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1
00:00:08,291 --> 00:00:12,125
[Captioning sponsored by
ARTISAN ENTERTAINMENT]
2
00:01:24,458 --> 00:01:26,417
Woman:
SAMMY!
3
00:01:36,959 --> 00:01:38,917
SAMMY!
4
00:01:45,917 --> 00:01:49,875
( music box playing
Kurt Weill's "My Ship" )
5
00:01:49,959 --> 00:01:52,542
( door closes )
6
00:01:52,625 --> 00:01:54,542
OH, PLEASE, SAMMY.
7
00:01:54,625 --> 00:01:55,583
COME ON, HONEY, NOT NOW.
8
00:01:55,667 --> 00:01:57,500
ALL RIGHT,
ARMS UP.
9
00:01:57,583 --> 00:01:58,500
HOW COME
WE'RE LEAVING?
10
00:01:58,583 --> 00:02:00,417
IF YOU DON'T HURRY,
WE'RE NOT.
11
00:02:00,500 --> 00:02:01,458
HOW COME?
12
00:02:01,542 --> 00:02:03,041
TELL ME YOU LOVE IT HERE
13
00:02:03,125 --> 00:02:04,125
AND WE'LL STAY.
14
00:02:04,208 --> 00:02:05,917
WHERE ARE WE GOING?
15
00:02:06,000 --> 00:02:09,250
A LITTLE STEP UP
IN THE WORLD, MAYBE.
16
00:02:09,333 --> 00:02:12,000
TIME SOMETHING GOOD
HAPPENED FOR US, HUH?
17
00:02:12,083 --> 00:02:13,041
YEAH.
18
00:02:14,000 --> 00:02:16,125
♪ OOH-OOH-OOH-OOH
19
00:02:16,208 --> 00:02:18,875
OKAY, LET'S GO, KIDDO.
20
00:02:18,959 --> 00:02:20,583
HERE YOU GO.
21
00:02:20,667 --> 00:02:23,166
WE'VE GOT A BUS TO CATCH.
22
00:02:23,250 --> 00:02:25,291
OOP, COME ON, COME ON.
23
00:02:26,667 --> 00:02:27,458
MOM.
24
00:02:28,291 --> 00:02:29,250
WHAT?
25
00:02:30,333 --> 00:02:31,959
OH, UH-OH, YES.
26
00:02:36,542 --> 00:02:42,583
( music box playing )
27
00:02:42,667 --> 00:02:46,959
Man on P.A.:
Service to Barrington
with intermediate stops in...
28
00:02:47,041 --> 00:02:49,083
I KNOW, SOMEBODY'S
CHASING US, RIGHT?
29
00:02:49,166 --> 00:02:50,583
WIND DOWN, SAMMY.
30
00:02:50,667 --> 00:02:52,458
WE DITCHED THEM GOOD.
31
00:02:52,542 --> 00:02:55,000
SAMMY, NOBODY'S
CHASING US, OKAY?
32
00:02:55,083 --> 00:02:55,667
GET UP THERE.
33
00:02:55,959 --> 00:02:57,291
THEN HOW COME
YOU WON'T SAY
34
00:02:57,375 --> 00:02:58,291
WHERE WE'RE GOING?
35
00:02:58,375 --> 00:03:00,166
BECAUSE IT'S
A SURPRISE.
36
00:03:01,166 --> 00:03:01,959
( sighs )
37
00:03:02,041 --> 00:03:02,625
OKAY, MOVE OVER.
38
00:03:02,709 --> 00:03:03,875
SURE.
39
00:03:05,125 --> 00:03:06,625
NOBODY I KNOW,
RIGHT?
40
00:03:06,709 --> 00:03:09,166
WATCH YOUR STEP,
MR. AYERS.
41
00:03:55,250 --> 00:03:57,667
Man:
EXCUSE ME. MISS?
42
00:03:57,750 --> 00:04:01,917
( muffled conversation )
43
00:04:07,542 --> 00:04:08,458
MA?
44
00:04:08,542 --> 00:04:09,458
HMM?
45
00:04:09,542 --> 00:04:13,709
THE KIDS ASK ME
HOW COME.
46
00:04:13,792 --> 00:04:16,083
HOW COME WHAT?
47
00:04:16,166 --> 00:04:19,750
HOW COME MY MOTHER'S A MISS
INSTEAD OF MISSUS?
48
00:04:20,625 --> 00:04:22,709
ALL RIGHT, THAT'S IT.
LIGHTS OUT.
49
00:04:22,792 --> 00:04:26,166
THE NEXT SOUND I WANT TO HEAR
COMING FROM THIS SEAT NEXT TO ME
50
00:04:26,250 --> 00:04:28,709
IS A TEN-YEAR-OLD KID SNORING.
51
00:04:28,792 --> 00:04:30,000
BUT HOW COME?
52
00:04:30,083 --> 00:04:32,542
NOT ONE MORE WORD OUT OF YOU.
53
00:04:32,625 --> 00:04:35,291
( whispers ):
NOT ONE.
54
00:04:46,583 --> 00:04:50,417
( big band music
playing faintly )
55
00:05:01,166 --> 00:05:02,500
Bus driver:
ANNISTON.
56
00:05:02,583 --> 00:05:04,458
ANNISTON STATION.
57
00:05:07,125 --> 00:05:09,750
REST STOP, 30 MINUTES.
58
00:05:09,834 --> 00:05:12,500
30 MINUTES ONLY.
59
00:05:12,583 --> 00:05:13,583
30 MINUTES.
60
00:05:13,667 --> 00:05:15,250
MIND WHAT I SAY.
61
00:05:15,333 --> 00:05:17,125
DO YOUR THING.
62
00:05:17,208 --> 00:05:18,041
DO NOT STRAY.
63
00:05:18,125 --> 00:05:19,750
IF YOU AIN'T BACK ON BOARD
64
00:05:19,834 --> 00:05:21,542
WE LEAVE ANYWAY.
65
00:05:21,625 --> 00:05:23,458
YOU LIKE THAT?
66
00:05:23,542 --> 00:05:25,417
I MADE THAT UP
MYSELF.
67
00:05:25,500 --> 00:05:27,709
I NEVER WOULD
HAVE GUESSED.
68
00:05:27,792 --> 00:05:30,125
WELL, YOU THINK YOU
CAN DO BETTER?
69
00:05:33,542 --> 00:05:39,083
UM, STRETCH YOUR LEGS
BUT DON'T BE LATE.
70
00:05:39,166 --> 00:05:42,333
WE'RE PULLING OUT WHEN
THE BIG HAND'S ON EIGHT.
71
00:05:48,208 --> 00:05:49,500
WATCH YOUR STEP,
MA'AM.
72
00:05:51,291 --> 00:05:55,250
( big band music )
73
00:05:55,333 --> 00:05:57,208
( lively crowd )
74
00:06:11,166 --> 00:06:12,291
( car honking horn )
75
00:06:17,250 --> 00:06:18,458
( laughter )
76
00:06:47,417 --> 00:06:50,375
( people talking,
music playing loudly )
77
00:07:02,542 --> 00:07:04,750
HEY, JITTERBUG,
HUH?
78
00:07:04,834 --> 00:07:05,792
I CAN'T.
79
00:07:07,458 --> 00:07:08,792
OH, SURE YOU CAN.
80
00:07:08,875 --> 00:07:11,166
COME ON, BOOGIE-WOOGIE
WITH ME.
81
00:07:11,250 --> 00:07:13,166
HEY, HEY, COME ON.
82
00:07:16,750 --> 00:07:19,291
HEY, THAT'S IT.
THAT'S IT.
83
00:07:24,208 --> 00:07:25,625
OH, YEAH.
84
00:07:29,458 --> 00:07:32,458
Bus driver:
OKAY, FOLKS, TAKE YOUR SEATS.
85
00:07:32,542 --> 00:07:34,250
ALL ABOARD NOW.
86
00:07:35,625 --> 00:07:36,709
( glass shatters )
87
00:07:36,792 --> 00:07:38,166
DON'T GO NOW, BABY.
88
00:07:38,250 --> 00:07:39,875
I'VE GOT TO GET BACK...
89
00:07:40,917 --> 00:07:42,959
( woman grunt s)
90
00:07:46,291 --> 00:07:47,959
( muffled screaming )
91
00:07:49,000 --> 00:07:50,792
( screaming )
92
00:08:26,458 --> 00:08:28,500
( wind whistling )
93
00:09:11,583 --> 00:09:12,917
Bus driver:
BARRINGTON.
94
00:09:13,000 --> 00:09:14,750
BARRINGTON, END OF THE LINE.
95
00:09:14,834 --> 00:09:18,041
WATCH YOUR STEP, FOLKS.
96
00:09:18,125 --> 00:09:19,291
( groans )
97
00:09:22,000 --> 00:09:22,875
WATCH YOUR STEP.
98
00:09:22,959 --> 00:09:24,750
THANKS FOR RIDING
WITH US.
99
00:09:26,083 --> 00:09:27,000
MATTHEW.
100
00:09:27,083 --> 00:09:29,041
MORNING, NORM.
101
00:09:29,125 --> 00:09:30,709
THANKS FOR RIDING
WITH US, SIR.
102
00:09:32,583 --> 00:09:33,500
HELLO, MOTHER.
103
00:09:33,583 --> 00:09:35,375
OH, UNCLE CHARLES,
LET ME GET IT.
104
00:09:48,750 --> 00:09:49,709
COME ON, YOUNG FELLOW.
105
00:09:49,792 --> 00:09:50,875
TIME TO GET OFF.
106
00:09:50,959 --> 00:09:53,458
IT'S THE END
OF THE LINE.
107
00:09:57,500 --> 00:09:59,041
NO USE FEELING
IF IT'S WARM.
108
00:09:59,125 --> 00:10:01,458
YOUR MAMA OR WHOEVER
IS LONG GONE.
109
00:10:01,542 --> 00:10:03,083
I FORGET WHICH STOP.
110
00:10:03,166 --> 00:10:04,125
I WOULDN'T BE SURPRISED
111
00:10:04,500 --> 00:10:06,625
IF SHE KNEW EXACTLY
WHAT SHE WAS DOING.
112
00:10:08,625 --> 00:10:11,125
Mother:
NOT ONE MORE WORD OUT OF YOU.
113
00:10:11,208 --> 00:10:13,208
COME ON, LET'S GO.
114
00:10:13,291 --> 00:10:14,458
NOT ONE!
115
00:10:21,208 --> 00:10:23,208
HEY, IS THIS YOURS?
116
00:10:23,291 --> 00:10:24,458
HEY, KID!
117
00:10:25,875 --> 00:10:27,792
( sighs )
GREAT.
118
00:10:27,875 --> 00:10:30,166
DEAF AND DUMB TO BOOT.
119
00:10:52,625 --> 00:10:54,792
WHAT YOU GOT HERE,
FINIS?
120
00:10:54,875 --> 00:11:00,500
OH... A LEFTOVER.
121
00:11:00,583 --> 00:11:03,125
CAN'T REMEMBER
WHEN THEY GOT ON.
122
00:11:03,208 --> 00:11:05,125
HIS MOTHER GOT OFF
123
00:11:05,208 --> 00:11:07,041
AND MY GUESS IS
SHE SLIPPED OFF
124
00:11:07,125 --> 00:11:08,500
ALONG THE WAY
AND DUMPED HIM.
125
00:11:08,583 --> 00:11:11,625
OH, NOW, WHY WOULD
SHE DO THAT?
126
00:11:11,709 --> 00:11:13,125
YOU GET TO BE
A STUDENT
127
00:11:13,208 --> 00:11:14,667
OF HUMAN NATURE
BEHIND THE WHEEL.
128
00:11:14,750 --> 00:11:17,792
SHE'S THE TYPE, YOU KNOW,
MEN TURN TO.
129
00:11:17,875 --> 00:11:19,125
Norm:
NOT IN FRONT
OF THE BOY.
130
00:11:19,208 --> 00:11:22,291
OH, DON'T WORRY.
131
00:11:22,375 --> 00:11:23,625
I THINK HE'S DEAF
AS A POST
132
00:11:23,709 --> 00:11:26,291
AND DUMB IN THE BARGAIN.
133
00:11:26,375 --> 00:11:27,834
WATCH THIS.
134
00:11:27,917 --> 00:11:29,500
HEY, KID!
135
00:11:29,583 --> 00:11:31,458
HEY!
136
00:11:31,542 --> 00:11:33,500
GOT YOUR PANTS
ON BACKWARDS.
137
00:11:34,875 --> 00:11:35,834
WHAT'D I TELL YOU?
138
00:11:37,792 --> 00:11:40,625
I FIGURE, I JUST SEEN HER
A COUPLE OF TIMES
139
00:11:40,709 --> 00:11:41,709
BUT HERE'S A GAL
140
00:11:41,792 --> 00:11:42,709
GOT A SMART MOUTH.
141
00:11:43,083 --> 00:11:45,625
GOOD AROUND THE BACK,
YOU KNOW MY MEANING.
142
00:11:45,709 --> 00:11:46,875
I CAN SPOT THEM.
143
00:11:46,959 --> 00:11:49,166
HE'S A DRAG ON HER...
144
00:11:49,250 --> 00:11:50,375
PULLING HER DOWN
145
00:11:50,458 --> 00:11:54,208
SO SHE DUMPS HIM.
146
00:11:54,291 --> 00:11:56,667
WELL, MAYBE SHE GOT SICK
OR SOMETHING.
147
00:11:56,750 --> 00:11:58,875
SICK AND TIRED.
148
00:11:58,959 --> 00:12:00,375
I DON'T...
149
00:12:00,458 --> 00:12:03,375
LOOKS LIKE HE'S, UH,
EXPECTING SOMEONE.
150
00:12:03,458 --> 00:12:06,291
WELL, I HOPE HE DON'T
HOLD HIS BREATH.
151
00:12:06,375 --> 00:12:09,250
AH, WELL, NORM,
HE'S ALL YOURS NOW.
152
00:12:09,333 --> 00:12:10,625
I AM THROUGH
WHEN I PARK IT.
153
00:12:10,709 --> 00:12:11,875
OH, NOW,
NOW...
YOU KNOW
154
00:12:11,959 --> 00:12:13,417
HE'S SITTING
ON THAT BENCH.
155
00:12:13,500 --> 00:12:15,208
HE IS TERMINAL'S
RESPONSIBILITY.
156
00:12:15,291 --> 00:12:16,291
HOLD ON...
157
00:12:16,375 --> 00:12:18,000
Finis:
NO, I AM NOT
TAKING HIM HOME.
158
00:12:18,083 --> 00:12:19,333
Norm:
YOU BROUGHT HIM IN...
159
00:12:19,583 --> 00:12:21,500
Adult Sammy:
IT WAS AT THIS EXACT
MOMENT IN TIME
160
00:12:21,583 --> 00:12:23,709
THAT I WAS STRUCK
BY A REVELATION.
161
00:12:23,917 --> 00:12:27,458
IF PEOPLE THOUGHT YOU WERE DEAF
AND NOT ABLE TO TALK
162
00:12:27,625 --> 00:12:31,417
THEY'D BLURT OUT THEIR TRUE
FEELINGS WITHOUT HOLDING BACK.
163
00:12:31,500 --> 00:12:33,041
AND I ALSO BEGAN TO NOTICE
164
00:12:33,125 --> 00:12:36,208
HOW THEY PAY ATTENTION TO YOU
IN A SPECIAL WAY.
165
00:12:36,291 --> 00:12:37,959
IT SUDDENLY SEEMED TO ME
166
00:12:38,375 --> 00:12:40,792
THAT IN BEING DEAF
AND PLAYING MUTE
167
00:12:40,875 --> 00:12:43,417
I HAD A KIND OF POWER
OVER THINGS.
168
00:12:44,667 --> 00:12:47,250
AT LEAST UNTIL I SAW
HOW THE LAND LAID.
169
00:12:48,667 --> 00:12:50,709
( softly ):
WELL...
170
00:12:54,667 --> 00:12:58,792
YES, SIR, THERE ARE DAYS I WOULD
CONSIDER YOU DOWNRIGHT LUCKY.
171
00:12:58,875 --> 00:13:01,625
I GUESS THAT'S NOT FAIR
TO SAY, IS IT?
172
00:13:03,667 --> 00:13:05,208
SOMEONE COMING FOR YOU?
173
00:13:06,583 --> 00:13:08,208
I'LL BET YOU'RE HUNGRY,
AREN'T YOU?
174
00:13:08,291 --> 00:13:09,500
ARE YOU HUNGRY?
175
00:13:10,750 --> 00:13:11,583
HEY!
176
00:13:12,667 --> 00:13:13,959
THAT'S ALL RIGHT.
177
00:13:14,041 --> 00:13:15,959
WANT SOMETHING TO EAT?
178
00:13:17,000 --> 00:13:17,875
( smacking lips )
179
00:13:17,959 --> 00:13:19,125
YEAH, YOU'D LIKE THAT?
180
00:13:19,208 --> 00:13:21,166
OKAY, LET'S GO GET
SOMETHING TO EAT.
181
00:13:21,250 --> 00:13:22,125
NOW COME ON.
182
00:13:22,208 --> 00:13:24,291
WE'LL GO RIGHT ON
IN HERE.
183
00:13:24,375 --> 00:13:28,250
ALL RIGHT, NOW YOU
LET ME HANDLE LUCILLE.
184
00:13:28,333 --> 00:13:33,291
I WOULDN'T ADVISE EATING HER
COOKING ON A REGULAR BASIS
185
00:13:33,375 --> 00:13:36,792
BUT IN THE CASE
OF EXTREME STARVATION
186
00:13:36,875 --> 00:13:38,583
IT WON'T HURT YOU.
187
00:13:38,667 --> 00:13:40,250
EXTREME STARVATION, HUH?
188
00:13:40,333 --> 00:13:45,041
YOU'VE GONE UP THREE BELT SIZES
SITTING ON THAT VERY STOOL.
189
00:13:45,125 --> 00:13:46,041
THANKS, LUCILLE.
190
00:13:46,125 --> 00:13:47,041
THANKS, CLYDE...
191
00:13:47,125 --> 00:13:47,750
NORM.
192
00:13:47,834 --> 00:13:48,750
SEE YOU TOMORROW.
193
00:13:48,834 --> 00:13:51,041
SO, WHAT'LL IT BE?
194
00:13:52,250 --> 00:13:53,083
HE'S DEAF
195
00:13:53,166 --> 00:13:54,667
AND HE CAN'T TALK.
196
00:13:54,750 --> 00:13:55,792
HE'S JUST HUNGRY.
197
00:13:57,166 --> 00:13:58,875
WELL, YOU AND YOUR AUNT LUCILLE
198
00:13:58,959 --> 00:14:01,250
HAVE GOT A LITTLE
PROBLEM HERE.
199
00:14:02,667 --> 00:14:03,959
UM... HERE WE GO.
200
00:14:04,041 --> 00:14:05,959
NOW YOU TAKE YOUR PICK.
201
00:14:06,041 --> 00:14:08,000
NUMBER ONE...
202
00:14:08,709 --> 00:14:09,834
MY SPECIALTY.
203
00:14:09,917 --> 00:14:12,792
NUMBER TWO,
HOW ABOUT THIS?
204
00:14:14,667 --> 00:14:15,625
NUMBER ONE.
205
00:14:15,709 --> 00:14:16,834
THOUGHT YOU HAD THAT
206
00:14:16,917 --> 00:14:19,041
BACON AND EGGS LOOK.
207
00:14:19,125 --> 00:14:20,667
LET'S SEE...
208
00:14:21,709 --> 00:14:22,667
( sizzling )
209
00:14:26,375 --> 00:14:28,333
LOOKS LIKE YOU GOT
A FAN, LUCILLE.
210
00:14:28,417 --> 00:14:30,834
DON'T YOU GIVE ME THAT.
211
00:14:30,917 --> 00:14:31,875
I FEED STRAYS
212
00:14:31,959 --> 00:14:32,917
AND SEND THEM
213
00:14:33,000 --> 00:14:34,083
ON THEIR WAY.
214
00:14:38,917 --> 00:14:40,333
HE JUST ROLLED IN ON A BUS?
215
00:14:40,417 --> 00:14:41,583
ALONE?
216
00:14:46,750 --> 00:14:48,000
I DON'T BELIEVE A MOTHER
217
00:14:48,083 --> 00:14:50,166
WOULD JUST WALK OFF
AND LEAVE HIM.
218
00:14:50,250 --> 00:14:52,667
I'M JUST REPEATING
WHAT FINIS SAID.
219
00:14:52,750 --> 00:14:55,000
FINIS IS FULL OF EXHAUST.
220
00:14:55,083 --> 00:14:56,333
WELL...
221
00:14:56,417 --> 00:14:58,709
I DON'T GET PEOPLE.
222
00:14:59,583 --> 00:15:03,000
LIKE FINIS SAYING
HE'S DEAF AND DUMB.
223
00:15:03,083 --> 00:15:05,917
JUST 'CAUSE HE CAN'T HEAR
DOESN'T MEAN
224
00:15:06,000 --> 00:15:07,750
HIS BRAIN'S TURNED OFF.
225
00:15:07,834 --> 00:15:11,250
NOTHING DUMB ABOUT THAT BOY.
226
00:15:11,333 --> 00:15:12,667
PEOPLE. I THINK...
227
00:15:12,750 --> 00:15:13,709
WELL, PEOPLE JUST
228
00:15:13,792 --> 00:15:15,208
DON'T KNOW ANY BETTER.
229
00:15:15,291 --> 00:15:17,709
LOOKS SHARP AS A TACK TO ME.
