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1
00:00:15,839 --> 00:00:18,399
[CENSOR HUMMING]
2
00:00:18,440 --> 00:00:21,160
[DISTORTED, DISTANT]
Saira, we've talked it through.
3
00:00:21,199 --> 00:00:24,199
[NORMAL AUDIO]
Let's talk about
your song ideas.
4
00:00:24,239 --> 00:00:25,800
Yeah, we shut you down
pretty hard.
5
00:00:25,839 --> 00:00:27,440
It wasn't nice of us.
Sorry.
6
00:00:29,079 --> 00:00:30,079
Saira?
7
00:00:30,120 --> 00:00:31,399
AMINA:
We were ready
8
00:00:31,440 --> 00:00:32,960
to help Saira
write a new song.
9
00:00:33,000 --> 00:00:35,000
Let her express
what she needed.
10
00:00:35,039 --> 00:00:36,600
But then--
11
00:00:36,640 --> 00:00:38,600
[PLAYING MELLOW PIANO]
* Bashir with the good beard *
12
00:00:38,640 --> 00:00:40,679
* You're so pretty
You're so pretty *
13
00:00:40,719 --> 00:00:41,920
* You're so pretty *
14
00:00:41,960 --> 00:00:43,880
* Bashir with the good beard *
15
00:00:43,920 --> 00:00:46,399
* You say you think I'm weird *
16
00:00:46,439 --> 00:00:47,359
Unh.
17
00:00:47,399 --> 00:00:49,359
* Bashir with the good beard *
18
00:00:49,399 --> 00:00:52,119
* Won't you love me?
Won't you love me? *
19
00:00:52,159 --> 00:00:54,200
* Bashir with the good beard *
20
00:00:54,240 --> 00:00:56,520
* You've gone and disappeared *
21
00:00:56,560 --> 00:00:58,359
AMINA:
The label had listened
to our tracks
22
00:00:58,399 --> 00:01:01,640
and they thought our music
needed finessing.
23
00:01:01,679 --> 00:01:03,640
Beautiful. Beautiful.
Yeah. Yeah. Yeah, great man.
24
00:01:03,679 --> 00:01:05,159
I like it. Let's go with it.
25
00:01:09,239 --> 00:01:11,400
* Why won't you love me? *
26
00:01:11,439 --> 00:01:15,000
* Why won't you text me back? *
27
00:01:15,040 --> 00:01:20,079
No, no, no! It's not a ballad.
It don't need a piano. Saira.
28
00:01:20,120 --> 00:01:22,799
Chill, yeah?
We're just spit-balling,
29
00:01:22,840 --> 00:01:23,959
musically speaking.
30
00:01:24,000 --> 00:01:25,359
Lucien.
Hm?
31
00:01:25,400 --> 00:01:28,000
Yean, um, we like it like that.
We want it like that.
32
00:01:28,040 --> 00:01:32,000
[SCOFFS]
Just giving it a polish.
No need to get upset.
33
00:01:32,040 --> 00:01:34,640
[FREDDIE PLAYING GUITAR]
34
00:01:36,439 --> 00:01:38,120
Freddie is just going
to help you with ideas
35
00:01:38,159 --> 00:01:40,599
for your guitar solo, yeah?
Make it stronger.
36
00:01:40,640 --> 00:01:42,159
Hello.
Heh. Hi.
37
00:01:42,200 --> 00:01:43,920
Uh, listen,
I like my guitar solo.
38
00:01:43,959 --> 00:01:45,079
I think it's strong as it is,
39
00:01:45,120 --> 00:01:46,959
so with all due respect,
Freddie,
40
00:01:47,000 --> 00:01:48,159
I don't think
your services will--
41
00:01:48,200 --> 00:01:49,519
We know you like it, Amina,
42
00:01:49,560 --> 00:01:51,959
but we want our audience
to like it too, right?
43
00:01:52,000 --> 00:01:53,680
AMINA:
I shan't mince my words:
44
00:01:53,719 --> 00:01:58,599
Lucien, our A&R guy, was
a wanker of the highest order.
45
00:01:58,640 --> 00:02:01,200
I thought Saira would be livid
at the proceedings,
46
00:02:01,239 --> 00:02:03,359
but it was like
she wasn't even there.
47
00:02:03,400 --> 00:02:05,280
BISMA:
Band meeting is now in session.
48
00:02:05,319 --> 00:02:08,599
Clarice, we need you to get
Lucien out of our bums.
49
00:02:08,639 --> 00:02:10,560
Extraction team, pronto.
50
00:02:10,599 --> 00:02:12,479
He's really unpicking all our
work, everything that we--
51
00:02:12,520 --> 00:02:14,439
He's fucking
with our sound!
52
00:02:14,479 --> 00:02:17,280
And you, All Quiet on the
Western Front,what the fuck?
53
00:02:17,319 --> 00:02:19,120
Look, you--
You've just gotta play the game.
54
00:02:19,159 --> 00:02:20,439
Yeah, let him
do his tweaks--
55
00:02:20,479 --> 00:02:22,199
Yeah, should we tickle
his balls as well?
56
00:02:22,240 --> 00:02:24,039
These are a bit more
than tweaks, Clarice.
57
00:02:24,080 --> 00:02:25,599
Death by
a thousand cuts.
58
00:02:25,639 --> 00:02:28,120
Death by a thousand cunts
more like.
59
00:02:28,159 --> 00:02:30,400
Look, you--
Collaborate with them.
60
00:02:30,439 --> 00:02:32,599
It's still your songs,
your sound.
61
00:02:32,639 --> 00:02:35,000
They just wanna do their pass,
feel some ownership.
62
00:02:35,039 --> 00:02:37,879
Later on, when you've
made a name for yourself,
63
00:02:37,919 --> 00:02:39,000
that's when
you'll have the power
64
00:02:39,039 --> 00:02:40,199
to tell Lucien
to go fuck himself.
65
00:02:40,240 --> 00:02:42,000
All right, cool,
when will that be?
66
00:02:42,039 --> 00:02:43,000
The next album.
67
00:02:43,039 --> 00:02:44,120
[ALL EXCLAIMING]
68
00:02:44,159 --> 00:02:46,039
We're just meant
to sacrifice this one?
69
00:02:46,080 --> 00:02:47,400
Saira, are you hearing this?
70
00:02:47,439 --> 00:02:49,759
AYESHA:
Clarice, we need
you to get Lucien
71
00:02:49,800 --> 00:02:52,800
and his little merry band
of floppy-haired twats
72
00:02:52,840 --> 00:02:55,199
to get their grubby hands
off our music!
73
00:02:55,240 --> 00:02:58,360
I would love to, Ayesha,
but like I told Saira,
74
00:02:58,400 --> 00:03:02,000
they own the rights
to the album. Okay?
