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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,170 --> 00:00:04,755 AL: [i Gonna welll you Sonetining) 2 00:00:05,589 --> 00:00:06,798 thats Gonna seem Crazy. 3 00:00:08,592 --> 00:00:10,469 JAKE: Holy sind 4 00:00:11,386 --> 00:00:12,513 /\L: Beirore | co, 5 00:00:12,679 --> 00:00:14,765 | nese YOU tO GO IN this Closet. 6 00:00:15,57 --> 00:00:18,936 The thing the: makes Stephen King stories unbelievably compelling... 7 00:00:19,144 --> 00:00:20,521 All right. Going In tne closet. 8 00:00:20,687 --> 00:00:21,688 ANBIRAWISS , OBSides ine fac? that ne knows 9 00:00:21,855 --> 00:00:23,65 now Ko tall a Story so borilantily... 10 00:00:23,232 --> 00:00:24,942 Beer not be any spiciers in here. 11 00:00:25,150 --> 00:00:28,946 lS that Ne Is SOMEONES WO Gets you thinking aloour the, “"Winert ti?” 12 00:00:29,947 --> 00:00:30,948 (GGREAMS) 13 00:00:31,114 --> 00:00:32,115 (GRUNIES) 14 00:00:32,282 --> 00:00:34,576 WAKE: Pretenc! You Go back In we, 15 00:00:34,743 --> 00:00:36,537 YOu Can Change one ding. 16 00:00:37,329 --> 00:00:38,330 Wher would you clo? 17 00:00:38,622 --> 00:00:40,749 ‘I inatt to me is alwealys tne lest DOSSIIEISIONVA 18 00:00:40,916 --> 00:00:43,335 AL: | meee! you LOMONE Ve liaineraSSassiinauion 19 00:00:43,502 --> 00:00:44,753 of Jonn IF. Kennedy. 20 00:00:45,45 --> 00:00:48,674 rig just takes Ine as we know ik and twins it in a way no one else can. 21 00:00:49,132 --> 00:00:50,384 VL: Wa have a chance ner, 22 00:00:51,09 --> 00:00:53,345 Chance to change people's lives. 23 00:00:58,517 --> 00:01:00,811 OT RIXENINEDY. We stand on the edge of a great new era, 24 00:01:01,478 --> 00:01:04,731 filled! witin lootin CRISIS anc! oppormunity, 25 00:01:05,315 --> 00:01:10,404 aN GFA tO be Gnaracierizec! ly achievement and by challenge. 26 00:01:11,697 --> 00:01:16,159 ihe Kennecly assassinavion In paruicular InaSralWay.Smascinatedmemesoeccaulse 27 00:01:16,326 --> 00:01:18,161 if you assume that Oswalt! cid i 28 00:01:18,328 --> 00:01:23,125 and most people now believe nat tt was Oswald, that ne cid act alone. 29 00:01:23,292 --> 00:01:27,129 JANG thatt inings just happened teary day that mace it possible for hinn 30 00:01:27,296 --> 00:01:28,463 tO tale te SOL, 31 00:01:28,797 --> 00:01:30,966 SAM PATE: (ON RADIO) Vine Prasicent’s car is now tuming onto Elm Sireet. 32 00:01:31,133 --> 00:01:34,386 And m will oe only a matter or minukes beronewneranivestaathemnadeyViant 33 00:01:34,595 --> 00:01:37,681 KING: Je most inverasiuing thing to Consider, soeaking as a novelist, 34 00:01:37,848 --> 00:01:41,852 winether or hot Oswellel clicl it, 35 00:01:43,145 --> 00:01:46,23 Burt tf you could GO back in time and change that, 36 00:01:46,189 --> 00:01:47,524 wnat else would change? 37 00:01:47,691 --> 00:01:50,402 Save JFK, save his brother, 38 00:01:50,986 --> 00:01:53,447 ane that's what | mean aloourt the butterily etifect. 