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1
00:00:01,369 --> 00:00:03,571
ANNOUNCER: Thanks for
downloading this Fox show.
2
00:00:03,604 --> 00:00:05,739
And don't miss all-new episodes
only on Fox.
3
00:00:07,775 --> 00:00:09,077
IN THESE DANGEROUS TIMES WHERE
THE WORLD
4
00:00:09,110 --> 00:00:10,244
IS RIPPING APART
AT THE SEAMS
5
00:00:10,278 --> 00:00:11,212
WE CAN LEARN FROM THOSE
WHO STARE DEATH
6
00:00:11,245 --> 00:00:12,480
IN THE FACE EVERY DAY
BY REACHING OUT TO
7
00:00:12,513 --> 00:00:15,149
EACH OTHER AND
BONDING AS A COMMUNITY
8
00:00:15,183 --> 00:00:16,817
RATHER THAN HIDING
FROM THE TERRORS
9
00:00:16,850 --> 00:00:17,251
OF LIFE
DECEMBER 24
10
00:00:19,000 --> 00:00:25,074
Advertise your product or brand here
contact www.OpenSubtitles.org today
11
00:00:41,642 --> 00:00:42,710
9:00 PM
1991
12
00:00:42,743 --> 00:00:43,677
I START TO SHOOT MY
LATEST FILM TODAY
13
00:00:43,711 --> 00:00:44,878
LET'S SEE IF I'VE GOT
ANYTHING TO SAY
14
00:00:44,912 --> 00:00:46,180
I DOUBT IT!
15
00:00:46,214 --> 00:00:47,448
FIRST SHOT â " ROGER
TUNING HIS FENDER GUITAR
16
00:00:47,481 --> 00:00:48,282
HE HASN'T PLAYED IN A YEAR
THIS WON'T TUNE.
17
00:00:48,316 --> 00:00:49,083
SO WE HEAR
HE'S JUST COMING BACK
18
00:00:49,117 --> 00:00:50,118
FROM HALF A YEAR
OF WITHDRAWAL
19
00:00:50,151 --> 00:00:51,152
ARE YOU TALKING TO ME?
NOT AT ALL
20
00:00:51,185 --> 00:00:52,453
TELL THE FOLKS AT HOME
WHAT YOU'RE DOING, ROGER
21
00:00:52,486 --> 00:00:53,754
I'M WRITING ONE GREAT
22
00:00:53,787 --> 00:00:55,022
SAVED!
23
00:00:55,055 --> 00:00:56,090
WE SCREEN ZOOM IN ON THE
ANSWERING MACHINE
24
00:00:56,124 --> 00:00:57,191
SPEAK
THAT WAS A VERY LOUD
25
00:00:57,225 --> 00:00:58,092
BEEP
I DON'T EVEN KNOW
26
00:00:58,126 --> 00:00:59,127
IF THIS IS WORKING
MARK MARK
27
00:00:59,160 --> 00:01:00,261
ARE YOU THERE
ARE YOU SCREENING
28
00:01:00,294 --> 00:01:01,229
YOUR CALLS, IT'S MOM
WE WANTED
29
00:01:01,262 --> 00:01:02,563
SCREEN? WHO, ME?
30
00:01:02,596 --> 00:01:03,297
TELL THE FOLKS AT HOME
WHAT YOU'RE DOING ROGER
31
00:01:03,331 --> 00:01:04,932
I'M WRITING
ONE GREAT SONG
32
00:01:47,375 --> 00:01:48,342
YESSS
WE SCREEN
33
00:01:48,376 --> 00:01:49,410
SPEAK
"CHESTNUTS ROASTING"
34
00:01:49,443 --> 00:01:50,178
COLLINS!
35
00:01:50,211 --> 00:01:50,911
I'M DOWNSTAIRS
HEY!
36
00:01:50,944 --> 00:01:51,945
THROW DOWN THE KEY.
37
00:01:51,979 --> 00:01:57,017
A WILD NIGHT IS
NOW PRE-ORDAINED
38
00:01:57,050 --> 00:01:57,485
I MAY BE DETAINED.
39
00:01:57,518 --> 00:01:58,686
DETAINED?
40
00:01:58,719 --> 00:01:59,920
COLLINS?
41
00:01:59,953 --> 00:02:02,190
HELLO?
42
00:02:02,223 --> 00:02:03,357
WHAT DOES HE MEAN?
43
00:02:03,391 --> 00:02:07,495
WHAT DO YOU MEAN â " DETAINED?
44
00:02:07,528 --> 00:02:08,162
HO HO HO.
45
00:02:08,196 --> 00:02:08,629
BENNY!
46
00:02:08,662 --> 00:02:09,330
CRAP!
47
00:02:09,363 --> 00:02:09,830
DUDES, I'M ON MY WAY.
48
00:02:09,863 --> 00:02:10,331
GREAT!
49
00:02:10,364 --> 00:02:10,964
DAMN.
50
00:02:10,998 --> 00:02:11,365
I NEED THE RENT.
51
00:02:11,399 --> 00:02:12,500
WHAT RENT?
52
00:02:12,533 --> 00:02:13,334
THIS PAST YEAR'S RENT, WHICH
I LET SLIDE.
53
00:02:13,367 --> 00:02:14,134
LET SLIDE?
54
00:02:14,168 --> 00:02:16,604
YOU SAID WE WERE "GOLDEN."
55
00:02:16,637 --> 00:02:17,405
WHEN YOU BOUGHT THE BUILDING.
56
00:02:17,438 --> 00:02:18,939
WITH YOUR FATHER-IN-LAW'S
MONEY.
57
00:02:18,972 --> 00:02:20,541
REMEMBER -- YOU USED TO LIVE
HERE.
58
00:02:20,574 --> 00:02:22,543
HOW COULD I FORGET?
59
00:02:22,576 --> 00:02:24,178
YOU, ME, COLLINS AND MAUREEN.
60
00:02:24,212 --> 00:02:26,380
HOW IS THE DRAMA QUEEN?
61
00:02:26,414 --> 00:02:27,715
SHE'S PERFORMING TONIGHT.
62
00:02:27,748 --> 00:02:28,182
YOU KNOW THAT PROTEST?
63
00:02:28,216 --> 00:02:29,317
AT THE LOT?
64
00:02:29,350 --> 00:02:30,518
OH, I KNOW.
65
00:02:30,551 --> 00:02:32,353
STILL HER PRODUCTION
MANAGER?
66
00:02:32,386 --> 00:02:35,656
TWO DAYS AGO I WAS BUMPED.
67
00:02:35,689 --> 00:02:37,991
YOU STILL DATING HER?
LAST MONTH I WAS DUMPED.
68
00:02:38,025 --> 00:02:41,662
SHE'S IN LOVE
SHE'S GOT A NEW MAN?
69
00:02:41,695 --> 00:02:42,396
WELL, NO.
70
00:02:42,430 --> 00:02:43,163
WHAT'S HIS NAME?
71
00:02:43,197 --> 00:02:46,300
JOANNE.
72
00:02:46,334 --> 00:02:48,736
RENT, MY AMIGOS, IS DUE.
73
00:02:48,769 --> 00:02:51,872
OR I WILL HAVE TO EVICT YOU.
74
00:02:51,905 --> 00:03:01,915
BE THERE IN A FEW.
75
00:03:01,949 --> 00:03:13,661
BE THERE IN A FEW.
76
00:03:13,694 --> 00:03:14,662
THE POWER BLOWS.
77
00:03:14,695 --> 00:03:25,105
THIS IS NOT THE FIRST TIME
78
00:03:25,138 --> 00:03:26,274
THEY'VE LOST THE POWER
HOW DO YOU DOCUMENT
79
00:03:26,307 --> 00:03:27,341
REAL LIFE
WHEN REAL LIFE'S
80
00:03:27,375 --> 00:03:28,409
GETTING MORE
LIKE FICTION EACH DAY
81
00:03:28,442 --> 00:03:29,410
HEADLINES BREAD-LINE
BLOW MY MIND
82
00:03:29,443 --> 00:03:34,081
AND NOW THIS DEADLINE
EVICTION OR PAY
83
00:03:34,114 --> 00:03:37,451
84
00:03:37,485 --> 00:03:39,620
RENT
HOW DO YOU DOCUMENT
85
00:03:39,653 --> 00:03:42,222
REAL LIFE
WHEN REAL LIFE'S GETTING MORE
86
00:03:42,256 --> 00:03:50,264
LIKE FICTION EACH DAY
HEADLINES BREAD-LINES
87
00:03:50,298 --> 00:03:51,265
BLOW MY MIND
AND NOW THIS DEADLINE
88
00:03:51,299 --> 00:03:52,333
EVICTION OR PAY
HOW DO YOU WRITE A SONG
89
00:03:52,366 --> 00:03:53,601
WHEN THE CHORDS SOUND WRONG
THOUGH THEY ONCE SOUNDED
90
00:03:53,634 --> 00:03:54,868
RIGHT AND RARE
WHEN THE NOTES ARE SOUR
91
00:03:54,902 --> 00:03:55,803
WHERE IS THE POWER
YOU ONCE HAD TO
92
00:03:55,836 --> 00:03:57,070
IGNITE THE AIR
WE'RE HUNGRY AND FROZEN
93
00:03:57,104 --> 00:03:58,372
SOME LIFE THAT WE'VE CHOSEN
HOW WE GONNA PAY
94
00:03:58,406 --> 00:03:59,440
HOW WE GONNA PAY
HOW WE GONNA PAY
95
00:03:59,473 --> 00:04:05,279
LAST YEAR'S RENT
96
00:04:05,313 --> 00:04:13,821
HOW DO YOU START A FIRE
97
00:04:13,854 --> 00:04:17,257
WHEN THERE'S NOTHING TO BURN
AND IT FEELS LIKE SOMETHING'S
98
00:04:17,291 --> 00:04:21,395
STUCK IN YOUR FLUE
HOW CAN YOU GENERATE HEAT
99
00:04:21,429 --> 00:04:26,434
WHEN YOU CAN'T FEEL YOUR FEET
AND THEY'RE TURNING BLUE
100
00:04:26,467 --> 00:04:27,635
YOU LIGHT UP A MEAN BLAZE
WITH POSTERS
101
00:04:27,668 --> 00:04:31,639
AND SCREENPLAYS
HOW WE GONNA PAY
102
00:04:31,672 --> 00:04:37,077
HOW WE GONNA PAY
HOW WE GONNA PAY
103
00:04:37,110 --> 00:04:42,082
LAST YEAR'S RENT
DON'T SCREEN, MAUREEN
104
00:04:42,115 --> 00:04:43,317
IT'S ME JOANNE
YOUR SUBSTITUTE
105
00:04:43,351 --> 00:04:47,855
PRODUCTION MANAGER
HEY HEY HEY DID YOU EAT
106
00:04:47,888 --> 00:04:51,459
DON'T CHANGE THE
SUBJECT MAUREEN
107
00:04:51,492 --> 00:04:53,361
BUT DARLING
YOU HAVEN'T EATEN ALL DAY
108
00:04:53,394 --> 00:04:54,528
YOU WON'T THROW UP
YOU WON'T THROW UP
109
00:04:54,562 --> 00:04:57,798
THE DIGITAL DELAY
DIDN'T BLOW UP, EXACTLY
110
00:04:57,831 --> 00:05:00,968
THERE MAY HAVE BEEN
ONE TEENY TINY SPARK
111
00:05:01,001 --> 00:05:06,807
YOU'RE NOT CALLING MARK
HOW DO YOU STAY ON YOUR FEET
112
00:05:06,840 --> 00:05:08,509
WHEN ON EVERY STREET
IT'S TRICK OR TREAT
113
00:05:08,542 --> 00:05:12,112
AND TONIGHT IT'S TRICK
WELCOME BACK TO TOWN
114
00:05:12,145 --> 00:05:18,386
I SHOULD LIE DOWN
EVERYTHING'S BROWN
115
00:05:18,419 --> 00:05:19,319
AND UH-OH
I FEEL SICK
116
00:05:19,353 --> 00:05:21,689
WHERE IS HE?
117
00:05:21,722 --> 00:05:26,827
HOW WE GONNA PAY
HOW WE GONNA PAY
118
00:05:26,860 --> 00:05:36,870
HOW WE GONNA PAY
LAST YEAR'S RENT
119
00:05:36,904 --> 00:05:44,712
HOW WE GONNA PAY
LAST YEAR'S RENT
120
00:05:44,745 --> 00:05:47,915
ALISON BABY
YOU SOUND SAD
121
00:05:47,948 --> 00:05:50,217
I CAN'T BELIEVE THOSE TWO
AFTER EVERYTHING I'VE DONE
122
00:05:50,250 --> 00:05:51,519
EVER SINCE OUR WEDDING
I'M DIRT
123
00:05:51,552 --> 00:05:53,521
THEY'LL SEE
I CAN HELP THEM ALL OUT
124
00:05:53,554 --> 00:05:57,057
IN THE LONG RUN
UGH!
125
00:05:57,090 --> 00:06:02,496
"THE MUSIC IGNITES THE NIGHT ARE
GATHERING UGH --
126
00:06:02,530 --> 00:06:03,931
WITH PASSIONATE FIRE" FORCES
UGH --
127
00:06:03,964 --> 00:06:05,098
MAUREEN, I'M NOT A THEATRE
PERSON ARE GATHERING UGH --
128
00:06:05,132 --> 00:06:06,266
THE NARRATION CAN'T UGH --
CRACKLES AND POPS TURN AWAY
129
00:06:06,299 --> 00:06:07,234
UGH --
WITH INCENDIARY WIT" FORCES
130
00:06:07,267 --> 00:06:08,936
UGH --
COULD NEVER BE A THEATRE
131
00:06:08,969 --> 00:06:13,741
PERSON ARE GATHERING I CAN'T
THINK.
132
00:06:13,774 --> 00:06:14,942
ZOOM IN AS THEY BURN THE PAST
FORCES UGH --
133
00:06:14,975 --> 00:06:15,943
TO THE GROUND ARE GATHERING
UGH --
134
00:06:15,976 --> 00:06:17,177
AND FEEL THE HEAT HELLO?
135
00:06:17,210 --> 00:06:17,745
UGH --
HELLO?
136
00:06:17,778 --> 00:06:18,211
HELLO?
137
00:06:18,245 --> 00:06:18,946
MAUREEN?
138
00:06:18,979 --> 00:06:19,713
YOUR EQUIPMENT WON'T WORK?
139
00:06:19,747 --> 00:06:20,714
OKAY, ALL RIGHT, I'LL GO!
140
00:06:20,748 --> 00:06:24,384
HOW DO YOU LEAVE
THE PAST BEHIND
141
00:06:24,418 --> 00:06:26,386
WHEN IT KEEPS FINDING WAYS
TO GET TO YOUR HEART
142
00:06:26,420 --> 00:06:29,189
IT REACHES WAY DOWN DEEP
AND TEARS YOU INSIDE OUT
143
00:06:29,222 --> 00:06:33,961
'TIL YOU'RE TORN APART
HOW CAN YOU CONNECT
144
00:06:33,994 --> 00:06:36,630
IN AN AGE
WHERE STRANGERS
145
00:06:36,664 --> 00:06:38,632
LANDLORDS, LOVERS
YOUR OWN BLOOD
146
00:06:38,666 --> 00:06:42,770
CELLS BETRAY
CONFIDENT, RIOTOUS
147
00:06:42,803 --> 00:06:43,804
ANGRY, HOPEFUL
WHAT BINDS THE
148
00:06:43,837 --> 00:06:45,439
FABRIC TOGETHER
WHEN THE RAGING
149
00:06:45,473 --> 00:06:49,409
SHIFTING WINDS OF CHANGE
KEEP RIPPING AWAY
150
00:06:49,443 --> 00:06:52,646
DRAW A LINE IN THE SAND
AND THEN MAKE A STAND
151
00:06:52,680 --> 00:06:54,648
USE YOUR CAMERA TO SPAR
USE YOUR GUITAR
152
00:06:54,682 --> 00:06:57,451
WHEN THEY ACT TOUGH
YOU CALL THEIR BLUFF
153
00:06:57,485 --> 00:07:02,222
WE'RE NOT GONNA PAY
WE'RE NOT GONNA PAY
154
00:07:02,255 --> 00:07:09,296
WE'RE NOT GONNA PAY
LAST YEAR'S RENT
155
00:07:09,329 --> 00:07:14,101
THIS YEAR'S RENT
NEXT YEAR'S RENT
156
00:07:14,134 --> 00:07:16,904
RENT RENT RENT
RENT RENT
157
00:07:16,937 --> 00:07:26,947
WE'RE NOT GONNA PAY RENT
CAUSE EVERYTHING IS RENT
158
00:07:26,980 --> 00:07:39,627
WE'RE NOT GONNA PAY RENT
CAUSE EVERYTHING IS RENT
159
00:07:39,660 --> 00:07:44,765
CHRISTMAS BELLS
160
00:07:44,798 --> 00:07:46,266
ARE RINGING
CHRISTMAS BELLS
161
00:07:46,299 --> 00:07:50,270
ARE RINGING
CHRISTMAS BELLS
162
00:07:50,303 --> 00:07:52,472
ARE RINGING
SOMEWHERE ELSE!
163
00:07:52,506 --> 00:07:56,644
NOT HERE
164
00:07:56,677 --> 00:07:58,512
YOU OKAY HONEY?
165
00:07:58,546 --> 00:08:01,682
I'M AFRAID SO
THEY GET ANY MONEY?
166
00:08:01,715 --> 00:08:06,486
NO
HAD NONE TO GET
167
00:08:06,520 --> 00:08:11,725
BUT THEY PURLOINED MY COAT
WELL YOU MISSED A SLEEVE!
168
00:08:11,759 --> 00:08:13,727
THANKS.
169
00:08:13,761 --> 00:08:17,297
HELL, IT'S CHRISTMAS EVE.
170
00:08:17,330 --> 00:08:20,400
I'M ANGEL.
171
00:08:20,433 --> 00:08:23,203
ANGEL DUMOTT SCHUNARD.
172
00:08:23,236 --> 00:08:26,073
WELL, THAT'S WHO I'M GOING FOR
THIS WEEK, AT LEAST.
173
00:08:26,106 --> 00:08:30,811
FRIENDS CALL ME COLLINS.
YOU MADE THAT TREE?
174
00:08:30,844 --> 00:08:32,012
I HAVE MANY TALENTS.
175
00:08:32,045 --> 00:08:34,715
LET'S GET A BAND-AID FOR YOUR
KNEE.
176
00:08:34,748 --> 00:08:36,717
I'LL CHANGE
THEN A "LIFE SUPPORT" MEETING
177
00:08:36,750 --> 00:08:39,920
AT 9:30
YES, THIS BODY PROVIDES
178
00:08:39,953 --> 00:08:42,656
A COMFORTABLE HOME
FOR THE ACQUIRED IMMUNE
179
00:08:42,690 --> 00:08:48,228
DEFICIENCY SYNDROME
AS DOES MINE
180
00:08:48,261 --> 00:08:49,897
OH, WE'LL GET ALONG FINE
GET YOU A COAT, HAVE A BITE
181
00:08:49,930 --> 00:08:52,566
MAKE A NIGHT
I'M FLUSH
182
00:08:52,600 --> 00:08:56,570
MY FRIENDS ARE WAITING --
YOU'RE CUTE WHEN YOU BLUSH
183
00:08:56,604 --> 00:08:59,773
THE MORE THE MERRY
HO HO HO
184
00:08:59,807 --> 00:09:10,951
AND I DO NOT TAKE NO
I DON'T SUPPOSE YOU'D LIKE TO
185
00:09:10,984 --> 00:09:13,721
SEE HER PERFORMANCE PROTEST
THING IN THE LOT TONIGHT?
186
00:09:13,754 --> 00:09:17,257
MAYBE COME TO DINNER?
187
00:09:17,290 --> 00:09:18,926
BUT THINK ABOUT IT.
188
00:09:18,959 --> 00:09:22,062
WOULD BE GOOD FOR YOU TO GET OUT
OF THE HOUSE.
189
00:09:22,095 --> 00:09:28,035
AND IT'S TIME TO TAKE YOUR AZT.
190
00:09:28,068 --> 00:09:30,771
HIS GIRLFRIEND APRIL LEFT A
NOTE SAYING "WE'VE GOT AIDS"
191
00:09:30,804 --> 00:09:39,479
BEFORE SLITTING HER WRISTS IN
THE BATHROOM.
192
00:09:39,512 --> 00:09:40,147
I'LL CHECK UP ON YOU LATER.
193
00:09:40,180 --> 00:09:45,452
CHANGE YOUR MIND.
194
00:09:45,485 --> 00:09:59,833
I'M WRITING ONE GREAT SONG
BEFORE I --
195
00:09:59,867 --> 00:10:09,910
196
00:10:09,943 --> 00:10:24,024
197
00:10:24,057 --> 00:10:29,529
ONE SONG GLORY
ONE SONG BEFORE I GO
198
00:10:29,562 --> 00:10:36,003
GLORY
ONE SONG TO LEAVE BEHIND
199
00:10:36,036 --> 00:10:39,139
FIND ONE SONG
ONE LAST REFRAIN
200
00:10:39,172 --> 00:10:42,009
GLORY
FROM THE PRETTY BOY
201
00:10:42,042 --> 00:10:49,449
FRONT MAN
WHO WASTED OPPORTUNITY
202
00:10:49,482 --> 00:10:51,785
ONE SONG
HE HAD THE WORLD
203
00:10:51,819 --> 00:10:55,455
AT HIS FEET
GLORY
204
00:10:55,488 --> 00:10:56,890
IN THE EYES
OF A YOUNG GIRL
205
00:10:56,924 --> 00:11:05,032
A YOUNG GIRL
FIND GLORY
206
00:11:05,065 --> 00:11:06,734
BEYOND THE CHEAP
COLORED LIGHTS
207
00:11:06,767 --> 00:11:09,302
ONE SONG
BEFORE THE SUN SETS
208
00:11:09,336 --> 00:11:13,306
GLORY
ON ANOTHER EMPTY LIFE
209
00:11:13,340 --> 00:11:23,350
TIME FLIES TIME DIES
GLORY
210
00:11:23,383 --> 00:11:32,359
TIME FLIES TIME DIES
GLORY
211
00:11:32,392 --> 00:11:39,900
ONE BLAZE OF GLORY
ONE BLAZE OF GLORY
212
00:11:39,933 --> 00:11:49,709
GLORY
FIND GLORY
213
00:11:49,743 --> 00:11:55,082
GLORY
FIND GLORY
214
00:11:55,115 --> 00:12:01,388
IN A SONG THAT RINGS TRUE
TRUTH LIKE A BLAZING FIRE
215
00:12:01,421 --> 00:12:08,528
AN ETERNAL FLAME
FIND ONE SONG
216
00:12:08,561 --> 00:12:12,866
A SONG ABOUT LOVE
GLORY
217
00:12:12,900 --> 00:12:16,436
FROM THE SOUL
OF A YOUNG MAN
218
00:12:16,469 --> 00:12:22,776
A YOUNG MAN
FIND THE ONE SONG
219
00:12:22,810 --> 00:12:24,912
BEFORE THE VIRUS
TAKES HOLD
220
00:12:24,945 --> 00:12:27,948
GLORY
LIKE A SUNSET
221
00:12:27,981 --> 00:12:32,385
ONE SONG
TO REDEEM THIS EMPTY LIFE
222
00:12:32,419 --> 00:12:39,159
TIME FLIES
AND THEN
223
00:12:39,192 --> 00:12:51,939
NO NEED TO ENDURE ANYMORE
TIME DIES
224
00:12:51,972 --> 00:12:57,777
THE DOOR
225
00:12:57,811 --> 00:12:58,979
DAMN IT, MARK.
226
00:12:59,012 --> 00:13:00,914
WHAT'D YOU FORGET?
227
00:13:00,948 --> 00:13:01,781
GOT A LIGHT?
228
00:13:01,815 --> 00:13:04,584
I KNOW YOU
YOU'RE --
229
00:13:04,617 --> 00:13:08,021
YOU'RE SHIVERING
IT'S NOTHING
230
00:13:08,055 --> 00:13:11,358
THEY TURNED OFF MY HEAT
AND I'M JUST A LITTLE
231
00:13:11,391 --> 00:13:18,465
WEAK ON MY FEET
WOULD YOU LIGHT MY CANDLE?
232
00:13:18,498 --> 00:13:22,469
WHAT ARE YOU STARING AT?
NOTHING
233
00:13:22,502 --> 00:13:29,609
YOUR HAIR IN THE MOONLIGHT
YOU LOOK FAMILIAR
234
00:13:29,642 --> 00:13:33,180
CAN YOU MAKE IT?
235
00:13:33,213 --> 00:13:35,983
JUST HAVEN'T EATEN MUCH TODAY
AT LEAST THE ROOM STOPPED
236
00:13:36,016 --> 00:13:39,052
SPINNING ANYWAY
WHAT?
237
00:13:39,086 --> 00:13:41,488
NOTHING.
238
00:13:41,521 --> 00:13:44,291
YOUR SMILE REMINDED ME OF --
I ALWAYS REMIND PEOPLE OF --
239
00:13:44,324 --> 00:13:45,825
WHO IS SHE?
240
00:13:45,859 --> 00:13:47,127
SHE DIED.
241
00:13:47,160 --> 00:13:48,295
HER NAME WAS APRIL.
242
00:13:48,328 --> 00:13:54,234
IT'S OUT AGAIN
SORRY ABOUT YOUR FRIEND
243
00:13:54,267 --> 00:14:00,540
WOULD YOU LIGHT MY CANDLE?
WELL --
244
00:14:00,573 --> 00:14:01,708
YEAH.
245
00:14:01,741 --> 00:14:02,910
OW!
246
00:14:02,943 --> 00:14:04,211
OH.
247
00:14:04,244 --> 00:14:07,014
THE WAX -- IT'S --
DRIPPING!
248
00:14:07,047 --> 00:14:10,150
I LIKE IT -- BETWEEN MY --
FINGERS.
249
00:14:10,183 --> 00:14:12,519
I FIGURED --
OH, WELL.
250
00:14:12,552 --> 00:14:22,062
GOODNIGHT.
251
00:14:22,095 --> 00:14:24,064
IT BLEW OUT AGAIN?
252
00:14:24,097 --> 00:14:25,665
NO.
253
00:14:25,698 --> 00:14:27,100
I THINK THAT I DROPPED MY STASH.
254
00:14:27,134 --> 00:14:29,937
I KNOW I'VE SEEN YOU
OUT AND ABOUT
255
00:14:29,970 --> 00:14:33,907
WHEN I USED TO GO OUT
YOUR CANDLE'S OUT
256
00:14:33,941 --> 00:14:37,077
I'M ILLIN'
I HAD IT WHEN I WALKED
257
00:14:37,110 --> 00:14:39,079
IN THE DOOR
IT WAS PURE
258
00:14:39,112 --> 00:14:39,546
IS IT ON THE FLOOR?
259
00:14:39,579 --> 00:14:43,883
THE FLOOR?
260
00:14:43,917 --> 00:14:47,120
THEY SAY I HAVE THE BEST ASS
BELOW 14TH STREET
261
00:14:47,154 --> 00:14:49,923
IS IT TRUE?
WHAT?
262
00:14:49,957 --> 00:14:51,925
YOU'RE STARING AGAIN.
263
00:14:51,959 --> 00:14:54,127
OH NO.
264
00:14:54,161 --> 00:14:57,464
I MEAN YOU DO -- HAVE A NICE--
I MEAN -- YOU LOOK FAMILIAR.
265
00:14:57,497 --> 00:14:59,399
LIKE YOUR DEAD GIRLFRIEND?
266
00:14:59,432 --> 00:15:01,768
ONLY WHEN YOU SMILE.
267
00:15:01,801 --> 00:15:04,571
BUT I'M SURE I'VE SEEN YOU
SOMEWHERE ELSE.
268
00:15:04,604 --> 00:15:07,074
DO YOU GO TO THE CAT SCRATCH
CLUB?
