Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:33,300 --> 00:00:35,500
Captain! Our prisoners!
2
00:00:35,700 --> 00:00:39,000
-It's going down!
-Let us aII out of this rat hoIe!
3
00:00:39,200 --> 00:00:41,700
We'II die in here!
4
00:01:23,600 --> 00:01:25,800
I'm teIIing you, man. You got it.
5
00:01:31,300 --> 00:01:33,000
Thanks, Frank.
6
00:01:38,100 --> 00:01:40,600
-Thank you.
-More ice, Frank.
7
00:02:17,300 --> 00:02:18,500
Frank?
8
00:02:19,900 --> 00:02:22,600
-What's going on?
-This is too much ice.
9
00:02:27,900 --> 00:02:30,700
What the heII is going on here?
10
00:02:31,000 --> 00:02:32,800
Earthquake, guys.
11
00:02:55,700 --> 00:02:57,400
What is going on?
12
00:02:59,900 --> 00:03:01,300
CaroIine.
13
00:03:57,300 --> 00:04:01,300
Extreme hypothermia. BP is 1 20l 40.
PuIse is 25 with drip.
14
00:04:01,400 --> 00:04:03,400
Okay. Let's move it.
15
00:04:06,300 --> 00:04:09,300
On the count of three.
One, two, three.
16
00:04:09,800 --> 00:04:13,200
-AII right, we're Iosing him, guys.
-Can I get the E3?
17
00:04:13,400 --> 00:04:15,400
-Let's get going.
-What's his name?
18
00:04:15,600 --> 00:04:17,000
No ID. John Doe.
19
00:04:17,200 --> 00:04:19,000
Where was he,
some kind of costume party?
20
00:04:19,200 --> 00:04:20,900
Bar. WaIked in, passed out.
21
00:04:22,200 --> 00:04:24,500
Let's get some of these
bIood gases going.
22
00:04:24,700 --> 00:04:27,000
What the heII is going on?
This is frozen soIid.
23
00:04:27,200 --> 00:04:30,500
-It wasn't frozen a minute ago, doctor.
-AII the saIine's frozen.
24
00:04:30,700 --> 00:04:32,200
What the heII is going on?
25
00:04:45,900 --> 00:04:47,700
What was that?
26
00:04:56,900 --> 00:04:58,800
I've sent the Jesuit
to the seminary in Rome.
27
00:04:59,000 --> 00:05:01,600
They want me to teach there.
I couId study.
28
00:05:01,800 --> 00:05:03,300
You couId study here.
29
00:05:03,500 --> 00:05:05,700
We have one of the biggest archives
in the worId.
30
00:05:05,800 --> 00:05:07,400
That's not what this is about.
31
00:05:07,500 --> 00:05:09,400
It may not be
what you want to hear, Derek.
32
00:05:09,600 --> 00:05:13,500
But in my heart, I feeI Iike
my souI's been chipped away...
33
00:05:13,700 --> 00:05:15,600
...piece by piece.
34
00:05:15,800 --> 00:05:19,100
The Legacy's battIe against eviI
has its price, PhiIip. It aIways has.
35
00:05:19,300 --> 00:05:20,500
Yes.
36
00:05:20,700 --> 00:05:22,800
And you can't afford
to have a weak Iink.
37
00:05:23,000 --> 00:05:25,200
I know you have a Iot
to work through.
38
00:05:25,400 --> 00:05:27,800
But I'm unwiIIing to accept this.
39
00:05:34,700 --> 00:05:36,300
Captain.
40
00:05:36,400 --> 00:05:38,500
Captain.
41
00:05:39,500 --> 00:05:41,400
Captain.
42
00:05:50,600 --> 00:05:54,000
He came to for a whiIe Iast night
and started raving incoherentIy.
43
00:05:54,200 --> 00:05:57,500
He kept repeating a woman's name.
CaroIine, I think it was.
44
00:05:57,700 --> 00:06:00,000
-His vitaI signs this morning?
-StabIe. Dr. Cannon...
45
00:06:00,200 --> 00:06:04,000
...Dr. Corrigan's been brought in to do
a psychiatric evaIuation on John Doe.
46
00:06:04,200 --> 00:06:06,600
I expIained to her about
the trauma room Iast night.
47
00:06:06,800 --> 00:06:09,500
-Have you identified the toxiderm?
-Tox screen was negative.
48
00:06:09,600 --> 00:06:13,300
But Iet me teII you something, doctor.
Something's going on with this guy.
49
00:06:13,400 --> 00:06:15,900
-Here. Do you have a second?
-Sure.
50
00:06:17,000 --> 00:06:18,500
We found these...
51
00:06:19,100 --> 00:06:20,700
...in his pockets.
52
00:06:20,900 --> 00:06:22,800
Wordsworth, first edition.
53
00:06:22,900 --> 00:06:26,200
How couId this book
be in such remarkabIe condition?
54
00:06:26,900 --> 00:06:28,500
And this.
55
00:06:29,800 --> 00:06:31,500
A compass.
56
00:06:32,900 --> 00:06:34,800
I'd Iike to meet your John Doe.
57
00:06:49,700 --> 00:06:52,000
Hi. I'm Dr. Corrigan.
Do you know where you are?
58
00:06:58,000 --> 00:07:00,300
Security! Room 1 0 7, now!
59
00:07:18,800 --> 00:07:20,600
He ran across the street.
60
00:07:34,600 --> 00:07:36,000
Give us the key!
61
00:07:39,500 --> 00:07:42,500
Get us aII out of this rat hoIe!
62
00:07:44,400 --> 00:07:46,400
There he is!
63
00:08:03,600 --> 00:08:05,900
I toId you something
was going on with this guy.
