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ONE, TWO, THREE,
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FOUR, FIVE, SIX.
3
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WE'RE ALL OUT OF NITROSET.
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TWO.
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SORRY WE'RE ALL OUT.
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I THOUGHT WE HAD SOME MORE BUT...
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WE ARE DEFINITELY ALL OUT.
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I'M SORRY.
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I'LL ORDER SOME MORE IN FOR YOU.
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MIGRAINE TABLETS.
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UH, UNLESS YOU HAVE
12
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A PRESCRIPTION...
13
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HERE.
14
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TWO?
15
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WE WOULDN'T NORMALLY...
16
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I'LL GIVE HIM SIX OF MINE.
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HERE.
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OH, WELL.
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NITROSET WILL BE IN...
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SOMETIME TOMORROW.
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C-C-CAN I PAY FOR THIS...
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YEAH, SURE.
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THEN?
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YOU CAN'T TAKE THOSE
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WITHOUT WATER.
26
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YOU CAN'T TAKE 'EM
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WITHOUT WATER.
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OH...
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UH...
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I LIVE NEARBY.
31
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I'LL GET YOU A GLASS OF WATER.
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COME ON.
33
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I'M JUST AROUND THE CORNER.
34
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YOU DON'T LOCK IT?
35
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NO, WHY?
36
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DOES THAT SEEM UNWISE TO YOU?
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NOTHING EVER HAPPENS
38
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IN A TOWN LIKE THIS.
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BET I'VE EVEN LOST THE KEY.
40
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COME ON.
41
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ARE YOU THERE?
42
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THE KEY FOR THIS ONE'S
43
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BEEN GONE A LONG WHILE NOW.
44
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COME ON IN.
45
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IT'S OLD.
46
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IT CERTAINLY IS.
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PLEASE.
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IT WOULD BE PLEASANTER
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TO LIVE IN IF THE STYLE OF DECOR
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WERE MORE MINIMALIST.
51
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DREAMT OF IT BEING
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JAPANESE ZEN.
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YOU KNOW, BARE BOARDS
54
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AND PAPER SCREENS,
55
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SIMPLE RICE BOWL.
56
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PLEASE SIT DOWN.
57
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BEAUTIFUL REALLY.
58
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BUT TO HAVE ACHIEVED THAT,
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I WOULD HAVE HAD TO HAVE
60
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RIPPED ALL OF THIS OUT.
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MY POOR, DEAR MOTHER
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WOULD HAVE DIED
63
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IF I'D DONE THAT.
64
00:07:43,880 --> 00:07:45,965
NOT THAT SHE DIDN'T.
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DIE, THAT IS.
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15 YEARS AGO NEXT MONTH.
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15 YEARS, GOSH.
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I HAVEN'T TOUCHED
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ANYTHING REALLY,
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WHICH COULD LEAD YOU
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TO BELIEVE THAT,
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LIKE MY MOTHER,
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I, TOO, AM RELUCTANT TO CHANGE,
74
00:08:00,939 --> 00:08:02,315
BUT IT WOULD BE WRONG.
75
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I HAVE INTRODUCED
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QUITE A FEW MODERN GEMS,
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UH, MOSTLY IN THE KITCHEN.
78
00:08:12,659 --> 00:08:13,928
WOULD YOU BELIEVE THAT I BROUGHT
79
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IN THE FIRST POTATO MASHER?
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25 YEARS AGO.
81
00:08:18,415 --> 00:08:19,290
THEY USED TO MASH POTATOES
82
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WITH A FORK.
83
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THEN, ONE DAY, I FOUND THAT
84
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SO REPULSIVELY OLD-FASHIONED,
85
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I JUST WENT OUT AND BOUGHT
86
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A POTATO MASHER AND...
87
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A COUPLE OF YEARS LATER,
88
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TA-DA?
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A MICROWAVE.
90
00:08:33,263 --> 00:08:34,139
HOW 'BOUT THAT?
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USEFUL.
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HMM.
93
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NICE PLACE.
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00:08:39,477 --> 00:08:41,187
YOU DON'T SERIOUSLY LIKE IT,
95
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DO YOU?
96
00:08:44,399 --> 00:08:46,651
WHY?
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IT HAS A PAST.
98
00:08:47,360 --> 00:08:49,904
THE PAST IS DEAD.
99
00:08:49,946 --> 00:08:51,197
IT'S BORING.
100
00:08:51,239 --> 00:08:52,073
YOU DON'T SEEM LIKE
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THE KIND OF A MAN
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WHO WOULD HAVE ALLOWED HIMSELF
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TO SUFFER BOREDOM.
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I WISH.
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HMM.
106
00:09:00,415 --> 00:09:02,125
YOU SEE THAT PICTURE BEHIND ME?
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00:09:03,376 --> 00:09:05,170
SHE WOULD HAVE BEEN PAINTED
108
00:09:05,211 --> 00:09:06,671
PROBABLY AT THE END
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OF THE 19TH CENTURY.
110
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SHE WAS MY FIRST LOVE.
111
00:09:12,469 --> 00:09:14,429
ROCKS A BOY FOR LIFE.
112
00:09:14,471 --> 00:09:17,098
INDULGING ONANISTICALLY
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IN FRONT OF THE PAINTING
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OF A WOMAN WHO'S BEEN DEAD
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FOR OVER 100 YEARS.
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LOOK AT HER.
117
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LOOK AT THE DISDAIN,
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THE REJECTION.
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00:09:26,107 --> 00:09:26,941
I USED TO SIT
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ON THIS PIANO STOOL
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WITH A HANDKERCHIEF.
122
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IS IT ANY WONDER THAT
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MY SEXUALLY ACTIVE YEARS
124
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IN THE OUTSIDE WORLD
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DIDN'T SHAPE UP TO MUCH.
126
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DEPENDS WHAT YOU MEAN
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BY "SHAPE UP"?
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PHILIP LARKIN
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SUMMED IT UP BEST.
130
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HE'S REPUTED TO HAVE SAID
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THAT SEXUAL RELATIONS
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WERE AKIN TO HAVING
133
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SOMEBODY ELSE BLOW YOUR NOSE.
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FUNNY.
135
00:09:55,303 --> 00:09:56,303
CAN I OFFER YOU A DRINK?
136
00:09:57,430 --> 00:09:58,723
OH, GOSH.
137
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I DO APOLOGIZE.
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00:10:01,976 --> 00:10:04,062
THE STUPIDITY OF OLD MEN.
139
00:10:08,149 --> 00:10:09,442
I'M TERRIBLY SORRY.
140
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HMM.
141
00:10:12,195 --> 00:10:12,946
YOU DON'T HAVE A LOT
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TO SAY FOR YOURSELF, DO YOU?
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00:10:19,285 --> 00:10:20,161
I'VE ALWAYS WONDERED
144
00:10:20,203 --> 00:10:20,954
WHAT IT WOULD BE LIKE
145
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TO BE YOUR KIND OF PERSONA.
146
00:10:24,499 --> 00:10:26,960
TO BE THE SILENT STRANGER TYPE,
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YOU KNOW?
148
00:10:29,421 --> 00:10:30,171
THE FELLOW WHO WALKS
149
00:10:30,213 --> 00:10:31,965
INTO THE BAR, DOESN'T UTTER
150
00:10:32,007 --> 00:10:34,092
A WORD, BUT THE MINUTE HE COMES
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THROUGH THE DOOR,
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THE MOOD IN THE ENTIRE ROOM
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CHANGES DRAMATICALLY.
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00:10:38,346 --> 00:10:40,348
THE WOMEN GRAB THEIR COMPACTS,
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00:10:40,390 --> 00:10:42,767
A LITTLE BIT OF LIPSTICK,
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00:10:42,809 --> 00:10:44,060
CHANGE AN EARRING,
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FLICK OF THE HAIR.
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00:10:45,478 --> 00:10:47,981
IT'S NOT ANYTHING.
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IT'S JUST THERE.
160
00:10:49,399 --> 00:10:50,275
BUT HE'S MESSED
161
00:10:50,316 --> 00:10:51,985
WITH THEIR HEADS.
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00:10:52,027 --> 00:10:53,528
YOU'VE SEEN TOO MANY MOVIES.
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00:10:54,279 --> 00:10:56,322
NO, I'VE PROBABLY READ
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TOO MANY BOOKS.
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00:10:58,533 --> 00:10:59,784
BUT YOU HAVE TO
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INDULGE ME A LITTLE.
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00:11:01,036 --> 00:11:02,328
THE...
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00:11:02,370 --> 00:11:03,079
THE EXTENT OF
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00:11:03,121 --> 00:11:04,247
MY BARROOM EXPERIENCE
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IS LIMITED TO ORDERING
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A STRAWBERRY MILKSHAKE.
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00:11:07,500 --> 00:11:08,501
WELL, I APPRECIATE
173
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YOUR HOSPITALITY.
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A COUPLE OF PILLS
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AND A GLASS OF WATER.
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HOW'S YOUR HEADACHE?
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I'LL LIVE.
178
00:11:17,594 --> 00:11:20,847
THANK YOU.
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00:13:37,359 --> 00:13:38,234
THE HOTEL...
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IS CLOSED.
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AH, YES.
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IT ALWAYS IS THIS TIME OF YEAR.
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I'LL TAKE YOU TO YOUR ROOM.
184
00:13:54,292 --> 00:13:55,377
UP THE WOODEN HILL
185
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TO BEDFORDSHIRE.
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00:13:59,631 --> 00:14:00,298
THESE ARE TWO OF MY
187
00:14:00,340 --> 00:14:04,260
ILLUSTRIOUS FOREBEARS.
188
00:14:04,302 --> 00:14:05,512
THEY WERE BOTH COLONELS
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00:14:05,553 --> 00:14:07,347
IN THE DRAGOONS
190
00:14:07,389 --> 00:14:09,516
AT THE BATTLE OF YELLOW TAVERN.
191
00:14:09,557 --> 00:14:11,476
HIS REGIMENT WASN'T ENGAGED,
192
00:14:11,518 --> 00:14:13,186
AND, PRIOR TO THAT,
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AT GETTYSBURG,
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00:14:13,978 --> 00:14:15,647
HE WAS IN THE INFIRMARY.
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00:14:15,689 --> 00:14:16,981
THE DAY BEFORE,
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00:14:17,023 --> 00:14:17,691
HE HAD CUT HIMSELF
197
00:14:17,732 --> 00:14:19,567
SHARPENING HIS SWORD.
198
00:14:19,609 --> 00:14:20,985
HIS GREAT UNCLE THERE
199
00:14:21,027 --> 00:14:22,445
WAS GUIDING THE SHIPS,
200
00:14:22,487 --> 00:14:24,239
AND HE ARRIVED AT CHESAPEAKE
201
00:14:24,280 --> 00:14:26,199
AFTER IT WAS ALL OVER.
202
00:14:26,241 --> 00:14:27,325
AND THEN HE STOPPED
203
00:14:27,367 --> 00:14:28,326
TO SHOW A GRENADIER
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00:14:28,368 --> 00:14:31,246
HOW TO COCK HIS CARBINE,
205
00:14:31,287 --> 00:14:32,205
AND HE BLEW THE RIGHT SIDE
206
00:14:32,247 --> 00:14:33,665
OF HIS HEAD OFF...
207
00:14:33,707 --> 00:14:35,625
HIS HEAD,
208
00:14:35,667 --> 00:14:37,627
NOT THE GRENADIER'S.
209
00:14:37,669 --> 00:14:39,546
NOW, THESE ENGRAVINGS
210
00:14:39,587 --> 00:14:41,339
ARE ALMOST CERTAINLY
211
00:14:41,381 --> 00:14:42,382
TAKEN FROM PAINTINGS
212
00:14:42,424 --> 00:14:44,551
BY JOHN TRUMBULL.
213
00:14:44,592 --> 00:14:47,012
I HAVE TO ADMIT THAT...
214
00:14:47,053 --> 00:14:49,222
THAT I FEEL A CERTAIN EMPATHY
215
00:14:49,264 --> 00:14:51,224
TOWARDS THOSE TWO CHARACTERS,
216
00:14:51,266 --> 00:14:54,561
LUDICROUS THOUGH THEY MAY BE.
217
00:14:54,602 --> 00:14:55,228
MY GRANDMOTHER SAID
218
00:14:55,270 --> 00:14:56,730
THAT I WAS LIKE THEM.
219
00:14:56,771 --> 00:15:00,734
AND I... I THINK THE DEAR WOMAN
220
00:15:00,775 --> 00:15:02,694
WAS PROBABLY RIGHT,
221
00:15:02,736 --> 00:15:04,237
BECAUSE, LIKE THEM,
222
00:15:04,279 --> 00:15:05,572
I SEEM TO HAVE
223
00:15:05,613 --> 00:15:07,532
AN UNCANNY ABILITY TO...
224
00:15:08,616 --> 00:15:10,410
MISS OUT ON
225
00:15:10,452 --> 00:15:11,786
ALL OF THE POSSIBLE HIGHLIGHTS
226
00:15:11,828 --> 00:15:14,247
OF MY LIFE.
227
00:15:14,289 --> 00:15:16,291
I-I-I'VE MANAGED TO OPT OUT
228
00:15:17,751 --> 00:15:20,253
EVERY... EVERY OPPORTUNITY,
229
00:15:20,295 --> 00:15:21,546
EVERY ENGAGEMENT,
230
00:15:21,588 --> 00:15:22,464
EVERY CHALLENGE,
231
00:15:22,505 --> 00:15:23,505
EVERYTHING.
232
00:15:24,341 --> 00:15:25,091
IS IT OKAY
233
00:15:25,133 --> 00:15:25,800
IF I STAY THROUGH FRIDAY?
234
00:15:25,842 --> 00:15:26,343
OH, STAY... STAY AS LONG
235
00:15:26,384 --> 00:15:26,968
AS YOU LIKE.
236
00:15:27,010 --> 00:15:27,761
ABSOLUTELY, YEAH.
237
00:15:27,802 --> 00:15:29,679
THROUGH FRIDAY IS PERFECT.
238
00:15:29,721 --> 00:15:30,764
I, UH...
239
00:15:30,805 --> 00:15:32,599
I'M GOING TO BE
240
00:15:32,640 --> 00:15:34,059
OTHERWISE ENGAGED
241
00:15:34,100 --> 00:15:35,685
ON SATURDAY MORNING.
242
00:15:35,727 --> 00:15:37,354
AND ANYWAY,
243
00:15:37,395 --> 00:15:39,647
THE TOILET'S DOWN THERE.
244
00:15:39,689 --> 00:15:41,066
THE EXTRA BLANKETS
245
00:15:41,107 --> 00:15:42,359
ARE IN THE WARDROBE.
246
00:15:42,400 --> 00:15:44,069
UH, THERE'S THIS ROOM.
247
00:15:44,110 --> 00:15:45,445
THERE ARE FOUR OTHER BEDROOMS,
248
00:15:45,487 --> 00:15:47,072
AND, UH, YOU'RE WELCOME
249
00:15:47,113 --> 00:15:47,906
TO STAY IN ANY ONE,
250
00:15:47,947 --> 00:15:49,449
BUT THE ADVANTAGE OF THIS ONE
251
00:15:49,491 --> 00:15:51,451
IS THAT THE ROOF ABOVE IT
252
00:15:51,493 --> 00:15:53,453
IS INTACT, SO, IF IT RAINS,
253
00:15:53,495 --> 00:15:54,829
YOU DON'T GET WET.
254
00:15:54,871 --> 00:15:57,624
IT'S FINE, THANK YOU.
255
00:15:57,665 --> 00:15:58,792
I'LL LEAVE YOU TO IT.
256
00:15:58,833 --> 00:16:02,462
IF YOU NEED ANYTHING, UH,
257
00:16:02,504 --> 00:16:03,755
JUST CALL, LET ME KNOW.
258
00:16:03,797 --> 00:16:04,506
OKAY?
259
00:16:04,547 --> 00:16:08,093
WOULD YOU LIKE A NIGHTCAP?
260
00:16:08,134 --> 00:16:09,386
NOT FOR ME.
261
00:16:09,427 --> 00:16:10,512
I'VE ALWAYS THOUGHT
262
00:16:10,553 --> 00:16:13,473
I'D LIKE TO TAKE TO HARD LIQUOR.
263
00:16:13,515 --> 00:16:14,516
THERE'S SOMETHING POETIC
264
00:16:14,557 --> 00:16:17,394
ABOUT DRINKING TO EXCESS.
265
00:16:17,435 --> 00:16:18,687
YOU KNOW, BRENDAN BEHAN,
266
00:16:18,728 --> 00:16:20,480
DYLAN THOMAS.
267
00:16:20,522 --> 00:16:23,733
BUT AFTER I HAVE A SIP OR TWO,
268
00:16:23,775 --> 00:16:24,567
I HAVE TO STOP.
269
00:16:24,609 --> 00:16:26,778
I HAVE THE MOST EXTRAORDINARY
270
00:16:26,820 --> 00:16:27,570
HEARTBURN.
271
00:16:27,612 --> 00:16:28,798
IT'S... IT'S... IT'S AGONIZING.
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00:16:28,822 --> 00:16:30,115
GOOD NIGHT.
273
00:16:30,156 --> 00:16:32,117
GOOD NIGHT, YEAH.
274
00:16:32,158 --> 00:16:32,909
WE CAN HAVE SUPPER
275
00:16:32,951 --> 00:16:34,661
TOMORROW NIGHT, IF YOU LIKE.
276
00:16:41,918 --> 00:16:43,503
OH, MY.
277
00:16:46,715 --> 00:16:48,717
HMM.
278
00:16:48,758 --> 00:16:50,844
HMM.
279
00:16:50,885 --> 00:16:53,763
♪ DOO-DO-DOO-DO-DOO ♪
280
00:16:53,805 --> 00:16:54,806
♪ DO-DO-DO-DO-DO ♪
281
00:16:54,848 --> 00:16:56,850
♪ DO-DO-DO-DO-DO ♪
282
00:16:56,891 --> 00:16:57,600
♪ HUP! ♪
283
00:16:57,642 --> 00:17:00,770
♪ BOO-BAH-DO-DO ♪
284
00:18:39,536 --> 00:18:40,704
HI.
