Original subtitles

‐ [Narrator] Last week on Acapulco H. E. A. T.

The HEAT team was in Rio de Janeiro

where they confronted an international assassin.

‐ Save the dogs deep end, we have contact.

‐ [Narrator] And stop the murder for hire

of a foreign diplomat

but the killer they thought was dead is alive

and has a new target.

Now, to accomplish his mission, he's kidnapped

a beautiful princess.

‐ You're never going to get away with this.

Do you know who I am?

‐ Be quiet.

‐ She's been kidnapped, your highness.

‐ [Smith] That puts C5 in a very bad position.

‐ [Narrator] And only the HEAT team

of specialists can save her life.

‐ [Strake] Whether she lives depends entirely

on how well you follow my orders.

‐ Did you trace em?

Damn it!

‐ [Narrator] It's a high stakes game

of beauty, adventure, and intrigue.

‐ [Strake] Who do you people think you're dealing with?

‐ We don't do business with terrorists.

‐ [Narrator] Only the best can play,

only one will win.

‐ Ever feel like we're getting too old for this?

‐ Never.

‐ [Narrator] Catch the heat

on the next Acapulco H. E. A. T.

(energetic 80s electronic music)

♪ I feel the heat

♪ Hey

♪ I feel the heat

♪ I feel the heat

♪ Sweat

♪ Dripping down my spine

♪ Making me crazy

♪ Wet

♪ Fingers touching mine

♪ Making me hazy

♪ I love the streets

♪ I feel the heat

♪ Burning inside me

♪ Burning hot

♪ I feel the heat

♪ Burning inside me

♪ Burning hot

♪ I feel the

♪ How can you feel it

♪ Still deep in your soul

♪ Feel the

♪ I feel the heat

♪ Burning inside me

♪ Burning hot

♪ I feel the heat

♪ Burning inside me

♪ Burning hot

♪ Hot

♪ Feel the heat

♪ Burning inside me

♪ Burning hot

♪ I feel the heat

♪ Burning inside me

♪ Burning hot

♪ I feel the heat

(tense dramatic music)

‐ Let's go, come on.

‐ Let go of me!

Let go of me.

How dare you treat me like this.

Who do you think you are?

‐ Move.

‐ Stop!

‐ Shut up.

‐ Release her, ladies.

‐ You must be crazy.

Do you know what they're going

to do to you when they catch you?

‐ Sit her down.

‐ Do you know who I am?

‐ Be quiet.

‐ You're never going to get away with this.

‐ One of the kidnappers must of been

that same redhead we saw with Strake in Rio.

‐ Strake a kidnapper?

That's not his MO.

(alarm blares) ‐ Hey gang,

someone is trying to break into our security link.

They've accessed the data base.

Whoever it is is coming up on the wall.

‐ Try and trace it.

(electronic beeping)

‐ Chess pieces?

‐ Hello, friends.

I want you to take a look at something.

Take a good long look.

Whether she lives or dies

depends entirely on how well you follow my orders.

‐ Yeah well we don't do business with terrorists.

‐ You're dancing with someones life here, my friend.

‐ What do you want?

‐ I demand the release of those fundamentalists

being held unjustly in Honduras.

‐ Fine, we'll pass your message along

to the proper authorities.

‐ Do, 12 hours is all the time you've got.

12 hours.

Tick tick tick tick.

I'll be in touch.

‐ We need more time.

Wait.

‐ For what?

Oh for you to trace this call.

Who do you people think you're dealing with?

Oh, and I haven't forgotten Rio.

‐ Neither have we.

‐ Good and that makes this business

between us personal, doesn't it

and I always settle my accounts.

‐ Yeah, well we'll keep that in mind.

‐ Keep this in mind too, my friend.

You got lucky in Rio, very lucky.

But you're no match for me, either of you.

Smile.

‐ Did you trace him?

Damn it!

‐ The Hondurans will never agree to the exchange.

