All language subtitles for The.Fall.Guy.2024.720p.WEB.h264-EDITH

♪ Mmm, yeah ♪

FIRST A.D. Back to ones.

Let's get it quiet, please.

Everyone, stay off
channel one now.

This is a take,
not a rehearsal.

Picture is up.

Camera's set.

Let's roll sound!

Sound speed.

Let's speed cameras.

Camera one speeding.

Camera two speeding.

"B" camera mark.

♪ I want to give it all to you ♪

"C" mark.

Stunts ready?

♪ In the darkness ♪

Ready.

♪ There's so much I want to do ♪

In three, two, one, action.

♪ And tonight ♪

♪ I want to lay it
at your feet... ♪

They're in almost every movie.

You just don't know
that they're there.

'Cause that's the job.

♪ I was made for
lovin' you, baby ♪

They're the unknown
stunt performers.

♪ You were made for lovin' me ♪

And they get paid to
do the cool stuff.

♪ And I can't get
enough of you, baby ♪

♪ Can you get enough... ♪

They also get paid to
take it on the chin.

♪ Tonight... ♪

And everywhere else, if
you know what I mean.

♪ Feel the magic... ♪

Oh, that's... that's me.

Colt Seavers.

Getting blown up and hiding
my face in a muddy puddle.

Which isn't ideal

when you're trying to look
cool in front of Jody.

Who you just so happen
to have a major crush on.

She's a camera operator.

P.A. Looking for Tom
Ryder's stunt double.

She's definitely
gonna achieve her goal

of being a big-time
Hollywood movie director.

You're so uncoordinated.

I don't want to
overromanticize it or anything,

but I think what Jody and
I got's the kind of thing

you can only really
find in the movies.

- Hey. Jody.
- Thank you.

Hey, Colt. Thanks so
much for the stunt chat.

Stunt chats. I
love 'em. Anytime.

Hey, uh, Tom needs to
see you at the monitor.

- Uh-oh.
- Yeah.

Am I in trouble?

She's talking about Tom Ryder,

who happens to be the biggest
action star on the pl...

Wait, why am I explaining this?

You know who Tom Ryder
is. He's Tom Ryder.

Anyway, I've been his stunt
double for six years now.

Uh... flying in.

What happened? What's up?

Guess we're going again.

You know Tom and Gail.

There's a lot of grumbling
and a bunch of hand gestures

over at the monitor, so I'm
not sure what's going on there,

- but...
- Let me guess... too much face.

Okay, guys. Go to one for me.

Um...

- Jody, right?
- What's your name again?

As you can see,
that is not my chin.

When you look at my face, look
at my jaw compared to his jaw,

it's like his chin is off.

-It's like...
-Yeah, we can't replace his face.

It's like Mr. Potato Head.

-I mean, no offense or anything, but you know.
-Oh...

Oh, yeah, no. Sorry, I got
lost in your beautiful jawline.

- It's dreamy.
- No, listen,

we're just saying it's
not working for us.

- Let's, uh...
- Okay.

Let's go again.

Oh, yeah, no, we're
gonna have to go again.

- Okay. Okay.
- Yeah. -100%.

I don't know, man.
Do you think, um...

Try and make some magic?

Maybe you could do it backwards
or something? I don't know.

- It's just... less face.
- Yeah.

The woman freebasing
the Diet Coke

is Tom's producer Gail.

-She's been making him look good for years.
-Thank you.

- And it's not always easy.
- All right.

- Give me some.
- - Oh! I'm gonna...

I can't complain.

I'm working with my dream girl.

Mm.

- On my dream job.
- Copy. -Go back to one.

We got to switch the
pick points to the front.

- I'm living the dream.
- He wants to go again.

- Copy that, Colt. We'll flip the rig.
- Thank you.

You'll be falling backwards.

- Jody, go to two.
- Stand quiet, please.

Everyone, stay off
channel one now.

Do you have a question for me?

Uh, yeah. It just looked
just now like you wanted

- to ask me something.
- Oh.

I was gonna go for a spicy
margarita after work.

I was wondering if you
drink spicy margaritas.

Um, well, just to
keep it professional,

I can only have one
spicy margarita.

Because if I have two, I
start making bad decisions.

Well, you know,
drinking margaritas

is all about making
bad decisions.

Which reminds me, um,

after this job, I-I got to
go sit on the sand somewhere,

and I was wondering, uh... I
was gonna ask you a question.

Tell me.

Do you have any towels
that I can borrow?

Yeah, I have some towels.

You know, it's so
dangerous to swim alone.

Well, I would ask you to,
you know, be my swim buddy,

but I don't know if you
have a bathing suit.

Wait a second. What do you
call that across the pond?

We call it a swimming costume.

Imagine that.

After this, you
and I could both be

on the beach somewhere
in swimming costumes

drinking spicy margaritas,

- making bad decisions.
- Okay, good to go.

Imagine that.

Okay, let's keep it
locked up all around!

- Let's strap him in.
- Everyone quiet, please!

Speed on "A."

-You all right?
-All right, let's take him to ones.

- Tail slate. -Going to ones.
- Go ahead and sit back for me.

Let's go hot on stunts.

- And going out to the edge.
- Stunts is hot.

- Take up the slack.
- How we doing up there, stunt?

- Great. He's great. Here we go.
- Position down.

He's at ones.

Ready to drop the line for me?

And three, two, one.

Action, action,
action, action, action!

Call the medic! Medic!

Colt, are you okay?

I need you to step back.

You're not helping.

What's that saying,

"Pride comes before the fall"?

Well, they don't mention

that it sticks around
afterwards, too.

Jody tried so hard
to be there for me.

She really did. I just...

I couldn't do it.

Then I just
disappeared completely.

Well...

at least I thought I did.

Hello?

Oh! Colt!

It's Gail.

- Your favorite producer.
- How'd you get this number?

Someone said you were working
at the Captain's Cockatoo.

A valet.

Wow! I didn't believe it.

It's actually El
Cacatúa del Capitan.

It's a family-run
place. We pool tips.

Plus, I get all the
burritos I can eat.

Kind of living the dream
if you think about it.

Break time's over.
You've got a customer.

Number 43.

Hey.

Yo, bro, I know
you from somewhere.

Where I know you from, bro?

Oh, yeah, you were on that
Tom Ryder movie I was on.

- You're the stunt guy!
- Not anymore.

-Did you, like, break your back or some shit?
-I did, yeah.

I know things haven't been easy
for you since... the incident.

And I just hope

that you don't hold
it against me or Tom.

You know, we were
absolutely devastated.

He sent you a message, right?

The prayer hands emoji?

Right, yeah. He's
still an asshole.

How are you even
still alive? Yo, babe.

- Babe, hey, come here.
- I don't know.

- I wish I wasn't right now.
- You got to meet this guy.

Come here. You
got to hear this.

You don't have to hear
this. It's fine. Hi.

This dude was on
a movie I was on.

- Most epic fail I've ever seen.
- Mm.

I don't blame either
one of you, Gail.

That was my fault.

And when you start making
mistakes like that,

it's time to hang up the pads.

Oh, it was an accident, Colt.

Everybody knows that.

Tom has put me in a real
situation here, Colt.

I just need a little bit
of help from an old friend,

who just happens to be,
you know, the best stuntman

I've ever worked
with in my life.

Which is why you are getting
on a plane for me tomorrow

and coming to Sydney.

I'm not getting
on a plane, Gail.

I can't bear that you would
throw away all that talent.

You shouldn't be
parking cars, Colt.

You need to be smashing
burning Kawasakis

through panes of glass.

Yo, fall guy? Yo.

Bring my car back
without a scratch,

I got a crispy fiver
here for you, bro.

Come on. It's gonna
be like old times.

I know you've missed it.

Goodbye, Gail.

Wait, wait, wait!
Wait. Hold on.

Did I, did I tell you...
I... Did I tell you

that the director's asked
for you specifically?

Sorry to disappoint him.

- Well, don't you want to know who it is?
- Nope.

♪ Ah-ah-ah-ah ♪

It's Jody.

♪ Ah-ah-ah-ah, thunder ♪

♪ Ah-ah-ah-ah... ♪

I'm giving her her big break.

Make sure it's an aisle seat.

♪ Ah-ah-ah-ah, thunder... ♪

I don't know.

Maybe I just spent so much time

riding shotgun in
someone else's story

I forgot how to take
the wheel of my own.

Wait. Does that make sense?

♪ Ah-ah-ah-ah... ♪

I don't know why I'm
talking so much anyway.

I'm not the hero of this story.

I'm just the stunt guy.

♪ Thunder ♪

♪ Thunderstruck ♪

♪ Thunderstruck ♪

♪ Yeah, yeah, yeah,
thunderstruck ♪

♪ Ooh, thunderstruck ♪

♪ Yeah ♪

♪ I was shaking
at the knees... ♪

No!

Chill! It's a rental!

Earth, minerals, stone.

A new eau de parfum
by Tom Ryder.

♪ Thunderstruck ♪

♪ Thunderstruck ♪

- ♪ Thunderstruck ♪
- ♪ Thunderstruck ♪

♪ Whoa-oh ♪

♪ You've been thunderstruck. ♪

Is that... Yeah?

I didn't realize they were,
uh, scanning doubles now.

Eh, it's new technology.

Basically, we use the
geometry of your face

to retarget Ryder's face,

and we put Ryder's face
back on top of your face.

Like a deepfake situation.

If you get a chance, turn me
into Tom Cruise, would you?

Hey, welcome to Sydney.
Are you Colt Seavers?

Yeah. Hey. Do you know
where I can get some coffee?

This jet lag is
really kicking in.

Yeah, no stress. I got you.

And does the director
know I'm here?

- She asked for me.
- Uh...

Does-does she want
to say hi or...?

I haven't heard.
No, sorry, bro.

Uh, but the stunt
coordinator wants to see you.

- He's just in the jacket there.
- Okay, great.

Will you just tell
her I'm here and...

you know, that coffee
if you get a chance?

Oh.

Dan Tucker.

Big-time Hollywood
stunt coordinator.

It's about time.

Congratulations.

Thank you. Look at you.

So do I call you "sir"
now, or how does that work?

Oh, feel free to call
me "boss," you know.

Okay, boss.

I don't think I should
be in this Nomex, right?

I mean, it's like, we're not
doing anything crazy, are we?

I was just about
to explain that.

A cannon roll?!

It's time for you to
start rolling cars again

instead of parking them.

You had an accident.

It was a massive
miscalculation of the rig.

I-I almost killed myself
in front of the whole crew.

You know, I'd rather just
not have my first stunt back

be another epic failure,
especially in front of Jody.

I mean, you understand.

"It's not about how hard
of a hit you can give."

- Oh.
- "It's about how many times

-you can get hit and keep moving forward."
-Come on.

That's messed up. You can't
quote Rocky on me like that.

So it's a laser
gun with a dagger?

- Yes, like a bayonet.
- Right.

Do we need the bayonet?
Wouldn't the laser achieve...

On the battlefield,
yes. Hundred percent.

It just gives it a
quite a strange shape.

- Oh, this guitar bit at the end?
- Yeah.

Yeah, well, you said
you wanted metal,

so it's, like, heavy metal.

Okay, how-how... how many
have you done like this?

- Uh, two.
- Okay. Good.

- Hundred.
- Ooh. Okay. Yeah, fantastic.

- Thanks, boss.
- Okay. It looks like a guitar.

-Yes.
-Nigel, how we doing on the pyrotechnics?

-What's going on?
-I think we only have enough for one take.

- Boss! Boss, listen.
- No. Come on. -Yes.

-Yes?
-We could create something that looks

- way more realistic with VFX.
- No, no, no.

- Come on. Give it to me.
- Venti, Venti, Venti.

I don't want real.
I don't want real.

