Original subtitles

‐ [Narrator] Exotic Venezuela is the tropical setting

for an international chess tournament.

‐ Team is business.

‐ [Narrator] But an old nemesis kidnaps Krissie for revenge.

‐ The hunters have become the hunted.

‐ I'm gonna take great pleasure in watching you kill her.

‐ [Narrator] Now in the heat of the moment.

‐ Give me back my team.

‐ Everyone must die.

‐ [Narrator] It's Strake's move

as the danger is about to explode.

On the next Acapulco Heat.

(upbeat music)

♪ I feel the heat

♪ Hey

♪ I feel the heat

♪ Ah ah

♪ I feel the heat

♪ Sweat drippin' down my spine

♪ Making me crazy

♪ Come on come on

♪ Fingers touching mine

♪ Making me hazy

♪ Out on the street

♪ I feel the heat

♪ Burning inside me

♪ Burning hot

♪ I feel the heat

♪ Burning inside me

♪ Burning hot

♪ I feel the, oh, oh, oh, oh

♪ Ah can you feel it

♪ Oh, oh, feel it deep in your soul

♪ Ah ha whoa whoa feel the

♪ I feel the heat

♪ Burning inside me

♪ Burning hot

♪ I feel the heat

♪ Burning inside me

♪ Burning hot

♪ I feel the heat

♪ Burning inside me

♪ Burning hot

♪ I feel the heat

♪ Burning inside me

♪ Burning hot

♪ I feel the heat

‐ [Narrator] Last week on Acapulco Heat.

The Heat team was sent to Venezuela where they stopped

an assassination attempt on Mike's old friend Andre Solko.

‐ Andre Solko.

‐ Our sources believe that the hardliners may attempt

to assassinate Solko during the chess tournament.

‐ You saved my life.

‐ [Narrator] But Strake the assassin

who they thought was dead, was alive and had a new plan.

‐ I must have complete control over that place.

‐ It makes perfect sense that Strake would surface here.

‐ [Narrator] And that plan included kidnapping Krissie.

‐ Krissie.

‐ Strake had one of our team members snatched.

‐ [Narrator] Now the Heat team of specialists must locate

Krissie and rescue her from their archenemy Niel Strake.

(gun shot blasting)

(tires screeching)

(gun shots ringing)

Only the best can play, only the best will win.

‐ And then you can ring his scrawny little neck.

‐ [Narrator] Catch the heat on the next Acapulco Heat.

‐ [Ashley Voiceover] Furious the Heat team had foiled

his assassination of Andre Sokol,

Strake had his men in Puerto Vallarta kidnap Krissie.

We flew home immediately determined to get her back.

But first, we had to find her.

‐ Yes comrade, yes I know it's an

unfortunate set of circumstances that allowed

comrade Sokol to safely return to Russian.

No my friend this has absolutely nothing to do

with the weakening of my abilities,

and certainly nothing to do with Mr. Savage's qualities.

‐ Hmm?

Don't you know that?

Don't you think I know that?

Do you think a man of my reputation and standing

would seriously let them get away with this?

They will not go unpunished my friend.

Now, now comrade, shall I return your investment?

Or shall I fulfill the contract?

Wise decision.

‐ Well it sounds like your reputation

ain't what it used to be.

‐ And why Krissie would you say?

‐ In your business if you don't deliver,

you don't get anymore work and that would be a shame.

‐ Oh poor little, little Krissie.

Is your heart pounding?

I can feel it thumping from here.

Thump, thump.

Do you know why?

'Cause all your friends have gone.

They don't care whether you live or die.

‐ I told you they wouldn't negotiate.

‐ And you were right.

But how sad for you.

You're so young Krissie, you are so beautiful.

You have such a long, long life ahead of you

and it would be tragic if I had to kill you.

But you can make me relent, you can stop me killing you.

‐ Strake, that would be a fate worse than death.

‐ Oh that was naughty.

Oh I have such difficulty dealing with rejection.

