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Downloaded from YTS.MX
Official YIFY movies site: YTS.MX
* FEEL THE VIBE FEEL THE TERROR FEEL THE PAIN *
* IT'S DRIVING ME INSANE
* I CAN'T THINK, FOR GOD'S SAKES *
* WHY AM I DRIVING IN THE WRONG LANE *
[ Indistinct ]
* TROUBLE IS MY MIDDLE NAME
* BUT IN THE END, I'M NOT TOO BAD *
* CAN SOMEONE TELL ME IF IT'S WRONG TO BE SO MAD *
* ABOUT YOU
* MAD ABOUT YOU
* MAD
* I KNEW THE FISHY WINE WOULD GIVE ME A HEADACHE *
* IN THE MORNING
* I CHOOSE TO DOG THE LAND MINE *
* THAT WILL EXPLODE WITHOUT A DECENT WARNING *
* GIVE ME ALL YOUR TRUE EMOTIONS LATER IN OUR BED *
[ Car Horn Honking ] HEY, BOYS.
* ABOUT YOU
* MAD
* ABOUT YOU SORRY.
* MAD ABOUT YOU
* MAD ABOUT YOU
* MAD ABOUT YOU
* MAD ABOUT YOU *
[ Man Narrating ] I CAME INTO THIS WORLD OUT OF LUCK,
AND WE ALL KNOW A MAN NEEDS LUCK.
BECOMING A SHERIFF WAS THE FIRST GOOD THING
TO COME MY WAY--
A PRETTY LAID-BACK JOB JUST OUTSIDE
OF COLBY UNIVERSITY IN NORTH CAROLINA,
THE UNIVERSITY BEING THE PRIMARY MONEY TREE
AND ACADEMIC PLAYGROUND...
FOR THE OFFSPRING OF THE RICH AND POWERFUL.
NOTHING THAT REQUIRED ANY REAL POLICE WORK.
MOSTLY FRAT PARTIES, NOISE COMPLAINTS
AND AN OCCASIONAL DUI.
AT LEAST THAT'S THE WAY IT WAS
UNTIL I GOT THAT CALL FROM DEAN COMYN.
WE'VE HAD A LITTLE TROUBLE WITH ONE OF OUR STUDENTS HERE.
OVERDOSE.
ISN'T THAT A MEDICAL PROBLEM ?
HER MOTHER SEEMS TO FEEL THAT IT'S CRIMINAL.
I'M SURE YOU CAN UNDERSTAND OUR POSITION HERE.
THIS THING DOES HAVE TO BE INVESTIGATED.
SENSITIVELY.
DELICATELY.
RIGHT. LIKE OLD SHERIFF PERKINS WOULD HAVE DONE.
[ Laughing ] WELL.
I'M SURE THAT WHEN THE TIME COMES FOR THE TOWN COUNCIL...
TO NAME A PERMANENT REPLACEMENT,
I'LL BE ABLE TO REPORT WHAT A FINE JOB
YOU HAVE DONE AS ACTING SHERIFF...
FOR US.
YOU GODDAMNED RICH GIRLS. YOU THINK YOU OWN THE WORLD.
'CAUSE WHENEVER YOU MESS UP, YOUR DADDY JUST WRITES A CHECK.
WE DIDN'T DO ANYTHING TO YOUR DAUGHTER.
IT WAS AN ACCIDENT, MRS. CAMPBELL.
YOU THINK I DON'T KNOW WHAT HAPPENED ?
YOU THINK I DON'T KNOW WHAT YOU DID ?
ALL RIGHT. THAT'S ENOUGH.
THIS BITCH TRIED TO KILL MY DAUGHTER.
SHE'S LYING IN THE HOSPITAL.
SHE CAN'T TALK. SHE CAN'T MOVE.
SHE CAN'T EVEN OPEN HER LITTLE EYES.
[ Sheriff ] ALICIA'S HER ONLY CHILD, SO--
BUT SHE'S ACTING LIKE IT'S ALL OUR FAULT.
SHE WAS OUR FRIEND.
YOU DON'T KNOW HOW SORRY WE ARE.
OKAY, WELL--
WHY DON'T Y'ALL JUST TELL ME WHAT, UH,
WHAT HAPPENED.
WE WERE HAVING A PARTY,
AND ALICIA WAS DRINKING.
SHE WAS SO LOADED.
SHE WANTED TO GET HIGH.
OOPS. IT'S--
IT'S ALL RIGHT. I AIN'T GOING TO BUST Y'ALL.
I JUST WANT TO KNOW WHAT WENT DOWN.
LIKE I WAS SAYING, SHE WANTED TO DO SOME COKE.
[ Woman ] AND, UM,
I REMEMBER HEARING SOMEONE DOWNSTAIRS
MAKING A LOT OF NOISE.
SHE WAS JONESIN',
AND SHE THOUGHT THERE WAS STUFF HIDDEN IN THE GUEST ROOM.
SHE WAS TEARING THE ROOM APART.
SHE COULDN'T FIND ANY, SO I LEFT.
UH, WHAT TIME WAS THIS ?
A LITTLE BEFORE 2:00.
OKAY.
GO ON. THE PARTY HAD BROKEN UP,
AND HADS AND I WERE UPSTAIRS CLEANING UP.
SHE WENT TO BED,
AND I WENT DOWNSTAIRS TO GET SOMETHING TO EAT.
AND I HEARD THIS-- THIS CRASH.
WHEN ?
I DON'T KNOW. 2:15, MAYBE.
AND I WENT INTO THE BATHROOM AND I FOUND HER, AND--
I YELLED UP TO HADLEY TO CALL STUDENT HEALTH. HADLEY !
AND I TRIED TO GIVE HER MOUTH-TO-MOUTH
AND I TRIED TO REVIVE HER, BUT--
[ Sniffling ] I JUST, UM-- I COULDN'T.
WHY DIDN'T YOU CALL 911 ?
WE THOUGHT IT WOULD BE--
BECAUSE STUDENT HEALTH IS...
DOWN THE STREET FROM OUR HOUSE,
AND THEY HAVE A DOCTOR ON CALL 24 HOURS.
SO, WE THOUGHT THAT SHE WOULD BE ABLE TO GET HELP... FASTER.
UH-HUH.
OKAY. WELL, UH--
I GUESS I JUST NEED TO TAKE A LOOK AT THE SCENE.
MULTICOLORED PAPER.
I'VE SEEN THIS BEFORE.
Y'ALL DIDN'T TOUCH ANYTHING IN HERE, NOW, DID YOU ?
MOVE ANYTHING AROUND ? NO.
WHAT'S IN THERE ?
THE LIBRARY-- ALICIA'S ROOM.
SHE KIND OF MOVED IN ON US.
UM-- ALL RIGHT. I GUESS I'LL CALL Y'ALL IF, UH,
IF I NEED ANYTHING ELSE.
ALL RIGHT.
I'M SORRY. WE DON'T ALLOW FLOWERS IN ICU.
[ Breathing ] [ Heart Monitor Beeping ]
[ Man ] LEAD, FOLLOW OR GET OUT OF THE WAY.
THESE EIGHT WORDS WILL BE THE FOCUS
OF OUR LAST SEMESTER TOGETHER...
AND HOW THEY AFFECT BEHAVIOR PATTERNS
IN THE MODERN AMERICAN SOCIETY,
NOT ONLY MACROCOSMICALLY IN THE SO-CALLED REAL WORLD, YOU KNOW,
DO YOU KNOW ?
BUT IN THE MICROCOSM OF THE CLASSROOM AND THE UNIVERSITY.
FIELD-RESEARCH PROJECTS ON THE TOPIC...
[ Laughing ]
WILL COMPRISE 80 PERCENT OF YOUR GRADE.
PROJECTS TO BE PRESENTED ORALLY THE LAST WEEK OF CLASS.
ORALLY ? [ Laughing ]
PERSONALLY, I DO NOT LIKE TO SWALLOW.
I KNOW. IT TOTALLY WEARS THE ENAMEL OFF MY TEETH.
I LEARNED THIS NEW DRIBBLING TECHNIQUE
WHERE YOU LET IT SPILL OUT THE SIDES.
[ Laughing ]
I'M SORRY. CAN YOU PLEASE BE QUIET ?
EXCUSE ME ?
SOME OF US ARE TRYING TO LEARN. YOU WILL WORK IN PAIRS.
PAIRS ? BUT, PROFESSOR, IF THE TOPIC IS...
LEAD, FOLLOW OR GET OUT OF THE WAY,
SHOULDN'T WE BE WORKING IN TEAMS OF THREE ?
NO.
I'LL PAIR YOU UP MYSELF, THANK YOU.
[ Heart Monitor Beeping ]
I'M ON MY WAY OUT OF TOWN.
WHY DON'T WE TALK ABOUT THIS IN CLASS, OKAY ?
HADLEY, BUT-- I REALLY THINK--
I'LL DO MY HALF, YOU DO YOURS, THEN WE'LL MEET TOWARDS THE END.
BUT WE HAVE ACTUAL PLACES THAT WE NEED TO VISIT TOGETHER.
AND IF OUR DATA DOESN'T CORROBORATE--
WE'LL DEAL WITH IT.
WHO'S THAT ? OOH.
ATTENTION, Kmart SHOPPERS.
[ woman ] THAT'S THE CHICK HADLEY GOT STUCK WITH.
CUTE. EW !
HADLEY, PLEASE. WE REALLY NEED TO TALK ABOUT THIS.
NO, WE DON'T. BUT, I-I--
AIRPORT. [ Man ] YES, MA'AM.
[ Man ] I'M INTERESTED, HADLEY. YOU THINK YOU'VE EARNED THIS JOB ?
I DON'T KNOW.
WELL, AT LEAST YOU'RE HONEST.
YOU THINK I OUGHTA GIVE YOU THIS JOB ?
YEAH. YOU'RE MY FATHER.
WHAT'S THAT SUPPOSED TO MEAN ?
I'M NOT RUNNING A GENERAL STORE IN KANSAS HERE.
THIS JOB HAS NOTHING TO DO
WITH GETTING HIGH AND LISTENING TO MUSIC.
COME ON.
COME ON, DADDY.
HADLEY--
IT'S TIME YOU SHOWED INITIATIVE,
ACCOMPLISHED SOMETHING ON YOUR OWN.
GET YOUR GRADES UP. THEN WE'LL TALK ABOUT THIS JOB.
WANT ME TO GET STRAIGHT A'S, I'LL GET STRAIGHT A'S.
