Original subtitles

‐ [Narrator] The fabulous Mexican Riviera,

where the beautiful people come to find excitement.

‐ McVeigh's about ready to make a huge buy.

‐ [Narrator] But when the H. E. A. T. team

confronts a mysterious weapons dealer.

‐ I thought you were dead.

‐ [Narrator] Ashley is reunited with an old lover.

‐ The man's a traitor.

‐ [Narrator] Now her loyalty to the team

will be put to the test.

Turn up the heat on the next Acapulco H. E. A. T.

‐ No! (gun fires)

(explosion)

(fast paced music)

(upbeat music)

♪ I feel the heat

♪ Hey

♪ I feel the heat

♪ I feel the heat

♪ Sweat

♪ Drippin' down my spine

♪ Makin' me crazy

♪ Fingers touchin' my

♪ Makin' me hazy

♪ I feel the heat

♪ I feel the heat

♪ I feel the

♪ Can you feel it

♪ Deep, deep in your soul

♪ Feel the

♪ I feel the heat

♪ I feel the heat

♪ Feel the heat

♪ I feel the heat

♪ I feel the heat

(suspenseful music)

‐ [Ashley] The funny part about your past

is that no matter how hard you try to escape it,

no matter how far you run,

it always manages to catch up with you.

Cat and I were both about to learn that lesson the hard way.

(suspenseful music)

‐ Beautiful day for a bit of exercise hey!

‐ Ah man!

‐ Who's winning?

‐ It's not that kind of game Arthur.

‐ Take that tie off let's play some ball.

‐ I don't think so,

now croquet or cricket now there's a game

that you can outmaneuver your opponent with

but this I mean what's the sense of it all really?

‐ Open your eyes my brother that's all the reason you need.

‐ Well I suppose it is is a rather valuable source

of aerobic conditioning.

‐ [Marcos] That's the spirit.

‐ Anyway I have some mail here.

This is yours

and this, return to sender.

‐ Come on let's play ball.

‐ Mail call!

Not for you.

But for you my dearest who I have a letter,

bill and a rather well traveled piece of rag.

‐ Wow looks like it followed you half way across the world.

‐ Well that's the mail services for you.

Very, very slow but incredibly persistent.

‐ Kinda like you.

Hey how come I never get any mail.

‐ Aw poor mike nobody loves you.

‐ Well I wouldn't say that.

(suspenseful music)

‐ What is it,

bad news?

Come on you can tell me.

Private matters are my specialty.

Who's it from?

Come on what is it?

‐ It's from a man I used to be involved with.

Roger Darwell.

We worked together for awhile.

He was with the C. I. A.

‐ Was it serious?

‐ Yeah.

So is this.

We had an agreement that if either one of us

got into trouble and our respective agencies

couldn't pull us out that we'd send a coded letter.

‐ So he's in trouble?

‐ Was MI6 told me he died a year and a half ago.

But this letter's post dated a month

after his supposed death.

‐ Well how could the guy mail a letter

after he's already dead?

‐ Damnit.

‐ Hey don't blame yourself sweetheart.

Where did he die?

‐ In a prison in Guantamina.

‐ Guantamina?

If I remember correctly Guantamina's

most famous for its exportive military cous.

What was he doing there?

‐ I don't know.

But I am gonna find out.

‐ [Computer Voice] Secure transmission incoming.

‐ C. I. A confirmed that Roger Darwell died

in a Gunatamina prison a year and a half ago.

‐ [Ashley] What efforts were made to get him out?

‐ The US did a full court press

in the diplomatic front.

Beyond that their hands were tied.

Guantamina is not a democracy.

They follow their own rules.

‐ Why didn't they send in a rescue mission?

‐ I have no comment.

They refused to give me further information.

‐ This post mark from the grave is still bothering me.

‐ It's probably for the better Ash.

You would of gone down there yourself,

you would've gotten killed too.

What do you think his mission was?

‐ Guantamina was just starting

to become a central clearing station

for weapons sold on the black market.

Since Darwell's death,

the situation's gotten dramatically worse.

