Original subtitles

Good evening, this is Angela Vidal speaking.

Tonight, as usual,

we will share this time...

Just a second...

- Where does the shot cut? - Down here.

Down here? You can't see my... This hand, right?

- No. - OK.

Wait, cut.

Good evening, this is Angela Vidal speaking.

Today on "While you're asleep"we are accompanying a team of firemen

on their nightly rounds.

I'm out of breath...

Good evening, this is Angela Vidal speaking.

Tonight on "While you're asleep" we'll accompany a team of firemen

on their rounds through the city.

Not only that, but we'll see things never before revealed:

How they live, sleep, what they eat...

We'll get an inside look at this fire station.

Join us for "While you're asleep. "

- OK. - OK?

If this is a pain in the ass, just cut, OK?

I don't want to waste the tape.

Andreu, you're the boss, right?

The organizer...

Yes, I'm in charge of this shift,

both inside the fire house and out fighting fires.

This is our helmet. It's a full face helmet.

You can put it on, it's clean.

I'm going to be the heroine of "While you're asleep".

Should we put them on?

It's easy. You're all so huge, aren't you?

We're big, yes. Theres are the boots.

Our pants are inside the boots.

Like in the cartoons, right? You jump right in them!

The cartoons copied us, not the other way around.

I'm a firefighter.

Well, let's see if...

- if there's a call. - Yeah.

Will you let me go with you?

- Of course. - OK.

- It's like a lottery. - Awhat?

A lottery.

We might get a call, we might not.

We'll see if we do...

You'll see, I'll help you out.

Perfect.

OK.

We're going to the dining room. It's dinner time.

- Will they mind if I come in? - No, not at all.

- They know you're here. - We can try that...

...that delicious food that firemen make.

- Exactly. Very good. - Let's go.

Be careful! You'll hurt yourself.

- Let's go to the dining room. - This way.

Hello.

- Bon appetit! - Thanks!

Enjoy your meal.

This is Manu and Alex, they will join you this evening.

Nice to meet you. Please, keep eating. My name's Angela.

We'll accompany you tonight.

Finish eating, we'll see you later.

- Do you want to go to the museum? - Yes, after you.

Turn around.

I think I'll put it in your pocket.

Won't it bother you when you put on your belt?

I don't think so. If it does, we can move it.

Here you have to do everything.

- Let's see... - Is this right?

- Say something. - One, two...

- Hello, hello... - OK, keep going.

A little more.

Hello, my name is Manu and tonight the TV is here.

- We'll have fun... I don't know. - OK.

- Ready? - Atiny step to your right.

You know what? I'm going to change sides.

- Lf you don't mind. It's my hair. - You're here?

So, Alex, tell us what a normal night is like

here in the fire house.

A normal night is pretty monotonous because...

- Normal? - Yes, normal.

People think we run around

putting out fires, but

around 70% of the calls we get

are for other types of services.

- Like what? - For example,

broken water mains,

or pet rescue, too.

Even though it sounds cliche, it's true.

Or to...

This will sound terrible, but I'd love the alarm to ring now

and everyone to run off.

- I don't want anything to happen. - Let's hope not.

I mean, just to go with you, to see what your real work is like.

- Don't get me wrong. - No, no. I understand.

- It's more interesting for you. - So we can show it.

It's more exciting... Let's hope nothing happens.

That everything is fine and nothing happens.

- A routine call, right? - Exactly.

So, that's a fireman's life.

Waiting, passing time.

Watching movies

- In the living room, right Alex? - Let's go there.

OK.

I can't take it.

What should we do? Should we go to reception?

- All right. - OK?

We should do something, right?

How exciting!

OK.

- Hello. Good evening. - Good evening.

Finally! Women in the fire station.

Where are you going?

- I'm sorry... - Don't be embarrassed.

Time's going by

and it gets quieter. There's no one here.

The dining room is empty.

They're clean.

Here they're sleeping.

When the alarm rings,

they jump out of bed

and slide down here.

The fire trucks are down there.

We saw them before.