WANT ME TO KISS YOUR ASS, I'LL--
I DON'T HAVE TO HIRE YOU. AND TO BE QUITE HONEST WITH YOU,
I THINK YOU'D BE BETTER OFF IF I DIDN'T.
BUT WHAT ELSE WOULD I DO ?
[ Heart Monitor Beeping ]
WHY ARE YOU HERE ? I WANTED TO SEE HER.
SEE HER OR BE SEEN ?
ALICIA'S MY FRIEND. DON'T MAKE ME LAUGH.
I'M THE ONE WHO CALLED FOR HELP.
YOU'RE THE ONE THAT GAVE HER DRUGS.
YOU'RE CRAZY.
IF I EVER SEE YOU NEAR HER AGAIN, I WILL KILL YOU.
YOU UNDERSTAND ?
[ Woman ] ALICIA CAMPBELL ?
ALICIA CAMPBELL ?
HI, ALICIA. COME ON IN.
SO, YOU THINK YOU HAVE WHAT IT TAKES TO BE A LAWYER ?
YES, MA'AM.
WELL...
I HAVE TO ADMIT, YOUR GRADES ARE VERY IMPRESSIVE.
THANK YOU. HOW NICE OF YOU TO SAY.
I SEE HERE THAT YOU'VE BEEN IN THE WORK-STUDY PROGRAM
SINCE YOUR FRESHMAN YEAR.
YES, MA'AM. HOW YOU MANAGING ?
I JUST TRY AND WORK HARD.
YOUR PARENTS HELP YOU OUT ?
WELL, UM, MY FATHER'S NOT AROUND, SO, UH--
IT'S BEEN TOUGH FOR MY MOM, BEING A SINGLE MOTHER AND ALL.
TELL ME ABOUT IT.
YOU'RE-- YOU'RE A SINGLE MOTHER ?
I'M DIVORCED. IT'S TOUGH ON THE KIDS.
IT'S BEEN REALLY DIFFICULT FOR US.
HEY, SWEETIE.
IT'S OKAY. THERE'S NOTHING TO CRY ABOUT.
I'M SORRY. [ Crying ]
WELL, ALICIA,
I DON'T SEE ANY REASON WHY THIS APPLICATION
SHOULDN'T PASS WITH FLYING COLORS.
THANK YOU.
NOW AS FAR AS THAT FINANCIAL AID GOES,
MONEY IS REAL TIGHT FOR US RIGHT NOW.
TELL YOU WHAT.
I'LL LOOK INTO IT.
I WANT YOU TO LET ME SEE IF THERE'S ANYTHING I CAN DO.
OH, MY GOD. I TOTALLY GROVELLED IN FRONT OF THAT LADY
FOR SOMETHING I COMPLETELY DESERVE.
SHE MADE ME FEEL LIKE AN ALIEN.
IT'S OKAY TO BOMB A LITTLE.
OH, MY GOD. THERE HE IS.
HI, TREVOR.
HI. [ man ] HI, TREVOR.
WHO THE HELL IS THAT ? [ Trevor ] SHE'S NICE.
** [ Dance ] [ Chattering ]
** [ Rap, Indistinct ]
[ Car Alarm ]
* BUT I KNEW I HAD TO FIGHT IT **
[ Doorbell Ringing ]
WHOO ! [ Yelling ]
YEAH. WHAT'S UP, CRAZY ?
[ Laughing ] [ Crowd ] WHOA !
[ Woman ] WARREN, PUT THE CAMERA DOWN AND COME HERE.
WHERE YOU GOING, BABY ? COME ON.
HEY, ALICIA.
HI. [ Clears Throat ]
I KNOW WE GOT OFF ON THE WRONG FOOT.
AMONGST OTHER BODY PARTS.
BUT I REALLY NEED TO MAINTAIN MY AVERAGE, HADLEY.
AND I NEED TO GET AN "A."
THEN WHY DON'T WE TRY TO FORGET ALL THIS EXTRANEOUS STUFF
AND JUST TRY TO WORK TOGETHER ?
I DON'T KNOW IF MY SOCIOLOGY
IS GOING TO GO WITH YOUR SOCIOLOGY.
[ High-Pitched Giggling ]
WELL, WE CAN TRY.
OKAY, BUT NO HOLIER THAN THOU,
NO SNOTTY REMARKS AND NO WHINY "BUT, HADLEY."
OKAY. [ Sighs ]
[ Heart Monitor Beeping ]
** [ Techno ]
THAT'S ENOUGH FOR TODAY.
[ Punches Hitting Pads ]
[ Man ] STRAIGHTEN IT OUT. NICE AND WIDE.
HEY. YOU'RE, UH,
YOU'RE PRETTY GOOD. I HAVE MY MOMENTS.
YOU WANT TO TALK ABOUT ALICIA ?
WELL ?
THEY MUST NOT GIVE YOU A LOT TO DO AROUND HERE.
[ Laughs ]
I'M JUST TRYING TO FIGURE OUT
HOW ALICIA WENT FROM BEING A TOTAL STRANGER,
TO BEING YOUR BEST FRIEND,
TO LYIN' IN THE HOSPITAL WITH TUBES RUNNIN' IN AND OUT OF HER.
SHE FUCKING OD'D.
HAD NOTHING TO DO WITH BEING MY FRIEND.
[ Hadley ] WE GOT STUCK TOGETHER ON THIS SOCIOLOGY PROJECT.
SHE KEPT HOUNDING ME. ** [ Rap, Indistinct ]
I KEPT BLOWING HER OFF, AND, SUDDENLY,
SHE WAS OUTSIDE THE DOOR AT THE PARTY.
SO I DECIDED TO INVITE HER IN.
* I PROVED TO BE A BETTER MAN **
IS THIS A JOKE ?
WE WOULDN'T HAVE LET YOU UP HERE IF THIS WERE A JOKE.
TRUE.
OH, NO. TOO "WHITE GIRL." PUT IT ON HER.
COOL. VERY NICE. [ Kissing Sound ]
** [ Dance ]
* WHITE GIRLS, WELL, THEY AREN'T HARD TO FIND *
* BUT I SAW THIS GIRL WHO WAS ONE OF A KIND *
* A WHITE GIRL WHO BLEW MY MIND *
* SHE LOOKED GOOD UP FRONT BUT BETTER FROM BEHIND *
* HAD A REAL NICE BODY SHE MIGHT'VE BEEN SNOTTY **
SHE CLEANS UP REAL NICE.
MM-MM. NICE JOB.
[ Women Laughing ]
[ Laughter Echoing ]
[ Woman ] LEAD, FOLLOW OR GET OUT OF THE WAY.
ALL RIGHT, WHAT ABOUT THE DRUGS ?
NONE FOR ME, THANKS. BUT YOU GO RIGHT AHEAD.
I WAS, UH-- I WAS TALKING A-ABOUT ALICIA.
[ Car Horn Honking ]
[ Hadley ] WELL, IN THE BEGINNING, ALICIA WASN'T EVEN INTO DRUGS.
NO, LET HADLEY DRIVE.
NOT THAT ANY OF US WERE EITHER.
BUT, YOU KNOW.
[ Sheriff ] YEAH. YEAH, I-I KNOW.
HE WAS SICK BEFORE HE GOT IN THE CAR.
UH-HUH. GET IN.
[ Laughing ]
[ Woman ] GUYS, MY STEPFATHER TOLD ME,
IF I GET A JOB, HE'LL GIVE ME $10,000 TO SPEND HOWEVER I WANT.
WHAT'S THE POINT OF GETTING A JOB
IF HE'S GOING TO GIVE YOU THE MONEY ANYWAY ?
TO LEARN THE VALUE OF MONEY.
OH, PLEASE ! TELL ME THAT
YOU SEE THE IRONY IN THIS.
YOU DON'T HAVE TO DO ANYTHING ABOUT IT.
JUST TELL ME YOU SEE IT.
WHAT IRONY ? IT'S NOT LIKE HE'S BUYING ME A CAR.
YOU GUYS ARE SO LUCKY.
WHY ? BECAUSE YOU'RE FREE.
AREN'T YOU ? IT TAKES MONEY TO BE FREE.
SPEAKING OF WHICH--
[ Woman ] RELAX. IT'S HERE.
I KNOW I HAVE IT.
ISN'T THIS THE TURNOFF TO MAX'S ?
WAIT. MAX TAMER ? UH-HUH.
PRIVATE MOMENT. IT'S IN MY PANTIES.
[ Hadley ] YOUR PANTIES ? WAIT. THE DRUG DEALER ?
YOU SAVING YOUR TIPS FROM THE TITTY BAR ?
I THOUGHT IT WOULD BE SAFE.
YOU KNOW WHAT ? I'D LIKE TO GET OUT OF THE CAR.
SID, YOUR PANTIES ARE HARDLY THE FORT KNOX
OF THE UNDERGARMENT WORLD.
OH, AND YOU SHOULD TALK.
DO YOU EVEN WEAR PANTIES ?
TODAY. [ Laughing ]
* WHO SAYS YOU CAN'T HAVE IT ALL *
* 'CAUSE, BABY NOTHIN'S FOR FREE **
HI. HELLO.
DON'T WORRY. YOU'RE NOT DOING ANYTHING ILLEGAL.
I'M NOT ? NO. YOU'RE JUST THE LOOKOUT.
HADLEY, IF I GET CAUGHT, I'M GONNA GET KICKED OUT OF SCHOOL.
I'LL LOSE MY SCHOLARSHIP. NO LAW SCHOOL--
RELAX. THIS IS COLLEGE.
SO, IF-- IF SHE WASN'T INTO DRUGS, THEN HOW DID SHE OD ?
I THINK MAYBE SHE TRIED TO KILL HERSELF.
[ Man ] IN THE MICROCOSM OF THE CLASSROOM AND UNIVERSITY.
FIELD-RESEARCH PROJECTS
ON THE TOPIC WILL COMPRISE 80 PERCENT OF YOUR GRADE.
HEY ! HEY.
OH, THIS LOOKS LIKE FUN.
BE NICE. THEY'RE CHILDREN.
LEAD, FOLLOW OR GET OUT OF THE WAY.
A SOCIOLOGICAL EXAMINATION...
OF POOR KIDS PLACED
IN A PRIVILEGED EDUCATIONAL ENVIRONMENT.
WHAT CARTOONS DO YOU GUYS WATCH ?
NICKELODEON AND CARTOON NETWORK.
REALLY ? FOX. FOX FAMILY.