75
00:03:02,039 --> 00:03:04,360
So, they can sit on it
if they want to,
76
00:03:04,400 --> 00:03:06,800
they cannot release it
if they want to, for years,
77
00:03:06,840 --> 00:03:08,080
and I've seen it happen.
78
00:03:08,120 --> 00:03:09,840
Yeah, these label bros,
they can be vindictive.
79
00:03:09,879 --> 00:03:13,479
So just-- Just get
your heads down, yeah?
80
00:03:13,520 --> 00:03:18,039
Play nice and--
And j-- Get it done.
81
00:03:18,080 --> 00:03:19,240
[SIGHS]
82
00:03:22,039 --> 00:03:25,879
Look, well, why don't you take
the rest of the day off, yeah?
83
00:03:25,919 --> 00:03:27,199
Have a rest.
84
00:03:27,240 --> 00:03:30,199
[FOOTSTEPS DEPARTING]
85
00:03:30,240 --> 00:03:31,680
[CLICKS TONGUE,
SIGHS]
86
00:03:40,439 --> 00:03:42,479
[SEETHING]
87
00:03:42,520 --> 00:03:43,719
[STRUMS CHORD]
88
00:03:46,919 --> 00:03:48,680
Maybe we're just actually shit?
89
00:03:48,719 --> 00:03:51,199
Shut up, Amina, man.
We're fucking great.
90
00:03:51,240 --> 00:03:53,199
We didn't pray
this morning.
Or yesterday.
91
00:03:53,240 --> 00:03:54,439
What has that got
to do with anything?
92
00:03:54,479 --> 00:03:56,599
I don't know.
Karma kicking our asses.
93
00:03:56,639 --> 00:04:01,400
It's just--
Does the label even like us?
94
00:04:01,439 --> 00:04:03,479
Or are we their novelty
act or something?
95
00:04:03,520 --> 00:04:06,560
The token Black and browns.
Amina, shut up, man.
96
00:04:06,599 --> 00:04:08,680
You're always putting us down!
No, I'm not.
97
00:04:08,719 --> 00:04:10,120
Yeah, you are. Yeah, you are.
98
00:04:10,159 --> 00:04:11,479
When did I do that?
Just now you did it.
99
00:04:11,520 --> 00:04:13,120
You do this all the time.
Ask her. She's the one--
100
00:04:13,159 --> 00:04:14,439
Ayesha, relax.
101
00:04:15,800 --> 00:04:19,399
Oh, fuck me. She speaks.
102
00:04:19,439 --> 00:04:21,680
Relax when you're relaxed enough
for all of us.
103
00:04:21,720 --> 00:04:23,079
You don't even care.
104
00:04:26,240 --> 00:04:28,160
[VOICE SHAKING]
I don't care?
105
00:04:28,199 --> 00:04:30,560
You think I don't care?
106
00:04:32,399 --> 00:04:38,600
[SCOFFS]
I-- I can't write what I want,
107
00:04:38,639 --> 00:04:41,160
and the songs we have written,
well, they're--
108
00:04:41,199 --> 00:04:46,399
It's like our house is on fire,
and I--
109
00:04:46,439 --> 00:04:49,879
I fired my best friend
for this.
110
00:04:49,920 --> 00:04:55,360
I did that. I did that. Fuck!
111
00:04:57,199 --> 00:05:00,240
[BREATHING SHAKILY]
112
00:05:03,279 --> 00:05:06,399
[PA CLICKS, FEEDBACK SQUEALS]
113
00:05:06,439 --> 00:05:08,319
I am booked in for today
114
00:05:08,360 --> 00:05:11,040
if you want
to lay anything down.
115
00:05:11,079 --> 00:05:13,600
Get some things off your chest.
116
00:05:13,639 --> 00:05:17,560
[LADY PARTS PLAYING
"GLASS CEILING FEELING"]
117
00:05:27,040 --> 00:05:29,399
* Maybe we're just
Actually shit *
118
00:05:29,439 --> 00:05:31,560
* No, you know
We're fucking great *
119
00:05:31,600 --> 00:05:34,120
* But we didn't pray
This morning *
120
00:05:34,160 --> 00:05:36,360
* Or even yesterday *
121
00:05:36,399 --> 00:05:38,920
* Maybe we're a novelty act *
122
00:05:38,959 --> 00:05:41,120
* The token Black and browns *
123
00:05:41,160 --> 00:05:43,120
* Please shut up
I've had enough *
124
00:05:43,160 --> 00:05:45,399
* Of you putting us down *
125
00:05:45,439 --> 00:05:50,120
* Supercalifragi-
racist-sexist-xenophobic *
126
00:05:50,160 --> 00:05:54,720
* Is it us or is it them?
Why are they trying to own us? *
127
00:05:54,759 --> 00:05:59,519
* Supercalifragi-losers
Lonely, sad and broken *
128
00:05:59,560 --> 00:06:04,199
* Overwhelmed and numbing out
Living in slow-motion *
129
00:06:04,240 --> 00:06:08,680
* Glass ceiling feeling *
130
00:06:09,639 --> 00:06:13,439
* Glass ceiling feeling *
131
00:06:13,480 --> 00:06:17,600
* Glass ceiling feeling *
132
00:06:18,519 --> 00:06:24,800
* Glass ceiling feeling *
133
00:06:32,720 --> 00:06:35,040
* White boys out here
Selling sex *
134
00:06:35,079 --> 00:06:37,519
* We're ethnic selling rage *
135
00:06:37,560 --> 00:06:39,680
* That ain't
What the people want *
136
00:06:39,720 --> 00:06:42,000
* That don't make
The main stage *
137
00:06:42,040 --> 00:06:44,160
* Glass ceiling feeling *
138
00:06:44,199 --> 00:06:46,639
* Got me feeling like a fool *
139
00:06:46,680 --> 00:06:51,600
* Stuck in the master's house
With the master's tools *
140
00:06:51,639 --> 00:06:55,959
* Supercalifragi-
racist-sexist-xenophobic *
141
00:06:56,000 --> 00:07:00,920
* Is it us or is it them?
Why are they trying to own us? *
142
00:07:00,959 --> 00:07:05,480
* Supercalifragi-losers
Lonely, sad and broken *
143
00:07:05,519 --> 00:07:10,240
* Overwhelmed and numbing out
Living in slow-motion *
144
00:07:10,279 --> 00:07:13,600
* Glass ceiling feeling *
145
00:07:15,199 --> 00:07:19,360
* Glass ceiling feeling *
146
00:07:19,399 --> 00:07:23,560
* Glass ceiling feeling *
147
00:07:24,480 --> 00:07:31,240
* Glass ceiling feeling *
148
00:07:39,920 --> 00:07:42,120
LUCIEN:
"Glass Ceiling Feeling," huh?
149
00:07:46,000 --> 00:07:47,680
I like it.
