500 --> 00:14:25,833
SO SKILLED
ANCIENT EGYPTIAN WORKMEN
313
00:14:25,867 --> 00:14:27,600
ATTACKING A WALL LIKE THIS
314
00:14:27,633 --> 00:14:30,067
COULD HAVE MADE
A GREAT DEAL OF PROGRESS
315
00:14:30,067 --> 00:14:31,633
IN JUST A YEAR.
316
00:14:31,667 --> 00:14:34,100
Narrator: THIS PROGRESS,
SCALED OVER TIME,
317
00:14:34,133 --> 00:14:36,967
WOULD RESULT IN SOMETHING
FAR LARGER THAN TUT'S TOMB
318
00:14:37,067 --> 00:14:39,633
IN JUST A FEW YEARS.
319
00:14:39,667 --> 00:14:41,167
Roehrig: TUTANKHAMEN
REIGNED FOR NINE YEARS,
320
00:14:41,200 --> 00:14:42,767
SO BY RIGHTS,
321
00:14:42,800 --> 00:14:45,900
IF THEY BEGAN THE TOMB
WHEN HE WAS YOUNG,
322
00:14:45,933 --> 00:14:47,867
WHEN HE WAS FIRST ON THE THRONE,
323
00:14:47,900 --> 00:14:49,967
HE COULD HAVE HAD A TOMB
THE SAME SIZE
324
00:14:50,067 --> 00:14:52,733
AS ANY OF HIS PREDECESSORS.
325
00:14:52,767 --> 00:14:55,567
HE SHOULD HAVE HAD A MORE
SPECTACULAR TOMB THAN THAT.
326
00:14:57,600 --> 00:15:00,267
Narrator: IF CONSTRUCTION TIME
ISN'T THE ANSWER,
327
00:15:00,300 --> 00:15:03,533
THEN WHY IS TUT'S TOMB SO SMALL?
328
00:15:03,567 --> 00:15:05,700
IT'S POSSIBLE
THEY HADN'T BEGUN HIS TOMB
329
00:15:05,733 --> 00:15:06,967
BECAUSE HE WAS SO YOUNG.
330
00:15:07,067 --> 00:15:09,500
HE WAS ONLY 9 OR 10
WHEN HE COMES TO THE THRONE,
331
00:15:09,533 --> 00:15:12,333
SO WHY WOULD YOU START A TOMB
FOR SOMEBODY THAT YOUNG?
332
00:15:14,600 --> 00:15:17,267
Narrator: WHEN THE BOY KING
DIED UNEXPECTEDLY,
333
00:15:17,300 --> 00:15:19,133
THE WORKERS MAY HAVE
RUSHED TO CREATE
334
00:15:19,167 --> 00:15:20,967
A MAKESHIFT BURIAL CHAMBER.
335
00:15:26,167 --> 00:15:29,100
ONE THEORY IS,
WHEN TUTANKHAMEN DIED,
336
00:15:29,133 --> 00:15:32,200
HIS TOMB WAS JUST A CORRIDOR.
337
00:15:32,233 --> 00:15:35,133
IT WAS THEN A RACE
AGAINST THE CLOCK TO FINISH IT.
338
00:15:37,300 --> 00:15:41,967
THE CORRIDOR WAS HASTILY
EXTENDED JUST 14 FEET WIDE.
339
00:15:42,067 --> 00:15:45,133
IT WAS THE BARE MINIMUM
TO HOUSE HIS SARCOPHAGUS.
340
00:15:47,067 --> 00:15:48,533
ARTISTS MOVED IN TO PAINT
341
00:15:48,567 --> 00:15:50,600
THE RESURRECTION INSTRUCTIONS.
342
00:15:50,633 --> 00:15:52,967
ONE DREW THE ROUGH
OUTLINES IN RED,
343
00:15:53,067 --> 00:15:55,467
ANOTHER CORRECTED THEM IN BLACK
344
00:15:55,500 --> 00:15:57,133
AND PAINTED THEM WITH COLOR.
345
00:15:59,767 --> 00:16:04,167
WORKERS LOWER TUTANKHAMEN'S
SARCOPHAGUS INTO POSITION
346
00:16:04,200 --> 00:16:06,733
AND THEN SEAL THE TOMB FOREVER.
347
00:16:11,700 --> 00:16:14,267
THE WORKERS HAD
A DEADLINE TO MEET,
348
00:16:14,300 --> 00:16:17,300
ONE THAT COULD NOT BE MISSED.
349
00:16:17,333 --> 00:16:19,967
THEY WOULD HAVE HAD
70 TO 80 DAYS
350
00:16:20,067 --> 00:16:21,167
BETWEEN THE TIME HE DIED
351
00:16:21,200 --> 00:16:23,567
AND THE TIME HIS MUMMIFICATION
WAS FINISHED.
352
00:16:23,600 --> 00:16:26,333
AND WHATEVER THEY WERE DOING...
353
00:16:26,367 --> 00:16:30,100
THEY HAD TO FINISH WHAT
THEY WANTED TO BURY HIM IN
354
00:16:30,133 --> 00:16:32,667
IN THAT AMOUNT OF TIME.
355
00:16:32,700 --> 00:16:35,533
Narrator: WAS THE TINY TOMB
OF TUTANKHAMEN
356
00:16:35,567 --> 00:16:38,700
A POSTPONED RUSH JOB?
357
00:16:38,733 --> 00:16:41,900
IT'S POSSIBLE,
358
00:16:41,933 --> 00:16:43,833
BUT SOME ARCHAEOLOGISTS BELIEVE
359
00:16:43,867 --> 00:16:46,067
THERE'S ANOTHER EXPLANATION.
360
00:16:46,100 --> 00:16:48,800
COULD IT BE
THAT TUTANKHAMEN'S TOMB
361
00:16:48,833 --> 00:16:51,467
WAS BUILT FOR SOMEONE ELSE?
362
00:17:02,367 --> 00:17:04,500
Narrator:
THE VALLEY OF THE KINGS --
363
00:17:04,533 --> 00:17:06,800
THIS ROCKY LANDSCAPE WAS
364
00:17:06,833 --> 00:17:09,100
THE BURIAL PLACE
OF EGYPTIAN PHARAOHS
365
00:17:09,133 --> 00:17:11,200
FOR OVER 500 YEARS,
366
00:17:12,933 --> 00:17:15,067
BUT ENTRANCE
TO THIS VAST GRAVEYARD
367
00:17:15,100 --> 00:17:17,367
WASN'T ONLY RESERVED FOR KINGS.
368
00:17:18,800 --> 00:17:22,433
NON-ROYALS, PRIESTS,
EVEN PETS WERE BURIED HERE,
369
00:17:22,467 --> 00:17:25,967
TOO, IN SMALLER, SIMPLER TOMBS.
370
00:17:26,067 --> 00:17:29,100
COULD TUTANKHAMEN HAVE
ACTUALLY BEEN BURIED IN ONE
371
00:17:29,133 --> 00:17:31,867
OF THESE SO-CALLED
PRIVATE TOMBS,
372
00:17:31,900 --> 00:17:34,500
AND IF HE WAS, WHY?
373
00:17:39,367 --> 00:17:41,800
TODAY, ARCHAEOLOGIST DONALD RYAN
374
00:17:41,833 --> 00:17:43,600
IS DIGGING IN
THE VALLEY OF THE KINGS
375
00:17:43,633 --> 00:17:46,167
TO FIND ANSWERS.