All we know is that their arms trade

appears to be spear headed by a man named Fernando.

‐ I wanna go in.

‐ [Mr. Smith] Personal reasons or professional?

‐ Both.

‐ Mike its your call.

I'm with her.

‐ Now these people are starting

to do business with major terrorist groups.

Your priority has to be to stop them.

I want this kept professional.

‐ It will be.

‐ Good luck.

‐ [Computer Voice] End secure transmission.

(beeps)

‐ Better travel light.

Bring a small team.

I'll have Arthur arrange for the visas.

‐ Fine.

‐ Hey I'm sorry about your friend Roger.

Sounds like he was my kinda guy.

‐ What makes you think that?

‐ We were in the same business.

‐ You guys are opposites.

‐ Didn't you know that opposites attract.

(ominous music)

‐ Believe me it was virtually impossible

getting tourist visas for Guantamina.

Good shot.

‐ Well you did get the visas huh?

‐ Well a nightmare of course

But for yours truly.

‐ You okay?

‐ No problem, no problem just,

warming up.

(suspenseful music)

‐ Who are you?

And why are you following me?

(beeps)

‐ It looks like the prints you bought me match his ID.

Juan Lopez private investigator.

Looks like he's legit.

‐ And experienced.

‐ Who besides about a hundred jealous wives

would wanna have you tailed?

‐ Cute, very cute Krissie.

I've got a really bad feeling about this.

(suspenseful music)

‐ This is Juan Lopez.

I've located the girl but she's on to me.

Put me through to him.

‐ [Operator] Senor Lopez?

‐ Yes I'm having trouble contacting the sergeant.

It's extremely urgent.

‐ [Operator] He can be reached at his office in London.

(suspenseful music)

(phone rings)

‐ [Juan Lopez] This is Juan Lopez.

I've found Catherine Pascal but she's about to leave town.

‐ [Ashley] We flew down to Guantamina but Cat

was still concerned about her encounter

with a Mexican private eye Juan Lopez.

(suspenseful music)

‐ So Krissie ran a check on him

and he turns out to be a P.I.

‐ Maybe that's all it was.

A simple mistake.

‐ Just doesn't feel right.

‐ So what do you think?

Some guy gone off the deep end over you or what?

‐ No.

No I don't think so.

It's not like I've been doing a lot of dating lately.

‐ Alright guys listen up.

This whole operation is definitely

being run by Fernando.

We do not have a location on him yet

but we know it is somewhere in this section of the city.

‐ Do we have a picture of him?

Or at least a good description?

‐ Neither one.

Nobody sees Fernando, he is the invisible man.

But Marcos here may have a lead on him.

‐ One of the guys who works for him is named Jorge.

Jorge is hiring new personnel.

I've applied for a job.

‐ We know that Fernando communicates

through computer network internet.

But Krissie has not been able to intercept

or decode anything yet.

‐ So where do we start?

‐ That depends on Marcos.

(suspenseful music)

‐ You've all passed the test

but I only need two more men.

You and you come with me.

(suspenseful music)

You'll be paid at the end of the job.

Don't ask questions.

(beeps)

The curious and the dead are one in the same.

Understand?

Load it up.

‐ I knew it was important to concentrate

on the mission but old lovers die hard

and my heart was still more than a little preoccupied.

The Guantamina government refuses to release the coroner's

report on Roger.

‐ So what do you think they're trying to hide?

‐ I don't know but I'm gonna go find out.

Mike, you don't have to come.

This is personal.

‐ You actually think i'd let you go by yourself?

‐ Never.

Anything new on Marcos?

‐ He's inside.

Still no sign of Fernando.

Cat and Tommy are right here.

‐ And the morgue is right here.

(suspenseful music)

(door closes)

‐ Smells like my high school science lab.

Remember we used to dress up the frogs.

Had a little celebration.

Oh no look they got Mr. Smith.

‐ Mike.

Please don't.

‐ Hey it's either that or drill you on this

Darwell character which I've actually promised myself not

to do unless of course you'd like to offer any information.

‐ No thank you.

Got it.

