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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:02,720 Subtitle: Norddeutscher Rundfunk 2024 2 00:00:06,440 --> 00:00:08,520 ♪ Dynamic orchestral music ♪ 3 00:00:17,320 --> 00:00:18,520 *snoring* 4 00:00:18,920 --> 00:00:21,520 No, that wasn't the right way. 5 00:00:21,600 --> 00:00:24,480 Max and Felice are not the most important thing, 6 00:00:25,000 --> 00:00:28,960 if you want to understand who he was, really understand: 7 00:00:29,520 --> 00:00:33,320 Then you have to do something completely different start with the child. 8 00:00:33,680 --> 00:00:37,040 This is usually how it all starts, with a child. 9 00:00:37,360 --> 00:00:39,080 ♪ Mysterious music ♪ 10 00:00:40,880 --> 00:00:41,880 *snoring* 11 00:00:42,680 --> 00:00:44,120 Mom, I'm thirsty. 12 00:00:46,680 --> 00:00:48,840 Franz. What happened? 13 00:00:49,240 --> 00:00:50,320 I'm thirsty. 14 00:00:51,320 --> 00:00:53,920 Hermann, go back to sleep, it's... 15 00:00:56,920 --> 00:00:58,000 I'm thirsty. 16 00:00:59,160 --> 00:01:01,760 Calm down, Hermann. Chill out. 17 00:01:05,520 --> 00:01:07,040 ♪ Tense music ♪ 18 00:01:08,920 --> 00:01:09,920 *bang* 19 00:01:11,280 --> 00:01:13,160 *clacking and squeaking* 20 00:01:15,520 --> 00:01:17,040 *Pounding* Dad? 21 00:01:18,160 --> 00:01:19,160 Father? 22 00:01:22,160 --> 00:01:23,680 ♪ Depressing music ♪ 23 00:01:25,720 --> 00:01:26,720 Aaaah! 24 00:01:29,280 --> 00:01:30,280 Uh! 25 00:01:30,720 --> 00:01:31,720 Aaaaaaaah! 26 00:01:33,560 --> 00:01:34,560 *Grumbling* 27 00:01:37,880 --> 00:01:40,200 Come on. Do not fall asleep. 28 00:01:54,240 --> 00:01:55,240 Franz? 29 00:01:55,840 --> 00:01:56,840 * Beat * 30 00:01:57,520 --> 00:01:59,480 * Louder knocking * Franz! 31 00:02:00,640 --> 00:02:01,960 *Loud knocking* 32 00:02:03,040 --> 00:02:04,360 *Knock* Franz! 33 00:02:05,840 --> 00:02:07,160 *Loud knocking* 34 00:02:07,320 --> 00:02:09,680 The Czechs are lazy, I say. 35 00:02:10,680 --> 00:02:12,760 Not as lazy as the Hungarians. 36 00:02:13,640 --> 00:02:15,440 But they lie much more, 37 00:02:15,560 --> 00:02:19,320 although no one lies that much.... like the Poles. 38 00:02:19,840 --> 00:02:21,200 All a rabble! 39 00:02:21,280 --> 00:02:26,080 But the worst rabble, These are the Jews, right? 40 00:02:26,480 --> 00:02:29,800 Yes / Yes. The worst rabble are the Jews. 41 00:02:29,880 --> 00:02:33,640 And then the Germans, they are the worst. 42 00:02:33,720 --> 00:02:38,280 Even worse than the Germans are only the Czechs. 43 00:02:38,600 --> 00:02:41,400 The tramp is so slow. Why? 44 00:02:41,640 --> 00:02:44,520 She tries hard. Don't upset him! 45 00:02:44,600 --> 00:02:49,120 She just doesn't try! Look at her. The food gets cold. 46 00:02:49,200 --> 00:02:54,000 It all tastes so bad anyway. It tastes even worse cold. 47 00:02:54,160 --> 00:02:57,760 Sit closer to the table. - Please calm down, Hermann. 48 00:02:57,840 --> 00:03:00,160 That's not good for your heart. 49 00:03:00,240 --> 00:03:02,840 She has to sit ten meters from the table? 50 00:03:03,600 --> 00:03:04,840 Look at her! 51 00:03:05,800 --> 00:03:06,880 The wide Mad! 52 00:03:09,200 --> 00:03:10,200 Eat nicely! 53 00:03:12,040 --> 00:03:14,280 And you, don't look while you eat. 54 00:03:15,800 --> 00:03:18,040 What does he have, the Lord Son? 55 00:03:19,160 --> 00:03:20,760 What doesn't he like? 56 00:03:21,360 --> 00:03:23,040 I have nothing, father. 57 00:03:27,040 --> 00:03:29,800 You will ... yourself remember Peter Schlemihls, 58 00:03:29,880 --> 00:03:32,320 who used to be with me a few times. 59 00:03:32,400 --> 00:03:37,000 A long-legged fellow, that one clumsy believed because he... 60 00:03:37,200 --> 00:03:41,280 Franz, someone has to go to business. The shop clerk is sick. 61 00:03:41,360 --> 00:03:44,440 Now? Yes, the business must never be alone. 62 00:03:47,160 --> 00:03:50,120 The finery shop Hermann Kafka, 63 00:03:50,480 --> 00:03:52,400 the center of life. 64 00:03:52,440 --> 00:03:57,080 All conversations, all thoughts, everything revolved around business. 65 00:03:57,240 --> 00:03:59,600 The business belonged to the family, 66 00:03:59,680 --> 00:04:02,680 but the family also belonged to the business. 67 00:04:03,520 --> 00:04:07,320 Good day. Good day. Do you have a boot extractor? 68 00:04:07,840 --> 00:04:09,200 Of course. 69 00:04:12,680 --> 00:04:16,840 I don't know. Do you have another? Of course. 70 00:04:20,360 --> 00:04:23,680 Yes. Is difficult. Um... do you have another one? 71 00:04:24,680 --> 00:04:26,040 Of course. 72 00:04:31,040 --> 00:04:33,200 Yes. Yes, fine, I'll take that. Yes? 73 00:04:34,440 --> 00:04:37,400 I have read the elective affinities. 74 00:04:37,480 --> 00:04:41,720 Elective Affinities? Bravo! You can buy something from it. 75 00:04:41,800 --> 00:04:43,760 This is such a rich book. 76 00:04:43,840 --> 00:04:47,280 I'd rather you were rich than your books. 