376
00:17:46,200 --> 00:17:48,433
HE THINKS THAT
TUTANKHAMEN'S TOMB
377
00:17:48,467 --> 00:17:50,833
LOOKS SUSPICIOUSLY LIKE
THE PRIVATE TOMBS
378
00:17:50,867 --> 00:17:54,067
THAT HE HAS RECENTLY UNEARTHED.
379
00:17:54,067 --> 00:17:56,667
SO FAR, THESE INAUSPICIOUS TOMBS
380
00:17:56,700 --> 00:17:59,467
HAVE REVEALED SOME
STRIKING SECRETS.
381
00:17:59,500 --> 00:18:03,267
ONE TOMB,
JUST A SHAFT AND A CHAMBER,
382
00:18:03,300 --> 00:18:06,200
WE HAVE 13 SETS OF HUMAN
REMAINS IN IT.
383
00:18:06,233 --> 00:18:09,533
ANOTHER ONE,
WE FOUND MUMMIES OF ANIMALS
384
00:18:09,567 --> 00:18:12,833
INCLUDING A DOG,
MONKEYS, BABOONS.
385
00:18:12,867 --> 00:18:14,833
EVERY ONE OF THEM IS DIFFERENT.
386
00:18:14,867 --> 00:18:18,300
EVERY ONE IS INTERESTING.
387
00:18:18,333 --> 00:18:21,067
Narrator: BUT DON BELIEVES
THERE ARE STRIKING SIMILARITIES
388
00:18:21,067 --> 00:18:24,200
BETWEEN THE SMALL SCALE
OF TUTANKHAMEN'S TOMB
389
00:18:24,233 --> 00:18:26,867
AND THESE SIMPLER
PRIVATE TOMBS.
390
00:18:29,067 --> 00:18:32,167
THERE ARE SEVERAL
DIFFERENT PLANS FOR THEM,
391
00:18:32,200 --> 00:18:35,200
THE SIMPLEST BEING A SHAFT
392
00:18:35,233 --> 00:18:38,533
THAT LEADS TO A SINGLE ROOM.
393
00:18:38,567 --> 00:18:40,667
THERE ARE OTHERS
A LITTLE MORE ELABORATE
394
00:18:40,700 --> 00:18:44,467
WITH ROOMS OFF TO THE SIDE
AND STAIRS.
395
00:18:44,500 --> 00:18:48,733
SOME OF THE LARGER ONES MIGHT
HAVE A PILLAR ON THE INSIDE.
396
00:18:48,767 --> 00:18:52,933
Narrator: BUT TUT'S TOMB
HAS ONE GIANT DIFFERENCE --
397
00:18:52,967 --> 00:18:55,900
HIS HUGE ELABORATE SARCOPHAGUS.
398
00:19:01,100 --> 00:19:02,733
INSIDE THE TOMB STANDS
399
00:19:02,767 --> 00:19:07,533
THE RARE QUARTZITE SARCOPHAGUS
OF TUTANKHAMEN.
400
00:19:07,567 --> 00:19:10,133
WITHIN IT LIES THE 7-FOOT COFFIN
401
00:19:10,167 --> 00:19:12,567
WEIGHING OVER A TON
402
00:19:12,600 --> 00:19:14,833
AND GILDED WITH GOLD LEAF.
403
00:19:14,867 --> 00:19:18,233
BUT NESTED INSIDE
TWO RUSSIAN DOLL LAYERS...
404
00:19:20,067 --> 00:19:22,800
...IS A COFFIN OF SOLID GOLD,
405
00:19:22,833 --> 00:19:25,433
DECORATED WITH GEMS.
406
00:19:25,467 --> 00:19:28,467
FINALLY, AT ITS CORE --
407
00:19:28,500 --> 00:19:31,067
THE MUMMY OF THE BOY KING,
408
00:19:31,100 --> 00:19:33,067
WEARING A GOLDEN DEATH MASK
409
00:19:33,067 --> 00:19:36,300
FOR RECOGNITION
IN THE AFTERLIFE.
410
00:19:36,333 --> 00:19:38,767
THIS ROYAL ENTOMBMENT...
411
00:19:40,800 --> 00:19:44,167
...PROTECTED THE BOY KING'S BODY
FOR MILLENNIA.
412
00:19:49,967 --> 00:19:55,900
DON EXPLORES INSIDE
AN UNDECORATED PRIVATE TOMB.
413
00:19:55,933 --> 00:19:58,633
HE'S NEVER FOUND
A LARGE STONE SARCOPHAGUS
414
00:19:58,667 --> 00:20:00,533
IN ONE OF THESE TOMBS.
415
00:20:00,567 --> 00:20:04,433
Ryan: THE TOMBS OF RULERS
HAVE GREAT SARCOPHAGUS,
416
00:20:04,467 --> 00:20:06,333
BUT THESE SMALLER TOMBS,
417
00:20:06,367 --> 00:20:08,233
THE COFFINS CAN BE VERY,
VERY NICE,
418
00:20:08,267 --> 00:20:10,967
BUT THEY'RE NOT
IN LARGE STONE BOXES
419
00:20:11,000 --> 00:20:14,267
WITH HEAVY STONE LIDS ON THEM.
420
00:20:14,300 --> 00:20:17,167
Narrator: DON IS CONVINCED
THAT A SMALL PRIVATE TOMB,
421
00:20:17,200 --> 00:20:18,533
JUST LIKE THIS ONE,
422
00:20:18,567 --> 00:20:23,233
WAS HIJACKED TO HOUSE
THE SARCOPHAGUS OF TUTANKHAMEN.
423
00:20:23,267 --> 00:20:27,033
THE TOMB ITSELF WAS PROBABLY
NOT INTENDED FOR HIM.
424
00:20:30,100 --> 00:20:33,100
Narrator:
INSIDE THE TOMB OF TUTANKHAMEN,
425
00:20:33,133 --> 00:20:37,067
ARCHAEOLOGISTS FIND
ANOTHER CLUE.
426
00:20:37,100 --> 00:20:39,600
THEY BELIEVE THAT
THIS CHUNK OF ROCK,
427
00:20:39,633 --> 00:20:41,567
CUT FROM ONE OF THE WALLS,
428
00:20:41,600 --> 00:20:44,300
IS EVIDENCE
OF A STRING OF BLUNDERS
429
00:20:44,333 --> 00:20:46,633
CAUSED BY CONDUCTING
A ROYAL BURIAL
430
00:20:46,667 --> 00:20:50,067
IN A TINY TOMB.
431
00:20:50,100 --> 00:20:53,400
GIANT GILDED PANELS NEEDED
TO BE LOWERED INTO THE TOMB
432
00:20:53,433 --> 00:20:54,733
TO FORM A SHRINE,
433
00:20:54,767 --> 00:20:58,200
BUT ARCHAEOLOGISTS SUSPECT
THEY WERE TOO BIG,
434
00:20:58,233 --> 00:20:59,767
AND WORKERS HAD TO CUT CHUNKS
435
00:20:59,800 --> 00:21:02,967
OUT OF THE WALL
TO SQUEEZE THEM IN.
436
00:21:03,067 --> 00:21:05,533
THERE IS ALSO EVIDENCE
THE SARCOPHAGUS LID CRACKED
437
00:21:05,567 --> 00:21:07,300
RIGHT DOWN THE MIDDLE
438
00:21:07,333 --> 00:21:09,067
AND WORKERS HAD
TO FILL THE CRACK
439
00:21:09,067 --> 00:21:13,600
WITH GYPSUM PLASTER
AND PAINT OVER THE DAMAGE.