285
00:18:40,745 --> 00:18:41,788
HUH.
286
00:18:41,830 --> 00:18:43,540
IT'S RARE THAT I HAVE
287
00:18:43,581 --> 00:18:45,250
THE INCLINATION, BUT,
288
00:18:45,291 --> 00:18:46,751
YOUR BEING HERE...
289
00:18:46,793 --> 00:18:48,628
I-I'M SUPPOSED TO DO IT,
290
00:18:48,670 --> 00:18:50,255
DOCTORS SAY THAT I SHOULD,
291
00:18:50,296 --> 00:18:52,882
BUT, MOSTLY, I JUST CAN'T.
292
00:18:52,924 --> 00:18:55,802
IT'S SO BORING.
293
00:18:56,970 --> 00:18:57,804
NO HARM, I GUESS.
294
00:18:57,846 --> 00:18:58,888
NOT MUCH POINT
295
00:18:58,930 --> 00:18:59,973
EITHER, ACTUALLY.
296
00:19:01,641 --> 00:19:05,270
WHAT I DO IN MY DAILY ACTIVITIES
297
00:19:05,311 --> 00:19:06,646
IS EQUIVALENT
298
00:19:06,688 --> 00:19:08,898
TO A SPORTING EVENT.
299
00:19:08,940 --> 00:19:09,816
RUNNING TO CATCH A BUS
300
00:19:09,858 --> 00:19:12,277
IS A MARATHON.
301
00:19:12,318 --> 00:19:13,528
BEND OVER TO TIE YOUR SHOES,
302
00:19:13,570 --> 00:19:15,488
YOU'RE DOING GYMNASTICS.
303
00:19:15,530 --> 00:19:17,532
JUST CLIMBING THE STAIRS
304
00:19:17,574 --> 00:19:19,659
TAKES AN EFFORT OUT OF ME
305
00:19:19,701 --> 00:19:20,827
THAT I'M SURE IS
306
00:19:20,869 --> 00:19:22,620
WHAT IT WOULD TAKE OUT OF YOU
307
00:19:22,662 --> 00:19:26,750
TO SCALE THE FACE OF A CLIFF.
308
00:19:26,791 --> 00:19:27,959
YOU... YOU WORK OUT
309
00:19:28,001 --> 00:19:28,960
REGULARLY, RIGHT?
310
00:19:29,002 --> 00:19:31,671
NEVER.
311
00:19:31,713 --> 00:19:33,298
DID YOU SLEEP ALL RIGHT?
312
00:19:33,340 --> 00:19:34,507
SEE YOU LATER.
313
00:19:34,549 --> 00:19:36,509
YEAH, OKAY.
314
00:20:39,906 --> 00:20:40,740
COME.
315
00:20:40,782 --> 00:20:42,867
THIS IS SADO.
316
00:20:47,622 --> 00:20:49,666
HEY.
317
00:20:52,794 --> 00:20:54,629
YEAH, DON'T WORRY ABOUT IT.
318
00:20:54,671 --> 00:20:56,047
I-I'LL EXPLAIN LATER.
319
00:20:56,089 --> 00:20:56,923
I'M WORRIED ALREADY.
320
00:20:56,965 --> 00:21:01,761
EXPLAIN NOW.
321
00:21:01,803 --> 00:21:03,096
HE ONLY SPEAKS ONCE A DAY.
322
00:21:03,138 --> 00:21:05,598
10:30 SHARP EVERY MORNING.
323
00:21:10,437 --> 00:21:11,146
OKAY, CAN HE DRIVE?
324
00:21:11,187 --> 00:21:12,647
HE IS SHIT HOT.
325
00:21:12,689 --> 00:21:14,816
YES, ACES.
326
00:21:22,198 --> 00:21:23,783
YOU SPREAD OUT A LITTLE.
327
00:21:23,825 --> 00:21:25,994
WELL, LIFE MOVES ON.
328
00:21:26,036 --> 00:21:29,122
UM, LOCO DOES NOT GET IN
329
00:21:29,164 --> 00:21:29,789
TILL TOMORROW.
330
00:21:29,831 --> 00:21:32,876
THAT'S SO FUCKED UP.
331
00:21:43,678 --> 00:21:44,637
"IN KYOTO
332
00:21:44,679 --> 00:21:46,639
WHERE IS THE HEIAN SHRINE
333
00:21:46,681 --> 00:21:47,807
WHEN SPRING REFLECTS UPON
334
00:21:47,849 --> 00:21:48,975
FULL OF PLENTIFUL
335
00:21:49,017 --> 00:21:50,977
CHERRY BLOSSOMS,
336
00:21:51,019 --> 00:21:53,980
BEWARE THE SWEETNESS OF THINGS."
337
00:21:54,022 --> 00:21:56,024
SO WHAT IS AT QUESTION HERE?
338
00:22:02,197 --> 00:22:03,031
WHY DID THE POET
339
00:22:03,073 --> 00:22:04,449
WRITE THIS POEM?
340
00:22:04,491 --> 00:22:06,493
WHAT LINE REVEALS THAT?
341
00:22:07,077 --> 00:22:08,203
MM.
342
00:22:08,244 --> 00:22:10,663
IN KYOTO, WHERE IS
343
00:22:10,705 --> 00:22:12,707
THE HEIAN SHRINE?
344
00:22:12,749 --> 00:22:13,708
SURELY NOTHING
345
00:22:13,750 --> 00:22:14,376
COULD BE CLEARER.
346
00:22:14,417 --> 00:22:15,835
THAT'S LIKE SAYING,
347
00:22:15,877 --> 00:22:16,711
"IN NEW YORK
348
00:22:16,753 --> 00:22:18,046
WHERE IS THE STATUE OF LIBERTY."
349
00:22:18,088 --> 00:22:19,089
IN KYOTO,
350
00:22:19,130 --> 00:22:21,466
WHERE IS THE HEIAN SHRINE.
351
00:22:21,508 --> 00:22:22,175
THE... THE POET
352
00:22:22,217 --> 00:22:23,218
IS PLACING THE POEM,
353
00:22:23,259 --> 00:22:26,012
GIVING IT CONTEXT.
354
00:22:26,054 --> 00:22:28,014
BUT HE'S ASKING THE QUESTION.
355
00:22:28,056 --> 00:22:29,683
WHAT QUESTION?
356
00:22:29,724 --> 00:22:32,060
WHERE THE HEIAN SHRINE IS.
357
00:22:33,895 --> 00:22:34,688
NO, NO, NO.
358
00:22:34,729 --> 00:22:36,147
THE HEIAN SHRINE IS IN KYOTO,
359
00:22:36,189 --> 00:22:37,691
AND THE POET STATES THAT.
360
00:22:37,732 --> 00:22:39,484
YES, BUT WHERE IN KYOTO?
361
00:22:39,526 --> 00:22:41,152
IF I SAY, "IN NEW YORK
362
00:22:41,194 --> 00:22:42,696
WHERE IS THE STATUE OF LIBERTY,"
363
00:22:42,737 --> 00:22:43,697
IT MEANS THAT I KNOW
364
00:22:43,738 --> 00:22:44,572
IT'S IN NEW YORK,
365
00:22:44,614 --> 00:22:47,784
BUT I DON'T KNOW EXACTLY WHERE.
366
00:22:47,826 --> 00:22:49,744
IN ELLIS ISLAND,
367
00:22:49,786 --> 00:22:50,453
THE HUDSON RIVER.
368
00:22:50,495 --> 00:22:52,205
OKAY, BUT IF IT WERE
369
00:22:52,247 --> 00:22:53,206
A QUESTION, THERE WOULD BE
370
00:22:53,248 --> 00:22:54,874
A QUESTION MARK.
371
00:22:54,916 --> 00:22:57,419
IS THERE A QUESTION MARK THERE?
372
00:23:07,554 --> 00:23:08,554
MM, THEY LEFT IT OUT.
373
00:23:10,098 --> 00:23:11,057
SORRY.
374
00:23:11,099 --> 00:23:12,892
NO, IT WAS...
375
00:23:12,934 --> 00:23:15,937
IT WAS LEFT OUT BECAUSE IT IS
376
00:23:15,979 --> 00:23:17,772
NOT AN INTERROGATIVE STATEMENT.
377
00:23:17,814 --> 00:23:18,440
I DON'T KNOW WHICH OF US
378
00:23:18,481 --> 00:23:19,899
IS THE MORE OBTUSE:
379
00:23:19,941 --> 00:23:21,234
YOU, WHO SEEK QUESTIONS
380
00:23:21,276 --> 00:23:22,861
WHEN THERE ARE ONLY ANSWERS
381
00:23:22,902 --> 00:23:23,611
TO BE SEEN
382
00:23:23,653 --> 00:23:26,990
OR ME, WHO SEEKS AN ANSWER
383
00:23:27,032 --> 00:23:27,907
WHEN THERE MAY NOT EVEN
384
00:23:27,949 --> 00:23:28,616
BE A QUESTION.
385
00:23:28,658 --> 00:23:30,035
ANYWAY, WE'LL PICK IT UP
386
00:23:30,076 --> 00:23:30,785
NEXT WEDNESDAY.
387
00:23:30,827 --> 00:23:32,287
THINK ABOUT IT, ALL RIGHT?
388
00:23:32,328 --> 00:23:33,204
THINK ABOUT IT.
389
00:23:33,246 --> 00:23:34,539
DON'T ASK ANYBODY.
390
00:23:34,581 --> 00:23:36,082
JUST THINK ABOUT IT.
391
00:23:36,124 --> 00:23:38,001
MAKE SURE YOUR HENRY JAMES
392
00:23:38,043 --> 00:23:38,918
IS PREPARED FOR FRIDAY,
393
00:23:38,960 --> 00:23:39,794
WILL YOU?
394
00:23:39,836 --> 00:23:40,920
OH, I HAVE...
395
00:23:40,962 --> 00:23:42,756
I HAVE AN INTERESTING ANECDOTE
396
00:23:42,797 --> 00:23:43,757
ABOUT HENRY JAMES.
397
00:23:43,798 --> 00:23:45,091
HE WAS THE MENTOR
398
00:23:45,133 --> 00:23:46,926
OF THE NOVELIST EDITH WHARTON,
399
00:23:46,968 --> 00:23:48,762
AND BEFORE HE WENT TO ENGLAND,
400
00:23:48,803 --> 00:23:49,929
HE WARNED HER
401
00:23:49,971 --> 00:23:51,222
ABOUT THE AMERICAN PUBLIC,
402
00:23:51,264 --> 00:23:52,182
THE READING PUBLIC.
403
00:23:52,223 --> 00:23:55,060
AND HE SAID THAT
404
00:23:55,101 --> 00:23:56,978
"THE AMERICANS LOVE A TRAGEDY
405
00:23:57,020 --> 00:23:59,606
WITH A HAPPY ENDING."
406
00:24:03,610 --> 00:24:05,236
I'LL SEE YOU FRIDAY.
407
00:24:13,828 --> 00:24:15,997
OH, GOD.
408
00:24:24,339 --> 00:24:25,965
BEWARE THE SWEETNESS
409
00:24:26,007 --> 00:24:28,968
OF THINGS.
410
00:24:29,010 --> 00:24:30,845
SORRY?
411
00:24:30,887 --> 00:24:32,138
BEWARE THE SWEETNESS
412
00:24:32,180 --> 00:24:33,306
OF THINGS.
413
00:24:33,348 --> 00:24:34,265
ISN'T THAT THE ANSWER
414
00:24:34,307 --> 00:24:36,142
YOU WANTED?
415
00:24:39,854 --> 00:24:40,647
WHAT'S WRONG
416
00:24:40,689 --> 00:24:42,816
WITH THE SWEETNESS OF THINGS?
417
00:24:42,857 --> 00:24:43,942
WELL, ONE COULD GET
418
00:24:43,983 --> 00:24:45,985
USED TO IT, COULDN'T ONE?
419
00:24:46,027 --> 00:24:48,071
WERE YOU A GOOD TEACHER?
420
00:24:48,113 --> 00:24:49,155
NOT ONE OF THEM
421
00:24:49,197 --> 00:24:51,825
WAS MOLESTED IN 40 YEARS.
422
00:24:51,866 --> 00:24:52,617
CONGRATULATIONS.
423
00:24:52,659 --> 00:24:54,994
THANK YOU.
424
00:24:55,036 --> 00:24:56,913
I'VE PREPARED THE FIXINGS
425
00:24:56,955 --> 00:24:57,831
FOR AN OMELET
426
00:24:57,872 --> 00:25:00,000
OF MY OWN INVENTION.
427
00:25:00,041 --> 00:25:02,043
COME ON.
428
00:25:21,271 --> 00:25:23,023
OHH.
429
00:25:23,064 --> 00:25:25,650
IT'S INSTANTANEOUS.
430
00:25:25,692 --> 00:25:28,111
THE HEARTBURN IS...
431
00:25:30,905 --> 00:25:31,865
IT'S JUST YOU DON'T KNOW
432
00:25:31,906 --> 00:25:32,949
HOW TO DO IT.
433
00:25:32,991 --> 00:25:35,869
THERE'S A SKILL?
434
00:25:35,910 --> 00:25:37,328
IMAGINE YOU'RE THIRSTY.
435
00:25:37,370 --> 00:25:41,207
HUH. OKAY.
436
00:25:41,249 --> 00:25:43,335
TAKE A GOOD MOUTHFUL.
437
00:25:49,090 --> 00:25:50,884
TASTE IT.
438
00:25:54,095 --> 00:25:56,181
SWALLOW.
439
00:26:00,101 --> 00:26:01,144
OHH.
440
00:26:01,186 --> 00:26:04,064
HOW DOES THAT FEEL?
441
00:26:04,105 --> 00:26:06,691
GOOD.
442
00:26:06,733 --> 00:26:09,277
OH-HO.
443
00:26:13,990 --> 00:26:15,325
CAN I ASK YOU SOMETHING?
444
00:26:15,367 --> 00:26:18,078
YES.
445
00:26:19,412 --> 00:26:20,246
COULD YOU LEND ME
446
00:26:20,288 --> 00:26:22,999
SOME SLIPPERS?
447
00:26:30,423 --> 00:26:32,133
WELL?
448
00:26:32,175 --> 00:26:33,259
I'VE WASTED MY LIFE.
449
00:26:34,302 --> 00:26:35,095
OKAY.
450
00:26:35,136 --> 00:26:35,970
OH, JUST WAIT.
451
00:26:36,012 --> 00:26:37,389
OH, THESE AREN'T BROKEN IN YET.
452
00:26:37,430 --> 00:26:38,306
THEY'RE BRAND-NEW.
453
00:26:38,348 --> 00:26:39,432
THEY'RE SPARES
454
00:26:39,474 --> 00:26:40,934
THAT I WAS KEEPING ASIDE FOR
455
00:26:40,975 --> 00:26:41,935
WHEN MINE ARE
456
00:26:41,976 --> 00:26:44,104
COMPLETELY WORN OUT.
457
00:26:44,145 --> 00:26:44,979
THE IDEAL SLIPPER,
458
00:26:45,021 --> 00:26:47,982
FOR IT TO BE REALLY COMFORTABLE,
459
00:26:48,024 --> 00:26:50,402
IS ALMOST WORN OUT.
460
00:26:50,443 --> 00:26:52,987
TRY WALKING IN THEM.
461
00:26:59,160 --> 00:27:00,161
NO, NO, NO, NO, NO.
462
00:27:00,203 --> 00:27:02,080
YOU HAVE TO DRAG ALONG,
463
00:27:02,122 --> 00:27:04,457
SCUFFLE YOUR FEET,
464
00:27:04,499 --> 00:27:07,419
LET THE HEEL DROP FREE.
465
00:27:07,460 --> 00:27:11,339
THINK JAPANESE GEISHA.
466
00:27:15,802 --> 00:27:18,138
YOU JUST HAVE TO PRACTICE.
467
00:27:18,179 --> 00:27:20,473
YOU MUST KEEP THEM.
468
00:27:20,515 --> 00:27:22,350
HOW NICE TO GIVE YOU A GIFT,
469
00:27:22,392 --> 00:27:25,145
TO GIVE YOU A PIECE OF MY LIFE.
470
00:27:25,186 --> 00:27:25,854
I MEAN, SOME OTHER DAY,
471
00:27:25,895 --> 00:27:27,480
MAYBE YOU'LL BE ABLE TO
472
00:27:27,522 --> 00:27:28,398
THINK OF SOMETHING FOR ME,
473
00:27:28,440 --> 00:27:29,232
OR MAYBE NOT.
474
00:27:29,274 --> 00:27:31,526
I MEAN, NOTHING FROM YOUR LIFE
475
00:27:31,568 --> 00:27:34,988
WOULD SUIT ME REALLY, WOULD IT?
476
00:27:35,030 --> 00:27:36,322
DO YOU HAVE A TATTOO?
477
00:27:36,364 --> 00:27:38,783
WHY?
478
00:27:38,825 --> 00:27:39,576
OH, I DON'T KNOW,
479
00:27:39,617 --> 00:27:40,326
I WAS THINKING THAT IF I HAD
480
00:27:40,368 --> 00:27:42,996
BEEN YOU, I WOULD HAVE HAD
481
00:27:43,038 --> 00:27:45,248
A TATTOO.
482
00:27:45,290 --> 00:27:48,335
YOU KNOW, UH, AN EAGLE
483
00:27:48,376 --> 00:27:50,337
OR A DRAGON.
484
00:27:50,378 --> 00:27:52,422
A TATTOO...
485
00:27:52,464 --> 00:27:54,466
WELL, WE DECORATE
486
00:27:54,507 --> 00:27:55,467
THE THINGS WE LOVE, RIGHT?
