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These are the user uploaded subtitles that are being translated: 1 00:00:08,291 --> 00:00:12,125 [Captioning sponsored by ARTISAN ENTERTAINMENT] 2 00:01:24,458 --> 00:01:26,417 Woman: SAMMY! 3 00:01:36,959 --> 00:01:38,917 SAMMY! 4 00:01:45,917 --> 00:01:49,875 ( music box playing Kurt Weill's "My Ship" ) 5 00:01:49,959 --> 00:01:52,542 ( door closes ) 6 00:01:52,625 --> 00:01:54,542 OH, PLEASE, SAMMY. 7 00:01:54,625 --> 00:01:55,583 COME ON, HONEY, NOT NOW. 8 00:01:55,667 --> 00:01:57,500 ALL RIGHT, ARMS UP. 9 00:01:57,583 --> 00:01:58,500 HOW COME WE'RE LEAVING? 10 00:01:58,583 --> 00:02:00,417 IF YOU DON'T HURRY, WE'RE NOT. 11 00:02:00,500 --> 00:02:01,458 HOW COME? 12 00:02:01,542 --> 00:02:03,041 TELL ME YOU LOVE IT HERE 13 00:02:03,125 --> 00:02:04,125 AND WE'LL STAY. 14 00:02:04,208 --> 00:02:05,917 WHERE ARE WE GOING? 15 00:02:06,000 --> 00:02:09,250 A LITTLE STEP UP IN THE WORLD, MAYBE. 16 00:02:09,333 --> 00:02:12,000 TIME SOMETHING GOOD HAPPENED FOR US, HUH? 17 00:02:12,083 --> 00:02:13,041 YEAH. 18 00:02:14,000 --> 00:02:16,125 ♪ OOH-OOH-OOH-OOH 19 00:02:16,208 --> 00:02:18,875 OKAY, LET'S GO, KIDDO. 20 00:02:18,959 --> 00:02:20,583 HERE YOU GO. 21 00:02:20,667 --> 00:02:23,166 WE'VE GOT A BUS TO CATCH. 22 00:02:23,250 --> 00:02:25,291 OOP, COME ON, COME ON. 23 00:02:26,667 --> 00:02:27,458 MOM. 24 00:02:28,291 --> 00:02:29,250 WHAT? 25 00:02:30,333 --> 00:02:31,959 OH, UH-OH, YES. 26 00:02:36,542 --> 00:02:42,583 ( music box playing ) 27 00:02:42,667 --> 00:02:46,959 Man on P.A.: Service to Barrington with intermediate stops in... 28 00:02:47,041 --> 00:02:49,083 I KNOW, SOMEBODY'S CHASING US, RIGHT? 29 00:02:49,166 --> 00:02:50,583 WIND DOWN, SAMMY. 30 00:02:50,667 --> 00:02:52,458 WE DITCHED THEM GOOD. 31 00:02:52,542 --> 00:02:55,000 SAMMY, NOBODY'S CHASING US, OKAY? 32 00:02:55,083 --> 00:02:55,667 GET UP THERE. 33 00:02:55,959 --> 00:02:57,291 THEN HOW COME YOU WON'T SAY 34 00:02:57,375 --> 00:02:58,291 WHERE WE'RE GOING? 35 00:02:58,375 --> 00:03:00,166 BECAUSE IT'S A SURPRISE. 36 00:03:01,166 --> 00:03:01,959 ( sighs ) 37 00:03:02,041 --> 00:03:02,625 OKAY, MOVE OVER. 38 00:03:02,709 --> 00:03:03,875 SURE. 39 00:03:05,125 --> 00:03:06,625 NOBODY I KNOW, RIGHT? 40 00:03:06,709 --> 00:03:09,166 WATCH YOUR STEP, MR. AYERS. 