440
00:21:13,633 --> 00:21:16,300
THEN, WHEN THE WOODEN COFFIN
WAS LAID INSIDE,
441
00:21:16,333 --> 00:21:18,733
IT APPEARS THE LID
WOULDN'T CLOSE,
442
00:21:18,767 --> 00:21:21,500
AS WORKERS HAD
TO CHOP OFF THE TOES
443
00:21:21,533 --> 00:21:24,933
TO SEAL THE MUMMY INSIDE,
444
00:21:24,967 --> 00:21:26,600
AND FINALLY,
WHEN THE TIGHT-FITTING
445
00:21:26,633 --> 00:21:29,200
FLAT PACK PANELS
WERE PLACED AROUND THE BODY,
446
00:21:29,233 --> 00:21:32,133
THEY WOULD ONLY HAVE LEFT
A FEW INCHES TO SPARE
447
00:21:32,167 --> 00:21:34,200
FOR THE WORKERS TO BACK OUT.
448
00:21:37,533 --> 00:21:40,700
Ryan: MANY PEOPLE BELIEVE THAT
THERE'S ANOTHER TOMB
449
00:21:40,733 --> 00:21:42,900
THAT WAS PROBABLY
BEING PREPARED FOR HIM,
450
00:21:42,933 --> 00:21:44,500
BUT IT WASN'T READY.
IT WASN'T FINISHED,
451
00:21:44,533 --> 00:21:47,333
BUT HERE WAS A TOMB
THAT COULD BE PUT TO USE
452
00:21:47,367 --> 00:21:52,567
FOR THE UNEXPECTED BURIAL
OF TUTANKHAMEN.
453
00:21:52,600 --> 00:21:54,867
Narrator: IF TUT'S TOMB
WASN'T BUILT FOR HIM,
454
00:21:54,900 --> 00:21:57,967
WHO WAS IT BUILT FOR?
455
00:21:58,067 --> 00:22:00,267
IT FITS THE PROFILE
456
00:22:00,300 --> 00:22:02,733
OF A HIGH-STATUS
PRIVATE INDIVIDUAL
457
00:22:02,767 --> 00:22:04,400
THAT IS SOMEONE OTHER
THAN THE RULER,
458
00:22:04,433 --> 00:22:06,233
MAYBE IT'S A QUEEN.
459
00:22:06,267 --> 00:22:08,833
MAYBE IT'S A PRINCE, PRINCESS,
460
00:22:08,867 --> 00:22:10,567
SOMEONE OBVIOUSLY VERY SPECIAL
461
00:22:10,600 --> 00:22:13,133
BUT NOT THE RULER.
462
00:22:13,167 --> 00:22:15,300
Narrator: WHOEVER
THE INTENDED OCCUPANT,
463
00:22:15,333 --> 00:22:20,267
THE TOMB TRANSFORMED
THE FATE OF TUTANKHAMEN.
464
00:22:20,300 --> 00:22:24,400
THAT'S BECAUSE SOMETHING ELSE
MADE TUT'S TOMB UNIQUE.
465
00:22:24,433 --> 00:22:28,133
IT WAS FOUND
IN NEAR-PERFECT CONDITION.
466
00:22:28,167 --> 00:22:29,833
Ryan: ALMOST EVERY ONE
OF THESE TOMBS,
467
00:22:29,867 --> 00:22:32,067
WITH A COUPLE
OF NOTABLE EXCEPTIONS,
468
00:22:32,100 --> 00:22:34,900
WAS ROBBED IN ANCIENT TIMES,
469
00:22:34,933 --> 00:22:37,267
BUT THE TOMB OF TUTANKHAMEN,
470
00:22:37,300 --> 00:22:39,400
IT WAS FOUND VIRTUALLY INTACT.
471
00:22:41,433 --> 00:22:43,900
ANCIENT LOOTERS STRIPPED
MOST OF THESE TOMBS
472
00:22:43,933 --> 00:22:49,600
BARE LONG BEFORE THEY WERE
UNCOVERED BY ARCHAEOLOGISTS.
473
00:22:49,633 --> 00:22:51,967
HOW DID TUT'S TOMB ELUDE ROBBERS
474
00:22:52,067 --> 00:22:54,867
FOR OVER 3,000 YEARS?
475
00:23:02,733 --> 00:23:04,667
*
476
00:23:04,700 --> 00:23:06,667
TUTANKHAMEN'S TOMB --
477
00:23:06,700 --> 00:23:09,067
A SMALL AND MAKESHIFT
478
00:23:09,067 --> 00:23:10,767
BURIAL BUILT FOR A NOBLEMAN,
479
00:23:10,800 --> 00:23:13,433
NOT A KING,
480
00:23:13,467 --> 00:23:15,633
YET, IT REMAINED
HIDDEN FOR MILLENNIA.
481
00:23:15,667 --> 00:23:19,800
THE TOMB PROTECTED
THE BODY OF TUTANKHAMEN
482
00:23:19,833 --> 00:23:23,067
FOR OVER 3,000 YEARS.
483
00:23:23,100 --> 00:23:25,567
IT EVEN MANAGED TO DEFEND
HIS GOLDEN TREASURES
484
00:23:25,600 --> 00:23:29,500
FROM THE VALLEY OF THE KINGS'
BIGGEST THREAT --
485
00:23:29,533 --> 00:23:31,400
GRAVE ROBBERS.
486
00:23:41,600 --> 00:23:44,667
ARCHAEOLOGIST ESSAM SHIHAB
UNDERSTANDS THE THREAT
487
00:23:44,700 --> 00:23:47,800
POSED BY THIEVES
BETTER THAN MOST.
488
00:23:55,467 --> 00:23:58,633
ESSAM HAS EXPLORED
MANY TOMBS IN THE REGION,
489
00:23:58,667 --> 00:24:02,333
BUT THE MUMMIES HE RECOVERS
ARE ALWAYS BADLY DAMAGED
490
00:24:02,367 --> 00:24:04,233
AND THEIR TREASURES STOLEN.
491
00:24:19,433 --> 00:24:21,267
THE EGYPTIANS WENT
TO GREAT LENGTHS
492
00:24:21,300 --> 00:24:23,300
TO PROTECT THE TOMBS
OF THEIR RULERS.
493
00:24:23,333 --> 00:24:27,500
THE TOMB OF TUTANKHAMEN
WAS NO DIFFERENT.
494
00:24:27,533 --> 00:24:31,767
A FALSE WALL BLOCKED OFF
THE BURIAL CHAMBER,
495
00:24:31,800 --> 00:24:36,300
AND A PLASTERED DOORWAY
SEALED THE TOMB ENTRANCE.
496
00:24:36,333 --> 00:24:40,533
IN FRONT OF IT, 40 TONS
OF RUBBLE PACKED THE CORRIDOR
497
00:24:40,567 --> 00:24:43,467
FROM FLOOR TO CEILING
CREATING A SOLID
498
00:24:43,500 --> 00:24:44,833
25-FOOT BARRICADE.
499
00:24:44,867 --> 00:24:49,500
A THIRD DOORWAY PLUGGED
THE ENTRANCE SECURELY SHUT,
500
00:24:49,533 --> 00:24:53,733
STAMPED WITH THE PHARAOH'S SEAL.
501
00:24:53,767 --> 00:24:56,167
THESE THREE SOLID LAYERS
OF PROTECTION
502
00:24:56,200 --> 00:24:58,067
WERE THEN BURIED
BENEATH CHIPPINGS
503
00:24:58,067 --> 00:25:01,633
TO CAMOUFLAGE THE TOMB
IN BARREN VALLEY LANDSCAPE.
