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ARE YOU THE TYPE OF
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PERSON WHO'S CONVINCED YOU CAN'T
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BE DECEIVED?
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THEN PAY CLOSE ATTENTION.
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I WANTED TO SHOW YOU THIS.
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IT'S A VERY STRANGE AND RARE
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CARVING OF A SKULL.
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AND THE REASON IT'S SO STRANGE
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IS IF YOU COVER IT UP, EVEN FOR
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A SECOND, THEN IT COMPLETELY
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DISAPPEARS.
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AND THAT ALSO EXPLAINS WHY IT'S
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SO RARE.
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DIDN'T CATCH HOW
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THAT HAPPENED?
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LET'S REWIND AND WATCH IT AGAIN.
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AND THE REASON IT'S SO
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STRANGE IS IF YOU COVER IT UP,
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EVEN FOR A SECOND, THEN IT
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COMPLETELY DISAPPEARS.
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THE SKULL HAS
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VANISHED INTO THIN AIR.
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BUT HOW?
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NO ONE THINKS THAT THEY'RE
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GOING TO BE THE PERSON WHO'LL BE
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SO EASILY FOOLED, BUT IN FACT,
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PEOPLE CAN BE FOOLED.
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THINK YOU KNOW HOW
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PSYCHOLOGIST RICHARD WISEMAN
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DID THIS?
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WE'LL FIND OUT IF YOU'RE RIGHT
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IN A MINUTE.
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THE FACT IS, OUR SENSES DECEIVE
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US ALL THE TIME.
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FELT DUPED AND BETRAYED.
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OUR BRAINS ARE RIDDLED WITH
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ALL THESE LITTLE QUIRKS THAT
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WARP OUR SENSE OF REALITY.
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IN THIS SPECIAL H2
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MINI-SERIES, YOU'LL TAKE PART IN
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FIVE MIND-BENDING EXPERIMENTS.
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OH!
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EITHER I'M REALLY GULLIBLE
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OR YOU'RE JUST REALLY GOOD AT
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YOUR JOB.
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I'D LIKE TO THINK IT'S BOTH.
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YEAH.
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AND WE'LL SEE HOW
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THE SIMPLE MENTAL MISTAKES
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REVEALED BY THESE EXPERIMENTS...
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WHAT?
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HAVE CHANGED THE
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COURSE OF HISTORY.
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IF YOU LOOK BACK ON HUMAN
55
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HISTORY, YOU'LL SEE THE IMPACT
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OF THESE ILLUSIONS, OF THESE
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MISTAKES, PLAYING OUT ON A BROAD
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STAGE.
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IN THIS EPISODE,
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FIND OUT WHAT A CARD TRICK
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REVEALS ABOUT HITLER'S DEATH,
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HOW AN EMBARRASSING TYPO LED TO
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BIBLE BURNINGS, AND WHAT A
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MAGICAL MIRROR HAS TO DO WITH
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CROSS-DRESSING SAILORS.
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THEY'RE ALL KEYS TO DECEPTION,
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KEYS THAT UNLOCK THE SECRETS OF
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YOUR BLEEP'D-UP BRAIN.
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HAVE YOU FIGURED OUT HOW RICHARD
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WISEMAN DECEIVED YOU WITH HIS
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MAGIC SKULL?
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LET'S WATCH IT ONE LAST TIME.
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AND THE REASON IT'S SO
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STRANGE IS THAT IF YOU COVER IT
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UP, EVEN FOR A SECOND, THEN IT
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COMPLETELY DISAPPEARS.
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IF YOU STILL
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HAVEN'T GOT IT, PERHAPS YOU
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SIMPLY NEED ANOTHER POINT OF
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VIEW.
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A RARE CARVING OF A SKULL...
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THE SKULL SIMPLE ISN'T ON THE
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TABLE AT ALL.
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IN FACT, IT'S WAY BEHIND ME.
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SO WHEN I MAKE SOMETHING VANISH,
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IT WASN'T THERE TO START WITH.
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THIS TRICK
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ILLUSTRATES HOW EASY IT IS TO
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DECEIVE THE HUMAN BRAIN.
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THE BRAIN COLLECT ENORMOUS
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AMOUNTS OF INFORMATION.
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AND SOMETIMES, THE IT SIMPLY
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MISINTERPRETS WHAT IT SEES.
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WHEN YOU BECOME AWARE OF JUST
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HOW YOUR BRAIN ACTUALLY WORKS,
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ITS AMAZING ABILITY TO CONSTRUCT
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YOUR PERCEPTION OF THE UNIVERSE,
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IT CHANGES EVERYTHING.
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OUR BRAIN IS CONSTANTLY
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DECEIVING US.
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OUR MINDS FILL IN THE BLANKS
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WITH WHAT WE WANT TO SEE.
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AND WHEN OUR MINDS
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FILL IN THE BLANKS, THINGS CAN
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BECOME A LITTLE CONFUSING.
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AND IN THE CASE OF ADOLF HITLER,
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IT CAN EVEN CHANGE HISTORY.
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AT THE END OF WORLD WAR II COMES
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A SHOCKING ANNOUNCEMENT.
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ON MAY 1, 1945, IT WAS
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ANNOUNCED THAT HITLER WAS DEAD.
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THEY SAID HE DIED HEROICALLY ON
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THE FRONT LINES IN BERLIN.
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BUT SUSPICIOUSLY,
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THIS ASTOUNDING ANNOUNCEMENT
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DIDN'T COME FROM THE ALLIES.
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IT CAME FROM THE NAZIS.
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IF YOU HAVE AN EVENT THAT IS
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SO IMPORTANT AS THE DEATH OF
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HITLER, YOU'RE NOT JUST GOING TO
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TAKE SOMEONE'S WORD FOR IT.
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THEY HAD TO SEE THE BODY.
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THE NEXT DAY,
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SOVIET TROOPS FOUND THE FUHRER'S
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BODY NEAR HIS BUNKER.
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THERE'S FAMOUS FOOTAGE WHERE
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THE RUSSIANS ARE TAKING PHOTOS
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OF HITLER'S BODY.
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HE HAD A GUNSHOT WOUND IN THE
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HEAD.
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THEY HAD A PHOTO OF HITLER, AND
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THEY PUT RIGHT NEXT TO HIS FACE
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AND SAID, "HERE'S THE DEAD BODY.
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HERE'S THE PHOTO, WHAT DO YOU
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THINK?"
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AND EVERYONE'S LIKE, "YEAH."
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SO, HITLER'S DEAD.
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MISSION ACCOMPLISHED.
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RIGHT?
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NOT SO FAST.
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MAGICIAN EKATERINA DOBROKHOTOVA
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HAS A SIMPLE CARD TRICK THAT
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REVEALS HOW THINGS AREN'T ALWAYS
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WHAT THEY SEEM.
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SEE IF YOU CAN FOLLOW THE CARDS.
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NOW DAVID, I'M GOING TO CUT
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THE CARDS.
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AND YOU SIMPLY SAY "STOP"
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WHENEVER YOU WANT, GO AHEAD.
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STOP.
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RIGHT HERE? ARE YOU SURE?
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PERFECT.
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TAKE YOUR CARD.
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OKAY.
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SHOW IT TO THE CAMERA.
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ALRIGHT.
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I'M GOING TO HAND YOU BACK THE
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REST OF THE DECK.
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AND JUST PLACE IT IN WHEREVER
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YOU WANT.
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I DON'T WANT TO LOOK AT IT.
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I WANT TO MAKE SURE IT'S AS FAIR
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AS POSSIBLE.
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ARE YOU DONE?
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YES.
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PERFECT, DAVID, I FEEL LIKE
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TAKING A BREATH STRIP, OK?
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SO DON'T MIND ME.
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YOU WANT ONE?
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THAT'S OKAY.
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BUT THAT'S NOT THE ONLY THING
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THAT'S IN THIS BOX.
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NOW WATCH CLOSELY.
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WATCH CLOSELY.
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ONE SHAKE.
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CAN YOU HEAR SOMETHING IN THE
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BOX?
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I'M GOING TO TAKE THE CARDS FROM
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YOU.
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OPEN IT UP AND TELL ME WHAT'S
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INSIDE.
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GO AHEAD.
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WAS THAT YOUR CARD?
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DID YOU ACTUALLY FIND YOUR CARD
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IN THE BOX?
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YEAH.
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BUT WATCH.
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TO PROVE IT, I HAVE HERE THE
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REST OF THE CARDS.
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NOW YOU PLACED IT SOMEWHERE IN
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THE MIDDLE.
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SO LET ME FIND IT REAL QUICK.
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THIS IS THE TEN OF CLUBS.
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IT'S MISSING ONE PIECE.
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I WANNA MAKE SURE THAT YOU
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COMPARE IT AND TELL ME IF THIS
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IS A PERFECT MATCH.
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YEAH, IT'S A PERFECT MATCH.
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THAT'S DEFINITELY THE CARD THAT
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WAS PICKED.
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AWESOME, DAVID, THANK YOU SO
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MUCH FOR YOUR HELP.
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I REALLY APPRECIATE IT.
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AND THIS WAS MY TAKE ON THE
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CLASSIC PICK-A-CARD TRICK.
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YOU'RE PROBABLY
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WONDERING WHAT'S THE POINT OF
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THIS TRICK?
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AND WHAT DOES IT HAVE TO DO WITH
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HITLER'S DEATH?
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THIS TRICK IS NOT ONLY ABOUT
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UNCOVERING THE 10 OF CLUBS.
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IN THIS ONE, THE TRICK'S ON YOU.
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DID YOU NOTICE
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ANYTHING UNUSUAL?
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I HAVE HERE THE REST OF THE
217
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CARDS.
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NOW YOU PLACED IT SOMEWHERE IN
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00:06:39,767 --> 00:06:40,501
THE MIDDLE.
220
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SO LET ME FIND IT REAL QUICK.
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THIS IS THE TEN OF CLUBS.
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IT'S MISSING ONE PIECE.
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I WANNA MAKE SURE THAT YOU
224
00:06:46,106 --> 00:06:47,941
COMPARE IT AND TELL ME IF THIS
225
00:06:47,941 --> 00:06:50,844
IS A PERFECT MATCH.
226
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YEAH, IT'S A PERFECT MATCH.
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THAT'S DEFINITELY CARD THAT WAS
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PICKED.
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NOT SO MUCH?
230
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LET'S WATCH THE TRICK FROM
231
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ANOTHER ANGLE.
232
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SO LET ME FIND IT REAL QUICK.
233
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THIS IS THE TEN OF CLUBS.
234
00:07:03,190 --> 00:07:05,526
IT'S MISSING ONE PIECE.
235
00:07:05,526 --> 00:07:06,560
I WANNA MAKE SURE THAT YOU
236
00:07:06,560 --> 00:07:08,195
COMPARE IT AND TELL ME IF THIS
237
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IS A PERFECT MATCH.
238
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YEAH, IT'S A PERFECT MATCH.
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THAT'S DEFINITELY THE CARD THAT
240
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WAS PICKED.
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DID YOU NOTICE
242
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THERE WERE TWO MEN?
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EKATERINA'S CARD TRICK WAS A
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RUSE DESIGNED TO DISTRACT AND
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DECEIVE YOU.
246
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THIS IS THE 10 OF CLUBS.
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WHILE YOU WERE
248
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LOOKING AT THE CARDS, YOU
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PROBABLY DIDN'T EVEN NOTICE THAT
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WE SWITCHED OUT ONE PERSON FOR
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ANOTHER.
252
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CHANGING WHAT THE BRAIN IS
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FOCUSED ON CAN MAKE US
254
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VULNERABLE TO DECEPTION.
255
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AND A MASTERFUL DECEPTION IS
256
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EXACTLY WHAT THE NAZIS WERE
257
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TRYING TO PULL OFF WHEN THEY
258
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ANNOUNCED THAT HITLER WAS DEAD.
259
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BUT THEIR DECEPTION DIDN'T QUITE
260
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WORK.
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WHILE THE SOVIETS WERE PREPARING
262
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HITLER'S BODY FOR AN AUTOPSY,
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THEY NOTICED SOMETHING STRANGE.
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BASICALLY, WHAT THEY FOUND
265
00:07:54,575 --> 00:07:56,644
WAS THAT HE HAD HOLES IN HIS
266
00:07:56,644 --> 00:07:57,611
SOCKS.
267
00:07:57,611 --> 00:07:59,880
WHY IS THE LEADER OF NAZI
268
00:07:59,880 --> 00:08:02,049
GERMANY WEARING SOCKS WITH HOLES
269
00:08:02,049 --> 00:08:02,916
IN IT?
270
00:08:02,916 --> 00:08:04,051
THIS DOES NOT MAKE SENSE.
271
00:08:04,051 --> 00:08:05,619
IF ANYONE IN GERMANY CAN AFFORD
272
00:08:05,619 --> 00:08:07,921
GOOD SOCKS, IT'S HITLER.
273
00:08:07,921 --> 00:08:09,790
THIS WAS A BIG RED FLAG.
274
00:08:09,790 --> 00:08:11,058
THE SOVIETS
275
00:08:11,058 --> 00:08:12,760
COMPARED THE CORPSE'S TEETH TO
276
00:08:12,760 --> 00:08:14,595
HITLER'S DENTAL RECORDS, AND
277
00:08:14,595 --> 00:08:16,630
THEIR DOUBTS WERE CONFIRMED.
278
00:08:16,630 --> 00:08:19,132
SO YOU GOT HOLEY SOCKS AND
279
00:08:19,132 --> 00:08:21,134
DENTAL RECORDS.
280
00:08:21,134 --> 00:08:24,271
THIS IS THE WRONG GUY.
281
00:08:24,271 --> 00:08:25,272
BUT HOW COULD
282
00:08:25,272 --> 00:08:27,140
SOVIET TROOPS HAVE MISIDENTIFIED
283
00:08:27,140 --> 00:08:28,676
THE MOST INFAMOUS AND
284
00:08:28,676 --> 00:08:32,880
RECOGNIZABLE FACE IN THE WORLD?
285
00:08:32,880 --> 00:08:34,948
WHY DOES OUR BRAIN MISS CHANGES
286
00:08:34,948 --> 00:08:36,216
THAT ARE RIGHT IN FRONT OF OUR
287
00:08:36,216 --> 00:08:38,285
EYES?
288
00:08:38,285 --> 00:08:39,620
TAKE YOUR CARD.
289
00:08:39,620 --> 00:08:40,621
OKAY.
290
00:08:40,621 --> 00:08:41,622
SPEAKING OF SUCH
291
00:08:41,622 --> 00:08:43,824
CHANGES, DID YOU NOTICE
292
00:08:43,824 --> 00:08:45,793
EKATERINA'S OTHER TWO DECEPTIONS
293
00:08:45,793 --> 00:08:47,227
DURING THE CARD TRICK?