269
00:15:07,107 --> 00:15:11,311
THAT'S WHERE I WORK I DANCE
HELP ME LOOK
270
00:15:11,344 --> 00:15:12,412
YES!
271
00:15:12,445 --> 00:15:14,914
THEY USED TO TIE YOU UP
IT'S A LIVING
272
00:15:14,948 --> 00:15:17,985
I DIDN'T RECOGNIZE YOU
WITHOUT THE HANDCUFFS
273
00:15:18,018 --> 00:15:28,061
WE COULD LIGHT THE CANDLE
OH WON'T YOU LIGHT THE CANDLE
274
00:15:28,095 --> 00:15:33,233
WE COULD LIGHT THE CANDLE
OH WON'T YOU LIGHT THE CANDLE
275
00:15:33,266 --> 00:15:35,168
WHY DON'T YOU FORGET
THAT STUFF
276
00:15:35,202 --> 00:15:39,072
YOU LOOK LIKE YOU'RE 16
I'M 19
277
00:15:39,106 --> 00:15:44,311
BUT I'M OLD FOR MY AGE
I'M JUST BORN TO BE BAD
278
00:15:44,344 --> 00:15:48,648
I ONCE WAS BORN TO BE BAD
I USED TO SHIVER LIKE THAT
279
00:15:48,681 --> 00:15:50,317
I HAVE NO HEAT
I TOLD YOU
280
00:15:50,350 --> 00:15:52,152
I USED TO SWEAT
I GOT A COLD
281
00:15:52,185 --> 00:15:54,321
UH-UH
I USED TO BE A JUNKIE
282
00:15:54,354 --> 00:15:55,788
BUT NOW AND THEN I LIKE TO
UH-HUH
283
00:15:55,822 --> 00:15:58,258
FEEL GOOD
HERE IT..
284
00:15:58,291 --> 00:15:58,791
UM...
285
00:15:58,825 --> 00:15:59,492
WHAT'S THAT?
286
00:15:59,526 --> 00:16:02,095
A CANDY BAR WRAPPER.
287
00:16:02,129 --> 00:16:12,139
WE COULD LIGHT THE CANDLE
WHAT'D YOU DO TO MY CANDLE?
288
00:16:12,172 --> 00:16:17,644
WE COULD LIGHT THE CANDLE
WHAT'D YOU DO TO MY CANDLE?
289
00:16:17,677 --> 00:16:21,181
THAT WAS MY LAST MATCH
OUR EYES'LL ADJUST
290
00:16:21,214 --> 00:16:24,151
THANK GOD FOR THE MOON
MAYBE IT'S NOT
291
00:16:24,184 --> 00:16:27,987
THE MOON AT ALL
I HEAR SPIKE LEE'S
292
00:16:28,021 --> 00:16:32,792
SHOOTING DOWN THE STREET
BAH HUMBUG
293
00:16:32,825 --> 00:16:36,363
BAH HUMBUG
COLD HANDS
294
00:16:36,396 --> 00:16:41,868
YOURS TOO
BIG LIKE MY FATHER'S.
295
00:16:41,901 --> 00:16:45,172
YOU WANNA DANCE?
WITH YOU?
296
00:16:45,205 --> 00:16:46,005
NO.
297
00:16:46,039 --> 00:16:52,212
WITH MY FATHER
I'M ROGER
298
00:16:52,245 --> 00:17:02,021
THEY CALL ME
THEY CALL ME MIMI
299
00:17:02,055 --> 00:17:12,265
THEY CALL ME
THEY CALL ME MIMI
300
00:17:12,299 --> 00:17:17,237
LAST NIGHT ONE OF OUR CAST
MEMBERS SUSTAINED AN INJURY.
301
00:17:17,270 --> 00:17:20,873
BRENDAN HUNT, OUR ROGER, HAS
BROKEN HIS FOOT AND WILL BE
302
00:17:20,907 --> 00:17:23,910
UNABLE TO PERFORM TONIGHT.
BUT BRENT HAS ALWAYS BEEN
303
00:17:23,943 --> 00:17:27,847
ABOUT COMMUNITY, RESILIENCY AND
BOUNCING BACK.
304
00:17:27,880 --> 00:17:29,916
SO THE SHOW MUST GO ON.
305
00:17:29,949 --> 00:17:33,286
MOST OF WHAT YOU'LL SEE
TONIGHT WILL COME FROM LAST
306
00:17:33,320 --> 00:17:37,224
NIGHT'S PERFORMANCE, BUT WE HAVE
ALL RALLIED TOGETHER TO REWORK
307
00:17:37,257 --> 00:17:41,861
THE FINAL ACT SO THAT ALL OF US
INCLUDING BRENNAN AND THE
308
00:17:41,894 --> 00:17:46,366
ORIGINAL BROADWAY CAST OF "RENT"
CAN PERFORM IT FOR YOU LIVE.
309
00:17:46,399 --> 00:17:48,768
IN THE WORDS OF JONATHAN
LARSON --
310
00:17:48,801 --> 00:17:49,169
NO DAY BUT TODAY!
311
00:17:52,972 --> 00:17:55,242
LOOK WHO I FOUND!
312
00:17:55,275 --> 00:17:59,946
ENTER TOM COLLINS: COMPUTER
GENIUS, ADJUNCT PROFESSOR, AND
313
00:17:59,979 --> 00:18:07,086
THE UNDISPUTED COOLEST MAN TO
EVER LIVE IN OUR APARTMENT.
314
00:18:07,120 --> 00:18:09,088
BUSTELO
MARLBORO
315
00:18:09,122 --> 00:18:14,661
BANANA BY THE BUNCH
A BOX OF CAPTAIN CRUNCH
316
00:18:14,694 --> 00:18:16,663
WILL TASTE SO GOOD
AND FIREWOOD
317
00:18:16,696 --> 00:18:21,801
LOOK IT'S SANTA CLAUS
HOLD YOUR APPLAUSE
318
00:18:21,834 --> 00:18:23,170
OH HI
OH HI AFTER SEVEN MONTHS?
319
00:18:23,203 --> 00:18:25,004
SORRY
THIS BOY COULD
320
00:18:25,037 --> 00:18:31,311
USE SOME STOLI
OH HOLY NIGHT
321
00:18:31,344 --> 00:18:34,181
YOU STRUCK GOLD AT MIT?
THEY EXPELLED ME
322
00:18:34,214 --> 00:18:37,317
FOR MY THEORY
OF ACTUAL REALITY
323
00:18:37,350 --> 00:18:39,352
WHICH I'LL SOON IMPART
TO THE COUCH POTATOES
324
00:18:39,386 --> 00:18:41,521
AT NEW YORK UNIVERSITY
STILL HAVEN'T
325
00:18:41,554 --> 00:18:43,256
LEFT THE HOUSE?
I WAS WAITING FOR YOU
326
00:18:43,290 --> 00:18:46,025
DON'T YOU KNOW
WELL, TONIGHT'S THE NIGHT
327
00:18:46,058 --> 00:18:47,694
COME TO THE LIFE CAFE
AFTER MAUREEN'S SHOW
328
00:18:47,727 --> 00:18:51,698
NO FLOW
GENTLEMEN, OUR BENEFACTOR
329
00:18:51,731 --> 00:18:55,302
ON THIS CHRISTMAS EVE
WHOSE CHARITY IS ONLY
330
00:18:55,335 --> 00:18:58,438
MATCHED BY TALENT
I BELIEVE
331
00:18:58,471 --> 00:19:01,608
A NEW MEMBER
OF THE ALPHABET CITY
332
00:19:01,641 --> 00:19:11,651
AVANT GARDE
ANGEL DUMOTT SCHUNARD
333
00:19:11,684 --> 00:19:18,325
AVANT GARDE
ANGEL DUMOTT SCHUNARD
334
00:19:18,358 --> 00:19:23,363
TODAY FOR YOU
TOMORROW FOR ME
335
00:19:23,396 --> 00:19:29,369
TODAY FOR YOU
TOMORROW FOR ME
336
00:19:29,402 --> 00:19:31,404
AND YOU SHOULD HEAR HER BEAT!
337
00:19:31,438 --> 00:19:32,572
YOU EARNED THAT ON THE
STREET?
338
00:19:32,605 --> 00:19:36,209
IT WAS MY LUCKY DAY TODAY
ON AVENUE A
339
00:19:36,243 --> 00:19:39,246
WHEN A LADY IN A LIMOUSINE
DROVE MY WAY
340
00:19:39,279 --> 00:19:41,748
SHE SAID, "DAHLING
BE A DEAR
341
00:19:41,781 --> 00:19:44,551
HAVEN'T SLEPT IN A YEAR
I NEED YOUR HELP
342
00:19:44,584 --> 00:19:48,388
TO MAKE MY NEIGHBOR'S
YAPPY DOG DISAPPEAR
343
00:19:48,421 --> 00:19:51,190
THIS AKITA EVITA
JUST WON'T SHUT UP
344
00:19:51,224 --> 00:19:54,026
I BELIEVE IF
YOU PLAY NON-STOP
345
00:19:54,060 --> 00:19:57,264
THAT PUP WILL BREATHE
ITS VERY LAST
346
00:19:57,297 --> 00:20:00,433
HIGH STRUNG BREATH
I'M CERTAIN THAT CUR
347
00:20:00,467 --> 00:20:04,003
WILL BARK ITSELF TO DEATH"
TODAY FOR YOU
348
00:20:04,036 --> 00:20:07,440
TOMORROW FOR ME
TODAY FOR YOU
349
00:20:07,474 --> 00:20:11,077
TOMORROW FOR ME
WE AGREED ON A FEE
350
00:20:11,110 --> 00:20:15,047
A THOUSAND DOLLAR GUARANTEE
TAX-FREE AND BONUS
351
00:20:15,081 --> 00:20:19,852
IF I TRIM HER TREE
NOW WHO COULD FORETELL
352
00:20:19,886 --> 00:20:21,421
THAT IT WOULD GO SO WELL
BUT SURE AS I AM HERE
353
00:20:21,454 --> 00:20:25,024
THAT DOG IS NOW
IN DOGGY HELL
354
00:20:25,057 --> 00:20:28,595
AFTER AN HOUR, EVITA
IN ALL HER GLORY
355
00:20:28,628 --> 00:20:31,798
ON THE WINDOW LEDGE
OF THAT 23RD STORY
356
00:20:31,831 --> 00:20:35,302
LIKE THELMA AND LOUISE DID
WHEN THEY GOT THE BLUES
357
00:20:35,335 --> 00:20:38,104
SWAN DOVE INTO THE COURTYARD
OF THE GRACIE MEWS
358
00:20:38,137 --> 00:20:42,074
TODAY FOR YOU
TOMORROW FOR ME
359
00:20:42,108 --> 00:20:49,316
TODAY FOR YOU
TOMORROW FOR ME
360
00:20:49,349 --> 00:21:00,827
361
00:21:00,860 --> 00:21:04,297
THEN BACK ON THE STREET
WHERE I MET MY SWEET
362
00:21:04,331 --> 00:21:06,299
AS HE WAS MOANING
AND GROANING
363
00:21:06,333 --> 00:21:09,902
ON THE COLD CONCRETE
THE NURSE TOOK HIM HOME
364
00:21:09,936 --> 00:21:12,271
FOR SOME MERCUROCHROME
AND I DRESSED HIS WOUNDS
365
00:21:12,305 --> 00:21:13,906
AND GOT HIM BACK
ON HIS FEET
366
00:21:13,940 --> 00:21:16,676
SINGING
TODAY FOR YOU
367
00:21:16,709 --> 00:21:19,479
TOMORROW FOR ME
TODAY FOR YOU
368
00:21:19,512 --> 00:21:23,850
TOMORROW FOR ME
I SAID TODAY FOR YOU TOMORROW
369
00:21:23,883 --> 00:21:26,653
FOR ME
TODAY FOR YOU
370
00:21:26,686 --> 00:21:32,659
TOMORROW FOR ME
OH OH OH
371
00:21:32,692 --> 00:21:42,502
FOR ME
372
00:21:42,535 --> 00:21:44,871
JOY TO THE WORLD.
373
00:21:44,904 --> 00:21:46,439
BENNY STILL HAS A KEY?
374
00:21:46,473 --> 00:21:48,875
BENNY OWNS THE BUILDING.
375
00:21:48,908 --> 00:21:49,342
HEY YOU BUM!
376
00:21:49,376 --> 00:21:49,876
YEAH, YOU!
377
00:21:49,909 --> 00:21:50,843
MOVE OVER!
378
00:21:50,877 --> 00:21:52,479
GET YOUR ASS OFF THAT RANGE
ROVER!
379
00:21:52,512 --> 00:21:55,682
THAT ATTITUDE TOWARD THE
HOMELESS IS EXACTLY WHAT MAUREEN
380
00:21:55,715 --> 00:21:58,351
IS PROTESTING TONIGHT.
381
00:21:58,385 --> 00:22:00,487
MAUREEN IS PROTESTING LOSING
HER PERFORMANCE SPACE.
382
00:22:00,520 --> 00:22:02,789
NOT MY ATTITUDE.
383
00:22:02,822 --> 00:22:07,394
SHE'S NOT WORRIED ABOUT THE
PEOPLE WHO LIVE IN THAT EMPTY
384
00:22:07,427 --> 00:22:08,828
LOT.
385
00:22:08,861 --> 00:22:09,228
SHE'S WORRIED ABOUT LOSING A
HOME FOR HER ANGRY LITTLE
386
00:22:09,261 --> 00:22:09,996
PROTEST SKITS.
387
00:22:10,029 --> 00:22:10,730
WHAT'S HAPPENED TO BENNY?
388
00:22:10,763 --> 00:22:13,132
WHAT HAPPENED TO HIS HEART?
389
00:22:13,165 --> 00:22:16,235
AND THE IDEALS HE ONCE PURSUED?
390
00:22:16,268 --> 00:22:19,906
ANY OWNER OF THAT LOT NEXT
DOOR HAS THE RIGHT TO DO WITH IT
391
00:22:19,939 --> 00:22:22,709
AS HE PLEASES.
392
00:22:22,742 --> 00:22:24,711
HAPPY BIRTHDAY, JESUS!
393
00:22:24,744 --> 00:22:26,345
THE RENT --
YOU'RE WASTING YOUR TIME.
394
00:22:26,379 --> 00:22:27,514
WE'RE BROKE.
395
00:22:27,547 --> 00:22:31,418
AND YOU BROKE YOUR WORD.
396
00:22:31,451 --> 00:22:32,552
THIS IS ABSURD.
397
00:22:32,585 --> 00:22:33,420
THERE IS ONE WAY YOU WON'T
HAVE TO PAY.
398
00:22:33,453 --> 00:22:34,554
I KNEW IT!
399
00:22:34,587 --> 00:22:38,558
NEXT DOOR THE HOME OF
CYBERARTS YOU SEE.
400
00:22:38,591 --> 00:22:41,728
AND NOW THAT THE BLOCK IS
RE-ZONED, OUR DREAM CAN BECOME A
401
00:22:41,761 --> 00:22:51,571
REALITY YOU'LL SEE BOYS YOU'LL
A STATE OF THE ART DIGITAL
402
00:22:51,604 --> 00:22:57,577
VIRTUAL INTERACTIVE STUDIO I'LL
FOREGO YOUR RENT AND ON PAPER
403
00:22:57,610 --> 00:23:00,379
GUARANTEE THAT YOU CAN STAY HERE
FOR FREE IF YOU DO ME ONE SMALL
404
00:23:00,413 --> 00:23:03,182
FAVOR.
405
00:23:03,215 --> 00:23:04,283
WHAT?
406
00:23:04,316 --> 00:23:05,351
CONVINCE MAUREEN TO CANCEL
HER PROTEST.
407
00:23:05,384 --> 00:23:07,954
WHY NOT JUST GET AN
INJUNCTION OR CALL THE COPS?
408
00:23:07,987 --> 00:23:11,558
I DID AND THEY'RE ON STANDBY.
409
00:23:11,591 --> 00:23:14,627
BUT MY INVESTORS WOULD RATHER I
HANDLE THIS QUIETLY YOU CAN'T
410
00:23:14,661 --> 00:23:17,564
QUIETLY WIPE OUT AN ENTIRE TENT
CITY, THEN WATCH 'IT'S A
411
00:23:17,597 --> 00:23:19,566
WONDERFUL LIFE' ON TV!
412
00:23:19,599 --> 00:23:21,400
YOU WANT TO PRODUCE FILMS AND
WRITE SONGS?
413
00:23:21,434 --> 00:23:24,604
YOU NEED SOMEWHERE TO PERFECT
IT.
414
00:23:24,637 --> 00:23:25,972
IT'S WHAT WE USED TO DREAM
ABOUT, THINK TWICE BEFORE YOU
415
00:23:26,005 --> 00:23:28,207
REJECT IT.
416
00:23:28,240 --> 00:23:36,616
YOU'LL SEE BOYS YOU'LL SEE BOYS
YOU'LL SEE THE BEAUTY OF A
417
00:23:36,649 --> 00:23:42,455
STUDIO THAT LETS US DO OUR WORK
AND GET PAID WITH CONDOS ON THE
418
00:23:42,489 --> 00:23:51,263
TOP WHOSE RENT KEEPS OPEN OUR
SHOP JUST STOP HER PROTEST AND
419
00:23:51,297 --> 00:23:57,670
YOU'LL HAVE IT MADE YOU'LL SEE
OR YOU'LL PACK.
420
00:23:57,704 --> 00:23:58,471
THAT BOY COULD USE SOME PROZAC.
421
00:23:58,505 --> 00:23:59,071
OR HEAVY DRUGS.
422
00:23:59,105 --> 00:24:03,242
OR GROUP HUGS.
423
00:24:03,275 --> 00:24:10,517
WHICH REMINDS ME -â " WE HAVE
A DETOUR TO MAKE TONIGHT.
424
00:24:10,550 --> 00:24:11,951
ANYONE WHO WANTS TO CAN COME
ALONG.
425
00:24:11,984 --> 00:24:13,252
LIFE SUPPORT IS A GROUP FOR
PEOPLE COPING WITH LIFE.
426
00:24:13,285 --> 00:24:14,253
WE DON'T HAVE TO STAY TOO
LONG.
427
00:24:14,286 --> 00:24:15,321
FIRST I'VE GOT THAT PROTEST
TO SAVE.
428
00:24:15,354 --> 00:24:16,322
ROGER?
429
00:24:16,355 --> 00:24:17,289
I'M NOT MUCH COMPANY
YOU'LL FIND
430
00:24:17,323 --> 00:24:18,124
BEHAVE
HE'LL CATCH UP LATER
431
00:24:18,157 --> 00:24:18,925
HE'S JUST GOT
OTHER THINGS ON HIS MIND
432
00:24:18,958 --> 00:24:25,031
YOU'LL SEE BOYS
WE'LL SEE BOYS
433
00:24:25,064 --> 00:24:29,836
LET IT BE BOYS!
434
00:24:29,869 --> 00:24:34,641
I LIKE BOYS
BOYS LIKE ME
435
00:24:34,674 --> 00:24:46,553
WE'LL SEE
436
00:24:46,586 --> 00:24:47,687
YOU'VE REACHED MAUREEN AND
437
00:24:47,720 --> 00:24:48,855
JOANNE.
438
00:24:48,888 --> 00:24:53,292
BE AT MY SHOW TONIGHT AT THE
11TH STREET LOT.
439
00:24:53,325 --> 00:24:55,662
WELL, JOANNE, WE'RE OFF
I TRIED YOU AT THE OFFICE
440
00:24:55,695 --> 00:24:57,329
AND THEY SAID
YOU'RE STAGE MANAGING
441
00:24:57,363 --> 00:25:00,700
OR SOMETHING
THE HEARINGS OH YES KITTEN
442
00:25:00,733 --> 00:25:03,169
MUMMY'S CONFIRMATION HEARING
BEGINS ON THE TENTH
443
00:25:03,202 --> 00:25:04,336
WE'LL NEED YOU ALONE
BY THE SIXTH
444
00:25:04,370 --> 00:25:05,504
HAROLD!
445
00:25:05,538 --> 00:25:08,708
FOR MUMMY'S SAKE, KITTEN
NO DOC MARTENS THIS TIME
446
00:25:08,741 --> 00:25:14,714
AND WEAR A DRESS
OH AND KITTEN HAVE A MERRY
447
00:25:14,747 --> 00:25:19,552
AND A BRA!!!
448
00:25:19,586 --> 00:25:21,754
TONIGHT'S BIG SHOW IS IN
MORTAL DANGER DUE TO TECHNICAL
449
00:25:21,788 --> 00:25:24,223
DIFFICULTIES.
450
00:25:24,256 --> 00:25:27,727
CAN MAUREEN'S PATHETIC EX SAVE
THE DAY?
451
00:25:27,760 --> 00:25:28,561
MARK?
452
00:25:28,595 --> 00:25:29,261
YEAH.
453
00:25:29,295 --> 00:25:32,198
AND YOU MUST BE JOANNE.
454
00:25:32,231 --> 00:25:36,736
I TOLD HER NOT TO CALL YOU
455
00:25:36,769 --> 00:25:37,937
THAT'S MAUREEN
BUT CAN I HELP SINCE I'M HERE
456
00:25:37,970 --> 00:25:44,443
I HIRED AN ENGINEER
GREAT
457
00:25:44,476 --> 00:25:46,913
SO, NICE TO HAVE MET YOU
WAIT
458
00:25:46,946 --> 00:25:54,754
SHE'S THREE HOURS LATE
THE SAMPLES WON'T DELAY
459
00:25:54,787 --> 00:25:56,022
BUT THE CABLE
THERE'S ANOTHER WAY
460
00:25:56,055 --> 00:25:59,225
SAY SOMETHING
ANYTHING
461
00:25:59,258 --> 00:26:05,197
TEST ONE TWO THREE
ANYTHING BUT THAT
462
00:26:05,231 --> 00:26:06,699
THIS IS WEIRD
IT'S WEIRD
463
00:26:06,733 --> 00:26:09,602
VERY WEIRD
SUPER WEIRD
464
00:26:09,636 --> 00:26:10,803
I'M SO MAD
THAT I DON'T KNOW
465
00:26:10,837 --> 00:26:14,741
WHAT TO DO
FIGHTING WITH MICROPHONES
466
00:26:14,774 --> 00:26:17,944
FREEZING DOWN TO MY BONES
AND TO TOP IT ALL OFF
467
00:26:17,977 --> 00:26:22,581
I'M WITH YOU
FEEL LIKE GOING INSANE?
468
00:26:22,615 --> 00:26:25,885
GOT A FIRE IN YOUR BRAIN?
AND YOU'RE THINKING
469
00:26:25,918 --> 00:26:27,820
OF DRINKING GASOLINE?
470
00:26:27,854 --> 00:26:31,824
AS A MATTER OF FACT
HONEY, I KNOW THIS ACT
471
00:26:31,858 --> 00:26:35,795
IT'S CALLED
THE TANGO MAUREEN
472
00:26:35,828 --> 00:26:41,668
THE TANGO MAUREEN
IT'S A DARK, DIZZY
473
00:26:41,701 --> 00:26:45,638
MERRY-GO-ROUND
AS SHE KEEPS YOU DANGLING
474
00:26:45,672 --> 00:26:49,275
YOU'RE WRONG
YOUR HEART SHE IS MANGLING
475
00:26:49,308 --> 00:26:52,912
IT'S DIFFERENT WITH ME
AND YOU TOSS AND YOU TURN
476
00:26:52,945 --> 00:26:55,247
'CAUSE HER COLD EYES CAN BURN
YET YOU YEARN
477
00:26:55,281 --> 00:27:00,019
AND YOU CHURN AND REBOUND
I THINK I KNOW WHAT YOU MEAN
478
00:27:00,052 --> 00:27:06,826
THE TANGO MAUREEN
HAS SHE EVER
479
00:27:06,859 --> 00:27:11,831
POUTED HER LIPS
AND CALLED YOU 'POOKIE'
480
00:27:11,864 --> 00:27:15,467
NEVER
HAVE YOU EVER
481
00:27:15,501 --> 00:27:16,803
DOUBTED A KISS OR TWO?
482
00:27:16,836 --> 00:27:21,440
THIS IS SPOOKY
DID YOU SWOON
483
00:27:21,473 --> 00:27:22,709
WHEN SHE WALKED
THROUGH THE DOOR?
484
00:27:22,742 --> 00:27:27,847
EVERY TIME
SO BE CAUTIOUS
485
00:27:27,880 --> 00:27:30,883
DID SHE MOON
OVER OTHER BOYS?
486
00:27:30,917 --> 00:27:35,354
MORE THAN MOON
I'M GETTING NAUSEOUS
487
00:27:35,387 --> 00:27:45,397
WHERE'D YOU LEARN TO TANGO?
488
00:27:45,431 --> 00:27:50,870
WHERE'D YOU LEARN TO TANGO?
489
00:27:50,903 --> 00:27:52,304
WITH THE SPANISH AMBASSADOR'S
DAUGHTER IN HER DORM ROOM AT
490
00:27:52,338 --> 00:27:53,239
MISS PORTER'S.
491
00:27:53,272 --> 00:27:56,475
AND YOU?
492
00:27:56,508 --> 00:27:58,144
WITH NANETTE HIMMELFARB, THE
RABBI'S DAUGHTER, AT THE
493
00:27:58,177 --> 00:28:02,715
SCARSDALE JEWISH COMMUNITY
CENTER.
494
00:28:02,749 --> 00:28:04,350
IT'S HARD TO DO THIS
BACKWARDS.
495
00:28:04,383 --> 00:28:07,887
YOU SHOULD TRY IT IN HEELS!
496
00:28:07,920 --> 00:28:09,155
SHE CHEATED
SHE CHEATED
497
00:28:09,188 --> 00:28:11,523
MAUREEN CHEATED
YUP SHE CHEATED
498
00:28:11,557 --> 00:28:14,326
I'M DEFEATED
I SHOULD GIVE UP RIGHT NOW
499
00:28:14,360 --> 00:28:17,830
GOTTA LOOK ON THE BRIGHT SIDE
WITH ALL YOUR MIGHT
500
00:28:17,864 --> 00:28:22,268
I'D FALL FOR HER
STILL ANYHOW
501
00:28:22,301 --> 00:28:26,572
WHEN YOU'RE DANCING HER DANCE
YOU DON'T STAND A CHANCE
502
00:28:26,605 --> 00:28:30,576
HER GRIP OF ROMANCE
MAKES YOU FALL
503
00:28:30,609 --> 00:28:34,580
SO YOU THINK, 'MIGHT AS WELL'
DANCE A TANGO TO HELL
504
00:28:34,613 --> 00:28:36,916
AT LEAST I'LL HAVE
TANGOED AT ALL
505
00:28:36,949 --> 00:28:41,788
THE TANGO MAUREEN
GOTTA DANCE 'TIL
506
00:28:41,821 --> 00:28:48,527
YOUR DIVA IS THROUGH
YOU PRETEND TO BELIEVE HER
507
00:28:48,560 --> 00:28:54,100
CAUSE IN THE END
YOU CAN'T LEAVE HER
508
00:28:54,133 --> 00:28:56,769
BUT THE END IT WILL COME
STILL YOU HAVE TO PLAY DUMB
509
00:28:56,803 --> 00:28:59,939
'TIL YOU'RE GLUM AND YOU BUM
AND TURN BLUE
510
00:28:59,972 --> 00:29:09,248
WHY DO WE LOVE
WHEN SHE'S MEAN?
511
00:29:09,281 --> 00:29:14,220
AND SHE CAN BE SO OBSCENE TRY
THE MIKE
512
00:29:14,253 --> 00:29:15,054
MY MAUREEN
PATCHED.
513
00:29:15,087 --> 00:29:16,555
THANKS.
514
00:29:16,588 --> 00:29:18,157
YOU KNOW, I FEEL GREAT NOW!
515
00:29:18,190 --> 00:29:19,758
I FEEL LOUSY.