64
00:08:13,600 --> 00:08:16,600
InitiaIs, ''S.H.''
65
00:08:17,000 --> 00:08:20,500
It appears that something
is disturbing this man.
66
00:08:21,600 --> 00:08:24,200
We can heIp. TeII us what
he was doing when they found him.
67
00:08:25,100 --> 00:08:29,000
I don't think the hospitaI wouId mind
my sharing my findings with you.
68
00:08:29,500 --> 00:08:31,300
What's on your mind, RacheI?
69
00:08:32,200 --> 00:08:35,000
If there's something going on
with this man that I don't know...
70
00:08:35,200 --> 00:08:37,800
...that's beyond my understanding...
71
00:08:38,800 --> 00:08:40,500
...I wanna find out.
72
00:08:42,400 --> 00:08:44,800
I wanna run with this one, Derek.
73
00:08:48,400 --> 00:08:51,300
AIex, couId you join us
for a moment, pIease?
74
00:08:57,400 --> 00:09:00,000
His coat.
75
00:09:00,900 --> 00:09:03,600
Can we get anything from it?
76
00:09:04,200 --> 00:09:08,600
We shouId be abIe to determine
when and where it was made, yes.
77
00:09:17,200 --> 00:09:19,600
The ambuIance picked him up
somewhere around here.
78
00:09:39,900 --> 00:09:42,100
This is the spot.
79
00:09:47,800 --> 00:09:49,300
Excuse me.
80
00:09:50,000 --> 00:09:53,000
-We don't open tiII 6. Sorry.
-WeII, we're not here to drink.
81
00:09:53,600 --> 00:09:56,500
What can you teII us about
what happened here the other night?
82
00:09:57,600 --> 00:09:58,800
I don't know what you mean.
83
00:09:59,000 --> 00:10:01,100
The disturbance.
The guy they took out of here.
84
00:10:01,900 --> 00:10:03,500
More damn reporters.
85
00:10:03,700 --> 00:10:06,300
We're not reporters.
We just want to ask a few questions.
86
00:10:06,400 --> 00:10:09,600
Look, it was a smaII probIem
with the air conditioner...
87
00:10:09,800 --> 00:10:13,900
...and a minor earthquake. That's aII.
No big deaI, okay?
88
00:10:19,300 --> 00:10:20,700
He's nearby.
89
00:10:24,600 --> 00:10:26,200
I need to know about that ship.
90
00:10:26,400 --> 00:10:28,400
The name begins with ''goId.''
It's a schooner.
91
00:10:28,600 --> 00:10:29,800
-Find a museum.
-AIex, Iook.
92
00:10:30,000 --> 00:10:31,600
-PIease. I impIore you.
-That's him.
93
00:10:31,700 --> 00:10:32,800
-Wait!
-ImpIore this.
94
00:10:34,100 --> 00:10:36,800
-You must heIp me.
-Man, come on.
95
00:10:37,100 --> 00:10:39,500
Look, buddy. How many times
do I have to teII you...
96
00:10:39,700 --> 00:10:41,700
...I don't know anything
about a schooner?
97
00:10:41,800 --> 00:10:43,200
We've been Iooking for you.
98
00:10:43,400 --> 00:10:46,200
Oh, great. You found him.
He's aII yours.
99
00:10:46,800 --> 00:10:48,100
I'm RacheI Corrigan.
100
00:10:54,000 --> 00:10:57,900
-I've seen you before.
-At the hospitaI. I came to your room.
101
00:10:58,100 --> 00:10:59,900
I'm not going back to that pIace.
102
00:11:00,100 --> 00:11:01,900
Here. Try this.
103
00:11:03,500 --> 00:11:07,100
My heart leaps up when I behold
A rainbow in the sky
104
00:11:07,800 --> 00:11:10,000
So was it when my lihe began
105
00:11:10,800 --> 00:11:14,700
So is it now I am a man
106
00:11:15,100 --> 00:11:17,000
I've heard those words before.
107
00:11:23,800 --> 00:11:26,800
You had this book with you
when they brought you to the hospitaI.
108
00:11:28,100 --> 00:11:29,500
This book.
109
00:11:30,100 --> 00:11:31,600
This compass.
110
00:11:35,700 --> 00:11:38,200
It must be reaIIy terrifying
not to be abIe to remember.
111
00:11:39,200 --> 00:11:42,200
But we know
that inside you somewhere...
112
00:11:42,600 --> 00:11:44,700
...you have aII the answers.
113
00:11:45,600 --> 00:11:47,600
We're gonna heIp you find them.
114
00:11:49,400 --> 00:11:52,000
At the hospitaI,
they caIIed me John Doe.
115
00:11:53,100 --> 00:11:55,800
It's a pIeasure to meet you, John.
116
00:11:58,300 --> 00:12:01,500
So I heard that PhiIip got a Ietter
from his oId seminary.
117
00:12:01,700 --> 00:12:03,800
Is he thinking of boIting again?
118
00:12:04,300 --> 00:12:08,000
WeII, PhiIip is trying to decide
how to serve his caIIing...
119
00:12:08,100 --> 00:12:11,200
...and studying with the Jesuits
may be his best option.
120
00:12:11,400 --> 00:12:14,300
I can't beIieve that he thinks
he can waItz in and out of here...
121
00:12:14,500 --> 00:12:17,500
...whenever he feeIs
the need to do so.
122
00:12:18,100 --> 00:12:20,900
WeII, aren't you being
a IittIe tough on him?
123
00:12:22,500 --> 00:12:26,000
Look, you make a commitment
to something, you stick with it.
124
00:12:26,100 --> 00:12:27,900
What about your commitment
to the SEALs?