230
00:15:17,792 --> 00:15:20,000
YEAH, HE SEEMED TO BE
EXPECTING SOMEONE--
231
00:15:20,083 --> 00:15:21,750
HEY, ROYAL.
I DON'T KNOW.
232
00:15:21,834 --> 00:15:22,709
MISS LUCILLE.
233
00:15:23,041 --> 00:15:25,250
WELL, HE DOESN'T LOOK
LIKE HE'S ON THE RUN.
234
00:15:25,333 --> 00:15:27,291
HEY, YOU'RE NOT
ON THE RUN, ARE YOU?
235
00:15:27,375 --> 00:15:29,125
( chuckles softly )
236
00:15:29,208 --> 00:15:30,667
COULD YOU SIGN HERE?
237
00:15:30,750 --> 00:15:31,792
MY AUTOGRAPH.
238
00:15:31,875 --> 00:15:33,333
THANK YOU.
239
00:15:33,417 --> 00:15:34,709
MM-HMM.
240
00:15:35,750 --> 00:15:37,667
I THINK YOU BETTER
CALL HARVEY.
241
00:15:37,750 --> 00:15:38,709
THE POLICE?
242
00:15:38,792 --> 00:15:41,208
OH, I'M NOT GOING
TO CALL HARVEY.
243
00:15:41,291 --> 00:15:43,875
HIS ANSWER TO EVERYTHING
IS CALL SOMEONE ELSE.
244
00:15:43,959 --> 00:15:46,667
THE FIRE DEPARTMENT,
THE HIGHWAY PATROL, WHOEVER.
245
00:15:46,750 --> 00:15:47,875
WELL, I MEAN,
MAYBE
246
00:15:47,959 --> 00:15:49,333
SOMEBODY'S
REPORTED HIM
247
00:15:49,417 --> 00:15:51,000
MISSING
OR SOMETHING?
248
00:15:51,083 --> 00:15:52,709
Norm:
OH, I THINK
A RELATIVE
249
00:15:52,792 --> 00:15:54,875
WILL COME LOOKING
FOR HIM, YOU KNOW?
250
00:15:54,959 --> 00:15:56,709
AND YOU KNOW,
WE KEEP A LOOKOUT
251
00:15:56,792 --> 00:15:59,792
AND HIS MOM MAY COME
ROLLING IN ON THE NEXT BUS.
252
00:15:59,875 --> 00:16:01,417
I KNOW WHAT YOU
ARE THINKING.
253
00:16:01,500 --> 00:16:04,417
OH, NOW, WHY DON'T YOU
JUST HANG OUT A SIGN?
254
00:16:04,500 --> 00:16:05,417
"I KNOW EVERYTHING."
255
00:16:05,750 --> 00:16:08,792
YOU KNOW, SOMETIMES
YOU ARE AN OPEN BOOK, NORM.
256
00:16:08,875 --> 00:16:10,000
OH, NOW, LUCILLE...
257
00:16:10,083 --> 00:16:12,709
HE'S NOT A STRAY CAT,
FOR PETE'S SAKE.
258
00:16:12,792 --> 00:16:14,709
YOU'VE GOT TO DO
MORE THAN JUST
259
00:16:14,792 --> 00:16:16,792
PUT DOWN A, A, A SAUCER OF MILK.
260
00:16:16,875 --> 00:16:17,625
CAN A FELLA GET A REFILL?
261
00:16:17,959 --> 00:16:20,458
KIDS HAVE SCHOOL, CLOTHES,
CHICKEN POX...
262
00:16:20,542 --> 00:16:22,083
I'M SORRY
I OKAYED THE LEASE...
263
00:16:22,166 --> 00:16:23,750
YOU HAVEN'T THE SLIGHTEST...
264
00:16:23,834 --> 00:16:25,375
...ON THIS PTOMAINE FACTORY.
265
00:16:25,458 --> 00:16:26,417
( sighs ):
NORMAN.
266
00:16:26,500 --> 00:16:27,625
( loudly ):
I'M NOT GO...
267
00:16:28,000 --> 00:16:30,458
( quieter ):
I'M NOT GOING
TO SCARE HIM OFF.
268
00:16:30,542 --> 00:16:32,875
IN CASE SOMEBODY
COMES LOOKING FOR HIM.
269
00:16:34,458 --> 00:16:37,333
WELL, MAYBE SOMEBODY
IS LOOKING FOR HIM.
270
00:16:37,417 --> 00:16:41,333
IF YOU WERE LOOKING
FOR A KID, WHO WOULD
YOU CALL FIRST?
271
00:16:45,417 --> 00:16:47,959
ALL RIGHT, I'LL GIVE...
272
00:16:48,041 --> 00:16:49,375
HARVEY.
273
00:16:49,458 --> 00:16:50,750
A JINGLE.
274
00:16:53,792 --> 00:16:56,458
( people talking )
275
00:16:56,542 --> 00:16:57,583
Woman:
IS HE SIMPLE?
276
00:16:57,667 --> 00:16:59,583
Woman 2:
HONEY, WHAT DO YOU THINK?
277
00:17:01,125 --> 00:17:02,083
ALL RIGHT.
278
00:17:02,166 --> 00:17:03,458
COME ON, NOW,
YOUNG FELLOW.
279
00:17:03,542 --> 00:17:04,625
SPEAK UP.
280
00:17:04,709 --> 00:17:06,250
I GOT BETTER
THINGS TO DO.
281
00:17:06,333 --> 00:17:08,709
HARVEY, HE'S DEAF,
I TOLD YOU THAT.
282
00:17:08,792 --> 00:17:11,750
HOW DO I KNOW HE AIN'T
JUST BEING CONTRARY?
283
00:17:11,834 --> 00:17:13,709
YOU HEAR ME, BOY?
284
00:17:13,792 --> 00:17:16,125
Norm:
OH, HARVEY,
HE CAN'T HEAR YOU.
285
00:17:16,208 --> 00:17:17,750
WHEN YOU'RE DEAF,
YOU CAN'T HEAR.
286
00:17:17,834 --> 00:17:19,125
I'M AN
INVESTIGATOR.
287
00:17:19,208 --> 00:17:21,250
I NEED TO GET
TO THE BOTTOM OF THIS.
288
00:17:21,333 --> 00:17:23,458
Norm:
HARVEY, I UNDERSTAND THAT
289
00:17:23,542 --> 00:17:25,208
BUT YOU CAN'T ASK SOMEBODY
290
00:17:25,291 --> 00:17:26,500
WHO CAN'T HEAR YOU...
291
00:17:26,583 --> 00:17:28,834
YOU'RE TESTING MY PATIENCE,
YOUNG FELLOW.
292
00:17:28,917 --> 00:17:32,083
I'D ADVISE YOU NOT TO TRY
TO MAKE A FOOL OF THE LAW
293
00:17:32,166 --> 00:17:33,083
YOU HEAR?
294
00:17:33,166 --> 00:17:34,625
Girl:
WAIT UP, TOLLIVER.
295
00:17:37,375 --> 00:17:38,291
TOLLIVER.
296
00:17:38,375 --> 00:17:39,333
TALLASSE?
297
00:17:39,417 --> 00:17:41,125
Norm:
HE CAN'T HEAR YOU.
298
00:17:41,208 --> 00:17:44,208
Harvey:
MAYBE HE'S JUST SHY, JENKINS.
299
00:17:44,291 --> 00:17:46,625
Norm:
LUCY AND I TALKED TO HIM
FOR AN HOUR
300
00:17:46,709 --> 00:17:49,125
ASKED HIM QUESTIONS,
HE WOULD NOT RESPOND.
301
00:17:49,208 --> 00:17:50,000
IS HE TALKING TO YOU?
302
00:17:50,333 --> 00:17:52,458
Harvey:
NO, BUT I'M LOOKING REAL CLOSE
303
00:17:52,542 --> 00:17:55,291
AND THIS LOOKS
LIKE A BOY WHO CAN TALK.
304
00:17:55,375 --> 00:17:57,083
Norm:
BUT I SAID HE WAS DEAF.
305
00:17:57,166 --> 00:17:58,458
WILL YOU JUST FIND OUT?
306
00:18:01,500 --> 00:18:03,625
Harvey:
WHERE DO YOU COME FROM, BOY?
307
00:18:03,709 --> 00:18:04,834
Norm:
DON'T ASK HIM.
308
00:18:04,917 --> 00:18:06,834
Harvey:
WELL, IF I DON'T ASK HIM
309
00:18:06,917 --> 00:18:07,917
WHO AM I SUPPOSED TO ASK?
310
00:18:08,291 --> 00:18:11,166
BUT WHAT I'M SAYING IS
HOW DO YOU KNOW HE'S DEAF?
311
00:18:11,250 --> 00:18:13,166
THIS ISN'T GETTING US ANYWHERE.
312
00:18:13,250 --> 00:18:15,667
Woman:
HOW ARE THEY GOING TO PROVE
THAT HE'S NOT DEAF?
313
00:18:15,750 --> 00:18:17,792
Harvey:
I FEEL LIKE HE CAN TALK.
314
00:18:17,875 --> 00:18:19,458
Norm:
HOW CAN YOU TELL?
315
00:18:19,542 --> 00:18:20,834
I SAID HE'S DEAF, NOT BLIND.
316
00:18:20,917 --> 00:18:22,709
WELL, I UNDERSTAND...
317
00:18:36,709 --> 00:18:39,625
( sizzling)
318
00:18:42,291 --> 00:18:42,917
( screaming )
319
00:18:43,000 --> 00:18:43,792
( laughing )
320
00:18:43,875 --> 00:18:45,458
HARVEY, NOT THE GUN!
321
00:18:46,500 --> 00:18:49,917
TOLLIVER TYNAN!
322
00:18:50,000 --> 00:18:51,875
( kids yelling )
323
00:18:54,500 --> 00:18:56,208
NOW YOU JUST GET IN
AND SIT DOWN.
324
00:18:56,291 --> 00:18:57,834
THAT WAS A BEAUTIFUL SERVICE
325
00:18:57,917 --> 00:19:00,333
FOR MR. TYNAN, MA'AM.
326
00:19:00,417 --> 00:19:02,500
BEEN THINKING ABOUT IT
ALL WEEKEND.
327
00:19:02,583 --> 00:19:03,792
HE WAS A FINE,
FINE MAN.
328
00:19:03,875 --> 00:19:05,250
YES, WELL, THE LORD GIVETH
329
00:19:05,333 --> 00:19:06,667
AND THE LORD TAKETH AWAY.
330
00:19:06,750 --> 00:19:09,208
AIN'T THAT THE TRUTH.
331
00:19:09,291 --> 00:19:10,917
HERBERT, DRIVE ON.
332
00:19:15,834 --> 00:19:17,542
OKAY, SO HE'S DEAF AND DUMB.
333
00:19:17,625 --> 00:19:19,625
WHAT AM I SUPPOSED
TO DO ABOUT IT?
334
00:19:19,709 --> 00:19:21,208
THANKS FOR THE PIE, LUCILLE.
335
00:19:21,291 --> 00:19:22,333
Lucille:
UH-HUH.
336
00:19:22,417 --> 00:19:24,375
THEY GOT PLACES
TO HANDLE THAT.
337
00:19:26,333 --> 00:19:27,291
OH.
338
00:19:30,333 --> 00:19:31,291
WELL.
339
00:19:37,792 --> 00:19:39,291
NOW THEN.
340
00:19:42,875 --> 00:19:45,917
WELL, SO, HERE
WE ARE, RIGHT?
341
00:19:46,000 --> 00:19:47,250
RIGHT.
342
00:19:49,500 --> 00:19:51,750
WELL, YOU JUST
STAY PLANTED THERE
343
00:19:51,834 --> 00:19:53,917
IN CASE SOMEBODY
COMES ALONG FOR YOU.
344
00:19:54,000 --> 00:19:56,291
BOY FIT AND SMART
LIKE YOU
345
00:19:56,375 --> 00:19:59,250
SOMEBODY'S GOING
TO COME FOR YOU.
346
00:19:59,333 --> 00:20:02,750
OF COURSE THERE'S ANOTHER
POSSIBILITY, JUST COME TO ME.
347
00:20:02,834 --> 00:20:05,500
MAYBE SOMEBODY SENT YOU OUT HERE
348
00:20:05,583 --> 00:20:08,417
BECAUSE THEY THOUGHT
I HAD A PLACE FOR YOU.
349
00:20:08,500 --> 00:20:10,583
YOU THINK THAT MAYBE THAT'S IT?
350
00:20:10,667 --> 00:20:11,667
NO, THAT AIN'T IT.
351
00:20:11,750 --> 00:20:12,500
HE ISN'T HERE
352
00:20:12,583 --> 00:20:13,750
BY DIVINE INTERVENTION.
353
00:20:13,834 --> 00:20:14,792
BOTH OF YOU BETTER
354
00:20:14,875 --> 00:20:16,333
HOPE SOMEBODY DOES SHOW UP
355
00:20:16,417 --> 00:20:17,333
BECAUSE THIS IS
356
00:20:17,417 --> 00:20:18,792
THE WORLD'S POOREST EXCUSE
357
00:20:18,875 --> 00:20:20,667
FOR AN ORPHANAGE.
358
00:20:22,291 --> 00:20:23,625
PAY NO ATTENTION.
359
00:20:23,709 --> 00:20:26,542
YOU HEARD HER IN THERE
360
00:20:26,625 --> 00:20:28,625
CALL HERSELF
"YOUR AUNT LUCILLE"?
361
00:20:31,417 --> 00:20:34,375
WELL, UH, I MEAN...
362
00:20:35,375 --> 00:20:37,000
YOU DIDN'T HEAR,
OF COURSE
363
00:20:37,083 --> 00:20:39,792
BUT THAT WAS HER
TALKING.
364
00:20:39,875 --> 00:20:41,750
SHE'S ALL MUSH.
365
00:20:43,333 --> 00:20:44,875
SHE TOOK TO YOU,
I CAN TELL.
366
00:20:47,667 --> 00:20:49,000
SO, UH...
367
00:20:52,083 --> 00:20:55,542
YOU JUST SIT HERE
AND KEEP AN EYE PEELED.
368
00:21:04,792 --> 00:21:07,000
( chattering )
369
00:21:07,083 --> 00:21:11,333
Woman:
OH, IT'S SO GOOD
TO SEE YOU!
370
00:21:11,417 --> 00:21:13,709
( talking )
371
00:21:25,083 --> 00:21:27,875
( men chatting and laughing )
372
00:22:01,500 --> 00:22:03,291
Woman:
OH!
373
00:22:08,458 --> 00:22:09,375
( sniffling )
374
00:22:54,500 --> 00:22:56,709
CHARLIE, YOU GET BOB
TO GIVE YOU A RIDE HOME.
375
00:22:56,792 --> 00:22:57,959
ALL RIGHT.
376
00:22:59,792 --> 00:23:02,583
MOSQUITOES ARE GOING
TO CARRY YOU OFF
377
00:23:02,667 --> 00:23:05,166
IF YOU CONTINUE
TO CAMP OUT HERE.
378
00:23:07,125 --> 00:23:08,834
OH, BOY.
379
00:23:08,917 --> 00:23:11,500
DOESN'T LOOK LIKE IT'S
GOING TO HAPPEN, DOES IT?
380
00:23:14,000 --> 00:23:15,750
HEY.
381
00:23:15,834 --> 00:23:16,792
HEY, YOU.
382
00:23:17,875 --> 00:23:19,125
SLEEPY, HUH?
383
00:23:19,208 --> 00:23:23,083
A FELLOW CAN JUST KEEP
HIS EYES OPEN SO LONG, HUH?
384
00:23:25,083 --> 00:23:27,792
I GOT A COT
I KEEP OUT BACK.
385
00:23:27,875 --> 00:23:30,000
YOU CAN STAY
THE NIGHT ANYWAY.
386
00:23:31,000 --> 00:23:34,417
IF SOMEBODY DOESN'T COME
AND PICK YOU UP TOMORROW
387
00:23:34,500 --> 00:23:37,625
I'D BE LYING IF I TOLD YOU
I KNOW WHAT WILL HAPPEN.
388
00:23:37,709 --> 00:23:39,041
I DON'T.
389
00:23:40,667 --> 00:23:42,792
COME ON, HEY.
390
00:23:42,875 --> 00:23:43,625
LET'S GO.
391
00:23:47,083 --> 00:23:49,959
WELL, HERE YOU GO, YOUNG FELLOW.
392
00:23:50,041 --> 00:23:51,125
THERE'S YOUR COT.
393
00:23:52,083 --> 00:23:56,041
CAREFUL YOU DON'T TRIP
OVER ANYTHING NOW.
394
00:23:57,250 --> 00:23:58,917
LOOK AROUND AND GET FAMILIAR.
395
00:24:00,583 --> 00:24:01,208
NOW THIS SINK'S
396
00:24:01,375 --> 00:24:04,458
GOT A BIT OF A DRIP IN IT.
397
00:24:04,542 --> 00:24:06,959
BUT I GUESS
THAT WON'T BOTHER YOU.
398
00:24:08,041 --> 00:24:09,709
THIS IS A CLEAN SHIRT.
399
00:24:09,792 --> 00:24:12,625
YOU CAN WEAR THIS
AS A NIGHTGOWN.
400
00:24:12,709 --> 00:24:16,792
AND GET OUT OF THOSE CLOTHES
BEFORE THEY STICK TO YOU.
401
00:24:16,875 --> 00:24:19,083
AH, I GOT SOMETHING FOR YOU.
402
00:24:21,166 --> 00:24:22,500
FIG DELIGHTS FOR YOU.
403
00:24:22,583 --> 00:24:24,083
THIS IS ONE OF MY FAVORITES.
404
00:24:25,291 --> 00:24:26,875
NEW, FRESH PACKAGE FOR YOU
405
00:24:26,959 --> 00:24:29,208
IN CASE YOU GET HUNGRY
DURING THE NIGHT.
406
00:24:29,291 --> 00:24:31,500
JUST TAKE ONE OF THOSE.
407
00:24:34,959 --> 00:24:36,542
OVER HERE, THE LIGHT.
408
00:24:36,625 --> 00:24:37,583
SEE THAT?
409
00:24:37,667 --> 00:24:38,625
SWITCH?
410
00:24:39,792 --> 00:24:40,750
OKAY?
411
00:24:42,750 --> 00:24:45,458
AND THAT'S ABOUT IT, I GUESS.
412
00:24:48,834 --> 00:24:49,834
OKAY.
413
00:24:50,917 --> 00:24:53,542
WELL, I CAN'T THINK
OF ANYTHING ELSE.
414
00:24:57,542 --> 00:25:00,208
WELL, I HOPE TOMORROW
LOOKS A WHOLE LOT BETTER
415
00:25:00,291 --> 00:25:02,542
FOR YOU, YOUNG FELLOW.
416
00:25:04,667 --> 00:25:05,625
GOOD NIGHT.
417
00:25:13,959 --> 00:25:15,625
( car passing )
418
00:25:18,875 --> 00:25:21,208
YOU MIGHT WONDER
HOW I FELT THAT NIGHT
419
00:25:21,291 --> 00:25:23,750
BELONGING NOWHERE
AND TO NO ONE.
420
00:25:23,834 --> 00:25:25,917
ALL IN ALL, I HADN'T DONE BAD.
421
00:25:26,000 --> 00:25:28,917
NOT EVERY DAY A PRETTY GIRL
TAKES YOUR SIDE
422
00:25:29,000 --> 00:25:31,083
AND POUNDS OUT HER BIG BROTHER.
423
00:25:31,166 --> 00:25:34,083
BUT DOWN DEEP,
I HAD A PRETTY FIRM FEELING
424
00:25:34,166 --> 00:25:36,875
THAT I WOULD NEVER SEE
MY MOTHER AGAIN.
425
00:25:36,959 --> 00:25:38,750
I DIDN'T KNOW WHY, EXACTLY
426
00:25:38,834 --> 00:25:41,041
EXCEPT THAT WE WERE
PRETTY CLOSE
427
00:25:41,125 --> 00:25:44,667
AND THE CONNECTION
THAT WE HAD WAS GONE.
428
00:25:44,750 --> 00:25:46,875
BUT SOMEHOW I FELT OKAY.
429
00:25:46,959 --> 00:25:50,166
MAYBE IT WAS BECAUSE
I KNEW FOR SURE
430
00:25:50,250 --> 00:25:52,291
I WAS GOING
TO WAKE UP THE NEXT DAY
431
00:25:52,375 --> 00:25:56,625
AND KEEP RIGHT ON PRETENDING
LIKE I COULDN'T HEAR OR SPEAK.
432
00:25:56,709 --> 00:26:00,041
I MUST HAVE FIGURED THAT IT WAS
LIKE SOME KIND OF ARMOR
433
00:26:00,125 --> 00:26:03,875
SHIELDING ME FROM SOMETHING
I DIDN'T WANT TO THINK ABOUT.
434
00:26:03,959 --> 00:26:06,083
AT LEAST NOT RIGHT THEN,
ANYWAY.
435
00:27:18,333 --> 00:27:20,959
( no audio )
436
00:27:37,959 --> 00:27:40,125
IT'S FUNNY HOW TIME GOES BY.
437
00:27:41,166 --> 00:27:43,000
A WHOLE LOT OF TIME, EVEN.
438
00:27:45,417 --> 00:27:47,291
THE COUNTRY WAS CHANGING.
439
00:27:47,375 --> 00:27:50,959
EVEN BARRINGTON WAS ADJUSTING
IN ITS OWN WAY
440
00:27:51,041 --> 00:27:54,000
WHICH WAS SLOWLY,
AND NOT ALL AT ONCE.
