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1
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Come on.
2
00:00:02,018 --> 00:00:04,587
Oh, just a single pass. One.
3
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Two. Three. Hello. Hello?
4
00:00:07,073 --> 00:00:09,025
Yeah. Cute. Great.
5
00:00:09,025 --> 00:00:12,295
What was your impression
when you received this piece?
6
00:00:13,263 --> 00:00:14,898
And when you checked it?
7
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When I found this piece was in my mailbox,
I was very excited.
8
00:00:19,102 --> 00:00:21,988
I've had a long history
of doing new music,
9
00:00:21,988 --> 00:00:26,426
and so I am always very passionate
and very excited to find something new.
10
00:00:26,643 --> 00:00:28,978
And this was certainly new.
11
00:00:28,978 --> 00:00:32,599
I've done work with electric guitar
before, but this piece explores
12
00:00:32,649 --> 00:00:36,836
genres and sounds which I haven't had
the opportunity to explore as a conductor.
13
00:00:36,836 --> 00:00:39,656
So it was quite exciting.
14
00:00:39,656 --> 00:00:43,560
What was the assembling of this piece
like?
15
00:00:46,880 --> 00:00:50,366
Putting together
this piece actually was relatively simple.
16
00:00:50,400 --> 00:00:54,120
It's difficult,
but it's well-written and very clear.
17
00:00:54,354 --> 00:00:58,892
What he wants, the composer wants with
Carla wants is explicit in the score,
18
00:00:59,192 --> 00:01:01,678
and so we just have to follow
the directions, basically.
19
00:01:01,678 --> 00:01:03,747
And we have such a good team
20
00:01:03,747 --> 00:01:06,933
that all of the parts we're working
very well together.
21
00:01:07,200 --> 00:01:10,553
So although it's quite difficult,
the process has been very easy.
22
00:01:13,139 --> 00:01:15,625
what do you think about his music?
23
00:01:15,625 --> 00:01:17,927
Well, this is the first time
I've come across
24
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Carlos music, and I really am excited
to learn more of it.
25
00:01:21,414 --> 00:01:23,933
I love this piece.
I'm really enjoying working on it.
26
00:01:23,933 --> 00:01:25,068
The orchestra sounds amazing.
27
00:01:25,068 --> 00:01:28,488
The soloists are really topnotch
and so I'm excited
28
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to find out more about Carlos music.
29
00:01:31,758 --> 00:01:34,761
What do you think about
30
00:01:34,794 --> 00:01:36,446
a piece that includes
31
00:01:36,446 --> 00:01:39,449
electric guitar
and a controller in an new in this?
32
00:01:40,350 --> 00:01:42,535
Sure.
33
00:01:42,535 --> 00:01:45,421
I think that we are living in one of the
34
00:01:45,421 --> 00:01:49,159
most exciting times for classical music,
so called classical music
35
00:01:49,759 --> 00:01:52,412
for this very reason, because the walls
36
00:01:52,412 --> 00:01:56,366
that have contained what we consider
classical music have broken down
37
00:01:56,783 --> 00:02:00,804
in the last 20 years, especially, in fact,
even in the last five years.
38
00:02:00,987 --> 00:02:05,391
So for me to do a piece
that has electric guitar electronics and,
39
00:02:05,725 --> 00:02:10,230
you know, ideas from metal music,
from rock music, from popular music,
40
00:02:10,730 --> 00:02:11,781
from new music,
41
00:02:11,781 --> 00:02:15,902
and put it right next to Beethoven
is what I want to be doing creatively.
42
00:02:16,202 --> 00:02:18,655
And it's also what
I want to give to the audience today.
43
00:02:18,655 --> 00:02:19,939
I think it's the way forward.
44
00:02:19,939 --> 00:02:23,042
I think that when younger people
are in the audience,
45
00:02:23,042 --> 00:02:26,029
they're going to be turned on
by this music in a different sort of way.
46
00:02:26,095 --> 00:02:29,933
And I do think that the classical music
lovers will also find something new
47
00:02:29,933 --> 00:02:32,402
and exciting in this.
So for me, it's very exciting.
48
00:02:35,004 --> 00:02:38,007
And do
you have any advice for the audience
49
00:02:38,057 --> 00:02:41,060
regarding concert music.
50
00:02:41,477 --> 00:02:43,646
My advice to the audience regarding
51
00:02:43,646 --> 00:02:46,649
contemporary music
is just come with an open mind.
52
00:02:46,766 --> 00:02:49,169
Open your ears, open your mind and listen.
53
00:02:49,169 --> 00:02:51,888
And it's okay not to like the music.
54
00:02:51,888 --> 00:02:52,939
That's fine.
55
00:02:52,939 --> 00:02:55,942
Because most likely there'll be something
else on the program that you do like.
56
00:02:56,125 --> 00:02:59,329
And so the more you listen,
the more you explore, the more you learn
57
00:02:59,329 --> 00:03:02,782
about this music, I promise, the more
you will start to like it.
58
00:03:02,782 --> 00:03:05,785
And in fact, you might even love it.
59
00:03:06,085 --> 00:03:07,820
Okay. All right. Good.
5055
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