-This is a sci-fi epic, cosmic love story.
-Why?

Okay? Of cosmic proportions.

It's got to mirror
that otherworldly thing

when you fall in love.

You know, it's-it's
imperfect. It's beautiful.

I want it that way, okay?

-Let's go big with our one take, okay?
-Okay.

Holy shit.

Was that it? Was
that my one take?

Uh, I'm sure we have...

Oh, my God!

Well, I got to say, though,
looks absolutely fantastic.

- Boss. Listen, listen.
- Look at that.

You sure you want
to use real pyros?

- Yeah.
- But we definitely don't need this.

- No, no, no, no. Yeah.
- We don't.

Well, we're just gonna
have to loop the actors.

- That's all.
- That's okay, Ray.

It's a stuntman in a car
with a helmet on, okay?

- Oh. Uh, all right.
- No looping. No monologuing.

What the hell is going
on over there, Rush?

We did not call for pyro.

I will seriously
track down your family

and kill every last one of them!

This is why they're doing it.

'Cause they feel you don't
respect them, Nigel, okay?

-It's my tone.
-Your tone, your words, all of it, just...

- I see, okay. -Jody? Jody?
- Darla, yes? Okay. Yeah.

Jody, um, sorry, I... I
couldn't get my printer

- working last night...
- Okay, yep.

but I sort of synthesized
our conversation

that we had on the
third act, and what if

one of the characters in the
film acknowledges in the film

that we're having a
problem with the third act?

- Yeah?
- No. No.

But I appreciate you thinking
outside the box, Darla.

I really, really do.

Nigel, you've got to stop them.

-I will gut you like the pigs that you are!
-Oh, my God.

- Stop testing!
- Whoo!

- Boss!
- Yep?

- Test went well.
- Fantastic.

Okay, so, guys, simmer
down. Eyes on me.

Here's what's gonna happen.

No VFX, Venti. It looks
absolutely fabulous.

Nigel, we need to shoot
now. The tide's coming in.

Let's go. The shot's
gonna be epic.

Shot's up in five,
people. Thank you.

Colt? Brother?

What's happening, man?

- Bad sand.
- Bad sand.

Yeah.

I think we got to
postpone. Hate to say it.

Dan, what's the delay, please?

Uh, we're just doing
a little safety check.

It's the density.
It's bad density.

We're looking at the
density of the sand.

There's a new driver.

- Who is it? Where's Henry?
- No idea.

Nigel, this is the
biggest shot of the film,

and I have a newbie.

- Dan says we can do it.
- Okay.

Seriously, we're gonna
drift all over the place.

What is that, a king tide?

Here's what you do. You
wait till it comes in.

It compacts the sand, then
we shoot sunset for sunup.

You're stalling.

- Maybe.
- You're stalling.

- Two things can be true.
- Brother, I've got

a tent full of rookie
Australians out here.

I'm gonna be sick.

You got this. You're the one.

- Why you got to say that?
- Okay?

Why you got to say that?

You've done this
a million times.

And so have you. You
know, you just jinxed it.

You just jinxed it!

Hey, Dan, I need the driver
in the car now, please.

- Okay, the tide's coming up.
- Okay.

Thank you so much.
Appreciate you.

- Is that Jody?
- Yes, it's Jody.

She say something about me?

Stop with... your-your
face. Stop it. Stop it.

She didn't say
anything about you.

Get in the car!

This is really
important to her.

Yes, it's important to her.

- Is this Comic-Con or something?
- Hall H.

"This is one of those times,

whether it's an inch or
a mile, a win is a win."

That's easy. Fast
and the Furious.

Ah!

Let's go. You got this.

Did you see the coffee lady?

She was wearing, like, a hat.

- I see you in the car.
- Okay.

Let's get the medics
in place, please.

This is the hero set. I've
got five more after that.

Are you ready, Dan? Yeah.

- Rock and roll.
- Lock it up!

- Thank you.
- Three minute away...

Okay, folks,

he's buckled in.
Stunts are ready.

Godspeed, Colt.

Everybody knows their spots.

Everybody knows their
responsibilities.

FX, please go hot
on the cannon.

Do this right.

Okay, engaging the cannon now.

We do this safe and
everybody goes home.

Charging the cannon.

2,000 PSI in the cannon.

Stunts is good.

Cannon is hot.

Cameras, where are we at?

Are you rolling? Camera one?

- Speed on one.
- Camera two?

- Speed.
- Camera three?

Speed on three.

Background. And
three, two, one.

Action, action, action!

All right, guys, stay frosty.

Three, two, one!

- Dan, I need him close to the camera now.
- Copy that!

Look, I don't want
to be that guy,

but the sand's a little loose.

I can't get any traction.

When I do, it jumps,

so if you get any closer,
you're gonna lose the camera.

I know, I know,
but get in there.

- You got this, baby!
- Move up, move up.

No, no, not that
close. Oh. What the...

Keep rolling.

We have seven more
cameras. Keep rolling!

Okay!

Ready in three, two, one!

Nobody goes in

until stunts gives
the all clear.

- Is he all right?
- Colt, you all right?

Quickly, get him.
Come on, get him.

- Just get in there.
- Oh, my God.

- Easy, easy.
- Colt, you did it!

Eight and a half rolls!

Come on, you okay? You good?

You good? Hey, hey,
hey, hey, hey, hey, hey.

Jody's coming. Hold on. Okay.

So good, Dan. Is he good?

- Yeah, of course.
- So good, so good.

Loved it, loved it.

- Incredible.
- Okay.

Whose idea was this?

- I think it was Gail's idea.
- I thought it was your idea.

I-I just found out
about this yesterday.

Dan, come on.

I didn't approve him.
I didn't approve him.

I would never have approved him.

She didn't approve me.

Can I talk to you for a second?

I'm not approved.

Interesting move. Really.

Really interesting.
Just very casual.

Here you are, you show up,
and, "I'm your new stuntman."

Don't do that.

-Don't do that. You can't do that.
-What?

- Directing a movie.
- Your hat's coming off.

Why are you here?

-I think there's been a misunderstanding.
-Clearly.

Because I was under
the impression that...

you did want me here.

That's a delusional thought.
We haven't spoken in a year.

- Let's not get into it.
- Gail, Gail... But Gail told me

- that you wanted me here.
- Okay. Whatever.

I don't even care about it,
but you clipped the camera.

I-I-I'm a little rusty.

- Comic-Con shot ruined.
- I'm sor... I know.

- Hall H. It's a big deal.
- Yeah. Yeah.

- Congratulations.
- Thank you.

I'm happy for you.

This whole director
thing looks good on you.

Even the gardening hat, somehow.

Everyone wears them.
It's like a set thing.

- Okay?
- Yeah, I see it. It's...

They're not making it look as
good as you are, that's all.

And I'm not trying to be fla...
I'm just saying the facts.

But you look good in everything.

You look good in
nothing. Whatever.

- No, I don't mean it like that.
- Really? This isn't...

-But you do look good in nothing.
-This isn't work...

- This isn't gonna work.
- I mean, you do.

But it's not what I...

- I'll take anyone. Anyone else.
- Yeah.

- Anyone but him.
- Can I be honest with you?

- Who have you got? Yep.
- We literally have no one else.

- What's next?
- The fire burn.

It's your call.

- Okay.
- Can we get a nurse on standby, please?

We're gonna set
this man on fire.

- Cut, cut, cut.
- That's a cut.

- Cutting there, please.
- That's a cut!

How you feeling, Colt Seavers?

- He's good.
- He's all good.

We're gonna go again.
Thumbs-up, okay?

Technical issue. Little
bump on the dolly.

- Huh?
- Can you fix that, Jimmy?

- Back to ones, please.
- Thank you.

- Going again.
- Please, back to one.

Colt, do you feel a bit
flung into the deep end here?

I'm just wondering, 'cause
you haven't read the script,

if you'd like some
backstory, some context?

- Would that be good?
- Just go with it.

Yeah, helpful?
Okay. Here we go.

So, sci-fi love
story, two characters,

one of them's an
alien... Aliena...

and you're Space Cowboy.

They shared what's
called a moon season.

In real life, you
might call it a fling.

Um, brief but very intense.

And... hopeful.

Now, neither of them had
ever been in a relationship

that deep before.

And they told each other that
over and over and over again.

Him more than her, you
know, to the point where

sometimes she was like,
"Chill out," you know.

But anyway, in a
tragic turn of events,

Space Cowboy is wounded,
and he just disappears.

Without a trace.

I can keep going.

I can hit the rock
better now, thanks.

We're going again!

Sound speed.

And action!

That's a cut!

Cutting there, please.

- Everything okay?
- You good?

For a little more
context, Colt,

Aliena's sort of devastated.

And she starts sort of
replaying everything

in her head over and over again.

Did she misread the vibe?

Was it just a fling?

Did she let her
imagination run wild again?

Or did he lie to her?

Was he full of shit?

But let me be clear:

eventually, Aliena did move on.

All right?

And she started doing Pilates.

Got herself a
banging revenge body,

and then she started
dating other humans.

One after another.

And she had so
many mind-blowing,

far superior experiences,
you wouldn't even believe it.

- Right, girls?
- Yeah.

- You know what I mean?
- Yeah. Yeah.

Yeah, it was like a sushi train.

I'm gonna be sick.

And do you know what?
We're gonna go again, Colt,

'cause there was a
little buzz on that one.

Okay, light him up.

Last one, everybody. Action!

It-It's just
feeling so withheld,

so how 'bout some dialogue?

Yeah, that's all right, Darla.

I'm gonna go straight
to the source.

Hey, Colt, if Space Cowboy
had to say something,

if he was forced to say
something, what would he say?

How would he justify

this year she's spent
spinning out over this?

What could he say? It's
a puzzler, isn't it?

- But have you got any thoughts?
- Uh, maybe he could talk...

Nigel, can you, can
you get him a bullhorn?

I can't hear him.

Traveling.

Come again, Colt.
What was that?

- It's already on.
- In this movie,

do the aliens and the
humans ever talk...

in private?

- No, not really.
- No private conversations?

No, they don't
like doing private.

Like, they like to
keep it very public.

- Very open.
- Oh.

Well, maybe I'll just, uh,
open it up to the group here.

Have you ever been in one
of those situations where...

you want to say something
and it's so important

that you can't mess it up?

So, you think long
and hard about it,

and then you realize...

you've already messed it up?

'Cause you've thought too
long and too hard about it?

You're...

What's that?

You want...

I had a similar situation

when I fell in love
with my wife's sister.

- Okay. All right. What...
- No.

No. Okay.

Uh...

And again, this
is hard because...

you know, I haven't
read the script.

But...

he'd probably say...

that he's been living...

in total regret since then.

You know, afraid...

that he'll never
get an opportunity

to make it up to her...

because he waited too long.

And...

she's probably moved on.

Uh, sorry, Jody,

speaking of moving
on, we, uh...

One more?

I'd love another chance.

- Roll it, Nigel.
- Let's turn over, please!

- All cameras are rolling.
- Shot's up, sound speeding.

Okay, light him up!

Action! Thank you!

Gail?

Gail?

Oh. Coffee.

Mm! You're here.

Oh, no, don't use
that. It's broken.

Eight and a half rolls?

That is a world record!

Thank you so much.

It's better than
parking cars, isn't it?

Would you cut the shit, Gail?

What? It was amazing. What
are you talking about?

She doesn't want me here, Gail.

Yes, she does.

Oh, of course she does.

- You lied. You lied.
- Oh.

- Colt.
- Do you know how that feels?

I think you deserve
a second chance.

It's, like, the message
in all my movies.

What's the message
in all my movies?

Uh...

Nihilism's a viable worldview?

No, that's just
the entertainment.

That's like the...

like the sexy bacon.

- What is this?
- You know? It's like dogs.