It's catchy. It's good.
150
00:07:47,720 --> 00:07:48,560
[SIGHS]
151
00:07:48,600 --> 00:07:50,000
Yeah. I--
No, I agree. I--
152
00:07:50,040 --> 00:07:52,399
I just think it sort of
rounds out the album perfectly.
153
00:07:52,439 --> 00:07:54,279
AMINA:
The cathartic release
of writing
154
00:07:54,319 --> 00:07:56,439
"Glass Ceiling Feeling"
was special.
155
00:07:56,480 --> 00:07:58,959
Maybe the label
was on our side after all.
156
00:07:59,000 --> 00:08:00,439
Yeah. It's nice to feel
your excitement.
157
00:08:00,480 --> 00:08:02,079
I'll share it with the team.
158
00:08:02,120 --> 00:08:05,199
So next week, album launch,
bring on the tour.
159
00:08:05,240 --> 00:08:07,800
AMINA:
This should have been
our moment of triumph.
160
00:08:07,839 --> 00:08:11,040
But Saira was struggling
to enjoy it without Taz.
161
00:08:17,160 --> 00:08:22,319
TAIFA:
* It's much easier to run
Than it is to feel my pain *
162
00:08:22,360 --> 00:08:23,800
AMINA:
Many moons ago,
163
00:08:23,839 --> 00:08:26,000
Saira had promised Taifa
a songwriting lesson.
164
00:08:26,040 --> 00:08:28,480
She agreed to it now,
with the small hope
165
00:08:28,519 --> 00:08:31,000
that Taifa might have
some intel on Taz.
166
00:08:31,040 --> 00:08:34,120
TAIFA:
* I'm not scared
I'm prepared *
167
00:08:34,159 --> 00:08:37,360
* To lose my feet
To lose the ground *
168
00:08:37,399 --> 00:08:40,440
* 'Cause I've learned
That where I stand *
169
00:08:40,480 --> 00:08:43,840
* Is just no real place
To be found *
170
00:08:43,879 --> 00:08:50,000
* I don't belong here
I don't belong here *
171
00:08:50,039 --> 00:08:52,480
* I don't belong here *
172
00:08:52,519 --> 00:08:55,639
* I don't belong here *
173
00:08:59,399 --> 00:09:02,840
Yeah. I think it's great.
174
00:09:02,879 --> 00:09:07,240
I just think your bridge
is actually your chorus. The--
175
00:09:07,279 --> 00:09:08,720
* I don't belong here *
Uh-huh.
176
00:09:08,759 --> 00:09:10,919
* I don't belong here *
Yeah.
177
00:09:10,960 --> 00:09:12,320
Yeah, that's your chorus.
178
00:09:12,360 --> 00:09:15,639
But, yeah, you've got
a great song here.
179
00:09:15,679 --> 00:09:16,639
Really?
180
00:09:16,679 --> 00:09:17,639
Really.
181
00:09:17,679 --> 00:09:19,080
[BOTH CHUCKLE SOFTLY]
182
00:09:20,679 --> 00:09:25,080
Um... so Taz got you any gigs
or anything?
183
00:09:25,120 --> 00:09:26,360
Yeah, here.
184
00:09:27,320 --> 00:09:28,840
Here?
185
00:09:28,879 --> 00:09:30,519
They've basically given her
a night every month,
186
00:09:30,559 --> 00:09:33,200
and in exchange,
she does event stuff for them.
187
00:09:33,240 --> 00:09:34,440
Part of her whole thing
188
00:09:34,480 --> 00:09:36,480
is that her bands
do community work,
189
00:09:36,519 --> 00:09:41,320
chip in and teach local kids
instruments, dance, whatever.
190
00:09:41,360 --> 00:09:45,360
[SINGING IN FOREIGN LANGUAGE]
191
00:10:17,519 --> 00:10:20,360
* Melodies, flows and rhythms
Bars and codes and -isms *
192
00:10:20,399 --> 00:10:22,000
* Everything meaning
That I must be dreaming *
193
00:10:22,039 --> 00:10:23,720
* And I must be sippin' on
Everything written *
194
00:10:23,759 --> 00:10:25,799
* I become froze and what
I flow like water *
195
00:10:25,840 --> 00:10:27,840
* I'm the daughter of
Everything in between *
196
00:10:27,879 --> 00:10:29,399
* What do you mean
And that means a ton *
197
00:10:29,440 --> 00:10:31,639
* The caution of
Identities, abortion of *
198
00:10:31,679 --> 00:10:33,440
* Societal patterns
I guess it just happens *
199
00:10:33,480 --> 00:10:34,720
* And you want to run
For the foremen of *
200
00:10:34,759 --> 00:10:36,600
* Binary flows
And linear codes *
201
00:10:36,639 --> 00:10:39,720
* I guess I'm personified
By everything they try to hide *
202
00:10:39,759 --> 00:10:41,279
* Flowin' between
And over their beats *
203
00:10:41,320 --> 00:10:42,879
* And under their beats
And back in between *
204
00:10:42,919 --> 00:10:44,519
* And tickle your feet
Till you giggle and scream *
205
00:10:44,559 --> 00:10:46,279
* Miss Melody Melody
Gimme the remedy *
206
00:10:46,320 --> 00:10:47,720
* I cannot breathe
When I'm rapping like this *
207
00:10:47,759 --> 00:10:49,440
* Miss Melody Melody
Gimme the remedy *
208
00:10:49,480 --> 00:10:50,879
* I do not know
Why I'm clapping like this *
209
00:10:50,919 --> 00:10:52,559
* The flow has
Got inside my veins *
210
00:10:52,600 --> 00:10:54,240
* All made to feel like
I'm insane *
211
00:10:54,279 --> 00:10:57,559
* I see melodies in my brain
I see memories in my brain *
212
00:10:59,639 --> 00:11:03,240
[RASHA NAHAS SINGING "NBEED"
IN ARABIC]
213
00:11:59,519 --> 00:12:01,399
MOMTAZ:
Right, just remember,
6 p.m. sound check.
214
00:12:01,440 --> 00:12:03,000
Don't be late this time.
All right. Yeah. Cool.
215
00:12:03,039 --> 00:12:04,279
All right. Thanks, Taz.
216
00:12:04,320 --> 00:12:06,279
Don't be late.
You are! Yes, you are!
217
00:12:06,320 --> 00:12:08,480
I'm never late.
Yes, you are.
218
00:12:11,720 --> 00:12:12,960
Taz?
219
00:12:13,000 --> 00:12:15,360
[CHUCKLES]
Saira! What--?
220
00:12:15,399 --> 00:12:18,039
Oh...
221
00:12:18,080 --> 00:12:19,519
[EXHALES]
222
00:12:21,799 --> 00:12:24,720
Look at you. This is sick.
