All language subtitles for When the Future Fights Back_track3_[eng]
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1
00:00:03,170 --> 00:00:04,755
AL: [i Gonna welll you Sonetining)
2
00:00:05,589 --> 00:00:06,798
thats Gonna seem Crazy.
3
00:00:08,592 --> 00:00:10,469
JAKE: Holy sind
4
00:00:11,386 --> 00:00:12,513
/\L: Beirore | co,
5
00:00:12,679 --> 00:00:14,765
| nese YOU tO GO IN this Closet.
6
00:00:15,57 --> 00:00:18,936
The thing the: makes Stephen King stories
unbelievably compelling...
7
00:00:19,144 --> 00:00:20,521
All right. Going In tne closet.
8
00:00:20,687 --> 00:00:21,688
ANBIRAWISS
, OBSides ine fac? that ne knows
9
00:00:21,855 --> 00:00:23,65
now Ko tall a Story so borilantily...
10
00:00:23,232 --> 00:00:24,942
Beer not be any spiciers in here.
11
00:00:25,150 --> 00:00:28,946
lS that Ne Is SOMEONES WO Gets you
thinking aloour the, â"Winert ti?â
12
00:00:29,947 --> 00:00:30,948
(GGREAMS)
13
00:00:31,114 --> 00:00:32,115
(GRUNIES)
14
00:00:32,282 --> 00:00:34,576
WAKE: Pretenc! You Go back In we,
15
00:00:34,743 --> 00:00:36,537
YOu Can Change one ding.
16
00:00:37,329 --> 00:00:38,330
Wher would you clo?
17
00:00:38,622 --> 00:00:40,749
âI inatt to me is alwealys tne lest
DOSSIIEISIONVA
18
00:00:40,916 --> 00:00:43,335
AL: | meee! you
LOMONE Ve liaineraSSassiinauion
19
00:00:43,502 --> 00:00:44,753
of Jonn IF. Kennedy.
20
00:00:45,45 --> 00:00:48,674
rig just takes Ine as we know ik and twins
it in a way no one else can.
21
00:00:49,132 --> 00:00:50,384
VL: Wa have a chance ner,
22
00:00:51,09 --> 00:00:53,345
Chance to change people's lives.
23
00:00:58,517 --> 00:01:00,811
OT RIXENINEDY.
We stand on the edge of a great new era,
24
00:01:01,478 --> 00:01:04,731
filled! witin lootin CRISIS anc! oppormunity,
25
00:01:05,315 --> 00:01:10,404
aN GFA tO be Gnaracierizec!
ly achievement and by challenge.
26
00:01:11,697 --> 00:01:16,159
ihe Kennecly assassinavion In paruicular
InaSralWay.Smascinatedmemesoeccaulse
27
00:01:16,326 --> 00:01:18,161
if you assume that Oswalt! cid i
28
00:01:18,328 --> 00:01:23,125
and most people now believe
nat tt was Oswald, that ne cid act alone.
29
00:01:23,292 --> 00:01:27,129
JANG thatt inings just happened teary
day that mace it possible for hinn
30
00:01:27,296 --> 00:01:28,463
tO tale te SOL,
31
00:01:28,797 --> 00:01:30,966
SAM PATE: (ON RADIO) Vine Prasicentâs car
is now tuming onto Elm Sireet.
32
00:01:31,133 --> 00:01:34,386
And m will oe only a matter or minukes
beronewneranivestaathemnadeyViant
33
00:01:34,595 --> 00:01:37,681
KING: Je most inverasiuing thing
to Consider, soeaking as a novelist,
34
00:01:37,848 --> 00:01:41,852
winether or hot Oswellel clicl it,
35
00:01:43,145 --> 00:01:46,23
Burt tf you could
GO back in time and change that,
36
00:01:46,189 --> 00:01:47,524
wnat else would change?
37
00:01:47,691 --> 00:01:50,402
Save JFK, save his brother,
38
00:01:50,986 --> 00:01:53,447
ane that's what | mean
aloourt the butterily etifect.