294
00:08:47,227 --> 00:08:49,663
YOU WERE SO FOCUSED ON THE CARDS
295
00:08:49,663 --> 00:08:50,964
THAT YOU MIGHT NOT HAVE NOTICED
296
00:08:50,964 --> 00:08:52,232
THAT HER HANDKERCHIEF AND
297
00:08:52,232 --> 00:08:54,635
HAIRSTYLE ALSO CHANGED.
298
00:08:54,635 --> 00:08:56,303
THESE LITTLE DECEPTIONS FOOL US
299
00:08:56,303 --> 00:08:58,105
BECAUSE OUR BRAINS OFTEN MISS
300
00:08:58,105 --> 00:08:59,973
CHANGES HAPPENING RIGHT IN FRONT
301
00:08:59,973 --> 00:09:00,941
OF US.
302
00:09:00,941 --> 00:09:02,209
AND THIS WAS MY TAKE ON THE
303
00:09:02,209 --> 00:09:05,646
CLASSIC "PICK A CARD" TRICK.
304
00:09:05,646 --> 00:09:07,781
THERE CAN BE BIG CHANGES IN
305
00:09:07,781 --> 00:09:08,982
THE ENVIRONMENT AROUND US, AND
306
00:09:08,982 --> 00:09:10,250
WE DON'T PERCEIVE IT BECAUSE
307
00:09:10,250 --> 00:09:13,687
OUR ATTENTION IS ELSEWHERE.
308
00:09:13,687 --> 00:09:15,088
IF WE'RE NOT PAYING ATTENTION TO
309
00:09:15,088 --> 00:09:16,790
SOMETHING, BIG CHANGES CAN
310
00:09:16,790 --> 00:09:17,991
HAPPEN, AND WE WON'T EVEN NOTICE
311
00:09:17,991 --> 00:09:19,259
IT AT ALL.
312
00:09:19,259 --> 00:09:20,928
AND THAT'S CALLED CHANGE
313
00:09:20,928 --> 00:09:22,095
BLINDNESS.
314
00:09:22,095 --> 00:09:23,330
BECAUSE YOUR
315
00:09:23,330 --> 00:09:24,998
ATTENTION WAS ON EKATERINA'S
316
00:09:24,998 --> 00:09:26,734
CARDS, YOU PROBABLY DIDN'T
317
00:09:26,734 --> 00:09:28,736
NOTICE THE THREE CHANGES IN THE
318
00:09:28,736 --> 00:09:30,671
ENVIRONMENT.
319
00:09:30,671 --> 00:09:32,740
IF WE CAN MISTAKE OBVIOUS
320
00:09:32,740 --> 00:09:34,207
CHANGES LIKE THESE THREE,
321
00:09:34,207 --> 00:09:35,843
IMAGINE TRYING TO RECOGNIZE
322
00:09:35,843 --> 00:09:38,679
MORE SUBTLE CHANGES IN DETAIL AS
323
00:09:38,679 --> 00:09:39,980
WITH THE REMAINS OF ADOLF
324
00:09:39,980 --> 00:09:40,681
HITLER.
325
00:09:40,681 --> 00:09:42,683
HE HAD THE MUSTACHE, I MEAN,
326
00:09:42,683 --> 00:09:43,751
IT WAS DRESSED LIKE HITLER.
327
00:09:43,751 --> 00:09:45,686
WHEN YOU FIND THIS, WHY WOULD
328
00:09:45,686 --> 00:09:46,253
YOU DOUBT IT?
329
00:09:46,253 --> 00:09:47,888
I MEAN, IT'S HITLER, RIGHT?
330
00:09:47,888 --> 00:09:49,122
IT LOOKS LIKE HITLER.
331
00:09:49,122 --> 00:09:51,024
WHAT--HOW MANY PEOPLE LOOK LIKE
332
00:09:51,024 --> 00:09:52,760
HITLER?
333
00:09:52,760 --> 00:09:54,695
THE PHONY FUHRER
334
00:09:54,695 --> 00:09:55,863
WAS ACTUALLY A NAZI SOLDIER
335
00:09:55,863 --> 00:09:57,898
NAMED GUSTAV WELER.
336
00:09:57,898 --> 00:09:59,299
GUSTAV WELER WAS ONE OF
337
00:09:59,299 --> 00:10:00,701
HITLER'S BODY DOUBLES.
338
00:10:00,701 --> 00:10:01,869
THE WHOLE THING WAS PART OF A
339
00:10:01,869 --> 00:10:02,903
DISINFORMATION STRATEGY.
340
00:10:02,903 --> 00:10:04,237
IT WAS MEANT TO THROW PEOPLE
341
00:10:04,237 --> 00:10:05,706
OFF, TO CONFUSE PEOPLE.
342
00:10:05,706 --> 00:10:07,040
REPORTEDLY, HITLER
343
00:10:07,040 --> 00:10:08,776
USED 6 BODY DOUBLES DURING THE
344
00:10:08,776 --> 00:10:10,310
COURSE OF THE WORLD WAR II TO
345
00:10:10,310 --> 00:10:11,712
KEEP THE ALLIES FROM KNOWING
346
00:10:11,712 --> 00:10:13,180
EXACTLY WHERE HE WAS.
347
00:10:13,180 --> 00:10:14,882
BUT THE SOVIETS AREN'T THE ONLY
348
00:10:14,882 --> 00:10:16,316
PEOPLE WHO HAVE FALLEN VICTIM TO
349
00:10:16,316 --> 00:10:18,719
LITTLE DECEPTIONS LIKE THIS.
350
00:10:18,719 --> 00:10:21,188
CHANGE BLINDNESS AFFECTS ALL OF
351
00:10:21,188 --> 00:10:23,256
US EVERY DAY.
352
00:10:23,256 --> 00:10:25,025
WHEN WE'RE AT A RESTAURANT, WE
353
00:10:25,025 --> 00:10:26,326
OFTEN FAIL TO NOTICE IF THE
354
00:10:26,326 --> 00:10:28,929
WAITER ATTENDING TO US CHANGES.
355
00:10:28,929 --> 00:10:30,731
JUST BECAUSE WE SEE SOMETHING
356
00:10:30,731 --> 00:10:31,932
DOESN'T MEAN OUR BRAINS ARE
357
00:10:31,932 --> 00:10:34,201
ACTIVELY PAYING ATTENTION TO IT.
358
00:10:34,201 --> 00:10:36,403
THE BRAIN OPERATES ON JUST 15
359
00:10:36,403 --> 00:10:38,806
WATTS OF POWER, SO IT CAN ONLY
360
00:10:38,806 --> 00:10:41,008
TAKE IN THE MOST BASIC DETAILS.
361
00:10:41,008 --> 00:10:43,076
THAT'S WHY WE ROUTINELY FAIL TO
362
00:10:43,076 --> 00:10:45,212
SPOT OBVIOUS CHANGES.
363
00:10:45,212 --> 00:10:46,914
AND THAT MAY BE WHY HITLER'S
364
00:10:46,914 --> 00:10:48,415
BODY DOUBLE CONVINCED THE SOVIET
365
00:10:48,415 --> 00:10:50,751
TROOPS, AT LEAST AT FIRST.
366
00:10:50,751 --> 00:10:52,352
HE WAS SHOT IN THE HEAD TO
367
00:10:52,352 --> 00:10:54,922
MAKE IT LOOK LIKE HITLER HAD
368
00:10:54,922 --> 00:10:55,756
DIED.
369
00:10:55,756 --> 00:10:57,357
THIS IS THE DOWNSIDE TO DOUBLING
370
00:10:57,357 --> 00:10:58,826
DICTATORS.
371
00:10:58,826 --> 00:11:00,327
KEEP THAT IN MIND.
372
00:11:00,327 --> 00:11:01,795
IN CASE ANYBODY OUT THERE IS
373
00:11:01,795 --> 00:11:03,096
THINKING ABOUT DOING THIS AS A
374
00:11:03,096 --> 00:11:05,799
CAREER, DON'T.
375
00:11:05,799 --> 00:11:07,200
AS FOR THE REAL
376
00:11:07,200 --> 00:11:11,071
HITLER, TO THE WORLD'S RELIEF,
377
00:11:11,071 --> 00:11:13,206
HE KILLED HIMSELF IN HIS BUNKER,
378
00:11:13,206 --> 00:11:15,809
AND DENTAL RECORDS CONFIRMED IT.
379
00:11:15,809 --> 00:11:17,911
THE NEXT TIME YOU TRUST WHAT YOU
380
00:11:17,911 --> 00:11:20,080
SEE, YOU MIGHT WANT TO GIVE IT
381
00:11:20,080 --> 00:11:25,018
A MORE CRITICAL LOOK.
382
00:11:25,185 --> 00:11:27,855
WE'VE SEEN HOW A
383
00:11:27,855 --> 00:11:29,723
DISAPPEARING SKULL CAN TRICK YOU
384
00:11:29,723 --> 00:11:31,725
AND HOW SEEMINGLY OBVIOUS
385
00:11:31,725 --> 00:11:34,928
CHANGES CAN DECEIVE US.
386
00:11:34,928 --> 00:11:37,064
EVEN THE SIMPLEST ILLUSIONS CAN
387
00:11:37,064 --> 00:11:38,732
DECEIVE OUR BRAINS.
388
00:11:38,732 --> 00:11:41,268
AND WE CAN PROVE IT.
389
00:11:41,268 --> 00:11:43,403
TAKE A LOOK AT THIS DESK.
390
00:11:43,403 --> 00:11:46,740
NOTICE ANYTHING UNUSUAL?
391
00:11:46,740 --> 00:11:48,942
LET'S MOVE IN FOR A CLOSER LOOK
392
00:11:48,942 --> 00:11:52,145
AT THE OBJECTS ON THIS DESK.
393
00:11:52,145 --> 00:11:54,347
NOTICE ANYTHING STRANGE ABOUT
394
00:11:54,347 --> 00:11:57,384
THIS RUBIK'S CUBE?
395
00:11:57,384 --> 00:11:59,019
HOW ABOUT NOW?
396
00:12:06,359 --> 00:12:08,295
AND CHECK OUT THE PAIR OF
397
00:12:08,295 --> 00:12:09,763
SNEAKERS.
398
00:12:09,763 --> 00:12:12,365
GO ON, TAKE A CLOSER LOOK.
399
00:12:16,303 --> 00:12:18,171
WITH DECEPTION, IT'S OUR
400
00:12:18,171 --> 00:12:19,506
ASSUMPTIONS THAT CAN BE
401
00:12:19,506 --> 00:12:20,974
MANIPULATED.
402
00:12:20,974 --> 00:12:22,109
WHAT PSYCHOLOGISTS AND
403
00:12:22,109 --> 00:12:23,777
PROFESSIONAL MAGICIANS DO IS
404
00:12:23,777 --> 00:12:25,178
THEY EXPLOIT YOUR EVERYDAY
405
00:12:25,178 --> 00:12:27,114
ASSUMPTIONS.
406
00:12:27,114 --> 00:12:28,916
AND BECAUSE OF THAT, THEY CAN
407
00:12:28,916 --> 00:12:30,150
COMPLETELY FOOL YOU.
408
00:12:30,150 --> 00:12:31,518
OUR BRAINS USUALLY
409
00:12:31,518 --> 00:12:33,453
RUN ON AUTOPILOT, ASSUMING
410
00:12:33,453 --> 00:12:35,255
EVERYTHING AROUND US IS ONE
411
00:12:35,255 --> 00:12:37,324
SEAMLESS REALITY.
412
00:12:37,324 --> 00:12:39,126
AND IT OFTEN OVERLOOKS ANY
413
00:12:39,126 --> 00:12:40,460
UNEXPECTED CHANGES THAT HAVE
414
00:12:40,460 --> 00:12:41,995
OCCURRED.
415
00:12:41,995 --> 00:12:45,432
AS WE LOOK AROUND THE WORLD,
416
00:12:45,432 --> 00:12:47,467
WE DON'T ACTUALLY TEST OUT ALL
417
00:12:47,467 --> 00:12:49,169
OF THE IDEAS IN OUR HEADS.
418
00:12:49,169 --> 00:12:50,904
BECAUSE WE DON'T
419
00:12:50,904 --> 00:12:52,205
DOUBLE-CHECK EVERYTHING OUR
420
00:12:52,205 --> 00:12:54,474
BRAIN PERCEIVES AS REALITY, WE
421
00:12:54,474 --> 00:12:56,143
OCCASIONALLY MISS IMPORTANT
422
00:12:56,143 --> 00:12:57,344
DETAILS.
423
00:12:57,344 --> 00:12:59,813
AND IN ONE INCIDENT, MISSING THE
424
00:12:59,813 --> 00:13:01,949
DETAILS GAVE THREE CRIMINALS THE
425
00:13:01,949 --> 00:13:04,084
CHANCE TO DO THE IMPOSSIBLE.
426
00:13:08,155 --> 00:13:10,557
ALCATRAZ'S REPUTATION WAS
427
00:13:10,557 --> 00:13:11,959
THAT IT WAS IMPOSSIBLE TO
428
00:13:11,959 --> 00:13:13,961
ESCAPE.
429
00:13:13,961 --> 00:13:15,929
BUT IN 1962, THREE
430
00:13:15,929 --> 00:13:18,198
INMATES HATCHED A CRAZY PLAN TO
431
00:13:18,198 --> 00:13:21,969
BUST OUT.
432
00:13:21,969 --> 00:13:23,570
NIGHT AFTER NIGHT, THEY SNUCK
433
00:13:23,570 --> 00:13:25,505
INTO THEIR CELLS' AIR VENTS AND
434
00:13:25,505 --> 00:13:27,474
CHISELED AWAY AT THE WALLS.
435
00:13:27,474 --> 00:13:28,842
BUT THE GUARDS HAD TO
436
00:13:28,842 --> 00:13:30,343
BELIEVE THAT THEY WERE SAFELY
437
00:13:30,343 --> 00:13:31,611
ASLEEP IN THE BEDS WHILE THEY
438
00:13:31,611 --> 00:13:34,181
WERE DOING THIS WORK.
439
00:13:34,181 --> 00:13:36,984
THEIR ENTIRE PLAN DEPENDED UPON
440
00:13:36,984 --> 00:13:39,186
THEIR BEING ABLE TO GO UNNOTICED
441
00:13:39,186 --> 00:13:40,854
WHILE CHIPPING AWAY AT THE
442
00:13:40,854 --> 00:13:42,522
AIRSHAFT.
443
00:13:42,522 --> 00:13:43,523
TO DECEIVE THE
444
00:13:43,523 --> 00:13:44,992
SURVEILLANCE, THESE THREE
445
00:13:44,992 --> 00:13:47,961
INMATES GOT CRAFTY.
446
00:13:47,961 --> 00:13:49,529
SO WHAT DID THEY DO?
447
00:13:49,529 --> 00:13:51,531
THEY CREATED THESE MANNEQUINS.
448
00:13:51,531 --> 00:13:52,933
AND THE MOST IMPORTANT PART OF
449
00:13:52,933 --> 00:13:54,968
THE MANNEQUIN WAS THE MASK.