441
00:28:04,083 --> 00:28:07,208
I STILL LIVED RENT-FREE
IN THE BACK OF THE BUS STATION
442
00:28:07,291 --> 00:28:10,375
THANKS TO NORM JENKINS,
WHO STILL MANAGED THE PLACE
443
00:28:10,458 --> 00:28:13,959
AND HAD STAYED ON A COUPLE
OF YEARS PAST HIS RETIREMENT.
444
00:28:14,041 --> 00:28:16,458
ALL THIS TIME,
LIVING IN A BUS STATION?
445
00:28:16,542 --> 00:28:18,583
"HOW AWFUL,"
SOME FOLKS MIGHT SAY.
446
00:28:18,667 --> 00:28:20,542
BUT I LOOK AT WHAT SOME OF THEM
447
00:28:20,625 --> 00:28:22,542
HAVE BEEN DOING
WITH THEIR LIVES
448
00:28:22,625 --> 00:28:24,417
AND I WOULDN'T CHANGE PLACES.
449
00:28:32,291 --> 00:28:33,709
NICE MEETING YOU.
450
00:28:33,792 --> 00:28:36,166
NORM JENKINS TOOK OFF
EVERY SATURDAY
451
00:28:36,250 --> 00:28:39,959
ON WHAT LUCILLE CALLED HIS
SECRET FISHING EXPEDITIONS.
452
00:28:41,500 --> 00:28:44,667
ON THIS PARTICULAR DAY,
IN THE SPRING OF 1965
453
00:28:44,750 --> 00:28:48,000
HE ACTED DIFFERENT
WHEN HE CAME BACK.
454
00:28:48,083 --> 00:28:52,125
AT LEAST IT SURE APPEARED
THAT WAY TO ME AT THE TIME.
455
00:28:54,750 --> 00:28:58,000
THE ONE PERSON WHO HAD CHANGED
WAS TALLASSE TYNAN
456
00:28:58,083 --> 00:29:01,959
THAT PRETTY GIRL WHO PUNCHED
OUT HER BROTHER, TOLLIVER.
457
00:29:02,041 --> 00:29:05,000
SHE'D GIVEN ME
MY FIRST AND ONLY VALENTINE.
458
00:29:05,083 --> 00:29:08,083
THEN, A FEW YEARS AGO,
SHE'D GONE OFF TO COLLEGE
459
00:29:08,166 --> 00:29:10,041
AND HARDLY EVER CAME BACK.
460
00:29:10,125 --> 00:29:13,500
Man on TV:
He's held that family
in an iron fist for 15 years
461
00:29:13,583 --> 00:29:15,000
and the whole town.
462
00:29:15,083 --> 00:29:17,667
Lucille:
YOU LOOK LIKE YOU NEED
A REFILL, MERLE.
463
00:29:17,750 --> 00:29:19,000
I COULD USE IT.
464
00:29:19,083 --> 00:29:20,041
HI, SAMMY.
465
00:29:21,709 --> 00:29:24,041
UH... THE TOASTER...
466
00:29:25,083 --> 00:29:27,166
IS ON THE FRITZ AGAIN.
467
00:29:27,250 --> 00:29:29,667
WELL, RIGHT OFF,
IF YOU'VE BEEN LISTENING
468
00:29:29,750 --> 00:29:32,542
YOU KNOW
THAT I'M THREE PARTS FRAUD.
469
00:29:32,625 --> 00:29:34,709
BUT I'M ONE PART HANDYMAN.
470
00:29:34,792 --> 00:29:37,667
AND THE BEST THERE IS
IN BARRINGTON.
471
00:29:37,750 --> 00:29:40,458
OR SO NORM JENKINS
LIKES TO SAY.
472
00:29:40,542 --> 00:29:41,667
MORNING, MERLE.
473
00:29:41,750 --> 00:29:43,041
MISS LUCILLE!
474
00:29:43,125 --> 00:29:44,000
TOLLIVER.
475
00:29:44,083 --> 00:29:45,375
GUESS WHO?
476
00:29:47,667 --> 00:29:49,083
HEY, DUM-DUM.
477
00:29:49,166 --> 00:29:51,083
FORGET THAT OLD THING.
478
00:29:52,041 --> 00:29:55,083
( speaking slowly and loudly):
THESE FIRST.
479
00:29:55,166 --> 00:29:56,542
HERE'S NUMBER ONE.
480
00:29:56,625 --> 00:30:01,583
IN THE HALLWAY... OUTSIDE...
THE MINISTER'S OFFICE
481
00:30:01,667 --> 00:30:07,166
THE BASEBOARD NEEDS
REPLACING AND PAINTING.
482
00:30:07,250 --> 00:30:09,083
NUMBER TWO... TWO...
TWO.
483
00:30:09,166 --> 00:30:12,500
MOTHER DEAR... MOTHER DEAR...
WOULD LIKE YOU
484
00:30:12,583 --> 00:30:15,583
TO WASH
THE PATIO FURNITURE
485
00:30:15,667 --> 00:30:19,041
AND TRIM
THE DRIVEWAY HEDGE.
486
00:30:19,125 --> 00:30:20,250
AND THREE...
487
00:30:20,333 --> 00:30:22,041
HEY, LOOK AT ME.
488
00:30:22,125 --> 00:30:26,208
AS A LITTLE COMMISSION
YOU OWE ME FOR THIS...
489
00:30:26,291 --> 00:30:27,583
ACT OF WELFARE
490
00:30:27,667 --> 00:30:29,583
YOU CAN WASH MY CAR.
491
00:30:31,166 --> 00:30:34,750
HEY, GET THE WHITEWALLS
THIS TIME... DUM-DUM.
492
00:30:36,667 --> 00:30:39,250
GOOD MORNING,
MISS BEATRICE...
493
00:30:39,333 --> 00:30:43,125
TOLLIVER TYNAN'S DADDY DIED
RICH, BUT HE DIDN'T DIE DUMB.
494
00:30:43,208 --> 00:30:46,250
HE LEFT ALL HIS ESTATE
IN A TRUST TO HIS WIDOW
495
00:30:46,333 --> 00:30:49,834
TO BE DISBURSED TO HIS CHILDREN
ONLY UPON HER DEATH.
496
00:30:49,917 --> 00:30:53,583
AND THE ALLOWANCE THAT SHE GAVE
TOLLIVER WAS PIDDLING
497
00:30:53,667 --> 00:30:55,583
WHICH RANKLED HIM TO NO END.
498
00:30:55,667 --> 00:30:57,583
Lucille:
BOY, I WISH SAMMY
499
00:30:57,667 --> 00:31:02,625
WOULD JUST BEAT THE PULP
OUT OF HIM ONE DAY.
500
00:31:02,709 --> 00:31:07,125
OH, SAMMY WILL HAVE HIS DAY,
DON'T YOU WORRY.
501
00:31:38,250 --> 00:31:39,834
( tire pops and hisses )
502
00:31:55,542 --> 00:31:57,834
YOU WANT A RIDE?
503
00:31:58,959 --> 00:32:00,792
WHERE TO?
504
00:32:10,458 --> 00:32:11,542
HEY!
505
00:32:11,625 --> 00:32:13,208
THACKER!
506
00:32:13,291 --> 00:32:15,792
YOU'RE A MENACE
ON THE STREETS.
507
00:32:15,875 --> 00:32:17,792
YOU COULD HAVE HIT ME.
508
00:32:17,875 --> 00:32:20,208
( laughing ):
I DECIDED AGAINST IT,
MR. TYNAN.
509
00:32:20,291 --> 00:32:22,583
DON'T GET SMART WITH ME,
ARCHIBALD THACKER.
510
00:32:22,667 --> 00:32:25,583
WHY CAN'T YOU CAN'T HAUL
THIS JUNK ON THE SIDE STREETS?
511
00:32:25,667 --> 00:32:28,834
YOU'RE A BLOT ON THE BEAUTY
OF DOWNTOWN BARRINGTON.
512
00:32:28,917 --> 00:32:33,250
OH, YEAH, BEAUTIFUL
DOWNTOWN BARRINGTON.
513
00:32:33,333 --> 00:32:35,625
WASTE OF BREATH
TALKING TO YOU.
514
00:32:37,625 --> 00:32:39,291
I'VE TRIED FOR YEARS
515
00:32:39,375 --> 00:32:42,834
TO FIND SOMETHING
TO LIKE ABOUT THAT BOY.
516
00:32:42,917 --> 00:32:43,917
NO LUCK SO FAR.
517
00:32:44,000 --> 00:32:45,750
TYNAN'S PLACE, HUH?
518
00:32:45,834 --> 00:32:48,166
OKAY, I'LL GET YOU THERE.
CLIMB ON BACK.
519
00:32:51,959 --> 00:32:54,250
Young man:
YOU SOUND LIKE DAD.
520
00:32:54,333 --> 00:32:56,250
"I AM NOT A RISK-TAKER.
521
00:32:56,333 --> 00:32:58,417
A.B.C.-- ALWAYS BE CAUTIOUS."
522
00:32:58,500 --> 00:33:01,208
YOU HAD BAXTON ECONOMICS,
I HAD BROWN.
523
00:33:01,291 --> 00:33:03,709
I HEARD HE WAS ONCE
A PIT BOSS IN VEGAS.
524
00:33:03,792 --> 00:33:04,959
SO THERE YOU ARE.
525
00:33:05,041 --> 00:33:07,458
LOOK, DO YOU WANT
FINANCIAL EXPERIENCE
526
00:33:07,542 --> 00:33:08,959
RUNNING YOUR PORTFOLIO
527
00:33:09,041 --> 00:33:10,542
OR DO YOU BET THE STORE
528
00:33:10,625 --> 00:33:13,333
ON SOME THEORETICAL
NOBEL-WINNER FROM HARVARD?
529
00:33:13,417 --> 00:33:17,250
( imitating Thacker ):
"DON'T BANDY THE NAME HARVARD
AROUND, SON.
530
00:33:17,333 --> 00:33:18,750
IT'S BAD FOR OUR IMAGE."
531
00:33:18,834 --> 00:33:19,917
( laughs )
532
00:33:20,000 --> 00:33:21,834
WHERE IS DAD
TAKING ALL THIS STUFF?
533
00:33:21,917 --> 00:33:24,291
WEDDING PRESENTS FOR
MONTGOMERY'S NEW BRIDE.
534
00:33:24,375 --> 00:33:25,500
( both laugh )
535
00:33:30,917 --> 00:33:33,500
ARCHIBALD THACKER,
A WIDOWER WITH FOUR SONS
536
00:33:33,583 --> 00:33:35,500
HAD BECOME WEALTHY
OVER THE YEARS
537
00:33:35,583 --> 00:33:38,542
HAULING JUNK AND CLEANING UP
AFTER OTHER PEOPLE.
538
00:33:38,625 --> 00:33:40,333
HE HAD TWO BUSINESSES SET UP
539
00:33:40,417 --> 00:33:42,709
IN THE NAME
OF A WHITE ATLANTA LAWYER.
540
00:33:42,792 --> 00:33:44,959
PEOPLE THOUGHT
HE WAS JUST EKING BY.
541
00:33:45,041 --> 00:33:46,333
BUT WHAT THEY DIDN'T SEE
542
00:33:46,417 --> 00:33:49,291
WAS HIM EKING IN AND OUT
OF ATLANTA BANKS
543
00:33:49,375 --> 00:33:50,917
FOR THE LAST 20 YEARS.
544
00:33:52,792 --> 00:33:54,250
STOP THAT!
ARE YOU CRAZY?
545
00:33:54,333 --> 00:33:55,417
GOOD MORNING, RACHEL.
546
00:33:55,500 --> 00:33:57,542
MY GOODNESS, YOU GET
PRETTIER BY THE DAY.
547
00:33:57,625 --> 00:33:58,625
FATHER THACKER...
548
00:33:58,709 --> 00:34:00,458
NOW, NOW, DAUGHTER,
NOT TO WORRY.
549
00:34:00,542 --> 00:34:02,750
Rachel:
WHAT DO YOU CALL THIS?
550
00:34:02,834 --> 00:34:05,041
YOU'RE NOT ACCUSTOMED
TO OUR LANDSCAPING.
551
00:34:05,125 --> 00:34:06,333
LANDSCAPING?!
552
00:34:06,417 --> 00:34:09,291
NOW, MONTGOMERY
SHOULD HAVE TOLD YOU.
553
00:34:09,375 --> 00:34:10,542
WHEN YOU ARE OUR COLOR
554
00:34:10,625 --> 00:34:12,291
IN THIS PART
OF OUR GREAT NATION
555
00:34:12,375 --> 00:34:15,333
THE KEY TO GETTING RICH
IS TO APPEAR HAPPILY POOR.
556
00:34:15,417 --> 00:34:17,625
JUST BLEND IN
AND BIDE YOUR TIME.
557
00:34:17,709 --> 00:34:19,709
LOOK UPON THESE ITEMS
AS STEPPING STONES.
558
00:34:19,792 --> 00:34:21,417
RACHEL, RACHEL...
WAIT A MINUTE.
559
00:34:21,500 --> 00:34:22,667
THIS IS NOT SO BAD.
560
00:34:22,750 --> 00:34:25,000
PEOPLE PAY GOOD MONEY
FOR SOME OF THIS STUFF.
561
00:34:25,083 --> 00:34:26,417
WE COULD ACTUALLY USE THIS.
562
00:34:26,500 --> 00:34:27,500
IT ACTUALLY BLENDS IN
563
00:34:27,583 --> 00:34:29,333
WITH THE REST
OF THE NEIGHBORHOOD.
564
00:34:29,417 --> 00:34:30,458
SO, JUST RELAX.
565
00:34:30,542 --> 00:34:32,542
THE FACT IS, HE AND HIS BOYS
566
00:34:32,625 --> 00:34:36,500
HAD A THIRD AND EVEN MORE
PROFITABLE BUSINESS WHICH...
567
00:34:36,583 --> 00:34:39,041
WELL, LET'S JUST SAY
IT PAID A WHOLE LOT BETTER
568
00:34:39,125 --> 00:34:41,792
THAN WASHING
MRS. TYNAN'S PATIO FURNITURE.
569
00:34:43,834 --> 00:34:45,041
( sighs )
570
00:34:45,125 --> 00:34:48,792
WELL, YOU CERTAINLY
TOOK YOUR TIME GETTING HERE.
571
00:34:48,875 --> 00:34:52,041
( louder ):
TAKING ADVANTAGE
OF YOUR HANDICAP
572
00:34:52,125 --> 00:34:54,041
WON'T GET YOU
ANYWHERE WITH ME.
573
00:34:54,125 --> 00:34:56,750
YOU'LL GET PAID
WHAT'S ON THE SLIP
574
00:34:56,834 --> 00:34:58,959
NO MATTER
HOW LONG YOU DAWDLE.
575
00:34:59,041 --> 00:35:00,333
GAIL?
576
00:35:00,417 --> 00:35:02,083
Tallasse:
MOTHER, WHY DO YOU INSIST
577
00:35:02,166 --> 00:35:03,375
ON BERATING POOR SAMMY
578
00:35:03,458 --> 00:35:05,333
WHEN YOU KNOW
HE CAN'T HEAR YOU?
579
00:35:05,417 --> 00:35:06,166
ON TOP OF THAT
580
00:35:06,500 --> 00:35:08,333
YOU CERTAINLY DON'T
NEED THE PRACTICE.
581
00:35:08,417 --> 00:35:10,959
Mrs. Tynan:
EVERY TIME YOU COME
HOME FOR A VISIT
582
00:35:11,041 --> 00:35:13,041
YOU SHOW LESS RESPECT
FOR YOUR MOTHER.
583
00:35:13,125 --> 00:35:16,333
Tallasse:
WATCH YOUR
BLOOD PRESSURE NOW.
584
00:35:16,417 --> 00:35:19,542
AS I MENTIONED,
TALLASSE TYNAN HAD GONE AWAY
585
00:35:19,625 --> 00:35:22,375
UP TO SOME COLLEGE IN NEW YORK
586
00:35:22,458 --> 00:35:25,917
AND THIS WAS THE FIRST TIME
SHE'D BEEN BACK IN SOME WHILE.
587
00:35:26,000 --> 00:35:27,375
( playing "My Ship"
on piano )
588
00:35:35,458 --> 00:35:38,375
I KNEW I WAS A FOOL
TO BE TAKING A CHANCE
589
00:35:38,458 --> 00:35:40,625
BUT I COULDN'T HELP MYSELF.
590
00:35:42,834 --> 00:35:45,667
I WAS DRAWN TO THAT TUNE
SHE WAS PLAYING
591
00:35:45,750 --> 00:35:47,667
AND I JUST HAD TO LISTEN.
592
00:36:23,125 --> 00:36:25,041
Mrs. Tynan:
MUST YOU PLAY THAT?
593
00:36:25,125 --> 00:36:27,709
YOU KNOW I HATE
THAT SENTIMENTAL TUNE.
594
00:36:27,792 --> 00:36:30,041
SORRY, IT JUST
CAME BACK TO ME.
595
00:36:30,125 --> 00:36:32,083
YOU KNOW, THIS IS
THE FIRST PIECE
596
00:36:32,166 --> 00:36:34,125
DADDY EVER ASKED ME
TO LEARN.
597
00:36:34,208 --> 00:36:36,041
HIS FACE WOULD LIGHT UP.
598
00:36:36,125 --> 00:36:38,041
STILL SEE HIM
STANDING THERE.
599
00:36:38,125 --> 00:36:40,208
I WANT YOU TO DO
SOMETHING FOR ME
600
00:36:40,291 --> 00:36:42,208
IF IT'S NOT ASKING
TOO MUCH.
601
00:36:42,291 --> 00:36:43,709
OF COURSE.
602
00:36:43,792 --> 00:36:46,041
THE NEW MINISTER
WILL BE STAYING HERE
603
00:36:46,125 --> 00:36:47,375
UNTIL THE PARISH RENOVATION
604
00:36:47,458 --> 00:36:48,583
IS COMPLETED
605
00:36:49,000 --> 00:36:52,125
IF THE COMMITTEE APPROVES,
WHICH YOUR BROTHER WILL SEE TO.
606
00:36:52,208 --> 00:36:53,625
WHO IS IT THIS TIME?
607
00:36:53,709 --> 00:36:54,583
HE IS THE TOP GRADUATE
608
00:36:54,917 --> 00:36:57,417
FROM THE BARRINGTON SEMINARY,
OF COURSE.
609
00:36:57,500 --> 00:37:01,083
YOU KNOW, BARRINGTON CHURCH
ALWAYS GETS THE TOP GRADUATE.
610
00:37:01,166 --> 00:37:02,500
TOPS AT BARRINGTON SEMINARY--
611
00:37:02,583 --> 00:37:05,083
THAT'S LIKE BEING
FIRST IN THE SLOW LANE.
612
00:37:05,166 --> 00:37:07,041
WE CAN DO WITHOUT
THAT KIND OF ATTITUDE
613
00:37:07,125 --> 00:37:08,750
WHILE HE'S HERE, THANK YOU.
614
00:37:08,834 --> 00:37:10,583
HIS NAME IS PERRY RAY PRUITT.
615
00:37:10,667 --> 00:37:11,750
YOU BE CIVIL TO HIM.
616
00:37:11,834 --> 00:37:13,583
IT'S OUR PRIVILEGE
AND OUR DUTY.
617
00:37:13,667 --> 00:37:15,250
WELL, I CERTAINLY WILL TRY.
618
00:37:15,333 --> 00:37:17,125
I WANT YOU TO GO
AND PICK HIM UP
619
00:37:17,208 --> 00:37:18,083
AFTER THE MEETING.
620
00:37:18,166 --> 00:37:19,208
TAKE SAMMY WITH YOU.
621
00:37:19,291 --> 00:37:21,166
TOLLIVER HAS WORK
FOR HIM AT CHURCH.
622
00:37:21,250 --> 00:37:22,750
AND MAKE SURE SAMMY
SITS IN BACK.
623
00:37:22,834 --> 00:37:26,125
I DON'T WANT PEOPLE TO SEE HIM
SITTING UP FRONT WITH YOU.
624
00:37:26,208 --> 00:37:29,125
MAYBE I CAN TIE A ROPE TO HIM
AND MAKE HIM RUN BEHIND.
625
00:37:29,208 --> 00:37:31,041
( sighs )
626
00:37:31,125 --> 00:37:34,500
( clipping )
627
00:37:43,250 --> 00:37:44,125
I KEEP THINKING
628
00:37:44,208 --> 00:37:45,709
OF WHEN YOU
FIRST CAME TO TOWN
629
00:37:45,792 --> 00:37:48,125
AND TOLLIVER THREW
THAT FIRECRACKER AT YOU
630
00:37:48,208 --> 00:37:49,125
TO PROVE YOU WERE DEAF.
631
00:37:49,208 --> 00:37:50,583
I GUESS
IF YOU HAD CRUTCHES
632
00:37:50,667 --> 00:37:53,792
HE WOULD'VE KICKED THEM
TO PROVE YOU'D FALL OVER.
633
00:37:53,875 --> 00:37:56,458
AND THEY MAKE HIM
TREASURER OF THE CHURCH.
634
00:37:56,542 --> 00:37:59,125
PEOPLE THINK IF
YOUR DADDY STRUCK IT RICH
635
00:37:59,208 --> 00:38:00,792
YOU KNOW
HOW TO HANDLE MONEY.
636
00:38:00,875 --> 00:38:02,208
LIKE FATHER, LIKE SON.
637
00:38:02,291 --> 00:38:03,709
OH, NOT HARDLY.