Caving in now will undermine

the whole purpose of the summit meeting.

‐ So what's the game plan?

‐ Put in a call to Mr. Smith.

‐ What are you nuts or do you just like being unemployed?

‐ Neither but we need his help.

Now do you make the call or do I?

‐ Krissie, I don't think you want to be here for this.

‐ Strake has kidnapped the princess?

That puts C5 in a very bad position.

‐ We know, we need your help.

‐ How?

‐ Contact Interpol, we need everything you've got on Strake.

‐ Especially photographs.

We have no idea what the hell he looks like.

For all we know, he could be living in this building.

‐ I'll do what I can.

Meanwhile, don't tell anyone Sabella's been kidnapped.

However unofficial, the woman was under your protection

and get her back safely

or C5 might pull the plug on this whole operation.

‐ You can't be serious?

‐ Trust me, I am.

‐ Whatever happened to goodbye?

‐ I don't know about you

but I'm in no hurry to go back

to warming a desk at MI6.

‐ Yeah well it's a lot better than

tending my dad's bar in Brooklyn.

‐ I suggest we get our act together fast.

‐ I don't believe this.

‐ Hey you need some help?

‐ No, absolutely, unequivocally, no.

‐ Did you get your flowers okay?

‐ Thank you for your concern,

yes I got my flowers and no I don't want

to buy anything, nor do I need a cab ride,

tour guide, or any further assistance.

‐ Who said I was a tour guide?

‐ My dear young man, I do not want to talk to you.

‐ Beach balls are just a cover, right?

‐ Have you been reading too much James Bond

or is this just your idea of being annoying?

‐ Better watch it man, I may surprise you

one of these days.

‐ Well we live in hope.

Now goodbye.

(upbeat marching music)

‐ [Ashley Voiceover] The prince was coming here

to be the chairman of the anti terrorist summit

and I have to tell him he's wife has been kidnapped

by Strake.

Something about that bothered me.

Strake wasn't a kidnapper.

He was a first class assassin

with a very stylish MO and I only knew two things,

Strake was here in Puerto Vallarta

and he was here to kill someone

but who and where and when?

‐ Welcome to Puerto Vallarta, Prince Edward.

Our city's most honored by your presence.

‐ Thank you.

Colonel Rodriquez?

‐ Rodriquez, yes.

Please, sir.

‐ Well how nice to see you again my dear.

It's been almost a year, hasn't it?

‐ Actually more like two, sir.

I hope you had a pleasant voyage.

‐ It was quite pleasant.

It would of been much nicer if wife

had been able to accompany me

and where is Sabella?

‐ I was wondering if I might have a word with you.

‐ (mumbles).

I hardly dare ask.

Is something the matter with Sabella?

‐ She's been kidnapped, your highness.

‐ Come with me.

‐ [Krissie] Heres the photo C5 text me.

‐ Is there anything more you can come up with, Krissie?

‐ Well, in spite of Strake's plastic surgery,

there's a couple constants that never change.

He's skull shape, width of his eyes.

‐ But we can't ID him off of these.

‐ Yes they can.

Thanks to the wonderful world of cyberspace.

I just downloaded a program from

the Institute of Technology.

They should be able to mark these photos.

‐ what was that?

‐ She's gonna blend the photos together

and make a composite.

‐ Here we go.

‐ Okay, sweetheart.

‐ Alright.

‐ Alright team, I want you to go hit the streets.

Go downtown, on the beach,

and if you see anything that even resembles this guy,

vaguely, I want to know about it fast.

‐ Where you be, chief?

‐ I'm gonna be somewhere I never go.

‐ Club Disco?

‐ For a walk on the beach.

(soft thoughtful rock music)

♪ Sometimes I wake up

♪ And wonder if you're still here

♪ Loves like a story

♪ The endings not always clear

♪ All I want is

‐ Michael, I owe you an apology.

You were right about Sabella.

Letting her stay was a big mistake.

I should have listened to you.