41 00:03:55,250 --> 00:03:57,667 Man: EXCUSE ME. MISS? 42 00:03:57,750 --> 00:04:01,917 ( muffled conversation ) 43 00:04:07,542 --> 00:04:08,458 MA? 44 00:04:08,542 --> 00:04:09,458 HMM? 45 00:04:09,542 --> 00:04:13,709 THE KIDS ASK ME HOW COME. 46 00:04:13,792 --> 00:04:16,083 HOW COME WHAT? 47 00:04:16,166 --> 00:04:19,750 HOW COME MY MOTHER'S A MISS INSTEAD OF MISSUS? 48 00:04:20,625 --> 00:04:22,709 ALL RIGHT, THAT'S IT. LIGHTS OUT. 49 00:04:22,792 --> 00:04:26,166 THE NEXT SOUND I WANT TO HEAR COMING FROM THIS SEAT NEXT TO ME 50 00:04:26,250 --> 00:04:28,709 IS A TEN-YEAR-OLD KID SNORING. 51 00:04:28,792 --> 00:04:30,000 BUT HOW COME? 52 00:04:30,083 --> 00:04:32,542 NOT ONE MORE WORD OUT OF YOU. 53 00:04:32,625 --> 00:04:35,291 ( whispers ): NOT ONE. 54 00:04:46,583 --> 00:04:50,417 ( big band music playing faintly ) 55 00:05:01,166 --> 00:05:02,500 Bus driver: ANNISTON. 56 00:05:02,583 --> 00:05:04,458 ANNISTON STATION. 57 00:05:07,125 --> 00:05:09,750 REST STOP, 30 MINUTES. 58 00:05:09,834 --> 00:05:12,500 30 MINUTES ONLY. 59 00:05:12,583 --> 00:05:13,583 30 MINUTES. 60 00:05:13,667 --> 00:05:15,250 MIND WHAT I SAY. 61 00:05:15,333 --> 00:05:17,125 DO YOUR THING. 62 00:05:17,208 --> 00:05:18,041 DO NOT STRAY. 63 00:05:18,125 --> 00:05:19,750 IF YOU AIN'T BACK ON BOARD 64 00:05:19,834 --> 00:05:21,542 WE LEAVE ANYWAY. 65 00:05:21,625 --> 00:05:23,458 YOU LIKE THAT? 66 00:05:23,542 --> 00:05:25,417 I MADE THAT UP MYSELF. 67 00:05:25,500 --> 00:05:27,709 I NEVER WOULD HAVE GUESSED. 68 00:05:27,792 --> 00:05:30,125 WELL, YOU THINK YOU CAN DO BETTER? 69 00:05:33,542 --> 00:05:39,083 UM, STRETCH YOUR LEGS BUT DON'T BE LATE. 70 00:05:39,166 --> 00:05:42,333 WE'RE PULLING OUT WHEN THE BIG HAND'S ON EIGHT. 71 00:05:48,208 --> 00:05:49,500 WATCH YOUR STEP, MA'AM. 72 00:05:51,291 --> 00:05:55,250 ( big band music ) 73 00:05:55,333 --> 00:05:57,208 ( lively crowd ) 74 00:06:11,166 --> 00:06:12,291 ( car honking horn ) 75 00:06:17,250 --> 00:06:18,458 ( laughter ) 76 00:06:47,417 --> 00:06:50,375 ( people talking, music playing loudly ) 77 00:07:02,542 --> 00:07:04,750 HEY, JITTERBUG, HUH? 78 00:07:04,834 --> 00:07:05,792 I CAN'T. 79 00:07:07,458 --> 00:07:08,792 OH, SURE YOU CAN. 80 00:07:08,875 --> 00:07:11,166 COME ON, BOOGIE-WOOGIE WITH ME. 81 00:07:11,250 --> 00:07:13,166 HEY, HEY, COME ON. 82 00:07:16,750 --> 00:07:19,291 HEY, THAT'S IT. THAT'S IT. 83 00:07:24,208 --> 00:07:25,625 OH, YEAH. 84 00:07:29,458 --> 00:07:32,458 Bus driver: OKAY, FOLKS, TAKE YOUR SEATS. 