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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:02,460 --> 00:00:07,340 * * 3 00:00:07,382 --> 00:00:10,385 [train rumbling on tracks] 4 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 5 00:00:26,943 --> 00:00:30,196 [train rumbling on tracks] 6 00:00:56,681 --> 00:00:57,640 [brooding atmospheric guitar] 7 00:00:57,682 --> 00:01:05,774 * * 8 00:01:09,652 --> 00:01:10,612 [music builds in intensity] 9 00:01:10,653 --> 00:01:18,661 * * 10 00:01:28,922 --> 00:01:29,881 [light twangy bluegrass guitar] 11 00:01:29,923 --> 00:01:40,141 * * 12 00:01:43,269 --> 00:01:53,279 * * 13 00:02:00,662 --> 00:02:02,914 [zipper opening] 14 00:02:05,291 --> 00:02:07,669 [zipper closing] 15 00:02:24,853 --> 00:02:25,812 [brooding atmospheric guitar] 16 00:02:25,854 --> 00:02:33,862 * * 17 00:02:36,322 --> 00:02:39,325 [train rumbling on tracks] 18 00:02:41,578 --> 00:02:51,588 * * 19 00:03:04,017 --> 00:03:07,228 [brakes squealing] 20 00:03:16,821 --> 00:03:19,824 [steam hissing] 21 00:03:21,951 --> 00:03:22,911 [brooding atmospheric guitar] 22 00:03:22,952 --> 00:03:30,960 * * 23 00:03:38,718 --> 00:03:40,011 - ONE, TWO, THREE, 24 00:03:40,053 --> 00:03:42,347 FOUR, FIVE, SIX. 25 00:03:42,389 --> 00:03:45,934 [muttering] 26 00:03:48,103 --> 00:03:49,896 - WE'RE ALL OUT OF NITROSET. 27 00:03:49,938 --> 00:03:51,856 - TWO. 28 00:03:51,898 --> 00:03:52,565 [sighs lightly] 29 00:03:52,607 --> 00:03:53,441 - SORRY WE'RE ALL OUT. 30 00:03:53,483 --> 00:03:55,777 I THOUGHT WE HAD SOME MORE BUT-- 31 00:03:56,069 --> 00:03:57,028 [brooding atmospheric music] 32 00:03:57,070 --> 00:04:06,788 * * 33 00:04:07,997 --> 00:04:10,000 [whistle blows faintly] 34 00:04:15,964 --> 00:04:16,923 [brooding atmospheric music] 35 00:04:16,965 --> 00:04:24,973 * * 36 00:04:44,993 --> 00:04:45,910 - WE ARE DEFINITELY ALL OUT. 37 00:04:45,952 --> 00:04:46,786 I'M SORRY. 38 00:04:46,828 --> 00:04:48,121 I'LL ORDER SOME MORE IN FOR YOU. 39 00:04:48,163 --> 00:04:50,373 [door creaking] 40 00:04:55,670 --> 00:04:58,673 [pills clinking in bottle] 41 00:05:06,473 --> 00:05:08,683 - MIGRAINE TABLETS. 42 00:05:09,684 --> 00:05:10,727 - UH, UNLESS YOU HAVE 43 00:05:10,769 --> 00:05:11,644 A PRESCRIPTION-- 44 00:05:11,686 --> 00:05:12,187 - HERE. 45 00:05:12,228 --> 00:05:13,438 TWO? 46 00:05:13,480 --> 00:05:16,483 [pills clinking] 47 00:05:16,858 --> 00:05:17,901 - WE WOULDN'T NORMALLY-- 48 00:05:17,942 --> 00:05:20,487 - I'LL GIVE HIM SIX OF MINE. 49 00:05:21,863 --> 00:05:24,407 HERE. 50 00:05:29,245 --> 00:05:32,749 [bottle clinks on counter] 51 00:05:32,791 --> 00:05:35,752 [bottle clattering on the floor] 52 00:05:38,880 --> 00:05:39,714 [door squeaks] 53 00:05:39,756 --> 00:05:40,423 - OH, WELL. 54 00:05:40,465 --> 00:05:41,091 NITROSET WILL BE IN... 55 00:05:41,132 --> 00:05:44,052 - SOMETIME TOMORROW. 56 00:05:45,178 --> 00:05:46,096 - C-C-CAN I PAY FOR THIS-- 57 00:05:46,137 --> 00:05:47,013 - YEAH, SURE. 58 00:05:47,055 --> 00:05:48,181 - THEN? 59 00:05:48,223 --> 00:05:50,100 [door squeaks] 60 00:05:50,141 --> 00:05:52,185 YOU CAN'T TAKE THOSE 61 00:05:52,227 --> 00:05:53,687 WITHOUT WATER. 62 00:05:53,728 --> 00:05:55,480 [door clatters] 63 00:05:55,522 --> 00:05:56,231 YOU CAN'T TAKE 'EM 64 00:05:56,272 --> 00:05:57,148 WITHOUT WATER. 65 00:05:57,190 --> 00:05:59,025 OH... 66 00:05:59,067 --> 00:06:01,069 UH... 67 00:06:01,945 --> 00:06:04,197 I LIVE NEARBY. 68 00:06:04,239 --> 00:06:06,950 I'LL GET YOU A GLASS OF WATER. 69 00:06:06,991 --> 00:06:09,494 COME ON. 70 00:06:09,536 --> 00:06:11,913 I'M JUST AROUND THE CORNER. 71 00:06:13,915 --> 00:06:14,874 [atmospheric guitar] 72 00:06:14,916 --> 00:06:22,924 * * 73 00:06:24,259 --> 00:06:25,510 - YOU DON'T LOCK IT? 74 00:06:25,552 --> 00:06:26,761 - NO, WHY? 75 00:06:26,803 --> 00:06:28,179 DOES THAT SEEM UNWISE TO YOU? 76 00:06:28,221 --> 00:06:29,055 [chuckles] 77 00:06:29,097 --> 00:06:29,973 NOTHING EVER HAPPENS 78 00:06:30,015 --> 00:06:31,099 IN A TOWN LIKE THIS. 79 00:06:31,141 --> 00:06:33,226 BET I'VE EVEN LOST THE KEY. 80 00:06:33,268 --> 00:06:36,438 COME ON. 81 00:06:40,108 --> 00:06:42,777 ARE YOU THERE? 82 00:06:47,907 --> 00:06:48,783 [chuckles] 83 00:06:48,825 --> 00:06:49,576 THE KEY FOR THIS ONE'S 84 00:06:49,617 --> 00:06:51,244 BEEN GONE A LONG WHILE NOW. 85 00:06:51,286 --> 00:06:54,914 [door squeaks] 86 00:06:54,956 --> 00:06:56,916 [door clatters] 87 00:06:56,958 --> 00:06:57,917 [door squeaks] 88 00:06:57,959 --> 00:07:01,087 COME ON IN. 89 00:07:05,884 --> 00:07:06,760 - IT'S OLD. 90 00:07:06,801 --> 00:07:08,136 - IT CERTAINLY IS. 91 00:07:08,178 --> 00:07:10,847 PLEASE. 92 00:07:10,889 --> 00:07:12,557 IT WOULD BE PLEASANTER 93 00:07:12,599 --> 00:07:15,894 TO LIVE IN IF THE STYLE OF DECOR 94 00:07:15,935 --> 00:07:17,937 WERE MORE MINIMALIST. 95 00:07:17,979 --> 00:07:19,230 DREAMT OF IT BEING 96 00:07:19,272 --> 00:07:20,565 JAPANESE ZEN. 97 00:07:20,607 --> 00:07:22,150 YOU KNOW, BARE BOARDS 98 00:07:22,192 --> 00:07:25,236 AND PAPER SCREENS, 99 00:07:25,278 --> 00:07:27,280 SIMPLE RICE BOWL. 100 00:07:27,322 --> 00:07:28,907 PLEASE SIT DOWN. 101 00:07:28,948 --> 00:07:31,951 BEAUTIFUL REALLY. 102 00:07:33,370 --> 00:07:36,122 BUT TO HAVE ACHIEVED THAT, 103 00:07:36,164 --> 00:07:37,123 I WOULD HAVE HAD TO HAVE 104 00:07:37,165 --> 00:07:40,126 RIPPED ALL OF THIS OUT. 105 00:07:40,168 --> 00:07:41,086 MY POOR, DEAR MOTHER 106 00:07:41,127 --> 00:07:42,003 WOULD HAVE DIED 107 00:07:42,045 --> 00:07:43,838 IF I'D DONE THAT. 108 00:07:43,880 --> 00:07:45,965 NOT THAT SHE DIDN'T. 109 00:07:46,007 --> 00:07:47,967 DIE, THAT IS. 110 00:07:48,009 --> 00:07:49,886 15 YEARS AGO NEXT MONTH. 111 00:07:49,928 --> 00:07:53,056 15 YEARS, GOSH. 112 00:07:53,098 --> 00:07:53,973 I HAVEN'T TOUCHED 113 00:07:54,015 --> 00:07:55,600 ANYTHING REALLY, 114 00:07:55,642 --> 00:07:56,351 WHICH COULD LEAD YOU 115 00:07:56,393 --> 00:07:57,352 TO BELIEVE THAT, 116 00:07:57,394 --> 00:07:58,978 LIKE MY MOTHER, 117 00:07:59,020 --> 00:08:00,897 I, TOO, AM RELUCTANT TO CHANGE, 118 00:08:00,939 --> 00:08:02,315 BUT IT WOULD BE WRONG. 119 00:08:02,357 --> 00:08:05,610 I HAVE INTRODUCED 120 00:08:05,652 --> 00:08:08,279 QUITE A FEW MODERN GEMS, 121 00:08:08,321 --> 00:08:12,617 UH, MOSTLY IN THE KITCHEN. 122 00:08:12,659 --> 00:08:13,910 WOULD YOU BELIEVE THAT I BROUGHT 123 00:08:13,952 --> 00:08:15,286 IN THE FIRST POTATO MASHER? 124 00:08:15,328 --> 00:08:16,955 [chuckles] 125 00:08:16,996 --> 00:08:18,373 25 YEARS AGO. 126 00:08:18,415 --> 00:08:19,290 THEY USED TO MASH POTATOES 127 00:08:19,332 --> 00:08:21,042 WITH A FORK. 128 00:08:21,084 --> 00:08:22,252 THEN, ONE DAY, I FOUND THAT 129 00:08:22,293 --> 00:08:24,004 SO REPULSIVELY OLD-FASHIONED, 130 00:08:24,045 --> 00:08:25,005 I JUST WENT OUT AND BOUGHT 131 00:08:25,046 --> 00:08:27,215 A POTATO MASHER AND... 132 00:08:27,257 --> 00:08:28,299 A COUPLE OF YEARS LATER, 133 00:08:28,341 --> 00:08:30,301 [chuckles] 134 00:08:30,343 --> 00:08:31,177 TA-DA? 135 00:08:31,219 --> 00:08:33,221 A MICROWAVE. 136 00:08:33,263 --> 00:08:34,139 HOW 'BOUT THAT? 137 00:08:34,180 --> 00:08:35,348 - USEFUL. 138 00:08:35,390 --> 00:08:37,642 - HMM. 139 00:08:37,684 --> 00:08:38,643 - NICE PLACE. 140 00:08:38,685 --> 00:08:39,436 - [chuckles] 141 00:08:39,477 --> 00:08:41,187 YOU DON'T SERIOUSLY LIKE IT, 142 00:08:41,229 --> 00:08:42,105 DO YOU? 143 00:08:42,147 --> 00:08:44,357 - [sighs lightly] 144 00:08:44,399 --> 00:08:46,651 - WHY? 145 00:08:46,693 --> 00:08:47,318 - IT HAS A PAST. 146 00:08:47,360 --> 00:08:49,904 - THE PAST IS DEAD. 147 00:08:49,946 --> 00:08:51,197 IT'S BORING. 148 00:08:51,239 --> 00:08:52,073 YOU DON'T SEEM LIKE 149 00:08:52,115 --> 00:08:52,907 THE KIND OF A MAN 150 00:08:52,949 --> 00:08:54,409 WHO WOULD HAVE ALLOWED HIMSELF 151 00:08:54,451 --> 00:08:57,662 TO SUFFER BOREDOM. 152 00:08:57,704 --> 00:08:58,663 - I WISH. 153 00:08:58,705 --> 00:09:00,373 - HMM. 154 00:09:00,415 --> 00:09:02,125 YOU SEE THAT PICTURE BEHIND ME? 155 00:09:02,167 --> 00:09:03,335 [inhales deeply] 156 00:09:03,376 --> 00:09:05,170 SHE WOULD HAVE BEEN PAINTED 157 00:09:05,211 --> 00:09:06,671 PROBABLY AT THE END 158 00:09:06,713 --> 00:09:08,673 OF THE 19TH CENTURY. 159 00:09:08,715 --> 00:09:10,258 SHE WAS MY FIRST LOVE. 160 00:09:10,300 --> 00:09:12,427 [chuckles] 161 00:09:12,469 --> 00:09:14,429 ROCKS A BOY FOR LIFE. 162 00:09:14,471 --> 00:09:17,098 INDULGING ONANISTICALLY 163 00:09:17,140 --> 00:09:18,391 IN FRONT OF THE PAINTING 164 00:09:18,433 --> 00:09:19,684 OF A WOMAN WHO'S BEEN DEAD 165 00:09:19,726 --> 00:09:22,145 FOR OVER 100 YEARS. 166 00:09:22,187 --> 00:09:23,063 LOOK AT HER. 167 00:09:23,104 --> 00:09:24,064 LOOK AT THE DISDAIN, 168 00:09:24,105 --> 00:09:26,066 THE REJECTION. 169 00:09:26,107 --> 00:09:26,941 I USED TO SIT 170 00:09:26,983 --> 00:09:29,069 ON THIS PIANO STOOL 171 00:09:29,110 --> 00:09:31,112 WITH A HANDKERCHIEF. 172 00:09:31,154 --> 00:09:31,863 IS IT ANY WONDER THAT 173 00:09:31,905 --> 00:09:34,157 MY SEXUALLY ACTIVE YEARS 174 00:09:34,199 --> 00:09:35,367 IN THE OUTSIDE WORLD 175 00:09:35,408 --> 00:09:36,451 DIDN'T SHAPE UP TO MUCH. 176 00:09:36,493 --> 00:09:37,911 [sighs deeply] 177 00:09:37,952 --> 00:09:38,453 - DEPENDS WHAT YOU MEAN 178 00:09:38,495 --> 00:09:39,412 BY "SHAPE UP"? 179 00:09:39,454 --> 00:09:40,413 - PHILIP LARKIN 180 00:09:40,455 --> 00:09:41,414 SUMMED IT UP BEST. 181 00:09:41,456 --> 00:09:43,375 HE'S REPUTED TO HAVE SAID 182 00:09:43,416 --> 00:09:45,168 THAT SEXUAL RELATIONS 183 00:09:45,210 --> 00:09:46,002 WERE AKIN TO HAVING 184 00:09:46,044 --> 00:09:47,921 SOMEBODY ELSE BLOW YOUR NOSE. 185 00:09:47,962 --> 00:09:50,090 [chuckles loudly] 186 00:09:50,131 --> 00:09:53,301 FUNNY. 187 00:09:55,303 --> 00:09:56,262 CAN I OFFER YOU A DRINK? 188 00:09:56,304 --> 00:09:57,389 [pills rattling] 189 00:09:57,430 --> 00:09:58,723 OH, GOSH. 190 00:09:58,765 --> 00:10:00,100 I DO APOLOGIZE. 191 00:10:00,141 --> 00:10:01,935 [moans loudly] 192 00:10:01,976 --> 00:10:04,062 THE STUPIDITY OF OLD MEN. 193 00:10:04,104 --> 00:10:05,271 [liquid being poured] 194 00:10:05,313 --> 00:10:08,108 [sighs] 195 00:10:08,149 --> 00:10:09,442 I'M TERRIBLY SORRY. 196 00:10:09,484 --> 00:10:12,153 - HMM. 197 00:10:12,195 --> 00:10:12,946 - YOU DON'T HAVE A LOT 198 00:10:12,987 --> 00:10:15,990 TO SAY FOR YOURSELF, DO YOU? 199 00:10:19,285 --> 00:10:20,161 I'VE ALWAYS WONDERED 200 00:10:20,203 --> 00:10:20,954 WHAT IT WOULD BE LIKE 201 00:10:20,995 --> 00:10:24,457 TO BE YOUR KIND OF PERSONA. 202 00:10:24,499 --> 00:10:26,960 TO BE THE SILENT STRANGER TYPE, 203 00:10:27,002 --> 00:10:27,502 YOU KNOW? 204 00:10:27,544 --> 00:10:29,379 [sighs] 205 00:10:29,421 --> 00:10:30,171 THE FELLOW WHO WALKS 206 00:10:30,213 --> 00:10:31,965 INTO THE BAR, DOESN'T UTTER 207 00:10:32,007 --> 00:10:34,092 A WORD, BUT THE MINUTE HE COMES 208 00:10:34,134 --> 00:10:34,884 THROUGH THE DOOR, 209 00:10:34,926 --> 00:10:35,593 THE MOOD IN THE ENTIRE ROOM 210 00:10:35,635 --> 00:10:38,304 CHANGES DRAMATICALLY. 211 00:10:38,346 --> 00:10:40,348 THE WOMEN GRAB THEIR COMPACTS, 212 00:10:40,390 --> 00:10:42,767 A LITTLE BIT OF LIPSTICK, 213 00:10:42,809 --> 00:10:44,060 CHANGE AN EARRING, 214 00:10:44,102 --> 00:10:45,437 FLICK OF THE HAIR. 215 00:10:45,478 --> 00:10:47,981 IT'S NOT ANYTHING. 216 00:10:48,023 --> 00:10:49,357 IT'S JUST THERE. 217 00:10:49,399 --> 00:10:50,275 BUT HE'S MESSED 218 00:10:50,316 --> 00:10:51,985 WITH THEIR HEADS. 219 00:10:52,027 --> 00:10:53,528 - YOU'VE SEEN TOO MANY MOVIES. 220 00:10:53,570 --> 00:10:54,237 - [chuckles] 221 00:10:54,279 --> 00:10:56,322 NO, I'VE PROBABLY READ 222 00:10:56,364 --> 00:10:58,491 TOO MANY BOOKS. 223 00:10:58,533 --> 00:10:59,784 BUT YOU HAVE TO 224 00:10:59,826 --> 00:11:00,994 INDULGE ME A LITTLE. 225 00:11:01,036 --> 00:11:02,328 THE... 226 00:11:02,370 --> 00:11:03,079 THE EXTENT OF 227 00:11:03,121 --> 00:11:04,247 MY BARROOM EXPERIENCE 228 00:11:04,289 --> 00:11:05,331 IS LIMITED TO ORDERING 229 00:11:05,373 --> 00:11:07,459 A STRAWBERRY MILKSHAKE. 230 00:11:07,500 --> 00:11:08,501 - WELL, I APPRECIATE 231 00:11:08,543 --> 00:11:09,544 YOUR HOSPITALITY. 232 00:11:09,586 --> 00:11:10,253 - A COUPLE OF PILLS 233 00:11:10,295 --> 00:11:12,714 AND A GLASS OF WATER. 234 00:11:15,216 --> 00:11:16,509 HOW'S YOUR HEADACHE? 235 00:11:16,551 --> 00:11:17,552 - I'LL LIVE. 236 00:11:17,594 --> 00:11:20,847 THANK YOU. 237 00:11:27,145 --> 00:11:29,397 [door squeaks] 238 00:11:30,231 --> 00:11:32,275 [door clatters] 239 00:11:35,570 --> 00:11:36,529 [soft classical piano music] 240 00:11:36,571 --> 00:11:46,289 * * 241 00:11:49,125 --> 00:11:53,755 * * 242 00:11:54,172 --> 00:11:56,383 [traffic hums and rumbles] 243 00:11:56,424 --> 00:11:57,384 [brooding atmospheric guitar] 244 00:11:57,425 --> 00:12:05,475 * * 245 00:12:10,897 --> 00:12:18,905 * * 246 00:12:32,127 --> 00:12:33,545 [flicks lighter] 247 00:12:33,586 --> 00:12:34,546 [soft twangy bluegrass guitar] 248 00:12:34,587 --> 00:12:42,804 * * 249 00:12:45,932 --> 00:12:53,940 * * 250 00:13:02,615 --> 00:13:03,575 [soft classical piano music] 251 00:13:03,616 --> 00:13:11,833 * * 252 00:13:13,335 --> 00:13:15,920 [door squeaks] 253 00:13:19,382 --> 00:13:21,843 [door clatters] 254 00:13:23,970 --> 00:13:31,978 * * 255 00:13:37,359 --> 00:13:38,234 - THE HOTEL-- 256 00:13:38,276 --> 00:13:40,195 - IS CLOSED. 257 00:13:40,236 --> 00:13:41,613 AH, YES. 258 00:13:41,654 --> 00:13:45,158 IT ALWAYS IS THIS TIME OF YEAR. 259 00:13:45,200 --> 00:13:47,369 I'LL TAKE YOU TO YOUR ROOM. 260 00:13:52,999 --> 00:13:54,250 [chuckles] 261 00:13:54,292 --> 00:13:55,377 UP THE WOODEN HILL 262 00:13:55,418 --> 00:13:58,421 TO BEDFORDSHIRE. 