‐ And you don't deal with failure very well either.

‐ You know what I'm gonna do Krissie?

I think you're lonely.

I'm gonna go off now,

gonna get a couple of friends to keep you company.

And you and I will talk again.

(ominous music)

‐ [Mike] Hey you guys got anything yet?

‐ No, we got nothin'.

Listen Mike, why Krissie, why didn't they take me?

I was right out in the open.

‐ Krissie's our techno expert,

without her it puts us at an immediate disadvantage.

Look, it wasn't your fault.

This Strake is a brilliant guy, he knows what he's doing,

he's trying to play head games with us man.

Look what he's got your head doing right now.

‐ We're gonna get Krissie back Marcos.

‐ Alright.

‐ Now I wanna know again from the top.

What happened exactly?

‐ We were in contact with you and Ashley one minute,

the next minute everything in here goes out.

The video walls, the monitors, the computers, everything.

‐ No interference, no warnings, nothing?

‐ No, nothing.

It was like somebody flipped a switch

and the whole place just went dark.

I mean I thought it was the satellite dish

so I went up on the roof to check it out and Krissie and I

we were in constant radio contact and all the sudden

the radio goes out and I look

and I see these two punks coming into the building.

So I just shot down here man

and the doors were wide open and Krissie was gone.

‐ And no one in the hotel saw anything?

‐ No, nothing.

‐ Alright.

Ashley patch in Mr. Smith.

Let's see what he has to offer.

‐ [Mr. Smith] Ashley, Mike, any news of Krissie?

‐ [Ashley] The security of

Heat headquarters has been breached.

I'm running a full bandwidth scramble, hold on a minute.

‐ [Mr. Smith] Very good.

Now any word?

‐ Nothing yet.

‐ Do you have any evidence

that it was Strake who took Krissie?

‐ He's the only one who has ever been able

to penetrate the security of headquarters.

‐ Then this could be his way of getting even with you

for foiling his attempted assassination of Andre Sokol.

‐ Or he's attempting to set up an exchange,

Sokol for Krissie.

‐ Or both of the above.

‐ [Mr. Smith] Any ideas where he might be hiding her?

‐ [Ashley] No, not yet.

‐ [Mike] Marcos has checked with the Federales,

they're doing all they can to help.

‐ I've also contacted authorities in Mexico City

to see if there's anything they can do to help.

I'll get back to you if they come up with anything.

Good luck.

‐ Listen I have a request.

When we put together this rescue operation,

I wanna be the one that goes in and pulls Krissie out.

‐ I'll remember that.

‐ Mike go ahead and plug this in.

If the Heat room goes down again, the computer automatically

goes to battery backup and the roof scanner

will search for the source of any incoming transmissions.

‐ [Marcos] Anything I can do to help?

‐ Yeah, you guys could go up on the roof

and see if the scanner is lined up for the dish.

(ominous music)

‐ Good afternoon Miss Hunter‐Coddington.

May I call you Ashley?

‐ You may call me whatever you want.

‐ I've been looking forward to this.

Do you realize this is the first

chance we've had to be alone?

‐ I hadn't really thought about it.

I hope I live up to your expectations.

‐ Oh one of the qualities I admire in your most

is that you're cool under pressure.

‐ I regret to say there's nothing I admire about you.

‐ Oh come along Ashley, there must be something.

My keen mind, my ready wit,

my tremendous talents, my sublime genius.

Or maybe just perhaps my endearing smile.

‐ Absolutely nothing.

You're a demented, degenerate, dangerous sociopath.

Truly evil.

‐ Well there's nothing good or bad

that thinking makes it so.

And I don't think of myself as evil.

A little unconventional perhaps.

I amused you, this could be the beginning

of a beautiful but short lived relationship.

‐ I want Krissie back.

‐ I want Sokol.

‐ You can't have him, he's gone back to Russia.

‐ Then you bring him back.

‐ That's impossible.