85 00:07:32,542 --> 00:07:34,250 ALL ABOARD NOW. 86 00:07:35,625 --> 00:07:36,709 ( glass shatters ) 87 00:07:36,792 --> 00:07:38,166 DON'T GO NOW, BABY. 88 00:07:38,250 --> 00:07:39,875 I'VE GOT TO GET BACK... 89 00:07:40,917 --> 00:07:42,959 ( woman grunt s) 90 00:07:46,291 --> 00:07:47,959 ( muffled screaming ) 91 00:07:49,000 --> 00:07:50,792 ( screaming ) 92 00:08:26,458 --> 00:08:28,500 ( wind whistling ) 93 00:09:11,583 --> 00:09:12,917 Bus driver: BARRINGTON. 94 00:09:13,000 --> 00:09:14,750 BARRINGTON, END OF THE LINE. 95 00:09:14,834 --> 00:09:18,041 WATCH YOUR STEP, FOLKS. 96 00:09:18,125 --> 00:09:19,291 ( groans ) 97 00:09:22,000 --> 00:09:22,875 WATCH YOUR STEP. 98 00:09:22,959 --> 00:09:24,750 THANKS FOR RIDING WITH US. 99 00:09:26,083 --> 00:09:27,000 MATTHEW. 100 00:09:27,083 --> 00:09:29,041 MORNING, NORM. 101 00:09:29,125 --> 00:09:30,709 THANKS FOR RIDING WITH US, SIR. 102 00:09:32,583 --> 00:09:33,500 HELLO, MOTHER. 103 00:09:33,583 --> 00:09:35,375 OH, UNCLE CHARLES, LET ME GET IT. 104 00:09:48,750 --> 00:09:49,709 COME ON, YOUNG FELLOW. 105 00:09:49,792 --> 00:09:50,875 TIME TO GET OFF. 106 00:09:50,959 --> 00:09:53,458 IT'S THE END OF THE LINE. 107 00:09:57,500 --> 00:09:59,041 NO USE FEELING IF IT'S WARM. 108 00:09:59,125 --> 00:10:01,458 YOUR MAMA OR WHOEVER IS LONG GONE. 109 00:10:01,542 --> 00:10:03,083 I FORGET WHICH STOP. 110 00:10:03,166 --> 00:10:04,125 I WOULDN'T BE SURPRISED 111 00:10:04,500 --> 00:10:06,625 IF SHE KNEW EXACTLY WHAT SHE WAS DOING. 112 00:10:08,625 --> 00:10:11,125 Mother: NOT ONE MORE WORD OUT OF YOU. 113 00:10:11,208 --> 00:10:13,208 COME ON, LET'S GO. 114 00:10:13,291 --> 00:10:14,458 NOT ONE! 115 00:10:21,208 --> 00:10:23,208 HEY, IS THIS YOURS? 116 00:10:23,291 --> 00:10:24,458 HEY, KID! 117 00:10:25,875 --> 00:10:27,792 ( sighs ) GREAT. 118 00:10:27,875 --> 00:10:30,166 DEAF AND DUMB TO BOOT. 119 00:10:52,625 --> 00:10:54,792 WHAT YOU GOT HERE, FINIS? 120 00:10:54,875 --> 00:11:00,500 OH... A LEFTOVER. 121 00:11:00,583 --> 00:11:03,125 CAN'T REMEMBER WHEN THEY GOT ON. 122 00:11:03,208 --> 00:11:05,125 HIS MOTHER GOT OFF 123 00:11:05,208 --> 00:11:07,041 AND MY GUESS IS SHE SLIPPED OFF 124 00:11:07,125 --> 00:11:08,500 ALONG THE WAY AND DUMPED HIM. 125 00:11:08,583 --> 00:11:11,625 OH, NOW, WHY WOULD SHE DO THAT? 126 00:11:11,709 --> 00:11:13,125 YOU GET TO BE A STUDENT 127 00:11:13,208 --> 00:11:14,667 OF HUMAN NATURE BEHIND THE WHEEL. 