223
00:12:24,759 --> 00:12:28,360
Yeah. I mean, they've given me
some desk space,
224
00:12:28,399 --> 00:12:30,200
gotta do some
event stuff for them,
225
00:12:30,240 --> 00:12:33,600
but, yeah,
they've let me do my thing.
226
00:12:33,639 --> 00:12:35,080
A monthly night, I hear?
227
00:12:35,120 --> 00:12:36,600
Yeah, it's pretty cool.
228
00:12:36,639 --> 00:12:39,080
I get to put on
whatever bands I want.
229
00:12:40,440 --> 00:12:42,600
I'm-- I'm sorry,
I haven't been in touch.
230
00:12:42,639 --> 00:12:46,799
It's just been kind of chaos,
as you can see.
231
00:12:46,840 --> 00:12:49,679
God, I-- Ah. I saw that you guys
are on the Glastonbury lineup.
232
00:12:49,720 --> 00:12:52,399
I mean, shit.
[CHUCKLES]
Yeah, it's mad.
233
00:12:52,440 --> 00:12:54,320
[EXHALES]
It was your dream.
234
00:12:54,360 --> 00:12:56,200
It was our dream.
235
00:12:57,440 --> 00:12:58,399
Yeah.
236
00:13:00,840 --> 00:13:03,919
How's-- How's Molico?
With Mahmood? Is it amazing?
237
00:13:03,960 --> 00:13:05,600
'Cause it better
be amazing.
238
00:13:05,639 --> 00:13:08,320
Uh, yeah, I mean,
Mahmood is incredible.
239
00:13:08,360 --> 00:13:11,919
Uh, but, yeah, it--
It's good.
240
00:13:11,960 --> 00:13:13,320
That's great.
Hm.
241
00:13:15,679 --> 00:13:19,600
Well, if you guys aren't too
busy, you should come along.
242
00:13:19,639 --> 00:13:21,320
My bands will lose
their collective shit
243
00:13:21,360 --> 00:13:22,759
if you guys came
to the showcase.
244
00:13:22,799 --> 00:13:25,360
Ach. This looks sick.
We'd love to come.
245
00:13:25,399 --> 00:13:28,200
Uh, but our album
launches on Friday.
246
00:13:28,240 --> 00:13:29,720
Shit, man!
247
00:13:31,039 --> 00:13:32,639
Well, I-- I'll get it
all over my socials.
248
00:13:32,679 --> 00:13:35,080
I-- I'll my bands
to post about it too.
249
00:13:36,240 --> 00:13:38,799
Shit, it's--
It's finally happening.
250
00:13:38,840 --> 00:13:40,159
Hm.
251
00:13:41,080 --> 00:13:43,159
It's fucking amazing.
252
00:13:43,200 --> 00:13:45,279
Thanks, Taz.
253
00:13:45,320 --> 00:13:48,679
But what you've created here...
This is amazing.
254
00:13:50,200 --> 00:13:51,600
Thanks.
255
00:14:02,720 --> 00:14:04,720
AMINA:
With the album launch
one day away,
256
00:14:04,759 --> 00:14:07,840
Ayesha was getting some
last-minute practice in.
257
00:14:14,480 --> 00:14:17,639
[BREATHING SHAKILY]
258
00:14:17,679 --> 00:14:20,759
But there was more on her mind
than just the band.
259
00:14:22,399 --> 00:14:25,919
She was also planning on doing
that which she feared most.
260
00:14:25,960 --> 00:14:29,799
Mama, baba, hi. You good?
Good pilgrimage to the Holy See?
261
00:14:29,840 --> 00:14:34,320
Great, fantastic. Great news.
Oh, guess what.
262
00:14:34,360 --> 00:14:36,080
Your only daughter
263
00:14:36,120 --> 00:14:37,399
and, let's face it,
your favorite child,
264
00:14:37,440 --> 00:14:40,240
is a raging homosexual,
and here's my girlfriend,
265
00:14:40,279 --> 00:14:41,480
but, ah, don't worry,
266
00:14:41,519 --> 00:14:42,919
you don't have to tell
your friends about it.
267
00:14:42,960 --> 00:14:44,279
Fuck.
268
00:14:44,320 --> 00:14:45,720
[SIGHS]
269
00:14:45,759 --> 00:14:46,720
MAHMOOD:
Ayesha?
270
00:14:49,639 --> 00:14:53,440
Uh... Yo, bro.
You good, yeah?
271
00:14:53,480 --> 00:14:54,720
What's the craic?
272
00:14:54,759 --> 00:14:57,639
Uh, yeah, just, uh, finger--
I cut my finger.
273
00:14:59,039 --> 00:15:00,600
So, you're
a raging homosexual?
274
00:15:00,639 --> 00:15:01,559
No.
275
00:15:03,519 --> 00:15:04,840
[SIGHS]
276
00:15:08,720 --> 00:15:12,440
Yeah. Yes, I am.
277
00:15:14,279 --> 00:15:15,639
Are-- Are you?
278
00:15:20,720 --> 00:15:22,799
So, basically she's given me
an ultimatum:
279
00:15:22,840 --> 00:15:25,000
Come out to your parents,
acknowledge me,
280
00:15:25,039 --> 00:15:26,320
or sayonara,
it's done.
281
00:15:27,759 --> 00:15:29,639
Do you wanna
come out to your parents?
282
00:15:29,679 --> 00:15:32,399
No. I just don't want
to fuck with their shit.
283
00:15:32,440 --> 00:15:33,679
they've got their friends,
284
00:15:33,720 --> 00:15:35,440
I don't want
to make it weird for them
285
00:15:35,480 --> 00:15:37,879
or like, have a big bust up,
you know, like, or a row, or--
286
00:15:37,919 --> 00:15:43,360
Or like, worse, you know,
like, silence or distance
287
00:15:43,399 --> 00:15:47,159
or, you know,
begrudging awkwardness.
288
00:15:49,399 --> 00:15:50,600
She's probably right.
289
00:15:50,639 --> 00:15:52,840
You know,
they'll probably be chill...
290
00:15:54,159 --> 00:15:55,399
or something.
291
00:15:55,440 --> 00:15:57,320
Probably not, though.
292
00:15:58,919 --> 00:16:00,480
I should do it.
293
00:16:00,519 --> 00:16:03,440
I should do it.
Like, I should be the change,
294
00:16:03,480 --> 00:16:06,799
you know, confront our Muslim
parents, but I like them.
295
00:16:10,200 --> 00:16:12,720
And I like being close to them.
296
00:16:14,720 --> 00:16:16,639
And I don't want that--
297
00:16:19,919 --> 00:16:21,960
People are so obsessed
with coming out these days.
298
00:16:22,000 --> 00:16:25,679
It's like, "Whoo, look at me,
I'm so sick, like, I'm out,"
299
00:16:25,720 --> 00:16:29,679
but like, I think there's a lot
to be said for staying in...