487
00:27:55,508 --> 00:27:56,426
BUT, OF COURSE, I MEAN,
488
00:27:56,468 --> 00:27:57,218
IF IT WERE SOMEBODY E...
489
00:27:57,260 --> 00:27:58,511
I MEAN, IT WOULD BE A JOKE.
490
00:27:58,553 --> 00:28:00,347
I MEAN, A ROARING LION
491
00:28:00,388 --> 00:28:02,349
ON A PUNY BICEP.
492
00:28:02,390 --> 00:28:04,768
IT WOULD BE...
493
00:28:08,063 --> 00:28:08,688
WOULD YOU LIKE TO SIT
494
00:28:08,730 --> 00:28:12,192
IN THE CONSERVATORY?
495
00:28:12,233 --> 00:28:15,362
I HAVE A CONSERVATORY.
496
00:28:15,403 --> 00:28:18,114
YOU KNOW, A VERANDA, A PORCH,
497
00:28:18,156 --> 00:28:19,324
A STOOP.
498
00:28:26,539 --> 00:28:28,541
HMM.
499
00:28:28,583 --> 00:28:30,377
SPARE ME YOUR REFLECTIONS
500
00:28:30,418 --> 00:28:31,586
ON INFINITY.
501
00:28:33,546 --> 00:28:35,548
WHAT?
502
00:28:35,590 --> 00:28:37,300
OH, EVERY TIME
503
00:28:37,342 --> 00:28:38,343
ANYBODY COMES OUT HERE,
504
00:28:38,385 --> 00:28:40,095
THEY START BABBLING
505
00:28:40,136 --> 00:28:42,055
ABOUT THE COSMOS.
506
00:28:42,097 --> 00:28:43,306
AND I THINK I LACK
507
00:28:43,348 --> 00:28:45,558
A COSMIC SENSIBILITY.
508
00:28:45,600 --> 00:28:48,186
STARS LEAVE ME COLD.
509
00:28:51,231 --> 00:28:52,232
THEY SAY WE HAVE
510
00:28:52,273 --> 00:28:54,109
ONE FOR EACH OF US.
511
00:28:54,150 --> 00:28:55,610
THEY DO?
512
00:28:55,652 --> 00:28:56,569
WHAT'S THAT?
513
00:28:56,611 --> 00:28:57,278
SOME FANCY
514
00:28:57,320 --> 00:29:01,241
NATIVE AMERICAN LEGEND?
515
00:29:01,282 --> 00:29:02,534
NO.
516
00:29:02,575 --> 00:29:05,370
ORDINARY OLD WIVES' TALE.
517
00:29:08,289 --> 00:29:09,416
SO WHAT'S UP
518
00:29:09,457 --> 00:29:12,252
WITH SATURDAY MORNING?
519
00:29:12,293 --> 00:29:14,087
SATURDAY MORNING, ME?
520
00:29:14,129 --> 00:29:16,131
OH, UM, NOTHING REALLY.
521
00:29:16,172 --> 00:29:17,424
JUST A CHECK-UP.
522
00:29:17,465 --> 00:29:20,552
MORE OF A TUNE-UP ACTUALLY.
523
00:29:20,593 --> 00:29:21,886
I'M GONNA GET OUT THE SCISSORS,
524
00:29:21,928 --> 00:29:25,098
YOU KNOW, SNIP, SNIP, BINGO.
525
00:29:25,140 --> 00:29:26,367
THAT'S WHAT THEY DO THESE DAYS.
526
00:29:26,391 --> 00:29:27,559
THEY SEE A LITTLE BLIP
527
00:29:27,600 --> 00:29:30,228
ON THE OLD ECT, AND THEY
528
00:29:30,270 --> 00:29:33,356
HAUL YOU IN FOR A TUNE-UP,
529
00:29:33,398 --> 00:29:35,859
FOR REPAIRS.
530
00:29:40,655 --> 00:29:41,573
DON'T LIKE TO TALK
531
00:29:41,614 --> 00:29:43,616
ABOUT IT, HUH?
532
00:29:43,658 --> 00:29:44,659
ME?
533
00:29:44,701 --> 00:29:46,369
NO, NOT MUCH.
534
00:29:46,411 --> 00:29:48,913
NO.
535
00:30:09,976 --> 00:30:12,937
PROFESSOR?
536
00:30:12,979 --> 00:30:14,147
YES.
537
00:30:14,189 --> 00:30:15,607
YOU HAVE A SCAN SCHEDULED?
538
00:30:15,648 --> 00:30:16,608
YES.
539
00:30:16,649 --> 00:30:19,361
FOLLOW ME, PLEASE, SIR.
540
00:30:43,551 --> 00:30:45,512
IT... IT... IT WAS LIKE NOTHING.
541
00:30:45,553 --> 00:30:46,697
ANY IDIOT COULD HAVE WALKED IN
542
00:30:46,721 --> 00:30:49,432
OR OUT WITH HIS EYES SHUT.
543
00:30:49,474 --> 00:30:51,518
BUT... BUT I... I COPPED TWO YEARS,
544
00:30:51,559 --> 00:30:52,477
AND THEN,
545
00:30:52,519 --> 00:30:53,478
WHEN THEY PUT ME INSIDE,
546
00:30:53,520 --> 00:30:54,521
WERE THEY WAITING FOR ME,
547
00:30:54,562 --> 00:30:55,397
OR WHAT?
548
00:30:55,438 --> 00:30:57,899
YES, MOTHERFUCKERS.
549
00:30:59,401 --> 00:31:00,694
I HAD NO ONE THERE, NO FRIENDS.
550
00:31:00,735 --> 00:31:02,362
NO ONE.
551
00:31:02,404 --> 00:31:03,113
THANK CHRIST
552
00:31:03,154 --> 00:31:05,365
I GOT THIS EARLY PAROLE
553
00:31:05,407 --> 00:31:06,199
ON ACCOUNT OF...
554
00:31:06,241 --> 00:31:09,244
ARE YOU EVEN LISTENING TO ME?
555
00:31:11,037 --> 00:31:14,249
NO.
556
00:31:14,290 --> 00:31:17,377
REVENGE IS THE JUSTICE
557
00:31:17,419 --> 00:31:19,921
OF WOE.
558
00:31:21,423 --> 00:31:22,716
10:30.
559
00:31:22,757 --> 00:31:25,510
WEIRD, NO?
560
00:31:26,761 --> 00:31:27,762
HAS HE TAKEN A VOW,
561
00:31:27,804 --> 00:31:30,265
OR IS HE JUST WACKO?
562
00:31:30,306 --> 00:31:31,641
HE HAS BEEN THIS WAY
563
00:31:31,683 --> 00:31:33,935
SINCE HIS WIFE LEFT HIM.
564
00:31:35,770 --> 00:31:37,230
WHEN WAS THAT?
565
00:31:37,272 --> 00:31:39,607
SEVEN YEARS BACK.
566
00:31:44,612 --> 00:31:46,281
NOT THIS TIME.
567
00:31:46,322 --> 00:31:47,282
I'M CALLING IT OFF.
568
00:31:47,323 --> 00:31:48,158
WHAT?
569
00:31:48,199 --> 00:31:51,327
BUT IT'S A CINCH, LIKE YOU SAID.
570
00:31:51,369 --> 00:31:53,496
LOCO'S NOT HERE.
571
00:31:53,538 --> 00:31:54,497
I WOULDN'T TRUST MY LIFE
572
00:31:54,539 --> 00:31:55,623
WITH WACKO THERE.
573
00:31:55,665 --> 00:31:57,250
YOU'RE WAY OUT OF SHAPE.
574
00:31:57,292 --> 00:31:58,436
THAT'S MORE THAN ENOUGH REASON.
575
00:31:58,460 --> 00:32:00,045
WHAT? ARE YOU KIDDING?
576
00:32:00,086 --> 00:32:01,713
BUT WE'VE DONE TOTALLY TOUGHER
577
00:32:01,755 --> 00:32:04,799
JOBS THAN THIS OVER AND OVER.
578
00:32:04,841 --> 00:32:07,677
IT JUST DOESN'T FEEL RIGHT.
579
00:32:07,719 --> 00:32:08,470
IF YOU'LL NOT DO IT,
580
00:32:08,511 --> 00:32:11,097
THEN I WILL DO IT ON MY OWN.
581
00:32:12,766 --> 00:32:15,101
CHRIST, I NEED THE CASH.
582
00:32:43,463 --> 00:32:44,381
HEY, HOW ARE YOU?
583
00:32:44,422 --> 00:32:45,423
HOW ARE YOU?
584
00:32:45,465 --> 00:32:47,467
I'M GOOD.
585
00:32:48,510 --> 00:32:49,844
THIS IS A STICK-UP,
586
00:32:49,886 --> 00:32:50,886
FREEZE WHERE YOU ARE.
587
00:32:53,348 --> 00:32:54,432
WE CAN'T GO ON
588
00:32:54,474 --> 00:32:55,141
MEETING LIKE THIS.
589
00:32:55,183 --> 00:32:57,477
AH, IT'S A SMALL TOWN.
590
00:33:00,563 --> 00:33:02,482
CAN I TELL YOU A SECRET?
591
00:33:02,524 --> 00:33:05,318
CAN I STOP YOU?
592
00:33:05,360 --> 00:33:05,860
I'VE HAD AN ACCOUNT
593
00:33:05,902 --> 00:33:06,611
IN THIS BANK
594
00:33:06,653 --> 00:33:08,363
FOR MORE THAN 50 YEARS.
595
00:33:08,405 --> 00:33:09,781
AND EVERY TIME I WALK
596
00:33:09,823 --> 00:33:10,615
THROUGH THAT DOOR,
597
00:33:10,657 --> 00:33:12,534
DO YOU KNOW WHAT I WANT TO DO?
598
00:33:12,575 --> 00:33:14,452
NO, YOU HAVEN'T TOLD ME
599
00:33:14,494 --> 00:33:15,662
THE ANSWER TO THAT ONE YET,
600
00:33:15,704 --> 00:33:16,704
AND I'M SURE YOU WILL.
601
00:33:17,664 --> 00:33:20,375
ROB THE PLACE.
602
00:33:20,417 --> 00:33:22,502
WHAT?
603
00:33:22,544 --> 00:33:24,421
I'VE BEEN FANTASIZING ABOUT IT
604
00:33:24,462 --> 00:33:26,673
SINCE I WAS A KID.
605
00:33:26,715 --> 00:33:27,674
I WALK THROUGH THAT DOOR
606
00:33:27,716 --> 00:33:29,801
WEARING A BALACLAVA,
607
00:33:29,843 --> 00:33:30,593
PISTOL IN ONE HAND,
608
00:33:30,635 --> 00:33:33,513
SUBMACHINE GUN IN THE OTHER.
609
00:33:33,555 --> 00:33:34,806
WHAT?
610
00:33:34,848 --> 00:33:35,849
YOU'VE NEVER DREAMT
611
00:33:35,890 --> 00:33:38,143
ABOUT BEING A BANK ROBBER?
612
00:33:38,184 --> 00:33:39,394
NO.
613
00:33:39,436 --> 00:33:40,186
WE DON'T SHARE
614
00:33:40,228 --> 00:33:42,856
THE SAME KIND OF NIGHTMARES.
615
00:33:42,897 --> 00:33:44,357
LOOK, I'D NEVER KILL ANYBODY.
616
00:33:44,399 --> 00:33:45,233
NOBODY.
617
00:33:45,275 --> 00:33:48,528
MY IMAGINATION IS VERY SPECIFIC.
618
00:33:48,570 --> 00:33:50,613
EVERYTHING GOES PERFECTLY.
619
00:33:50,655 --> 00:33:53,408
CLEAN GETAWAY, NEVER ARRESTED.
620
00:33:53,450 --> 00:33:54,034
WHAT DO YOU DO
621
00:33:54,075 --> 00:33:54,868
WITH THE MONEY?
622
00:33:54,909 --> 00:33:56,411
THE BAHAMAS.
623
00:33:56,453 --> 00:33:57,912
ALWAYS THE BAHAMAS.
624
00:33:57,954 --> 00:33:59,706
I'M AT THE CASINO,
625
00:33:59,748 --> 00:34:01,750
BLOWING ALL THE MONEY.
626
00:34:03,209 --> 00:34:04,794
ME BLOWING MONEY.
627
00:34:05,754 --> 00:34:06,838
THAT'S A FANTASY.
628
00:34:06,880 --> 00:34:08,757
BUT I DID HAVE SOMEBODY
629
00:34:08,798 --> 00:34:10,383
TO DO THAT WITH ONCE.
630
00:34:10,425 --> 00:34:11,676
WHEN MY MOTHER DIED,
631
00:34:11,718 --> 00:34:13,803
SHE'D SPECIFIED IN HER WILL
632
00:34:13,845 --> 00:34:15,180
THAT THERE WAS
633
00:34:15,221 --> 00:34:17,432
THIS PARTICULAR SUM
634
00:34:17,474 --> 00:34:18,641
AND THAT IT WAS JUST FOR ME
635
00:34:18,683 --> 00:34:20,477
TO SPLURGE WITH, YOU KNOW?
636
00:34:20,518 --> 00:34:21,269
TO HAVE FUN WITH.
637
00:34:21,311 --> 00:34:23,897
SO I WENT TO NEW YORK CITY.
638
00:34:23,938 --> 00:34:25,607
I WAS DETERMINED
639
00:34:25,648 --> 00:34:26,858
TO PAINT THE TOWN RED.
640
00:34:26,900 --> 00:34:28,818
AND?
641
00:34:28,860 --> 00:34:30,528
IT RAINED.
642
00:34:30,570 --> 00:34:31,654
THE WHOLE TIME.
643
00:34:31,696 --> 00:34:32,572
AND NOT YOUR SPRING SHOWERS,
644
00:34:32,614 --> 00:34:33,365
YOU KNOW.
645
00:34:33,406 --> 00:34:35,658
IT WAS TORRENTIAL DOWNPOUR,
646
00:34:35,700 --> 00:34:37,869
SO I SAT IN THE MOVIES.
647
00:34:37,911 --> 00:34:39,871
MY MOTHER, BLESS HER SOUL,
648
00:34:39,913 --> 00:34:41,873
SHE MUST HAVE BEEN DISAPPOINTED,
649
00:34:41,915 --> 00:34:42,874
BUT, UH...
650
00:34:42,916 --> 00:34:44,209
I-I DON'T ACTUALLY
651
00:34:44,250 --> 00:34:45,460
HAVE IT IN ME TO SPLURGE,
652
00:34:45,502 --> 00:34:46,419
YOU KNOW?
653
00:34:46,461 --> 00:34:47,587
THAT... SPLURGING TAKES
654
00:34:47,629 --> 00:34:49,589
DARING WIT.
655
00:34:49,631 --> 00:34:50,674
AND I-I JUST DON'T HAVE
656
00:34:50,715 --> 00:34:51,758
THE KIND OF IMAGINATION
657
00:34:51,800 --> 00:34:53,802
THAT ALLOWS ME TO BLOW MONEY.
658
00:34:53,843 --> 00:34:54,594
YOU, THOUGH, YOU...
659
00:34:54,636 --> 00:34:56,638
I BET YOU'VE BEEN THROUGH...
660
00:34:56,680 --> 00:34:57,681
I MANAGE.
661
00:34:57,722 --> 00:34:58,598
WERE YOU GOING TO GET
662
00:34:58,640 --> 00:34:59,349
SOMETHING TO EAT?
663
00:34:59,391 --> 00:35:00,600
OH, YEAH. ABSOLUTELY.
664
00:35:00,642 --> 00:35:01,476
THE BEST PLACE IN TOWN
665
00:35:01,518 --> 00:35:04,229
IS JUST UP HERE.
666
00:35:04,270 --> 00:35:05,980
THAT'S THE UPTOWN CINEMA.
667
00:35:06,022 --> 00:35:07,774
THAT'S BEEN THERE
668
00:35:07,816 --> 00:35:08,817
FOR DONKEY'S YEARS.
669
00:35:08,858 --> 00:35:09,776
I HAD MY FIRST REAL KISS
670
00:35:09,818 --> 00:35:11,444
IN THERE.
671
00:35:11,486 --> 00:35:13,238
WASN'T VERY ROMANTIC.
672
00:35:13,279 --> 00:35:13,905
SHE STUCK HER TONGUE
673
00:35:13,947 --> 00:35:14,906
DOWN MY THROAT
674
00:35:14,948 --> 00:35:16,658
AND I NEARLY CHOKED.
675
00:35:16,700 --> 00:35:19,244
THEN SHE TRIED TO GROPE ME.
676
00:35:19,285 --> 00:35:20,453
SHE GRABBED ME WRONG
677
00:35:20,495 --> 00:35:21,121
AND I SCREAMED
678
00:35:21,162 --> 00:35:22,622
AND THE WHOLE CINEMA
679
00:35:22,664 --> 00:35:23,415
TURNED AROUND.
680
00:35:23,456 --> 00:35:24,666
YOU KNOW, THE OLD LIMERICK:
681
00:35:24,708 --> 00:35:25,458
"SAID A YOUNG MAN
682
00:35:25,500 --> 00:35:26,793
TO HIS LADY FRIEND PLEASE
683
00:35:26,835 --> 00:35:27,794
AS HE WRIGGLED WITH PAIN
684
00:35:27,836 --> 00:35:28,586
ON HIS KNEES,
685
00:35:28,628 --> 00:35:29,337
IT WOULD GIVE ME GREAT BLISS
686
00:35:29,379 --> 00:35:30,839
IF YOU'D TAKE HOLD OF THIS
687
00:35:30,880 --> 00:35:31,881
AND RELINQUISH YOUR GRASP
688
00:35:31,923 --> 00:35:33,800
UPON THESE."
689
00:35:33,842 --> 00:35:36,678
THAT WAS HER.
690
00:35:36,720 --> 00:35:38,972
A PLACE IN THE SUN.