263 00:13:59,631 --> 00:14:00,298 THESE ARE TWO OF MY 264 00:14:00,340 --> 00:14:04,260 ILLUSTRIOUS FOREBEARS. 265 00:14:04,302 --> 00:14:05,512 THEY WERE BOTH COLONELS 266 00:14:05,553 --> 00:14:07,347 IN THE DRAGOONS 267 00:14:07,389 --> 00:14:09,516 AT THE BATTLE OF YELLOW TAVERN. 268 00:14:09,557 --> 00:14:11,476 HIS REGIMENT WASN'T ENGAGED, 269 00:14:11,518 --> 00:14:13,186 AND, PRIOR TO THAT, 270 00:14:13,228 --> 00:14:13,937 AT GETTYSBURG, 271 00:14:13,978 --> 00:14:15,647 HE WAS IN THE INFIRMARY. 272 00:14:15,689 --> 00:14:16,981 THE DAY BEFORE, 273 00:14:17,023 --> 00:14:17,691 HE HAD CUT HIMSELF 274 00:14:17,732 --> 00:14:19,567 SHARPENING HIS SWORD. 275 00:14:19,609 --> 00:14:20,985 HIS GREAT UNCLE THERE 276 00:14:21,027 --> 00:14:22,445 WAS GUIDING THE SHIPS, 277 00:14:22,487 --> 00:14:24,239 AND HE ARRIVED AT CHESAPEAKE 278 00:14:24,280 --> 00:14:26,199 AFTER IT WAS ALL OVER. 279 00:14:26,241 --> 00:14:27,325 AND THEN HE STOPPED 280 00:14:27,367 --> 00:14:28,326 TO SHOW A GRENADIER 281 00:14:28,368 --> 00:14:31,246 HOW TO COCK HIS CARBINE, 282 00:14:31,287 --> 00:14:32,205 AND HE BLEW THE RIGHT SIDE 283 00:14:32,247 --> 00:14:33,665 OF HIS HEAD OFF-- 284 00:14:33,707 --> 00:14:35,625 HIS HEAD, 285 00:14:35,667 --> 00:14:37,627 NOT THE GRENADIER'S. 286 00:14:37,669 --> 00:14:39,546 NOW, THESE ENGRAVINGS 287 00:14:39,587 --> 00:14:41,339 ARE ALMOST CERTAINLY 288 00:14:41,381 --> 00:14:42,382 TAKEN FROM PAINTINGS 289 00:14:42,424 --> 00:14:44,551 BY JOHN TRUMBULL. 290 00:14:44,592 --> 00:14:47,012 I HAVE TO ADMIT THAT... 291 00:14:47,053 --> 00:14:49,222 THAT I FEEL A CERTAIN EMPATHY 292 00:14:49,264 --> 00:14:51,224 TOWARDS THOSE TWO CHARACTERS, 293 00:14:51,266 --> 00:14:54,561 LUDICROUS THOUGH THEY MAY BE. 294 00:14:54,602 --> 00:14:55,228 MY GRANDMOTHER SAID 295 00:14:55,270 --> 00:14:56,730 THAT I WAS LIKE THEM. 296 00:14:56,771 --> 00:15:00,734 AND I--I THINK THE DEAR WOMAN 297 00:15:00,775 --> 00:15:02,694 WAS PROBABLY RIGHT, 298 00:15:02,736 --> 00:15:04,237 BECAUSE, LIKE THEM, 299 00:15:04,279 --> 00:15:05,572 I SEEM TO HAVE 300 00:15:05,613 --> 00:15:07,532 AN UNCANNY ABILITY TO... 301 00:15:07,574 --> 00:15:08,575 [sighs] 302 00:15:08,616 --> 00:15:10,410 MISS OUT ON 303 00:15:10,452 --> 00:15:11,786 ALL OF THE POSSIBLE HIGHLIGHTS 304 00:15:11,828 --> 00:15:14,247 OF MY LIFE. 305 00:15:14,289 --> 00:15:16,291 I-I-I'VE MANAGED TO OPT OUT 306 00:15:16,332 --> 00:15:17,709 OF EVERYTHING: 307 00:15:17,751 --> 00:15:20,253 EVERY--EVERY OPPORTUNITY, 308 00:15:20,295 --> 00:15:21,546 EVERY ENGAGEMENT, 309 00:15:21,588 --> 00:15:22,464 EVERY CHALLENGE, 310 00:15:22,505 --> 00:15:23,381 EVERYTHING. 311 00:15:23,423 --> 00:15:24,299 [sighs heavily] 312 00:15:24,341 --> 00:15:25,091 - IS IT OKAY 313 00:15:25,133 --> 00:15:25,800 IF I STAY THROUGH FRIDAY? 314 00:15:25,842 --> 00:15:26,343 - OH, STAY--STAY AS LONG 315 00:15:26,384 --> 00:15:26,968 AS YOU LIKE. 316 00:15:27,010 --> 00:15:27,761 ABSOLUTELY, YEAH. 317 00:15:27,802 --> 00:15:29,679 THROUGH FRIDAY IS PERFECT. 318 00:15:29,721 --> 00:15:30,764 I, UH... 319 00:15:30,805 --> 00:15:32,599 I'M GOING TO BE 320 00:15:32,640 --> 00:15:34,059 OTHERWISE ENGAGED 321 00:15:34,100 --> 00:15:35,685 ON SATURDAY MORNING. 322 00:15:35,727 --> 00:15:37,354 AND ANYWAY, 323 00:15:37,395 --> 00:15:39,647 THE TOILET'S DOWN THERE. 324 00:15:39,689 --> 00:15:41,066 THE EXTRA BLANKETS 325 00:15:41,107 --> 00:15:42,359 ARE IN THE WARDROBE. 326 00:15:42,400 --> 00:15:44,069 UH, THERE'S THIS ROOM. 327 00:15:44,110 --> 00:15:45,445 THERE ARE FOUR OTHER BEDROOMS, 328 00:15:45,487 --> 00:15:47,072 AND, UH, YOU'RE WELCOME 329 00:15:47,113 --> 00:15:47,906 TO STAY IN ANY ONE, 330 00:15:47,947 --> 00:15:49,449 BUT THE ADVANTAGE OF THIS ONE 331 00:15:49,491 --> 00:15:51,451 IS THAT THE ROOF ABOVE IT 332 00:15:51,493 --> 00:15:53,453 IS INTACT, SO, IF IT RAINS, 333 00:15:53,495 --> 00:15:54,829 YOU DON'T GET WET. 334 00:15:54,871 --> 00:15:57,624 - IT'S FINE, THANK YOU. 335 00:15:57,665 --> 00:15:58,792 - I'LL LEAVE YOU TO IT. 336 00:15:58,833 --> 00:16:02,462 IF YOU NEED ANYTHING, UH, 337 00:16:02,504 --> 00:16:03,755 JUST CALL, LET ME KNOW. 338 00:16:03,797 --> 00:16:04,506 OKAY? 339 00:16:04,547 --> 00:16:08,093 WOULD YOU LIKE A NIGHTCAP? 340 00:16:08,134 --> 00:16:09,386 - NOT FOR ME. 341 00:16:09,427 --> 00:16:10,512 - I'VE ALWAYS THOUGHT 342 00:16:10,553 --> 00:16:13,473 I'D LIKE TO TAKE TO HARD LIQUOR. 343 00:16:13,515 --> 00:16:14,516 THERE'S SOMETHING POETIC 344 00:16:14,557 --> 00:16:17,394 ABOUT DRINKING TO EXCESS. 345 00:16:17,435 --> 00:16:18,687 YOU KNOW, BRENDAN BEHAN, 346 00:16:18,728 --> 00:16:20,480 DYLAN THOMAS. 347 00:16:20,522 --> 00:16:23,733 BUT AFTER I HAVE A SIP OR TWO, 348 00:16:23,775 --> 00:16:24,567 I HAVE TO STOP. 349 00:16:24,609 --> 00:16:26,778 I HAVE THE MOST EXTRAORDINARY 350 00:16:26,820 --> 00:16:27,570 HEARTBURN. 351 00:16:27,612 --> 00:16:28,780 IT'S--IT'S--IT'S AGONIZING. 352 00:16:28,822 --> 00:16:30,115 - GOOD NIGHT. 353 00:16:30,156 --> 00:16:32,117 - GOOD NIGHT, YEAH. 354 00:16:32,158 --> 00:16:32,909 WE CAN HAVE SUPPER 355 00:16:32,951 --> 00:16:34,661 TOMORROW NIGHT, IF YOU LIKE. 356 00:16:34,703 --> 00:16:36,705 [door clatters] 357 00:16:41,376 --> 00:16:41,876 - [sighs] 358 00:16:41,918 --> 00:16:43,503 - OH, MY. 359 00:16:43,545 --> 00:16:45,547 [chuckles] 360 00:16:46,715 --> 00:16:48,717 HMM. 361 00:16:48,758 --> 00:16:50,844 HMM. 362 00:16:50,885 --> 00:16:53,763 * DOO-DO-DOO-DO-DOO * 363 00:16:53,805 --> 00:16:54,806 * DO-DO-DO-DO-DO * 364 00:16:54,848 --> 00:16:56,850 * DO-DO-DO-DO-DO * 365 00:16:56,891 --> 00:16:57,600 * HUP! * 366 00:16:57,642 --> 00:17:00,770 * BOO-BAH-DO-DO * 367 00:17:00,812 --> 00:17:03,064 - [sighs] 368 00:17:08,737 --> 00:17:09,696 [brooding atmospheric guitar] 369 00:17:09,738 --> 00:17:16,745 * * 370 00:17:17,746 --> 00:17:19,789 [zipper opening] 371 00:17:20,582 --> 00:17:32,594 * * 372 00:18:19,849 --> 00:18:26,564 * * 373 00:18:39,536 --> 00:18:40,704 - HI. 374 00:18:40,745 --> 00:18:41,788 HUH. 375 00:18:41,830 --> 00:18:43,540 IT'S RARE THAT I HAVE 376 00:18:43,581 --> 00:18:45,250 THE INCLINATION, BUT, 377 00:18:45,291 --> 00:18:46,751 YOUR BEING HERE-- 378 00:18:46,793 --> 00:18:48,628 I-I'M SUPPOSED TO DO IT, 379 00:18:48,670 --> 00:18:50,255 DOCTORS SAY THAT I SHOULD, 380 00:18:50,296 --> 00:18:52,882 BUT, MOSTLY, I JUST CAN'T. 381 00:18:52,924 --> 00:18:55,802 IT'S SO BORING. 382 00:18:55,844 --> 00:18:56,928 [inhales deeply] 383 00:18:56,970 --> 00:18:57,804 - NO HARM, I GUESS. 384 00:18:57,846 --> 00:18:58,888 - NOT MUCH POINT 385 00:18:58,930 --> 00:18:59,973 EITHER, ACTUALLY. 386 00:19:00,015 --> 00:19:01,599 [chuckles] 387 00:19:01,641 --> 00:19:05,270 WHAT I DO IN MY DAILY ACTIVITIES 388 00:19:05,311 --> 00:19:06,646 IS EQUIVALENT 389 00:19:06,688 --> 00:19:08,898 TO A SPORTING EVENT. 390 00:19:08,940 --> 00:19:09,816 RUNNING TO CATCH A BUS 391 00:19:09,858 --> 00:19:12,277 IS A MARATHON. 392 00:19:12,318 --> 00:19:13,528 BEND OVER TO TIE YOUR SHOES, 393 00:19:13,570 --> 00:19:15,488 YOU'RE DOING GYMNASTICS. 394 00:19:15,530 --> 00:19:17,532 JUST CLIMBING THE STAIRS 395 00:19:17,574 --> 00:19:19,659 TAKES AN EFFORT OUT OF ME 396 00:19:19,701 --> 00:19:20,827 THAT I'M SURE IS 397 00:19:20,869 --> 00:19:22,620 WHAT IT WOULD TAKE OUT OF YOU 398 00:19:22,662 --> 00:19:26,750 TO SCALE THE FACE OF A CLIFF. 399 00:19:26,791 --> 00:19:27,959 YOU--YOU WORK OUT 400 00:19:28,001 --> 00:19:28,960 REGULARLY, RIGHT? 401 00:19:29,002 --> 00:19:31,671 - NEVER. 402 00:19:31,713 --> 00:19:33,298 - DID YOU SLEEP ALL RIGHT? 403 00:19:33,340 --> 00:19:34,507 - SEE YOU LATER. 404 00:19:34,549 --> 00:19:36,509 - YEAH, OKAY. 405 00:19:36,551 --> 00:19:39,304 [gasps lightly] 406 00:19:47,979 --> 00:19:49,522 [engine turning over] 407 00:19:49,564 --> 00:19:52,233 [footsteps] 408 00:20:00,617 --> 00:20:01,576 [atmospheric music] 409 00:20:01,618 --> 00:20:09,626 * * 410 00:20:15,757 --> 00:20:18,760 [engine revving] 411 00:20:20,095 --> 00:20:23,264 [tires squealing] 412 00:20:27,060 --> 00:20:29,270 [car door opens] 413 00:20:39,906 --> 00:20:40,740 - COME. 414 00:20:40,782 --> 00:20:42,867 THIS IS SADO. 415 00:20:47,622 --> 00:20:49,666 - HEY. 416 00:20:52,794 --> 00:20:54,629 - YEAH, DON'T WORRY ABOUT IT. 417 00:20:54,671 --> 00:20:56,047 I-I'LL EXPLAIN LATER. 418 00:20:56,089 --> 00:20:56,923 - I'M WORRIED ALREADY. 419 00:20:56,965 --> 00:21:01,761 EXPLAIN NOW. 420 00:21:01,803 --> 00:21:03,096 - HE ONLY SPEAKS ONCE A DAY. 421 00:21:03,138 --> 00:21:05,598 10:30 SHARP EVERY MORNING. 422 00:21:05,640 --> 00:21:08,309 - [sighs] 423 00:21:10,437 --> 00:21:11,146 OKAY, CAN HE DRIVE? 424 00:21:11,187 --> 00:21:12,647 - HE IS SHIT HOT. 425 00:21:12,689 --> 00:21:14,816 YES, ACES. 426 00:21:22,198 --> 00:21:23,783 - YOU SPREAD OUT A LITTLE. 427 00:21:23,825 --> 00:21:25,994 - WELL, LIFE MOVES ON. 428 00:21:26,036 --> 00:21:29,122 UM, LOCO DOES NOT GET IN 429 00:21:29,164 --> 00:21:29,789 TILL TOMORROW. 430 00:21:29,831 --> 00:21:32,876 - THAT'S SO FUCKED UP. 431 00:21:33,209 --> 00:21:35,420 [engine revving] 432 00:21:35,462 --> 00:21:37,464 [gravel crunching] 433 00:21:39,174 --> 00:21:42,052 [thunder rumbling] 434 00:21:43,678 --> 00:21:44,637 - "IN KYOTO 435 00:21:44,679 --> 00:21:46,639 WHERE IS THE HEIAN SHRINE 436 00:21:46,681 --> 00:21:47,807 WHEN SPRING REFLECTS UPON 437 00:21:47,849 --> 00:21:48,975 FULL OF PLENTIFUL 438 00:21:49,017 --> 00:21:50,977 CHERRY BLOSSOMS, 439 00:21:51,019 --> 00:21:53,980 BEWARE THE SWEETNESS OF THINGS." 440 00:21:54,022 --> 00:21:56,024 SO WHAT IS AT QUESTION HERE? 441 00:22:02,197 --> 00:22:03,031 WHY DID THE POET 442 00:22:03,073 --> 00:22:04,449 WRITE THIS POEM? 443 00:22:04,491 --> 00:22:06,493 WHAT LINE REVEALS THAT? 444 00:22:07,077 --> 00:22:08,203 - MM. 445 00:22:08,244 --> 00:22:10,663 IN KYOTO, WHERE IS 446 00:22:10,705 --> 00:22:12,707 THE HEIAN SHRINE? 447 00:22:12,749 --> 00:22:13,708 - SURELY NOTHING 448 00:22:13,750 --> 00:22:14,376 COULD BE CLEARER. 449 00:22:14,417 --> 00:22:15,835 THAT'S LIKE SAYING, 450 00:22:15,877 --> 00:22:16,711 "IN NEW YORK 451 00:22:16,753 --> 00:22:18,046 WHERE IS THE STATUE OF LIBERTY." 452 00:22:18,088 --> 00:22:19,089 IN KYOTO, 453 00:22:19,130 --> 00:22:21,466 WHERE IS THE HEIAN SHRINE. 454 00:22:21,508 --> 00:22:22,175 THE--THE POET 455 00:22:22,217 --> 00:22:23,218 IS PLACING THE POEM, 456 00:22:23,259 --> 00:22:26,012 GIVING IT CONTEXT. 457 00:22:26,054 --> 00:22:28,014 - BUT HE'S ASKING THE QUESTION. 458 00:22:28,056 --> 00:22:29,683 - WHAT QUESTION? 459 00:22:29,724 --> 00:22:32,060 - WHERE THE HEIAN SHRINE IS. 460 00:22:33,895 --> 00:22:34,688 - NO, NO, NO. 461 00:22:34,729 --> 00:22:36,147 THE HEIAN SHRINE IS IN KYOTO, 462 00:22:36,189 --> 00:22:37,691 AND THE POET STATES THAT. 463 00:22:37,732 --> 00:22:39,484 - YES, BUT WHERE IN KYOTO? 464 00:22:39,526 --> 00:22:41,152 IF I SAY, "IN NEW YORK 465 00:22:41,194 --> 00:22:42,696 WHERE IS THE STATUE OF LIBERTY," 466 00:22:42,737 --> 00:22:43,697 IT MEANS THAT I KNOW 467 00:22:43,738 --> 00:22:44,572 IT'S IN NEW YORK, 468 00:22:44,614 --> 00:22:47,784 BUT I DON'T KNOW EXACTLY WHERE. 469 00:22:47,826 --> 00:22:49,744 IN ELLIS ISLAND, 470 00:22:49,786 --> 00:22:50,453 THE HUDSON RIVER. 471 00:22:50,495 --> 00:22:52,205 - OKAY, BUT IF IT WERE 472 00:22:52,247 --> 00:22:53,206 A QUESTION, THERE WOULD BE 473 00:22:53,248 --> 00:22:54,874 A QUESTION MARK. 474 00:22:54,916 --> 00:22:57,419 IS THERE A QUESTION MARK THERE? 475 00:23:07,554 --> 00:23:08,221 - MM, THEY LEFT IT OUT. 476 00:23:08,263 --> 00:23:10,056 - [chuckles] 477 00:23:10,098 --> 00:23:11,057 SORRY. 478 00:23:11,099 --> 00:23:12,892 NO, IT WAS-- 479 00:23:12,934 --> 00:23:15,937 IT WAS LEFT OUT BECAUSE IT IS 480 00:23:15,979 --> 00:23:17,772 NOT AN INTERROGATIVE STATEMENT. 481 00:23:17,814 --> 00:23:18,440 I DON'T KNOW WHICH OF US 482 00:23:18,481 --> 00:23:19,899 IS THE MORE OBTUSE: 483 00:23:19,941 --> 00:23:21,234 YOU, WHO SEEK QUESTIONS 484 00:23:21,276 --> 00:23:22,861 WHEN THERE ARE ONLY ANSWERS 485 00:23:22,902 --> 00:23:23,611 TO BE SEEN 486 00:23:23,653 --> 00:23:26,990 OR ME, WHO SEEKS AN ANSWER 487 00:23:27,032 --> 00:23:27,907 WHEN THERE MAY NOT EVEN 488 00:23:27,949 --> 00:23:28,616 BE A QUESTION. 489 00:23:28,658 --> 00:23:30,035 ANYWAY, WE'LL PICK IT UP 490 00:23:30,076 --> 00:23:30,785 NEXT WEDNESDAY. 491 00:23:30,827 --> 00:23:32,287 THINK ABOUT IT, ALL RIGHT? 492 00:23:32,328 --> 00:23:33,204 THINK ABOUT IT. 493 00:23:33,246 --> 00:23:34,539 DON'T ASK ANYBODY. 494 00:23:34,581 --> 00:23:36,082 JUST THINK ABOUT IT. 495 00:23:36,124 --> 00:23:38,001 MAKE SURE YOUR HENRY JAMES 496 00:23:38,043 --> 00:23:38,918 IS PREPARED FOR FRIDAY, 497 00:23:38,960 --> 00:23:39,794 WILL YOU? 498 00:23:39,836 --> 00:23:40,920 OH, I HAVE-- 499 00:23:40,962 --> 00:23:42,756 I HAVE AN INTERESTING ANECDOTE 500 00:23:42,797 --> 00:23:43,757 ABOUT HENRY JAMES. 501 00:23:43,798 --> 00:23:45,091 HE WAS THE MENTOR 502 00:23:45,133 --> 00:23:46,926 OF THE NOVELIST EDITH WHARTON, 503 00:23:46,968 --> 00:23:48,762 AND BEFORE HE WENT TO ENGLAND, 504 00:23:48,803 --> 00:23:49,929 HE WARNED HER 505 00:23:49,971 --> 00:23:51,222 ABOUT THE AMERICAN PUBLIC, 506 00:23:51,264 --> 00:23:52,182 THE READING PUBLIC. 507 00:23:52,223 --> 00:23:55,060 AND HE SAID THAT 508 00:23:55,101 --> 00:23:56,978 "THE AMERICANS LOVE A TRAGEDY 509 00:23:57,020 --> 00:23:59,606 WITH A HAPPY ENDING." 510 00:24:03,610 --> 00:24:05,236 I'LL SEE YOU FRIDAY. 511 00:24:05,278 --> 00:24:07,113 [rustling] 512 00:24:07,155 --> 00:24:10,158 [footsteps] 513 00:24:11,910 --> 00:24:13,787 [sighs] 514 00:24:13,828 --> 00:24:15,997 [groans] OH, GOD. 515 00:24:23,630 --> 00:24:24,297 [door clatters] 516 00:24:24,339 --> 00:24:25,965 - BEWARE THE SWEETNESS 517 00:24:26,007 --> 00:24:28,968 OF THINGS. 