You got to wrap the message...

in some sexy bacon.

I mean, all those
movies, people fall down.

They're rolling
in their own shit.

They don't think they can cope,
but they can. They get back up.

Do you mind if I lay down?

With the multiple fire
burns and the cannon rolls

- and the jet lag, I just...
- Yep, yep, yep.

could use a little shut-eye.

Yep.

Okay, let me get this straight.

- Nihilism is the sexy bacon?
- Yeah.

The audience are dogs?

There we go.

And when you fall
down, you get back up.

- Thank you.
- I'm glad we did this.

Now, what am I really
doing here, Gail?

Um...

Ryder's missing.

He has fallen in

with some shady,
shitty, shitty people.

Well, Gail...

call the cops.

I can't call the cops.

Well, why not?

The studio will know that
I am way over budget.

They will pull the plug on this.

You know that.

Please go and find him.

Why me?

You're a stuntman,
for God's sake.

No one's gonna notice
whether you're here or not.

- No offense.
- I mean, some taken.

You know him intimately.

It can be so simple.

You pick him up,
you dust him off,

you bring him back here.

I know I can trust you.

And you know who can trust
you more than anyone,

she just doesn't
realize it yet, is Jody.

This is her big chance.

Do you want her first
movie to be her last?

You've got to help me out, man.

It's been a long couple days.

I'm gonna go to the
hotel, I'm gonna...

What is it? It's my
yesterday, it's your tomor...

I'm gonna call
you your tomorrow.

- Right, no. Today.
- My today.

That is the door
code of Ryder's loft.

The patio door. Took
it from his trailer.

He's still doing this
Post-it note thing?

Oh. Let's not even
get into that.

At this point, it's
like Memento level.

I can only keep this
from Jody and the studio

48 hours max.

Save Jody's movie,

and maybe you get the
love of your life back.

Did you just turn Jody
into the sexy bacon?

She's been the sexy
bacon all along.

You're good.

It's the only
left-hand drive I have.

Please don't wreck it.
It's product placement.

There's only two of them.

I know how you stunties drive.

You seek to destroy
all I hold dear.

♪ When I loved you so ♪

- ♪ Back before you lost ♪
- (volume increases)

♪ The one real thing
you've ever known ♪

♪ It was rare, I was there ♪

♪ I remember it all too well ♪

♪ And maybe we got
lost in translation ♪

♪ Maybe I asked for too much ♪

♪ But maybe this thing
was a masterpiece ♪

♪ Till you tore it all up ♪

♪ Running scared, I was there ♪

♪ I remember it all too well ♪

♪ And you call me up again ♪

♪ Just to break me
like a promise ♪

♪ So casually cruel in
the name of being honest ♪

♪ I'm a crumpled-up
piece of paper... ♪

What are you doing?

Uh, just, uh, chilling down.

Were you "chilling
down" to Taylor Swift?

- Yep.
- Mm.

It's just something
Australians say.

Really? I've been here for six
months, I've never heard it.

Yeah, "chilling down
under," you know,

but it's shorter to
say "chilling down."

- Have you been crying?
- Not at all.

You look like
you've been crying.

Jet lag.

That was so dangerous,
and I'm very sorry.

Lighting you up like that.

It was very cathartic.

- I feel better.
- I deserved it.

I'm gonna make the camera
up to you, by the way.

Can I get in the car with you?

Clean your face. You're a mess.

So how have you been?

Oh, you know.

Yeah? Thumbs-up?

God, I hate that bullshit,
that stunt guy bullshit.

And that's fine.

You don't have to
explain anything.

It's all good. It was a fling.

Less than a fling. It was a
flingette, and that's fine.

I don't even want to know.

And the problem with forcing
something is you get nowhere.

You know, one time my mom
forced my dad to exercise.

Do you know what happened?

Snapped his ankle first time
he stepped on the treadmill.

She forced it, now he has a
piece of metal in his foot.

Moral of the story is
you should just be you.

Well, look, I've thought a
lot about this, actually,

and I, uh...

It's not like I didn't
want to apologize

a million times.

Yeah.

Uh, it's just, every time I...

You know, when I think
of something to say...

doesn't seem like enough.

Okay.

No problem.

Boundaries. Boundaries.

That's important.

Because I have a lot
of pressure on me.

You have no idea how hard it was
for me to make this movie, okay?

I just need to focus, so
if you're gonna stay here,

we need to keep it...

like, super profesh.

"Professional" is
my middle name.

Mm-hmm.

I thought your middle
name was "Danger."

That's a stage name.

Colt Profesh Seavers.

Promise me you're not
gonna derail this, okay?

Promise.

Okay.

Want to do some doughnuts?

Do you want to
drive me to my car?

Yeah.

Okay, goodbye.

♪ It was rare, I was there ♪

♪ I remember it all too well ♪

♪ Wind in my hair,
you were there ♪

♪ You remember it all ♪

♪ Down the stairs ♪

♪ You were there ♪

♪ You remember it all... ♪

Okay.

"Tom, long time no see.

Gail asked me to check and
make sure you're okay."

"Colt, thought you were dead.

Why you got to be
such a pussy bitch?"

"Tom, I'm gonna have to
ask you not to refer to me

as a pussy or a bitch."

"Okay, but you got
hurt like a pussy

and you're acting like a bitch."

Tom?

Colt Seavers. Just
checking in on you.

Jody needs you back on set, pal.

And I-I don't want
to be a part of

any breaking in,
role-play games.

Well, all right.

♪ DJ Khaled! ♪

♪ Hey ♪

- ♪ Yeah ♪
- ♪ We The Best! ♪

♪ All I do is win, win,
win, no matter what ♪

♪ Got money on my mind,
I can never get enough ♪

♪ And every time I step
up in the building ♪

♪ Everybody hands go up ♪

♪ And they stay there ♪

♪ And they say, "Yeah!"
and they stay there ♪

♪ Up, down, up,
down, up, down ♪

♪ 'Cause all I do
is win, win, win ♪

♪ And if you going in... ♪

- ♪ Make 'em stay there ♪
- ♪ Luda! ♪

♪ Ludacris going
in on the verse ♪

♪ 'Cause I never been defeated
and I won't stop now ♪

♪ Keep your hands up,
get 'em in the sky ♪

♪ For the homies
that didn't make it ♪

♪ And my folks locked down ♪

Coffee.

♪ The hood call it Luda 'gnac ♪

♪ Can't never count me out,
y'all better count me in ♪

♪ Got 20 bank accounts,
accountants count me in ♪

♪ Make millions every year,
the South's champion ♪

♪ 'Cause all I do, all I,
all I, all I, all I do is ♪

♪ All I do is win, win... ♪

What the...!

♪ Everybody hands go up... ♪

♪ Win, and if you going in ♪

♪ Put your hands in the
air, make 'em stay there ♪

♪ And they say, "Yeah!"
and they stay there ♪

♪ Up, down, up,
down, up, down... ♪

Why do you look so familiar?

Where do I know you from?

I'm Iggy Starr, lead
actress on Metalstorm.

- I'm Ryder's girlfriend.
- Oh.

- You're in Metalstorm.
- Yeah.

Hey, were you in
that movie Carjacked

where that guy named
Jack steals your car

and then you shoot him
in the hand and you say,

"I hope you know
how to drive stick"?

And it doesn't make
sense 'cause it's like,

should be "automatic,"
but the way you say it...

That's Naomi Watts!

I'm just a stunt guy.

I'm working on Metalstorm, too.

You lie! We're only
on Metalstorm 1.

I meant also!

Is this a prop sword?

Mm-hmm. I'm a good actress.

Hey, if you are really
working on Metalstorm,

why are you sneaking
around here?

Just trying to find Ryder.

He's, like, really drugged
up and paranoid right now.

He thinks someone's
trying to kill him.

And I'm like, "If you
don't finish Metalstorm,

I'm gonna kill you myself."

Now, there is some
dark shit going on.

And the sooner I can get
out of here, the better.

Wow.

Any idea where I could find him?

Uh, you could try this
club he hangs out at.

But you're never gonna get
in looking like a povo.

- What's a povo?
- A poor person like you.

Oh. Cool.

What's with your Miami
Vice Stunt Team jacket?

Oh, it was the first
show I ever did.

I had to jump a boat
through a ring of fire.

I got so good I could do it

with my hands tied
behind my back.

Wow.

You're really into yourself.

I mean, you know, you did ask.

It's neon night at the club.

He's always there with
this guy called Doone

who's his drug dealer.

He's got, like, leopard
print tats on his head.

They won't let a nobody
like you into the club,

so just act like Tom.
You're his stunt double.

You know how to do
that, don't you?

Yeah. I'll just act like I
own everything and everyone

and there's no repercussions
for my actions.

♪ I do it like that... ♪

Oh, my God. Is that Tom Ryder?

Hey, Tom!

Stuntman! Yeah, yeah, Iggy said
you were gonna come see me.

Yeah, sit down, get a drink.

Hey, hey, get him a
drink. What do you want?

Oh, no, no, I'm good. I'm good.

I'm just looking for
Ryder. You seen him?

Get him a Shirley Temple.
Sit down, brother, sit down.

Uh, honestly, no
offense, Mr. Doone.

I just want to find Ryder.

How come no one ever wants
to chat with the drug dealer?

Sorry. I, uh...

I mean no... no disrespect.

Just had a long day. Ryder
hasn't shown up to work.

That was fast.

You do a stunt today?

Uh, just a, yeah, car roll.

Just a car roll?

Hear how he said that?
"Just a car roll!"

What a stuntman! My man!

It's what I do.

Hey, that's why I like you.

'Cause you do all the hard shit.

They give Oscars for that?

For stunts?

No.

Nope.

Hey, to the unsung heroes.

- I'll drink to that.
- Yeah.

Mm!

No offense, but I
prefer cartoons.

See, movies are always
trying to make things real.

But it's not real.
It's a movie.

It's not meant to be real.

That's why I like cartoons.

See, 'cause cartoons

don't pretend to be real.

That's what I like about
them. You seen Dumbo?

- Dumbo?
- Yeah, Dumbo.

Dumbo changed my life.

You know that scene when Dumbo
gets into the bad champagne,

then he starts seeing
the pink elephants

on parade and shit?

I was like, "Yes, please.

"I'll have what he's having!

Make it a double!"

Hey, stuntman?

Why don't you come with us?

We'll get you nice and
comfortable at the hotel, huh?

Move, move! Get out of the
way! Get... Move! Come on!

Get out the way!
Move! Get off me!

Hey!

Let's go, let's go, let's
go! Taxi! Come on, come on.

Come on, brother, let's go.

- Go! -See you, mate.
- Be well, mate.

What are you doing, Colt?

You know what I'm doing.
I'm gonna stop this car.

You're clearly high, Colt. And
you're clearly chickenshit!

Okay, we don't have time for
this. Talk about this later.

- Yeah, okay.
- Driver, what are you doing?

Drive! Drive, bro!

Listen. Hey, you need to
chill. Just relax. Just re...

Hey, just relax! I'm a lover,
not a fighter, okay? Just...

- Where's Ryder?!
- I just drugged you

'cause they paid me to.

Who's "they"?

The guy that runs
Ryder's security.

I deliver drugs to him

at the Pendleton
Hotel sometimes, okay?

- What room?
- Bro, I don't know what room.

You know, it changes.

Just ask Kevin for the,
for the fruit plate.

- He'll give you the key.
- Kevin?

- Kevin! K-E-V-I-N. For the...
- I know Kevin!

You know Kevin?

I don't know Kevin.

Well, then you're gonna
get to know Kevin.

Ask him for a fruit plate,
and he'll give you keys.

How long does this last?

- What?
- How long is this gonna last?

Bro, what are you even saying?

How... long does this last?

Oh. When you stop
seeing unicorns.

