All language subtitles for Doctor.Who.Unleashed.S01E03.Boom.1080p.WEB.h264-W4N70Ks_3_text

- And...
- In this episode...

- ..action!
- I need to increase the weight on the
mine at the exact

moment I decrease it.

- ..we've got a hopping mad Doctor...
- He had to stand on one foot!

- I've got one massive glute.

And the other is normal size.

- ..the return of a Doctor Who
legend...

- Come on through...

..into...

- Ah!
- ..the TARDIS.
- You've redecorated.

- I'm Anglican.

- A revealing scoop interview with the
latest companion

to join the Whoniverse, Varada Sethu.

Sort of day one of the rest of your
life at this point now.

Isn't it?

- Is it?

- And spoiler alert, we've got a world
exclusive clip from the next

Doctor Who episode.

Welcome to Doctor Who: Unleashed.

Well, well and well.

Have we got an explosive episode for
you!

Unleashed goes boom with not one, but
two bombshells.

Later on, we've got the inside intel

on the return of Doctor Who legend
Steven Moffat.

- And then one day, I had this one,

"What if he stood on a land mine for
the entire episode

"and couldn't move?"

- But first, let's diffuse the mystery
of Mundy Flynn.

- Splice, are you OK down there?
- I'm here, Mundy.

I'm trying to find Daddy.

- Or should I say Varada Sethu?

- My name is Mundy Flynn.

I'm an ordained Anglican Marine.

What are you doing down here?

- Or should I actually say Varada
Sethu, the recently unveiled

and latest companion to join the
Whoniverse family?

Well, if we're going to unpack that
one,

we're going to have to go back in
time.

Where were you on the afternoon of
Friday 10th of March 2023?

Me, I was on stage six at Wolf Studios
watching filming of Boom.

- And action!

- On set was Varada, fresh from
playing Cinta Kaz

in the Star Wars series Andor.

- It doesn't matter. It doesn't
matter.

Look at the readings.

If that mine blows, it blows
everything.

- This was her Doctor Who debut.

Of course, you've got a bit of a thing
for being in big sci-fi

brands, haven't you?
- Maybe.

- STEFFAN LAUGHS You know, Doctor Who,
Star Wars.

They're two pretty cool franchises to
be a part of.

- Yeah. I don't know how I've got
here, mate.

I have no... I don't know, but I'm
enjoying the ride.

- Everyone's faking it, right? I'm the
same.
- I'm the same.

Fake it till you make it. No, it's
actually incredible.

I love, um, action and, like,

adventure, sci-fi, fantasy as a genre.

And it's what I've wanted to be in.
Like, my favourite films

when I was growing up were things
like, um, Indiana Jones

and Star Wars, you know?

So it's amazing being here and it is
absolutely

a dream come true.

Where's your dad?

- You're joking, but he's not.

Everybody knows he likes you.

- Splice, your dad. Where is he?

- Varada spent three weeks filming on
Doctor Who and then left with love

and best wishes.

Except she didn't quite.

Nine months later, Varada was back
behind these walls,

largely unnoticed until today, 12th of
April, 2024,

when she was officially announced as a
new companion for Season Two.

Let's see if I can get my timey-wimey
Doctor Who brain

around this. Because we are filming
this,

this is April 12th, 2024.

You have just been announced as the
new companion officially,

which is very exciting.
Congratulations.

- Yeah. It's exciting.

- Yes. But we filmed before, together,
over a year ago

for episode three, Boom.
- Mm-hm.

- Now, when we did that interview, you
wouldn't have known

that this would happen.

- Oh, no. I was just in it for the
ride.

I had a great time for those three
weeks, and it was just like, um,

you know, I was devastated to be
leaving

because I had so much fun.

But, um, yeah, I didn't know anything
about it. That call

came much later. Months and months.
Months later.

- Yeah.
- So, yeah.
- What's it like, then, finally being
able

to sort of breathe out and say to the
world,

"Yes, I am the new..."
- "It's me! I got it!"

- "For God's sake, it's out there."

- I don't know, because I think when I
first started the job,

it was like, "Oh, my God, I'm gagging
to tell everyone that I've

"got it. I've got it, I've got it,
I've got it."

But then I started to really value
being able to, um, being able

to film, just put my head down and
work and, like, get through it.

- Without the noise.
- Without all the noise.

But, um, I am excited to see, er, what
being announced brings,

being able to be a lot more open
about, you know, what the experience

has been like, um...
- Yeah.