39
00:01:53,697 --> 00:01:57,284
KKWAS a time In unis Country
where people reallly believed
40
00:01:57,492 --> 00:01:58,493
In tine wunmure
41
00:01:58,660 --> 00:02:00,871
| think Senator Kennedy is the one person
42
00:02:01,38 --> 00:02:03,540
wind Is reallly,
fe allVAGOnmaamlaleranGlinienence
43
00:02:03,874 --> 00:02:06,501
MineneMWaskollOsSsromMmenicankinnocences
44
00:02:07,85 --> 00:02:11,89
Something hac been loroken in alll of us,
45
00:02:11,381 --> 00:02:13,842
ane] it could never get repaired.
46
00:02:15,177 --> 00:02:17,54
Bang! Got you, you're clea.
47
00:02:17,220 --> 00:02:19,264
CARR ENTMERS
People all experianced it in real tine.
48
00:02:19,431 --> 00:02:22,726
And tnereâs something
dnat drew people ttogetiner,
49
00:02:22,893 --> 00:02:26,605
Bure it craw then togetiner
in something that was very, very oaliniul.
50
00:02:30,233 --> 00:02:32,319
JANKE: Vials IS wnere
texaSSaSSiiMatlOnm Sao Ollngplonakeyolaces
51
00:02:34,29 --> 00:02:35,947
Tinereâs aloout 2,000 loooks
writien aloout ft,
52
00:02:36,156 --> 00:02:38,75
And no one knows for sure what happened.
53
00:02:38,408 --> 00:02:42,79
RewiSiting)
OMELOMMEHMOSIeanMOUSHMStOnCAlmMoments
54
00:02:42,245 --> 00:02:44,414
In American Inistory
is intimidating to say the least.
55
00:02:44,581 --> 00:02:47,42
eS been wiitien alooutr
for tine last SO years.
56
00:02:47,334 --> 00:02:48,794
MING KO uncerstanc! that moment
57
00:02:49,86 --> 00:02:51,755
andl the motivations shine the Ixilling.
58
00:02:52,255 --> 00:02:54,257
l'S b6en an @XGhING /OTOCSSS.
59
00:02:54,466 --> 00:02:57,803
Lee, what's a man like you going to do
with 2 chile like tha?
60
00:02:58,136 --> 00:02:59,596
| AA GOING to hunt fascisis.
61
00:02:59,846 --> 00:03:01,56
KINGHgS„alvatensneolmonena
62
00:03:01,515 --> 00:03:02,891
VAK tine tdime that Kennedy was Ikillled,
63
00:03:03,266 --> 00:03:06,812
ine racism Was encenic
AChOSSMNeEROMLEORSTAIES:
64
00:03:07,104 --> 00:03:09,64
Miz Min, can | pour you a cup?
65
00:03:09,940 --> 00:03:11,817
KING: vine Giuil Rights loills ware pending.
66
00:03:12,150 --> 00:03:14,111
Vieinam hac Staned to Grank Uj,
67
00:03:14,528 --> 00:03:15,862
nerd WAS tine Guesiion aloourt
68
00:03:16,29 --> 00:03:20,33
WNetNer Or NOL WS Were GOING to increase
our involvement in Southeast Asia.
69
00:03:20,200 --> 00:03:22,994
Ane! our decision to intervene
in Southeast Asia
70
00:03:23,161 --> 00:03:25,497
NaS iniormec! alll tine clecisions
that have loseen mace
71
00:03:25,664 --> 00:03:27,624
In American toraign policy since inen.
72
00:03:27,791 --> 00:03:31,253
Okely. SO iif you salve JFK,
then thereâs no Vietnam?
73
00:03:31,420 --> 00:03:35,90
JONMSOMMACKNCKONS
wino escalated evervihing in Nan.
74
00:03:36,49 --> 00:03:40,262
liâ Kennechy hac] survived,
NOMVAVECOCSEITAleS CallaiOnEcomunues
75
00:03:42,139 --> 00:03:43,223
Tinose loys
76
00:03:45,350 --> 00:03:46,393
woul ve lived).