518 00:24:29,010 --> 00:24:30,845 - SORRY? 519 00:24:30,887 --> 00:24:32,138 - BEWARE THE SWEETNESS 520 00:24:32,180 --> 00:24:33,306 OF THINGS. 521 00:24:33,348 --> 00:24:34,265 ISN'T THAT THE ANSWER 522 00:24:34,307 --> 00:24:36,142 YOU WANTED? 523 00:24:36,184 --> 00:24:39,813 - [chuckles] 524 00:24:39,854 --> 00:24:40,647 - WHAT'S WRONG 525 00:24:40,689 --> 00:24:42,816 WITH THE SWEETNESS OF THINGS? 526 00:24:42,857 --> 00:24:43,942 - WELL, ONE COULD GET 527 00:24:43,983 --> 00:24:45,985 USED TO IT, COULDN'T ONE? 528 00:24:46,027 --> 00:24:48,071 - WERE YOU A GOOD TEACHER? 529 00:24:48,113 --> 00:24:49,155 - NOT ONE OF THEM 530 00:24:49,197 --> 00:24:51,825 WAS MOLESTED IN 40 YEARS. 531 00:24:51,866 --> 00:24:52,617 - CONGRATULATIONS. 532 00:24:52,659 --> 00:24:54,994 - THANK YOU. 533 00:24:55,036 --> 00:24:56,913 I'VE PREPARED THE FIXINGS 534 00:24:56,955 --> 00:24:57,831 FOR AN OMELET 535 00:24:57,872 --> 00:25:00,000 OF MY OWN INVENTION. 536 00:25:00,041 --> 00:25:02,043 COME ON. 537 00:25:07,215 --> 00:25:10,010 - [gulps] 538 00:25:14,931 --> 00:25:18,643 - [sips] 539 00:25:18,685 --> 00:25:21,229 [belches] 540 00:25:21,271 --> 00:25:23,023 OHH. 541 00:25:23,064 --> 00:25:25,650 IT'S INSTANTANEOUS. 542 00:25:25,692 --> 00:25:28,111 THE HEARTBURN IS... 543 00:25:29,029 --> 00:25:30,864 [moans] 544 00:25:30,905 --> 00:25:31,865 - IT'S JUST YOU DON'T KNOW 545 00:25:31,906 --> 00:25:32,949 HOW TO DO IT. 546 00:25:32,991 --> 00:25:35,869 - THERE'S A SKILL? 547 00:25:35,910 --> 00:25:37,328 - IMAGINE YOU'RE THIRSTY. 548 00:25:37,370 --> 00:25:41,207 - HUH. OKAY. 549 00:25:41,249 --> 00:25:43,335 - TAKE A GOOD MOUTHFUL. 550 00:25:45,128 --> 00:25:47,922 - [sips] 551 00:25:49,090 --> 00:25:50,884 - TASTE IT. 552 00:25:50,925 --> 00:25:54,054 - [gulps] 553 00:25:54,095 --> 00:25:56,181 - SWALLOW. 554 00:25:56,222 --> 00:25:58,350 - [gulps] 555 00:25:58,391 --> 00:26:00,060 [sucking in air sharply] 556 00:26:00,101 --> 00:26:01,144 OHH. 557 00:26:01,186 --> 00:26:04,064 - HOW DOES THAT FEEL? 558 00:26:04,105 --> 00:26:06,691 - GOOD. 559 00:26:06,733 --> 00:26:09,277 OH-HO. 560 00:26:12,947 --> 00:26:13,948 [chuckles] 561 00:26:13,990 --> 00:26:15,325 - CAN I ASK YOU SOMETHING? 562 00:26:15,367 --> 00:26:18,078 - YES. 563 00:26:19,412 --> 00:26:20,246 - COULD YOU LEND ME 564 00:26:20,288 --> 00:26:22,999 SOME SLIPPERS? 565 00:26:30,423 --> 00:26:32,133 - WELL? 566 00:26:32,175 --> 00:26:33,259 - I'VE WASTED MY LIFE. 567 00:26:33,301 --> 00:26:34,260 - [chuckles] 568 00:26:34,302 --> 00:26:35,095 OKAY. 569 00:26:35,136 --> 00:26:35,970 OH, JUST WAIT. 570 00:26:36,012 --> 00:26:37,389 OH, THESE AREN'T BROKEN IN YET. 571 00:26:37,430 --> 00:26:38,306 THEY'RE BRAND-NEW. 572 00:26:38,348 --> 00:26:39,432 THEY'RE SPARES 573 00:26:39,474 --> 00:26:40,934 THAT I WAS KEEPING ASIDE FOR 574 00:26:40,975 --> 00:26:41,935 WHEN MINE ARE 575 00:26:41,976 --> 00:26:44,104 COMPLETELY WORN OUT. 576 00:26:44,145 --> 00:26:44,979 THE IDEAL SLIPPER, 577 00:26:45,021 --> 00:26:47,982 FOR IT TO BE REALLY COMFORTABLE, 578 00:26:48,024 --> 00:26:50,402 IS ALMOST WORN OUT. 579 00:26:50,443 --> 00:26:52,987 TRY WALKING IN THEM. 580 00:26:59,160 --> 00:27:00,161 NO, NO, NO, NO, NO. 581 00:27:00,203 --> 00:27:02,080 YOU HAVE TO DRAG ALONG, 582 00:27:02,122 --> 00:27:04,457 SCUFFLE YOUR FEET, 583 00:27:04,499 --> 00:27:07,419 LET THE HEEL DROP FREE. 584 00:27:07,460 --> 00:27:11,339 THINK JAPANESE GEISHA. 585 00:27:14,509 --> 00:27:15,760 [chuckles] 586 00:27:15,802 --> 00:27:18,138 YOU JUST HAVE TO PRACTICE. 587 00:27:18,179 --> 00:27:20,473 YOU MUST KEEP THEM. 588 00:27:20,515 --> 00:27:22,350 HOW NICE TO GIVE YOU A GIFT, 589 00:27:22,392 --> 00:27:25,145 TO GIVE YOU A PIECE OF MY LIFE. 590 00:27:25,186 --> 00:27:25,854 I MEAN, SOME OTHER DAY, 591 00:27:25,895 --> 00:27:27,480 MAYBE YOU'LL BE ABLE TO 592 00:27:27,522 --> 00:27:28,398 THINK OF SOMETHING FOR ME, 593 00:27:28,440 --> 00:27:29,232 OR MAYBE NOT. 594 00:27:29,274 --> 00:27:31,526 I MEAN, NOTHING FROM YOUR LIFE 595 00:27:31,568 --> 00:27:34,988 WOULD SUIT ME REALLY, WOULD IT? 596 00:27:35,030 --> 00:27:36,322 DO YOU HAVE A TATTOO? 597 00:27:36,364 --> 00:27:38,783 - WHY? 598 00:27:38,825 --> 00:27:39,576 - OH, I DON'T KNOW, 599 00:27:39,617 --> 00:27:40,326 I WAS THINKING THAT IF I HAD 600 00:27:40,368 --> 00:27:42,996 BEEN YOU, I WOULD HAVE HAD 601 00:27:43,038 --> 00:27:45,248 A TATTOO. 602 00:27:45,290 --> 00:27:48,335 YOU KNOW, UH, AN EAGLE 603 00:27:48,376 --> 00:27:50,337 OR A DRAGON. 604 00:27:50,378 --> 00:27:52,422 A TATTOO... 605 00:27:52,464 --> 00:27:54,466 WELL, WE DECORATE 606 00:27:54,507 --> 00:27:55,467 THE THINGS WE LOVE, RIGHT? 607 00:27:55,508 --> 00:27:56,426 BUT, OF COURSE, I MEAN, 608 00:27:56,468 --> 00:27:57,218 IF IT WERE SOMEBODY E-- 609 00:27:57,260 --> 00:27:58,511 I MEAN, IT WOULD BE A JOKE. 610 00:27:58,553 --> 00:28:00,347 I MEAN, A ROARING LION 611 00:28:00,388 --> 00:28:02,349 ON A PUNY BICEP. 612 00:28:02,390 --> 00:28:04,768 IT WOULD BE... 613 00:28:08,063 --> 00:28:08,688 WOULD YOU LIKE TO SIT 614 00:28:08,730 --> 00:28:12,192 IN THE CONSERVATORY? 615 00:28:12,233 --> 00:28:15,362 I HAVE A CONSERVATORY. 616 00:28:15,403 --> 00:28:18,114 YOU KNOW, A VERANDA, A PORCH, 617 00:28:18,156 --> 00:28:19,324 A STOOP. 618 00:28:19,366 --> 00:28:21,409 [chuckles] 619 00:28:21,868 --> 00:28:23,036 [beautiful classical piano] 620 00:28:23,078 --> 00:28:26,498 * * 621 00:28:26,539 --> 00:28:28,541 HMM. 622 00:28:28,583 --> 00:28:30,377 SPARE ME YOUR REFLECTIONS 623 00:28:30,418 --> 00:28:31,586 ON INFINITY. 624 00:28:31,628 --> 00:28:33,505 [breathes heavily] 625 00:28:33,546 --> 00:28:35,548 - WHAT? 626 00:28:35,590 --> 00:28:37,300 - OH, EVERY TIME 627 00:28:37,342 --> 00:28:38,343 ANYBODY COMES OUT HERE, 628 00:28:38,385 --> 00:28:40,095 THEY START BABBLING 629 00:28:40,136 --> 00:28:42,055 ABOUT THE COSMOS. 630 00:28:42,097 --> 00:28:43,306 AND I THINK I LACK 631 00:28:43,348 --> 00:28:45,558 A COSMIC SENSIBILITY. 632 00:28:45,600 --> 00:28:48,186 STARS LEAVE ME COLD. 633 00:28:51,231 --> 00:28:52,232 - THEY SAY WE HAVE 634 00:28:52,273 --> 00:28:54,109 ONE FOR EACH OF US. 635 00:28:54,150 --> 00:28:55,610 - THEY DO? 636 00:28:55,652 --> 00:28:56,569 WHAT'S THAT? 637 00:28:56,611 --> 00:28:57,278 SOME FANCY 638 00:28:57,320 --> 00:29:01,241 NATIVE AMERICAN LEGEND? 639 00:29:01,282 --> 00:29:02,534 - NO. 640 00:29:02,575 --> 00:29:05,370 ORDINARY OLD WIVES' TALE. 641 00:29:05,412 --> 00:29:08,248 - [chuckles] 642 00:29:08,289 --> 00:29:09,416 - SO WHAT'S UP 643 00:29:09,457 --> 00:29:12,252 WITH SATURDAY MORNING? 644 00:29:12,293 --> 00:29:14,087 - SATURDAY MORNING, ME? 645 00:29:14,129 --> 00:29:16,131 OH, UM, NOTHING REALLY. 646 00:29:16,172 --> 00:29:17,424 JUST A CHECK-UP. 647 00:29:17,465 --> 00:29:20,552 MORE OF A TUNE-UP ACTUALLY. 648 00:29:20,593 --> 00:29:21,886 I'M GONNA GET OUT THE SCISSORS, 649 00:29:21,928 --> 00:29:25,098 YOU KNOW, SNIP, SNIP, BINGO. 650 00:29:25,140 --> 00:29:26,349 THAT'S WHAT THEY DO THESE DAYS. 651 00:29:26,391 --> 00:29:27,559 THEY SEE A LITTLE BLIP 652 00:29:27,600 --> 00:29:30,228 ON THE OLD ECT, AND THEY 653 00:29:30,270 --> 00:29:33,356 HAUL YOU IN FOR A TUNE-UP, 654 00:29:33,398 --> 00:29:35,859 FOR REPAIRS. 655 00:29:40,655 --> 00:29:41,573 - DON'T LIKE TO TALK 656 00:29:41,614 --> 00:29:43,616 ABOUT IT, HUH? 657 00:29:43,658 --> 00:29:44,659 - ME? 658 00:29:44,701 --> 00:29:46,369 NO, NOT MUCH. 659 00:29:46,411 --> 00:29:48,913 NO. 660 00:29:50,623 --> 00:29:51,916 [brooding atmospheric guitar] 661 00:29:51,958 --> 00:29:57,922 * * 662 00:29:57,964 --> 00:30:00,967 [ragged breathing] 663 00:30:09,976 --> 00:30:12,937 - PROFESSOR? 664 00:30:12,979 --> 00:30:14,147 - YES. 665 00:30:14,189 --> 00:30:15,607 - YOU HAVE A SCAN SCHEDULED? 666 00:30:15,648 --> 00:30:16,608 - YES. 667 00:30:16,649 --> 00:30:19,361 - FOLLOW ME, PLEASE, SIR. 668 00:30:20,236 --> 00:30:21,321 [brooding atmospheric guitar] 669 00:30:21,363 --> 00:30:30,997 * * 670 00:30:42,634 --> 00:30:43,510 [flicking lighter] 671 00:30:43,551 --> 00:30:45,512 - IT--IT--IT WAS LIKE NOTHING. 672 00:30:45,553 --> 00:30:46,680 ANY IDIOT COULD HAVE WALKED IN 673 00:30:46,721 --> 00:30:49,432 OR OUT WITH HIS EYES SHUT. 674 00:30:49,474 --> 00:30:51,518 BUT--BUT I--I COPPED TWO YEARS, 675 00:30:51,559 --> 00:30:52,477 AND THEN, 676 00:30:52,519 --> 00:30:53,478 WHEN THEY PUT ME INSIDE, 677 00:30:53,520 --> 00:30:54,521 WERE THEY WAITING FOR ME, 678 00:30:54,562 --> 00:30:55,397 OR WHAT? 679 00:30:55,438 --> 00:30:57,899 YES, MOTHERFUCKERS. 680 00:30:59,401 --> 00:31:00,694 I HAD NO ONE THERE, NO FRIENDS. 681 00:31:00,735 --> 00:31:02,362 NO ONE. 682 00:31:02,404 --> 00:31:03,113 THANK CHRIST 683 00:31:03,154 --> 00:31:05,365 I GOT THIS EARLY PAROLE 684 00:31:05,407 --> 00:31:06,199 ON ACCOUNT OF-- 685 00:31:06,241 --> 00:31:09,244 ARE YOU EVEN LISTENING TO ME? 686 00:31:11,037 --> 00:31:14,249 - NO. 687 00:31:14,290 --> 00:31:17,377 - REVENGE IS THE JUSTICE 688 00:31:17,419 --> 00:31:19,921 OF WOE. 689 00:31:21,423 --> 00:31:22,716 - 10:30. 690 00:31:22,757 --> 00:31:25,510 WEIRD, NO? 691 00:31:26,761 --> 00:31:27,762 - HAS HE TAKEN A VOW, 692 00:31:27,804 --> 00:31:30,265 OR IS HE JUST WACKO? 693 00:31:30,306 --> 00:31:31,641 - HE HAS BEEN THIS WAY 694 00:31:31,683 --> 00:31:33,935 SINCE HIS WIFE LEFT HIM. 695 00:31:35,770 --> 00:31:37,230 - WHEN WAS THAT? 696 00:31:37,272 --> 00:31:39,607 - SEVEN YEARS BACK. 697 00:31:44,612 --> 00:31:46,281 - NOT THIS TIME. 698 00:31:46,322 --> 00:31:47,282 I'M CALLING IT OFF. 699 00:31:47,323 --> 00:31:48,158 - WHAT? 700 00:31:48,199 --> 00:31:51,327 BUT IT'S A CINCH, LIKE YOU SAID. 701 00:31:51,369 --> 00:31:53,496 - LOCO'S NOT HERE. 702 00:31:53,538 --> 00:31:54,497 I WOULDN'T TRUST MY LIFE 703 00:31:54,539 --> 00:31:55,623 WITH WACKO THERE. 704 00:31:55,665 --> 00:31:57,250 YOU'RE WAY OUT OF SHAPE. 705 00:31:57,292 --> 00:31:58,418 THAT'S MORE THAN ENOUGH REASON. 706 00:31:58,460 --> 00:32:00,045 - WHAT? ARE YOU KIDDING? 707 00:32:00,086 --> 00:32:01,713 BUT WE'VE DONE TOTALLY TOUGHER 708 00:32:01,755 --> 00:32:04,799 JOBS THAN THIS OVER AND OVER. 709 00:32:04,841 --> 00:32:07,677 - IT JUST DOESN'T FEEL RIGHT. 710 00:32:07,719 --> 00:32:08,470 - IF YOU'LL NOT DO IT, 711 00:32:08,511 --> 00:32:11,097 THEN I WILL DO IT ON MY OWN. 712 00:32:12,766 --> 00:32:15,101 CHRIST, I NEED THE CASH. 713 00:32:19,481 --> 00:32:21,399 [engine turning over] 714 00:32:21,441 --> 00:32:23,985 [engine revving] 715 00:32:24,444 --> 00:32:25,403 [brooding atmospheric guitar] 716 00:32:25,445 --> 00:32:33,453 * * 717 00:32:43,463 --> 00:32:44,381 - HEY, HOW ARE YOU? 718 00:32:44,422 --> 00:32:45,423 - HOW ARE YOU? 719 00:32:45,465 --> 00:32:47,467 - I'M GOOD. 720 00:32:48,510 --> 00:32:49,844 - THIS IS A STICK-UP, 721 00:32:49,886 --> 00:32:50,762 FREEZE WHERE YOU ARE. 722 00:32:50,804 --> 00:32:53,306 [chuckles] 723 00:32:53,348 --> 00:32:54,432 - WE CAN'T GO ON 724 00:32:54,474 --> 00:32:55,141 MEETING LIKE THIS. 725 00:32:55,183 --> 00:32:57,477 - AH, IT'S A SMALL TOWN. 726 00:33:00,563 --> 00:33:02,482 CAN I TELL YOU A SECRET? 727 00:33:02,524 --> 00:33:05,318 - CAN I STOP YOU? 728 00:33:05,360 --> 00:33:05,860 - I'VE HAD AN ACCOUNT 729 00:33:05,902 --> 00:33:06,611 IN THIS BANK 730 00:33:06,653 --> 00:33:08,363 FOR MORE THAN 50 YEARS. 731 00:33:08,405 --> 00:33:09,781 AND EVERY TIME I WALK 732 00:33:09,823 --> 00:33:10,615 THROUGH THAT DOOR, 733 00:33:10,657 --> 00:33:12,534 DO YOU KNOW WHAT I WANT TO DO? 734 00:33:12,575 --> 00:33:14,452 - NO, YOU HAVEN'T TOLD ME 735 00:33:14,494 --> 00:33:15,662 THE ANSWER TO THAT ONE YET, 736 00:33:15,704 --> 00:33:16,663 AND I'M SURE YOU WILL. 737 00:33:16,705 --> 00:33:17,622 - [chuckles] 738 00:33:17,664 --> 00:33:20,375 ROB THE PLACE. 739 00:33:20,417 --> 00:33:22,502 WHAT? 740 00:33:22,544 --> 00:33:24,421 I'VE BEEN FANTASIZING ABOUT IT 741 00:33:24,462 --> 00:33:26,673 SINCE I WAS A KID. 742 00:33:26,715 --> 00:33:27,674 I WALK THROUGH THAT DOOR 743 00:33:27,716 --> 00:33:29,801 WEARING A BALACLAVA, 744 00:33:29,843 --> 00:33:30,593 PISTOL IN ONE HAND, 745 00:33:30,635 --> 00:33:33,513 SUBMACHINE GUN IN THE OTHER. 746 00:33:33,555 --> 00:33:34,806 WHAT? 747 00:33:34,848 --> 00:33:35,849 YOU'VE NEVER DREAMT 748 00:33:35,890 --> 00:33:38,143 ABOUT BEING A BANK ROBBER? 749 00:33:38,184 --> 00:33:39,394 - NO. 750 00:33:39,436 --> 00:33:40,186 WE DON'T SHARE 751 00:33:40,228 --> 00:33:42,856 THE SAME KIND OF NIGHTMARES. 752 00:33:42,897 --> 00:33:44,357 - LOOK, I'D NEVER KILL ANYBODY. 753 00:33:44,399 --> 00:33:45,233 NOBODY. 754 00:33:45,275 --> 00:33:48,528 MY IMAGINATION IS VERY SPECIFIC. 755 00:33:48,570 --> 00:33:50,613 EVERYTHING GOES PERFECTLY. 756 00:33:50,655 --> 00:33:53,408 CLEAN GETAWAY, NEVER ARRESTED. 757 00:33:53,450 --> 00:33:54,034 - WHAT DO YOU DO 758 00:33:54,075 --> 00:33:54,868 WITH THE MONEY? 759 00:33:54,909 --> 00:33:56,411 - THE BAHAMAS. 760 00:33:56,453 --> 00:33:57,912 ALWAYS THE BAHAMAS. 761 00:33:57,954 --> 00:33:59,706 I'M AT THE CASINO, 762 00:33:59,748 --> 00:34:01,750 BLOWING ALL THE MONEY. 763 00:34:03,209 --> 00:34:04,794 ME BLOWING MONEY. 764 00:34:04,836 --> 00:34:05,712 [chuckles] 765 00:34:05,754 --> 00:34:06,838 THAT'S A FANTASY. 