691
00:35:39,014 --> 00:35:39,889
THAT WAS THE MOVIE
692
00:35:39,931 --> 00:35:41,808
THEY WERE SHOWING.
693
00:35:41,850 --> 00:35:42,934
THEODORE DREISER.
694
00:35:42,976 --> 00:35:45,478
AMERICAN TRAGEDY.
695
00:35:45,520 --> 00:35:46,312
GREAT NOVEL,
696
00:35:46,354 --> 00:35:48,690
PINNACLE OF AMERICAN REALISM.
697
00:35:52,569 --> 00:35:54,487
DOWN THERE.
698
00:35:54,529 --> 00:35:56,281
THAT'S WHERE I SIT.
699
00:35:56,322 --> 00:35:56,990
SO THIS WAS YOUR REGULAR?
700
00:35:57,032 --> 00:35:58,825
IT STILL IS.
701
00:35:58,867 --> 00:36:00,618
EVERY LUNCHTIME.
702
00:36:00,660 --> 00:36:01,953
SAVED ME FROM THE STUDENTS
703
00:36:01,995 --> 00:36:03,872
IN THE SCHOOL CAFETERIA.
704
00:36:03,913 --> 00:36:04,831
HI, TRACY.
705
00:36:04,873 --> 00:36:06,624
HI, PROFESSOR.
706
00:36:06,666 --> 00:36:08,001
STEAK'S OFF.
707
00:36:08,043 --> 00:36:09,044
STEAK'S OFF?
708
00:36:09,085 --> 00:36:10,837
STEAK'S OFF.
709
00:36:10,879 --> 00:36:12,839
OMELET.
710
00:36:12,881 --> 00:36:13,757
SALAD OR FRIES?
711
00:36:13,798 --> 00:36:15,008
BOTH.
712
00:36:15,050 --> 00:36:15,967
PROFESSOR, THE SAME?
713
00:36:16,009 --> 00:36:17,302
SAME.
714
00:36:17,344 --> 00:36:18,678
AND COFFEE OR BEER?
715
00:36:18,720 --> 00:36:19,804
WHAT DO YOU THINK? BEER?
716
00:36:19,846 --> 00:36:20,722
TWO BEERS.
717
00:36:20,764 --> 00:36:23,808
TWO BEERS.
718
00:36:23,850 --> 00:36:25,560
SO HOW DID IT END?
719
00:36:25,602 --> 00:36:26,186
WHAT?
720
00:36:26,227 --> 00:36:27,062
WITH THE GIRL
721
00:36:27,103 --> 00:36:28,688
OUTSIDE THE UPTOWN.
722
00:36:28,730 --> 00:36:30,607
OH.
723
00:36:30,648 --> 00:36:31,648
HEARTBREAKING.
724
00:36:32,192 --> 00:36:33,693
SHE WENT OFF WITH
725
00:36:33,735 --> 00:36:36,738
THE SCHOOL JANITOR'S SON.
726
00:36:36,780 --> 00:36:38,615
AND I WAS LEFT IN THE THRALL
727
00:36:38,656 --> 00:36:39,949
OF THE 100-YEAR-OLD WOMAN
728
00:36:39,991 --> 00:36:41,868
IN THE PAINTING.
729
00:36:41,910 --> 00:36:45,080
I DREAMT OF THAT GIRL FOR YEARS.
730
00:36:45,121 --> 00:36:47,665
HER EYES WENT THIS WAY.
731
00:36:47,707 --> 00:36:48,708
THERE WAS SOMETHING
732
00:36:48,750 --> 00:36:50,669
ABOUT THAT WALLEYED LOOK
733
00:36:50,710 --> 00:36:53,338
THAT I FIND HIGHLY EROTIC.
734
00:36:54,923 --> 00:36:55,882
WHAT ABOUT YOU?
735
00:36:55,924 --> 00:36:57,801
WHEN DID YOU FIRST
736
00:36:57,842 --> 00:37:00,095
LOSE YOUR HEART?
737
00:37:00,136 --> 00:37:02,013
I CAN'T REMEMBER.
738
00:37:02,055 --> 00:37:03,932
OH, HAPPENED SO MANY TIMES
739
00:37:03,973 --> 00:37:05,600
THAT IT'S IMPOSSIBLE
740
00:37:05,642 --> 00:37:06,810
TO SORT OUT THE BEGINNING?
741
00:37:06,851 --> 00:37:07,977
NO, IT'S PROBABLY JUST
742
00:37:08,019 --> 00:37:09,062
PRETTY FORGETTABLE.
743
00:37:09,104 --> 00:37:12,732
OH, MEMORIES ARE IMPORTANT.
744
00:37:12,774 --> 00:37:14,567
I PREFER TO FORGET.
745
00:37:14,609 --> 00:37:15,443
DON'T DO THAT AGAIN.
746
00:37:15,485 --> 00:37:16,736
SERIOUSLY, DON'T DO THAT AGAIN.
747
00:37:16,778 --> 00:37:17,696
I DON'T... I DON'T WANT
748
00:37:17,737 --> 00:37:18,571
TO GET INTO ANYTHING.
749
00:37:18,613 --> 00:37:19,364
YOU KNOW WHAT?
750
00:37:19,406 --> 00:37:21,616
STOP.
751
00:37:25,161 --> 00:37:26,871
HEY.
752
00:37:26,913 --> 00:37:27,831
YOU WANT A SIP OF BEER?
753
00:37:27,872 --> 00:37:28,748
NO, NO.
754
00:37:28,790 --> 00:37:29,666
COME ON, LITTLE SIP,
755
00:37:29,708 --> 00:37:30,375
LITTLE SIP.
756
00:37:30,417 --> 00:37:32,919
AH-AH-AH-AH-OHH, NICE.
757
00:37:32,961 --> 00:37:36,881
THAT'S IT.
758
00:37:36,923 --> 00:37:39,884
THAT'S GOOD, BRO.
759
00:37:39,926 --> 00:37:41,094
YOU DIDN'T SAY SOMETHING?
760
00:37:41,136 --> 00:37:42,846
NO, YOU KNOW WHY?
761
00:37:42,887 --> 00:37:43,763
NO.
762
00:37:43,805 --> 00:37:45,640
THEY'RE A TEAM.
763
00:37:45,682 --> 00:37:47,017
ONE AGAINST TWO.
764
00:37:47,058 --> 00:37:49,644
YOU DON'T STAND A CHANCE.
765
00:37:49,686 --> 00:37:50,937
WELL, EXCEPT IN THE MOVIES.
766
00:37:50,979 --> 00:37:51,771
SHOULD WE GET HIM...
767
00:37:51,813 --> 00:37:52,689
SHOULD WE GET HIM
768
00:37:52,731 --> 00:37:53,648
SOME ALCOHOLIC BEER?
769
00:37:53,690 --> 00:37:54,941
IT'S HOW YOU KNOW
770
00:37:54,983 --> 00:37:57,736
YOU'RE GETTIN' OLD.
771
00:37:57,777 --> 00:37:58,778
A FEW YEARS BACK,
772
00:37:58,820 --> 00:37:59,779
HE WOULD HAVE BACKED DOWN
773
00:37:59,821 --> 00:38:01,614
AND APOLOGIZED.
774
00:38:01,656 --> 00:38:03,825
NOW HE KNOWS THERE'S NO NEED.
775
00:38:03,867 --> 00:38:04,826
THE BILL.
776
00:38:04,868 --> 00:38:05,744
AND YOU CAN GIVE IT TO ME.
777
00:38:05,785 --> 00:38:06,453
HE DOESN'T GET PAID.
778
00:38:06,494 --> 00:38:07,037
HE'S REALLY PRACTICALLY
779
00:38:07,078 --> 00:38:07,746
A STREET KID.
780
00:38:07,787 --> 00:38:08,997
AND THERE'S NOTHING
781
00:38:09,039 --> 00:38:09,914
I CAN DO ABOUT IT.
782
00:38:09,956 --> 00:38:11,666
WE'RE TWO.
783
00:38:11,708 --> 00:38:14,002
DOES THAT MAKE US A TEAM?
784
00:38:16,171 --> 00:38:18,089
KNOCK IT OFF, KNOCK IT OFF.
785
00:38:18,131 --> 00:38:20,425
IT'S OKAY.
786
00:38:20,467 --> 00:38:21,926
WHAT A RACKET THEY'RE MAKING.
787
00:38:21,968 --> 00:38:22,677
COME ON!
788
00:38:22,719 --> 00:38:23,553
YOU'RE BEING SUCH A BABY!
789
00:38:23,595 --> 00:38:25,930
GO, SIT DOWN, FINISH YOUR BEER.
790
00:38:25,972 --> 00:38:27,891
I'M GETTIN' PISSED OFF.
791
00:38:27,932 --> 00:38:30,101
REALLY.
792
00:38:30,143 --> 00:38:31,936
I'M REALLY PISSED OFF.
793
00:38:31,978 --> 00:38:33,646
GO TELL 'EM.
794
00:38:33,688 --> 00:38:34,814
I'D HAVE TO CHANGE
795
00:38:34,856 --> 00:38:35,565
MY WHOLE LIFE
796
00:38:35,607 --> 00:38:37,192
IF I WERE GONNA DO THAT.
797
00:38:37,233 --> 00:38:39,694
I UNDERSTAND YOUR CAUTION.
798
00:38:39,736 --> 00:38:40,487
YOU KNOW,
799
00:38:40,528 --> 00:38:42,822
I'VE NEVER BEEN IN A FIGHT.
800
00:38:42,864 --> 00:38:43,865
NO, NOT ONCE.
801
00:38:43,907 --> 00:38:45,116
NOT IN MY WHOLE LIFE.
802
00:38:45,158 --> 00:38:47,994
NOT EVEN IN THE SCHOOLYARD.
803
00:38:48,036 --> 00:38:51,164
THAT'S NOT SUCH A BAD THING.
804
00:38:51,206 --> 00:38:53,875
YOU'RE SUPPOSED TO DRINK IT.
805
00:38:56,920 --> 00:39:00,757
HEY.
806
00:39:00,799 --> 00:39:03,718
DIAL IT DOWN, OKAY?
807
00:39:03,760 --> 00:39:06,388
IS HE TALKING TO US?
808
00:39:35,917 --> 00:39:40,046
HOW STIRRING, HOW SADDENING.
809
00:39:40,088 --> 00:39:41,047
SUMMER GRASSES
810
00:39:41,089 --> 00:39:41,923
ARE ALL THAT REMAIN
811
00:39:41,965 --> 00:39:43,758
OF SOLDIER'S DREAMS.
812
00:39:48,221 --> 00:39:49,055
YOU DON'T REMEMBER ME,
813
00:39:49,097 --> 00:39:50,015
DO YA?
814
00:39:50,056 --> 00:39:51,891
I'M CLASS OF '92.
815
00:39:51,933 --> 00:39:52,767
YOU WERE MY TEACH
816
00:39:52,809 --> 00:39:53,309
BACK IN THE DAY.
817
00:39:53,351 --> 00:39:54,185
I'M JOSEPH.
818
00:39:54,227 --> 00:39:58,189
JOEY PETERSON.
819
00:39:58,231 --> 00:39:59,733
I WORK OVER AT CARSON'S,
820
00:39:59,774 --> 00:40:01,901
THE LIGHTING SHOP OVER THERE.
821
00:40:01,943 --> 00:40:02,777
HOW 'BOUT YOU?
822
00:40:02,819 --> 00:40:03,445
YOU STILL INTO
823
00:40:03,486 --> 00:40:04,237
THE HAIKU POETRY OR?
824
00:40:04,279 --> 00:40:06,072
NO, NO, I'M RETIRED NOW.
825
00:40:06,114 --> 00:40:08,199
I HAVE PRIVATE STUDENTS.
826
00:40:08,241 --> 00:40:10,160
ALL RIGHT.
827
00:40:10,201 --> 00:40:13,038
TIME FLIES, MAN.
828
00:40:13,079 --> 00:40:13,788
WE WERE JUST...
829
00:40:13,830 --> 00:40:14,873
WE WERE JUST GONNA LEAVE.
830
00:40:14,914 --> 00:40:15,707
I GUESS WE GOT
831
00:40:15,749 --> 00:40:16,934
A LITTLE TOO ROWDY FOR YOU OR?
832
00:40:16,958 --> 00:40:19,085
NO.
833
00:40:19,127 --> 00:40:21,129
PETERSON.
834
00:40:21,171 --> 00:40:24,007
WHAT A... WHAT A PLEASURE.
835
00:40:24,049 --> 00:40:24,799
WELL, IT WAS GREAT
836
00:40:24,841 --> 00:40:25,943
TO SEE YOU AGAIN, PROFESSOR.
837
00:40:25,967 --> 00:40:26,926
AND YOU.
838
00:40:26,968 --> 00:40:28,053
I WAS PRETTY GOOD,
839
00:40:28,094 --> 00:40:28,928
ME REMEMBERING THAT POEM
840
00:40:28,970 --> 00:40:29,679
THOUGH, RIGHT?
841
00:40:29,721 --> 00:40:30,847
OH, A TEN OUT OF TEN.
842
00:40:31,848 --> 00:40:32,474
YEAH.
843
00:40:32,515 --> 00:40:33,933
I LISTEN, I LISTEN.
844
00:40:33,975 --> 00:40:34,642
OH.
845
00:40:34,684 --> 00:40:35,268
HAVE A GOOD AFTERNOON.
846
00:40:35,310 --> 00:40:36,227
YEAH, THANK YOU.
847
00:40:36,269 --> 00:40:37,103
YOU TOO.
848
00:40:37,145 --> 00:40:39,147
TAKE CARE.
849
00:40:45,236 --> 00:40:48,031
NO MAN CAN ESCAPE HIS PAST.
850
00:40:48,073 --> 00:40:51,117
THAT TOOK GUTS.
851
00:40:51,159 --> 00:40:53,119
CAN YOU IMAGINE?
852
00:40:53,161 --> 00:40:54,829
THE FIRST TIME I LOOK
853
00:40:54,871 --> 00:40:55,789
FOR A FIGHT
854
00:40:55,830 --> 00:40:58,249
AND I PICK ON SOMEONE
855
00:40:58,291 --> 00:40:59,291
WHO LIKES ME?
856
00:41:00,210 --> 00:41:01,127
WHAT DID YOU EXPECT?
857
00:41:01,169 --> 00:41:03,088
BREAKING GLASS?
858
00:41:03,129 --> 00:41:06,591
NO, A SMALL MEMORY
859
00:41:06,633 --> 00:41:10,845
TO SAVOR WITH MY SLIPPERS,
860
00:41:10,887 --> 00:41:14,140
DREAMING COGNAC DREAMS.
861
00:41:14,182 --> 00:41:16,101
HAIKU.
862
00:41:16,142 --> 00:41:18,645
TEN OUT OF TEN.
863
00:41:27,195 --> 00:41:29,280
AGH!
864
00:41:37,080 --> 00:41:38,164
OOF.
865
00:41:41,167 --> 00:41:43,003
WHAT?
866
00:41:53,179 --> 00:41:55,640
Shing!
867
00:42:11,698 --> 00:42:15,243
OH.
868
00:42:19,080 --> 00:42:20,957
DARBON.
869
00:42:20,999 --> 00:42:21,708
YOU KNOW
870
00:42:21,750 --> 00:42:22,375
THE WALNUT TREE'S GONE.
871
00:42:22,417 --> 00:42:23,168
IT'S GOT THE DISEASE.
872
00:42:23,209 --> 00:42:24,044
I KNOW THAT YOU'VE BEEN
873
00:42:24,085 --> 00:42:26,087
COMING HERE ON THE LAST THURSDAY
874
00:42:26,129 --> 00:42:28,381
OF EVERY MONTH FOR WHAT...
875
00:42:28,423 --> 00:42:29,299
HOW MANY YEARS NOW?
876
00:42:29,341 --> 00:42:32,093
TEN AT LEAST, RIGHT?
877
00:42:32,135 --> 00:42:33,345
HOW IS IT THAT I NEVER
878
00:42:33,386 --> 00:42:35,889
EXPECT TO SEE YOU?
879
00:42:35,930 --> 00:42:37,057
EVERYBODY ALWAYS FORGETS
880
00:42:37,098 --> 00:42:38,099
ABOUT THE GARDENER.
881
00:42:39,726 --> 00:42:41,227
HAVE TO GET RID
882
00:42:41,269 --> 00:42:42,354
OF THE WALNUT TREE, DO WE?
883
00:42:42,395 --> 00:42:43,313
YUP.
884
00:42:43,355 --> 00:42:45,648
PITY THAT.
885
00:43:09,756 --> 00:43:12,258
Slam!
886
00:44:33,214 --> 00:44:35,800
HEY.
887
00:44:35,842 --> 00:44:37,302
BUFFALO BILL'S DEFUNCT.
888
00:44:37,344 --> 00:44:38,386
HE USED TO RIDE
889
00:44:38,428 --> 00:44:39,572
A WATERSMOOTH SILVER STALLION.
890
00:44:39,596 --> 00:44:40,347
SHOOT!
891
00:44:40,388 --> 00:44:41,097
ONE, TWO, THREE, FOUR, FIVE,
892
00:44:41,139 --> 00:44:43,808
PIGEONS JUST LIKE THAT.
893
00:44:43,850 --> 00:44:46,436
JESUS, HE WAS A HANDSOME MAN.
894
00:44:46,478 --> 00:44:49,314
BUT WHAT I WANT TO KNOW IS,
895
00:44:49,356 --> 00:44:50,398
WHAT DO YOU THINK
896
00:44:50,440 --> 00:44:51,459
OF YOUR BLUE-EYED BOY NOW,
897
00:44:51,483 --> 00:44:54,194
MISTER DEATH?
898
00:44:54,235 --> 00:44:55,235
OH, SHIT!
899
00:44:55,862 --> 00:44:58,365
OH, LORD.
900
00:45:10,126 --> 00:45:12,420
OH, GOD.