77
00:03:48,311 --> 00:03:50,480
PATE: (ON RADIO)
Friday, tan minutes moor
78
00:03:51,314 --> 00:03:54,985
Miewmoloncadeloc ons
them mEnnleMmiGenonnerDallasmnacdesVianta
79
00:03:55,318 --> 00:03:59,30
KING: ft Was tinal one moment
where the weatherman Said that day
80
00:03:59,322 --> 00:04:00,866
WAS GOING to loe rainy.
81
00:04:01,366 --> 00:04:05,746
it had bean rainy thet dary,
Kennedy isnt standing in an open car.
82
00:04:06,663 --> 00:04:09,499
SUN Came Our that day
and American history changed.
83
00:04:12,85 --> 00:04:13,336
CARI ENTERS
Everyoody has something they wished
84
00:04:13,503 --> 00:04:15,589
liney migint Go a Intude on oinarenidy,
85
00:04:15,756 --> 00:04:18,842
Ane tis is a kine! of
ultimate American fantasy.
86
00:04:19,09 --> 00:04:23,430
it WaS @ time of Great
optimism and innocence in America.
87
00:04:23,597 --> 00:04:28,18
And you have one OF tne most
eharismatic anc brilliant
88
00:04:28,185 --> 00:04:31,188
poltacians cut down
in the prime of his lire.
89
00:04:39,863 --> 00:04:42,407
REZONIERESe Ue aliiinousanal
aninusiasiic Texans are on hang
90
00:04:42,574 --> 00:04:45,535
WO Give tine President
and Mrs. Kennedy a warn welcome.
91
00:04:46,286 --> 00:04:50,373
Tine usual waleoming Cconmminee joresents
Mrs. Kennedy with ⏠bouguet or rec! roses.
92
00:04:53,960 --> 00:04:56,421
CARPENTER: One thing tnat makes
this particular mini-series special
93
00:04:56,588 --> 00:04:59,633
IS tina we Nave tins icleea
nant ie Gould! be Chiffarant.
94
00:05:00,509 --> 00:05:03,470
We are hoping
that something else will haooen.
95
00:05:03,887 --> 00:05:05,722
Wihhen Wwe write, we have a mission
96
00:05:06,932 --> 00:05:08,266
HO MAKE [BoOple reel
97
00:05:11,353 --> 00:05:14,773
| raac! 11722763
when it came out ancl loweel it
98
00:05:15,106 --> 00:05:17,400
and sent Stephen King
an ema! telling him suen.
99
00:05:17,651 --> 00:05:19,736
And ne responced saying,
100
00:05:19,903 --> 00:05:21,446
Pir yourta IKE to Gat involved,
101
00:05:21,613 --> 00:05:22,739
rmevios we siould talk aloout tt."
102
00:05:22,906 --> 00:05:23,907
103
00:05:24,74 --> 00:05:25,575
ABRAMS: And apparantly
mney hac been working ror a winile
104
00:05:25,742 --> 00:05:27,244
HO WUT It Into 2 reainure!
105
00:05:27,410 --> 00:05:29,788
And irs a poretity lengiuny look!
106
00:05:30,80 --> 00:05:31,748
Ane So || coule
winy thet would! oe problematic.
107
00:05:31,915 --> 00:05:34,125
And | said to Inim, âLook, instead! of
trying to make it into a movie,
108
00:05:34,292 --> 00:05:36,628
âWhy not let it breaine,
lat i be what it wants to be
109
00:05:36,878 --> 00:05:38,672
rand Go [in 2 mink-senies rorma?âą
110
00:05:39,89 --> 00:05:40,632
ANNC! to my SUTPrISS,
ne says, âSounds great!â
111
00:05:40,799 --> 00:05:43,802
Some) WORKING UO itine!
ine might writer
112
00:05:43,969 --> 00:05:46,96
tO WANSIAWS lt
into tne form ht needs to be.
113
00:05:46,263 --> 00:05:47,264
Ane we ounce Briciget Caroenter.
114
00:05:47,430 --> 00:05:49,724
You saved my litte.
-/ou sawecl mine.