- ..and also just, I think being able
to engage with the Doctor Who fans

that are already sneakily reaching
out.

I don't know how you guys found out,
but, um, yeah, like, being able

to say, "Yes, it's me. It is me."

- Because without being sort of
hyperbolic about it,

but it's like sort of day one of the
rest of your life

at this point now, isn't it?

- Is it?

- Because you'll always be from now
on...

- Yeah.
- ..one of the Doctor's companions.

- Yeah, it is, it is.

And it... I find it, um...

Yeah, I can't wait. I can't wait for
what

that brings, the chapter. Like,
it's... Yeah.

- Because you still have secrets that
you must keep.

- I have. Yeah. I can't say anything
right now.
- Yeah.

So, forget about those ones and just
focus on the one thing

you can say, which is you are the
Doctor's new companion.

- I'm the Doctor's new companion, and
I am so excited and pleased

and over the moon to be here.

- Well, shall we cheers here with a
cup of lukewarm tea?

- Yes. Thank you.
- Well done, you.
- Best tea ever.

- Yes.

Not really.

So what has Russell got planned for
Varada's new companion?

- She's coming in, into Season Two.

But quite how that happens, what
happens, why it happens,

it's very much knitted into the story
of the Doctor and the story

of Ruby Sunday, so come back and find
out.

- Welcome to the planet Kastarion 3, a
war-torn world

overrun by the villainous Villengard
algorithm.

Kastarion 3 is full of armed vicars
and vergers, vacuum drones

and watch-where-you're-stepping...

..vaporising mines.

And all of it dreamt up by the
luminous mind

of writer Steven Moffat.

- Are you my mummy?

- For all you Whovians out there,
you'll know Steven is responsible

for some of the greatest moments in
Who history.

He has written over 40 episodes and
was the Doctor Who executive

producer and showrunner from 2010 to
2017.

- Wibbly-wobbly, timey-wimey...stuff.

- On top of that, he was the
co-creator behind the global hit

Sherlock and wrote recent series
Inside Man, starring the tenth

and 14th Doctor, David Tennant.

And now he's back on the TARDIS, quite
literally, actually.

And what we all want to know is, how
come?

- Well, the night before Russell
announced his grand return,

he emailed me

and said what he was doing, and I was
astonished.

And I'd been out for a celebration
meal with my wife and so,

we were both quite merry.

And I found this email on my phone
from Russell saying,

"Well, I'm going back! I'm going back
to Doctor Who!"

And I thought... That's exactly how he
talks.

And I remember looking at it and
thinking, "I...I don't know

"if that email is really there."

It was there the next day, and I
phoned him up

and we laughed away together and
talked

about the old days and talked about
the new days and talked

about his plans, which I thought
sounded great.

And inevitably, because it's us, we
started talking about ideas.

Then one day I had this one -

"What if he stood on a land mine for
the entire episode

"and couldn't move?"

And within 30 seconds, and I'm not
kidding,

within 30 seconds, as I was getting up
from my computer just having

pressed send, he came back and said,
"Oh, my God, yes!"
- And action.

- When I came back on board with
Doctor Who, I think phone call

number three was Steven Moffat.

Phone call number one was Bad Wolf.

Phone call number two was Murray Gold.

Phone call number three was Steven.

And it might not have been in that
order, to be honest.

And, um, begging him to come and do
it. And it's brilliant.

He just says... He literally just sent
me an email saying,

"What if the Doctor stands on a land
mine and can't move?"

Yes. I literally went,

"Yes, that's it, that's it.
Brilliant."

- Ruby, if this doesn't work out...

..you are brave.

You are wonderful.

- When you get scripts through and it
says at the top "Steven Moffat",

did you sort of read it differently or
did you...could you feel

it was written by someone different
compared to the rest?

- You could, yeah.
- You could.
- Yeah, you could.

You could tell that it wasn't Russell,
because I feel like every

writer has such a unique way of
writing.

It's like a puzzle, really, in that
episode.

- Yes. That's a script that has been
written by a Scorpio.

Like, it's very...

It's, like, it's very dark, but
dealing with, like, huge themes.

Like, thematically, what's happening
in that episode

is...is like...is almost quite
Grecian.

Like, it's very grand themes

that he's, like, executed so subtly
and so cleverly.

- And obviously, thank you, Steven,

for giving you some of the longest
sentences.

- And really some of the best as well.

He gave me some beautiful lines.

I'm a much bigger bang than you
bargained for.

I'm a lot more explosive than I look

and, honey...