It takes them 3 minutes

to get up.

- We'll finish this later. - We were winning!

Person trapped in apartment, in need of rescue.

Bravo 128 take the call.

What'll we do?

I can't slide down with the camera.

Let's go that way. Run.

It's all ready. They're really fast.

You back there. On the other side.

I don't know if I can...

It's stuck.

- Let's go. - Let's go.

Move your legs faster! One, two, one, two...

Jose's driving.

Alex and Manu are the firemen

we will accompany this evening.

We're going to follow them, and as we've seen

it's not always fires that gets them all moving,

because the entire team goes out.

Even if it's stopping

a water leak, or helping someone out of their apartment,

or a fire...

Don't you put on the...

what's it called... the alarm?

We don't normally use it for services like these

because it's not urgent.

But if you want, we can put it on, no problem.

- What do you think? - No, I don't think so.

No? Well...

What's your show called?

"While you're asleep".

"While you're asleep"? Then who watches it?

We have to do another take. I said alarm, not siren.

Did it make sense? Alarm...

- Ready? Come on. - Let's go.

Let's go.

- What are you taking with you? - Tools. We have everything

here in this case, tools

to open locks and doors.

We're here with Alex and Manu.

We're almost at

the house that called for help.

The police are here.

We can see a police car.

Maybe it's more serious than we thought.

- We'll find out soon. - No, I don't think it is.

Let's go in.

Good evening.

Don't worry.

Awoman was screaming.

We were called so we came over.

Please calm down.

- Screams? Noises? - She lives alone with her cats.

- Did you make the call? - No.

It was me.

- It was you? - Yes.

I heard screams so I called the police.

Let's go. She's upstairs.

Let's go upstairs.

It's about time.

We got a call and came over.

OK, this way please.

- What the hell is this? - A local TV crew.

Please, stay here.

Sure, we'll sleep here if you want.

Miss, miss!

Please let us work, OK?

- They aren't yours, are they? - No, they're from a local TV station.

They're doing a report on how we work

- so they came with us. - They're your responsibility.

Ladies and gentlemen!

Please stay in the hall.

Am I speaking Greek or what?

If I tell you to stop, you stop taping.

If I tell you to get lost, you get lost. Got it?

Ok. But we have permission.

The old lady lives on the first floor.

What happened?

It looks like she fell.

They heard her scream and called...

What about those people downstairs?

She was screaming bloody murder.

The neighbors say she's really weird.

She never goes out, has no family...

Please, can you go with them?

Go down there.

Don't they have anything better to do?

Go downstairs, damn it!

- Get out of the way. - Sorry, sorry.

- What's the camera doing here? - They're with the firemen.

We have permission, OK?

I'm going to do an introduction.

- Am I OK here? - Yeah.

OK.

We're in front of the door

where an elderly resident

has had some sort of problem. The neighbors heard screams.

Mari Carmen, who called the fire department

says...

It's OK.

Whoa...

Ma'am, this is the police.

We're here to help you. Can you hear me?

Ma'am, this is the police.

- Turn off the camera. - I'm sorry.

Ma'am, can you hear the ambulance?

Don't worry. We're going to take you to the hospital.

What's her name?

Conchita.

Conchita! Don't worry...

Come on, come on...

Don't worry, the police are here.

What happened? Is she alright?

Shit...

- The light, please! - Yeah, turn off the light.

Keep rolling.

- Stop taping! - Sorry, OK. It's off.

Unit 341, please send an ambulance immediately.

First floor.

OK. It's very urgent.

The ambulance is here, don't worry, ma'am.

Sergio, move this, damn it.

I don't want anyone here while we wait for the ambulance.

Fuck, she's biting him!

Pablo, what do I do?

Get her off him!

Holy shit! Get him out of here!

Help! Help!

- Stay with her, Alex! - OK.

Help me! Get out of the way.

Hurry, hurry.

Holy fucking shit!

Get out of the way!

Hurry! Be careful!

- You got him? - Yeah.

Tape everything.

OK, wait. Get up!