766 00:34:06,880 --> 00:34:08,757 BUT I DID HAVE SOMEBODY 767 00:34:08,798 --> 00:34:10,383 TO DO THAT WITH ONCE. 768 00:34:10,425 --> 00:34:11,676 WHEN MY MOTHER DIED, 769 00:34:11,718 --> 00:34:13,803 SHE'D SPECIFIED IN HER WILL 770 00:34:13,845 --> 00:34:15,180 THAT THERE WAS 771 00:34:15,221 --> 00:34:17,432 THIS PARTICULAR SUM 772 00:34:17,474 --> 00:34:18,641 AND THAT IT WAS JUST FOR ME 773 00:34:18,683 --> 00:34:20,477 TO SPLURGE WITH, YOU KNOW? 774 00:34:20,518 --> 00:34:21,269 TO HAVE FUN WITH. 775 00:34:21,311 --> 00:34:23,897 SO I WENT TO NEW YORK CITY. 776 00:34:23,938 --> 00:34:25,607 I WAS DETERMINED 777 00:34:25,648 --> 00:34:26,858 TO PAINT THE TOWN RED. 778 00:34:26,900 --> 00:34:28,818 - AND? 779 00:34:28,860 --> 00:34:30,528 - IT RAINED. 780 00:34:30,570 --> 00:34:31,654 THE WHOLE TIME. 781 00:34:31,696 --> 00:34:32,572 AND NOT YOUR SPRING SHOWERS, 782 00:34:32,614 --> 00:34:33,365 YOU KNOW. 783 00:34:33,406 --> 00:34:35,658 IT WAS TORRENTIAL DOWNPOUR, 784 00:34:35,700 --> 00:34:37,869 SO I SAT IN THE MOVIES. 785 00:34:37,911 --> 00:34:39,871 MY MOTHER, BLESS HER SOUL, 786 00:34:39,913 --> 00:34:41,873 SHE MUST HAVE BEEN DISAPPOINTED, 787 00:34:41,915 --> 00:34:42,874 BUT, UH... 788 00:34:42,916 --> 00:34:44,209 I-I DON'T ACTUALLY 789 00:34:44,250 --> 00:34:45,460 HAVE IT IN ME TO SPLURGE, 790 00:34:45,502 --> 00:34:46,419 YOU KNOW? 791 00:34:46,461 --> 00:34:47,587 THAT--SPLURGING TAKES 792 00:34:47,629 --> 00:34:49,589 DARING WIT. 793 00:34:49,631 --> 00:34:50,674 AND I-I JUST DON'T HAVE 794 00:34:50,715 --> 00:34:51,758 THE KIND OF IMAGINATION 795 00:34:51,800 --> 00:34:53,802 THAT ALLOWS ME TO BLOW MONEY. 796 00:34:53,843 --> 00:34:54,594 YOU, THOUGH, YOU-- 797 00:34:54,636 --> 00:34:56,638 I BET YOU'VE BEEN THROUGH-- 798 00:34:56,680 --> 00:34:57,681 - I MANAGE. 799 00:34:57,722 --> 00:34:58,598 WERE YOU GOING TO GET 800 00:34:58,640 --> 00:34:59,349 SOMETHING TO EAT? 801 00:34:59,391 --> 00:35:00,600 - OH, YEAH. ABSOLUTELY. 802 00:35:00,642 --> 00:35:01,476 THE BEST PLACE IN TOWN 803 00:35:01,518 --> 00:35:04,229 IS JUST UP HERE. 804 00:35:04,270 --> 00:35:05,980 THAT'S THE UPTOWN CINEMA. 805 00:35:06,022 --> 00:35:07,774 THAT'S BEEN THERE 806 00:35:07,816 --> 00:35:08,817 FOR DONKEY'S YEARS. 807 00:35:08,858 --> 00:35:09,776 I HAD MY FIRST REAL KISS 808 00:35:09,818 --> 00:35:11,444 IN THERE. 809 00:35:11,486 --> 00:35:13,238 WASN'T VERY ROMANTIC. 810 00:35:13,279 --> 00:35:13,905 SHE STUCK HER TONGUE 811 00:35:13,947 --> 00:35:14,906 DOWN MY THROAT 812 00:35:14,948 --> 00:35:16,658 AND I NEARLY CHOKED. 813 00:35:16,700 --> 00:35:19,244 THEN SHE TRIED TO GROPE ME. 814 00:35:19,285 --> 00:35:20,453 SHE GRABBED ME WRONG 815 00:35:20,495 --> 00:35:21,121 AND I SCREAMED 816 00:35:21,162 --> 00:35:22,622 AND THE WHOLE CINEMA 817 00:35:22,664 --> 00:35:23,415 TURNED AROUND. 818 00:35:23,456 --> 00:35:24,666 YOU KNOW, THE OLD LIMERICK: 819 00:35:24,708 --> 00:35:25,458 "SAID A YOUNG MAN 820 00:35:25,500 --> 00:35:26,793 TO HIS LADY FRIEND PLEASE 821 00:35:26,835 --> 00:35:27,794 AS HE WRIGGLED WITH PAIN 822 00:35:27,836 --> 00:35:28,586 ON HIS KNEES, 823 00:35:28,628 --> 00:35:29,337 IT WOULD GIVE ME GREAT BLISS 824 00:35:29,379 --> 00:35:30,839 IF YOU'D TAKE HOLD OF THIS 825 00:35:30,880 --> 00:35:31,881 AND RELINQUISH YOUR GRASP 826 00:35:31,923 --> 00:35:33,800 UPON THESE." 827 00:35:33,842 --> 00:35:36,678 THAT WAS HER. 828 00:35:36,720 --> 00:35:38,972 A PLACE IN THE SUN. 829 00:35:39,014 --> 00:35:39,889 THAT WAS THE MOVIE 830 00:35:39,931 --> 00:35:41,808 THEY WERE SHOWING. 831 00:35:41,850 --> 00:35:42,934 THEODORE DREISER. 832 00:35:42,976 --> 00:35:45,478 AMERICAN TRAGEDY. 833 00:35:45,520 --> 00:35:46,312 GREAT NOVEL, 834 00:35:46,354 --> 00:35:48,690 PINNACLE OF AMERICAN REALISM. 835 00:35:52,569 --> 00:35:54,487 DOWN THERE. 836 00:35:54,529 --> 00:35:56,281 THAT'S WHERE I SIT. 837 00:35:56,322 --> 00:35:56,990 - SO THIS WAS YOUR REGULAR? 838 00:35:57,032 --> 00:35:58,825 - IT STILL IS. 839 00:35:58,867 --> 00:36:00,618 EVERY LUNCHTIME. 840 00:36:00,660 --> 00:36:01,953 SAVED ME FROM THE STUDENTS 841 00:36:01,995 --> 00:36:03,872 IN THE SCHOOL CAFETERIA. 842 00:36:03,913 --> 00:36:04,831 HI, TRACY. 843 00:36:04,873 --> 00:36:06,624 - HI, PROFESSOR. 844 00:36:06,666 --> 00:36:08,001 STEAK'S OFF. 845 00:36:08,043 --> 00:36:09,044 - STEAK'S OFF? 846 00:36:09,085 --> 00:36:10,837 STEAK'S OFF. 847 00:36:10,879 --> 00:36:12,839 - OMELET. 848 00:36:12,881 --> 00:36:13,757 - SALAD OR FRIES? 849 00:36:13,798 --> 00:36:15,008 - BOTH. 850 00:36:15,050 --> 00:36:15,967 - PROFESSOR, THE SAME? 851 00:36:16,009 --> 00:36:17,302 - SAME. 852 00:36:17,344 --> 00:36:18,678 - AND COFFEE OR BEER? 853 00:36:18,720 --> 00:36:19,804 - WHAT DO YOU THINK? BEER? 854 00:36:19,846 --> 00:36:20,722 TWO BEERS. 855 00:36:20,764 --> 00:36:23,808 - TWO BEERS. 856 00:36:23,850 --> 00:36:25,560 - SO HOW DID IT END? 857 00:36:25,602 --> 00:36:26,186 - WHAT? 858 00:36:26,227 --> 00:36:27,062 - WITH THE GIRL 859 00:36:27,103 --> 00:36:28,688 OUTSIDE THE UPTOWN. 860 00:36:28,730 --> 00:36:30,607 - OH. 861 00:36:30,648 --> 00:36:31,524 HEARTBREAKING. 862 00:36:31,566 --> 00:36:32,150 [chuckles] 863 00:36:32,192 --> 00:36:33,693 SHE WENT OFF WITH 864 00:36:33,735 --> 00:36:36,738 THE SCHOOL JANITOR'S SON. 865 00:36:36,780 --> 00:36:38,615 AND I WAS LEFT IN THE THRALL 866 00:36:38,656 --> 00:36:39,949 OF THE 100-YEAR-OLD WOMAN 867 00:36:39,991 --> 00:36:41,868 IN THE PAINTING. 868 00:36:41,910 --> 00:36:45,080 I DREAMT OF THAT GIRL FOR YEARS. 869 00:36:45,121 --> 00:36:47,665 HER EYES WENT THIS WAY. 870 00:36:47,707 --> 00:36:48,708 THERE WAS SOMETHING 871 00:36:48,750 --> 00:36:50,669 ABOUT THAT WALLEYED LOOK 872 00:36:50,710 --> 00:36:53,338 THAT I FIND HIGHLY EROTIC. 873 00:36:53,380 --> 00:36:54,881 [chuckles] 874 00:36:54,923 --> 00:36:55,882 WHAT ABOUT YOU? 875 00:36:55,924 --> 00:36:57,801 WHEN DID YOU FIRST 876 00:36:57,842 --> 00:37:00,095 LOSE YOUR HEART? 877 00:37:00,136 --> 00:37:02,013 - I CAN'T REMEMBER. 878 00:37:02,055 --> 00:37:03,932 - OH, HAPPENED SO MANY TIMES 879 00:37:03,973 --> 00:37:05,600 THAT IT'S IMPOSSIBLE 880 00:37:05,642 --> 00:37:06,810 TO SORT OUT THE BEGINNING? 881 00:37:06,851 --> 00:37:07,977 - NO, IT'S PROBABLY JUST 882 00:37:08,019 --> 00:37:09,062 PRETTY FORGETTABLE. 883 00:37:09,104 --> 00:37:12,732 - OH, MEMORIES ARE IMPORTANT. 884 00:37:12,774 --> 00:37:14,567 - I PREFER TO FORGET. 885 00:37:14,609 --> 00:37:15,443 - DON'T DO THAT AGAIN. 886 00:37:15,485 --> 00:37:16,736 SERIOUSLY, DON'T DO THAT AGAIN. 887 00:37:16,778 --> 00:37:17,696 - I DON'T--I DON'T WANT 888 00:37:17,737 --> 00:37:18,571 TO GET INTO ANYTHING. 889 00:37:18,613 --> 00:37:19,364 - YOU KNOW WHAT? 890 00:37:19,406 --> 00:37:21,616 STOP. 891 00:37:21,658 --> 00:37:25,120 [indistinct] 892 00:37:25,161 --> 00:37:26,871 - HEY. 893 00:37:26,913 --> 00:37:27,831 - YOU WANT A SIP OF BEER? 894 00:37:27,872 --> 00:37:28,748 - NO, NO. 895 00:37:28,790 --> 00:37:29,666 - COME ON, LITTLE SIP, 896 00:37:29,708 --> 00:37:30,375 LITTLE SIP. 897 00:37:30,417 --> 00:37:32,919 AH-AH-AH-AH-OHH, NICE. 898 00:37:32,961 --> 00:37:36,881 - THAT'S IT. 899 00:37:36,923 --> 00:37:39,884 THAT'S GOOD, BRO. 900 00:37:39,926 --> 00:37:41,094 - YOU DIDN'T SAY SOMETHING? 901 00:37:41,136 --> 00:37:42,846 - NO, YOU KNOW WHY? 902 00:37:42,887 --> 00:37:43,763 - NO. 903 00:37:43,805 --> 00:37:45,640 - THEY'RE A TEAM. 904 00:37:45,682 --> 00:37:47,017 ONE AGAINST TWO. 905 00:37:47,058 --> 00:37:49,644 YOU DON'T STAND A CHANCE. 906 00:37:49,686 --> 00:37:50,937 WELL, EXCEPT IN THE MOVIES. 907 00:37:50,979 --> 00:37:51,771 - SHOULD WE GET HIM-- 908 00:37:51,813 --> 00:37:52,689 SHOULD WE GET HIM 909 00:37:52,731 --> 00:37:53,648 SOME ALCOHOLIC BEER? 910 00:37:53,690 --> 00:37:54,941 - IT'S HOW YOU KNOW 911 00:37:54,983 --> 00:37:57,736 YOU'RE GETTIN' OLD. 912 00:37:57,777 --> 00:37:58,778 A FEW YEARS BACK, 913 00:37:58,820 --> 00:37:59,779 HE WOULD HAVE BACKED DOWN 914 00:37:59,821 --> 00:38:01,614 AND APOLOGIZED. 915 00:38:01,656 --> 00:38:03,825 NOW HE KNOWS THERE'S NO NEED. 916 00:38:03,867 --> 00:38:04,826 - THE BILL. 917 00:38:04,868 --> 00:38:05,744 AND YOU CAN GIVE IT TO ME. 918 00:38:05,785 --> 00:38:06,453 HE DOESN'T GET PAID. 919 00:38:06,494 --> 00:38:07,037 HE'S REALLY PRACTICALLY 920 00:38:07,078 --> 00:38:07,746 A STREET KID. 921 00:38:07,787 --> 00:38:08,997 - AND THERE'S NOTHING 922 00:38:09,039 --> 00:38:09,914 I CAN DO ABOUT IT. 923 00:38:09,956 --> 00:38:11,666 - WE'RE TWO. 924 00:38:11,708 --> 00:38:14,002 DOES THAT MAKE US A TEAM? 925 00:38:14,461 --> 00:38:16,129 [loud old-school hip hop] 926 00:38:16,171 --> 00:38:18,089 - KNOCK IT OFF, KNOCK IT OFF. 927 00:38:18,131 --> 00:38:20,425 - IT'S OKAY. 928 00:38:20,467 --> 00:38:21,926 - WHAT A RACKET THEY'RE MAKING. 929 00:38:21,968 --> 00:38:22,677 - COME ON! 930 00:38:22,719 --> 00:38:23,553 YOU'RE BEING SUCH A BABY! 931 00:38:23,595 --> 00:38:25,930 GO, SIT DOWN, FINISH YOUR BEER. 932 00:38:25,972 --> 00:38:27,891 - I'M GETTIN' PISSED OFF. 933 00:38:27,932 --> 00:38:30,101 REALLY. 934 00:38:30,143 --> 00:38:31,936 I'M REALLY PISSED OFF. 935 00:38:31,978 --> 00:38:33,646 - GO TELL 'EM. 936 00:38:33,688 --> 00:38:34,814 - I'D HAVE TO CHANGE 937 00:38:34,856 --> 00:38:35,565 MY WHOLE LIFE 938 00:38:35,607 --> 00:38:37,192 IF I WERE GONNA DO THAT. 939 00:38:37,233 --> 00:38:39,694 - I UNDERSTAND YOUR CAUTION. 940 00:38:39,736 --> 00:38:40,487 - YOU KNOW, 941 00:38:40,528 --> 00:38:42,822 I'VE NEVER BEEN IN A FIGHT. 942 00:38:42,864 --> 00:38:43,865 NO, NOT ONCE. 943 00:38:43,907 --> 00:38:45,116 NOT IN MY WHOLE LIFE. 944 00:38:45,158 --> 00:38:47,994 NOT EVEN IN THE SCHOOLYARD. 945 00:38:48,036 --> 00:38:51,164 - THAT'S NOT SUCH A BAD THING. 946 00:38:51,206 --> 00:38:53,875 - YOU'RE SUPPOSED TO DRINK IT. 947 00:38:56,920 --> 00:39:00,757 - HEY. 948 00:39:00,799 --> 00:39:03,718 DIAL IT DOWN, OKAY? 949 00:39:03,760 --> 00:39:06,388 - IS HE TALKING TO US? 950 00:39:06,846 --> 00:39:07,931 [loud rock music] 951 00:39:07,972 --> 00:39:17,732 * * 952 00:39:32,914 --> 00:39:35,875 - CROMORANT FISHING: 953 00:39:35,917 --> 00:39:40,046 HOW STIRRING, HOW SADDENING. 954 00:39:40,088 --> 00:39:41,047 SUMMER GRASSES 955 00:39:41,089 --> 00:39:41,923 ARE ALL THAT REMAIN 956 00:39:41,965 --> 00:39:43,758 OF SOLDIER'S DREAMS. 957 00:39:43,800 --> 00:39:48,179 - [chuckles] 958 00:39:48,221 --> 00:39:49,055 - YOU DON'T REMEMBER ME, 959 00:39:49,097 --> 00:39:50,015 DO YA? 960 00:39:50,056 --> 00:39:51,891 I'M CLASS OF '92. 961 00:39:51,933 --> 00:39:52,767 YOU WERE MY TEACH 962 00:39:52,809 --> 00:39:53,309 BACK IN THE DAY. 963 00:39:53,351 --> 00:39:54,185 I'M JOSEPH. 964 00:39:54,227 --> 00:39:58,189 JOEY PETERSON. 965 00:39:58,231 --> 00:39:59,733 I WORK OVER AT CARSON'S, 966 00:39:59,774 --> 00:40:01,901 THE LIGHTING SHOP OVER THERE. 967 00:40:01,943 --> 00:40:02,777 HOW 'BOUT YOU? 968 00:40:02,819 --> 00:40:03,445 YOU STILL INTO 969 00:40:03,486 --> 00:40:04,237 THE HAIKU POETRY OR? 970 00:40:04,279 --> 00:40:06,072 - NO, NO, I'M RETIRED NOW. 971 00:40:06,114 --> 00:40:08,199 I HAVE PRIVATE STUDENTS. 972 00:40:08,241 --> 00:40:10,160 - ALL RIGHT. 973 00:40:10,201 --> 00:40:13,038 TIME FLIES, MAN. 974 00:40:13,079 --> 00:40:13,788 WE WERE JUST-- 975 00:40:13,830 --> 00:40:14,873 WE WERE JUST GONNA LEAVE. 976 00:40:14,914 --> 00:40:15,707 I GUESS WE GOT 977 00:40:15,749 --> 00:40:16,916 A LITTLE TOO ROWDY FOR YOU OR? 978 00:40:16,958 --> 00:40:19,085 - NO. 979 00:40:19,127 --> 00:40:21,129 PETERSON. 980 00:40:21,171 --> 00:40:24,007 WHAT A--WHAT A PLEASURE. 981 00:40:24,049 --> 00:40:24,799 - WELL, IT WAS GREAT 982 00:40:24,841 --> 00:40:25,925 TO SEE YOU AGAIN, PROFESSOR. 983 00:40:25,967 --> 00:40:26,926 - AND YOU. 984 00:40:26,968 --> 00:40:28,053 - I WAS PRETTY GOOD, 985 00:40:28,094 --> 00:40:28,928 ME REMEMBERING THAT POEM 986 00:40:28,970 --> 00:40:29,679 THOUGH, RIGHT? 987 00:40:29,721 --> 00:40:30,847 - OH, A TEN OUT OF TEN. 988 00:40:30,889 --> 00:40:31,806 - [chuckles] 989 00:40:31,848 --> 00:40:32,474 YEAH. 990 00:40:32,515 --> 00:40:33,933 I LISTEN, I LISTEN. 991 00:40:33,975 --> 00:40:34,642 - OH. 992 00:40:34,684 --> 00:40:35,268 - HAVE A GOOD AFTERNOON. 993 00:40:35,310 --> 00:40:36,227 - YEAH, THANK YOU. 994 00:40:36,269 --> 00:40:37,103 YOU TOO. 995 00:40:37,145 --> 00:40:39,147 - TAKE CARE. 996 00:40:40,982 --> 00:40:42,275 - [sighs] 997 00:40:42,317 --> 00:40:45,195 [chuckles] 998 00:40:45,236 --> 00:40:48,031 NO MAN CAN ESCAPE HIS PAST. 999 00:40:48,073 --> 00:40:51,117 - THAT TOOK GUTS. 1000 00:40:51,159 --> 00:40:53,119 - CAN YOU IMAGINE? 1001 00:40:53,161 --> 00:40:54,829 THE FIRST TIME I LOOK 1002 00:40:54,871 --> 00:40:55,789 FOR A FIGHT 1003 00:40:55,830 --> 00:40:58,249 AND I PICK ON SOMEONE 1004 00:40:58,291 --> 00:40:59,125 WHO LIKES ME? 1005 00:40:59,167 --> 00:41:00,168 [chuckles] 1006 00:41:00,210 --> 00:41:01,127 - WHAT DID YOU EXPECT? 1007 00:41:01,169 --> 00:41:03,088 BREAKING GLASS? 1008 00:41:03,129 --> 00:41:06,591 - NO, A SMALL MEMORY 1009 00:41:06,633 --> 00:41:10,845 TO SAVOR WITH MY SLIPPERS, 1010 00:41:10,887 --> 00:41:14,140 DREAMING COGNAC DREAMS. 1011 00:41:14,182 --> 00:41:16,101 - HAIKU. 1012 00:41:16,142 --> 00:41:18,645 - TEN OUT OF TEN. 1013 00:41:26,027 --> 00:41:27,153 [bird crying loudly] 1014 00:41:27,195 --> 00:41:29,280 AGH! 1015 00:41:29,322 --> 00:41:31,157 [fluttering of wings] 1016 00:41:31,199 --> 00:41:34,202 [moans and groans] 1017 00:41:37,080 --> 00:41:38,164 OOF. 1018 00:41:38,206 --> 00:41:41,126 [metallic scraping] 1019 00:41:41,167 --> 00:41:43,003 WHAT? 1020 00:41:43,044 --> 00:41:46,006 [exhales deeply] 1021 00:41:46,047 --> 00:41:49,050 [metallic scraping] 1022 00:41:53,179 --> 00:41:55,640 shing! 1023 00:42:11,698 --> 00:42:15,243 OH. 1024 00:42:19,080 --> 00:42:20,957 DARBON. 1025 00:42:20,999 --> 00:42:21,708 - YOU KNOW 1026 00:42:21,750 --> 00:42:22,375 THE WALNUT TREE'S GONE. 1027 00:42:22,417 --> 00:42:23,168 IT'S GOT THE DISEASE. 