..I know how I look.

Oh!

Thank you, Steven, for that one!

- Millie has just described Steven
Moffat's script as a puzzle.

Well, it was also a series of
challenges for the cast

and the crew.

Challenge number one - where to film
it?

Going all the way back to the classic
era,

if you wanted to create an alien
planet, you went

to the nearest quarry.

Whether you were trying to recreate
Mars, Utopia

or the Planet of the Ood, a limestone,
sandstone,

clay or slate hole in the ground was a
ready-made solution.

In fact, down the years, over 30
different quarries

have guest-starred on Doctor Who.

Some of them more than once.

But when it came to creating Kastarion
3, in March, in Wales,

nobody was keen to go down that hole,
so they built it instead.

- I wasn't remotely surprised to hear
that the crater would be built

on set and not on location,

because I've been in this kind of
situation.

You want a controllable weather
environment.

Oh, God, you do.

Several days of rainfall could destroy
your show.

And above all, the job of a Doctor Who
creative is to spend as much

time avoiding going to a muddy field
as possible.

I managed that for years when I ran
Doctor Who.

For years. I just said that I'm not
going to the muddy fields.

I don't care what happens. I'm not
going. "But you wrote it."

"I know. I'm not going, because I'm
the boss and I'm not

"going to the muddy field. Deal with
it.

"Going to go watch Strictly, right?

"You go to the muddy field."

- While Steven kicks back to watch
Strictly,

I'm going to take you on a tour of the
muddy field, AKA

the indoor crater.

It's going to get a bit tight in here,
OK, so, um, bear with me.

So everybody's very busy, as you can
see.

Come on up the big ramp.

Have you seen the sides, by the way?
You can't really see

it yet, but they've painted all this
giant mural all on the side.

Must have taken ages to do that.

So these rocks, you know, they look
really realistic,

but they're actually fake. So there we
are.

- I love this set.
- It's such a cool set.

It reminds me of a war film.

- I mean, it's all... We're not
actually on a crater.

So, some of it is foam, some of it is
rock.

You've got to be careful where you
stand.

- This is what's really catching me
out with all these sets

we've seen - the attention to detail.

Like, real gravel on the floor. Makes
you feel like you're here.

You know, it doesn't feel synthetic.
It feels real.

So, down there, they're just working
on where the camera's positioned.

And... Is that a thing a director
does?

I don't know. They're working on
stuff.

They're sorting stuff out down there.

But this is the top of the set.

Now, eagle-eyed fans out there, I know
lots of you are

eagle-eyed fans, might recognise this,

I don't know, broken spaceship,

we might say, this here. It's been
blasted apart in the war.

That is actually the Meep's spaceship
from special episode one,

but repurposed by the brilliant
effects team here to look

like it's been blasted apart in this
war.

There's all sorts going on here. So
they've got these lights

on the ceiling that are like
inflatable tents.

Is that a fair description?

Someone's going to give me a row for
describing them like that.

But they just look... I mean, they
just create that atmosphere

because you just look up and you
think,

"Oh, I'm just on a different planet."

Actually, I'm in Cardiff city centre.

- The technology is going to be sick
for this episode.

It's incredible.

Like, obviously we've got this whole
screen and then we've got

the set, but then...

- We've seen the demo for the planets
that Ruby sees and it's incredible.

- Incredible.

So, thinking about what is going to be
put behind us...

- Yeah, it's like...
- ..is so cool.

It's not here now, obviously, but
like...
- It's not real.

- And later in the episode, we'll
reveal exactly how the not-real

planets become very real, right in
front of our eyes.

Still to come on Doctor Who:
Unleashed...

What's that made out of, then?
- A real gun.

- That's a real gun?
- I think it was a harpoon gun.

- Yeah, right. Yeah.

..I take a tour of the encampment set,

try not to go up in flames on my
latest work experience...

..and spoilers -

we've got an exclusive clip from next
week's Doctor Who.

But first, this...

- Come on through...

..into...
- Ah!
- ..the TARDIS.

- You've redecorated it.

- On 4th of January 2023, Unleashed
invited

two of Britain's most acclaimed TV
dramatists onto the TARDIS.

- You like it?
- No.

Ah, it's... It's absolutely
incredible.

It is absolutely beautiful.

- It's beautiful, isn't it?

- Between them, since 2005, Steven
Moffat and Russell T Davies

have written 80 episodes of Doctor
Who.

- Where do you want to go? How
about...2003

to stop ourselves...
- Yes. Yes. We had careers then!

