All language subtitles for 21 - MULTITHREADING

The other neat thing is, when you do
multiple threads...

When you do multiple threads. See,
it captivates. When you do multiple

threads, you start a story and
you run it, right. What happens

when you end it? You're like, I
finished the story and you have

that awkward pause because you
gotta start a new story. It's

weird. So what I like to do
instead is halfway through,

pause it, start another story,
right, and then pause that and

then I can go back to this one
and continue it. And if I

finish it I go, okay. It's better
than starting a new one, I can

go to a previously opened thread.
I can say, where were we? Oh yeah.

Well, I still haven't even
talked to you about the

Hollywood sign, you know, like
touching it for good luck. Why

is that good luck? And I can go
back to a previously opened thread

and continue that. Pause that.
Only when I pause it do I cut

myself off to start a new
story. This is normal. This is

called "multiple threading".
It's basic and advanced.

The basic part is you've gotta use
it tonight. You know, the

basic part is it's built into
us now. Multiple threads,

multiple ideas, right.
Back and forth.

Multiple threading is a rapport
building thing. It's what you

do with your friends, with
people you feel comfortable

with. Right. That's what makes it
basic, is that you've gotta use it.

What makes it advanced is that
you need this routine handled,

you need this routine handled
in your head, and this routine

because you're going to run
three routines. Like if I were

to say in your mind, think
of a chalkboard or a

blackboard. Are you creative?
Are you creative? –Creative?

–Creative. Are you a creative
sort? Can you draw? –Yeah. Yeah.

–Yeah. –Yeah. Think of a number,
we'll start small, from one to

four. Don't say it. Just draw
that number that you're

picturing on the blackboard in
your mind. –Yeah. What number?

–Just whatever you're thinking.
If you had no chance of

failure, you could be anything
in the whole wide world, what

would you want to be?

Hold that thought. Three. Let's
try this again. Erase the

number. New number. This time
from one to ten. It's the first

number that pops into your head.
Draw it on the chalkboard but

imagine it. Visualize it. –I
would like to travel around the

world all my life. –Just
constant twenty-four seven

travel. Would you travel with
luggage or with a backpack?

–With a backpack. –The backpack?
–Yeah. 'Cos it gives you more

options. –Yeah. –There are places
that I would want to go. Now,

I'm a socialite. I'm social.
I'm a city person but my

interest in travel has to do
with the nature of places, the

places that are far away and hard
to get to, like Patagonia. I

have a fantasy of going to,
which you have to know, I

want to go to Patagonia,
Argentina. South America.

Right. Are you picturing that
chalkboard? I'm picturing the

number seven. What was it?
–Eight. –This is irrefutable

evidence that ESP, mind reading, is
bull****. It's bull**** dude. You

know, dress 'em up, can't take them
anywhere. Dream on. See, that's

it. It doesn't matter whether
you get it right or

not. –The first one you did.
–I know. I know. It works

differently on everybody. But it
doesn't matter to me,

'cos it's just me running
material while I'm running

material here. I'm showing you
multiple threading, to run two

different conversations at the
same time. This is normal. I

know both routines separately,
but I merge them together,

a little here, a little here, to
keep everyone interested.

Because if there's a new person
coming in, I can run material,

right, just to occupy this person
quick, and it keeps my brain

interested, and I get to
multiple thread. So, if I run

out, if this conversation ends,
I can then say, are you

creative? You draw a
chalkboard. Think of a number

from one to ten. Now, you draw a
chalkboard. Think of a number

from one to ten. And then on the
count of three, the two of you

say the number. Right. How long
have you two known each other?

How long have you two known
each other? Do you know each

other well enough to finish each
other's sentences? –I don't understand,

sorry. –Enough about me. What do you
think of me? Don't answer that, it was

rhetorical. I'm pooping words
right now. But notice the

stacking of this. You're in
control of it. That's all.

That's all I'm trying to demo
here. So what this does,

multiple threading, it protects
you. Now notice. You get

it? You see the pattern here? We
were a group. Right. We had

this talk, this talk, and this
talk. I paused this talk to do

this and this to demonstrate
this. That's genius. That's

what you're all going to do
infield is multiple threading. To

keep everybody interested. If
you lose track of somebody you

can throw keys at them. –Yeah.
–It's all coming together here?