I'd like to speak to Kevin.

Kevin's, uh, on a break.

Okay, maybe you can help me.
Can I order the "fruit plate"?

Okay. Do you want me
to call "room service"?

I don't know. Is
that what happens?

D-Do you have a room?

- Should I just...
- Do I need one?

To order the fr...

- I...
- The fruit plate.

- Hey, Colt.
- Fruit plate.

Woof, wow.

- That's a look.
- Hi. Hey.

- What happened to your face?
- Hi.

Hi. Okay.

- Sorry about that.
- Are you good?

- It's just good...
- What's wrong with you?

- It's good to see you.
- Wow, you look terrible.

You look amazing.

Did you fall? What
happened to you?

Wow. You're so pretty.

- It's crazy.
- Okay. Your face is bleeding.

- What?
- What happened to you?

Oh. No, I was running.
Just... I was running.

Very unusual athleisure
wear for a run.

- This?
- Yeah.

Yeah, they gave me the
wrong bags at the airport,

but, you know, it's... it works.

I can sweat.

If I'm gonna play Ryder,
I thought I should just,

like, cut weight a
little, you know...

You seem kind of tweaky.

I'm a little... spotty.

Like, when I... my
glucose levels get low.

I get a little...

Okay, is that a new thing?

Is that a new thing?

- What's that?
- Is that a new thing?

- Is your hair new?
- Yes, I cut it.

- I changed my hair.
- It's beautiful.

You changed your
number. We're even.

I thought we'd sort
of even the score.

Yeah. I have a lot of new s...

You know, I've learned
a lot about myself

since-since we last
seen each other.

Why'd you disappear like that?

God, I wanted to
be there for you.

Yeah, but how's she
supposed to do quality work

if you keep harassing
her all the time?

Okay. Can you go and
grab your things?

- We have really got to zip.
- Okay. Yep.

- What's going on?
- Seriously.

Colt, you're...

You look like you've been busy.

- Yeah, real busy, Gail.
- Yeah, good.

Lot of running around, Gail.

We'll get a drink
and discuss that.

But right now, the studio...

so far up my ass,
I can taste them.

- We need your third act.
- Okay. Yep.

You having problems
with the third act?

We're gonna, we're gonna
go and do things right now.

I need to write it. I'm
gonna go write it. I just...

It's like the studio
are wanting me

to contort the love story
so that it all ends happily

and everything's rosy and...

- Jody, Jody, Jody.
- But I feel like if I...

lean into reality, then
maybe that's the way to go.

And most love stories
don't end well. Usually.

- Know what I mean?
- I strongly disagree with that,

so we should keep
chopping it up.

Yeah? Should we?

It's important.
It's the ending.

Okay.

Sir?

- Huh?
- Hi.

- Yeah.
- Hi.

Um, I hear that
you're interested

in a-a fruit platter.

- Kevin?
- Yes.

Yes. Okay, so...

It's-it's on... it's on ice.

Yep. There we go. Sorry.

Hello?

What do you think
about split screen?

- Jody?
- Yeah.

Is this okay I'm calling?
You said to call and...

- Yes. Yeah, it's fine.
- Yeah? We could chop it up?

It's, uh... Let's chop it up.

It's a good time. I'm
not doing anything.

Okay. Great. Uh, so,
split screen, right?

Do you think that it's,
like, nostalgic super cool

or do you think it's a gimmick?

Um, I think it
could be super cool.

-Mm-hmm?
-Yeah, how do you, uh, want to use it?

I mean, you know, tell
me. Tell me everything.

Tell me, you know,
about your vision.

So, I like that they're
on-screen together.

-But they are in separate worlds...
-Right.

you know, visually
and emotionally.

So you've got this
very prominent divide

between the lovers.

And I want that.

- You want the divide?
- I want the divide, yes.

Hmm.

It's funny 'cause I-I
didn't get the impression

that there was that
much keeping them apart.

Well, you haven't
read the script.

All I know so far is that
the alien lady and the cowboy

are having what seem to be
pretty manageable problems.

Jody? Jod... How's this?

Manageable problems?

The aliens invaded Earth,
and they left it in tatters.

So this whole thing the
studio are pushing for,

the "love conquers all" thing...

I'm not buying it.

Well, I have to admit that I'm
surprised to hear you say that.

Why?

Well, I'm just a
boy in a neon suit

standing in front of
a girl, reminding her

that Notting Hill is
her favorite movie

and she watches Love Actually
every year at Christmas.

Well, you know, I watched
it again this year,

and I didn't love it, actually.

- Wow, it's worse than I thought.
- Yeah, I'm ruined.

Yeah, it's a really sad day
for Notting Hill as well.

That "happily ever after"
stuff, unsubscribe me.

I didn't get "happily ever
after" from Notting Hill.

What are you talking
about? Of course you did.

- Did you?
- Yes, of course. They're ly...

They're on the park bench.
She's got her head in his knee.

She's a "regular girl."

Maybe, but we
don't know for sure

she's not gonna go back
to working the street.

All we know is that
in the beginning,

she's pretty much up for
anything but kissing,

and in the end, she's
open to kissing him.

- No. No.
- And it gives us hope.

You have got your Julia
Roberts movies so twisted.

And that's all we
want. A little hope.

No, that is Pretty Woman,

where she is a
lady of the night,

and this is Notting Hill,

where she's a very
famous actress.

Oh. Well, don't listen to me.

What do I know? Look,
you're the director.

You're gonna make
the right choice.

I'm just saying,
for people like me,

who may not necessarily get the
metaphor of the split screen.

You may not get the
deeper metaphor,

but you're gonna see it.

You're gonna see this
bright line between them

that we're gonna
ache to see blur.

You know, but maybe it can't.

- Mm.
- Maybe it doesn't.

Right. Right. Yeah.

But what do we know, right?

'Cause all we know at this point

is that the cowboy
likes the alien.

Does the alien like the cowboy?

She's on the fence.

Right.

Because they got problems.

Because she's an alien and he's
a cowboy, and that's a problem.

But is it a problem
they can't overcome?

Here's a question.

Are they even gonna try?

What do you think?

Do you think they're gonna try?

I think...

I think this was a
great brainstorm.

So...

what'd you decide
about the split screen?

I have a better idea.

I don't think you need it.

I think the connection between
these characters is so strong

that nothing can
come between them.

Jod?

Jody?

- Hello?
- Dead guy on ice.

What?

There's a dead guy on
ice at the hotel, Gail.

Wait. Sorry. What are
you talking about?

Well, if you think that
doesn't make sense,

- don't order the fruit plate.
- Hold on.

You're seriously telling me
you've just seen a dead body?

Yes, Gail.

On the rocks. In the hotel.

What hotel?

The one I just saw you in, Gail!

He was so dead, Gail.

He was very dead. Super dead.

Hold on. How did
you even get there?

Gail, you asked me
to do this! Okay?

- So please try and keep up.
- I know. I'm sticking.

I went to Ryder's apartment
just like you told me.

That's where Iggy with the
sword gave me the neon suit

and they sent me to the man
with the leopard print head.

He goes by the name of Doone.

It was Doone's goons
who dirtied my Shirley,

and not in a fun way, Gail.

I think they were
trying to kill me, Gail!

Step away and calm down.

I am gonna handle everything.

No more handling!

- I want the police!
- You're very aggressive.

I'm sorry. I'm sorry to
yell. I want the police.

You are not gonna
talk to the police.

You don't talk to
anyone about this, okay?

- You listen to me.
- I'm calling the police.

You are not talking
to the police.

- Excuse me, sir.
- Wait, who's there?

Who's there? Who's there?

It's the police. I'm
gonna talk to them.

No, no, no, no,
no! Don't talk...

No parking at any time.

Sorry.

Just making sure
we're both here.

I'm-I'm here, mate.

I want to report a crime.

- Okay.
- An ice crime.

Yeah. You're still
getting a ticket, mate.

All right.

I got to tell Jody.

About the dead guy.

How do you know he was dead?

He could've just
been knocked out.

- On ice?
- Yeah.

Ice baths are very
good for inflammation.

And are you forgetting
that you were high?

How can I if you keep fixating

- on that one point?
- Okay, you know what,

let me just stop
you right there.

Whatever you told
Jody last night

- has got her all fired up.
- I don't know what I said.

About what?

And now I have to build a truck

- for a 250-foot jump.
- Huh?

- In a day and a half!
- Sounds pretty cool, actually.

And on top of that,
the fight scene today,

Jody has decided that she
wants to do it all in one take.

- A oner.
- Dan, did you tell him about the oner?

- Yes.
- So cool.

- Right?
- Yeah.

- So good. He's into it.
- Hi.

-Hey. Yeah, can I talk to you for a second?
-Okay,

-about this sequence today, Ryder's a no-show.
-Yeah.

Again, he's probably on
a bender or something.

Well, it's interesting
you say that,

- because that's...
- Yeah.

- that's what I want to talk to you about.
-Me, too.

- Me, too. Because we don't even need him.
- He...

-Well...
-We don't need him. I had an epiphany last night.

Let me just tell you.

- Last night?
- I was so excited.

-Yeah.
-After we spoke, it all came to me.

-Really?
-Yeah, the third act, this sequence,

- all of it. I've been s...
- After talking to me?

Yeah. You know, I was shocked

- when you showed up. Right?
- Yeah.

- But...
- Well, it was... shocking.

But I just started
to wonder if maybe

you showed up just at
the right time, and...

I've been going for this
thing in the action,

and I've never been
able to get it.

Like, this feeling of
the pursuit of love.

And how far would you go for
the one that you love and...

You know? And then...

-Yeah.
-You know, I realize it's not very far with Ryder,

- 'cause he's a drip.
- Right.

- And he runs weird.
- Right.

- And he can't do action. But...
- Well, it's...

you can.

You can.

I'm unlimited with you.

I can do everything and
everything with you,

and it just made
my brain just...

So cool.

-I don't need cuts. I don't need gimmicks.
-Really?

I don't need anything.
I just need you.

To finish this movie.

-You know, maybe even make it a great movie.
-Wow.

You know?

- Wow. Okay.
- What do you think?

Do you want to work together?

Shoot the shit out of Sydney
Opera House in four hours?

- Three hours and 52 minutes.
- Three hours and 52 minutes?

Yeah.

What are we waiting for?

Okay, good. Good! Okay!

Venti, Venti, come on.

I'm gonna get some dots on
your face, 'cause I need you

-but not your face.
-Oh, God. Get... Yeah, just get rid of it.

-Yeah, I'm gonna stick Ryder's head on you.
-All of it. Just...

- Okay. Cool. Okay, okay.
- Yeah. Okay. Yeah.

Ready for a take?
Make it rain, please!

Let me get out,
for Christ's sake.

And... action!

♪ Can't explain
all the feelings ♪

♪ That you're making me feel ♪

♪ My heart's in overdrive
and you're behind ♪

♪ The steering wheel ♪

♪ Touching you ♪

♪ Touching me ♪

♪ Touching you ♪

♪ God, you're touching me ♪

♪ I believe in a
thing called love ♪

♪ Just listen to the
rhythm of my heart ♪

♪ There's a chance we
could make it now ♪

♪ We'll be rocking till
the sun goes down ♪

♪ I believe in a
thing called love ♪

♪ Ooh, ooh ♪

♪ Huh! ♪

Go!

♪ I want to kiss you
every minute, every hour ♪

♪ Every day ♪

♪ You got me in a spin,
but everythin' is A-okay ♪

♪ Touching you ♪

♪ Touching me ♪

♪ Touching you ♪

♪ God, you're touching me ♪

♪ I believe in a
thing called love ♪

♪ Just listen to the
rhythm of my heart ♪

♪ There's a chance we
could make it now ♪

♪ We'll be rocking till
the sun goes down ♪

♪ I believe in a
thing called love ♪

♪ Oh...! ♪

- Oh.
- Thank you.