516
00:29:19,792 --> 00:29:28,134
HI, HONEY, WE'RE --
517
00:29:28,167 --> 00:29:34,807
"POOKIE?"
YOU'VE NEVER CALLED ME "POOKIE."
518
00:29:34,841 --> 00:29:35,207
TOLD YA SO.
519
00:29:35,241 --> 00:29:35,641
FORGET IT.
520
00:29:35,674 --> 00:29:38,777
WE'RE PATCHED.
521
00:29:38,811 --> 00:29:40,779
THE TANGO: MAUREEN!
> BY THE END OF 1991, NEARLY
522
00:29:55,895 --> 00:29:59,698
TEN MILLION PEOPLE WORLDWIDE,
INCLUDING ONE MILLION AMERICANS
523
00:29:59,731 --> 00:30:03,369
HAVE BEEN DIAGNOSED WITH HIV.
THERE ARE 206,563 REPORTED CASES
524
00:30:03,402 --> 00:30:04,803
OF AIDS.
525
00:30:04,837 --> 00:30:08,007
WHILE THE ANTIRETROVIRAL
MEDICATION KNOWN AS AZT SHOWS
526
00:30:08,040 --> 00:30:13,880
PROMISE AS A TREATMENT,
PROMISE AS A TREATMENT, ITS
527
00:30:13,913 --> 00:30:15,281
EFFECTIVENESS REMAINS UNCERTAIN.
528
00:30:15,314 --> 00:30:23,222
156,143 PEOPLE HAVE DIED FROM
THE DISEASE.
529
00:30:23,255 --> 00:30:27,626
MORE THAN 31,000 PEOPLE HAVE
DIED IN NEW YORK CITY ALONE.
530
00:30:27,659 --> 00:30:29,896
PAM.
531
00:30:29,929 --> 00:30:31,898
GORDON.
532
00:30:31,931 --> 00:30:33,199
ALI.
533
00:30:33,232 --> 00:30:36,002
STEVE.
534
00:30:36,035 --> 00:30:39,872
SUE.
535
00:30:39,906 --> 00:30:41,140
I'M ANGEL.
536
00:30:41,173 --> 00:30:42,308
TOM.
537
00:30:42,341 --> 00:30:43,042
COLLINS.
538
00:30:43,075 --> 00:30:43,910
I'M CY.
539
00:30:43,943 --> 00:30:47,479
LET'S BEGIN.
540
00:30:47,513 --> 00:30:51,884
THERE'S ONLY US.
541
00:30:51,918 --> 00:30:55,021
THERE'S ONLY THIS.
542
00:30:55,054 --> 00:30:56,088
SORRY EXCUSE ME.
543
00:30:56,122 --> 00:30:56,555
OOPS.
544
00:30:56,588 --> 00:30:58,891
AND YOU ARE?
545
00:30:58,925 --> 00:31:00,893
OH I'M NOT -- I'M JUST HERE
TO -- I DON'T HAVE --
546
00:31:00,927 --> 00:31:08,067
I'M HERE WITH --
MARK, I'M MARK.
547
00:31:08,100 --> 00:31:13,272
WELL, THIS IS QUITE AN OPERATION
SIT DOWN, MARK.
548
00:31:13,305 --> 00:31:15,274
WE'LL CONTINUE THE AFFIRMATION.
549
00:31:15,307 --> 00:31:20,446
FORGET REGRET, OR LIFE IS
YOURS TO MISS.
550
00:31:20,479 --> 00:31:30,456
EXCUSE ME, FOLKS I'M HAVING A
PROBLEM WITH THIS CREDO.
551
00:31:30,489 --> 00:31:31,223
MY T CELLS ARE LOW.
552
00:31:31,257 --> 00:31:33,192
I REGRET THAT NEWS, OKAY?
553
00:31:33,225 --> 00:31:34,360
ALL RIGHT.
554
00:31:34,393 --> 00:31:35,527
BUT GORDON, HOW DO YOU FEEL
TODAY?
555
00:31:35,561 --> 00:31:36,262
WHAT DO YOU MEAN?
556
00:31:36,295 --> 00:31:36,795
HOW DO YOU FEEL TODAY?
557
00:31:36,828 --> 00:31:37,363
OKAY.
558
00:31:37,396 --> 00:31:38,697
IS THAT ALL?
559
00:31:38,730 --> 00:31:40,699
BEST I'VE FELT ALL YEAR.
560
00:31:40,732 --> 00:31:45,037
THEN WHY CHOOSE FEAR?
I'M A NEW YORKER!
561
00:31:45,071 --> 00:31:49,108
FEAR'S MY LIFE!
562
00:31:49,141 --> 00:31:54,280
LOOK I FIND SOME OF WHAT YOU
TEACH SUSPECT BECAUSE I'M USED
563
00:31:54,313 --> 00:31:58,117
TO RELYING ON INTELLECT BUT I
TRY TO OPEN UP TO WHAT I DON'T
564
00:31:58,150 --> 00:32:02,554
KNOW.
565
00:32:02,588 --> 00:32:11,297
BECAUSE REASON SAYS I SHOULD
HAVE DIED SIX MONTHS AGO.
566
00:32:11,330 --> 00:32:23,142
NO OTHER ROAD, NO OTHER WAY,
NO DAY BUT TODAY.
567
00:32:23,175 --> 00:32:32,951
WHAT'S THE TIME
WELL IT'S GOTTA BE
568
00:32:32,985 --> 00:32:39,525
WHAT'S THE TIME
WELL IT'S GOTTA BE
569
00:32:39,558 --> 00:32:44,663
CLOSE TO MIDNIGHT
MY BODY'S TALKING TO ME
570
00:32:44,696 --> 00:32:50,169
IT SAYS TIME FOR DANGER
IT SAYS I WANNA
571
00:32:50,202 --> 00:32:54,273
COMMIT A CRIME
WANNA BE THE CAUSE
572
00:32:54,306 --> 00:32:59,778
OF A FIGHT
WANNA PUT ON A TIGHT SKIRT
573
00:32:59,811 --> 00:33:06,885
AND FLIRT WITH A STRANGER
I'VE HAD A KNACK
574
00:33:06,918 --> 00:33:08,854
FROM WAY BACK
AT BREAKING THE RULES
575
00:33:08,887 --> 00:33:12,491
ONCE I LEARN THE GAMES
GET UP LIFE'S TOO QUICK
576
00:33:12,524 --> 00:33:13,792
I KNOW SOMEPLACE SICK
WHERE THIS CHICK'LL
577
00:33:13,825 --> 00:33:21,233
DANCE IN THE FLAMES
WE DON'T NEED ANY MONEY
578
00:33:21,267 --> 00:33:26,004
I ALWAYS GET IN FOR FREE
YOU CAN GET IN TOO
579
00:33:26,038 --> 00:33:38,684
IF YOU GET IN WITH ME
LET'S GO OUT TONIGHT
580
00:33:38,717 --> 00:33:47,025
I HAVE TO GO OUT TONIGHT
YOU WANNA PLAY
581
00:33:47,059 --> 00:33:49,828
LET'S RUN AWAY
WE WON'T BE BACK
582
00:33:49,861 --> 00:33:59,871
BEFORE IT'S CHRISTMAS DAY
WHEN I GET A WINK
583
00:33:59,905 --> 00:34:09,248
BEFORE IT'S CHRISTMAS DAY
WHEN I GET A WINK
584
00:34:09,281 --> 00:34:14,220
FROM THE DOORMAN DO YOU
KNOW HOW LUCKY YOU'LL BE
585
00:34:14,253 --> 00:34:18,056
THAT YOU'RE ON LINE
WITH THE FELINE
586
00:34:18,090 --> 00:34:28,300
OF AVENUE B
LET'S GO OUT TONIGHT
587
00:34:28,334 --> 00:34:38,744
I HAVE TO GO OUT TONIGHT
YOU WANNA PROWL BE MY NIGHT OWL
588
00:34:38,777 --> 00:34:42,714
WELL TAKE MY HAND
WE'RE GONNA HOWL
589
00:34:42,748 --> 00:34:49,121
OUT TONIGHT
IN THE EVENING
590
00:34:49,155 --> 00:34:52,958
I'VE GOT TO ROAM
CAN'T SLEEP IN THE CITY
591
00:34:52,991 --> 00:34:59,765
OF NEON AND CHROME
FEELS TOO DAMN
592
00:34:59,798 --> 00:35:03,402
MUCH LIKE HOME
WHEN THE BABIES CRY
593
00:35:03,435 --> 00:35:06,104
SO LET'S FIND A BAR
SO DARK WE FORGET
594
00:35:06,138 --> 00:35:10,176
WHO WE ARE
WHERE ALL THE SCARS
595
00:35:10,209 --> 00:35:17,183
OF THE NEVERS
AND MAYBES DIE
596
00:35:17,216 --> 00:35:27,626
LET'S GO OUT TONIGHT
HAVE TO GO OUT TONIGHT
597
00:35:27,659 --> 00:35:34,333
YOU'RE SWEET WANNA
HIT THE STREET
598
00:35:34,366 --> 00:35:39,137
WANNA WAIL AT THE MOON
LIKE A CAT IN HEAT
599
00:35:39,171 --> 00:35:48,647
JUST TAKE ME OUT TONIGHT
PLEASE TAKE ME OUT TONIGHT
600
00:35:48,680 --> 00:35:56,988
DON'T FORSAKE ME
OUT TONIGHT
601
00:35:57,022 --> 00:36:04,963
I'LL LET YOU MAKE ME
OUT TONIGHT
602
00:36:04,996 --> 00:36:15,006
TONIGHT TONIGHT TONIGHT
WHO DO YOU THINK YOU ARE
603
00:36:15,040 --> 00:36:23,181
TONIGHT TONIGHT TONIGHT
WHO DO YOU THINK YOU ARE
604
00:36:23,215 --> 00:36:26,818
BARGING IN ON
ME AND MY GUITAR
605
00:36:26,852 --> 00:36:29,588
LITTLE GIRL HEY
THE DOOR IS THAT WAY
606
00:36:29,621 --> 00:36:33,091
YOU BETTER GO YOU KNOW
THE FIRE'S OUT ANYWAY
607
00:36:33,124 --> 00:36:36,262
TAKE YOUR POWDER
TAKE YOUR CANDLE
608
00:36:36,295 --> 00:36:40,266
YOUR SWEET WHISPER
I JUST CAN'T HANDLE
609
00:36:40,299 --> 00:36:43,068
WELL TAKE YOUR HAIR
IN THE MOONLIGHT
610
00:36:43,101 --> 00:36:48,674
YOUR BROWN EYES
GOODBYE, GOODNIGHT
611
00:36:48,707 --> 00:36:53,512
I SHOULD TELL YOU
I SHOULD TELL YOU
612
00:36:53,545 --> 00:36:55,013
I SHOULD TELL YOU
I SHOULD NO
613
00:36:55,046 --> 00:36:57,783
ANOTHER TIME ANOTHER PLACE
OUR TEMPERATURE
614
00:36:57,816 --> 00:36:58,884
WOULD CLIMB
THERE'D BE A
615
00:36:58,917 --> 00:37:02,120
LONG EMBRACE
WE'D DO ANOTHER DANCE
616
00:37:02,153 --> 00:37:04,923
IT'D BE ANOTHER PLAY
LOOKING FOR ROMANCE
617
00:37:04,956 --> 00:37:18,437
COME BACK ANOTHER DAY
THE HEART MAY FREEZE
618
00:37:18,470 --> 00:37:23,642
OR IT CAN BURN
THE PAIN WILL
619
00:37:23,675 --> 00:37:30,816
EASE IF I CAN LEARN
THERE IS NO FUTURE
620
00:37:30,849 --> 00:37:36,288
THERE IS NO PAST
I LIVE THIS MOMENT
621
00:37:36,322 --> 00:37:48,667
AS MY LAST
THERE'S ONLY US
622
00:37:48,700 --> 00:37:52,304
THERE'S ONLY THIS
FORGET REGRET OR LIFE
623
00:37:52,338 --> 00:37:58,176
IS YOURS TO MISS
NO OTHER ROAD
624
00:37:58,209 --> 00:38:07,285
NO OTHER WAY
NO DAY BUT TODAY
625
00:38:07,319 --> 00:38:10,922
EXCUSE ME IF I'M OFF TRACK
BUT IF YOU'RE SO WISE
626
00:38:10,956 --> 00:38:13,291
THEN TELL ME WHY DO
YOU NEED SMACK
627
00:38:13,325 --> 00:38:16,528
TAKE YOUR NEEDLE
TAKE YOUR FANCY PRAYER
628
00:38:16,562 --> 00:38:18,864
AND DON'T FORGET
GET THE MOONLIGHT
629
00:38:18,897 --> 00:38:20,866
OUT OF YOUR HAIR
LONG AGO YOU MIGHT'VE
630
00:38:20,899 --> 00:38:23,669
LIT UP MY HEART
BUT THE FIRE'S DEAD
631
00:38:23,702 --> 00:38:32,310
AIN'T NEVER EVER
GONNA START ANOTHER TIME
632
00:38:32,344 --> 00:38:34,780
THE WORDS WOULD ONLY RHYME
WE'D BE IN OUTER SPACE
633
00:38:34,813 --> 00:38:38,316
IT'D BE ANOTHER SONG
WE'D SING ANOTHER WAY
634
00:38:38,350 --> 00:38:44,222
YOU WANNA PROVE ME WRONG
COME BACK ANOTHER DAY
635
00:38:44,255 --> 00:38:53,832
ANOTHER DAY
THERE'S ONLY YES
636
00:38:53,865 --> 00:39:02,641
ONLY TONIGHT
WE MUST LET GO
637
00:39:02,674 --> 00:39:08,914
TO KNOW WHAT'S RIGHT
NO OTHER COURSE
638
00:39:08,947 --> 00:39:17,222
NO OTHER WAY
NO DAY BUT TODAY
639
00:39:17,255 --> 00:39:22,528
I CAN'T CONTROL
CONTROL YOUR TEMPER
640
00:39:22,561 --> 00:39:28,834
MY DESTINY
SHE DOESN'T SEE
641
00:39:28,867 --> 00:39:33,939
I TRUST MY SOUL
WHO SAY'S THAT
642
00:39:33,972 --> 00:39:42,247
THERE 'S A SOUL
MY ONLY GOAL IS
643
00:39:42,280 --> 00:39:49,054
JUST TO BE
JUST LET ME BE
644
00:39:49,087 --> 00:39:51,557
THERE'S ONLY NOW
WHO DO YOU THINK
645
00:39:51,590 --> 00:39:52,691
THERE'S ONLY HERE
GIVE IN TO LOVE
646
00:39:52,724 --> 00:39:55,393
BARGING IN ON ME
OR LIVE IN FEAR
647
00:39:55,427 --> 00:39:57,463
AND MY GUITAR
NO OTHER PATH
648
00:39:57,496 --> 00:39:59,397
LITTLE GIRL HEY
NO OTHER WAY
649
00:39:59,431 --> 00:40:05,771
THE DOOR IS THAT WAY
NO DAY BUT TODAY
650
00:40:05,804 --> 00:40:11,777
THE FIRE'S OUT ANYWAY
NO DAY BUT TODAY
651
00:40:11,810 --> 00:40:18,083
TAKE THE POWDER
TAKE THE CANDLE
652
00:40:18,116 --> 00:40:20,418
NO DAY BUT TODAY
TAKE YOUR BROWN EYES
653
00:40:20,452 --> 00:40:23,555
YOUR PRETTY SMILE
YOUR SILHOUETTE
654
00:40:23,589 --> 00:40:26,458
NO DAY BUT TODAY
ANOTHER TIME
655
00:40:26,492 --> 00:40:28,293
ANOTHER PLACE
ANOTHER RHYME
656
00:40:28,326 --> 00:40:31,129
A WARM EMBRACE
NO DAY BUT TODAY
657
00:40:31,162 --> 00:40:32,297
ANOTHER DANCE
ANOTHER WAY
658
00:40:32,330 --> 00:40:37,135
ANOTHER CHANCE
ANOTHER DAY
659
00:40:37,168 --> 00:40:47,178
NO DAY BUT TODAY
I'M WRITING ONE GREAT SONG
660
00:40:47,212 --> 00:41:00,492
NO DAY BUT TODAY
I'M WRITING ONE GREAT SONG
661
00:41:00,526 --> 00:41:10,536
BEFORE I --
WILL I LOSE MY DIGNITY
662
00:41:10,569 --> 00:41:21,279
BEFORE I --
WILL I LOSE MY DIGNITY
663
00:41:21,312 --> 00:41:31,523
WILL SOMEONE CARE
WILL I WAKE TOMORROW
664
00:41:31,557 --> 00:41:41,132
FROM THIS NIGHTMARE
WILL I LOSE MY DIGNITY
665
00:41:41,166 --> 00:41:49,875
WILL SOMEONE CARE
WILL I WAKE TOMORROW
666
00:41:49,908 --> 00:42:00,686
FROM THIS NIGHTMARE
WILL I LOSE MY DIGNITY
667
00:42:00,719 --> 00:42:11,663
WILL SOMEONE CARE
WILL I WAKE TOMORROW
668
00:42:11,697 --> 00:42:24,042
FROM THIS NIGHTMARE
WILL I LOSE MY DIGNITY
669
00:42:24,075 --> 00:42:35,621
WILL SOMEONE CARE
WILL I WAKE TOMORROW
670
00:42:35,654 --> 00:42:41,927
FROM THIS NIGHTMARE
WILL I WAKE FROM THIS
671
00:42:41,960 --> 00:42:46,598
NIGHTMARE?
672
00:43:44,022 --> 00:43:56,935
CHRISTMAS BELLS ARE RINGING
CHRISTMAS BELLS ARE RINGING
673
00:43:56,968 --> 00:44:01,707
CHRISTMAS BELLS ARE RINGING OUT
OF TOWN SANTA FE
674
00:44:01,740 --> 00:44:05,543
EVENING, OFFICERS!
SMILE FOR TED KOPPEL, OFFICER
675
00:44:05,576 --> 00:44:12,818
MARTIN!
AND A MERRY CHRISTMAS TO YOUR
676
00:44:12,851 --> 00:44:18,156
FAMILY
G'NIGHT.
677
00:44:18,189 --> 00:44:19,624
WHO THE HELL DO YOU THINK YOU
ARE?
678
00:44:19,657 --> 00:44:21,492
I DON'T NEED ANY DAMN HELP
FROM SOME BLEEDING HEART
679
00:44:21,526 --> 00:44:24,662
CAMERAMAN MY LIFE'S NOT FOR YOU
TO
680
00:44:24,696 --> 00:44:28,299
MAKE A NAME FOR YOURSELF ON!
681
00:44:28,333 --> 00:44:31,737
EASY SUGAR, EASY HE WAS JUST
TRYING TO --
682
00:44:31,770 --> 00:44:34,239
JUST TRYING TO USE ME TO KILL
HIS GUILT
683
00:44:34,272 --> 00:44:37,475
IT'S NOT THAT KIND OF MOVIE,
HONEY LET'S GO THIS BLOCK HAS
684
00:44:37,508 --> 00:44:42,881
GOTTEN
WAY TOO FULL OF ARTISTS HEY
685
00:44:42,914 --> 00:44:45,350
ARTIST -- YOU GOTTA DOLLAR?
686
00:44:45,383 --> 00:44:48,086
I THOUGHT NOT.
687
00:44:57,295 --> 00:45:00,065
NEW YORK CITY UH HUH
CENTER OF THE UNIVERSE SING IT
688
00:45:00,098 --> 00:45:02,500
GIRL
TIMES AIN'T PRETTY BUT I'M
689
00:45:02,533 --> 00:45:04,702
SURE THEY
CAN'T GET ANY WORSE I HEAR
690
00:45:04,736 --> 00:45:07,505
YOU.
IT'S A COMFORT TO KNOW WHEN
691
00:45:07,538 --> 00:45:09,540
YOU'RE SINGING
THE HIT THE ROAD BLUES THAT
692
00:45:09,574 --> 00:45:11,542
ANYWHERE ELSE YOU COULD
POSSIBLY GO
693
00:45:11,576 --> 00:45:19,117
AFTER NEW YORK'D BE A
PLEASURE CRUISE
694
00:45:19,150 --> 00:45:26,624
NOW YOU'RE TALKING.
WELL, I'M THWARTED BY A
695
00:45:26,657 --> 00:45:31,096
METAPHYSIC PUZZLE AND I'M
SICK OF GRADING PAPERS THAT I
696
00:45:31,129 --> 00:45:35,901
KNOW AND I'M SHOUTING IN MY
SLEEP I NEED A MUZZLE
697
00:45:35,934 --> 00:45:42,573
ALL THIS MISERY PAYS NO
SALARY, SO LET'S OPEN UP A
698
00:45:42,607 --> 00:45:47,813
RESTAURANT IN SANTA FE SUNNY
SANTA FE WOULD BE NICE WE'LL
699
00:45:47,846 --> 00:45:53,651
OPEN UP A RESTAURANT
IN SANTA FE AND LEAVE THIS
700
00:45:53,684 --> 00:46:03,728
TO THE ROACHES AND MICE OH --
OH --
701
00:46:03,761 --> 00:46:14,339
TO THE ROACHES AND MICE OH --
OH --
702
00:46:14,372 --> 00:46:17,142
YOU TEACH?
I TEACH -- COMPUTER AGE
703
00:46:17,175 --> 00:46:20,011
PHILOSOPHY.
BUT MY STUDENTS WOULD RATHER
704
00:46:20,045 --> 00:46:22,347
WATCH TV.
AMERICA.
705
00:46:22,380 --> 00:46:26,284
AMERICA!
YOU'RE A SENSITIVE AESTHETE
706
00:46:26,317 --> 00:46:31,456
BRUSH THE SAUCE ONTO THE MEAT
YOU COULD MAKE THE MENU
707
00:46:31,489 --> 00:46:34,926
SPARKLE WITH RHYME
YOU COULD DRUM A GENTLE DRUM I
708
00:46:34,960 --> 00:46:38,930
COULD SEAT GUESTS
AS THEY COME CHATTING NOT
709
00:46:38,964 --> 00:46:42,600
ABOUT HEIDEGGER
BUT WINE!
710
00:46:42,633 --> 00:46:47,705
LET'S OPEN UP A RESTAURANT IN
SANTA FE SANTA FE
711
00:46:47,738 --> 00:46:50,976
OUR LABORS WOULD REAP
FINANCIAL GAINS
712
00:46:51,009 --> 00:46:54,980
GAINS, GAINS, GAINS WE'LL OPEN
UP A RESTAURANT
713
00:46:55,013 --> 00:46:57,648
IN SANTA FE SANTA FE
AND SAVE FROM DEVASTATION OUR
714
00:46:57,682 --> 00:47:01,887
BRAINS
SAVE OUR BRAINS WE'LL PACK UP
715
00:47:01,920 --> 00:47:05,623
ALL OUR JUNK
AND FLY SO FAR AWAY DEVOTE
716
00:47:05,656 --> 00:47:10,395
OURSELVES TO
PROJECTS THAT SELL WE'LL OPEN
717
00:47:10,428 --> 00:47:14,699
UP A RESTAURANT
IN SANTA FE
718
00:47:14,732 --> 00:47:20,338
FORGET THIS COLD BOHEMIAN
HELL
719
00:47:20,371 --> 00:47:30,381
OH OH OH OH
DO YOU KNOW THE WAY TO SANTA
720
00:47:30,415 --> 00:47:40,458
OH OH OH OH
DO YOU KNOW THE WAY TO SANTA
721
00:47:40,458 --> 00:47:45,430
OH OH OH OH
DO YOU KNOW THE WAY TO SANTA
722
00:47:45,463 --> 00:47:51,336
FE?
YOU KNOW, TUMBLEWEEDS PRAIRIE
723
00:47:51,369 --> 00:48:01,379
DOGS
YEAH
724
00:48:01,412 --> 00:48:07,718
DOGS
YEAH
725
00:48:07,752 --> 00:48:08,686
SO, I'M GOING TO LEAVE YOU
TWO
726
00:48:08,719 --> 00:48:11,089
ALONE.
727
00:48:11,122 --> 00:48:13,458
SEE YOU AT MAUREEN'S SHOW.
TRY AND CONVINCE ROGER TO
728
00:48:13,491 --> 00:48:19,097
COME!
HAVE FUN, YOU TWO.
729
00:48:19,130 --> 00:48:21,899
SO HOW DO YOU LIKE THE
OUTFIT?
730
00:48:21,933 --> 00:48:23,534
BE HONEST.
731
00:48:23,568 --> 00:48:26,704
IT'S A GREAT LOOK FOR YOU.
OF COURSE, I LIKED THE OTHER
732
00:48:26,737 --> 00:48:29,607
LOOK TOO.
I THINK THIS IS THE ONE,
733
00:48:29,640 --> 00:48:35,080
COLLINS.
I FINALLY FEEL LIKE ME.
734
00:48:35,113 --> 00:48:36,948
WELL, THEN, I LOVE IT.
735
00:48:36,982 --> 00:48:41,752
OH, YOU LOVE IT?
YOU CAN FALL IN LOVE WITH -- AN
736
00:48:41,786 --> 00:48:45,723
OUTFIT SO FAST?
I DO BELIEVE I CAN, MS. ANGEL
737
00:48:45,756 --> 00:48:50,161
DUMOTT SHUNARD.
SO... ARE WE A THING?
738
00:48:50,195 --> 00:48:53,331
DARLING, WE'RE EVERYTHING.
739
00:48:53,364 --> 00:48:57,302
LIVE IN MY HOUSE I'LL BE YOUR
SHELTER
740
00:48:57,335 --> 00:49:01,306
JUST PAY ME BACK WITH ONE
THOUSAND KISSES
741
00:49:01,339 --> 00:49:11,582
BE MY LOVER AND I'LL COVER
YOU
742
00:49:11,616 --> 00:49:14,419
OPEN YOUR DOOR I'LL BE YOUR
TENANT
743
00:49:14,452 --> 00:49:17,989
DON'T GOT MUCH BAGGAGE TO LAY
AT YOUR FEET
744
00:49:18,023 --> 00:49:22,093
BUT SWEET KISSES I'VE GOT TO
SPARE
745
00:49:22,127 --> 00:49:27,665
I'LL BE THERE AND I'LL COVER
YOU
746
00:49:27,698 --> 00:49:32,003
I THINK THEY MEANT IT WHEN
THEY SAID YOU CAN'T BUY LOVE
747
00:49:32,037 --> 00:49:35,640
NOW I KNOW YOU CAN RENT IT A
NEW LEASE YOU ARE, MY LOVE ON
748
00:49:35,673 --> 00:49:45,683
LIFE
BE MY LIFE
749
00:49:45,716 --> 00:49:53,058
LIFE
BE MY LIFE
750
00:49:53,091 --> 00:49:59,030
JUST SLIP ME ON I'LL BE YOUR
BLANKET
751
00:49:59,064 --> 00:50:04,202
WHEREVER, WHATEVER I'LL BE
YOUR COAT
752
00:50:04,235 --> 00:50:09,006
YOU'LL BE MY KING AND I'LL BE
YOUR CASTLE NO, YOU'LL BE MY
753
00:50:09,040 --> 00:50:12,577
QUEEN AND I'LL BE YOUR MOAT
I THINK THEY MEANT IT WHEN THEY
754
00:50:12,610 --> 00:50:18,083
SAID YOU CAN'T BUY LOVE NOW
I KNOW YOU CAN RENT IT A NEW
755
00:50:18,116 --> 00:50:28,059
LEASE YOU ARE, MY LOVE ON LIFE
BE MY LIFE I'VE LONGED TO
756
00:50:28,093 --> 00:50:32,197
DISCOVER SOMETHING AS TRUE AS
THIS IS SO WITH A THOUSAND
757
00:50:32,230 --> 00:50:38,436
SWEET KISSES
IF YOU'RE COLD AND YOU'RE
758
00:50:38,469 --> 00:50:42,840
LONELY
I'LL COVER YOU WITH A THOUSAND
759
00:50:42,873 --> 00:50:45,610
SWEET KISSES YOU'VE GOT ONE
NICKEL ONLY I'LL COVER YOU
760
00:50:45,643 --> 00:50:50,248
WITH A THOUSAND SWEET KISSES
WHEN YOU'RE WORN OUT AND TIRED
761
00:50:50,281 --> 00:50:54,719
I'LL COVER YOU WITH A THOUSAND
SWEET KISSES
762
00:50:54,752 --> 00:51:01,859
I'LL COVER YOU WHEN YOUR HEART
HAS EXPIRED OH LOVER, I'LL
763
00:51:01,892 --> 00:51:07,098
COVER YOU YEAH-AH-AH-AH-AH
OH LOVER, I'LL COVER YOU
764
00:51:07,132 --> 00:51:12,170
STEVE?