128 00:11:14,750 --> 00:11:17,792 SHE'S THE TYPE, YOU KNOW, MEN TURN TO. 129 00:11:17,875 --> 00:11:19,125 Norm: NOT IN FRONT OF THE BOY. 130 00:11:19,208 --> 00:11:22,291 OH, DON'T WORRY. 131 00:11:22,375 --> 00:11:23,625 I THINK HE'S DEAF AS A POST 132 00:11:23,709 --> 00:11:26,291 AND DUMB IN THE BARGAIN. 133 00:11:26,375 --> 00:11:27,834 WATCH THIS. 134 00:11:27,917 --> 00:11:29,500 HEY, KID! 135 00:11:29,583 --> 00:11:31,458 HEY! 136 00:11:31,542 --> 00:11:33,500 GOT YOUR PANTS ON BACKWARDS. 137 00:11:34,875 --> 00:11:35,834 WHAT'D I TELL YOU? 138 00:11:37,792 --> 00:11:40,625 I FIGURE, I JUST SEEN HER A COUPLE OF TIMES 139 00:11:40,709 --> 00:11:41,709 BUT HERE'S A GAL 140 00:11:41,792 --> 00:11:42,709 GOT A SMART MOUTH. 141 00:11:43,083 --> 00:11:45,625 GOOD AROUND THE BACK, YOU KNOW MY MEANING. 142 00:11:45,709 --> 00:11:46,875 I CAN SPOT THEM. 143 00:11:46,959 --> 00:11:49,166 HE'S A DRAG ON HER... 144 00:11:49,250 --> 00:11:50,375 PULLING HER DOWN 145 00:11:50,458 --> 00:11:54,208 SO SHE DUMPS HIM. 146 00:11:54,291 --> 00:11:56,667 WELL, MAYBE SHE GOT SICK OR SOMETHING. 147 00:11:56,750 --> 00:11:58,875 SICK AND TIRED. 148 00:11:58,959 --> 00:12:00,375 I DON'T... 149 00:12:00,458 --> 00:12:03,375 LOOKS LIKE HE'S, UH, EXPECTING SOMEONE. 150 00:12:03,458 --> 00:12:06,291 WELL, I HOPE HE DON'T HOLD HIS BREATH. 151 00:12:06,375 --> 00:12:09,250 AH, WELL, NORM, HE'S ALL YOURS NOW. 152 00:12:09,333 --> 00:12:10,625 I AM THROUGH WHEN I PARK IT. 153 00:12:10,709 --> 00:12:11,875 OH, NOW, NOW... YOU KNOW 154 00:12:11,959 --> 00:12:13,417 HE'S SITTING ON THAT BENCH. 155 00:12:13,500 --> 00:12:15,208 HE IS TERMINAL'S RESPONSIBILITY. 156 00:12:15,291 --> 00:12:16,291 HOLD ON... 157 00:12:16,375 --> 00:12:18,000 Finis: NO, I AM NOT TAKING HIM HOME. 158 00:12:18,083 --> 00:12:19,333 Norm: YOU BROUGHT HIM IN... 159 00:12:19,583 --> 00:12:21,500 Adult Sammy: IT WAS AT THIS EXACT MOMENT IN TIME 160 00:12:21,583 --> 00:12:23,709 THAT I WAS STRUCK BY A REVELATION. 