- We had youth. We had faces.

- THEY LAUGH

- Everything. And now...
- Yeah.

- So we asked them to answer the
following simple question.

- What are the ingredients of a good
Doctor Who story?

- There's an awful lot, that's the
trouble. And that's why...

That's why it's hard to get people to
write it.

You need an idea so big, it could be a
movie.

Even a bad Doctor Who story has got a
big idea in it.
- Yes.

- The Doctor himself is such a massive
idea,

such a massive character.
- It is an event.

- I am a higher dimension Time Lord.

I am a complex space-time event.

- He's got to walk into a situation
that's as interesting as he is

or he'll bleach it out. He can't go
and solve a whodunnit...

- That's true.
- ..because that's not enough for him.

- And even it's hard now to say,

"He enters a factory which has been
overtaken by monsters."

That's not enough now.
- No.
- There's got to be... What else is
there?

What else is there? What else?
- Well, you sort of think he would

do that with his left hand, you know
what I mean? He wouldn't bother.

But it's exhausting, isn't it, when
you've got to write him

and you think he's got to walk into a
room and do something

or think something, you think,

"What does the cleverest, fastest
person in the universe do now?"

- Yes, yes.
- "And how does he think about
things?"

It's different. It's disconnected.
- I do find I think you have to

shut him up sometimes.
- Oh, God, yes.

- Because he just will stand there and
explain everything. And other people

have got to have a voice.
- Yeah.
- And it's like, "Shut up."

- Shut up, Doctor.
- Shut up!

- Shutity-up-up-up.

- I'm trying to get him on his back
foot,

which is a great place to put him.

- You literally do in your story!
- Yes, yes.

He's on one back foot for quite a lot
of it.

- But that's...that's... You have to
get inventive around him.

- Yeah, yeah.
- That's the show at its best.
- Yes. No, it really is.

It really is.
- Getting my Zen on.

My land mine Zen.

- How do you stop him winning?

- It's delaying. It's tough. Every
episode is tap dance.

- Yeah.
- It's tap dancing. It's putting on a
show to stop him

finding that button and pressing it
and saying, "Everyone stop."

- One wrong move and boom!

I go all food mixer.

- And you start to realise, I mean,
the solution in the old show,

quite often by episode three, was to
knock him unconscious.
- Yes.

- Doctor Who spends quite a lot of
time in episode threes

of the old show... And I understand
why, I get it.

- Yes. Have to lock him up in a cell.
- Yeah, and just...

just get him out of the way.

- You are in my sights! I can drop you
where you stand.

- No, no, no, no, no, no, no.

- Doctor Who doesn't do, for the most
part, straightforward suspense,

straightforward tension. You know,
like a big Hitchcock thing.

"You're standing on a wire," or
something.

So you need a big idea that doesn't
get bleached out by the TARDIS

and the Doctor.
- Yeah.
- It needs to be an adventure.

That's the big word, isn't it?
Adventure. Rather than sci-fi.

- Absolutely, absolutely.
- But...sci-fi is a freedom it has
rather...

- Well, sci-fi, it's interesting,
that's the one modulation

I think I've kind of brought to it, is
when I started writing

the Toymaker that the supernatural
kind of crept in...
- I'm loving...

- Suddenly I thought, I can write
goblins, you can write

the God of Music. That's been a
real... To an extent,

it's like, let's stop pretending
there's any hard science fiction

in this show. Look at this magical
box. It's just nonsense.

It's like, we will do... I mean,
ironically, yours

about standing on a land mine is very,
very hard sci-fi.
- Yeah.

- So you can do those, but you can
also do stories

that are just wild and mad.
- Yes.
- That's nice territory to be in.

I've enjoyed that.
- Yes. Yeah.

- Um, cos I think actually, one of my
ingredients is death.

That there should be absolute danger
of death in it.

And I think in Doctor Who, if there
isn't,

it's so lacking something, that fear
of death...

It doesn't quite stalk Star Trek, it
doesn't quite stalk Star Wars

in the way that it does Doctor Who.
- No, it's absolutely true.

The proper visceral jeopardy. But
that's partly because,

you know, the characters in Star Trek
are sensible.

They arrive with guns and equipment
and a giant spaceship and a team.

That's how I'd like to arrive on an
alien planet.

The Doctor puts his coat on and, you
know, forgets his screwdriver

because he didn't... he wasn't using
it recently.

So it's full of that.