1028 00:42:23,209 --> 00:42:24,044 - I KNOW THAT YOU'VE BEEN 1029 00:42:24,085 --> 00:42:26,087 COMING HERE ON THE LAST THURSDAY 1030 00:42:26,129 --> 00:42:28,381 OF EVERY MONTH FOR WHAT-- 1031 00:42:28,423 --> 00:42:29,299 HOW MANY YEARS NOW? 1032 00:42:29,341 --> 00:42:32,093 TEN AT LEAST, RIGHT? 1033 00:42:32,135 --> 00:42:33,345 HOW IS IT THAT I NEVER 1034 00:42:33,386 --> 00:42:35,889 EXPECT TO SEE YOU? 1035 00:42:35,930 --> 00:42:37,057 - EVERYBODY ALWAYS FORGETS 1036 00:42:37,098 --> 00:42:38,099 ABOUT THE GARDENER. 1037 00:42:38,141 --> 00:42:39,684 - [chuckles] 1038 00:42:39,726 --> 00:42:41,227 HAVE TO GET RID 1039 00:42:41,269 --> 00:42:42,354 OF THE WALNUT TREE, DO WE? 1040 00:42:42,395 --> 00:42:43,313 - YUP. 1041 00:42:43,355 --> 00:42:45,648 - PITY THAT. 1042 00:42:52,113 --> 00:42:54,657 [sighs] 1043 00:42:56,451 --> 00:42:59,079 [loud clink] 1044 00:42:59,120 --> 00:43:01,289 [sighs] 1045 00:43:09,756 --> 00:43:12,258 slam! 1046 00:43:14,177 --> 00:43:15,136 [brooding atmospheric guitar] 1047 00:43:15,178 --> 00:43:22,185 * * 1048 00:43:23,311 --> 00:43:26,147 [sighs] 1049 00:43:28,233 --> 00:43:31,236 [sighs] 1050 00:43:46,334 --> 00:43:47,293 [brooding atmospheric guitar] 1051 00:43:47,335 --> 00:43:55,343 * * 1052 00:44:14,362 --> 00:44:17,032 [light twangy bluegrass guitar] 1053 00:44:17,073 --> 00:44:19,367 [barrel clicks] 1054 00:44:21,286 --> 00:44:29,294 * * 1055 00:44:30,378 --> 00:44:33,173 [chuckles] 1056 00:44:33,214 --> 00:44:35,800 HEY. 1057 00:44:35,842 --> 00:44:37,302 BUFFALO BILL'S DEFUNCT. 1058 00:44:37,344 --> 00:44:38,386 HE USED TO RIDE 1059 00:44:38,428 --> 00:44:39,554 A WATERSMOOTH SILVER STALLION. 1060 00:44:39,596 --> 00:44:40,347 SHOOT! 1061 00:44:40,388 --> 00:44:41,097 ONE, TWO, THREE, FOUR, FIVE, 1062 00:44:41,139 --> 00:44:43,808 PIGEONS JUST LIKE THAT. 1063 00:44:43,850 --> 00:44:46,436 JESUS, HE WAS A HANDSOME MAN. 1064 00:44:46,478 --> 00:44:49,314 BUT WHAT I WANT TO KNOW IS, 1065 00:44:49,356 --> 00:44:50,398 WHAT DO YOU THINK 1066 00:44:50,440 --> 00:44:51,441 OF YOUR BLUE-EYED BOY NOW, 1067 00:44:51,483 --> 00:44:54,194 MISTER DEATH? 1068 00:44:54,235 --> 00:44:55,070 OH, SHIT! 1069 00:44:55,111 --> 00:44:55,820 [gun clatters] 1070 00:44:55,862 --> 00:44:58,365 OH, LORD. 1071 00:44:58,406 --> 00:45:01,409 [sighs] 1072 00:45:10,126 --> 00:45:12,420 OH, GOD. 1073 00:45:12,462 --> 00:45:15,882 OH, LOOK AT YOU. 1074 00:45:17,884 --> 00:45:20,887 [engine revving] 1075 00:45:27,894 --> 00:45:30,897 [birds twittering] 1076 00:45:34,901 --> 00:45:37,404 - STANDARD SECURITY. 1077 00:45:37,445 --> 00:45:39,280 TWO SHITTY OUT-OF-DATE 1078 00:45:39,322 --> 00:45:40,073 BLACK-AND-WHITE 1079 00:45:40,115 --> 00:45:42,242 CLOSED CIRCUIT TV CAMERAS. 1080 00:45:42,283 --> 00:45:44,244 AND LOCAL STAFF. 1081 00:45:44,285 --> 00:45:46,204 IT'S LIKE BREAKING INTO 1082 00:45:46,246 --> 00:45:50,083 A BAG OF PRETZELS. 1083 00:45:50,125 --> 00:45:52,419 - YOU CAN CHOKE ON A PRETZEL. 1084 00:45:52,460 --> 00:45:53,628 - WHAT? 1085 00:45:53,670 --> 00:45:55,130 WHAT HAPPENED TO YOU? 1086 00:45:55,171 --> 00:45:56,131 YOU'VE CHANGED, YOU KNOW THAT? 1087 00:45:56,172 --> 00:45:56,756 YOU HAVE CHANGED. 1088 00:45:56,798 --> 00:45:57,590 I MEAN, YOU'VE NOT 1089 00:45:57,632 --> 00:45:59,384 PUT ON ANY WEIGHT, BUT WHAT? 1090 00:45:59,426 --> 00:46:00,176 ARE YOU GOING TO RETIRE 1091 00:46:00,218 --> 00:46:01,886 WITH A SLIPPERS AND A PIPE? 1092 00:46:01,928 --> 00:46:04,431 EH? 1093 00:46:04,472 --> 00:46:07,809 YOU CAN USE THE MONEY. 1094 00:46:09,310 --> 00:46:11,104 - [inhales deeply] 1095 00:46:11,146 --> 00:46:15,442 MAYBE. 1096 00:46:15,483 --> 00:46:17,318 YES. 1097 00:46:17,360 --> 00:46:19,571 - WELL, THEN. 1098 00:46:21,698 --> 00:46:23,658 [soft classical piano music] 1099 00:46:23,700 --> 00:46:30,582 * * 1100 00:46:30,623 --> 00:46:32,125 - HOW COME YOU GOT 1101 00:46:32,167 --> 00:46:32,917 TWO OF EVERYTHING? 1102 00:46:32,959 --> 00:46:35,587 TWO COMBS, TWO TOOTHBRUSHES, 1103 00:46:35,628 --> 00:46:37,255 TWO RAZORS. 1104 00:46:37,297 --> 00:46:38,673 - BECAUSE I FINALLY REALIZED 1105 00:46:38,715 --> 00:46:40,175 THAT, IN GENERAL, 1106 00:46:40,216 --> 00:46:42,469 THERE ARE TWO KINDS OF PEOPLE: 1107 00:46:42,510 --> 00:46:44,471 THE KIND WHO PREPARE FOR NOTHING 1108 00:46:44,512 --> 00:46:45,597 AND WHO HAVE THE WIT 1109 00:46:45,638 --> 00:46:47,932 AND THE IMAGINATION TO DEAL 1110 00:46:47,974 --> 00:46:49,476 WITH PRETTY MUCH EVERYTHING 1111 00:46:49,517 --> 00:46:51,603 AND THEN THE OTHERS WHO-- 1112 00:46:51,644 --> 00:46:53,313 AND I FALL INTO THAT CATEGORY-- 1113 00:46:53,355 --> 00:46:55,607 WHO ARE THE OPPOSITE. 1114 00:46:55,648 --> 00:46:56,483 - AND WHAT KIND OF PEOPLE 1115 00:46:56,524 --> 00:46:57,484 ARE THEY? 1116 00:46:57,525 --> 00:46:58,193 - [chuckles] 1117 00:46:58,234 --> 00:46:59,944 THEY'RE THE KIND WITHOUT 1118 00:46:59,986 --> 00:47:01,946 THAT WIT AND THAT IMAGINATION. 1119 00:47:01,988 --> 00:47:03,365 THEY HAVE TO BUY SPARES 1120 00:47:03,406 --> 00:47:04,616 SO THAT THEY WILL BE PREPARED 1121 00:47:04,657 --> 00:47:06,659 FOR EVERY IMAGINED EVENTUALITY. 1122 00:47:06,701 --> 00:47:07,577 - SO DO YOU HAVE 1123 00:47:07,619 --> 00:47:08,495 TWO OF EVERYTHING? 1124 00:47:08,536 --> 00:47:09,329 - PRETTY MUCH. 1125 00:47:09,371 --> 00:47:11,873 SOMETIMES THREE. 1126 00:47:15,001 --> 00:47:16,628 [faucet squeaks] 1127 00:47:16,670 --> 00:47:19,881 [water running] 1128 00:47:22,217 --> 00:47:23,176 [intense classical piano music] 1129 00:47:23,218 --> 00:47:24,636 * * 1130 00:47:24,678 --> 00:47:27,889 [chuckles] 1131 00:47:29,391 --> 00:47:33,520 [footsteps] 1132 00:47:33,561 --> 00:47:35,897 THERE'S A DRINK THERE FOR YOU. 1133 00:47:36,690 --> 00:47:43,905 * * 1134 00:47:47,701 --> 00:47:50,412 - [gulps] 1135 00:47:50,453 --> 00:47:51,329 [clicks] 1136 00:47:51,371 --> 00:47:54,207 - DO YOU PLAY? 1137 00:47:54,249 --> 00:47:56,626 - YES, INDEED I DO. 1138 00:47:56,668 --> 00:47:59,212 I THINK WITH THE EXCEPTION 1139 00:47:59,254 --> 00:48:03,008 OF NEEDLEPOINT, I POSSESS ALL 1140 00:48:03,049 --> 00:48:04,259 OF THE ACCOMPLISHMENTS 1141 00:48:04,300 --> 00:48:06,428 OF A WELL-BRED YOUNG WOMAN 1142 00:48:06,469 --> 00:48:07,554 EDUCATED AT THE END 1143 00:48:07,595 --> 00:48:09,264 OF THE 19TH CENTURY. 1144 00:48:09,305 --> 00:48:10,306 [chuckles] 1145 00:48:10,348 --> 00:48:13,393 ARE YOU MUSICAL? 1146 00:48:13,435 --> 00:48:15,520 - I HAD A HARMONICA ONCE. 1147 00:48:15,562 --> 00:48:16,438 - WELL, THAT'S GOOD 1148 00:48:16,479 --> 00:48:18,023 FOR A TRAVELING MAN. 1149 00:48:18,064 --> 00:48:19,566 [sighs] 1150 00:48:19,607 --> 00:48:22,027 CURIOUS THING ABOUT MUSIC. 1151 00:48:22,068 --> 00:48:23,570 WHEN PEOPLE FIND OUT THAT 1152 00:48:23,611 --> 00:48:25,405 YOU PLAY A MUSICAL INSTRUMENT, 1153 00:48:25,447 --> 00:48:26,114 THEY ALWAYS ASSUME 1154 00:48:26,156 --> 00:48:27,282 THAT YOU'RE ENJOYING IT. 1155 00:48:27,323 --> 00:48:30,035 OH, WHAT WONDERFUL HOURS 1156 00:48:30,076 --> 00:48:33,038 HE MUST SPEND AT HIS PIANO. 1157 00:48:33,079 --> 00:48:35,040 THEY'RE SO WRONG. 1158 00:48:35,081 --> 00:48:37,751 IT IS SO BORING. 1159 00:48:37,792 --> 00:48:41,588 IT IS SO VERY BORING. 1160 00:48:41,629 --> 00:48:43,590 SCHUBERT I LIKE. 1161 00:48:43,631 --> 00:48:45,300 SCHUBERT APPEALS 1162 00:48:45,342 --> 00:48:46,676 TO MY SENSE OF FAILURE. 1163 00:48:46,718 --> 00:48:48,261 [chuckles] 1164 00:48:48,303 --> 00:48:49,429 WHEN I SEE YOU 1165 00:48:49,471 --> 00:48:50,430 IN THOSE SLIPPERS, 1166 00:48:50,472 --> 00:48:52,599 I CAN IMAGINE MYSELF 1167 00:48:52,640 --> 00:48:55,602 FESTOONED WITH TATTOOS, 1168 00:48:55,643 --> 00:48:57,395 ZIPPING DOWN THE HIGHWAY 1169 00:48:57,437 --> 00:48:59,522 IN A SPORTY RED CONVERTIBLE. 1170 00:49:02,400 --> 00:49:03,276 TO YOUR GOOD HEALTH. 1171 00:49:03,318 --> 00:49:07,614 - AND YOURS. 1172 00:49:07,655 --> 00:49:09,574 [loud gulp] 1173 00:49:09,616 --> 00:49:10,283 - LET ME 1174 00:49:10,325 --> 00:49:11,451 SHOW YOU SOMETHING ELSE. 1175 00:49:11,493 --> 00:49:12,827 WATCH THE TWO LAMPS. 1176 00:49:12,869 --> 00:49:14,329 [claps twice quickly] 1177 00:49:14,371 --> 00:49:16,998 [chuckles loudly] 1178 00:49:18,583 --> 00:49:20,460 AND THERE'S AN OLD FRENCH ADAGE 1179 00:49:20,502 --> 00:49:22,462 THAT COMES INTO PLAY FOR ME. 1180 00:49:22,504 --> 00:49:27,300 LE TEMPS QU'IL PASSE PLUS TOT 1181 00:49:27,342 --> 00:49:29,344 QUE LE TEMPS QU'IL FAIT. 1182 00:49:29,386 --> 00:49:31,096 SO I HAVE HAD 1183 00:49:31,137 --> 00:49:34,641 MUCH MORE AFFECTION 1184 00:49:34,683 --> 00:49:35,767 FOR THE TIME THAT I TAKE, 1185 00:49:35,809 --> 00:49:37,852 AND I WORRY LESS ABOUT 1186 00:49:37,894 --> 00:49:39,479 THE TIME THAT IT TAKES. 1187 00:49:39,521 --> 00:49:41,106 HAVE YOU FOUND THAT? 1188 00:49:41,147 --> 00:49:42,440 - NO. 1189 00:49:42,482 --> 00:49:43,316 - OH, POOF. 1190 00:49:43,358 --> 00:49:44,150 [chuckles] 1191 00:49:44,192 --> 00:49:46,778 ANOTHER CERTAINTY OBLITERATED. 1192 00:49:46,820 --> 00:49:51,116 I'LL PUT IT DOWN TO PROGRESS. 1193 00:49:51,157 --> 00:49:52,367 COULD I ASK 1194 00:49:52,409 --> 00:49:53,785 A CONSIDERATION OF YOU? 1195 00:49:53,827 --> 00:49:55,870 - SURE. 1196 00:49:55,912 --> 00:49:57,330 - W-WOULD YOU BE SO KIND 1197 00:49:57,372 --> 00:49:57,997 AS TO GO DOWN 1198 00:49:58,039 --> 00:49:59,791 TO THE LIQUOR STORE 1199 00:49:59,833 --> 00:50:02,335 AND BUY ME SOME TOBACCO? 1200 00:50:02,377 --> 00:50:04,629 I CAN'T GO THERE MYSELF. 1201 00:50:04,671 --> 00:50:05,505 - MM, WHY IS THAT? 1202 00:50:05,547 --> 00:50:07,465 - OH, UH, THE WOMAN 1203 00:50:07,507 --> 00:50:08,758 AT THE CASH REGISTER. 1204 00:50:08,800 --> 00:50:09,801 - WHAT ABOUT HER? 1205 00:50:09,843 --> 00:50:11,761 - OH, IT'S A LONG STORY, 1206 00:50:11,803 --> 00:50:12,679 STUPID REALLY. 1207 00:50:12,721 --> 00:50:13,388 IT'S... 1208 00:50:13,430 --> 00:50:16,349 WELL, IT'S A--YOU KNOW, 1209 00:50:16,391 --> 00:50:17,475 FOR MORE THAN 40 YEARS, 1210 00:50:17,517 --> 00:50:19,352 I'VE BEEN GOING INTO THAT STORE 1211 00:50:19,394 --> 00:50:20,353 TO BUY MY TOBACCO. 1212 00:50:20,395 --> 00:50:21,104 THAT'S ALL I BUY THERE. 1213 00:50:21,146 --> 00:50:22,480 I DON'T BUY ANYTHING ELSE. 1214 00:50:22,522 --> 00:50:24,649 AND EVERY TIME I GO TO PAY, 1215 00:50:24,691 --> 00:50:26,526 SHE LOOKS ME STRAIGHT IN THE EYE 1216 00:50:26,568 --> 00:50:28,361 AND SHE SAYS, "CAN I GET YOU 1217 00:50:28,403 --> 00:50:29,029 ANYTHING ELSE, SIR?" 1218 00:50:29,070 --> 00:50:29,863 AND IT DROVE ME MAD. 1219 00:50:29,904 --> 00:50:31,698 AND ONE DAY, I GOT COMPLETELY 1220 00:50:31,740 --> 00:50:33,408 AND UTTERLY FED UP, 1221 00:50:33,450 --> 00:50:34,826 AND I SAID TO HER, 1222 00:50:34,868 --> 00:50:36,786 "Y-Y-YOU JUST CANNOT ANY LONGER 1223 00:50:36,828 --> 00:50:39,706 ASK ME, 'CAN I GET YOU 1224 00:50:39,748 --> 00:50:41,374 SOMETHING ELSE, SIR?' 1225 00:50:41,416 --> 00:50:42,584 I DON'T WANT ANYTHING ELSE. 1226 00:50:42,625 --> 00:50:43,585 AND IF I WANT SOMETHING ELSE, 1227 00:50:43,626 --> 00:50:44,836 I WILL ASK FOR IT." 1228 00:50:44,878 --> 00:50:46,421 AND I STORMED OUT 1229 00:50:46,463 --> 00:50:47,380 AND SLAMMED THE DOOR. 1230 00:50:47,422 --> 00:50:48,715 AND THEN A WEEK LATER, 1231 00:50:48,757 --> 00:50:49,507 I WENT BACK, 1232 00:50:49,549 --> 00:50:52,469 HOPING AGAINST HOPE, AND... 1233 00:50:52,510 --> 00:50:53,428 DO YOU KNOW WHAT HAPPENED? 1234 00:50:53,470 --> 00:50:54,512 - NO. 1235 00:50:54,554 --> 00:50:57,432 - I WENT IN. 1236 00:50:57,474 --> 00:50:58,391 SHE WAS LOOKING ME 1237 00:50:58,433 --> 00:50:59,100 STRAIGHT IN THE EYE. 1238 00:50:59,142 --> 00:51:00,560 I ASKED FOR MY TOBACCO, 1239 00:51:00,602 --> 00:51:02,645 WITHOUT TAKING HER EYES OFF ME, 1240 00:51:02,687 --> 00:51:03,897 SHE WENT AND GOT THE TOBACCO, 1241 00:51:03,938 --> 00:51:04,814 CAME BACK, GAVE IT TO ME. 1242 00:51:04,856 --> 00:51:05,815 I GAVE HER THE MONEY, 1243 00:51:05,857 --> 00:51:07,650 AND SHE DIDN'T SAY, "CAN I 1244 00:51:07,692 --> 00:51:08,902 GET YOU SOMETHING ELSE, SIR?" 1245 00:51:08,943 --> 00:51:10,570 SHE SAID, 1246 00:51:10,612 --> 00:51:15,408 "WILL THAT BE ALL, SIR?" 1247 00:51:15,450 --> 00:51:16,493 - AND YOU DIDN'T KILL HER? 1248 00:51:16,534 --> 00:51:17,494 - I COULD HAVE 1249 00:51:17,535 --> 00:51:18,453 JUMPED OVER THE COUNTER 1250 00:51:18,495 --> 00:51:21,414 AND RUNG HER NECK. 1251 00:51:21,456 --> 00:51:22,665 BUT I DIDN'T. 1252 00:51:22,707 --> 00:51:23,917 I LEFT THE STORE 1253 00:51:23,958 --> 00:51:26,461 AND I NEVER WENT BACK. 1254 00:51:26,503 --> 00:51:28,463 AND I'VE BEEN BUYING 1255 00:51:28,505 --> 00:51:29,798 MY TOBACCO AT THE SUPERMARKET, 1256 00:51:29,839 --> 00:51:30,507 AND IT'S NOT 1257 00:51:30,548 --> 00:51:32,717 NEARLY AS GOOD AND... 1258 00:51:32,759 --> 00:51:34,511 HERE, IT'S CALLED 1259 00:51:34,552 --> 00:51:36,805 CONDOR READY RUB. 1260 00:51:36,846 --> 00:51:37,764 - WON'T BE LONG. 1261 00:51:37,806 --> 00:51:41,142 - OKAY, THANK YOU. 1262 00:51:56,032 --> 00:51:56,991 [brooding atmospheric guitar] 1263 00:51:57,033 --> 00:52:05,291 * * 1264 00:52:12,048 --> 00:52:12,716 [cash register ringing] 1265 00:52:12,757 --> 00:52:15,552 - ANYTHING ELSE, SIR? 1266 00:52:15,593 --> 00:52:16,636 75 CENTS, PLEASE. 1267 00:52:16,678 --> 00:52:17,512 THANK YOU. 1268 00:52:17,554 --> 00:52:18,179 [coins clinking] 1269 00:52:18,221 --> 00:52:21,266 ANYTHING ELSE, SIR? 1270 00:52:21,307 --> 00:52:22,809 THAT'S $5.95, PLEASE. 1271 00:52:22,851 --> 00:52:25,270 THANK YOU. 1272 00:52:28,898 --> 00:52:29,983 - PACKET OF CONDOR 1273 00:52:30,025 --> 00:52:33,486 READY-RUB PIPE TOBACCO. 1274 00:52:33,528 --> 00:52:35,655 NO, TWO. 1275 00:52:35,697 --> 00:52:38,867 MAKE THAT TWO PACKS. 