901
00:45:12,462 --> 00:45:15,882
OH, LOOK AT YOU.
902
00:45:34,901 --> 00:45:37,404
STANDARD SECURITY.
903
00:45:37,445 --> 00:45:39,280
TWO SHITTY OUT-OF-DATE
904
00:45:39,322 --> 00:45:40,073
BLACK-AND-WHITE
905
00:45:40,115 --> 00:45:42,242
CLOSED CIRCUIT TV CAMERAS.
906
00:45:42,283 --> 00:45:44,244
AND LOCAL STAFF.
907
00:45:44,285 --> 00:45:46,204
IT'S LIKE BREAKING INTO
908
00:45:46,246 --> 00:45:50,083
A BAG OF PRETZELS.
909
00:45:50,125 --> 00:45:52,419
YOU CAN CHOKE ON A PRETZEL.
910
00:45:52,460 --> 00:45:53,628
WHAT?
911
00:45:53,670 --> 00:45:55,130
WHAT HAPPENED TO YOU?
912
00:45:55,171 --> 00:45:56,131
YOU'VE CHANGED, YOU KNOW THAT?
913
00:45:56,172 --> 00:45:56,756
YOU HAVE CHANGED.
914
00:45:56,798 --> 00:45:57,590
I MEAN, YOU'VE NOT
915
00:45:57,632 --> 00:45:59,384
PUT ON ANY WEIGHT, BUT WHAT?
916
00:45:59,426 --> 00:46:00,176
ARE YOU GOING TO RETIRE
917
00:46:00,218 --> 00:46:01,886
WITH A SLIPPERS AND A PIPE?
918
00:46:01,928 --> 00:46:04,431
EH?
919
00:46:04,472 --> 00:46:07,809
YOU CAN USE THE MONEY.
920
00:46:11,146 --> 00:46:15,442
MAYBE.
921
00:46:15,483 --> 00:46:17,318
YES.
922
00:46:17,360 --> 00:46:19,571
WELL, THEN.
923
00:46:30,623 --> 00:46:32,125
HOW COME YOU GOT
924
00:46:32,167 --> 00:46:32,917
TWO OF EVERYTHING?
925
00:46:32,959 --> 00:46:35,587
TWO COMBS, TWO TOOTHBRUSHES,
926
00:46:35,628 --> 00:46:37,255
TWO RAZORS.
927
00:46:37,297 --> 00:46:38,673
BECAUSE I FINALLY REALIZED
928
00:46:38,715 --> 00:46:40,175
THAT, IN GENERAL,
929
00:46:40,216 --> 00:46:42,469
THERE ARE TWO KINDS OF PEOPLE:
930
00:46:42,510 --> 00:46:44,471
THE KIND WHO PREPARE FOR NOTHING
931
00:46:44,512 --> 00:46:45,597
AND WHO HAVE THE WIT
932
00:46:45,638 --> 00:46:47,932
AND THE IMAGINATION TO DEAL
933
00:46:47,974 --> 00:46:49,476
WITH PRETTY MUCH EVERYTHING
934
00:46:49,517 --> 00:46:51,603
AND THEN THE OTHERS WHO...
935
00:46:51,644 --> 00:46:53,313
AND I FALL INTO THAT CATEGORY...
936
00:46:53,355 --> 00:46:55,607
WHO ARE THE OPPOSITE.
937
00:46:55,648 --> 00:46:56,483
AND WHAT KIND OF PEOPLE
938
00:46:56,524 --> 00:46:57,524
ARE THEY?
939
00:46:58,234 --> 00:46:59,944
THEY'RE THE KIND WITHOUT
940
00:46:59,986 --> 00:47:01,946
THAT WIT AND THAT IMAGINATION.
941
00:47:01,988 --> 00:47:03,365
THEY HAVE TO BUY SPARES
942
00:47:03,406 --> 00:47:04,616
SO THAT THEY WILL BE PREPARED
943
00:47:04,657 --> 00:47:06,659
FOR EVERY IMAGINED EVENTUALITY.
944
00:47:06,701 --> 00:47:07,577
SO DO YOU HAVE
945
00:47:07,619 --> 00:47:08,495
TWO OF EVERYTHING?
946
00:47:08,536 --> 00:47:09,329
PRETTY MUCH.
947
00:47:09,371 --> 00:47:11,873
SOMETIMES THREE.
948
00:47:33,561 --> 00:47:35,897
THERE'S A DRINK THERE FOR YOU.
949
00:47:51,371 --> 00:47:54,207
DO YOU PLAY?
950
00:47:54,249 --> 00:47:56,626
YES, INDEED I DO.
951
00:47:56,668 --> 00:47:59,212
I THINK WITH THE EXCEPTION
952
00:47:59,254 --> 00:48:03,008
OF NEEDLEPOINT, I POSSESS ALL
953
00:48:03,049 --> 00:48:04,259
OF THE ACCOMPLISHMENTS
954
00:48:04,300 --> 00:48:06,428
OF A WELL-BRED YOUNG WOMAN
955
00:48:06,469 --> 00:48:07,554
EDUCATED AT THE END
956
00:48:07,595 --> 00:48:09,264
OF THE 19TH CENTURY.
957
00:48:10,348 --> 00:48:13,393
ARE YOU MUSICAL?
958
00:48:13,435 --> 00:48:15,520
I HAD A HARMONICA ONCE.
959
00:48:15,562 --> 00:48:16,438
WELL, THAT'S GOOD
960
00:48:16,479 --> 00:48:18,023
FOR A TRAVELING MAN.
961
00:48:19,607 --> 00:48:22,027
CURIOUS THING ABOUT MUSIC.
962
00:48:22,068 --> 00:48:23,570
WHEN PEOPLE FIND OUT THAT
963
00:48:23,611 --> 00:48:25,405
YOU PLAY A MUSICAL INSTRUMENT,
964
00:48:25,447 --> 00:48:26,114
THEY ALWAYS ASSUME
965
00:48:26,156 --> 00:48:27,282
THAT YOU'RE ENJOYING IT.
966
00:48:27,323 --> 00:48:30,035
OH, WHAT WONDERFUL HOURS
967
00:48:30,076 --> 00:48:33,038
HE MUST SPEND AT HIS PIANO.
968
00:48:33,079 --> 00:48:35,040
THEY'RE SO WRONG.
969
00:48:35,081 --> 00:48:37,751
IT IS SO BORING.
970
00:48:37,792 --> 00:48:41,588
IT IS SO VERY BORING.
971
00:48:41,629 --> 00:48:43,590
SCHUBERT I LIKE.
972
00:48:43,631 --> 00:48:45,300
SCHUBERT APPEALS
973
00:48:45,342 --> 00:48:46,676
TO MY SENSE OF FAILURE.
974
00:48:48,303 --> 00:48:49,429
WHEN I SEE YOU
975
00:48:49,471 --> 00:48:50,430
IN THOSE SLIPPERS,
976
00:48:50,472 --> 00:48:52,599
I CAN IMAGINE MYSELF
977
00:48:52,640 --> 00:48:55,602
FESTOONED WITH TATTOOS,
978
00:48:55,643 --> 00:48:57,395
ZIPPING DOWN THE HIGHWAY
979
00:48:57,437 --> 00:48:59,522
IN A SPORTY RED CONVERTIBLE.
980
00:49:02,400 --> 00:49:03,276
TO YOUR GOOD HEALTH.
981
00:49:03,318 --> 00:49:07,614
AND YOURS.
982
00:49:09,616 --> 00:49:10,283
LET ME
983
00:49:10,325 --> 00:49:11,451
SHOW YOU SOMETHING ELSE.
984
00:49:11,493 --> 00:49:12,827
WATCH THE TWO LAMPS.
985
00:49:18,583 --> 00:49:20,460
AND THERE'S AN OLD FRENCH ADAGE
986
00:49:20,502 --> 00:49:22,462
THAT COMES INTO PLAY FOR ME.
987
00:49:22,504 --> 00:49:27,300
LE TEMPS QU'IL PASSE PLUS TOT
988
00:49:27,342 --> 00:49:29,344
QUE LE TEMPS QU'IL FAIT.
989
00:49:29,386 --> 00:49:31,096
SO I HAVE HAD
990
00:49:31,137 --> 00:49:34,641
MUCH MORE AFFECTION
991
00:49:34,683 --> 00:49:35,767
FOR THE TIME THAT I TAKE,
992
00:49:35,809 --> 00:49:37,852
AND I WORRY LESS ABOUT
993
00:49:37,894 --> 00:49:39,479
THE TIME THAT IT TAKES.
994
00:49:39,521 --> 00:49:41,106
HAVE YOU FOUND THAT?
995
00:49:41,147 --> 00:49:42,440
NO.
996
00:49:42,482 --> 00:49:43,482
OH, POOF.
997
00:49:44,192 --> 00:49:46,778
ANOTHER CERTAINTY OBLITERATED.
998
00:49:46,820 --> 00:49:51,116
I'LL PUT IT DOWN TO PROGRESS.
999
00:49:51,157 --> 00:49:52,367
COULD I ASK
1000
00:49:52,409 --> 00:49:53,785
A CONSIDERATION OF YOU?
1001
00:49:53,827 --> 00:49:55,870
SURE.
1002
00:49:55,912 --> 00:49:57,330
W-WOULD YOU BE SO KIND
1003
00:49:57,372 --> 00:49:57,997
AS TO GO DOWN
1004
00:49:58,039 --> 00:49:59,791
TO THE LIQUOR STORE
1005
00:49:59,833 --> 00:50:02,335
AND BUY ME SOME TOBACCO?
1006
00:50:02,377 --> 00:50:04,629
I CAN'T GO THERE MYSELF.
1007
00:50:04,671 --> 00:50:05,505
MM, WHY IS THAT?
1008
00:50:05,547 --> 00:50:07,465
OH, UH, THE WOMAN
1009
00:50:07,507 --> 00:50:08,758
AT THE CASH REGISTER.
1010
00:50:08,800 --> 00:50:09,801
WHAT ABOUT HER?
1011
00:50:09,843 --> 00:50:11,761
OH, IT'S A LONG STORY,
1012
00:50:11,803 --> 00:50:12,679
STUPID REALLY.
1013
00:50:12,721 --> 00:50:13,388
IT'S...
1014
00:50:13,430 --> 00:50:16,349
WELL, IT'S A... YOU KNOW,
1015
00:50:16,391 --> 00:50:17,475
FOR MORE THAN 40 YEARS,
1016
00:50:17,517 --> 00:50:19,352
I'VE BEEN GOING INTO THAT STORE
1017
00:50:19,394 --> 00:50:20,353
TO BUY MY TOBACCO.
1018
00:50:20,395 --> 00:50:21,104
THAT'S ALL I BUY THERE.
1019
00:50:21,146 --> 00:50:22,480
I DON'T BUY ANYTHING ELSE.
1020
00:50:22,522 --> 00:50:24,649
AND EVERY TIME I GO TO PAY,
1021
00:50:24,691 --> 00:50:26,526
SHE LOOKS ME STRAIGHT IN THE EYE
1022
00:50:26,568 --> 00:50:28,361
AND SHE SAYS, "CAN I GET YOU
1023
00:50:28,403 --> 00:50:29,029
ANYTHING ELSE, SIR?"
1024
00:50:29,070 --> 00:50:29,863
AND IT DROVE ME MAD.
1025
00:50:29,904 --> 00:50:31,698
AND ONE DAY, I GOT COMPLETELY
1026
00:50:31,740 --> 00:50:33,408
AND UTTERLY FED UP,
1027
00:50:33,450 --> 00:50:34,826
AND I SAID TO HER,
1028
00:50:34,868 --> 00:50:36,786
"Y-Y-YOU JUST CANNOT ANY LONGER
1029
00:50:36,828 --> 00:50:39,706
ASK ME, 'CAN I GET YOU
1030
00:50:39,748 --> 00:50:41,374
SOMETHING ELSE, SIR?'
1031
00:50:41,416 --> 00:50:42,584
I DON'T WANT ANYTHING ELSE.
1032
00:50:42,625 --> 00:50:43,585
AND IF I WANT SOMETHING ELSE,
1033
00:50:43,626 --> 00:50:44,836
I WILL ASK FOR IT."
1034
00:50:44,878 --> 00:50:46,421
AND I STORMED OUT
1035
00:50:46,463 --> 00:50:47,380
AND SLAMMED THE DOOR.
1036
00:50:47,422 --> 00:50:48,715
AND THEN A WEEK LATER,
1037
00:50:48,757 --> 00:50:49,507
I WENT BACK,
1038
00:50:49,549 --> 00:50:52,469
HOPING AGAINST HOPE, AND...
1039
00:50:52,510 --> 00:50:53,428
DO YOU KNOW WHAT HAPPENED?
1040
00:50:53,470 --> 00:50:54,512
NO.
1041
00:50:54,554 --> 00:50:57,432
I WENT IN.
1042
00:50:57,474 --> 00:50:58,391
SHE WAS LOOKING ME
1043
00:50:58,433 --> 00:50:59,100
STRAIGHT IN THE EYE.
1044
00:50:59,142 --> 00:51:00,560
I ASKED FOR MY TOBACCO,
1045
00:51:00,602 --> 00:51:02,645
WITHOUT TAKING HER EYES OFF ME,
1046
00:51:02,687 --> 00:51:03,897
SHE WENT AND GOT THE TOBACCO,
1047
00:51:03,938 --> 00:51:04,814
CAME BACK, GAVE IT TO ME.
1048
00:51:04,856 --> 00:51:05,815
I GAVE HER THE MONEY,
1049
00:51:05,857 --> 00:51:07,650
AND SHE DIDN'T SAY, "CAN I
1050
00:51:07,692 --> 00:51:08,902
GET YOU SOMETHING ELSE, SIR?"
1051
00:51:08,943 --> 00:51:10,570
SHE SAID,
1052
00:51:10,612 --> 00:51:15,408
"WILL THAT BE ALL, SIR?"
1053
00:51:15,450 --> 00:51:16,493
AND YOU DIDN'T KILL HER?
1054
00:51:16,534 --> 00:51:17,494
I COULD HAVE
1055
00:51:17,535 --> 00:51:18,453
JUMPED OVER THE COUNTER
1056
00:51:18,495 --> 00:51:21,414
AND RUNG HER NECK.
1057
00:51:21,456 --> 00:51:22,665
BUT I DIDN'T.
1058
00:51:22,707 --> 00:51:23,917
I LEFT THE STORE
1059
00:51:23,958 --> 00:51:26,461
AND I NEVER WENT BACK.
1060
00:51:26,503 --> 00:51:28,463
AND I'VE BEEN BUYING
1061
00:51:28,505 --> 00:51:29,798
MY TOBACCO AT THE SUPERMARKET,
1062
00:51:29,839 --> 00:51:30,507
AND IT'S NOT
1063
00:51:30,548 --> 00:51:32,717
NEARLY AS GOOD AND...
1064
00:51:32,759 --> 00:51:34,511
HERE, IT'S CALLED
1065
00:51:34,552 --> 00:51:36,805
CONDOR READY RUB.
1066
00:51:36,846 --> 00:51:37,764
WON'T BE LONG.
1067
00:51:37,806 --> 00:51:41,142
OKAY, THANK YOU.
1068
00:52:12,757 --> 00:52:15,552
ANYTHING ELSE, SIR?
1069
00:52:15,593 --> 00:52:16,636
75 CENTS, PLEASE.
1070
00:52:16,678 --> 00:52:17,678
THANK YOU.
1071
00:52:18,221 --> 00:52:21,266
ANYTHING ELSE, SIR?
1072
00:52:21,307 --> 00:52:22,809
THAT'S $5.95, PLEASE.
1073
00:52:22,851 --> 00:52:25,270
THANK YOU.
1074
00:52:28,898 --> 00:52:29,983
PACKET OF CONDOR
1075
00:52:30,025 --> 00:52:33,486
READY-RUB PIPE TOBACCO.
1076
00:52:33,528 --> 00:52:35,655
NO, TWO.
1077
00:52:35,697 --> 00:52:38,867
MAKE THAT TWO PACKS.
1078
00:52:42,537 --> 00:52:45,206
$9.23, PLEASE.
1079
00:52:53,673 --> 00:52:54,549
ANYTHING ELSE, SIR?
1080
00:52:54,591 --> 00:52:56,593
NOPE.
1081
00:53:12,567 --> 00:53:14,694
WHAT'D I TELL YOU?
1082
00:53:14,736 --> 00:53:15,820
UNBELIEVABLE.
1083
00:53:29,084 --> 00:53:34,047
IT WAS KIND OF YOU TO LIE
1084
00:53:34,089 --> 00:53:35,590
ABOUT THE WOMAN
1085
00:53:35,632 --> 00:53:37,884
AT THE CASH REGISTER.
1086
00:53:37,926 --> 00:53:39,010
SHE DIDN'T SAY IT TO YOU,
1087
00:53:39,052 --> 00:53:41,054
DID SHE?
1088
00:53:41,096 --> 00:53:42,555
SHE SAID IT TO ME,
1089
00:53:42,597 --> 00:53:43,783
BUT SHE DOESN'T SAY IT TO YOU.
1090
00:53:43,807 --> 00:53:45,016
THAT'S THE DIFFERENCE.
1091
00:53:45,058 --> 00:53:47,102
I WOULDN'T GET TOO BUGGED OUT
1092
00:53:47,143 --> 00:53:47,894
ON THAT KIND OF STUFF.
1093
00:53:47,936 --> 00:53:50,605
NO, BUT IT SAYS SOMETHING,
1094
00:53:50,647 --> 00:53:51,272
DOESN'T IT?
1095
00:53:51,314 --> 00:53:52,899
GET YOU MORE SALAD?
1096
00:53:52,941 --> 00:53:54,025
NO.
1097
00:53:54,067 --> 00:53:58,947
WHY DID YOU GET TWO?
1098
00:53:58,988 --> 00:54:00,073
THERE ARE TWO KINDS
1099
00:54:00,115 --> 00:54:02,367
OF PEOPLE.