You're following a genius idiot into
an incredibly dangerous landscape

that he has tremendous faith ISN'T
going to be that dangerous

or bad THIS TIME because presumably he
doesn't watch the show.

- As well as the crater,

there was one other set constructed
for this episode -

the military encampment.

Built on the backlot at Wolf Studios,

it's only seen on screen for 81
seconds,

but the detail and the care taken by
the art department

in bringing the set to life is
gobsmacking.

The department's Rhys Ifan has agreed
to take us for a spin.

Oh, this is so detailed. It just looks
like I'm just here,

I'm in the middle of the encampment.

How long did it take you to make this?

- Four weeks from start to finish.
- Four weeks?
- Yeah, yeah.

- What are these made...? Are they...?
- So they're shipping containers.

- Are they actual shipping containers?

- Yeah, they're actual shipping
containers that we've cut up

and sprayed.
- The thing about this one is the
scope of it, you know,

it's like above you as well, and it
feels really real.

Even, like, the stones on the floor,
you've got different colour.

- So the idea was to keep as much of
it in camera as we could.
- Yeah.

- Didn't rely on VFX and greenscreen.
- Yeah, yeah, yeah.

So how do you make a tank like this?

- So these were tanks that we
purchased.

- So you bought an old tank?
- Er, they were Snow-Tracs.

- What's that made out of, then?
- So that's a real...real gun.

- That's a real gun!
- I think it was a harpoon gun.
- Yeah, right, yeah.

Well, I mean, I've just spotted this
bit here.

It looks like it's...sort of like a
command centre or something

over there. Do you mind if I go
another nose? Can I have a nose?

Oh, this is cool. Don't know if you
can see that.

Probably not going to show up on
screen, is it?

But, like, all the little details,

like all the Villengard stickers and
stuff.

- That's our graphic design...
- Graphic design?
- Yeah, there's an awful lot

of detail that goes into it. And even
if it doesn't show up

on camera, it helps.
- Oh, you can feel it. Yeah,
absolutely.

You seem very calm. Cos obviously this
is your job.

Whereas I walk on here, I'm like a kid
in a candy shop.

It's like laser quest, but ten million
times better.

So this is the kitchen, then?
- Yeah.

- We don't actually see much of this
space in the episode, do we?

Or the one opposite. This is much
bigger than what we see on screen.

Why do you... Not "why bother" but
sort of why bother?

- Um, well, we've got 30 supporting
actors on the set.

Um, so it kind of... They'll all be
moving around from one place

to the other, so they've got to have
somewhere to...
- Move to.

- Have a reason... Part of it is that
we get a bit carried away. Um...

- You're there drawing. You're like,
"What if we add this in as well?"

Rhys, thank you very much for your
time. Just wondering,

where do you buy a harpoon gun from?
Big ones as well.

Earlier in the episode,

Ncuti and Millie spoke about the
incredible scenic backgrounds

that would be added to the crater
footage.

Towards the end of the shoot,

an LED wall was erected on set.

Apparently, it's here to do magic.

- The LED screen technology is a
technology

that I've been fascinated by for a
while.

The amazing thing about it is, they
worked with Phil Sims

to build an extension of the set.

There was an LED wall, which is
effectively like a window

into the 360 world that they built,

and the actors could stand in front of
it and could walk around

on that set, and behind the actors
would move

as if it was the real landscape.

- And three, two, one. Action.

- So how does this technology work?

- In order for us to maintain the
right perspective

when it's on camera, we have this
tracker.

And what this does is talking to all
of our motion tracking cameras

along the edge of our screen.

It tells the camera where it is in 3D
space and where it's moving

and turning, and that makes sure that
this always looks right.

If that doesn't happen, it's just
going to look

like a painted backdrop.

- So what you're seeing is we have
about 33 cameras set up right now.

We just try to maximise the amount of
space that they'll capture.

So, you know, if we do a camera move
from back here,

if they want to use a crane, we have
that fully captured.

Those lines that you're seeing are the
actual rays

that are hitting the tracker that
Billy probably already talked about.

And that gets processed

and what you end up seeing on the wall
is the projected perspective

of the camera's position.

- It's live. So it's not, you know,

six months down the road in visual
effects.

It's right now and everybody's present
that has a say in that

can actually, you know, have opinions
about it,

get it changed on the day and it's
done.

- And when you look at it through a
monitor,

it looks like magic with the practical
foreground

and then the background. So, yeah, it
really is magic.

- In every episode of Unleashed, I get
to try out a bit of work experience.