115
00:05:49,891 --> 00:05:51,726
KING: Birieger Caroenter
WAS ihe peniect person
116
00:05:51,893 --> 00:05:54,896
loacause | know her work!
from Friday Night Lights.
117
00:05:55,230 --> 00:05:58,275
And sire has a great uncerstancling
118
00:05:58,608 --> 00:06:01,820
Of people wo live
OnainalVAmiacdlexclassHivess
119
00:06:02,445 --> 00:06:05,115
Do you happen to know
a guy named Frank Dunning?
120
00:06:07,284 --> 00:06:10,287
-Oh, I'm Jake Amberson.
121
00:06:10,453 --> 00:06:14,82
She would hawe to tigure out
how cdo we loest tell the story
122
00:06:14,416 --> 00:06:15,667
In wis cinverent rormat.
123
00:06:15,834 --> 00:06:17,711
Ane tt Was
really an amazing thing to waten her
124
00:06:17,878 --> 00:06:20,797
in a inal anc! error Son oF waly Go
inrough kt anc igure it
125
00:06:20,964 --> 00:06:22,424
âIl SOME CASES ht waS about iiguring out
126
00:06:22,591 --> 00:06:23,800
what to Keen, Wat not to Keep.
127
00:06:23,967 --> 00:06:27,137
in other cases, It was figuring
out which Characters to expand
128
00:06:27,387 --> 00:06:29,306
to allow ior tine Story
tO be properky itold.
129
00:06:29,472 --> 00:06:31,975
nn here to Keep the Presicent
from being assassinated.
130
00:06:32,475 --> 00:06:33,977
GARPENTIER: Ine Gnaractar or Bill Turcotte
131
00:06:34,144 --> 00:06:36,563
was an enuirely dinrarenty
figure in the novel.
132
00:06:36,730 --> 00:06:38,315
rie Is King of an Oosiache to Jaxe
133
00:06:38,481 --> 00:06:40,650
anc tnen he clisappears
and we dont mest him again.
134
00:06:40,901 --> 00:06:42,27
| WAAKA Save Ninn, too.
135
00:06:42,319 --> 00:06:46,156
| basically wanted! to create
a younger brother tor Jake.
136
00:06:46,406 --> 00:06:47,908
Mayline you Gould use someloochy
to have your lack.
137
00:06:48,74 --> 00:06:50,493
Somebody who acimirec lim.
138
00:06:50,785 --> 00:06:52,120
| listened to you. | loeliewec! you.
139
00:06:52,287 --> 00:06:54,623
Somebody who wanted to help hin.
140
00:06:55,415 --> 00:06:57,959
if YOU wanna elo, you can inelo.
141
00:06:58,668 --> 00:07:00,503
ayealie
142
00:07:00,670 --> 00:07:02,380
CARI ENTERS
The book is an intemal experience.
143
00:07:02,547 --> 00:07:04,674
Youre reaching it
ane youre privy to Jake's thoughts.
144
00:07:04,841 --> 00:07:07,93
| Knew tnat | chen want
LONG ORVOIECCEOVETA
145
00:07:07,260 --> 00:07:10,55
Tinatt led to, âOkay, welll, ne has to
have somebody to talk tto.â
146
00:07:10,263 --> 00:07:13,683
NAc] Wr NESE! to tine] out when
Osweallekstantssrallkienal oui GenenalayNallen
147
00:07:13,850 --> 00:07:15,852
anc Wino ne starts talking aloout nin to.
148
00:07:16,61 --> 00:07:17,938
Sometimes it can be a little bit tough
149
00:07:18,146 --> 00:07:19,773
tO Grack tihat nut, our sne elie te
150
00:07:19,940 --> 00:07:21,942
This might los
tne star of the whole thing.
151
00:07:24,194 --> 00:07:27,113
JAMES FRANCO:
I just loved 11/22/68 trom tne beginning.
152
00:07:27,280 --> 00:07:29,366
SO | just wrore
a) Intile article about it tor WICE,
153
00:07:29,532 --> 00:07:32,786
and the next thing | knew
| Got an email trom J.J. Abrams saying,
154
00:07:32,953 --> 00:07:36,247
"| read your article. everything you sallcl
you liked aloout tine look, | like.