1276 00:52:42,537 --> 00:52:45,206 - $9.23, PLEASE. 1277 00:52:47,876 --> 00:52:50,295 [coins clinking] 1278 00:52:53,673 --> 00:52:54,549 - ANYTHING ELSE, SIR? 1279 00:52:54,591 --> 00:52:56,593 - NOPE. 1280 00:52:56,885 --> 00:52:57,844 [brooding atmospheric guitar] 1281 00:52:57,886 --> 00:53:05,894 * * 1282 00:53:05,935 --> 00:53:08,563 [door clatters] 1283 00:53:12,567 --> 00:53:14,694 - WHAT'D I TELL YOU? 1284 00:53:14,736 --> 00:53:15,820 - UNBELIEVABLE. 1285 00:53:15,862 --> 00:53:19,366 - [sighs] 1286 00:53:29,084 --> 00:53:34,047 - IT WAS KIND OF YOU TO LIE 1287 00:53:34,089 --> 00:53:35,590 ABOUT THE WOMAN 1288 00:53:35,632 --> 00:53:37,884 AT THE CASH REGISTER. 1289 00:53:37,926 --> 00:53:39,010 SHE DIDN'T SAY IT TO YOU, 1290 00:53:39,052 --> 00:53:41,054 DID SHE? 1291 00:53:41,096 --> 00:53:42,555 SHE SAID IT TO ME, 1292 00:53:42,597 --> 00:53:43,765 BUT SHE DOESN'T SAY IT TO YOU. 1293 00:53:43,807 --> 00:53:45,016 THAT'S THE DIFFERENCE. 1294 00:53:45,058 --> 00:53:47,102 - I WOULDN'T GET TOO BUGGED OUT 1295 00:53:47,143 --> 00:53:47,894 ON THAT KIND OF STUFF. 1296 00:53:47,936 --> 00:53:50,605 - NO, BUT IT SAYS SOMETHING, 1297 00:53:50,647 --> 00:53:51,272 DOESN'T IT? 1298 00:53:51,314 --> 00:53:52,899 GET YOU MORE SALAD? 1299 00:53:52,941 --> 00:53:54,025 - NO. 1300 00:53:54,067 --> 00:53:58,947 - WHY DID YOU GET TWO? 1301 00:53:58,988 --> 00:54:00,073 - THERE ARE TWO KINDS 1302 00:54:00,115 --> 00:54:02,367 OF PEOPLE. 1303 00:54:02,409 --> 00:54:03,660 I DECIDED TO SIDE WITH THOSE 1304 00:54:03,702 --> 00:54:05,036 WHO ARE PREPARED FOR EVERYTHING. 1305 00:54:05,078 --> 00:54:06,788 - [laughs heartily] 1306 00:54:06,830 --> 00:54:09,374 THANK YOU. 1307 00:54:12,961 --> 00:54:14,045 ARE YOU GOING TO TELL ME 1308 00:54:14,087 --> 00:54:18,049 WHAT BROUGHT YOU TO THIS TOWN? 1309 00:54:18,091 --> 00:54:18,967 [gulps] 1310 00:54:19,009 --> 00:54:20,969 - THERE'S NO NEED. 1311 00:54:21,011 --> 00:54:22,095 - THERE ISN'T? 1312 00:54:22,137 --> 00:54:25,724 - YOU ALREADY KNOW. 1313 00:54:26,933 --> 00:54:30,687 - YES, I SUPPOSE I DO. 1314 00:54:36,985 --> 00:54:39,404 IS IT THE BANK? 1315 00:54:41,906 --> 00:54:44,159 - DON'T WORRY. 1316 00:54:44,200 --> 00:54:44,951 IF IT GOES WRONG, 1317 00:54:44,993 --> 00:54:46,036 WE'LL KEEP YOU OUT OF IT. 1318 00:54:46,077 --> 00:54:47,704 - NO. 1319 00:54:47,746 --> 00:54:48,955 NO, IT'S NOT THAT. 1320 00:54:48,997 --> 00:54:50,040 NOT AT ALL, NO. 1321 00:54:50,081 --> 00:54:51,875 I WA--I WAS THINKING THAT 1322 00:54:51,916 --> 00:54:54,127 PERHAPS I MIGHT BE ABLE 1323 00:54:54,169 --> 00:54:55,086 TO HELP. 1324 00:54:55,128 --> 00:54:55,962 I MEAN, I-I-I KNOW 1325 00:54:56,004 --> 00:54:56,629 I PROBABLY WOULDN'T BE ANY GOOD. 1326 00:54:56,671 --> 00:54:58,965 I'M COMPLETELY USELESS 1327 00:54:59,007 --> 00:55:00,175 WITH ANYTHING THAT INVOLVES 1328 00:55:00,216 --> 00:55:01,801 SPLIT-SECOND TIMING 1329 00:55:01,843 --> 00:55:04,763 OR IMPROVISATION, BUT... 1330 00:55:06,890 --> 00:55:07,766 - IT'S A LOT SIMPLER 1331 00:55:07,807 --> 00:55:09,184 THAN YOU THINK. 1332 00:55:09,225 --> 00:55:10,810 YOU STROLL IN, 1333 00:55:10,852 --> 00:55:12,645 WAVE A GUN AROUND, 1334 00:55:12,687 --> 00:55:13,813 GRAB THE MONEY, 1335 00:55:13,855 --> 00:55:14,814 AND LEAVE. 1336 00:55:14,856 --> 00:55:16,900 - OFF TO THE BAHAMAS. 1337 00:55:16,941 --> 00:55:18,151 [inhales deeply] 1338 00:55:18,193 --> 00:55:19,069 MY, OH, MY. 1339 00:55:19,110 --> 00:55:19,986 OH, MY. 1340 00:55:20,028 --> 00:55:21,821 IT'S GOING TO BE QUITE 1341 00:55:21,863 --> 00:55:23,114 A SATURDAY MORNING. 1342 00:55:23,156 --> 00:55:25,492 - YES, IT IS. 1343 00:55:29,788 --> 00:55:32,791 - [chuckles] 1344 00:55:35,877 --> 00:55:36,795 THERE--THERE ARE GONNA BE 1345 00:55:36,836 --> 00:55:37,921 THREE OF US FOR DINNER 1346 00:55:37,962 --> 00:55:38,713 TOMORROW NIGHT. 1347 00:55:38,755 --> 00:55:41,841 IS THAT--IS THAT ALL RIGHT? 1348 00:55:41,883 --> 00:55:44,094 - A WOMAN. 1349 00:55:44,135 --> 00:55:45,845 - WELL, UM, SORT OF. 1350 00:55:45,887 --> 00:55:47,097 I MEAN, TECHNICALLY, YES. 1351 00:55:47,138 --> 00:55:48,723 AH. 1352 00:55:48,765 --> 00:55:50,475 I HAVE ANOTHER FAVOR TO ASK YOU. 1353 00:55:50,517 --> 00:55:52,977 A FAVOR. 1354 00:55:53,019 --> 00:55:53,687 - NO PROBLEM. 1355 00:55:53,728 --> 00:55:55,146 I'LL MAKE MYSELF SCARCE. 1356 00:55:55,188 --> 00:55:56,690 - NO, NO, NO, IT'S NOT THAT. 1357 00:55:56,731 --> 00:55:57,732 NO, NO, NOTHING LIKE THAT 1358 00:55:57,774 --> 00:55:58,441 AT ALL. 1359 00:55:58,483 --> 00:55:59,484 I WANT SOMETHING ELSE 1360 00:55:59,526 --> 00:56:00,193 ALL TOGETHER. 1361 00:56:00,235 --> 00:56:00,985 IT'S JUST THAT I'M... 1362 00:56:01,027 --> 00:56:03,238 THERE'S SOMETHING--I MEAN-- 1363 00:56:03,279 --> 00:56:04,948 I MEAN, IF IT'S POSSIBLE, 1364 00:56:04,989 --> 00:56:06,866 IT'S SOMETHING THAT 1365 00:56:06,908 --> 00:56:09,703 I'VE ALWAYS WANTED, BUT, UM-- 1366 00:56:09,744 --> 00:56:11,705 AND I'VE THOUGHT ABOUT IT OFTEN. 1367 00:56:11,746 --> 00:56:12,497 IT'S JUST THAT... 1368 00:56:12,539 --> 00:56:18,878 THE OPPORTUNITY HAS, UH... 1369 00:56:18,920 --> 00:56:21,881 NEVER PRESENTED ITSELF. 1370 00:56:21,923 --> 00:56:23,925 - I'M LISTENIN'. 1371 00:56:25,260 --> 00:56:26,219 [brooding atmospheric guitar] 1372 00:56:26,261 --> 00:56:31,057 * * 1373 00:56:31,099 --> 00:56:33,977 - WHAT SHOULD I IMAGINE? 1374 00:56:34,019 --> 00:56:36,896 - WHAT'S THERE TO IMAGINE? 1375 00:56:36,938 --> 00:56:37,564 - I DON'T KNOW. 1376 00:56:37,605 --> 00:56:39,232 WHAT AM I SHOOTING AT? 1377 00:56:39,274 --> 00:56:41,067 - IT'S A COKE CAN. 1378 00:56:41,109 --> 00:56:41,735 YOU'RE SHOOTING 1379 00:56:41,776 --> 00:56:45,071 AT A ROW OF COKE CANS. 1380 00:56:45,113 --> 00:56:46,239 - HOW 'BOUT THE GARDENER? 1381 00:56:46,281 --> 00:56:47,240 - NO, YOU'RE NOT SHOOTING 1382 00:56:47,282 --> 00:56:48,533 AT THE GARDENER. 1383 00:56:48,575 --> 00:56:50,577 IT'S A ROW OF TIN CANS. 1384 00:56:54,956 --> 00:56:57,083 [gunshot] 1385 00:56:57,125 --> 00:56:58,543 - I MISSED. 1386 00:56:58,585 --> 00:57:01,921 - YEAH, YOU MISSED. 1387 00:57:01,963 --> 00:57:03,548 YOU NEED TO RELAX. 1388 00:57:03,590 --> 00:57:06,134 JUST TAKE A BREATH. 1389 00:57:08,845 --> 00:57:10,805 [gunshot] 1390 00:57:10,847 --> 00:57:12,057 - THERE THEY GO. 1391 00:57:12,098 --> 00:57:13,224 I THINK, WASN'T IT? 1392 00:57:13,266 --> 00:57:15,018 I MEAN, A CLOSER MISS. 1393 00:57:15,060 --> 00:57:17,020 - YOU KNOW WHAT THEY SAY? 1394 00:57:17,062 --> 00:57:17,937 A MISS IS A MISS 1395 00:57:17,979 --> 00:57:19,773 BY AN INCH OR A MILE. 1396 00:57:19,814 --> 00:57:21,107 - PERHAPS IT REQUIRES 1397 00:57:21,149 --> 00:57:22,817 A SPECIAL GIFT. 1398 00:57:22,859 --> 00:57:23,943 - NO, IT DOESN'T. 1399 00:57:23,985 --> 00:57:24,944 - OH, CERTAINLY 1400 00:57:24,986 --> 00:57:26,029 IT TAKES PRACTICE. 1401 00:57:26,071 --> 00:57:28,573 - NOT EVEN. 1402 00:57:28,615 --> 00:57:31,034 - WHAT'S THE TRICK THEN? 1403 00:57:32,619 --> 00:57:33,787 - SELF-PITY MAYBE. 1404 00:57:33,828 --> 00:57:35,997 - [laughs heartily] 1405 00:57:36,998 --> 00:57:39,292 MY ARM ISN'T TOO STIFF? 1406 00:57:39,334 --> 00:57:40,960 - JUST FIND A POSITION 1407 00:57:41,002 --> 00:57:42,837 THAT'S COMFORTABLE FOR YOU, 1408 00:57:42,879 --> 00:57:44,130 A STANCE THAT'S YOUR OWN. 1409 00:57:44,172 --> 00:57:45,006 THERE YOU GO. 1410 00:57:45,048 --> 00:57:47,133 [gunshot] 1411 00:57:51,012 --> 00:57:53,014 LISTEN... 1412 00:57:53,056 --> 00:57:55,016 CAN I RUN SOMETHING PAST YOU? 1413 00:57:55,058 --> 00:57:56,142 [gunshot] 1414 00:57:56,184 --> 00:57:58,561 - YES. 1415 00:57:59,020 --> 00:58:01,981 - I'M AN OLD EAGLE 1416 00:58:02,023 --> 00:58:04,901 SMOKING THIS FINE ITALIAN CIGAR. 1417 00:58:08,196 --> 00:58:09,948 - THINK OF IT. 1418 00:58:09,989 --> 00:58:11,908 AN OLD EAGLE 1419 00:58:11,950 --> 00:58:14,869 SMOKING A FINE ITALIAN CIGAR. 1420 00:58:15,912 --> 00:58:17,080 - YOU KNOW IT? 1421 00:58:17,122 --> 00:58:19,040 - IT'S BUKOWSKI. 1422 00:58:19,082 --> 00:58:20,291 - WHAT COMES NEXT? 1423 00:58:20,333 --> 00:58:22,836 - [sighs] 1424 00:58:22,877 --> 00:58:24,629 I HAVE CAGED THE WORLD 1425 00:58:24,671 --> 00:58:26,006 AWAY FROM ME. 1426 00:58:26,047 --> 00:58:28,341 I'M AN OLD EAGLE SMOKING 1427 00:58:28,383 --> 00:58:31,011 THIS FINE ITALIAN CIGAR. 1428 00:58:31,052 --> 00:58:31,970 THINK OF IT. 1429 00:58:32,012 --> 00:58:33,138 AN OLD EAGLE 1430 00:58:33,179 --> 00:58:37,058 SMOKING A FINE ITALIAN CIGAR. 1431 00:58:38,351 --> 00:58:40,854 IT HAS BECOME PLEASANT AGAIN 1432 00:58:40,895 --> 00:58:42,397 TO BE ALIVE. 1433 00:58:42,439 --> 00:58:45,108 [birds twittering] 1434 00:58:45,150 --> 00:58:47,652 BUT YOU KNOW THAT, DON'T YOU? 1435 00:58:49,112 --> 00:58:49,863 - I HEARD IT ONCE, 1436 00:58:49,904 --> 00:58:51,031 BUT I JUST COULDN'T REMEMBER 1437 00:58:51,072 --> 00:58:53,658 HOW IT ENDED. 1438 00:58:53,700 --> 00:58:54,909 - NEVER ONE OF MY FAVORITES, 1439 00:58:54,951 --> 00:58:57,412 BUKOWSKI, BUT I'VE ALWAYS 1440 00:58:57,454 --> 00:59:00,248 HELD AN AFFECTION FOR THAT POEM. 1441 00:59:00,290 --> 00:59:02,417 - DO YOU KNOW HOW IT ENDS? 1442 00:59:02,459 --> 00:59:03,126 - JUST LIKE YOU, 1443 00:59:03,168 --> 00:59:07,047 JUST FOR A TIME THERE, 1444 00:59:07,088 --> 00:59:08,089 I DIDN'T THINK 1445 00:59:08,131 --> 00:59:11,593 I WAS GOING TO MAKE IT. 1446 00:59:15,430 --> 00:59:17,098 ARE YOU STILL DEAD-SET 1447 00:59:17,140 --> 00:59:19,601 ON SATURDAY? 1448 00:59:23,438 --> 00:59:25,065 - ARE YOU? 1449 00:59:25,106 --> 00:59:26,691 - ME? 1450 00:59:26,733 --> 00:59:29,277 I HAVE NO CHOICE. 1451 00:59:30,278 --> 00:59:32,197 - ME NEITHER. 1452 00:59:32,238 --> 00:59:33,239 ANOTHER ROUND? 1453 00:59:33,281 --> 00:59:35,283 - NO. 1454 00:59:35,325 --> 00:59:36,910 NO, I'VE REACHED MY LIMIT. 1455 00:59:36,951 --> 00:59:37,494 THANK YOU. 1456 00:59:37,535 --> 00:59:38,995 [inhales deeply] 1457 00:59:39,037 --> 00:59:39,913 IT'S LIKE-- 1458 00:59:39,954 --> 00:59:41,373 [chuckles] 1459 00:59:41,414 --> 00:59:43,708 BEAUTIFUL POETRY. 1460 00:59:43,750 --> 00:59:45,335 IT'S THE ESSENCE OF IT. 1461 00:59:45,377 --> 00:59:48,338 LESS IS MORE. 1462 00:59:48,380 --> 00:59:50,131 - YOU KNOW, I HAVEN'T 1463 00:59:50,173 --> 00:59:52,967 DECIDED ON SATURDAY YET. 1464 00:59:53,009 --> 00:59:54,094 - WHAT DOES YOUR DECISION 1465 00:59:54,135 --> 00:59:57,263 DEPEND ON? 1466 00:59:57,305 --> 00:59:58,264 - ON WHETHER SOMEONE 1467 00:59:58,306 --> 01:00:00,350 SHOWS UP OR NOT. 1468 01:00:01,309 --> 01:00:04,104 [birds cawing] 1469 01:00:11,986 --> 01:00:14,781 [door clicks open softly] 1470 01:00:25,000 --> 01:00:25,625 - AW, FUCK. 1471 01:00:25,667 --> 01:00:26,459 I CAN'T EVEN JUST-- 1472 01:00:26,501 --> 01:00:27,335 THESE PAINTERS 1473 01:00:27,377 --> 01:00:28,211 ARE ALL FUCKING MAD. 1474 01:00:28,253 --> 01:00:29,295 I CAN'T EVEN LOOK AT THIS SHIT. 1475 01:00:29,337 --> 01:00:32,007 IT'S LIKE... 1476 01:00:32,048 --> 01:00:32,757 MAKES YOU MAD PAINTING, 1477 01:00:32,799 --> 01:00:33,425 YOU KNOW? 1478 01:00:33,466 --> 01:00:34,134 AGONIZING OVER 1479 01:00:34,175 --> 01:00:34,884 THESE FUCKING DETAILS 1480 01:00:34,926 --> 01:00:40,056 DRIVE YOU FUCKING INSANE. 1481 01:00:40,098 --> 01:00:41,141 WELL, THIS GUY HERE UNDERSTOOD, 1482 01:00:41,182 --> 01:00:41,891 YOU KNOW, HOW TO ALTERNATE 1483 01:00:41,933 --> 01:00:42,767 BETWEEN LIGHT AND SHAPE, 1484 01:00:42,809 --> 01:00:44,477 TO GIVE TONALITY TO HIS PALETTE. 1485 01:00:44,519 --> 01:00:46,312 LOOK AT HIM. 1486 01:00:46,354 --> 01:00:48,273 BUT HE KIND OF LOST HIS FRENZY 1487 01:00:48,314 --> 01:00:49,482 ALONG THE WAY. 1488 01:00:49,524 --> 01:00:50,316 YOU KNOW, HE KNEW 1489 01:00:50,358 --> 01:00:52,777 THE RULES OF ART, BUT HE LOST 1490 01:00:52,819 --> 01:00:54,070 THE ART OF THE RULES, 1491 01:00:54,112 --> 01:00:55,155 WHICH IS WHY HE'S HERE 1492 01:00:55,196 --> 01:00:58,241 AND NOT AT THE METROPOLITAN. 1493 01:00:58,283 --> 01:00:59,451 - WHAT KEPT YOU? 1494 01:00:59,492 --> 01:01:02,996 WHY WEREN'T YOU ON TIME? 1495 01:01:03,038 --> 01:01:06,082 - I WAS ON TIME. 1496 01:01:06,124 --> 01:01:10,170 NOT IN A GREAT STATE. 1497 01:01:10,211 --> 01:01:11,338 SO I DECIDED IT WOULD BE BETTER 1498 01:01:11,379 --> 01:01:13,173 TO WAIT A LITTLE. 1499 01:01:13,214 --> 01:01:16,009 [sighs loudly] 1500 01:01:16,051 --> 01:01:17,135 I RAN INTO A BOTTLE 1501 01:01:17,177 --> 01:01:18,219 TWO HOURS BEFORE, AND-- 1502 01:01:18,261 --> 01:01:20,180 ONE OF THOSE FUCKING MEETINGS 1503 01:01:20,221 --> 01:01:23,058 YOU CAN'T SHAKE OFF, YOU KNOW? 1504 01:01:26,227 --> 01:01:28,104 - SO HOW WAS DETOX? 1505 01:01:28,146 --> 01:01:30,065 - FUCKING MURDER. 1506 01:01:30,106 --> 01:01:34,361 FUCKING HELL. 1507 01:01:34,402 --> 01:01:36,321 MAX HERE? 1508 01:01:36,363 --> 01:01:37,197 - YEAH. 1509 01:01:37,238 --> 01:01:40,075 HE'S HIRED A DRIVER. 1510 01:01:40,116 --> 01:01:40,700 - WELL, IF MAX CHOSE HIM, 1511 01:01:40,742 --> 01:01:43,495 HE SHOULD BE FINE. 1512 01:01:43,536 --> 01:01:44,829 - CAN YOU AT LEAST STAY SOBER 1513 01:01:44,871 --> 01:01:46,081 FOR A COUPLE OF DAYS? 1514 01:01:46,122 --> 01:01:51,044 - WELL, THAT'S FOREVER. 1515 01:01:51,086 --> 01:01:52,087 - JUST TILL SATURDAY? 1516 01:01:52,128 --> 01:01:54,255 - YEAH, WELL, FOREVER 1517 01:01:54,297 --> 01:01:56,341 ALWAYS LASTS TILL SATURDAY. 1518 01:02:04,099 --> 01:02:05,850 WHAT'S THE ESTIMATE ON THE JOB? 1519 01:02:05,892 --> 01:02:07,102 - THREE. 1520 01:02:07,143 --> 01:02:10,188 100 GRAND EACH. 1521 01:02:15,193 --> 01:02:17,153 - WOW. 1522 01:02:17,195 --> 01:02:18,363 CAN'T COMPLAIN ABOUT THAT. 1523 01:02:18,405 --> 01:02:20,448 - NO. 1524 01:02:20,490 --> 01:02:22,867 - FUCK. 1525 01:02:22,909 --> 01:02:25,495 [gasps lightly] 1526 01:02:25,537 --> 01:02:26,329 HEY, WHAT DO YOU SAY WE GO 1527 01:02:26,371 --> 01:02:27,872 GRAB A BEER AND WE CELEBRATE? 