125
00:12:28,000 --> 00:12:29,800
It seems you turned
your back on them.
126
00:12:29,900 --> 00:12:32,200
That wasn't the way it was
at aII, Derek.
127
00:12:32,400 --> 00:12:36,300
I worked my ass off. I paid my dues.
I just wasn't cut out to be a Iifer.
128
00:12:36,500 --> 00:12:38,800
So it's okay for you
to quit something...
129
00:12:39,000 --> 00:12:41,600
...but not okay for PhiIip to
have doubts about The Legacy?
130
00:12:41,800 --> 00:12:45,000
I didn't say that. And it is compIeteIy
different, and you know it.
131
00:12:45,200 --> 00:12:47,400
What makes being a member
of The Legacy so sacred?
132
00:12:47,600 --> 00:12:51,900
-What, is this some kind of a test?
-WeII, I know why I am committed.
133
00:12:52,500 --> 00:12:54,800
I saw my father kiIIed
by something unhoIy...
134
00:12:54,900 --> 00:12:58,200
...and his fight instantIy
became my cause, my burden.
135
00:12:58,400 --> 00:12:59,900
What about you?
136
00:13:00,700 --> 00:13:03,400
You wanna foIIow
in your father's footsteps?
137
00:13:04,000 --> 00:13:05,800
Look, you know that I am not here...
138
00:13:06,000 --> 00:13:09,600
...because of any faIse attachment
to this pIace that my father had.
139
00:13:09,800 --> 00:13:13,200
-Why are you so afraid to open up?
-Look, I'm here, aII right?
140
00:13:13,300 --> 00:13:17,000
I'd waIk through fire for any of you,
and, frankIy, I think that's enough.
141
00:13:17,200 --> 00:13:18,600
AII I wanna know is why.
142
00:13:19,600 --> 00:13:22,200
-I beIieve in what we're doing.
-Why?
143
00:13:22,400 --> 00:13:24,300
-Because it's right.
-Why?
144
00:13:24,500 --> 00:13:27,400
Because we're fighting eviI,
making the worId a better pIace.
145
00:13:27,600 --> 00:13:29,400
Because I haven't got
anything eIse to do!
146
00:13:29,600 --> 00:13:31,000
What do you want from me, Derek?
147
00:13:31,200 --> 00:13:35,700
I think you're mad at PhiIip
because if he Ieaves...
148
00:13:35,900 --> 00:13:38,500
...he'II break up our team...
149
00:13:38,700 --> 00:13:40,800
...a team that has become
your famiIy.
150
00:13:43,400 --> 00:13:45,900
Yeah, yeah.
Maybe you're right, you know.
151
00:13:46,100 --> 00:13:51,400
Maybe this is aII due to the fact that,
for the first time in my Iife, I feeI...
152
00:13:51,600 --> 00:13:53,900
...Iike I'm part of something speciaI.
153
00:13:54,400 --> 00:13:56,700
Maybe I've finaIIy found
my niche in Iife...
154
00:13:56,900 --> 00:13:58,900
...and I don't want anyone
to rock the boat.
155
00:13:59,100 --> 00:14:00,900
And maybe, yes, maybe...
156
00:14:01,100 --> 00:14:04,000
...that is the right answer,
and you'II get off my case!
157
00:14:04,300 --> 00:14:06,600
There is no right or wrong answer.
158
00:14:07,300 --> 00:14:08,600
Great.
159
00:14:08,800 --> 00:14:11,000
Then maybe I can get back to work.
160
00:14:16,000 --> 00:14:18,000
The nurses found sand
in your shoes.
161
00:14:19,000 --> 00:14:22,000
Does being here
bring anything back to you?
162
00:14:22,600 --> 00:14:25,900
OnIy that a storm is brewing.
I can aImost feeI it.
163
00:14:26,100 --> 00:14:27,900
Otherwise, nothing.
164
00:14:29,300 --> 00:14:30,700
WeII...
165
00:14:30,900 --> 00:14:33,000
...it may take time, John.
166
00:14:49,200 --> 00:14:51,400
Have you been here before?
167
00:14:51,600 --> 00:14:53,400
I don't know.
168
00:14:53,600 --> 00:14:56,700
If I was here,
I don't know when or why.
169
00:14:56,900 --> 00:15:01,000
If it is amnesia we're deaIing with,
it can be reaIIy disorienting.
170
00:15:02,000 --> 00:15:04,700
I don't understand
what's happening to me.
171
00:15:06,000 --> 00:15:08,500
That's what we're gonna find out.
172
00:15:19,600 --> 00:15:22,900
There are dozens of names of ships
that start with the word ''goId.''
173
00:15:23,100 --> 00:15:25,600
Gold Sea, Gold Runner,
even Gold Witch.
174
00:15:25,800 --> 00:15:29,200
No missing persons report matches
his description or the initiaIs ''S.H.''
175
00:15:29,600 --> 00:15:32,400
This book he's been carrying,
it's definiteIy a first edition.
176
00:15:32,600 --> 00:15:36,300
-But if this book were properIy stored--
-WouId it Iook the way it does now?
177
00:15:36,400 --> 00:15:40,500
Maybe. But how many books were
hermeticaIIy seaIed in the 1 8 70s?
178
00:15:40,700 --> 00:15:42,600
I don't think they were big
on that then.
179
00:15:42,800 --> 00:15:46,700
How soon before we get the resuIts
of the carbon-dating of the cIothing?
180
00:15:46,800 --> 00:15:48,700
It shouId be some time tomorrow.
181
00:15:48,800 --> 00:15:50,400
And there's no question about it...
182
00:15:50,600 --> 00:15:54,100
...the P-wave potentiaIs are
showing up everywhere this guy goes.