[ Boy ] FOX. DO YOU GUYS WATCH THE NEWS ?
[ Kids ] NO !
[Alicia] WHAT ARE WE GOING TO DO NOW ?
I SPY. LET'S PLAY I SPY.
WHAT DO YOU WANT TO LOOK AT ?
THIS ? WHAT ? NO. THIS.
HEY, HOW COME YOU'RE NOT EATING WITH THE OTHER KIDS ?
THEY'RE STUPID.
[ Indistinct ] DO I LOOK LIKE HIM NOW ?
THEY THINK THEY'RE SO COOL 'CAUSE THEY HAVE THOSE BOXES.
I LIKE YOUR LUNCH BOX. LOOK AT THAT.
MMM. I DON'T KNOW. I THINK YOURS IS MUCH COOLER.
LET'S SEE. WHAT DO WE HAVE IN HERE ? AHA.
LOOK AT THAT. WOW.
NOW YOU CAN GET ANY KIND OF LUNCH BOX YOU WANT.
COOL.
BUT IT'S OUR SECRET, OKAY ?
HAVE FUN PICKING OUT YOUR BOX. OKAY.
OKAY. BYE-BYE.
THANK YOU VERY MUCH FOR YOUR TIME.
THANK YOU.
THANK YOU FOR COMING. WE'LL SEE YOU AGAIN.
OKAY. BYE. THAT WAS REALLY NICE OF YOU.
YEAH, I'M REALLY GREAT WITH DRUNKS AND KIDS.
[ Hadley ] INSTANT GRATIFICATION, YOU KNOW ?
[ Chattering ]
I'LL SEE YOU TONIGHT.
HAVE A GOOD DAY.
HEY, ARTIE. HEY, JOANIE, UM--
WHERE YOU BEEN HIDIN' ?
LOOK HERE. CAN YOU GIVE ME SOME BACKGROUND INFORMATION...
ON SOME OF THE STUDENTS THAT ATTEND COLBY ?
DIDN'T ANYBODY EVER EXPLAIN TO YOU THE WAY
THINGS WORK IN THIS TOWN ?
WHICH DERIVES 80 PERCENT OF ITS JOBS
AND 90 PERCENT OF ITS REVENUE FROM THIS UNIVERSITY.
WHERE, ON THE RARE OCCASION
THE POLICE ARE ASKED TO CONDUCT A DISCREET INQUIRY,
THEY DON'T DISRUPT STUDENTS' LIVES,
INVADE THEIR PRIVACY, INTERRUPT THEIR STUDIES,
OR, AS A MATTER OF FACT, TALK TO THEM AT ALL...
EXCEPT AT MUTUALLY AGREED-UPON CONVENIENT TIMES...
UNTIL SUCH TIME AS IT CAN BE CONCLUSIVELY PROVEN
THAT A CRIME HAS BEEN COMMITTED.
WHICH YOU HAVEN'T, YOU CAN'T, YOU WON'T.
** [ Woman Vocalizing ]
** [ Singing, Indistinct ]
[ Man ] WHY DO YOU ALWAYS HAVE TO BE THE CENTER OF ATTENTION ?
DRUNK. BUTTERFLY. [ Chuckles ]
LET'S JUST HANG OUT.
DO BUTTERFLIES DRINK ?
LET'S JUST BAIL ON JOSH'S TONIGHT, OKAY ?
HOW COME ?
'CAUSE I DON'T WANT TO SIT AROUND
AND GET WASTED AND STUPID.
OH, OKAY, CAPTAIN AMERICA.
[ Chuckles ]
ARE YOUR PARENTS COMING DOWN
FOR YOUR SCRIMMAGE ON SATURDAY ?
COURSE. WHAT'S THEIR DEAL ANYWAY ?
THEY COME DOWN FOR EVERYTHING.
[ Chuckles ]
THEY DO. THAT'S WHAT PARENTS DO.
OH, SO THAT'S WHAT PARENTS DO, HUH ?
I HAVE TO TELL YOU SOMETHING.
WHAT ?
OH, MAN, YOU'RE GONNA BE SO PISSED.
WHAT ?
I GOT ACCEPTED INTO THE INTERNATIONAL LAW PROGRAM
AT THE UNIVERSITY OF MINNESOTA.
YOU CAN'T BE SERIOUS.
[ Man On Phone ] SORRY, HONEY. I CAN'T DO IT.
DADDY, I'VE BEEN WORKING HARD. I'VE BEEN GETTING MY GRADES UP.
MY FRIEND ALICIA'S BEEN HELPING ME OUT
WITH ALL THE, UH--
I'M REALLY SORRY, HONEY. I'LL MAKE IT UP TO YOU.
DADDY, PLEASE.
WE'LL TALK ABOUT THIS LATER. I GOT TO GO.
[ Phone Hitting Wall ]
HI. HEY.
I WAS, UM, JUST GOING TO DROP OFF MY NOTES.
OKAY.
HAPPY BIRTHDAY. THANKS.
WHAT'S THAT SMELL ?
LUNCH. YOU'RE COOKING ?
[ Chuckles ] YEAH, BUT DON'T SHATTER YOUR IMAGE OF ME TOO QUICKLY.
I ONLY DO IT FOR MY FATHER...
SO HE CAN GET THAT NICE, HOMEY FEELING BEFORE HE STANDS ME UP.
LET'S CELEBRATE.
[ Laughs ]
** [ Dance ]
OH, YEAH, BABY.
WHOO ! YEAH. SHAKE IT !
* HEY, BABY, HEY, BABY YEAH, BABY, YEAH, BABY *
* HEY, BABY, HEY, BABY YEAH, BABY, YEAH, BABY *
* HEY, BABY, HEY, BABY YEAH, BABY, YEAH, BABY *
OH, HADLEY. * HEY, BABY, HEY, BABY
[ Woman ] * YEAH, BABY
WHOO ! [ Laughing ]
YEAH, BABY !
YOU ARE SUCH A FREAK.
WHAT'S THIS ? HMM ?
IT SAYS "HADLEY." OPEN IT.
OKAY. [ Giggles ]
WATCH THE DRINK.
"ROUND TRIP TO RANGOON."
* HEY, BABY, HEY, BABY YEAH, BABY, YEAH, BABY **
OH, FUCKING SIDNEY. WHAT DOES IT MEAN ?
IT MEANS WE'RE TRIPPING.
[ Alicia ] BUT I JUST HELD IT FOR A SECOND.
[ Hadley ] IT ABSORBS THROUGH YOUR SKIN.
[ Alicia ] BUT-- BUT I JUST HELD IT FOR ONE SECOND.
DO I-- DO I LOOK FUNNY TO YOU ?
COME ON. JUST GO WITH IT. IT'S OKAY.
[ Laughing ]
OKAY. OKAY.
I CAN GO WITH IT. OKAY.
THANK YOU. YOU'RE WELCOME.
THIS IS NEVER, EVER, EVER GOING TO BE OVER.
AND I HAVE NOTHING.
IT'S GOING TO BE OVER. I PROMISE.
AND UNTIL IT IS, I'LL BE RIGHT HERE.
PROMISE ME THAT YOU'RE NEVER, EVER, EVER GOING TO LEAVE ME.
I'M RIGHT HERE, OKAY ?
NOW I WANT YOU TO THINK HAPPY THOUGHTS.
OH, MY GOD. I'M GONNA DIE.
YOU'RE NOT GONNA DIE. I'M RIGHT HERE WITH YOU,
AND I'M NOT GOING TO LET ANYTHING HAPPEN.
YOU'RE GONNA DIE TOO.
[ Laughs ] NO, I'M NOT. I'M NOT GONNA DIE.
NO ONE'S GOING TO DIE.
[ Chattering ]
HEY, SARAH. HOW YOU DOIN' ?
I'VE BEEN BETTER.
NOW, ALICIA-- SHE'S YOUR BEST FRIEND, RIGHT ?
WAS.
WE BASICALLY STARTED TO DRIFT.
EVERYTHING WAS FINE UNTIL SHE GOT THE NEWS
HER FINANCIAL AID HAD BEEN TURNED DOWN.
HI, MRS. CAMPBELL.
HI, STRANGER. HOW YOU DOIN' ?
ALICIA UPSTAIRS ? YEAH, SHE'S UP THERE.
I WENT TO SEE HER THAT DAY, AND SHE TOTALLY HAD A MELTDOWN.
[ Crashing ] [ Screaming ]
[ Crying ]
[ Crying ]
[ Footsteps Departing ]
AFTER THAT DAY, WE BARELY SAW EACH OTHER.
SHE WAS TOO BUSY REINVENTING HERSELF
WITH HER NEW RICH FRIENDS.
WHAT DO YOU THINK IT MEANS ? WHAT DID YOU DO TO HER ?
ALICIA ! HEY !
SO, I GUESS YOU FORGOT ABOUT SUNDAY ?
SUNDAY-- THE MOVIE ?
OH, MY GOD. I COMPLETELY FORGOT. I AM SO SORRY.
DO YOU EVEN WANT TO BE FRIENDS ANYMORE ?
[ Laughs ] WHAT ARE YOU TALKING ABOUT ?
WE'VE BEEN FRIENDS SINCE WE WERE IN KINDERGARTEN.
YOU DON'T ACT LIKE IT. WE BARELY SEE EACH OTHER.
ALL YOU DO IS HANG OUT WITH THEM.
IT'S JUST YOU DON'T KNOW THEM, AND IT'S-IT'S HARD.
YOU NEVER INVITE ME. BECAUSE YOU WOULDN'T LIKE IT.
OH, RIGHT. I SEE.
I GUESS IT'S BECAUSE I DON'T DO THE RIGHT AMOUNT OF HEROIN...
OR SLEEP WITH MY PROFESSORS OR GET ENOUGH ABORTIONS, RIGHT ?
IS THAT WHAT THEY'RE SAYING ABOUT US THIS WEEK ?
I CAN'T BELIEVE YOU. YOU'VE TOTALLY CHANGED.
NO, I HAVEN'T CHANGED. I'M JUST REALLY HAPPY.
WHAT ABOUT ME ?
[ Sighs ] [ Hadley ] ALICIA.
SO, ARE YOU COMING ? YEAH, I'LL BE RIGHT THERE.
LISTEN, DON'T RUIN THIS FOR ME, OKAY ?
I KNOW WHAT I'M DOING. THIS IS A GREAT OPPORTUNITY.
TRUST ME.