39 00:01:53,697 --> 00:01:57,284 KKWAS a time In unis Country where people reallly believed 40 00:01:57,492 --> 00:01:58,493 In tine wunmure 41 00:01:58,660 --> 00:02:00,871 | think Senator Kennedy is the one person 42 00:02:01,38 --> 00:02:03,540 wind Is reallly, fe allVAGOnmaamlaleranGlinienence 43 00:02:03,874 --> 00:02:06,501 MineneMWaskollOsSsromMmenicankinnocences 44 00:02:07,85 --> 00:02:11,89 Something hac been loroken in alll of us, 45 00:02:11,381 --> 00:02:13,842 ane] it could never get repaired. 46 00:02:15,177 --> 00:02:17,54 Bang! Got you, you're clea. 47 00:02:17,220 --> 00:02:19,264 CARR ENTMERS People all experianced it in real tine. 48 00:02:19,431 --> 00:02:22,726 And tnere’s something dnat drew people ttogetiner, 49 00:02:22,893 --> 00:02:26,605 Bure it craw then togetiner in something that was very, very oaliniul. 50 00:02:30,233 --> 00:02:32,319 JANKE: Vials IS wnere texaSSaSSiiMatlOnm Sao Ollngplonakeyolaces 51 00:02:34,29 --> 00:02:35,947 Tinere’s aloout 2,000 loooks writien aloout ft, 52 00:02:36,156 --> 00:02:38,75 And no one knows for sure what happened. 53 00:02:38,408 --> 00:02:42,79 RewiSiting) OMELOMMEHMOSIeanMOUSHMStOnCAlmMoments 54 00:02:42,245 --> 00:02:44,414 In American Inistory is intimidating to say the least. 55 00:02:44,581 --> 00:02:47,42 eS been wiitien alooutr for tine last SO years. 56 00:02:47,334 --> 00:02:48,794 MING KO uncerstanc! that moment 57 00:02:49,86 --> 00:02:51,755 andl the motivations shine the Ixilling. 58 00:02:52,255 --> 00:02:54,257 l'S b6en an @XGhING /OTOCSSS. 59 00:02:54,466 --> 00:02:57,803 Lee, what's a man like you going to do with 2 chile like tha? 60 00:02:58,136 --> 00:02:59,596 | AA GOING to hunt fascisis. 61 00:02:59,846 --> 00:03:01,56 KINGHgS„alvatensneolmonena 62 00:03:01,515 --> 00:03:02,891 VAK tine tdime that Kennedy was Ikillled, 63 00:03:03,266 --> 00:03:06,812 ine racism Was encenic AChOSSMNeEROMLEORSTAIES: 64 00:03:07,104 --> 00:03:09,64 Miz Min, can | pour you a cup? 65 00:03:09,940 --> 00:03:11,817 KING: vine Giuil Rights loills ware pending. 66 00:03:12,150 --> 00:03:14,111 Vieinam hac Staned to Grank Uj, 67 00:03:14,528 --> 00:03:15,862 nerd WAS tine Guesiion aloourt 68 00:03:16,29 --> 00:03:20,33 WNetNer Or NOL WS Were GOING to increase our involvement in Southeast Asia. 69 00:03:20,200 --> 00:03:22,994 Ane! our decision to intervene in Southeast Asia 70 00:03:23,161 --> 00:03:25,497 NaS iniormec! alll tine clecisions that have loseen mace 71 00:03:25,664 --> 00:03:27,624 In American toraign policy since inen. 72 00:03:27,791 --> 00:03:31,253 Okely. SO iif you salve JFK, then there’s no Vietnam? 73 00:03:31,420 --> 00:03:35,90 JONMSOMMACKNCKONS wino escalated evervihing in Nan. 74 00:03:36,49 --> 00:03:40,262 li’ Kennechy hac] survived, NOMVAVECOCSEITAleS CallaiOnEcomunues 75 00:03:42,139 --> 00:03:43,223 Tinose loys 76 00:03:45,350 --> 00:03:46,393 woul ve lived). 