638
00:38:03,792 --> 00:38:06,417
SOMETIMES IT'S A RELIEF
TO KNOW I'M ADOPTED.
639
00:38:09,166 --> 00:38:11,750
GUESS MY SECRET'S SAFE
WITH YOU.
640
00:38:14,291 --> 00:38:17,458
MY DADDY
WAS A DOLL, SAMMY.
641
00:38:17,542 --> 00:38:21,333
I REMEMBER
HE WAS A QUIET MAN.
642
00:38:21,417 --> 00:38:23,125
WE'D TAKE LONG WALKS
643
00:38:23,208 --> 00:38:25,250
AND HE'D JUST LET ME
JABBER ON
644
00:38:25,333 --> 00:38:27,166
JUST LIKE I'M DOING NOW.
645
00:38:27,250 --> 00:38:29,583
YOU REMIND ME OF HIM
A LITTLE.
646
00:38:35,250 --> 00:38:36,125
HEY.
647
00:38:36,208 --> 00:38:37,375
( snaps pictur e)
648
00:38:44,917 --> 00:38:47,667
SO WE'RE GOING TO HAVE
A PREACHER AT THE HOUSE.
649
00:38:47,750 --> 00:38:49,792
REVEREND
PERRY RAY PRUITT
650
00:38:49,875 --> 00:38:53,792
HAND-PICKED BY THE ONE
AND ONLY TOLLIVER TYNAN.
651
00:38:53,875 --> 00:38:55,333
Tolliver:
REVEREND PRUITT
652
00:38:55,417 --> 00:38:57,583
THE COMMITTEE
HAS UNANIMOUSLY APPROVED
653
00:38:57,667 --> 00:39:00,875
YOUR APPOINTMENT AS THE NEW
PASTOR OF BARRINGTON CHURCH.
654
00:39:00,959 --> 00:39:03,166
THE MANY AFFIRMATIONS
WE HAVE RECEIVED
655
00:39:03,250 --> 00:39:06,208
ONLY UNDERLINE WHAT A PRIVILEGE
IT IS FOR ALL OF US
656
00:39:06,291 --> 00:39:08,500
THAT YOU WOULD CONSIDER
THIS POSITION.
657
00:39:08,583 --> 00:39:10,875
WELL, I THINK THAT'S ABOUT IT.
658
00:39:10,959 --> 00:39:14,375
YOUR ACADEMIC RECORD
SPEAKS FOR ITSELF.
659
00:39:14,458 --> 00:39:16,917
( hammering )
660
00:39:17,000 --> 00:39:19,542
WOULD YOU EXCUSE ME?
661
00:39:22,375 --> 00:39:23,417
HEY, DUM-DUM.
662
00:39:23,500 --> 00:39:24,917
FOR CRYING OUT LOUD!
663
00:39:25,000 --> 00:39:26,166
HEY!
664
00:39:29,000 --> 00:39:30,625
SHH!
665
00:39:37,959 --> 00:39:39,208
( hammering resumes )
666
00:39:39,291 --> 00:39:40,208
I HAVE A QUESTION.
667
00:39:40,291 --> 00:39:42,291
IF I MIGHT FINISH,
LORETTA.
668
00:39:42,375 --> 00:39:44,500
I WAS ONLY GOING TO SAY...
669
00:39:44,583 --> 00:39:46,625
( hammering )
670
00:39:46,709 --> 00:39:49,291
WE'LL ALL BE LOOKING FORWARD NOW
671
00:39:49,375 --> 00:39:52,208
TO GIVING YOU HIGH MARKS
AS A PREACHER.
672
00:39:52,291 --> 00:39:54,291
THE PULPIT IS THE TEST, RIGHT?
673
00:39:54,375 --> 00:39:56,834
THE TEST?
674
00:39:56,917 --> 00:40:00,917
( hammering and pounding )
675
00:40:01,000 --> 00:40:02,625
Tolliver:
LORETTA?
676
00:40:03,667 --> 00:40:04,625
WHAT?
677
00:40:05,834 --> 00:40:07,917
YOU HAD A QUESTION.
678
00:40:08,000 --> 00:40:09,917
OH... YES.
679
00:40:10,000 --> 00:40:12,250
I WAS ONLY GOING TO SAY
680
00:40:12,333 --> 00:40:16,333
WE'RE, WELL, WE'RE USED
TO THE STABILITY
681
00:40:16,417 --> 00:40:19,875
OF A GOOD WOMAN
IN THE PARISH HOUSE.
682
00:40:19,959 --> 00:40:22,291
AND YOU
BEING A BACHELOR.
683
00:40:22,375 --> 00:40:23,709
DO YOU THINK
684
00:40:23,792 --> 00:40:24,792
IT'S APPROPRIATE?
685
00:40:24,875 --> 00:40:26,959
I THINK THAT'S
NEITHER HERE NOR THERE.
686
00:40:27,041 --> 00:40:28,625
I AM A MEMBER
OF THE COMMITTEE
687
00:40:28,709 --> 00:40:30,667
IF I'M NOT MISTAKEN,
REBECCA.
688
00:40:30,750 --> 00:40:32,625
Pruitt:
NO!
689
00:40:33,750 --> 00:40:35,291
I MEAN, I...
690
00:40:35,375 --> 00:40:39,291
I HADN'T JUST THOUGHT
OF UP AND MARRYING, I GUESS
691
00:40:39,375 --> 00:40:41,291
AS PART OF THE JOB.
692
00:40:41,375 --> 00:40:44,250
WELL, I THINK THAT
SPEAKS VERY WELL OF YOU
693
00:40:44,333 --> 00:40:45,333
I THINK... REVEREND.
694
00:40:45,417 --> 00:40:48,375
Tolliver:
ANYWAY, REVEREND PRUITT...
695
00:40:48,458 --> 00:40:49,959
( hammering resumes )
696
00:40:50,041 --> 00:40:52,291
WE HAVE
EVERY CONFIDENCE IN YOU.
697
00:40:52,375 --> 00:40:54,375
AND, I'M SURE
YOU'LL BE PROUD TO KNOW
698
00:40:54,458 --> 00:40:57,917
YOU WILL BE THE FIRST MINISTER
OF BARRINGTON CHURCH...
699
00:40:58,000 --> 00:40:59,792
( hammering continues )
700
00:40:59,875 --> 00:41:01,959
( louder ):
TO INITIATE
THE CHURCH'S LARGE
701
00:41:02,041 --> 00:41:03,959
NEW BAPTISMAL FONT.
702
00:41:04,041 --> 00:41:05,542
( hammering continues )
703
00:41:10,375 --> 00:41:12,250
( echoing ):
IT'S A REGULAR LAKE.
704
00:41:14,542 --> 00:41:16,792
WHICH, BEING THE CASE
705
00:41:16,875 --> 00:41:21,500
I WILL, WITH GOD'S HELP,
DO MY... EARNESTMOST
706
00:41:21,583 --> 00:41:25,250
TO MAKE THIS SERVICE
THE VERY TOPS.
707
00:41:26,375 --> 00:41:27,041
EARNESTMOST?
708
00:41:27,250 --> 00:41:28,625
FINE, HE'LL DO
JUST FINE.
709
00:41:28,709 --> 00:41:30,417
HE'LL DROWN SOMEONE
IN THE LAKE.
710
00:41:30,500 --> 00:41:31,500
HE'S JUST NERVOUS.
711
00:41:31,583 --> 00:41:33,000
NERVOUS?!
712
00:41:33,083 --> 00:41:34,375
SAMMY!
713
00:41:37,792 --> 00:41:39,625
HE'S PERFECT,
I TELL YOU.
714
00:41:39,709 --> 00:41:43,917
ISN'T THE TYPE TO, UH,
PONDER OVER FINANCIAL REPORTS.
715
00:41:44,000 --> 00:41:47,542
REVEREND DRISCOLL WAS
CATCHING ON BEFORE HE RETIRED.
716
00:41:47,625 --> 00:41:49,041
AN ACT OF PROVIDENCE.
717
00:41:49,125 --> 00:41:52,375
HELPING YOURSELF
TO THE CHURCH INSURANCE FUND
718
00:41:52,458 --> 00:41:54,333
IS AN ACT OF LARCENY,
NOT OF PROVIDENCE.
719
00:41:54,417 --> 00:41:55,542
HEY...
720
00:41:55,625 --> 00:41:59,542
YOU DON'T TRUST ME?
721
00:41:59,625 --> 00:42:01,333
WHY SHOULD I?
722
00:42:01,417 --> 00:42:03,834
I DON'T EVEN TRUST ME.
723
00:42:03,917 --> 00:42:06,625
I'M THE ONE NOT SENDING
IN THE PREMIUM PAYMENTS.
724
00:42:06,709 --> 00:42:09,834
YOU'RE THE ONE LOSING IT
ON ONE BUM DEAL AFTER ANOTHER.
725
00:42:09,917 --> 00:42:12,083
WHAT ARE FRIENDS FOR, PERCY?
726
00:42:12,166 --> 00:42:15,041
FOR SHARING A JAIL CELL, MAYBE.
727
00:42:15,125 --> 00:42:17,041
JUST RELAX. WE'LL PUT IT BACK
WITH INTEREST.
728
00:42:17,125 --> 00:42:19,083
WE'VE GONE 100 YEARS
WITHOUT TROUBLE.
729
00:42:19,166 --> 00:42:22,500
THE CHURCH IS
ONLY 87 YEARS OLD, TOLLIVER.
730
00:42:22,583 --> 00:42:25,125
SEE, WE GOT 13 YEARS'
GRACE PERIOD.
731
00:42:25,208 --> 00:42:28,917
I AM IN THE INSURANCE BUSINESS,
NOT THE NUMBERS RACKET.
732
00:42:29,000 --> 00:42:30,875
WE'VE GOT TO PAY THE PREMIUM.
733
00:42:30,959 --> 00:42:33,542
CALM DOWN, PERCY,
YOU WORRY TOO MUCH.
734
00:42:37,125 --> 00:42:40,083
( engine idling )
735
00:42:57,834 --> 00:43:00,375
Thacker Brother:
I'M NOT SURE ABOUT THIS.
736
00:43:00,458 --> 00:43:02,417
HOW DO YOU KNOW
IT WILL ALL FIT?
737
00:43:02,500 --> 00:43:06,417
Thacker brother 2:
DAD'S FIGURED IT ALL OUT.
DON'T WORRY.
738
00:43:06,500 --> 00:43:09,667
"DON'T WORRY." WHERE HAVE I
HEARD THAT BEFORE?
739
00:43:09,750 --> 00:43:12,417
WHAT DO YOU THINK, ABRAHAM?
740
00:43:12,500 --> 00:43:13,500
WELL...
741
00:43:13,583 --> 00:43:15,083
IT'S THE LAST PLACE
I'D LOOK.
742
00:43:15,166 --> 00:43:17,458
TIMING MIGHT BE
A PROBLEM.
743
00:43:17,542 --> 00:43:19,834
"WELL, IF IT WERE DONE
WHEN 'TIS DONE
744
00:43:19,917 --> 00:43:22,583
THEN 'TWERE WELL
IT WERE DONE QUICKLY."
745
00:43:22,667 --> 00:43:24,500
WELL THOUGHT, MACBETH.
746
00:43:26,500 --> 00:43:29,458
TWO TRASH HAULERS
STAGING SHAKESPEARE
747
00:43:29,542 --> 00:43:32,667
AT THE BAPTISMAL FONT
OF A PROMINENT CHURCH.
748
00:43:32,750 --> 00:43:34,917
IT'S JUST A LITTLE THING,
PROBABLY
749
00:43:35,000 --> 00:43:38,458
BUT IT STRUCK ME SOMETHING
PECULIAR WAS GOING ON HERE.
750
00:43:38,542 --> 00:43:39,709
WOULDN'T YOU SAY?
751
00:43:44,583 --> 00:43:46,917
"AND HE SAID, 'GO YE, THEREFORE
752
00:43:47,000 --> 00:43:49,125
"AND TEACH ALL NATIONS...'
753
00:43:52,750 --> 00:43:54,792
"BAPTIZING THEM
754
00:43:54,875 --> 00:43:56,917
"IN THE NAME OF THE FATHER
755
00:43:57,000 --> 00:43:58,709
"AND OF THE SON
756
00:43:58,792 --> 00:44:00,667
"AND OF THE...
757
00:44:02,542 --> 00:44:04,250
HOLY GHOST."
758
00:44:10,250 --> 00:44:11,583
OKAY, THEN.
759
00:44:13,208 --> 00:44:14,333
ANYONE?
760
00:44:16,333 --> 00:44:18,291
I MEAN...
761
00:44:18,375 --> 00:44:21,250
ANYONE LIKE TO COME FORWARD
AND BE BAPTIZED?
762
00:44:23,875 --> 00:44:25,250
ANYONE AT ALL?
763
00:44:26,583 --> 00:44:27,875
WELL, I MEAN ANYONE
764
00:44:27,959 --> 00:44:30,375
WHO MEETS THE ELIGIBILITY RULES,
THAT IS.
765
00:44:31,750 --> 00:44:33,291
Percy:
ELIGIBILITY RULES?
766
00:44:33,375 --> 00:44:36,750
WHAT DOES HE THINK THIS IS,
THE OLYMPICS?
767
00:44:36,834 --> 00:44:41,291
( congregation murmuring )
768
00:45:23,500 --> 00:45:25,625
YOU'RE SAMMY AYERS.
769
00:45:27,500 --> 00:45:29,333
YOU'RE...
770
00:45:29,417 --> 00:45:31,583
SORT OF CUT OFF
FROM PEOPLE, I HEAR.
771
00:45:34,875 --> 00:45:36,500
SO AM I.
772
00:45:43,083 --> 00:45:44,917
REVEREND PRUITT.
773
00:45:49,333 --> 00:45:50,709
REVEREND.
774
00:45:51,875 --> 00:45:53,000
CALL?
775
00:45:53,083 --> 00:45:54,959
I DIDN'T HEAR
ANY CALL.
776
00:45:55,041 --> 00:45:56,458
MY FOLKS
HEARD THE CALL
777
00:45:56,542 --> 00:45:58,000
THAT'S WHO HEARD IT.
778
00:46:01,625 --> 00:46:04,959
YOU CAN TELL.
779
00:46:05,041 --> 00:46:07,291
YOU CAN SURELY TELL.
780
00:46:14,834 --> 00:46:16,250
LORD...
781
00:46:17,375 --> 00:46:20,041
GIVE ME A SIGN.
782
00:46:20,125 --> 00:46:23,375
PLEASE, LORD,
ANY SIGN.
783
00:46:23,458 --> 00:46:25,542
OR LET ME GO.
784
00:46:28,083 --> 00:46:29,542
JUST LET ME GO.
785
00:46:50,750 --> 00:46:51,959
HI, SAMMY.
786
00:46:55,875 --> 00:46:58,417
YOU WANT ONE OR TWO?
787
00:46:58,500 --> 00:46:59,792
FOUR?
788
00:46:59,875 --> 00:47:02,917
IT SEEMS LIKE ONE SATURDAY
OUT OF THE YEAR
789
00:47:03,000 --> 00:47:04,834
YOU COULD SLEEP PAST 7:00.
790
00:47:04,917 --> 00:47:06,333
SATURDAY.
791
00:47:06,417 --> 00:47:08,417
SATURDAY, SLEEP IN?
792
00:47:10,041 --> 00:47:13,417
NORM WON'T BE IN
TODAY.
793
00:47:13,500 --> 00:47:14,959
HE DECIDED TO, UH...
794
00:47:15,041 --> 00:47:17,500
TAKE ONE OF
HIS LITTLE TRIPS.
795
00:47:17,583 --> 00:47:19,709
YOU KNOW NORM
ON A SATURDAY.
796
00:47:21,166 --> 00:47:22,667
JUST GOES OFF.
797
00:47:22,750 --> 00:47:24,417
NEVER SAYS WHERE.
798
00:47:24,500 --> 00:47:28,083
I DON'T KNOW WHAT
THE BIG SECRET IS.
799
00:47:28,166 --> 00:47:31,417
BUT, I GUESS
EVERYONE'S ENTITLED.
800
00:47:31,500 --> 00:47:35,417
STILL, I DON'T SEE WHY
HE CAN'T TAKE YOU ALONG
801
00:47:35,500 --> 00:47:37,667
ONCE IN A WHILE.
802
00:47:39,166 --> 00:47:40,583
WHAT'S THIS?
803
00:47:40,667 --> 00:47:43,458
"HANG THE CHURCH BULLETIN
BOARD IMMEDIATELY," HUH?
804
00:47:43,542 --> 00:47:45,083
PEOPLE IN THIS TOWN
805
00:47:45,166 --> 00:47:48,583
WILL NOT GIVE YOU A REST,
WILL THEY?
806
00:47:48,667 --> 00:47:52,875
NOW, NORM FIGURES
YOU'VE PROBABLY DONE MORE THINGS
807
00:47:52,959 --> 00:47:56,041
FOR MORE PEOPLE IN
THIS TOWN THAN ANYONE
808
00:47:56,125 --> 00:47:58,375
SINCE THE PLACE WAS FOUNDED.
809
00:48:00,875 --> 00:48:03,542
YOU WERE GOOD FOR NORM.
810
00:48:03,625 --> 00:48:04,917
I SAW IT
811
00:48:05,000 --> 00:48:06,542
WHEN YOU FIRST CAME.
812
00:48:06,625 --> 00:48:07,792
( fat sizzling )
813
00:48:07,875 --> 00:48:09,083
I COULD SEE
814
00:48:09,166 --> 00:48:11,792
HE WAS GOING
TO HANG ONTO YOU
815
00:48:11,875 --> 00:48:14,458
LIKE HIS LIFE
DEPENDED ON IT.
816
00:48:14,542 --> 00:48:16,500
FRESH MAPLE SYRUP.
817
00:48:19,458 --> 00:48:21,792
I GUESS WHEN YOU GET
RIGHT DOWN TO IT
818
00:48:21,875 --> 00:48:25,375
YOU COULD SAY...
WE'RE FAMILY.
819
00:48:27,959 --> 00:48:30,417
NORM WOULD HAVE RETIRED
820
00:48:30,500 --> 00:48:33,417
AND GONE FISHING
A LONG TIME AGO
821
00:48:33,500 --> 00:48:36,417
IF IT WEREN'T FOR YOU.
822
00:48:37,875 --> 00:48:39,458
AND YOUR AUNT LUCILLE.
823
00:48:39,542 --> 00:48:40,709
( giggles )
824
00:48:43,667 --> 00:48:44,709
WELL...
825
00:48:49,542 --> 00:48:52,166
WE FOUND HER BODY
LAYING AROUND HERE.
826
00:48:52,250 --> 00:48:55,542
( crows cawing )
827
00:48:55,625 --> 00:48:58,583
A FELLOW WAS ARRESTED
A COUPLE OF MONTHS LATER
828
00:48:58,667 --> 00:49:01,166
IN GEORGIA ON
ANOTHER MURDER CHARGE.
829
00:49:01,250 --> 00:49:04,125
HE CONFESSED
TO THIS ONE.
830
00:49:04,208 --> 00:49:07,917
JANE DOE.
831
00:49:08,000 --> 00:49:09,667
HELEN AYERS.
832
00:49:09,750 --> 00:49:11,208
YEAH.
833
00:49:11,291 --> 00:49:15,500
WELL, MAYBE NOW SHE CAN
HAVE A PROPER HEADSTONE.
834
00:49:15,583 --> 00:49:18,208
I GUESS THIS IS
THE END OF IT.
835
00:49:18,291 --> 00:49:21,000
NOT QUITE.
836
00:49:21,083 --> 00:49:24,000
NO...
837
00:49:24,083 --> 00:49:26,458
NEVER IS, IS IT?
838
00:49:27,667 --> 00:49:29,500
GOT OFF THE BUS OVER THERE
839
00:49:29,583 --> 00:49:33,208
TO STRETCH HER LEGS,
HAVE A DRINK.
840
00:49:33,291 --> 00:49:36,250
THERE'S SOME UNFINISHED BUSINESS
AT THE END OF THE LINE.
841
00:49:48,291 --> 00:49:49,375
RUNNING AROUND THE COUNTRY
842
00:49:49,792 --> 00:49:52,583
TAKING PHOTOGRAPHS WHEN YOU
SHOULD BE STARTING A FAMILY.
843
00:49:52,667 --> 00:49:55,583
A WOMAN YOUR AGE
AND STILL BARREN.
844
00:49:55,667 --> 00:49:56,500
LUCKILY.
845
00:49:56,583 --> 00:49:57,750
THANK YOU, GAIL.
846
00:50:01,333 --> 00:50:03,709
I SEE WE HAVEN'T TAKEN
OUR PILLS THIS MORNING.
847
00:50:03,792 --> 00:50:05,583
THEY'RE NOT DOING ME ANY GOOD.
848
00:50:19,834 --> 00:50:22,041
THEY SHOULD BE TAKEN INTERNALLY.
849
00:50:26,709 --> 00:50:29,709
"OH, SINNER,
CONSIDER THE FEARFUL DANGER
850
00:50:29,792 --> 00:50:32,166
OF GOD'S EVERLASTING WRATH."
851
00:50:32,250 --> 00:50:34,959
UH... WORM, WORM,
WORM, WORM, WORM.
852
00:50:35,041 --> 00:50:36,291
RIGHT, RIGHT.
853
00:50:36,375 --> 00:50:37,834
"THE WORMS SHALL NOT DIE
854
00:50:37,917 --> 00:50:39,834
NEITHER THEIR FIRE BE QUENCHED."
855
00:50:39,917 --> 00:50:42,542
THEN, UH, MOSES... MOSES.