504
00:25:04,567 --> 00:25:06,633
WERE THESE DEFENSES THE REASON
505
00:25:06,667 --> 00:25:10,567
THAT TUTANKHAMEN
WAS LEFT INTACT?
506
00:25:10,600 --> 00:25:12,900
ESSAM ISN'T SO SURE.
507
00:25:12,933 --> 00:25:15,267
TODAY, HE'S INVESTIGATING
OTHER TOMBS
508
00:25:15,300 --> 00:25:17,633
FROM THE ERA OF TUTANKHAMEN
509
00:25:17,667 --> 00:25:20,300
IN THE NEARBY
VALLEY OF THE NOBLES.
510
00:25:22,367 --> 00:25:24,633
MOST OF THESE TOMBS
HAD SIMILAR DEFENSES
511
00:25:24,667 --> 00:25:26,100
TO TUT'S CHAMBER,
512
00:25:26,133 --> 00:25:28,867
BUT ALL SUFFERED
MULTIPLE BREAK-INS.
513
00:25:37,067 --> 00:25:38,467
ESSAM WANTS TO INVESTIGATE
514
00:25:38,500 --> 00:25:40,533
WHY THE LAYERS
OF SECURITY FAILED
515
00:25:40,567 --> 00:25:43,133
TO PROTECT THIS TOMB.
516
00:25:43,167 --> 00:25:45,833
HE ALREADY KNOWS
THE MOST COMMON WAYS
517
00:25:45,867 --> 00:25:48,100
THIEVES USED TO BREAK IN.
518
00:25:51,167 --> 00:25:52,633
THROUGHOUT THE VALLEY,
519
00:25:52,667 --> 00:25:56,300
THE NECROPOLIS POLICE
STOOD GUARD,
520
00:25:56,333 --> 00:25:58,800
BUT AT NIGHT,
VISIBILITY WAS POOR,
521
00:25:58,833 --> 00:26:00,467
AND THE TOMBS WERE VULNERABLE.
522
00:26:00,500 --> 00:26:03,933
ROBBERS OFTEN BRIBED THE GUARDS
523
00:26:03,967 --> 00:26:06,800
TO TELL THEM
WHERE TO FIND THE ENTRANCES.
524
00:26:06,833 --> 00:26:09,200
THEY COULD THEN TUNNEL
THROUGH THE RUBBLE
525
00:26:09,233 --> 00:26:10,867
AND BREAK THE PLASTERED DOORWAYS
526
00:26:10,900 --> 00:26:12,233
TO GET INTO THE TOMB.
527
00:26:14,700 --> 00:26:19,233
LATER TOMBS FEATURED
50-FOOT-DEEP PITS,
528
00:26:19,267 --> 00:26:21,967
BUT THE ROBBERS
SMASHED THE FALSE WALLS
529
00:26:22,067 --> 00:26:24,800
AND CLIMBED THROUGH WITH ROPES.
530
00:26:24,833 --> 00:26:28,800
THEY ROBBED ALL THE TREASURES
THEY COULD CARRY,
531
00:26:28,833 --> 00:26:31,400
THEN SET FIRE TO THE TOMB
532
00:26:31,433 --> 00:26:35,067
USING THE INFERNO TO EXTRACT
THE VALUABLE GOLD LEAF,
533
00:26:37,333 --> 00:26:39,400
BUT AT THE TOMB ESSAM
IS EXPLORING,
534
00:26:39,433 --> 00:26:41,967
THINGS WERE A LITTLE DIFFERENT.
535
00:26:42,067 --> 00:26:44,900
HERE, THE MAIN ENTRANCE
REMAINED SEALED,
536
00:26:44,933 --> 00:26:46,733
YET THIEVES MANAGED TO STEAL
537
00:26:46,767 --> 00:26:50,733
ALL THE TREASURES HIDDEN INSIDE.
538
00:26:50,767 --> 00:26:52,600
ESSAM IS SEARCHING FOR CLUES
539
00:26:52,633 --> 00:26:54,800
AS TO HOW THE ROBBERS BROKE IN.
540
00:27:10,967 --> 00:27:12,967
EVEN IF THEY COULDN'T
FIND THE ENTRANCE,
541
00:27:13,067 --> 00:27:14,433
THE TOMB RAIDERS KNEW
542
00:27:14,467 --> 00:27:16,600
THEY COULD JUST DIG DOWN
INTO THE EARTH
543
00:27:16,633 --> 00:27:18,700
AND HOPE TO STRIKE IT RICH.
544
00:27:20,667 --> 00:27:24,167
ESSAM HEAD INSIDE
AND FINDS ANOTHER CLUE.
545
00:27:33,767 --> 00:27:35,833
ONCE THEY'D FOUND THE TOMB,
546
00:27:35,867 --> 00:27:37,833
THIEVES SMASHED
THROUGH THE WALLS
547
00:27:37,867 --> 00:27:40,633
TO FIND EVERY PIECE
OF HIDDEN TREASURE.
548
00:27:55,300 --> 00:27:56,767
IT SEEMS THAT GRAVE ROBBERS
549
00:27:56,800 --> 00:27:59,733
WERE SO GREEDY AND DESPERATE
TO GET INSIDE,
550
00:27:59,767 --> 00:28:02,400
NO DEFENSES COULD
HOLD THEM BACK.
551
00:28:08,433 --> 00:28:10,700
IT WAS EVEN COMMON
FOR TOMB RAIDERS
552
00:28:10,733 --> 00:28:14,767
TO SMASH UP MUMMIES IN THE HOPE
OF FINDING VALUABLE JEWELRY.
553
00:28:29,767 --> 00:28:32,300
BROKEN LIMBS, FRACTURED SKULLS,
554
00:28:32,333 --> 00:28:34,700
AND FIRE DAMAGE SHOW HOW FAR
555
00:28:34,733 --> 00:28:36,900
LOOTERS WENT
IN THEIR PURSUIT OF TREASURE.
556
00:28:46,333 --> 00:28:49,633
WHATEVER THE ANCIENT EGYPTIANS
DID TO PROTECT THEIR TOMBS,
557
00:28:49,667 --> 00:28:51,833
THIEVES WOULD FIND A WAY IN.
558
00:28:54,200 --> 00:28:56,167
SO HOW DID TUTANKHAMEN MANAGE
559
00:28:56,200 --> 00:28:58,067
TO AVOID SUCH BRUTAL TREATMENT
560
00:28:58,100 --> 00:29:00,800
WITH IDENTICAL DEFENSES?
561
00:29:02,867 --> 00:29:04,067
IF THE SEALED DOORS
562
00:29:04,100 --> 00:29:06,433
AND HIDDEN ENTRANCE
OF TUTANKHAMEN'S TOMB
563
00:29:06,467 --> 00:29:08,400
DIDN'T KEEP ROBBERS AWAY...
564
00:29:08,433 --> 00:29:10,867
WHAT DID?
565
00:29:10,900 --> 00:29:13,100
NOW NEW DISCOVERIES SUGGEST
566
00:29:13,133 --> 00:29:15,467
THAT A TERRIFYING
FORCE OF NATURE
567
00:29:15,500 --> 00:29:18,567
MAY HAVE PROVIDED
THE GREATEST DEFENSE OF ALL.
568
00:29:26,933 --> 00:29:29,067
Narrator: THE TOMBS
OF THE ANCIENT PHARAOHS
569
00:29:29,100 --> 00:29:32,367
ONCE HELD FORTUNES IN GOLD,
570
00:29:32,400 --> 00:29:35,600
BUT THESE RICHES
DIDN'T LAST FOR LONG.