765
00:51:28,186 --> 00:51:29,086
JOANNE
THE MURGET CASE?
766
00:51:29,120 --> 00:51:30,155
A DISMISSAL!
767
00:51:30,188 --> 00:51:32,657
GOOD WORK COUNSELOR
768
00:51:32,690 --> 00:51:36,227
WE'RE OKAY
HONEYBEAR - WAIT!
769
00:51:36,261 --> 00:51:38,296
I'M ON THE OTHER PHONE
YES, I HAVE THE COWBELL
770
00:51:38,329 --> 00:51:43,768
WE'RE OKAY
SO TELL THEM WE'LL SUE
771
00:51:43,801 --> 00:51:45,470
BUT A SETTLEMENT WILL DO
SEXUAL HARASSMENT AND
772
00:51:45,503 --> 00:51:47,472
CIVIL RIGHTS TOO
STEVE, YOU'RE GREAT
773
00:51:47,505 --> 00:51:50,107
NO, YOU CUT
THE PAPER PLATE
774
00:51:50,141 --> 00:51:52,577
DIDJA CHEAT ON MARK A LOT
WOULD YOU SAY?
775
00:51:52,610 --> 00:51:56,147
WE'RE OKAY
HONEY, HOLD ON
776
00:51:56,181 --> 00:51:59,250
STEVE
HOLD ON
777
00:51:59,284 --> 00:51:59,750
HELLO?
778
00:51:59,784 --> 00:52:00,618
DAD
YES
779
00:52:00,651 --> 00:52:03,188
I BEEPED YOU
MAUREEN IS COMING TO
780
00:52:03,221 --> 00:52:04,822
MOTHER'S HEARING
WE'RE OKAY
781
00:52:04,855 --> 00:52:08,826
HONEYBEAR
WHAT?
782
00:52:08,859 --> 00:52:12,430
NEWT'S LESBIAN SISTER
I'LL TELL THEM
783
00:52:12,463 --> 00:52:13,498
YOU HEARD?
THEY HEARD
784
00:52:13,531 --> 00:52:16,334
WE'RE OKAY
AND TO YOU, DAD
785
00:52:16,367 --> 00:52:17,101
OH, JILL IS THERE?
786
00:52:17,134 --> 00:52:18,369
WAIT
STEVE, GOTTA
787
00:52:18,403 --> 00:52:19,937
JILL WITH THE
SHORT BLACK HAIR?
788
00:52:19,970 --> 00:52:21,539
THE CALVIN KLEIN MODEL?
STEVE GOTTA GO!
789
00:52:21,572 --> 00:52:31,849
THE MODEL, WHO LIVES
IN PENTHOUSE A?
790
00:52:31,882 --> 00:52:36,321
WE'RE
WE'RE OKAY
791
00:52:36,354 --> 00:52:46,964
I'M ON MY WAY
CHRISTMAS BELLS ARE
792
00:52:46,997 --> 00:52:49,367
RINGING
CHRISTMAS BELLS ARE
793
00:52:49,400 --> 00:52:57,242
SINGING
HOW TIME FLIES
794
00:52:57,275 --> 00:53:02,547
WHEN COMPASSION DIES
NO SLEIGHBELLS
795
00:53:02,580 --> 00:53:06,551
NO CANDY CANES
NO YULE LOG
796
00:53:06,584 --> 00:53:08,819
NO TINSEL
NO HOLLY
797
00:53:08,853 --> 00:53:10,821
NO HEARTH
NO
798
00:53:10,855 --> 00:53:15,192
SANTA CLAUS IS COMING
â CAUSE SANTA CLAUS AIN'T
799
00:53:15,226 --> 00:53:17,562
COMING
NO ROOM AT THE
800
00:53:17,595 --> 00:53:23,901
HOLIDAY INN
OH NO
801
00:53:23,934 --> 00:53:28,706
AND IT'S BEGINNING
TO SNOW
802
00:53:28,739 --> 00:53:31,108
HOW ABOUT A FUR IN PERFECT
SHAPE M
803
00:53:31,141 --> 00:53:38,616
OWNED BY AN MBA
FROM UPTOWN
804
00:53:38,649 --> 00:53:39,784
I GOT A TWEED
BROKEN IN BY A GREEDY
805
00:53:39,817 --> 00:53:41,352
BROKER WHO WENT BROKE
AND THEN BROKE DOWN
806
00:53:41,386 --> 00:53:44,221
YOU DON'T HAVE TO
DO THIS
807
00:53:44,255 --> 00:53:47,292
HUSH YOUR MOUTH
IT'S CHRISTMAS
808
00:53:47,325 --> 00:53:52,930
I DO NOT DESERVE YOU
ANGEL
809
00:53:52,963 --> 00:53:56,901
GIVE
GIVE
810
00:53:56,934 --> 00:53:59,236
WAIT
ALL YOU DO
811
00:53:59,270 --> 00:54:04,442
WHAT'S ON THE FLOOR?
IS GIVE
812
00:54:04,475 --> 00:54:06,444
GIVE
LET'S SEE SOME MORE
813
00:54:06,477 --> 00:54:09,280
ME SOME WAY TO SHOW
NO
814
00:54:09,314 --> 00:54:14,319
NO
NO
815
00:54:14,352 --> 00:54:16,487
NO
HOW YOU'VE TOUCHED
816
00:54:16,521 --> 00:54:22,327
ME SO
KISS ME
817
00:54:22,360 --> 00:54:24,429
IT'S BEGINNING TO SNOW
SHE SAID, â WOULD YOU LIGHT
818
00:54:24,462 --> 00:54:25,930
MY CANDLEâ
AND SHE PUT ON A POUT
819
00:54:25,963 --> 00:54:27,332
AND SHE WANTED YOU
TO TAKE HER OUT TONIGHT?
820
00:54:27,365 --> 00:54:31,068
RIGHT
SHE GOT YOU OUT!
821
00:54:31,101 --> 00:54:34,305
SHE WAS MORE THAN OKAY
BUT I PUSHED HER AWAY
822
00:54:34,339 --> 00:54:37,842
IT WAS BAD
I GOT MAD
823
00:54:37,875 --> 00:54:38,943
AND I HAD
TO GET HER OUT OF
824
00:54:38,976 --> 00:54:40,177
MY SIGHT
WAIT
825
00:54:40,210 --> 00:54:44,982
THERE
THAT'S HER
826
00:54:45,015 --> 00:54:51,288
MAUREEN?
MIMI!
827
00:54:51,322 --> 00:54:53,758
WHOA!
I SHOULD GO
828
00:54:53,791 --> 00:54:56,093
HEY, IT'S BEGINNING TO
FOLLOW THE MAN
829
00:54:56,126 --> 00:54:58,429
FOLLOW THE MAN
WITH HIS POCKETS
830
00:54:58,463 --> 00:55:00,097
FULL OF THE JAM
FOLLOW THE MAN
831
00:55:00,130 --> 00:55:01,532
GOT ANY D, MAN?
FOLLOW THE MAN
832
00:55:01,566 --> 00:55:02,333
FOLLOW THE MAN
GOT ANY C, MAN?
833
00:55:02,367 --> 00:55:03,334
FOLLOW THE MAN
GOT ANY X
834
00:55:03,368 --> 00:55:04,369
ANY SMACK
ANY HORSE
835
00:55:04,402 --> 00:55:05,202
ANY JUGIE BOOGIE
BOY
836
00:55:05,235 --> 00:55:12,810
ANY BLOW?
HEY
837
00:55:12,843 --> 00:55:15,680
HEY
I JUST WANT TO SAY
838
00:55:15,713 --> 00:55:17,615
I'M SORRY FOR THE WAY
FORGET IT
839
00:55:17,648 --> 00:55:22,319
I BLEW UP
CAN I MAKE IT UP TO YOU?
840
00:55:22,353 --> 00:55:24,355
HOW?
DINNER PARTY?
841
00:55:24,389 --> 00:55:28,325
THAT'LL DO
HEY, LOVER BOY
842
00:55:28,359 --> 00:55:31,128
CUTIE PIE
YOU STEAL MY CLIENT
843
00:55:31,161 --> 00:55:32,196
YOU DIE
YOU DIDN'T MISS ME
844
00:55:32,229 --> 00:55:33,464
YOU WON'T MISS HER
YOU'LL NEVER LACK
845
00:55:33,498 --> 00:55:36,801
FOR CUSTOMERS
WISH ME LUCK, ALISON
846
00:55:36,834 --> 00:55:39,504
THE PROTEST IS ON
GOT ANY C, MAN?
847
00:55:39,537 --> 00:55:41,506
L.L. BEAN, GEOFFREY BEENE
BURBERRY ZIP-OUT LINING
848
00:55:41,539 --> 00:55:44,642
GOT ANY D, MAN?
HONEST LIVING
849
00:55:44,675 --> 00:55:54,685
MARK, THIS IS MIMI
SHE'LL BE DINING
850
00:55:54,719 --> 00:56:06,063
MARK, THIS IS MIMI
SHE'LL BE DINING
851
00:56:06,096 --> 00:56:07,197
WITH US
GOT ANY B, MAN?
852
00:56:07,231 --> 00:56:08,399
HERE'S A NEW ARRIVAL
THAT IS AN OUNCE
853
00:56:08,433 --> 00:56:15,606
HATS, DATS, BATS
GOT ANY CRACK?
854
00:56:15,640 --> 00:56:17,575
THAT'S MY COAT!
GOT ANY X?
855
00:56:17,608 --> 00:56:19,276
WE GIVE DISCOUNTS
GOT ANY C, MAN?
856
00:56:19,309 --> 00:56:20,578
I THINK WE'VE MET
LET'S GET A BETTER ONE
857
00:56:20,611 --> 00:56:21,846
IT'S A SHAM
GOT ANY D, MAN?
858
00:56:21,879 --> 00:56:23,380
THAT'S WHAT HE SAID
I SAID IT'S A GRAM!
859
00:56:23,414 --> 00:56:24,449
BUT SHE'S A THIEF!
GOT ANY B, MAN?
860
00:56:24,482 --> 00:56:26,283
BUT SHE BROUGHT
US TOGETHER
861
00:56:26,316 --> 00:56:29,086
WHICH INVESTORâ S
COMING?
862
00:56:29,119 --> 00:56:30,555
GOT ANY CRACK?
I'LL TAKE THE LEATHER
863
00:56:30,588 --> 00:56:35,392
GOT ANY X?
YOUR FATHER?
864
00:56:35,426 --> 00:56:39,464
DAMN!
GOT ANY C, MAN?
865
00:56:39,497 --> 00:56:41,466
GOT ANY D, MAN?
866
00:56:41,499 --> 00:56:44,902
GOT ANY B, MAN?
GOT ANY X?
867
00:56:44,935 --> 00:56:48,205
CRACK?
I'M WILLINâ
868
00:56:48,238 --> 00:56:49,440
Iâ M ILLINâ
GOTTA GET MY
869
00:56:49,474 --> 00:56:51,642
SICKNESS OFF
C-D HELP ME
870
00:56:51,676 --> 00:56:52,643
FOLLOW THE MAN
FOLLOW THE MAN
871
00:56:52,677 --> 00:56:53,644
FOLLOW THE MAN
JUGIE BOOGIE
872
00:56:53,678 --> 00:56:54,445
JUGIE BOOGIE
FOLLOW THE MAN
873
00:56:54,479 --> 00:56:55,613
FOLLOW THE MAN
ANY CRACK
874
00:56:55,646 --> 00:56:56,647
ANY X
ANY JUGIE BOOGIE, BOY
875
00:56:56,681 --> 00:57:02,419
ANY BLOW
ANY X
876
00:57:02,453 --> 00:57:05,255
ANY JUGIE BOOGIE, BOY
GOT ANY D, MAN?
877
00:57:05,289 --> 00:57:06,657
GOT ANY C, MAN?
GOT ANY CRACK
878
00:57:06,691 --> 00:57:07,558
ANY X
ANY JUGIE BOOGIE?
879
00:57:07,592 --> 00:57:08,659
I'M DREAMING OF A
RIGHT CHRISTMAS
880
00:57:08,693 --> 00:57:09,594
JUST LIKE THE ONES I
USED TO KNOW
881
00:57:09,627 --> 00:57:10,595
JINGLE BELLS
PRISON CELLS
882
00:57:10,628 --> 00:57:11,729
FA LA LA LA LA LA
FA LA LA LA LA
883
00:57:11,762 --> 00:57:14,465
YOU HAVE THE RIGHT
TO REMAIN
884
00:57:14,499 --> 00:57:15,500
SILENT NIGHT
HOLY NIGHT
885
00:57:15,533 --> 00:57:16,634
FALL ON YOUR KNEES
OH NIGHT DIVINE
886
00:57:16,667 --> 00:57:23,508
YOUâ LL DO SOME TIME
FA LA LA LA LA
887
00:57:23,541 --> 00:57:25,743
TENSIONS BETWEEN THE EAST
VILLAGE HOMELESS POPULATION AND
888
00:57:25,776 --> 00:57:27,745
THE NYPD ARE REACHING A FEVER
PITCH.
889
00:57:27,778 --> 00:57:30,447
NO HOUSING, NO PEACE!
890
00:57:30,481 --> 00:57:32,517
NO HOUSING, NO PEACE!
891
00:57:32,550 --> 00:57:35,252
AS 1991 DRAWS TO A CLOSE.
892
00:57:35,285 --> 00:57:39,156
TONIGHT, ONE WOMAN ATTEMPTS TO
HEAL THE DIVIDE, OR PERHAPS FAN
893
00:57:39,189 --> 00:57:42,359
THE FLAMES.
894
00:57:42,392 --> 00:57:44,361
AND WE GET TO WATCH EITHER
WAY!
895
00:57:44,394 --> 00:57:44,829
QUÃ GUAPA.
896
00:57:44,862 --> 00:57:45,462
QUÃ BELLA.
897
00:57:45,496 --> 00:57:57,474
MIRÃ , TAN CUTE!
898
00:57:57,508 --> 00:57:59,877
LAST NIGHT I HAD A DREAM.
899
00:57:59,910 --> 00:58:09,386
I FOUND MYSELF IN A DESERT
CALLED CYBERLAND.
900
00:58:09,419 --> 00:58:11,722
IT WAS HOT.
901
00:58:11,756 --> 00:58:21,532
MY CANTEEN HAD SPRUNG A LEAK AND
I WAS THIRSTY.
902
00:58:21,566 --> 00:58:29,306
MY CANTEEN HAD SPRUNG A LEAK AND
I WAS THIRSTY.
903
00:58:29,339 --> 00:58:30,641
OUT OF THE ABYSS WALKED A
COW -â " ELSIE.
904
00:58:30,675 --> 00:58:31,709
I ASKED IF SHE HAD ANYTHING TO
DRINK.
905
00:58:31,742 --> 00:58:39,550
SHE SAID --
I'M FORBIDDEN
906
00:58:39,584 --> 00:58:46,356
TO PRODUCE MILK
IN CYBERLAND
907
00:58:46,390 --> 00:58:52,763
WE ONLY DRINK DIET COKE
908
00:58:52,797 --> 00:58:55,099
SHE SAID --
ONLY THING TO DO
909
00:58:55,132 --> 00:58:57,668
IS JUMP OVER THE MOON
THEY'VE CLOSED
910
00:58:57,702 --> 00:59:07,712
EVERYTHING REAL DOWN
LIKE BARNS, TROUGHS
911
00:59:07,745 --> 00:59:20,725
EVERYTHING REAL DOWN
LIKE BARNS, TROUGHS
912
00:59:20,758 --> 00:59:21,859
PERFORMANCE SPACES
AND REPLACED IT ALL
913
00:59:21,892 --> 00:59:23,260
WITH LIES AND RULES
AND VIRTUAL LIFE
914
00:59:23,293 --> 00:59:24,228
BUT THERE IS WAY OUT.
915
00:59:24,261 --> 00:59:25,763
LEAP OF FAITH
LEAP OF FAITH
916
00:59:25,796 --> 00:59:36,073
LEAP OF FAITH
LEAP OF FAITH
917
00:59:36,106 --> 00:59:37,074
ONLY THING TO DO
LEAP OF FAITH
918
00:59:37,107 --> 00:59:47,117
LEAP OF FAITH
IS JUMP OVER THE MOON
919
00:59:47,151 --> 00:59:59,463
LEAP OF FAITH
IS JUMP OVER THE MOON
920
00:59:59,496 --> 01:00:00,464
LEAP OF FAITH
LEAP OF FAITH
921
01:00:00,497 --> 01:00:01,732
I GOTTA GET OUT HERE
IT'S LIKE I'M BEING
922
01:00:01,766 --> 01:00:02,667
TIED TO THE HOOD
OF A YELLOW RENTAL TRUCK
923
01:00:02,700 --> 01:00:05,435
PACKED IN WITH FERTILIZER
AND FUEL OIL
924
01:00:05,469 --> 01:00:11,842
PUSHED OVER A CLIFF
BY A SUICIDAL MICKEY MOUSE
925
01:00:11,876 --> 01:00:14,645
I'VE GOTTA GOTTA
GOTTA GOTTA
926
01:00:14,679 --> 01:00:18,115
GOTTA GOTTA
GOTTA GOTTA FIND A WAY
927
01:00:18,148 --> 01:00:28,158
TO JUMP OVER THE MOON
LEAP OF FAITH
928
01:00:28,192 --> 01:00:34,098
TO JUMP OVER THE MOON
LEAP OF FAITH
929
01:00:34,131 --> 01:00:35,132
LEAP OF FAITH
ONLY THING TO DO
930
01:00:35,165 --> 01:00:36,767
LEAP OF FAITH
LEAP OF FAITH
931
01:00:36,801 --> 01:00:39,469
IS JUMP OVER THE MOON
LEAP OF FAITH
932
01:00:39,503 --> 01:00:42,840
LEAP OF FAITH
THEN A LITTLE BULLDOG
933
01:00:42,873 --> 01:00:45,142
ENTERED.
934
01:00:45,175 --> 01:00:47,878
HIS NAME WAS BENNY.
935
01:00:47,912 --> 01:00:49,146
REALLY, MAUREEN?
936
01:00:49,179 --> 01:00:51,148
AND ALTHOUGH HE ONCE HAD
PRINCIPLES,
937
01:00:51,181 --> 01:00:53,117
HE ABANDONED THEM TO LIVE AS A
LAP DOG TO A WEALTHY PRINCESS OF
938
01:00:53,150 --> 01:00:55,485
THE ESTABLISHMENT.
939
01:00:55,519 --> 01:00:58,723
A 1-2-3, â THAT'S BULL", BENNY
SAID.
940
01:00:58,756 --> 01:01:00,290
EVER SINCE THE CAT TOOK UP THE
FIDDLE.
941
01:01:00,324 --> 01:01:01,458
THAT COW'S BEEN.
942
01:01:01,491 --> 01:01:04,561
JUMPY.
943
01:01:04,594 --> 01:01:08,699
SHE'S HAD TROUBLE WITH HER MILK
AND THAT MOON EVER SINCE.
944
01:01:08,733 --> 01:01:11,035
MAYBE IT'S A
FEMALE THING.
945
01:01:11,068 --> 01:01:13,370
CAUSE WHO'D WANT TO LEAVE
CYBERLAND ANYWAY?
946
01:01:13,403 --> 01:01:15,840
WALLS AIN'T SO BAD.
947
01:01:15,873 --> 01:01:17,374
THE DISH AND SPOON FOR INSTANCE.
948
01:01:17,407 --> 01:01:18,542
THEY WERE DOWN ON THEIR LUCK.
949
01:01:18,575 --> 01:01:19,710
KNOCKED ON MY DOGHOUSE DOOR.
950
01:01:19,744 --> 01:01:30,821
I SAID -- NOT IN MY BACKYARD,
UTENSILS.
951
01:01:30,855 --> 01:01:31,255
THE ONLY WAY OUT.
952
01:01:31,288 --> 01:01:37,728
IS UP.
953
01:01:37,762 --> 01:01:52,009
A LEAP OF FAITH
STILL THIRSTY?
954
01:01:52,042 --> 01:01:53,944
PARCHED.
955
01:01:53,978 --> 01:01:59,116
HAVE SOME MILK.
956
01:01:59,149 --> 01:02:03,420
I LOWERED MYSELF BENEATH HER
SWOLLEN UDDER AND SUCKED THE
957
01:02:03,453 --> 01:02:06,223
SWEETEST MILK I'D EVER TASTED.
958
01:02:06,256 --> 01:02:13,764
CLIMB ON BOARD
959
01:02:13,798 --> 01:02:18,869
AS A HARVEST MOON ROSE OVER
CYBERLAND, WE REARED BACK AND
960
01:02:18,903 --> 01:02:19,736
SPRANG INTO A GALLOP.
961
01:02:19,770 --> 01:02:32,449
LEAPING OUT OF ORBIT, I AWOKE
SINGING.
962
01:02:32,482 --> 01:02:33,617
LEAP OF FAITH
LEAP OF FAITH
963
01:02:33,650 --> 01:02:35,986
LEAP OF FAITH
LEAP OF FAITH
964
01:02:36,020 --> 01:02:39,623
ONLY THING TO DO
LEAP OF FAITH
965
01:02:39,656 --> 01:02:42,426
LEAP OF FAITH
ONLY THING TO DO IS JUMP
966
01:02:42,459 --> 01:02:45,229
LEAP OF FAITH
LEAP OF FAITH
967
01:02:45,262 --> 01:02:46,831
ONLY THING TO DO IS JUMP
LEAP OF FAITH
968
01:02:46,864 --> 01:02:48,799
LEAP OF FAITH
OVER THE MOON
969
01:02:48,833 --> 01:02:50,000
LEAP OF FAITH
LEAP OF FAITH
970
01:02:50,034 --> 01:02:51,802
ONLY THING TO DO IS JUMP
LEAP OF FAITH
971
01:02:51,836 --> 01:02:53,570
LEAP OF FAITH
OVER THE MOON
972
01:02:53,603 --> 01:02:54,604
LEAP OF FAITH
LEAP OF FAITH
973
01:02:54,638 --> 01:02:57,842
OVER THE MOON
OVER THE
974
01:02:57,875 --> 01:03:02,646
MOOOOOOOO
MOOOOOOOO
975
01:03:02,679 --> 01:03:07,084
MOOOOOOOO
MOO WITH ME.
976
01:03:07,117 --> 01:03:17,127
THANK YOU.
977
01:03:17,161 --> 01:03:27,204
THANK YOU.
978
01:03:27,204 --> 01:03:32,809
THANK YOU.
979
01:03:32,843 --> 01:03:33,878
NO PLEASE NO
NOT TONIGHT PLEASE NO
980
01:03:33,911 --> 01:03:34,678
MISTER
CAN'T YOU GO
981
01:03:34,711 --> 01:03:35,712
NOT TONIGHT
CAN'T HAVE A SCENE
982
01:03:35,745 --> 01:03:37,281
WHAT
GO, PLEASE GO
983
01:03:37,314 --> 01:03:38,048
YOU
HELLO, SIR?
984
01:03:38,082 --> 01:03:39,216
I SAID NO
IMPORTANT CUSTOMER
985
01:03:39,249 --> 01:03:40,717
WHAT AM I
JUST A BLUR
986
01:03:40,750 --> 01:03:42,719
YOU SIT ALL NIGHT
YOU NEVER BUY
987
01:03:42,752 --> 01:03:44,855
THAT'S A LIE
THAT'S A LIE
988
01:03:44,889 --> 01:03:46,857
I HAD A TEA THE OTHER DAY
YOU COULDN'T PAY
989
01:03:46,891 --> 01:03:52,696
OH YEAH
BENJAMIN COFFIN THE THIRD --
990
01:03:52,729 --> 01:03:57,501
HERE
WINE & BEER
991
01:03:57,534 --> 01:04:01,906
THE ENEMY OF AVENUE A
AND MR. GREY
992
01:04:01,939 --> 01:04:04,641
WHAT BRINGS THE MOGUL IN HIS
OWN MIND
993
01:04:04,674 --> 01:04:09,746
TO THE LIFE CAFÃ
I WOULD LIKE TO PROPOSE A TOAST
994
01:04:09,779 --> 01:04:14,551
TO MAUREEN'S NOBLE TRY
IT WENT WELL
995
01:04:14,584 --> 01:04:15,752
GO TO HELL
WHY DID MUFFY --
996
01:04:15,785 --> 01:04:16,921
ALISON
MISS THE SHOW
997
01:04:16,954 --> 01:04:20,090
THERE WAS A DEATH IN THE FAMILY
IF YOU MUST KNOW
998
01:04:20,124 --> 01:04:21,358
A BEAT
WHO DIED
999
01:04:21,391 --> 01:04:24,161
OUR AKITA
EVITA
1000
01:04:24,194 --> 01:04:28,933
MIMI I'M SURPRISED
A BRIGHT AND CHARMING
1001
01:04:28,966 --> 01:04:33,670
GIRL LIKE YOU
HANGS OUT
1002
01:04:33,703 --> 01:04:36,907
WITH THESE SLACKERS
WHO DON'T ADHERE TO DEALS.
1003
01:04:36,941 --> 01:04:38,208
THEY MAKE FUN.
1004
01:04:38,242 --> 01:04:42,079
YET I'M THE ONE.
ATTEMPTING TO DO SOME GOOD
1005
01:04:42,112 --> 01:04:45,182
OR DO YOU REALLY WANT
A NEIGHBORHOOD
1006
01:04:45,215 --> 01:04:47,117
WHERE PEOPLE PUKE
ON YOUR STOOP
1007
01:04:47,151 --> 01:04:51,088
EVERY NIGHT
BOHEMIA, BOHEMIAâ S
1008
01:04:51,121 --> 01:04:57,962
A FALLACY IN YOUR HEAD
THIS IS CALCUTTA.
1009
01:04:57,995 --> 01:05:04,268
BOHEMIA IS DEAD.
DEARLY BELOVED
1010
01:05:04,301 --> 01:05:10,607
WE GATHER HERE
TO SAY OUR GOODBYES
1011
01:05:10,640 --> 01:05:12,943
DIES IRAE
DIES ILLA
1012
01:05:12,977 --> 01:05:20,150
KERIE ELEISON
YITGADAL V' YITKADASH
1013
01:05:20,184 --> 01:05:21,051
HERE SHE LIES
NO ONE KNEW HER WORTH
1014
01:05:21,085 --> 01:05:25,322
THE LATE, GREAT DAUGHTER
OF MOTHER EARTH
1015
01:05:25,355 --> 01:05:28,058
ON THIS NIGHT
WHEN WE CELEBRATE
1016
01:05:28,092 --> 01:05:32,162
THE BIRTH
WAAAA!