- How'd we do, boss?
- Yeah, it was good.

I mean, it was amazing.

It was so amazing, we're
gonna go do some karaoke,

- if you...
- Oh.

If you like karaoke,

you know, you could...
you could come.

Like, I'd... I
would like you to.

I'll be there.

Okay.

I don't know what that was.

That was just so awful and...

- Really? Okay.
- Yeah, who's she?

- Yeah.
- Yeah.

- Holster that.
- It's holstered.

It's done. Forget.
You-you never saw it.

Jody, do you like
Christina or Britney?

I saw that.

- You saw the finger guns?
- Oh, I saw the finger guns.

She started it.

Hi.

I didn't ha... I
didn't have breakfast.

Yeah, you did.

-I disagree.
-I gave you a brekky wrap this morning.

Technically, this
is all meal penalty,

- if you want the... Oh.
- It's fine. Just-just sign.

-Thanks.
-I'm just saying, not everyone's gonna be as cool

- about it as I am. You know?
- No, I get it.

What is this?

I've got you on a 5:55
flight out of here. Okay?

- I have a car waiting for you.
- Now?

Engine's on. Yeah. Colt...

there is some serious
shit going down, okay?

I just told Jody I was
gonna meet her for karaoke.

And I'm actually embarrassed
that I got you here

and got you all tangled up.

I just want to get you out
of here before it escalates.

Get your stuff
together. We're going.

You're gonna miss the
flight. Thank you.

- Sorry.
- Okay, but I'm late,

and I got to get
Ryder's dogs to daycare.

Fluffy needs her oatmeal
bath. She gets hives.

Hey, should I be looking
for another job, Alma?

You're Ryder's
assistant. You must know.

All I can tell you is that if
Ryder is a no-show tomorrow,

the studio will shut us down.

Ugh. Poor Jody.

Say hello to directors' jail.

♪ If you want to be with me... ♪

- Am I crazy or is Nigel hot?
- Whoo! Hmm?

- ♪ I'm a genie in a bottle ♪
- JODY: He's-he's...

He... Wow, he's got
some great qualities.

-He really does. Yeah, you should go for it, Venti.
-Yeah?

- Yeah?
- Yeah.

Jean-Claude.

Sorry, his commands
are in French...

French. I know.

I worked with him on
a movie, you know.

Can't believe he kept him.

Well, it's more for a
party trick, really.

This one's got a command
where he'll bite people

- in the balls.
- Yeah, yeah, yeah. We-we know.

- No, no, don't.
- Attaque...

- Alma, right? I'm Colt...
- Colt Seavers.

I know who you are.

NIGEL: ♪ If you
want to be with me ♪

♪ I can make your
wish come true ♪

♪ You got to make
a big impression ♪

♪ You got to like what you do ♪

♪ I'm a genie in a bottle... ♪

So, the last time I saw Tom,
everything was pretty normal.

He and Henry were in some
kind of drug-induced,

shirtless shit-show
grappling match.

But then Gail called me early
the next morning in a panic.

Drop whatever you're doing.

Tom has lost his phone again.

So I found the phone,
the one that Dressler,

Ryder's creepy security
goon, just called me about.

Metalstorm crew,
we have a call time

-of 6:00 a.m. tomorrow. Don't be late.
-All right, mate.

All right, thanks, mate!

-Hey. Two shots of tequila, please.
-Ooh, Gail.

- Hey.
- Wow.

I didn't think you liked
coming to these things.

What are you talking about?
I love listening to people

murder my favorite
songs. Thank you.

- Mmm.
- "Gin and Juice."

I got to get to karaoke.

Hey!

Thanks, Amy.

Au revoir, Jean-Claude.

You got to get
rid of that thing.

Why don't you just
give it to Gail?

Whatever's on this phone
is a goddamn bazooka

that'll blow a movie
star-sized hole

through somebody's career.

I'm happy to get this into
the hands of a good guy.

- Okay...
- For the right price.

What do you want for it?

A producer credit.

On Metalstorm?

Look, I need career
protection, okay?

I'm burning myself with this.

I'm a stunt guy.

What am I supposed
to do about it?

You're a stunt guy who
used to date the director

and seems to be getting
close to rekindling

some sort of short but
legendary torrid love affair.

Do you think we're
close to rekindling?

I mean, it feels
like it to me...

Is it a deal or not?

It can help you find Ryder.

I'll do what I can.

I don't have the passcode.

Just figure it out,
okay, stuntman?

Just find Ryder.

I'm gonna need you
to sign an NDA.

As you know, nothing
in this industry...

I don't have time for
an NDA. I got to...

I'm late for karaoke.- -

Jean-Claude!

Ryder's phone. Where is it?

What am I doing?
What am I doing?

- You sad that he left town?
- Who?

- Colt.
- No, he didn't.

He's coming here. He's swinging
by to sing some karaoke.

Jody. No.

I... I gave him the tickets.

I see it! I see it!

Engage your core.

I need him to finish the movie.

Why would... why wouldn't
you talk to me about it?

Give me that.

Fine.

Call me chicken.

Huh?

All right. Okay, tough guy.

Okay, Jean-Claude.

I'll buy you a drink
when this is over.

Attaque!

Get away! Help! Help!

You've been so distracted.
You should have spoken to me.

This crossed wires... Excuse me.

Can I get another,
please? Thank you.

God!

Get me out!

Stay back! Stay back!
Stay back! Stay back!

I thought you wanted
me to get rid of him.

And he just left?

Gonna need a hand out here.

Who are you working
for?! Where's Ryder?!

- I don't know! I don't know!
- Tell me where he is!

Oh.

Where's the phone, stuntman?

I need that video!

Wow, he didn't tell you.

Jean-Claude!

Can I get another one, please?

- I...
- Thank you.

I really thought I
was doing my job.

It's fine. It's fine.

- But you know what?
- He can do whatever he wants.

He's an adult human male, and
he should do as he pleases.

- He should just...
- Right. Yeah, he is.

you know, go his
own way, you know?

But that means y-you
can focus up now.

- Yeah.
- You know, you have a massive...

Do you know you have a
big, fat hit on your hands?

I know. Yeah.

- It's High Noon at...
- High Noon.

- the edge of the universe.
- Edge of the universe.

Yes. Hear it yourself.

Forget about him. Just...

All right, uh, next
up, uh, we got a Jody.

- Is there a Jody in the house?
- Wow. God. -GAIL: Yes!

- Right here, right here!
- Ah. There she is.

Big round of applause for Jody!

I actually want
to change my song.

- Oh, uh, okay.
- Yeah. Yeah.

- That one.
- Oh.

♪ How can I just
let you walk away ♪

♪ Just let you leave
without a trace ♪

♪ When I stand here taking
every breath with you? ♪

- ♪ Ooh, ooh ♪

♪ You're the only one ♪

♪ Who really knew me at all ♪

♪ How can you just
walk away from me ♪

♪ When all I can do
is watch you leave? ♪

Jean-Claude.

♪ 'Cause we've shared the
laughter and the pain ♪

♪ And even shared the tears ♪

♪ You're the only one ♪

♪ Who really knew me at all ♪

♪ So take a look at me now ♪

♪ Well, there's just
an empty space ♪

I love this song.

♪ And there's nothing
left here to remind me ♪

♪ Just the memory of your face ♪

- (horn blares)
- ♪ Ooh, take a look at me now ♪

♪ Well, there's just
an empty space ♪

♪ And you coming back to me ♪

♪ Is against the odds ♪

♪ And that's what
I've got to face ♪

♪ I wish I could just
make you turn around ♪

♪ Turn around and see me cry ♪

♪ There's so much I
need to say to you ♪

♪ So many reasons why ♪

♪ You're the only one ♪

♪ Who really knew me at all ♪

Come on, everyone. Everybody.

Get off, bitch!

♪ Now, take a look
at me now... ♪

♪ But to wait for you... ♪

- Brake!
- I can't!

There's something stuck!

Jean-Claude, what
are you doing?!

What are you just
sitting there for?!

♪ Take a good look
at me now... ♪

Oh.

You okay?

You?

♪ But to wait for
you is all I can do ♪

♪ And that's what
I've got to face ♪

♪ 'Cause I'll still
be standing here ♪

♪ And you coming back to
me is against all odds ♪

♪ It's the chance
I've got to take. ♪

- ♪ Midnight, getting uptight ♪
- Colt?

♪ And where are you? ♪

Where's Jody?

She left. Where were you?

At a rave? In a sewer?

- What's with the dog?
- It's a long story.

Give me a sunset on
ice and a water back.

Coming right up.

VENTI: ♪ Things that you do ♪

♪ I want to walk, but
I run back to you... ♪

What's this?

It's Ryder's phone.

- Why do you have Ryder's phone?
- All I know is

some really bad guys
are trying to get it.

Are you serious? What?

I just got to figure
out what's on there.

Then find Ryder and get
him to finish Jody's movie.

Okay. Well, shit, yeah.

Venti, she's like a tech
genius at this stuff.

Thank you!

Hey, Venti!

- Ventilicious.
- Hey.

What's poppin' on, boys?

Yeah, Ventinator.

You know how to get
into this thing?

Oh, I've seen some
of these guys.

This thing is a vault.

It'll take me like two or
three days to crack this thing.

Yeah, but you're like a
tech genius, you know?

What if you don't
have three days?

You need the password.
I'm telling you that.

You're next.

Nigel. Nigel!

Knowing Ryder, it's...

written on a Post-it note
in his apartment somewhere.

Okay.

Okay, next up, we've got Dan.

Come on, buddy. Come on, Dan.

Don't be shy, mate.

Come on, buddy. Let's go.

You owe me!

It's got to be around
here somewhere.

-Mm-hmm.
-Let's just split up. Jean-Claude...

Hello.

Oh.

You know what? I deserve this.

Idiot.

Colt?

Colt! I got it! Colt!

To finishing the movie.

I think I got it.

All right.

That guy mentioned a video.

Oh, baby, I'm here at work,

but I got a little something
for you, a little surprise.

It's just above my ass. Eh?

Oh, my God. Cover your eyes.

I think I've seen Tom's
ass more than my own.

Okay.

Now is the winter
of our discontent

Made glorious summer
by this sun of York...

He's such a dick.

But, God, he's good.

Yeah.

What about this?

Oh, here's that party his
assistant was talking about.

Iggy.

That's Henry. That's
Ryder's stunt double.

He looks a lot like the
guy I saw at the hotel.

When you were high? And
you were seeing unicorns?

And a dead guy on ice.

Hell yeah! Come on!

What?! What?!

Do I do my own stunts?

I think I do.

I think I freakin' do.

Yeah, baby.

Uh, gimme, gimme,
gimme, gimme...

Gimme the phone.
Gimme the phone.

- Oh, shit.
- Did they just kill Henry?

They just killed Henry.

Oh, it's Venti.

- Hey, uh... Hello?
- Dan.

Turn on the news right now.

I can't believe this!

The dead body discovered this
morning at the Pendleton Hotel

has been identified
as Henry Herrera,

an American stuntman known for
doubling superstar Tom Ryder.

Authorities are investigating
his death as a murder.

Their prime suspect
is another stuntman,

Colt Seavers, who was last
seen in the hotel room

where Herrera's
body was discovered.

Police have released
this security footage

showing Seavers leaving
the scene of the crime.

If you have any information,
please do us a favor,

reach out to Crime Stoppers
by the number on your screen.

And we'll have more on that
later. In the meantime...

I got to call Jody.

It's high noon

at the edge of the
universe, folks.

Which one was that?

That was take four.

Goddamn it, Jody.

I mean, it looks like
frickin' Burning Man.

My balls are drenched.
I need a towel.