‐ Then I'm going to leave you in a room

all alone in the dark until you think of a way.

(electricity zapping)

‐ Well it's not much, but it's a start.

Mike, Mike, can you hear me?

‐ Ashley.

‐ [Ashley] Can you hear me?

‐ Yeah.

‐ [Ashley] Are you okay?

‐ Nevermind about me, are you okay?

‐ I'm okay, it's a little dark in here.

‐ [Mike] Okay Ashley this manual override isn't working.

‐ What's going on?

‐ There's a total shutdown here.

Listen Ashley I think it's Strake.

I'm coming to get you, I'll pry these doors open.

‐ No, don't.

Go back to the Orchid Suite, I'm gonna call you from there,

I think I'm on to something.

‐ Alright.

You two guys stay here, don't let anything happen to her.

(phone ringing)

Yeah.

‐ [Ashley] Mike, can you hear me?

‐ Ash are you okay?

‐ Mike I have managed to dismantle Strake's bug.

‐ Listen the only way to get you out of there

is to blow the bolts and cut the locking bars on the door.

‐ No Mike don't.

To maintain this lockdown

Strake has to send a strong continuous signal.

I need that signal in order to track him home.

And I think I found a little crack in his system.

There's an anomaly in the Kasparov algorithm,

a deviation of .001 in the lateral computations

of three dimensional Cartesian coordinates.

‐ Well of course, how simple.

Now why didn't I think of that?

‐ In plain English that means if I know how Strake

is getting in, I can get back out and in spades.

I can neutralize his system and track him all the way home.

‐ Alright you've got a few hours

but then I'm gonna come in there and blow the door.

You got it?

‐ All I need is to establish the primary coordinates,

the rest should be easy.

Anything new on Krissie?

‐ No, we're all still looking.

I'm out.

(phone ringing)

Savage.

‐ [Strake] Uh Strake here.

‐ Why is it that I'm not surprised.

‐ [Strake] Because I'm very difficult to get rid of.

‐ So are cockroaches.

‐ Oh you're a little cranky today.

Did I call at a bad time Mikey?

I have a friend of yours here.

Do you want to hear her scream in agony.

‐ No need, I'll take your word for it.

‐ Wise decision.

But then you know me don't you?

Oh yeah, and if you're trying to trace this call,

the longer we talk, the more locations you're going to get.

Now, shall we get down to business?

‐ I want Krissie back.

‐ In a basket, plastic bag, or a box?

‐ Alive and well thank you.

‐ I want Sokol.

‐ Can't do that.

‐ Well why not?

What difference does it make to you?

Krissie is a young, beautiful girl

with her whole life ahead of her.

Comrade Sokol is an old man that's had a full life.

Mikey I'm offering you the best of the bargain, really.

How can you refuse?

‐ He's in Russia.

‐ Well get on the phone, explain the situation to him,

I'm sure he'll come to an understanding.

Mikey you have 24 hours

and then Krissie is going to be a sad little memory.

‐ Where is he?

‐ I've got three different locations.

One in Florida, another in Buenos Aires,

and one in Los Angeles.

What'd he say?

‐ If we don't deliver Sokol in 24 hours,

he's gonna kill Krissie.

‐ No haven't seen her, sorry.

‐ Anything on Krissie yet?

Nothing?

‐ Nothing.

‐ Look, I can't convince myself it wasn't my fault.

I should've been there.

‐ Why?

‐ Why, to protect her.

‐ Who assigned you the job of looking after Krissie?

Since when has that been your responsibility?

She's a big girl Marcos

and she's perfectly capable of looking after herself.

‐ She couldn't this time and she's gone.

‐ Look, it's our responsibility

to find her because she's one of us.

We can't all sit in a room

looking after each other making sure everyone's safe.

‐ I know, I know.

‐ I know that you know, intellectually.

How do you feel here?

‐ Lik I should've been there.