856
00:50:42,625 --> 00:50:44,667
"AS MOSES LIFTED UP
THE SERPENT..."
857
00:50:44,792 --> 00:50:47,291
AND THEN... WHAT?
858
00:50:47,375 --> 00:50:51,583
IN THE WOODS,
IN THE WILDERNESS, YES!
859
00:50:51,667 --> 00:50:52,834
EVEN SO...
860
00:50:52,917 --> 00:50:54,625
( rings bicycle bell )
861
00:50:54,709 --> 00:50:57,959
"THE SON OF MAN BE LIFTED UP...
862
00:50:58,041 --> 00:51:00,625
"AND WHOSOEVER BELIEVETH
IN HIM...
863
00:51:00,709 --> 00:51:02,166
"SHALL NOT PERISH...
864
00:51:34,250 --> 00:51:36,667
( no audio )
865
00:51:50,041 --> 00:51:51,625
HALLELUJAH!
866
00:51:51,709 --> 00:51:52,875
HALLELUJAH!
867
00:51:52,959 --> 00:51:55,667
HA-LLE-LUJAH!
868
00:51:55,750 --> 00:51:56,375
A SIGN!
869
00:51:56,458 --> 00:51:57,834
A SIGN.
870
00:51:57,917 --> 00:51:59,834
I ASKED FOR A SIGN
AND HERE IT IS!
871
00:51:59,917 --> 00:52:02,834
LISTEN TO THIS.
872
00:52:02,917 --> 00:52:05,333
LISTEN TO WHAT HAS BEEN
PUT INTO MY HANDS.
873
00:52:05,417 --> 00:52:06,583
"DICKIE DEVIL, LEAD SINGER
874
00:52:07,041 --> 00:52:10,834
"OF THE TOP BRITISH ROCK GROUP
THE WEEVILS PROCLAIMED YESTERDAY
875
00:52:10,917 --> 00:52:13,208
'I AM MORE IMPORTANT
THAN JESUS CHRIST.'"
876
00:52:13,291 --> 00:52:15,375
IT HURTS EVEN
TO UTTER THOSE WORDS.
877
00:52:15,458 --> 00:52:17,250
"GOLD RECORDS
BY THE MILLIONS
878
00:52:17,333 --> 00:52:19,709
"ME AND MY DISCIPLES,
THE WEEVILS
879
00:52:19,792 --> 00:52:23,667
"ARE MORE FAMOUS
THAN JESUS BY FAR.
880
00:52:23,750 --> 00:52:24,458
"LOOK AT OUR CROWDS.
881
00:52:24,792 --> 00:52:26,750
"EVERY RECORD WE MAKE
IS A SMASH.
882
00:52:26,834 --> 00:52:28,959
THE WORLD GATHERS
WHEN WE WALK ON STAGE."
883
00:52:29,041 --> 00:52:30,875
BURN THEM, I SAY!
884
00:52:30,959 --> 00:52:32,250
OH, HE'S GOOD.
885
00:52:32,333 --> 00:52:33,750
HE'S VERY GOOD.
886
00:52:33,834 --> 00:52:37,667
DON'T YOU THINK CREMATION
IS A LITTLE BIT DRAMATIC?
887
00:52:37,750 --> 00:52:38,583
DICKIE DEVIL.
888
00:52:38,917 --> 00:52:40,917
THE DEVIL AT LAST
AND HIS WICKED WEEVILS.
889
00:52:44,333 --> 00:52:46,917
WE'LL BUILD A FIRE...
890
00:52:47,000 --> 00:52:49,166
A GIANT FIRE...
891
00:52:49,250 --> 00:52:51,083
AND WE'LL BURN HIS RECORDS.
892
00:52:51,166 --> 00:52:52,375
THOSE SINFUL SYMBOLS
893
00:52:52,458 --> 00:52:55,375
OF LUST AND BLASPHEMY
WILL GO UP IN FLAMES!
894
00:53:00,500 --> 00:53:01,959
Percy:
BONFIRE?!
895
00:53:02,041 --> 00:53:03,750
TOLLIVER,
I GOT A SECOND NOTICE
896
00:53:03,834 --> 00:53:04,625
FROM THE UNDERWRITERS
897
00:53:05,000 --> 00:53:06,917
ASKING ABOUT THE CHURCH
INSURANCE PREMIUM.
898
00:53:07,000 --> 00:53:08,792
THEY WANT A CHECK,
CERTIFIED, NOW
899
00:53:08,875 --> 00:53:09,917
OR THE INSURANCE LAPSES.
900
00:53:10,000 --> 00:53:11,333
WELL, JUST STALL THEM.
901
00:53:11,417 --> 00:53:12,417
THE DEVIL'S BONFIRE.
902
00:53:12,500 --> 00:53:14,041
CAN'T YOU JUST SEE IT?
903
00:53:14,125 --> 00:53:17,333
CASH, TOLLIVER, IS WHAT
I NEED TO SEE!
904
00:53:17,417 --> 00:53:18,417
YOU WANT TO SEE CASH?
905
00:53:18,500 --> 00:53:19,417
WE'RE GOING TO HAVE...
906
00:53:19,500 --> 00:53:20,917
GOOD MORNING, MISS LILY.
907
00:53:21,000 --> 00:53:22,250
GOOD MORNING, TOLLIVER.
908
00:53:22,333 --> 00:53:25,083
WE'RE GOING TO HAVE CROWDS
LIKE YOU'VE NEVER SEEN.
909
00:53:25,166 --> 00:53:26,750
PEOPLE WANT TO BE
910
00:53:26,834 --> 00:53:29,250
WHERE THEY'VE SEEN
THE BIG BONFIRE RUMPUS ON TV.
911
00:53:29,333 --> 00:53:32,125
THE COLLECTION BASKETS
WILL BE SPILLING OVER.
912
00:53:32,208 --> 00:53:35,834
I SEE A BANK BALANCE WITH
THE ZEROES GOING OFF THE PAGE.
913
00:53:35,917 --> 00:53:37,041
LISTEN, PLEASE.
914
00:53:37,125 --> 00:53:38,834
WE'RE TALKING ABOUT
915
00:53:38,917 --> 00:53:42,166
EATING OUR MEALS ON TRAYS,
TOLLIVER.
916
00:53:42,250 --> 00:53:46,500
WE'RE TALKING ABOUT TAKING
SHOWERS IN GROUPS OF 100.
917
00:53:46,583 --> 00:53:47,750
OKAY, OKAY, OKAY.
918
00:53:47,834 --> 00:53:49,250
TAKE IT EASY,
TAKE IT EASY.
919
00:53:49,333 --> 00:53:51,083
THE TYNAN NAME
IS STILL GOOD
920
00:53:51,166 --> 00:53:52,792
FOR SOMETHING
IN THIS TOWN.
921
00:53:52,875 --> 00:53:54,250
I'LL MAKE SOME CALLS.
922
00:53:57,375 --> 00:53:59,458
OH, BOY, OH, BOY,
OH, BOY, OH, BOY.
923
00:53:59,542 --> 00:54:02,166
FOR PETE'S SAKE, HAL,
YOU KNOW I'M GOOD FOR IT.
924
00:54:04,208 --> 00:54:05,750
OH, YEAH? WELL, LAUGH.
925
00:54:05,834 --> 00:54:07,250
WHEN MY INHERITANCE COMES IN
926
00:54:07,333 --> 00:54:09,750
IT IS WORTH 100 TIMES
YOUR ENTIRE BUSINESS.
927
00:54:09,834 --> 00:54:12,125
BOY, AM I GOING TO ENJOY
SEEING YOUR FACE
928
00:54:12,208 --> 00:54:15,834
WHEN EVERYBODY IN TOWN'S RIDING
THE GRAVY TRAIN AND YOU'RE NOT.
929
00:54:20,208 --> 00:54:21,792
DAMN!
930
00:54:31,458 --> 00:54:34,333
SO YOU'RE STARTING
TO SHOW UP ON ME
931
00:54:34,417 --> 00:54:36,250
WHEN IT SUITS YOU?
HUH?
932
00:54:36,333 --> 00:54:38,458
DON'T BE SURPRISED...
HEY, LOOK AT ME.
933
00:54:38,542 --> 00:54:41,375
DON'T BE SURPRISED IF
YOU'RE NOT PAID ON THE DOT.
934
00:54:49,625 --> 00:54:51,542
GO ON, NOW,
BEFORE I CALL THE COPS.
935
00:54:51,625 --> 00:54:54,250
YOU'RE ON CHURCH PROPERTY,
THIS IS PRIVATE.
936
00:54:54,333 --> 00:54:56,208
Man:
I WANT TO SEE A PRIEST.
937
00:54:56,291 --> 00:54:57,959
WE DON'T HAVE PRIESTS.
938
00:54:58,041 --> 00:54:59,917
I GOT TO TALK
TO A PRIEST.
939
00:55:00,000 --> 00:55:00,834
I'VE SINNED BAD.
940
00:55:00,917 --> 00:55:02,500
NO, NO, OUT.
LET'S GO, GO ON.
941
00:55:02,583 --> 00:55:03,917
YOU DON'T KNOW
WHO I AM.
942
00:55:04,000 --> 00:55:05,834
BURLEY MASTERS,
HIGHWAY DEPARTMENT.
943
00:55:05,917 --> 00:55:08,375
GOOD-BYE, MR. BURLEY,
HIGHWAY DEPARTMENT,
BACK TO WORK.
944
00:55:08,458 --> 00:55:10,875
NO, MASTERS.
AND THEY FIRED ME.
945
00:55:10,959 --> 00:55:13,792
A LITTLE DRINK
AND THEY FIRED ME.
946
00:55:13,875 --> 00:55:15,542
BUT I SHOWED THEM.
947
00:55:15,625 --> 00:55:19,917
I STOLE THE SECRET PLANS
FOR THE NEW STATE HIGHWAY
948
00:55:20,000 --> 00:55:23,208
WHERE THE NEW INTERCHANGE,
WHERE IT'S GOING.
949
00:55:23,291 --> 00:55:24,291
I STOLE IT.
950
00:55:24,375 --> 00:55:25,500
I STOL IT.
951
00:55:25,583 --> 00:55:26,959
HOLD IT, HOLD IT, HOLD IT.
952
00:55:27,041 --> 00:55:28,583
HAPPENS I SCREEN
ALL CONFESSIONS.
953
00:55:28,667 --> 00:55:30,542
MAYBE I CAN MAKE
AN APPOINTMENT.
954
00:55:30,625 --> 00:55:34,083
W-W-WELL, I STOLE IT
OUT OF SPITE.
955
00:55:34,166 --> 00:55:36,125
I CONFESS.
956
00:55:36,208 --> 00:55:37,959
YOU CAN GIVE IT BACK,
RIGHT?
957
00:55:38,041 --> 00:55:39,458
THIS IS MORGAN'S CORNER.
958
00:55:39,542 --> 00:55:42,333
THIS IS WHERE THE NEW
HIGHWAY INTERCHANGE
IS GOING?
959
00:55:42,417 --> 00:55:45,041
SHH! SHH!
960
00:55:45,125 --> 00:55:46,583
WHO KNOWS ABOUT THIS?
961
00:55:46,667 --> 00:55:49,083
WELL, JUST THE TWO
COMMISSIONERS AND ME.
962
00:55:49,166 --> 00:55:50,542
OH, AND YOU.
963
00:55:50,625 --> 00:55:53,083
THE NEW INTERCHANGE.
964
00:55:53,166 --> 00:55:56,166
200 ACRES
WORTH A MINT.
965
00:55:56,250 --> 00:55:57,625
PRIME COMMERCIAL.
966
00:55:57,709 --> 00:55:59,417
BUT IT'S
SAFE NOW, RIGHT?
967
00:55:59,500 --> 00:56:01,583
SAFE WITH A SERVANT
OF THE CHURCH?
968
00:56:01,667 --> 00:56:03,500
OH, YES, SIR,
IT'S SAFE INDEED.
969
00:56:03,583 --> 00:56:04,917
OH, THANK YOU.
970
00:56:05,000 --> 00:56:07,083
LET'S DISCUSS THIS
OVER A BEVERAGE, HUH?
971
00:56:07,166 --> 00:56:09,583
OH, THAT WOULD BE
VERY NICE, THANK YOU.
972
00:56:09,667 --> 00:56:11,583
I GUESS IT WAS RIGHT
THERE AND THEN
973
00:56:11,667 --> 00:56:14,166
SEEING THAT POOR MAN
BEING VICTIMIZED
974
00:56:14,250 --> 00:56:16,083
BY TOLLIVER'S SELFISH AMBITION
975
00:56:16,166 --> 00:56:18,959
THAT I KNEW
I HAD TO DO SOMETHING.
976
00:56:19,041 --> 00:56:23,500
I KNEW I HAD TO FIND SOME WAY
TO GET THINGS STRAIGHTENED
OUT.
977
00:56:30,000 --> 00:56:31,000
( birds singing )
978
00:56:31,083 --> 00:56:32,834
( low hum of traffic )
979
00:56:32,917 --> 00:56:37,333
TV newscaster:
A huge bonfire will be lit
on the church grounds
980
00:56:37,417 --> 00:56:38,542
as a church spokesman said
981
00:56:39,000 --> 00:56:42,792
quote, "to destroy the works
of Dickie Devil and his Weevils
982
00:56:42,875 --> 00:56:44,500
which have undermined
world morals."
983
00:56:44,583 --> 00:56:47,125
Ironically,
it's been learned exclusively
984
00:56:47,208 --> 00:56:49,083
by our Barrington correspondent
985
00:56:49,166 --> 00:56:51,834
that the town's
well-known deaf-mute
986
00:56:51,917 --> 00:56:54,834
one Sammy Ayers, who has
obviously never been exposed
987
00:56:54,917 --> 00:56:57,000
to the jarring
rock and roll of the group
988
00:56:57,083 --> 00:56:59,792
has been chosen to build
and light the giant fire.
989
00:56:59,875 --> 00:57:01,917
In other news,
the Barrington High...
990
00:57:02,000 --> 00:57:02,917
( turns TV off )
991
00:57:03,000 --> 00:57:03,959
DID YOU KNOW THAT?
992
00:57:04,041 --> 00:57:04,959
NO.
993
00:57:05,041 --> 00:57:06,208
( diners talking )
994
00:57:06,291 --> 00:57:08,417
THAT TOLLIVER TYNAN THINKS
995
00:57:08,500 --> 00:57:12,875
HE CAN PUSH SAMMY AROUND
LIKE A TRAINED CHIMPANZEE.
996
00:57:12,959 --> 00:57:15,875
CHIMP WHO LAUGHS LAST,
LAUGHS BEST.
997
00:57:15,959 --> 00:57:16,959
YOU KNOW,
IT IS USELESS
998
00:57:17,041 --> 00:57:18,875
TRYING TO TALK
TO YOU ANYMORE.
999
00:57:18,959 --> 00:57:20,542
DOESN'T SEEM TO
STOP YOU, DOES IT?
1000
00:57:20,625 --> 00:57:22,500
OH! WHAT I AM SAYING, I...
1001
00:57:23,917 --> 00:57:24,750
( sighs )
1002
00:57:25,083 --> 00:57:27,959
I DON'T LIKE TO SEE
SAMMY MADE A FOOL OF.
1003
00:57:29,000 --> 00:57:30,917
Norm:
HMM...
1004
00:57:32,166 --> 00:57:34,834
YOU EVER WONDER WHAT'S
GOING THROUGH HIS MIND?
1005
00:57:34,917 --> 00:57:36,834
MM-HMM.
1006
00:57:36,917 --> 00:57:40,166
I GOT A FEELING IT'S WAY
MORE THAN AVERAGE.
1007
00:57:40,250 --> 00:57:42,291
YEAH.
1008
00:57:42,375 --> 00:57:44,333
( birds singing )
1009
00:57:49,583 --> 00:57:52,875
WOW. THAT IS A LOT
OF WOOD, ISN'T IT?
1010
00:57:53,709 --> 00:57:55,625
THAT'S THE NEW
PADRE, HUH?
1011
00:57:55,709 --> 00:57:56,625
( chuckles )
1012
00:57:56,709 --> 00:57:58,875
YEAH, HE STILL
CAN'T COAX ANYBODY
1013
00:57:58,959 --> 00:58:00,166
IN THE BIG BAPTISMAL FONT.
1014
00:58:00,250 --> 00:58:01,250
( chuckles )
1015
00:58:01,333 --> 00:58:03,417
BE THANKFUL FOR
SMALL BLESSINGS, BOYS.
1016
00:58:03,500 --> 00:58:04,959
WHAT'S HE
DECIDED TO DO?
1017
00:58:05,041 --> 00:58:06,375
BURN SOMEBODY
AT THE STAKE?
1018
00:58:06,458 --> 00:58:07,542
( snickers )
1019
00:58:07,625 --> 00:58:08,583
( coughs )
1020
00:58:18,000 --> 00:58:20,917
HOW MUCH WOOD WOULD
A WOODCHUCK CHUCK?
1021
00:58:21,000 --> 00:58:22,125
RIGHT?
1022
00:58:27,041 --> 00:58:28,125
YOU SAY YOU WANT US
1023
00:58:28,208 --> 00:58:30,917
TO DO THE SOUTH ROAD
RUN ON THURSDAY?
1024
00:58:31,000 --> 00:58:32,917
YEAH, I HAVE TO BE
IN ATLANTA.
1025
00:58:33,000 --> 00:58:36,166
Man:
I'VE REPRESENTED
MR. AYERS IN A NUMBER
1026
00:58:36,250 --> 00:58:38,125
OF MODEST INVESTMENTS
OVER THE YEARS.
1027
00:58:38,208 --> 00:58:40,041
SOLID THINGS,
NOTHING SPECULATIVE.
1028
00:58:40,125 --> 00:58:41,500
IN THE CASE
OF THIS ACREAGE
1029
00:58:41,583 --> 00:58:43,917
WE'D LIKE TO ENTER
A COUNTERBID
1030
00:58:44,000 --> 00:58:45,500
TO ACQUIRE
A LEASE OPTION.
1031
00:58:45,583 --> 00:58:48,291
WELL, THE OWNER
IS, UH, A LITTLE CAUTIOUS--
1032
00:58:48,375 --> 00:58:49,458
IN THIS CASE.
1033
00:58:49,542 --> 00:58:51,166
NEVER HAVING DONE BUSINESS
1034
00:58:51,250 --> 00:58:52,625
WITH YOUR
MR. AYERS HERE.
1035
00:58:52,709 --> 00:58:55,083
WELL, I CAN VOUCH
FOR MY CLIENT'S
1036
00:58:55,166 --> 00:58:56,583
FINANCIAL ABILITY TO PAY.
1037
00:58:56,667 --> 00:58:59,583
I DON'T ASSUME THERE'S
A HEARING TEST REQUIREMENT
1038
00:58:59,667 --> 00:59:00,625
FOR BUYING PROPERTY
1039
00:59:00,709 --> 00:59:01,959
IN THIS STATE, HMM?
1040
00:59:02,041 --> 00:59:03,083
( both chuckling )
1041
00:59:03,166 --> 00:59:04,166
( clicks on intercom )
1042
00:59:04,250 --> 00:59:05,959
MISS LARSON,
WOULD YOU SEE
1043
00:59:06,041 --> 00:59:08,709
THAT WE HAVE SOME COFFEE
SERVED, PLEASE?
1044
00:59:08,792 --> 00:59:10,959
WELL, THE PROPERTY
IN QUESTION
1045
00:59:11,041 --> 00:59:13,041
WASN'T ADVERTISED FOR SALE.
1046
00:59:13,125 --> 00:59:15,000
AND, WELL, WHEN SOMEONE
1047
00:59:15,083 --> 00:59:17,250
DEVELOPS A SUDDEN
INTEREST IN IT
1048
00:59:17,333 --> 00:59:20,041
IT'S NATURAL FOR US
TO WONDER WHY.
1049
00:59:30,792 --> 00:59:32,709
I THINK I NEED
A MOMENT ALONE
1050
00:59:32,792 --> 00:59:34,417
WITH YOUR CLIENT.
1051
00:59:34,500 --> 00:59:36,458
SHALL WE
WAIT OUTSIDE?
1052
00:59:38,500 --> 00:59:40,458
( chuckling )
1053
00:59:41,792 --> 00:59:44,291
( resumes chuckling )
1054
00:59:47,917 --> 00:59:50,375
I WONDERED WHO
IT MIGHT BE.
1055
00:59:50,458 --> 00:59:51,750
BUT IT MAKES SENSE
1056
00:59:51,834 --> 00:59:53,375
IT'S YOU, SAMMY AYERS.
1057
00:59:53,458 --> 00:59:56,375
YOU MUST HAVE CAUGHT WIND
OF THOSE STOLEN PLANS
1058
00:59:56,458 --> 00:59:58,125
WHEN TOLLIVER DID, RIGHT?
1059
00:59:58,208 --> 01:00:00,375
( laughing heartily )
1060
01:00:00,458 --> 01:00:01,417
I THOUGHT SO.
1061
01:00:01,500 --> 01:00:03,125
YOU KNOW, I FIGURE YOU AND I
1062
01:00:03,208 --> 01:00:06,041
ARE THE TWO BIGGEST FRAUDS
IN BARRINGTON.
1063
01:00:06,125 --> 01:00:07,917
ME WITH MY LAWYER FRONT MAN
1064
01:00:08,000 --> 01:00:10,667
AND YOU WITH YOUR
SELECTIVE SENSES.
1065
01:00:11,709 --> 01:00:12,959
ALL RIGHT.
1066
01:00:13,041 --> 01:00:16,458
LET ME, LET ME GUESS.