1017
01:05:32,196 --> 01:05:36,800
IN THAT LITTLE TOWN
OF BETHLEHEM
1018
01:05:36,833 --> 01:05:47,944
WE RAISE OUR GLASS
YOU BET YOUR -- TO
1019
01:05:47,978 --> 01:05:55,519
LA VIE BOHEME
LA VIE BOHEME
1020
01:05:55,552 --> 01:06:06,997
LA VIE BOHEME
LA VIE BOHEME
1021
01:06:07,031 --> 01:06:09,466
LA VIE BOHEME
TO DAYS OF INSPIRATION
1022
01:06:09,499 --> 01:06:10,967
PLAYING HOOKY
MAKING SOMETHING
1023
01:06:11,001 --> 01:06:12,602
LA VIE BOHEME
OUT OF NOTHING
1024
01:06:12,636 --> 01:06:14,971
THE NEED
TO EXPRESS
1025
01:06:15,005 --> 01:06:17,774
TO COMMUNICATE
LA VIE BOHEME
1026
01:06:17,807 --> 01:06:18,975
TO GOING AGAINST THE GRAIN
GOING INSANE
1027
01:06:19,009 --> 01:06:22,179
LA VIE BOHEME
GOING MAD
1028
01:06:22,212 --> 01:06:23,213
TO LOVING TENSION
LA VIE BOHEME
1029
01:06:23,247 --> 01:06:26,050
NO PENSION
TO MORE THAN ONE DIMENSION
1030
01:06:26,083 --> 01:06:28,152
LA VIE BOHEME
TO STARVING FOR ATTENTION
1031
01:06:28,185 --> 01:06:29,653
HATING CONVENTION
HATING PRETENSION
1032
01:06:29,686 --> 01:06:32,489
LA VIE BOHEME
NOT TO MENTION OF COURSE
1033
01:06:32,522 --> 01:06:33,457
HATING DEAR OLD
MOM AND DAD
1034
01:06:33,490 --> 01:06:39,296
LA VIE BOHEME
TO RIDING YOUR BIKE
1035
01:06:39,329 --> 01:06:40,464
LA VIE BOHEME
MIDDAY PAST THE THREE
1036
01:06:40,497 --> 01:06:41,998
PIECE SUITS
LA VIE BOHEME
1037
01:06:42,032 --> 01:06:43,900
TO FRUITS
TO NO ABSOLUTES
1038
01:06:43,933 --> 01:06:45,902
LA VIE BOHEME
TO ABSOLUTE
1039
01:06:45,935 --> 01:06:47,571
TO CHOICE
TO THE VILLAGE VOICE
1040
01:06:47,604 --> 01:06:51,908
LA VIE BOHEME
TO ANY PASSING FAD
1041
01:06:51,941 --> 01:06:59,049
TO BEING AN US FOR ONCE
INSTEAD OF A THEM
1042
01:06:59,083 --> 01:07:04,388
LA VIE BOHEME
LA VIE BOHEME
1043
01:07:04,421 --> 01:07:06,656
IS THE EQUIPMENT
IN A PYRAMID
1044
01:07:06,690 --> 01:07:09,093
IT IS MAUREEN
THE MIXER
1045
01:07:09,126 --> 01:07:12,596
DOESN'T HAVE A CASE
DON'T GIVE ME THAT FACE
1046
01:07:12,629 --> 01:07:14,598
LADIES --
HEY MISTER
1047
01:07:14,631 --> 01:07:18,235
SHE'S MY SISTER
MAUREEN, WE NEED TO --
1048
01:07:18,268 --> 01:07:21,338
TO HAND-CRAFTED BEERS
MADE IN LOCAL BREWERIES
1049
01:07:21,371 --> 01:07:22,906
TO YOGA
TO YOGURT
1050
01:07:22,939 --> 01:07:24,541
TO RICE AND BEANS
AND CHEESE
1051
01:07:24,574 --> 01:07:26,543
TO LEATHER
TO LATEX
1052
01:07:26,576 --> 01:07:30,514
TO CURRY VINDALOO
TO HUEVOS RANCHEROS
1053
01:07:30,547 --> 01:07:33,183
AND MAYA ANGELOU
EMOTION
1054
01:07:33,217 --> 01:07:35,185
DEVOTION
TO CAUSING A COMMOTION
1055
01:07:35,219 --> 01:07:36,853
CREATION
VACATION
1056
01:07:36,886 --> 01:07:40,090
MUCHO --
COMPASSION
1057
01:07:40,124 --> 01:07:43,193
TO FASHION
TO PASSION WHEN IT'S NEW
1058
01:07:43,227 --> 01:07:44,428
TO SONTAG
TO SONDHEIM
1059
01:07:44,461 --> 01:07:49,233
TO ANYTHING TABOO
GINSBERG, DYLAN
1060
01:07:49,266 --> 01:07:51,568
CUNNINGHAM AND CAGE
LENNY BRUCE
1061
01:07:51,601 --> 01:07:53,903
LANGSTON HUGHES
TO THE STAGE
1062
01:07:53,937 --> 01:07:56,273
TO UTA
TO BUDDHA
1063
01:07:56,306 --> 01:08:02,312
PABLO NERUDA, TOO
WHY DOROTHY AND TOTO
1064
01:08:02,346 --> 01:08:06,716
WENT OVER THE RAINBOW
TO BLOW OFF AUNTIE EM
1065
01:08:06,750 --> 01:08:12,589
LA VIE BOHEME
AND WIPE THE SPEAKERS OFF
1066
01:08:12,622 --> 01:08:14,258
BEFORE YOU PACK
YES MAUREEN
1067
01:08:14,291 --> 01:08:18,928
WELL HURRY BACK
THEY KISS DEEP.
1068
01:08:18,962 --> 01:08:22,566
SISTERS
WE'RE CLOSE
1069
01:08:22,599 --> 01:08:25,235
BROTHERS
BISEXUALS
1070
01:08:25,269 --> 01:08:27,404
TRISEXUALS
HOMO SAPIENS
1071
01:08:27,437 --> 01:08:29,673
CARCINOGENS
HALLUCINOGENS
1072
01:08:29,706 --> 01:08:31,675
MEN
PEEWEE HERMAN
1073
01:08:31,708 --> 01:08:32,609
GERMAN WINE
TURPENTINE
1074
01:08:32,642 --> 01:08:34,144
GERTRUDE STEIN
ANTONIONI
1075
01:08:34,178 --> 01:08:37,281
BERTOLUCCI
KUROSAWA
1076
01:08:37,314 --> 01:08:39,283
CARMINA BURANA
TO APATHY
1077
01:08:39,316 --> 01:08:41,618
TO ENTROPY
TO EMPATHY
1078
01:08:41,651 --> 01:08:43,287
--
VACLAV HAVEL
1079
01:08:43,320 --> 01:08:46,323
THE -- PISTOLS
8BC
1080
01:08:46,356 --> 01:08:47,624
TO NO SHAME
NEVER
1081
01:08:47,657 --> 01:08:51,595
PLAYING THE FAME GAME
TO --
1082
01:08:51,628 --> 01:08:54,264
TO SODOMY
IT'S BETWEEN GOD
1083
01:08:54,298 --> 01:08:57,934
AND ME
TO S&M
1084
01:08:57,967 --> 01:08:58,702
WAITER
WAITER
1085
01:08:58,735 --> 01:09:04,208
LA VIE BOHEME
THIS JUST IN!
1086
01:09:04,241 --> 01:09:07,444
THE MYTHICAL LAND OF BOHEMIA,
LONG BELIEVED TO BE DEAD, IS
1087
01:09:07,477 --> 01:09:09,346
SHOWING SHOCKING SIGNS OF LIFE!
1088
01:09:09,379 --> 01:09:12,649
MIMI MARQUEZ HAS BEGUN
SERVING HER LIFETIME APPOINTMENT
1089
01:09:12,682 --> 01:09:16,152
AS MINISTER OF NATIONAL SECURITY
AND BDSM.
1090
01:09:16,186 --> 01:09:18,355
MARK COHEN IS YOUR NEW
SECRETARY OF STATE PROPAGANDA!
1091
01:09:18,388 --> 01:09:20,224
THANK YOU, THANK YOU.
1092
01:09:20,257 --> 01:09:23,393
AND PLEASE KEEP IT GOING FOR THE
REVOLUTIONARY RIOT GRRRL WHO
1093
01:09:23,427 --> 01:09:26,062
MADE TONIGHT POSSIBLE IN THE
FIRST PLACE.
1094
01:09:26,095 --> 01:09:32,869
THE REIGNING QUEEN OF BOHEMIA,
MS. MAUREEN JOHNSON!
1095
01:09:32,902 --> 01:09:36,039
YOUR NEW BOYFRIEND
DOESN'T KNOW ABOUT US
1096
01:09:36,072 --> 01:09:38,475
THERE'S NOTHING TO KNOW
DON'T YOU THINK
1097
01:09:38,508 --> 01:09:40,477
THAT WE SHOULD DISCUSS
IT WAS THREE MONTHS AGO
1098
01:09:40,510 --> 01:09:43,647
AND ROGER, THE UNOFFICIAL
BARD OF BOHEMIA, WILL ATTEMPT TO
1099
01:09:43,680 --> 01:09:47,984
WRITE A BITTERSWEET, EVOCATIVE
LOVE SONG.
1100
01:09:48,017 --> 01:09:51,588
THAT DOESN'T REMIND US OF
MUSETTA'S WALTZ.
1101
01:09:51,621 --> 01:09:55,425
ANGEL DUMOTT SCHUNARD TAKES
HER RIGHTFUL PLACE AS FIRST
1102
01:09:55,459 --> 01:10:00,697
LADY, QUEEN OF ALL SHE SURVEYS,
AND BEACON OF HOPE IN THESE
1103
01:10:00,730 --> 01:10:02,366
DARKEST OF DAYS.
1104
01:10:02,399 --> 01:10:05,502
AND FIRST PHILOSOPHER TOM
COLLINS WILL RECOUNT HIS
1105
01:10:05,535 --> 01:10:07,504
EXPLOITS AS AN ANARCHIST,
INCLUDING THE TALE OF HIS
1106
01:10:07,537 --> 01:10:11,007
SUCCESSFUL REPROGRAMMING OF THE
MIT VIRTUAL REALITY EQUIPMENT TO
1107
01:10:11,040 --> 01:10:13,343
SELF-DESTRUCT, AS IT BROADCASTS
THE WORDS --
1108
01:10:13,377 --> 01:10:14,278
ACTUAL REALITY
ACT UP
1109
01:10:14,311 --> 01:10:19,283
FIGHT AIDS
EXCUSE ME
1110
01:10:19,316 --> 01:10:21,718
DID I DO SOMETHING WRONG
I GET INVITED
1111
01:10:21,751 --> 01:10:24,454
THEN IGNORED
ALL NIGHT LONG
1112
01:10:24,488 --> 01:10:27,257
I'VE BEEN TRYING
I'M NOT LYING
1113
01:10:27,291 --> 01:10:34,097
NO ONE'S PERFECT
I'VE GOT BAGGAGE
1114
01:10:34,130 --> 01:10:35,231
LIFE'S TOO SHORT BABE
TIME IS FLYING
1115
01:10:35,265 --> 01:10:38,468
I'M LOOKING FOR BAGGAGE
THAT GOES WITH MINE
1116
01:10:38,502 --> 01:10:39,303
I SHOULD TELL YOU.
1117
01:10:39,336 --> 01:10:41,638
I'VE GOT BAGGAGE TOO
SHOULD TELL YOU
1118
01:10:41,671 --> 01:10:43,940
BAGGAGE
WINE AND BEER!
1119
01:10:43,973 --> 01:10:55,552
AZT BREAK
1120
01:10:55,585 --> 01:10:58,322
YOU
ME
1121
01:10:58,355 --> 01:11:06,330
YOU
I SHOULD TELL YOU
1122
01:11:06,363 --> 01:11:20,143
I SHOULD TELL YOU
I'M DISASTER
1123
01:11:20,176 --> 01:11:26,115
I FORGET HOW TO BEGIN IT
LET'S JUST MAKE
1124
01:11:26,149 --> 01:11:32,088
THIS PART GO FASTER
I HAVE YET TO BE IN IT
1125
01:11:32,121 --> 01:11:34,858
I SHOULD TELL YOU
I SHOULD TELL YOU
1126
01:11:34,891 --> 01:11:37,661
I SHOULD TELL YOU
I SHOULD TELL YOU
1127
01:11:37,694 --> 01:11:44,801
I SHOULD TELL
I BLEW THE CANDLE OUT
1128
01:11:44,834 --> 01:11:51,975
JUST TO GET BACK IN
I'D FORGOTTEN HOW TO SMILE
1129
01:11:52,008 --> 01:11:57,447
UNTIL YOUR CANDLE
BURNED MY SKIN
1130
01:11:57,481 --> 01:11:59,449
I SHOULD TELL YOU
I SHOULD TELL YOU
1131
01:11:59,483 --> 01:12:04,688
I SHOULD TELL YOU
I SHOULD TELL
1132
01:12:04,721 --> 01:12:16,633
WELL, HERE WE GO
NOW WE
1133
01:12:16,666 --> 01:12:24,140
OH NO
I KNOW
1134
01:12:24,173 --> 01:12:27,377
THIS SOMETHING IS
HERE GOES
1135
01:12:27,411 --> 01:12:32,416
HERE GOES
GUESS SO
1136
01:12:32,449 --> 01:12:37,220
IT'S STARTING TO
WHO KNOWS
1137
01:12:37,253 --> 01:12:39,656
WHO KNOWS
WHO KNOWS WHERE
1138
01:12:39,689 --> 01:12:47,163
WHO GOES THERE
WHO KNOWS
1139
01:12:47,196 --> 01:12:52,268
HERE GOES
TRUSTING DESIRE
1140
01:12:52,301 --> 01:13:01,545
STARTING TO LEARN
WALKING THROUGH FIRE
1141
01:13:01,578 --> 01:13:09,453
WITHOUT A BURN
CLINGING A SHOULDER
1142
01:13:09,486 --> 01:13:13,457
A LEAP BEGINS
STINGING AND OLDER
1143
01:13:13,490 --> 01:13:23,299
ASLEEP ON PINS
SO HERE WE GO
1144
01:13:23,332 --> 01:13:29,706
NOW WE
OH NO
1145
01:13:29,739 --> 01:13:35,244
I KNOW
OH NO
1146
01:13:35,278 --> 01:13:41,551
WHO KNOWS WHERE
WHO GOES THERE
1147
01:13:41,585 --> 01:13:49,493
HERE GOES
HERE GOES
1148
01:13:49,526 --> 01:13:57,501
HERE GOES
HERE GOES
1149
01:13:57,534 --> 01:14:07,511
HERE GOES
HERE GOES
1150
01:14:07,544 --> 01:14:09,513
ARE WE PACKED?
1151
01:14:09,546 --> 01:14:11,848
YES, AND BY NEXT WEEK I WANT
YOU TO BE.
1152
01:14:11,881 --> 01:14:13,016
POOKIE?
1153
01:14:13,049 --> 01:14:14,150
MY NAME IS NOT POOKIE.
1154
01:14:14,183 --> 01:14:15,351
AND WE WILL DISCUSS US LATER.
1155
01:14:15,384 --> 01:14:18,955
AND MARK --
YOU SHOULD SEE.
1156
01:14:18,988 --> 01:14:20,156
THEY'VE PADLOCKED.
1157
01:14:20,189 --> 01:14:21,257
YOUR BUILDING.
1158
01:14:21,290 --> 01:14:22,626
AND THEY'RE RIOTING
ON AVENUE B
1159
01:14:22,659 --> 01:14:24,528
BENNY CALLED THE COPS.
1160
01:14:24,561 --> 01:14:26,129
WHAT?!
1161
01:14:26,162 --> 01:14:29,298
THEY DON'T KNOW
WHAT THEY'RE DOING
1162
01:14:29,332 --> 01:14:32,936
THE COPS ARE
SWEEPING THE LOT
1163
01:14:32,969 --> 01:14:34,103
BUT NO ONE'S LEAVING.
1164
01:14:34,137 --> 01:14:35,605
THEY'RE SITTING THERE, MOOING!
1165
01:14:35,639 --> 01:14:37,607
YEA
TO DANCE
1166
01:14:37,641 --> 01:14:39,175
NO WAY TO MAKE A LIVING
MASOCHISM
1167
01:14:39,208 --> 01:14:40,376
PAIN
PERFECTION
1168
01:14:40,409 --> 01:14:41,678
MUSCLE SPASM
CHIROPRACTORS
1169
01:14:41,711 --> 01:14:43,547
SHORT CAREERS
EATING DISORDERS
1170
01:14:43,580 --> 01:14:45,515
FILM
ADVENTURE
1171
01:14:45,549 --> 01:14:46,783
TEDIUM
NO FAMILY
1172
01:14:46,816 --> 01:14:49,986
BORING LOCATIONS
DARK ROOMS
1173
01:14:50,019 --> 01:14:50,787
PERFECT FACES
EGOS
1174
01:14:50,820 --> 01:14:51,688
MONEY
HOLLYWOOD AND SLEAZE
1175
01:14:51,721 --> 01:14:52,722
MUSIC
FOOD OF LOVE
1176
01:14:52,756 --> 01:14:53,523
EMOTION
MATHEMATICS
1177
01:14:53,557 --> 01:14:54,190
ISOLATION
RHYTHM
1178
01:14:54,223 --> 01:14:55,124
POWER
FEELING
1179
01:14:55,158 --> 01:14:56,626
HARMONY
AND HEAVY COMPETITION
1180
01:14:56,660 --> 01:14:58,628
ANARCHY
REVOLUTION
1181
01:14:58,662 --> 01:14:59,563
JUSTICE
SCREAMING FOR SOLUTIONS
1182
01:14:59,596 --> 01:15:00,730
FORCING CHANGES, RISK
AND DANGER
1183
01:15:00,764 --> 01:15:02,732
MAKING NOISE
AND MAKING PLEAS
1184
01:15:02,766 --> 01:15:05,501
TO --
--
1185
01:15:05,535 --> 01:15:06,570
--
CROSS DRESSERS TOO
1186
01:15:06,603 --> 01:15:07,403
TO ME
TO ME
1187
01:15:07,436 --> 01:15:09,405
TO ME
TO YOU, AND YOU AND YOU
1188
01:15:09,438 --> 01:15:11,174
YOU AND YOU
TO PEOPLE LIVING WITH
1189
01:15:11,207 --> 01:15:14,210
LIVING WITH
LIVING WITH
1190
01:15:14,243 --> 01:15:17,714
NOT DYING FROM DISEASE
LET HE AMONG US WITHOUT SIN
1191
01:15:17,747 --> 01:15:24,988
BE THE FIRST TO CONDEMN
LA VIE BOHEME
1192
01:15:25,021 --> 01:15:31,327
LA VIE BOHEME
LA VIE BOHEME
1193
01:15:31,360 --> 01:15:33,229
ANYONE OUT OF THE MAINSTREAM
LA VIE BOHEME
1194
01:15:33,262 --> 01:15:36,766
IS ANYONE IN THE MAINSTREAM
LA VIE BOHEME
1195
01:15:36,800 --> 01:15:40,403
ANYONE ALIVE WITH A -- DRIVE
LA VIE BOHEME
1196
01:15:40,436 --> 01:15:42,405
TEAR DOWN THE WALL
AREN'T WE ALL
1197
01:15:42,438 --> 01:15:44,741
THE OPPOSITE OF WAR
ISN'T PEACE
1198
01:15:44,774 --> 01:15:50,379
IT'S CREATION
1199
01:15:50,413 --> 01:15:55,184
IN HERE, THE PARTY CONTINUES
ALL NIGHT LONG.
1200
01:15:55,218 --> 01:15:57,120
OUTSIDE, THE SNOW DANCES.
1201
01:15:57,153 --> 01:16:00,123
A RIOT BREAKS OUT IN THE LOT.
1202
01:16:00,156 --> 01:16:01,457
OPEN OUR PARK
NO POLICE STATE
1203
01:16:01,490 --> 01:16:02,759
OPEN OUR PARK
NO POLICE STATE
1204
01:16:02,792 --> 01:16:07,063
OPEN OUR PARK
NO POLICE STATE
1205
01:16:07,096 --> 01:16:09,432
AND OBLIVIOUS TO IT ALL, MIMI
AND ROGER SHARE A SMALL, LOVELY
1206
01:16:09,465 --> 01:16:16,572
KISS.
1207
01:16:16,606 --> 01:16:19,042
VIVA
LA VIE
1208
01:16:19,075 --> 01:16:19,776
BOHEME
> NEW YEAR'S EVE, 1991.
1209
01:16:50,674 --> 01:16:54,177
FOUR OF MY BEST FRIENDS HAVE
BEEN DIAGNOSED WITH HIV.
1210
01:16:54,210 --> 01:16:58,481
THIS COULD BE THE YEAR WE
THIS COULD BE THE YEAR WE LOSE
1211
01:16:58,514 --> 01:17:00,016
ONE OF THEM.
THIS COULD BE THE YEAR WE LOSE
1212
01:17:00,049 --> 01:17:02,852
THEM ALL.
1213
01:17:02,886 --> 01:17:04,854
FIVE HUNDRED TWENTY
FIVE THOUSAND
1214
01:17:04,888 --> 01:17:07,657
SIX HUNDRED
MINUTES
1215
01:17:07,691 --> 01:17:09,659
FIVE HUNDRED TWENTY
FIVE THOUSAND
1216
01:17:09,693 --> 01:17:11,828
SIX HUNDRED
MINUTES
1217
01:17:11,861 --> 01:17:14,831
MOMENTS SO DEAR
FIVE HUNDRED TWENTY
1218
01:17:14,864 --> 01:17:20,704
FIVE THOUSAND
SIX HUNDRED MINUTES
1219
01:17:20,737 --> 01:17:24,708
HOW DO YOU MEASURE MEASURE A
YEAR
1220
01:17:24,741 --> 01:17:30,313
THE HOLIDAYS WERE REALLY HARD
TO GET THROUGH.
1221
01:17:30,346 --> 01:17:37,120
I JUST GOT SOME REALLY
DISCOURAGING NEWS.
1222
01:17:37,153 --> 01:17:40,656
I DON'T KNOW HOW I'M GONNA --
HEY, JUST TAKE IT DAY BY DAY,
1223
01:17:40,690 --> 01:17:43,459
HOUR BY HOUR.
1224
01:17:43,492 --> 01:17:45,729
EVEN MINUTE BY MINUTE.
1225
01:17:45,762 --> 01:17:47,463
IN DAYLIGHTS
IN SUNSETS
1226
01:17:47,496 --> 01:17:50,533
IN MIDNIGHTS
IN CUPS OF COFFEE
1227
01:17:50,566 --> 01:17:52,902
IN INCHES
IN MILES
1228
01:17:52,936 --> 01:17:55,839
IN LAUGHTER
IN STRIFE
1229
01:17:55,872 --> 01:17:57,707
FIVE HUNDRED TWENTY
FIVE THOUSAND
1230
01:17:57,741 --> 01:18:00,977
SIX HUNDRED
MINUTES
1231
01:18:01,010 --> 01:18:04,513
HOW DO YOU
MEASURE A YEAR
1232
01:18:04,547 --> 01:18:08,484
IN THE LIFE
HOW ABOUT LOVE
1233
01:18:08,517 --> 01:18:16,893
HOW ABOUT LOVE
HOW ABOUT LOVE
1234
01:18:16,926 --> 01:18:26,936
MEASURE IN LOVE
SEASONS OF LOVE
1235
01:18:26,970 --> 01:18:39,783
MEASURE IN LOVE
SEASONS OF LOVE
1236
01:18:39,816 --> 01:18:42,585
FIVE HUNDRED TWENTY
FIVE THOUSAND
1237
01:18:42,618 --> 01:18:44,954
SIX HUNDRED
MINUTES
1238
01:18:44,988 --> 01:18:46,589
FIVE HUNDRED TWENTY
FIVE THOUSAND
1239
01:18:46,622 --> 01:18:53,763
SIX HUNDRED
JOURNEYS TO PLAN
1240
01:18:53,797 --> 01:18:54,931
FIVE HUNDRED TWENTY
FIVE THOUSAND
1241
01:18:54,964 --> 01:18:59,368
SIX HUNDRED
MINUTES
1242
01:18:59,402 --> 01:19:01,370
HOW DO YOU MEASURE THE
LIFE OF A WOMAN OR A MAN
1243
01:19:01,404 --> 01:19:06,142
IN TRUTHS THAT SHE LEARNED
OR IN TIMES THAT HE CRIED
1244
01:19:06,175 --> 01:19:12,148
IN BRIDGES HE BURNED
OR THE WAY THAT SHE DIED
1245
01:19:12,181 --> 01:19:16,419
IT'S TIME NOW TO SING OUT
THE STORY NEVER ENDS
1246
01:19:16,452 --> 01:19:19,989
LET'S CELEBRATE
REMEMBER A YEAR
1247
01:19:20,023 --> 01:19:25,594
IN THE LIFE OF FRIENDS
REMEMBER THE LOVE
1248
01:19:25,628 --> 01:19:29,165
REMEMBER THE LOVE
REMEMBER THE LOVE
1249
01:19:29,198 --> 01:19:38,641
MEASURE IN LOVE
MEASURE YOUR LIFE IN LOVE
1250
01:19:38,674 --> 01:19:48,684
SEASONS OF LOVE
SEASONS OF LOVE
1251
01:19:48,717 --> 01:19:58,761
SEASONS OF LOVE
SEASONS OF LOVE
1252
01:19:58,761 --> 01:20:10,673
SEASONS OF LOVE
SEASONS OF LOVE
1253
01:20:10,706 --> 01:20:15,979
IT'S BEEN EXACTLY ONE WEEK
SINCE ROGER MET MIMI, ANGEL MET
1254
01:20:16,012 --> 01:20:21,817
COLLINS, MAUREEN INADVERTENTLY
STARTED A MASSIVE RIOT OF WHICH
1255
01:20:21,851 --> 01:20:25,821
I HAPPENED TO GET SOME AMAZING
FOOTAGE, BY THE WAY AND JOANNE
1256
01:20:25,855 --> 01:20:28,224
DUMPED MAUREEN.
OH, AND BENNY LOCKED US OUT OF
1257
01:20:28,257 --> 01:20:30,526
OUR BUILDING.
1258
01:20:30,559 --> 01:20:32,896
IT'S STILL WINTER
IT'S STILL COLD
1259
01:20:32,929 --> 01:20:34,063
AND SO TONIGHT
IN HONOR OF THE
1260
01:20:34,097 --> 01:20:36,499
ONE WEEK ANNIVERSARY
OF THIS AUSPICIOUS OCCASION
1261
01:20:36,532 --> 01:20:39,002
WE CELEBRATE THE ONLY
WAY WE KNOW HOW
1262
01:20:39,035 --> 01:20:42,071
WE TRY TO BREAK BACK IN.
1263
01:20:42,105 --> 01:20:42,838
HAPPY NEW YEAR.
1264
01:20:42,872 --> 01:20:43,639
HOW LONG TIL NEXT YEAR?
1265
01:20:43,672 --> 01:20:46,042
THREE AND A HALF MINUTES.
1266
01:20:46,075 --> 01:20:48,077
I'M GIVING UP MY VICES
I'M GOING BACK
1267
01:20:48,111 --> 01:20:56,052
BACK TO SCHOOL
EVICTION OR NOT
1268
01:20:56,085 --> 01:20:59,088
THIS WEEK'S BEEN SO HOT
THAT LONG AS I'VE GOT YOU
1269
01:20:59,122 --> 01:21:03,226
I KNOW I'LL BE COOL
I COULDN'T CRACK
1270
01:21:03,259 --> 01:21:05,895
THE LOVE CODE DEAR
TIL YOU MADE THE LOCK
1271
01:21:05,929 --> 01:21:07,897
ON MY HEART EXPLODE
IT'S GONNA BE
1272
01:21:07,931 --> 01:21:17,873
A HAPPY NEW YEAR
A HAPPY NEW YEAR
1273
01:21:17,907 --> 01:21:19,008
COAST IS CLEAR.
1274
01:21:19,042 --> 01:21:21,077
YOU'RE SUPPOSED TO BE WORKING.
1275
01:21:21,110 --> 01:21:21,911
THAT'S FOR MIDNIGHT.
1276
01:21:21,945 --> 01:21:23,079
WHERE ARE THEY?
1277
01:21:23,112 --> 01:21:24,948
THERE ISN'T MUCH TIME.
1278
01:21:24,981 --> 01:21:26,582
MAYBE THEY'RE DRESSING.