(dramatic music)

♪ No matter where I go

♪ I think about you

♪ You're heart is in my soul

♪ Can't live without you

♪ And when I see you again

♪ There's no face

♪ That I'd rather see

♪ And when you're here in my arms

♪ There's no place

♪ That I'd rather be

♪ No matter where I go

♪ I think about you

♪ I think about you

♪ Oh I think about you

♪ I think about you

‐ Mike?

‐ [Mike] Yeah Cat.

‐ I've been trying to get ahold of you

for the last 20 minutes.

‐ The heat room's down but everybody's alright.

‐ Well I've been up and down the whole bay,

talked to every harbor master

and dockhand for at least 100 miles.

I've shown them all pictures

of Strake and Krissie and nothing.

Tommy's checking on the airport and all landing strips

and Brett's checking in on

the border patrol and highway patrol.

‐ Just keep trying,

we're bound to get a break sooner or later.

‐ Will do, I'm back on the road.

‐ There's gotta be something I can do.

‐ Go see your pals the Federales, pass out some pictures,

light a fire under them.

‐ Alright I'm on it.

‐ Hey listen, be careful, call in.

‐ Alright.

‐ [Ashley Voiceover] We only had 24 hours

to find Strake and hopefully Krissie.

What we didn't know was that he was about

to increase the sakes in a totally unexpected way.

‐ [Man] Don't move, don't move.

‐ You okay?

‐ I'm fine, I'm not happy to see you guys.

‐ Savage.

‐ [Mike] Yeah, what?

‐ I'm having a lot of fun collecting your people.

You know they're easier to come by

than stamps or butterflies.

‐ Yeah well I'm sure Brett didn't go peacefully.

‐ Oh your people are well trained but you're gonna have to

admit they lack my dramatic flair.

‐ You have a real problem cutting to the chase,

don't you Strake?

‐ Well now that I've got that strapping young lad

and Arthur, they don't play football very well.

‐ Still ain't getting Sokol.

‐ I'm wondering which one you would have me kill first?

I'm actually gonna let you choose.

No, I changed my mind.

Eeny meeny miny moe.

Definitely gonna be you Krissie.

‐ Strake!

‐ I'll call you back.

Yes, but I want you to tell me how she dies.

I lied Brett.

I'm going to take great pleasure in watching you kill her.

‐ Oh that's an original idea.

I tell you I've never seen a career unravel so fast.

From blue chip assassin to bumbling maniac.

‐ And kidnapping people

and trying to trade them in for incomplete missions.

By god you're pathetic.

‐ You're calling me pathetic?

Wait until the three of you see

how slowly you're all going to die.

That, my friend, will be pathetic.

(ominous music)

‐ Bad time for a song eh?

(knocking on door)

‐ Michael my friend, I am back.

‐ Andre what the hell are you doing here?

You're supposed to be in Moscow.

‐ Ah I was at airport in Caracas,

just about to get on plane, and I think to myself,

my friend is in trouble because of me.

So I came back.

I came to help you.

‐ Well I appreciate that sentiment,

but I have the situation under control.

‐ Ah Michael, I do not doubt your ability my friend,

but I can do something that you cannot do.

‐ What?

‐ You can swap me for Krissie.

‐ No.

‐ You must act out of loyalty to your team.

You stand much better chance of taking Strake down

with your team at full strength

and me on inside with Strake.

‐ I will not deal with a terrorist

and you for one know that.

‐ But think of it as opportunity to strangle little pig.

Michael.

(sighing)

‐ [Mike] Ashley is that you?

‐ Mike.

‐ [Mike] You okay?

‐ I'm doing just fine, thank you.

‐ [Mike] Alright just keep me posted.

‐ [Ashley Voiceover] Heat had a long standing rule

not to negotiate with terrorists.

Still it's hard to maintain your convictions

when someone you care about a great deal is in jeopardy.

Tommy and Cat were learning that the hard way.

‐ Oh I needed to run off some of this tension.

‐ Well you gotta stay loose.