1100
00:54:02,409 --> 00:54:03,660
I DECIDED TO SIDE WITH THOSE
1101
00:54:03,702 --> 00:54:05,036
WHO ARE PREPARED FOR EVERYTHING.
1102
00:54:06,830 --> 00:54:09,374
THANK YOU.
1103
00:54:12,961 --> 00:54:14,045
ARE YOU GOING TO TELL ME
1104
00:54:14,087 --> 00:54:18,049
WHAT BROUGHT YOU TO THIS TOWN?
1105
00:54:19,009 --> 00:54:20,969
THERE'S NO NEED.
1106
00:54:21,011 --> 00:54:22,095
THERE ISN'T?
1107
00:54:22,137 --> 00:54:25,724
YOU ALREADY KNOW.
1108
00:54:26,933 --> 00:54:30,687
YES, I SUPPOSE I DO.
1109
00:54:36,985 --> 00:54:39,404
IS IT THE BANK?
1110
00:54:41,906 --> 00:54:44,159
DON'T WORRY.
1111
00:54:44,200 --> 00:54:44,951
IF IT GOES WRONG,
1112
00:54:44,993 --> 00:54:46,036
WE'LL KEEP YOU OUT OF IT.
1113
00:54:46,077 --> 00:54:47,704
NO.
1114
00:54:47,746 --> 00:54:48,955
NO, IT'S NOT THAT.
1115
00:54:48,997 --> 00:54:50,040
NOT AT ALL, NO.
1116
00:54:50,081 --> 00:54:51,875
I WA... I WAS THINKING THAT
1117
00:54:51,916 --> 00:54:54,127
PERHAPS I MIGHT BE ABLE
1118
00:54:54,169 --> 00:54:55,086
TO HELP.
1119
00:54:55,128 --> 00:54:55,962
I MEAN, I-I-I KNOW
1120
00:54:56,004 --> 00:54:56,629
I PROBABLY WOULDN'T BE ANY GOOD.
1121
00:54:56,671 --> 00:54:58,965
I'M COMPLETELY USELESS
1122
00:54:59,007 --> 00:55:00,175
WITH ANYTHING THAT INVOLVES
1123
00:55:00,216 --> 00:55:01,801
SPLIT-SECOND TIMING
1124
00:55:01,843 --> 00:55:04,763
OR IMPROVISATION, BUT...
1125
00:55:06,890 --> 00:55:07,766
IT'S A LOT SIMPLER
1126
00:55:07,807 --> 00:55:09,184
THAN YOU THINK.
1127
00:55:09,225 --> 00:55:10,810
YOU STROLL IN,
1128
00:55:10,852 --> 00:55:12,645
WAVE A GUN AROUND,
1129
00:55:12,687 --> 00:55:13,813
GRAB THE MONEY,
1130
00:55:13,855 --> 00:55:14,814
AND LEAVE.
1131
00:55:14,856 --> 00:55:16,900
OFF TO THE BAHAMAS.
1132
00:55:18,193 --> 00:55:19,069
MY, OH, MY.
1133
00:55:19,110 --> 00:55:19,986
OH, MY.
1134
00:55:20,028 --> 00:55:21,821
IT'S GOING TO BE QUITE
1135
00:55:21,863 --> 00:55:23,114
A SATURDAY MORNING.
1136
00:55:23,156 --> 00:55:25,492
YES, IT IS.
1137
00:55:35,877 --> 00:55:36,795
THERE... THERE ARE GONNA BE
1138
00:55:36,836 --> 00:55:37,921
THREE OF US FOR DINNER
1139
00:55:37,962 --> 00:55:38,713
TOMORROW NIGHT.
1140
00:55:38,755 --> 00:55:41,841
IS THAT... IS THAT ALL RIGHT?
1141
00:55:41,883 --> 00:55:44,094
A WOMAN.
1142
00:55:44,135 --> 00:55:45,845
WELL, UM, SORT OF.
1143
00:55:45,887 --> 00:55:47,097
I MEAN, TECHNICALLY, YES.
1144
00:55:47,138 --> 00:55:48,723
AH.
1145
00:55:48,765 --> 00:55:50,475
I HAVE ANOTHER FAVOR TO ASK YOU.
1146
00:55:50,517 --> 00:55:52,977
A FAVOR.
1147
00:55:53,019 --> 00:55:53,687
NO PROBLEM.
1148
00:55:53,728 --> 00:55:55,146
I'LL MAKE MYSELF SCARCE.
1149
00:55:55,188 --> 00:55:56,690
NO, NO, NO, IT'S NOT THAT.
1150
00:55:56,731 --> 00:55:57,732
NO, NO, NOTHING LIKE THAT
1151
00:55:57,774 --> 00:55:58,441
AT ALL.
1152
00:55:58,483 --> 00:55:59,484
I WANT SOMETHING ELSE
1153
00:55:59,526 --> 00:56:00,193
ALL TOGETHER.
1154
00:56:00,235 --> 00:56:00,985
IT'S JUST THAT I'M...
1155
00:56:01,027 --> 00:56:03,238
THERE'S SOMETHING... I MEAN...
1156
00:56:03,279 --> 00:56:04,948
I MEAN, IF IT'S POSSIBLE,
1157
00:56:04,989 --> 00:56:06,866
IT'S SOMETHING THAT
1158
00:56:06,908 --> 00:56:09,703
I'VE ALWAYS WANTED, BUT, UM...
1159
00:56:09,744 --> 00:56:11,705
AND I'VE THOUGHT ABOUT IT OFTEN.
1160
00:56:11,746 --> 00:56:12,497
IT'S JUST THAT...
1161
00:56:12,539 --> 00:56:18,878
THE OPPORTUNITY HAS, UH...
1162
00:56:18,920 --> 00:56:21,881
NEVER PRESENTED ITSELF.
1163
00:56:21,923 --> 00:56:23,925
I'M LISTENIN'.
1164
00:56:31,099 --> 00:56:33,977
WHAT SHOULD I IMAGINE?
1165
00:56:34,019 --> 00:56:36,896
WHAT'S THERE TO IMAGINE?
1166
00:56:36,938 --> 00:56:37,564
I DON'T KNOW.
1167
00:56:37,605 --> 00:56:39,232
WHAT AM I SHOOTING AT?
1168
00:56:39,274 --> 00:56:41,067
IT'S A COKE CAN.
1169
00:56:41,109 --> 00:56:41,735
YOU'RE SHOOTING
1170
00:56:41,776 --> 00:56:45,071
AT A ROW OF COKE CANS.
1171
00:56:45,113 --> 00:56:46,239
HOW 'BOUT THE GARDENER?
1172
00:56:46,281 --> 00:56:47,240
NO, YOU'RE NOT SHOOTING
1173
00:56:47,282 --> 00:56:48,533
AT THE GARDENER.
1174
00:56:48,575 --> 00:56:50,577
IT'S A ROW OF TIN CANS.
1175
00:56:57,125 --> 00:56:58,543
I MISSED.
1176
00:56:58,585 --> 00:57:01,921
YEAH, YOU MISSED.
1177
00:57:01,963 --> 00:57:03,548
YOU NEED TO RELAX.
1178
00:57:03,590 --> 00:57:06,134
JUST TAKE A BREATH.
1179
00:57:10,847 --> 00:57:12,057
THERE THEY GO.
1180
00:57:12,098 --> 00:57:13,224
I THINK, WASN'T IT?
1181
00:57:13,266 --> 00:57:15,018
I MEAN, A CLOSER MISS.
1182
00:57:15,060 --> 00:57:17,020
YOU KNOW WHAT THEY SAY?
1183
00:57:17,062 --> 00:57:17,937
A MISS IS A MISS
1184
00:57:17,979 --> 00:57:19,773
BY AN INCH OR A MILE.
1185
00:57:19,814 --> 00:57:21,107
PERHAPS IT REQUIRES
1186
00:57:21,149 --> 00:57:22,817
A SPECIAL GIFT.
1187
00:57:22,859 --> 00:57:23,943
NO, IT DOESN'T.
1188
00:57:23,985 --> 00:57:24,944
OH, CERTAINLY
1189
00:57:24,986 --> 00:57:26,029
IT TAKES PRACTICE.
1190
00:57:26,071 --> 00:57:28,573
NOT EVEN.
1191
00:57:28,615 --> 00:57:31,034
WHAT'S THE TRICK THEN?
1192
00:57:32,619 --> 00:57:33,787
SELF-PITY MAYBE.
1193
00:57:36,998 --> 00:57:39,292
MY ARM ISN'T TOO STIFF?
1194
00:57:39,334 --> 00:57:40,960
JUST FIND A POSITION
1195
00:57:41,002 --> 00:57:42,837
THAT'S COMFORTABLE FOR YOU,
1196
00:57:42,879 --> 00:57:44,130
A STANCE THAT'S YOUR OWN.
1197
00:57:44,172 --> 00:57:45,172
THERE YOU GO.
1198
00:57:51,012 --> 00:57:53,014
LISTEN...
1199
00:57:53,056 --> 00:57:55,016
CAN I RUN SOMETHING PAST YOU?
1200
00:57:56,184 --> 00:57:58,561
YES.
1201
00:57:59,020 --> 00:58:01,981
I'M AN OLD EAGLE
1202
00:58:02,023 --> 00:58:04,901
SMOKING THIS FINE ITALIAN CIGAR.
1203
00:58:08,196 --> 00:58:09,948
THINK OF IT.
1204
00:58:09,989 --> 00:58:11,908
AN OLD EAGLE
1205
00:58:11,950 --> 00:58:14,869
SMOKING A FINE ITALIAN CIGAR.
1206
00:58:15,912 --> 00:58:17,080
YOU KNOW IT?
1207
00:58:17,122 --> 00:58:19,040
IT'S BUKOWSKI.
1208
00:58:19,082 --> 00:58:20,291
WHAT COMES NEXT?
1209
00:58:22,877 --> 00:58:24,629
I HAVE CAGED THE WORLD
1210
00:58:24,671 --> 00:58:26,006
AWAY FROM ME.
1211
00:58:26,047 --> 00:58:28,341
I'M AN OLD EAGLE SMOKING
1212
00:58:28,383 --> 00:58:31,011
THIS FINE ITALIAN CIGAR.
1213
00:58:31,052 --> 00:58:31,970
THINK OF IT.
1214
00:58:32,012 --> 00:58:33,138
AN OLD EAGLE
1215
00:58:33,179 --> 00:58:37,058
SMOKING A FINE ITALIAN CIGAR.
1216
00:58:38,351 --> 00:58:40,854
IT HAS BECOME PLEASANT AGAIN
1217
00:58:40,895 --> 00:58:42,397
TO BE ALIVE.
1218
00:58:45,150 --> 00:58:47,652
BUT YOU KNOW THAT, DON'T YOU?
1219
00:58:49,112 --> 00:58:49,863
I HEARD IT ONCE,
1220
00:58:49,904 --> 00:58:51,031
BUT I JUST COULDN'T REMEMBER
1221
00:58:51,072 --> 00:58:53,658
HOW IT ENDED.
1222
00:58:53,700 --> 00:58:54,909
NEVER ONE OF MY FAVORITES,
1223
00:58:54,951 --> 00:58:57,412
BUKOWSKI, BUT I'VE ALWAYS
1224
00:58:57,454 --> 00:59:00,248
HELD AN AFFECTION FOR THAT POEM.
1225
00:59:00,290 --> 00:59:02,417
DO YOU KNOW HOW IT ENDS?
1226
00:59:02,459 --> 00:59:03,126
JUST LIKE YOU,
1227
00:59:03,168 --> 00:59:07,047
JUST FOR A TIME THERE,
1228
00:59:07,088 --> 00:59:08,089
I DIDN'T THINK
1229
00:59:08,131 --> 00:59:11,593
I WAS GOING TO MAKE IT.
1230
00:59:15,430 --> 00:59:17,098
ARE YOU STILL DEAD-SET
1231
00:59:17,140 --> 00:59:19,601
ON SATURDAY?
1232
00:59:23,438 --> 00:59:25,065
ARE YOU?
1233
00:59:25,106 --> 00:59:26,691
ME?
1234
00:59:26,733 --> 00:59:29,277
I HAVE NO CHOICE.
1235
00:59:30,278 --> 00:59:32,197
ME NEITHER.
1236
00:59:32,238 --> 00:59:33,239
ANOTHER ROUND?
1237
00:59:33,281 --> 00:59:35,283
NO.
1238
00:59:35,325 --> 00:59:36,910
NO, I'VE REACHED MY LIMIT.
1239
00:59:36,951 --> 00:59:37,951
THANK YOU.
1240
00:59:39,037 --> 00:59:40,037
IT'S LIKE...
1241
00:59:41,414 --> 00:59:43,708
BEAUTIFUL POETRY.
1242
00:59:43,750 --> 00:59:45,335
IT'S THE ESSENCE OF IT.
1243
00:59:45,377 --> 00:59:48,338
LESS IS MORE.
1244
00:59:48,380 --> 00:59:50,131
YOU KNOW, I HAVEN'T
1245
00:59:50,173 --> 00:59:52,967
DECIDED ON SATURDAY YET.
1246
00:59:53,009 --> 00:59:54,094
WHAT DOES YOUR DECISION
1247
00:59:54,135 --> 00:59:57,263
DEPEND ON?
1248
00:59:57,305 --> 00:59:58,264
ON WHETHER SOMEONE
1249
00:59:58,306 --> 01:00:00,350
SHOWS UP OR NOT.
1250
01:00:25,000 --> 01:00:25,625
AW, FUCK.
1251
01:00:25,667 --> 01:00:26,459
I CAN'T EVEN JUST...
1252
01:00:26,501 --> 01:00:27,335
THESE PAINTERS
1253
01:00:27,377 --> 01:00:28,211
ARE ALL FUCKING MAD.
1254
01:00:28,253 --> 01:00:29,313
I CAN'T EVEN LOOK AT THIS SHIT.
1255
01:00:29,337 --> 01:00:32,007
IT'S LIKE...
1256
01:00:32,048 --> 01:00:32,757
MAKES YOU MAD PAINTING,
1257
01:00:32,799 --> 01:00:33,425
YOU KNOW?
1258
01:00:33,466 --> 01:00:34,134
AGONIZING OVER
1259
01:00:34,175 --> 01:00:34,884
THESE FUCKING DETAILS
1260
01:00:34,926 --> 01:00:40,056
DRIVE YOU FUCKING INSANE.
1261
01:00:40,098 --> 01:00:41,158
WELL, THIS GUY HERE UNDERSTOOD,
1262
01:00:41,182 --> 01:00:41,891
YOU KNOW, HOW TO ALTERNATE
1263
01:00:41,933 --> 01:00:42,767
BETWEEN LIGHT AND SHAPE,
1264
01:00:42,809 --> 01:00:44,477
TO GIVE TONALITY TO HIS PALETTE.
1265
01:00:44,519 --> 01:00:46,312
LOOK AT HIM.
1266
01:00:46,354 --> 01:00:48,273
BUT HE KIND OF LOST HIS FRENZY
1267
01:00:48,314 --> 01:00:49,482
ALONG THE WAY.
1268
01:00:49,524 --> 01:00:50,316
YOU KNOW, HE KNEW
1269
01:00:50,358 --> 01:00:52,777
THE RULES OF ART, BUT HE LOST
1270
01:00:52,819 --> 01:00:54,070
THE ART OF THE RULES,
1271
01:00:54,112 --> 01:00:55,155
WHICH IS WHY HE'S HERE
1272
01:00:55,196 --> 01:00:58,241
AND NOT AT THE METROPOLITAN.
1273
01:00:58,283 --> 01:00:59,451
WHAT KEPT YOU?
1274
01:00:59,492 --> 01:01:02,996
WHY WEREN'T YOU ON TIME?
1275
01:01:03,038 --> 01:01:06,082
I WAS ON TIME.
1276
01:01:06,124 --> 01:01:10,170
NOT IN A GREAT STATE.
1277
01:01:10,211 --> 01:01:11,355
SO I DECIDED IT WOULD BE BETTER
1278
01:01:11,379 --> 01:01:13,173
TO WAIT A LITTLE.
1279
01:01:16,051 --> 01:01:17,135
I RAN INTO A BOTTLE
1280
01:01:17,177 --> 01:01:18,219
TWO HOURS BEFORE, AND...
1281
01:01:18,261 --> 01:01:20,180
ONE OF THOSE FUCKING MEETINGS
1282
01:01:20,221 --> 01:01:23,058
YOU CAN'T SHAKE OFF, YOU KNOW?
1283
01:01:26,227 --> 01:01:28,104
SO HOW WAS DETOX?
1284
01:01:28,146 --> 01:01:30,065
FUCKING MURDER.
1285
01:01:30,106 --> 01:01:34,361
FUCKING HELL.
1286
01:01:34,402 --> 01:01:36,321
MAX HERE?
1287
01:01:36,363 --> 01:01:37,197
YEAH.
1288
01:01:37,238 --> 01:01:40,075
HE'S HIRED A DRIVER.
1289
01:01:40,116 --> 01:01:40,700
WELL, IF MAX CHOSE HIM,
1290
01:01:40,742 --> 01:01:43,495
HE SHOULD BE FINE.
1291
01:01:43,536 --> 01:01:44,829
CAN YOU AT LEAST STAY SOBER
1292
01:01:44,871 --> 01:01:46,081
FOR A COUPLE OF DAYS?
1293
01:01:46,122 --> 01:01:51,044
WELL, THAT'S FOREVER.
1294
01:01:51,086 --> 01:01:52,087
JUST TILL SATURDAY?
1295
01:01:52,128 --> 01:01:54,255
YEAH, WELL, FOREVER
1296
01:01:54,297 --> 01:01:56,341
ALWAYS LASTS TILL SATURDAY.
1297
01:02:04,099 --> 01:02:05,850
WHAT'S THE ESTIMATE ON THE JOB?
1298
01:02:05,892 --> 01:02:07,102
THREE.