300
00:16:31,279 --> 00:16:32,720
where it's safe.
301
00:16:37,679 --> 00:16:38,600
[SIGHS]
302
00:16:42,000 --> 00:16:43,519
I don't know what I'm saying.
303
00:16:46,960 --> 00:16:48,240
[INHALES SHARPLY]
304
00:16:48,279 --> 00:16:49,720
What do I do?
305
00:16:52,559 --> 00:16:54,720
What do youwant to do?
306
00:17:01,240 --> 00:17:02,840
Honestly...
307
00:17:04,119 --> 00:17:09,440
I want to not... do it.
308
00:17:13,920 --> 00:17:16,119
Then don't do it.
[SCOFFS]
309
00:17:16,160 --> 00:17:18,519
But what about
all the little gay girls?
310
00:17:18,559 --> 00:17:21,240
Shouldn't I be an example
for them all?
311
00:17:21,279 --> 00:17:24,759
You should be an example
for yourself.
312
00:17:24,799 --> 00:17:27,240
The little gay girls, they--
313
00:17:27,279 --> 00:17:30,799
They need someone that does
what's right for them,
314
00:17:30,839 --> 00:17:33,240
when it's right for them.
315
00:17:33,279 --> 00:17:36,839
And don't forget,
the little gay girls...
316
00:17:38,119 --> 00:17:39,720
they have you already.
317
00:17:40,599 --> 00:17:42,720
You're an inspiration as it is.
318
00:17:55,240 --> 00:17:56,240
Oh, God.
319
00:17:56,279 --> 00:17:57,759
Ugh! Okay.
320
00:17:57,799 --> 00:17:59,480
[DOORBELL RINGS]
321
00:18:01,720 --> 00:18:04,359
Shit, sorry. I--
I thought you were the chicken,
322
00:18:04,400 --> 00:18:06,359
'cause we ordered chicken, so...
Yeah. Um, sorry, yeah.
323
00:18:06,400 --> 00:18:07,799
Sorry, I'm not the chicken.
Sorry. Yeah.
324
00:18:07,839 --> 00:18:10,880
Yeah, I can see that.
Mm-hm. Laura.
325
00:18:12,119 --> 00:18:13,119
Ayesha.
326
00:18:13,160 --> 00:18:14,680
Laura, listen.
327
00:18:14,720 --> 00:18:16,279
I'm sorry.
328
00:18:18,039 --> 00:18:20,519
I've had a think
about it, and...
329
00:18:20,559 --> 00:18:22,480
I don't want you to feel like
I'm hiding you or--
330
00:18:22,519 --> 00:18:24,680
Or I'm embarrassed.
I'm not.
331
00:18:24,720 --> 00:18:25,880
I just--
332
00:18:25,920 --> 00:18:28,839
I just can't come out
to my parents right now.
333
00:18:30,640 --> 00:18:33,279
[SIGHS]
It's not because
I don't love you, it--
334
00:18:33,319 --> 00:18:35,400
It's just not where
I'm at right now, and...
335
00:18:35,440 --> 00:18:37,000
I know it's not fair of me
to expect you
336
00:18:37,039 --> 00:18:42,279
to have to like, stick around,
so I get it, and I'm sorry.
337
00:18:42,319 --> 00:18:45,960
And I failed
your ultimatum thing.
338
00:18:46,000 --> 00:18:47,640
You love me?
339
00:18:48,799 --> 00:18:51,160
Uh... yeah.
340
00:18:51,200 --> 00:18:52,519
So-- Sorry. Sorry, sorry.
341
00:18:52,559 --> 00:18:55,079
Sorry, uh, yeah.
Uh... sorry.
342
00:18:55,119 --> 00:18:57,400
[CHUCKLES]
It's--
343
00:18:59,839 --> 00:19:02,319
I've missed you so much.
344
00:19:02,359 --> 00:19:05,960
I missed you. I missed you.
345
00:19:06,000 --> 00:19:08,319
[CHUCKLES]
346
00:19:15,400 --> 00:19:17,480
AHSAN:
And there we have it,
a whistle-stop tour
347
00:19:17,519 --> 00:19:20,000
of all the greatest folk stars
of our times.
348
00:19:20,039 --> 00:19:23,200
AMINA:
The day of the album launch
was finally upon us.
349
00:19:23,240 --> 00:19:24,960
Listening to Ahsan's
dulcet tones
350
00:19:25,000 --> 00:19:27,960
was calming any nerves
I had for our big day.
351
00:19:28,000 --> 00:19:30,640
I found myself
rationing his mixtape
352
00:19:30,680 --> 00:19:33,680
so it wouldn't end...
so I could be with him longer.
353
00:19:33,720 --> 00:19:36,240
[STATIC CRACKLES]
[AHSAN SHOUTING]
354
00:19:36,279 --> 00:19:37,920
AHSAN:
I'm recording.
355
00:19:37,960 --> 00:19:39,559
Why would I take
one of your earphones?
356
00:19:39,599 --> 00:19:41,119
Can you--? Get out!
Just go.
357
00:19:41,160 --> 00:19:44,039
Sorry. Ahem. So, yes,
there we have it.
358
00:19:44,079 --> 00:19:46,799
All the greatest folk stars
of our times.
359
00:19:46,839 --> 00:19:50,680
Step aside, Bob Dylan,
step aside, Paul Simon,
360
00:19:50,720 --> 00:19:53,160
it's time for Amina Hussein.
361
00:19:53,200 --> 00:19:54,720
[CHUCKLES]
362
00:19:54,759 --> 00:19:57,359
This last song, well,
it's my all-time favorite.
363
00:19:57,400 --> 00:19:59,079
Although Amina doesn't approve,
364
00:19:59,119 --> 00:20:02,359
she did have the good fortune
of hearing my sultry rendition.
365
00:20:02,400 --> 00:20:04,359
Hm.
Here it is again.
366
00:20:04,400 --> 00:20:07,559
Remember kids, keep strumming.
367
00:20:07,599 --> 00:20:10,200
[HOOBASTANK "THE REASON" PLAYS]
[LAUGHS]
368
00:20:16,200 --> 00:20:17,519
Finally!
369
00:20:17,559 --> 00:20:19,559
What are you going to do?
Were you listening?
370
00:20:19,599 --> 00:20:21,559
Wha--? I've listened to it
twice over already.
371
00:20:21,599 --> 00:20:23,759
Ma, that's a real invasion of--
Yeah, invasion of privacy.
372
00:20:23,799 --> 00:20:26,559
Yadda, yadda, yadda. Boring.
What are you going to do?
373
00:20:28,440 --> 00:20:29,599
I don't know.
374
00:20:29,640 --> 00:20:32,279
I said some pretty mean
things to him.