‐ I have never felt this frustrated before in my life.

‐ It'll kind of drive you nuts when someone you care about's

in trouble and you can't even help 'em.

‐ They feel like family to me.

‐ You know they can take care of themselves, even Arthur.

‐ I know they're good.

I keep telling myself that.

‐ One thing I learned through Zen.

‐ What's that?

‐ Just how to deal with frustration and fear.

‐ What do you do?

‐ You know our feelings are kind of like the water,

it's our minds that harden them up you know,

turn them into ice.

I just figure you get ahold of them and melt it down,

can't hurt water, can you?

‐ I just run.

‐ I guess we all gotta have something huh?

‐ You have to in this business.

‐ Wonder what those guys are doing right about now.

‐ They're probably wracking their brains

trying to figure on a way out.

‐ Which is pry what we should be doing about now, huh?

‐ Race you back.

‐ Okay.

‐ Oh Bruce Lee.

‐ When am I gonna learn.

‐ Okay muchos gracias amigo.

The Federales and the Caracas police

have confirmed the flight of a private jet

to a small landing strip in this area.

‐ [Mike] Well my my, aren't you a sight for sore eyes.

‐ I have finally broken Strake's hold on the Heat room.

He doesn't know it yet.

And I have managed to infiltrate his system.

The computer's beginning to generate possible locations,

only I can't guarantee how long it's gonna take.

‐ Well I think perhaps it's time we make trade eh?

‐ I don't think so Andre.

I'm beginning to think you're not the one he wants.

That you're just a decoy.

‐ So then why would Strake go to

all that trouble to assassinate him?

‐ He's not trying to assassinate him.

It's us that he wants.

The hunters have become the hunted.

‐ So all this time that we're looking after Andre,

Strake's been picking off our guys one by one.

‐ I think it's a definite possibility.

‐ Alright then.

From now on, we all wear one of these.

That way Cat and Tommy can monitor

our whereabouts from the Heat van.

‐ You know I'm betting the lady is right.

‐ Yeah and I'm gonna go back in town,

I'm gonna take another look around.

‐ By yourself?

‐ Yeah I'm betting the lady's right too.

‐ I hope the lady's right.

‐ The lady is always right.

‐ [Ashley Voiceover] While we were relying heavily

on the wonders of technology to pinpoint Strake's hideout,

sometimes it's good old fashioned

leg work that pays off in the end.

Cat and Tommy set up temporary headquarters in the Heat van.

With the narrow parameters on Strake's location,

they continued to search for witnesses

who might've seen where Krissie was taken.

It was a long shot, but we were overdue for some good luck.

(intense music)

‐ Hey how are you doing?

I have a question to ask.

Have you seen her?

‐ Have you seen this girl?

Tommy pull over.

Yeah, have you seen this girl?

‐ [Ashley Voiceover] Meanwhile Marcos

was playing a long shot of his own.

(ominous music)

(tires screeching)

(thudding)

(groaning)

(intense music)

‐ Looking for me?

‐ In a manner of speaking.

‐ You're up to something, my love.

‐ What makes you think that?

‐ I'd be disappointed if you weren't.

With your tenacity and perseverance of character.

Things I find very, very attractive.

‐ Flattery will get you nowhere.

‐ What would you like me to say that would please you?

‐ Give me back my team.

‐ Why can't you ask for something reasonable?

The team is business, what we've got is personal.

You listen to me, if you can't learn to separate

your personal life and your professional life,

you're gonna end up a bitter lonely old woman.

Did I touch sore spot?

‐ You are unbelievable.

‐ Sometimes the truth hurts.

‐ And you enjoy hurting people, don't you?

‐ Of course.

(computer beeping)

‐ Are you okay, did he touch you?

‐ Marcos, long time no see.

‐ What can I say, I missed you guys.

‐ And here we all are.

Now how are you all enjoying your new quarters?

Is there any complaints?

‐ I think I'd rather be in LA.