This dude always
forgets that he's mic'd.

- I know.
- He says the craziest shit.

Craziest shit. I know, I know.

What, is it on airplane mode?

If this was The Fugitive

and you were Harrison Ford...

the bad guys would
be closing in.

I call tomahawk.

- Damn it.
- You stay alive.

Stay alive.

No matter how long it takes.

No matter how far, I will

find you!

- Last of the Mohicans.
- Ah,

boy! Stunts!

Damn it.

Shit, is this rubber? Oh, God.

Daniel Day-Lewis!

Jason Bourne!

Dwayne "The Rock" Johnson!

Give me the phone!

Where's the phone, stuntman?

We got to get this
phone to the cops.

- Okay.
- It's the only thing...

Hey, man bun!

Where's the phone, stuntman?

Jean-Claude, attaque!

I'm gonna take that.

Be careful of that, big fella.

Shut up!

I'm gonna go out the front
and make sure no one's there.

- Okay.
- All right.

Hey, take Jean-Claude,
would you?

Okay. Allons-y!

Just you and me, stuntman.

Shit.

Colt's down.

Big fella got away, though.

Uh-huh.

You can make it.

You can make it. You can
make it. You can make it!

No! It's too dangerous!

Got to be stairs.

Okay, okay, okay, okay!

Colt. Hey, man.

Look at that. Yeah,
makin' a movie here.

Could you leave us, please?

Yeah.

Ooh, Gail. So tense.

You remember old
Dressy, right?

Stuntman.

I never forget a fist.

Listen, I'm gonna need
the phone. Where is it?

It's a matter of
urgency. I need to know.

Right. The one that proves
that you killed Henry, not me.

- Eh...
- That phone.

- Well...
- Yeah.

I'm gonna hold on to that.

Seems like it's the only thing
keeping me alive right now.

What?

He's the prime suspect, Jody.

Gail, come on. Are
you kidding me?

- I know.
- Colt?

- Yeah.
- There's no way.

- That's what I said.
- There's no way!

What went wrong?

- What went wrong?
- Mmm.

What went wrong?
Well, as I look at it,

you know, you're...
you're torturing me

right outside your superyacht
like a Bond villain.

Dipshit!

What went wrong?

What went right?!

You changed.

You changed.

Yeah. We used to be like
brothers, you and I.

Entered into the sacred bond
of actor and stuntman, man.

- Oh, God.
- Yeah.

You think Colt could
murder a human being?

- No, I don't.
- Did you tell them that?

- I said that.
- This is a man...

This is a man who
spent 23 minutes

ushering a cockroach
out of my room once,

and I was like, "Just stomp
on it," and he was like,

"No, let it live."
I mean, it's Colt.

I told them all of that.

I told him who he is...
who I thought he was.

Did you, emphatically?

- Yes, I did.
- Yeah, because he

was at the airport
where you sent him.

He never got on the plane, Jody.

- How many movies have we done?
- Oh, I don't know.

How many? Yeah, too many
to count, that's right.

-Yeah.
-'Cause I put you in the contract, didn't I?

I put you there, right there.

- Mm-hmm.
- Yeah? That's right,

-I had the assistant, the makeup and hair...
-Right.

uh, trainer, and then boom,

Ryder's number one
stuntman, Colt Seavers.

That was me, I did that.
I did that for you.

What are you gonna
do for me? Huh?

Die, I guess?

Right? Die?

- Is that the plan?
- It's nothing personal.

Oh, my God. Well, I'm
taking it personal.

- Yeah, I can see that.
- The torture.

You know what?
It's just business.

- The drugging, the Taser.
- You know, it's just business.

I mean, Tom Ryder's
a global brand.

- I'm taking it personal.
- I literally move markets.

If I go down... the
freakin' Dow goes down.

If you break your back, I
replace you like this. Boom.

You know, if you'd
just stuck to your job

instead of trying to
hog the spotlight,

this wouldn't have happened.
I mean, Henry wouldn't be

on the scene, his accident
wouldn't have happened,

your accident...
freaky little fall.

'Cause you just push
my buttons, man.

Wait a second. What?

What?

What did you say
about my accident?

Well, you know, you
pushed me over the edge.

You literally pushed a
button. I mean, you didn't...

I mean, I pushed the button.

I had to crank it up a notch.

That was you?

Yeah.

Had to teach you a
little lesson, didn't I?

Got a little too
big for your boots,

didn't you?

Henry's no
different, you know.

Hey. You do your own stunts?

Do I do my own stunts?

In front of all those
people, that's humiliating.

And yeah, I'm gonna
kick you into next week.

But then Gail, you know...

- Remember Gail, right?
- I've known her for 15 years.

Oh, yeah. I forget, 'cause
you've been out of the game

- so long, you know?
- I introduced the two of you.

Calls me up and says,
"It doesn't look good."

Bad for marketing and renting,

and blah, blah, blah,
and murder and...

I know, I-I-I d...

I real... I really don't
need this right now.

Fucking Henry!

Don't worry about it.

You lay low...

and I will handle everything.

Maybe we don't know people
as well as we think we do.

- Oh, my God.
- You know?

Oh, my God, it's Colt.

- Give me the phone.
- No.

- What are you doing?
- Gail, get off the pho...

- Oh! What are you doing?
- Oh, my... Jesus Christ, Gail!

- Oh, my... Oh, I'm so sorry.
- Oh, my God.

- Let me help you.
- No, stop it.

- Let me take it up to...
- Do you know what?

- Just give me a minute.
- Yep.

Just give me a minute.

- Yep.
- Come on.

This plan was so simple.

Yeah, we were gonna
put Henry's body on ice

so it doesn't decompose.

We could pull you out from
that rock you crawled under.

- My life, yep.
- You know, scan your face.

Dressy here is gonna stick
you on the murder video.

Drug you, drive you
and Henry's body

off the Sydney Harbour
Bridge, in your car... boom.

You got murder, suicide.

Cut. Check the gate.

Move on. Beautiful.

I think we have different
ideas of what simple is.

Y-You just didn't
stay down, did you?

You had to, like, uh,
create a big scene,

like Colt Seavers does.

You could... But you know
what? This can still work

because we got the murder,
now we just need the suicide.

- Sad.
- It's plot heavy.

We're getting tangled
in exposition.

Lose the last
part... the suicide.

You lose the audience
if there's too much.

Colt.

Where's the phone?

Tom, you need carbs!

Your brain runs on glucose!

For simple
cognitive functions.

- You need them.
- Colt, you're the fall guy.

You're the fall guy, you know.

Where's the phone?

I mean, I... You can keep
taking hits all night,

but you know what?

I can think of a few
other people who can't.

We could bring Dan up
here, maybe Jody, perhaps.

I mean, I like
Jody, but you know.

There's no phone.

Okay? That's the twist.

No phone.

He shot it out of my hand.

Up there, go check.

You, too, all of
you. I'll wait.

- He shot it.
- You didn't know you did that?

It's crazy. I've been wanting
to tell you this whole time.

No, he didn't.

- I was by the door frame.
- No.

And he shoots it
out of my hands!

- No.
- Take the ties off.

- Oh, my God, what a relief.
- That's crazy.

You were right about one
thing, that was the only thing

keeping you alive.

I really wish you could see

what Jody's gonna
do with Metalstorm.

It's gonna be awesome.

And honestly... it's
gonna be a banger.

Not so cocky now,
are you, mate?

Jesus, Mike Mike,
put a lid on it.

Wish you didn't
break that bond, bro.

Wish you didn't break that bond.

All right, stuntman, time
for a drink, mate. Eh?

There we go. Eh?

Help!

Help!

- Shut up. Shut up.
- Help!

Shut up, mate.

There.

This fire gag's real.

Come on, guys, start the boat.

He's gone the wrong way.

Shit!

Oh, Colt.

Colt?

- Hey.
- What's going on?

What'd you sing?

- What?
- At karaoke.

- I'm sorry I didn't make it.
- It doesn't matter.

Listen. Everyone's
saying you killed Henry.

- What's happening?
- Oh, that's not true.

You're gonna hear a lot of
things that aren't true.

I just wanted to say that
when I first got here,

when you asked how I was doing
and I gave you the thumbs-up,

when you were like, "That's
stunt guy bullshit,"

and you're right,
it's total cliché,

but, you know, there's
a reason you don't see

the thumbs-down stunt guy.

You know, it's kind of
part of our training.

Right? You know, you
get hit by a car,

you get thrown out of a window,

you get set on fire,
you give the thumbs-up.

But, uh, after my accident...

turns out was not an
accident, by the way...

I, uh...

I wasn't okay.

And not because I broke my back,

because I just
felt like a huge...

failure.

And I realized that, uh...

you know, I'm not invincible.

Huge shocker.

And I thought maybe
I wasn't so special

or something, so I, uh...

just figured that the
thumbs-down version of me

wasn't what you got into
it for, so I disappeared.

But, you know, I didn't
just disappear on you.

Uh... just disappeared on,

on, uh, myself... too.

Anyway, I'm sorry.

You deserved more
than that. I'm sorry.

I just wanted you to be honest.

You know, honestly,
it, uh, all hurts.

Getting hit by a car hurts.

Getting thrown out
of a window hurts.

Getting set on
fire really hurts.

But, uh...

none of it ever hurt as
much as not being with you.

Where are you?

Is that from a movie or
did I just make that up?

It's pretty good.

- There he is!
- You can use it if you want.

No, please...

For what it's worth, I'm
still in love with you.

And I don't think you should
give up on that happy ending.

Colt.

I got to go.

Colt.

♪ Tonight ♪

Wait, Colt.

♪ I want to see
it in your eyes ♪

♪ Feel the tension ♪

♪ There's something
that drives me wild ♪

♪ And tonight ♪

♪ I want to make
it all come true ♪

♪ 'Cause, girl, you
were made for me ♪

♪ Girl, I was made for you ♪

♪ I was made for
loving you, baby ♪

♪ You were made for loving me ♪

♪ I can't get enough
of you, baby ♪

♪ You can't get enough of me ♪

♪ I was made for loving you ♪

♪ And you were made
for loving me ♪

♪ I can give it
all to you, baby ♪

♪ Can you give it all to me? ♪

That's a wrap on Colt Seavers.

Gail?

Jody.

Colt's...

Colt's dead.

Police are investigating an
explosion on Sydney Harbour

just outside the Opera House,

where it appears a boat
has collided with...

♪ I was made for
loving you, baby ♪

♪ You were made for loving me ♪

♪ I can't get enough... ♪

an alleged suicide
of Colt Seavers,

the man responsible for the
recent murder of Henry Herrera.

♪ I was made for loving you ♪

♪ And you were made
for loving me ♪

♪ I can give it
all to you, baby ♪

♪ Can you give it all to me? ♪

Hey. Hey.

Whoa. Huh?

Looking for Stunt
Coordinator Dan Tucker.

- You seen him?
- No.

Hey! You two.

Helmets off. Looking for
Stunt Coordinator Dan Tucker.

Following a dramatic
boat explosion

on Sydney Harbour, police
are currently investigating

the suicide of American
stuntman Colt Seavers.

Following a dramatic boat
explosion on Sydney Harbour,

police are currently
investigating

the suicide of American stunt...

Following a dramatic
boat explosion

on Sydney Harbour, police are...

Following a dramatic boat
explosion on Sydney Harbour,

police are currently
investigating

the suicide of American
stuntman Colt Seavers.

Jody, you need to be
quiet. Don't say a word.

Wait, wait. No.

Jody...

You think you can come to
my set and sneak up on me?

Wait!

It's me. It's me.

Remember?

Jesus Christ.

I knew it.

I knew it.

I knew you were alive.

Three shows a day,

six days a week for three years.

The Miami Vice stunt show.

You remembered.

Yes. I'm happy
you're alive, Colt.