‐ I shouldn't of let you talk me into it.

I'm such a pushover sometimes.

‐ Well I can be pretty convincing

when I want to.

We've got one thing going in our favor.

‐ whats that?

‐ We have been on the brink of disaster before

and come out winners.

Do you remember West Berlin?

That was a nightmare.

I can still see your expression

when that guy gave us the slip across the border.

‐ Good thing you remembered he had a lover in Frankfurt.

Caught him two days later with his pants down, red handed.

‐ Poor old Malko.

‐ I guess we pulled that one out of the hat, didn't we?

‐ And we can do it again, Michael.

‐ You think so?

‐ Do you remember Frankfurt was the first place

you asked me (mumbles).

‐ And what did you say?

‐ I said no.

‐ That's what you always say.

‐ Come on partner, let's go back to work.

(low tense instrumental music)

‐ [Ashley Voiceover] Cat, I want you

to go help Tommy and Brett check out (mumbles).

(upbeat tense rock music)

(tires screech)

(horn honks)

‐ Let's go.

(horn honks)

(horn honks)

‐ Terrorism can only be stamped out, ladies and gentlemen.

If all countries attending the conference

sign this treaty.

‐ Thank you. ‐ Right here, please.

‐ [Reporter] Getting countries to sign the treaty

is one thing, your highness,

making sure they adhere to it as another.

Just how do you intend to do that, sir?

‐ We will be working in conjunction with United Nations

peacekeeping forces.

The whole purpose of this summit

is to ratify the treaty,

guaranteeing that all member nations

will refuse to harbor terrorist

or condone terrorism in any form whatsoever.

That's all I have to say at present,

thank you very much.

‐ He's a fine man.

He's a man of honor and compassion.

‐ Sounds like you know him there, Claudio.

‐ I'm proud to call him my friend.

‐ Is there anybody you don't know, Claudio?

(sultry piano music)

‐ If you or team ever need help,

please don't hesitate to call me.

(tense dramatic music)

‐ Manuel, oh excuse me.

Are those for the banquet?

‐ That's right, sir.

‐ What on earth was Manuel thinking?

‐ [Micheal] Any luck on Strake's location yet?

‐ We're working on it but it's strictly elimination

at this point.

‐ We checked every hotel in town.

Passports are all in order and accounted for.

‐ How bout the marina?

‐ The harbor master's records are clean.

There's nobody here that's not supposed to be here.

‐ Best bets Private Reynolds

but it's gonna be a needle in a hay stack.

‐ [Michael] We gotta find him.

‐ [Ashley] What is this guy up to?

‐ That's Marcos, the cab driver I told you about.

Remember the one who said he'd try

to help me catch the red head?

‐ You didn't tell him why you were chasing her, did you?

‐ Of course not.

I just told him that she owed me some money

and I wanted to catch her.

‐ Did he buy it?

‐ No, says he thinks we're all secret agents.

‐ Oh wonderful.

That's all we need, another guy poking around

in our business.

‐ I'll take care of it.

‐ no, I'll take care of this clown myself.

‐ I think I better go with him, guys.

Mike, wait for me.

Mike, get Colonel Rodriquez

and have this peeping tom arrested.

‐ I'm not a peeping tom.

‐ What are you snooping around for?

‐ No reason.

I uh.

Okay, okay, okay.

Just trying to figure out what you guys do.

‐ Well Ashley here designs swimwear.

‐ No, no not that stuff.

The kind of action you're into.

CIA, freelance?

(laughs)

Whats so funny?

‐ Cat said you thought we were secret agents.

Sounded a little far fetched for me.

‐ You got us pegged all wrong, pal.

What you see is what you get.

No more, no less.

Now why don't you be a good guy and buzz off.

‐ Is any problem here?

‐ No, no problem.

Senor Divanti, I was just leaving.

‐ I have to leave the hotel for a couple hours

but I'll be back before the banquet begin.

‐ Well I don't know how we're gonna get along

without you, pal.