155
00:07:36,414 --> 00:07:38,333
WACOM Rniink
you will make a great Jake Epoing.â
156
00:07:38,500 --> 00:07:40,01
And | Kine! or leat att te
157
00:07:40,168 --> 00:07:42,212
Becausewlnaverseenwintenested|
iin the Subject a long time.
158
00:07:42,379 --> 00:07:44,47
Ane! | thought tis movie
and tne pramise of this movie
159
00:07:44,214 --> 00:07:47,926
were reallly original,
innovative ways into this suloject.
160
00:07:48,343 --> 00:07:50,53
Tell me one more thing aloout the iumure.
161
00:07:50,303 --> 00:07:53,181
ABRAMS: ne Story hac! tis
very unusual quality thet
162
00:07:53,348 --> 00:07:55,642
| con't tine!
MOSaunennaVe lmovVlesinave
163
00:07:55,809 --> 00:07:58,603
lt had an inerachiols
Sense of reality to i
164
00:07:58,770 --> 00:08:00,21
andl a tangiolllitqy tto tt
165
00:08:00,188 --> 00:08:03,483
it ral like thera Was
SOMEeLMMOMMatehlalLaboulgoinooacke
166
00:08:03,733 --> 00:08:05,402
JAKE: Gog UD AGAINS! tine ast.
167
00:08:05,568 --> 00:08:06,903
Anything can happen. Ane! te will.
168
00:08:07,70 --> 00:08:08,488
/All we can clo Is try and Ise raacly.
169
00:08:12,534 --> 00:08:14,536
FRANCO: Time tsellr
is wrying to prevent you
170
00:08:14,703 --> 00:08:17,205
irom serewing win
what ht tninks is inevitaole.
171
00:08:19,165 --> 00:08:21,01
KING: Vine past coesnt want to be changec!
172
00:08:21,209 --> 00:08:22,877
it Gives andl it Gives anal It gives
173
00:08:23,44 --> 00:08:25,797
ane men mayoe
it tears anc] you're able to make a change.
174
00:08:25,964 --> 00:08:27,590
BECAUSE YOU Gan GNANGe tN@ ast...
175
00:08:27,757 --> 00:08:28,800
You shouldn't loe here
176
00:08:28,967 --> 00:08:30,552
L AOU ft Might also bounce you lack
177
00:08:30,719 --> 00:08:32,470
ane] meivioe you splatter alll over the wall.
178
00:08:32,637 --> 00:08:33,638
(GRUNIES)
179
00:08:34,806 --> 00:08:35,974
-(SHIRIEKS)
(SCREAMS)
180
00:08:38,309 --> 00:08:41,104
PRANCO: One Of the appealing things
aloout the way that time travel is used
181
00:08:41,271 --> 00:08:44,149
in this Story IS inate
you have @ period movie,
182
00:08:44,315 --> 00:08:47,110
Du tne Cnaracter can actually comment on
183
00:08:47,318 --> 00:08:48,778
everyining tat Is interesting
aloOurt the ast
184
00:08:48,945 --> 00:08:50,280
lO@CAUSE NE IS irom tine joresentt
185
00:08:50,655 --> 00:08:52,32
| Guess you IIKeel It.
186
00:08:52,323 --> 00:08:54,409
iinatt is the best ple that I've ever hac.
187
00:08:54,576 --> 00:08:58,38
Ane] SO there Is a Wely to reallly kine! or
underline in a very exolicht weaty
188
00:08:58,204 --> 00:08:59,289
averytning tet Is Interesting.
189
00:08:59,748 --> 00:09:00,749
ert I] xe 60 Gants
190
00:09:00,957 --> 00:09:03,793
SiVcontsm Okay a Omcoursem CHIUEKIEING)
191
00:09:03,960 --> 00:09:06,463
James Franco Comes out
wearing his teaching sult.