183
00:15:55,900 --> 00:15:58,600
WeII, stay with him untiI we find out
exactIy what's going on.
184
00:16:07,000 --> 00:16:09,400
Does this meet with your approvaI?
185
00:16:10,200 --> 00:16:11,600
Yes. Much better fit.
186
00:16:12,300 --> 00:16:15,800
PIease offer my apoIogy to
the gentIeman I stoIe them from.
187
00:16:16,000 --> 00:16:18,000
I'm sure he'II understand.
188
00:16:18,800 --> 00:16:20,300
John...
189
00:16:20,400 --> 00:16:23,900
...I know some ways to trigger
your memory. It's reaIIy simpIe.
190
00:16:24,100 --> 00:16:27,200
I think it can be key to unIocking
what's hidden in your subconscious.
191
00:16:27,400 --> 00:16:29,400
What do you think?
You wanna try?
192
00:16:34,200 --> 00:16:35,600
Now...
193
00:16:35,800 --> 00:16:39,300
...I want you to watch your breath
as it moves in...
194
00:16:39,500 --> 00:16:41,500
...and out.
195
00:16:41,700 --> 00:16:43,900
Like waves on the shore.
196
00:16:45,000 --> 00:16:46,600
In...
197
00:16:47,000 --> 00:16:48,900
...and out.
198
00:16:49,900 --> 00:16:52,200
It's very safe, John.
199
00:16:53,500 --> 00:16:55,000
Let it go.
200
00:16:58,400 --> 00:17:01,800
And just Iisten to the sound
of my voice, John.
201
00:17:05,300 --> 00:17:07,100
What do you see?
202
00:17:08,100 --> 00:17:09,700
Mist.
203
00:17:09,900 --> 00:17:12,600
Nothing but mist.
204
00:17:13,200 --> 00:17:15,700
Let the fog Iift, John.
205
00:17:17,800 --> 00:17:20,500
I see a bird.
206
00:17:22,300 --> 00:17:25,100
And two hands
holding a telescope.
207
00:17:27,600 --> 00:17:29,400
That ship again.
208
00:17:30,800 --> 00:17:32,800
A sailing ship.
209
00:17:33,700 --> 00:17:35,700
It's a storm.
210
00:17:36,100 --> 00:17:37,500
The ship's in trouble.
211
00:17:39,600 --> 00:17:42,000
The crew's very hrightened.
212
00:17:42,500 --> 00:17:45,100
-Angry.
-Oh, my God. Give us the key!
213
00:17:45,200 --> 00:17:48,800
The angry shouts
are directed toward me.
214
00:17:49,300 --> 00:17:52,000
Let us out of here
or I'II sIit your throat!
215
00:17:52,100 --> 00:17:55,000
Captain, shaII I unshackIe
the prisoners?
216
00:17:55,200 --> 00:17:58,000
Let us out of here,
if you know what's good for you!
217
00:17:58,200 --> 00:18:00,800
The key! Give us the key!
218
00:18:01,400 --> 00:18:03,700
-Captain?
-No.
219
00:18:03,900 --> 00:18:05,500
They stay where they are.
220
00:18:07,100 --> 00:18:09,400
I don't think they can survive.
221
00:18:09,600 --> 00:18:13,000
They'II survive. We'II aII survive!
222
00:18:15,300 --> 00:18:18,200
You're aII right.
You're aII right, John.
223
00:18:20,700 --> 00:18:22,400
The ship.
224
00:18:22,600 --> 00:18:24,900
Something happened to the ship.
225
00:18:26,400 --> 00:18:28,100
But what?
226
00:18:29,000 --> 00:18:30,400
I need to know.
227
00:18:30,600 --> 00:18:33,200
You're gonna find out.
It's gonna come back to you.
228
00:18:33,400 --> 00:18:35,800
It's just gonna take some time.
229
00:18:41,600 --> 00:18:44,100
Oh, RacheI. Come in.
230
00:18:45,700 --> 00:18:49,100
-WouId you Iike a drink?
-Thank you.
231
00:18:53,300 --> 00:18:55,000
Any cIues?
232
00:18:56,500 --> 00:18:59,600
Under hypnosis,
he described his ship.
233
00:19:00,600 --> 00:19:03,900
But the description of that ship...
234
00:19:04,400 --> 00:19:05,700
...was 1 9th-century.
235
00:19:10,100 --> 00:19:14,200
CouId it be that he's being pIagued
by some kind of past-Iife regression?
236
00:19:14,800 --> 00:19:19,300
MedicaI science does not
recognize past-Iife regressions.
237
00:19:19,800 --> 00:19:22,400
Paranoid deIusionaI systems,
schizophrenia...
238
00:19:22,600 --> 00:19:25,400
...post-traumatic stress disorders.
239
00:19:25,500 --> 00:19:27,400
These are aII possibiIities.
240
00:19:27,500 --> 00:19:30,700
But his connection to that ship...
241
00:19:31,100 --> 00:19:33,400
...is so strong.
242
00:19:34,900 --> 00:19:36,600
I'm not sure.
243
00:20:04,600 --> 00:20:07,500
Aye, captain.
We've been watching you.
244
00:20:07,700 --> 00:20:09,900
Watching you.
245
00:20:10,700 --> 00:20:12,800
Aye, captain.
We've been watching you.
246
00:20:13,600 --> 00:20:16,600
-What do you want?
-You know what we want, Hartford.
247
00:20:16,800 --> 00:20:18,300
And we mean to get it.
248
00:20:18,500 --> 00:20:20,100
-Watching.
-Watching.
249
00:20:20,300 --> 00:20:23,400
Watching you. Watching.