77 00:04:47,360 --> 00:04:48,600 Always the books! 78 00:04:49,480 --> 00:04:54,200 I worked hard with that the young gentleman is having fun with books. 79 00:04:54,840 --> 00:04:57,560 Do you know, what wasn't easy for me? 80 00:04:57,640 --> 00:05:01,560 I really want to know which wasn't easy for you. 81 00:05:01,640 --> 00:05:05,080 When I was a teenager, Everyone in my class knew 82 00:05:05,160 --> 00:05:09,360 everything about things that you needs to be clarified, I don't. 83 00:05:09,440 --> 00:05:12,120 Classmates had to give me explain things. 84 00:05:12,200 --> 00:05:14,880 Why are you not went to the brothel? 85 00:05:14,960 --> 00:05:18,200 There's one over there. You can still do it now. 86 00:05:18,280 --> 00:05:20,960 There is no danger, no children. 87 00:05:21,040 --> 00:05:24,880 You don't get infected learn everything you need. 88 00:05:25,080 --> 00:05:27,600 Valli, what do you have there? - Let me go! 89 00:05:27,680 --> 00:05:29,240 What is that? - Stop it! 90 00:05:29,320 --> 00:05:31,920 Did you take my necklace? - No! 91 00:05:32,000 --> 00:05:35,160 Did you take that? - I said no. 92 00:05:35,280 --> 00:05:38,440 Give them to me! The chain is mine! * Scream * 93 00:05:38,680 --> 00:05:41,360 Yes? - Ottla, someone has to go to the shop. 94 00:05:41,440 --> 00:05:45,120 I can't go to the shop. - But someone has to go. 95 00:05:45,280 --> 00:05:48,240 You go, mom. - Your father needs me. 96 00:05:48,320 --> 00:05:50,120 But I can't either. 97 00:05:50,200 --> 00:05:53,960 (loudly) Nothing in this mess has an order. 98 00:05:55,520 --> 00:05:58,880 Nothing is tidy, nothing is clean! 99 00:06:00,000 --> 00:06:01,720 If I do this... 100 00:06:02,080 --> 00:06:04,440 ... find it like this again, 101 00:06:05,440 --> 00:06:08,200 then you can pack your things! 102 00:06:09,800 --> 00:06:12,160 ♪ Tense instrumental music ♪ 103 00:06:22,400 --> 00:06:23,840 *Dirty laugh* 104 00:06:25,040 --> 00:06:26,720 ♪ Disturbing Music ♪ 105 00:06:29,040 --> 00:06:30,720 * malicious laughter * 106 00:06:32,560 --> 00:06:33,560 * Beat * 107 00:06:33,960 --> 00:06:34,960 Yes? 108 00:06:36,440 --> 00:06:40,960 Can you come for a moment? What is? The father wants to speak to you. 109 00:06:41,080 --> 00:06:45,080 Karl Hermann, Kafka's brother-in-law. Sister Ellie's husband. 110 00:06:45,160 --> 00:06:48,160 An arranged marriage, but not a bad one. 111 00:06:48,400 --> 00:06:52,360 Nothing against arranged marriages. Most are durable. 112 00:06:52,440 --> 00:06:55,760 It depends, that they are arranged well. 113 00:06:56,040 --> 00:06:59,040 Yes, sit down, Franz. Sit down. Sit down. 114 00:06:59,640 --> 00:07:02,320 That's a very good joke, really. 115 00:07:02,400 --> 00:07:05,680 Franz, you know I was looking for something 116 00:07:05,760 --> 00:07:08,080 that I can produce in Prague. 117 00:07:08,160 --> 00:07:12,360 Something that is not produced here becomes. - Something without competition. 118 00:07:12,480 --> 00:07:17,160 Karl found something there. - Yes. I found something there. 119 00:07:18,400 --> 00:07:22,160 A new material, which protects against fire. 120 00:07:23,760 --> 00:07:26,120 Heat resistant. - Heat resistant. 121 00:07:26,200 --> 00:07:29,200 A future product. - A future product. 122 00:07:29,280 --> 00:07:32,600 Are you paying attention, Franz? A future product. - Yes. 123 00:07:32,720 --> 00:07:36,960 And there is the idea, that I open a factory. 124 00:07:38,000 --> 00:07:39,440 With Ellie's dowry. 125 00:07:39,520 --> 00:07:42,760 That's how it was in middle-class Jewish families: 126 00:07:42,840 --> 00:07:44,920 You get married, you invest. 127 00:07:45,000 --> 00:07:49,800 Also the fancy goods store was founded with Julie's dowry. 128 00:07:50,080 --> 00:07:53,440 Who should you trust? if not the family? 129 00:07:53,680 --> 00:07:55,560 Yes, that is right. 130 00:07:56,040 --> 00:07:58,920 Be quiet, Franz. Now be quiet. 131 00:07:59,000 --> 00:08:01,480 Don't interrupt once. Listen! 132 00:08:02,280 --> 00:08:06,960 Hermann and I discussed that you stay in control. 133 00:08:07,040 --> 00:08:11,400 How? I can't just give it to him provide annual earnings. 134 00:08:11,480 --> 00:08:15,080 Do you understand? - Yes. You can't just... 135 00:08:15,280 --> 00:08:18,520 So I don't give it to him the money, but you. 136 00:08:21,800 --> 00:08:25,160 Me? He's a little slow in the head. 137 00:08:25,560 --> 00:08:29,240 Do you understand, Franz? - Be quiet when men talk. 138 00:08:29,360 --> 00:08:32,520 Yes. Please, Ellie. Let's discuss this, shall we? 139 00:08:32,640 --> 00:08:36,600 I'll give you the money and you become a partner in the factory. 140 00:08:38,160 --> 00:08:40,920 So you always have insight into the books. 141 00:08:41,080 --> 00:08:43,440 And that means I have insight. 142 00:08:43,520 --> 00:08:46,240 You can stop in insurance, 143 00:08:46,320 --> 00:08:50,000 become the silent partner to the active and are... 144 00:08:50,240 --> 00:08:52,760 manufacturer. - Everyone wins. - All! 145 00:08:54,840 --> 00:08:55,840 I ... 