77 00:03:48,311 --> 00:03:50,480 PATE: (ON RADIO) Friday, tan minutes moor 78 00:03:51,314 --> 00:03:54,985 Miewmoloncadeloc ons them mEnnleMmiGenonnerDallasmnacdesVianta 79 00:03:55,318 --> 00:03:59,30 KING: ft Was tinal one moment where the weatherman Said that day 80 00:03:59,322 --> 00:04:00,866 WAS GOING to loe rainy. 81 00:04:01,366 --> 00:04:05,746 it had bean rainy thet dary, Kennedy isnt standing in an open car. 82 00:04:06,663 --> 00:04:09,499 SUN Came Our that day and American history changed. 83 00:04:12,85 --> 00:04:13,336 CARI ENTERS Everyoody has something they wished 84 00:04:13,503 --> 00:04:15,589 liney migint Go a Intude on oinarenidy, 85 00:04:15,756 --> 00:04:18,842 Ane tis is a kine! of ultimate American fantasy. 86 00:04:19,09 --> 00:04:23,430 it WaS @ time of Great optimism and innocence in America. 87 00:04:23,597 --> 00:04:28,18 And you have one OF tne most eharismatic anc brilliant 88 00:04:28,185 --> 00:04:31,188 poltacians cut down in the prime of his lire. 89 00:04:39,863 --> 00:04:42,407 REZONIERESe Ue aliiinousanal aninusiasiic Texans are on hang 90 00:04:42,574 --> 00:04:45,535 WO Give tine President and Mrs. Kennedy a warn welcome. 91 00:04:46,286 --> 00:04:50,373 Tine usual waleoming Cconmminee joresents Mrs. Kennedy with € bouguet or rec! roses. 92 00:04:53,960 --> 00:04:56,421 CARPENTER: One thing tnat makes this particular mini-series special 93 00:04:56,588 --> 00:04:59,633 IS tina we Nave tins icleea nant ie Gould! be Chiffarant. 94 00:05:00,509 --> 00:05:03,470 We are hoping that something else will haooen. 95 00:05:03,887 --> 00:05:05,722 Wihhen Wwe write, we have a mission 96 00:05:06,932 --> 00:05:08,266 HO MAKE [BoOple reel 97 00:05:11,353 --> 00:05:14,773 | raac! 11722763 when it came out ancl loweel it 98 00:05:15,106 --> 00:05:17,400 and sent Stephen King an ema! telling him suen. 99 00:05:17,651 --> 00:05:19,736 And ne responced saying, 100 00:05:19,903 --> 00:05:21,446 Pir yourta IKE to Gat involved, 101 00:05:21,613 --> 00:05:22,739 rmevios we siould talk aloout tt." 102 00:05:22,906 --> 00:05:23,907 103 00:05:24,74 --> 00:05:25,575 ABRAMS: And apparantly mney hac been working ror a winile 104 00:05:25,742 --> 00:05:27,244 HO WUT It Into 2 reainure! 105 00:05:27,410 --> 00:05:29,788 And irs a poretity lengiuny look! 106 00:05:30,80 --> 00:05:31,748 Ane So || coule winy thet would! oe problematic. 107 00:05:31,915 --> 00:05:34,125 And | said to Inim, “Look, instead! of trying to make it into a movie, 108 00:05:34,292 --> 00:05:36,628 “Why not let it breaine, lat i be what it wants to be 109 00:05:36,878 --> 00:05:38,672 rand Go [in 2 mink-senies rorma?ℱ 110 00:05:39,89 --> 00:05:40,632 ANNC! to my SUTPrISS, ne says, “Sounds great!” 111 00:05:40,799 --> 00:05:43,802 Some) WORKING UO itine! ine might writer 112 00:05:43,969 --> 00:05:46,96 tO WANSIAWS lt into tne form ht needs to be. 113 00:05:46,263 --> 00:05:47,264 Ane we ounce Briciget Caroenter. 114 00:05:47,430 --> 00:05:49,724 You saved my litte. -/ou sawecl mine. 115 00:05:49,891 --> 00:05:51,726 KING: Birieger Caroenter WAS ihe peniect person 116 00:05:51,893 --> 00:05:54,896 loacause | know her work! from Friday Night Lights. 