250
00:20:28,900 --> 00:20:31,200
The P-wave potentiaIs
are getting stronger.
251
00:20:31,400 --> 00:20:34,700
Yeah, there's no question about that.
Now we have a name, Hartford.
252
00:20:34,900 --> 00:20:38,100
There's severaI hits in the bay area
connected with the name Hartford.
253
00:20:38,300 --> 00:20:43,100
We've got a Iot to check. HopefuIIy,
something wiII trigger his memory.
254
00:21:00,700 --> 00:21:02,600
I know this house.
255
00:21:06,800 --> 00:21:12,000
My husband and I restored the house
when we bought it about 1 5 years ago.
256
00:21:12,200 --> 00:21:13,800
WeII, it's beautifuI.
257
00:21:14,000 --> 00:21:17,600
-Is your husband a seafaring man?
-OnIy in his dreams.
258
00:21:17,800 --> 00:21:22,900
Some of the furniture and many
of the things came with the house.
259
00:21:28,900 --> 00:21:30,200
Something was here.
260
00:21:30,900 --> 00:21:32,500
I was dusting...
261
00:21:32,700 --> 00:21:36,200
...and I knocked over
this IoveIy oId teIescope.
262
00:21:49,600 --> 00:21:51,200
When did the teIescope break?
263
00:21:52,200 --> 00:21:53,700
Two nights ago.
264
00:21:53,900 --> 00:21:57,100
-Right before bedtime.
-That's the same time John appeared.
265
00:21:58,500 --> 00:21:59,800
Do you mind if we borrow this?
266
00:22:01,400 --> 00:22:03,000
Of course not.
267
00:22:06,100 --> 00:22:07,700
Thank you.
268
00:22:09,100 --> 00:22:12,700
-What's upstairs?
-More bedrooms and the attic.
269
00:22:12,800 --> 00:22:16,500
There are more famiIy heirIooms up
there. WouId you Iike to have a Iook?
270
00:22:16,700 --> 00:22:19,200
That wouId be great. Thanks.
271
00:22:20,400 --> 00:22:23,300
I can't make the stairs today.
272
00:22:23,900 --> 00:22:25,500
Turn Ieft.
273
00:22:25,700 --> 00:22:28,300
There's an oId trunk under a bIanket.
274
00:22:28,400 --> 00:22:30,800
Take a Iook inside.
275
00:23:05,800 --> 00:23:10,600
How can this feeI so famiIiar and stiII
not give me the answer to who I am?
276
00:23:45,700 --> 00:23:46,900
John?
277
00:23:47,800 --> 00:23:50,000
Do you recognize her?
278
00:23:52,100 --> 00:23:53,300
I can't say I do.
279
00:23:54,100 --> 00:23:55,600
RacheI?
280
00:24:04,100 --> 00:24:06,100
Oh, my God.
281
00:24:09,900 --> 00:24:11,600
That's me, isn't it?
282
00:24:52,700 --> 00:24:53,800
CaroIine.
283
00:25:13,700 --> 00:25:15,600
My wife.
284
00:25:17,100 --> 00:25:19,400
My chiIdren.
285
00:25:22,300 --> 00:25:23,900
Dead.
286
00:25:24,600 --> 00:25:27,100
I've outIived them aII.
287
00:25:47,800 --> 00:25:51,100
In 1 8 7 4 , Sam Hartford's ship,
The Golden Princess...
288
00:25:51,200 --> 00:25:54,200
...was Ieaving San Francisco
when it hit a storm and went down.
289
00:25:54,400 --> 00:25:58,300
A handfuI of crewmen survived,
but our boy wasn't one of them.
290
00:25:58,500 --> 00:26:00,900
His wife never remarried.
She died in 1 901 .
291
00:26:01,000 --> 00:26:02,800
Their two chiIdren are Iong dead.
292
00:26:03,000 --> 00:26:04,800
He has no Iiving reIatives.
293
00:26:04,900 --> 00:26:10,000
So if John Hartford were aIive now,
he'd be 1 60 years oId?
294
00:26:10,100 --> 00:26:13,100
WeII, that's consistent with
the carbon dating from his cIothing.
295
00:26:13,200 --> 00:26:16,300
That means he's gotta be
some kind of spectraI entity.
296
00:26:16,400 --> 00:26:21,600
This goes against everything I have
ever Iearned in the scientific worId.
297
00:26:21,800 --> 00:26:23,900
He's soIid.
298
00:26:24,000 --> 00:26:27,400
He's got shape and substance.
I can feeI him.
299
00:26:27,600 --> 00:26:29,200
This is not a possession.
300
00:26:29,400 --> 00:26:32,100
I mean, we've deaIt with
paranormaI constructs before...
301
00:26:32,300 --> 00:26:36,000
...but they're not Iike this.
They're unstabIe, disassociated.
302
00:26:36,200 --> 00:26:37,600
This is different.
303
00:26:38,100 --> 00:26:40,100
He has mass.
304
00:26:40,900 --> 00:26:43,100
He seems perfectIy reaI.
305
00:26:43,700 --> 00:26:47,300
His spirituaI force is so strong, it can
manifest itseIf on a moIecuIar IeveI...
306
00:26:47,500 --> 00:26:51,500
...creating a fuIIy rendered
human being.
307
00:26:52,200 --> 00:26:56,000
So the money question is,
why is he back?
308
00:26:56,100 --> 00:26:58,200
WeII, something triggered it.
309
00:26:58,400 --> 00:27:00,100
We need to find out what.
310
00:27:00,300 --> 00:27:03,400
The P-wave potentiaIs
continue to increase.
311
00:27:03,600 --> 00:27:07,500
At the Iast reading,
our Iocation was dead center.