1528 01:02:27,914 --> 01:02:29,874 I'M JUST JOKING. 1529 01:02:29,916 --> 01:02:31,876 DON'T--I-I'M JUST JOKING. 1530 01:02:31,918 --> 01:02:35,171 FORGET I SAID IT. 1531 01:02:50,520 --> 01:02:52,105 - THIS ONE'S ALMOST CERTAINLY 1532 01:02:52,147 --> 01:02:54,941 AN ORIGINAL JOHN TRUMBULL. 1533 01:02:59,696 --> 01:03:00,572 - JOHN TRUMBULL? 1534 01:03:00,613 --> 01:03:01,281 WHERE'D YOU GET 1535 01:03:01,322 --> 01:03:03,575 THE JOHN TRUMBULL FROM? 1536 01:03:11,166 --> 01:03:12,208 - AFTERNOON. 1537 01:03:12,250 --> 01:03:13,918 - AH! 1538 01:03:13,960 --> 01:03:15,587 WELL, I DON'T KNOW WHAT 1539 01:03:15,628 --> 01:03:16,379 THE WEATHER'S DOING 1540 01:03:16,421 --> 01:03:17,255 OUT THERE NOW, BUT I NEARLY 1541 01:03:17,297 --> 01:03:18,048 TURNED THE HEAT ON THIS MORNING. 1542 01:03:18,089 --> 01:03:18,715 MUST BE THAT GLOBAL WARMING 1543 01:03:18,757 --> 01:03:20,467 YOU'RE ADVERTISING. 1544 01:03:20,508 --> 01:03:21,468 - OOPS. 1545 01:03:21,509 --> 01:03:22,177 [zippers pants loudly] 1546 01:03:22,218 --> 01:03:25,638 I DON'T WANT THE USUAL. 1547 01:03:25,680 --> 01:03:26,514 - YOU DON'T? 1548 01:03:26,556 --> 01:03:27,474 - NO. 1549 01:03:27,515 --> 01:03:29,184 I WANT DIFFERENT. 1550 01:03:29,225 --> 01:03:31,186 - HOW DIFFERENT? 1551 01:03:31,227 --> 01:03:32,437 - SLICKED BACK. 1552 01:03:32,479 --> 01:03:33,146 YOU GONNA HAVE TO CHANGE 1553 01:03:33,188 --> 01:03:34,481 THE CUT A LOT FOR THAT? 1554 01:03:34,522 --> 01:03:36,316 EH? 1555 01:03:36,358 --> 01:03:37,317 - SLICKED BACK LIKE-- 1556 01:03:37,359 --> 01:03:38,234 - YEAH, NO PARTING. 1557 01:03:38,276 --> 01:03:39,152 - [chuckles] 1558 01:03:39,194 --> 01:03:39,652 YOU? 1559 01:03:39,694 --> 01:03:40,612 NO PARTING? 1560 01:03:40,653 --> 01:03:43,281 - STRAIGHT BACK. 1561 01:03:43,323 --> 01:03:43,990 - WELL, WE CAN DO 1562 01:03:44,032 --> 01:03:44,949 THE NO PARTING, I MEAN-- 1563 01:03:44,991 --> 01:03:46,493 - HEY. 1564 01:03:46,534 --> 01:03:48,328 MY LIFE'S BEEN A PRISON, 1565 01:03:48,370 --> 01:03:50,497 AND I'M GETTIN' OUT NOW, 1566 01:03:50,538 --> 01:03:51,498 AND THAT'S WHAT 1567 01:03:51,539 --> 01:03:52,957 I WANT TO LOOK LIKE, 1568 01:03:52,999 --> 01:03:54,542 LIKE I'M COMIN' OUT OF PRISON. 1569 01:03:54,584 --> 01:03:56,336 - WELL, WELL, WELL. 1570 01:03:56,378 --> 01:03:57,295 - I'M GONNA KEEP 1571 01:03:57,337 --> 01:03:58,171 THE MUSTACHE, THOUGH. 1572 01:03:58,213 --> 01:04:00,340 - WELL, I'M GRATEFUL FOR THAT. 1573 01:04:00,382 --> 01:04:02,175 I--YOU KNOW, I THINK I'M SEEING 1574 01:04:02,217 --> 01:04:02,842 EVERYTHING THESE DAYS. 1575 01:04:02,884 --> 01:04:03,510 THAT BRANDIER BOY 1576 01:04:03,551 --> 01:04:04,177 CAME BY THE OTHER DAY. 1577 01:04:04,219 --> 01:04:05,053 HE ASKED ME FOR A 1578 01:04:05,095 --> 01:04:07,639 DOUBLE-ZERO CUT, SAW IT ON MTV. 1579 01:04:07,681 --> 01:04:08,682 I'M GLAD YOU DON'T WANT 1580 01:04:08,723 --> 01:04:09,641 A DOUBLE-ZERO CUT. 1581 01:04:09,683 --> 01:04:10,600 - WELL, WE'RE BREAKING 1582 01:04:10,642 --> 01:04:11,518 NEW GROUND. 1583 01:04:11,559 --> 01:04:12,435 YOU HAVE NO IDEA 1584 01:04:12,477 --> 01:04:13,645 WHERE I MIGHT END UP. 1585 01:04:13,687 --> 01:04:14,729 [chuckles] 1586 01:04:14,771 --> 01:04:16,356 AH. 1587 01:04:16,398 --> 01:04:17,315 - WELL. 1588 01:04:17,357 --> 01:04:18,108 - I HAD TO WALK 1589 01:04:18,149 --> 01:04:18,858 AROUND THE BLOCK THREE TIMES 1590 01:04:18,900 --> 01:04:19,484 BEFORE I COULD FIGURE OUT 1591 01:04:19,526 --> 01:04:22,404 TO COME IN HERE. 1592 01:04:22,696 --> 01:04:23,655 [soft classical piano music] 1593 01:04:23,697 --> 01:04:31,913 * * 1594 01:04:34,708 --> 01:04:39,921 * * 1595 01:04:47,721 --> 01:04:50,306 [pipe clatters] 1596 01:04:58,606 --> 01:05:01,276 [knocking at door] 1597 01:05:04,654 --> 01:05:11,953 * * 1598 01:05:17,292 --> 01:05:19,586 [door squeaks] 1599 01:05:19,627 --> 01:05:21,671 - I'VE COME FOR MY TUTORIAL 1600 01:05:21,713 --> 01:05:23,048 WITH THE PROFESSOR? 1601 01:05:23,089 --> 01:05:24,716 - HE'S NOT HERE RIGHT NOW. 1602 01:05:24,758 --> 01:05:29,429 - ARE YOU STANDING IN FOR HIM? 1603 01:05:29,471 --> 01:05:30,805 - YES, I SUPPOSE 1604 01:05:30,847 --> 01:05:34,559 I AM STANDING IN FOR HIM. 1605 01:05:37,312 --> 01:05:40,315 SO WHAT ARE YOU STUDYING 1606 01:05:40,357 --> 01:05:41,191 WITH THE PROFESSOR? 1607 01:05:41,232 --> 01:05:43,735 - WE DO HENRY JAMES ON FRIDAYS. 1608 01:05:43,777 --> 01:05:46,363 THE PORTRAIT OF A LADY. 1609 01:05:46,404 --> 01:05:47,655 - AND WHAT'S THE STORY ABOUT? 1610 01:05:47,697 --> 01:05:51,785 - THERE ISN'T MUCH OF ONE. 1611 01:05:51,826 --> 01:05:53,536 - THERE'S ALWAYS A STORY. 1612 01:05:53,578 --> 01:05:56,081 NO SUCH THING AS A BOOK 1613 01:05:56,122 --> 01:05:58,750 WITHOUT A STORY. 1614 01:05:58,792 --> 01:05:59,626 HAVE YOU READ IT? 1615 01:05:59,668 --> 01:06:00,585 - YES. 1616 01:06:00,627 --> 01:06:03,129 - SO YOU KNOW IT THEN? 1617 01:06:04,631 --> 01:06:05,590 [brooding atmospheric guitar] 1618 01:06:05,632 --> 01:06:08,760 * * 1619 01:06:08,802 --> 01:06:12,013 [gravel crunching] 1620 01:06:23,566 --> 01:06:30,573 * * 1621 01:06:44,921 --> 01:06:47,132 [faucet squeaks] 1622 01:06:47,173 --> 01:06:47,924 - AND YOU'VE HAD THIS GUY 1623 01:06:47,966 --> 01:06:49,342 IN HERE FOR, WHAT, HOW LONG? 1624 01:06:49,384 --> 01:06:49,926 TWO DAYS ALREADY? 1625 01:06:49,968 --> 01:06:50,677 - BUT--BUT--BUT 1626 01:06:50,719 --> 01:06:51,386 BUT HE LEAVES TOMORROW. 1627 01:06:51,428 --> 01:06:53,388 I HAVE NEVER MISSED IT. 1628 01:06:53,430 --> 01:06:55,515 OH, THERE YOU ARE! 1629 01:06:55,557 --> 01:06:59,686 THIS IS VIVIENNE. 1630 01:06:59,728 --> 01:07:00,645 FIRST MEETINGS ARE ALWAYS 1631 01:07:00,687 --> 01:07:02,814 INTIMIDATING, I KNOW. 1632 01:07:02,856 --> 01:07:03,773 - NOT ALWAYS. 1633 01:07:03,815 --> 01:07:04,858 - FIRST MEETINGS 1634 01:07:04,899 --> 01:07:07,360 AREN'T ALWAYS INTIMIDATING? 1635 01:07:07,402 --> 01:07:08,570 AREN'T--AREN'T YOU INTIMIDATED? 1636 01:07:08,611 --> 01:07:09,696 - NO. 1637 01:07:09,738 --> 01:07:10,822 - NEITHER AM I. 1638 01:07:10,864 --> 01:07:12,657 - OH. 1639 01:07:12,699 --> 01:07:13,533 ME, WHEN I MEET SOMEONE 1640 01:07:13,575 --> 01:07:14,534 FOR THE FIRST TIME, 1641 01:07:14,576 --> 01:07:16,453 IT'S LIKE I'M A LITTLE BOY 1642 01:07:16,494 --> 01:07:17,537 SENT TO THE PRINCIPAL'S OFFICE. 1643 01:07:17,579 --> 01:07:18,413 - [chuckles] 1644 01:07:18,455 --> 01:07:19,831 IN SHORT PANTS. 1645 01:07:19,873 --> 01:07:21,499 - YEAH, SHORT PANTS. 1646 01:07:21,541 --> 01:07:22,375 - [chuckles] 1647 01:07:22,417 --> 01:07:23,001 [sighs] 1648 01:07:23,043 --> 01:07:23,626 WOULD YOU GET US 1649 01:07:23,668 --> 01:07:24,711 A DRINK, DARLING? 1650 01:07:24,753 --> 01:07:25,712 - ON MY WAY! 1651 01:07:25,754 --> 01:07:28,840 - [clears throat] 1652 01:07:28,882 --> 01:07:30,175 I HAVE NO IDEA 1653 01:07:30,216 --> 01:07:31,718 WHY HE WANTED US TO MEET. 1654 01:07:31,760 --> 01:07:32,844 - ME NEITHER. 1655 01:07:32,886 --> 01:07:35,180 - WELL, HE HAS THIS IDEA 1656 01:07:35,221 --> 01:07:36,681 EVERYONE HE LIKES 1657 01:07:36,723 --> 01:07:37,557 SHOULD GET ALONG. 1658 01:07:37,599 --> 01:07:39,768 - HE COULD BE WRONG. 1659 01:07:39,809 --> 01:07:41,686 - HE'S AN OPTIMIST AT HEART. 1660 01:07:41,728 --> 01:07:44,647 NOT A BUNDLE OF LAUGHS, 1661 01:07:44,689 --> 01:07:45,565 BUT AN OPTIMIST. 1662 01:07:45,607 --> 01:07:46,566 [chuckles] 1663 01:07:46,608 --> 01:07:47,484 - SO YOU'RE FOND OF HIM? 1664 01:07:47,525 --> 01:07:48,443 - JUST BECAUSE IT'S 1665 01:07:48,485 --> 01:07:49,194 AND OLD AFFAIR 1666 01:07:49,235 --> 01:07:50,862 DOESN'T MEAN IT'S TIRED. 1667 01:07:50,904 --> 01:07:51,738 - [singing] DRINKS ARE IN 1668 01:07:51,780 --> 01:07:52,906 THE DRAWING ROOM. 1669 01:07:52,947 --> 01:07:54,908 BEEP BEEP. 1670 01:07:54,949 --> 01:07:57,202 STRAIGHT UP OR ON THE ICE? 1671 01:07:57,243 --> 01:07:57,869 ICE BROKEN? 1672 01:07:57,911 --> 01:07:58,745 - [laughs weakly] 1673 01:07:58,787 --> 01:08:01,164 TO SMITHEREENS. 1674 01:08:05,752 --> 01:08:06,711 [brooding atmospheric guitar] 1675 01:08:06,753 --> 01:08:14,761 * * 1676 01:08:29,818 --> 01:08:31,528 - QUIET LITTLE TOWN. 1677 01:08:31,569 --> 01:08:33,822 - YEAH, AND VERY TRUSTING. 1678 01:08:38,493 --> 01:08:40,453 [engine turning over] 1679 01:08:40,495 --> 01:08:43,498 [engine revving] 1680 01:08:46,918 --> 01:08:49,921 [engine revving] 1681 01:09:02,017 --> 01:09:05,186 [engine revving] 1682 01:09:10,734 --> 01:09:11,693 [brooding atmospheric guitar] 1683 01:09:11,735 --> 01:09:17,198 * * 1684 01:09:17,615 --> 01:09:18,658 - WHY DON'T YOU GET YOURSELF 1685 01:09:18,700 --> 01:09:19,993 SOMEONE YOUNGER OR PRETTIER? 1686 01:09:20,035 --> 01:09:21,286 - I THINK 1687 01:09:21,327 --> 01:09:22,495 VIVIENNE'S GOOD LOOKING. 1688 01:09:22,537 --> 01:09:23,371 - OF COURSE, 1689 01:09:23,413 --> 01:09:25,915 BUT ARE YOU FOND OF EACH OTHER? 1690 01:09:25,957 --> 01:09:28,710 - AH, WE'RE FAMILIAR. 1691 01:09:28,752 --> 01:09:30,295 WE DON'T SHAKE EACH OTHER 1692 01:09:30,337 --> 01:09:32,005 TO THE CORE LIKE WE USED TO, 1693 01:09:32,047 --> 01:09:34,299 BUT... 1694 01:09:35,342 --> 01:09:36,760 WELL, YEAH, YEAH, YEAH. 1695 01:09:36,801 --> 01:09:37,927 WE'RE--WE'RE FOND. 1696 01:09:37,969 --> 01:09:38,970 - IT'S NOT FONDNESS 1697 01:09:39,012 --> 01:09:40,013 YOU NEED TONIGHT. 1698 01:09:40,055 --> 01:09:41,556 - YEAH, WELL, AT LEAST 1699 01:09:41,598 --> 01:09:42,682 SHE DOESN'T INTIMIDATE ME, 1700 01:09:42,724 --> 01:09:43,683 HOW'S THAT FOR STARTERS? 1701 01:09:43,725 --> 01:09:44,601 HOW'D HE DO? 1702 01:09:44,642 --> 01:09:45,518 - HE PASSED. 1703 01:09:45,560 --> 01:09:46,811 - OH, GOOD, GOOD. 1704 01:09:46,853 --> 01:09:47,687 I TOLD YOU HE WOULD. 1705 01:09:47,729 --> 01:09:49,022 VIVIENNE'S SON 1706 01:09:49,064 --> 01:09:50,690 IS TAKING HIS FINALS. 1707 01:09:50,732 --> 01:09:51,691 - NOW, HE DIDN'T DO WELL ENOUGH 1708 01:09:51,733 --> 01:09:52,525 TO GET INTO 1709 01:09:52,567 --> 01:09:53,693 THE TOP UNIVERSITIES, BUT-- 1710 01:09:53,735 --> 01:09:54,694 - WHY DON'T YOU TELL HER 1711 01:09:54,736 --> 01:09:56,821 YOU DON'T GIVE A SHIT? 1712 01:09:56,863 --> 01:09:57,989 - WHA... 1713 01:09:58,031 --> 01:10:00,075 I-I DO--I GIVE A-- 1714 01:10:00,116 --> 01:10:01,618 - NO, HE DOESN'T. 1715 01:10:01,659 --> 01:10:03,912 ALL HE WANTS IS SEX. 1716 01:10:04,371 --> 01:10:05,121 HE HAS NO INTEREST 1717 01:10:05,163 --> 01:10:06,706 IN YOUR KID'S EXAM RESULTS. 1718 01:10:06,748 --> 01:10:07,582 - WHA... 1719 01:10:07,624 --> 01:10:08,708 - AND YOU? 1720 01:10:08,750 --> 01:10:09,376 - WHAT ABOUT ME? 1721 01:10:09,417 --> 01:10:10,043 - WHAT DO YOU WANT? 1722 01:10:10,085 --> 01:10:10,877 WHAT DO YOU WANT, 1723 01:10:10,919 --> 01:10:12,545 OTHER THAN TO STIR THINGS UP? 1724 01:10:12,587 --> 01:10:14,714 HMM? 1725 01:10:14,756 --> 01:10:15,924 YOU WANT TO WATCH? 1726 01:10:15,965 --> 01:10:16,966 - OH, VIVIENNE. 1727 01:10:17,008 --> 01:10:18,593 - ANYONE WOULD THINK 1728 01:10:18,635 --> 01:10:21,262 YOU'RE JEALOUS. 1729 01:10:23,098 --> 01:10:25,809 - I JUST CALL IT AS I SEE IT. 1730 01:10:26,101 --> 01:10:27,060 [brooding atmospheric guitar] 1731 01:10:27,102 --> 01:10:33,858 * * 1732 01:10:38,863 --> 01:10:39,572 - YES, DOCTOR? 1733 01:10:39,614 --> 01:10:40,615 - OH, YOU ARE STILL THERE. 1734 01:10:40,657 --> 01:10:41,241 - OF COURSE. 1735 01:10:41,282 --> 01:10:42,617 - YEAH, IS, UM-- 1736 01:10:42,659 --> 01:10:43,702 - YES? 1737 01:10:43,743 --> 01:10:44,828 - MY PATIENT STILL 1738 01:10:44,869 --> 01:10:46,079 THE, UH, FIRST CASE 1739 01:10:46,121 --> 01:10:48,707 UP IN THE MORNING? 1740 01:10:48,748 --> 01:10:49,666 - IT--NOT TILL NOON. 1741 01:10:49,708 --> 01:10:50,959 - GOOD. 1742 01:10:51,001 --> 01:10:52,627 - YOU'RE IN OPERATING ROOM 1 1743 01:10:52,669 --> 01:10:53,378 WITH A FULL BYPASS TEAM. 1744 01:10:53,420 --> 01:10:54,629 - THANKS. 1745 01:10:54,671 --> 01:10:55,213 GOOD NIGHT. 1746 01:10:55,255 --> 01:10:57,674 - GOOD NIGHT. 1747 01:11:07,183 --> 01:11:09,144 - I HAVE 25. 1748 01:11:09,185 --> 01:11:10,061 - DO-DO-DO-DO-DO-DO. 1749 01:11:10,103 --> 01:11:12,897 WELL, THAT'S THAT. 1750 01:11:12,939 --> 01:11:15,400 - SHE ALWAYS WINS IN THE END. 1751 01:11:15,442 --> 01:11:18,445 WOMEN ALWAYS WIN IN THE END. 1752 01:11:20,697 --> 01:11:23,450 - I'LL JUST GO TIDY UP. 1753 01:11:26,828 --> 01:11:27,954 I LIKE IT. 1754 01:11:27,996 --> 01:11:28,955 - YOU DO? 1755 01:11:28,997 --> 01:11:32,834 - MM-HMM. 1756 01:11:32,876 --> 01:11:34,961 - [chuckles] 1757 01:11:35,003 --> 01:11:37,047 [inhales deeply] 1758 01:11:46,014 --> 01:11:49,976 THANK YOU. 1759 01:11:50,018 --> 01:11:52,645 - I WAS WRONG BACK THERE. 1760 01:11:52,687 --> 01:11:54,647 YOU WERE RIGHT. 1761 01:11:54,689 --> 01:11:55,815 MUST BE SWEET COMFORT, 1762 01:11:55,857 --> 01:11:57,817 AN OLD MISTRESS. 1763 01:11:57,859 --> 01:12:01,154 - IT IS, YOU KNOW. 1764 01:12:01,196 --> 01:12:03,198 15 YEARS NOW. 1765 01:12:03,239 --> 01:12:05,825 - SINCE YOUR MOTHER DIED? 1766 01:12:05,867 --> 01:12:07,827 - [chuckles] 1767 01:12:07,869 --> 01:12:10,455 YOU REMEMBERED THAT, HUH? 1768 01:12:10,497 --> 01:12:13,124 YEAH, TWO INCIDENTS 1769 01:12:13,166 --> 01:12:16,711 DID COINCIDE. 1770 01:12:16,753 --> 01:12:20,840 - WHY DIDN'T YOU MARRY HER? 1771 01:12:20,882 --> 01:12:21,841 - OH, I THOUGHT ABOUT IT. 1772 01:12:21,883 --> 01:12:26,012 I THOUGHT ABOUT IT, BUT... 1773 01:12:26,054 --> 01:12:28,473 I PANICKED. 