117 00:05:55,230 --> 00:05:58,275 And sire has a great uncerstancling 118 00:05:58,608 --> 00:06:01,820 Of people wo live OnainalVAmiacdlexclassHivess 119 00:06:02,445 --> 00:06:05,115 Do you happen to know a guy named Frank Dunning? 120 00:06:07,284 --> 00:06:10,287 -Oh, I'm Jake Amberson. 121 00:06:10,453 --> 00:06:14,82 She would hawe to tigure out how cdo we loest tell the story 122 00:06:14,416 --> 00:06:15,667 In wis cinverent rormat. 123 00:06:15,834 --> 00:06:17,711 Ane tt Was really an amazing thing to waten her 124 00:06:17,878 --> 00:06:20,797 in a inal anc! error Son oF waly Go inrough kt anc igure it 125 00:06:20,964 --> 00:06:22,424 “Il SOME CASES ht waS about iiguring out 126 00:06:22,591 --> 00:06:23,800 what to Keen, Wat not to Keep. 127 00:06:23,967 --> 00:06:27,137 in other cases, It was figuring out which Characters to expand 128 00:06:27,387 --> 00:06:29,306 to allow ior tine Story tO be properky itold. 129 00:06:29,472 --> 00:06:31,975 nn here to Keep the Presicent from being assassinated. 130 00:06:32,475 --> 00:06:33,977 GARPENTIER: Ine Gnaractar or Bill Turcotte 131 00:06:34,144 --> 00:06:36,563 was an enuirely dinrarenty figure in the novel. 132 00:06:36,730 --> 00:06:38,315 rie Is King of an Oosiache to Jaxe 133 00:06:38,481 --> 00:06:40,650 anc tnen he clisappears and we dont mest him again. 134 00:06:40,901 --> 00:06:42,27 | WAAKA Save Ninn, too. 135 00:06:42,319 --> 00:06:46,156 | basically wanted! to create a younger brother tor Jake. 136 00:06:46,406 --> 00:06:47,908 Mayline you Gould use someloochy to have your lack. 137 00:06:48,74 --> 00:06:50,493 Somebody who acimirec lim. 138 00:06:50,785 --> 00:06:52,120 | listened to you. | loeliewec! you. 139 00:06:52,287 --> 00:06:54,623 Somebody who wanted to help hin. 140 00:06:55,415 --> 00:06:57,959 if YOU wanna elo, you can inelo. 141 00:06:58,668 --> 00:07:00,503 ayealie 142 00:07:00,670 --> 00:07:02,380 CARI ENTERS The book is an intemal experience. 143 00:07:02,547 --> 00:07:04,674 Youre reaching it ane youre privy to Jake's thoughts. 144 00:07:04,841 --> 00:07:07,93 | Knew tnat | chen want LONG ORVOIECCEOVETA 145 00:07:07,260 --> 00:07:10,55 Tinatt led to, “Okay, welll, ne has to have somebody to talk tto.” 146 00:07:10,263 --> 00:07:13,683 NAc] Wr NESE! to tine] out when Osweallekstantssrallkienal oui GenenalayNallen 147 00:07:13,850 --> 00:07:15,852 anc Wino ne starts talking aloout nin to. 148 00:07:16,61 --> 00:07:17,938 Sometimes it can be a little bit tough 149 00:07:18,146 --> 00:07:19,773 tO Grack tihat nut, our sne elie te 150 00:07:19,940 --> 00:07:21,942 This might los tne star of the whole thing. 151 00:07:24,194 --> 00:07:27,113 JAMES FRANCO: I just loved 11/22/68 trom tne beginning. 152 00:07:27,280 --> 00:07:29,366 SO | just wrore a) Intile article about it tor WICE, 153 00:07:29,532 --> 00:07:32,786 and the next thing | knew | Got an email trom J.J. Abrams saying, 154 00:07:32,953 --> 00:07:36,247 "| read your article. everything you sallcl you liked aloout tine look, | like. 155 00:07:36,414 --> 00:07:38,333 WACOM Rniink you will make a great Jake Epoing.” 