Colt, I'm so happy you're alive.

- I knew it.
- Oh, my God.

- What were you doing...
- Nice work with the pen.

-So sorry.
-No, it was great. You got it out just in time.

I think the ink
poisoning didn't set in.

- Chef's kiss.
- What's going on?

-Huh?
-Everyone's saying that you killed Henry.

Ryder killed Henry.
He framed me.

There's footage of you.

- Well, he deepfaked me.
- What?

They do it all the
time on the Internet.

They take Tom Cruise's face,
and they put it on yours.

And you can't tell
the difference.

No. Okay, so where's
the real footage

of Ryder killing Henry?
How do we get it?

It was on Ryder's phone, and
then it got destroyed because

-Dan's Last of the Mohicans plan didn't work out.
-What?

It's not his fault, you know?
He called tomahawk first, okay.

I got "blanks only."

And it was going
pretty well, actually,

and then Dressler showed up.

So he, you know, he does
this, like, Jason Bourne shit.

Okay, I have so
many questions.

Okay.

Who else knows you're alive?

- No one.
- Great.

No, that's the point.
I mean, I figure

we can't finish the movie
unless they think I'm dead.

What movie?

Metalstorm.

What about Metalstorm?

If they think I'm dead,
they'll come back and finish.

- Who?
- Ryder.

- Finish what?
- The movie.

- Metalstorm?
- Exactly.

- Are you insane? You are insane.
- What?

You need to be burning
your fingerprints off,

and you need to be
getting across the border

as fast as possible.

We're gonna hide you until
we can clear your name.

None of it matters anymore.
It's just a stupid movie.

- What?
- It's a stupid movie.

Don't say that.

That's Metalstorm
you're talking about.

That's the movie you spent
your whole life trying to make.

Who knows?

You might inspire a whole
generation of little Jodys

to pick up cameras and
make their own movies.

You're just... you're special.

And all of us get to be a
part of something special

because it comes from you.

I obviously failed at
getting us our happy ending,

but I'll be damned
if I'm gonna let

Space Cowboy and
Aliena not have theirs.

Jody, my love!

- One sec!
- I'm coming...

Stop it.

Gail. She's in on it.

- What?
- Yes.

-Okay, come on.
-Let's just kiss a little bit first.

No, come on, we g... got to get
you in the bathroom, please.

Come on.

Come on.

Christ!

Got to work.

You all right in
there, my darling?

Here, this... Take this
soap and rub it on my belly.

Get in the bedroom.

- Okay. Colt. Are you good? Okay.
- Okay. Yeah.

- Be quiet. Don't make a sound.
- Jod?

- My head. The head.
- What?

- Hi!
- Hey. Hello, you.

- Hey. Hey.
- Aw, come here.

Thank you.

Aw, how's my
favorite director?

Uh, a bit emotional, you know.

Oh, no... Jesus.

Like Johnny and Amber
have just been here.

I just need to vent,
'cause it's been...

- it's just been so much.
- I know. I know.

- I'm so sorry about Colt.
- Thank you.

You know, it's such a
shame, but what a mess.

- Right.
- Who knew?

- Yeah.
- I mean, I tried to help him.

I hope you know that, but
sometimes you can't help people

- who don't want to be saved.
- Right.

But silver lining

to this very dark cloud.

I've got Ryder to come back.

- And I have a plan.
- Really?

But we're not
gonna be able to do

your big third act set
piece, the car jump.

It is an impossible jump,
especially now with Colt gone.

- Dead.
- He's gone.

- He's so dead.
- Stay with me.

I spoke to Venti.

She says that she
can do it in VFX.

The car jump.

All we need to focus
on is Ryder's new,

final, bombastic monologue.

I've read the pages.

God, you smashed it.
I knew you would.

- We're gonna get him covered.
- Yeah.

You, meanwhile...

please go and rest
up in Fiji, on me.

You know? Plop
yourself on a beach.

And I'm gonna take care
of all of it for you.

Gail.

You've got so much to process.

- No.
- I can take care of all of it.

No. This is my movie.

Now, listen to me.

I've learned so much from you.

- I know. Thank you.
- And I'm very grateful.

But the lesson I stand by now,

- that you've taught me...
- Yeah. Yeah.

You fall down, you
get right back up.

I am directing this movie, yeah.

Oh, my God, that's my girl.

-It went in. I'm so proud of you.
-Good. Okay.

Thank you. All right,
let's get you out of here.

- One last thing.
- Yeah?

-Have you seen Dan?
-Nope. I think he's by the taco truck.

- You haven't heard from him?
- He's probably-probably

over there somewhere.
Thank you so much.

- I'm proud of you.
- Thank you.

Thanks for the pep
talk. Okay, buh-bye.

- Love you, darling.
- Love you, too. Bye!

Oof.

You're gonna finish the movie.

No, I'm gonna clear your
name. Okay, now listen.

Why can't we do both?

I think we can.

We're gonna bring him to set,

in a controlled environment,
and then we surround him...

And we beat the shit out of him.

No.

We're gonna force a
confession out of him

by putting him in a scene.

-Right.
-You know, he always forgets he's mic'd.

That's better.

I just don't know
how to do it yet.

I know how to do that.

Make him do his own stunt.

The impossible jump.

Then we beat the
shit out of him.

One seventy-four,
alpha, take two.

And action!

O-One second, one
second, one second.

Action!

It's high noon

at the edge of the
universe, folks.

Now, we're facing
a powerful enemy.

An alien species born of the
worst of humanity's traits.

Well, what our enemy doesn't see

is that their
demise is imminent.

And the most powerful
weapon in all galaxy?

Love.

Inside each and every one
of you is a spark, baby.

An ember.

A goddamn fire!

Love is how we will win.

And even if we lose,

we're gonna die fighting
for a happy ending!

Hell yeah!

Whoo!

Well, let's go and get it, then!

Get on out there and go!

Who's with me?! Who
is with me?! Let's go!

Cut! Yes!

So good, so good.

- Thank you.
- Was that it?

- God, yeah.
- Did we get it?

- It was so good.
- We got it?

- Magic. Yeah, yeah.
- Yeah, it was hot, babe.

Oh, my God. Gail
was in floods.

I really felt that one.
I really felt that one.

- She was... Of course you did.
- 'Cause I had tears.

Of course you did. Yeah,
I know. I can see them.

Yeah, it was fantastic.

So, listen, all we have left
is the alien truck coverage.

- All right? That's it.
- No.

-Yep. We're gonna do the car jump.
-No.

-No one told me about another setup.
-We said... No.

- There's another setup?
- Venti's gonna do that in VFX,

-so we're out of here.
-I know, but we need his close-up.

All right? I need his close-up
right here for the coverage.

All right? 15 minutes
tops. That's all I need.

This is the bit,
do you remember,

-where Space Cowboy steals the alien vehicle?
-Hmm.

- Come on. This is his moment.
- Wait, wait, wait, wait.

I'm not gonna do
any driving, right?

Because I'm gonna
feel really nauseous.

It's a blue screen setup.

I need this. I need this, okay?

Zero notice here.

We're moving as fast
as we can, all right?

Everyone, double the pace, yes?!

Use those muscles!
Yes, good! Thank you!

Everyone in position!

Light the pyro!

We need enough charges to blow
this canyon sky-high, people.

McCabe, where are we?

Going as fast as I can, Nige.

We're as ready as we can be.

Okay. Hey, get Ray to come in

-and check the mic before we go, okay?
-Copy.

Sound, can you come down here
and check Ryder's mic, please?

All right, Tom. You ready?

- Yeah.
- Okay. Remember this bit?

-You're gonna be in the alien vehicle.
-Mm-hmm.

- Okay? Okay.
- Yep.

And with nowhere to go,

you're gonna jump the
car over the ravine.

So I just need a
quick pop on you...

Space Cowboy ain't
scared of no ravine.

- Of course he's not.
- So I'm thinking maybe just

-a couple of reaction shots of me gritting my teeth.
-Yeah.

Like, "Goddamn."
Something like that.

Yeah, yeah, yeah. Stoic.

- Yeah, yeah. I like it.
- All right?

- What do you think?
- I like it. Okay.

I think it's gonna be great.
Yeah, I love the choice.

All right, let's pop these on.

- Okay. What's this?
- There you go.

No, this is because
you've escaped the aliens.

Is this necessary?
It's a bit much, no?

Yeah. It looks cool.
Raise the stakes.

It's kind of cool.

- Yeah. It's cool. Okay.
- Raise the stakes.

- Let's do it.
- 'Cause you know, Space Cowboy.

Nobody can get at
the Space Cowboy.

- No way. Even when he's cuffed.
- Excuse me. Tom, sorry.

Jesus, Ray. I told you to
do it before I got on set.

Appreciate you, Tom.

Thank you. Sound good.

- Okay.
- Okay, great.

- So...
- So...

-You got this guy coming on your left.
-Yep.

- Hey, bro.
- All right, take him out.

Someone else is gonna
crash down on the bonnet.

You're gonna take him out.

No, no, no. See, what I'm
thinking is maybe I come down,

I take him out first, and
I'm like "pow, pow, pow."

- I slide over and go "pow."
- Yeah. Yeah.

And then maybe I say
a little line like,

"I was shooting aliens
way before I was paid to."

Fantastic. All right,
let's lock it up.

- Let's shoot, Nigel.
- Standing by, please.

All right.

Take one. Marker.

In three, two, one, action.

Not your lucky day, alien.

You got to go.

You can't outrun me.

I'm Space Cowboy!

Yahoo!

You are approaching the ravine.

There's nowhere else to go.

Turn right. Go on.

You have no choice.

You're gonna have
to make the jump.

In three, two, one.

Yeehaw!

Whoa, whoa, whoa,
hey, hey, hey.

Who is that in the car with him?

We're-we're in the middle of
a take right now, asshole.

What are you doing? Ah!

-He's just buckling you in. Safety first. That's it.
-Ow!

It's really tight.
Is this necessary?

Hey, we are filming right now.

Keep rolling, keep rolling.

Sell it, Tom. It looks
amazing. Take a deep breath.

It does not look...
Get out of the car.

Howdy.

No, no, wait. Stop. No.

Wait, what's happening?

Yeehaw!

Oh, my God! Whoa!

Get to the cars!

Jody, what the hell
are you doing?!

I'm trying to get something
real out of him, Gail.

There's no cameras on him!

Hey, Dan? They're approaching
Ambush Alley right now.

We're ready.

Let me out right now!

What are you gonna do, huh?
You gonna kill me? Again?!

- Can you untie me?
- No.

McCabe!

Smoke screen in three, two, one!

Whoa!

This does not seem safe, man!

Dan, where are they? Do
you have eyes on them?

I see 'em. Everything's
going to plan.

I'll block the road.

They shall not pass!

I see them. They're
entering Ambush Alley.

I can't see shit!

McCabe, one!

McCabe, two!

McCabe! Now!

I love my job.

Whoa, mama!

Oh, goddamn!

I can't think straight
when you drive like this.

You're supposed to be dead.

You blew up in-in
a thousand pieces.

You went kaboom.

Why would I have
blown up, Tom Ryder?

Why are you saying
my name like that?

- That is your name, isn't it, Tom Ryder?
- Yes, yes.

A blind man could
see that you're

- Tom Ryder.
- You're saying that like...

- "Ryder, Tom Ryder."
- Okay. That's me.

You're saying it like
some obsessed fangirl.

That's me, Colt
Seavers, saying that.

Roll the cameras. We're
heading for the jump.

Tom Ryder's doing
his own stunts!

Everyone, roll. Arm car?

Check.

- Heli.
- Check.

I'm done taking
the falls for you.

You're gonna do your
own stunts from now on.

-I don't want to do my own stunts, Colt!
-Relax.