450
00:13:54,968 --> 00:13:57,070
THESE MASKS WERE MADE OF A
451
00:13:57,070 --> 00:13:59,873
KIND OF HODGEPODGE PAPER MACHE,
452
00:13:59,873 --> 00:14:01,208
HUMAN HAIR FROM THE PRISON
453
00:14:01,208 --> 00:14:03,210
BARBERSHOP, PAINT FROM THE ARTS
454
00:14:03,210 --> 00:14:05,278
AND CRAFTS ROOM, CRUMPLED-UP
455
00:14:05,278 --> 00:14:07,414
NEWSPAPERS.
456
00:14:07,414 --> 00:14:09,549
ESSENTIALLY, THEY MADE MASKS
457
00:14:09,549 --> 00:14:12,419
WHICH LOOKED ENOUGH LIKE HUMAN
458
00:14:12,419 --> 00:14:14,554
FORMS THAT THE GUARDS WOULD
459
00:14:14,554 --> 00:14:16,423
THINK THESE ARE JUST OTHER
460
00:14:16,423 --> 00:14:19,559
PRISONERS ASLEEP IN THEIR BED.
461
00:14:19,559 --> 00:14:21,228
INCREDIBLY, THEIR
462
00:14:21,228 --> 00:14:23,296
CRAFTINESS PAID OFF.
463
00:14:23,296 --> 00:14:25,232
WHAT'S AMAZING IS THESE
464
00:14:25,232 --> 00:14:26,967
MASKS DID NOT JUST WORK FOR ONE
465
00:14:26,967 --> 00:14:27,567
NIGHT.
466
00:14:27,567 --> 00:14:28,568
THEY HAD TO GO THROUGH AN
467
00:14:28,568 --> 00:14:30,437
ELABORATE PROCESS OF ESCAPING
468
00:14:30,437 --> 00:14:31,571
NIGHT AFTER NIGHT.
469
00:14:31,571 --> 00:14:33,540
SO FOR A FEW MONTHS, ACTUALLY,
470
00:14:33,540 --> 00:14:35,242
THEY WERE PUTTING THE MASKS IN
471
00:14:35,242 --> 00:14:36,576
THEIR BED EACH NIGHT, AND EACH
472
00:14:36,576 --> 00:14:39,579
NIGHT, THEY WOULD GO UNNOTICED.
473
00:14:39,579 --> 00:14:41,514
AFTER THREE
474
00:14:41,514 --> 00:14:43,250
PAINSTAKING MONTHS, THE CHISELED
475
00:14:43,250 --> 00:14:44,451
HOLES WERE BIG ENOUGH TO PASS
476
00:14:44,451 --> 00:14:45,418
THROUGH.
477
00:14:45,418 --> 00:14:46,453
AND THE THREE MEN MADE THEIR
478
00:14:46,453 --> 00:14:50,257
DARING ESCAPE ON JUNE 11, 1962.
479
00:14:50,257 --> 00:14:51,925
IT'S AMAZING TO THINK THAT
480
00:14:51,925 --> 00:14:53,293
THIS INESCAPABLE AND VERY
481
00:14:53,293 --> 00:14:55,395
EXPENSIVE-TO-RUN PRISON WAS
482
00:14:55,395 --> 00:14:57,130
TOTALLY CHALLENGED AND
483
00:14:57,130 --> 00:14:58,999
SUCCESSFULLY TAKEN ON BY,
484
00:14:58,999 --> 00:15:00,067
ESSENTIALLY, AN ARTS AND CRAFTS
485
00:15:00,067 --> 00:15:01,434
PROJECT.
486
00:15:01,434 --> 00:15:03,270
HOW COULD A PAPER-
487
00:15:03,270 --> 00:15:05,605
MACHE MASK FOOL THE NATION'S
488
00:15:05,605 --> 00:15:08,608
MOST HIGHLY TRAINED JAILERS?
489
00:15:15,148 --> 00:15:16,616
WE HAVE AN EXPERIMENT THAT MIGHT
490
00:15:16,616 --> 00:15:18,451
SHED LIGHT ON THIS DARING
491
00:15:18,451 --> 00:15:19,352
ESCAPE.
492
00:15:19,352 --> 00:15:22,289
IN 5 SECONDS, WE'LL SHOW YOU TWO
493
00:15:22,289 --> 00:15:23,156
PEOPLE.
494
00:15:23,156 --> 00:15:24,424
NAME THEM AS QUICKLY AS
495
00:15:24,424 --> 00:15:25,492
POSSIBLE.
496
00:15:25,492 --> 00:15:30,430
READY?
497
00:15:30,430 --> 00:15:32,499
IS IT PRESIDENT BILL CLINTON AND
498
00:15:32,499 --> 00:15:36,303
VICE PRESIDENT AL GORE?
499
00:15:36,303 --> 00:15:38,305
LET'S SEE IF OTHERS RECOGNIZE
500
00:15:38,305 --> 00:15:39,039
THESE FACES.
501
00:15:39,039 --> 00:15:41,708
JUST TELL ME WHAT YOU SEE.
502
00:15:41,708 --> 00:15:43,110
CLINTON AND GORE.
503
00:15:43,110 --> 00:15:46,313
UH-HUH.
504
00:15:46,313 --> 00:15:47,314
AL GORE?
505
00:15:47,314 --> 00:15:48,315
IT'S AL GORE?
506
00:15:48,315 --> 00:15:49,316
AND...
507
00:15:49,316 --> 00:15:51,518
BILL CLINTON.
508
00:15:51,518 --> 00:15:52,986
AND AL GORE.
509
00:15:52,986 --> 00:15:54,187
OKAY.
510
00:15:54,187 --> 00:15:54,754
RIGHT?
511
00:15:54,754 --> 00:15:56,056
HANG ON A SECOND.
512
00:15:56,056 --> 00:15:58,358
ARE YOU SURE ABOUT THAT?
513
00:15:58,358 --> 00:16:00,527
TAKE A SECOND LOOK AT THE PERSON
514
00:16:00,527 --> 00:16:03,196
ON THE LEFT.
515
00:16:03,196 --> 00:16:04,631
THEIR MOUTHS ARE THE SAME.
516
00:16:04,631 --> 00:16:06,333
AND THEIR NOSES ARE THE SAME.
517
00:16:06,333 --> 00:16:09,669
WHAT?
518
00:16:09,669 --> 00:16:10,737
MAYBE THEY LOOK ALIKE.
519
00:16:10,737 --> 00:16:12,005
I DON'T KNOW.
520
00:16:12,005 --> 00:16:15,775
AND THEIR EYES ARE THE SAME.
521
00:16:15,775 --> 00:16:17,344
DO THEY LOOK ALIKE?
522
00:16:17,344 --> 00:16:18,345
NOT REALLY, RIGHT?
523
00:16:18,345 --> 00:16:19,512
THAT'S THE SAME EXACT FACE.
524
00:16:19,512 --> 00:16:21,648
WHAT IS HAPPENING?
525
00:16:21,648 --> 00:16:22,682
PEOPLE HAVE A REALLY HARD
526
00:16:22,682 --> 00:16:24,651
TIME GRASPING THIS, BUT THE GUY
527
00:16:24,651 --> 00:16:27,654
ON THE LEFT IS NOT AL GORE.
528
00:16:27,654 --> 00:16:29,222
IT'S BILL CLINTON'S FACE
529
00:16:29,222 --> 00:16:30,390
DUPLICATED.
530
00:16:30,390 --> 00:16:34,427
IT'S REALLY EASY TO MISS THAT.
531
00:16:34,427 --> 00:16:35,495
THIS OPTICAL
532
00:16:35,495 --> 00:16:37,364
ILLUSION FOOLED NEARLY EVERYONE
533
00:16:37,364 --> 00:16:38,565
JEFF SHOWED IT TO.
534
00:16:38,565 --> 00:16:40,233
YOU KEPT STICKING WITH GORE.
535
00:16:40,233 --> 00:16:41,234
RIGHT.
536
00:16:41,234 --> 00:16:42,369
WHY DO YOU THINK THAT WAS?
537
00:16:42,369 --> 00:16:43,803
I DON'T KNOW.
538
00:16:43,803 --> 00:16:45,138
OUR BRAINS DON'T
539
00:16:45,138 --> 00:16:47,174
ALWAYS EXAMINE THE FINER DETAILS
540
00:16:47,174 --> 00:16:48,375
OF WHAT WE SEE BECAUSE IT
541
00:16:48,375 --> 00:16:51,544
REQUIRES EXTRA WORK.
542
00:16:51,544 --> 00:16:53,713
THE BRAIN IS BASICALLY LAZY,
543
00:16:53,713 --> 00:16:55,582
SO AS SOON AS IT'S ACCEPTED THE
544
00:16:55,582 --> 00:16:57,050
OUTLINE OF WHAT IT THINKS IT
545
00:16:57,050 --> 00:16:58,785
SEES, IT JUST FILLS IN THE REST
546
00:16:58,785 --> 00:17:00,153
AND ASSUMES THAT ALL THE DETAILS
547
00:17:00,153 --> 00:17:00,720
MATCH.
548
00:17:00,720 --> 00:17:02,422
THAT'S WHY WE FILL IN AL GORE
549
00:17:02,422 --> 00:17:04,057
WHEN IT REALLY ISN'T AL GORE'S
550
00:17:04,057 --> 00:17:05,058
FACE.
551
00:17:05,058 --> 00:17:06,593
IT'S HARD TO THINK THAT YOU
552
00:17:06,593 --> 00:17:08,395
COULD CHANGE SOMEONE'S FACE AND
553
00:17:08,395 --> 00:17:09,396
STILL RECOGNIZE THEM.
554
00:17:09,396 --> 00:17:11,264
I FELT DUPED AND BETRAYED.
555
00:17:11,264 --> 00:17:12,432
I WAS LIKE GOING BACK AND
556
00:17:12,432 --> 00:17:13,800
FORTH TRYING TO FIGURE IT OUT.
557
00:17:13,800 --> 00:17:15,402
I'M BUGGED OUT A LITTLE BIT.
558
00:17:15,402 --> 00:17:16,269
HOW DOES THIS MAKE YOU FEEL
559
00:17:16,269 --> 00:17:17,837
ABOUT YOUR VISUAL PERCEPTION?
560
00:17:17,837 --> 00:17:19,439
THIS IS GOING TO TAKE MONTHS
561
00:17:19,439 --> 00:17:20,407
AND MONTHS OF THERAPY.
562
00:17:20,407 --> 00:17:21,608
PEOPLE SAY THAT SEEING IS
563
00:17:21,608 --> 00:17:23,410
BELIEVING, BUT IT SHOULDN'T
564
00:17:23,410 --> 00:17:24,611
ALWAYS BE.
565
00:17:24,611 --> 00:17:26,213
IN THE CASE OF THE
566
00:17:26,213 --> 00:17:28,215
CLINTON/GORE ILLUSION AND IN
567
00:17:28,215 --> 00:17:29,616
THE ESCAPE FROM ALCATRAZ, THE
568
00:17:29,616 --> 00:17:31,418
BRAIN MADE QUICK, ALMOST
569
00:17:31,418 --> 00:17:33,453
INSTANTANEOUS ASSUMPTIONS WHICH
570
00:17:33,453 --> 00:17:35,222
MADE IT POSSIBLE TO MASK
571
00:17:35,222 --> 00:17:38,425
REALITY WITH DRAMATIC AFFECT.
572
00:17:38,425 --> 00:17:41,628
THESE GUARDS EXPECTED TO SEE
573
00:17:41,628 --> 00:17:42,495
SLEEPING PRISONERS.
574
00:17:42,495 --> 00:17:44,231
BUT NO ONE BOTHERED TO LOOK AT
575
00:17:44,231 --> 00:17:45,765
THE DETAILS OF THESE PAPER MACHE
576
00:17:45,765 --> 00:17:48,435
MASKS BECAUSE THE GUARDS JUST
577
00:17:48,435 --> 00:17:50,470
ASSUMED THAT THEY WERE PEOPLE.
578
00:17:50,470 --> 00:17:51,738
AND FOR THE GUARDS
579
00:17:51,738 --> 00:17:53,306
THE FOLLOWING MORNING, THIS
580
00:17:53,306 --> 00:17:55,442
ASSUMPTION MADE FOR A RUDE
581
00:17:55,442 --> 00:17:56,509
AWAKENING.
582
00:17:56,509 --> 00:17:57,744
YOU CAN IMAGINE THE
583
00:17:57,744 --> 00:17:59,646
PANDEMONIUM THAT TOOK HOLD.
584
00:17:59,646 --> 00:18:02,249
THE INESCAPABLE PRISON HAD BEEN
585
00:18:02,249 --> 00:18:04,117
BROKEN.
586
00:18:04,117 --> 00:18:06,253
THREE CONVICTED CRIMINALS WERE
587
00:18:06,253 --> 00:18:07,187
NOW AT LARGE.
588
00:18:07,187 --> 00:18:08,888
SO, NOT FOR NOTHING, THE PRISON
589
00:18:08,888 --> 00:18:13,726
CLOSED ITS DOORS.
590
00:18:13,726 --> 00:18:15,195
NO ONE REALLY KNOWS
591
00:18:15,195 --> 00:18:16,529
WHAT HAPPENED TO THE ESCAPED
592
00:18:16,529 --> 00:18:18,465
CONVICTS, IF THEY SURVIVED THE
593
00:18:18,465 --> 00:18:20,800
WATERS OF SAN FRANCISCO BAY OR
594
00:18:20,800 --> 00:18:22,535
DIED IN THEM.
595
00:18:22,535 --> 00:18:24,804
BUT THIS MUCH IS CLEAR...
596
00:18:24,804 --> 00:18:26,773
OUR BRAIN DOESN'T BOTHER WITH
597
00:18:26,773 --> 00:18:29,142
THE DETAILS WHEN IT BELIEVES
598
00:18:29,142 --> 00:18:30,243
THAT IT'S ALREADY GRASPED THE
599
00:18:30,243 --> 00:18:31,644
BIG PICTURE.
600
00:18:31,644 --> 00:18:32,545
PEOPLE BELIEVE WHAT
601
00:18:32,545 --> 00:18:33,680
THEY SEE IS AN ACCURATE
602
00:18:33,680 --> 00:18:35,215
REPRESENTATION OF THE WORLD
603
00:18:35,215 --> 00:18:37,350
SURROUNDING THEM, BUT ACTUALLY,
604
00:18:37,350 --> 00:18:39,552
WE'RE ONLY SEEING SMALL PORTIONS
605
00:18:39,552 --> 00:18:41,354
OF THE BIGGER PICTURE.
606
00:18:41,354 --> 00:18:43,290
THE REALITY IS THAT THE HUMAN
607
00:18:43,290 --> 00:18:44,791
BRAIN CAN'T KEEP UP WITH THE
608
00:18:44,791 --> 00:18:46,693
BILLIONS OF PIECES OF DATA THAT
609
00:18:46,693 --> 00:18:48,695
OUR SENSES, INCLUDING SIGHT, ARE
610
00:18:48,695 --> 00:18:50,497
CONSTANTLY DELIVERING.