1279
01:21:26,615 --> 01:21:30,553
I MEAN WHAT DOES ONE WEAR
THAT 'S APROPOS FOR A PARTY,
1280
01:21:30,586 --> 01:21:31,720
THAT'S ALSO A CRIME?
1281
01:21:31,754 --> 01:21:33,389
CHIPS, ANYONE?
1282
01:21:33,422 --> 01:21:36,092
YOU CAN TAKE THE GIRL OUT OF
JERSEY BUT YOU CAN'T TAKE THE
1283
01:21:36,125 --> 01:21:38,894
JERSEY OUT OF THE GIRL.
1284
01:21:38,928 --> 01:21:42,131
MY RIOT GOT YOU ON TV, I
DESERVE A ROYALTY.
1285
01:21:42,165 --> 01:21:46,936
BE NICE YOU TWO OR NO GOD
AWFUL CHAMPAGNE.
1286
01:21:46,970 --> 01:21:47,937
DON'T MIND IF I DO
NO LUCK?
1287
01:21:47,971 --> 01:21:49,138
BOLTED, PLYWOOD, PADLOCKED
WITH A CHAIN.
1288
01:21:49,172 --> 01:21:51,307
A TOTAL DEAD END.
1289
01:21:51,340 --> 01:21:57,947
JUST LIKE MY EX-GIRLFRIEND.
1290
01:21:57,981 --> 01:21:59,148
HONEY?
1291
01:21:59,182 --> 01:22:00,749
I KNOW YOU'RE THERE.
1292
01:22:00,783 --> 01:22:02,751
PLEASE PICK UP THE PHONE.
1293
01:22:02,785 --> 01:22:06,322
ARE YOU OKAY?
1294
01:22:06,355 --> 01:22:09,959
IT'S NOT FUNNY, IT'S NOT FAIR,
HOW CAN I ATONE?
1295
01:22:09,993 --> 01:22:13,129
ARE YOU OKAY?
1296
01:22:13,162 --> 01:22:15,498
I LOSE CONTROL BUT I CAN
LEARN TO BE GOOD GIVE ME ONE
1297
01:22:15,531 --> 01:22:16,632
MORE CHANCE.
1298
01:22:16,665 --> 01:22:18,301
AND I'LL DO WHAT I SHOULD.
1299
01:22:18,334 --> 01:22:19,135
I'LL KISS YOUR DOC MARTENS.
1300
01:22:19,168 --> 01:22:20,970
LET ME KISS YOUR DOC MARTENS.
1301
01:22:21,004 --> 01:22:25,108
DO EVERYTHING YOU WISH I WOULD.
1302
01:22:25,141 --> 01:22:25,841
THAT MIGHT BE --OKAY.
1303
01:22:25,874 --> 01:22:27,776
DOWN GIRL.
1304
01:22:27,810 --> 01:22:30,146
HEEL, STAY.
1305
01:22:30,179 --> 01:22:31,347
I DID A BIT OF RESEARCH.
1306
01:22:31,380 --> 01:22:34,083
WITH MY FRIENDS AT LEGAL AID.
1307
01:22:34,117 --> 01:22:36,585
TECHNICALLY, YOU'RE SQUATTERS.
1308
01:22:36,619 --> 01:22:37,520
THERE'S HOPE, BUT JUST IN
CASE --
1309
01:22:37,553 --> 01:22:38,587
ROPE?
1310
01:22:38,621 --> 01:22:40,856
WE CAN HOIST A LINE --
TO A FIRE ESCAPE--
1311
01:22:40,889 --> 01:22:42,091
IN THE BACK, WE'LL TIE OFF
AT --
1312
01:22:42,125 --> 01:22:44,827
THERE'S A BENCH!
1313
01:22:44,860 --> 01:22:47,196
I CAN'T TAKE THEM AS CHUMS.
1314
01:22:47,230 --> 01:22:54,803
START HOISTING, WENCH.
LAST WEEK I WANTED JUST TO
1315
01:22:54,837 --> 01:22:56,439
DISAPPEAR MY LIFE WAS DUST.
1316
01:22:56,472 --> 01:23:01,210
BUT NOW IT JUST MAY BE A HAPPY
NEW YEAR.
1317
01:23:01,244 --> 01:23:06,782
A HAPPY NEW YEAR.
1318
01:23:06,815 --> 01:23:09,185
BOND, JAMES BOND.
1319
01:23:09,218 --> 01:23:09,885
AND PUSSY GALORE.
1320
01:23:09,918 --> 01:23:10,686
IN PERSON.
1321
01:23:10,719 --> 01:23:12,655
PUSSY, YOU CAME PREPARED!
1322
01:23:12,688 --> 01:23:14,223
I WAS A BOY SCOUT ONCE.
1323
01:23:14,257 --> 01:23:16,659
AND A BROWNIE, 'TIL SOME BRAT
GOT SCARED.
1324
01:23:16,692 --> 01:23:19,462
AHA!
MONEYPENNY, MY MARTINI!
1325
01:23:19,495 --> 01:23:21,830
WILL BAD CHAMPAGNE DO?
1326
01:23:21,864 --> 01:23:22,631
THAT'S SHAKEN, NOT STIRRED.
1327
01:23:22,665 --> 01:23:25,068
PUSSY, THE BOLTS.
1328
01:23:25,101 --> 01:23:26,569
JUST SAY THE WORD TWO
MINUTES LEFT TO EXECUTE OUR
1329
01:23:26,602 --> 01:23:27,336
PLAN.
1330
01:23:27,370 --> 01:23:28,137
WHERE'S EVERYONE ELSE?
1331
01:23:28,171 --> 01:23:31,040
PLAYING SPIDER-MAN .
1332
01:23:31,074 --> 01:23:35,244
BECAUSE WHILE WE WERE LOCKED
OUT, BENNY HAD HAD THE POWER
1333
01:23:35,278 --> 01:23:38,214
TURNED BACK ON.
1334
01:23:38,247 --> 01:23:41,684
MARK WALKS TO THE PHONE, PRESSES
A BUTTON.
1335
01:23:41,717 --> 01:23:42,851
MARK MARK ARE YOU THERE
ARE YOU THERE
1336
01:23:42,885 --> 01:23:46,055
ARE YOU SCREENING
YOUR CALLS
1337
01:23:46,089 --> 01:23:49,258
IT'S MOM WE'RE ALL
IMPRESSED THAT THE RIOT
1338
01:23:49,292 --> 01:23:51,160
FOOTAG EMADE THE
NIGHTLY NEWS
1339
01:23:51,194 --> 01:23:53,262
AND YOUR FATHER
SAYS MAZEL TOV
1340
01:23:53,296 --> 01:23:59,602
HONEY. CALL HIM
LOVE, MOM
1341
01:23:59,635 --> 01:24:02,405
ALEXI DARLING
ALEXI DARLING FROM BUZZLINE.
1342
01:24:02,438 --> 01:24:04,273
THAT TRASHY TABLOID NEWS SHOW?
1343
01:24:04,307 --> 01:24:05,541
WHAT DO THEY WANT WITH ME?
1344
01:24:05,574 --> 01:24:08,411
YOUR FOOTAGE OF THE RIOTS
A-ONE.
1345
01:24:08,444 --> 01:24:11,080
FEATURE SEGMENT NETWORK DEAL
TIME.
1346
01:24:11,114 --> 01:24:11,880
I'M SENDING YOU A CONTRACT.
1347
01:24:11,914 --> 01:24:13,882
KER-CHING, KER-CHING.
1348
01:24:13,916 --> 01:24:21,090
MARKY GIVE US A CALL, 970-4301
OR AT HOME TRY 863-6754.
1349
01:24:21,124 --> 01:24:27,296
OR MY CELLPHONE AT 919-763-0090
OR YOU CAN E-MAIL ME AT --
1350
01:24:27,330 --> 01:24:28,264
I THINK WE NEED AN AGENT!
1351
01:24:28,297 --> 01:24:29,298
WE?
1352
01:24:29,332 --> 01:24:33,736
THAT'S SELLING OUT.
1353
01:24:33,769 --> 01:24:37,740
BUT IT'S NICE TO DREAM
YEAH, IT'S NETWORK TV.
1354
01:24:37,773 --> 01:24:39,375
AND IT'S ALL THANKS TO ME
SOMEHOW I THINK I SMELL THE
1355
01:24:39,408 --> 01:24:40,543
WHIFF OF A SCHEME.
1356
01:24:40,576 --> 01:24:44,147
ME TOO.
1357
01:24:44,180 --> 01:24:45,214
WE CAN PLAN ANOTHER PROTEST.
1358
01:24:45,248 --> 01:24:46,482
WE?
1359
01:24:46,515 --> 01:24:48,484
THIS TIME YOU CAN SHOOT FROM
THE START.
1360
01:24:48,517 --> 01:24:51,154
YOU'LL DIRECT, STARRING ME!
1361
01:24:51,187 --> 01:24:53,156
OPEN SESAME!
1362
01:24:53,189 --> 01:24:53,656
HAPPY NEW YEAR!
1363
01:24:53,689 --> 01:25:00,763
HAPPY NEW YEAR!
1364
01:25:00,796 --> 01:25:07,936
I SEE THAT YOU'VE BEATEN ME
TO THE PUNCH
1365
01:25:07,970 --> 01:25:10,306
HOW'D YOU KNOW WE'D BE HERE?
1366
01:25:10,339 --> 01:25:11,507
I HAD A HUNCH.
1367
01:25:11,540 --> 01:25:12,741
YOU'RE NOT MAD?
1368
01:25:12,775 --> 01:25:13,942
I'M HERE TO END THIS WAR.
1369
01:25:13,976 --> 01:25:16,179
IT'S A SHAME YOU WENT AND
DESTROYED THE DOOR.
1370
01:25:16,212 --> 01:25:18,181
WHY ALL THE SUDDEN THE BIG
ABOUT FACE?
1371
01:25:18,214 --> 01:25:19,815
THE CREDIT IS YOURS YOU MADE
A GOOD CASE.
1372
01:25:19,848 --> 01:25:20,683
WHAT CASE?
1373
01:25:20,716 --> 01:25:21,484
MIMI CAME TO SEE ME.
1374
01:25:21,517 --> 01:25:22,985
AND SHE HAD MUCH TO SAY.
1375
01:25:23,018 --> 01:25:24,320
THAT'S NOT HOW YOU PUT IT AT
ALL YESTERDAY.
1376
01:25:24,353 --> 01:25:25,788
I COULDN'T STOP THINKING.
1377
01:25:25,821 --> 01:25:30,959
ABOUT THE WHOLE MESS.
1378
01:25:30,993 --> 01:25:32,027
MARK, YOU'LL WANT TO GET THIS ON
FILM?
1379
01:25:32,060 --> 01:25:33,462
I GUESS.
1380
01:25:33,496 --> 01:25:33,962
I REGRET THE UNLUCKY
CIRCUMSTANCES OF THE PAST SEVEN
1381
01:25:33,996 --> 01:25:34,497
DAYS.
1382
01:25:34,530 --> 01:25:35,364
CIRCUMSTANCE?
1383
01:25:35,398 --> 01:25:38,534
YOU PADLOCKED OUR DOOR.
1384
01:25:38,567 --> 01:25:41,337
AND IT'S WITH GREAT PLEASURE
ON BEHALF OF CYBERARTS THAT I
1385
01:25:41,370 --> 01:25:44,039
HAND YOU THIS KEY.
1386
01:25:44,072 --> 01:25:45,708
I HAD NO JUICE IN MY BATTERY.
1387
01:25:45,741 --> 01:25:46,775
RESHOOT.
1388
01:25:46,809 --> 01:25:48,844
I SEE, THIS IS A PHOTO
OPPORTUNITY.
1389
01:25:48,877 --> 01:25:50,346
THE BENEVOLENT GOD USHERS
THE POOR ARTISTS BACK TO THEIR
1390
01:25:50,379 --> 01:25:53,182
FLAT.
WERE YOU PLANNING TO TAKE DOWN
1391
01:25:53,216 --> 01:25:54,383
THE BARBED WIRE FROM THE LOT?
1392
01:25:54,417 --> 01:25:55,318
AND LET THOSE PEOPLE BACK IN?
1393
01:25:55,351 --> 01:25:56,452
ANYTHING BUT THAT!
1394
01:25:56,485 --> 01:25:59,188
MIMI, SINCE YOUR WAYS ARE SO
SEDUCTIVE.
1395
01:25:59,222 --> 01:26:00,356
YOU CAME ON TO ME!
1396
01:26:00,389 --> 01:26:02,291
PERSUADE HIM NOT TO BE SO
COUNTERPRODUCTIVE.
1397
01:26:02,325 --> 01:26:03,526
LIAR!
1398
01:26:03,559 --> 01:26:04,993
WHY NOT TELL THEM WHAT YOU
WORE TO MY PLACE?
1399
01:26:05,027 --> 01:26:05,561
I WAS ON MY WAY TO WORK --
BLACK LEATHER AND LACE!
1400
01:26:05,594 --> 01:26:06,362
MY DESK WAS A MESS.
1401
01:26:06,395 --> 01:26:07,563
I THINK I'M STILL SORE.
1402
01:26:07,596 --> 01:26:08,797
CAUSE I KICKED HIM.
1403
01:26:08,831 --> 01:26:09,965
AND TOLD HIM I WASN'T HIS WHORE!
1404
01:26:09,998 --> 01:26:10,733
DOES YOUR BOYFRIEND KNOW.
1405
01:26:10,766 --> 01:26:12,235
WHO YOUR LAST BOYFRIEND WAS?
1406
01:26:12,268 --> 01:26:16,339
I'M NOT HER BOYFRIEND I DON'T
CARE WHAT SHE DOES
1407
01:26:16,372 --> 01:26:17,373
PEOPLE!
1408
01:26:17,406 --> 01:26:17,840
IS THIS ANY WAY TO START A NEW
YEAR?
1409
01:26:17,873 --> 01:26:21,410
HAVE COMPASSION.
1410
01:26:21,444 --> 01:26:22,545
BENNY JUST LOST HIS CAT
MY DOG, BUT I APPRECIATE
1411
01:26:22,578 --> 01:26:23,812
THAT.
1412
01:26:23,846 --> 01:26:26,215
MY CAT HAD A FALL AND I WENT
THROUGH HELL.
1413
01:26:26,249 --> 01:26:27,816
IT'S LIKE LOSING A --
HOW DID YOU KNOW THAT SHE FELL?
1414
01:26:27,850 --> 01:26:29,017
CHAMPAGNE?
1415
01:26:29,051 --> 01:26:30,185
DON'T MIND IF I DO.
1416
01:26:30,219 --> 01:26:31,420
TO DOGS.
1417
01:26:31,454 --> 01:26:33,822
NO BENNY -- TO YOU!
1418
01:26:33,856 --> 01:26:35,391
LET'S MAKE A RESOLUTION.
1419
01:26:35,424 --> 01:26:37,393
I'LL DRINK TO THAT.
1420
01:26:37,426 --> 01:26:40,563
LET'S ALWAYS STAY FRIENDS.
1421
01:26:40,596 --> 01:26:42,064
THO' WE MAY HAVE OUR
DISPUTES.
1422
01:26:42,097 --> 01:26:45,401
THIS FAMILY TREE'S GOT DEEP
ROOTS
1423
01:26:45,434 --> 01:26:49,238
FRIENDSHIP IS THICKER THAN
BLOOD.
1424
01:26:49,272 --> 01:26:50,439
THAT DEPENDS
THAT A SHOT AT ME?
1425
01:26:50,473 --> 01:26:51,206
YEAH, IT WAS.
1426
01:26:51,240 --> 01:26:52,040
DEPENDS ON TRUE DEVOTION.
1427
01:26:52,074 --> 01:26:54,343
DEPENDS ON LOVE.
1428
01:26:54,377 --> 01:26:56,345
DEPENDS ON NOT DENYING
EMOTION.
1429
01:26:56,379 --> 01:26:59,114
PERHAPS.
1430
01:26:59,147 --> 01:27:01,450
IT'S GONNA BE A HAPPY NEW
YEAR.
1431
01:27:01,484 --> 01:27:03,919
I GUESS.
1432
01:27:03,952 --> 01:27:05,921
IT'S GONNA BE A HAPPY NEW
YEAR.
1433
01:27:05,954 --> 01:27:08,424
YOU'RE RIGHT.
1434
01:27:08,457 --> 01:27:16,265
IT'S GONNA BE A HAPPY NEW
YEAR.
1435
01:27:16,299 --> 01:27:17,466
I'M SORRY.
1436
01:27:17,500 --> 01:27:19,868
COMING?
1437
01:27:19,902 --> 01:27:23,872
IN A MINUTE.
1438
01:27:23,906 --> 01:27:38,487
I'M FINE. GO.
1439
01:27:38,521 --> 01:27:42,891
WELL, WELL, WELL.
WHAT HAVE WE HERE?
1440
01:27:42,925 --> 01:27:47,663
IT'S GONNA BE A HAPPY NEW YEAR.
1441
01:28:09,718 --> 01:28:13,422
VALENTINE'S DAY, 1992.
1442
01:28:13,456 --> 01:28:15,358
I DO NOT HAVE A DATE.
1443
01:28:15,391 --> 01:28:17,860
OR A JOB.
1444
01:28:17,893 --> 01:28:19,428
ALEXI DARLING KEEPS CALLING
ABOUT THE BUZZLINE GIG.
1445
01:28:19,462 --> 01:28:25,368
I KEEP SAYING NO.
1446
01:28:25,401 --> 01:28:27,703
I STILL HAVE A SOUL.
AS FOR MY EX, SHE IS, AS FAR AS
1447
01:28:27,736 --> 01:28:35,143
I KNOW, BACK WITH HER EX.
I SAID ONCE MORE FROM THE
1448
01:28:35,177 --> 01:28:36,379
TOP.
I SAID NO.
1449
01:28:36,412 --> 01:28:37,380
-- BUT MAYBE CHECK IN ON THAT
AGAIN TOMORROW.
1450
01:28:37,413 --> 01:28:42,117
YOU CANNOT JUST STAND THERE
AND MOO AGAIN.
1451
01:28:42,150 --> 01:28:43,652
YOU SHOOT DOWN EVERY SINGLE
ONE OF MY IDEAS.
1452
01:28:43,686 --> 01:28:44,720
YOU'VE BEEN PLANNING THIS
PROTEST FOR A MONTH AND YOU HAVE
1453
01:28:44,753 --> 01:28:51,994
NOTHING.
I HAVE THE GROUNDHOG THING.
1454
01:28:52,027 --> 01:28:53,396
YOU, DRESSED AS A CYBER
GROUNDHOG TO PROTEST THE
1455
01:28:53,429 --> 01:28:54,997
CYBERARTS GROUNDBREAKING?
LESS THAN BRILLIANT.
1456
01:28:55,030 --> 01:28:56,031
THAT'S IT, MISS IVY LEAGUE.
WHAT DOES IVY LEAGUE HAVE TO
1457
01:28:56,064 --> 01:28:58,367
DO WITH ANYTHING?
EVER SINCE NEW YEAR'S I HAVE
1458
01:28:58,401 --> 01:28:59,201
BEEN ON MY BEST BEHAVIOR.
1459
01:28:59,234 --> 01:29:04,373
I LET YOU DIRECT.
1460
01:29:04,407 --> 01:29:05,974
I DIDN'T PIERCE MY NIPPLES
BECAUSE IT GROSSED YOU OUT.
1461
01:29:06,008 --> 01:29:07,976
I DIDN'T STAY AND DANCE AT
PANDORA'S BOX THAT NIGHT,
1462
01:29:08,010 --> 01:29:11,146
â ~CAUSE YOU WANTED TO GO HOME.
YOU WERE FLIRTING WITH THAT
1463
01:29:11,179 --> 01:29:18,721
WOMAN IN RUBBER.
JOANNE.
1464
01:29:18,754 --> 01:29:20,155
HONESTLY.
1465
01:29:20,188 --> 01:29:21,424
THERE WILL ALWAYS BE WOMEN IN
RUBBER FLIRTING WITH ME.
1466
01:29:21,457 --> 01:29:30,866
GIVE ME A BREAK.
EVERY SINGLE DAY I WALK DOWN
1467
01:29:30,899 --> 01:29:34,169
THE STREET I HEAR PEOPLE
SAY, "BABY'S SO SWEET" EVER
1468
01:29:34,202 --> 01:29:37,406
SINCE PUBERTY EVERYBODY STARES
AT ME BOYS, GIRLS I CAN'T
1469
01:29:37,440 --> 01:29:48,451
HELP IT BABY SO BE KIND AND
DON'T LOSE YOUR MIND JUST
1470
01:29:48,484 --> 01:30:02,297
REMEMBER THAT I'M YOU'RE BABY
TAKE ME FOR WHAT I AM WHO I
1471
01:30:02,330 --> 01:30:08,804
WAS MEANT TO BE AND IF YOU GIVE
A DAMN TAKE ME BABY OR LEAVE
1472
01:30:08,837 --> 01:30:21,484
ME TAKE ME BABY OR LEAVE ME
A TIGER IN A CAGE CAN NEVER
1473
01:30:21,517 --> 01:30:23,418
SEE THE SUN THIS DIVA NEEDS
HER STAGE BABY LET'S HAVE FUN!
1474
01:30:23,452 --> 01:30:24,653
YOU ARE THE ONE I CHOOSE
FOLKS'D KILL TO FILL YOUR
1475
01:30:24,687 --> 01:30:26,321
SHOES YOU LOVE THE LIMELIGHT
TOO, NOW BABY SO BE MINE AND
1476
01:30:26,354 --> 01:30:30,993
DON'T WASTE MY TIME CRYIN'
"HONEYBEAR ARE YOU STILL MY
1477
01:30:31,026 --> 01:30:38,634
BABY?" TAKE ME FOR WHAT I AM
WHO I WAS MEANT TO BE AND IF
1478
01:30:38,667 --> 01:30:42,471
YOU GIVE A DAMN TAKE ME BABY OR
LEAVE ME NO WAY CAN I BE
1479
01:30:42,505 --> 01:30:53,682
WHAT I'M NOT BUT HEY - DON'T YOU
WANT YOUR GIRL HOT! DON'T
1480
01:30:53,716 --> 01:30:58,320
FIGHT DON'T LOSE YOUR HEAD CAUSE
EVERY NIGHT - WHO'S IN YOUR
1481
01:30:58,353 --> 01:31:08,363
BED? WHO'S IN YOUR BED?
KISS, POOKIE.
1482
01:31:08,396 --> 01:31:22,711
BED? WHO'S IN YOUR BED?
KISS, POOKIE.
1483
01:31:22,745 --> 01:31:24,146
IT WON'T WORK.
I LOOK BEFORE I LEAP I LOVE
1484
01:31:24,179 --> 01:31:25,514
MARGINS AND DISCIPLINE I
MAKE LISTS IN MY SLEEP BABY
1485
01:31:25,548 --> 01:31:36,158
WHAT'S MY SIN? NEVER QUIT, I
FOLLOW THROUGH I HATE MESS -
1486
01:31:36,191 --> 01:31:37,726
BUT I LOVE YOU WHAT TO DO WITH
MY IMPROMPTU BABY SO BE WISE
1487
01:31:37,760 --> 01:31:39,562
â ~CAUSE THIS GIRL SATISFIES
YOU'VE GOT A PRIZE WHO DON'T
1488
01:31:39,595 --> 01:31:46,969
COMPROMISE YOU'RE ONE LUCKY
BABY TAKE ME FOR WHAT I AM
1489
01:31:47,002 --> 01:31:51,707
A CONTROL FREAK
WHO I WAS MEANT TO BE
1490
01:31:51,740 --> 01:31:58,747
A SNOB, YET OVERATTENTIVE
AND IF YOU GIVE A DAMN
1491
01:31:58,781 --> 01:32:02,718
A LOVABLE, DROLL GEEK
TAKE ME BABY OR LEAVE ME
1492
01:32:02,751 --> 01:32:07,322
AND ANAL RETENTIVE!
THAT'S IT!
1493
01:32:07,355 --> 01:32:11,827
THE STRAW THAT BREAKS MY
THE STRAW THAT BREAKS MY
1494
01:32:11,860 --> 01:32:13,328
BACK
I QUIT UNLESS YOU
1495
01:32:13,361 --> 01:32:14,930
TAKE IT BACK WOMEN
WHAT IS IT ABOUT THEM?
1496
01:32:14,963 --> 01:32:16,765
CAN'T LIVE WITH THEM
OR WITHOUT THEM! TAKE
1497
01:32:16,799 --> 01:32:26,842
ME FOR WHAT I AM WHO I WAS MEANT
TO BE AND IF YOU GIVE A DAMN
1498
01:32:26,875 --> 01:32:34,617
ME FOR WHAT I AM WHO I WAS MEANT
TO BE AND IF YOU GIVE A DAMN
1499
01:32:34,650 --> 01:32:36,184
TAKE ME BABY OR LEAVE ME
TAKE ME BABY OR LEAVE ME GUESS
1500
01:32:36,218 --> 01:32:46,228
I'M LEAVIN' I'M GONE! IT'S
IT'S THE COLDEST, NASTIEST
1501
01:32:46,261 --> 01:32:56,304
I'M LEAVIN' I'M GONE! IT'S
IT'S THE COLDEST, NASTIEST
1502
01:32:56,304 --> 01:33:02,611
I'M LEAVIN' I'M GONE! IT'S
IT'S THE COLDEST, NASTIEST
1503
01:33:02,645 --> 01:33:12,587
MARCH I CAN REMEMBER.
ANGEL HAS SPENT MOST OF THE YEAR
1504
01:33:12,621 --> 01:33:13,622
IN THE HOSPITAL, WITH COLLINS
ALWAYS AT HER SIDE.
1505
01:33:13,656 --> 01:33:23,431
ROGER'S STILL TRYING TO WRITE
THAT SONG.
1506
01:33:23,465 --> 01:33:24,667
BUT NOW HE'S USUALLY WORKING AT
MIMI'S.
1507
01:33:24,700 --> 01:33:25,901
MAUREEN AND JOANNE ARE
OFFICIALLY BROKEN UP.
1508
01:33:25,934 --> 01:33:31,006
IT SEEMS MIMI AND ROGER ARE NOT
FAR BEHIND.
1509
01:33:31,039 --> 01:33:31,774
SORRY.
1510
01:33:31,807 --> 01:33:32,274
SORRY I'M LATE.
SORRY.
1511
01:33:32,307 --> 01:33:33,175
WHERE WERE YOU?
1512
01:33:33,208 --> 01:33:46,488
ARE YOU ALRIGHT?
1513
01:33:46,521 --> 01:33:57,666
I'M FINE, DON'T WORRY ABOUT
ME.
1514
01:33:57,700 --> 01:33:58,934
HOW'S BENNY?
I WASN'T WITH BENNY.
1515
01:33:58,967 --> 01:33:59,968
OF COURSE NOT.
1516
01:34:00,002 --> 01:34:00,869
I'M GOING BACK TO MY PLACE.
WAIT.
1517
01:34:00,903 --> 01:34:01,603
I SHOULD TELL YOU.
I SHOULD --
1518
01:34:01,636 --> 01:34:02,537
NEVER MIND.
YEAH, NEVER MIND.
1519
01:34:02,570 --> 01:34:04,039
HAPPY SPRING.