146 00:08:56,560 --> 00:08:57,560 I have to ... 147 00:08:58,920 --> 00:09:02,520 ...things with...for office... Important! Absolutely! 148 00:09:02,920 --> 00:09:04,640 (screams) You stay there! 149 00:09:10,880 --> 00:09:11,880 * Beat * 150 00:09:12,800 --> 00:09:16,080 No! (Ottla) It's me, Franz. Not now. 151 00:09:16,160 --> 00:09:17,160 Please, Franz! 152 00:09:21,320 --> 00:09:22,760 Then just come in. 153 00:09:31,760 --> 00:09:34,480 All you have to do is sign for Ellie. 154 00:09:34,560 --> 00:09:36,160 I don't want a factory. 155 00:09:36,240 --> 00:09:39,640 It's my father's factory and by Karl Hermann. 156 00:09:40,360 --> 00:09:42,960 You stand in between on paper. 157 00:09:43,040 --> 00:09:47,400 I'm lying in between, on the floor, until someone dumps me. 158 00:09:47,480 --> 00:09:48,480 * Laugh * 159 00:09:48,680 --> 00:09:51,760 Come on, Franz. Nothing changes for you. 160 00:09:52,040 --> 00:09:54,760 Karl Hermann directs, Dad controls, 161 00:09:54,880 --> 00:09:56,400 you don't do anything. 162 00:09:56,560 --> 00:10:00,800 You can do that to Ellie don't refuse. Trust me. 163 00:10:03,680 --> 00:10:06,680 Moment. What's his name because now actually? 164 00:10:06,760 --> 00:10:10,840 The material of the future, that the factory will produce, 165 00:10:10,920 --> 00:10:13,280 the only one in Bohemia and Moravia? 166 00:10:13,360 --> 00:10:17,360 The future product, with which nothing can go wrong? 167 00:10:17,680 --> 00:10:18,680 Asbestos. 168 00:10:18,920 --> 00:10:19,920 Thanks! 169 00:10:21,120 --> 00:10:23,520 ♪ Playful instrumental music ♪ 170 00:10:31,320 --> 00:10:32,320 *neigh* 171 00:10:32,520 --> 00:10:35,400 This is your factory? Karl's factory. Yes. 172 00:10:36,320 --> 00:10:38,600 That is her. Our factory. 173 00:10:39,640 --> 00:10:43,920 I'm not saying she's beautiful. She doesn't have to be either. 174 00:10:44,000 --> 00:10:46,360 If you don't want it to be beautiful... 175 00:10:46,440 --> 00:10:49,880 What do you want here? I'm Franz's best friend. 176 00:10:49,960 --> 00:10:52,680 I have to see his factory. Watch out! 177 00:10:53,240 --> 00:10:57,920 It's easy to stumble. Stumble I can do it well. Not now, Franz. 178 00:10:58,360 --> 00:11:00,720 My brother in law says things that... 179 00:11:00,800 --> 00:11:04,040 I know. I have known Franz much longer than you. 180 00:11:04,400 --> 00:11:05,920 * Loud rattling * 181 00:11:21,320 --> 00:11:22,320 Good. 182 00:11:23,560 --> 00:11:25,240 They're not there yet. 183 00:11:26,280 --> 00:11:30,080 Who then? The inspectors have announced themselves for today. 184 00:11:30,160 --> 00:11:34,080 And if you already have an expert has in the family... 185 00:11:34,160 --> 00:11:38,240 I'm just pretending to be one. I guess that's called a job. 186 00:11:39,120 --> 00:11:43,920 You are late. I wonder, whether that is a bad sign. 187 00:11:44,080 --> 00:11:45,280 We are here. 188 00:11:49,080 --> 00:11:52,800 We've been here for a long time and can tell you: 189 00:11:52,880 --> 00:11:57,120 The safety of your workers doesn't seem guaranteed. 190 00:11:57,240 --> 00:11:59,120 Your actions are contrary! 191 00:11:59,320 --> 00:12:00,320 I'm sorry, what? 192 00:12:00,560 --> 00:12:01,720 You like... 193 00:12:01,800 --> 00:12:02,800 Who are you? 194 00:12:03,400 --> 00:12:06,840 Dr. Kafka, Workers' Compensation Insurance Corporation. 195 00:12:06,960 --> 00:12:07,960 Pleasant. 196 00:12:08,120 --> 00:12:09,920 Why do companies exist? 197 00:12:10,000 --> 00:12:13,920 if you do this with personal Put inspections into perspective? 198 00:12:14,000 --> 00:12:16,080 Our inspection only helps 199 00:12:16,160 --> 00:12:19,760 to get a picture for ourselves about the risk classification. 200 00:12:19,840 --> 00:12:23,160 You don't need to explain anything to me Colleague. 201 00:12:23,240 --> 00:12:26,800 your questionnaire I have filled it out properly. 202 00:12:26,880 --> 00:12:31,200 It's a danger class at best two at danger percent 60. 203 00:12:31,280 --> 00:12:34,640 Therefore it needs no reassessment of operations. 204 00:12:34,720 --> 00:12:37,080 But according to the hazard catalog... 205 00:12:37,200 --> 00:12:39,920 I know. I co-authored it. 206 00:12:40,480 --> 00:12:43,480 Danger class twelve with danger percent 75 207 00:12:43,560 --> 00:12:45,520 seems completely exaggerated. 208 00:12:45,600 --> 00:12:48,480 should that be the official update, 209 00:12:48,560 --> 00:12:51,520 we would have a lawsuit without a doubt success. 210 00:12:51,640 --> 00:12:55,120 Without a doubt, hardly. At sea and in court? 211 00:12:55,560 --> 00:12:57,600 How can you be sure? 212 00:12:57,680 --> 00:13:00,200 Because I usually complain like that 213 00:13:00,280 --> 00:13:03,200 from the accident insurance company fend off. 214 00:13:03,280 --> 00:13:06,880 But in this case I would have to lay down my weapons. 