312
00:27:08,600 --> 00:27:10,000
This couId even be more criticaI.
313
00:27:12,200 --> 00:27:15,800
I thank you aII for heIping me
to find out who I am.
314
00:27:16,500 --> 00:27:18,400
What I am.
315
00:27:21,200 --> 00:27:25,900
But I have so many questions
and I don't want to be a burden.
316
00:27:28,900 --> 00:27:31,200
I need to know why I'm here.
317
00:27:31,400 --> 00:27:33,300
We aII need to know
why you're here, John.
318
00:27:33,500 --> 00:27:35,700
And you're not a burden.
319
00:27:36,300 --> 00:27:37,700
Let us heIp you.
320
00:27:39,400 --> 00:27:41,200
Okay?
321
00:27:42,400 --> 00:27:44,500
John, RacheI...
322
00:27:45,200 --> 00:27:46,800
...come with me.
323
00:27:52,000 --> 00:27:53,400
RacheI?
324
00:27:57,700 --> 00:27:59,100
It's a hoIogram.
325
00:28:04,600 --> 00:28:07,200
Nada. I mean,
he's as normaI as appIe pie.
326
00:28:07,400 --> 00:28:09,800
Body temperature's
a IittIe beIow average. That's it.
327
00:28:09,900 --> 00:28:12,600
-Anybody got a pIan B?
-Yeah.
328
00:28:12,800 --> 00:28:15,000
There's something I'd Iike to try.
329
00:28:23,600 --> 00:28:26,600
In your hand is a teIescope.
330
00:28:27,200 --> 00:28:29,200
Your teIescope.
331
00:28:30,000 --> 00:28:34,400
You've used it many times
to heIp you chart your course.
332
00:28:36,100 --> 00:28:39,700
Use this instrument
of sight now, John...
333
00:28:40,300 --> 00:28:43,300
...to heIp bring your past
into focus.
334
00:28:45,000 --> 00:28:47,600
CaroIine is in my arms.
335
00:28:48,700 --> 00:28:50,800
I can feeI her touch.
336
00:28:51,700 --> 00:28:55,100
SmeII the scent of her hair.
337
00:28:57,300 --> 00:28:59,500
There's a sadness about her.
338
00:29:16,200 --> 00:29:17,700
Sam?
339
00:29:18,500 --> 00:29:20,400
I don't want you to go.
340
00:29:28,500 --> 00:29:30,300
I Iove you.
341
00:29:41,500 --> 00:29:43,100
Here.
342
00:29:46,600 --> 00:29:49,700
As Iong as you have this,
you'II be abIe to see me.
343
00:29:49,900 --> 00:29:53,900
Nothing on heaven or earth
wiII stop me from returning.
344
00:29:54,400 --> 00:29:57,200
We'II dance a waItz
on this very spot.
345
00:29:58,200 --> 00:30:00,100
I promise.
346
00:30:04,100 --> 00:30:06,400
-Daddy. Daddy.
-Daddy. Daddy.
347
00:30:10,900 --> 00:30:13,000
Now, you Iook after your mother.
348
00:30:13,200 --> 00:30:16,300
-You're the man of the house now.
-Yes, Father.
349
00:30:26,300 --> 00:30:27,700
SamueI!
350
00:30:34,000 --> 00:30:36,100
Samuel.
351
00:30:39,000 --> 00:30:40,700
CaroIine.
352
00:30:41,100 --> 00:30:42,700
My beIoved.
353
00:30:43,700 --> 00:30:45,900
She didn't want me to go.
354
00:30:47,300 --> 00:30:50,800
I gave her the teIescope
and promised I'd return.
355
00:30:51,300 --> 00:30:54,600
And this aII started
when the teIescope broke...
356
00:30:56,900 --> 00:30:58,400
...and a promise was broken.
357
00:31:06,100 --> 00:31:09,300
I returned to fuIfiII my pIedge.
358
00:31:15,700 --> 00:31:17,600
Do I have to go back?
359
00:31:18,800 --> 00:31:20,700
That's up to you, John.
360
00:31:27,100 --> 00:31:30,200
How do we deaI with a ghost
that has red bIood ceIIs?
361
00:31:30,900 --> 00:31:33,300
Has anything Iike this
ever occurred before?
362
00:31:33,400 --> 00:31:35,100
SeveraI times, actuaIIy.
363
00:31:35,300 --> 00:31:37,400
John MiIton,
who was a member of The Legacy...
364
00:31:37,600 --> 00:31:40,000
...recorded this entry 1 64 7.
365
00:31:40,200 --> 00:31:43,700
It teIIs of a woman who was burned
as a witch in SaIem...
366
00:31:43,800 --> 00:31:47,700
...and her newborn baby,
considered to be a chiId of Satan...
367
00:31:47,900 --> 00:31:49,400
...was Ieft in the woods to die.
368
00:31:49,600 --> 00:31:52,900
She returned in the fIesh
to care for her infant daughter.
369
00:31:53,500 --> 00:31:57,200
So her commitment
to care for her baby...
370
00:31:57,900 --> 00:32:00,800
...was a pIedge based in Iove,
just Iike John's.
371
00:32:01,000 --> 00:32:02,600
This is useIess!
372
00:32:04,700 --> 00:32:07,500
What good is this? The poets,
the thinkers. This is useIess!
373
00:32:07,600 --> 00:32:09,800
AbsoIuteIy useIess!
374
00:32:10,000 --> 00:32:12,300
AII of these voIumes,
with their theories, concepts.
375
00:32:12,500 --> 00:32:14,400
-No, wait.
-They don't mean a thing!
376
00:32:14,500 --> 00:32:16,100
What good are they?!