1067
01:00:16,542 --> 01:00:19,083
YOU CHECKED OUT
THE PROPERTY IN QUESTION
1068
01:00:19,166 --> 01:00:21,417
AND YOU FOUND OUT THAT TOLLIVER
1069
01:00:21,500 --> 01:00:23,792
WAS ABOUT TO INVEST
IN A BOTTOMLESS SWAMP.
1070
01:00:23,875 --> 01:00:26,417
NOW HOW COULD THAT BE,
YOU WONDER.
1071
01:00:26,500 --> 01:00:29,166
HOW COULD THOSE HIGHWAY PLANS
BE SO FAR OFF?
1072
01:00:29,250 --> 01:00:31,125
WELL, FIRST OFF
1073
01:00:31,208 --> 01:00:34,125
BURLEY MASTERS DIDN'T GET FIRED
FOR DRINKING ON THE JOB.
1074
01:00:34,208 --> 01:00:36,125
HE GOT FIRED
FOR DRAWING UP A MAP
1075
01:00:36,208 --> 01:00:38,625
THAT WAS SO FAR OFF
THE ENGINEERS' COORDINATES
1076
01:00:38,709 --> 01:00:40,125
IT WAS IN ANOTHER COUNTY.
1077
01:00:41,166 --> 01:00:42,792
AS A MATTER OF FACT, I OWN
1078
01:00:42,875 --> 01:00:45,792
THAT 182-ACRE MOSQUITO SWAMP--
1079
01:00:45,875 --> 01:00:47,500
BORN ON IT, MATTER OF FACT.
1080
01:00:47,583 --> 01:00:50,458
SO WHEN I FOUND OUT
THAT THERE WAS A SECOND BID
1081
01:00:50,542 --> 01:00:53,959
I KNEW SOMEBODY WAS TRYING
TO FORCE TOLLIVER'S ANTE UP
1082
01:00:54,041 --> 01:00:56,083
ON HIS LEASE OPTION.
1083
01:00:56,166 --> 01:00:57,417
AIN'T JUSTICE...
1084
01:00:57,500 --> 01:00:58,458
( chuckling )
1085
01:00:58,542 --> 01:01:00,458
...SWEET SOMETIMES?
1086
01:01:00,542 --> 01:01:02,500
( laughing )
1087
01:01:03,542 --> 01:01:04,625
NOW, THEN, PARTNER...
1088
01:01:04,709 --> 01:01:07,500
WHAT DO YOU SAY THAT, UH...
1089
01:01:08,542 --> 01:01:10,875
LAWYER GREER CALLS TOLLIVER...
1090
01:01:12,875 --> 01:01:13,834
AND TELLS HIM
1091
01:01:13,917 --> 01:01:15,917
THAT IT'LL TAKE ANOTHER...
1092
01:01:16,000 --> 01:01:18,041
( scrawling )
1093
01:01:18,125 --> 01:01:19,583
( drops pen )
1094
01:01:22,709 --> 01:01:24,625
MORE OR LESS?
1095
01:01:24,709 --> 01:01:27,000
( laughing )
1096
01:01:34,250 --> 01:01:36,166
IT'S A DONE DEAL.
1097
01:01:36,250 --> 01:01:38,208
ANOTHER OFFER CAME IN
1098
01:01:38,291 --> 01:01:40,500
BUT I TOPPED IT BY $2,000.
1099
01:01:40,583 --> 01:01:42,709
I TOOK A LOAN FROM
THE BUILDING FUND.
1100
01:01:42,792 --> 01:01:43,875
JUST TEMPORARY.
1101
01:01:43,959 --> 01:01:45,834
CASHIER'S CHECK
FOR TEN GRAND
1102
01:01:45,917 --> 01:01:46,834
IS ON ITS WAY!
1103
01:01:46,917 --> 01:01:48,000
MAN, OH, MAN, OH, M...
1104
01:01:48,083 --> 01:01:49,083
THE BUILDING FUND?
1105
01:01:49,166 --> 01:01:50,917
WE'RE GOING
TO PUT OUT THE WORD
1106
01:01:51,000 --> 01:01:53,083
TO JUST A HANDFUL
OF REAL ESTATE AGENTS
1107
01:01:53,166 --> 01:01:54,834
THE BIG ONES,
DEEP POCKETS ONLY.
1108
01:01:54,917 --> 01:01:56,667
THEY'RE GOING TO BE
ON THEIR KNEES
1109
01:01:56,750 --> 01:01:57,917
TO BUY OUR LEASE OPTION
1110
01:01:58,000 --> 01:02:00,083
FOR A HUNDRED TIMES
WHAT WE PAID FOR IT!
1111
01:02:00,166 --> 01:02:02,667
TWO HUNDRED WOULD GIVE US
A MORE SECURE MARGIN.
1112
01:02:02,750 --> 01:02:03,667
DO I HEAR THREE?
1113
01:02:03,750 --> 01:02:04,667
( bangs on tabl e)
1114
01:02:04,750 --> 01:02:05,667
I HOPE.
1115
01:02:05,750 --> 01:02:07,208
AH, PERCY,
STICK WITH ME
1116
01:02:07,291 --> 01:02:08,959
WE'LL BE STANDING
IN CLOVER.
1117
01:02:09,041 --> 01:02:10,208
TAKE A LOOK.
1118
01:02:13,041 --> 01:02:15,000
( sighs )
1119
01:02:15,083 --> 01:02:19,709
THIS ISN'T GOING TO BE
A HIGHWAY INTERCHANGE.
1120
01:02:19,792 --> 01:02:23,125
THIS IS THE NOTHINGEST
NOTHING I EVER SEEN.
1121
01:02:23,208 --> 01:02:25,125
( insects chirping )
1122
01:02:25,208 --> 01:02:26,750
MAYBE THERE'S OIL
UNDER HERE.
1123
01:02:26,834 --> 01:02:29,000
MAYBE WE ARE FLOATING
ON A GUSHER, PERCY
1124
01:02:29,083 --> 01:02:31,542
AND WE DON'T EVEN KNOW IT.
1125
01:02:31,625 --> 01:02:34,083
THERE'S NO OIL
UNDER HERE.
1126
01:02:35,125 --> 01:02:36,917
WHAT WE ARE FLOATING ON
1127
01:02:37,000 --> 01:02:39,542
IS THE CHURCH
INSURANCE FUND...
1128
01:02:39,625 --> 01:02:41,917
THE PARKING LOT
REPAVING FUND...
1129
01:02:42,000 --> 01:02:43,917
THE PARISH
RENOVATION FUND
1130
01:02:44,000 --> 01:02:45,750
THE ORGAN FUND...!
1131
01:02:45,834 --> 01:02:51,250
( siren blaring )
1132
01:02:51,333 --> 01:02:52,917
( clinking )
1133
01:02:53,000 --> 01:02:54,250
( tires squealing )
1134
01:02:54,333 --> 01:02:56,250
Thacker:
UH-OH.
1135
01:02:56,333 --> 01:02:59,583
DEPUTY MYRON'S UP FROM HIS NAP.
1136
01:03:02,375 --> 01:03:04,250
( siren trailing off )
1137
01:03:07,792 --> 01:03:10,667
Man over police radio:
Car five, car five...
1138
01:03:10,750 --> 01:03:13,667
Car five, we got a little
accident on the corner of...
1139
01:03:14,959 --> 01:03:16,208
EVENING, MYRON.
1140
01:03:16,291 --> 01:03:18,041
YOU KNOW WHY
I PULLED YOU OVER
1141
01:03:18,125 --> 01:03:19,583
ARCHIBALD THACKER?
1142
01:03:19,667 --> 01:03:21,625
I DON'T THINK
IT WAS FOR SPEEDING.
1143
01:03:21,709 --> 01:03:23,291
THIS RIG WON'T GO
MORE THAN 40.
1144
01:03:23,375 --> 01:03:25,333
Y-Y-YOU BEEN DROPPING
BITS AND PIECES
1145
01:03:25,417 --> 01:03:27,166
ALONG THE WAY.
1146
01:03:28,750 --> 01:03:30,083
YOU'RE PAID TO PICK UP
1147
01:03:30,166 --> 01:03:32,291
NOT TO, TO DISTRIBUTE...
1148
01:03:34,709 --> 01:03:37,000
I MEAN, AM I,
AM I RIGHT ABOUT THAT?
1149
01:03:37,083 --> 01:03:38,667
( shaking latch )
1150
01:03:38,750 --> 01:03:40,125
( birds cawing )
1151
01:03:40,208 --> 01:03:41,291
WHEN YOU'RE RIGHT
1152
01:03:41,375 --> 01:03:43,166
YOU'RE RIGHT, MYRON.
1153
01:03:43,250 --> 01:03:45,041
WHAT CAN I SAY?
1154
01:03:46,083 --> 01:03:47,125
I'LL TELL YOU WHAT.
1155
01:03:47,208 --> 01:03:49,208
I'M JUST GOING
TO WRITE YOU A WARNING
1156
01:03:49,291 --> 01:03:50,291
ARCHIBALD THACKER.
1157
01:03:50,375 --> 01:03:52,333
SO'S YOU DON'T THINK
I'M PREJUDICED.
1158
01:03:52,417 --> 01:03:54,166
YOU'RE A GOOD MAN, MYRON.
1159
01:03:54,250 --> 01:03:55,625
NEVER A DOUBT.
1160
01:03:55,709 --> 01:03:56,625
Dispatcher:
Myron?
1161
01:03:56,709 --> 01:03:57,667
Myron, you there?
1162
01:03:57,750 --> 01:03:58,667
Listen up.
1163
01:03:59,000 --> 01:04:01,166
The revenue boys say
they just passed somebody
1164
01:04:01,250 --> 01:04:02,875
transporting
a load of moonshine
1165
01:04:02,959 --> 01:04:04,291
from Billy Hanson's still.
1166
01:04:04,375 --> 01:04:05,792
Could be heading your way.
1167
01:04:05,875 --> 01:04:06,834
Keep your eye out.
1168
01:04:06,917 --> 01:04:08,166
YOU BOYS ARE IN LUCK.
1169
01:04:08,250 --> 01:04:09,834
I GOT BIGGER FISH TO FRY.
1170
01:04:09,917 --> 01:04:11,875
GET THAT REAR LATCH FIXED, HEAR?
1171
01:04:13,709 --> 01:04:16,083
"THE QUALITY OF MOONSHINE
IS NOT STRAINED.
1172
01:04:16,166 --> 01:04:18,709
"IT DROPPETH AS
A GENTLE RAIN FROM HEAVEN
1173
01:04:18,792 --> 01:04:19,917
FOR 'TIS TWICE BLESSED."
1174
01:04:20,000 --> 01:04:21,166
ALL RIGHT, ALL RIGHT.
1175
01:04:21,250 --> 01:04:23,709
ONE BLESSING IS BLESSING
ENOUGH FOR ONE NIGHT.
1176
01:04:23,792 --> 01:04:24,709
PLUG THAT LEAK
1177
01:04:24,792 --> 01:04:26,375
AND LET'S GET ON
TO THE CHURCH.
1178
01:04:26,458 --> 01:04:28,000
YOU PLUG IT,
YOU WERE THE ONE.
1179
01:04:28,083 --> 01:04:29,041
ME? YOU DO IT.
1180
01:04:42,792 --> 01:04:46,041
OH, HERE, GIVE ME THOSE.
1181
01:04:46,125 --> 01:04:48,959
NO, NO, I DON'T WANT YOU
DOING MY LAUNDRY.
1182
01:04:49,041 --> 01:04:51,083
WHO CARES WHAT
YOU DON'T WANT?
1183
01:04:51,166 --> 01:04:52,875
THAT LAUNDRY
YOU TAKE THEM TO
1184
01:04:52,959 --> 01:04:55,083
MAKES A MISHMASH
OUT OF THE COLLARS.
1185
01:04:56,667 --> 01:05:00,667
YOU KNOW, I'VE BEEN THINKING
ABOUT WHAT YOU SAID.
1186
01:05:00,750 --> 01:05:05,375
IT'S NOT RIGHT THEM ROPING SAMMY
INTO THAT BONFIRE CIRCUS.
1187
01:05:05,458 --> 01:05:06,500
I'LL TELL YOU.
1188
01:05:06,583 --> 01:05:08,959
I'M GOING TO TALK
TO THAT TYNAN KID.
1189
01:05:09,041 --> 01:05:10,250
I WOULDN'T.
1190
01:05:11,083 --> 01:05:12,417
NO?
1191
01:05:13,667 --> 01:05:15,917
SOMETHING YOU SAID.
1192
01:05:16,000 --> 01:05:18,458
SAMMY'S HIS OWN MAN.
1193
01:05:18,542 --> 01:05:22,542
WE HAVE BEEN BYSTANDERS
FOR A LONG TIME.
1194
01:05:22,625 --> 01:05:25,834
HE'S NOT OURS,
YOU KNOW.
1195
01:05:25,917 --> 01:05:27,291
THE HECK HE'S NOT.
1196
01:05:30,834 --> 01:05:32,375
LUCILLE...
1197
01:05:32,458 --> 01:05:33,917
I MEAN, WHO HAS HE GOT?
1198
01:05:37,083 --> 01:05:40,417
I KNOW HE'S FILLED A SPACE
FOR YOU.
1199
01:05:41,458 --> 01:05:43,041
JUST LIKE I HAVE, MAYBE.
1200
01:05:52,041 --> 01:05:54,458
YOU DON'T MAKE SENSE
MUCH OF THE TIME.
1201
01:05:54,542 --> 01:05:56,291
( laughs )
1202
01:05:56,375 --> 01:05:57,375
YES, I DO.
1203
01:05:57,458 --> 01:05:59,291
OH...
1204
01:05:59,375 --> 01:06:00,834
I HEAR THINGS.
1205
01:06:00,917 --> 01:06:03,041
I KNOW YOU LOST
A WIFE AND A BABY
1206
01:06:03,125 --> 01:06:04,625
TO THE BIG FLU EPIDEMIC
1207
01:06:04,709 --> 01:06:07,083
WHEN YOU WERE OFF IN FRANCE.
1208
01:06:07,166 --> 01:06:08,375
DON'T YOU SEE?
1209
01:06:08,458 --> 01:06:09,875
I COOK AND ARGUE
WITH YOU
1210
01:06:09,959 --> 01:06:12,375
SAMMY'S LEANED ON YOU.
1211
01:06:12,458 --> 01:06:16,417
SORT OF A FILL-IN
FAMILY, MAYBE.
1212
01:06:18,500 --> 01:06:22,667
HOW... HOW COME YOU NEVER
SAID THAT BEFORE?
1213
01:06:22,750 --> 01:06:23,875
WHAT FOR?
1214
01:06:23,959 --> 01:06:26,375
NEVER TAKE APART A CLOCK
THAT'S TICKING.
1215
01:06:26,458 --> 01:06:28,417
ISN'T THAT WHAT THEY SAY?
1216
01:06:31,417 --> 01:06:33,834
32 YEARS.
1217
01:06:33,917 --> 01:06:35,333
33 AND A HALF.
1218
01:06:39,166 --> 01:06:41,333
NO STARCH!
1219
01:06:52,792 --> 01:06:55,625
( owl hoots, machine creaks )
1220
01:06:59,834 --> 01:07:02,333
( machine continues creaking)
1221
01:07:05,166 --> 01:07:08,458
OKAY, THAT'S IT,
ROLL THE HOSE.
1222
01:07:12,834 --> 01:07:15,750
( truck starting )
1223
01:07:46,458 --> 01:07:47,750
I LEARNED LATER
1224
01:07:47,834 --> 01:07:49,959
THAT ARCHIBALD THACKER
OCCASIONALLY MADE
1225
01:07:50,041 --> 01:07:51,125
AN EXTRA DOLLAR OR TWO
1226
01:07:51,500 --> 01:07:54,417
IN THE FROWNED-ON,
BUT SORT OF FUN-FILLED
BUSINESS
1227
01:07:54,500 --> 01:07:56,458
OF TRUCKING MOONSHINE WHISKEY
IN BULK
1228
01:07:56,542 --> 01:07:58,667
FROM STILLS TO WHOLESALERS.
1229
01:08:02,542 --> 01:08:03,792
HIS DELIVERY SCHEDULE
1230
01:08:03,875 --> 01:08:06,417
GOT A LITTLE JAMMED UP
THIS PARTICULAR WEEK
1231
01:08:06,500 --> 01:08:10,166
FORCING HIM TO FIND TEMPORARY
STORAGE IN THE BAPTISMAL FONT.
1232
01:08:21,041 --> 01:08:22,875
Crowd:
WE LOVE THE WEEVILS!
1233
01:08:22,959 --> 01:08:24,083
BAN THE WEEVILS!
1234
01:08:24,166 --> 01:08:25,291
( horns honking )
1235
01:08:25,375 --> 01:08:26,667
Boy:
WE LOVE THE WEEVILS!
1236
01:08:26,750 --> 01:08:27,792
Man:
GET RID OF THEM!
1237
01:08:27,875 --> 01:08:29,041
WE LOVE THE WEEVILS!
1238
01:08:29,125 --> 01:08:31,166
BAN THE WEEVILS!
1239
01:08:31,250 --> 01:08:33,250
BAN THE WEEVILS!
1240
01:08:33,333 --> 01:08:37,000
( horns honking )
BAN THE...
1241
01:08:40,542 --> 01:08:42,083
( horns honking )
1242
01:08:42,166 --> 01:08:44,709
PERRY RAY PRUITT'S BIG IDEA
1243
01:08:44,792 --> 01:08:47,250
HAD BECOME
A RUNAWAY BUCKING BRONCO.
1244
01:08:47,333 --> 01:08:48,417
HE'D BEEN THROWN OFF EARLY
1245
01:08:48,834 --> 01:08:51,458
AND HADN'T THE SLIGHTEST IDEA
HOW TO GET BACK ON.
1246
01:08:51,542 --> 01:08:52,750
Girl:
PROTEST!
1247
01:08:52,834 --> 01:08:53,792
YEAH!
1248
01:08:55,208 --> 01:08:57,291
( crowd continues chanting )
1249
01:08:57,375 --> 01:08:58,917
Girl:
WE LOVE THE WEEVILS!
1250
01:08:59,000 --> 01:09:01,792
WATCHING HIM LIKE THAT,
I FELT SORRY FOR HIM.
1251
01:09:01,875 --> 01:09:03,792
HE KNEW HE SHOULD HAVE BEEN
CONSUMED
1252
01:09:03,875 --> 01:09:08,834
WITH A BURNING DESIRE
TO PREACH RIGHT HERE AND NOW.
1253
01:09:08,917 --> 01:09:11,417
HE ALSO KNEW HE DIDN'T
HAVE A CLUE WHAT TO SAY.
1254
01:09:11,500 --> 01:09:15,417
HE COULDN'T TELL THE SAINTS
FROM THE SINNERS IN THIS
PLACE.
1255
01:09:15,500 --> 01:09:19,458
TV announcer:
Dickie Devil and his rock band,
the Weevils
1256
01:09:19,542 --> 01:09:21,959
will miss the big event
in Barrington tonight.
1257
01:09:22,041 --> 01:09:23,458
Interviewed in Sydney, Australia
1258
01:09:23,542 --> 01:09:25,041
where the band is on tour
1259
01:09:25,125 --> 01:09:27,500
Dickie Devil seemed pleased
with the uproar
1260
01:09:27,583 --> 01:09:29,125
as he had this to say.
1261
01:09:29,208 --> 01:09:31,834
Lucille:
HOLD ON, PATIENCE IS A VIRTUE.
1262
01:09:31,917 --> 01:09:32,917
( girls squealing )
1263
01:09:33,000 --> 01:09:33,875
Oh, I love Georgia.
1264
01:09:33,959 --> 01:09:35,875
We did super fab in Atlanta!
1265
01:09:35,959 --> 01:09:36,875
Hello, loves!
1266
01:09:36,959 --> 01:09:38,291
Have one on Dickie, eh?
1267
01:09:38,375 --> 01:09:39,500
I love you very much.
1268
01:09:39,583 --> 01:09:41,417
He may do super fab in Atlanta
1269
01:09:41,500 --> 01:09:43,750
but if the crowd gathering now
has its way
1270
01:09:43,834 --> 01:09:45,959
he'll burn
in Barrington tonight.
1271
01:09:46,041 --> 01:09:47,333
LET ME GET YOU A SPOON.
1272
01:09:47,417 --> 01:09:48,834
On the sports front...
1273
01:09:48,917 --> 01:09:49,834
EXCUSE ME.
1274
01:09:49,917 --> 01:09:51,125
I'M RUNNING OUT
OF EVERYTHING.
1275
01:09:51,542 --> 01:09:54,792
the Barrington Fire Chiefs will
host a double-header against...
1276
01:09:54,875 --> 01:09:57,500
IT'LL HELP IF YOU
TURN THE TV OFF.
1277
01:09:57,583 --> 01:09:59,834
IT'LL BE ALL RIGHT.
1278
01:09:59,917 --> 01:10:00,792
ALL RIGHT, FOLKS!
1279
01:10:00,875 --> 01:10:02,834
EVERYBODY'S GOT TO FINISH UP.
1280
01:10:02,917 --> 01:10:05,000
WE'RE GOING TO CLOSE
IN TEN MINUTES.
1281
01:10:05,083 --> 01:10:08,291
BURN THE WEEVILS!
1282
01:10:08,375 --> 01:10:09,959
BONFIRE TONIGHT!
1283
01:10:10,041 --> 01:10:12,000
( horns honking )
1284
01:10:14,667 --> 01:10:16,041
BONFIRE TONIGHT!