WITHOUT YOU THE GROUND
1520
01:34:04,072 --> 01:34:13,615
THAWS THE RAIN FALLS THE
GRASS GROWS WITHOUT YOU THE
1521
01:34:13,648 --> 01:34:22,290
THAWS THE RAIN FALLS THE
GRASS GROWS WITHOUT YOU THE
1522
01:34:22,324 --> 01:34:32,334
SEEDS ROOT THE FLOWERS BLOOM
THE CHILDREN PLAY THE STARS
1523
01:34:32,367 --> 01:34:40,976
SEEDS ROOT THE FLOWERS BLOOM
THE CHILDREN PLAY THE STARS
1524
01:34:41,009 --> 01:34:51,019
GLEAM THE POETS DREAM THE
EAGLES FLY WITHOUT YOU THE
1525
01:34:51,053 --> 01:34:56,091
GLEAM THE POETS DREAM THE
EAGLES FLY WITHOUT YOU THE
1526
01:34:56,124 --> 01:35:06,168
EARTH TURNS THE SUN BURNS
BUT I DIE WITHOUT YOU
1527
01:35:06,201 --> 01:35:15,510
EARTH TURNS THE SUN BURNS
BUT I DIE WITHOUT YOU
1528
01:35:15,543 --> 01:35:25,087
WITHOUT YOU THE BREEZE WARMS
THE GIRL SMILES THE CLOUD
1529
01:35:25,120 --> 01:35:35,798
MOVES WITHOUT YOU THE TIDES
CHANGE THE BOYS RUN THE
1530
01:35:35,831 --> 01:35:45,874
OCEANS CRASH THE CROWDS ROAR
LONELY
1531
01:35:45,908 --> 01:35:55,951
OCEANS CRASH THE CROWDS ROAR
LONELY
1532
01:35:55,951 --> 01:36:05,894
OCEANS CRASH THE CROWDS ROAR
LONELY
1533
01:36:05,928 --> 01:36:15,971
OCEANS CRASH THE CROWDS ROAR
LONELY
1534
01:36:15,971 --> 01:36:25,914
OCEANS CRASH THE CROWDS ROAR
LONELY
1535
01:36:25,948 --> 01:36:38,861
OCEANS CRASH THE CROWDS ROAR
LONELY
1536
01:36:38,894 --> 01:36:39,995
BLUE
WITHIN
1537
01:36:40,028 --> 01:36:46,835
ME,
WITHOUT
1538
01:36:46,869 --> 01:36:56,879
YOU
THE TEARS DRY
1539
01:36:56,912 --> 01:37:06,955
YOU
THE TEARS DRY
1540
01:37:06,955 --> 01:37:16,899
YOU
THE TEARS DRY
1541
01:37:16,932 --> 01:37:26,975
YOU
THE TEARS DRY
1542
01:37:26,975 --> 01:37:32,915
YOU
THE TEARS DRY
1543
01:37:32,948 --> 01:37:42,991
WITHOUT YOU
WITHOUT YOU
1544
01:37:43,025 --> 01:37:53,068
WITHOUT YOU
WITHOUT YOU
1545
01:37:53,068 --> 01:38:03,011
WITHOUT YOU
WITHOUT YOU
1546
01:38:03,045 --> 01:38:13,521
WITHOUT YOU
WITHOUT YOU
1547
01:38:13,555 --> 01:38:17,960
IT'S TOO HOT TO ANSWER YOU.
1548
01:38:17,993 --> 01:38:19,527
IT'S TOO HOT TO ANSWER YOU.
1549
01:38:19,561 --> 01:38:23,966
ALEXI DARLING MEMORIAL DAY
WEEKEND IN EAST HAMPTON ON THE
1550
01:38:23,999 --> 01:38:27,202
BEACH
JUST SAW ALEC BALDWIN
1551
01:38:27,235 --> 01:38:30,305
TOLD HIM YOU SAY HI
JUST KIDDING WE STILL NEED
1552
01:38:30,338 --> 01:38:31,940
DIRECTORS YOU STILL NEED MONEY
YOU KNOW YOU NEED MONEY PICK UP
1553
01:38:31,974 --> 01:38:39,147
THE PHONE DON'T BE AFRAID OF
KER-CHING KERCHING MARKY SELL US
1554
01:38:39,181 --> 01:38:42,784
YOUR SOLE SOUL.
1555
01:38:42,817 --> 01:38:43,952
JUST KIDDING.
1556
01:38:43,986 --> 01:38:45,420
WE ARE WAITING.
1557
01:38:45,453 --> 01:38:49,757
KEEP WAITING ALEXI.
1558
01:38:49,791 --> 01:38:52,327
SUMMER'S JUST GETTING STARTED.
1559
01:38:52,360 --> 01:38:55,998
BUT IT WILL BE OVER BEFORE WE
KNOW IT.
1560
01:38:56,031 --> 01:39:06,074
HOT HOT
HOT HOT
1561
01:39:06,108 --> 01:39:16,151
HOT HOT
HOT HOT
1562
01:39:16,151 --> 01:39:26,094
HOT HOT
HOT HOT
1563
01:39:26,128 --> 01:39:33,201
HOT HOT
HOT HOT
1564
01:39:33,235 --> 01:39:35,203
HOT
SWEAT
1565
01:39:35,237 --> 01:39:36,538
SWEET
WET
1566
01:39:36,571 --> 01:39:38,173
WET
WET
1567
01:39:38,206 --> 01:39:44,146
RED
HEAT
1568
01:39:44,179 --> 01:39:56,291
LET HER HOT
BASTARD! SWEAT
1569
01:39:56,324 --> 01:39:57,559
YOU WHORE! SWEET
YOU CANNIBAL! WET WET
1570
01:39:57,592 --> 01:40:02,697
WET MORE!
1571
01:40:02,730 --> 01:40:03,898
RED
YOU ANIMAL! HEAT NO LATEX
1572
01:40:03,931 --> 01:40:05,033
PLEASE DON'T STOP
RUBBER PLEASE, PLEASE
1573
01:40:05,067 --> 01:40:09,171
RUBBER DON'T STOP, STOP
FIRE STOP, STOP, STOP
1574
01:40:09,204 --> 01:40:21,049
LATEX RUBBER DON'T PLEASE
RED, RED PLEASE, PLEASE
1575
01:40:21,083 --> 01:40:23,418
PLEASE PLEASE
FLUID NO HOT
1576
01:40:23,451 --> 01:40:24,419
FLUID NO HOT
CONTACT YES HOT
1577
01:40:24,452 --> 01:40:25,687
NO CONTACT SWEAT, SWEET
FIRE WET
1578
01:40:25,720 --> 01:40:26,588
FIRE WET
BURN WET
1579
01:40:26,621 --> 01:40:34,862
BURN, YES! RED, HEAT
NO LATEX
1580
01:40:34,896 --> 01:40:35,697
RUBBER
RUBBER
1581
01:40:35,730 --> 01:40:36,531
FIRE
LATEX RUBBER
1582
01:40:36,564 --> 01:40:37,399
LATEX BUMMER
LOVER BUMMER
1583
01:40:37,432 --> 01:40:38,433
THE SHEET DISAPPEARS
TAKE ME
1584
01:40:38,466 --> 01:40:39,201
TAKE ME
TAKE ME
1585
01:40:39,234 --> 01:40:40,034
AHH
TAKE ME
1586
01:40:40,068 --> 01:40:40,868
TAKE ME, OH
TODAY FOR YOU
1587
01:40:40,902 --> 01:40:41,903
TOMORROW FOR ME
TODAY ME, TOMORROW YOU
1588
01:40:41,936 --> 01:40:45,173
TOMORROW
YOU LOVE
1589
01:40:45,207 --> 01:40:47,242
YOU LOVE
YOU LOVE
1590
01:40:47,275 --> 01:40:54,282
I LOVE YOU
I LOVE YOU!
1591
01:40:54,316 --> 01:40:55,083
AHH
TAKE ME
1592
01:40:55,117 --> 01:41:00,455
TAKE ME
TAKE ME
1593
01:41:00,488 --> 01:41:03,091
UM.
WAIT.
1594
01:41:03,125 --> 01:41:03,358
NO.
1595
01:41:03,391 --> 01:41:03,858
OW!
1596
01:41:03,891 --> 01:41:07,295
WHERE'D IT GO?
1597
01:41:07,329 --> 01:41:09,264
SAFE.
DAMN.
1598
01:41:09,297 --> 01:41:13,067
I THINK I MISSED.
1599
01:41:13,101 --> 01:41:17,071
DON'T GET PISSED.
1600
01:41:17,105 --> 01:41:18,473
IT WAS BAD FOR ME.
1601
01:41:18,506 --> 01:41:19,974
WAS IT BAD FOR YOU?
1602
01:41:20,007 --> 01:41:22,110
IT'S OKAY.
1603
01:41:22,144 --> 01:41:24,212
IT'S OVER.
IT'S OVER.
1604
01:41:24,246 --> 01:41:28,483
IT'S OVER.
1605
01:41:28,516 --> 01:41:33,155
SO WE THANK YOU, DEAR ANGEL,
FOR LIGHTING OUR WAY WITH STYLE
1606
01:41:33,188 --> 01:41:41,963
AND GRACE AND LOVE.
1607
01:41:41,996 --> 01:41:45,133
SHE PULLED ME ASIDE ONE NIGHT
TO TALK LEGAL ADVICE.
1608
01:41:45,167 --> 01:41:50,338
NOT FOR HER; FOR EVERYONE IN THE
EAST VILLAGE.
1609
01:41:50,372 --> 01:41:53,175
SQUATTERS, CHILD PROTECTIVE
SERVICES, MEDICAL INSURANCE.
1610
01:41:53,208 --> 01:41:54,742
SHE WANTED TO HELP.
1611
01:41:54,776 --> 01:41:56,744
AND SHE ALWAYS DID.
1612
01:41:56,778 --> 01:42:08,156
ANGEL WAS ONE OF MY CLOSEST
FRIENDS. IT'S RIGHT THAT IT'S
1613
01:42:08,190 --> 01:42:13,328
HALLOWEEN, BECAUSE IT WAS HER
FAVORITE HOLIDAY.
1614
01:42:13,361 --> 01:42:19,701
I KNEW WE'D HIT IT OFF THE
MOMENT WE MET.
1615
01:42:19,734 --> 01:42:25,807
SOME SKINHEAD WAS BOTHERING HER,
AND SHE SAID SHE WAS MORE OF A
1616
01:42:25,840 --> 01:42:30,044
MAN THAN HE'D EVER BE AND MORE
OF A WOMAN THAN HE'D EVER GET.
1617
01:42:30,077 --> 01:42:33,181
AND THEN THERE WAS THE TIME
HE-- SHE--
1618
01:42:33,215 --> 01:42:36,518
WALKED UP TO THIS GROUP OF
TOURISTS. AND THEY WERE
1619
01:42:36,551 --> 01:42:39,987
PETRIFIED BECAUSE, A - THEY WERE
OBVIOUSLY LOST AND B - HAD
1620
01:42:40,021 --> 01:42:43,191
PROBABLY NEVER SPOKEN TO A
PERSON LIKE HER BEFORE IN THEIR
1621
01:42:43,225 --> 01:42:50,398
LIVES. BUT SHE OFFERED TO TAKE A
PICTURE WITH THEM. AND THEN SHE
1622
01:42:50,432 --> 01:42:57,572
SAID SHE'D HELP 'EM FIND THE
STATUE OF LIBERTY.
1623
01:42:57,605 --> 01:43:01,409
SO MUCH MORE ORIGINAL THAN
ANY OF US.
1624
01:43:01,443 --> 01:43:05,413
YOU'D FIND AN OLD TABLECLOTH ON
THE STREET AND MAKE A DRESS AND
1625
01:43:05,447 --> 01:43:13,321
NEXT YEAR, SURE ENOUGH, THEY'D
BE SELLING THEM AT SAKS.
1626
01:43:13,355 --> 01:43:16,991
YOU ALWAYS SAID HOW LUCKY YOU
WERE THAT WE WERE ALL FRIENDS
1627
01:43:17,024 --> 01:43:27,034
BUT IT WAS US, BABY, WHO WERE
THE LUCKY ONES.
1628
01:43:27,068 --> 01:43:41,249
BUT IT WAS US, BABY, WHO WERE
THE LUCKY ONES.
1629
01:43:41,283 --> 01:43:51,293
LIVE IN MY HOUSE
I'LL BE YOUR SHELTER
1630
01:43:51,326 --> 01:43:57,532
LIVE IN MY HOUSE
I'LL BE YOUR SHELTER
1631
01:43:57,565 --> 01:44:07,575
JUST PAY ME BACK WITH
ONE THOUSAND KISSES
1632
01:44:07,609 --> 01:44:13,815
JUST PAY ME BACK WITH
ONE THOUSAND KISSES
1633
01:44:13,848 --> 01:44:23,891
BE MY LOVER
AND I'LL COVER YOU
1634
01:44:23,925 --> 01:44:31,666
BE MY LOVER
AND I'LL COVER YOU
1635
01:44:31,699 --> 01:44:38,840
OPEN YOUR DOOR
I'LL BE YOUR TENANT
1636
01:44:38,873 --> 01:44:46,314
DON'T GOT MUCH BAGGAGE
TO LAY AT YOUR FEET
1637
01:44:46,348 --> 01:44:51,118
BUT SWEET KISSES
I'VE GOT TO SPARE
1638
01:44:51,152 --> 01:44:59,927
I'LL BE THERE
AND I'LL COVER YOU
1639
01:44:59,961 --> 01:45:04,332
I THINK THEY MEANT IT
WHEN THEY SAID YOU
1640
01:45:04,366 --> 01:45:10,538
CAN'T BUY LOVE
NOW I KNOW YOU CAN RENT IT
1641
01:45:10,572 --> 01:45:17,345
A NEW LEASE YOU ARE, MY LOVE
ON LIFE
1642
01:45:17,379 --> 01:45:31,225
ALL MY LIFE
I'VE LONGED TO DISCOVER
1643
01:45:31,258 --> 01:45:38,366
SOMETHING AS TRUE
AS THIS IS
1644
01:45:38,400 --> 01:45:40,502
SO WITH A THOUSAND FIVE
HUNDRED
1645
01:45:40,535 --> 01:45:43,538
SWEET KISSES
IF YOU'RE COLD TWENTY-FIVE
1646
01:45:43,571 --> 01:45:55,550
THOUSAND
I'LL COVER YOU
1647
01:45:55,583 --> 01:46:00,988
AND YOU'RE LONELY SIX-HUNDRED
MINUTES
1648
01:46:01,022 --> 01:46:02,390
WITH A THOUSAND FIVE HUNDRED
SWEET KISSES YOU'VE GOT ONE
1649
01:46:02,424 --> 01:46:08,162
TWENTY-FIVE THOUSAND
I'LL COVER YOU NICKEL ONLY
1650
01:46:08,195 --> 01:46:12,567
MOMENTS SO DEAR
WITH A THOUSAND FIVE HUNDRED
1651
01:46:12,600 --> 01:46:16,270
SWEET KISSES WHEN YOU'RE WORN
OUT TWENTY-FIVE THOUSAND
1652
01:46:16,303 --> 01:46:28,182
I'LL COVER YOU AND TIRED
SIX-HUNDRED MINUTES
1653
01:46:28,215 --> 01:46:32,086
WITH A THOUSAND FIVE HUNDRED
SWEET KISSES TWENTY-FIVE
1654
01:46:32,119 --> 01:46:34,288
THOUSAND
WHEN YOUR HEART
1655
01:46:34,321 --> 01:46:35,222
HAS EXPIRED
OH LOVER
1656
01:46:35,256 --> 01:46:36,390
I'LL COVER YOU
YEAH-AH-AH-AH
1657
01:46:36,424 --> 01:46:37,291
OH LOVER
I'LL COVER YOU
1658
01:46:37,324 --> 01:46:38,460
FIVE HUNDRED TWENTY-FIVE
THOUSAND
1659
01:46:38,493 --> 01:46:39,561
SIX HUNDRED MINUTES
FIVE HUNDRED TWENTY-FIVE
1660
01:46:39,594 --> 01:46:49,604
THOUSAND
SEASONS OF LOVE
1661
01:46:49,637 --> 01:46:59,681
THOUSAND
SEASONS OF LOVE
1662
01:46:59,681 --> 01:47:11,593
THOUSAND
SEASONS OF LOVE
1663
01:47:11,626 --> 01:47:12,627
HI.
1664
01:47:12,660 --> 01:47:15,797
IS THIS ALEXI DARLING?
HI.
1665
01:47:15,830 --> 01:47:23,270
MARK COHEN.
YES, I'M STILL ALIVE.
1666
01:47:23,304 --> 01:47:24,506
YEAH.
1667
01:47:24,539 --> 01:47:25,640
I'D LIKE TO COME WORK FOR YOU
GUYS.
1668
01:47:25,673 --> 01:47:26,774
TODAY?
1669
01:47:26,808 --> 01:47:31,579
TODAY'S NOT GREAT.
I'M AT MY FRIEND'S --
1670
01:47:31,613 --> 01:47:34,849
TWENTY MINUTES?
1671
01:47:34,882 --> 01:47:37,652
OKAY.
1672
01:47:37,685 --> 01:47:38,853
I'LL BE THERE.
YEAH.
1673
01:47:38,886 --> 01:47:49,096
HAPPY HALLOWEEN TO YOU TOO.
HOW DID WE GET HERE?
1674
01:47:49,130 --> 01:47:50,665
HOW THE HELL --
HOW DID I GET HERE?
1675
01:47:50,698 --> 01:48:01,876
HOW THE HELL -- CHRISTMAS.
1676
01:48:01,909 --> 01:48:06,981
CHRISTMAS EVE LAST YEAR, HOW
COULD A NIGHT SO FROZEN BE SO
1677
01:48:07,014 --> 01:48:16,123
SCALDING HOT? HOW CAN A
MORNING THIS MILD BE SO RAW?
1678
01:48:16,157 --> 01:48:20,528
WHY ARE ENTIRE YEARS STREWN ON
THE CUTTING ROOM FLOOR OF
1679
01:48:20,562 --> 01:48:24,899
MEMORY WHEN SINGLE FRAMES
FROM ONE MAGIC NIGHT FOREVER
1680
01:48:24,932 --> 01:48:33,207
FLICKER IN CLOSEUP ON THE 3D
IMAX OF MY MIND THAT'S POETIC.
1681
01:48:33,240 --> 01:48:35,176
THAT'S PATHETIC.
WHY DID MIMI KNOCK ON ROGER'S
1682
01:48:35,209 --> 01:48:38,646
DOOR
AND COLLINS CHOOSE THAT PHONE
1683
01:48:38,680 --> 01:48:41,549
BOOTH
BACK WHERE ANGEL SET UP HER
1684
01:48:41,583 --> 01:48:43,150
DRUMS
WHY DID MAUREEN'S EQUIPMENT
1685
01:48:43,184 --> 01:48:47,555
BREAK DOWN
WHY AM I THE WITNESS AND WHEN
1686
01:48:47,589 --> 01:48:58,733
I CAPTURE IT ON FILM
WILL IT MEAN THAT IT'S THE END
1687
01:48:58,766 --> 01:49:06,207
AND I'M ALONE
I TOOK THAT JOB AT BUZZLINE.
1688
01:49:06,240 --> 01:49:11,012
IT'S TRUE YOU SOLD YOUR
GUITAR AND BOUGHT A CAR?
1689
01:49:11,045 --> 01:49:14,181
IT'S TRUE I'M LEAVING NOW
FOR SANTA FE
1690
01:49:14,215 --> 01:49:16,951
IT'S TRUE YOU'RE WITH THIS
YUPPIE SCUM?
1691
01:49:16,984 --> 01:49:20,955
YOU SAID YOU'D NEVER SPEAK
TO HIM AGAIN
1692
01:49:20,988 --> 01:49:25,760
NOT NOW.
WHO SAID THAT YOU HAVE ANY
1693
01:49:25,793 --> 01:49:28,062
SAY IN WHO SHE SAYS THINGS TO AT
ALL?
1694
01:49:28,095 --> 01:49:30,798
YEAH.
WHO SAID THAT YOU SHOULD
1695
01:49:30,832 --> 01:49:32,066
STICK YOUR NOSE IN OTHER
PEOPLE'S --
1696
01:49:32,099 --> 01:49:34,802
WHO SAID I WAS TALKING TO
YOU?
1697
01:49:34,836 --> 01:49:36,704
WE USED TO HAVE THIS FIGHT
EACH NIGHT
1698
01:49:36,738 --> 01:49:38,806
CALM DOWN.
SHE'D NEVER ADMIT I EXISTED
1699
01:49:38,840 --> 01:49:41,475
EVERYONE PLEASE.
HE WAS THE SAME WAY HE WAS
1700
01:49:41,508 --> 01:49:43,477
ALWAYS
"RUN AWAY, HIT THE ROAD,
1701
01:49:43,510 --> 01:49:44,779
DON'T COMMIT" YOU'RE FULL OF
IT
1702
01:49:44,812 --> 01:49:46,648
MIMI --
SHE'S IN DENIAL
1703
01:49:46,681 --> 01:49:49,450
HE'S IN DENIAL
DIDN'T GIVE AN INCH
1704
01:49:49,483 --> 01:49:50,785
GUYS.
WHEN I GAVE A MILE
1705
01:49:50,818 --> 01:49:52,620
COME ON.
I GAVE A MILE
1706
01:49:52,654 --> 01:49:57,892
GAVE A MILE TO WHO?
COME ON GUYS CHILL.
1707
01:49:57,925 --> 01:50:02,664
I'D BE HAPPY TO DIE FOR A
TASTE OF WHAT ANGEL HAD
1708
01:50:02,697 --> 01:50:09,003
SOMEONE TO LIVE FOR UNAFRAID
TO SAY I LOVE YOU
1709
01:50:09,036 --> 01:50:11,806
ALL YOUR WORDS ARE NICE
MIMI
1710
01:50:11,839 --> 01:50:14,475
BUT LOVE'S NOT A THREE WAY
STREET
1711
01:50:14,508 --> 01:50:17,812
YOU'LL NEVER SHARE REAL LOVE
UNTIL YOU LOVE YOUR SELF
1712
01:50:17,845 --> 01:50:27,689
I SHOULD KNOW
YOU ALL SAID YOU'D BE COOL
1713
01:50:27,722 --> 01:50:32,026
TODAY SO PLEASE FOR MY SAKE --
I CAN'T BELIEVE SHE'S GONE I
1714
01:50:32,059 --> 01:50:38,700
CAN'T BELIEVE YOU'RE GOING
I CAN'T BELIEVE THIS FAMILY
1715
01:50:38,733 --> 01:50:43,504
WILL DIE
ANGEL HELPED US BELIEVE IN
1716
01:50:43,537 --> 01:50:46,841
LOVE I CAN'T BELIEVE YOU
DISAGREE
1717
01:50:46,874 --> 01:50:57,484
I CAN'T BELIEVE THIS IS
GOODBYE
1718
01:50:57,518 --> 01:51:03,457
I MISSED YOU SO MUCH.
I MISSED YOU.
1719
01:51:03,490 --> 01:51:06,227
OW.
CALM DOWN, MAUREEN.
1720
01:51:06,260 --> 01:51:16,137
CALM DOWN, MAUREEN?
GUYS.
1721
01:51:16,170 --> 01:51:30,752
THOMAS B. COLLINS?
COMING.
1722
01:51:30,785 --> 01:51:33,254
I HEAR THERE ARE GREAT
RESTAURANTS OUT WEST
1723
01:51:33,287 --> 01:51:34,756
SOME OF THE BEST.
1724
01:51:34,789 --> 01:51:39,994
HOW COULD SHE?
HOW COULD YOU LET HER GO?
1725
01:51:40,027 --> 01:51:45,166
YOU JUST DON'T KNOW HOW
COULD WE LOSE ANGEL?
1726
01:51:45,199 --> 01:51:49,103
MAYBE YOU'LL SEE WHY WHEN
YOU STOP ESCAPING YOUR PAIN
1727
01:51:49,136 --> 01:51:55,109
AT LEAST NOW IF YOU TRY
ANGEL'S DEATH WON'T BE IN VAIN
1728
01:51:55,142 --> 01:52:01,916
HER DEATH IS IN VAIN
ARE YOU INSANE?
1729
01:52:01,949 --> 01:52:05,753
THERE'S SO MUCH TO CARE ABOUT
THERE'S ME THERE'S MIMI
1730
01:52:05,787 --> 01:52:07,088
MIMI'S GOT HER BAGGAGE
TOO
1731
01:52:07,121 --> 01:52:11,759
SO DO YOU
WHO ARE YOU TO TELL ME WHAT
1732
01:52:11,793 --> 01:52:16,130
I KNOW, WHAT TO DO
A FRIEND
1733
01:52:16,163 --> 01:52:22,804
BUT WHO, MARK, ARE YOU?
"MARK HAS GOT HIS WORK"
1734
01:52:22,837 --> 01:52:26,941
THEY SAY "MARK LIVES FOR HIS
WORK" AND "MARK'S IN LOVE WITH
1735
01:52:26,974 --> 01:52:29,610
HIS WORK" IMPORTANT WORK, LIKE
BUZZLINE.
1736
01:52:29,643 --> 01:52:31,578
KEEP HIDING IN YOUR WORK.
HIDING?
1737
01:52:31,612 --> 01:52:35,582
FROM WHAT?
FACING YOUR FAILURE FACING
1738
01:52:35,616 --> 01:52:39,954
YOUR LONELINESS
FACING THE FACT YOU LIVE A
1739
01:52:39,987 --> 01:52:44,391
LIE
YES, YOU LIVE A LIE TELL YOU
1740
01:52:44,425 --> 01:52:49,563
WHY
YOU'RE ALWAYS PREACHING NOT TO
1741
01:52:49,596 --> 01:52:51,966
BE NUMB WHEN THAT'S HOW YOU
THRIVE
1742
01:52:51,999 --> 01:52:55,469
YOU SAY YOU KNOW HOW WE ALL
FEEL, BUT YOU REALLY DETACH FROM
1743
01:52:55,502 --> 01:52:59,440
FEELING ALIVE
PERHAPS IT'S BECAUSE I'M
1744
01:52:59,473 --> 01:53:10,584
THE ONE OF US TO SURVIVE
POOR BABY.
1745
01:53:10,617 --> 01:53:14,188
MIMI STILL LOVES ROGER IS
ROGER REALLY JEALOUS OR AFRAID
1746
01:53:14,221 --> 01:53:19,360
THAT MIMI'S WEAK
MIMI DID LOOK PALE
1747
01:53:19,393 --> 01:53:22,830
MIMI'S GOTTEN THIN MIMI'S
RUNNING OUT OF TIME ROGER'S
1748
01:53:22,864 --> 01:53:24,966
RUNNING OUT THE DOOR --
NO MORE.
1749
01:53:24,999 --> 01:53:37,611
OH NO.
I'VE GOTTA GO I'LL CALL.
1750
01:53:37,644 --> 01:53:44,018
I HATE THE FALL.
YOU HEARD?
1751
01:53:44,051 --> 01:53:55,029
EVERY WORD YOU DON'T WANT
BAGGAGE
1752
01:53:55,062 --> 01:53:59,466
WITHOUT LIFETIME GUARANTEES
YOU DON'T WANT TO WATCH ME
1753
01:53:59,500 --> 01:54:03,737
DIE?
I JUST CAME TO SAY GOODBYE,
1754
01:54:03,770 --> 01:54:09,410
LOVE
GOODBYE, LOVE CAME TO SAY
1755
01:54:09,443 --> 01:54:14,548
GOODBYE, LOVE, GOODBYE
JUST TO CAME TO SAY
1756
01:54:14,581 --> 01:54:18,886
GLORY
GOODBYE LOVE
1757
01:54:18,920 --> 01:54:22,890
ONE BLAZE OF
GOODBYE LOVE
1758
01:54:22,924 --> 01:54:24,091
GLORY
GOODBYE LOVE, GOODBYE
1759
01:54:24,125 --> 01:54:29,263
I HAVE TO FIND
PLEASE DON'T TOUCH ME
1760
01:54:29,296 --> 01:54:33,100
UNDERSTAND
I'M SCARED I NEED TO GO AWAY
1761
01:54:33,134 --> 01:54:35,269
I KNOW A PLACE, A CLINIC.
A REHAB.
1762
01:54:35,302 --> 01:54:38,072
I COULD NEVER --
I'LL PAY.