611
00:18:50,497 --> 00:18:52,499
SOMETIMES OUR BLEEP'D-UP BRAIN
612
00:18:52,499 --> 00:18:56,503
IGNORES THE DETAILS.
613
00:18:56,503 --> 00:18:58,505
AND THIS QUIRK OF THE BRAIN HAS
614
00:18:58,505 --> 00:19:00,507
PAVED THE WAY FOR LEGENDARY
615
00:19:00,507 --> 00:19:02,675
DECEPTIONS THROUGHOUT HISTORY.
616
00:19:02,675 --> 00:19:04,677
DURING WORLD WAR II, ONE OF THE
617
00:19:04,677 --> 00:19:06,679
ALLIES' MOST EFFECTIVE WEAPONS
618
00:19:06,679 --> 00:19:09,282
WAS AN INFLATABLE TANK.
619
00:19:09,282 --> 00:19:11,318
THAT'S RIGHT, THE BRITISH ARMY
620
00:19:11,318 --> 00:19:12,552
MADE HUNDREDS OF THESE
621
00:19:12,552 --> 00:19:14,254
INFLATABLE RUBBER TANKS AND
622
00:19:14,254 --> 00:19:15,722
STRATEGICALLY STAGED THEM TO
623
00:19:15,722 --> 00:19:17,657
FOOL AERIAL BOMBERS.
624
00:19:17,657 --> 00:19:19,392
WHEN THE NAZI BOMBERS SAW THE
625
00:19:19,392 --> 00:19:21,528
DUMMY TANKS FROM THE SKY, THEY
626
00:19:21,528 --> 00:19:22,795
MISTOOK THE FAKES FOR THE REAL
627
00:19:22,795 --> 00:19:24,797
THING AND ATTACKED.
628
00:19:24,797 --> 00:19:26,533
THIS DECEPTION DISTRACTED THE
629
00:19:26,533 --> 00:19:28,401
NAZIS AND ALLOWED THE ACTUAL
630
00:19:28,401 --> 00:19:30,537
BRITISH TROOPS TO MOVE UNOPPOSED
631
00:19:30,537 --> 00:19:34,441
IN ANOTHER DIRECTION.
632
00:19:34,607 --> 00:19:37,277
OUR BRAINS GUIDE US
633
00:19:37,277 --> 00:19:38,778
THROUGH THE WORLD, INTERPRETING
634
00:19:38,778 --> 00:19:40,647
EACH SITUATION AND ENVIRONMENT
635
00:19:40,647 --> 00:19:42,315
IN AN ATTEMPT TO KEEP US SAFE
636
00:19:42,315 --> 00:19:43,416
AND SECURE.
637
00:19:43,416 --> 00:19:46,319
BUT AS WE'VE SEEN, OUR BRAINS
638
00:19:46,319 --> 00:19:47,920
ARE FAR FROM PERFECT.
639
00:19:47,920 --> 00:19:49,322
IT'S HARD TO THINK THAT YOU
640
00:19:49,322 --> 00:19:50,857
COULD CHANGE SOMEONE'S FACE AND
641
00:19:50,857 --> 00:19:52,459
STILL RECOGNIZE THEM.
642
00:19:52,459 --> 00:19:53,426
IF SOMEONE
643
00:19:53,426 --> 00:19:54,861
UNDERSTANDS THE BRAINS' FLAWS,
644
00:19:54,861 --> 00:19:56,396
THEY CAN MANIPULATE US WITH
645
00:19:56,396 --> 00:19:58,665
SIMPLE DECEPTIONS.
646
00:19:58,665 --> 00:20:00,833
OUR BRAINS TAKE SHORTCUTS
647
00:20:00,833 --> 00:20:02,669
BECAUSE WE CAN'T AFFORD TO SPEND
648
00:20:02,669 --> 00:20:04,804
THE ENERGY AND THE TIME TO WASTE
649
00:20:04,804 --> 00:20:06,005
OUR ATTENTION ON EVERY LITTLE
650
00:20:06,005 --> 00:20:08,007
DETAIL.
651
00:20:08,007 --> 00:20:10,677
THE SWEET SPOT FOR OUR BRAINS IS
652
00:20:10,677 --> 00:20:13,446
TO OPERATE AT JUST GOOD ENOUGH.
653
00:20:19,586 --> 00:20:21,488
FRANK ABAGNALE JUNIOR IS ONE
654
00:20:21,488 --> 00:20:22,989
OF THE MOST FAMOUS CON MEN IN
655
00:20:22,989 --> 00:20:24,557
THE HISTORY OF AMERICA.
656
00:20:24,557 --> 00:20:26,293
FRANK ABAGNALE
657
00:20:26,293 --> 00:20:28,295
JUNIOR'S LIFE INSPIRED STEVEN
658
00:20:28,295 --> 00:20:29,696
SPIELBERG'S FILM, "CATCH ME IF
659
00:20:29,696 --> 00:20:30,830
YOU CAN."
660
00:20:30,830 --> 00:20:32,565
BUT HOW DID HE EARN THIS
661
00:20:32,565 --> 00:20:34,834
IMPRESSIVE IF DUBIOUS HONOR?
662
00:20:34,834 --> 00:20:37,337
HE STOLE MILLIONS USING NOTHING
663
00:20:37,337 --> 00:20:40,640
MORE THAN SIMPLE DECEPTION.
664
00:20:40,640 --> 00:20:42,575
SO TO MAKE MONEY, FRANK
665
00:20:42,575 --> 00:20:43,876
LITERALLY MADE MONEY.
666
00:20:43,876 --> 00:20:45,512
HE WOULD FORGE CHECKS.
667
00:20:45,512 --> 00:20:47,880
FRANK CASHED $2.5 MILLION IN
668
00:20:47,880 --> 00:20:49,449
FORGED CHECKS.
669
00:20:49,449 --> 00:20:51,651
FRANK HAD REALLY, REALLY GREAT
670
00:20:51,651 --> 00:20:53,052
FORGERIES, AND HE WAS ALSO GREAT
671
00:20:53,052 --> 00:20:54,387
AT DISTRACTING THE BANK TELLERS.
672
00:20:54,387 --> 00:20:55,588
HE WOULD COME IN DRESSED AS A
673
00:20:55,588 --> 00:20:56,456
PILOT.
674
00:20:56,456 --> 00:20:57,590
SIMPLY BY DRESSING
675
00:20:57,590 --> 00:20:59,592
UP IN A PILOT'S UNIFORM, FRANK
676
00:20:59,592 --> 00:21:01,361
TRANSFORMED HIMSELF INTO AN
677
00:21:01,361 --> 00:21:02,662
INTERNATIONAL JET-SETTING
678
00:21:02,662 --> 00:21:05,398
PLAYBOY AT THE AGE OF 16.
679
00:21:09,369 --> 00:21:11,871
IN 1964, FRANK DECIDED TO PUSH
680
00:21:11,871 --> 00:21:14,407
HIS CON A LITTLE FURTHER, AND
681
00:21:14,407 --> 00:21:16,376
WORE HIS PILOT'S UNIFORM TO JFK
682
00:21:16,376 --> 00:21:20,880
AIRPORT IN NEW YORK.
683
00:21:20,880 --> 00:21:22,949
WITH CONFIDENCE AND GUMPTION,
684
00:21:22,949 --> 00:21:24,684
FRANK CONNED HIS WAY ONTO A
685
00:21:24,684 --> 00:21:26,919
PLANE.
686
00:21:26,919 --> 00:21:28,421
HE MUST HAVE BEEN SWEATING
687
00:21:28,421 --> 00:21:29,389
BULLETS.
688
00:21:29,389 --> 00:21:31,691
BUT BY SHEER TYRANNY OF WILL AND
689
00:21:31,691 --> 00:21:32,692
LUCK, HE MADE IT.
690
00:21:32,692 --> 00:21:34,694
HE LANDED, GOT OFF IN FLORIDA.
691
00:21:34,694 --> 00:21:36,529
NO ONE SUSPECTED ANYTHING.
692
00:21:36,529 --> 00:21:38,765
AND THIS WAS JUST
693
00:21:38,765 --> 00:21:40,066
THE BEGINNING.
694
00:21:40,066 --> 00:21:43,636
THIS TEENAGE PILOT FLEW TO 26
695
00:21:43,636 --> 00:21:46,906
COUNTRIES ON 250 DIFFERENT FREE
696
00:21:46,906 --> 00:21:47,907
FLIGHTS.
697
00:21:47,907 --> 00:21:50,543
IT TOTALED MORE THAN A MILLION
698
00:21:50,543 --> 00:21:53,980
MILES, ALL AT PAN AM'S EXPENSE.
699
00:21:53,980 --> 00:21:55,682
I DIDN'T KNOW ANYTHING WHEN I
700
00:21:55,682 --> 00:21:56,716
WAS A 16 YEAR-OLD BOY.
701
00:21:56,716 --> 00:21:57,717
AND HE WAS FLYING AROUND THE
702
00:21:57,717 --> 00:21:58,951
COUNTRY DOING WHATEVER HE WANTED
703
00:21:58,951 --> 00:22:00,119
TO DO.
704
00:22:00,119 --> 00:22:01,688
(bleep) THAT GUY.
705
00:22:01,688 --> 00:22:02,922
(laughs)
706
00:22:02,922 --> 00:22:04,691
WHY DID FRANK'S
707
00:22:04,691 --> 00:22:07,093
BASIC DECEPTION WORK SO WELL?
708
00:22:07,093 --> 00:22:08,995
TO TEST HOW SUSCEPTIBLE OUR
709
00:22:08,995 --> 00:22:10,463
BRAINS CAN BE TO PEOPLE IN
710
00:22:10,463 --> 00:22:12,465
SIMPLE DISGUISES, WE TRIED AN
711
00:22:12,465 --> 00:22:14,000
EXPERIMENT ON THE STREETS OF NEW
712
00:22:14,000 --> 00:22:16,569
YORK CITY ON THE DAY OF A
713
00:22:16,569 --> 00:22:18,004
NATIONAL ELECTION.
714
00:22:25,612 --> 00:22:27,614
UNITED STATES SENATOR FROM THE
715
00:22:27,614 --> 00:22:29,749
STATE OF NEW YORK DAN HODAPP HAS
716
00:22:29,749 --> 00:22:31,484
AGREED TO LET A FILM CREW FOLLOW
717
00:22:31,484 --> 00:22:33,453
HIM ON HIS RE-ELECTION CAMPAIGN,
718
00:22:33,453 --> 00:22:35,121
AS HE SOLICITS LAST-MINUTE
719
00:22:35,121 --> 00:22:36,623
VOTES FROM THE PUBLIC.
720
00:22:36,623 --> 00:22:37,957
SO, HI, JUSTIN.
721
00:22:37,957 --> 00:22:39,125
I'M SENATOR DAN HODAPP.
722
00:22:39,125 --> 00:22:40,627
WHAT I'M ASKING PEOPLE TODAY IS
723
00:22:40,627 --> 00:22:41,694
WHAT IS IMPORTANT TO YOU AS A
724
00:22:41,694 --> 00:22:42,028
VOTER?
725
00:22:42,028 --> 00:22:43,763
I'LL SAY EDUCATION.
726
00:22:43,763 --> 00:22:45,432
CUTTING MILITARY SPENDING.
727
00:22:45,432 --> 00:22:46,566
DEFINITELY THE ECONOMY.
728
00:22:46,566 --> 00:22:47,967
WOMEN'S RIGHTS ARE A BIG
729
00:22:47,967 --> 00:22:48,768
PRIORITY.
730
00:22:48,768 --> 00:22:49,602
CLIMATE CHANGE.
731
00:22:49,602 --> 00:22:50,570
IN AN EFFORT TO
732
00:22:50,570 --> 00:22:51,838
CAPTURE THEIR VOTES, SENATOR
733
00:22:51,838 --> 00:22:53,473
HODAPP ADDRESSES THE CONCERNS OF
734
00:22:53,473 --> 00:22:54,607
HIS CONSTITUENTS.
735
00:22:54,607 --> 00:22:56,042
CLIMATE CHANGE IS DEFINITELY
736
00:22:56,042 --> 00:22:57,510
SOMETHING THAT IS A TOP
737
00:22:57,510 --> 00:22:58,044
PRIORITY.
738
00:22:58,044 --> 00:23:00,046
I OF COURSE VOTED AGAINST ANY
739
00:23:00,046 --> 00:23:01,047
LEGISLATION THAT CAME UP
740
00:23:01,047 --> 00:23:02,181
REGARDING WOMEN'S REPRODUCTIVE
741
00:23:02,181 --> 00:23:02,982
RIGHTS.
742
00:23:02,982 --> 00:23:04,050
I THINK IT IS VERY IMPORTANT
743
00:23:04,050 --> 00:23:05,017
THAT WE LIFT PEOPLE UP,
744
00:23:05,017 --> 00:23:06,753
ESPECIALLY ECONOMICALLY...
745
00:23:06,753 --> 00:23:08,054
AND TO PROP UP HIS
746
00:23:08,054 --> 00:23:09,989
OWN CAMPAIGN, SENATOR HODAPP IS
747
00:23:09,989 --> 00:23:11,724
GATHERING PROMISES FROM VOTERS
748
00:23:11,724 --> 00:23:13,192
THAT THEY WILL ACTUALLY VOTE FOR
749
00:23:13,192 --> 00:23:16,729
HIM BY SIGNING HIS VOTER PLEDGE.
750
00:23:16,729 --> 00:23:18,064
SO I'M HAVING FOLKS SIGN A
751
00:23:18,064 --> 00:23:19,165
VOTER PLEDGE.
752
00:23:19,165 --> 00:23:20,066
WOULD YOU BE WILLING TO DO
753
00:23:20,066 --> 00:23:21,200
THAT FOR ME?
754
00:23:21,200 --> 00:23:21,801
THANK YOU.
755
00:23:21,801 --> 00:23:23,135
WOULD YOU SIGN DAN
756
00:23:23,135 --> 00:23:24,771
HODAPP'S VOTER PLEDGE?
757
00:23:24,771 --> 00:23:26,673
LET'S SEE WHAT OTHER PEOPLE DO.
758
00:23:26,673 --> 00:23:28,007
AND I KNOW YOU'LL VOTE TO
759
00:23:28,007 --> 00:23:29,075
SHAKE THINGS UP IN WASHINGTON,
760
00:23:29,075 --> 00:23:30,510
YOU'LL CUT THROUGH THE RED TAPE
761
00:23:30,510 --> 00:23:31,744
AND YOU'LL HELP TO LEAD US TO A
762
00:23:31,744 --> 00:23:33,212
NEW GOLDEN AGE. (laughs)
763
00:23:33,212 --> 00:23:34,180
SURE.
764
00:23:34,180 --> 00:23:35,181
AWESOME.
765
00:23:35,181 --> 00:23:36,883
WHO ARE YOU UP AGAINST?
766
00:23:36,883 --> 00:23:40,019
I'M UP AGAINST, UH, MINDY...