1774 01:12:28,515 --> 01:12:30,475 YOU--YOU NEVER MARRIED, 1775 01:12:30,517 --> 01:12:32,143 I'M SURE. 1776 01:12:32,185 --> 01:12:35,522 ENDLESSLY CHANGING, MOVING ON. 1777 01:12:37,065 --> 01:12:39,109 I'D HAVE LIKED TO HAVE SAILED 1778 01:12:39,150 --> 01:12:41,736 FROM WOMAN TO WOMAN, 1779 01:12:41,778 --> 01:12:44,989 A NEW AMERICA EVERY TIME, 1780 01:12:45,031 --> 01:12:48,868 ANOTHER CONTINENT TO EXPLORE, 1781 01:12:48,910 --> 01:12:51,496 NEVER DROPPING ANCHOR. 1782 01:12:51,538 --> 01:12:52,247 - WOMEN AREN'T WHAT 1783 01:12:52,288 --> 01:12:54,708 THEY USED TO BE. 1784 01:12:54,749 --> 01:12:55,959 - STILL, IT WOULD HAVE BEEN 1785 01:12:56,001 --> 01:12:57,210 NICE TO HAVE DISCOVERED 1786 01:12:57,252 --> 01:13:00,422 AND EXPLORED NEW EMBRACES. 1787 01:13:03,174 --> 01:13:04,050 - IT'S POETRY THAT GETS YOU 1788 01:13:04,092 --> 01:13:04,968 IN THE END. 1789 01:13:05,010 --> 01:13:06,761 WITHOUT THE WORDS, 1790 01:13:06,803 --> 01:13:09,514 IT'S ALL SO FORGETTABLE. 1791 01:13:09,556 --> 01:13:11,850 - HMM. 1792 01:13:12,851 --> 01:13:14,936 WHAT DO YOU THINK OF HER? 1793 01:13:16,563 --> 01:13:17,772 - I DON'T THINK OF HER. 1794 01:13:17,814 --> 01:13:20,984 SHE'S YOURS. 1795 01:13:22,152 --> 01:13:23,236 - WE SHOULD HAVE 1796 01:13:23,278 --> 01:13:26,281 ONE LAST SNIFTER ON THE STOOP 1797 01:13:26,322 --> 01:13:28,533 BEFORE THE BIG DAY TOMORROW. 1798 01:13:28,950 --> 01:13:29,909 [brooding atmospheric guitar] 1799 01:13:29,951 --> 01:13:37,959 * * 1800 01:13:49,179 --> 01:13:51,931 [engines revving] 1801 01:13:52,182 --> 01:14:00,190 * * 1802 01:14:03,360 --> 01:14:04,277 THIS USED TO BE 1803 01:14:04,319 --> 01:14:06,780 MY FAVORITE SPOT. 1804 01:14:06,821 --> 01:14:08,573 THE SURROUNDINGS 1805 01:14:08,615 --> 01:14:11,201 WEREN'T SO BUILT UP THEN. 1806 01:14:11,242 --> 01:14:13,119 I COULD BREATHE. 1807 01:14:13,161 --> 01:14:15,997 I HAD A FUTURE. 1808 01:14:16,039 --> 01:14:18,625 HOPE. 1809 01:14:22,295 --> 01:14:25,340 AND I STOPPED LIVING 1810 01:14:25,382 --> 01:14:27,092 BEFORE I GOT OLD. 1811 01:14:27,133 --> 01:14:31,096 YEARS WENT BY AND... 1812 01:14:31,137 --> 01:14:32,222 I FELL INTO DECAY 1813 01:14:32,263 --> 01:14:34,641 JUST LIKE THIS DAMNED HOUSE. 1814 01:14:39,062 --> 01:14:39,938 - DO YOU KNOW WHY 1815 01:14:39,979 --> 01:14:41,356 WOMEN LOOK AWAY WHEN 1816 01:14:41,398 --> 01:14:44,192 YOU PASS THEM ON THE STREET? 1817 01:14:45,860 --> 01:14:47,362 - WHY? 1818 01:14:47,404 --> 01:14:49,864 - BECAUSE THEY'RE DAZZLED. 1819 01:14:49,906 --> 01:14:51,282 - [chuckles] 1820 01:14:51,324 --> 01:14:52,617 - WHY WOULDN'T 1821 01:14:52,659 --> 01:14:54,661 THEY FALL FOR YOU? 1822 01:14:57,288 --> 01:14:58,248 DON'T YOU KNOW 1823 01:14:58,289 --> 01:15:01,251 HOW EXTRAORDINARY YOU ARE? 1824 01:15:01,292 --> 01:15:04,337 LOOK AT YOURSELF. 1825 01:15:04,379 --> 01:15:06,923 THERE'S SO MUCH TO SEE. 1826 01:15:12,679 --> 01:15:13,388 THE OLDER WE GET, 1827 01:15:13,430 --> 01:15:16,307 THE MORE PRECIOUS WE ARE. 1828 01:15:16,349 --> 01:15:18,893 THAT'S WHAT YOU'VE MISSED. 1829 01:15:18,935 --> 01:15:21,021 YOU HAVEN'T UNDERSTOOD THAT. 1830 01:15:21,062 --> 01:15:22,230 - I HAVEN'T THOUGHT OF IT 1831 01:15:22,272 --> 01:15:24,899 LIKE THAT, NO. 1832 01:15:24,941 --> 01:15:27,193 - IT'S THE RIGHT WAY. 1833 01:15:27,235 --> 01:15:31,197 THE ONLY WAY. 1834 01:15:31,239 --> 01:15:32,157 YOU SHOULDN'T 1835 01:15:32,198 --> 01:15:35,243 KEEP A LADY WAITING. 1836 01:15:35,285 --> 01:15:37,871 - NO, YOU'RE RIGHT. 1837 01:15:37,912 --> 01:15:39,122 THANK YOU. 1838 01:15:39,164 --> 01:15:42,917 GOOD NIGHT. 1839 01:15:51,051 --> 01:15:54,054 [fast footsteps] 1840 01:15:59,184 --> 01:16:00,352 - SHE TURNED YOU DOWN? 1841 01:16:00,393 --> 01:16:03,688 - [chuckles] NO. 1842 01:16:03,730 --> 01:16:05,231 I HAVE A PROPOSITION FOR YOU 1843 01:16:05,273 --> 01:16:07,359 IF YOU WILL LISTEN-- 1844 01:16:07,400 --> 01:16:09,736 LISTEN IT OUT. 1845 01:16:10,403 --> 01:16:12,614 - LET'S HEAR IT. 1846 01:16:13,281 --> 01:16:14,199 - I'D LIKE TO 1847 01:16:14,240 --> 01:16:15,033 GIVE YOU THE MONEY. 1848 01:16:15,075 --> 01:16:17,035 IT'S--IT'S A VERY SMALL BANK. 1849 01:16:17,077 --> 01:16:22,082 IT WILL NOT BE A VERY GOOD HAUL. 1850 01:16:22,123 --> 01:16:26,044 IF YOU WOULD TAKE IT FROM ME, 1851 01:16:26,086 --> 01:16:27,712 YOU CAN PAY IT BACK IF YOU WANT. 1852 01:16:27,754 --> 01:16:30,131 I-I DON'T REALLY NEED IT. 1853 01:16:32,300 --> 01:16:34,302 - NO, I CAN'T DO THAT. 1854 01:16:36,137 --> 01:16:38,264 - OKAY. 1855 01:16:38,306 --> 01:16:40,058 OFF TO BEDFORDSHIRE. 1856 01:16:40,100 --> 01:16:42,977 [tap dances lightly] 1857 01:18:16,446 --> 01:18:17,197 - I'VE MET GUYS 1858 01:18:17,238 --> 01:18:19,741 LIKE YOU BEFORE, YOU KNOW? 1859 01:18:20,533 --> 01:18:22,827 YOU'RE ALWAYS TROUBLE. 1860 01:18:24,120 --> 01:18:25,538 SADNESS FOLLOWS YOU 1861 01:18:25,580 --> 01:18:29,459 WHEREVER YOU GO. 1862 01:18:29,501 --> 01:18:30,835 IT'S NOT THAT WOMEN LIKE ME 1863 01:18:30,877 --> 01:18:32,545 DON'T KNOW THAT. 1864 01:18:32,587 --> 01:18:34,130 IT'S JUST THAT 1865 01:18:34,172 --> 01:18:35,215 WE'RE ATTRACTED TO IT 1866 01:18:35,256 --> 01:18:39,094 ALL THE SAME. 1867 01:18:39,135 --> 01:18:40,095 I'VE NEVER MET A GOOD GIRL 1868 01:18:40,136 --> 01:18:40,887 BUT SHE DIDN'T HAVE A BIT 1869 01:18:40,929 --> 01:18:43,264 OF BADNESS IN HER SOMEWHERE. 1870 01:18:47,435 --> 01:18:48,853 MAYBE I'M TOO OLD 1871 01:18:48,895 --> 01:18:51,231 FOR ALL THAT NOW. 1872 01:18:56,319 --> 01:19:00,407 I JUST WANTED TO LET YOU KNOW 1873 01:19:00,448 --> 01:19:03,284 THAT I KNOW THAT. 1874 01:19:07,288 --> 01:19:09,416 - DO YOU LOVE HIM? 1875 01:19:09,457 --> 01:19:10,291 - HE SAID YOU NEVER 1876 01:19:10,333 --> 01:19:13,294 ASK QUESTIONS. 1877 01:19:16,339 --> 01:19:18,466 - I DON'T USUALLY. 1878 01:19:18,508 --> 01:19:20,927 FORGET I ASKED. 1879 01:19:23,471 --> 01:19:26,307 - I HAVE ALREADY. 1880 01:19:55,253 --> 01:19:56,296 - [slurps] 1881 01:19:56,338 --> 01:19:58,923 - THERE YOU ARE. 1882 01:20:01,676 --> 01:20:05,305 - YOU LOOK GREEN. 1883 01:20:05,347 --> 01:20:08,600 - I HOPE IT'S THE LIGHT. 1884 01:20:08,641 --> 01:20:12,145 NO, UH, I CAN'T, THANK YOU. 1885 01:20:12,187 --> 01:20:15,190 FASTING, DOCTOR'S ORDERS. 1886 01:20:15,231 --> 01:20:17,901 THERE'S A TRAIN AT 9:15. 1887 01:20:18,401 --> 01:20:21,196 YOU'VE JUST GOT TIME TO MAKE IT. 1888 01:20:24,240 --> 01:20:26,534 - TEMPTING. 1889 01:20:26,576 --> 01:20:27,952 - GIVE INTO IT. 1890 01:20:27,994 --> 01:20:32,707 JUST THIS ONCE. 1891 01:20:32,749 --> 01:20:34,250 WELL, YOU CAN'T SAY 1892 01:20:34,292 --> 01:20:35,293 I DIDN'T TRY. 1893 01:20:35,335 --> 01:20:37,337 THE BUKOWSKI. 1894 01:20:37,379 --> 01:20:41,216 POEM'S IN THERE. 1895 01:20:41,257 --> 01:20:42,300 - THANK YOU. 1896 01:20:42,342 --> 01:20:45,303 - JUST LIKE YOU, 1897 01:20:45,345 --> 01:20:49,474 JUST FOR A TIME THERE, 1898 01:20:49,516 --> 01:20:50,475 I THOUGHT I WASN'T 1899 01:20:50,517 --> 01:20:51,976 GOING TO MAKE IT. 1900 01:20:52,018 --> 01:20:54,521 AND, J-J-JUST IT'S HOW WE MET, 1901 01:20:54,562 --> 01:20:57,357 IT WAS, UH, SO EXTRAORDINARY 1902 01:20:57,399 --> 01:20:59,526 FROM M-M-ME GIVING YOU 1903 01:20:59,567 --> 01:21:00,735 THOSE PILLS, AND I NEVER 1904 01:21:00,777 --> 01:21:01,986 WOULD HAVE DONE THAT. 1905 01:21:02,028 --> 01:21:02,696 NO. 1906 01:21:02,737 --> 01:21:03,530 [sighs] 1907 01:21:03,571 --> 01:21:08,326 IT'S LIKE IT WAS PRE-ORDAINED. 1908 01:21:09,411 --> 01:21:10,078 - I DON'T BELIEVE 1909 01:21:10,120 --> 01:21:12,914 IN THAT KIND OF STUFF. 1910 01:21:17,335 --> 01:21:19,587 - NEITHER DO I. 1911 01:21:20,255 --> 01:21:21,339 [beautiful airy classical piano] 1912 01:21:21,381 --> 01:21:27,429 * * 1913 01:21:27,470 --> 01:21:30,598 - WELL. 1914 01:21:31,266 --> 01:21:37,480 * * 1915 01:21:46,281 --> 01:21:50,035 - KUK. 1916 01:21:50,076 --> 01:21:53,538 - BE SEEING YA. 1917 01:21:53,580 --> 01:21:55,623 - SEE YA. 1918 01:21:56,082 --> 01:22:04,090 * * 1919 01:22:10,597 --> 01:22:11,556 [sweet classical violin] 1920 01:22:11,598 --> 01:22:19,606 * * 1921 01:22:21,775 --> 01:22:29,741 * * 1922 01:22:30,367 --> 01:22:32,369 AH. 1923 01:22:37,499 --> 01:22:39,668 OH. 1924 01:22:41,544 --> 01:22:42,504 [brooding atmospheric guitar] 1925 01:22:42,545 --> 01:22:50,553 * * 1926 01:22:53,848 --> 01:23:02,023 * * 1927 01:23:12,867 --> 01:23:16,079 [tires crunching over gravel] 1928 01:23:17,831 --> 01:23:26,047 * * 1929 01:23:31,386 --> 01:23:39,394 * * 1930 01:23:50,822 --> 01:23:53,825 [metal clinks] 1931 01:24:04,461 --> 01:24:07,630 [train rumbling on tracks] 1932 01:24:07,922 --> 01:24:14,596 * * 1933 01:24:21,603 --> 01:24:29,611 * * 1934 01:24:31,863 --> 01:24:39,871 * * 1935 01:25:00,725 --> 01:25:03,478 [car door shuts] 1936 01:25:03,520 --> 01:25:06,606 [engine revving] 1937 01:25:16,282 --> 01:25:19,285 [tires screeching] 1938 01:25:20,286 --> 01:25:23,289 [car doors opening] 1939 01:25:26,960 --> 01:25:27,919 [light twangy bluegrass guitar] 1940 01:25:27,961 --> 01:25:32,799 * * 1941 01:25:33,800 --> 01:25:36,803 [metallic clicking] 1942 01:25:40,056 --> 01:25:43,268 * * 1943 01:25:56,990 --> 01:25:58,658 [engine turning over] 1944 01:25:58,700 --> 01:26:01,703 [engine revving] 1945 01:26:23,892 --> 01:26:24,726 - ELAINE? 1946 01:26:24,768 --> 01:26:25,602 - OH, HEY. 1947 01:26:25,643 --> 01:26:27,562 UM, YOU'RE JUST DOWN AT THE END, 1948 01:26:27,604 --> 01:26:28,521 638. 1949 01:26:28,563 --> 01:26:29,564 - 638. 1950 01:26:29,606 --> 01:26:31,816 - IT'S ON THE LEFT. 1951 01:26:42,869 --> 01:26:44,704 - WE ALL PASS ON 1952 01:26:44,746 --> 01:26:45,830 LIKE CENTURIES 1953 01:26:45,872 --> 01:26:47,749 AND DOVES. 1954 01:26:47,791 --> 01:26:50,001 [clock bells ringing] 1955 01:26:52,379 --> 01:27:00,387 * * 1956 01:27:02,639 --> 01:27:10,730 * * 1957 01:27:20,407 --> 01:27:23,410 [engine revving] 1958 01:27:33,420 --> 01:27:34,796 - ALL GOOD. 1959 01:27:34,838 --> 01:27:38,299 I'LL BE BACK. 1960 01:27:41,428 --> 01:27:43,430 - [sighs] 1961 01:27:56,985 --> 01:27:57,944 [brooding atmospheric guitar] 1962 01:27:57,986 --> 01:28:05,994 * * 1963 01:28:09,664 --> 01:28:11,416 - I HAVE CONTACT. 1964 01:28:11,458 --> 01:28:13,752 SUSPECTS ENTERING BANK. 1965 01:28:13,793 --> 01:28:15,170 RED TEAM. 1966 01:28:15,211 --> 01:28:17,714 POSITIONS. 1967 01:28:26,473 --> 01:28:29,476 [repetitive heartbeat sound] 1968 01:28:34,022 --> 01:28:42,030 * * 1969 01:28:54,876 --> 01:28:57,462 - DOWN, DOWN ON THE GROUND! 1970 01:28:57,504 --> 01:28:58,463 - OH, GOD! 1971 01:28:58,505 --> 01:28:59,255 - DOWN ON THE GROUND. 1972 01:28:59,297 --> 01:29:00,799 PUT YOUR HANDS ON YOUR HEAD. 1973 01:29:00,840 --> 01:29:01,925 - GO NOW! 1974 01:29:01,966 --> 01:29:02,842 - GO! 1975 01:29:02,884 --> 01:29:03,551 DOWN! 1976 01:29:03,593 --> 01:29:06,012 NOW! HANDS ON YOUR HEAD! 1977 01:29:06,054 --> 01:29:07,013 - ON THE GROUND! 1978 01:29:07,055 --> 01:29:09,099 - BACK, BACK DOWN! 1979 01:29:09,140 --> 01:29:10,684 NOW! 1980 01:29:10,725 --> 01:29:11,851 - NOBODY MOVE. 1981 01:29:11,893 --> 01:29:12,769 DON'T TOUCH ANYTHING. 1982 01:29:12,811 --> 01:29:13,687 STAND THERE. 1983 01:29:13,728 --> 01:29:15,146 NO, NOBODY TALK. 1984 01:29:15,188 --> 01:29:16,856 NOBODY MOVE. 1985 01:29:16,898 --> 01:29:19,859 THIS WILL BE OVER VERY SOON. 1986 01:29:19,901 --> 01:29:23,238 GO, GO. 1987 01:29:23,279 --> 01:29:24,197 - KEEP YOUR FUCKING HEAD DOWN. 1988 01:29:24,239 --> 01:29:25,198 I'LL BLOW IT OFF. 1989 01:29:25,240 --> 01:29:27,826 WHERE'S THE VAULT? 1990 01:29:30,537 --> 01:29:32,789 - NOBODY MOVE. NOBODY TALK. 1991 01:29:33,081 --> 01:29:36,084 [monitor beeping] 1992 01:29:37,752 --> 01:29:40,005 [heartbeats] 1993 01:29:42,298 --> 01:29:44,884 - SWAB. 1994 01:29:48,763 --> 01:29:49,889 - MOVE IN. 1995 01:29:49,931 --> 01:29:54,519 GET IT, GET IT, GET IT, GET IT. 1996 01:29:54,561 --> 01:29:58,523 STAY THERE. 1997 01:29:58,565 --> 01:30:01,067 WHAT'S THE MATTER? 1998 01:30:02,152 --> 01:30:03,069 - FUCK! 1999 01:30:03,111 --> 01:30:05,447 FUCK! 2000 01:30:07,323 --> 01:30:08,742 - FUCKIN' FAKE! 2001 01:30:08,783 --> 01:30:10,910 - FUCK! 2002 01:30:13,204 --> 01:30:16,207 [heartbeats] 2003 01:30:25,258 --> 01:30:31,806 * * 2004 01:30:32,807 --> 01:30:35,810 [loud beeping] 2005 01:30:38,104 --> 01:30:46,112 * * 2006 01:30:47,197 --> 01:30:50,200 [tires squealing] 2007 01:31:00,627 --> 01:31:02,879 - FUCKIN' MAX. 2008 01:31:02,921 --> 01:31:04,297 FUCKIN' MAX. 2009 01:31:04,339 --> 01:31:06,257 I'LL FUCKIN' KILL HIM. 2010 01:31:06,299 --> 01:31:07,926 - NO, STOP! 2011 01:31:07,967 --> 01:31:08,843 - FUCKIN'. 2012 01:31:08,885 --> 01:31:11,638 - NO, STOP! 2013 01:31:14,182 --> 01:31:15,141 [light twangy bluegrass guitar] 2014 01:31:15,183 --> 01:31:18,978 * * 2015 01:31:19,020 --> 01:31:21,856 [gunshot] 2016 01:31:21,898 --> 01:31:24,901 [loud dramatic thud] 2017 01:31:25,652 --> 01:31:28,655 [loud dramatic thud] 2018 01:31:41,418 --> 01:31:44,629 [beeping slows] 2019 01:31:47,173 --> 01:31:49,217 [sustained beep] 2020 01:32:16,369 --> 01:32:19,289 - TIME OF DEATH 12:36. 2021 01:32:36,723 --> 01:32:39,726 [police sirens in distance] 2022 01:33:47,502 --> 01:33:48,461 [light twangy bluegrass guitar] 2023 01:33:48,503 --> 01:33:56,678 * * 2024 01:34:48,063 --> 01:34:51,066 [echoing footsteps] 2025 01:35:18,551 --> 01:35:19,427 [door squeaks] 2026 01:35:19,469 --> 01:35:22,097 [door clatters] 2027 01:35:55,672 --> 01:35:58,883 [soft and slow piano music] 2028 01:36:07,642 --> 01:36:08,601 [soft beautiful classical piano] 2029 01:36:08,643 --> 01:36:16,860 * * 2030 01:36:23,199 --> 01:36:24,159 [beautiful airy violin] 2031 01:36:24,200 --> 01:36:32,208 * * 2032 01:36:41,468 --> 01:36:42,302 [train rumbles over tracks] 2033 01:36:42,344 --> 01:36:43,470 [light twangy bluegrass guitar] 2034 01:36:43,511 --> 01:36:51,519 * * 111450

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