571
00:29:35,633 --> 00:29:37,400
TOMB RAIDERS SMASHED THEIR WAY
572
00:29:37,433 --> 00:29:40,333
INTO NEARLY EVERY CHAMBER
IN THE VALLEY,
573
00:29:40,367 --> 00:29:41,767
STRIPPING THEM BARE,
574
00:29:41,800 --> 00:29:46,200
WITH ONE NOTABLE EXCEPTION.
575
00:29:46,233 --> 00:29:49,800
Weeks: THERE ARE 62 TOMBS
IN THE EAST VALLEY OF THE KINGS.
576
00:29:49,833 --> 00:29:53,167
TUTANKHAMEN'S IS CERTAINLY
THE MOST FAMOUS OF THE BUNCH.
577
00:29:53,200 --> 00:29:55,100
IT WAS ONE
OF THE VERY FEW TOMBS,
578
00:29:55,133 --> 00:29:57,233
NOT JUST IN THE VALLEY
BUT ANYWHERE IN EGYPT,
579
00:29:57,267 --> 00:29:59,467
THAT WAS INTACT
WHEN IT WAS FOUND.
580
00:30:01,533 --> 00:30:03,167
Narrator:
EGYPTOLOGIST KENT WEEKS
581
00:30:03,200 --> 00:30:04,700
IS ON THE HUNT FOR CLUES
582
00:30:04,733 --> 00:30:08,733
AS TO WHY TUT'S TOMB
REMAINED INTACT.
583
00:30:08,767 --> 00:30:12,133
HE SPOTTED SOMETHING INTERESTING
IN PHOTOGRAPHS TAKEN
584
00:30:12,167 --> 00:30:14,333
WHEN THE TOMB WAS
FIRST DISCOVERED
585
00:30:14,367 --> 00:30:17,000
BY ARCHAEOLOGIST HOWARD CARTER.
586
00:30:17,033 --> 00:30:18,367
CARTER HAD WORKED FOR MANY YEARS
587
00:30:18,400 --> 00:30:20,800
IN THE VALLEY OF THE KINGS
BEFORE BECOMING,
588
00:30:20,833 --> 00:30:22,233
I WOULD SAY, ALMOST FIXATED,
589
00:30:22,267 --> 00:30:23,967
ON THE POSSIBILITY
OF THERE BEING A TOMB
590
00:30:24,000 --> 00:30:25,600
BELONGING TO TUTANKHAMEN,
591
00:30:25,633 --> 00:30:28,300
WHO AT THAT TIME,
WAS LARGELY UNKNOWN,
592
00:30:28,333 --> 00:30:30,767
EVEN TO EGYPTOLOGISTS.
593
00:30:35,900 --> 00:30:39,533
Narrator: WHEN CARTER'S MEN
UNEARTHED THE TOMB,
594
00:30:39,567 --> 00:30:42,567
THEY FOUND IT CRAMMED
WITH EARTHLY TREASURE
595
00:30:42,600 --> 00:30:46,133
AND ITEMS THE KING WOULD NEED
IN THE AFTERLIFE.
596
00:30:46,167 --> 00:30:48,567
SIX DISMANTLED CHARIOTS,
597
00:30:48,600 --> 00:30:50,233
HIS CHILDHOOD THRONE
598
00:30:50,267 --> 00:30:52,800
AND PROVISIONS OF FOOD AND WINE.
599
00:30:54,900 --> 00:30:56,700
TWO STATUES OF THE BOY KING
600
00:30:56,733 --> 00:31:00,067
STOOD GUARD
BY HIS BURIAL CHAMBER.
601
00:31:00,067 --> 00:31:03,067
BEYOND THE FALSE WALL...
602
00:31:03,067 --> 00:31:05,167
A MASSIVE SHRINE FILLED THE ROOM
603
00:31:05,200 --> 00:31:08,900
FROM WALL-TO-WALL
WITH THE GLIMMER OF GOLD.
604
00:31:08,933 --> 00:31:10,167
HIDDEN IN THE TREASURY,
605
00:31:10,200 --> 00:31:11,867
THE KING'S INTERNAL ORGANS
606
00:31:11,900 --> 00:31:14,867
LAY MUMMIFIED
IN A GOLDEN SHRINE.
607
00:31:14,900 --> 00:31:17,800
THIS TROVE OF GRAVE GOODS
WAS LEFT UNTOUCHED
608
00:31:17,833 --> 00:31:20,433
FOR OVER 3,000 YEARS,
609
00:31:20,467 --> 00:31:23,533
ONE OF THE FEW TOMBS
IN THE VALLEY TO SURVIVE.
610
00:31:27,333 --> 00:31:30,233
KENT BELIEVES THAT
PHOTOS OF CARTER'S EXCAVATION
611
00:31:30,267 --> 00:31:34,567
HOLD A CLUE TO HOW TUTANKHAMEN'S
TREASURE WAS KEPT SAFE.
612
00:31:34,600 --> 00:31:37,400
Weeks: THIS IS A PHOTOGRAPH
OF CARTER'S WORKMEN.
613
00:31:37,433 --> 00:31:38,600
IT WAS HERE, EVENTUALLY,
614
00:31:38,633 --> 00:31:41,433
THEY WOULD UNCOVER THE TOMB
OF TUTANKHAMEN.
615
00:31:41,467 --> 00:31:44,067
IT WAS IN AN AREA WHERE NOBODY
HAD EXPECTED ANYTHING,
616
00:31:44,067 --> 00:31:46,167
BUT THAT'S BECAUSE
SO MUCH MATERIAL
617
00:31:46,200 --> 00:31:48,833
HAD OBSCURED THE ENTRANCE
TO WHAT TURNED OUT TO BE
618
00:31:48,867 --> 00:31:52,833
THE MOST EXCITING DISCOVERY
IN THE VALLEY OF THE KINGS.
619
00:31:52,867 --> 00:31:54,667
LOOK AT THE SIZE
OF THESE BOULDERS,
620
00:31:54,700 --> 00:31:56,200
THE SIZE OF BASKETBALLS,
621
00:31:56,233 --> 00:32:00,067
SOME OF THEM WEIGHING
50 TO 60 KILOS EACH.
622
00:32:00,100 --> 00:32:01,967
Narrator: KENT BELIEVES
THESE BOULDERS WEREN'T
623
00:32:02,067 --> 00:32:04,133
PUT THERE BY THE EGYPTIANS.
624
00:32:06,667 --> 00:32:09,700
TODAY, HE'S LOOKING FOR EVIDENCE
OF A NATURAL EVENT
625
00:32:09,733 --> 00:32:11,167
THAT MAY HAVE BURIED TUT'S TOMB
626
00:32:11,200 --> 00:32:13,900
MUCH DEEPER THAN ITS NEIGHBORS.
627
00:32:13,933 --> 00:32:16,233
KENT THINKS A CLUE LIES
IN THE GRAFFITI
628
00:32:16,267 --> 00:32:19,967
ON THIS TOWERING CLIFF FACE.
629
00:32:20,067 --> 00:32:22,800
Weeks: WE KNOW
OF ABOUT 2,000 GRAFFITI HERE
630
00:32:22,833 --> 00:32:25,400
ON THE HILLSIDE
IN THE VALLEY OF THE KINGS,
631
00:32:25,433 --> 00:32:27,667
AND THEY RECORD LITTLE
BITS OF EVERYTHING,
632
00:32:27,700 --> 00:32:29,267
AND THESE ARE BRIEF GLIMPSES
633
00:32:29,300 --> 00:32:30,833
OF WHAT LIFE
MIGHT HAVE BEEN LIKE
634
00:32:30,867 --> 00:32:33,967
BACK IN ANCIENT DAYS.