215 00:13:07,240 --> 00:13:11,880 Your approach is just fine about usurious bonuses. May I? 216 00:13:12,200 --> 00:13:14,000 Are you insinuating something about us? 217 00:13:14,080 --> 00:13:16,680 I left it to something concrete not lacking. 218 00:13:16,800 --> 00:13:19,120 Can I please say something too? 219 00:13:21,360 --> 00:13:24,080 What do you allow yourself? They come here. 220 00:13:24,200 --> 00:13:27,360 They hinder our workers at work. 221 00:13:28,400 --> 00:13:32,560 They act up, make yourself important and at the same time... 222 00:13:33,400 --> 00:13:34,400 I mean ... 223 00:13:37,160 --> 00:13:39,600 How come... How do we get to this? 224 00:13:40,680 --> 00:13:42,640 What do you actually believe? 225 00:13:43,120 --> 00:13:45,480 At least listen to him. 226 00:13:46,520 --> 00:13:50,440 We have found, that a personal inspection 227 00:13:50,520 --> 00:13:54,120 in addition to the questionnaire can have an error-preventing effect. 228 00:13:54,400 --> 00:13:56,520 In workers' compensation insurance 229 00:13:56,600 --> 00:13:59,800 we have rather opposite ones Made experiences. 230 00:13:59,880 --> 00:14:02,760 Dr. Kafka, we know who you are. 231 00:14:02,840 --> 00:14:06,160 We know your work about wood planing machines. 232 00:14:06,240 --> 00:14:10,680 It's not about optimization the hazard criteria catalog, 233 00:14:10,760 --> 00:14:13,000 but about the material itself. 234 00:14:13,320 --> 00:14:17,320 So, also from my side: all respect, gentlemen! 235 00:14:17,400 --> 00:14:20,400 But asbestos applies worldwide as a safe fiber. 236 00:14:20,480 --> 00:14:23,000 Should that be in Prague now the question is? 237 00:14:23,080 --> 00:14:26,360 No, but the last word doesn't seem spoken. 238 00:14:26,520 --> 00:14:27,920 Let's wait for this. 239 00:14:28,000 --> 00:14:31,120 I would regret it to see us in court. 240 00:14:31,240 --> 00:14:34,720 No less than us. - It was a pleasure for us. 241 00:14:34,800 --> 00:14:38,320 You will receive mail from us. We will respond immediately. 242 00:14:38,440 --> 00:14:42,120 When dealing with manufacturers could always speak objectively... 243 00:14:42,200 --> 00:14:44,360 Yes, I wished that too. 244 00:14:47,560 --> 00:14:49,560 Optimize criteria catalog. 245 00:14:49,880 --> 00:14:50,880 * Laugh * 246 00:14:52,440 --> 00:14:56,320 What just happened? Everything OK. Really? 247 00:14:57,240 --> 00:15:01,680 You write to us, we answer. There won't be any problems. 248 00:15:02,360 --> 00:15:03,520 I think so too. 249 00:15:03,600 --> 00:15:05,320 *Suppressed cough* 250 00:15:08,280 --> 00:15:09,520 *Loud cough* 251 00:15:09,880 --> 00:15:11,400 ♪ Depressing music ♪ 252 00:15:15,280 --> 00:15:16,800 * Stifled cough * 253 00:15:40,960 --> 00:15:43,040 What are you doing? What's going on? 254 00:15:43,760 --> 00:15:46,200 Describe it to me. That's not worth it. 255 00:15:47,120 --> 00:15:48,800 They do this and that. 256 00:15:48,920 --> 00:15:52,360 The father is important but they won't let him. 257 00:15:52,760 --> 00:15:56,680 Is that a description? You don't need to know anything more. 258 00:15:56,760 --> 00:16:00,400 What kind of friends are you? - Brod, what are we doing here? 259 00:16:00,520 --> 00:16:03,800 This is the real thing Jewish theater from the East. 260 00:16:03,920 --> 00:16:08,560 Since Max became a Zionist, I can hardly stand him anymore. 261 00:16:09,200 --> 00:16:13,200 The bubbling springs of our tribe can be seen here. 262 00:16:13,280 --> 00:16:16,520 But do you like it? That's not the point. 263 00:16:16,960 --> 00:16:19,640 What is it about? It is great! 264 00:16:19,720 --> 00:16:23,600 (laughing) Franz, joking aside. Joking aside. Great! 265 00:16:24,240 --> 00:16:27,960 That's the lowest level of sleaze! All of a sudden? 266 00:16:28,120 --> 00:16:32,080 *laugh* I didn't say that is something different. 267 00:16:32,160 --> 00:16:34,680 I said that's not the point. 268 00:16:35,280 --> 00:16:37,280 ♪ Moving Violin Melody ♪ 269 00:16:38,400 --> 00:16:41,000 * Rhythmic clapping to the music * 270 00:16:46,560 --> 00:16:47,560 * Laugh * 271 00:16:54,520 --> 00:16:55,520 * Laugh * 272 00:17:10,880 --> 00:17:11,880 * Laugh * 273 00:17:28,560 --> 00:17:31,000 ♪ Uncomfortable instrumental music ♪ 274 00:17:36,560 --> 00:17:37,560 * Laugh * 275 00:17:48,720 --> 00:17:50,520 *laughter in audience* 276 00:17:51,080 --> 00:17:52,960 ♪ Hectic string music ♪ 277 00:17:53,480 --> 00:17:55,000 *Applause and cheers* 278 00:18:01,200 --> 00:18:02,200 *whistles* 279 00:18:04,880 --> 00:18:07,480 * Rhythmic clapping to the music * 280 00:18:11,600 --> 00:18:13,920 * Applause and cheers * Bravo! 281 00:18:15,760 --> 00:18:16,880 Bravo! 282 00:18:24,000 --> 00:18:25,000 Bravo! 283 00:18:26,040 --> 00:18:29,200 * Stimulating conversations and individual applause * 284 00:18:35,560 --> 00:18:37,640 This is Principal Yitzchak Löwy. 285 00:18:37,720 --> 00:18:41,800 These are my friends Kafka, Weltsch and Baum, the Prague Circle. 