192
00:09:06,629 --> 00:09:08,840
And lrs really like seeing a character
193
00:09:09,07 --> 00:09:11,676
Come irom
ineyoa@e Oma Qookd niomealmliicy
194
00:09:11,843 --> 00:09:13,386
K's sort of a new identity,
195
00:09:13,553 --> 00:09:16,514
Ane mayoe a new conilicdence,
at least in nis Glotnes.
196
00:09:17,15 --> 00:09:19,517
vine minuke you clean shave him
and iim his hair up,
197
00:09:19,684 --> 00:09:23,646
part to the side
and he puts the sult and tie and hat on,
198
00:09:23,813 --> 00:09:25,732
ne transforms Into anower era
199
00:09:25,899 --> 00:09:27,776
Ghancgestinevanzomiieâ
200
00:09:28,359 --> 00:09:30,403
IPFOGESS NAS Met NEw acnlaventents.
201
00:09:31,446 --> 00:09:33,656
Ano we dare not look back nowy!
202
00:09:34,199 --> 00:09:37,994
The more | wrovwe aloout tne "COs,
nine more | rememioerac! aloourt tine "60s.
203
00:09:38,703 --> 00:09:40,622
Yn rumishings, tne smell.
204
00:09:40,789 --> 00:09:43,166
Miewacdtnat
evervyoody was smoking cigarettes.
205
00:09:43,333 --> 00:09:45,335
Hairstyles, all those things.
206
00:09:45,502 --> 00:09:46,753
KIMBER EVAZANEIARKO}
lâs such 2 beauitiul era.
207
00:09:46,920 --> 00:09:48,755
ie'S AMAZING NOW It JUST COMMS to Ine
208
00:09:48,922 --> 00:09:51,758
anc! looks like we've
Stepped loack in time.
209
00:09:53,468 --> 00:09:56,221
ABRAMS: Whats been anazing
watching the Show as it Comes together,
210
00:09:56,471 --> 00:09:58,598
nt reels Sirangely authentic
211
00:09:59,307 --> 00:10:01,142
anc vary mucn tine way tne book irelit
212
00:10:01,851 --> 00:10:03,19
Not trom around here, are you?
213
00:10:03,186 --> 00:10:06,272
| cidlinât WAIN It tO look like
the pages of Harpers Bazaar
214
00:10:06,439 --> 00:10:09,609
torn OU irom 1962 ancl 3:
215
00:10:09,776 --> 00:10:13,488
I just wanted to eel
ine way | ital when | read ite,
216
00:10:13,655 --> 00:10:15,448
when | was waiehing
MOSS IMAGES ONSGTEEN.
217
00:10:16,699 --> 00:10:18,827
=F Bll Hands upl
âWhere's our stutr?
218
00:10:19,119 --> 00:10:23,164
T© Come on the set ancl that they've
actually brought tt into the reall world,
219
00:10:23,331 --> 00:10:26,209
It's Ite lot like seeing
tne furnishings of your heac
220
00:10:26,417 --> 00:10:27,961
acwallly orougint to Ine.
221
00:10:30,380 --> 00:10:31,548
You have something to lhicde?
222
00:10:31,714 --> 00:10:33,133
| cont wanna lhice anything tron you.
223
00:10:33,716 --> 00:10:36,970
Anyone Wino reads King's work
Knows that he makes raiiarences
224
00:10:37,137 --> 00:10:40,56
tO OLlNer Sores In nis novels.
225
00:10:40,223 --> 00:10:42,100
CARRENTERE
There is a Stephen King multiverse,
226
00:10:42,267 --> 00:10:45,645
anc! So | knew tina we waniteac
O Give that to the fans
227
00:10:45,812 --> 00:10:48,857
ane! loury lite Easter eggs ou
there tor our own enjoyment.
228
00:10:51,276 --> 00:10:55,321
On One of the main SEIS OF tne
you'll pass 4 Blue Ribbon Launelny.
229
00:10:55,488 --> 00:10:59,450
And Blue Rilbbon Laundry is
mnere Camieâs mother worked, iim Carrie.
230
00:11:01,77 --> 00:11:04,998
The baroer ane tne pilot,
saving to James Franco...