767
00:23:40,019 --> 00:23:41,554
GILBTH.
768
00:23:41,554 --> 00:23:42,622
I VOTED FOR YOU.
769
00:23:42,622 --> 00:23:45,024
WONDERFUL! AWESOME!
770
00:23:45,024 --> 00:23:46,626
EVERY PERSON DAN
771
00:23:46,626 --> 00:23:47,694
SPOKE WITH SIGNED HIS
772
00:23:47,694 --> 00:23:49,496
RE-ELECTION PLEDGE.
773
00:23:49,496 --> 00:23:50,830
BUT HE'S GOT A MORE SOBERING
774
00:23:50,830 --> 00:23:52,098
MESSAGE FOR HIS WOULD-BE
775
00:23:52,098 --> 00:23:55,535
VOTERS--DAN HODAPP IS NOT A
776
00:23:55,535 --> 00:23:57,537
SENATOR FROM NEW YORK.
777
00:23:57,537 --> 00:23:59,238
HE'S AN ACTOR.
778
00:23:59,238 --> 00:24:00,507
WHAT IF I TOLD THAT I'M NOT A
779
00:24:00,507 --> 00:24:02,041
SENATOR?
780
00:24:02,041 --> 00:24:04,777
UH... WELL, YOU FOOLED ME.
781
00:24:04,777 --> 00:24:07,113
WHAT MADE YOU PERCEIVE THAT I
782
00:24:07,113 --> 00:24:08,047
AM A SENATOR?
783
00:24:08,047 --> 00:24:09,048
YOU'RE IN CHARACTER.
784
00:24:09,048 --> 00:24:09,849
YEAH, MM-HMM.
785
00:24:09,849 --> 00:24:11,050
YOU HAVE A CERTAIN
786
00:24:11,050 --> 00:24:12,719
AUTHORITATIVE VOICE, CLEARLY.
787
00:24:12,719 --> 00:24:15,054
AND YOU KIND OF DRESS THE PART.
788
00:24:15,054 --> 00:24:16,055
I MET TWO OTHER POLITICIANS
789
00:24:16,055 --> 00:24:17,256
TODAY, AND YOU SEEM TO BE JUST
790
00:24:17,256 --> 00:24:18,725
AS REAL AS THEM.
791
00:24:18,725 --> 00:24:19,559
AND NICE HAIR.
792
00:24:19,559 --> 00:24:20,693
OKAY.
793
00:24:20,693 --> 00:24:21,928
SO YOU GOT PRODUCT IN THERE?
794
00:24:21,928 --> 00:24:22,729
YEAH, A LITTLE BIT OF
795
00:24:22,729 --> 00:24:23,262
PRODUCT.
796
00:24:23,262 --> 00:24:24,531
THE WAY YOU ARE DRESSED.
797
00:24:24,531 --> 00:24:25,665
I MEAN, EITHER I'M REALLY
798
00:24:25,665 --> 00:24:26,799
GULLIBLE, OR YOU'RE JUST REALLY
799
00:24:26,799 --> 00:24:28,868
GOOD AT YOUR JOB, OR BOTH.
800
00:24:28,868 --> 00:24:32,939
I'D LIKE TO THINK IT'S BOTH.
801
00:24:32,939 --> 00:24:34,273
JUST LIKE DAN
802
00:24:34,273 --> 00:24:36,543
HODAPP, FRANK ABAGNALE FOOLED
803
00:24:36,543 --> 00:24:39,245
PEOPLE BY DRESSING THE PART.
804
00:24:39,245 --> 00:24:41,881
HIS UNIFORM AND HIS CONFIDENCE
805
00:24:41,881 --> 00:24:45,952
LED PEOPLE TO BELIEVE HIS LIES.
806
00:24:45,952 --> 00:24:47,086
UNLESS WE HAVE A REASON NOT
807
00:24:47,086 --> 00:24:48,087
TO BELIEVE A NEW PIECE OF
808
00:24:48,087 --> 00:24:50,222
INFORMATION, WE WILL ACCEPT IT.
809
00:24:50,222 --> 00:24:52,158
IT ACTUALLY TAKES WORK TO
810
00:24:52,158 --> 00:24:54,093
DISBELIEVE SOMETHING WE'VE JUST
811
00:24:54,093 --> 00:24:55,628
BEEN TOLD.
812
00:24:55,628 --> 00:24:57,964
WE BELIEVE FIRST AND ASK
813
00:24:57,964 --> 00:24:59,866
QUESTIONS LATER, IF WE'RE LUCKY.
814
00:24:59,866 --> 00:25:01,133
AND THAT'S WHY WE
815
00:25:01,133 --> 00:25:02,902
CAN FALL UNDER THE SPELL OF A
816
00:25:02,902 --> 00:25:05,304
SHARP-DRESSED CON MAN.
817
00:25:05,304 --> 00:25:07,874
FRANK WAS A SELF-MADE EXPERT
818
00:25:07,874 --> 00:25:10,610
IN HUMAN PSYCHOLOGY.
819
00:25:10,610 --> 00:25:11,778
HE KNEW THAT HE DIDN'T HAVE TO
820
00:25:11,778 --> 00:25:13,312
BE A MASTER OF DISGUISE TO MAKE
821
00:25:13,312 --> 00:25:15,748
HIS CONS WORK.
822
00:25:15,748 --> 00:25:17,116
THE REAL TRICK WAS IN THE BRAIN
823
00:25:17,116 --> 00:25:20,286
OF THOSE HE FOOLED.
824
00:25:20,286 --> 00:25:21,320
THE BRAIN IS
825
00:25:21,320 --> 00:25:22,922
GENERALLY WIRED TO ACCEPT WHAT
826
00:25:22,922 --> 00:25:24,791
IT SEES AS TRUTH, AND IT'S
827
00:25:24,791 --> 00:25:26,893
USUALLY BETTER THAT WAY.
828
00:25:26,893 --> 00:25:28,728
REST ASSURED, FOR EVERY
829
00:25:28,728 --> 00:25:29,929
INCORRECT ASSUMPTION THE BRAIN
830
00:25:29,929 --> 00:25:31,931
MAKES, THERE ARE HUNDREDS OF
831
00:25:31,931 --> 00:25:33,666
CORRECT ASSUMPTIONS.
832
00:25:33,666 --> 00:25:35,802
BUT THROUGHOUT HISTORY, CON MEN
833
00:25:35,802 --> 00:25:37,670
HAVE MANIPULATED OUR WILLINGNESS
834
00:25:37,670 --> 00:25:39,739
TO TAKE THINGS AT FACE VALUE.
835
00:25:39,739 --> 00:25:41,741
THIS INCLUDES THE INFAMOUS
836
00:25:41,741 --> 00:25:44,611
SWINDLER CHARLES PONZI.
837
00:25:44,611 --> 00:25:47,146
IN THE EARLY 1900s, PONZI
838
00:25:47,146 --> 00:25:48,615
DECEIVED INVESTORS OUT OF
839
00:25:48,615 --> 00:25:49,916
MILLIONS OF DOLLARS WITH SUCH
840
00:25:49,916 --> 00:25:51,951
SKILL THAT HIS NAME IS FOREVER
841
00:25:51,951 --> 00:25:53,920
LINKED TO A FINANCIAL SWINDLE,
842
00:25:53,920 --> 00:25:56,222
THE PONZI SCHEME.
843
00:25:56,222 --> 00:25:58,825
OR VICTOR LUSTIG, WHO POSED AS A
844
00:25:58,825 --> 00:26:00,159
FRENCH GOVERNMENT OFFICIAL IN
845
00:26:00,159 --> 00:26:02,962
1925 AND SOLD THE EIFFEL TOWER
846
00:26:02,962 --> 00:26:04,664
TO AN UNWITTING SCRAP METAL
847
00:26:04,664 --> 00:26:06,633
COLLECTOR FOR TODAY'S EQUIVALENT
848
00:26:06,633 --> 00:26:09,168
OF NEARLY ONE MILLION DOLLARS.
849
00:26:09,168 --> 00:26:11,170
REPORTEDLY, LUSTIG ATTEMPTED
850
00:26:11,170 --> 00:26:16,175
THIS STUNT TWICE.
851
00:26:16,175 --> 00:26:18,044
WHILE WE DON'T ALL BREAK THE
852
00:26:18,044 --> 00:26:19,979
LAW, MOST OF US PRACTICE THE ART
853
00:26:19,979 --> 00:26:22,214
OF THE CON IN EVERYDAY LIFE
854
00:26:22,214 --> 00:26:23,950
WHEN WE TRY TO IMPRESS SOMEONE
855
00:26:23,950 --> 00:26:25,852
ON A DATE...
856
00:26:25,852 --> 00:26:27,186
OR EXAGGERATE THE TRUTH FOR A
857
00:26:27,186 --> 00:26:28,187
JOB INTERVIEW.
858
00:26:28,187 --> 00:26:30,056
EVERYBODY FUDGES THE TRUTH ON
859
00:26:30,056 --> 00:26:30,957
THEIR RESUME.
860
00:26:30,957 --> 00:26:32,859
THEY BOOST THEMSELVES UP.
861
00:26:32,859 --> 00:26:34,060
FRANK JUST BOOSTED HIMSELF WAY
862
00:26:34,060 --> 00:26:35,394
UP.
863
00:26:35,394 --> 00:26:36,863
WHILE PULLING A CON
864
00:26:36,863 --> 00:26:38,197
IS AN ATTEMPT TO DECEIVE,
865
00:26:38,197 --> 00:26:39,666
SOMETIMES OUR BRAINS FOOL
866
00:26:39,666 --> 00:26:43,102
THEMSELVES ALL ON THEIR OWN.
867
00:26:43,269 --> 00:26:46,338
THEY SAY TO ERR IS
868
00:26:46,338 --> 00:26:47,774
HUMAN.
869
00:26:47,774 --> 00:26:49,008
AND THEY'RE RIGHT.
870
00:26:49,008 --> 00:26:50,342
WE'VE SEEN WHY CON MEN CAN SO
871
00:26:50,342 --> 00:26:52,011
EASILY DECEIVE US.
872
00:26:52,011 --> 00:26:52,945
YOU FOOLED ME.
873
00:26:52,945 --> 00:26:53,913
YEAH?
874
00:26:53,913 --> 00:26:55,014
AND HOW THE BRAIN
875
00:26:55,014 --> 00:26:56,315
FILLS IN THE DETAILS WHEN WE
876
00:26:56,315 --> 00:26:57,349
THINK WE'VE GRASPED THE BIG
877
00:26:57,349 --> 00:26:58,685
PICTURE.
878
00:26:58,685 --> 00:27:00,787
I FELT DUPED AND BETRAYED.
879
00:27:00,787 --> 00:27:01,954
STILL DON'T BELIEVE
880
00:27:01,954 --> 00:27:04,156
YOUR BRAIN JUST MAKES IT UP?
881
00:27:04,156 --> 00:27:06,325
TAKE A LOOK AT THIS OPTICAL
882
00:27:06,325 --> 00:27:07,694
ILLUSION.
883
00:27:07,694 --> 00:27:11,163
WHAT COLOR ARE THIS GIRL'S EYES?
884
00:27:11,163 --> 00:27:12,164
DO YOU PERCEIVE THEM
885
00:27:12,164 --> 00:27:13,800
DIFFERENTLY?
886
00:27:13,800 --> 00:27:16,168
THE EYE ON THE LEFT LOOKS BLUE,
887
00:27:16,168 --> 00:27:17,236
AND THE EYE ON THE RIGHT LOOKS
888
00:27:17,236 --> 00:27:19,171
GRAY, RIGHT?
889
00:27:19,171 --> 00:27:21,373
THINK AGAIN.
890
00:27:21,373 --> 00:27:23,776
THEY'RE BOTH GRAY.
891
00:27:23,776 --> 00:27:25,177
THE REASON YOU PERCEIVE THE EYE
892
00:27:25,177 --> 00:27:27,213
COLORS DIFFERENTLY IS BECAUSE
893
00:27:27,213 --> 00:27:28,781
THE BRAIN CONSTRUCTS THE COLORS
894
00:27:28,781 --> 00:27:30,249
WE SEE IN RELATIONSHIP TO EACH
895
00:27:30,249 --> 00:27:31,383
OTHER.
896
00:27:31,383 --> 00:27:33,720
THE RED TRANSPARENCY TRICKS THE
897
00:27:33,720 --> 00:27:35,688
BRAIN INTO MAKING THE LEFT EYE
898
00:27:35,688 --> 00:27:38,190
APPEAR BLUE WHEN IN REALITY,
899
00:27:38,190 --> 00:27:39,391
IT'S GRAY.
900
00:27:39,391 --> 00:27:41,193
BECAUSE OF SHORTCUTS LIKE THESE,
901
00:27:41,193 --> 00:27:43,262
OUR BRAINS CAN DECEIVE US AND
902
00:27:43,262 --> 00:27:45,798
MAKE US SUSCEPTIBLE TO DRAMATIC
903
00:27:45,798 --> 00:27:47,700
MISTAKES.
904
00:27:47,700 --> 00:27:49,869
IN FACT, ONE SHORTCUT OF THE
905
00:27:49,869 --> 00:27:51,838
BRAIN ALLOWED COUNTLESS PEOPLE
906
00:27:51,838 --> 00:27:54,073
TO SEE WHAT WASN'T THERE AND LED
907
00:27:54,073 --> 00:27:55,875
TO AN INFAMOUS BIBLE BURNING IN
908
00:27:55,875 --> 00:27:57,309
ENGLAND.
909
00:28:03,215 --> 00:28:05,852
IT ALL STARTED IN THE 1600s.
910
00:28:05,852 --> 00:28:07,219
THE CHURCH OF ENGLAND NEEDED
911
00:28:07,219 --> 00:28:09,288
1,000 NEW COPIES OF THE KING
912
00:28:09,288 --> 00:28:11,390
JAMES BIBLE.
913
00:28:11,390 --> 00:28:13,726
IT WAS UP TO THE ROYAL PRINTERS
914
00:28:13,726 --> 00:28:15,762
TO GET THESE COPIES OUT AND TO
915
00:28:15,762 --> 00:28:18,497
MAKE SURE THE MORE THAN 770,000
916
00:28:18,497 --> 00:28:22,434
WORDS WERE TYPESET CORRECTLY.
917
00:28:22,434 --> 00:28:24,236
IT WAS A RELATIVELY BIG DEAL
918
00:28:24,236 --> 00:28:25,905
THAT THE KING HIMSELF REQUESTED
919
00:28:25,905 --> 00:28:28,307
THESE 1,000 BIBLES TO BE MADE.
920
00:28:28,307 --> 00:28:30,442
THE ROYAL PRINTERS WOULD EMPLOY
921
00:28:30,442 --> 00:28:33,412
MANY PEOPLE TO REVIEW EACH STEP
922
00:28:33,412 --> 00:28:35,447
OF THE PROCESS, TO FACT-CHECK,
923
00:28:35,447 --> 00:28:37,316
PARTICULARLY TO MAKE SURE THAT
924
00:28:37,316 --> 00:28:39,385
THE SACRED TEXT CAME OUT
925
00:28:39,385 --> 00:28:42,021
CORRECT.