THAT'S WHEN SHE REALLY STOPPED BEING MY FRIEND.
[ Crowd Cheering ] [ Man ] KEITH !
RIGHT SIDE ! COVER IT ! [ Whistle Blowing ]
[ Chattering ]
EXCUSE ME, TREVOR. I NEED TO ASK YOU A FEW QUESTIONS.
YOU'RE PRELAW, RIGHT ? L-LIKE ALICIA ?
YEAH.
I'M JUST A LITTLE CURIOUS
ABOUT Y'ALL'S RELATIONSHIP.
WE'RE FRIENDS. SHE'S COOL.
IS THAT HOW SHE FELT ?
MEANING ?
MEANING IS IT POSSIBLE THAT SHE COULD HAVE THOUGHT
A LITTLE BIT MORE OF YOU ?
JUST A LITTLE BIT. * [ Rockabilly ]
[ Trevor ] ALICIA LIKED TO HAVE A GOOD TIME.
WE LIKED TO HANG OUT.
NOTHING WRONG WITH THAT, IS THERE ?
* MY BABY LEFT ME DOWN AT THE LIQUOR STORE *
* I SAID, MY BABY LEFT ME DOWN AT THE LIQUOR STORE *
* HE SAID, I LOVE YOU, BABY *
* BUT YOU JUST CAN'T DRINK NO MORE *
* AND I SAID, LOOK HERE, DADDY WHAT ARE YOU BUGGIN' FOR *
* YEAH, WELL, I SAW YOU WITH THAT BLOND *
* ON THE DANCIN' FLOOR
* WELL, I NEVER SAID NOTHIN' AND NOW I WANT ONE MORE *
* I SAID, MY BABY LEFT ME DOWN AT THE LIQUOR STORE *
* I SAID, MY BABY LEFT ME DOWN AT THE LIQUOR STORE **
HEY, I WASN'T TRYING TO IGNORE YOU.
YOU'VE JUST BEEN SO BUSY PLAYING HOSTESS.
I'M SURPRISED YOU EVEN NOTICED.
HADLEY.
YOU AND ALICIA SEEM TO BE GETTING ALONG VERY WELL.
YOU ACT LIKE I DON'T EVEN EXIST,
FLIRT WITH EVERY BREATHING GUY. AND I DANCE WITH ONE GIRL.
A FRIEND OF YOURS. I'M NOT THE BAD GUY HERE. OKAY ?
I'M NOT THE ONE WHO'S DROOLING ALL OVER LITTLE MISS MUFFETT.
WELL, IF THAT'S WHAT IT TAKES TO GET YOUR ATTENTION.
DON'T TURN THIS AROUND ON ME.
TURN WHAT AROUND ?
YOU KNOW WHAT ?
DO WHATEVER YOU WANT. GO FUCK HER FOR ALL I CARE.
I TRIED EXPLAINING TO HER
THAT WE WERE JUST HAVING A LITTLE FUN.
I MEAN, IT'S NOTHING TO GET WEIRD ABOUT.
[ Yelling ] [ Whooping ]
ALICIA WAS NEW TO THE GANG, AND SHE WANTED TO FIT IN.
I HELPED HER WHENEVER I COULD.
* ALL THE BEST GIRLS IN TOWN
* EVERY TIME I SEE YOU YOU HAVE A LITTLE FROWN *
[ Laughing ] [ Making Spitting Sound ]
* GO WARREN, WARREN, WARREN WARREN, YOU SCORIN' *
* WITH ALL THE CHICKIES WHOO !
* I SEE THAT BIG THING IS A HICKEY ON YOUR NECK *
* WHEN I STARE AT YOU YOU'RE LAUGHIN' AT ME *
[ Making Spitting Sound ]
* YOU'RE LAUGHING AT ME THAT'S OKAY BECAUSE I'M FREE *
* SOME CALL ME THE TRICK-A-DICK DADDY *
[ Laughing ]
HEY. HEY.
WHAT'S WRONG ?
NOTHIN'.
* WARREN Z'S ON HE'S ON THE MIKE TRYIN' TO RIDE MY BIKE *
[ Woman ] GOD. MC HAMMER !
[ Man ] * MC HAMMER, MC HAMMER
* THAT'S ME BECAUSE I'M SO "HAMMERIN'" **
[ Woman, Indistinct ]
I'M GLAD I FOUND YOU, 'CAUSE...
I'M FEELING KIND OF OUT OF PLACE TONIGHT.
REALLY ? MM-HMM.
ME TOO. YEAH ?
YEAH.
* ALL OF THE THINGS THAT ARE COMING FROM HER MOUTH **
YOU REALLY LOVE HADLEY, DON'T YOU ?
YEAH.
I SUDDENLY FEEL LIKE I SHOULDN'T BE HERE ANYMORE.
WHAT ? WHY ? OH, COME ON, TREVOR. I MEAN--
I THINK YOU FIT IN JUST FINE. [ Giggling ]
[ Man ] GOOD SPIT. I THINK YOU'RE REALLY GREAT.
[ Laughs ] [ Laughing ]
THANKS.
[ Sheriff ] SO THAT'S AS FAR AS IT WENT ?
[ Trevor ] THAT'S AS FAR AS IT EVER WENT.
WELL, THEN WHY IS ALICIA LYIN' IN A HOSPITAL BED ?
SOMETIMES BAD THINGS HAPPEN TO GOOD PEOPLE.
** [ Blues ]
** [ Blues ] [ Chattering ]
* OH, MISS MAYBELLE LET ME BE YOUR PARTY DOG *
SO THE BARTENDER SAYS, "WE GOT A DRINK NAMED AFTER YOU."
* DRINK MUDDY WATER AND SLEEP IN A HOLLOW LOG *
* OH, MISS MAYBELLE *
AND THE GRASSHOPPER SAYS,
"WHAT, YOU GOT A DRINK NAMED STEVE ?"
HEY !
OH, GOD ! I'M SO SORRY. CAN I HAVE WHAT SHE'S HAVING ?
TREVOR IS SO, SO SMART. YEAH, HE'S PERFECT.
ARE YOU OKAY ? HE THINKS I'M A DRUNK.
MM-MM. HE'S TOTALLY CRAZY ABOUT YOU.
MMM, YEAH, FOR A PERSON WITH A SEVERE DRINKING PROBLEM.
YOU'RE A SMART, BEAUTIFUL GIRL
WHO REALLY DOESN'T BELIEVE IN HERSELF.
WHY SHOULD I ? MY DAD DOESN'T. TREVOR DOESN'T.
I DO.
I KNOW YOU LIKE HIM.
WELL, EVERYBODY LIKES TREVOR.
I KNOW THAT YOU THINK
WE'RE ALL WILD AND EVERYTHING AND THAT EVERYTHING GOES.
BUT WE DON'T FUCK EACH OTHER'S BOYFRIENDS. OKAY ?
LOOK, HADLEY. I'VE NEVER BEEN IN THIS PLACE BEFORE.
NOW, ALL OF A SUDDEN,
ALL THESE GUYS ARE DANCING WITH ME WHO A MONTH AGO...
NEVER EVEN KNEW THAT I EXISTED.
I OWE ALL OF THIS TO YOU.
I WOULD NEVER DO ANYTHING TO JEOPARDIZE OUR FRIENDSHIP.
OKAY ?
COME HERE. GIMME A HUG.
COME ON. COME AND DANCE AND HAVE FUN.
COME ON. COME ON. COME ON. COME AND DANCE.
[ Honking ] [ Police Sirens ]
SORRY IT TOOK SO LONG.
ALL RIGHT. ALL RIGHT. BASIC PARTY MIX.
TWENTY PERCENT COKE, EIGHTY PERCENT MILK, SUGAR,
BAKING SODA, TALCUM POWDER...
AND ASSORTED POWDERY-WHITE CRAPOLA.
NOTHING OUT OF THE ORDINARY ?
NOT IN THE LEAST.
EXCEPT...
THAT'S NOT WHAT SHE TOOK.
WHEN THEY WHEELED HER IN,
SHE STILL HAD SOME CRUSTED ON HER NOSTRILS.
THEY TOOK A SWAB OF THAT.
PHARMACEUTICAL QUALITY. 100 PERCENT PURE.
ALL RIGHT. THANKS, DEX.
** [ Phone Rings ]
WHAT THE FUCK IS YOUR PROBLEM ? YOU WANT CREDIT ?
CALL A LOAN OFFICER.
HOLD ON. HOLD ON. HOLD, PLEASE !
YEAH. YEAH.
WE GOT SOME COLOMBIAN, JAMAICAN, THAI,
NORTHERN LIGHTS WITH A SKUNK-FIVE HYBRID,
HASH, HASH OIL.
THINK ABOUT THAT FOR ONE MINUTE. HOLD, PLEASE.
[ Door Opens ]
WHOA. WHOA. IT'S NOT MINE.
I NEED TO ASK YOU SOME QUESTIONS.
MULTICOLORED PAPER, MAX.
I LIKE TO BRIGHTEN UP PEOPLE'S LIVES.
DID YOU BRIGHTEN UP ALICIA CAMPBELL'S LIFE ?
I DON'T KNOW ANYTHING ABOUT--
WHO SLIPPED HER THE PHARMACEUTICAL COCAINE ?
WHAT ARE YOU TALKING ABOUT ?
COME ON NOW, MAX.
THAT SHIT WAS 100 PERCENT PURE.
IF SHE DIDN'T GET IT FROM A LOCAL DRUG DEALER,
THEN WHO THE FUCK DID SHE GET IT FROM ?
ASK ANYBODY. I SELL A VERY LOW-QUALITY PRODUCT
AT A VERY PREMIUM PRICE.
ALL RIGHT, MAX. NOW YOU GET TO SPEND SOME QUALITY TIME
WITH SOME PREMIUM PEOPLE.
[ Heart Monitor Beeping ]
[ Man ] LEAD, FOLLOW OR GET OUT OF THE WAY.
I'LL BE BACK LATER. ALICIA, HONEY.
DON'T YOU HAVE TO STUDY ?
WHAT'S THE POINT ?
OOH.
[ Phone Rings ]
[ Answering Machine Beeps ] HEY, IT'S HADLEY.
LEAVE ME A MESSAGE, AND I'LL GET BACK TO YOU. THANKS.
[ Machine Beeps ]
[ Machine Ticking ]
[ Doorbell Rings ]
HEY, CHIEF. SOMETHING I CAN DO FOR YOU ?