231
00:11:05,165 --> 00:11:06,583
âAmioerson. iim.
232
00:11:06,749 --> 00:11:08,960
IAPS those the Amlersons
over in Caste Rock?
233
00:11:09,127 --> 00:11:10,587
Everyoocdy wino loves Stephen King knows
234
00:11:10,753 --> 00:11:13,89
that Casile Rock is
nis invented olace in Maine.
235
00:11:14,257 --> 00:11:16,843
SOMSUMES I'S SITES SIGNS,
Sometimes I?s oratiiti.
236
00:11:17,10 --> 00:11:18,553
Sometimes itâs dialogue.
237
00:11:18,720 --> 00:11:22,15
Daniel, just come in
a beat atiter Bill's line, okay?
238
00:11:22,182 --> 00:11:25,685
CARRENTERS
James is just an unloeliovably here worker.
239
00:11:25,894 --> 00:11:29,689
Irie nas reallly clear, thoughiitul opinions.
240
00:11:29,856 --> 00:11:33,818
Ane ne clirectec!
ONS Of OUr Most tirightening episodes.
241
00:11:33,985 --> 00:11:37,238
Certainly one of the more memoralole
episodes of the mini-series
242
00:11:37,405 --> 00:11:39,824
ane tne actors lovacd working wiin hin.
243
00:11:40,283 --> 00:11:42,76
riave you ever reac any Karl Marc?
244
00:11:42,410 --> 00:11:43,786
Well, can't say that | have.
245
00:11:44,829 --> 00:11:46,39
HAI Fight, Cut.
âCutt,
246
00:11:46,247 --> 00:11:48,291
K's reallly tun to recreate
247
00:11:48,458 --> 00:11:52,253
ane past ancl cleliver a Inde slice or
what things used to be like.
248
00:11:53,129 --> 00:11:54,130
249
00:11:54,964 --> 00:11:55,965
You leit tis
250
00:11:56,883 --> 00:11:57,967
hank you. (ChIUCKLIES)
251
00:11:58,134 --> 00:12:03,306
SAR ATICADONESOmetinesm MIKCate mii Selig
On Set and it just reels so American.
252
00:12:03,473 --> 00:12:05,558
(LAUGHS) And Ina just like, âWow,
this is really happening.
253
00:12:05,725 --> 00:12:07,518
TiAIS IS ORAM."
254
00:12:07,685 --> 00:12:10,396
SO, iS reallly kina itun
KO flay within those worlds.
255
00:12:15,985 --> 00:12:17,320
SANCHEZ
vhe sheer numloer of people.
256
00:12:17,487 --> 00:12:21,157
| mean, for episode one
and two, we drassed 1,700 background
257
00:12:21,324 --> 00:12:22,659
In perioc 1960s clothes.
258
00:12:22,825 --> 00:12:23,910
t's a lot OF people.
259
00:12:24,77 --> 00:12:28,414
snersâs a lot elamenks
tO & ersonâs wardrobe back then
260
00:12:28,581 --> 00:12:29,916
Khan tnere are tO US todayy.
261
00:12:30,83 --> 00:12:33,336
Wonne nena
ineir uncerfoinnings, the bra, the oirclle.
262
00:12:33,586 --> 00:12:35,171
NG SiO, tine Grass.
263
00:12:35,338 --> 00:12:37,382
ine jaowallry, tine foln, tine hate
264
00:12:37,590 --> 00:12:40,218
sine Stockings. (nereâs a lot more
elaments to their cGloines.
265
00:12:40,385 --> 00:12:43,930
ANE WHEN YOU UR that lin Cones
with dressing 1,600, 1,700 people,
266
00:12:44,97 --> 00:12:46,57
K's a lov or aruicles of Glotning.
267
00:12:47,183 --> 00:12:50,395
Imuneciately when we put women In
Corsets, they stand cinerantly.
268
00:12:50,853 --> 00:12:53,856
When We put men in tnOSe 1950s
Suits and you jut a hat on them,
269
00:12:54,23 --> 00:12:55,900
ney Stand chirarendhy,
iney feel cinerantly.