1299
01:02:07,143 --> 01:02:10,188
100 GRAND EACH.
1300
01:02:15,193 --> 01:02:17,153
WOW.
1301
01:02:17,195 --> 01:02:18,363
CAN'T COMPLAIN ABOUT THAT.
1302
01:02:18,405 --> 01:02:20,448
NO.
1303
01:02:20,490 --> 01:02:22,867
FUCK.
1304
01:02:25,537 --> 01:02:26,329
HEY, WHAT DO YOU SAY WE GO
1305
01:02:26,371 --> 01:02:27,872
GRAB A BEER AND WE CELEBRATE?
1306
01:02:27,914 --> 01:02:29,874
I'M JUST JOKING.
1307
01:02:29,916 --> 01:02:31,876
DON'T... I-I'M JUST JOKING.
1308
01:02:31,918 --> 01:02:35,171
FORGET I SAID IT.
1309
01:02:50,520 --> 01:02:52,105
THIS ONE'S ALMOST CERTAINLY
1310
01:02:52,147 --> 01:02:54,941
AN ORIGINAL JOHN TRUMBULL.
1311
01:02:59,696 --> 01:03:00,572
JOHN TRUMBULL?
1312
01:03:00,613 --> 01:03:01,281
WHERE'D YOU GET
1313
01:03:01,322 --> 01:03:03,575
THE JOHN TRUMBULL FROM?
1314
01:03:11,166 --> 01:03:12,208
AFTERNOON.
1315
01:03:12,250 --> 01:03:13,918
AH!
1316
01:03:13,960 --> 01:03:15,587
WELL, I DON'T KNOW WHAT
1317
01:03:15,628 --> 01:03:16,379
THE WEATHER'S DOING
1318
01:03:16,421 --> 01:03:17,255
OUT THERE NOW, BUT I NEARLY
1319
01:03:17,297 --> 01:03:18,048
TURNED THE HEAT ON THIS MORNING.
1320
01:03:18,089 --> 01:03:18,715
MUST BE THAT GLOBAL WARMING
1321
01:03:18,757 --> 01:03:20,467
YOU'RE ADVERTISING.
1322
01:03:20,508 --> 01:03:21,508
OOPS.
1323
01:03:22,218 --> 01:03:25,638
I DON'T WANT THE USUAL.
1324
01:03:25,680 --> 01:03:26,514
YOU DON'T?
1325
01:03:26,556 --> 01:03:27,474
NO.
1326
01:03:27,515 --> 01:03:29,184
I WANT DIFFERENT.
1327
01:03:29,225 --> 01:03:31,186
HOW DIFFERENT?
1328
01:03:31,227 --> 01:03:32,437
SLICKED BACK.
1329
01:03:32,479 --> 01:03:33,146
YOU GONNA HAVE TO CHANGE
1330
01:03:33,188 --> 01:03:34,481
THE CUT A LOT FOR THAT?
1331
01:03:34,522 --> 01:03:36,316
EH?
1332
01:03:36,358 --> 01:03:37,317
SLICKED BACK LIKE...
1333
01:03:37,359 --> 01:03:38,359
YEAH, NO PARTING.
1334
01:03:39,194 --> 01:03:39,652
YOU?
1335
01:03:39,694 --> 01:03:40,612
NO PARTING?
1336
01:03:40,653 --> 01:03:43,281
STRAIGHT BACK.
1337
01:03:43,323 --> 01:03:43,990
WELL, WE CAN DO
1338
01:03:44,032 --> 01:03:44,949
THE NO PARTING, I MEAN...
1339
01:03:44,991 --> 01:03:46,493
HEY.
1340
01:03:46,534 --> 01:03:48,328
MY LIFE'S BEEN A PRISON,
1341
01:03:48,370 --> 01:03:50,497
AND I'M GETTIN' OUT NOW,
1342
01:03:50,538 --> 01:03:51,498
AND THAT'S WHAT
1343
01:03:51,539 --> 01:03:52,957
I WANT TO LOOK LIKE,
1344
01:03:52,999 --> 01:03:54,542
LIKE I'M COMIN' OUT OF PRISON.
1345
01:03:54,584 --> 01:03:56,336
WELL, WELL, WELL.
1346
01:03:56,378 --> 01:03:57,295
I'M GONNA KEEP
1347
01:03:57,337 --> 01:03:58,171
THE MUSTACHE, THOUGH.
1348
01:03:58,213 --> 01:04:00,340
WELL, I'M GRATEFUL FOR THAT.
1349
01:04:00,382 --> 01:04:02,175
I... YOU KNOW, I THINK I'M SEEING
1350
01:04:02,217 --> 01:04:02,842
EVERYTHING THESE DAYS.
1351
01:04:02,884 --> 01:04:03,510
THAT BRANDIER BOY
1352
01:04:03,551 --> 01:04:04,177
CAME BY THE OTHER DAY.
1353
01:04:04,219 --> 01:04:05,053
HE ASKED ME FOR A
1354
01:04:05,095 --> 01:04:07,639
DOUBLE-ZERO CUT, SAW IT ON MTV.
1355
01:04:07,681 --> 01:04:08,682
I'M GLAD YOU DON'T WANT
1356
01:04:08,723 --> 01:04:09,641
A DOUBLE-ZERO CUT.
1357
01:04:09,683 --> 01:04:10,600
WELL, WE'RE BREAKING
1358
01:04:10,642 --> 01:04:11,518
NEW GROUND.
1359
01:04:11,559 --> 01:04:12,435
YOU HAVE NO IDEA
1360
01:04:12,477 --> 01:04:13,645
WHERE I MIGHT END UP.
1361
01:04:14,771 --> 01:04:16,356
AH.
1362
01:04:16,398 --> 01:04:17,315
WELL.
1363
01:04:17,357 --> 01:04:18,108
I HAD TO WALK
1364
01:04:18,149 --> 01:04:18,858
AROUND THE BLOCK THREE TIMES
1365
01:04:18,900 --> 01:04:19,484
BEFORE I COULD FIGURE OUT
1366
01:04:19,526 --> 01:04:22,404
TO COME IN HERE.
1367
01:05:19,627 --> 01:05:21,671
I'VE COME FOR MY TUTORIAL
1368
01:05:21,713 --> 01:05:23,048
WITH THE PROFESSOR?
1369
01:05:23,089 --> 01:05:24,716
HE'S NOT HERE RIGHT NOW.
1370
01:05:24,758 --> 01:05:29,429
ARE YOU STANDING IN FOR HIM?
1371
01:05:29,471 --> 01:05:30,805
YES, I SUPPOSE
1372
01:05:30,847 --> 01:05:34,559
I AM STANDING IN FOR HIM.
1373
01:05:37,312 --> 01:05:40,315
SO WHAT ARE YOU STUDYING
1374
01:05:40,357 --> 01:05:41,191
WITH THE PROFESSOR?
1375
01:05:41,232 --> 01:05:43,735
WE DO HENRY JAMES ON FRIDAYS.
1376
01:05:43,777 --> 01:05:46,363
THE PORTRAIT OF A LADY.
1377
01:05:46,404 --> 01:05:47,655
AND WHAT'S THE STORY ABOUT?
1378
01:05:47,697 --> 01:05:51,785
THERE ISN'T MUCH OF ONE.
1379
01:05:51,826 --> 01:05:53,536
THERE'S ALWAYS A STORY.
1380
01:05:53,578 --> 01:05:56,081
NO SUCH THING AS A BOOK
1381
01:05:56,122 --> 01:05:58,750
WITHOUT A STORY.
1382
01:05:58,792 --> 01:05:59,626
HAVE YOU READ IT?
1383
01:05:59,668 --> 01:06:00,585
YES.
1384
01:06:00,627 --> 01:06:03,129
SO YOU KNOW IT THEN?
1385
01:06:47,173 --> 01:06:47,924
AND YOU'VE HAD THIS GUY
1386
01:06:47,966 --> 01:06:49,342
IN HERE FOR, WHAT, HOW LONG?
1387
01:06:49,384 --> 01:06:49,926
TWO DAYS ALREADY?
1388
01:06:49,968 --> 01:06:50,677
BUT... BUT... BUT
1389
01:06:50,719 --> 01:06:51,386
BUT HE LEAVES TOMORROW.
1390
01:06:51,428 --> 01:06:53,388
I HAVE NEVER MISSED IT.
1391
01:06:53,430 --> 01:06:55,515
OH, THERE YOU ARE!
1392
01:06:55,557 --> 01:06:59,686
THIS IS VIVIENNE.
1393
01:06:59,728 --> 01:07:00,645
FIRST MEETINGS ARE ALWAYS
1394
01:07:00,687 --> 01:07:02,814
INTIMIDATING, I KNOW.
1395
01:07:02,856 --> 01:07:03,773
NOT ALWAYS.
1396
01:07:03,815 --> 01:07:04,858
FIRST MEETINGS
1397
01:07:04,899 --> 01:07:07,360
AREN'T ALWAYS INTIMIDATING?
1398
01:07:07,402 --> 01:07:08,587
AREN'T... AREN'T YOU INTIMIDATED?
1399
01:07:08,611 --> 01:07:09,696
NO.
1400
01:07:09,738 --> 01:07:10,822
NEITHER AM I.
1401
01:07:10,864 --> 01:07:12,657
OH.
1402
01:07:12,699 --> 01:07:13,533
ME, WHEN I MEET SOMEONE
1403
01:07:13,575 --> 01:07:14,534
FOR THE FIRST TIME,
1404
01:07:14,576 --> 01:07:16,453
IT'S LIKE I'M A LITTLE BOY
1405
01:07:16,494 --> 01:07:17,734
SENT TO THE PRINCIPAL'S OFFICE.
1406
01:07:18,455 --> 01:07:19,831
IN SHORT PANTS.
1407
01:07:19,873 --> 01:07:21,499
YEAH, SHORT PANTS.
1408
01:07:23,043 --> 01:07:23,626
WOULD YOU GET US
1409
01:07:23,668 --> 01:07:24,711
A DRINK, DARLING?
1410
01:07:24,753 --> 01:07:25,753
ON MY WAY!
1411
01:07:28,882 --> 01:07:30,175
I HAVE NO IDEA
1412
01:07:30,216 --> 01:07:31,718
WHY HE WANTED US TO MEET.
1413
01:07:31,760 --> 01:07:32,844
ME NEITHER.
1414
01:07:32,886 --> 01:07:35,180
WELL, HE HAS THIS IDEA
1415
01:07:35,221 --> 01:07:36,681
EVERYONE HE LIKES
1416
01:07:36,723 --> 01:07:37,557
SHOULD GET ALONG.
1417
01:07:37,599 --> 01:07:39,768
HE COULD BE WRONG.
1418
01:07:39,809 --> 01:07:41,686
HE'S AN OPTIMIST AT HEART.
1419
01:07:41,728 --> 01:07:44,647
NOT A BUNDLE OF LAUGHS,
1420
01:07:44,689 --> 01:07:45,689
BUT AN OPTIMIST.
1421
01:07:46,608 --> 01:07:47,484
SO YOU'RE FOND OF HIM?
1422
01:07:47,525 --> 01:07:48,443
JUST BECAUSE IT'S
1423
01:07:48,485 --> 01:07:49,194
AND OLD AFFAIR
1424
01:07:49,235 --> 01:07:50,862
DOESN'T MEAN IT'S TIRED.
1425
01:07:50,904 --> 01:07:51,738
DRINKS ARE IN
1426
01:07:51,780 --> 01:07:52,906
THE DRAWING ROOM.
1427
01:07:52,947 --> 01:07:54,908
BEEP BEEP.
1428
01:07:54,949 --> 01:07:57,202
STRAIGHT UP OR ON THE ICE?
1429
01:07:57,243 --> 01:07:58,243
ICE BROKEN?
1430
01:07:58,787 --> 01:08:01,164
TO SMITHEREENS.
1431
01:08:29,818 --> 01:08:31,528
QUIET LITTLE TOWN.
1432
01:08:31,569 --> 01:08:33,822
YEAH, AND VERY TRUSTING.
1433
01:09:17,615 --> 01:09:18,676
WHY DON'T YOU GET YOURSELF
1434
01:09:18,700 --> 01:09:19,993
SOMEONE YOUNGER OR PRETTIER?
1435
01:09:20,035 --> 01:09:21,286
I THINK
1436
01:09:21,327 --> 01:09:22,495
VIVIENNE'S GOOD LOOKING.
1437
01:09:22,537 --> 01:09:23,371
OF COURSE,
1438
01:09:23,413 --> 01:09:25,915
BUT ARE YOU FOND OF EACH OTHER?
1439
01:09:25,957 --> 01:09:28,710
AH, WE'RE FAMILIAR.
1440
01:09:28,752 --> 01:09:30,295
WE DON'T SHAKE EACH OTHER
1441
01:09:30,337 --> 01:09:32,005
TO THE CORE LIKE WE USED TO,
1442
01:09:32,047 --> 01:09:34,299
BUT...
1443
01:09:35,342 --> 01:09:36,760
WELL, YEAH, YEAH, YEAH.
1444
01:09:36,801 --> 01:09:37,927
WE'RE... WE'RE FOND.
1445
01:09:37,969 --> 01:09:38,970
IT'S NOT FONDNESS
1446
01:09:39,012 --> 01:09:40,013
YOU NEED TONIGHT.
1447
01:09:40,055 --> 01:09:41,556
YEAH, WELL, AT LEAST
1448
01:09:41,598 --> 01:09:42,682
SHE DOESN'T INTIMIDATE ME,
1449
01:09:42,724 --> 01:09:43,683
HOW'S THAT FOR STARTERS?
1450
01:09:43,725 --> 01:09:44,601
HOW'D HE DO?
1451
01:09:44,642 --> 01:09:45,518
HE PASSED.
1452
01:09:45,560 --> 01:09:46,811
OH, GOOD, GOOD.
1453
01:09:46,853 --> 01:09:47,687
I TOLD YOU HE WOULD.
1454
01:09:47,729 --> 01:09:49,022
VIVIENNE'S SON
1455
01:09:49,064 --> 01:09:50,690
IS TAKING HIS FINALS.
1456
01:09:50,732 --> 01:09:51,691
NOW, HE DIDN'T DO WELL ENOUGH
1457
01:09:51,733 --> 01:09:52,525
TO GET INTO
1458
01:09:52,567 --> 01:09:53,693
THE TOP UNIVERSITIES, BUT...
1459
01:09:53,735 --> 01:09:54,694
WHY DON'T YOU TELL HER
1460
01:09:54,736 --> 01:09:56,821
YOU DON'T GIVE A SHIT?
1461
01:09:56,863 --> 01:09:57,989
WHA...
1462
01:09:58,031 --> 01:10:00,075
I-I DO... I GIVE A...
1463
01:10:00,116 --> 01:10:01,618
NO, HE DOESN'T.
1464
01:10:01,659 --> 01:10:03,912
ALL HE WANTS IS SEX.
1465
01:10:04,371 --> 01:10:05,121
HE HAS NO INTEREST
1466
01:10:05,163 --> 01:10:06,706
IN YOUR KID'S EXAM RESULTS.
1467
01:10:06,748 --> 01:10:07,582
WHA...
1468
01:10:07,624 --> 01:10:08,708
AND YOU?
1469
01:10:08,750 --> 01:10:09,376
WHAT ABOUT ME?
1470
01:10:09,417 --> 01:10:10,043
WHAT DO YOU WANT?
1471
01:10:10,085 --> 01:10:10,877
WHAT DO YOU WANT,
1472
01:10:10,919 --> 01:10:12,545
OTHER THAN TO STIR THINGS UP?
1473
01:10:12,587 --> 01:10:14,714
HMM?
1474
01:10:14,756 --> 01:10:15,924
YOU WANT TO WATCH?
1475
01:10:15,965 --> 01:10:16,966
OH, VIVIENNE.
1476
01:10:17,008 --> 01:10:18,593
ANYONE WOULD THINK
1477
01:10:18,635 --> 01:10:21,262
YOU'RE JEALOUS.
1478
01:10:23,098 --> 01:10:25,809
I JUST CALL IT AS I SEE IT.
1479
01:10:38,863 --> 01:10:39,572
YES, DOCTOR?
1480
01:10:39,614 --> 01:10:40,633
OH, YOU ARE STILL THERE.
1481
01:10:40,657 --> 01:10:41,241
OF COURSE.
1482
01:10:41,282 --> 01:10:42,617
YEAH, IS, UM...
1483
01:10:42,659 --> 01:10:43,702
YES?
1484
01:10:43,743 --> 01:10:44,828
MY PATIENT STILL
1485
01:10:44,869 --> 01:10:46,079
THE, UH, FIRST CASE
1486
01:10:46,121 --> 01:10:48,707
UP IN THE MORNING?
1487
01:10:48,748 --> 01:10:49,666
IT... NOT TILL NOON.
1488
01:10:49,708 --> 01:10:50,959
GOOD.
1489
01:10:51,001 --> 01:10:52,627
YOU'RE IN OPERATING ROOM 1
1490
01:10:52,669 --> 01:10:53,378
WITH A FULL BYPASS TEAM.
1491
01:10:53,420 --> 01:10:54,629
THANKS.
1492
01:10:54,671 --> 01:10:55,213
GOOD NIGHT.
1493
01:10:55,255 --> 01:10:57,674
GOOD NIGHT.
1494
01:11:07,183 --> 01:11:09,144
I HAVE 25.
1495
01:11:09,185 --> 01:11:10,061
DO-DO-DO-DO-DO-DO.
1496
01:11:10,103 --> 01:11:12,897
WELL, THAT'S THAT.
1497
01:11:12,939 --> 01:11:15,400
SHE ALWAYS WINS IN THE END.
1498
01:11:15,442 --> 01:11:18,445
WOMEN ALWAYS WIN IN THE END.
1499
01:11:20,697 --> 01:11:23,450
I'LL JUST GO TIDY UP.