ACTUALLY, I HAVE TO ASK YOU A FEW QUESTIONS,
BUT COULD I USE YOUR BATHROOM FIRST, PLEASE ?
SURE. [ Phone Rings ]
WHY DON'T YOU USE THE BATHROOM AT THE TOP OF THE STAIRS.
I'LL BE RIGHT DOWN. JUST GIVE ME A MINUTE.
HEY.
YOU CAN'T DO THAT.
WHAT ARE YOU LOOKING FOR ANYWAY ?
ALICIA OVERDOSED ON PHARMACEUTICAL COCAINE.
I NEED TO KNOW WHERE IT CAME FROM.
I THINK YOU BETTER GO.
CAN I JUST TALK TO YOU FOR A FEW MINUTES ?
DON'T YOU NEED TO GET A WARRANT OR SOMETHING ?
YEAH. YEAH. ALL RIGHT.
WHERE WOULD WE EVEN GET THAT SHIT ?
THAT'S WHAT I'M SAYING. I-I DON'T KNOW. AND I DO.
YOU THINK THAT ALICIA'S JUST THIS INNOCENT
LITTLE VIRGIN WE CORRUPTED.
SHE'S NOTHING LIKE SHE SEEMS.
BELIEVE ME, THAT GIRL WAS FULL OF SURPRISES.
[ Knocking On Door ]
HI. OH, HEY.
IS, UM-- HADLEY'S NOT HERE. OKAY.
SHE AND JULES WENT TO GET SOME STUFF FOR THE PARTY,
BUT YOU CAN HANG OUT WITH ME IF YOU WANT.
OKAY.
HERE. COME SIT.
OKAY.
OH, MY GOD. YOU'RE WATCHING FAME.
I TOTALLY THINK THAT ALL AMERICA NEEDS IS, LIKE,
THIS GIANT FAME RESURGENCE--
HOW MANY GUYS HAVE YOU SLEPT WITH ?
WHAT ?
HOW MANY GUYS HAVE YOU SLEPT WITH ?
WELL-- ONE.
I MEAN, SORT OF. WELL, HALF OF ONE.
BECAUSE WHEN WE ACTUALLY DID IT,
HIS THING ONLY WENT IN THAT FAR. [ Laughing ]
AND AFTERWARDS, SARAH SAID, "YOU'RE A TECHNICAL VIRGIN."
WHY ? HOW MANY GUYS HAVE YOU SLEPT WITH ?
FORTY-TWO.
ARE YOU SERIOUS ?
DADDY NUMBER TWO CRAWLED IN ONE NIGHT WHEN I WAS TEN.
NOT THE IDEAL WAY TO LOSE YOUR VIRGINITY,
BUT, HEY, SHIT HAPPENS.
HE MOLESTED YOU ?
YEAH, WELL, POOR ME.
GUESS THAT'S WHY I'M SO FUCKED UP. RIGHT ?
MY DAD DID THAT TO ME TOO.
BUT I THINK, UM--
WELL, I KNOW THAT YOU'RE A SMART AND BEAUTIFUL GIRL.
SEE, THAT WASN'T SO BAD. WAS IT ?
** [ Woman Vocalizing ]
TAKE OFF YOUR PANTS.
SO, THEN, YOU TWO WERE A THING ?
WELL, THAT'S WHAT I THOUGHT.
BUT LITTLE MISS PISSHEAD HAD PLANS OF HER OWN.
[ Hadley ] TREVOR, GIVE ME A HAND WITH THIS, WILL YOU ?
[ Trevor ] JESUS. HOLD ON A SECOND. [ Door Closes ]
[ Door Opens, Closes ]
[ Trevor ] THEY'RE GONNA BE HERE SOON. HURRY.
I AM. OH, JESUS CHRIST !
OH, HEART ATTACK.
UM, WE WERE SUPPOSED TO WORK TODAY, REMEMBER ?
BUT IF NOW'S NOT A GOOD TIME, THEN I CAN JUST COME BACK LATER.
NO, NO, NO. STAY. HANG OUT FOR A WHILE.
OKAY. [ Woman Laughing ]
HEY. OKAY ?
YEAH.
** [ Dance ] [ Chattering ]
** [ Woman Singing, Indistinct ]
HEY. HEY.
ALICIA LOOKS PRETTY HOT TONIGHT.
WHY DON'T YOU GO DANCE WITH HER ?
SO YOU CAN SLINK OVER
AND START DYKING IT UP WITH HER ?
I ALREADY HAVE.
WHAT ?
WHEN ?
RIGHT NOW. YOU BAD GIRL.
HEY, ALICIA.
[ Jules ] JESUS. WHAT, IS EVERYONE A LESBIAN NOW ?
OH, BACK FOR MORE.
CAN YOU CONTROL YOUR GIRLFRIEND ?
HEY.
THE PARTY'S OVER HERE.
[ Trevor Laughing ]
[ Laughing ]
HEY.
[ Laughing ] [ Laughing ]
THIS SHOULD BE GOOD.
I THOUGHT WE HAD A DEAL, ALICIA.
I WAS JUST HAVING FUN. A LITTLE TOO MUCH FUN.
WE'RE GOING BACK TO THE SCHOOL TOMORROW.
IT'S NOT DUE UNTIL MAY.
WE DON'T HAVE TO DO IT TOMORROW.
BESIDES, I'M GONNA BE COMPLETELY HUNG OVER.
IF I BLEW SOMETHING OFF EVERY TIME I WAS HUNG OVER,
I'D STILL BE IN THIRD GRADE.
HADLEY, YOU JUST HAVE TO, LIKE-- [ Sighs ]
JUST CALM DOWN.
I AM CALM. IT'S JUST--
WHAT ? IT'S NOT COOL, OKAY ?
IF YOU WANT TO STAY UP ALL NIGHT PARTYING, FINE.
BUT YOU'RE GETTING CRAZY. YOU'RE NOT BALANCING.
** [ Slow Dance ] [ Chattering ]
[ Indistinct Chatter ]
DON'T TOUCH ME.
SID, HEY, DON'T TOUCH ME.
FUCK YOU.
LISTEN, I'M NOT INTO THIS THING WITH US.
OH, REALLY ? YOU COULD'VE FOOLED ME.
WHY DON'T YOU GO FIND TREVOR ?
I'M SURE HE'S MISSED HAVING TO FIGHT YOU OFF
THE LAST FIVE MINUTES.
JUST LEAVE ME ALONE, OKAY ?
[ Sheriff ] SO YOU WERE UPSET.
WHY WOULD I BE UPSET ?
I DON'T KNOW. YOU TELL ME. TELL YOU WHAT ?
ABOUT YOU AND ALICIA.
YOU WOULD NEVER UNDERSTAND.
WHY ? 'CAUSE I'M A COP ?
BECAUSE YOU'RE A GUY.
THIS IS HOW YOU'RE LEAVING MY STUDENTS ALONE ?
BY SEXUALLY HARASSING THEM ? WHAT ?
I KNOW ALL ABOUT YOUR LITTLE PANTY RAID AT THE GIRLS' HOUSE.
GODDAMN IT ! I DID NOT TOUCH THOSE GIRLS.
POSSIBLY I DIDN'T MAKE IT CLEAR TO YOU...
HOW THINGS WORK AROUND HERE.
YOU MADE IT CLEAR, BUT I AM INVESTIGATING A CRIME.
AN ACCIDENT.
SLIPPING SOMEBODY PHARMACEUTICAL COCAINE
AND ATTEMPTED MURDER--
THOSE ARE NOT ACCIDENTS, SIR.
MAYBE IT'S TIME THAT I ASKED THE TOWN COUNCIL...
TO START INTERVIEWING OTHER CANDIDATES
FOR THE POSITION OF SHERIFF.
[ Heart Monitor Beeping ]
[ Boys Shouting, Indistinct ]
HOW YOU DOIN', JOANIE ?
HEY. ALL RIGHT.
I APPRECIATE THIS. ANYTIME.
[ Object Shattering ]
[ Coughing, Gagging ]
[ Coughs ]
YOU THINK I'M A FREAK ?
[ Sniffling ]
[ Water Runs ]
[ Sniffling ]
[ Coughs ] I DID THAT...
FOR FIVE YEARS.
UNTIL ALL THESE WHITE BUMPS...
GREW ALL OVER MY FACE AND BODY.
AND WHEN YOU'RE READY, I CAN HELP YOU STOP.
NO ONE CAN HELP ME.
[ Sniffles ] EVERY TIME I DO IT, I THINK IT'S GONNA BE THE LAST.
IT NEVER IS.
I'M JUST A BIG FAT LOSER.
[ Sighs ]
FAT.
[ Sniffling ]
JULIANNE.
YOU'RE BEAUTIFUL, AND YOU'RE SMART.
[ Scoffs ]
AND YOUR DAD PROBABLY SAID YOU WERE FAT...
JUST LIKE MINE DID.
[ Shattering ]
I'M GONNA GET STRAIGHT TO THE POINT.
THE STUFF ALICIA WAS DOING
YOU CAN ONLY GET WITH A PRESCRIPTION.
AND MY FATHER JUST HAPPENS TO BE A PHARMACIST.
HEY, DAD, WE'RE HAVING A COKE PARTY TONIGHT,
AND I REALLY WANNA FRY ONE OF MY FRIENDS.
REALLY, POP ? YOU'RE THE BEST.
YOU THINK ALICIA'S THE VIRGIN MARY.
SHE'S A FUCKIN' LIAR.
WE WERE GETTING TIRED OF KEEPING TRACK OF HER.
YOU GUYS WON'T BELIEVE WHAT JUST HAPPENED.
WANT TO CELEBRATE ?
I DON'T KNOW.
LIFESTYLES OF THE RICH AND FAMOUS.
IT SEEMS LIKE AN AWFUL LOT.
MAX'S SHIT, YOU HAVE TO DO A WHOLE GRAM
IN EACH NOSTRIL TO EVEN GET A BUZZ.
WE ARE CELEBRATING HERE, AREN'T WE ?
WE MOST CERTAINLY ARE. [ Laughing ]
HERE SHE GOES. [ Snorting ]
YOO-HOO ! [ Hawking ]
[ Laughing ]
[ Phone Rings ] OH.
HELLO. OH, YEAH, SHE'S RIGHT HERE.
HOLD ON. ALICIA, HERE.
HELLO. HI ! HOW ARE YOU ? I'M FINE.
OKAY. NO. OH, MY GOD. I AM SO-- EXCITED.
[ Laughing ] YES ! TOTALLY EXCITED.