375
00:20:32,319 --> 00:20:33,599
But do you like him?
376
00:20:35,519 --> 00:20:36,839
I do.
377
00:20:36,880 --> 00:20:37,839
I think I do.
378
00:20:39,160 --> 00:20:42,680
Well, in that case,
you're gonna have to ante-up.
379
00:20:44,200 --> 00:20:45,559
Ante up?
380
00:20:47,480 --> 00:20:48,839
AMINA:
I had to do something
381
00:20:48,880 --> 00:20:50,839
that would meet
the lofty romantic heights
382
00:20:50,880 --> 00:20:54,880
of a throwback mixtape...
but it had to wait.
383
00:20:57,960 --> 00:21:01,559
LUCIEN:
Ladies and gentlemen, thank
you so much for being here.
384
00:21:01,599 --> 00:21:03,680
It means so much
that you all came out.
385
00:21:03,720 --> 00:21:06,480
I cannot wait for you
to hear this album.
386
00:21:06,519 --> 00:21:10,960
We believe in untold stories,
unheard voices.
387
00:21:11,000 --> 00:21:15,079
Join me in raising a glass
to Lady Parts.
388
00:21:15,119 --> 00:21:18,839
To Lady Parts!
[CROWD CHEERING]
389
00:21:18,880 --> 00:21:22,480
It's not been easy...
but today is big.
390
00:21:22,519 --> 00:21:28,200
Our album, our music will belong
to the world, finally.
391
00:21:28,240 --> 00:21:29,599
Hm.
392
00:21:29,640 --> 00:21:31,359
SAIRA:
I love you all.
393
00:21:31,960 --> 00:21:33,720
Let's do this.
394
00:21:33,759 --> 00:21:36,359
You gotta sign these.
Thanks.
395
00:21:37,400 --> 00:21:40,160
AMINA:
Here it was. Our album.
396
00:21:40,200 --> 00:21:44,920
Not exactly as we had
imagined it, but it was ours.
397
00:21:44,960 --> 00:21:45,880
Vinyl.
398
00:21:48,160 --> 00:21:49,960
That's vinyl,
all right.
399
00:21:50,000 --> 00:21:53,160
Vinyl. So cool.
400
00:21:53,200 --> 00:21:56,960
AMINA:
Saira had always dreamed
of our music on vinyl.
401
00:21:57,000 --> 00:21:57,960
[SNIFFLES]
402
00:21:59,240 --> 00:22:01,920
You're so soft.
Shut up.
403
00:22:01,960 --> 00:22:04,200
[ALL LAUGH]
404
00:22:04,240 --> 00:22:05,640
[SIGHS]
405
00:22:09,480 --> 00:22:12,319
No, wait, what?
406
00:22:16,480 --> 00:22:18,680
Whoa, whoa, whoa, whoa, whoa,
whoa. Saira. Saira.
407
00:22:18,720 --> 00:22:19,720
What's going on? Hm?
408
00:22:19,759 --> 00:22:21,759
"Glass Ceiling Feeling."
It's not there.
409
00:22:21,799 --> 00:22:23,400
Oh, uh, okay.
When we signed off
410
00:22:23,440 --> 00:22:25,160
on the album proofs
it was on there, now it's not.
411
00:22:25,200 --> 00:22:26,920
Yeah, calm down.
Why isn't it on there?
412
00:22:26,960 --> 00:22:28,880
I-- It's not a big deal.
Okay, they just felt
413
00:22:28,920 --> 00:22:31,599
that it was complete as it was.
You know?
414
00:22:31,640 --> 00:22:33,559
You don't want your debut album
being too long.
415
00:22:33,599 --> 00:22:35,720
What? That's bullshit.
It's one of our best songs.
416
00:22:35,759 --> 00:22:37,200
Don't treat me like an idiot.
417
00:22:38,599 --> 00:22:40,680
Okay, well, the label felt
that maybe it could be perceived
418
00:22:40,720 --> 00:22:42,680
as being, um--
Uh, being critical of them.
419
00:22:42,720 --> 00:22:45,559
Oh. You didn't think to tell us?
It was a last-minute decision.
420
00:22:45,599 --> 00:22:47,440
They decided. It's above
my pay grade. I just--
421
00:22:47,480 --> 00:22:50,240
I just thought, you know, why
upset you before your big day?
422
00:22:51,839 --> 00:22:53,039
Oh, okay, so...
423
00:22:53,079 --> 00:22:55,200
I understand I probably
made the wrong choice,
424
00:22:55,240 --> 00:22:57,440
but it is gonna be
on the next album.
425
00:22:57,480 --> 00:23:00,400
Ah.
I promise.
It'll be the single. Hm?
426
00:23:00,440 --> 00:23:03,359
Hm.
So just forget about it.
427
00:23:03,400 --> 00:23:06,400
This is a big day.
Everything you've worked for.
428
00:23:06,440 --> 00:23:09,480
Everything you wanted.
Hey? Remember, hm?
429
00:23:09,519 --> 00:23:11,279
And listen to me...
430
00:23:11,319 --> 00:23:14,599
we start touring next week.
431
00:23:14,640 --> 00:23:17,960
Saira? So, remember, yeah?
Glastonbury.
432
00:23:18,000 --> 00:23:20,240
Remember? Glastonbury.
433
00:23:22,039 --> 00:23:23,160
Fuck.
434
00:23:23,200 --> 00:23:24,480
SAIRA:
There's nothing we can do.
435
00:23:24,519 --> 00:23:25,720
Nothing we can do.
Last-minute decision.
436
00:23:25,759 --> 00:23:26,960
So, what are we gonna
do about this?
437
00:23:27,000 --> 00:23:29,039
[ARGUING INDISTINCTLY]
438
00:23:29,079 --> 00:23:31,559
The next album?
439
00:23:31,599 --> 00:23:34,000
Just wanted to wish
you ladies luck.
440
00:23:34,039 --> 00:23:35,200
You heard
what happened?
441
00:23:35,240 --> 00:23:37,279
Yeah. I'm sorry.
442
00:23:45,359 --> 00:23:48,559
Good luck.
It's been a pleasure.
443
00:23:52,079 --> 00:23:53,160
That was weird.
444
00:23:53,200 --> 00:23:54,160
Yeah.
445
00:23:54,200 --> 00:23:57,279
[***]
446
00:24:05,799 --> 00:24:07,160
[COMPUTER CHIMES]
447
00:24:07,200 --> 00:24:08,880
Oh.
Yes, man.
448
00:24:08,920 --> 00:24:10,599
Sick.
449
00:24:10,640 --> 00:24:12,759
Are you guys thinking
what I'm thinking?
450
00:24:12,799 --> 00:24:15,599
AMINA:
Speak, for your two lips
are free.
451
00:24:15,640 --> 00:24:18,799
Your tongue
is still your own.