156 00:07:38,500 --> 00:07:40,01 And | Kine! or leat att te 157 00:07:40,168 --> 00:07:42,212 Becausewlnaverseenwintenested| iin the Subject a long time. 158 00:07:42,379 --> 00:07:44,47 Ane! | thought tis movie and tne pramise of this movie 159 00:07:44,214 --> 00:07:47,926 were reallly original, innovative ways into this suloject. 160 00:07:48,343 --> 00:07:50,53 Tell me one more thing aloout the iumure. 161 00:07:50,303 --> 00:07:53,181 ABRAMS: ne Story hac! tis very unusual quality thet 162 00:07:53,348 --> 00:07:55,642 | con't tine! MOSaunennaVe lmovVlesinave 163 00:07:55,809 --> 00:07:58,603 lt had an inerachiols Sense of reality to i 164 00:07:58,770 --> 00:08:00,21 andl a tangiolllitqy tto tt 165 00:08:00,188 --> 00:08:03,483 it ral like thera Was SOMEeLMMOMMatehlalLaboulgoinooacke 166 00:08:03,733 --> 00:08:05,402 JAKE: Gog UD AGAINS! tine ast. 167 00:08:05,568 --> 00:08:06,903 Anything can happen. Ane! te will. 168 00:08:07,70 --> 00:08:08,488 /All we can clo Is try and Ise raacly. 169 00:08:12,534 --> 00:08:14,536 FRANCO: Time tsellr is wrying to prevent you 170 00:08:14,703 --> 00:08:17,205 irom serewing win what ht tninks is inevitaole. 171 00:08:19,165 --> 00:08:21,01 KING: Vine past coesnt want to be changec! 172 00:08:21,209 --> 00:08:22,877 it Gives andl it Gives anal It gives 173 00:08:23,44 --> 00:08:25,797 ane men mayoe it tears anc] you're able to make a change. 174 00:08:25,964 --> 00:08:27,590 BECAUSE YOU Gan GNANGe tN@ ast... 175 00:08:27,757 --> 00:08:28,800 You shouldn't loe here 176 00:08:28,967 --> 00:08:30,552 L AOU ft Might also bounce you lack 177 00:08:30,719 --> 00:08:32,470 ane] meivioe you splatter alll over the wall. 178 00:08:32,637 --> 00:08:33,638 (GRUNIES) 179 00:08:34,806 --> 00:08:35,974 -(SHIRIEKS) (SCREAMS) 180 00:08:38,309 --> 00:08:41,104 PRANCO: One Of the appealing things aloout the way that time travel is used 181 00:08:41,271 --> 00:08:44,149 in this Story IS inate you have @ period movie, 182 00:08:44,315 --> 00:08:47,110 Du tne Cnaracter can actually comment on 183 00:08:47,318 --> 00:08:48,778 everyining tat Is interesting aloOurt the ast 184 00:08:48,945 --> 00:08:50,280 lO@CAUSE NE IS irom tine joresentt 185 00:08:50,655 --> 00:08:52,32 | Guess you IIKeel It. 186 00:08:52,323 --> 00:08:54,409 iinatt is the best ple that I've ever hac. 187 00:08:54,576 --> 00:08:58,38 Ane] SO there Is a Wely to reallly kine! or underline in a very exolicht weaty 188 00:08:58,204 --> 00:08:59,289 averytning tet Is Interesting. 189 00:08:59,748 --> 00:09:00,749 ert I] xe 60 Gants 190 00:09:00,957 --> 00:09:03,793 SiVcontsm Okay a Omcoursem CHIUEKIEING) 191 00:09:03,960 --> 00:09:06,463 James Franco Comes out wearing his teaching sult. 192 00:09:06,629 --> 00:09:08,840 And lrs really like seeing a character 193 00:09:09,07 --> 00:09:11,676 Come irom ineyoa@e Oma Qookd niomealmliicy 194 00:09:11,843 --> 00:09:13,386 K's sort of a new identity, 195 00:09:13,553 --> 00:09:16,514 Ane mayoe a new conilicdence, at least in nis Glotnes. 