THANK YOU SO MUCH. ALL RIGHT.
I'LL SEE YOU LATER. BYE.
WHOO ! HEY, WHAT'S UP, ALICIA ?
[ Laughing ]
THEN SHE TOOK OFF AGAIN.
SO YOU DON'T KNOW WHO IT WAS OR WHAT IT WAS ABOUT ?
JUST THAT IT WAS A GUY. DIDN'T SOUND LIKE ANYONE I KNEW.
BUT AFTER SHE TALKED TO HIM, SHE DISAPPEARED FOR A FEW DAYS.
AND LAST NIGHT, SHE SHOWS UP AT OUR PARTY TOTALLY WASTED.
** [ Rave ]
HEY, YOU GUYS. LOOK.
[ Laughing ] SHOULD NOT.
[ Man ] WHAT A TART.
I'M GOING TO HELP HADS.
** [ Woman Vocalizing ]
HOLD THIS.
OH, SHIT.
I DON'T KNOW. YOU THINK WE SHOULD TELL JULES ?
NOT UNTIL WE GOT SOMETHING TO TELL.
LET'S GO.
[ Jules ] SHE'S NOT WORTH IT.
HOW AM I GONNA HAVE FUN WITH HER HERE ?
HEY, GUYS.
OH, JULES, GUESS WHAT WE JUST--
[ Sighs ] SHE IS SO UNBELIEVABLE.
I KNEW SHE-- WHATEVER.
UH, ALICIA, I'M NOT REALLY COMFORTABLE WITH THIS.
HERE, LET ME MAKE IT EASY ON YOU.
HADLEY SLEPT WITH WARREN, YOU KNOW ?
REALLY ? YEAH.
ALL YOUR BULLSHIT ABOUT ALICIA AND ME,
AND YOU FUCKED WARREN ?
COME ON. LET'S TALK ABOUT THIS ALONE, OKAY ?
NO.
NO, NOT IF YOU WERE THE LAST PERSON ON EARTH.
SHOULD'VE TOLD HIM.
[ Woman ] CHECK IT OUT. CHECK IT OUT.
WHERE'S ALICIA ?
[ Moaning ] [ Panting ]
[ Laughing ]
ALL THAT TIME, WE THOUGHT IT WAS TREVOR SHE WAS AFTER,
BUT APPARENTLY SHE HAD HER EYE ON WARREN.
AND YOU FORGAVE HER FOR THAT.
NO. AS A MATTER OF FACT, I DIDN'T.
WELL, YOU REALIZE THAT'S A MOTIVE.
REALLY ? THEN WHY DIDN'T I TRY TO KILL HADLEY ?
SHE FUCKED HIM TOO.
I MEAN, IF I WENT AFTER EVERY GIRL WARREN FUCKED,
YOU'D HAVE A CAMPUS LITTERED WITH DEAD BODIES.
[ Chuckles ]
** [ Blues ]
HEY. YOU, UH,
YOU USUALLY GET A LOT OF COLLEGE KIDS IN HERE ?
WHAT, ARE YOU KIDDING ? THE WAY THESE KIDS DRINK,
I'M MAKING A FORTUNE JUST OFF THE FUCKING TIPS.
UH, BUT WE CARD EVERYBODY.
THEY GOT TO HAVE TWO PIECES OF I.D.
I DON'T SERVE UNDERAGE IN HERE.
DID YOU HEAR WHAT HAPPENED TO ALICIA CAMPBELL ?
YEAH. SHE WAS IN HERE A COUPLE OF NIGHTS
BEFORE IT HAPPENED.
I THREW HER OUT, THOUGH.
SHE AND THIS BLOND CHICK WERE HAVING A PIER SIX BRAWL.
BLOND CHICK ? SHE'S ABOUT 5'6", SPLINT ON HER ARM ?
YEAH, THAT SOUNDS ABOUT RIGHT.
DO YOU KNOW WHAT THEY WERE FIGHTING ABOUT ?
IT SOUNDED LIKE A GUY.
[ Shouting, Indistinct ]
TAKE IT OUTSIDE ! OUTSIDE !
AND YOU DON'T REMEMBER WHAT THEY WERE FIGHTING ABOUT ?
YOU REMEMBER HEARING ANY NAMES ? WARREN ? TREVOR ?
NO. I TOLD YOU, JUST SOME GUY.
ALL RIGHT.
[ Alicia ] ALL PEOPLE ARE AFFECTED BY THEIR EXTERNAL CIRCUMSTANCES,
AND ONE USES THE GIFTS ONE IS GIVEN...
TO BARGAIN AND NEGOTIATE FOR A PLACE IN SOCIETY.
WAS THAT OKAY, WARREN ? WAS THAT OKAY ?
WAS THAT OKAY, WARREN ? WAS THAT OKAY ?
[ Tape Audio Cutting In And Out]
[ Hadley ] TO BLEND IN AND FOLLOW.
[ Alicia ] WAS THAT OKAY, WARREN ? WAS THAT OKAY ?
SHOULD I DO THAT AGAIN ?
THIS AIN'T REALLY YOUR STYLE, IS IT ?
YOU GO TO SCHOOL, AND, EVERY ONCE IN A WHILE,
THEY ACTUALLY WANT YOU TO HAND SOMETHING IN.
[ Laughing, Chattering ]
"LEAD, FOLLOW, OR GET OUT OF THE WAY:
"A SOCIOLOGICAL EXAMINATION OF POOR CHILDREN...
"PLACED IN A PRIVILEGED EDUCATIONAL ENVIRONMENT...
AND RICH KIDS THRUST INTO THE DEPRIVED STUDENTS' WORLD."
AFTER AN INITIAL PERIOD OF REBELLION,
THE POOR STUDENT DISCOVERS
HIS SUCCESS IN THE RICH KIDS' ENVIRONMENT...
COMES FROM HIS ABILITY TO BLEND IN, TO FOLLOW.
THE OLD MAN WHO LIVED IN THE OLD HOUSE,
HE JUMPED ON HIS HOUSE--
[ Alicia ] BUT WHAT ABOUT THE REST OF THE CHILDREN,
THE ONES CAUGHT IN THE MIDDLE ?
LIKE THE MIDDLE CLASS THEY WILL GROW UP TO BE,
THEY SIMPLY DON'T WANT TO GET INVOLVED.
THEY DON'T WANT TO BE BOTHERED.
THEY'RE SIMPLY CONTENT TO GET OUT OF THE WAY.
I SAID IT.
OKAY. OKAY, I GET IT.
SO ALICIA IS THE POOR KID, RIGHT,
WHO WAS ALLOWED TO HANG OUT, PLAY WITH RICH KIDS.
THEY DIDN'T WANT HER TO LEAD. SHE DIDN'T WANT TO FOLLOW.
SO SOMEONE HAD TO GET HER OUT OF THE WAY.
YOU NEED A VACATION.
SO, HOW'D IT FEEL, WARREN, HUH ?
FUCKING HADLEY--
WAS IT WORTH ALL THE PROBLEMS THAT IT CAUSED ?
ARE YOU KIDDING ? IT LET ME FULFILL A FANTASY.
HADLEY GOT THE BEST BONING OF HER LIFE.
SID GOT TO WATCH.
WHERE DOES ALICIA FIT INTO ALL THIS ?
SHE DIDN'T, OTHER THAN TELLING JULES
AND TREVOR ABOUT IT.
WELL, WHY DID ALICIA TELL
IF SIDNEY WAS THE ONE WHO SAW IT ?
IF I GAVE A SHIT
AND WAS WILLING TO THINK ABOUT IT FOR THREE SECONDS,
I'D SAY BECAUSE ALICIA HAD MORE TO GAIN.
[ Heart Monitor Beeping ]
[ Hadley ] YOU'RE REALLY FUCKING PARANOID.
[ Alicia ] I'M PARANOID ?
[ Indistinct ] ...A GIRL WHO REALLY DOESN'T BELIEVE IN HERSELF.
[ Message Machine Beeps ]
[ Man ] HI, HONEY. I'M REALLY SORRY ABOUT YOUR BIRTHDAY,
BUT I'M HAVING A MEETING IN ATLANTA TOMORROW.
I COULD COME DOWN EARLY AND MEET YOU FOR DINNER TONIGHT.
SAY, 7:30, THE LAWRENCEVILLE INN.
BYE-BYE. [ Message Machine Beeps ]
[ Machine Voice ] MESSAGE DELETED. [ Beeps ]
** [ Piano ] [ Chattering ]
HI. MR. ASHTON ? YES.
I'M ALICIA CAMPBELL, A FRIEND OF HADLEY'S.
AH, I'M SO GLAD YOU COULD JOIN US. UM, WHERE IS HADLEY ?
UM, SHE'S NOT COMING.
SHE'S FINISHING UP AN INTERVIEW
FOR OUR SOC PROJECT, SIR. YEAH.
ACTUALLY, I DIDN'T GIVE HER YOUR MESSAGE.
EXCUSE ME ?
THE DISCIPLINE YOU'VE ENFORCED ON HER IS WORKING SO WELL, SIR.
AND BECAUSE SHE'S STUDYING
AND SHE'S WORKING HARD AND NOT DRINKING SO MUCH--
AND I KNOW IT'S NOT MY PLACE TO GET INVOLVED--
BUT I THINK IF SHE WERE TO SEE YOU NOW,
SHE WOULD JUST LOSE COMPLETE FOCUS.
[ Deep Breath ]
[ Sighs ] REALLY.
ARE YOU SURE ?
I AM, SIR.
HAVE A SEAT.
WOULD YOU LIKE A COCKTAIL OR A GLASS OF WINE ?
UM, OKAY.
UH, I'LL HAVE...
A CLUB SODA.
CLUB SODA.
I'LL HAVE ANOTHER ONE. GREAT.
YOU KNOW, YOU REALLY MIGHT BE A GOOD INFLUENCE ON HER.
[ Beeping ]
[ Breathing ]
[ Mr. Ashton ] YOU REALLY MIGHT BE A GOOD INFLUENCE ON HER.
[ Shoes Clattering ]
[ Coughing, Gagging ]
[ Sheriff ] MULTICOLORED PAPER.
[ Snorting ]
[ Mr. Ashton ] YOU REALLY MIGHT BE A GOOD INFLUENCE ON HER.
[ Loud Clank ]
[ Monitor Beeping Rapidly ]
[ Woman ] PRESSURE !
[ Woman ] ALL RIGHT. [ Woman 2 ] IT'S FALLING !