1763
01:54:38,105 --> 01:54:43,544
GOODBYE LOVE GOODBYE LOVE
CAME TO SAY GOODBYE, LOVE,
1764
01:54:43,577 --> 01:54:44,946
GOODBYE
JUST CAME TO SAY GOODBYE
1765
01:54:44,979 --> 01:54:52,920
LOVE
JUST CAME TO SAY GOODBYE
1766
01:54:52,954 --> 01:55:01,462
LOVE
GOODBYE LOVE GOODBYE LOVE
1767
01:55:01,495 --> 01:55:12,106
HELLO DISEASE
OFF THE PREMISES NOW.?
1768
01:55:12,139 --> 01:55:14,108
WE DON'T GIVE HANDOUTS HERE.
WHAT HAPPENED TO "REST IN
1769
01:55:14,141 --> 01:55:16,944
PEACE?"
OFF THE PREMISES, QUEER.
1770
01:55:16,978 --> 01:55:18,912
HEY.
1771
01:55:18,946 --> 01:55:20,948
TELL THE PRIEST I'LL BE RIGHT IN
TO TAKE CARE OF IT.
1772
01:55:20,982 --> 01:55:22,549
AND WATCH YOUR MOUTH.
YOU'RE TALKING TO MY FRIEND.
1773
01:55:22,583 --> 01:55:26,120
MUST BE NICE TO HAVE MONEY.
SURE IS.
1774
01:55:26,153 --> 01:55:28,489
I THINK IT ONLY FAIR TO TELL
YOU, YOU JUST PAID FOR THE
1775
01:55:28,522 --> 01:55:30,491
FUNERAL OF THE PERSON WHO KILLED
YOUR DOG.
1776
01:55:30,524 --> 01:55:31,959
I KNOW.
1777
01:55:31,993 --> 01:55:34,595
I ALWAYS HATED THAT DOG.
LET'S PAY HIM OFF, THEN WE'LL
1778
01:55:34,628 --> 01:55:35,963
ALL GET DRUNK.
CAN'T.
1779
01:55:35,997 --> 01:55:41,568
I HAVE A BUSINESS MEETING.
PUNK.
1780
01:55:41,602 --> 01:55:42,503
LET'S GO.
WELL.
1781
01:55:42,536 --> 01:55:45,572
I GUESS I'M OFF TO SELL MY SOUL.
1782
01:55:45,606 --> 01:55:47,941
"MARK COHEN, FOR BUZZLINE.
1783
01:55:47,975 --> 01:55:49,576
COMING UP, DEVIL WORSHIPING
WELFARE QUEENS ARE COMING TO
1784
01:55:49,610 --> 01:55:56,650
TAKE YOUR JOBS."
OH MY GOD, WHAT AM I DOING?
1785
01:55:56,683 --> 01:56:03,124
DON'T BREATHE TOO DEEP DON'T
THINK ALL DAY
1786
01:56:03,157 --> 01:56:13,000
DIVE INTO WORK DRIVE THE OTHER
WAY
1787
01:56:13,034 --> 01:56:17,004
THAT DRIP OF HURT THAT PINT OF
SHAME
1788
01:56:17,038 --> 01:56:26,013
GOES AWAY JUST PLAY THE GAME
YOU'RE LIVING IN AMERICA AT
1789
01:56:26,047 --> 01:56:34,055
THE END OF THE MILLENNIUM
YOU'RE LIVING IN AMERICA LEAVE
1790
01:56:34,088 --> 01:56:40,027
YOUR CONSCIENCE AT THE TONE
AND WHEN YOU'RE LIVING IN
1791
01:56:40,061 --> 01:56:46,233
AMERICA AT THE END OF THE
MILLENNIUM
1792
01:56:46,267 --> 01:56:54,675
YOU'RE WHAT YOU OWN
THE FILMMAKER CANNOT SEE
1793
01:56:54,708 --> 01:56:58,312
AND THE SONGWRITER CANNOT
HEAR
1794
01:56:58,345 --> 01:57:03,084
YET I SEE MIMI EVERYWHERE
ANGEL'S VOICE IS IN MY
1795
01:57:03,117 --> 01:57:07,088
EAR
JUST TIGHTEN THOSE
1796
01:57:07,121 --> 01:57:10,091
SHOULDERS
JUST CLENCH YOUR JAW TIL
1797
01:57:10,124 --> 01:57:14,928
YOU FROWN
JUST DON'T LET GO
1798
01:57:14,961 --> 01:57:22,069
OR YOU MAY DROWN
YOU'RE LIVING IN AMERICA AT
1799
01:57:22,103 --> 01:57:29,676
THE END OF THE MILLENNIUM
YOU'RE LIVING IN AMERICA WHERE
1800
01:57:29,710 --> 01:57:36,450
IT'S LIKE THE TWILIGHT ZONE
AND WHEN YOU'RE LIVING IN
1801
01:57:36,483 --> 01:57:46,293
AMERICA AT THE END OF THE
MILLENNIUM YOU'RE WHAT YOU
1802
01:57:46,327 --> 01:57:54,701
OWN SO I OWN NOT A NOTION I
ESCAPE AND APE CONTENT I DON'T
1803
01:57:54,735 --> 01:58:02,143
OWN EMOTION, I RENT WHAT WAS
IT ABOUT THAT NIGHT WHAT WAS IT
1804
01:58:02,176 --> 01:58:07,481
ABOUT THAT NIGHT CONNECTION
IN AN ISOLATING AGE FOR ONCE
1805
01:58:07,514 --> 01:58:09,450
THE SHADOWS GAVE WAY TO LIGHT
FOR ONCE THE SHADOWS GAVE WAY TO
1806
01:58:09,483 --> 01:58:17,724
LIGHT FOR ONCE I DIDN'T
DISENGAGE ANGEL, MIMI I HEAR
1807
01:58:17,758 --> 01:58:26,900
YOU I SEE YOU I HEAR IT I SEE
IT I SEE IT I HEAR IT I SEE
1808
01:58:26,933 --> 01:58:31,305
IT I HEAR IT MY FILM!
1809
01:58:31,338 --> 01:58:34,341
MY SONG! ALEXI?
1810
01:58:34,375 --> 01:58:40,781
ONE SONG MARK GLORY CALL ME
A HYPOCRITE MIMI BUT I
1811
01:58:40,814 --> 01:58:46,353
NEED -- YOUR EYES I QUIT.
DYING IN AMERICA AT THE END
1812
01:58:46,387 --> 01:58:53,026
OF THE MILLENNIUM WE'RE
DYING IN AMERICA TO COME INTO
1813
01:58:53,059 --> 01:58:59,500
OUR OWN BUT WHEN YOU'RE
DYING IN AMERICA AT THE END OF
1814
01:58:59,533 --> 01:59:10,977
THE MILLENNIUM YOU'RE NOT
ALONE I'M NOT ALONE I'M NOT
1815
01:59:11,011 --> 01:59:14,315
ALONE
SPEAK
1816
01:59:40,907 --> 01:59:43,677
ROGER
THIS IS YOUR MOTHER
1817
01:59:43,710 --> 01:59:46,847
ROGER, HONEY
I DON'T GET THESE
1818
01:59:46,880 --> 01:59:55,989
POSTCARDS
MOVING TO SANTA FE, BACK IN
1819
01:59:56,022 --> 02:00:05,566
NEW YORK, STARTING A ROCK BAND
ROGER WHERE ARE YOU
1820
02:00:05,599 --> 02:00:06,733
MIMI, CHICA
DONDE ESTAS?
1821
02:00:06,767 --> 02:00:07,834
TU MAMA ESTA LLAMANDO
DONDE ESTAS MIMI?
1822
02:00:07,868 --> 02:00:09,503
KITTEN
WHEREVER ARE YOU
1823
02:00:09,536 --> 02:00:13,039
MARK, ARE YOU THERE
ARE YOU THERE
1824
02:00:13,073 --> 02:00:15,842
I DON'T KNOW IF HE'S THERE
WE'RE ALL HERE WISHING YOU
1825
02:00:15,876 --> 02:00:17,411
WERE HERE TOO
WHERE ARE YOU
1826
02:00:17,444 --> 02:00:18,279
MARK, ARE YOU THERE
ARE YOU
1827
02:00:18,312 --> 02:00:19,380
WHERE ARE YOU MARK
ARE YOU THERE
1828
02:00:19,413 --> 02:00:21,448
ARE YOU THERE
I DON'T KNOW IF
1829
02:00:21,482 --> 02:00:31,258
PLEASE CALL
YOUR MOTHER
1830
02:00:31,292 --> 02:00:34,094
DECEMBER 24
10:00 PM
1831
02:00:34,127 --> 02:00:36,096
EASTERN STANDARD TIME I CAN'T
BELIEVE A YEAR WENT
1832
02:00:36,129 --> 02:00:39,400
BY SO FAST
NOW WE MEASURE HOW
1833
02:00:39,433 --> 02:00:46,373
THE YEAR HAS PASSED
TURN THE PROJECTOR ON
1834
02:00:46,407 --> 02:00:47,641
FIRST SHOT ROGER
WITH THE FENDER GUITAR
1835
02:00:47,674 --> 02:00:49,643
HE JUST GOT OUT OF HOCK
WHEN HE SOLD THE CAR
1836
02:00:49,676 --> 02:00:51,278
THAT TOOK HIM AWAY
AND BACK
1837
02:00:51,312 --> 02:00:53,647
I FOUND MY SONG
FOUND HIS SONG
1838
02:00:53,680 --> 02:00:57,618
IF HE COULD JUST
FIND MIMI
1839
02:00:57,651 --> 02:00:59,119
I TRIED - YOU KNOW I TRIED.
1840
02:00:59,152 --> 02:01:03,557
FADE IN ON MARK
WHO'S STILL IN THE DARK
1841
02:01:03,590 --> 02:01:05,091
BUT HE'S GOT
GREAT FOOTAGE
1842
02:01:05,125 --> 02:01:11,465
WHICH HE'S CUT TOGETHER
TO SCREEN TONIGHT
1843
02:01:11,498 --> 02:01:13,400
FOR AN AUDIENCE OF ONE.
1844
02:01:13,434 --> 02:01:14,267
A NON-PAYING AUDIENCE OF ONE.
1845
02:01:14,301 --> 02:01:15,469
THIS IS GONNA BE GOOD.
1846
02:01:15,502 --> 02:01:16,303
YOU DON'T HAVE TO SAY THAT.
1847
02:01:16,337 --> 02:01:21,508
I MEAN IT.
1848
02:01:21,542 --> 02:01:23,276
I'M GLAD YOU'RE WORKING ON THIS.
1849
02:01:23,310 --> 02:01:28,349
I'M GLAD YOU'RE HOME.
1850
02:01:28,382 --> 02:01:29,683
THEN AGAIN, MAYBE WE WON'T
SCREEN IT TONIGHT.
1851
02:01:29,716 --> 02:01:31,284
I CAN FIX IT.
1852
02:01:31,318 --> 02:01:31,818
I JUST NEED TO FIGURE OUT HOW TO
FIND THE FLASHLIGHT IN THE DARK.
1853
02:01:31,852 --> 02:01:37,123
WITHOUT A FLASHLIGHT.
1854
02:01:37,157 --> 02:01:39,926
MAN, WHAT DO YOU TWO DO WHEN
I'M NOT HERE?
1855
02:01:39,960 --> 02:01:41,528
I HAD A LITTLE HUNCH.
1856
02:01:41,562 --> 02:01:44,297
YOU COULD USE A LITTLE FLOW.
1857
02:01:44,331 --> 02:01:46,333
TUTORING AGAIN?
NEGATIVE.
1858
02:01:46,367 --> 02:01:47,534
BACK AT N.Y.U.?
1859
02:01:47,568 --> 02:01:51,104
NO, NO, NO --
I REWIRED THE ATM AT THE FOOD
1860
02:01:51,137 --> 02:01:53,874
EMPORIUM.
1861
02:01:53,907 --> 02:01:57,878
TO PROVIDE AN HONORARIUM TO
ANYONE WITH THE CODE.
1862
02:01:57,911 --> 02:02:05,352
THE CODE
A-N-G-E-L
1863
02:02:05,386 --> 02:02:08,622
YET, ROBIN HOODING ISN'T THE
SOLUTION.
1864
02:02:08,655 --> 02:02:13,394
THE POWERS THAT BE MUST BE
UNDERMINED WHERE THEY DWELL.
1865
02:02:13,427 --> 02:02:18,031
IN A SMALL, EXCLUSIVE GOURMET
INSTITUTION --
1866
02:02:18,064 --> 02:02:21,201
WHERE WE OVERCHARGE
THE WEALTHY CLIENTELE
1867
02:02:21,234 --> 02:02:22,403
LET'S OPEN UP A
RESTAURANT IN
1868
02:02:22,436 --> 02:02:24,371
AHH, AHH
SANTA FE
1869
02:02:24,405 --> 02:02:26,373
SANTA FE
WITH A PRIVATE
1870
02:02:26,407 --> 02:02:28,341
CORNER BANQUETTE
AHH, AHH
1871
02:02:28,375 --> 02:02:30,043
IN THE BACK
IN THE BACK
1872
02:02:30,076 --> 02:02:31,645
WE'LL MAKE IT YET
AHH, AHH
1873
02:02:31,678 --> 02:02:33,580
WE'LL SOMEHOW GET TO
SANTA FE
1874
02:02:33,614 --> 02:02:35,181
SANTA FE
BUT YOU'D MISS NEW YORK
1875
02:02:35,215 --> 02:02:43,156
BEFORE YOU COULD UNPACK
OHH
1876
02:02:43,189 --> 02:02:44,257
MARK!
1877
02:02:44,290 --> 02:02:45,426
ROGER!
1878
02:02:45,459 --> 02:02:48,228
ANYONE
HELP!
1879
02:02:48,261 --> 02:02:50,063
MAUREEN?
IT'S MIMI - WE CAN'T GET HER
1880
02:02:50,096 --> 02:02:52,733
UP THE STAIRS.
1881
02:02:52,766 --> 02:03:00,574
NO!
SHE WAS HUDDLED IN THE PARK
1882
02:03:00,607 --> 02:03:05,278
IN THE DARK
AND SHE WAS FREEZING
1883
02:03:05,311 --> 02:03:07,781
AND BEGGED TO SEE YOU
LET'S GET HER INSIDE.
1884
02:03:07,814 --> 02:03:08,582
OH GOD.
1885
02:03:08,615 --> 02:03:13,620
ROGER --
GOT A LIGHT
1886
02:03:13,654 --> 02:03:17,624
I KNOW YOU
YOU'RE SHIVERING
1887
02:03:17,658 --> 02:03:19,693
SHE'S BEEN LIVING ON THE
STREET.
1888
02:03:19,726 --> 02:03:20,561
WE NEED SOME HEAT.
1889
02:03:20,594 --> 02:03:22,463
I'M SHIVERING.
1890
02:03:22,496 --> 02:03:27,601
WE CAN BUY SOME WOOD, AND
SOMETHING TO EAT.
1891
02:03:27,634 --> 02:03:31,538
I'M AFRAID SHE NEEDS
MORE THAN HEAT
1892
02:03:31,572 --> 02:03:34,040
I HEARD THAT.
1893
02:03:34,074 --> 02:03:38,278
COLLINS WILL CALL FOR
A DOCTOR, HONEY
1894
02:03:38,311 --> 02:03:40,781
DON'T WASTE YOUR MONEY
ON MIMI, ME, ME
1895
02:03:40,814 --> 02:03:41,247
HELLO?
1896
02:03:41,281 --> 02:03:41,915
911?
1897
02:03:41,948 --> 02:03:43,917
I'M ON HOLD.
1898
02:03:43,950 --> 02:03:45,919
COLD, COLD --
WOULD YOU LIGHT
1899
02:03:45,952 --> 02:03:51,057
MY CANDLE
YES.
1900
02:03:51,091 --> 02:03:56,630
OH, GOD --
FIND A
1901
02:03:56,663 --> 02:04:02,636
I SHOULD TELL YOU
I SHOULD TELL YOU
1902
02:04:02,669 --> 02:04:05,806
I SHOULD TELL YOU
I SHOULD TELL YOU
1903
02:04:05,839 --> 02:04:15,482
I SHOULD TELL YOU
BENNY WASN'T ANY
1904
02:04:15,516 --> 02:04:19,653
SHHH I KNOW.
1905
02:04:19,686 --> 02:04:22,288
I SHOULD TELL YOU
WHY I LEFT
1906
02:04:22,322 --> 02:04:23,490
IT WASN'T â ~CAUSE
I DIDN'T
1907
02:04:23,524 --> 02:04:24,491
I KNOW
I SHOULD TELL YOU
1908
02:04:24,525 --> 02:04:26,693
I SHOULD TELL YOU
I SHOULD TELL YOU
1909
02:04:26,727 --> 02:04:36,770
I LOVE YOU
WHO DO YOU THINK
1910
02:04:36,803 --> 02:04:42,142
I LOVE YOU
WHO DO YOU THINK
1911
02:04:42,175 --> 02:04:45,311
YOU ARE?
LEAVING ME ALONE WITH
1912
02:04:45,345 --> 02:04:49,315
MY GUITAR
HOLD ON
1913
02:04:49,349 --> 02:04:54,120
THERE'S SOMETHING YOU
SHOULD HEAR
1914
02:04:54,154 --> 02:05:06,733
IT ISN'T MUCH BUT IT
TOOK ALL YEAR
1915
02:05:06,767 --> 02:05:16,342
YOUR EYES
AS WE SAID OUR GOODBYES
1916
02:05:16,376 --> 02:05:19,512
CAN'T GET THEM OUT OF
MY MIND
1917
02:05:19,546 --> 02:05:25,418
AND I FIND
I CAN'T HIDE FROM
1918
02:05:25,451 --> 02:05:31,758
YOUR EYES
THE ONES THAT TOOK ME
1919
02:05:31,792 --> 02:05:35,762
BY SURPRISE
THE NIGHT YOU CAME INTO
1920
02:05:35,796 --> 02:05:41,534
MY LIFE
WHERE THERE'S MOONLIGHT
1921
02:05:41,568 --> 02:05:50,944
I SEE YOUR EYES
HOW'D I LET YOU SLIP AWAY
1922
02:05:50,977 --> 02:05:55,749
WHEN I'M LONGING SO TO
HOLD YOU
1923
02:05:55,782 --> 02:05:58,418
NOW I'D DIE FOR
ONE MORE DAY
1924
02:05:58,451 --> 02:06:03,223
'CAUSE THERE'S SOMETHING
I SHOULD HAVE TOLD YOU
1925
02:06:03,256 --> 02:06:09,562
YES, THERE'S SOMETHING
I SHOULD HAVE TOLD YOU
1926
02:06:09,596 --> 02:06:12,799
WHEN I LOOKED INTO
YOUR EYES
1927
02:06:12,833 --> 02:06:17,604
WHY DOES DISTANCE MAKE
US WISE?
1928
02:06:17,638 --> 02:06:22,776
YOU WERE THE SONG
ALL ALONG
1929
02:06:22,809 --> 02:06:28,749
AND BEFORE THE
SONG DIES
1930
02:06:28,782 --> 02:06:34,220
I SHOULD TELL YOU
I SHOULD TELL YOU
1931
02:06:34,254 --> 02:06:44,264
I HAVE ALWAYS LOVED YOU
YOU CAN SEE IT IN MY EYES
1932
02:06:44,297 --> 02:06:57,778
I HAVE ALWAYS LOVED YOU
YOU CAN SEE IT IN MY EYES
1933
02:06:57,811 --> 02:07:07,821
MIMI!
MOOOOOOOOOO!
1934
02:07:07,854 --> 02:07:17,898
MIMI!
MOOOOOOOOOO!
1935
02:07:17,898 --> 02:07:27,473
MIMI!
MOOOOOOOOOO!
1936
02:07:27,507 --> 02:07:29,776
WHAT?
1937
02:07:29,810 --> 02:07:30,643
I JUMPED OVER THE MOOOOOOON!
1938
02:07:30,677 --> 02:07:34,280
YES!
1939
02:07:34,314 --> 02:07:37,450
I WAS IN A TUNNEL.
1940
02:07:37,483 --> 02:07:38,551
HEADING FOR THIS WARM, WHITE
LIGHT --
1941
02:07:38,584 --> 02:07:39,720
OH, MY GOD.
1942
02:07:39,753 --> 02:07:43,023
AND I SWEAR ANGEL WAS THERE.
1943
02:07:43,056 --> 02:07:46,492
AND SHE LOOKED GOOD!
1944
02:07:46,526 --> 02:07:49,830
AND SHE SAID, "TURN AROUND
GIRLFRIEND, AND LISTEN TO THAT
1945
02:07:49,863 --> 02:07:52,132
BOY'S SONG --"
SHE'S DRENCHED
1946
02:07:52,165 --> 02:07:59,672
HER FEVER'S BREAKING
THERE IS NO FUTURE
1947
02:07:59,706 --> 02:08:06,880
THERE IS NO PAST
THANK GOD THIS MOMENT'S
1948
02:08:06,913 --> 02:08:15,521
NOT THE LAST
THERE'S ONLY US
1949
02:08:15,555 --> 02:08:21,928
THERE'S ONLY THIS
FORGET REGRET OR LIFE
1950
02:08:21,962 --> 02:08:26,332
IS YOURS TO MISS
NO OTHER ROAD NO
1951
02:08:26,366 --> 02:08:37,744
OTHER WAY
NO DAY BUT TODAY
1952
02:08:37,778 --> 02:08:42,916
I CAN'T CONTROL
WILL I LOSE MY DIGNITY
1953
02:08:42,949 --> 02:08:50,556
MY DESTINY
WILL SOMEONE CARE
1954
02:08:50,590 --> 02:08:53,359
I TRUST MY SOUL
WILL I WAKE TOMORROW
1955
02:08:53,393 --> 02:08:59,599
MY ONLY GOAL
FROM THIS
1956
02:08:59,632 --> 02:09:03,236
IS JUST TO BE
NIGHTMARE
1957
02:09:03,269 --> 02:09:05,371
WITHOUT YOU
THERE'S ONLY NOW
1958
02:09:05,405 --> 02:09:07,207
THE HAND GROPES
THERE'S ONLY
1959
02:09:07,240 --> 02:09:09,575
THE EAR HEARS
HERE
1960
02:09:09,609 --> 02:09:13,146
THE PULSE BEATS
GIVE IN TO LOVE
1961
02:09:13,179 --> 02:09:16,749
LIFE GOES ON
OR LIVE IN FEAR
1962
02:09:16,783 --> 02:09:19,886
BUT I'M GONE
NO OTHER PATH
1963
02:09:19,920 --> 02:09:22,655
â CAUSE
NO OTHER WAY
1964
02:09:22,688 --> 02:09:24,991
I DIE WITHOUT YOU
NO DAY BUT TODAY
1965
02:09:25,025 --> 02:09:32,598
I DIE WITHOUT YOU
NO DAY BUT TODAY
1966
02:09:32,632 --> 02:09:36,970
I DIE WITHOUT YOU
NO DAY BUT TODAY
1967
02:09:37,003 --> 02:09:41,407
I DIE WITHOUT YOU
NO DAY BUT TODAY
1968
02:09:41,441 --> 02:09:44,978
I DIE WITHOUT YOU
NO DAY BUT TODAY
1969
02:09:45,011 --> 02:09:50,183
I DIE WITHOUT YOU
NO DAY BUT TODAY
1970
02:09:50,216 --> 02:09:58,024
I DIE WITHOUT YOU
NO DAY BUT TODAY
1971
02:09:58,058 --> 02:10:02,863
I DIE WITHOUT YOU
NO DAY BUT TODAY
1972
02:10:02,896 --> 02:10:08,034
NO DAY BUT TODAY
FIVE HUNDRED TWENTY-FIVE
1973
02:10:08,068 --> 02:10:18,111
THOUSAND
FIVE HUNDRED TWENTY-FIVE
1974
02:10:18,144 --> 02:10:28,188
THOUSAND
FIVE HUNDRED TWENTY-FIVE
1975
02:10:28,188 --> 02:10:38,131
THOUSAND
FIVE HUNDRED TWENTY-FIVE
1976
02:10:38,164 --> 02:10:48,208
THOUSAND
FIVE HUNDRED TWENTY-FIVE
1977
02:10:48,208 --> 02:10:54,147
THOUSAND
FIVE HUNDRED TWENTY-FIVE
1978
02:10:54,180 --> 02:10:58,851
THOUSAND
SIX HUNDRED MINUTES
1979
02:10:58,885 --> 02:11:02,889
FIVE HUNDRED
TWENTY-FIVE THOUSAND
1980
02:11:02,923 --> 02:11:05,992
MOMENTS SO DEAR
ELVE HUNDRED
1981
02:11:06,026 --> 02:11:09,562
TWENTY-FIVE THOUSAND
SIX HUNDRED MINUTES
1982
02:11:09,595 --> 02:11:19,940
HOW DO YOU MEASURE
MEASURE A YEAR?
1983
02:11:19,973 --> 02:11:27,347
HOW ABOUT LOVE
HOW ABOUT LOVE
1984
02:11:27,380 --> 02:11:37,523
HOW ABOUT LOVE
MEASURE IN LOVE
1985
02:11:37,557 --> 02:11:43,096
SEASONS OF LOVE
LOVE
1986
02:11:43,129 --> 02:11:55,575
SEASONS OF
LOVE
1987
02:11:55,608 --> 02:11:56,776
FIVE HUNDRED TWENTY-FIVE
THOUSAND
1988
02:11:56,809 --> 02:11:57,910
SIX HUNDRED MINUTES
FIVE HUNDRED
1989
02:11:57,944 --> 02:11:58,945
TWENTY-FIVE THOUSAND
JOURNEYS TO PLAN
1990
02:11:58,979 --> 02:12:00,380
FIVE HUNDRED TWENTY-FIVE
THOUSAND
1991
02:12:00,413 --> 02:12:03,950
SIX HUNDRED MINUTES
HOW DO YOU MEASURE
1992
02:12:03,984 --> 02:12:09,122
THE LIFE
OF A WOMAN OR A MAN?
1993
02:12:09,155 --> 02:12:14,294
IN TRUTHS THAT SHE LEARNED
OR IN TIMES THAT HE CRIED
1994
02:12:14,327 --> 02:12:16,963
IN BRIDGES HE BURNED
OR THE WAY THAT SHE
1995
02:12:16,997 --> 02:12:20,233
DIED
IT'S TIME NOW
1996
02:12:20,266 --> 02:12:26,572
TO SING OUT
THO' THE STORY NEVER ENDS
1997
02:12:26,606 --> 02:12:28,174
LET'S CELEBRATE
REMEMBER A YEAR IN THE
1998
02:12:28,208 --> 02:12:30,977
LIFE OF FRIENDS
REMEMBER THE LOVE
1999
02:12:31,011 --> 02:12:38,151
REMEMBER THE LOVE
REMEMBER THE LOVE
2000
02:12:38,184 --> 02:12:44,124
MEASURE IN LOVE
MEASURE, MEASURE YOUR
2001
02:12:44,157 --> 02:12:54,167
LIFE IN LOVE
SEASONS OF LOVE
2002
02:12:54,200 --> 02:13:04,344
LIFE IN LOVE
SEASONS OF LOVE
2003
02:13:04,377 --> 02:13:11,817
SEASONS OF LOVE
2004
02:14:31,597 --> 02:14:33,133
MAN: Thanks for watching.
2005
02:14:33,166 --> 02:14:35,435
Here are a few more shows
to check out from Fox.
2006
02:14:37,670 --> 02:14:39,472
Welcome to the galaxy.
2007
02:14:40,673 --> 02:14:42,642
Should be fun. I'll lead.
2008
02:14:44,477 --> 02:14:47,380
We're breaking waves
Shooting stars
2009
02:14:47,413 --> 02:14:48,748
We're gonna make a run for it.
2010
02:14:48,781 --> 02:14:49,982
Live for glory, not forever
2011
02:14:50,015 --> 02:14:54,454
-Go!
- Reach out
2012
02:14:54,487 --> 02:14:58,057
Make this right here
Right now
2013
02:14:58,090 --> 02:15:01,827
Stand up
2014
02:15:01,861 --> 02:15:04,630
- Here right now
-Now!
2014
02:15:05,305 --> 02:15:11,382
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