‐ Just what do you hope to gain by keeping us prisoner?

‐ Prisoner?

Oh Prisoner's such an ugly word.

It has so many unpleasant connotations.

No I would like you to think of yourselves as my guests.

And I would expect you to behave accordingly.

‐ Well in that case, what time do you serve tea?

Just trying to enter into the spirit of things.

‐ You didn't answer my question.

‐ Some people collect stamps, others collect butterflies,

but I collect those people I don't like

and then I eliminate them.

‐ Is there anyone you do like?

‐ Huh, what?

‐ I said is there anyone that you do like?

‐ I can't think of anyone off hand.

‐ Alright, how do we get out of here?

‐ Well we've been thinking about that.

‐ Isn't that the woman who was with Strake in Caracas?

(upbeat pop music)

‐ Hey, hey, hold it.

Woops, thought you were someone else.

Sorry.

(device beeping rapidly)

(ominous music)

‐ This is telling me that Marcos is right here.

‐ [Cat] Well look at this.

‐ We'll make the exchange at

the Messady Aura Wildlife Preserve.

It'll be a four for one trade, Savage.

And you will bring two backup people and so will I.

‐ [Mike] I hear you, when?

‐ Tonight at exactly six o'clock.

Bye Mike.

‐ Down to the wire, ah sweetheart.

‐ Down to the wire.

(ominous music)

‐ What do you hear?

‐ Brett and Marcos.

Tell Mike we got it.

‐ Mikey.

‐ Oh, ah.

You may all congratulate me.

‐ Why?

‐ I won.

You know what I'm gonna do now?

‐ You're going to Disneyland?

‐ No, no, I'm gonna erase Savage

and Hunter‐Coddington from my phone book.

‐ The fat lady ain't sung yet.

(laughing)

‐ When the exchange is made you will all open fire.

Everyone must die.

Are you listening to me?

Ashley.

No, no, no, there's gotta be no exceptions, no exceptions.

Everyone must die.

‐ Yeah.

We're at a villa that's south of town,

Cat just picked up Strake's voice on a long range mic.

‐ Krissie, Brett, and Marcos too and tell him they're fine.

‐ Ashley I'd like to ask you a personal question.

‐ Shoot.

‐ Why do I get the feeling that you admire this madman?

‐ Because in a way I do.

I admire his mind, his genius.

But I despise who he is and what he does.

Does that make sense?

‐ Sure it does.

Our prison system is full of some

of the greatest minds in the world.

People who take chances that others are afraid to take.

But they use their brilliance for the wrong reason,

that's why they wind up in the big house.

‐ Then let's go put Strake in jail.

‐ Unless he harms one of our people,

then I'm gonna give him a pair of cement shoes.

‐ I second the motion.

‐ I am ready my friends.

‐ Look Andre.

‐ No, look Andre means you are going to say

something I don't want to hear, so don't say it.

I am ready.

‐ This is going to be extremely dangerous.

‐ I know danger, we are acquainted.

We eat together, sleep together,

I live with danger many, many years.

You wouldn't deny me meeting with old friend, would you?

‐ It is settled.

‐ Let's go.

We'll take the Subaru.

‐ I love Subaru.

‐ Don't you go nowheres.

‐ What's the latest?

‐ They're still in there.

‐ Yeah the swap was a trap, they're gonna kill us all.

‐ The lady was right.

Let's make our move.

(ominous music)

(gun shots ringing)

‐ [Marcos] Mike and Ashley.

‐ Hey!

(gun shots booming)

(screaming)

(gun shots blasting)

(intense music)

(gun shots ringing)

‐ Strake.

(groaning)

(gun shots firing rapidly)

‐ Andre.

Strake?

‐ I had little pig.

Americans get gun jam huh?

‐ You're one tough old bird Andre.

‐ Ah a scratch.

‐ This time stay put.

‐ Bring me back vodka.

(screaming)

‐ [Strake] You'll never take me alive Savage!