286 00:18:41,960 --> 00:18:45,040 What? - He has us again called Prague Circle? 287 00:18:45,160 --> 00:18:46,480 (speaks Yiddish) 288 00:18:54,080 --> 00:18:56,960 Sit with us, dear Mr. Löwy. 289 00:19:02,760 --> 00:19:04,160 Why does he talk like that? 290 00:19:04,240 --> 00:19:07,200 My grandpa always spoke like that. 291 00:19:07,560 --> 00:19:13,000 That was a wonderful piece, full of freedom and life and fun. 292 00:19:14,240 --> 00:19:15,240 Thank you! 293 00:19:35,120 --> 00:19:36,480 I do not understand anything. 294 00:19:36,560 --> 00:19:39,400 Listen, this is the language of our ancestors. 295 00:19:46,640 --> 00:19:48,800 Where is Franz again? 296 00:19:48,880 --> 00:19:50,440 He just works a lot. 297 00:19:51,120 --> 00:19:52,880 What he calls work. 298 00:19:52,960 --> 00:19:55,760 You can do that Don't say that, Dad. 299 00:19:55,880 --> 00:20:00,040 Mine will be in my house prescribed what I can say? 300 00:20:00,880 --> 00:20:01,880 Dear father? 301 00:20:02,400 --> 00:20:03,400 Mother? 302 00:20:06,320 --> 00:20:10,920 This is my friend Yitzchak Löwy. He's having dinner with us today. 303 00:20:15,440 --> 00:20:16,440 (in Yiddish) 304 00:20:17,040 --> 00:20:19,160 ♪ Gentle cello melody ♪ 305 00:20:33,440 --> 00:20:36,600 would you mind stock up for my friend? 306 00:20:39,800 --> 00:20:42,640 ♪ Quiet, depressed string music ♪ 307 00:21:02,920 --> 00:21:05,200 There has never been anything like this before. 308 00:21:05,280 --> 00:21:06,600 A guest? With us? 309 00:21:06,840 --> 00:21:08,200 Yes, once. 310 00:21:08,280 --> 00:21:10,640 That was the gentleman... What was his name? 311 00:21:11,320 --> 00:21:13,920 But he quickly left again. 312 00:21:14,160 --> 00:21:16,400 What was Franz thinking? 313 00:21:20,560 --> 00:21:22,280 * Loud door slamming * 314 00:21:40,360 --> 00:21:42,800 ♪ Quiet, depressed string music ♪ 315 00:22:18,600 --> 00:22:21,440 Where were you born, dear Mr. Löwy? 316 00:22:35,360 --> 00:22:37,040 *Restrained laughter* 317 00:22:42,160 --> 00:22:46,800 At some point you have to... eat like a human. 318 00:22:48,840 --> 00:22:50,440 *smack* 319 00:22:53,440 --> 00:22:56,120 ♪ Quiet, depressed string music ♪ 320 00:23:36,720 --> 00:23:39,160 ♪ Quiet, depressed string music ♪ 321 00:24:27,160 --> 00:24:28,160 *Grumbling* 322 00:24:28,600 --> 00:24:29,600 * Laugh * 323 00:24:31,520 --> 00:24:32,960 *Dirty laugh* 324 00:24:35,680 --> 00:24:38,400 Mr Löwy, I'll show you my room. 325 00:24:40,560 --> 00:24:41,920 ♪ Depressing music ♪ 326 00:24:59,520 --> 00:25:00,520 * Cough * 327 00:25:07,760 --> 00:25:11,280 I am, if anything, a very small poet. 328 00:25:25,600 --> 00:25:27,080 I don't know, ... 329 00:25:27,880 --> 00:25:31,480 For insurance I sometimes have to go to court 330 00:25:31,560 --> 00:25:35,280 but I still have other things never spoken in front of people. 331 00:25:40,800 --> 00:25:42,800 ♪ Calm instrumental music ♪ 332 00:25:45,720 --> 00:25:47,440 Good. Then I'll do that. 333 00:25:51,760 --> 00:25:53,080 He won't. 334 00:25:53,160 --> 00:25:57,120 He never did and won't start now. 335 00:25:57,680 --> 00:25:58,680 * Laugh * 336 00:26:02,720 --> 00:26:05,080 You sent for me, father? 337 00:26:06,240 --> 00:26:07,240 The factory. 338 00:26:07,800 --> 00:26:11,320 Please? I have yes didn't hire a money-getter. 339 00:26:11,560 --> 00:26:15,080 It costs and we get nothing out. Your factory! 340 00:26:15,200 --> 00:26:17,400 It's brother-in-law Karl's. 341 00:26:17,480 --> 00:26:22,080 Last time I looked, were you co-owner. 342 00:26:22,160 --> 00:26:25,480 So that you stay in control, not really. 343 00:26:25,560 --> 00:26:27,640 I pay for your factory. 344 00:26:27,720 --> 00:26:31,600 Maybe I'll pay "not really"? Where are the ... 345 00:26:31,680 --> 00:26:33,480 In front of you, Hermann. 346 00:26:33,560 --> 00:26:37,000 You asked me. You let yourself be begged! 347 00:26:37,760 --> 00:26:42,320 Now you let them expire. Do you want to be asked again? 348 00:26:42,480 --> 00:26:44,560 Take care of your factory! 349 00:26:45,000 --> 00:26:49,120 Karl says you are Haven't been there for weeks! 350 00:26:49,200 --> 00:26:52,680 Wonderful good day. What can I do for you? 351 00:26:52,760 --> 00:26:56,360 Do you have a lemon squeezer? * breathy laughter * 352 00:26:56,440 --> 00:27:00,200 Do I have a lemon squeezer? Of course. 353 00:27:00,640 --> 00:27:01,640 From Krakow. 354 00:27:02,480 --> 00:27:04,200 * babble of voices * 355 00:27:05,480 --> 00:27:07,240 Zionism is nonsense. 356 00:27:07,320 --> 00:27:10,480 The escape fantasy angry coffee shop visitor. 357 00:27:10,560 --> 00:27:13,360 What do you want in Palestine? Or maybe Uganda? 358 00:27:13,800 --> 00:27:15,960 And what else do you want here? 359 00:27:16,240 --> 00:27:20,520 If everyone wants to emigrate Isn't that exactly what the anti-Semites do? 360 00:27:20,600 --> 00:27:23,720 The real escape fantasy is assimilation, 361 00:27:23,800 --> 00:27:27,400 that we wear their clothes and read their books. 