926
00:28:42,021 --> 00:28:43,289
AFTER FEVERISH
927
00:28:43,289 --> 00:28:46,058
WORK, THE 1,000 COPIES MADE
928
00:28:46,058 --> 00:28:47,326
THEIR WAY INTO CHURCHES ACROSS
929
00:28:47,326 --> 00:28:48,761
ENGLAND.
930
00:28:48,761 --> 00:28:50,763
DESPITE ALL THIS FOCUSED
931
00:28:50,763 --> 00:28:52,932
ATTENTION, THERE WAS ONE GLARING
932
00:28:52,932 --> 00:28:55,301
DETAIL THAT EVERYONE MISSED.
933
00:28:55,301 --> 00:28:59,138
THE COMMANDMENT, "THOU SHALT NOT
934
00:28:59,138 --> 00:29:01,874
COMMIT ADULTERY" WAS MISSING THE
935
00:29:01,874 --> 00:29:04,944
"NOT."
936
00:29:04,944 --> 00:29:06,879
THE SEVENTH COMMANDMENT NOW
937
00:29:06,879 --> 00:29:08,480
READ, "THOU SHALT COMMIT
938
00:29:08,480 --> 00:29:11,818
ADULTERY."
939
00:29:11,818 --> 00:29:13,485
THE ROYAL PRINTERS
940
00:29:13,485 --> 00:29:16,155
HAD MADE A BLASPHEMOUS ERROR.
941
00:29:16,155 --> 00:29:18,825
AND THIS UNHOLY TEXT CAME TO BE
942
00:29:18,825 --> 00:29:24,496
KNOWN AS THE WICKED BIBLE.
943
00:29:24,496 --> 00:29:25,832
THE WICKED BIBLE WAS NOT
944
00:29:25,832 --> 00:29:28,167
WICKED BY DESIGN.
945
00:29:28,167 --> 00:29:29,969
THIS WAS ONE OF HISTORY'S
946
00:29:29,969 --> 00:29:32,571
BIGGEST TYPOS.
947
00:29:32,571 --> 00:29:34,440
THE CHURCH OF ENGLAND ACTUALLY
948
00:29:34,440 --> 00:29:36,575
WORRIED THAT IT RAN THE RISK OF
949
00:29:36,575 --> 00:29:39,111
BLACKENING THE REPUTATION OF
950
00:29:39,111 --> 00:29:42,314
CHRISTIANITY.
951
00:29:42,314 --> 00:29:43,449
IS THE HUMAN BRAIN
952
00:29:43,449 --> 00:29:45,084
STILL AS SUSCEPTIBLE TO THESE
953
00:29:45,084 --> 00:29:46,385
BLUNDERS AS THE ROYAL PRINTERS
954
00:29:46,385 --> 00:29:49,388
WERE 500 YEARS AGO?
955
00:29:49,388 --> 00:29:52,124
TO FIND OUT, JEFF WISE HAS A
956
00:29:52,124 --> 00:29:54,460
MESSAGE FOR YOU.
957
00:30:01,100 --> 00:30:03,369
READ THIS SENTENCE OUT LOUD.
958
00:30:03,369 --> 00:30:05,938
GO AHEAD.
959
00:30:05,938 --> 00:30:07,339
DO YOU THINK YOU KNOW WHAT IT
960
00:30:07,339 --> 00:30:09,141
SAYS?
961
00:30:09,141 --> 00:30:12,011
NOW LET'S SEE WHAT OTHERS SAY.
962
00:30:12,011 --> 00:30:13,379
READ THIS SIGN TO ME.
963
00:30:13,379 --> 00:30:14,346
TELL ME WHAT IT SAYS.
964
00:30:14,346 --> 00:30:15,414
I LOVE PARIS IN THE
965
00:30:15,414 --> 00:30:16,348
SPRINGTIME.
966
00:30:16,348 --> 00:30:18,084
I LOVE PARIS IN THE
967
00:30:18,084 --> 00:30:19,085
SPRINGTIME.
968
00:30:19,085 --> 00:30:20,219
I LOVE PARIS IN THE
969
00:30:20,219 --> 00:30:21,153
SPRINGTIME.
970
00:30:21,153 --> 00:30:22,554
I LOVE PARIS IN THE
971
00:30:22,554 --> 00:30:23,222
SPRINGTIME.
972
00:30:23,222 --> 00:30:24,957
I LOVE PARIS IN THE
973
00:30:24,957 --> 00:30:25,357
SPRINGTIME.
974
00:30:25,357 --> 00:30:26,358
YES.
975
00:30:26,358 --> 00:30:27,359
THAT'S A
976
00:30:27,359 --> 00:30:28,627
NO-BRAINER, RIGHT?
977
00:30:28,627 --> 00:30:30,162
BUT ARE YOU SURE?
978
00:30:30,162 --> 00:30:32,498
I'M 100% SURE.
979
00:30:32,498 --> 00:30:35,868
YES. I'M SURE. YES.
980
00:30:35,868 --> 00:30:36,502
YEAH.
981
00:30:36,502 --> 00:30:37,436
OKAY.
982
00:30:37,436 --> 00:30:39,371
MOST PEOPLE READ "I LOVE PARIS
983
00:30:39,371 --> 00:30:40,172
IN THE SPRINGTIME."
984
00:30:40,172 --> 00:30:41,373
PROBLEM IS, THAT'S NOT WHAT IT
985
00:30:41,373 --> 00:30:42,374
SAYS.
986
00:30:42,374 --> 00:30:44,243
JUST TAKE IT REAL SLOW.
987
00:30:44,243 --> 00:30:46,378
I LOVE PARIS IN THE
988
00:30:46,378 --> 00:30:48,247
SPRINGTIME.
989
00:30:48,247 --> 00:30:49,148
OKAY.
990
00:30:49,148 --> 00:30:50,116
I'M GOING TO GIVE YOU A HINT.
991
00:30:50,116 --> 00:30:50,516
OKAY.
992
00:30:50,516 --> 00:30:53,052
IT ACTUALLY DOESN'T SAY THAT.
993
00:30:53,052 --> 00:30:54,386
I'M TOTALLY CLUELESS.
994
00:30:54,386 --> 00:30:55,187
REALLY?
995
00:30:55,187 --> 00:30:56,255
YES.
996
00:30:56,255 --> 00:30:57,890
NO ONE WHO READ
997
00:30:57,890 --> 00:30:59,558
THIS MESSAGE GOT IT RIGHT, EVEN
998
00:30:59,558 --> 00:31:02,061
AFTER MULTIPLE ATTEMPTS.
999
00:31:02,061 --> 00:31:03,262
I... LOVE....
1000
00:31:03,262 --> 00:31:04,196
READ IT ALONG WITH ME.
1001
00:31:04,196 --> 00:31:06,899
I LOVE PARIS...
1002
00:31:06,899 --> 00:31:10,069
IN THE THE SPRINGTIME.
1003
00:31:10,069 --> 00:31:12,404
OH, WOW.
1004
00:31:12,404 --> 00:31:15,574
MY BRAIN DID NOT COMPUTE THAT.
1005
00:31:15,574 --> 00:31:16,608
EVERY SINGLE PERSON
1006
00:31:16,608 --> 00:31:18,410
THAT READ JEFF'S MESSAGE MISSED
1007
00:31:18,410 --> 00:31:20,079
THE SECOND "THE."
1008
00:31:20,079 --> 00:31:24,283
THE... OH, THE SPRINGTIME.
1009
00:31:24,283 --> 00:31:25,617
I LOVE PARIS IN THE THE
1010
00:31:25,617 --> 00:31:26,552
SPRINGTIME.
1011
00:31:26,552 --> 00:31:28,287
OH!
1012
00:31:28,287 --> 00:31:30,422
GOT IT.
1013
00:31:30,422 --> 00:31:31,290
OKAY.
1014
00:31:31,290 --> 00:31:33,092
OH!
1015
00:31:33,092 --> 00:31:35,227
YOU DIDN'T SEE THE MISTAKE.
1016
00:31:35,227 --> 00:31:36,695
WHY IS THIS MISTAKE
1017
00:31:36,695 --> 00:31:39,498
SO EASY TO MISS?
1018
00:31:39,498 --> 00:31:41,100
THE BRAIN RUNS ON A VERY
1019
00:31:41,100 --> 00:31:42,634
SMALL AMOUNT OF ENERGY, SO IT
1020
00:31:42,634 --> 00:31:43,970
HAS TO WORK QUICKLY AND
1021
00:31:43,970 --> 00:31:45,037
EFFICIENTLY.
1022
00:31:45,037 --> 00:31:46,438
WE DON'T HAVE THE RESOURCES TO
1023
00:31:46,438 --> 00:31:48,440
DEAL WITH EVERY SINGLE THING IN
1024
00:31:48,440 --> 00:31:50,309
OUR SENSORY ENVIRONMENT.
1025
00:31:50,309 --> 00:31:53,045
WE DON'T NOTICE MOST OF WHAT'S
1026
00:31:53,045 --> 00:31:54,313
HAPPENING AROUND US.
1027
00:31:54,313 --> 00:31:55,447
AND THIS RESULTS IN A
1028
00:31:55,447 --> 00:31:57,216
PSYCHOLOGICAL PHENOMENON KNOWN
1029
00:31:57,216 --> 00:31:59,485
AS INATTENTIONAL BLINDNESS.
1030
00:31:59,485 --> 00:32:00,486
INATTENTIONAL
1031
00:32:00,486 --> 00:32:02,054
BLINDNESS OFTEN MAKES US MISS
1032
00:32:02,054 --> 00:32:04,090
UNEXPECTED ERRORS RIGHT IN FRONT
1033
00:32:04,090 --> 00:32:06,225
OF OUR EYES.
1034
00:32:06,225 --> 00:32:07,994
AND THAT'S BECAUSE WHEN WE
1035
00:32:07,994 --> 00:32:09,628
EXPECT TO SEE SOMETHING, THE
1036
00:32:09,628 --> 00:32:10,963
BRAIN TENDS TO BLOCK OUT
1037
00:32:10,963 --> 00:32:12,664
UNEXPECTED POSSIBILITIES.
1038
00:32:12,664 --> 00:32:14,533
WHEN PARTICIPANTS READ JEFF'S
1039
00:32:14,533 --> 00:32:16,468
SIGN, THEY RECOGNIZED "I LOVE
1040
00:32:16,468 --> 00:32:18,270
PARIS IN THE SPRINGTIME" AS A
1041
00:32:18,270 --> 00:32:19,671
WELL-KNOWN PHRASE.
1042
00:32:19,671 --> 00:32:21,340
THEY JUST ASSUMED THAT'S WHAT IT
1043
00:32:21,340 --> 00:32:23,142
SAID AND FAILED TO SEE THE
1044
00:32:23,142 --> 00:32:24,010
ERROR.
1045
00:32:24,010 --> 00:32:26,012
YOUR BRAIN LIED TO YOU.
1046
00:32:26,012 --> 00:32:27,113
WHY DO YOU THINK THAT HAPPENED?
1047
00:32:27,113 --> 00:32:29,015
MAYBE MY BRAIN IS DISHONEST.
1048
00:32:29,015 --> 00:32:31,017
THERE'S TOO MUCH INFORMATION
1049
00:32:31,017 --> 00:32:31,683
IN THE WORLD.
1050
00:32:31,683 --> 00:32:33,285
THE BRAIN CAN'T PROCESS
1051
00:32:33,285 --> 00:32:34,286
EVERYTHING.
1052
00:32:34,286 --> 00:32:35,487
SO THE BRAIN JUST GLIDES RIGHT
1053
00:32:35,487 --> 00:32:36,288
OVER IT.
1054
00:32:36,288 --> 00:32:38,124
OUR BRAINS PERCEIVE WHAT THEY
1055
00:32:38,124 --> 00:32:39,558
EXPECT TO PERCEIVE.
1056
00:32:39,558 --> 00:32:41,760
AND IN THE CASE OF
1057
00:32:41,760 --> 00:32:43,662
THE WICKED BIBLE, THE SEVENTH
1058
00:32:43,662 --> 00:32:45,031
COMMANDMENT SEEMED SO
1059
00:32:45,031 --> 00:32:46,365
FUNDAMENTAL THAT THE PRINTERS
1060
00:32:46,365 --> 00:32:48,700
SKIMMED RIGHT OVER IT EVEN
1061
00:32:48,700 --> 00:32:50,702
THOUGH THE UNEXPECTED MISTAKE
1062
00:32:50,702 --> 00:32:53,005
WAS OBVIOUS.
1063
00:32:53,005 --> 00:32:54,506
IT'S VERY RELEVANT, ACTUALLY,
1064
00:32:54,506 --> 00:32:55,707
THAT THE TYPO WAS IN ONE OF THE
1065
00:32:55,707 --> 00:32:57,543
MOST FAMILIAR PARTS OF THE BIBLE
1066
00:32:57,543 --> 00:32:59,378
BECAUSE VERY FEW PEOPLE WERE
1067
00:32:59,378 --> 00:33:01,580
GOING TO READ THE TEN
1068
00:33:01,580 --> 00:33:02,681
COMMANDMENTS WITH THE LEVEL OF
1069
00:33:02,681 --> 00:33:04,183
SCRUTINY THAT ONE READS
1070
00:33:04,183 --> 00:33:05,517
SOMETHING WITH WHICH ONE IS NOT
1071
00:33:05,517 --> 00:33:07,519
FAMILIAR.
1072
00:33:07,519 --> 00:33:08,687
TO CORRECT THIS
1073
00:33:08,687 --> 00:33:10,522
EGREGIOUS ERROR, THE KING DID
1074
00:33:10,522 --> 00:33:12,058
WHAT WOULD OTHERWISE HAVE BEEN
1075
00:33:12,058 --> 00:33:14,326
UNTHINKABLE.
1076
00:33:14,326 --> 00:33:15,561
HE ORDERED THAT ALL OF THESE
1077
00:33:15,561 --> 00:33:17,263
BIBLES BE RECALLED.
1078
00:33:17,263 --> 00:33:19,265
AND HE VERY PUBLICLY BURNED
1079
00:33:19,265 --> 00:33:20,732
THEM.
1080
00:33:20,732 --> 00:33:22,268
BUT NOT ALL OF
1081
00:33:22,268 --> 00:33:24,070
THESE BIBLES MET SUCH A FIERY
1082
00:33:24,070 --> 00:33:26,405
FATE.
1083
00:33:26,405 --> 00:33:27,706
A FEW OF THE WICKED BIBLES
1084
00:33:27,706 --> 00:33:29,541
SURVIVE TODAY AND UNSURPRISINGLY
1085
00:33:29,541 --> 00:33:33,712
ARE HIGHLY, HIGHLY COLLECTIBLE.