(footsteps)

(suspenseful music)

(door opens)

(suspenseful music)

(door closes)

Come on.

‐ Just when I was beginning to enjoy myself.

‐ Anything so far?

‐ Waiting here for Marcos.

Still hasn't gotten in the villa yet.

‐ Well the guy who hired him

has been hanging out with that girl over there.

Keep an eye on her and see if he shows up.

Maybe we'll get lucky and they'll meet Fernando for lunch.

‐ Yeah right.

Talk to you later.

(fast paced music)

♪ Anticipation

♪ Just to see how you change your ways

♪ You see what you're leavin' behind

(camera snaps)

♪ Can't you see me

♪ Now I don't mean to bring you down

♪ Is it worth all you put on the line

♪ Nobody would believe you

♪ And your friends they went like the wind

♪ Got the tide changing

♪ And the change of running waves

♪ When the rain that would come to

♪ Baby I can see the calm before the storm

♪ You won't even notice

(suspenseful music)

‐ I got him Tommy.

Jorge's back at the villa.

‐ Good I got a visual on Marcos, over.

‐ We'll maintain silence for the next 20 minutes

over and out.

(suspenseful music)

‐ Catherine Avery Pascal?

You're under arrest.

(ominous music)

‐ You're crazy.

‐ I am Sergeant Webb Saunders from Scotland Yard

and I am placing you under arrest.

‐ How on Earth did you find me?

‐ A tourist visa was issued in Mexico City

in your name two days ago.

‐ You can't do this.

‐ One year ago next week,

you broke into the Sylvester residence at 5 Eden Square.

You stole a pendant valued at 500,000 pounds.

‐ That charge was dropped.

‐ Oh it was not dropped Ms. Pascal.

It disappeared.

‐ Exactly.

That's why it's none of your business anymore is it?

‐ Oh no it's very much my business.

For two years I was after the famous Cat

and I found her.

Now I want her back.

‐ Before you start making a major mistake.

I suggest you have a conversation with your superiors.

‐ Oh I've had that conversation already.

I found it less than satisfactory.

‐ Sergeant Saunders that charge was frozen.

I made a deal so you can forget about me okay?

‐ You were the youngest most beautiful cat burglar

Europe ever saw.

Why on Earth would I want to forget about you?

‐ Aren't you just a little bit outside of your jurisdiction?

Like say 10,000 miles.

‐ Oh I can't think of a nicer way to spend my vacation.

You're coming with me.

(fist thuds against face)

‐ Tommy abort the surveillance.

Meet me at the beach.

‐ Why?

‐ Just do it!

‐ So what did the coroner's report say?

‐ Next to nothing.

Cause of death trauma to the head

resulting from a fall.

Vague to say the least.

‐ Ill tell you what,

I'm gonna go upstairs and wait for Tommy and Cat

to check in, alright?

‐ Saunders was the officer who arrested me.

I get printed.

They take pictures

then they take me to this office upstairs

where there's this big guy offering me a deal.

‐ Get out of jail for free.

‐ Yeah, the deal was I go to work for C5

and join the H. E. A. T. team.

‐ In exchange for which they drop the charges.

‐ No they suspended the charges for one year.

But if I stayed with the H. E. A. T. team for that year

then they'd drop it.

‐ You gotta tell Mike and Ashley.

‐ Tommy if Mr. Smith finds out about Sergeant Saunders

he will pull my security clearance.

‐ He'd have to.

I mean with this guy on your tail

you're an accident waiting to happen.

‐ But what am I gonna do?

If I lose my security clearance I'm off the team.

And if that happens before next week,

I'm goin' to jail.

‐ It's your call but if I was you,

I'd just be straight with 'em.

‐ [Roger] Ashley!

‐ Roger?

(romantic music)

Oh!

‐ I thought you were dead. ‐ Dead.

‐ Yes.

‐ I heard you arrived.

A year too late.

I gather you are otherwise engaged.

‐ No I only just got the letter a few days ago.

Roger the company thinks you're dead.

‐ They had already set the date for my execution.

I was rather devastated.

That day when I sent the letter.

‐ And it took a year to reach me.