362 00:27:27,480 --> 00:27:31,040 Then maybe they like us. That's the fairy tale. 363 00:27:31,400 --> 00:27:33,240 Palestine is the way out. 364 00:27:33,320 --> 00:27:36,560 But it's not her books, they are ours. 365 00:27:36,640 --> 00:27:41,320 The German language belongs to everyone. Nobody talks like Löwy anymore. 366 00:27:42,080 --> 00:27:43,080 And you, Franz? 367 00:27:44,760 --> 00:27:46,480 Please? Sorry. What? 368 00:27:46,560 --> 00:27:49,520 Franz is nervous because of his lecture. 369 00:27:50,800 --> 00:27:53,960 You are beautiful became half Zionist. I? 370 00:27:54,080 --> 00:27:56,760 No. What do I have in common with Jews? 371 00:27:56,840 --> 00:28:00,040 I hardly have anything in common with myself. It's starting. 372 00:28:00,520 --> 00:28:01,520 *applause* 373 00:28:03,000 --> 00:28:04,720 ♪ Lively cello music ♪ 374 00:28:05,000 --> 00:28:07,600 * Rhythmic clapping to the music * 375 00:28:10,120 --> 00:28:12,640 ♪ Traditional singing ♪ 376 00:28:24,760 --> 00:28:27,360 * Rhythmic clapping to the music * 377 00:28:30,920 --> 00:28:33,520 ♪ Audience joins in the singing ♪ 378 00:28:39,600 --> 00:28:42,280 ♪ Singer sing the verse alone ♪ 379 00:28:54,200 --> 00:28:57,280 ♪ Audience agrees again into the singing ♪ 380 00:29:03,000 --> 00:29:05,920 ♪ Instrumental part with violin solo ♪ 381 00:29:11,800 --> 00:29:14,400 * Rhythmic clapping to the music * 382 00:29:17,640 --> 00:29:20,600 Our Western European ones conditions are, 383 00:29:20,680 --> 00:29:23,760 glanced at, so organized. 384 00:29:23,880 --> 00:29:26,000 Everything goes smoothly. 385 00:29:26,600 --> 00:29:30,000 The jargon is the youngest European language, 386 00:29:30,080 --> 00:29:31,440 only 400 years old. 387 00:29:31,680 --> 00:29:34,760 The suppliers suddenly increase their prices. 388 00:29:34,840 --> 00:29:38,400 The new machine parts coming in three months. 389 00:29:38,480 --> 00:29:42,080 How do we hold on, without increasing the price? We? 390 00:29:42,920 --> 00:29:47,920 Franz, honestly, I can do this Don't read business books very well. 391 00:29:48,280 --> 00:29:51,080 That's not my specialty. This is yours. 392 00:29:52,520 --> 00:29:54,520 It consists of foreign words. 393 00:29:54,680 --> 00:29:59,280 But these do not rest in him, but retain the liveliness, 394 00:29:59,360 --> 00:30:01,320 with which they were taken. 395 00:30:01,400 --> 00:30:06,200 Migrations of peoples go through the Jargon from one end to the other. 396 00:30:06,360 --> 00:30:09,600 You can use jargon do not translate into German. 397 00:30:09,840 --> 00:30:14,480 The connections between jargon and German are too delicate and significant. 398 00:30:14,560 --> 00:30:16,640 They should tear up immediately, 399 00:30:16,720 --> 00:30:19,800 if jargon into German is returned. 400 00:30:21,000 --> 00:30:23,280 (Löwy tells the story in Yiddish) 401 00:30:25,120 --> 00:30:30,280 Deut, for example, is not dead and what blooms is by no means blood. 402 00:30:30,680 --> 00:30:34,640 But if she took up jargon and jargon is everything: 403 00:30:34,720 --> 00:30:36,680 word, Hasidic melody, 404 00:30:36,960 --> 00:30:40,560 the essence of this Eastern Jewish Actor himself: 405 00:30:40,640 --> 00:30:44,360 Then you will regain your former peace don't recognize. 406 00:30:44,440 --> 00:30:48,120 Then you become the true unity feel the jargon, 407 00:30:48,200 --> 00:30:51,000 so strong, that you will be afraid. 408 00:30:51,080 --> 00:30:54,480 But no longer from the jargon, but in front of yourself. 409 00:30:54,560 --> 00:30:59,000 And so Dr. Franz Kafka his first public lecture. 410 00:30:59,240 --> 00:31:01,560 But why does he always say jargon? 411 00:31:02,000 --> 00:31:06,240 Franz never says anything like that like anyone else would say. 412 00:31:06,360 --> 00:31:10,000 His first and only about the Yiddish language 413 00:31:10,080 --> 00:31:12,440 and about the relatives in the East. 414 00:31:12,520 --> 00:31:15,840 Of those wanted the bourgeois Jews of Prague 415 00:31:15,920 --> 00:31:18,080 actually don't know anything anymore. 416 00:31:18,480 --> 00:31:20,920 Enjoy it, as best you can. 417 00:31:21,920 --> 00:31:26,520 If it gets lost, tomorrow and later, I wish you, 418 00:31:26,680 --> 00:31:30,120 that you also fear want to have forgotten. 419 00:31:30,200 --> 00:31:32,640 Because we don't want to punish you. 420 00:31:33,760 --> 00:31:34,760 *applause* 421 00:32:00,200 --> 00:32:01,520 It's ice cold. 422 00:32:02,440 --> 00:32:06,040 Why don't the cattle hurry up? - Please, Hermann. 423 00:32:06,120 --> 00:32:10,480 If I only get cold stuff, How can I not get upset? 424 00:32:10,600 --> 00:32:12,720 Yes, it has to be faster. 425 00:32:12,840 --> 00:32:14,080 * Laugh * 426 00:32:18,160 --> 00:32:20,240 Yitzchak captivated everyone. 