196 00:09:17,15 --> 00:09:19,517 vine minuke you clean shave him and iim his hair up, 197 00:09:19,684 --> 00:09:23,646 part to the side and he puts the sult and tie and hat on, 198 00:09:23,813 --> 00:09:25,732 ne transforms Into anower era 199 00:09:25,899 --> 00:09:27,776 Ghancgestinevanzomiie’ 200 00:09:28,359 --> 00:09:30,403 IPFOGESS NAS Met NEw acnlaventents. 201 00:09:31,446 --> 00:09:33,656 Ano we dare not look back nowy! 202 00:09:34,199 --> 00:09:37,994 The more | wrovwe aloout tne "COs, nine more | rememioerac! aloourt tine "60s. 203 00:09:38,703 --> 00:09:40,622 Yn rumishings, tne smell. 204 00:09:40,789 --> 00:09:43,166 Miewacdtnat evervyoody was smoking cigarettes. 205 00:09:43,333 --> 00:09:45,335 Hairstyles, all those things. 206 00:09:45,502 --> 00:09:46,753 KIMBER EVAZANEIARKO} l’s such 2 beauitiul era. 207 00:09:46,920 --> 00:09:48,755 ie'S AMAZING NOW It JUST COMMS to Ine 208 00:09:48,922 --> 00:09:51,758 anc! looks like we've Stepped loack in time. 209 00:09:53,468 --> 00:09:56,221 ABRAMS: Whats been anazing watching the Show as it Comes together, 210 00:09:56,471 --> 00:09:58,598 nt reels Sirangely authentic 211 00:09:59,307 --> 00:10:01,142 anc vary mucn tine way tne book irelit 212 00:10:01,851 --> 00:10:03,19 Not trom around here, are you? 213 00:10:03,186 --> 00:10:06,272 | cidlin’t WAIN It tO look like the pages of Harpers Bazaar 214 00:10:06,439 --> 00:10:09,609 torn OU irom 1962 ancl 3: 215 00:10:09,776 --> 00:10:13,488 I just wanted to eel ine way | ital when | read ite, 216 00:10:13,655 --> 00:10:15,448 when | was waiehing MOSS IMAGES ONSGTEEN. 217 00:10:16,699 --> 00:10:18,827 =F Bll Hands upl “Where's our stutr? 218 00:10:19,119 --> 00:10:23,164 T© Come on the set ancl that they've actually brought tt into the reall world, 219 00:10:23,331 --> 00:10:26,209 It's Ite lot like seeing tne furnishings of your heac 220 00:10:26,417 --> 00:10:27,961 acwallly orougint to Ine. 221 00:10:30,380 --> 00:10:31,548 You have something to lhicde? 222 00:10:31,714 --> 00:10:33,133 | cont wanna lhice anything tron you. 223 00:10:33,716 --> 00:10:36,970 Anyone Wino reads King's work Knows that he makes raiiarences 224 00:10:37,137 --> 00:10:40,56 tO OLlNer Sores In nis novels. 225 00:10:40,223 --> 00:10:42,100 CARRENTERE There is a Stephen King multiverse, 226 00:10:42,267 --> 00:10:45,645 anc! So | knew tina we waniteac O Give that to the fans 227 00:10:45,812 --> 00:10:48,857 ane! loury lite Easter eggs ou there tor our own enjoyment. 228 00:10:51,276 --> 00:10:55,321 On One of the main SEIS OF tne you'll pass 4 Blue Ribbon Launelny. 229 00:10:55,488 --> 00:10:59,450 And Blue Rilbbon Laundry is mnere Camie’s mother worked, iim Carrie. 230 00:11:01,77 --> 00:11:04,998 The baroer ane tne pilot, saving to James Franco... 