1086
00:33:33,712 --> 00:33:35,081
RARE COPIES OF THE
1087
00:33:35,081 --> 00:33:36,748
WICKED BIBLE CAN FETCH UPWARDS
1088
00:33:36,748 --> 00:33:39,551
OF $90,000.
1089
00:33:39,551 --> 00:33:41,553
AND FOR WHATEVER IT'S WORTH, THE
1090
00:33:41,553 --> 00:33:43,555
WICKED BIBLE DOES SHOW US HOW
1091
00:33:43,555 --> 00:33:45,557
EASY IT IS TO MAKE MIND-BOGGLING
1092
00:33:45,557 --> 00:33:50,096
MISTAKES.
1093
00:33:50,096 --> 00:33:51,097
THIS IS ONE OF THE REASONS
1094
00:33:51,097 --> 00:33:52,431
THAT IT'S SO IMPORTANT TO READ
1095
00:33:52,431 --> 00:33:54,566
YOUR RESUME 20 TIMES BEFORE YOU
1096
00:33:54,566 --> 00:33:57,169
SEND IT OUT.
1097
00:33:57,169 --> 00:33:58,704
HERE'S A TRICK THAT COPYEDITORS
1098
00:33:58,704 --> 00:34:00,439
SOMETIMES USE--LOOK AT IT
1099
00:34:00,439 --> 00:34:01,440
BACKWARDS.
1100
00:34:01,440 --> 00:34:03,209
READING EACH WORD IN REVERSE
1101
00:34:03,209 --> 00:34:06,112
ORDER WILL PREVENT YOUR BRAIN
1102
00:34:06,112 --> 00:34:07,579
FROM MAKING THE ASSUMPTION ABOUT
1103
00:34:07,579 --> 00:34:09,081
WHAT IT THINKS OUGHT TO COME
1104
00:34:09,081 --> 00:34:13,585
NEXT.
1105
00:34:13,585 --> 00:34:14,720
WE'VE SEEN HOW OUR
1106
00:34:14,720 --> 00:34:16,388
BRAINS CAN FALL VICTIM TO CON
1107
00:34:16,388 --> 00:34:18,457
MEN AND HOW SOMETIMES WE MISS
1108
00:34:18,457 --> 00:34:20,126
OBVIOUS ERRORS RIGHT IN FRONT OF
1109
00:34:20,126 --> 00:34:21,393
US.
1110
00:34:21,393 --> 00:34:23,662
BUT JUST HOW GULLIBLE ARE WE?
1111
00:34:23,662 --> 00:34:25,664
COULD OUR BRAINS MISTAKE A SHIP
1112
00:34:25,664 --> 00:34:27,266
FULL OF GRIZZLED SAILORS FOR A
1113
00:34:27,266 --> 00:34:29,401
GROUP OF LADIES ON A LEISURELY
1114
00:34:29,401 --> 00:34:30,669
CRUISE?
1115
00:34:30,669 --> 00:34:33,505
UP NEXT, FIND OUT HO
1116
00:34:33,672 --> 00:34:35,874
WE'VE SEEN HOW OUR
1117
00:34:35,874 --> 00:34:37,843
BRAINS DECEIVE US BY OVERLOOKING
1118
00:34:37,843 --> 00:34:41,213
UNEXPECTED BUT OBVIOUS ERRORS.
1119
00:34:41,213 --> 00:34:43,282
OH!
1120
00:34:43,282 --> 00:34:44,550
YOU DIDN'T SEE THE MISTAKE.
1121
00:34:44,550 --> 00:34:45,584
WHY ARE WE PRONE TO
1122
00:34:45,584 --> 00:34:46,718
MISSING SIMPLE THINGS THAT ARE
1123
00:34:46,718 --> 00:34:47,619
OUT OF PLACE?
1124
00:34:47,619 --> 00:34:49,155
YOUR BRAIN GIVES YOU THE
1125
00:34:49,155 --> 00:34:50,622
IMPRESSION THAT YOU REALLY ARE
1126
00:34:50,622 --> 00:34:51,823
AWARE OF ALL OF YOUR
1127
00:34:51,823 --> 00:34:52,558
SURROUNDINGS.
1128
00:34:52,558 --> 00:34:53,759
NOW IF THAT WAS THE CASE, IF YOU
1129
00:34:53,759 --> 00:34:55,361
REALLY WERE PROCESSING ALL OF
1130
00:34:55,361 --> 00:34:56,562
THE RICH VISUAL INFORMATION THAT
1131
00:34:56,562 --> 00:34:58,430
COMES IN VIA THE EYES, WELL,
1132
00:34:58,430 --> 00:34:59,565
YOU'D NEED A BRAIN THE SIZE OF
1133
00:34:59,565 --> 00:35:01,233
THE PLANET AND THAT WOULD BE
1134
00:35:01,233 --> 00:35:01,900
RIDICULOUS.
1135
00:35:01,900 --> 00:35:03,302
AND BECAUSE OF THAT, PEOPLE CAN
1136
00:35:03,302 --> 00:35:04,436
MISS WHAT'S GOING ON RIGHT IN
1137
00:35:04,436 --> 00:35:07,239
FRONT OF THEIR EYES.
1138
00:35:07,239 --> 00:35:08,340
STILL THINK YOU'RE
1139
00:35:08,340 --> 00:35:09,608
TOO SMART TO OVERLOOK THE
1140
00:35:09,608 --> 00:35:10,642
OBVIOUS?
1141
00:35:10,642 --> 00:35:12,244
TAKE A LOOK AT THESE TWO LEANING
1142
00:35:12,244 --> 00:35:14,646
TOWERS OF PISA.
1143
00:35:14,646 --> 00:35:16,748
DO YOU NOTICE A DIFFERENCE?
1144
00:35:16,748 --> 00:35:19,585
THE ONE ON THE RIGHT LEANS MORE.
1145
00:35:19,585 --> 00:35:20,652
OR DOES IT?
1146
00:35:20,652 --> 00:35:21,887
THINK AGAIN.
1147
00:35:21,887 --> 00:35:23,589
THE TOWERS ARE ACTUALLY
1148
00:35:23,589 --> 00:35:25,591
IDENTICAL.
1149
00:35:25,591 --> 00:35:27,359
THE WAY OUR BRAIN INTERPRETS
1150
00:35:27,359 --> 00:35:29,195
WHAT IT SEES IS HOPELESSLY
1151
00:35:29,195 --> 00:35:30,229
FLAWED.
1152
00:35:30,229 --> 00:35:31,463
THAT IS WHY WE SEE SIMPLE
1153
00:35:31,463 --> 00:35:33,465
ILLUSIONS AND FALL FOR CRUDE
1154
00:35:33,465 --> 00:35:34,766
DISGUISES.
1155
00:35:34,766 --> 00:35:36,668
AND ONE HISTORICAL INCIDENT
1156
00:35:36,668 --> 00:35:38,804
SHOWS JUST HOW EFFECTIVE A CRUDE
1157
00:35:38,804 --> 00:35:41,207
DISGUISE CAN BE.
1158
00:35:48,480 --> 00:35:50,682
DURING WORLD WAR I, BRITISH
1159
00:35:50,682 --> 00:35:51,950
SAILORS FIGHTING AGAINST THE
1160
00:35:51,950 --> 00:35:53,619
GERMANS HATCHED A PLOT THAT
1161
00:35:53,619 --> 00:35:55,354
SEEMED TOO RIDICULOUS TO
1162
00:35:55,354 --> 00:35:58,224
ACTUALLY WORK.
1163
00:35:58,224 --> 00:35:59,625
IT'S WEIRD IN THE CONTEXT OF
1164
00:35:59,625 --> 00:36:00,959
THIS LIFE-AND-DEATH SCENARIO,
1165
00:36:00,959 --> 00:36:03,829
THERE'S THIS REALLY WACKY STORY
1166
00:36:03,829 --> 00:36:06,832
ABOUT CROSS-DRESSING.
1167
00:36:06,832 --> 00:36:08,300
THAT'S RIGHT,
1168
00:36:08,300 --> 00:36:10,636
CROSS-DRESSING.
1169
00:36:10,636 --> 00:36:12,271
BUT WHAT ROLE COULD DRESSING IN
1170
00:36:12,271 --> 00:36:14,306
DRAG HAVE POSSIBLY PLAYED IN
1171
00:36:14,306 --> 00:36:15,674
WORLD WAR I?
1172
00:36:15,674 --> 00:36:17,843
STRANGELY ENOUGH, THE STORY
1173
00:36:17,843 --> 00:36:19,645
BEGINS WITH THE INTRODUCTION OF
1174
00:36:19,645 --> 00:36:22,648
THE GERMAN U-BOAT.
1175
00:36:22,648 --> 00:36:24,650
THE U-BOAT WAS A DEATH
1176
00:36:24,650 --> 00:36:26,852
MACHINE...
1177
00:36:26,852 --> 00:36:28,854
THEIR MOST ADVANCED SUBMARINE ON
1178
00:36:28,854 --> 00:36:30,656
THE MARKET AT THE TIME.
1179
00:36:30,656 --> 00:36:31,657
AT THE TIME, THE
1180
00:36:31,657 --> 00:36:33,325
BRITS HAD ONLY ONE EFFECTIVE WAY
1181
00:36:33,325 --> 00:36:34,326
TO ATTACK THEM.
1182
00:36:34,326 --> 00:36:35,527
U-BOATS WERE VULNERABLE WHEN
1183
00:36:35,527 --> 00:36:36,462
THEY SURFACED, BECAUSE THEN YOU
1184
00:36:36,462 --> 00:36:37,463
COULD ACTUALLY HIT THEM.
1185
00:36:37,463 --> 00:36:38,830
THEY WEREN'T HIDING UNDERNEATH
1186
00:36:38,830 --> 00:36:40,532
THE WATER LAUNCHING TORPEDOES
1187
00:36:40,532 --> 00:36:40,999
FROM SHADOWS.
1188
00:36:40,999 --> 00:36:42,334
THEY WERE RIGHT THERE IN FRONT
1189
00:36:42,334 --> 00:36:44,536
OF YOU.
1190
00:36:44,536 --> 00:36:45,971
BUT THE ONLY WAY TO
1191
00:36:45,971 --> 00:36:47,806
LURE A U-BOAT TO THE SURFACE WAS
1192
00:36:47,806 --> 00:36:49,541
TO APPEAR LIKE A HARMLESS
1193
00:36:49,541 --> 00:36:51,443
MERCHANT VESSEL AND NOT A
1194
00:36:51,443 --> 00:36:52,678
WARSHIP.
1195
00:36:52,678 --> 00:36:56,014
AND THEY DID THIS WITH WOMEN.
1196
00:36:56,014 --> 00:36:57,449
BUT WITH ONLY MEN ALLOWED ON
1197
00:36:57,449 --> 00:36:58,984
COMBAT SHIPS, HOW DO YOU GET
1198
00:36:58,984 --> 00:37:03,021
WOMEN ON BOARD?
1199
00:37:03,021 --> 00:37:04,490
FOR THE BRITISH, THIS WAS A
1200
00:37:04,490 --> 00:37:06,425
LIFE-OR-DEATH PROBLEM.
1201
00:37:06,425 --> 00:37:08,427
SO THE SOLDIERS HAD A CRAZY
1202
00:37:08,427 --> 00:37:12,464
IDEA--CROSS-DRESSING.
1203
00:37:12,464 --> 00:37:14,766
THIS WAS A CRAZY PLAN, BUT THEY
1204
00:37:14,766 --> 00:37:16,502
DID IT ANYWAY BECAUSE THEY'RE
1205
00:37:16,502 --> 00:37:17,903
THAT PERFECT COCKTAIL OF TOO
1206
00:37:17,903 --> 00:37:20,872
MUCH CRAZY AND TOO MUCH BALLS.
1207
00:37:20,872 --> 00:37:23,775
ON MARCH 15, 1917,
1208
00:37:23,775 --> 00:37:25,711
THE CREW ON BOARD ONE SHIP HAD
1209
00:37:25,711 --> 00:37:31,350
ITS BIG PREMIERE.
1210
00:37:31,350 --> 00:37:35,354
THIS WAS THE MOMENT OF TRUTH.
1211
00:37:35,354 --> 00:37:37,989
THIS CRAZY, STUPID, BADASS,
1212
00:37:37,989 --> 00:37:39,525
BRILLIANT PLAN, THIS WAS THE
1213
00:37:39,525 --> 00:37:40,592
TIME TO SEE IF IT WOULD ACTUALLY
1214
00:37:40,592 --> 00:37:41,059
WORK OUT.
1215
00:37:41,059 --> 00:37:43,729
THE BRITISH WENT ALL OUT.
1216
00:37:43,729 --> 00:37:45,497
THEY WERE CARRYING BABIES, THEY
1217
00:37:45,497 --> 00:37:46,732
WERE SNUGGLING UP AGAINST OTHER
1218
00:37:46,732 --> 00:37:47,866
MEN.
1219
00:37:47,866 --> 00:37:50,802
THESE MEN WERE CROSS-DRESSING
1220
00:37:50,802 --> 00:37:52,404
FOR THEIR LIVES.
1221
00:37:52,404 --> 00:37:54,005
AND JUST AS THE
1222
00:37:54,005 --> 00:37:55,941
BRITS HOPED, THE U-BOAT'S GUARD
1223
00:37:55,941 --> 00:37:58,410
WAS DOWN.
1224
00:37:58,410 --> 00:38:00,078
IT SURFACED.
1225
00:38:00,078 --> 00:38:02,914
THE INSANE TRAP HAD WORKED.
1226
00:38:02,914 --> 00:38:04,049
AND FOR THE BRITISH SAILORS
1227
00:38:04,049 --> 00:38:05,517
HIDING ON BOARD, THIS WAS THEIR
1228
00:38:05,517 --> 00:38:07,886
CHANCE TO ATTACK.
1229
00:38:07,886 --> 00:38:08,887
THEY FIRED EVERYTHING THEY
1230
00:38:08,887 --> 00:38:14,393
HAD AT IT.
1231
00:38:14,393 --> 00:38:15,427
AND IT WORKED.
1232
00:38:15,427 --> 00:38:18,397
THE U-BOAT RETREATED.
1233
00:38:18,397 --> 00:38:20,098
THIS LITTLE RINKY-DINK DECOY
1234
00:38:20,098 --> 00:38:21,767
SHIP FULL OF CROSS-DRESSERS
1235
00:38:21,767 --> 00:38:22,901
ATTACKED THIS U-BOAT
1236
00:38:22,901 --> 00:38:24,570
SUCCESSFULLY.
1237
00:38:24,570 --> 00:38:25,571
IT WAS MORE LIKE A
1238
00:38:25,571 --> 00:38:26,805
MONTY PYTHON SKETCH THAN A
1239
00:38:26,805 --> 00:38:27,939
BATTLE PLAN.
1240
00:38:27,939 --> 00:38:29,808
BUT HOW COULD THESE SIMPLE
1241
00:38:29,808 --> 00:38:32,077
THEATRICS ACTUALLY WORK?