635
00:32:34,067 --> 00:32:37,067
Narrator: KENT SCOURS THE CLIFF
FOR THE FAINT INSCRIPTION.
636
00:32:39,067 --> 00:32:40,900
MY GOD, IT'S DIFFICULT.
637
00:32:43,567 --> 00:32:45,967
YEAH, THIS IS IT.
638
00:32:46,067 --> 00:32:47,800
JUST...
IT LOOKS LIKE NOTHING,
639
00:32:47,833 --> 00:32:51,667
BUT IT IS, IN FACT,
A PROPER INSCRIPTION.
640
00:32:51,700 --> 00:32:54,067
THIS IS THE RECORD OF A SCRIBE
641
00:32:54,100 --> 00:32:56,233
WHO BROUGHT THREE
OF HIS SONS HERE
642
00:32:56,267 --> 00:32:58,867
TO OBSERVE THE RESULTS
OF A FLASH FLOOD.
643
00:33:00,567 --> 00:33:02,400
Narrator: KENT BELIEVES
THAT A BIG FLOOD
644
00:33:02,433 --> 00:33:04,067
WOULD HAVE DRAGGED
TONS OF BOULDERS
645
00:33:04,067 --> 00:33:06,833
ALONG FOR THE RIDE.
646
00:33:06,867 --> 00:33:09,633
Weeks: PRESUMABLY, THE WATERS
WASHED OFF THIS CLIFF,
647
00:33:09,667 --> 00:33:13,067
BRINGING WITH IT,
TONS OF FLOOD DEBRIS,
648
00:33:13,100 --> 00:33:15,933
SAND, GRAVEL, LIMESTONE BLOCKS,
649
00:33:15,967 --> 00:33:17,400
SOME OF WHICH YOU CAN SEE
DOWN HERE,
650
00:33:17,433 --> 00:33:19,833
WEIGHING A 100 KILOS OR MORE
651
00:33:19,867 --> 00:33:23,967
AND DEPOSITING A VAST AMOUNT
OF WATER RIGHT HERE.
652
00:33:24,067 --> 00:33:25,367
AN UNUSUAL ENOUGH EVENT
653
00:33:25,400 --> 00:33:26,900
THAT HE WANTED
TO BRING HIS CHILDREN
654
00:33:26,933 --> 00:33:29,467
TO COME AND SEE IT.
655
00:33:32,233 --> 00:33:34,100
Narrator: KENT THINKS
THAT A DESERT STORM
656
00:33:34,133 --> 00:33:36,700
MAY HAVE TRIGGERED
A FLASH FLOOD,
657
00:33:36,733 --> 00:33:39,167
CASCADING WATER INTO THE VALLEY
658
00:33:39,200 --> 00:33:43,633
AND OVER TUTANKHAMEN'S TOMB.
659
00:33:43,667 --> 00:33:45,467
THE RIVER DUMPED LAYERS OF ROCKS
660
00:33:45,500 --> 00:33:48,467
AND SEDIMENT OVER
THE CLOSED ENTRANCE.
661
00:33:48,500 --> 00:33:51,067
WHEN THE HOT EGYPTIAN SUN
BAKED THE MUD,
662
00:33:51,067 --> 00:33:55,367
IT SET LIKE CONCRETE,
SEALING THE TOMB BENEATH.
663
00:33:55,400 --> 00:33:57,867
YEARS LATER, TOMB BUILDERS
664
00:33:57,900 --> 00:33:59,467
UNWITTINGLY COVERED THE AREA
665
00:33:59,500 --> 00:34:00,800
WITH STONE CHIPPINGS
666
00:34:00,833 --> 00:34:04,833
AND BUILD WORK HUTS ON TOP.
667
00:34:04,867 --> 00:34:08,567
OVER 3,000 YEARS,
MORE EARTH PILED OVER,
668
00:34:08,600 --> 00:34:10,667
MAKING TUTANKHAMEN'S TOMB
669
00:34:10,700 --> 00:34:12,967
THE SAFEST IN EGYPT'S HISTORY.
670
00:34:17,933 --> 00:34:19,633
KENT IS CURIOUS TO DISCOVER
671
00:34:19,667 --> 00:34:23,067
WHAT EFFECT A FLASH FLOOD
MAY HAVE HAD.
672
00:34:23,100 --> 00:34:25,467
Weeks: WE'VE BEEN TRYING
TO FIGURE OUT THE FLOOD PATTERNS
673
00:34:25,500 --> 00:34:27,500
THAT OCCURRED IN DYNASTIC TIMES,
674
00:34:27,533 --> 00:34:29,233
WHERE THE WATER WOULD GO,
675
00:34:29,267 --> 00:34:30,867
HOW MUCH OF IT
IS LIKELY TO HIT
676
00:34:30,900 --> 00:34:33,133
IN THE AREA OF TUTANKHAMEN,
677
00:34:33,167 --> 00:34:34,967
BURYING THE ENTRANCE
OF THAT TOMB
678
00:34:35,067 --> 00:34:36,933
AND CONCEALING IT.
679
00:34:36,967 --> 00:34:38,167
Narrator: HE MAPS THE VALLEY
680
00:34:38,200 --> 00:34:41,067
TO FIGURE OUT
WHERE WATER WOULD FLOW.
681
00:34:41,067 --> 00:34:43,700
Weeks: RIGHT IN THE HEART
OF THE VALLEY IS KV-62,
682
00:34:43,733 --> 00:34:45,600
THE TOMB OF TUTANKHAMEN.
683
00:34:45,633 --> 00:34:49,067
IT'S LOCATED
IN A VERY CENTRAL POSITION.
684
00:34:49,100 --> 00:34:51,967
IF THERE IS RAINFALL
ALMOST ANYWHERE,
685
00:34:52,067 --> 00:34:54,367
THAT WATER IS GOING TO WASH DOWN
686
00:34:54,400 --> 00:34:56,900
INTO THE VALLEY
AT CONSIDERABLE SPEED
687
00:34:56,933 --> 00:34:58,900
AND BURYING
A LOT OF FLOOD DEBRIS
688
00:34:58,933 --> 00:35:02,467
RIGHT INTO THE ENTRANCE
OF THE TOMB.
689
00:35:02,500 --> 00:35:04,800
Narrator: BURIED BENEATH
SO MUCH RUBBLE,
690
00:35:04,833 --> 00:35:09,067
TUT'S TOMB WOULD HAVE BEEN
ALMOST IMPOSSIBLE TO FIND.
691
00:35:09,067 --> 00:35:10,533
Weeks: WHEN HOWARD CARTER
CAME ALONG
692
00:35:10,567 --> 00:35:12,367
TO EXCAVATE THAT AREA,
693
00:35:12,400 --> 00:35:14,067
HE SAW THE WORKMEN'S HUTS,
694
00:35:14,067 --> 00:35:16,133
HE SAW FLOOD DEBRIS BELOW IT
695
00:35:16,167 --> 00:35:20,100
AND DECIDED, INITIALLY,
"THERE'S PROBABLY NOTHING HERE,"
696
00:35:20,133 --> 00:35:22,333
BUT HE PERSISTED
IN HIS EXCAVATIONS.