‐ How could I know that?

I thought you might've received the letter

and I don't know just didn't care enough

to come after me.

‐ Surely you know me better than that.

‐ There's no longer anything that certain

in this world Ashley.

My country abandoned me.

The company abandoned me and when you didn't come,

what was I supposed to think?

‐ That maybe just the letter hadn't gotten to me.

‐ By then it no longer mattered.

They would've killed me

so I made a deal to save my life.

If I gave them information of the company's operations

in their country, they would release me from their prison.

And pay me generously.

I did and they did.

I did it only so that I could save my life.

You would've done the same.

‐ Maybe not.

‐ I have a lot of explaining to do.

‐ No I don't wanna tell Mr. Smith.

‐ You told me.

‐ That's different.

‐ Ashley the man's a traitor.

He exposed an entire covert operation.

What about the agents lives he might've compromised.

‐ I don't know.

‐ Why is he still here?

‐ I don't know that either.

‐ You certainly didn't ask a lot of questions did you?

‐ That's why I'm talking to you.

‐ Alright.

We'll leave Mr. Smith out of it for right now.

And just keep it between you and me.

‐ Thanks Mike.

(knock on door)

‐ [Mike] Who is it?

‐ It's Cat.

‐ [Mike] What about Marcos?

‐ He's okay he's at the villa.

‐ What's the matter?

‐ The Sergeant Saunders,

the man who arrested me in London,

he's in Guantamina.

I guess we have to tell Mr. Smith.

‐ Well now that we're keepin' secrets

from Smith why stop at one.

You think you can handle this guy?

‐ Well up to a point.

Unless he brings in the local authorities.

‐ Then we call Mr. Smith.

‐ Until then we have a job to do.

They're watchin' Marcos very closely.

You and Tommy infiltrate the perimeter

of that villa, see if you can find out

about that alleged shipment alright?

‐ I'm on it.

‐ Well so we're out on a limb now.

On two counts.

‐ [Ashley] Sometimes I think we work best in that position.

‐ Grace under pressure.

How about dinner tonight?

‐ Sorry Mike other plans.

‐ Him?

‐ Him.

‐ You know I don't mind a little competition

but how could I possibly compete

against a guy who's been dead for over a year?

‐ Out you.

(romantic music)

‐ Cheers.

So Ashley,

don't you think we deserve a second chance.

‐ It's not that simple.

‐ So what's the problem?

‐ Roger,

I came down here for two reasons.

You.

‐ Well here I am.

‐ And a man called Fernando.

‐ Fernando?

What do you wanna do with him?

‐ You know who he is?

‐ Yes everybody in Guantamina knows who Fernando is.

Fernando is the one that saved my life.

‐ Why?

‐ I had some information he needed.

Guantamina was involved in the arms trade in a small way.

Fernando turned up and showed 'em

how to break into the big time.

‐ Do you know about his background?

‐ No, nobody does.

My guess is that he came out of the terrorist trade.

Burned a few bridges and had to disappear.

‐ Have you ever seen him?

‐ No.

No one has ever seen him.

Why are you so interested in Fernando?

‐ Business.

‐ So you really didn't come down here

to find me after all?

‐ Correction I did come down here to find you

but I was sent down here to find Fernando.

‐ Can't you just settle for little ol' me?

‐ I wish I could.

‐ There was a time where I would've been enough.

‐ [Ashley] Marcos reported that Fernando's latest shipment

was almost ready to go.

We needed a break and we needed it fast.

‐ Marcos, Marcos. Do you read me?

‐ Yeah.

Fernando's probably here

but they're watchin' me too closely.

Tell Cat there's an open door

on the ocean side of the villa.

‐ Kay we're on our way.

(suspenseful music)

‐ [Ashley] We knew Fernando was almost ready

to ship a major quantity of arms.

There was every chance that

he would disappear shortly thereafter.

It was now or never.

We had to ID the mysterious Fernando immediately.

That meant getting inside his private quarters.

It was up to Tommy and Cat.

(suspenseful music)

‐ All the crates are ready.

They're loaded.

(suspenseful music)

‐ I'm in position.