270
00:12:56,401 --> 00:12:59,529
SOM Tininktallor
ine background andsis in this show
271
00:12:59,696 --> 00:13:01,990
are having a reallly great inne.
And they keep coming back.
272
00:13:02,740 --> 00:13:03,825
Because they are having Tun.
273
00:13:05,576 --> 00:13:06,744
MANA ONRAVYKO Sour!
274
00:13:06,911 --> 00:13:09,372
CARRENTEREIVEXS odin Dea Cvazlacalasn
275
00:13:10,81 --> 00:13:11,207
lEvaryoodly ttalt something.
276
00:13:11,374 --> 00:13:14,377
NCE WAS ⏠NEAVINESS to Me
There was a reality to it
277
00:13:14,669 --> 00:13:16,713
/Anel it makes you think
278
00:13:17,88 --> 00:13:21,50
aloourt tals real ining
nat really happened right here.
279
00:13:21,217 --> 00:13:22,552
it Was ramarkalale,
280
00:13:23,511 --> 00:13:26,514
PATE: it appears that someting
has happened on the motorcacle route.
281
00:13:26,681 --> 00:13:29,225
Something, | repeat,
has happened on the motorcacle route.
282
00:13:29,767 --> 00:13:32,228
vheres numerous people
running uo the hill
283
00:13:32,395 --> 00:13:35,982
Several ollice oiiicers
are rushing up the hill at this time.
284
00:13:36,149 --> 00:13:38,67
Sand by, Just a moment, please.
285
00:13:39,110 --> 00:13:40,862
ZINFIARKO: When I iirst sieppec!
on to Dealey Plaza
286
00:13:41,29 --> 00:13:43,614
and saw tine 1exas Book Depository,
287
00:13:43,781 --> 00:13:46,701
YOU Can't Nelo lou, SOR Or,
oe taken aloack a litle lott
288
00:13:46,909 --> 00:13:50,413
its an nonor, reallly.
You want tO Pay raSHect to the evant.
289
00:13:50,580 --> 00:13:54,292
SO, WS NAVE tO iY to
ASTACCUAlekASEOOSSIIOC!
290
00:13:54,751 --> 00:13:59,589
CARPENTER: Roland Sanenez took
ine Zaprucler iillm anc ne clic! blow-ups
291
00:13:59,756 --> 00:14:05,178
Of dozens of frames So lhe could
recreate ancl outld every costume
292
00:14:05,428 --> 00:14:09,140
ina evary Person WAS Weaning
on the grassy knoll
293
00:14:09,307 --> 00:14:11,351
lina ine Zajorucler wilh Ceyouurec
294
00:14:11,726 --> 00:14:14,354
eMeciealcokalnStoncalinonmenk
295
00:14:14,520 --> 00:14:17,607
So tine Babushka lacky
is weaning exactly what she wore
296
00:14:17,940 --> 00:14:21,69
as tar as Rolane
tigured out how to loutilel tt.
297
00:14:22,820 --> 00:14:25,740
I've Got Goose lumps right
MOWADECAUSeRMeRUSiamallle mits
298
00:14:26,407 --> 00:14:30,995
K's One thing to it
In 2 plcture or an old tilm of the time.
299
00:14:31,204 --> 00:14:32,455
But he'S ANOUNEP thing
to actually be here
300
00:14:32,663 --> 00:14:35,83
and acmwally be recreading
One of ine most historical eyents
301
00:14:35,291 --> 00:14:36,292
of tine United States history.
302
00:14:36,501 --> 00:14:38,961
K's a really amazing eoeriencs to le
alole to be shooting here.
303
00:14:40,838 --> 00:14:43,466
KING: / would have to ask anyoodly,
304
00:14:43,716 --> 00:14:47,637
"lif you Inacl the Ghanes to go back anc}
Ghange that one event in your lite,
305
00:14:49,97 --> 00:14:50,473
youll you even Clo 1?â
306
00:14:50,640 --> 00:14:51,641
(GRUNIES)
307
00:15:10,743 --> 00:15:11,744
English - SDA
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