231 00:11:05,165 --> 00:11:06,583 “Amioerson. iim. 232 00:11:06,749 --> 00:11:08,960 IAPS those the Amlersons over in Caste Rock? 233 00:11:09,127 --> 00:11:10,587 Everyoocdy wino loves Stephen King knows 234 00:11:10,753 --> 00:11:13,89 that Casile Rock is nis invented olace in Maine. 235 00:11:14,257 --> 00:11:16,843 SOMSUMES I'S SITES SIGNS, Sometimes I?s oratiiti. 236 00:11:17,10 --> 00:11:18,553 Sometimes it’s dialogue. 237 00:11:18,720 --> 00:11:22,15 Daniel, just come in a beat atiter Bill's line, okay? 238 00:11:22,182 --> 00:11:25,685 CARRENTERS James is just an unloeliovably here worker. 239 00:11:25,894 --> 00:11:29,689 Irie nas reallly clear, thoughiitul opinions. 240 00:11:29,856 --> 00:11:33,818 Ane ne clirectec! ONS Of OUr Most tirightening episodes. 241 00:11:33,985 --> 00:11:37,238 Certainly one of the more memoralole episodes of the mini-series 242 00:11:37,405 --> 00:11:39,824 ane tne actors lovacd working wiin hin. 243 00:11:40,283 --> 00:11:42,76 riave you ever reac any Karl Marc? 244 00:11:42,410 --> 00:11:43,786 Well, can't say that | have. 245 00:11:44,829 --> 00:11:46,39 HAI Fight, Cut. “Cutt, 246 00:11:46,247 --> 00:11:48,291 K's reallly tun to recreate 247 00:11:48,458 --> 00:11:52,253 ane past ancl cleliver a Inde slice or what things used to be like. 248 00:11:53,129 --> 00:11:54,130 249 00:11:54,964 --> 00:11:55,965 You leit tis 250 00:11:56,883 --> 00:11:57,967 hank you. (ChIUCKLIES) 251 00:11:58,134 --> 00:12:03,306 SAR ATICADONESOmetinesm MIKCate mii Selig On Set and it just reels so American. 252 00:12:03,473 --> 00:12:05,558 (LAUGHS) And Ina just like, “Wow, this is really happening. 253 00:12:05,725 --> 00:12:07,518 TiAIS IS ORAM." 254 00:12:07,685 --> 00:12:10,396 SO, iS reallly kina itun KO flay within those worlds. 255 00:12:15,985 --> 00:12:17,320 SANCHEZ vhe sheer numloer of people. 256 00:12:17,487 --> 00:12:21,157 | mean, for episode one and two, we drassed 1,700 background 257 00:12:21,324 --> 00:12:22,659 In perioc 1960s clothes. 258 00:12:22,825 --> 00:12:23,910 t's a lot OF people. 259 00:12:24,77 --> 00:12:28,414 sners’s a lot elamenks tO & erson’s wardrobe back then 260 00:12:28,581 --> 00:12:29,916 Khan tnere are tO US todayy. 261 00:12:30,83 --> 00:12:33,336 Wonne nena ineir uncerfoinnings, the bra, the oirclle. 262 00:12:33,586 --> 00:12:35,171 NG SiO, tine Grass. 263 00:12:35,338 --> 00:12:37,382 ine jaowallry, tine foln, tine hate 264 00:12:37,590 --> 00:12:40,218 sine Stockings. (nere’s a lot more elaments to their cGloines. 265 00:12:40,385 --> 00:12:43,930 ANE WHEN YOU UR that lin Cones with dressing 1,600, 1,700 people, 266 00:12:44,97 --> 00:12:46,57 K's a lov or aruicles of Glotning. 267 00:12:47,183 --> 00:12:50,395 Imuneciately when we put women In Corsets, they stand cinerantly. 268 00:12:50,853 --> 00:12:53,856 When We put men in tnOSe 1950s Suits and you jut a hat on them, 269 00:12:54,23 --> 00:12:55,900 ney Stand chirarendhy, iney feel cinerantly. 