Right. Do this because it
protects you from

conversational lockout. You
always have something to say.

And the reason why I like
doing this is this one I

haven't finished yet, and I'm
telling this one, I'll pause

this one, I'll open this, I
can, you know, pause this one.

Now when I'm done and I say, okay,
listen, I've gotta get going.

So, you know, I finish up by
getting the phone number.

Right. So we can continue
again. I can then say, we have

so much to talk about. And
she'll look back and go, yeah, we

haven't finished that, we
haven't finished that. Get it?

So I can say to her, I can talk to

you forever. I can't listen to
you, but I can talk to you

forever. You know, you make it
really easy to talk to you. I

really enjoy you. Your first
impression was neutral but now

that I get to know you, I just
enjoy you. You make me feel

good. In fact, I'll let you in on
a little secret before I go.

When you went to the washroom
instead of my, in that moment of

lull, instead of my initiating
conversation with all the

awesome random people around
me, I just waited quietly here

to let it sink in that I actually
felt like I missed you, and that

felt neat. I indulged in that
horrible feeling of I missed

you. So I know that when I'm on
my way home I will be thinking

of you, and you'll be thinking
of me. Isn't this good? That's

it. That's multiple
threading. –I heard you

yesterday use a routine, I have
a thought for you, for the

girl, –Oh, right. –and then you left
it hanging. I was curious, how do you

then close this because... –She
came back. –Yeah. –But I was

being mauled, –Mm hmm. –and she
was seeing it, but she wasn't

seeing me make out, she's just
seeing me being busy and going,

ah. Okay, okay. Get her off
me, right. So she just

never got a chance to come back
to me, and I didn't get a chance

to go to her. So that's a **** up,
in my opinion. It was 95% on. I was

pre-selected by women, leader
of men, willingness to roll

off demonstrated, you know, go
back to your friends. But your

friend Ashy would know her,
right? And I'm sure we can get

her back. She's on camera, you
know, that girl. So, the way I

would have done that is she
would have come back and

my intuition about her is,
I bet you a lot of

people have stereotyped you and
think you have life a lot

easier than you do, that's an
RJ one, when that's not the

case in point. You've had to
try that much harder to get all

the things you want in life and
then add to it the illusion

that it was all just handed to
you, right? You weren't given a

silver spoon in your mouth. You
had to get what you have in

life. Even though everyone
thinks it was handed to you

because you're just naturally
beautiful. That's not the case

in point at all. That's all.
That's my intuition. But I

also like saying, I have an
intuition about you. But go run

along, you know, don't piss your
boss off. Go make your

money and come back and find me
and I'll explain to you what I

see. Right. That has gotten girls
'cos it's basically, okay, tell me

about me? Right. Reengage. Yeah,
yeah. You, you, you. It's always

you, Miss Popular.

Good stuff right? –Yeah. –It's
kind of piecing it together.

'Cos we, for the last two days
we've been doing infield, one by

one. Like opener, opener,
routine, routine. Right. It's

just like a timeline one way.
But when you think of it in

multiple threads, now you can
control several groups. Several

different stories. Tap them.
Bring them in. Keep it

interesting. Keep some
conversations open. You know.

There's just more maneuverability
in all that? And it's more

fun and more fast. Sometimes
I'll pause and say, oh I love

that song. You hear the song?
Right, where were we? Oh yeah,

we were talking about me. I
just pause. It's called

fractionation. You fractionate.
It's like breaking

it up like this. But it's
like these little

bits to show that your
attention span is a little

short and they have to keep you
entertained too. Girls love it.

Girls do that. They're talking
to you and they

go, oh I love this song, and
then continue. They just do

that. So I do that to girls. It
just seems to get their attention

again when it's short. –I think
for a man it'd be annoying. –It is

annoying, you know. But I just
act like a girl. I act like a

girl, you know, like a short
attention span, girl. Okay.