1285
01:10:16,125 --> 01:10:17,583
GET YOUR ALBUMS AND BURN THEM!
1286
01:10:17,792 --> 01:10:20,875
Thacker:
WE SHOULD HAVE GONE BACK
AND GOTTEN IT OUT LAST NIGHT.
1287
01:10:20,959 --> 01:10:23,041
NOW WE'LL HAVE TO WAIT
TILL TOMORROW.
1288
01:10:23,125 --> 01:10:25,041
DO YOU REALIZE
WHAT WE COULD MAKE
1289
01:10:25,125 --> 01:10:28,000
SELLING OFF THAT LOAD OF
MOONSHINE TO THIS CROWD
1290
01:10:28,083 --> 01:10:29,250
AT TWO BITS A GLASS?
1291
01:10:29,333 --> 01:10:30,375
( laughs )
1292
01:10:30,458 --> 01:10:32,375
YOU HAVE A RETAIL MIND, SON.
1293
01:10:32,458 --> 01:10:35,834
UNFORTUNATELY, WE'RE IN THE
WHOLESALE END OF THE BUSINESS.
1294
01:10:35,917 --> 01:10:39,333
( laughing )
LOOK AT THIS,
PERCY, LOOK.
1295
01:10:39,417 --> 01:10:41,250
THAT LAND THING WAS PEANUTS.
1296
01:10:41,333 --> 01:10:43,333
THIS IS WHERE THE GOLD IS.
1297
01:10:43,417 --> 01:10:44,917
WE DON'T HAVE TO GO GET IT.
1298
01:10:45,000 --> 01:10:46,542
THEY'RE BRINGING IT TO US.
1299
01:10:46,625 --> 01:10:48,417
( laughs ):
I CAN PICK
A WINNER, HUH?
1300
01:10:48,500 --> 01:10:50,417
Man:
GET YOUR HOT BUTTERED POPCORN!
1301
01:10:50,500 --> 01:10:52,834
I THINK I NEED SOMETHING
IN MY STOMACH.
1302
01:10:52,917 --> 01:10:54,917
MY, MY, WHAT HAVE WE HERE?
1303
01:10:55,000 --> 01:10:57,875
EVENING, GOVERNOR!
1304
01:10:59,667 --> 01:11:00,625
GOVERNOR, HEAR THAT?
1305
01:11:00,709 --> 01:11:03,000
( laughing )
1306
01:11:04,041 --> 01:11:05,875
GOVERNOR.
1307
01:11:05,959 --> 01:11:06,959
( chortles )
1308
01:11:07,041 --> 01:11:09,041
Chanting:
BAN THE WEEVILS!
1309
01:11:09,125 --> 01:11:10,458
BAN THE WEEVILS!
1310
01:11:12,208 --> 01:11:13,875
Man:
IT'S A WAKE-UP CALL.
1311
01:11:13,959 --> 01:11:16,208
Chanting:
WE LOVE THE WEEVILS!
1312
01:11:16,291 --> 01:11:17,625
BAN THE WEEVILS!
1313
01:11:17,709 --> 01:11:20,250
( drummer drumming )
1314
01:11:20,333 --> 01:11:22,917
...WZPZ,
THIS IS NED CLARK...
1315
01:11:23,000 --> 01:11:24,542
OH, IT'S REVEREND PRUITT
HIMSELF.
1316
01:11:24,625 --> 01:11:26,208
REVEREND PRUITT,
PLEASE.
1317
01:11:26,291 --> 01:11:28,333
CAN WE GET A FEW WORDS
WITH YOU HERE?
1318
01:11:28,417 --> 01:11:30,250
REVEREND PRUITT,
I KNOW YOU MUST BE
1319
01:11:30,333 --> 01:11:31,583
DEEPLY MOVED
BY THE MAGNITUDE
1320
01:11:31,667 --> 01:11:33,417
OF THIS EVENT
YOU'VE INSPIRED.
1321
01:11:33,500 --> 01:11:34,583
THEY'RE GOING TO RUIN
1322
01:11:34,667 --> 01:11:36,041
THE LAWN.
1323
01:11:36,125 --> 01:11:37,542
THEY GOT PLENTY FIREWORKS.
1324
01:11:37,625 --> 01:11:39,041
Woman:
Y'ALL BE CAREFUL!
1325
01:11:39,125 --> 01:11:41,625
DON'T GET TOO CLOSE
TO THE BONFIRE!
1326
01:11:41,709 --> 01:11:42,667
MR. TYNAN.
1327
01:11:42,750 --> 01:11:44,458
YOUR REACTION TO
ALL THE EXCITEMENT
1328
01:11:44,542 --> 01:11:46,458
BUILDING HERE.
1329
01:11:46,542 --> 01:11:49,000
I TELL YOU, NED, THIS IS
ENNOBLING, INSPIRING.
1330
01:11:49,083 --> 01:11:51,166
I'M PROUD TO BE A PART
OF THIS CRUSADE.
1331
01:11:51,250 --> 01:11:54,291
BARRINGTON TONIGHT WILL SEND
A MESSAGE TO THE COUNTRY--
1332
01:11:54,375 --> 01:11:55,917
TO THE WORLD.
1333
01:11:58,000 --> 01:12:00,375
( drumming continues )
1334
01:12:00,458 --> 01:12:03,500
THIS SPOT WILL BE
LONG REMEMBERED.
1335
01:12:03,583 --> 01:12:06,917
THE SIN AND BLASPHEMY OF
THE LIKES OF DICKIE DEVIL
1336
01:12:07,000 --> 01:12:09,458
ARE ABOUT TO BE
DEVOURED BY FIRE.
1337
01:12:09,542 --> 01:12:11,417
THIS IS A NIGHT
OF RECKONING.
1338
01:12:11,500 --> 01:12:13,875
SOMETHING TO TELL
YOUR GRANDCHILDREN.
1339
01:12:18,959 --> 01:12:21,083
( rockets whistling )
1340
01:12:25,959 --> 01:12:30,208
( crowd gasping )
1341
01:12:37,291 --> 01:12:39,166
Clark:
GET A SHOT.
1342
01:12:39,250 --> 01:12:40,583
QUICK INTERVIEW
WITH THE GUY
1343
01:12:40,667 --> 01:12:42,375
THAT'S GOING TO LIGHT
THE BONFIRE.
1344
01:12:42,458 --> 01:12:43,917
BE SURE WE GOT
THE BONFIRE...
1345
01:12:44,000 --> 01:12:44,959
NOT LONG NOW.
1346
01:12:45,041 --> 01:12:46,834
BLAST-OFF TIME ALMOST HERE.
1347
01:12:46,917 --> 01:12:50,041
I'M STANDING WITH THE MAN
WHO WILL CARRY THE TORCH OVER
1348
01:12:50,125 --> 01:12:52,250
AND LIGHT THE DEVIL'S BONFIRE.
1349
01:12:52,333 --> 01:12:53,583
SAMMY IS HIS NAME.
1350
01:12:53,667 --> 01:12:56,208
SAMMY, YOU'RE
A DEAF-MUTE, RIGHT?
1351
01:12:56,291 --> 01:12:58,000
AND YOU THINK THAT'S WHY
1352
01:12:58,083 --> 01:13:01,000
THEY CHOSE YOU
FOR THIS FIERY JOB, HUH?
1353
01:13:01,083 --> 01:13:03,125
SAMMY, JUST NOD,
JUST NOD, SAMMY.
1354
01:13:03,208 --> 01:13:04,125
IT'LL BE FINE.
1355
01:13:04,208 --> 01:13:05,166
EXCUSE ME.
1356
01:13:05,250 --> 01:13:06,500
WHY DON'T YOU
JUST ASK HIM
1357
01:13:06,583 --> 01:13:09,041
IF HE PEELS HIS BANANAS
BEFORE HE EATS THEM?
1358
01:13:09,125 --> 01:13:10,041
A TALKER.
1359
01:13:10,125 --> 01:13:11,583
WELL, AND YOUR NAME IS?
1360
01:13:11,667 --> 01:13:12,834
UH, JOAN OF ARC.
1361
01:13:12,917 --> 01:13:13,917
I LOVE BONFIRES.
1362
01:13:14,000 --> 01:13:16,250
OH, I SEE YOU
HAVE A COUPLE OF
1363
01:13:16,333 --> 01:13:17,333
DICKIE DEVIL RECORDS
1364
01:13:17,417 --> 01:13:18,875
FOR THE BLAZE, NO DOUBT.
1365
01:13:18,959 --> 01:13:21,542
NO, THESE ARE FRANK SINATRA
ALBUMS OF MY MOTHER'S
1366
01:13:21,625 --> 01:13:23,959
THAT I'VE BEEN LONGING
TO INCINERATE.
1367
01:13:24,041 --> 01:13:27,500
THAT'S THE STORY-- WORLD'S NUTS,
FILM AT 11:00.
1368
01:13:27,583 --> 01:13:28,875
WHAT?
1369
01:13:28,959 --> 01:13:29,959
CUT.
1370
01:13:30,041 --> 01:13:31,834
WE SHOULD HAVE STUCK
WITH THE MUTE.
1371
01:13:31,917 --> 01:13:33,458
YEAH?
1372
01:13:33,542 --> 01:13:34,458
YOU COMING?
1373
01:13:34,542 --> 01:13:35,959
I'M COMING,
I'M COMING.
1374
01:13:36,041 --> 01:13:37,917
STRIKE UP THE BAND, HUH?
1375
01:13:38,000 --> 01:13:38,917
IT'S A PARTY.
1376
01:13:39,000 --> 01:13:40,458
HIT IT, AND...
1377
01:13:40,542 --> 01:13:43,250
( playing march music poorly)
1378
01:13:43,333 --> 01:13:45,500
COME ON, REVEREND
1379
01:13:45,583 --> 01:13:46,959
HERE WE GO.
1380
01:13:51,709 --> 01:13:53,166
HERE YOU GO,
REVEREND.
1381
01:13:55,291 --> 01:13:56,583
TAKE THE TORCH.
1382
01:13:56,667 --> 01:13:58,083
TAKE THE TORCH,
REVEREND.
1383
01:13:58,166 --> 01:14:00,458
( band continues playing )
1384
01:14:01,542 --> 01:14:03,500
Man:
BEAVER, BRING
YOUR CAMERA.
1385
01:14:03,583 --> 01:14:05,125
HE'S GOING
TO LIGHT IT!
1386
01:14:05,208 --> 01:14:07,208
NOW, GIVE IT TO SAMMY.
1387
01:14:07,291 --> 01:14:08,917
GIVE THE TORCH TO SAMMY.
1388
01:14:09,000 --> 01:14:10,583
GIVE IT TO SAMMY, GO ON.
1389
01:14:10,667 --> 01:14:11,959
GIVE IT TO SAMMY.
1390
01:14:12,625 --> 01:14:13,542
TAKE IT, SAM...
1391
01:14:13,625 --> 01:14:14,542
TAKE THE TORCH.
1392
01:14:14,625 --> 01:14:16,208
IT WAS KIND OF AWFUL...
1393
01:14:16,291 --> 01:14:17,625
TAKE IT.
1394
01:14:17,709 --> 01:14:20,291
I COULD HEAR EVERY SOUR NOTE
FROM THE BAND
1395
01:14:20,375 --> 01:14:22,458
EVERY VOICE SCREAMING...
1396
01:14:22,542 --> 01:14:24,083
SAMMY, SAMMY.
1397
01:14:24,166 --> 01:14:27,041
AND I WAS PICTURING THAT DAY
OVER 20 YEARS AGO
1398
01:14:27,125 --> 01:14:29,709
WHEN TOLLIVER HELD THE MATCH
TO A FIRECRACKER
1399
01:14:29,792 --> 01:14:32,542
TO TRY TO MAKE ME JUMP
AND TALK...
1400
01:14:32,625 --> 01:14:34,125
COME ON.
1401
01:14:34,208 --> 01:14:35,500
...AND HERE I WAS
1402
01:14:35,583 --> 01:14:38,291
LIGHTING
HIS BIGGEST FIRECRACKER EVER.
1403
01:14:41,750 --> 01:14:44,542
WELL, I JUST COULDN'T DO IT.
1404
01:14:46,792 --> 01:14:48,041
YAY!
1405
01:14:48,125 --> 01:14:50,041
( cheering and applause )
1406
01:14:50,125 --> 01:14:51,959
Woman:
OH, THERE IT GOES!
1407
01:14:57,083 --> 01:14:58,375
PRAISE JESUS!
1408
01:15:01,458 --> 01:15:03,041
OH, SAMMY, STAY BACK.
1409
01:15:03,125 --> 01:15:04,375
SAMMY WILL BE ALL RIGHT.
1410
01:15:04,500 --> 01:15:05,959
NOW, DON'T YOU WORRY.
1411
01:15:07,625 --> 01:15:10,000
( whooping and hollering )
1412
01:15:11,083 --> 01:15:12,500
NO! IT'S MINE!
1413
01:15:45,041 --> 01:15:48,166
Woman:
TOMMY, COME BACK!
1414
01:15:48,250 --> 01:15:49,625
( fireworks popping )
1415
01:15:49,709 --> 01:15:50,792
( whizzing )
1416
01:15:57,709 --> 01:16:00,125
( screaming )
1417
01:16:06,125 --> 01:16:07,750
( people shrieking )
1418
01:16:09,542 --> 01:16:12,291
THIS, THIS IS
WHAT WE WANT.
1419
01:16:16,792 --> 01:16:18,458
OH, BOY.
1420
01:16:21,125 --> 01:16:23,041
OH, BOY.
1421
01:16:25,375 --> 01:16:27,041
NO INSURANCE.
1422
01:16:28,542 --> 01:16:30,041
NOT A NICKEL.
1423
01:16:30,875 --> 01:16:32,542
GET THOSE HOSES OUT NOW!
1424
01:16:39,208 --> 01:16:40,500
( siren wailing )
1425
01:16:43,208 --> 01:16:43,875
NO, NO, NO!
1426
01:16:44,208 --> 01:16:45,834
SOME OF MY PEOPLE
MAY BE IN THERE.
1427
01:16:45,917 --> 01:16:47,375
OH, PLEASE, GOD, NO!
1428
01:16:48,875 --> 01:16:50,417
Man:
HEY, REVEREND!
1429
01:16:50,500 --> 01:16:51,625
COME BACK!
1430
01:16:51,709 --> 01:16:53,500
DON'T GO IN THERE!
1431
01:16:55,208 --> 01:16:56,625
I CAN'T WATCH THIS.
1432
01:16:56,709 --> 01:16:58,083
DON'T!
1433
01:16:58,166 --> 01:17:00,625
Woman:
SWEET JESUS
1434
01:17:00,709 --> 01:17:02,083
WHAT'S HE DOING?
1435
01:17:03,542 --> 01:17:04,417
NO!
1436
01:17:04,500 --> 01:17:05,500
OH, NO!
1437
01:17:10,709 --> 01:17:12,417
NO, NO, NO.
1438
01:17:17,250 --> 01:17:20,166
( crowd exclaims )
1439
01:17:25,709 --> 01:17:27,709
( crowd cheers )
1440
01:17:27,792 --> 01:17:37,750
( applause )
1441
01:17:37,959 --> 01:17:40,291
IT WAS A NIGHT TO REMEMBER.
1442
01:17:40,375 --> 01:17:43,750
PERRY RAY PRUITT HAD FINALLY
FELT THE HAND OF THE ALMIGHTY.
1443
01:17:43,834 --> 01:17:47,709
BUT THE FALLOUT
FROM THE DEVIL'S BONFIRE
1444
01:17:47,792 --> 01:17:49,750
WAS FAR FROM OVER.
1445
01:18:03,250 --> 01:18:06,417
Congregation:
♪ COME THOU ALMIGHTY KING
1446
01:18:06,500 --> 01:18:08,917
♪ HELP US THY PRAISE
TO SING... ♪
1447
01:18:09,000 --> 01:18:10,875
THE REVEREND PERRY RAY PRUITT
1448
01:18:10,959 --> 01:18:14,458
FOUND HIS TRUE CALLING THAT
NIGHT IN THE FIERY FURNACE.
1449
01:18:14,542 --> 01:18:16,750
THE CONGREGATION WAS INSPIRED
1450
01:18:16,834 --> 01:18:18,875
AND FLOCKED TO HIS BAPTISMS
1451
01:18:18,959 --> 01:18:21,250
PLEDGING TO REBUILD HIS CHURCH
1452
01:18:21,333 --> 01:18:25,166
BRICK BY BRICK,
DOLLAR BY DOLLAR.
1453
01:18:33,375 --> 01:18:35,291
♪ COME THOU ALMIGHTY KING...
1454
01:18:35,375 --> 01:18:36,959
THE VOLUNTEER FIRE DEPARTMENT
1455
01:18:37,041 --> 01:18:38,917
ALSO WELCOMED HIM
WITH OPEN ARMS.
1456
01:18:39,000 --> 01:18:40,750
IT JUST SO HAPPENED
1457
01:18:40,834 --> 01:18:44,208
THEY NEEDED A POWER PLAYER
FOR THE SOFTBALL PLAYOFFS.
1458
01:18:44,291 --> 01:18:46,250
I WANT A REPEAT
PERFORMANCE FROM YOU.
1459
01:18:46,333 --> 01:18:47,291
GOOD TO SEE YOU.
1460
01:18:49,500 --> 01:18:51,959
TOLLIVER TYNAN WASN'T SO LUCK.
1461
01:18:52,041 --> 01:18:57,625
HE WAS CHARGED WITH EMBEZZLING
CHURCH FUNDS FOR PERSONAL GAIN.
1462
01:18:57,709 --> 01:18:59,583
GEORGIA v. TYNAN.
1463
01:18:59,667 --> 01:19:04,250
PERCY QUEEN NEVER REALLY STOLE
A DOLLAR FOR HIMSELF.
1464
01:19:04,333 --> 01:19:08,208
SO GEORGIA WAS NOT v. HIM
FOR ANYTHING.
1465
01:19:08,291 --> 01:19:10,583
AS ALWAYS, TOLLIVER FIGURED
1466
01:19:10,667 --> 01:19:13,917
HE HAD MONEY AND INFLUENCE
ON HIS SIDE--
1467
01:19:14,000 --> 01:19:18,000
THAT HE COULD CHARM
HIS WAY OUT OF TROUBLE.
1468
01:19:18,083 --> 01:19:22,625
SO, HE WASN'T EXACTLY COUNTING
ON WHAT CAME NEXT.
1469
01:19:22,709 --> 01:19:26,417
ALL RISE.
1470
01:19:29,792 --> 01:19:32,250
PLEASE BE SEATED
1471
01:19:32,333 --> 01:19:34,291
AND COME TO ORDER.
1472
01:19:34,375 --> 01:19:39,000
YOUR HONOR, THE STATE
CALLS ITS FIRST WITNESS.
1473
01:19:39,083 --> 01:19:43,583
THE STATE CALLS SAMMY AYERS
TO THE STAND.
1474
01:19:43,667 --> 01:19:47,542
( crowd gasping, talking )
1475
01:19:47,625 --> 01:19:48,917
Woman:
HE CAN'T TALK.
1476
01:19:49,000 --> 01:19:51,250
Woman:
I KNOW, WHAT'S HE
GOING TO SAY?
1477
01:19:51,333 --> 01:19:53,333
( laughs )
1478
01:19:57,375 --> 01:19:59,333
( Tolliver laughing )
1479
01:19:59,417 --> 01:20:01,291
( gavel pound s)
1480
01:20:01,375 --> 01:20:06,417
Judge:
I DON'T WANT ANY MORE OUTBURSTS
IN THIS COURT.
1481
01:20:19,792 --> 01:20:22,667
( laughs )
1482
01:20:29,250 --> 01:20:33,750
DO YOU SWEAR TO TELL THE TRUTH,
THE WHOLE TRUTH
1483
01:20:33,834 --> 01:20:39,208
AND NOTHING BUT THE TRUTH
IN THE MATTER BEFORE THIS COURT?
1484
01:20:39,291 --> 01:20:43,041
TO MY KNOWLEDGE,
IT'S THE ONLY TRIAL
1485
01:20:43,125 --> 01:20:47,125
IN THE HISTORY
OF AMERICAN JURISPRUDENCE
1486
01:20:47,208 --> 01:20:51,083
THAT WAS OVER
IN JUST TWO SPOKEN WORDS.
1487
01:20:51,166 --> 01:20:53,208
I DO.
1488
01:20:53,291 --> 01:20:59,583
( people gasping,
gavel banging )
1489
01:21:24,291 --> 01:21:27,542
Sammy:
FIRST IT WAS... IT WAS...
1490
01:21:27,625 --> 01:21:31,792
IT WAS JUST A WAY TO HIDE,
YOU KNOW, TO PROTECT MYSELF.
1491
01:21:31,875 --> 01:21:33,291
THEN AFTER A WHILE
1492
01:21:33,375 --> 01:21:37,125
EVERYBODY, EVERYBODY
THOUGHT I WAS, I WAS DEAF
1493
01:21:37,208 --> 01:21:41,750
AND THEY STARTED TALKING
AROUND ME LIKE I WASN'T THERE.
1494
01:21:41,834 --> 01:21:45,667
AND SO I JUST, I, I, I,
I KIND OF WENT WITH IT.
1495
01:21:45,750 --> 01:21:50,125
AND NORM AND LUCILLE,
THEY WERE SO NICE TO ME
1496
01:21:50,208 --> 01:21:54,000
AND AFTER A WHILE
I GOT IN SO, UH, DEEP
1497
01:21:54,083 --> 01:21:59,542
I WAS AFRAID IT MIGHT ALL
GO AWAY IF I TOLD THE TRUTH.