377
00:32:16,200 --> 00:32:20,600
Nothing but meaningIess,
empty words.
378
00:32:26,000 --> 00:32:29,100
Kierkegaard, Sartre,
Thomas Aquinas.
379
00:32:30,000 --> 00:32:32,600
So many have dreamed
of Iiving forever.
380
00:32:32,800 --> 00:32:36,000
To be resurrected in a worId where
everyone you know and Iove is dead...
381
00:32:36,200 --> 00:32:39,600
...I must teII you,
it onIy seems Iike a curse.
382
00:32:42,900 --> 00:32:45,800
I wish you couId heIp me,
but you can't.
383
00:32:47,300 --> 00:32:50,600
The ache I feeI inside
is more than I can bear.
384
00:32:50,800 --> 00:32:52,200
John.
385
00:32:53,500 --> 00:32:55,000
That ache...
386
00:32:55,800 --> 00:32:58,500
...the emptiness
that you're taIking about...
387
00:32:59,800 --> 00:33:01,600
...I feeI it every day.
388
00:33:04,900 --> 00:33:07,000
My husband died a year ago.
389
00:33:10,600 --> 00:33:12,000
I'm sorry.
390
00:33:12,600 --> 00:33:14,000
I've upset you. PIease--
391
00:33:14,200 --> 00:33:16,100
It's okay.
392
00:33:16,200 --> 00:33:18,800
It heIps to taIk about it.
393
00:33:21,000 --> 00:33:23,300
I appreciate your company.
394
00:33:26,400 --> 00:33:27,800
But I must be going by morning.
395
00:33:41,000 --> 00:33:43,600
Captain. Captain.
396
00:33:43,800 --> 00:33:45,900
Captain!
397
00:33:50,000 --> 00:33:53,600
Hard to starboard!
Hard to starboard!
398
00:33:53,700 --> 00:33:55,100
Captain!
399
00:34:02,500 --> 00:34:04,100
Wait, captain!
400
00:34:04,300 --> 00:34:07,300
-It's no use. Save yourseIf!
-The key!
401
00:34:07,400 --> 00:34:10,400
-To unshackIe the prisoners.
-There's no time.
402
00:34:10,500 --> 00:34:14,000
-The key, man!
-It's too Iate!
403
00:34:16,300 --> 00:34:18,700
Hurry! Get us out of here!
404
00:34:20,800 --> 00:34:22,000
You'II get us aII kiIIed.
405
00:34:22,600 --> 00:34:25,500
-Damn you!
-Hurry! Get us out of here.
406
00:34:26,500 --> 00:34:28,700
Hurry, man. We're drowning.
407
00:34:30,100 --> 00:34:32,100
Let go, you fooI.
408
00:34:32,300 --> 00:34:34,200
Give me the key.
409
00:34:36,600 --> 00:34:38,900
You'II kiII us aII. Let go!
410
00:34:39,100 --> 00:34:42,200
I'II see you in heII, captain.
411
00:35:01,400 --> 00:35:02,700
Captain.
412
00:35:02,900 --> 00:35:06,400
Captain! Captain!
413
00:35:06,500 --> 00:35:10,100
-Captain! Captain!
-Captain!
414
00:35:10,300 --> 00:35:11,900
Captain!
415
00:35:12,600 --> 00:35:14,300
Captain!
416
00:35:14,500 --> 00:35:16,300
You killed us, Harthord.
417
00:35:16,400 --> 00:35:19,800
Our blood is on your hands.
418
00:35:20,000 --> 00:35:23,200
-Captain!
-It won't work anymore, captain.
419
00:35:23,600 --> 00:35:25,400
You made this possibIe!
420
00:35:25,800 --> 00:35:28,700
You stayed too Iong in this pIace.
421
00:35:30,200 --> 00:35:31,800
John?
422
00:35:32,300 --> 00:35:34,800
-What is it?
-The convicts on the ship...
423
00:35:35,000 --> 00:35:36,600
...they were here.
424
00:35:37,200 --> 00:35:39,500
They accused me
of causing their deaths.
425
00:35:40,300 --> 00:35:42,700
And now I'm responsibIe
for bringing them back.
426
00:35:51,900 --> 00:35:55,900
When SamueI Hartford returned,
his arrivaI must have opened a rift.
427
00:35:56,000 --> 00:35:58,500
Making it possibIe
for the ghosts to get through?
428
00:35:58,600 --> 00:36:00,600
You mean the convicts.
429
00:36:00,700 --> 00:36:04,100
-The men who died aboard the ship.
-ExactIy.
430
00:36:04,200 --> 00:36:07,700
Hartford's spirit and drive
to stay in our worId...
431
00:36:08,400 --> 00:36:10,100
...is unIike anything I've ever known.
432
00:36:10,300 --> 00:36:13,400
Derek, the convicts hoId him
responsibIe for the ship going down.
433
00:36:13,500 --> 00:36:17,000
-This guy's in a no-win situation.
-It's going to get worse.
434
00:36:17,100 --> 00:36:19,800
If Hartford returned to his ship,
wouId that end this?
435
00:36:20,000 --> 00:36:22,900
ProbabIy. But onIy if he does it
of his own free wiII.
436
00:36:23,100 --> 00:36:25,000
Forcing a decision
is not going to work.
437
00:36:25,200 --> 00:36:28,800
But he's returned for a singIe purpose,
to fuIfiII his pIedge.
438
00:36:29,000 --> 00:36:33,500
So, what we need to do is heIp him
compIete his journey.
439
00:36:33,700 --> 00:36:37,800
-I think I know how we can do that.
-We may have run out of time.
440
00:36:38,400 --> 00:36:40,400
AII I can do is try.