[ Man ] SOMEBODY GET HER OUT OF HERE.
[ Woman ] YOU'RE GONNA HAVE TO LEAVE.
[ Overlapping Dialogue ]
[ Woman ] WE GOT A FLAT LINE ! ASYSTOLIC !
CODE BLUE !
ALICIA.
WE WERE ABLE TO STABILIZE HER,
AND WE'LL CONTINUE TO WATCH HER THROUGHOUT THE NIGHT.
THERE'S NOT MUCH MORE WE CAN DO RIGHT NOW, MRS. CAMPBELL.
YOU SHOULD GO HOME AND GET SOME REST.
[ Sniffles ]
[ Dean Comyn ] I'M SURE YOU CAN UNDERSTAND OUR POSITION HERE.
THIS THING DOES HAVE TO BE INVESTIGATED.
SENSITIVELY.
DELICATELY.
YOU THINK THAT ALICIA'S
JUST THIS LITTLE INNOCENT VIRGIN WE CORRUPTED.
SHE'S NOTHING LIKE SHE SEEMS.
[ Velcro Strap Unfastens ]
YOU THINK ALICIA'S THE VIRGIN MARY.
SHE'S A FUCKING LIAR.
WHEN THEY WHEELED HER IN,
SHE STILL HAD SOME CRUSTED ON HER NOSTRILS.
THEY TOOK A SWAB OF THAT.
PHARMACEUTICAL QUALITY. 100 PERCENT PURE.
I'M JUST TRYING TO FIGURE OUT
HOW ALICIA WENT FROM BEING A TOTAL STRANGER,
TO BEING YOUR BEST FRIEND,
TO LYIN' IN THE HOSPITAL WITH TUBES RUNNIN' IN AND OUT OF HER.
SOMETIMES BAD THINGS HAPPEN TO GOOD PEOPLE.
[ Sheriff Narrating ] SEE, SOMETIMES YOU GOTTA DO WHAT'S RIGHT,
'CAUSE YOU CAN'T NOT.
[ Seagulls Crying ]
NOW, IT MAY COST ME MY JOB,
BUT THERE'S NO WAY ALICIA KNEW WHAT SHE WAS TAKING.
COME ON NOW, MAN. DO THE RIGHT THING.
[ Rapping ] * YOU LAUGHING AT ME THAT'S OKAY *
[ Trevor Narrating ] ALL I KNOW IS THERE WAS SOME PRETTY WEIRD SHIT
IN THE AIR THAT NIGHT.
HADLEY AND I WEREN'T GETTING ALONG,
AND I WAS SICK OF GETTING WASTED.
NICE SPIT TO THE BEAT BOX. NICE SPIT TO THE BEAT BOX.
I'M FEELING REALLY OUT OF PLACE HERE TONIGHT.
[ Laughing ]
I KNOW. ME TOO.
[ Chattering ]
I HAD A LOT OF FUN DANCING WITH YOU.
YEAH.
* MC HAMMER UP MY NOSE
* BUT THAT'S OKAY BECAUSE I STILL GET ALL THE HOS **
YOU JUST GOTTA BE CAREFUL. WHAT DO YOU MEAN ?
YOU JUST HAVE TO BE CAREFUL AND WATCH OUT.
STAY SWEET. [ Rapping Continues ]
[ Trevor Narrating ] SEE, HADLEY DIDN'T LIKE IT
IF SHE WASN'T THE CENTER OF ATTENTION.
[ Rapping ] [ Chattering ]
[ Sid ] HEY, HADLEY. YOU'RE NOT WALKING SO GOOD.
[ Woman Laughing ] WHAT ARE YOU DOING ? HEY !
HEY, TREVOR. HADLEY !
WATCH THIS.
[ Jules ] WHERE YOU GOIN' ?
[ Sid ] HADLEY !
[ Jules ] HADLEY ! WHAT ARE YOU DOING ?
YOU'RE A NUT ! MISS HADLEY.
[ Squealing ]
WHERE ARE YOU GOING ? HADLEY !
[ Screaming ] HADLEY !
YOU'VE HAD A VERY SEVERE CONCUSSION.
WE'RE GONNA HAVE TO KEEP YOU HERE TO RUN SOME TESTS.
NO, I'M NOT STAYING HERE.
YES, YOU ARE.
HEY.
IF THERE'S ANYTHING I CAN DO FOR YOU, GIVE ME A HOLLER.
[ Trevor ] IS EVERYTHING OKAY ?
THAT'S ALL I KNOW.
ALL RIGHT. LOOK ALIVE. I'M GONNA NEED THIS FROM YOU--
AN INVENTORY FROM THE HOSPITAL.
GIVE ME THE NAME OF THE ORDERLY THAT WAS ON DUTY
THE DAY HADLEY WAS THERE.
PETEY, I'M GONNA NEED A LAB TEST, SEARCH WARRANT.
[ Hadley ] THANK YOU FOR JOINING US IN THIS CANDLELIGHT VIGIL--
IN HONOR OF OUR CLOSE FRIEND AND FELLOW STUDENT--
ALICIA CAMPBELL.
[ Hadley ] AS YOU ALL KNOW,
ALICIA HAD A SETBACK LAST NIGHT...
AND NEEDS OUR HOPES AND PRAYERS.
PLEASE TAKE A MOMENT TO ASK FOR HER RECOVERY...
SO SHE CAN ONCE AGAIN RETURN TO US HERE AT COLBY.
HI, ARTIE. GOOD TO SEE YOU.
HEY, UH, RHODA, WERE YOU ON CALL...
THE NIGHT HADLEY WAS ADMITTED ?
NO, BUT I WAS THERE THE NEXT DAY WHEN ALICIA CAME.
HEY, HADLEY.
YOU WORKING ON THE SOC PROJECT ?
GOD, WHEN DID YOU GET SO ANAL ?
WHEN YOU STARTED SLACKING OFF.
I JUST HAVE A LOT ON MY PLATE.
RIGHT. DRINKING LIKE A FISH, DOING DRUGS,
GOING THROUGH PEOPLE'S DRAWERS.
[ Knock On Door ] DADDY !
YOU FINALLY FOUND SOMETHING HARDER THAN YOUR HEAD.
MM-HMM.
HOW'S MY LITTLE GIRL ? GOOD.
REALLY ? MM-HMM.
HI. NICE TO SEE YOU. IT'S NICE TO SEE YOU AGAIN.
THERE'S SOMETHING I'VE BEEN MEANING TO ASK YOU.
LET ME WALK YOU OUT. OKAY.
BYE, HADLEY.
BYE, ALICIA.
[ Object Crashes To Floor ]
GIRLS AND THEIR DADS.
ALL RIGHT. THANK YOU, RHODA.
SURE.
[ Chattering ]
[ Sheriff Narrating ] MAY 26.
GRADUATION DAY AT COLBY UNIVERSITY--
THE AWARDING OF AN ACADEMIC DEGREE.
TODAY, 345 STUDENTS WILL BE ADVANCING.
ONE WILL NOT.
WHILE THE ONE LEFT BEHIND LIES IN A HOSPITAL BED ALONE,
[ Cheering, Applause ]
HER FRIENDS AND COLLEAGUES
CELEBRATE WITH THEIR LOVED ONES.
[ Man Whooping ]
JULIANNE LIVINGSTON. [ Cheering, Applause ]
STEVE CLUTZER.
JULIE MILLER.
DAVID ALEXANDER.
NEIL ATKINSON.
SIDNEY BARRETT.
[ Cheering And Applause Continue ]
DUANE ANDREWS.
HADLEY ASHTON.
LINDA GLOVER.
[ Sheriff Narrating ] THEY CAME TO COLBY
AS YOUNG, UNFORMED MINDS...
IN SEARCH OF TRUTH AND KNOWLEDGE.
AS THEY LEAVE, THE REAL WORLD AWAITS...
FILLED WITH HOPES, DREAMS, OPPORTUNITY...
[ Siren Pops ] AND ME.
SORRY, Y'ALL. EXCUSE ME. EXCUSE ME.
ALL RIGHT. THERE THEY GO RIGHT THERE.
EXCUSE ME, Y'ALL. I'M SORRY.
EXCUSE ME. WATCH OUT, Y'ALL. COMIN' THROUGH.
I'M SORRY TO INTERRUPT. HADLEY ASHTON, YOU'RE UNDER ARREST.
I WILL NOT HAVE YOU HARASSING MY STUDENTS.
THEY STOPPED BEING YOUR STUDENTS 12 MINUTES AGO.
PLEASE COME WITH ME. WHAT'S HE SAYING ?
YOU HAVE THE RIGHT TO REMAIN SILENT.
DAD ? RIGHT BEHIND YOU.
ANYTHING YOU SAY CAN AND WILL BE USED AGAINST YOU.
[ Sheriff ] I KEPT LOOKING AT THAT SPLINT ON YOUR ARM.
TREVOR TOLD ME ABOUT YOUR FALL.
YOU WERE IN THE HOSPITAL, HADLEY.
THE DAY NURSE REMEMBERS ALICIA'S VISIT.
LET ME WALK YOU OUT. OKAY.
BYE, HADLEY.
I'VE BEEN THINKING ABOUT
WHAT WE TALKED ABOUT THE OTHER DAY.
I'D REALLY LIKE TO HELP YOU. REALLY ?
YES. HOW'D YOU LIKE TO COME WORK FOR ME ?
[ Alicia ] UM, GOSH.
WELL, WHAT I REALLY WANNA DO IS GO TO LAW SCHOOL.
[ Mr. Ashton ] REALLY ? WHERE HAVE YOU APPLIED ?
BAXTER, YALE, PENN.
WELL, I CAN'T HELP YOU THERE,
BUT I AM ON THE BOARD AT STANFORD.
REALLY ? UM, YEAH, BUT THAT'S GREAT,
BUT IT WON'T HELP ME WITH THE FINANCIAL AID.
SO-- NOW, WAIT A MINUTE.
YOU CAN CLERK IN OUR LEGAL DEPARTMENT DURING THE SUMMERS,
AND, IN EXCHANGE, WE'LL PAY YOUR TUITION.
HOW'S THAT ? OH, MY GOD.
ARE YOU SERIOUS ? YEAH.
THANK YOU SO MUCH. IT'S OKAY.
IT'S JUST MY WAY OF SAYING THANK YOU...
FOR YOU KEEPING AN EYE ON MY DAUGHTER.
AND WHEN YOU GRADUATE, WE GET FIRST SHOT AT YOU.