Am I clear?

‐ Affirmative.

Go for it.

(suspenseful music)

‐ [Jorge] Yeah get me Fernando this is Jorge.

It's all ready Fernando.

‐ [Fernando] How are things coming along?

‐ Ian McVeigh will be treated as an honored guest.

‐ [Fernando] Well I certainly hope so.

‐ [Jorge] You'll be here in about 15 minutes then?

‐ [Fernando] That's correct see you then.

‐ The mortar rounds go on the last truck

with the rocket launchers alright?

(suspenseful music)

(camera snaps)

‐ [Saunders] Got ya this time red handed eh?

‐ Get back.

(suspenseful music)

(gun fires)

(Saunders screams)

‐ Get him.

Secure the house!

Check the crates.

(phone keys beep)

‐ Tommy get me the hell out of here.

‐ I got you covered.

(gun fires) (suspenseful music)

(gun thuds on head)

‐ Alright we still don't know when.

At least now we're closin' in on who the arms are going to.

‐ Are you absolutely sure that the name

that you heard was McVeigh?

‐ Yes Ian McVeigh it was clear.

‐ The name mean somethin' to you?

‐ Roger and I put away a particularly seedy terrosit

called McVeigh about three years ago.

‐ And?

‐ I don't know maybe nothing.

(computer beeps)

‐ I've accessed Fernando's email with internet.

His last communicate came from Ian McVeigh.

‐ Ian McVeigh, escaped from prison three years ago

and formed his own group.

The Gaelic Revolutionary Council.

They freelance to raise money for their own private army.

‐ Looks like Fernando and Mr. McVeigh

have become pretty close pals.

‐ McVeigh's ready to make a huge buy from him.

‐ [Mike] Well that's no good.

‐ Alright we can't wait any longer,

intercept and hold any further messages.

Then send an email under McVeigh's code to Fernando.

Tell him McVeigh can't come himself.

That there's been a change in plans.

‐ But he can expect McVeigh's representative today.

A female representative.

‐ Okay.

I'll make the arrangements.

(door closes)

‐ Just got word from Marcos.

‐ What's wrong?

‐ Well he saw one of Fernando's men

leading Sergeant Saunders into the villa.

‐ I wanna go with you.

‐ No we stick to the plan.

‐ You've gotta be the first ex‐con

in history to be worried about her arresting officer.

(suspenseful music)

‐ [Ashley] I was walking straight into Fernando's hands.

Posing as a representative of the terrorist Ian McVeigh.

I was determined to have the first shot at Fernando.

The man who convinced Roger Darwell to turn traitor.

(suspenseful music)

‐ Can I help you?

‐ I'm Jude.

McVeigh sent me.

(suspenseful music)

What's all this?

‐ Fernando thought you might be interested.

An English policeman.

A valuable prize.

‐ Is he well enough for us to take him back.

‐ He'll live.

‐ Good.

Like to bring him back to the hotel with me.

Then I'll come back and inspect the merchandise.

‐ Of course.

I'll have to check with Fernando first.

(suspenseful music)

(speaks in foreign language)

‐ Welcome to my home Ashley.

‐ Roger.

Roger Darwell is dead.

My name is Fernando.

(speaks in foreign language)

Your gun please.

(speaks in foreign language)

‐ Ashley can you read me?

‐ Something's gone wrong.

‐ Come in over.

‐ Marcos, Ash is late and her homing device is broken.

Do you copy?

‐ Yeah loud and clear.

‐ See if you can recon the position, over.

‐ Alright I'm on my way.

(suspenseful music)

‐ How could you do this?

‐ I told you.

It's because of Fernando that I'm alive.

No not that one.

That one stays thank you.

Breath taking view isn't it?

‐ The best that money can buy.

‐ I didn't do it for the money.

I did it for revenge.

To get even for those six months my government left

me to die in that prison.

They have some very imaginative torturers here.

‐ You knew the rules Roger.

You knew what would happen if you were caught.

‐ Yes of course.

But they abandoned me.

‐ They did everything they could to get you out.

‐ Well obviously not enough.