270 00:12:56,401 --> 00:12:59,529 SOM Tininktallor ine background andsis in this show 271 00:12:59,696 --> 00:13:01,990 are having a reallly great inne. And they keep coming back. 272 00:13:02,740 --> 00:13:03,825 Because they are having Tun. 273 00:13:05,576 --> 00:13:06,744 MANA ONRAVYKO Sour! 274 00:13:06,911 --> 00:13:09,372 CARRENTEREIVEXS odin Dea Cvazlacalasn 275 00:13:10,81 --> 00:13:11,207 lEvaryoodly ttalt something. 276 00:13:11,374 --> 00:13:14,377 NCE WAS € NEAVINESS to Me There was a reality to it 277 00:13:14,669 --> 00:13:16,713 /Anel it makes you think 278 00:13:17,88 --> 00:13:21,50 aloourt tals real ining nat really happened right here. 279 00:13:21,217 --> 00:13:22,552 it Was ramarkalale, 280 00:13:23,511 --> 00:13:26,514 PATE: it appears that someting has happened on the motorcacle route. 281 00:13:26,681 --> 00:13:29,225 Something, | repeat, has happened on the motorcacle route. 282 00:13:29,767 --> 00:13:32,228 vheres numerous people running uo the hill 283 00:13:32,395 --> 00:13:35,982 Several ollice oiiicers are rushing up the hill at this time. 284 00:13:36,149 --> 00:13:38,67 Sand by, Just a moment, please. 285 00:13:39,110 --> 00:13:40,862 ZINFIARKO: When I iirst sieppec! on to Dealey Plaza 286 00:13:41,29 --> 00:13:43,614 and saw tine 1exas Book Depository, 287 00:13:43,781 --> 00:13:46,701 YOU Can't Nelo lou, SOR Or, oe taken aloack a litle lott 288 00:13:46,909 --> 00:13:50,413 its an nonor, reallly. You want tO Pay raSHect to the evant. 289 00:13:50,580 --> 00:13:54,292 SO, WS NAVE tO iY to ASTACCUAlekASEOOSSIIOC! 290 00:13:54,751 --> 00:13:59,589 CARPENTER: Roland Sanenez took ine Zaprucler iillm anc ne clic! blow-ups 291 00:13:59,756 --> 00:14:05,178 Of dozens of frames So lhe could recreate ancl outld every costume 292 00:14:05,428 --> 00:14:09,140 ina evary Person WAS Weaning on the grassy knoll 293 00:14:09,307 --> 00:14:11,351 lina ine Zajorucler wilh Ceyouurec 294 00:14:11,726 --> 00:14:14,354 eMeciealcokalnStoncalinonmenk 295 00:14:14,520 --> 00:14:17,607 So tine Babushka lacky is weaning exactly what she wore 296 00:14:17,940 --> 00:14:21,69 as tar as Rolane tigured out how to loutilel tt. 297 00:14:22,820 --> 00:14:25,740 I've Got Goose lumps right MOWADECAUSeRMeRUSiamallle mits 298 00:14:26,407 --> 00:14:30,995 K's One thing to it In 2 plcture or an old tilm of the time. 299 00:14:31,204 --> 00:14:32,455 But he'S ANOUNEP thing to actually be here 300 00:14:32,663 --> 00:14:35,83 and acmwally be recreading One of ine most historical eyents 301 00:14:35,291 --> 00:14:36,292 of tine United States history. 302 00:14:36,501 --> 00:14:38,961 K's a really amazing eoeriencs to le alole to be shooting here. 303 00:14:40,838 --> 00:14:43,466 KING: / would have to ask anyoodly, 304 00:14:43,716 --> 00:14:47,637 "lif you Inacl the Ghanes to go back anc} Ghange that one event in your lite, 305 00:14:49,97 --> 00:14:50,473 youll you even Clo 1?” 306 00:14:50,640 --> 00:14:51,641 (GRUNIES) 307 00:15:10,743 --> 00:15:11,744 English - SDA 24213

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