Pablo, tape fucking everything.

Holy shit, he's going to bleed to death.

- You got it? - Yeah, yeah.

Stop, stop.

We have to stop the bleeding.

Come on, quick. Here.

- I can't! - Press here!

What the fuck's going on? The light!

The light!

Quick! The light!

Fuck, come on!

Be careful! Cover it up!

Get out of the way.

They won't let us out.

- Why not? - I don't know, they said we can't.

This man is wounded. We have to get him out.

- We have to make a compress. - Are you a doctor?

- I'm an intern. - Take him over there.

Be careful with his head.

Hold him up.

Call an ambulance.

The door is blocked from outside. What the fuck is going on?

We need an ambulance, now!

Calm down, please.

Silence, please!

Please listen.

The health authorities have decided to seal off

the building for safety reasons.

We're working to get you out as soon as possible.

We ask for your cooperation.

The agents that are with you

will keep you posted on what to do.

Follow their instructions

and remain calm. Thank you.

- What the? - Shit!

341, 341!

Please!

- What do you mean I can't... - My friend's about to...

We are aware of the situation. We can't do anything for now.

We'll keep you updated.

- Fuck! - What did they say?

We have to get him out of here. He's bleeding to death!

We have to get him out of here.

What's going on? Why can't we leave?

We just can't. Just calm down.

Please, stop taping, for fuck's sake.

- Don't touch the camera! - Why not?

Do not touch the camera!

We have to let everyone know what's going on here!

- Fucking hell! - Calm down.

I'm in charge here, and I say turn it off and calm down.

Then worry about what's going on,

not about whether we tape or not.

Yeah. Find out what's going on.

- Tape this! - Please!

OK, OK! We have to get this man out of here!

- What's behind that shutter? - A textile workshop.

- What do you mean? - A textile workshop.

OK. Everyone, calm down.

- Is there a way out from there? - Yes, through the back.

Wait a second, move over there.

- How does this thing open? - Please!

I'm not going to repeat this. Move over there.

- What are you doing? - Trying to get out of here.

Wait a second!

My husband's outside and says there are loads of cops.

They've blocked off the street.

He was getting antibiotics for her.

Holy shit!

Alex!

No, don't move him!

- Yes, we have to. - He has a pulse, don't move him!

- Alex! Alex! - Shit!

There's somebody upstairs!

- Don't move him! - Look after him.

Please, come with me.

We're going upstairs.

Nobody move from here, OK!

And you, stop fucking recording!

I don't care what they say, we have to tape this.

We have to show what's happening.

- What was that? - I don't know, be careful.

Fuck!

It's coming from in there.

- Be careful. - Where are they?

Move over.

Pablo, don't...

- No, Pablo, come here. - Be quiet.

Pablo, come here!

What's going on?

What the fuck are you doing here?

Be careful.

She's dead.

Don't move, ma'am.

Ma'am.

Don't move!

Let's go.

She jumped on me...

I know, relax.

- You saw her, right? - Yeah, I did.

- I couldn't do anything. - Let's go downstairs.

I know, don't worry. Let's go.

Fucking asshole!

- Did you get it? - I got everything.

- Let me see it. - Don't worry. I got it.

Fucking show it to me! How do I have to say it?

Get this, Pablo! Come on!

You stay here with the wounded.

I'm going to check the exit.

Just a second.

We have strict orders to stay in the hall.

Help me out here.

These men are dying. Fuck orders!

He's right. You shouldn't tell us...

There are two dead people,

that died violent deaths.

And two that need urgent medical attention.

The police have blocked off the area,

they are keeping us in here, with no explanations.

So, we're searching for another way out.

She's getting worse.

Her fever's gone up. She needs a doctor.

Listen up.

Do not try to leave the building.

All exits have been sealed.

A BNC protocol situation has been declared.

Shortly a health inspector will come to assess the situation.

Thank you for your cooperation.

Why are we locked in here?

And what do they mean by a health inspector?

- I don't know. - What's an BNC protocol?