It's just a 250-foot jump
that'll probably kill us.

It's never been done
before. It's for Comic-Con.

- It's Hall H. It's a big deal.
- What are you doing, man?

I thought it'd be fitting.

Me and you, Tom
Ryder, one last stunt.

You know, like
Thelma and Louise.

- Thelma and Louise?
- Yeah.

- They die at the end.
- Exactly!

Murder-suicide.

Can you just pull over
and let me out right now?

You're not getting out
of this car until you,

Tom Ryder, tell me,
Colt Seavers, the truth!

All right, all right,
all right, all right!

It was all Gail.

When I killed Henry, she
wanted to cover it up

because, to be honest,

Space Cowboy's one of
my best roles yet, Colt,

and I don't want
this movie to fail.

So you're saying that Gail Meyer

was responsible for framing
me for your murder of Henry?

Yes! Yes!

But what's your real name?

Tom Ryder.

Did you get that, Jody?

We got it! He confessed.

You wearing a wire?
Bro, you recording this?

This is entrapment.
You can't do that.

- What are you doing?
- No, it's not entrapment,

because you're wearing
the wire, dipshit!

He's going for it. Go. Go now.

I'm just an actor!

Wait.

He has a mouth guard.

I don't have a mouth guard.

- Oh, good.
- Colt!

- You're alive.
- Are you okay?

Are you okay?

I told you I'd make
the camera up to you.

Oh, it was fantastic.

- Dressler, come in!
- Ah!

Oy, can you hear me? We've
got to get out of here!

This is all Gail's fault, man.

This is all Gail's idea.

- Give me that confession!
- No.

Give me all the
media! Are you deaf?!

Dressler, bring the
helicopter to the trench.

- What about Ryder?
- Now!

Now, about this date.

Put it in the
case, you numpty!

Can we call it a date?

I mean, that's
what it is, right?

Such a moron!

- Hurry up! God!
- -Take it.

Gail, Gail, Gail.

- Listen...
- Give me the recording, Gail.

Darling, calm down.
Just come with me.

We don't need all this
toxic masculinity,

because we're the
same, you and me.

You know, we're survivors.

No, no, no, no. I'm
nothing like you.

I don't want to be
presumptuous, I mean,

but let's call
a spade a spade.

That's why I gave you the job.

- Okay.
- Well, that and because

you're so easily
moldable, you know?

- Oh!
- Gail, just give me the case!

This is a Gail Meyer production!

Not yours!

Rendezvous with the
boss in the canyon.

Extraction to the spaceship set.

Spaceship set?

Oh, no, Big Red.

I don't think you're
gonna make that one.

- Stunts set!
- Stunts set!

Go!

Trust me, I will not be
taking the fall for this,

because I deliver hits
for all you little people.

You're welcome.

Whoa!

Jody?

- Jody?
- Hey, hey! That's for me! That's for me!

That's my helicopter!

This crazy stuntman's
lost his mind!

I'm on vacation!

Get this dog off
me! Not again, dog.

Just stay there!

Night-night, dog! You're dead.

This design is growing on me.

Get in! Let's get out of here!

Yeah, copy that.
Taking off now.

Wait, what-what is this?

It's the evidence!

Why didn't you
just stop talking?!

Jody!

Blow the pyros.
Blow the pyros!

They're getting away!

- Whoa! Sh... Whoa!
- Holy shit!

- Lower the arm! I'm gonna jump.
- Okay.

Okay, lower the
arm. Lower the arm.

I have a plan!

What is it?
What's-what's the plan?

Get me to the helicopter.

I'm gonna jump onto the skids,

and then I'm gonna beat
the shit out of him.

No, just-just get the recording.

Go!

Ah, shit.

Go!

Whoa! Whoa! Get me down!

Whoa! Get me down!

We're losing hydraulics here.

I can't get it under control.

Just wondering, you
know, after this movie,

and if I don't go to prison
and, you know, you're not busy,

maybe we could go to
a beach somewhere.

Wear a couple of
swimming costumes.

Just drink a spicy
margarita or something.

-Yeah, yeah. Make some bad decisions.
-Yeah.

Okay, sure. Yes.

- Sound like a plan?
- It's a better plan than this.

Okay, please be careful.

Okay, swing him around. Go!

God, get it under control!

Get us out of here!
What are you doing?!

Ryder, the confession!

No!

- No! No, Gail, no!
- -No, Gail!

Whoa! Whoa!

Stunts!

Mobilize that airbag now!

No!

Get out of the way, Ryder!

87North to the rescue!

- Go, go, go, go!
- Go!

Move, move, move!

Get it!

Just keep it steady!

You moron!

Yes! Nice!

Go, go, go!

Yes!

- Oh, God!
- Oh, shit!

No!

Grab it!

Oh, my God! My nose!

No! Ryder, the gun!

Shoot him! He's a
stupid stuntman!

No one gives a shit!

He's one of the best stunt
doubles I've ever had!

Oh, shut up! Give
me the confession!

Come on, come on,
come on! Quick!

Give it back to me or I
will blow your head off!

It's empty, Gail.

♪ Mmm, yeah ♪

♪ Ha ♪

No!

♪ Tonight ♪

♪ I wanna see it in your eyes ♪

♪ Feel the magic ♪

♪ There's something
that drives me wild ♪

♪ And tonight ♪

♪ We're gonna make
it all come true ♪

♪ 'Cause, girl, you
were made for me ♪

♪ And, girl, I
was made for you ♪

♪ I was made for
lovin' you, baby ♪

♪ You were made for lovin' me ♪

♪ And I can't get
enough of you, baby ♪

♪ Can you get enough of me? ♪

♪ Tonight. ♪

From visionary
director Jody Moreno

and Universal Pictures

comes a cosmic love story...

of epic proportion.

Starring MTV Best
Kiss award nominee

Jason Momoa.

It's high noon

at the edge of the universe.

I know these creatures.

I fought them.

I've loved them.

I'm not gonna lie to you.

We are facing a powerful enemy.

But what our enemy does not know

is that inside each
and every one of you

is a goddamn fire!

Yeah!

♪ I was made for
lovin' you, baby ♪

- Hi-yah! Yeah!

♪ You were made
for lovin' me... ♪

Yeah!

Bam!

Oh, shit.

Justice is on the horizon.

Metalstorm.

Metalstorm was a huge hit.

Aliena and Space Cowboy
finally got the happy ending.

As for Jody and I, we got
something even better.

We got a new beginning.

Filled with spicy margaritas
and bad decisions.

And look, I don't want
to over-romanticize it

or anything, but I think
what Jody and I got,

it's even better than what
you find in the movies.

♪ I was made for
lovin' you, baby... ♪

♪ Well, I'm not the
kind to run and hide ♪

♪ When I come close to danger ♪

- Not again, dog!
- ♪ I ain't never been ♪

♪ Afraid to take the fall ♪

♪ Yeah, I'll fall ♪

♪ I'll walk the wire
through rain and fire ♪

♪ Go fast and I'll go slow ♪

♪ Somehow I get stronger
through it all ♪

♪ It's a death-defying
life I lead ♪

- ♪ But I take my chances ♪
- Yeah? -Yep.

♪ I die for a living
in the movies and TV ♪

- Yeah, it looks perfect.
- ♪ But the hardest thing ♪

♪ I'll ever do is watch
my leading ladies ♪

♪ Kiss some other guy ♪

- (yelling)
- ♪ While I'm bandaging my knee ♪

♪ Well, I might fall
from a tall building ♪

♪ I might roll a brand-new car ♪

♪ 'Cause I'm the
unknown stuntman ♪

♪ Who'd die to have
your heart... ♪

Logan's good. Logan's good.

That's the fall guy, right?

Metalstorm.

Storm.

♪ I drug my heart
through a burning... ♪

Can you give us a playback?

Action!

♪ Oh, I've been hurt and
I've been broken down ♪

♪ But somehow I'm
still yearning ♪

♪ 'Cause through it all,
she's still on my mind ♪

♪ Well, I might fall
from a tall building ♪

♪ I might roll a brand-new car ♪

♪ 'Cause I'm... ♪

And three, two, one.
Action, action, action!

♪ Who'd die to have
your heart, whoo! ♪

Pulling out in three, two, one.

♪ I might roll a brand-new car ♪

♪ 'Cause I'm the
unknown stuntman ♪

♪ Who'd die to have your heart ♪

♪ Yeah, I might fall
from a tall building ♪

♪ I might roll a brand-new car ♪

♪ 'Cause I'm the
unknown stuntman ♪

♪ Who'd die to
have your heart. ♪

- Shit! Holy shit!
- Holy shit!

- It's a world record.
- Mike, are you all right?

I'm upside down, but I'm good.

♪ I don't know if
you heard, but ♪

♪ My stunt brothers and
sisters don't get no gold ♪

♪ So here's to the
unsung heroes ♪

♪ Hey! ♪

♪ Yeah ♪

♪ Oh, I'm diggin' it ♪

♪ Oh, yeah ♪

♪ It's so crazy, right? ♪

Let's go big with
our one take, okay?

♪ Not even one nomination ♪

- Toes.
- Just a harness, yeah.

♪ We don't need your ♪

♪ Oscar nom, baby ♪

And cut.

♪ We got real scars ♪

♪ From this labor of love ♪

Look out!

♪ Somebody had to say it ♪

♪ It's been building up inside ♪

♪ I just couldn't hold it in ♪

♪ I had to let it fly ♪

♪ Action and stunts have been ♪

♪ Woven into the DNA of film ♪

♪ Since the beginning of
cinema, Keaton, Lloyd ♪

- Let's shoot it.
- ♪ Chaplin ♪

♪ Film's first great directors
were all stunt performers ♪

♪ Ben-Hur, Rocky,
Braveheart, Titanic ♪

♪ Some of the biggest winners
in Academy's history ♪

♪ Are completely
dependent on stunts ♪

So it's about love today.

- ♪ Did you know? ♪
- ♪ We don't need your ♪

♪ Did you know? ♪

- ♪ Oscar nom, baby ♪
- ♪ Did you know? ♪

- ♪ We don't need your ♪
- ♪ Did you know? ♪

- ♪ Little statues of love ♪
- ♪ Did you know? ♪

- ♪ We got real scars ♪
- ♪ Did you know? ♪

♪ From our labor of love. ♪

Whoa, whoa, whoa, whoa, whoa!

Wait a... Would
you just calm down?

You know who I am, right?

I mean, I can make
you a massive star,

you handsome beast!

And you, you have the
right to remain silent.

So shut the hell up.

- Will somebody cuff this bitch?
- Let's go.

These guys are from
the prop department.

These ain't, these
ain't cops, man.

Back up, man!

I'm calling my agent. I'm
getting my agent involved!

- Let-let him go. Let him go.
- Tom!

No signal. Got
to get... some...

Three bars!

Actor.

Get me Jason Momoa's
agent on the phone.

♪ Waiting for love ♪

♪ To catch me again ♪

♪ Waiting for love ♪

♪ To lock me up and
throw away the key ♪

♪ Waiting for love ♪

♪ To catch me again ♪

♪ Waiting for love ♪

♪ To play the strings that
made our hearts beat one ♪

♪ We can't fall out of time ♪

♪ Try to find an answer ♪

♪ Looking for a sign ♪

♪ There's just no reason ♪

♪ And there's really no rhyme ♪

♪ And we wouldn't be moved ♪

♪ And neither could see ♪

♪ That I needed you ♪

♪ And you needed me ♪

♪ If I could go back ♪

♪ I'd do it differently ♪

♪ Now I'm falling all the time ♪

♪ And I need you in my life ♪

♪ Waiting for love ♪

♪ To catch me again ♪

♪ Waiting for love ♪

♪ To play the strings that
made our hearts beat one ♪

♪ We can't fall out of time. ♪