Now, I have to say, I'm really looking
forward to this one,

because I've been eyeing the work of
this guy up enviously all shoot.

His name is Tom Vincent and he gets to
do stuff like this.

And although I'm not going to be
allowed to do this or this,

I am going to be playing with fire.

So we know there's that big set with
the crater just over there, Tom.

What can I blow up today or
what-what... What can I help with?

Can I set something on fire? What are
we doing today?

- Definitely a bit of fire today.
- Yeah.
- Um, we've got these, er,

metal things called fish tails with
flame coming out.

We'll have you operating one of them
on the gas bottle. Nice and safe.

Nowhere near the flame.
- Sounds exciting. Fish tails. Fire.
I'm in.

THEY LAUGH

Today, like every day on the crater
set,

Tom and his team are setting fire to
stuff.

- We're doing flame effects, um, which
can be dangerous.

We're on a set which is made of foam,

so we're going to be super careful.

If you look over there, we've got
protection all up the set.

So that is, er, Durablanket.

Uh, it's basically...it's...

Can't conduct heat and it can't burn,
so...

- Oh, so that stops...

Anything goes wrong, yeah.
- Protection. It's a bit,

to be honest, a bit overkill. But
we're doing everything properly

because it's a film set.
- Yeah, absolutely. We're in a war
zone,

right?
- Exactly.
- So there's... There's fire kicking
off.
- Exactly,

yeah. We're basically on the outskirts
of this,

bit of flame reflection sometimes in
the back of shot.
- Yeah.

- Um, and the way we achieve that is
with gas,

this item here, which is called a fish
tail.
- Yeah.

- Commonly used in the SFX world.

Um, super safe, super easy.

- Fish tail? I think that's my cue.

But before I burn the house down, how
do you get to work in SFX?

- Well, I actually started off as a
trainee rigger, um,

which is a scaffolder, for people who
don't know,

and I absolutely hated it.
- Did you?
- Yeah.
- Why didn't you...

Why didn't you want to be a rigger?
- I didn't get on with the boss.

- THEY LAUGH

Hello, old boss.
- Yeah.

Um, but I saw the guys doing special
effects on Doctor Who

cos I had a contract with Doctor Who.
- Yeah.

- And I just basically begged him. I
was like, "Come on..." And, er,

luckily, they gave me a chance, and
that was 12 years ago.

- Yeah.
- Yeah, haven't looked back.
- And...action!

- So you've got your fires and also
you're in charge of smoke wafting,

which is...
- Smoke as well, yeah. Bit of smoke.

So, yeah, with the smoke, we fill up
the stage.

Um, it helps blend this transom in
with the set.

- Do you mind if I have a little go
putting this fire on?

Not that I'm a pyromaniac or anything.
- No problem at all.

What we'll do, we'll put you on the
bottle.
- Yeah.

- Not the flame end. So I'll show
you...

- I wouldn't trust me with the flame
end either.

Tom's talking a good game, but when it
comes down to it,

don't go near the flames.
- Yeah.
- That's fine.

- We'll do the flame end, you do the
bottle end. No problem.

- Right.
- Make your way down here.
- OK, here we go. This is it.

Right, so these big bottles here, is
that...
- That's it.

We've already preset the level here.

So it'll be a simple case of, we
instruct you to turn this valve.

- Yeah.
- Turn it straight, that's gas on.

When we say "gas off" you bring it
back.

Super safe.
- Great.
- Yeah?

- So...a very small chance of me
messing this up.
- Yes, very small.

- This is perfect work experience,
isn't it? Yeah, great.

- They could revive her...

- Just don't try this at home.

- Bring the gas on.
- OK, here we go. Watch this.

Oh, did you see that?

- There you go.

- Hey, war zone, look at that.

In one fell swoop.

What do you think?
- Love it.

And then gas off when you're ready.
- Gas off and ready.

- Cut there, thank you.

- There's people watching this, think,
"I want to be making smoke

"and snow and all the cool stuff that
you've done."

What advice would you give them?
- Well, things are a lot easier now,

I think, with Skillset Cymru, um, and
Bad Wolf in general

are really good with apprenticeships.
But, yeah,

get in touch, keep writing, don't give
up, send in CVs, phone calls.

- Next time on Doctor Who...

- Mad Jack is unbound.

- BANGING ON DOOR

- Oh, don't.

- He'd kill me. He would kill me. I'm
the one he'd kill first.

And you know why, don't you?!

- What the hell have you done?

- No, that's just someone at the door.

BANGING CONTINUES

DR WHO THEME