1242
00:38:32,077 --> 00:38:34,112
CAN SUCH BASIC PLOYS REALLY FOOL
1243
00:38:34,112 --> 00:38:35,814
US?
1244
00:38:41,853 --> 00:38:44,423
PSYCHOLOGIST RICHARD WISEMAN
1245
00:38:44,423 --> 00:38:45,591
THINKS SO, AND HE'S GOING TO
1246
00:38:45,591 --> 00:38:47,793
TEST THAT THEORY ON YOU WITH HIS
1247
00:38:47,793 --> 00:38:48,660
MAGIC MIRROR.
1248
00:38:48,660 --> 00:38:49,861
WHAT YOU'RE ABOUT TO SEE IS
1249
00:38:49,861 --> 00:38:50,829
REMARKABLE.
1250
00:38:50,829 --> 00:38:52,798
THE NEXT SHOT IS CONTINUOUS.
1251
00:38:52,798 --> 00:38:54,132
THERE'S NO EDITING, NO SPECIAL
1252
00:38:54,132 --> 00:38:55,667
EFFECTS, AND PERHAPS MOST
1253
00:38:55,667 --> 00:38:57,536
IMPORTANT OF ALL, NO SMOKE AND
1254
00:38:57,536 --> 00:38:58,837
MIRRORS.
1255
00:38:58,837 --> 00:39:00,539
FOR CENTURIES, PEOPLE HAVE
1256
00:39:00,539 --> 00:39:02,007
BEEN FASCINATED BY THE CONCEPT
1257
00:39:02,007 --> 00:39:03,542
OF REFLECTION.
1258
00:39:03,542 --> 00:39:04,876
IN THE PAST, THEY'VE POURED
1259
00:39:04,876 --> 00:39:07,446
WATER INTO A GLASS, LOOK INSIDE,
1260
00:39:07,446 --> 00:39:08,880
AND BE AMAZED TO SEE THEIR OWN
1261
00:39:08,880 --> 00:39:09,881
IMAGE.
1262
00:39:09,881 --> 00:39:11,850
NOWADAYS WE USE SOMETHING A BIT
1263
00:39:11,850 --> 00:39:14,820
MORE SOPHISTICATED--A MIRROR.
1264
00:39:14,820 --> 00:39:17,122
WITH A MIRROR, REFLECTIONS ARE
1265
00:39:17,122 --> 00:39:18,824
COMPLETELY REVERSED.
1266
00:39:18,824 --> 00:39:20,025
BUT THERE'S SOMETHING EVEN MORE
1267
00:39:20,025 --> 00:39:21,893
AMAZING GOING ON.
1268
00:39:21,893 --> 00:39:23,695
IF YOU TAKE AN OBJECT AND COVER
1269
00:39:23,695 --> 00:39:24,996
IT UP, EVEN THOUGH ITS
1270
00:39:24,996 --> 00:39:26,898
REFLECTION IS ALWAYS IN SIGHT,
1271
00:39:26,898 --> 00:39:27,999
YOU CAN MAKE THE OBJECT
1272
00:39:27,999 --> 00:39:29,835
COMPLETELY DISAPPEAR.
1273
00:39:29,835 --> 00:39:31,837
IT JUST GOES TO SHOW THE POWER
1274
00:39:31,837 --> 00:39:33,505
OF MIRRORS.
1275
00:39:33,505 --> 00:39:34,840
THE MAGNIFYING
1276
00:39:34,840 --> 00:39:36,608
GLASS HAS DISAPPEARED, BUT ITS
1277
00:39:36,608 --> 00:39:38,477
REFLECTION REMAINS.
1278
00:39:38,477 --> 00:39:39,911
DIDN'T QUITE CATCH HOW THAT'S
1279
00:39:39,911 --> 00:39:42,848
DONE?
1280
00:39:42,848 --> 00:39:45,617
TAKE ANOTHER LOOK.
1281
00:39:45,617 --> 00:39:46,918
IF YOU TAKE AN OBJECT AND
1282
00:39:46,918 --> 00:39:48,920
COVER IT UP, EVEN THOUGH ITS
1283
00:39:48,920 --> 00:39:51,523
REFLECTION IS ALWAYS IN SIGHT,
1284
00:39:51,523 --> 00:39:52,591
YOU CAN MAKE THE OBJECT
1285
00:39:52,591 --> 00:39:54,059
COMPLETELY DISAPPEAR.
1286
00:39:54,059 --> 00:39:55,927
IT JUST GOES TO SHOW THE POWER
1287
00:39:55,927 --> 00:39:56,862
OF MIRRORS.
1288
00:39:56,862 --> 00:39:58,163
DIDN'T CATCH HOW
1289
00:39:58,163 --> 00:39:59,931
THAT HAPPENED?
1290
00:39:59,931 --> 00:40:02,534
HAVEN'T FIGURED IT OUT YET?
1291
00:40:02,534 --> 00:40:04,202
IN THIS ALTERNATE ANGLE, YOU CAN
1292
00:40:04,202 --> 00:40:05,904
SEE THIS ACTUALLY ISN'T A
1293
00:40:05,904 --> 00:40:06,905
MIRROR.
1294
00:40:06,905 --> 00:40:08,006
IT'S JUST A WALL WITH A HOLE IN
1295
00:40:08,006 --> 00:40:09,941
IT.
1296
00:40:09,941 --> 00:40:11,943
IN EVERYDAY LIFE, WE COME
1297
00:40:11,943 --> 00:40:13,144
ACROSS MIRRORS.
1298
00:40:13,144 --> 00:40:15,647
WE'RE USED TO REFLECTIONS.
1299
00:40:15,647 --> 00:40:16,948
WE'RE USED TO SEEING A WORLD
1300
00:40:16,948 --> 00:40:19,150
INVERTED INSIDE THE MIRROR.
1301
00:40:19,150 --> 00:40:21,553
THE MAGIC MIRROR WORKS BECAUSE
1302
00:40:21,553 --> 00:40:25,090
IT EXPLOITS THAT NOTION.
1303
00:40:25,090 --> 00:40:26,091
IF THIS TRICK
1304
00:40:26,091 --> 00:40:27,659
FOOLED YOU, IT'S BECAUSE YOU
1305
00:40:27,659 --> 00:40:29,528
ASSUMED IT WAS A MIRROR WHEN IT
1306
00:40:29,528 --> 00:40:31,763
WAS REALLY A PIECE OF GLASS.
1307
00:40:31,763 --> 00:40:34,065
MOST OF THE TIME, WE'RE
1308
00:40:34,065 --> 00:40:35,567
REALLY GOOD OBSERVING OUR
1309
00:40:35,567 --> 00:40:36,902
SURROUNDINGS, WORKING OUT
1310
00:40:36,902 --> 00:40:38,169
EXACTLY WHAT'S GOING ON.
1311
00:40:38,169 --> 00:40:40,572
BUT IN ORDER TO BE THAT GOOD WE
1312
00:40:40,572 --> 00:40:42,073
ARE MAKING ASSUMPTIONS, AND
1313
00:40:42,073 --> 00:40:43,108
WE'RE NOT AWARE OF THOSE
1314
00:40:43,108 --> 00:40:44,710
ASSUMPTIONS.
1315
00:40:44,710 --> 00:40:46,912
BUT AS A PSYCHOLOGIST AND AS A
1316
00:40:46,912 --> 00:40:47,913
MAGICIAN, IF YOU UNDERSTAND
1317
00:40:47,913 --> 00:40:49,247
THEM, THEN YOU CAN EXPLOIT THOSE
1318
00:40:49,247 --> 00:40:50,181
ASSUMPTIONS.
1319
00:40:50,181 --> 00:40:54,720
YOU CAN START TO FOOL PEOPLE.
1320
00:40:54,720 --> 00:40:56,121
SIMILARLY, GERMANS
1321
00:40:56,121 --> 00:40:57,789
ON THE U-BOATS ASSUMED THAT
1322
00:40:57,789 --> 00:40:59,257
THESE WERE WOMEN ON BOARD AND
1323
00:40:59,257 --> 00:41:00,992
THAT THE SHIP WAS HARMLESS.
1324
00:41:00,992 --> 00:41:02,694
IF YOU'RE LOOKING UP AT A
1325
00:41:02,694 --> 00:41:03,729
SHIP AND YOU SEE A BUNCH OF
1326
00:41:03,729 --> 00:41:04,996
PEOPLE RUNNING AROUND SCREAMING,
1327
00:41:04,996 --> 00:41:06,231
TRIPPING OVER THEMSELVES,
1328
00:41:06,231 --> 00:41:07,566
FALLING OUT OF THE BOAT, YOU
1329
00:41:07,566 --> 00:41:08,667
DON'T THINK, OH, THAT'S A BUNCH
1330
00:41:08,667 --> 00:41:10,135
OF HIGHLY TRAINED NAVAL MEN.
1331
00:41:10,135 --> 00:41:11,069
YOU THINK, OH, THOSE ARE
1332
00:41:11,069 --> 00:41:12,704
CIVILIANS.
1333
00:41:12,704 --> 00:41:14,005
FOR THE GERMAN U-BOAT, IT WOULD
1334
00:41:14,005 --> 00:41:16,007
BE LUDICROUS TO THINK, HEY,
1335
00:41:16,007 --> 00:41:18,009
THAT'S A SAILOR IN DRAG.
1336
00:41:18,009 --> 00:41:19,110
THE BRITISH NAVY'S
1337
00:41:19,110 --> 00:41:20,946
CROSS-DRESSING DECEPTION WAS SO
1338
00:41:20,946 --> 00:41:22,748
SUCCESSFUL THEY CREATED AN
1339
00:41:22,748 --> 00:41:27,218
ENTIRE FLEET OF DECOY SHIPS.
1340
00:41:27,218 --> 00:41:29,721
WITH THE SAME TECHNIQUE, BRITISH
1341
00:41:29,721 --> 00:41:31,957
SAILORS LURED 70 U-BOATS TO THE
1342
00:41:31,957 --> 00:41:34,993
SURFACE...
1343
00:41:34,993 --> 00:41:39,631
AND THEY DESTROYED 14 OF THEM.
1344
00:41:39,631 --> 00:41:41,166
THIS WASN'T "MASTERPIECE
1345
00:41:41,166 --> 00:41:42,968
THEATER," BUT IT WAS JUST GOOD
1346
00:41:42,968 --> 00:41:45,303
ENOUGH TO FOOL THE GERMANS.
1347
00:41:45,303 --> 00:41:46,838
SO BEWARE OF MAKING
1348
00:41:46,838 --> 00:41:48,640
ASSUMPTIONS ABOUT WHAT YOU SEE,
1349
00:41:48,640 --> 00:41:50,776
BECAUSE ASSUMPTIONS MAKE IT ALL
1350
00:41:50,776 --> 00:41:52,711
TOO EASY FOR YOUR BRAIN TO
1351
00:41:52,711 --> 00:41:53,579
DECEIVE YOU.
1352
00:41:53,579 --> 00:41:54,846
OUR BRAIN MAKES US ASSUME
1353
00:41:54,846 --> 00:41:57,315
THAT THE DETAILS MATCH THE BIG
1354
00:41:57,315 --> 00:41:58,149
PICTURE.
1355
00:41:58,149 --> 00:41:59,585
AS SOON AS IT HAS A MINIMUM
1356
00:41:59,585 --> 00:42:01,319
AMOUNT OF INFORMATION, IT JUMPS
1357
00:42:01,319 --> 00:42:02,754
TO A CONCLUSION AS TO WHAT IT'S
1358
00:42:02,754 --> 00:42:04,255
SEEING AND ASSUMES THAT ALL THE
1359
00:42:04,255 --> 00:42:08,159
DETAILS MATCH.
1360
00:42:08,159 --> 00:42:09,294
WE'VE SEEN HOW
1361
00:42:09,294 --> 00:42:11,029
DECEPTION IS A GUIDING FORCE IN
1362
00:42:11,029 --> 00:42:12,063
THE WORLD.
1363
00:42:12,063 --> 00:42:14,165
FROM MINOR MENTAL MISSTEPS IN
1364
00:42:14,165 --> 00:42:17,068
OUR BRAINS, TO OUTRAGEOUS CONS
1365
00:42:17,068 --> 00:42:19,204
AND AMAZING ILLUSIONS, A LITTLE
1366
00:42:19,204 --> 00:42:21,306
DECEPTION HAS GONE A LONG WAY
1367
00:42:21,306 --> 00:42:23,341
TO SHAPING HISTORY.
1368
00:42:23,341 --> 00:42:25,877
SO HOW DID YOU DO?
1369
00:42:25,877 --> 00:42:27,012
WERE YOU DUPED BY THE
1370
00:42:27,012 --> 00:42:29,615
DISAPPEARING SKULL OR THE MAGIC
1371
00:42:29,615 --> 00:42:31,049
MIRROR?
1372
00:42:31,049 --> 00:42:32,751
DID YOU SEE PARIS IN THE
1373
00:42:32,751 --> 00:42:34,019
SPRINGTIME?
1374
00:42:34,019 --> 00:42:35,353
OR FALL FOR SENATOR HODAPP'S
1375
00:42:35,353 --> 00:42:37,322
DIRTY TRICKS?
1376
00:42:37,322 --> 00:42:40,025
IF SO, DON'T FEEL TOO BAD.
1377
00:42:40,025 --> 00:42:41,092
IT JUST MEANS YOU'RE HUMAN.
1378
00:42:41,092 --> 00:42:42,360
OH, WOW!
1379
00:42:42,360 --> 00:42:44,095
THE LESSON FROM ALL THIS IS--
1380
00:42:44,095 --> 00:42:46,031
DON'T TRUST WHAT YOUR BRAIN
1381
00:42:46,031 --> 00:42:48,233
TELLS YOU ALL THE TIME.
1382
00:42:48,233 --> 00:42:49,901
AS A HISTORIAN, I'M REALLY
1383
00:42:49,901 --> 00:42:51,837
AMAZED TO SEE HOW OFTEN
1384
00:42:51,837 --> 00:42:54,039
ILLUSIONS HAVE CHANGED HISTORY.
1385
00:42:54,039 --> 00:42:56,808
WE KNOW SOME OF THE TRICKS
1386
00:42:56,808 --> 00:42:58,043
OUR BRAINS PLAY ON US.
1387
00:42:58,043 --> 00:42:59,377
THERE'S A HUGE AMOUNT MORE TO
1388
00:42:59,377 --> 00:43:00,311
DISCOVER.
1389
00:43:00,311 --> 00:43:02,380
FROM HISTORY'S
1390
00:43:02,380 --> 00:43:04,916
GREATEST HOAXES, TO DARING FEATS
1391
00:43:04,916 --> 00:43:07,052
OF WAR, THERE ARE COUNTLESS WAYS
1392
00:43:07,052 --> 00:43:09,354
YOU CAN FIND YOURSELF DECEIVED
1393
00:43:09,354 --> 00:43:11,156
BY YOUR BLEEP'D-UP BRAIN.
88313
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