452
00:24:26,200 --> 00:24:28,319
[CROWD CHEERING]
453
00:24:30,000 --> 00:24:30,960
Hi, everyone.
454
00:24:31,000 --> 00:24:32,359
Guys.
What?
455
00:24:32,400 --> 00:24:35,240
What?
Guys. It's starting. Come on.
456
00:24:35,279 --> 00:24:37,960
SAIRA:
Thank you for coming down
for our album launch.
457
00:24:38,000 --> 00:24:41,279
We've always dreamed
of recording at Molico Studios
458
00:24:41,319 --> 00:24:44,119
with Dirty Mahmood,
and we did it.
459
00:24:44,160 --> 00:24:47,799
We are so excited for this day,
460
00:24:47,839 --> 00:24:51,160
to be finally getting to
share our music.
461
00:24:51,200 --> 00:24:53,799
We did have a new song
on the album,
462
00:24:53,839 --> 00:24:55,720
"Glass Ceiling Feeling."
463
00:24:55,759 --> 00:24:59,519
Unfortunately,
it's been dropped off the album.
464
00:24:59,559 --> 00:25:02,400
Our label didn't like it,
but we like it.
465
00:25:02,440 --> 00:25:06,960
So, we've gone ahead
and uploaded it to our website.
466
00:25:07,000 --> 00:25:11,960
The whole album free to download
with our original mixes.
467
00:25:12,000 --> 00:25:13,000
Share the link!
468
00:25:14,319 --> 00:25:16,160
We all need to share the link.
469
00:25:16,200 --> 00:25:17,400
[PHONES WHOOSHING]
470
00:25:17,440 --> 00:25:19,279
MOMTAZ:
Why is no one rehearsing?
471
00:25:19,319 --> 00:25:20,960
The showcase starts
in a few hours--
472
00:25:21,000 --> 00:25:23,920
Lady Parts' new album
has been leaked.
473
00:25:23,960 --> 00:25:28,000
What? Wh-- Do they know?
Wait-- Call Saira now.
474
00:25:28,039 --> 00:25:29,200
Saira leaked it.
475
00:25:30,559 --> 00:25:31,480
What?
476
00:25:34,200 --> 00:25:35,960
Alrighty, you've been
an absolute joy,
477
00:25:36,000 --> 00:25:37,880
but we're going to have to run.
478
00:25:37,920 --> 00:25:40,599
Uh, big love! Stay hydrated.
479
00:25:45,799 --> 00:25:46,759
Get her. Hey!
480
00:25:46,799 --> 00:25:49,839
[***]
481
00:26:27,039 --> 00:26:28,119
[ENGINE STARTS]
482
00:26:28,160 --> 00:26:30,799
[LAUGHING]
Buckle up.
483
00:26:35,799 --> 00:26:36,920
What did we just do?
484
00:26:36,960 --> 00:26:38,960
I don't know. I don't know,
but it felt good.
485
00:26:39,000 --> 00:26:40,359
Oh, go straight here.
486
00:26:40,400 --> 00:26:42,079
Wait,
where are we going?
487
00:26:42,119 --> 00:26:43,119
[LAUGHS]
488
00:26:43,160 --> 00:26:45,279
[SCREAMING]
489
00:26:53,119 --> 00:26:56,440
Okay, everyone, I know this is
all very exciting,
490
00:26:56,480 --> 00:26:58,480
but we should probably
do a bit of rehearsing.
491
00:26:58,519 --> 00:27:01,319
Yeah? It's-- Can we just--?
Is anyone listening?
492
00:27:01,359 --> 00:27:03,359
[PEOPLE MURMURING]
493
00:27:05,279 --> 00:27:06,359
What?
494
00:27:12,519 --> 00:27:14,200
Hey, Momtaz.
495
00:27:14,240 --> 00:27:18,680
Uh, we were wondering if you had
space for another band?
496
00:27:21,640 --> 00:27:24,440
I mean, I don't know.
My books are kind of full.
497
00:27:24,480 --> 00:27:26,480
You'll have to join
the waiting list.
498
00:27:30,440 --> 00:27:31,720
Ah, is it?
499
00:27:33,440 --> 00:27:36,440
[ALL LAUGHING]
500
00:27:36,480 --> 00:27:39,000
[***]
501
00:27:45,759 --> 00:27:47,519
AMINA:
Since we got dropped
by the label,
502
00:27:47,559 --> 00:27:50,839
Saira was crashing at Bisma's
until she figured things out.
503
00:27:50,880 --> 00:27:53,720
And Ayesha was back
to driving her limo.
504
00:27:53,759 --> 00:27:56,440
Sure, it was like
we were in the before times,
505
00:27:56,480 --> 00:27:58,039
back in our old worlds,
506
00:27:58,079 --> 00:28:01,240
but as new women...
mature women.
507
00:28:01,279 --> 00:28:02,240
Hey, everyone.
508
00:28:02,279 --> 00:28:04,319
Oi, you little villain.
509
00:28:04,359 --> 00:28:05,400
Taz.
510
00:28:05,440 --> 00:28:08,039
[GRUNTING]
511
00:28:08,079 --> 00:28:09,400
Nice drawing.
512
00:28:09,440 --> 00:28:10,480
Thanks.
Thanks.
513
00:28:10,519 --> 00:28:11,839
AMINA:
We were back together.
514
00:28:11,880 --> 00:28:14,839
It felt great. Sisters united.
515
00:28:16,240 --> 00:28:20,279
Only one last piece of business
needed attending to.
516
00:28:20,319 --> 00:28:22,240
My turn to ante-up.
517
00:28:22,279 --> 00:28:24,680
[HONKING]
Whoa, whoa, whoa! Stop! Stop!
518
00:28:25,880 --> 00:28:27,440
Go for it, Amina!
519
00:28:27,480 --> 00:28:30,200
[LADY PARTS PLAYING
HOOBASTANK'S "THE REASON"]
520
00:28:30,240 --> 00:28:35,640
* I'm not a perfect person *
521
00:28:35,680 --> 00:28:40,400
* There's many things
I wish I didn't do *
522
00:28:41,720 --> 00:28:47,400
* But I continue learning *
523
00:28:47,440 --> 00:28:53,039
* I never meant to do
Those things to you *
524
00:28:53,079 --> 00:28:57,599
* And so
I have to say before I go *
525
00:28:59,480 --> 00:29:04,440
* That I just want you to know *
526
00:29:04,480 --> 00:29:09,960
* I've found a reason for me *
527
00:29:10,000 --> 00:29:14,400
* To change who I used to be *
528
00:29:15,680 --> 00:29:17,759
Fucking move!
* A reason *
529
00:29:17,799 --> 00:29:20,039
* To start over new *
Pipe down.