427 00:32:24,880 --> 00:32:27,480 I could never speak like a poet. 428 00:32:48,480 --> 00:32:51,280 Franz, we need to talk about the factory. 429 00:32:51,760 --> 00:32:52,760 The factory? 430 00:32:53,000 --> 00:32:54,240 You have to do something. 431 00:32:55,400 --> 00:32:56,400 I? 432 00:33:15,160 --> 00:33:17,320 ♪ Depressing Violin Melody ♪ 433 00:33:17,840 --> 00:33:18,840 My God! 434 00:33:19,440 --> 00:33:20,440 Hermann! 435 00:33:20,840 --> 00:33:24,000 My God! I beg you! - He should go. 436 00:33:24,160 --> 00:33:29,160 I won't tolerate him in mine anymore House, the dirty guy. - Please! 437 00:33:29,640 --> 00:33:34,480 "He sucks to me... Sucks to me!" You don't talk like that! 438 00:33:34,800 --> 00:33:38,480 Disgusting nonsense! - Please don't make a scandal! 439 00:33:38,560 --> 00:33:43,800 (screams) Who with the dogs Goes to bed, gets up with fleas! 440 00:33:44,280 --> 00:33:47,160 Mr Löwy, it's better if you leave. 441 00:33:49,800 --> 00:33:52,120 "He sucks to me, sucks to me." 442 00:33:54,600 --> 00:33:56,760 ♪ Depressing Violin Melody ♪ 443 00:34:17,920 --> 00:34:21,360 (in German) You are not here and not there. 444 00:34:21,440 --> 00:34:23,440 Where do you actually belong? 445 00:34:27,360 --> 00:34:28,360 Franz? 446 00:34:29,080 --> 00:34:30,320 Where do you belong? 447 00:34:30,880 --> 00:34:33,040 ♪ Depressing Violin Melody ♪ 448 00:34:35,920 --> 00:34:36,920 (in Yiddish) 449 00:34:44,560 --> 00:34:46,720 ♪ Depressing Violin Melody ♪ 450 00:35:04,200 --> 00:35:05,200 Is he gone? 451 00:35:06,760 --> 00:35:07,800 Yes. 452 00:35:07,920 --> 00:35:08,920 Is he. 453 00:35:10,160 --> 00:35:11,600 Please calm down. 454 00:35:27,240 --> 00:35:31,200 Eat now. - Yes Dad, keep eating. - You are quiet. 455 00:35:34,880 --> 00:35:36,320 Sit closer to the table. 456 00:35:37,360 --> 00:35:38,360 Width Mad. 457 00:35:46,120 --> 00:35:48,840 Are you bringing vermin into my house? 458 00:35:51,920 --> 00:35:53,200 Disgusting... 459 00:35:54,640 --> 00:35:55,920 ...vermin. 460 00:35:58,000 --> 00:36:00,560 Instead of worrying about the factory. 461 00:36:01,680 --> 00:36:05,280 I am not good. Excuse me. You stay there. 462 00:36:05,800 --> 00:36:07,520 Just a moment, father. 463 00:36:08,800 --> 00:36:10,960 ♪ Depressing Violin Melody ♪ 464 00:36:12,560 --> 00:36:13,920 *Birds chirping* 465 00:36:15,920 --> 00:36:17,080 A vermin. 466 00:36:19,080 --> 00:36:20,160 A vermin. 467 00:36:22,480 --> 00:36:23,560 A vermin. 468 00:36:23,800 --> 00:36:24,800 * Beat * 469 00:36:25,520 --> 00:36:27,280 (Ottla) It's me, Franz. 470 00:36:30,840 --> 00:36:31,840 Come in. 471 00:36:37,280 --> 00:36:38,440 I'm sorry. 472 00:36:38,960 --> 00:36:43,800 He called him a vermin. Oh, you know father. Yes but ... 473 00:36:48,000 --> 00:36:50,080 Franz, the thing with the factory... 474 00:36:50,160 --> 00:36:52,840 "Your factory" he says, as if I ... 475 00:36:52,920 --> 00:36:54,880 You have to do something, Franz. 476 00:37:00,560 --> 00:37:04,800 Make? Things are going badly the factory, Karl is desperate. 477 00:37:04,920 --> 00:37:08,240 He says you never care. He says I... 478 00:37:08,360 --> 00:37:10,040 You are the expert. 479 00:37:10,160 --> 00:37:14,840 During the inspection you have yourself still cared, but... Cared? 480 00:37:15,920 --> 00:37:19,720 Father says that's Karl not good at accounting. 481 00:37:19,800 --> 00:37:24,120 He also says there have to be new ones workers are employed. 482 00:37:24,400 --> 00:37:26,720 Don't let the family down. 483 00:37:26,800 --> 00:37:30,440 Then you said: "Of your life nothing changes." 484 00:37:30,520 --> 00:37:34,000 And only on paper. But now we need you. 485 00:37:34,120 --> 00:37:37,240 If the factory goes bankrupt, what will happen to Elli? 486 00:37:37,400 --> 00:37:42,320 When will I get to writing then? Oh, writing again, Franz! 487 00:37:43,360 --> 00:37:46,360 You live in our midst, but you act like this 488 00:37:46,440 --> 00:37:49,680 as if you don't at all belong to us. Franz! 489 00:37:53,040 --> 00:37:56,560 I ask you, Franz, take care of the factory. 490 00:38:08,400 --> 00:38:09,840 *Birds chirping* 491 00:38:15,320 --> 00:38:17,760 ♪ Uncomfortable instrumental music ♪ 492 00:38:17,920 --> 00:38:22,680 Did you ask him why he was me? brought this monkey into the house? 493 00:38:25,840 --> 00:38:27,640 *Resigned exhale* 494 00:38:28,960 --> 00:38:30,400 *Birds chirping* 495 00:38:31,880 --> 00:38:33,560 ♪ Thoughtful Music ♪ 496 00:38:39,880 --> 00:38:41,560 *Cracking and creaking* 497 00:38:43,000 --> 00:38:44,000 *creaking* 498 00:38:56,360 --> 00:38:57,960 ♪ Uncomfortable music ♪ 499 00:39:07,640 --> 00:39:09,160 ♪ Threatening music ♪ 500 00:39:21,520 --> 00:39:23,040 ♪ Threatening music ♪ 501 00:39:24,480 --> 00:39:27,800 Gregor!- Gregor! - Gregor! - Gregor! - What is? 502 00:39:28,120 --> 00:39:32,000 It's a quarter past seven. Didn't you want to go away? 503 00:39:32,080 --> 00:39:36,240 Wake up! - Gregor? * Beat * - Gregor, do you need anything? 