697
00:35:22,367 --> 00:35:24,300
HE DUG THROUGH
A WORKMEN'S VILLAGE,
698
00:35:24,333 --> 00:35:25,967
THROUGH FLOOD DEBRIS,
699
00:35:26,067 --> 00:35:28,067
UNTIL FINALLY,
HE DISCOVERED THE TOMB
700
00:35:28,067 --> 00:35:30,400
HE REALLY HAD BEEN
LOOKING FOR ALL ALONG.
701
00:35:37,733 --> 00:35:41,067
Narrator: TUTANKHAMEN'S TREASURE
WAS PROTECTED BY A FLOOD,
702
00:35:41,067 --> 00:35:42,433
BUT THAT STROKE OF LUCK
703
00:35:42,467 --> 00:35:46,167
STILL DOESN'T ANSWER
ALL THE QUESTIONS.
704
00:35:46,200 --> 00:35:49,400
IF EGYPTIANS KNEW THERE WAS
A PHARAOH'S FORTUNE HIDDEN
705
00:35:49,433 --> 00:35:51,700
IN THE FLOOD-DAMAGED VALLEY,
706
00:35:51,733 --> 00:35:54,667
WHY DIDN'T THE ANCIENT THIEVES
GO LOOKING FOR IT,
707
00:35:54,700 --> 00:35:57,867
JUST LIKE CARTER DID
IN THE '20s?
708
00:35:57,900 --> 00:36:00,333
TODAY,
NEW RESEARCH IS UNRAVELING
709
00:36:00,367 --> 00:36:02,467
A SORDID TALE OF HIGH POLITICS
710
00:36:02,500 --> 00:36:04,700
AND INTRIGUE
711
00:36:04,733 --> 00:36:07,733
THAT COULD HAVE SAFEGUARDED
THE BOY KING'S TOMB
712
00:36:07,767 --> 00:36:10,733
BY ERASING HIM FROM HISTORY.
713
00:36:17,400 --> 00:36:19,067
*
714
00:36:19,067 --> 00:36:22,067
Narrator: THE TOMB
OF KING TUTANKHAMEN --
715
00:36:22,067 --> 00:36:23,633
A FLASH FLOOD CONCEALED
716
00:36:23,667 --> 00:36:25,167
AN UNPRECEDENTED HOARD
717
00:36:25,200 --> 00:36:29,333
OF EGYPTIAN TREASURE
THAT MADE TUT WORLD FAMOUS,
718
00:36:29,367 --> 00:36:31,900
BUT A FLOOD MIGHT NOT HAVE
BEEN THE ONLY REASON
719
00:36:31,933 --> 00:36:37,367
THAT THE TOMB LAID UNTOUCHED
FOR OVER 3,000 YEARS.
720
00:36:37,400 --> 00:36:39,867
TODAY, KENT WEEKS
IS CROSSING THE NILE
721
00:36:39,900 --> 00:36:42,967
TO FIND CLUES
FOR ANOTHER POSSIBILITY
722
00:36:43,067 --> 00:36:47,133
THAT PERHAPS NOBODY
KNEW THE TOMB EXISTED.
723
00:36:47,167 --> 00:36:49,800
HE BELIEVES THE NAME TUTANKHAMEN
724
00:36:49,833 --> 00:36:53,567
COULD HAVE BEEN DELIBERATELY
SCRUBBED FROM ANCIENT RECORDS.
725
00:36:53,600 --> 00:36:55,967
NOBODY HAD BEEN LOOKING
FOR THE TOMB OF THIS PERSON.
726
00:36:56,067 --> 00:36:58,667
HIS NAME PROBABLY
DIDN'T EVEN REGISTER
727
00:36:58,700 --> 00:37:00,067
ON THE LIST OF PHARAOHS
728
00:37:00,100 --> 00:37:03,267
THAT EARLIER EXCAVATORS
WERE LOOKING FOR.
729
00:37:03,300 --> 00:37:05,633
BY MOST CRITERION,
TUTANKHAMEN WOULD BE
730
00:37:05,667 --> 00:37:07,633
AN UNREMARKABLE,
731
00:37:07,667 --> 00:37:11,067
UNIMPORTANT,
ALMOST UNKNOWN PHARAOH.
732
00:37:15,733 --> 00:37:18,100
Narrator: KENT WANTS
TO INVESTIGATE INSCRIPTIONS
733
00:37:18,133 --> 00:37:21,200
IN THE VAST TEMPLE COMPLEX
AT LUXOR.
734
00:37:25,067 --> 00:37:26,933
ANCIENT LUXOR WAS THE RELIGIOUS
735
00:37:26,967 --> 00:37:29,367
AND POLITICAL CENTER
OF THE EGYPTIAN EMPIRE
736
00:37:29,400 --> 00:37:31,233
FOR HUNDREDS OF YEARS.
737
00:37:31,267 --> 00:37:32,700
THE ART ON THE WALLS
738
00:37:32,733 --> 00:37:36,067
REPRESENTS EGYPT'S
GREATEST RULERS.
739
00:37:36,067 --> 00:37:38,900
TUTANKHAMEN'S NAME SHOULD
BE EVERYWHERE,
740
00:37:38,933 --> 00:37:41,433
BUT IT'S NOT,
741
00:37:41,467 --> 00:37:44,133
AND KENT BELIEVES
TUTANKHAMEN'S FATHER,
742
00:37:44,167 --> 00:37:47,667
AKHENATEN, IS TO BLAME.
743
00:37:47,700 --> 00:37:51,067
Weeks: AKHENATEN'S MAJOR CHANGES
WERE CLOSING THE TEMPLES
744
00:37:51,067 --> 00:37:53,433
OF VIRTUALLY
ALL EGYPTIAN DEITIES.
745
00:37:53,467 --> 00:37:55,133
THE TEMPLES PLAYED
A VERY ACTIVE ROLE
746
00:37:55,167 --> 00:37:56,900
IN THE ECONOMY OF EGYPT
747
00:37:56,933 --> 00:37:58,567
AND SO BY CLOSING THE TEMPLES,
748
00:37:58,600 --> 00:38:00,067
HE WAS, IN EFFECT,
749
00:38:00,067 --> 00:38:02,333
GUTTING THE WHOLE FOUNDATION
750
00:38:02,367 --> 00:38:04,700
OF THE EGYPTIAN
ECONOMIC STRUCTURE,
751
00:38:04,733 --> 00:38:08,667
SO THIS AFFECTED ALMOST
ALL ASPECTS OF EGYPTIAN SOCIETY.
752
00:38:08,700 --> 00:38:12,167
IT ALSO PRESUMABLY PUT A LOT
OF PEOPLE OUT OF WORK.
753
00:38:12,200 --> 00:38:15,633
IT WAS A TRAUMATIC TIME.
754
00:38:15,667 --> 00:38:18,667
Narrator: KENT BELIEVES
AKHENATEN WAS SO UNPOPULAR
755
00:38:18,700 --> 00:38:20,400
THAT HIS SON, TUTANKHAMEN,
756
00:38:20,433 --> 00:38:22,600
WAS TARRED WITH THE SAME BRUSH
757
00:38:22,633 --> 00:38:25,133
AND HIS NAME WIPED
FROM THE TEMPLE.
758
00:38:31,667 --> 00:38:33,767
KENT FINDS EVIDENCE IN A CARVING
759
00:38:33,800 --> 00:38:36,700
OF A FRESH-FACED YOUNG PHARAOH.
760
00:38:36,733 --> 00:38:39,167
Weeks: THIS IS THE BEGINNING
OF THE PROCESSION,
761
00:38:39,200 --> 00:38:42,667
UP AT THE TOP,
REPRESENTATION OF THE KING.