530
00:29:20,079 --> 00:29:22,279
[ARGUING INDISTINCTLY]
531
00:29:23,200 --> 00:29:26,680
* And the reason is you *
532
00:29:27,880 --> 00:29:33,559
* I'm sorry that I hurt you *
533
00:29:33,599 --> 00:29:39,519
* It's something
I must live with everyday *
534
00:29:39,559 --> 00:29:44,680
* And all the pain
I put you through *
535
00:29:44,720 --> 00:29:50,599
* I wish that I could
Take it all away *
536
00:29:50,640 --> 00:29:56,319
* And be the one
Who catches all your tears *
537
00:29:57,480 --> 00:30:02,279
* That's why I need you
To hear *
538
00:30:02,319 --> 00:30:07,880
* I've found a reason for me *
539
00:30:07,920 --> 00:30:14,119
* To change who I used to be *
540
00:30:14,160 --> 00:30:19,559
* A reason to start over new *
541
00:30:21,079 --> 00:30:26,559
* And the reason is you *
542
00:30:26,599 --> 00:30:32,720
* And the reason is you *
I'm gonna call the police.
543
00:30:32,759 --> 00:30:35,359
It'll be over soon.
* And the reason is you *
544
00:30:35,400 --> 00:30:36,720
I have this song.
545
00:30:38,200 --> 00:30:44,440
That's a mid-2000s classic.
* And the reason is you *
546
00:30:44,480 --> 00:30:46,240
[HONKING AND SHOUTING]
547
00:30:46,279 --> 00:30:48,039
Okay, okay we'll stop there.
548
00:30:50,680 --> 00:30:54,480
All right, band! Let's pack up!
People, let's go! Let's go!
549
00:30:54,519 --> 00:30:55,640
I'm leaving them. Strap in.
550
00:30:55,680 --> 00:30:57,400
Right.
Tuck in the back!
551
00:30:59,079 --> 00:31:00,039
[CHUCKLES]
552
00:31:03,079 --> 00:31:05,279
[BOTH CHUCKLE]
553
00:31:05,319 --> 00:31:08,640
That was pretty great,
Amina Hussein.
554
00:31:08,680 --> 00:31:12,000
Pretty, pretty cringe...
[LAUGHS]
555
00:31:12,039 --> 00:31:13,400
...but great.
556
00:31:13,440 --> 00:31:15,720
Well, I had to ante-up,
because...
557
00:31:16,480 --> 00:31:17,759
what beats a mixtape?
558
00:31:17,799 --> 00:31:22,240
Uh-- You heard it. Ah... Sorry.
No, I-- It was--
559
00:31:22,279 --> 00:31:24,640
No, no. It was perfect.
I loved it.
560
00:31:24,680 --> 00:31:26,960
And I'm so sorry
for what I said to you.
561
00:31:28,039 --> 00:31:29,640
You're not a basic bitch.
562
00:31:29,680 --> 00:31:36,079
It's fine. I forgive you, but I
kind of am, so it's all good.
563
00:31:37,440 --> 00:31:39,119
And I like you,
and not because Billy likes you,
564
00:31:39,160 --> 00:31:40,680
because I like you.
565
00:31:46,880 --> 00:31:48,720
AMINA:
Okay, yeah, so I did it.
566
00:31:48,759 --> 00:31:50,599
Gotta go.
I had to.
567
00:31:50,640 --> 00:31:52,960
AYESHA: Hurry, man!
SAIRA: Come on!
568
00:31:53,000 --> 00:31:54,480
Come on!
Go!
569
00:31:54,519 --> 00:31:55,720
Amina! We've gotta go!
570
00:31:55,759 --> 00:31:57,400
AMINA:
Sure, we can quibble about
571
00:31:57,440 --> 00:32:00,000
whether or not my soul is
destined for eternal damnation.
572
00:32:00,039 --> 00:32:03,319
I mean, I had joined
a punk band to find a husband.
573
00:32:03,359 --> 00:32:05,160
[HONKING]
574
00:32:05,200 --> 00:32:06,240
[SQUEALING]
575
00:32:06,279 --> 00:32:08,720
But I had found so much more.
576
00:32:08,759 --> 00:32:10,799
[THE PROCLAIMERS' "I'M GONNA BE
(500 MILES)" PLAYING]
577
00:32:10,839 --> 00:32:12,720
No.
Come on.
578
00:32:12,759 --> 00:32:14,599
Are you serious?
579
00:32:14,640 --> 00:32:17,920
* When I wake up
Well, I know I'm gonna be *
580
00:32:17,960 --> 00:32:21,519
* I'm gonna be the man
Who wakes up next to you *
581
00:32:21,559 --> 00:32:25,079
* And when I go out
Yeah, I know I'm gonna be *
582
00:32:25,119 --> 00:32:28,759
* I'm gonna be the man
Who goes along with you *
583
00:32:31,079 --> 00:32:34,240
THE PROCLAIMERS:
* But I would walk 500 miles *
584
00:32:34,279 --> 00:32:37,759
AMINA:
We still wanted to make music,
but our way.
585
00:32:37,799 --> 00:32:41,839
We still wanted an audience,
but on our terms.
586
00:32:41,880 --> 00:32:45,440
With Momtaz on Momtaz Records.
587
00:32:45,480 --> 00:32:47,680
We didn't want to be
the token band,
588
00:32:47,720 --> 00:32:50,160
we wanted to be part of
something bigger.
589
00:32:50,200 --> 00:32:53,000
["I'M GONNA BE (500 MILES)"
CONTINUES PLAYING]
590
00:32:53,039 --> 00:32:55,000
[INAUDIBLE]
591
00:32:58,680 --> 00:33:00,440
We had been
looking for success
592
00:33:00,480 --> 00:33:02,559
in record deals
and stadium shows,
593
00:33:02,599 --> 00:33:04,440
but I guess
we already had it,
594
00:33:04,480 --> 00:33:06,680
because we had each other.
595
00:33:06,720 --> 00:33:09,559
And because we are Lady Parts.
596
00:33:10,920 --> 00:33:14,279
* And I would walk 500 more *
597
00:33:14,319 --> 00:33:18,960
* Just to be the man
Who walked a thousand miles *
598
00:33:19,000 --> 00:33:23,440
* To fall down at your door *
599
00:33:23,480 --> 00:33:28,119
[CROWD CHEERING]
600
00:33:28,160 --> 00:33:29,319
MAN:
Oh, shit!
601
00:33:29,359 --> 00:33:32,920
* But I would walk 500 miles *
602
00:33:32,960 --> 00:33:36,240
* And I would walk 500 more *
603
00:33:36,279 --> 00:33:41,200
* Just to be the man
Who walked a thousand miles *
604
00:33:41,240 --> 00:33:44,039
* To fall down at your door *
605
00:33:44,079 --> 00:33:46,039
[SINGERS VOCALIZING]
44346
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