When the day of my execution came

I was relieved I lost everything.

Everything I loved including you.

‐ That's not fair.

‐ You can't imagine the feelings I had

standing there in front of the firing squad,

fully prepared to die.

And then divine intervention I suppose.

Somebody thought that my expertise

in the international arms trade might be of some value.

‐ So you gave it away.

‐ No my love I sold it to them

they provided the money and I provided my expertise.

And we split the profits 50, 50.

I suppose you're right.

This is the best view money can buy.

Do you like it?

‐ If I could enjoy it with a clear conscious.

‐ Well Ashley,

still so idealistic.

Still thinking in such simplistic terms.

Right and wrong, good and bad,

their side, our side.

There's no such thing.

There's no signs.

There's no good and bad.

There are only the winners and the losers.

‐ Come in Mike, Mike?

‐ Yeah go ahead.

‐ Yeah she isn't hurt but her cover's blown.

Fernando's holdin' her at the villa.

‐ Understood we're on our way.

‐ I suppose now is not the time to tell you

that you won't get away with this.

‐ Thank you for your analysis Sergeant.

But you're dead wrong.

‐ He's right Roger.

‐ Sorry love Roger died in a Guantamina prison

almost a year ago, nice chap,

a little too trusting, too decent.

And when I walk through that door Fernando

will cease to exist.

I want you to walk through that door with me.

I love you Ashley.

I will always love you.

Or the memory of you.

The choice is yours.

‐ I can't Roger.

‐ Roger would've been broken hearted.

In fact devastated.

Fernando is merely disappointed.

(door opens)

‐ The truck's loaded Fernando.

What do you want done with your guests?

(suspenseful music)

(heads thud against each other)

‐ This is your last chance.

Please Ashley don't force me to leave you behind.

‐ Scotland Yard will not let you get away with this.

(suspenseful music)

‐ Ashley please stay out of the way.

‐ No.

(fist thuds against face)

(suspenseful music)

(gun fires)

‐ [Fernando] Jorge get the truck!

(gun fires)

(suspenseful music)

(explosion)

I'm so sorry Ashley.

Let me die.

‐ I can't we had a deal remember.

‐ Yeah I remember.

‐ I'm taking you home.

(soft music)

‐ Catherine Avery Pascal.

I'm glad to see you've turned

yourself to more respectable causes.

‐ You're not goin' to arrest me.

‐ No although your retirement from the cat burglar business

is something of a blow.

You were the best you know?

‐ Thanks.

‐ The pleasure is mine.

‐ Goodbye.

We'll always have Eden Square.

‐ Good luck.

God speed.

(soft music)

(people chattering)

‐ Well your boyfriend Roger's on his way back

to headquarters of Langley.

‐ I wonder what they'll do to him.

‐ Nothing good hopefully.

‐ Excuse me?

‐ Oh and the Guantamina government

expresses their concern and shock

that such a thing could've existed in their country

without their knowledge.

‐ Tryin' to change the subject?

‐ What was I supposed to think?

You were on the guy like a cheap suit.

‐ There's nothing cheap about it.

‐ Oh yeah and McVeigh was arrested at the airport

and returned to England.

‐ Tryin' to change the subject again?

‐ Why are you so interested

in whether I was jealous or not.

‐ I'm not interested.

‐ Oh Scotland Yard formerly dropped the charges against Cat.

‐ Now who's tryin' to change the subject?

Hey.

I admit it.

I was concerned.

‐ Alright I admit it.

I'm glad.

‐ [Mike] Figured.

‐ [Narrator] The Mexican Riviera.

‐ Paradise!

‐ [Narrator] A world where natural beauty.

‐ Oh my God we're stranded.

‐ [Narrator] Can hide sudden danger.

‐ Trespassers will be killed.

‐ [Narrator] Now the team is stalked by a mad man,

‐ Want you on your way to meet your maker.

‐ [Narrator] And an island paradise

becomes a deadly battle ground.

(explosion)

‐ [Narrator] The heat is always on

and the action is always hot.

On the next Acapulco H. E. A. T.

(upbeat music)