OKAY !
THANK YOU. SURE.
YOU'RE GIVING HER A JOB ?
A TOTAL FUCKING STRANGER !
YOU'RE DOING EVERYTHING FOR HER, BUT YOU WON'T HIRE ME--
YOUR OWN FLESH AND BLOOD, YOUR OWN FUCKING DAUGHTER !
THIS HAS NOTHING TO DO WITH YOU.
SHE'S A LYING, FUCKING, MANIPULATING, TWO-FACED BITCH !
HADLEY, STOP IT !
[ Sheriff ] THERE'S A MOTIVE, HADLEY.
ALICIA WENT AFTER EVERYTHING YOU HAD,
EVERYTHING YOU VALUED.
[ Mrs. Campbell ] YOU GODDAMN RICH GIRLS. YOU THINK YOU OWN THE WORLD.
HE'S GOT MY DAUGHTER.
[ Hadley ] IT WAS AN ACCIDENT, MRS. CAMPBELL.
YOU THINK I DON'T KNOW WHAT HAPPENED ?
[ Sheriff ] IT WAS YOUR FATHER ON THE PHONE WITH ALICIA THAT DAY.
YOU PICK UP THIS PHONE AND YOU TELL HER IT WAS A MISTAKE.
I'M NOT GONNA GIVE SOMEBODY SOMETHING
AND THEN TAKE IT AWAY FROM THEM.
I'M NOT GONNA GO BACK ON MY WORD.
NO ! YOU TELL HER !
CALM DOWN. NO. IT'S OVER.
[ Dialing Phone ] TELL HER.
[ Line Ringing ]
[ Jules ] HELLO ?
CAN I SPEAK WITH ALICIA, PLEASE ?
ALICIA. YEAH.
HELLO ? HI. HOW ARE YOU ?
REMEMBER WHAT WE TALKED ABOUT EARLIER ?
HADLEY WOULD LIKE TO CONGRATULATE YOU.
WOULDN'T YOU, HADLEY ?
HEY, ALICIA. CONGRATULATIONS.
OH, MY GOD ! I AM SO-- EXCITED. THANK YOU SO MUCH.
WHOO ! WHAT'S UP, ALICIA ?
[ Doctor ] WE'RE GOING TO KEEP YOU HERE FOR A WHILE.
IF THERE'S ANYTHING I CAN DO FOR YOU, JUST GIVE A HOLLER.
[ Sheriff ] SEE, TREVOR SAW THE ORDERLY HIT ON YOU.
HE WAS EASY, WASN'T HE ?
DID YOU GET IT ? I COULD LOSE MY JOB FOR THIS.
IT'LL BE WORTH IT.
[ Sheriff ] THE NIGHT YOU LEFT THE HOSPITAL, YOU CALLED ALICIA...
AND MET HER AT THE CILVER BULLET.
THE WHOLE BAR SAW YOU.
EVERYBODY HEARD YOU. DON'T WALK AWAY FROM ME !
NOBODY USES ME TO GET TO MY FATHER.
I'M NOT !
YOU'RE SUPPOSED TO BE MY FRIEND. I AM YOUR FRIEND.
NO ! YOU NO LONGER EXIST.
HADLEY ! HADLEY, DON'T LEAVE ME !
HADLEY ! [ Tires Screech ]
[ Sheriff ] YOU WANTED HER OUT OF YOUR LIFE,
BUT YOU KNEW SHE'D SHOW UP AT THE PARTY.
[ Sid ] I HEARD HER WITH HER DAD, AND I SAW HER WITH THIS VIAL,
[ Sheriff ] SIDNEY TOLD THE TRUTH. BUT I DIDN'T KNOW WHAT IT WAS.
SHE HEARD YOU CALL YOUR FATHER.
SHE SAW YOU PUT THE COKE IN MAX'S PAPER.
DADDY, COME BY FOR BREAKFAST BEFORE YOU GO TO THE AIRPORT.
CALL ME AND LET ME KNOW.
JUST YOU, ME AND YOUR LITTLE STRUNG-OUT PROTEGE.
HEY. HAVE YOU SEEN MY LIGHTER ? NO.
HURRY UP. GO GET DRESSED.
[ Sheriff ] WHATEVER YOUR INTENT,
YOU PUT THE COKE WHERE YOU KNEW SHE'D FIND IT.
APRIL FOOLS', BITCH.
[ Jules ] I HEARD THIS CRASH.
[ Sheriff ] JULIANNE TRIED TO SAVE HER.
AND I FOUND HER. ALICIA ?
HADLEY ! ALICIA'S OD'D ! CALL 911 ! HURRY !
[ Jules ] AND I CALLED OUT TO HADLEY TO CALL STUDENT HEALTH,
AND I TRIED TO GIVE HER MOUTH-TO-MOUTH,
AND I TRIED TO REVIVE HER, BUT--
TWO ! HADLEY, WHERE ARE THEY ?
WHY DIDN'T YOU CALL 911 ?
WE THOUGHT THAT-- BECAUSE STUDENT HEALTH
IS RIGHT DOWN THE STREET,
AND THEY HAVE A DOCTOR ON CALL 24 HOURS.
WHY AREN'T THEY HERE YET ?
SHE'LL BE FINE. SHE WON'T COME TO.
WHERE'S THE PHONE ?
OH, SHIT.
ALICIA ?
FUCK !
YOU DID IT ALL ? OH, MY GOD.
[ Sheriff ] YOU WERE SMART ENOUGH TO SWITCH THE PACKETS,
[ Man ] IT'S YOUR BASIC PARTY MIX.
BUT YOU FORGOT AND LEFT THE REAL ONE IN YOUR ROBE.
THAT'S NOT WHAT SHE TOOK.
[ Jules ] I'M GONNA CALL 911.
NO. I CALLED STUDENT HEALTH.
IF YOU CALL 911, IT'LL GET THE POLICE INVOLVED.
[ Woman ] LAWRENCEVILLE EMERGENCY.
WE CAN'T JUST WAIT FOR THEM. SHE COULD DIE !
KEEP DOING THE CPR.
[Sheriff] 911 RECORDED YOUR CALL AT 2:23.
THE CALL TO STUDENT HEALTH WAS SIX MINUTES LATER.
WHETHER YOU INTENDED TO KILL HER OR NOT,
YOU CREATED THE CIRCUMSTANCES THAT PUT SOMEONE AT RISK.
[ Hadley ] ONCE MY FATHER REALIZES YOU'RE NOT PERFECT--
[ Alicia ] WHAT'S THE MATTER ? ARE YOU JEALOUS ?
[ Line Ringing ]
YOU'RE REALLY FUCKING PARANOID.
I'M PARANOID ? THAT'S REALLY FUNNY.
MEANING ? NO, YOU KNOW WHAT ?
I REALLY DON'T WANNA HEAR
YOUR TWISTED LITTLE TAKE ON MY LIFE.
DON'T EVER CONDESCEND TO ME AGAIN.
[ Line Ringing ]
STUDENT HEALTH ?
I AM NOT YOUR LITTLE WINDUP DOLL,
LIKE SID OR JULIANNE.
OH, MY GOD. WE'VE HAD A HORRIBLE ACCIDENT.
WHY DON'T YOU GO AWAY ?
YOU WANT ME TO LEAVE ?
YOU'RE NOTHING BUT A POOR LITTLE RICH GIRL...
WHO NEVER GOT ENOUGH LOVE FROM HER FATHER.
NEVER THINKING A SIGNIFICANT THOUGHT,
JUST PRETTY ENOUGH TO GET BY...
BY SCREWING AROUND ON HER FUCKING BOYFRIEND.
YOU KNOW WHAT ? I'LL FORGIVE YOU FOR THAT,
BECAUSE I ASSUME THAT YOU JUST DON'T KNOW ANY BETTER...
BECAUSE YOU COME FROM TRAILER PARK TRASH.
OR IS IT THE BOOZE TALKING ?
BUT YOU KNOW WHAT I THINK ?
YOU NEED TO GET THE FUCK OUTTA HERE.
I'M SHAKING.
HOW'S SHE DOING ?
OH, MY GOD ! I THINK SHE'S STOPPED BREATHING !
COME ON. [ Whimpering ]
HADLEY ! WHERE ARE THEY ? COME ON. DON'T DIE.
COME ON, ALICIA. DON'T DIE !
FIVE, SIX.
COME ON.
[ Whimpering ] COME ON, ALICIA.
[ Key Turns In Lock ]
SORRY.
[ Phones Ringing ] [ Chattering ]
[ Seagulls Crying ]
[ Phone Rings ]
ARTIE.
THANK YOU.
[ Sighs ]
I UNDERSTAND YOU HAVE SOMETHING YOU WANT TO SAY TO ME.
[ Heart Monitor Beeping ]
[ Alicia's Voice ] WAS THAT OKAY, WARREN ? WAS THAT OKAY ?
[ Tape Rewinds ]
WAS THAT OKAY, WARREN ? WAS THAT OKAY ?
WAS THAT OKAY, WARREN ? WAS THAT OKAY ?
[ Woman ] * SHE LOOKS AHEAD
* SHE PAINTS HER TOENAILS RED
* SHE'S WET AND WILD
* A TYPICAL '90s CHILD
* SHE MAKES EVERY MOVE THEY MAKE *
* SHE TAKES EVERYTHING THEY TAKE *
* SHE MUST BE A THELMA OR LOUISE *
* SHE MUST BE A POSTMODERN SLEAZE *
* UNSCREW THE WINE
* SHE'LL THROW A PARTY LINE
* STORIES EXTREME
* SHE'S SUCH A DRAMA QUEEN
* CRIES THROUGH THE NIGHT
* SHE CHOKED ON MARLBORO LIGHTS *
* PURE CHARM AND GRACE
* SHE HATES HER PRETTY FACE
* SHE MAKES EVERY MOVE THEY MAKE *
* SHE TAKES EVERYTHING THEY TAKE *
* SHE MUST BE A THELMA OR LOUISE *
* SHE MUST BE A POSTMODERN SLEAZE *
* STRAW SPUN FROM GOLD
* SHE CRAVES A TORTURED SOUL
* ALL DOOM AND GLOOM
* SHE PLAYS AN OPEN WOUND
* SHE TAKES EVERY SCENE THEY STEAL *
* SHE FAKES EVERY PAIN THEY FEEL *
* SHE MUST BE A THELMA OR LOUISE *
* SHE MUST BE A POSTMODERN
* TEASE *
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