1498
01:21:59,625 --> 01:22:01,208
THE FUNNY THING IS
1499
01:22:01,291 --> 01:22:04,125
I LIKED HOW
PEOPLE TRUSTED ME
1500
01:22:04,208 --> 01:22:06,583
HOW THEY TALKED TO ME.
1501
01:22:06,667 --> 01:22:09,542
I DIDN'T WANT
TO HURT ANYBODY.
1502
01:22:09,625 --> 01:22:13,750
THE WORST THING WAS
BACK WHEN WE FIRST MET.
1503
01:22:13,834 --> 01:22:17,333
WHEN TOLLIVER
THREW THE CHERRY BOMB.
1504
01:22:17,417 --> 01:22:21,667
WELL, EVER SINCE THEN
I WANTED TO TELL YOU.
1505
01:22:21,750 --> 01:22:25,291
TELL ME WHAT?
1506
01:22:25,375 --> 01:22:27,125
WHAT?
1507
01:22:29,917 --> 01:22:33,083
EVERYTHING.
1508
01:22:36,041 --> 01:22:39,291
YOU'RE NOT GOING TO QUIT
TALKING AGAIN, ARE YOU?
1509
01:22:39,375 --> 01:22:41,208
NO, NEVER.
1510
01:22:41,291 --> 01:22:47,875
I JUST, WELL,
I'M NOT USED TO WORDS.
1511
01:22:47,959 --> 01:22:52,709
EXPLAINING... HOW I FEEL.
1512
01:22:56,250 --> 01:22:59,375
I'M SORRY
ABOUT YOUR MOTHER.
1513
01:22:59,458 --> 01:23:03,709
NO, DON'T BE.
1514
01:23:03,792 --> 01:23:05,792
NO.
1515
01:23:07,333 --> 01:23:10,333
NO, SHE DID WHAT SHE WANTED.
1516
01:23:13,625 --> 01:23:17,500
THERE ARE GENERATIONS
OF HEART PROBLEMS
1517
01:23:17,583 --> 01:23:18,959
IN THAT FAMILY.
1518
01:23:19,041 --> 01:23:20,917
SHE WOULDN'T LISTEN.
1519
01:23:21,000 --> 01:23:22,417
NO DOUBT ABOUT IT
1520
01:23:22,500 --> 01:23:25,542
SHE SURE WAS SURPRISED
YOU COULD TALK
1521
01:23:25,625 --> 01:23:27,458
BUT IT WASN'T YOUR FAULT.
1522
01:23:27,542 --> 01:23:30,959
CAN I ASK YOU
SOMETHING?
1523
01:23:31,041 --> 01:23:32,500
YOU REMEMBER
A WHILE BACK
1524
01:23:32,583 --> 01:23:34,458
I'D JUST COME HOME
FOR MY VISIT?
1525
01:23:34,542 --> 01:23:37,625
I WAS PLAYING THE PIANO
1526
01:23:37,709 --> 01:23:40,375
AND I THOUGHT
I SAW YOU LISTENING.
1527
01:23:40,458 --> 01:23:41,625
LISTENING...
1528
01:23:41,709 --> 01:23:44,208
BUT YOU HAD SUCH
A STRANGE LOOK ON YOUR FACE.
1529
01:23:47,500 --> 01:23:50,959
MY MAMA HAD A MUSIC BOX.
1530
01:23:51,041 --> 01:23:54,041
IT PLAYED THE SAME TUNE
1531
01:23:54,125 --> 01:23:56,542
AS YOU WERE PLAYING.
1532
01:23:56,625 --> 01:23:58,291
I USED TO LISTEN TO IT
1533
01:23:58,375 --> 01:23:59,875
OVER AND OVER
1534
01:23:59,959 --> 01:24:05,083
WHEN SHE'D BE GONE
OR I WAS HAVING A BAD DAY.
1535
01:24:07,083 --> 01:24:08,583
SO MANY YEARS AGO.
1536
01:24:08,667 --> 01:24:12,583
YOU KNOW, THAT WAS
MY FATHER'S FAVORITE PIECE.
1537
01:24:12,667 --> 01:24:14,000
WELL, THAT'S NICE.
1538
01:24:14,083 --> 01:24:17,333
I LIKE HAVING SOMETHING
IN COMMON WITH YOU.
1539
01:24:27,792 --> 01:24:29,959
SO NOW YOU'RE LEAVING?
1540
01:24:30,041 --> 01:24:31,125
YEAH.
1541
01:24:31,208 --> 01:24:32,917
I GOT MY VOICE.
1542
01:24:33,000 --> 01:24:34,208
IT'S TIME.
1543
01:24:35,542 --> 01:24:38,041
I GOT TO GO TRY IT OUT.
1544
01:24:40,375 --> 01:24:42,500
( laughing )
1545
01:24:46,083 --> 01:24:47,500
I'LL MISS YOU.
1546
01:25:01,291 --> 01:25:02,709
WELL, ALL RIGHT, HERE IT IS.
1547
01:25:02,792 --> 01:25:04,500
YOU MEAN YOU HAD IT
ALL THESE YEARS
1548
01:25:04,583 --> 01:25:05,709
AND YOU DIDN'T TELL ANYONE?
1549
01:25:05,792 --> 01:25:07,333
WELL, I HAD TO FIND OUT...
1550
01:25:07,417 --> 01:25:08,375
NOT EVEN ME?
1551
01:25:08,458 --> 01:25:09,709
IT WASN'T THE TIME.
1552
01:25:09,792 --> 01:25:11,125
TIME FOR WHAT?
1553
01:25:11,208 --> 01:25:14,333
LUCILLE, I'M TRYING TO TELL YOU.
1554
01:25:14,417 --> 01:25:17,125
FIRST I HAD TO FIND OUT
WHAT HAPPENED TO HIS MOTHER
1555
01:25:17,208 --> 01:25:20,041
AND THEN I HAD
TO MAKE SURE
THAT NOBODY
1556
01:25:20,125 --> 01:25:23,041
COMPLICATED HIS SITUATION.
1557
01:25:23,125 --> 01:25:29,083
WELL, SEEMS TO ME YOU'RE THE ONE
WHO'S COMPLICATED THE SITUATION.
1558
01:25:29,166 --> 01:25:30,625
LUCILLE, THAT BOY HEARD
1559
01:25:30,709 --> 01:25:32,750
EVERYTHING WE SAID
ALL THIS TIME
1560
01:25:32,834 --> 01:25:35,250
AND HE NEVER SPOKE.
1561
01:25:35,333 --> 01:25:37,709
NOW... I... I...
1562
01:25:37,792 --> 01:25:40,333
I FEEL... I DON'T KNOW...
1563
01:25:40,417 --> 01:25:42,417
I FEEL...
1564
01:25:42,500 --> 01:25:44,166
CHEATED?
1565
01:25:44,250 --> 01:25:46,083
YEAH, I GUESS.
1566
01:25:46,166 --> 01:25:47,375
BETRAYED?
1567
01:25:47,458 --> 01:25:50,166
YEAH.
1568
01:25:50,250 --> 01:25:53,083
HURT?
1569
01:25:53,166 --> 01:25:56,375
WELL, DON'T YOU?
1570
01:25:56,458 --> 01:25:58,333
UH, WELL...
1571
01:26:00,083 --> 01:26:04,166
I JUST THINK HE MUST HAVE DONE
WHAT HE HAD TO.
1572
01:26:04,250 --> 01:26:06,125
OH, LUCILLE.
1573
01:26:09,166 --> 01:26:10,500
HERE HE COMES.
1574
01:26:26,917 --> 01:26:30,375
( dishes rattle )
1575
01:26:36,291 --> 01:26:38,083
I SUPPOSE I, UH...
1576
01:26:38,166 --> 01:26:42,125
OWE YOU A...
1577
01:26:42,208 --> 01:26:44,542
BIG APOLOGY.
1578
01:26:44,625 --> 01:26:47,667
AN EXPLANATION.
1579
01:26:47,750 --> 01:26:51,417
SOME REASON FOR...
1580
01:26:51,500 --> 01:26:55,125
I DON'T BLAME YOU FOR BEING MAD.
1581
01:26:55,208 --> 01:26:58,083
I'M NOT MAD.
1582
01:27:06,166 --> 01:27:07,208
I'M SORRY, LUCILLE.
1583
01:27:07,291 --> 01:27:08,500
IT'S JUST, WELL...
1584
01:27:08,583 --> 01:27:11,333
EVERYBODY GOT USED TO ME
BEING THE WAY THAT I WAS
1585
01:27:11,417 --> 01:27:13,792
AND, WELL, YOU NEEDED
SOMEONE TO LISTEN TO
1586
01:27:13,875 --> 01:27:15,834
AND NORM NEEDED
SOMEONE TO LISTEN TO HIM
1587
01:27:15,917 --> 01:27:18,500
AND SEE, EVERYBODY NEEDED
SOMEBODY TO LISTEN TO HIM
1588
01:27:18,583 --> 01:27:21,166
AND WELL, THE YEARS WENT BY
AND TIME PASSED
1589
01:27:21,250 --> 01:27:22,500
AND I JUST KEPT LISTENING.
1590
01:27:22,583 --> 01:27:24,458
AND I DIDN'T WANT
TO HURT ANYBODY.
1591
01:27:24,542 --> 01:27:25,750
I CERTAINLY DIDN'T...
1592
01:27:25,834 --> 01:27:27,166
NORM JENKINS
1593
01:27:27,250 --> 01:27:30,125
YOU GET BACK IN HERE
AND EXPLAIN THIS SUITCASE.
1594
01:27:33,959 --> 01:27:37,667
WHERE'D THAT COME FROM?
1595
01:27:50,792 --> 01:27:53,625
JUDGE, MAY I
SAY SOMETHING
1596
01:27:53,709 --> 01:27:56,208
ON BEHALF
OF MY CLIENT?
1597
01:27:56,291 --> 01:27:57,583
NO.
1598
01:27:57,667 --> 01:28:02,875
THIS IS A SAD DAY FOR ME,
TOLLIVER.
1599
01:28:02,959 --> 01:28:05,542
I MUST INFORM YOU
THAT I AM
1600
01:28:05,625 --> 01:28:07,875
SENTENCING YOU
TO TWO YEARS IN STATE PRISON
1601
01:28:07,959 --> 01:28:11,375
FOR THE EMBEZZLEMENT
OF CHURCH FUNDS.
1602
01:28:11,458 --> 01:28:15,667
I SAY SAD 'CAUSE
I KNEW YOUR FATHER.
1603
01:28:15,750 --> 01:28:17,709
I USED TO FISH WITH HIM.
1604
01:28:17,792 --> 01:28:20,333
A FINER MAN NEVER CAST A FLY.
1605
01:28:20,417 --> 01:28:23,834
Tolliver:
HEY, JUDGE NEELY...
1606
01:28:23,917 --> 01:28:25,792
THAT'S WHAT
YOU'RE HERE FOR, RIGHT?
1607
01:28:25,875 --> 01:28:28,291
NOW, I FIGURE WITH TIME OFF
FOR GOOD BEHAVIOR
1608
01:28:28,375 --> 01:28:30,250
I CAN DO IT STANDING
ON ONE FOOT
1609
01:28:30,333 --> 01:28:30,959
NO TIME AT ALL.
1610
01:28:31,125 --> 01:28:32,458
I'LL BE OFF AND RUNNING.
1611
01:28:32,542 --> 01:28:33,625
A BETTER MAN FOR IT.
1612
01:28:33,709 --> 01:28:35,709
LET ME FINISH,
IF YOU PLEASE, TOLLIVER.
1613
01:28:35,792 --> 01:28:37,250
YOUR FATHER'S IRONCLAD WILL
1614
01:28:37,333 --> 01:28:41,250
LEFT ALL OF HIS ESTATE
UPON THE DEATH OF MRS. TYNAN
1615
01:28:41,333 --> 01:28:42,792
TO HIS ELDEST SON.
1616
01:28:42,959 --> 01:28:45,917
THAT'S ME, JUDGE, AND MY SISTER,
TALLASSE, CAN'T CHALLENGE THAT.
1617
01:28:46,000 --> 01:28:46,959
SHE'S ADOPTED.
1618
01:28:47,041 --> 01:28:48,709
WE'VE KNOWN THAT FOR YEARS.
1619
01:28:48,792 --> 01:28:50,583
HECK, I'M THE ONE WHO TOLD HER.
1620
01:28:50,667 --> 01:28:52,458
THAT'S VERY IMPRESSIVE,
MR. TYNAN
1621
01:28:52,542 --> 01:28:55,375
BUT NOW LET ME TELL YOU
A THING OR TWO.
1622
01:28:55,458 --> 01:29:00,333
THE ELDEST SON
IS THE KEY HERE.
1623
01:29:00,417 --> 01:29:02,458
AND AMONG THESE DOCUMENTS
1624
01:29:02,542 --> 01:29:06,834
SWORN TO AND VERIFIED
BY YOUR FATHER BEFORE HIS DEATH
1625
01:29:06,917 --> 01:29:12,792
IS THIS NOTARIZED LETTER
DATED A YEAR BEFORE HE DIED.
1626
01:29:12,875 --> 01:29:14,917
I'D LIKE TO READ IT
1627
01:29:15,000 --> 01:29:17,291
BECAUSE IT SOUNDS
EXACTLY LIKE
1628
01:29:17,375 --> 01:29:19,250
THE ALFRED TYNAN I KNEW.
1629
01:29:19,333 --> 01:29:21,333
THIS HERE PART'S THE MEAT OF IT.
1630
01:29:21,417 --> 01:29:22,333
"I HAVE MET THE LAD
1631
01:29:22,709 --> 01:29:26,250
"AND RECOGNIZED HIM
TO BE IN MY OWN TRUE IMAGE.
1632
01:29:26,333 --> 01:29:32,458
"BLUE OF EYES, WIDE OF BROW,
BOLD OF CHIN
1633
01:29:32,542 --> 01:29:34,583
"WARM SPIRIT.
1634
01:29:34,667 --> 01:29:37,875
"BORN TO ME
OF THE ONLY PERSON
1635
01:29:37,959 --> 01:29:39,959
"WHO SHOWED ME LOVE
1636
01:29:40,041 --> 01:29:45,750
"AND UNSELFISH COMMITMENT.
1637
01:29:45,834 --> 01:29:47,709
HER FULL NAME
BEING HELEN AYERS."
1638
01:29:50,000 --> 01:29:54,000
NOW, THE ELDEST SON
1639
01:29:54,083 --> 01:29:56,000
BORN OUT OF WEDLOCK
1640
01:29:56,083 --> 01:29:57,834
TO MISS HELEN AYERS
1641
01:29:57,917 --> 01:30:00,625
SHORTLY BEFORE YOU WERE BORN
1642
01:30:00,709 --> 01:30:02,709
IS SAMMY AYERS.
1643
01:30:11,041 --> 01:30:14,959
TOLLIVER...
1644
01:30:15,041 --> 01:30:17,542
THIS JUST AIN'T BEEN
YOUR SUMMER.
1645
01:30:40,542 --> 01:30:43,000
WELL, THERE YOU GO.
1646
01:30:55,291 --> 01:30:57,542
OFF AND ON I'D TELL MYSELF
1647
01:30:57,625 --> 01:31:01,083
"NORM, YOU GOT NO RIGHT
TO KEEP HIM HERE."
1648
01:31:01,166 --> 01:31:06,083
AND THEN YOU LOOKED
SO HELPLESS
1649
01:31:06,166 --> 01:31:08,834
AND I FIGURED...
1650
01:31:08,917 --> 01:31:11,125
A LITTLE WHILE LONGER.
1651
01:31:15,834 --> 01:31:18,333
WELL, MAYBE I DIDN'T
DO IT RIGHT.
1652
01:31:21,166 --> 01:31:22,834
BUT I KEPT THINKING
1653
01:31:22,917 --> 01:31:26,125
MAYBE I OWE IT TO YOUR MOTHER.
1654
01:31:26,208 --> 01:31:29,667
AT LEAST I WAS RIGHT
ABOUT THAT ONE.
1655
01:31:29,750 --> 01:31:32,709
I MEAN, SHE DIDN'T DESERT YOU.
1656
01:31:32,792 --> 01:31:36,834
SHE WAS TRYING TO DO
RIGHT BY YOU BACK THEN
1657
01:31:36,917 --> 01:31:39,834
AND IT HAPPENED.
1658
01:31:43,583 --> 01:31:45,667
HOW'D YOU FIND HER?
1659
01:31:45,750 --> 01:31:47,792
YEARS OF SATURDAYS
1660
01:31:47,875 --> 01:31:49,834
RIDING ON BUS PASSES
1661
01:31:49,917 --> 01:31:56,250
BACK ALONG THE ROUTE
I FIGURED YOU COME.
1662
01:31:59,834 --> 01:32:03,750
I ORDERED
A PROPER HEADSTONE.
1663
01:32:03,834 --> 01:32:08,083
YOU CAN GO LOOK
AT IT SOMEDAY.
1664
01:32:09,417 --> 01:32:12,542
IF YOU FEEL LIKE IT.
1665
01:32:17,458 --> 01:32:20,750
YOU KNOW, FROM TIME TO TIME
1666
01:32:20,834 --> 01:32:26,500
I'VE THOUGHT IF EVER
I COULD PICK OUT A FATHER...
1667
01:32:28,875 --> 01:32:31,417
IT MIGHT BE SOMEBODY
PRETTY CLOSE
1668
01:32:31,500 --> 01:32:33,875
TO BEING LIKE YOU.
1669
01:32:36,792 --> 01:32:40,750
NOT EXACTLY, BUT CLOSE.
1670
01:32:47,291 --> 01:32:50,625
OH, SAMMY.
1671
01:32:53,583 --> 01:32:54,792
IN ALL MY YEARS
1672
01:32:55,208 --> 01:32:58,875
I DON'T RECALL ANYBODY EVER
SAYING ANYTHING THAT NICE TO ME.
1673
01:33:05,709 --> 01:33:09,959
NOW, WHY DON'T YOU GO ON
AND GET OUT OF HERE.
1674
01:33:17,834 --> 01:33:20,583
OH, I...
1675
01:33:20,667 --> 01:33:21,792
( clears throat )
1676
01:33:22,166 --> 01:33:23,625
NOW GET.
1677
01:33:33,041 --> 01:33:35,959
WELL, I GUESS
I'LL JUST GET.
1678
01:33:56,583 --> 01:33:58,917
I GAVE A LOT OF THE MONEY AWAY.
1679
01:33:59,000 --> 01:34:03,208
NORM AND AUNT LUCILLE WOULD
NEVER HAVE TO WORRY A DAY.
1680
01:34:03,291 --> 01:34:05,000
TALLASSE COULD TAKE PICTURES
AROUND THE WORLD
1681
01:34:05,083 --> 01:34:06,834
TO HER HEART'S CONTENT.
1682
01:34:07,667 --> 01:34:11,709
THE TYNAN HOUSE WOULD BECOME
A HOME FOR STRAY KIDS.
1683
01:34:12,125 --> 01:34:14,542
AS FAR AS TOLLIVER
WAS CONCERNED
1684
01:34:14,625 --> 01:34:17,166
WELL, I FIGURED
I'D LOST AN ENEMY
1685
01:34:17,250 --> 01:34:18,792
AND GAINED A BROTHER
1686
01:34:18,875 --> 01:34:20,458
WHICH MADE ME FEEL
AN OBLIGATION
1687
01:34:20,542 --> 01:34:22,250
TO TAKE CARE
OF HIS POCKET MONEY
1688
01:34:22,333 --> 01:34:24,542
WHILE HE SERVED TIME.
1689
01:34:28,208 --> 01:34:32,041
( horn honking )
1690
01:34:55,250 --> 01:34:57,750
ST. LOUIS.
1691
01:34:57,834 --> 01:34:59,834
YES, MA'AM.
1692
01:35:11,834 --> 01:35:14,959
SO WHAT ARE YOUR PLANS?
1693
01:35:15,041 --> 01:35:20,542
WELL, I GUESS I DON'T
HAVE ANY AT THE MOMENT.
1694
01:35:20,625 --> 01:35:24,792
THEN I GOT ON THE RIGHT BUS.
1695
01:35:31,834 --> 01:35:35,917
I GOT SOMETHING I'D LIKE
TO SHOW YOU.
1696
01:35:43,959 --> 01:35:50,166
( playing "My Ship" )
1697
01:35:59,667 --> 01:36:07,542
♪ MY SHIP HAS SAILS
THAT ARE MADE OF SILK ♪
1698
01:36:07,625 --> 01:36:12,875
♪ THE DECKS ARE TRIMMED
WITH GOLD ♪
1699
01:36:12,959 --> 01:36:22,917
♪ AND OF GEM AND SPICE,
THERE'S A PARADISE IN THE HOLD ♪
1700
01:36:24,458 --> 01:36:30,041
♪ MY SHIP'S AGLOW
WITH A MILLION PEARLS ♪
1701
01:36:30,125 --> 01:36:35,542
♪ AND RUBIES FILL EACH BIN
1702
01:36:35,625 --> 01:36:42,083
♪ THE SUN SETS HIGH
IN A SAPPHIRE SKY ♪
1703
01:36:42,166 --> 01:36:50,250
♪ WHEN MY SHIP COMES IN.
1704
01:36:56,250 --> 01:37:00,166
[Captioning sponsored by
ARTISAN ENTERTAINMENT
1705
01:37:00,250 --> 01:37:03,875
Captioned by
The Caption Center
WGBH Educational Foundation]
116321
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