441
00:36:51,800 --> 00:36:55,200
CaroIine wouId Iove it when I brought
fancy dresses back from my voyages.
442
00:36:55,300 --> 00:36:57,500
I saw this one in the attic.
443
00:36:58,700 --> 00:37:00,300
It was her favorite.
444
00:37:01,400 --> 00:37:03,200
She's so beautifuI.
445
00:37:16,800 --> 00:37:18,400
What is it, John?
446
00:37:19,300 --> 00:37:21,000
I cannot stay here.
447
00:37:22,000 --> 00:37:24,300
You came here to fuIfiII a pIedge.
448
00:37:26,500 --> 00:37:28,100
Didn't you?
449
00:37:29,800 --> 00:37:32,400
I promised CaroIine I wouId waItz
with her on the veranda.
450
00:37:36,100 --> 00:37:37,400
Maybe you stiII can.
451
00:37:42,100 --> 00:37:43,700
What if...
452
00:37:45,300 --> 00:37:48,400
...I were to stand in for CaroIine?
453
00:37:52,300 --> 00:37:54,400
You think she'd mind?
454
00:38:11,100 --> 00:38:12,600
Your husband Iiked to dance?
455
00:38:13,800 --> 00:38:15,400
Very much.
456
00:38:23,800 --> 00:38:26,400
I'II miss you, RacheI Corrigan.
457
00:38:28,300 --> 00:38:30,500
I'm gonna miss you too.
458
00:38:36,200 --> 00:38:38,500
Samuel Harthord!
459
00:38:41,100 --> 00:38:43,500
-I must go.
-No. PIease.
460
00:38:43,700 --> 00:38:46,800
John, Iet the music finish. For me.
461
00:38:48,500 --> 00:38:50,700
My God, you're freezing.
462
00:38:52,000 --> 00:38:56,100
-Samuel Harthord!
-Samuel Harthord!
463
00:38:56,300 --> 00:38:58,500
I must go up there.
464
00:39:01,900 --> 00:39:05,000
So how much time does John have
before push comes to shove?
465
00:39:05,100 --> 00:39:10,000
It's impossibIe to pinpoint, but if the rift
becomes unstabIe, it's gonna get ugIy.
466
00:39:10,100 --> 00:39:12,200
We shouId be there with them.
467
00:39:22,300 --> 00:39:25,500
What in God's name
do you want from me?!
468
00:39:29,100 --> 00:39:32,000
SamueI Hartford, you kiIIed us aII!
469
00:39:32,100 --> 00:39:33,800
It was the storm, not me.
470
00:39:34,000 --> 00:39:38,100
You breathe the good air,
yet we rot forever on that ship.
471
00:39:38,300 --> 00:39:42,000
-We want what you have. Life!
-That cannot be.
472
00:39:42,100 --> 00:39:46,100
Then bIood wiII fIow
Iike a crimson tide.
473
00:39:49,100 --> 00:39:51,600
She's a very beautifuI woman,
captain.
474
00:39:51,700 --> 00:39:53,500
You stay away from her!
475
00:39:56,000 --> 00:39:58,500
-It's happening.
-Yes.
476
00:40:03,300 --> 00:40:06,700
You can't run away
from us, captain.
477
00:40:13,600 --> 00:40:15,600
Quick. To the beach.
478
00:40:31,900 --> 00:40:33,800
I came from the sea.
479
00:40:33,900 --> 00:40:35,600
That's where I must return.
480
00:40:37,200 --> 00:40:40,500
You've added to the memories
that fiII my spirit.
481
00:40:40,800 --> 00:40:43,000
It's a gift that I wiII treasure
for eternity.
482
00:40:45,900 --> 00:40:49,100
I have nothing but the same memories
to give to you.
483
00:40:50,400 --> 00:40:52,100
Except one thing.
484
00:41:01,700 --> 00:41:05,000
Our souls have sight
Oh the immortal sea
485
00:41:05,400 --> 00:41:07,400
Which brought us hither
486
00:41:08,000 --> 00:41:10,100
Can in a moment travel thither
487
00:41:10,500 --> 00:41:13,500
And see the children
Sport upon the shore
488
00:41:13,700 --> 00:41:16,300
And hear the mighty waters rolling
489
00:41:16,500 --> 00:41:18,100
Evermore
490
00:41:21,200 --> 00:41:23,800
FareweII, RacheI Corrigan.
491
00:41:24,700 --> 00:41:27,000
Goodbye, SamueI Hartford.
492
00:42:06,800 --> 00:42:10,100
You kiIIed us once.
We'II not Iet you do it again, Hartford.
493
00:42:10,500 --> 00:42:14,100
-Stop it, Hartford!
-Don't be a fooI, man.
494
00:42:14,800 --> 00:42:17,900
-No!
-Don't do it.
495
00:42:18,000 --> 00:42:20,300
-Don't do it, Hartford!
-Don't do it, man.
496
00:42:22,400 --> 00:42:25,000
Don't do it, man! Don't do this to us.
497
00:42:25,100 --> 00:42:28,800
We want to Iive, man.
We want to Iive.
498
00:42:29,000 --> 00:42:30,800
Don't do this. No!
499
00:42:37,200 --> 00:42:39,500
You did the onIy thing
you couId, RacheI.
500
00:42:41,100 --> 00:42:43,500
Then why does it hurt so much?
501
00:42:44,300 --> 00:42:47,300
Because you took away
Sam Hartford's pain...
502
00:42:47,500 --> 00:42:50,600
...and he's been carrying it
for a Iong, Iong time.
503
00:42:50,650 --> 00:42:55,200
Repair and Synchronization by
Easy Subtitles Synchronizer 1.0.0.0
37826
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Faroese
Finnish
Frisian
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof