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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,000 --> 00:00:04,000 Downloaded From www.AllSubs.org 2 00:00:18,900 --> 00:00:23,700 "Here we are, born to be kings" 3 00:00:23,900 --> 00:00:28,900 "We're the princes of the universe" 4 00:00:44,300 --> 00:00:46,600 "I am immortal" 5 00:00:46,800 --> 00:00:50,000 "I have inside me blood of kings" 6 00:00:50,500 --> 00:00:55,400 "I have no rival; no man can be my equal" 7 00:00:56,000 --> 00:01:00,700 "Take me to the future of your world" 8 00:01:03,000 --> 00:01:05,400 HIGHLANDER 1x12 "EYEWITNESS" Subtitles subXpacio 9 00:03:15,300 --> 00:03:19,600 Wow! Damn, check me out. I am more sharp stud... 10 00:03:20,000 --> 00:03:21,600 Even if you do say so yourself. 11 00:03:21,600 --> 00:03:24,100 Hey, Tess, I'm just calling 'em as I seem 'em. 12 00:03:24,500 --> 00:03:26,800 Well, see if you can pry yourself away from the mirror... 13 00:03:26,900 --> 00:03:28,600 long enough to sign the guest book. 14 00:03:28,600 --> 00:03:30,200 It will be my pleasure. 15 00:03:38,700 --> 00:03:42,000 - Just this one. Tess - Thank you. See you later. 16 00:03:44,600 --> 00:03:46,400 I think I could get used to this. 17 00:03:46,600 --> 00:03:48,500 - A little culture's good for the soul. - Oh, yeah! 18 00:03:48,700 --> 00:03:50,200 Hi. 19 00:03:50,600 --> 00:03:54,100 Wow, the food looks great. Hi there. 20 00:04:01,900 --> 00:04:04,500 Absolutely. 21 00:04:08,700 --> 00:04:10,900 - Go on... talk to her. - Tess. 22 00:04:11,000 --> 00:04:14,000 You can dress me up, but I know what's out of my league. 23 00:04:14,100 --> 00:04:16,900 - I wouldn't even know what to say. - How about, "hello." 24 00:04:17,100 --> 00:04:20,100 No, this is the kind of woman you've got to impress right after that. 25 00:04:20,200 --> 00:04:22,200 Just be yourself. 26 00:04:23,000 --> 00:04:24,600 I'll be myself later. 27 00:04:24,700 --> 00:04:27,300 Right now I want to be somebody who knows a lot about art. 28 00:04:27,500 --> 00:04:29,000 What can I tell her about that painting? 29 00:04:29,200 --> 00:04:30,900 Tell her that you either like it or you don't. 30 00:04:31,000 --> 00:04:33,800 Tess, c'mon, please, you know what I mean. 31 00:04:36,200 --> 00:04:40,700 Tell her you find the shapes provocative and the colors organic, 32 00:04:40,900 --> 00:04:43,300 but strangely disturbing. 33 00:04:43,900 --> 00:04:47,500 Organic, strangely, disturbing... 34 00:04:47,700 --> 00:04:49,400 - Provocative. - ...provocative 35 00:04:49,400 --> 00:04:50,800 - Provocative. - Provocative. 36 00:04:51,000 --> 00:04:52,700 All right thanks, I'll see you later. 37 00:04:52,900 --> 00:04:55,600 - Tessa, how wonderful you look tonight - Hi... thank you 38 00:04:55,700 --> 00:04:57,700 And Duncan, where is that man of yours? 39 00:04:57,800 --> 00:04:59,600 He's still in New York. He'll be back tomorrow. 40 00:04:59,800 --> 00:05:01,700 - A shame. Give him my regards, will you? - I will. 41 00:05:02,000 --> 00:05:05,300 I see your fans are beginning to gather, Shall we mingle a little? 42 00:05:08,600 --> 00:05:14,200 Tess, she loved it, all the organic stuff, 43 00:05:14,500 --> 00:05:19,600 but now she's talking about texture and comparing it to the Neoclassical school. 44 00:05:20,000 --> 00:05:21,800 Help me. I�m lost. 45 00:05:21,900 --> 00:05:24,200 - Why don't you just tell her the truth? - Tessa, c'mon... 46 00:05:24,400 --> 00:05:28,400 She's beautiful. She's smart. She's sexy... 47 00:05:28,500 --> 00:05:31,900 She's ah... I dream about women like her. 48 00:05:32,400 --> 00:05:35,900 Ok, tell her it's definitely not Neoclassical, 49 00:05:36,200 --> 00:05:40,500 - ...but it does have some abstract notions. - All right, thank you. 50 00:05:56,900 --> 00:06:00,000 - Morons. - Pardon me? 51 00:06:00,100 --> 00:06:02,900 The only thing they care about is if it fits their damn patio. 52 00:06:03,300 --> 00:06:06,800 They don't sense the depth... the intensity... the experience... 53 00:06:07,000 --> 00:06:10,400 - I'm not always so sure it's there. - It's there. 54 00:06:10,700 --> 00:06:13,200 You'd have to be blind not to see it. 55 00:06:13,600 --> 00:06:17,100 This is a work of life, of openness. 56 00:06:19,700 --> 00:06:23,000 - It's wonderful. - Thank you. 57 00:06:23,400 --> 00:06:28,300 I'm tempted to buy it just so some idiot won't use it to decorate his bathroom. 58 00:06:29,000 --> 00:06:34,600 - Are you an artist? - I was once. Things change. 59 00:06:35,900 --> 00:06:37,800 Will you join me for drink? 60 00:06:38,000 --> 00:06:41,800 Thank you, but I can't... I really have to go. 61 00:06:43,000 --> 00:06:49,000 You have talent, use it while you can... it won't last forever. 62 00:06:54,300 --> 00:06:57,600 - What's your name? - Anne. 63 00:07:03,200 --> 00:07:06,200 Well, I forgot what I was supposed to say, 64 00:07:06,500 --> 00:07:11,400 so I told her that basically I didn't know Picasso from a piano, and she laughed. 65 00:07:11,600 --> 00:07:15,600 She said she doesn't care. She thinks I'm cute. 66 00:07:16,500 --> 00:07:18,500 - Go on. Have a good time - You're sure? 67 00:07:18,600 --> 00:07:20,900 I'll see you later. 68 00:09:03,900 --> 00:09:06,500 - Tessa... have you got a moment?. - I'm coming. 69 00:09:15,800 --> 00:09:17,700 Oh my god... 70 00:09:51,400 --> 00:09:54,400 Try if you find something and you tell me. Thank you. 71 00:09:56,100 --> 00:09:58,700 Miss Noel, I know you're not the type to make things up, 72 00:09:58,800 --> 00:10:03,100 but, I was up on that bridge. There's no blood, no sign of a struggle. 73 00:10:03,300 --> 00:10:06,800 - Are you sure you saw this? - How many times do I have to tell you? 74 00:10:07,100 --> 00:10:08,800 Well, my men have been out here since day break. 75 00:10:08,800 --> 00:10:12,000 They've spoken to a lot of people including the gallery manager, here and... 76 00:10:12,400 --> 00:10:14,500 - No one else saw anything. - I did. 77 00:10:16,600 --> 00:10:20,500 You said that you saw this woman while you were at a celebration, at a cocktail party... 78 00:10:20,700 --> 00:10:23,600 - Yes... - Were you celebrating a little? 79 00:10:24,000 --> 00:10:27,200 You mean, was I drinking, Sergeant, and the answer is no. 80 00:10:28,000 --> 00:10:31,700 He had her against the railing, they fought, and he threw her off! 81 00:10:32,500 --> 00:10:35,100 - I'm not making this up. - Of course not. 82 00:10:35,500 --> 00:10:39,100 - Don't patronize me. - It all boils down to one question. 83 00:10:39,500 --> 00:10:42,700 Did you or did you not actually see him push her over? 84 00:10:44,200 --> 00:10:47,400 - Tessa... have you got a moment?. - I�m coming. 85 00:10:54,300 --> 00:10:57,300 No... but I only looked away for a second! 86 00:10:57,500 --> 00:10:58,800 Where do you think she went? 87 00:10:59,100 --> 00:11:01,600 Maybe they made up. Maybe she got back in his car. 88 00:11:01,700 --> 00:11:04,000 And maybe she's laying at the bottom of the river. 89 00:11:04,100 --> 00:11:06,800 Miss Noel, all I've got here is a lot of "no"! 90 00:11:07,300 --> 00:11:11,200 I've got no real witness, I've got no body and I've got no crime! 91 00:11:11,800 --> 00:11:15,400 Now, we have your name and number. If anything comes up, we'll call you. 92 00:11:17,100 --> 00:11:19,800 Do you need a ride back home? I can have one of my men take you. 93 00:11:20,800 --> 00:11:24,500 - I'm quite capable, lieutenant. Thank you. - You're welcome. 94 00:11:38,100 --> 00:11:42,400 I reported a possible murder, not a flying saucer... 95 00:11:42,900 --> 00:11:44,500 They treated me like a child. 96 00:11:44,800 --> 00:11:47,700 There was no place she could have gone, but over that railing. 97 00:11:48,400 --> 00:11:51,200 Bennett's a good cop. If there's something to be found, he'll find it. 98 00:11:55,300 --> 00:11:58,500 If she doesn�t come home tonight, someone will report her missing. 99 00:12:06,200 --> 00:12:08,600 All right, What do you know about her? 100 00:12:09,000 --> 00:12:10,900 Only that her name was Anne. 101 00:12:11,000 --> 00:12:12,800 - Come on. - Well, 102 00:12:13,000 --> 00:12:16,800 I signed the guest book. I don�t know, maybe she did, too. 103 00:12:21,400 --> 00:12:24,100 - What? - Of course! 104 00:12:26,500 --> 00:12:29,500 It's a good idea. Go on, stick with her. 105 00:12:29,900 --> 00:12:31,200 - Now? - Now! 106 00:12:31,400 --> 00:12:32,800 Oh, man! 107 00:12:39,100 --> 00:12:43,300 Rockwell, Morgentaler, Von Hoist... 108 00:12:44,300 --> 00:12:46,700 Why do I get the feeling I never went to college with these guys? 109 00:12:46,900 --> 00:12:49,400 Probably because you never went to college. 110 00:12:51,300 --> 00:12:53,600 The name we're looking for is "Anne." 111 00:12:56,200 --> 00:12:58,000 Bingo, It's last one. 112 00:12:58,800 --> 00:13:01,400 - She must've come in the end... - Anne Wheeler. 113 00:13:01,600 --> 00:13:03,700 Perfect. Let's give it to the cops. 114 00:13:04,000 --> 00:13:07,300 Not just yet, Richie. I'd like to follow up on this myself. 115 00:13:08,300 --> 00:13:11,400 - What about Mac? - That's not necessary. 116 00:13:12,800 --> 00:13:14,800 All right, I'm game, let's go. 117 00:13:16,400 --> 00:13:18,700 - I'm just gonna wait in the car. - You don't have to. 118 00:13:18,800 --> 00:13:20,700 I know, but I want to. 119 00:13:29,500 --> 00:13:31,100 Can I help you? 120 00:13:31,400 --> 00:13:33,500 Does Anne Wheeler live here? 121 00:13:33,700 --> 00:13:34,800 Yes. 122 00:13:35,500 --> 00:13:37,600 Did she return home last night? 123 00:13:38,200 --> 00:13:39,300 No, she didn't. 124 00:13:39,500 --> 00:13:41,500 I wonder might speak with you. 125 00:13:42,400 --> 00:13:44,400 Are you a friend of Miss Wheeler's? 126 00:13:45,500 --> 00:13:47,700 Yes... Yes I am. 127 00:13:49,700 --> 00:13:51,300 Thank you. 128 00:13:55,400 --> 00:13:57,400 Let's come this way, please. 129 00:14:08,800 --> 00:14:10,800 We move many times. 130 00:14:11,500 --> 00:14:13,800 Often every year. 131 00:14:14,100 --> 00:14:16,200 She likes being in new places. 132 00:14:16,900 --> 00:14:20,700 She's adventurous, always going somewhere. 133 00:14:21,200 --> 00:14:23,400 We came here only three months ago. 134 00:14:24,200 --> 00:14:27,000 So you're not worried that she didn't return home last night. 135 00:14:27,200 --> 00:14:30,600 No. She's frequently gone several days at a time. 136 00:14:34,100 --> 00:14:35,900 This is her work? 137 00:14:36,200 --> 00:14:39,200 Yes, almost all of them are. 138 00:14:40,200 --> 00:14:42,600 She used to paint a great deal. 139 00:14:43,900 --> 00:14:45,300 Is she still painting? 140 00:14:45,500 --> 00:14:47,500 Not like she used to. 141 00:14:49,300 --> 00:14:51,700 I'm sure she has her reasons. 142 00:14:53,200 --> 00:14:56,000 When she returns would you have her call me? 143 00:14:56,800 --> 00:14:59,800 Certainly, Miss Noel. 144 00:15:01,500 --> 00:15:03,200 Thank you. 145 00:15:29,300 --> 00:15:31,300 Thank you for coming, Miss Noel. 146 00:15:34,600 --> 00:15:36,800 Now what, lieutenant? 147 00:15:37,200 --> 00:15:40,200 Well, now the investigation of the disappearance... 148 00:15:40,400 --> 00:15:44,200 of this Anne Wheeler will be dealt with in its proper order. 149 00:15:45,400 --> 00:15:47,400 You mean it'll stay buried. 150 00:15:47,600 --> 00:15:50,800 Do you have any idea how many open murder cases I'm dealing with Miss Noel? 151 00:15:51,200 --> 00:15:54,300 Cases with a motive, or evidence or a body? 152 00:15:54,800 --> 00:15:58,700 Do you think I'd go to all this trouble if I didn't think something was very wrong? 153 00:15:59,000 --> 00:16:01,400 The woman is missing, maybe dead. 154 00:16:02,100 --> 00:16:05,600 I'm not hysterical. I don't see things, and I'm not looking for attention. 155 00:16:05,900 --> 00:16:08,400 I just want something to be done. 156 00:16:08,900 --> 00:16:10,800 Of course. 157 00:16:11,100 --> 00:16:13,000 Just don't expect miracles. 158 00:16:13,300 --> 00:16:16,200 I just expect you to do your job. 159 00:17:09,700 --> 00:17:12,800 I am Duncan MacLeod of the Clan MacLeod! 160 00:17:22,900 --> 00:17:24,400 Who are you? 161 00:17:31,200 --> 00:17:32,600 Who are you?! 162 00:18:27,100 --> 00:18:30,100 An English lord thinking that he was safe behind this shield, 163 00:18:30,400 --> 00:18:32,500 attacked the Scottish chieftain. 164 00:18:32,700 --> 00:18:35,500 But the Scot's sword was made of the finest tempered steel... 165 00:18:35,600 --> 00:18:39,200 which pierced the shield, killed the English lord... 166 00:18:39,800 --> 00:18:41,500 and ended the battle. 167 00:18:41,700 --> 00:18:44,900 That, of course is the legend behind this particular shield. 168 00:18:46,000 --> 00:18:48,700 Anyway, please, take your time, take a look around the store. 169 00:18:51,300 --> 00:18:54,600 - Can I talk to you? - In my office. 170 00:18:56,300 --> 00:18:58,100 I'll be back in a moment. This way. 171 00:19:12,500 --> 00:19:14,000 Okay, 172 00:19:14,500 --> 00:19:17,900 call me crazy, but you keep turning up at murder investigations. 173 00:19:18,300 --> 00:19:21,000 Coincidence? I think no. 174 00:19:21,700 --> 00:19:23,200 I'm not following. 175 00:19:23,500 --> 00:19:27,300 Tessa Noel is named on a police report for a missing person... 176 00:19:27,600 --> 00:19:29,800 - ...Anne Wheeler. - And you think it's murder? 177 00:19:29,900 --> 00:19:31,400 Tessa does. 178 00:19:32,800 --> 00:19:36,100 Don't play games with me, MacLeod. What gives? 179 00:19:36,800 --> 00:19:37,800 Read the report. 180 00:19:38,000 --> 00:19:41,400 Oh, I was hoping for your colorful narrative touch. 181 00:19:41,500 --> 00:19:44,100 Duncan, the man in the store likes the shield. He... 182 00:19:44,400 --> 00:19:47,300 - I wanted to talk to you. - Really? 183 00:19:49,900 --> 00:19:51,800 You're right, it's just a pretext. 184 00:19:51,900 --> 00:19:53,800 We were deciding... your place, mine? 185 00:19:54,100 --> 00:19:55,900 Don't let me interrupt. 186 00:19:57,500 --> 00:19:59,400 Why doesn't she like me? 187 00:20:00,200 --> 00:20:03,800 It couldn't be your personality... or tact. 188 00:20:09,900 --> 00:20:12,000 You know I was kidding in there. 189 00:20:12,300 --> 00:20:14,000 So I guessed. 190 00:20:17,500 --> 00:20:19,600 So, what do you want from me? 191 00:20:20,300 --> 00:20:22,800 Was Ann Wheeler a friend of yours? 192 00:20:24,900 --> 00:20:26,700 I barely knew her. 193 00:20:27,300 --> 00:20:28,700 Then why are you so involved in finding... 194 00:20:28,900 --> 00:20:32,400 If you saw someone murdered, you would feel involved, trust me! 195 00:20:32,800 --> 00:20:34,600 You're certain she was killed? 196 00:20:35,900 --> 00:20:40,200 One moment she was there vibrant, alive, breathing the same air... 197 00:20:41,400 --> 00:20:43,400 and the next... 198 00:20:45,700 --> 00:20:48,400 You describe her like you knew her well. 199 00:20:50,600 --> 00:20:52,400 Maybe I do... somehow. 200 00:20:56,600 --> 00:20:59,000 - I don't see. - No, of course you don't. 201 00:20:59,100 --> 00:21:00,800 You're here for the story. 202 00:21:01,000 --> 00:21:03,700 Well this isn't a story, it's a woman's life... 203 00:21:03,900 --> 00:21:06,000 and it's been taken from her. 204 00:21:06,200 --> 00:21:09,000 And you can't do anything about it, can you? 205 00:21:09,100 --> 00:21:12,200 - Maybe I could. - Only if it buys you air time. 206 00:21:20,600 --> 00:21:22,900 It's been nice sparring with you. 207 00:21:25,200 --> 00:21:27,500 You know, you may be right about me... 208 00:21:28,600 --> 00:21:30,500 but I still I can help. 209 00:21:32,800 --> 00:21:35,800 So call me if you learn anything else. 210 00:21:45,300 --> 00:21:46,500 Yeah. 211 00:21:48,000 --> 00:21:50,600 Chief, remember that woman I told about? The one who... 212 00:21:50,800 --> 00:21:52,300 things she saw a murder at the bridge? 213 00:21:52,500 --> 00:21:53,900 Vaguely, what of her? 214 00:21:54,200 --> 00:21:56,900 Well, I know we don't have much, but from what I know of her, 215 00:21:57,100 --> 00:22:00,100 she's not the kind of woman who makes things up and she's very persistent. 216 00:22:00,300 --> 00:22:02,000 There's always a first time. 217 00:22:02,200 --> 00:22:04,100 I wouldn't make it a big priority. 218 00:22:04,300 --> 00:22:07,500 It's probably nothing. Nothing at all. 219 00:22:18,400 --> 00:22:22,500 It's been two days. She hasn't returned home and still the police have done nothing. 220 00:22:23,700 --> 00:22:25,600 They probably have nothing to go on. 221 00:22:26,100 --> 00:22:27,800 People disappear every day. 222 00:22:27,900 --> 00:22:29,600 You sound like that detective! 223 00:22:29,700 --> 00:22:32,500 She didn't just disappear. She was murdered. 224 00:22:32,700 --> 00:22:34,100 I believe you, 225 00:22:34,300 --> 00:22:37,700 but believing and proving are two different things. 226 00:22:39,500 --> 00:22:42,300 - So what do I do? - Well, let Bennett do his job. 227 00:22:42,500 --> 00:22:44,900 I mean, there's an auction in New York. I thought that you and Richie... 228 00:22:45,000 --> 00:22:48,000 New York? Yeah, now we're talking. 229 00:22:49,600 --> 00:22:52,800 - You want me to leave? - Just for a few days, until this is over. 230 00:22:53,500 --> 00:22:58,000 Wait a minute. Why? The only time you want me gone is when there's an Immortal around. 231 00:22:58,300 --> 00:23:01,600 Hold on one second. What�s going on guys? 232 00:23:05,200 --> 00:23:07,200 All right, sorry. 233 00:23:09,100 --> 00:23:12,400 I figured you had enough on your minds without this to worry about, 234 00:23:12,900 --> 00:23:15,500 I just want you out of here until this is over. 235 00:23:16,400 --> 00:23:17,800 - Absolutely not. - Tessa. 236 00:23:18,000 --> 00:23:21,600 I'm an adult, Duncan. I know the risks I choose to take. 237 00:23:22,100 --> 00:23:23,900 Tessa, it's the Gathering. 238 00:23:24,100 --> 00:23:25,900 We've been through this before. 239 00:23:26,100 --> 00:23:28,500 I stay with you because I want to. 240 00:23:30,100 --> 00:23:34,900 I won't run. I'm not that little woman and I'll never be barefoot and pregnant. 241 00:23:35,300 --> 00:23:38,900 We all have things to face. This is mine. 242 00:23:39,800 --> 00:23:42,300 I have to see it through. 243 00:23:43,800 --> 00:23:45,600 All right. 244 00:23:47,000 --> 00:23:49,000 We'll do it together, then. 245 00:23:49,800 --> 00:23:51,700 Where do you want to start? 246 00:23:52,400 --> 00:23:55,400 With Anne's maid. I think she was holding something back. 247 00:23:55,700 --> 00:23:57,700 Okay, we'll start there. 248 00:24:11,800 --> 00:24:15,400 - Bennett. - Ok, you go. 249 00:24:18,400 --> 00:24:20,700 - What's up? - I've been looking at your duty report. 250 00:24:20,800 --> 00:24:24,200 Now, I thought we agreed to give the Wheeler disappearance a low priority. 251 00:24:24,300 --> 00:24:27,600 This Noel woman just won't quit. Now, I checked out Anne Wheeler. 252 00:24:27,900 --> 00:24:30,500 She still hasn't come home. Maybe there's something to it. 253 00:24:30,800 --> 00:24:32,700 How many cases you got? 254 00:24:33,900 --> 00:24:37,600 I got a feeling about this, Chief. Do you want to talk with the eyewitness? 255 00:24:37,800 --> 00:24:42,000 - No, just keep me posted. - We'll do. 256 00:24:54,400 --> 00:24:58,400 Amazing work, I remember her now. It was years ago... 257 00:25:00,500 --> 00:25:03,200 and it is just as fresh as when I saw it in Paris. 258 00:25:03,400 --> 00:25:04,600 Paris? 259 00:25:04,800 --> 00:25:07,800 But Miss Wheeler hasn't shown in Paris for twenty years. 260 00:25:08,000 --> 00:25:10,200 You're much too young to have seen it there. 261 00:25:10,300 --> 00:25:12,700 Of course. I must be thinking of someone else. 262 00:25:14,000 --> 00:25:16,100 I'm beginning to be frightened. 263 00:25:16,300 --> 00:25:19,200 She's never been gone this long without calling me. 264 00:25:20,000 --> 00:25:22,100 Maybe she's painting somewhere. 265 00:25:22,300 --> 00:25:24,400 You know how artists are. 266 00:25:24,800 --> 00:25:28,800 Maybe. You said she hadn't painted much recently, 267 00:25:29,200 --> 00:25:30,300 That's right. 268 00:25:30,400 --> 00:25:31,800 Why? 269 00:25:33,600 --> 00:25:34,800 I really don't know. 270 00:25:35,000 --> 00:25:36,800 I think you do know. 271 00:25:37,000 --> 00:25:39,100 I don't know you. 272 00:25:39,300 --> 00:25:42,300 Anne Wheeler never mentioned either of you to me. 273 00:25:42,600 --> 00:25:45,800 You have no right to asking these questions 274 00:25:46,000 --> 00:25:48,900 - I want you to leave. - All we want to do is help. 275 00:25:49,000 --> 00:25:51,200 There's something wrong and I think you know that. 276 00:25:51,400 --> 00:25:53,500 Whatever the truth is, 277 00:25:54,200 --> 00:25:55,900 it'll be better than not knowing. 278 00:25:56,100 --> 00:25:58,200 Why did she stop painting? 279 00:26:02,500 --> 00:26:04,600 It was a man. 280 00:26:05,200 --> 00:26:09,000 He left her just after I came to work for her. 281 00:26:09,400 --> 00:26:13,600 They were together for years, and when he left, she was devastated. 282 00:26:14,300 --> 00:26:16,600 She never painted again. 283 00:26:17,300 --> 00:26:20,900 It was like the life was drained out of her. 284 00:26:21,400 --> 00:26:24,200 She spent years searching for him... 285 00:26:24,400 --> 00:26:27,600 which is why she was gone for days on end. 286 00:26:28,000 --> 00:26:30,500 Maybe he could tell us something. Does he have a name? 287 00:26:30,700 --> 00:26:34,200 Andrew Holt, but I think he changed it to avoid her. 288 00:26:34,500 --> 00:26:37,200 What about snapshots? An address? 289 00:26:37,600 --> 00:26:39,300 No, I never saw any. 290 00:26:39,300 --> 00:26:41,100 What about paintings? 291 00:26:41,400 --> 00:26:44,100 If she loved him, she might have done a portrait. 292 00:26:45,200 --> 00:26:47,100 I'll get it. 293 00:26:51,200 --> 00:26:53,500 Now we know who he is. 294 00:26:58,300 --> 00:27:00,300 I don�t think so. 295 00:27:04,300 --> 00:27:06,700 She found him, didn't she? 296 00:27:07,500 --> 00:27:11,300 That last night, I heard her on the phone. 297 00:27:12,900 --> 00:27:17,100 It must've been him. She sounded so upset I came to her... 298 00:27:18,200 --> 00:27:21,300 She made me promise never to talk about him again. 299 00:27:21,700 --> 00:27:23,000 We understand. 300 00:27:23,200 --> 00:27:26,400 She is dead, isn't she? 301 00:27:30,300 --> 00:27:33,900 - I'm not sure. - You think he might've killed her? 302 00:27:34,200 --> 00:27:35,800 Perhaps. 303 00:27:36,300 --> 00:27:39,500 But why? Why? 304 00:27:51,400 --> 00:27:53,400 Those paintings. 305 00:27:54,800 --> 00:27:57,500 I can close my eyes and see her. 306 00:27:57,900 --> 00:27:59,900 I feel what she felt. 307 00:28:00,700 --> 00:28:03,400 It's like peering into someone's heart... 308 00:28:04,000 --> 00:28:07,600 - She was so human... so real. - Suppose she was. 309 00:28:09,400 --> 00:28:11,500 I know why she kept looking for him. 310 00:28:11,700 --> 00:28:15,600 She felt everything... violently. Love. Loss. 311 00:28:15,900 --> 00:28:18,100 You're not her. 312 00:28:20,700 --> 00:28:22,900 I could be... 313 00:28:30,500 --> 00:28:33,300 Tessa, you're stronger than she was. 314 00:28:34,800 --> 00:28:37,700 If something happened to me... 315 00:28:38,200 --> 00:28:39,900 you'd be fine. 316 00:28:40,600 --> 00:28:43,300 You only think so because it suits you. 317 00:29:23,100 --> 00:29:25,800 We've got to call Bennett and tell him about the phone call. 318 00:29:26,000 --> 00:29:29,100 What can we tell him? That she spoke to someone? 319 00:29:29,300 --> 00:29:32,300 The man has no face, and a name he no longer uses. 320 00:29:50,700 --> 00:29:53,600 - So what do we do now? - I don't know. 321 00:30:00,200 --> 00:30:02,000 I can't give this up. 322 00:30:06,700 --> 00:30:08,100 Get down! 323 00:30:15,900 --> 00:30:17,100 You're hurt! 324 00:30:17,200 --> 00:30:19,400 When I tell you, get inside, ok? 325 00:30:19,500 --> 00:30:21,800 Go! Hurry. 326 00:30:29,000 --> 00:30:30,800 What the hell? 327 00:30:30,900 --> 00:30:33,600 What's going on, here? An Immortal? 328 00:30:34,700 --> 00:30:37,200 - Yeah. - Are you all right? 329 00:30:38,300 --> 00:30:39,500 I'll live, ok? 330 00:30:39,800 --> 00:30:42,100 You know, I just love the stitch. 331 00:30:49,800 --> 00:30:51,400 Why would an Immortal shoot you? 332 00:30:51,500 --> 00:30:55,000 She's right, any Immortal would know a gun is useless to kill you. 333 00:30:55,100 --> 00:30:56,300 Why would he try? 334 00:30:57,400 --> 00:30:59,800 Because he's not coming for me, Richie, 335 00:31:01,800 --> 00:31:03,600 he's coming for you, Tess. 336 00:31:17,500 --> 00:31:19,200 My ass. 337 00:31:19,900 --> 00:31:21,200 What is it with you people? 338 00:31:21,400 --> 00:31:25,500 I know cop's been on the force twenty years, never been shot at or pulled a gun, 339 00:31:25,700 --> 00:31:27,500 and never involved in a murder. 340 00:31:27,800 --> 00:31:30,700 But with you, this kind of thing seems like it's a regular occurrence. 341 00:31:31,900 --> 00:31:35,600 So you're telling me al this blood came from you hitting the steering wheel. 342 00:31:36,400 --> 00:31:38,300 Could've been a lot worse, Sergeant. 343 00:31:38,600 --> 00:31:40,500 But those seat belts are a lifesaver, 344 00:31:40,700 --> 00:31:43,100 who knows what could've happened without them. 345 00:31:47,500 --> 00:31:49,800 I came here to put you under protective custody. 346 00:31:50,100 --> 00:31:52,200 Looks to me like you need it. 347 00:31:53,000 --> 00:31:54,500 Why's that? 348 00:31:55,800 --> 00:31:58,900 Anne Wheeler's body washed up on the shore a few hours ago. 349 00:32:03,100 --> 00:32:05,200 So now you believe me, 350 00:32:06,900 --> 00:32:09,200 Are you sure it's Anne Wheeler? 351 00:32:10,000 --> 00:32:12,300 We do some things right, MacLeod. 352 00:32:12,400 --> 00:32:14,700 Forensics ID'd the body just a while ago. 353 00:32:15,400 --> 00:32:17,200 Miss Noel, I'd like you to come with us. 354 00:32:17,300 --> 00:32:18,400 Why? 355 00:32:18,700 --> 00:32:21,000 Because the chief thinks it's possible... 356 00:32:21,000 --> 00:32:24,900 that the murder you witnessed was committed by someone connected to organized crime. 357 00:32:25,100 --> 00:32:27,300 He thinks you'll be safer under our protection... 358 00:32:27,700 --> 00:32:29,600 and now I agree with him. 359 00:32:30,000 --> 00:32:31,300 Is it really necessary? 360 00:32:31,500 --> 00:32:33,600 There's a pro shooter around. 361 00:32:33,900 --> 00:32:36,700 He knows where you live. He's watching you. 362 00:32:37,000 --> 00:32:39,000 Next time he may not miss. 363 00:32:39,300 --> 00:32:43,400 Maybe it's not a bad idea. Just for while. 364 00:32:44,900 --> 00:32:46,500 We can come back later and pick up your clothes. 365 00:32:46,600 --> 00:32:48,200 Where're you taking her? 366 00:32:48,700 --> 00:32:50,900 To a safe house. It's all I can tell you. 367 00:32:52,400 --> 00:32:54,100 It's going to be okay. 368 00:32:54,400 --> 00:32:55,900 I know... 369 00:33:04,500 --> 00:33:07,400 Does that bike of yours still haul ass? 370 00:33:08,200 --> 00:33:10,700 Like Madonna's underwear. Why? 371 00:33:13,900 --> 00:33:15,300 Okay. 372 00:33:23,700 --> 00:33:26,700 I just heard about the shooting over my police scanner. Are you okay? 373 00:33:27,000 --> 00:33:28,300 Yes. 374 00:33:28,600 --> 00:33:30,100 They found Anne Wheeler. 375 00:33:30,300 --> 00:33:33,100 I know. You were right. 376 00:33:33,500 --> 00:33:35,300 I wish I weren't, 377 00:33:36,400 --> 00:33:38,400 Funny, I just wanted to talk to her again. 378 00:33:39,300 --> 00:33:41,800 I know you won't believe this, but I'm sorry. 379 00:33:42,500 --> 00:33:44,100 I believe you. 380 00:33:44,300 --> 00:33:46,000 You were right about something else. 381 00:33:46,100 --> 00:33:47,500 What's that? 382 00:33:48,100 --> 00:33:50,600 She's dead, and I really can't help. 383 00:33:51,800 --> 00:33:53,700 I wish I could. 384 00:34:30,200 --> 00:34:32,100 I think we got a player. 385 00:34:32,400 --> 00:34:33,600 A guy on a motorcycle. 386 00:34:33,800 --> 00:34:35,400 Take a hard left and hit the gas. 387 00:34:35,600 --> 00:34:37,100 Don't, it could be our shooter. 388 00:34:37,300 --> 00:34:38,600 I'll call for some backup. 389 00:35:05,400 --> 00:35:06,800 Freeze! 390 00:35:10,600 --> 00:35:13,600 Don't shoot!, Don't shoot!, Don't shoot! I'm one of the good guys. 391 00:35:13,800 --> 00:35:15,700 Talk to me, wiseguy! 392 00:35:16,800 --> 00:35:19,800 I got a license. I was a taking a joy ride. 393 00:35:20,000 --> 00:35:22,600 Look, pal. If we wanted people to know where these safe houses were, 394 00:35:22,700 --> 00:35:23,700 we'd put them in the phone book. 395 00:35:24,400 --> 00:35:27,300 Now, somebody escort Mr. Indiana Jones here back to his place. 396 00:35:27,500 --> 00:35:32,000 What. This is gonna screw up my safety driver discount? 397 00:35:32,300 --> 00:35:34,500 Bet your ass. 398 00:36:25,900 --> 00:36:28,400 - Bennett - This is Ballin, here. How's it looking? 399 00:36:28,600 --> 00:36:30,300 Quiet so far, sir. What's up? 400 00:36:30,400 --> 00:36:32,000 Just checking in. 401 00:36:32,200 --> 00:36:34,100 She identified anyone from the mug books yet? 402 00:36:34,400 --> 00:36:35,700 Not yet... 403 00:36:35,800 --> 00:36:38,600 It's all this necessary? I mean, the lady's not very happy. 404 00:36:38,800 --> 00:36:42,200 She'd be a lot more unhappy if she took a twenty-two behind the ear. 405 00:36:42,900 --> 00:36:45,000 Stay buttoned up. I'll check back later. 406 00:36:45,200 --> 00:36:47,700 - No one in or out. - Whatever you say, Sir. 407 00:37:06,600 --> 00:37:09,300 NATIONAL GAS CO ISNPECT YEARLY 408 00:37:27,600 --> 00:37:29,500 POLICE DEPT 409 00:39:17,100 --> 00:39:18,700 Open up! 410 00:39:18,900 --> 00:39:20,200 Open up! 411 00:39:20,500 --> 00:39:21,500 Freeze! 412 00:39:21,700 --> 00:39:23,100 MacLeod, are you nuts? 413 00:39:23,300 --> 00:39:26,300 Now, listen me very carefully. There's a bomb on the outside of the house. 414 00:39:26,400 --> 00:39:29,000 You have exactly under two minutes to get everyone outside. 415 00:39:29,200 --> 00:39:31,300 - What? - I don't have time to discuss this. 416 00:39:31,500 --> 00:39:32,400 Ninety seconds. 417 00:39:32,400 --> 00:39:34,500 Is this another one of your tricks like that guy on the motorcycle? 418 00:39:34,700 --> 00:39:36,100 - No more time. - Bennett, are you alright? 419 00:39:36,200 --> 00:39:37,500 Yeah... 420 00:39:38,100 --> 00:39:39,800 - Freeze! - Where is she? 421 00:39:39,900 --> 00:39:40,800 Where is she!? 422 00:39:40,900 --> 00:39:43,400 - Duncan! - Out, now! 423 00:39:43,600 --> 00:39:46,300 I'm gonna say it again. It's about to take off! Take that! 424 00:39:46,700 --> 00:39:49,500 Get Bennett and get outside. You've got thirty seconds! 425 00:39:56,700 --> 00:39:58,500 - Who's doing this? - An Immortal. 426 00:39:58,600 --> 00:40:00,500 And he's a cop. He followed you here. 427 00:40:01,700 --> 00:40:04,700 - You followed me too, - Yeah, but I'm obsessed with you. 428 00:40:08,300 --> 00:40:09,600 Come on. 429 00:40:11,300 --> 00:40:14,600 I don't know the hell is going on, MacLeod, but you're in deep... 430 00:40:34,600 --> 00:40:36,000 Yeah. 431 00:40:38,800 --> 00:40:40,000 Thanks. 432 00:40:40,700 --> 00:40:42,300 I owe you. 433 00:40:43,400 --> 00:40:44,700 How did you know about the bomb? 434 00:40:44,800 --> 00:40:46,300 I saw someone leaving the side of the house. 435 00:40:46,500 --> 00:40:48,500 - Can you identify it? - I didn't that good a look. 436 00:40:48,700 --> 00:40:51,800 You expect me to believe that, MacLeod? This wouldn't be the first time you lie to me. 437 00:40:51,900 --> 00:40:55,700 You can believe what you want. Who else knew you were bringing Tessa here? 438 00:40:57,300 --> 00:40:59,500 Just me, the chief, and a couple of my men. 439 00:40:59,600 --> 00:41:03,000 Wait a minute. Wait, you don't think my people had anything to do with this. 440 00:41:03,800 --> 00:41:06,300 - We have to go. - Yeah, right. Downtown to talk this out. 441 00:41:06,400 --> 00:41:07,300 Tomorrow. 442 00:41:07,300 --> 00:41:10,100 - No way MacLeod. - You said you owed me. 443 00:41:11,400 --> 00:41:15,800 Right, tomorrow. Early, or I'm coming to get you. 444 00:41:18,500 --> 00:41:20,500 You're going after him? 445 00:41:21,400 --> 00:41:22,400 I have to. 446 00:41:22,800 --> 00:41:25,100 Maybe he'll run off now that he knows we know it's him. 447 00:41:25,200 --> 00:41:26,600 What about Anne? 448 00:41:26,700 --> 00:41:29,500 - I care about you. - I have to stop him. 449 00:41:30,400 --> 00:41:32,100 This would happen again and again... 450 00:41:32,200 --> 00:41:35,300 - ...and again... - I know. I know. 451 00:41:47,600 --> 00:41:49,500 I guess you were right about it being a mob hit. 452 00:41:49,600 --> 00:41:51,300 If it wasn't for MacLeod we'd all be dead. 453 00:41:51,500 --> 00:41:53,400 It's lucky he arrived. 454 00:41:53,700 --> 00:41:55,600 And he didn't mention who planted the bomb? 455 00:41:55,900 --> 00:42:00,000 He only said he didn't see anybody but I think he knows, he's just not telling us. 456 00:42:00,200 --> 00:42:02,200 Tomorrow I will get it out of him. 457 00:42:02,500 --> 00:42:03,700 Right. 458 00:42:03,800 --> 00:42:06,000 I'll by in my office. 459 00:42:12,000 --> 00:42:14,200 I've been waiting for you to call. 460 00:42:15,800 --> 00:42:17,800 I'll be there. 461 00:42:49,200 --> 00:42:51,400 Must be useful being a cop, Ballin. 462 00:42:52,000 --> 00:42:54,300 If you kill one of us, you can be the first on the scene. 463 00:42:54,600 --> 00:42:58,500 No questions, no suspicion just good, solid police work. 464 00:42:59,500 --> 00:43:01,200 I wasn't coming for you yet, MacLeod. 465 00:43:01,400 --> 00:43:03,600 Of course it works just as well for mortals. 466 00:43:04,700 --> 00:43:06,300 Why, Ann? 467 00:43:06,600 --> 00:43:09,100 She was your woman. She wouldn't let go. 468 00:43:09,600 --> 00:43:13,200 Everywhere I went, so did she. At the end... 469 00:43:13,600 --> 00:43:18,000 she threatened to expose what I was to the world if I didn't go back to her. 470 00:43:19,500 --> 00:43:22,400 - How many others have you killed? - Does it matter? 471 00:43:23,300 --> 00:43:25,300 They never live forever... 472 00:43:26,300 --> 00:43:28,300 an neither will you. 473 00:45:49,500 --> 00:45:51,400 This damn case gets weirder by the moment. 474 00:45:51,600 --> 00:45:52,700 Why? 475 00:45:52,800 --> 00:45:55,500 Chief Ballin turns out murdered last night. 476 00:45:56,000 --> 00:45:59,000 We found a rifle in the trunk of his car which ballistics matched... 477 00:45:59,200 --> 00:46:01,300 to a slug dug out of your upholstery. 478 00:46:02,800 --> 00:46:07,000 We then matched the fibers dug from under Anne Wheeler's fingernails... 479 00:46:07,300 --> 00:46:09,500 and they matched Ballin's overcoat. 480 00:46:11,000 --> 00:46:12,300 You think you know somebody. 481 00:46:12,500 --> 00:46:14,600 Yeah, Anne Wheeler thought she knew him too. 482 00:46:14,800 --> 00:46:15,900 Yeah. 483 00:46:16,200 --> 00:46:19,900 Look... I'm sorry I didn't believe you the first time. 484 00:46:20,500 --> 00:46:22,100 It's okay. 485 00:46:23,900 --> 00:46:26,600 I guess I'll be seen you around. 486 00:46:32,700 --> 00:46:35,500 Duncan? When the time comes... 487 00:46:35,900 --> 00:46:41,200 if you ever have to leave me, I won't be like Anne. I'll leave you first. 488 00:46:41,700 --> 00:46:44,500 - You do that... - Yeah? 489 00:46:45,400 --> 00:46:46,900 and I'll follow you. 490 00:46:48,400 --> 00:46:52,100 Wherever you go. As long as you live. 491 00:46:52,700 --> 00:46:54,400 Then maybe... 492 00:46:54,600 --> 00:46:57,200 just maybe... I won't leave. 493 00:46:57,300 --> 00:47:00,600 - You want some coffee? - Yeah I'd love some coffee. 494 00:47:00,800 --> 00:47:02,500 I'll make some. 495 00:47:04,700 --> 00:47:08,700 - I thought you'd like coffee. - Well, I do. I want some coffee. 496 00:47:12,400 --> 00:47:16,000 - I have to make it. - Okay, okay, you make it. 497 00:47:18,300 --> 00:47:19,500 Where do you go? 498 00:47:19,800 --> 00:47:21,500 - What do you have in mind? - Nothing, sweetheart. 499 00:47:21,700 --> 00:47:24,500 Yeah, you do. You want coffee. 500 00:47:25,000 --> 00:47:26,500 I do, I love coffee. 501 00:47:26,700 --> 00:47:28,300 - Dunc... - This comes next... 502 00:47:28,300 --> 00:47:30,200 Duncan! 503 00:47:37,200 --> 00:47:39,100 "Here we are" 504 00:47:39,300 --> 00:47:42,600 "We're the princes of the universe" 505 00:47:43,000 --> 00:47:48,000 "Here we belong, fighting for survival" 506 00:47:48,400 --> 00:47:53,000 We've come to be the rulers of your world. 507 00:48:03,500 --> 00:48:05,800 "I am immortal" 508 00:48:05,900 --> 00:48:09,000 "I have inside me blood of kings" 509 00:48:09,400 --> 00:48:14,600 "I have no rival; no man can be my equal" 510 00:48:14,900 --> 00:48:19,400 "Take me to the future of your world" 511 00:48:19,500 --> 00:48:22,500 Subtitles SubXpacio TusSeries Proy_Babylon 512 00:00:00,500 --> 00:00:02,000 www.tvsubtitles.net 513 00:00:03,000 --> 00:00:13,000 Downloaded From www.AllSubs.org 514 00:00:13,050 --> 00:00:17,600 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 40024

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