504 00:39:41,280 --> 00:39:43,880 ♪ Getting louder threatening music ♪ 505 00:39:45,000 --> 00:39:47,080 * chattering and squeaking * 506 00:39:50,040 --> 00:39:51,400 *creaking* 507 00:39:55,000 --> 00:39:58,440 The insurance clerk Dr. Kafka wrote like this 508 00:39:58,520 --> 00:40:03,440 the most famous at 30 years old 20th century narrative. 509 00:40:04,120 --> 00:40:08,480 As Gregor Samsa one morning woke up from troubled dreams, 510 00:40:08,640 --> 00:40:13,080 he found himself in bed transformed into monstrous vermin. 511 00:40:13,920 --> 00:40:16,680 He laid on his armour-like back. 512 00:40:16,960 --> 00:40:20,920 He saw when he head raised a little, his arched, 513 00:40:21,000 --> 00:40:24,920 brown, of arcuate Stiffening divided abdomen. 514 00:40:25,000 --> 00:40:27,960 At its height could the bed cover, 515 00:40:28,040 --> 00:40:31,760 ready to slide down, hardly preserved anymore. Stop it. 516 00:40:33,320 --> 00:40:34,320 Read on. 517 00:40:35,560 --> 00:40:39,280 Its many in comparison to its other scope 518 00:40:39,360 --> 00:40:42,880 his thin legs shimmered helpless before your eyes. 519 00:40:42,960 --> 00:40:46,960 What happened to me? No, I'm begging you, stop. 520 00:40:47,360 --> 00:40:48,360 Read on. 521 00:40:48,800 --> 00:40:50,600 Where is Mr. Rowohlt? 522 00:40:56,520 --> 00:41:00,760 His room, a real one, just a little too small a human room, 523 00:41:00,840 --> 00:41:04,040 lay quietly between the four well-known walls. 524 00:41:04,640 --> 00:41:07,360 Gregor's look turned towards the window 525 00:41:07,440 --> 00:41:10,680 and the cloudy weather made him melancholy. 526 00:41:10,760 --> 00:41:13,720 How about it, if I continued to sleep 527 00:41:13,800 --> 00:41:16,600 and forget all the foolishness, he thought. 528 00:41:16,760 --> 00:41:20,120 But that was impossible because he was used to 529 00:41:20,200 --> 00:41:22,600 to sleep on the right side. 530 00:41:22,680 --> 00:41:25,280 But he could in his condition 531 00:41:25,360 --> 00:41:27,320 don't put yourself in this situation. 532 00:41:27,400 --> 00:41:30,640 With what strength he himself also threw to the right, 533 00:41:30,720 --> 00:41:34,240 He kept rocking back into the supine position. 534 00:41:42,400 --> 00:41:43,400 Dead? 535 00:41:44,040 --> 00:41:45,360 *Dull thumps* 536 00:41:47,600 --> 00:41:51,280 That's what I mean. - Now we can thank God. 537 00:41:53,280 --> 00:41:55,240 Look how skinny he was. 538 00:41:56,360 --> 00:41:59,680 He has too Haven't eaten anything for a long time. 539 00:42:00,320 --> 00:42:05,160 About how this will be taken away, you don't have to worry. 540 00:42:06,600 --> 00:42:08,320 It's OK. 541 00:42:09,720 --> 00:42:10,880 They decided, 542 00:42:10,960 --> 00:42:14,440 the day to rest and walking. 543 00:42:15,560 --> 00:42:18,800 they had deserves this break from work 544 00:42:18,880 --> 00:42:21,320 and even absolutely needed them. 545 00:42:26,640 --> 00:42:28,360 *Reverberating Beat* 546 00:42:29,800 --> 00:42:33,120 *Reverberating hits and crashes* 547 00:42:37,960 --> 00:42:41,040 *Dull, reverberating thuds* 548 00:42:45,320 --> 00:42:47,840 ♪ Dissonant, disturbing music ♪ 549 00:42:54,560 --> 00:42:57,200 *Dull, reverberating thuds* 550 00:43:00,760 --> 00:43:03,280 ♪ Dissonant, disturbing music ♪ 551 00:43:07,040 --> 00:43:11,120 ♪ Music stops along one final blow ♪ 552 00:43:15,320 --> 00:43:16,320 *whirring* 553 00:43:22,040 --> 00:43:25,880 They discussed the prospects for the future and it was found 554 00:43:25,960 --> 00:43:29,920 that these upon closer inspection weren't bad at all. 555 00:43:32,760 --> 00:43:35,200 ♪ Sombre, melancholic music♪ 556 00:43:54,080 --> 00:43:56,880 But no matter how you start, it ends like this! 557 00:43:59,440 --> 00:44:02,040 Hermann and Julie Kafka are lucky. 558 00:44:02,120 --> 00:44:05,480 They die in time. They die in peace. 559 00:44:06,960 --> 00:44:09,040 Gabriele Kafka, called Elli, 560 00:44:10,040 --> 00:44:13,960 was in the extermination camp in 1942 Chelmno murdered. 561 00:44:14,880 --> 00:44:17,400 Likewise Valeri Kafka, called Valli. 562 00:44:18,080 --> 00:44:23,120 Ottilie Kafka, called Ottla, was Deported to Theresienstadt in 1942. 563 00:44:25,040 --> 00:44:29,440 As a volunteer, to not to leave the children alone, 564 00:44:29,520 --> 00:44:33,200 She drove with one in 1943 Children's transport to Auschwitz. 565 00:44:33,600 --> 00:44:35,360 She was murdered there. 566 00:44:36,080 --> 00:44:39,720 Franz Kafka's friend, the actor Yitzchak Löwy, 567 00:44:40,200 --> 00:44:44,280 was from the Warsaw Ghetto deported to the Treblinka camp. 568 00:44:45,280 --> 00:44:47,240 He was gassed there in 1942. 569 00:44:49,880 --> 00:44:51,480 ♪ Uncomfortable music ♪ 570 00:44:53,840 --> 00:44:54,840 * chattering * 571 00:45:22,240 --> 00:45:24,400 Copyright subtitles: NDR 2024 40218

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