What's an BNC protocol? What does BNC mean?

It's a proceedure used

in Biological, Nuclear, or Chemical threat situations.

What? Nuclear?

It's more usual than you think.

The wounded are stable, but they won't hang on much longer.

- We have to get them out of here. - Obviously not through here.

So, Ladies, Gentlemen, come this way.

No! There's something more to this place.

Our cells don't work. Neither does the TV or radio.

- We're isolated. Why? - I don't know why.

I can't get through to my husband.

- And my daughter has a high fever. - What's wrong with her?

She has tonsilitis.

- She's burning up. - What can I do?

From the office we canjump down on the patio.

I'm going with you.

Where are you going?

- Are you sure? - Yeah, it's not very high up.

How are we going to get in?

What?

The concierge has a copy of the key.

I gave it to him. I'm in charge of the building.

Let's go.

There was someone else in the woman's apartment.

What do you mean someone else? Who?

I don't know. A girl.

Probably the Colombian girl. Why didn't she come down with you?

She's dead.

Let's go. Open it, quick!

This way.

It's this way.

Let's go.

Help me.

Fuck...

Go back immediately, for your own safety.

No, listen!

Get back.

We're sealing off the building.

- Ready up there? Go ahead. - Listen!

Listen to me!

Listen! Can you see me?

Can you hear me?

What are you doing there? I told you to wait downstairs.

Remember I'm still in charge.

- You knew about this, didn't you? - About what?

That they're sealing us in. Like hamsters!

Step back! For your own safety.

- What the hell is this? - You tell us!

I don't know!

- I repeat, step back! - You! That's enough!

- Why? - Stop messing with the camera.

We have to show what's going on.

- Don't you get it? - Don't touch me.

It's the only proof we have. Can't you see that?

You're locked in herejust like us. They don't care about you either.

Shut up!

Please, go down to the workshop.

- Let's all calm down. - Shut up!

Yes, we're going. Put the gun down.

Remain calm.

We apologize for the inconvenience.

It is of utmost importance

that you follow the agent's instructions.

He is in the building with you.

Do not try to leave the building.

I repeat, do not try to leave the building.

Hold this. Relax, man...

Let's go with the others.

I'm really sorry.

Please, go downstairs.

- Let's go. - Thanks.

Let me go up to my apartment.

I have sutures and bandages...

Yes...

It's nearly 2 a. m. And we're still sealed in this building that

we came to with the firemen earlier this evening,

to assist an elderly lady who later attacked a policeman

and a fireman. They're both in critical condition.

The police won't let us leave and are giving us no explanations.

The neighbors are scared to death.

They want to go back home,

they want to know what's going on.

Guillem, do you mind if I ask you a few quick questions?

I've never been in such a serious situation before.

I'm an intern. I give shots,

take people's blood pressure. I live in this building.

Well, the injured are in critical condition.

This is very serious.

The police have several bite wounds.

He's very injured.

What's obvious is that

Mrs. Izquierdo attacked and bit them.

I guess

she had a fit of hysteria.

But honestly, it's hard to believe.

That...

an old lady could do something like this to two adults.

I guess when the doctor arrives,

apart from bringing supplies to treat the wounded,

he'll tell us what's going on.

We're locked in here, the police are outside, we can't get out,

we have no explanations. They know these men are here,

and we have to get them out soon. They've lost a lot of blood.

I can't do anything else.

Stay with them. Thanks.

We're going to keep on interviewing. If you don't like something

you can cut. OK?

I would like you to tell us

what's happened this evening,

what's gone on.

I can't say too much because I was sleeping.

I heard loud screams.

Of course I woke him up, threw on what clothes I could,

and came down here.

I have to change my clothes, I can't...

Something strange is going on.

Someone did something, that's why we're locked in here.

This building has always been...

- Wait! Can I talk? - Why can't I say it?

There's something...

Yes, someone said that there was a...

- An office, a window... - I don't know what it's called.

A... That there was a...

what they used to do when there were atomic bombs.

- A BNC protocol. - A refuge or something.