‐ You are, as you Americans say, a big kidder, aren't you?

‐ I trust that guy about as far as you could throw him.

‐ Jealous

‐ Extremely.

‐ Ashley, Mike.

‐ What seems to be the problem this time, Arthur?

‐ Manuel must of gone completely off his mind.

Not only does he have strange people

delivering flowers, he's now started

to use tacky pinatas as decorations.

‐ What's the big deal?

This is Mexico.

‐ Michael, at a children's birthday party, yes.

Not at a delegates luncheon.

‐ Arthur, who delivered them?

‐ A strange looking man and two beautiful women.

(tense music)

‐ Strake.

Mike, there's a bomb in one of those pinatas.

‐ We gotta get past security and into the banquet room.

Lets go.

‐ Wait a minute, what about Manuel?

‐ I still don't see why I can't climb

up the side of this hotel.

I'm cat burglar, not a mole.

‐ Yeah, yeah and you could have imprison for it too

so shut up and get in.

‐ Meow to you too.

(soft tense music)

‐ Cats in the cage, springboard.

She's all yours.

‐ I got her.

Welcome aboard high dive.

I'll be guiding you every step of the way.

‐ [Cat] Oh whoopee, I feel safer already.

‐ Please limit your remarks

to the business at hand, high dive.

Activate your camera for me.

I'm gonna put you on the big screen.

Are you still with us platform?

‐ [Mike] We're monitoring.

Any questions, high dive?

‐ Yeah I'm off to the see the wizard

and I need direction to Oz.

‐ Just stay out of the witches house

and don't bring home any rusty tin men.

‐ So you do have a sense of humor?

(laughs)

‐ I copy that, high dive.

There's a fork in the yellow brick road.

Take a left and keep climbing.

‐ Will do.

Ow.

‐ What's wrong, high dive?

‐ I hit my head.

Is my camera still functioning?

‐ That's affirmative.

‐ [Cat] Where's the platform (mumbles)?

‐ They're about to enter the poppy field.

‐ That's funny, Manuel never closes this early.

‐ You realize it's called breaking and entering?

‐ No legs, it's called desperate.

‐ Don't call me legs.

(mumbles)

(smooth suspicious jazz music)

Mike.

(soft tense classical music)

‐ We caught her trying to break out of her room.

‐ You may look at me, my dear.

Look at me.

Whether you live or die really makes

no difference to me.

Now.

‐ Ashley, come here for a minute.

You smell something?

‐ Like what?

‐ Doesn't remind you of anything?

‐ Turkish cigarettes, Istanbul?

‐ Strake.

Buy or lease your dream house

from Ocean View Realty.

‐ That's weird, think he'd be so obvious?

‐ Not a chance.

When you have no leads to follow,

even a potential trip could look appetizing.

Why don't you see what Krissie can come up with?

‐ Springboard, this is sarong.

There's a chance that Strake has rented

from Ocean View Realty.

Have your computer talk to his computer.

‐ I'm on it.

‐ Oh great.

‐ We've lost picture.

Are you there, high dive?

‐ Yeah me and 5,000 pinatas.

Is this any better?

‐ No.

But no sweat.

Use the bomb sweep to find out what pinata

contains a sting and I'll talk you

through defusing it.

‐ Easy for you to say.

(electronic crackling)

(beeping)

Spring board, this is high dive, I just hit the jack pot.

‐ Describe the sting for me.

‐ It's resting on what looks like packing paper.

Has three wires attached to it and I guess a timer.

‐ No receiver?

‐ I don't see one.

‐ What color are the wires?

‐ [Cat] One black, two red.

‐ Uh oh.

‐ What do you mean uh oh?

‐ Bad news baby, you're gonna have

to cut all three wires at once.

‐ Terrific.

Well maybe you'd like to tell me

how I'm supposed to do that

when I only have two pairs of snippers,

to mention only two hands?

‐ Easy, you're gonna use your mouth.

‐ Bite the third wire?

What are you, some kind of sadist?

‐ Not bite, you ding dong, use nail clippers.

I put some in your waist pack.

‐ Let me get this straight.

You want me to hold a pair of snippers in each hand

while I hold a nail clipper between my teeth?

‐ That's the idea.

‐ Don't suppose you'd like me

to whistle the (mumbles) while I'm at it?

‐ That would be nice.

Better yet, how bout a little tap dance

on the table tops.

‐ Oh you really are sick, you know that?

‐ How's it going, high dive?

Speak to me, high dive, how's it going?

Whistle if you're okay.

(whistling)

(upbeat royal classical music)

‐ [Ashley Voiceover] What we didn't know

was that Strake's plant to assassinate

Mia Mia was more devious than just one bomb.

‐ Is prince still in conference?

‐ Any luck, Krissie?

‐ well I checked out Ocean View Realty

and there's no new rentals

under any of Strake's known aliases.

That's the bad news.

‐ And the good news?

‐ I accessed their phone company records,

I checked out all the incoming lines

and phone calls during the last two weeks.

‐ [Michael] And?

‐ I found calls made from the Saboy hotel in London

to Ocean View, supposedly by Norman Sanders

but check this out.

The credit card numbers match Strake.

‐ And so do the initials.

‐ He would never make a mistake like that.

‐ He did.

‐ How stupid does he think we are?

‐ Krissie, does Ocean View Realty

show a rental from Norman Sanders?

‐ Let's check it out.

Here it is.

51754 Avenida Cortez.

‐ Ashley, my girl, I think we may

have just found ourselves a princess.

(tense instrumental music)

Do yourself a favor, go back, now.

(tense dramatic music)

(suspenseful classical music)

‐ The princess is inside but the window is welded shut.

(explosion)

(glass shatters)

(tense instrumental music)

‐ Hey.

(gunfire)

‐ Get in, get in!

(gunfire)

Get in, get in!

‐ [Cat] Marcos, thank you.

‐ I expect a big tip.

(gunfire)

‐ Where's Strake?

‐ He didn't say, I swear.

(gun cocks)

‐ Mike.

Let's go, come on, forget about it.

The banquet, we're late.

‐ Red king takes black castle

but we're not at checkmate yet.

‐ [Michael] Krissie, notify the prince that we'll

have his wife there before he starts his speech.

‐ [Krissie] Will do, out.

(applause)

‐ I now must take a moment to mention

our guest of honor. ‐ Forgive me.

‐ [Man] A man without who's determination, integrity...

‐ This is quite urgent.

Please see that the prince gets it.

Thanks.

‐ I had no idea about you, Ash.

‐ You still don't right?

‐ Right.

Oh, where is that thing?

‐ What are you looking for?

‐ The key to my makeup compartment.

Well nevermind.

I better hurry up before Edward starts his speech.

‐ It is with the greatest pleasure and honor

that I introduce to you

our chairman, his highness, Prince Edward.

(applause)

‐ We neutralized the bomb, we rescued the princess.

‐ So why do I feel like Strake

has jerked our tail?

‐ You too?

The whole thing was way too easy

and the mistakes he made, not like him at all.

The matchbook he left behind,

the long distance phone calls.

‐ He must of known we weren't stupid enough...

Oh my god.

Fisher burn 1956.

Fisher sacrificed his queen in order

to break down his opponents defenses.

‐ What?

‐ Strake sacrificed the princess.

Mike, he's playing us.

‐ You want to give me some subtitles here, Ash?

‐ He wanted us to get away, locker B.

‐ Locker B two bombs but where?

Cat checked the whole banquet room.

‐ But she didn't check Sabella.

Trust me, Mike.

Somehow they put that bomb in her purse.

(tense dramatic music)

‐ It's affirmative sarong,

I'm picking up digital movement.

It could easily be a timer in her purse.

(tense dramatic music)

‐ [Ashley] It's almost six, we're never gonna make it.

‐ I know a shortcut.

(tense dramatic music)

We gotta get in there.

‐ Is there any problem here?

‐ They won't let us through.

‐ It's an emergency.

‐ Let them through.

Colonel, I take full responsibility.

(speaks Spanish)

‐ Ladies and gentlemen, distinguished colleagues,

and guests, I cannot fully express my joy

at this moment.

As most of you are probably aware,

complex negotiations.

‐ Ashley, what are you doing with my purse?

‐ I'll tell you later.

‐ At which one begins to say,

is it ever going to arrive at fruition?

(tense dramatic music)

(explosion)

(screaming)

‐ Please, calm down.

Everything is under control.

I assure you.

(laughs)

‐ Ever feel like we're getting too old for this?

‐ Never.

‐ Me too.

‐ Drive!

‐ What did you do with my purse?

‐ Well let's put it this way,

I think it's about time Edward bought you a new one.

‐ Ashley, I think you owe us

a slightly better explantation than that.

‐ Ka boom.

‐ It was in her purse?

‐ I can't believe it.

I'm so sorry, I'm such a nuisance.

Will you forgive me, darling?

‐ Yes of course I will.

‐ Thanks for looking after me.

‐ What are friends for?

‐ I'm sorry, excuse me.

I think I know who hired Strake.

‐ We'll keep an eye out for him, sarong,

but it's a zoo down here.

Hold it!

There he goes.

(tense dramatic music)

‐ Taxi, taxi!

Taxi.

Taxi please.

Go, go.

‐ [Marco] These crazy drivers.

They hear this big boom

and forget all about their job.

Now me, I'm not so crazy.

‐ [Massud] Where are you going?

Let me out of this cab.

Unlock this door.

(horn honks)

‐ Hey, this who you're looking for?

‐ Unlock this door.

What are you doing?

What is this?

Leave me alone.

What is this?

(soft piano music)

‐ Thanks again.

‐ Hey I knew there was a reason

I didn't get those locks fixed.

‐ According to our sources,

Massed had planned this coup for months

and saw the summit as a perfect

opportunity for getting rid of the Amir

without causing any suspicion.

Thanks to you, he was unsuccessful.

‐ Yeah but Strake got away.

‐ The games not over yet.

‐ Show him Krissie.

‐ Then you'd better watch your back.

The good news is, the summit treaty

has been ratified.

So alls well that ends well.

Expect of course for about $50,000.00

worth of broken windows.

‐ Nobody's perfect.

‐ Speak for yourself.

(laughs)

‐ Oh and by the way about your young friend.

My people have checked him out.

He's been working undercover for the Mexican government.

They recommend him highly.

I suggest you take him on.

‐ Speak of the devil.

‐ Peeping around the hotel once too often.

‐ I told you, I'm not a peeping tom.

I explained to you.

‐ And I'm telling you I'm not interested

in your explanation.

Now if you don't mind, we're just going

to have a word with a couple of people.

‐ Whoa, what is this place?

‐ Welcome to the team.

‐ What if I don't want to join?

‐ Them I'm going to kill you right now.

(laughs)

‐ He's kidding right?

‐ Nice work, partner.

‐ You too, legs.

‐ I'm going to say this to you one more time,

don't ever call me legs.

‐ How bout buns?

(laughs)

‐ You're impossible.

(upbeat dance music)

‐ [Narrator] next on Acapulco H. E. A. T.

Time is running out as the H. E. A. T.

Team tries to save a princess' life.

‐ She's been kidnapped, your highness.

‐ Whether she lives depends entirely

on how well you follow my orders.

‐ Did you trace him?

Damn it!

‐ [Narrator] But she's just a pawn.

‐ You're never going to get away with this.

‐ [Narrator] In a far more deadly game

that could spark a global incident.

‐ Who do you people think you are dealing with?

‐ [Narrator] Catch the heat

on the next Acapulco H. E. A. T.

(upbeat dance music)