1500
01:11:26,828 --> 01:11:27,954
I LIKE IT.
1501
01:11:27,996 --> 01:11:28,955
YOU DO?
1502
01:11:28,997 --> 01:11:32,834
MM-HMM.
1503
01:11:46,014 --> 01:11:49,976
THANK YOU.
1504
01:11:50,018 --> 01:11:52,645
I WAS WRONG BACK THERE.
1505
01:11:52,687 --> 01:11:54,647
YOU WERE RIGHT.
1506
01:11:54,689 --> 01:11:55,815
MUST BE SWEET COMFORT,
1507
01:11:55,857 --> 01:11:57,817
AN OLD MISTRESS.
1508
01:11:57,859 --> 01:12:01,154
IT IS, YOU KNOW.
1509
01:12:01,196 --> 01:12:03,198
15 YEARS NOW.
1510
01:12:03,239 --> 01:12:05,825
SINCE YOUR MOTHER DIED?
1511
01:12:07,869 --> 01:12:10,455
YOU REMEMBERED THAT, HUH?
1512
01:12:10,497 --> 01:12:13,124
YEAH, TWO INCIDENTS
1513
01:12:13,166 --> 01:12:16,711
DID COINCIDE.
1514
01:12:16,753 --> 01:12:20,840
WHY DIDN'T YOU MARRY HER?
1515
01:12:20,882 --> 01:12:21,841
OH, I THOUGHT ABOUT IT.
1516
01:12:21,883 --> 01:12:26,012
I THOUGHT ABOUT IT, BUT...
1517
01:12:26,054 --> 01:12:28,473
I PANICKED.
1518
01:12:28,515 --> 01:12:30,475
YOU... YOU NEVER MARRIED,
1519
01:12:30,517 --> 01:12:32,143
I'M SURE.
1520
01:12:32,185 --> 01:12:35,522
ENDLESSLY CHANGING, MOVING ON.
1521
01:12:37,065 --> 01:12:39,109
I'D HAVE LIKED TO HAVE SAILED
1522
01:12:39,150 --> 01:12:41,736
FROM WOMAN TO WOMAN,
1523
01:12:41,778 --> 01:12:44,989
A NEW AMERICA EVERY TIME,
1524
01:12:45,031 --> 01:12:48,868
ANOTHER CONTINENT TO EXPLORE,
1525
01:12:48,910 --> 01:12:51,496
NEVER DROPPING ANCHOR.
1526
01:12:51,538 --> 01:12:52,247
WOMEN AREN'T WHAT
1527
01:12:52,288 --> 01:12:54,708
THEY USED TO BE.
1528
01:12:54,749 --> 01:12:55,959
STILL, IT WOULD HAVE BEEN
1529
01:12:56,001 --> 01:12:57,210
NICE TO HAVE DISCOVERED
1530
01:12:57,252 --> 01:13:00,422
AND EXPLORED NEW EMBRACES.
1531
01:13:03,174 --> 01:13:04,050
IT'S POETRY THAT GETS YOU
1532
01:13:04,092 --> 01:13:04,968
IN THE END.
1533
01:13:05,010 --> 01:13:06,761
WITHOUT THE WORDS,
1534
01:13:06,803 --> 01:13:09,514
IT'S ALL SO FORGETTABLE.
1535
01:13:09,556 --> 01:13:11,850
HMM.
1536
01:13:12,851 --> 01:13:14,936
WHAT DO YOU THINK OF HER?
1537
01:13:16,563 --> 01:13:17,772
I DON'T THINK OF HER.
1538
01:13:17,814 --> 01:13:20,984
SHE'S YOURS.
1539
01:13:22,152 --> 01:13:23,236
WE SHOULD HAVE
1540
01:13:23,278 --> 01:13:26,281
ONE LAST SNIFTER ON THE STOOP
1541
01:13:26,322 --> 01:13:28,533
BEFORE THE BIG DAY TOMORROW.
1542
01:14:03,360 --> 01:14:04,277
THIS USED TO BE
1543
01:14:04,319 --> 01:14:06,780
MY FAVORITE SPOT.
1544
01:14:06,821 --> 01:14:08,573
THE SURROUNDINGS
1545
01:14:08,615 --> 01:14:11,201
WEREN'T SO BUILT UP THEN.
1546
01:14:11,242 --> 01:14:13,119
I COULD BREATHE.
1547
01:14:13,161 --> 01:14:15,997
I HAD A FUTURE.
1548
01:14:16,039 --> 01:14:18,625
HOPE.
1549
01:14:22,295 --> 01:14:25,340
AND I STOPPED LIVING
1550
01:14:25,382 --> 01:14:27,092
BEFORE I GOT OLD.
1551
01:14:27,133 --> 01:14:31,096
YEARS WENT BY AND...
1552
01:14:31,137 --> 01:14:32,222
I FELL INTO DECAY
1553
01:14:32,263 --> 01:14:34,641
JUST LIKE THIS DAMNED HOUSE.
1554
01:14:39,062 --> 01:14:39,938
DO YOU KNOW WHY
1555
01:14:39,979 --> 01:14:41,356
WOMEN LOOK AWAY WHEN
1556
01:14:41,398 --> 01:14:44,192
YOU PASS THEM ON THE STREET?
1557
01:14:45,860 --> 01:14:47,362
WHY?
1558
01:14:47,404 --> 01:14:49,864
BECAUSE THEY'RE DAZZLED.
1559
01:14:51,324 --> 01:14:52,617
WHY WOULDN'T
1560
01:14:52,659 --> 01:14:54,661
THEY FALL FOR YOU?
1561
01:14:57,288 --> 01:14:58,248
DON'T YOU KNOW
1562
01:14:58,289 --> 01:15:01,251
HOW EXTRAORDINARY YOU ARE?
1563
01:15:01,292 --> 01:15:04,337
LOOK AT YOURSELF.
1564
01:15:04,379 --> 01:15:06,923
THERE'S SO MUCH TO SEE.
1565
01:15:12,679 --> 01:15:13,388
THE OLDER WE GET,
1566
01:15:13,430 --> 01:15:16,307
THE MORE PRECIOUS WE ARE.
1567
01:15:16,349 --> 01:15:18,893
THAT'S WHAT YOU'VE MISSED.
1568
01:15:18,935 --> 01:15:21,021
YOU HAVEN'T UNDERSTOOD THAT.
1569
01:15:21,062 --> 01:15:22,230
I HAVEN'T THOUGHT OF IT
1570
01:15:22,272 --> 01:15:24,899
LIKE THAT, NO.
1571
01:15:24,941 --> 01:15:27,193
IT'S THE RIGHT WAY.
1572
01:15:27,235 --> 01:15:31,197
THE ONLY WAY.
1573
01:15:31,239 --> 01:15:32,157
YOU SHOULDN'T
1574
01:15:32,198 --> 01:15:35,243
KEEP A LADY WAITING.
1575
01:15:35,285 --> 01:15:37,871
NO, YOU'RE RIGHT.
1576
01:15:37,912 --> 01:15:39,122
THANK YOU.
1577
01:15:39,164 --> 01:15:42,917
GOOD NIGHT.
1578
01:15:59,184 --> 01:16:00,352
SHE TURNED YOU DOWN?
1579
01:16:00,393 --> 01:16:03,688
NO.
1580
01:16:03,730 --> 01:16:05,231
I HAVE A PROPOSITION FOR YOU
1581
01:16:05,273 --> 01:16:07,359
IF YOU WILL LISTEN...
1582
01:16:07,400 --> 01:16:09,736
LISTEN IT OUT.
1583
01:16:10,403 --> 01:16:12,614
LET'S HEAR IT.
1584
01:16:13,281 --> 01:16:14,199
I'D LIKE TO
1585
01:16:14,240 --> 01:16:15,033
GIVE YOU THE MONEY.
1586
01:16:15,075 --> 01:16:17,035
IT'S... IT'S A VERY SMALL BANK.
1587
01:16:17,077 --> 01:16:22,082
IT WILL NOT BE A VERY GOOD HAUL.
1588
01:16:22,123 --> 01:16:26,044
IF YOU WOULD TAKE IT FROM ME,
1589
01:16:26,086 --> 01:16:27,712
YOU CAN PAY IT BACK IF YOU WANT.
1590
01:16:27,754 --> 01:16:30,131
I-I DON'T REALLY NEED IT.
1591
01:16:32,300 --> 01:16:34,302
NO, I CAN'T DO THAT.
1592
01:16:36,137 --> 01:16:38,264
OKAY.
1593
01:16:38,306 --> 01:16:40,058
OFF TO BEDFORDSHIRE.
1594
01:18:16,446 --> 01:18:17,197
I'VE MET GUYS
1595
01:18:17,238 --> 01:18:19,741
LIKE YOU BEFORE, YOU KNOW?
1596
01:18:20,533 --> 01:18:22,827
YOU'RE ALWAYS TROUBLE.
1597
01:18:24,120 --> 01:18:25,538
SADNESS FOLLOWS YOU
1598
01:18:25,580 --> 01:18:29,459
WHEREVER YOU GO.
1599
01:18:29,501 --> 01:18:30,835
IT'S NOT THAT WOMEN LIKE ME
1600
01:18:30,877 --> 01:18:32,545
DON'T KNOW THAT.
1601
01:18:32,587 --> 01:18:34,130
IT'S JUST THAT
1602
01:18:34,172 --> 01:18:35,215
WE'RE ATTRACTED TO IT
1603
01:18:35,256 --> 01:18:39,094
ALL THE SAME.
1604
01:18:39,135 --> 01:18:40,095
I'VE NEVER MET A GOOD GIRL
1605
01:18:40,136 --> 01:18:40,887
BUT SHE DIDN'T HAVE A BIT
1606
01:18:40,929 --> 01:18:43,264
OF BADNESS IN HER SOMEWHERE.
1607
01:18:47,435 --> 01:18:48,853
MAYBE I'M TOO OLD
1608
01:18:48,895 --> 01:18:51,231
FOR ALL THAT NOW.
1609
01:18:56,319 --> 01:19:00,407
I JUST WANTED TO LET YOU KNOW
1610
01:19:00,448 --> 01:19:03,284
THAT I KNOW THAT.
1611
01:19:07,288 --> 01:19:09,416
DO YOU LOVE HIM?
1612
01:19:09,457 --> 01:19:10,291
HE SAID YOU NEVER
1613
01:19:10,333 --> 01:19:13,294
ASK QUESTIONS.
1614
01:19:16,339 --> 01:19:18,466
I DON'T USUALLY.
1615
01:19:18,508 --> 01:19:20,927
FORGET I ASKED.
1616
01:19:23,471 --> 01:19:26,307
I HAVE ALREADY.
1617
01:19:56,338 --> 01:19:58,923
THERE YOU ARE.
1618
01:20:01,676 --> 01:20:05,305
YOU LOOK GREEN.
1619
01:20:05,347 --> 01:20:08,600
I HOPE IT'S THE LIGHT.
1620
01:20:08,641 --> 01:20:12,145
NO, UH, I CAN'T, THANK YOU.
1621
01:20:12,187 --> 01:20:15,190
FASTING, DOCTOR'S ORDERS.
1622
01:20:15,231 --> 01:20:17,901
THERE'S A TRAIN AT 9:15.
1623
01:20:18,401 --> 01:20:21,196
YOU'VE JUST GOT TIME TO MAKE IT.
1624
01:20:24,240 --> 01:20:26,534
TEMPTING.
1625
01:20:26,576 --> 01:20:27,952
GIVE INTO IT.
1626
01:20:27,994 --> 01:20:32,707
JUST THIS ONCE.
1627
01:20:32,749 --> 01:20:34,250
WELL, YOU CAN'T SAY
1628
01:20:34,292 --> 01:20:35,293
I DIDN'T TRY.
1629
01:20:35,335 --> 01:20:37,337
THE BUKOWSKI.
1630
01:20:37,379 --> 01:20:41,216
POEM'S IN THERE.
1631
01:20:41,257 --> 01:20:42,300
THANK YOU.
1632
01:20:42,342 --> 01:20:45,303
JUST LIKE YOU,
1633
01:20:45,345 --> 01:20:49,474
JUST FOR A TIME THERE,
1634
01:20:49,516 --> 01:20:50,475
I THOUGHT I WASN'T
1635
01:20:50,517 --> 01:20:51,976
GOING TO MAKE IT.
1636
01:20:52,018 --> 01:20:54,521
AND, J-J-JUST IT'S HOW WE MET,
1637
01:20:54,562 --> 01:20:57,357
IT WAS, UH, SO EXTRAORDINARY
1638
01:20:57,399 --> 01:20:59,526
FROM M-M-ME GIVING YOU
1639
01:20:59,567 --> 01:21:00,735
THOSE PILLS, AND I NEVER
1640
01:21:00,777 --> 01:21:01,986
WOULD HAVE DONE THAT.
1641
01:21:02,028 --> 01:21:03,028
NO.
1642
01:21:03,571 --> 01:21:08,326
IT'S LIKE IT WAS PRE-ORDAINED.
1643
01:21:09,411 --> 01:21:10,078
I DON'T BELIEVE
1644
01:21:10,120 --> 01:21:12,914
IN THAT KIND OF STUFF.
1645
01:21:17,335 --> 01:21:19,587
NEITHER DO I.
1646
01:21:27,470 --> 01:21:30,598
WELL.
1647
01:21:46,281 --> 01:21:50,035
KUK.
1648
01:21:50,076 --> 01:21:53,538
BE SEEING YA.
1649
01:21:53,580 --> 01:21:55,623
SEE YA.
1650
01:22:30,367 --> 01:22:32,369
AH.
1651
01:22:37,499 --> 01:22:39,668
OH.
1652
01:26:23,892 --> 01:26:24,726
ELAINE?
1653
01:26:24,768 --> 01:26:25,602
OH, HEY.
1654
01:26:25,643 --> 01:26:27,562
UM, YOU'RE JUST DOWN AT THE END,
1655
01:26:27,604 --> 01:26:28,521
638.
1656
01:26:28,563 --> 01:26:29,564
638.
1657
01:26:29,606 --> 01:26:31,816
IT'S ON THE LEFT.
1658
01:26:42,869 --> 01:26:44,704
WE ALL PASS ON
1659
01:26:44,746 --> 01:26:45,830
LIKE CENTURIES
1660
01:26:45,872 --> 01:26:47,749
AND DOVES.
1661
01:27:33,420 --> 01:27:34,796
ALL GOOD.
1662
01:27:34,838 --> 01:27:38,299
I'LL BE BACK.
1663
01:28:09,664 --> 01:28:11,416
I HAVE CONTACT.
1664
01:28:11,458 --> 01:28:13,752
SUSPECTS ENTERING BANK.
1665
01:28:13,793 --> 01:28:15,170
RED TEAM.
1666
01:28:15,211 --> 01:28:17,714
POSITIONS.
1667
01:28:54,876 --> 01:28:57,462
DOWN, DOWN ON THE GROUND!
1668
01:28:57,504 --> 01:28:58,463
OH, GOD!
1669
01:28:58,505 --> 01:28:59,255
DOWN ON THE GROUND.
1670
01:28:59,297 --> 01:29:00,799
PUT YOUR HANDS ON YOUR HEAD.
1671
01:29:00,840 --> 01:29:01,925
GO NOW!
1672
01:29:01,966 --> 01:29:02,842
GO!
1673
01:29:02,884 --> 01:29:03,551
DOWN!
1674
01:29:03,593 --> 01:29:06,012
NOW! HANDS ON YOUR HEAD!
1675
01:29:06,054 --> 01:29:07,013
ON THE GROUND!
1676
01:29:07,055 --> 01:29:09,099
BACK, BACK DOWN!
1677
01:29:09,140 --> 01:29:10,684
NOW!
1678
01:29:10,725 --> 01:29:11,851
NOBODY MOVE.
1679
01:29:11,893 --> 01:29:12,769
DON'T TOUCH ANYTHING.
1680
01:29:12,811 --> 01:29:13,687
STAND THERE.
1681
01:29:13,728 --> 01:29:15,146
NO, NOBODY TALK.
1682
01:29:15,188 --> 01:29:16,856
NOBODY MOVE.
1683
01:29:16,898 --> 01:29:19,859
THIS WILL BE OVER VERY SOON.
1684
01:29:19,901 --> 01:29:23,238
GO, GO.
1685
01:29:23,279 --> 01:29:24,197
KEEP YOUR FUCKING HEAD DOWN.
1686
01:29:24,239 --> 01:29:25,198
I'LL BLOW IT OFF.
1687
01:29:25,240 --> 01:29:27,826
WHERE'S THE VAULT?
1688
01:29:30,537 --> 01:29:32,789
NOBODY MOVE. NOBODY TALK.
1689
01:29:42,298 --> 01:29:44,884
SWAB.
1690
01:29:48,763 --> 01:29:49,889
MOVE IN.
1691
01:29:49,931 --> 01:29:54,519
GET IT, GET IT, GET IT, GET IT.
1692
01:29:54,561 --> 01:29:58,523
STAY THERE.
1693
01:29:58,565 --> 01:30:01,067
WHAT'S THE MATTER?
1694
01:30:02,152 --> 01:30:03,069
FUCK!
1695
01:30:03,111 --> 01:30:05,447
FUCK!
1696
01:30:07,323 --> 01:30:08,742
FUCKIN' FAKE!
1697
01:30:08,783 --> 01:30:10,910
FUCK!
1698
01:31:00,627 --> 01:31:02,879
FUCKIN' MAX.
1699
01:31:02,921 --> 01:31:04,297
FUCKIN' MAX.
1700
01:31:04,339 --> 01:31:06,257
I'LL FUCKIN' KILL HIM.
1701
01:31:06,299 --> 01:31:07,926
NO, STOP!
1702
01:31:07,967 --> 01:31:08,843
FUCKIN'.
1703
01:31:08,885 --> 01:31:11,638
NO, STOP!
1704
01:32:16,369 --> 01:32:19,289
TIME OF DEATH 12:36.
100576
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