762
00:38:42,700 --> 00:38:44,200
Narrator:
HE BELIEVES THIS FIGURE
763
00:38:44,233 --> 00:38:46,300
CAN ONLY BE KING TUT,
764
00:38:46,333 --> 00:38:49,267
BUT SURPRISINGLY,
THE HIEROGLYPHS NEXT
765
00:38:49,300 --> 00:38:52,767
TO THE PICTURE
READ A DIFFERENT NAME.
766
00:38:52,800 --> 00:38:54,867
Weeks: HERE HIS NAME,
TUTANKHAMEN,
767
00:38:54,900 --> 00:38:58,067
HAS BEEN ERASED AND REPLACED
BY HIS SUCCESSOR.
768
00:38:58,067 --> 00:39:01,367
THE NAME IS NOW HOREMHEB.
769
00:39:01,400 --> 00:39:03,067
Narrator: THE CARVING
ON THE RIGHT APPEARS
770
00:39:03,100 --> 00:39:05,500
TO BE DEEPER
THAN THOSE AROUND IT.
771
00:39:05,533 --> 00:39:07,167
KENT SEES THIS AS EVIDENCE
772
00:39:07,200 --> 00:39:10,067
THAT THE ORIGINAL NAME
WAS CHISELED OUT,
773
00:39:10,067 --> 00:39:14,133
AND HOREMHEB'S NAME
WAS CARVED IN THE SPACE.
774
00:39:14,167 --> 00:39:15,867
ONE OF THE FIRST THINGS
THAT HOREMHEB DID
775
00:39:15,900 --> 00:39:18,600
WHEN HE TOOK OVER THE THRONE
FROM YOUNG TUTANKHAMEN
776
00:39:18,633 --> 00:39:21,433
WAS TO TRY TO EXPUNGE
FROM THE RECORD
777
00:39:21,467 --> 00:39:25,333
ANY EVIDENCE OF THIS
HERETICAL PERIOD.
778
00:39:25,367 --> 00:39:28,633
AKHENATEN AND TUTANKHAMEN
WERE SO DISLIKED
779
00:39:28,667 --> 00:39:32,400
THAT HOREMHEB TRIED TO REMOVE
ALL TRACE OF THEM.
780
00:39:32,433 --> 00:39:34,933
LATER RULERS,
INCLUDING RAMESSES II,
781
00:39:34,967 --> 00:39:37,233
WENT AFTER THIS KIND
OF WORK BIG TIME,
782
00:39:37,267 --> 00:39:40,067
ERASING THE NAME
OF AKHENATEN AND TUTANKHAMEN
783
00:39:40,067 --> 00:39:42,467
WHENEVER HE FOUND IT.
784
00:39:42,500 --> 00:39:46,200
Narrator: TUTANKHAMEN WAS
SCRUBBED FROM THE HISTORY BOOKS,
785
00:39:46,233 --> 00:39:48,567
SO UNTIL HOWARD CARTER
CAME ALONG,
786
00:39:48,600 --> 00:39:50,500
NOBODY THOUGHT TO LOOK
FOR THE FORGOTTEN
787
00:39:50,533 --> 00:39:53,833
TOMB OF THE FORGOTTEN PHARAOH.
788
00:39:53,867 --> 00:39:57,300
Weeks: IT'S IRONIC IN A WAY
THAT THIS YOUNG BOY KING
789
00:39:57,333 --> 00:39:59,067
WHO DIDN'T HAVE ANY AUTHORITY,
790
00:39:59,067 --> 00:40:01,767
WHO PROBABLY WAS SITTING AT HOME
PLAYING WITH HIS TOYS,
791
00:40:01,800 --> 00:40:06,200
BECAME ONE OF THE MOST POWERFUL
SYMBOLS OF ANCIENT EGYPT.
792
00:40:06,233 --> 00:40:09,433
Narrator: BECAUSE HIS TOMB
SURVIVED INTACT,
793
00:40:09,467 --> 00:40:12,700
TUTANKHAMEN WAS RISEN
FROM MINOR PHARAOH
794
00:40:12,733 --> 00:40:15,400
TO THE MOST THE MOST
FAMOUS OF THEM ALL.
795
00:40:15,433 --> 00:40:18,167
ON TOMB INSCRIPTIONS
FROM THE OLD KINGDOM ONWARD,
796
00:40:18,200 --> 00:40:21,133
THERE ARE OFTEN TEXTS THAT SAY,
"O, YE TRAVEL,
797
00:40:21,167 --> 00:40:23,933
IF YOU PASS BY THIS TOMB
AND SPEAK MY NAME,
798
00:40:23,967 --> 00:40:26,733
I WILL RICHLY REWARD YOU."
WHY?
799
00:40:26,767 --> 00:40:28,000
BECAUSE YOU COULD ENSURE
800
00:40:28,033 --> 00:40:30,100
THE ETERNAL LIFE
OF AN INDIVIDUAL
801
00:40:30,133 --> 00:40:33,967
SIMPLY BY REPEATING HIS NAME
802
00:40:34,000 --> 00:40:36,400
AND WHO OF ALL
THE PHARAOHS IN EGYPT,
803
00:40:36,433 --> 00:40:38,833
HAS HIS NAME REPEATED MORE OFTEN
804
00:40:38,867 --> 00:40:40,700
EVERYDAY BY MILLIONS OF PEOPLE
805
00:40:40,733 --> 00:40:43,367
AROUND THE WORLD
THAN TUTANKHAMEN?
806
00:40:43,400 --> 00:40:47,000
TUTANKHAMEN, TUTANKHAMEN.
807
00:40:47,033 --> 00:40:50,300
HE, ABOVE ALL OTHER PHARAOHS,
808
00:40:50,333 --> 00:40:52,733
I THINK,
IS GUARANTEED ETERNAL LIFE.
809
00:40:57,233 --> 00:40:59,533
Narrator:
WHEN THE BOY KING DIED,
810
00:40:59,567 --> 00:41:01,733
HIS MUMMY WAS RUSHED INTO A TOMB
811
00:41:01,767 --> 00:41:03,733
NEVER MEANT FOR A PHARAOH.
812
00:41:03,767 --> 00:41:06,567
THIS RUSHED JOB, A FLASH FLOOD
813
00:41:06,600 --> 00:41:09,067
AND A FINAL ACT
OF TREACHERY TRANSFORMED
814
00:41:09,067 --> 00:41:11,700
A MINOR KING FROM OBSCURITY
815
00:41:11,733 --> 00:41:14,833
INTO A MODERN-DAY LEGEND.
816
00:41:14,867 --> 00:41:16,367
FOR 3,000 YEARS,
817
00:41:16,400 --> 00:41:18,067
HIS MUMMY LAY UNDISTURBED
818
00:41:18,100 --> 00:41:21,400
INSIDE HIS GOLDEN COFFIN,
819
00:41:21,433 --> 00:41:22,633
SURROUNDED BY HOARDS
820
00:41:22,667 --> 00:41:25,167
OF SHIMMERING TREASURES.
821
00:41:25,200 --> 00:41:28,400
HE ALONE HAS STEPPED
OVER HIS GREATEST RIVALS
822
00:41:28,433 --> 00:41:29,600
TO ACHIEVE THE GOAL
823
00:41:29,633 --> 00:41:32,600
OF ALL PHARAOHS --
824
00:41:32,633 --> 00:41:34,300
IMMORTALITY.
825
00:41:34,333 --> 00:41:37,200
*
61436
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