(gun shots booming)

(loud thudding)

(yelling)

(upbeat music)

♪ I feel the heat

♪ Yeah hey

♪ I feel the heat

♪ Burning inside me

♪ Burning hot

♪ I feel the heat

♪ Sweat dripping down my spine

♪ Making me crazy

♪ Wet fingers touching mine

♪ Making me hazy

♪ Out on the street

♪ I feel the heat

♪ Burning inside me

♪ Burning hot

♪ I feel the heat

♪ Burning inside me

♪ Burning hot

♪ I feel the

♪ Ah can you feel it

♪ It's deep in your soul

♪ Oh whoa whoa feel the

♪ I feel the heat

♪ Burning inside me

♪ Burning hot

♪ I feel the heat

♪ Burning inside me

♪ Burning hot

♪ I feel the heat

♪ Burning inside me

♪ Burning hot

♪ I feel the heat

(loud explosion)

♪ I feel the heat

(groaning)

(air swooshing)

(wood cracking)

‐ Come on, you wanna play?

Come on Mikey, come on.

(punches thudding)

(loud thudding)

(groaning)

‐ [Mike] By the time you wake up,

you're clothes will be out of style.

‐ [Marcos] I never thought I'd be so happy

to be walking on a beach again.

‐ [Krissie] Yeah well anything's better

than spending it with Strake.

‐ [Brett] All I know is if I had to hear that

crazy laugh of his one more time,

I'd have knocked his head straight off his shoulders.

‐ Yeah then why'd you wait for us big boy?

‐ I was waiting for a kung fu man to show me how it's done.

‐ All I know is I don't care if I look at

another chess program as long as I live.

‐ I don't blame ya.

Anyway that'll give you more free time.

‐ Free time for what?

I dunno what you're talking about.

‐ Shut up.

‐ Hey I think a celebration is in order.

It's happy hour, drinks are on me,

meet you at the club.

‐ Alright.

‐ See, see or no?

‐ He doesn't drink, I'll take his drinks.

‐ I get his drinks.

‐ No I get his drinks.

‐ I'm the one that spent all the time with Niel Strake,

I deserve a drink.

‐ I'll buy you a double.

Oh my god I think I see the woman of my dreams.

Hey Linda.

‐ Hit me twice.

Hey Brett let me show you something.

‐ [Mike] Hey I got a telegram from Andre.

‐ To the Acapulco Heat fashion team.

Thank you for making my trip to Caracas

and to Puerto Vallarta the exciting one that it was.

Who knew chess could be so invigorating.

One last caper in the old game means a lot to me.

To have been able to share it with an old friend

and his new friends means that much more.

If you ever do a fashion show in Russia look me up.

Andre Sokol.

‐ I sure am gonna miss that guy.

Hey you think Strake found himself

a chess partner in prison yet?

‐ Well he's got a lifetime to look.

‐ Sure did take us a long time to nail that guy didn't it?

‐ We finally did and we got

the whole team out safe and sound.

‐ It sounds like a good reason to celebrate.

‐ What do you have in mind?

‐ Well I know this little villa out of the way,

we could spend a few days there if you want.

‐ Tempting, very tempting.

‐ You bring the champagne, I'll bring the music.

‐ I have a better idea.

You bring the champagne, I'll bring the chess board,

we can meet in the Orchid Suite,

it's about time you learned how to play.

‐ I'd rather play spin the bottle.

‐ [Narrator] On the Mexican Rivera

there are many kinds of beauty.

‐ The Star of Iran was the ship

that smuggled out the uranium.

‐ It was considered a curse and nobody ever went near it.

‐ [Narrator] But an underwater paradise

hides a lethal secret.

‐ Kill them all.

‐ [Narrator] Now the team must face

a ring of ruthless terrorists.

‐ [Cat] I'm going in to find out what's going on down there.

‐ [Narrator] While recovering deadly uranium.

Turn up the heat on the next Acapulco Heat.

(upbeat dance music)