161 00:12:23,917 --> 00:12:27,458 IF PEOPLE THOUGHT YOU WERE DEAF AND NOT ABLE TO TALK 162 00:12:27,625 --> 00:12:31,417 THEY'D BLURT OUT THEIR TRUE FEELINGS WITHOUT HOLDING BACK. 163 00:12:31,500 --> 00:12:33,041 AND I ALSO BEGAN TO NOTICE 164 00:12:33,125 --> 00:12:36,208 HOW THEY PAY ATTENTION TO YOU IN A SPECIAL WAY. 165 00:12:36,291 --> 00:12:37,959 IT SUDDENLY SEEMED TO ME 166 00:12:38,375 --> 00:12:40,792 THAT IN BEING DEAF AND PLAYING MUTE 167 00:12:40,875 --> 00:12:43,417 I HAD A KIND OF POWER OVER THINGS. 168 00:12:44,667 --> 00:12:47,250 AT LEAST UNTIL I SAW HOW THE LAND LAID. 169 00:12:48,667 --> 00:12:50,709 ( softly ): WELL... 170 00:12:54,667 --> 00:12:58,792 YES, SIR, THERE ARE DAYS I WOULD CONSIDER YOU DOWNRIGHT LUCKY. 171 00:12:58,875 --> 00:13:01,625 I GUESS THAT'S NOT FAIR TO SAY, IS IT? 172 00:13:03,667 --> 00:13:05,208 SOMEONE COMING FOR YOU? 173 00:13:06,583 --> 00:13:08,208 I'LL BET YOU'RE HUNGRY, AREN'T YOU? 174 00:13:08,291 --> 00:13:09,500 ARE YOU HUNGRY? 175 00:13:10,750 --> 00:13:11,583 HEY! 176 00:13:12,667 --> 00:13:13,959 THAT'S ALL RIGHT. 177 00:13:14,041 --> 00:13:15,959 WANT SOMETHING TO EAT? 178 00:13:17,000 --> 00:13:17,875 ( smacking lips ) 179 00:13:17,959 --> 00:13:19,125 YEAH, YOU'D LIKE THAT? 180 00:13:19,208 --> 00:13:21,166 OKAY, LET'S GO GET SOMETHING TO EAT. 181 00:13:21,250 --> 00:13:22,125 NOW COME ON. 182 00:13:22,208 --> 00:13:24,291 WE'LL GO RIGHT ON IN HERE. 183 00:13:24,375 --> 00:13:28,250 ALL RIGHT, NOW YOU LET ME HANDLE LUCILLE. 184 00:13:28,333 --> 00:13:33,291 I WOULDN'T ADVISE EATING HER COOKING ON A REGULAR BASIS 185 00:13:33,375 --> 00:13:36,792 BUT IN THE CASE OF EXTREME STARVATION 186 00:13:36,875 --> 00:13:38,583 IT WON'T HURT YOU. 187 00:13:38,667 --> 00:13:40,250 EXTREME STARVATION, HUH? 188 00:13:40,333 --> 00:13:45,041 YOU'VE GONE UP THREE BELT SIZES SITTING ON THAT VERY STOOL. 189 00:13:45,125 --> 00:13:46,041 THANKS, LUCILLE. 190 00:13:46,125 --> 00:13:47,041 THANKS, CLYDE... 191 00:13:47,125 --> 00:13:47,750 NORM. 192 00:13:47,834 --> 00:13:48,750 SEE YOU TOMORROW. 193 00:13:48,834 --> 00:13:51,041 SO, WHAT'LL IT BE? 194 00:13:52,250 --> 00:13:53,083 HE'S DEAF 195 00:13:53,166 --> 00:13:54,667 AND HE CAN'T TALK. 196 00:13:54,750 --> 00:13:55,792 HE'S JUST HUNGRY. 197 00:13:57,166 --> 00:13:58,875 WELL, YOU AND YOUR AUNT LUCILLE 198 00:13:58,959 --> 00:14:01,250 HAVE GOT A LITTLE PROBLEM HERE. 199 00:14:02,667 --> 00:14:03,959 UM... HERE WE GO. 200 00:14:04,041 --> 00:14:05,959 NOW YOU TAKE YOUR PICK. 201 00:14:06,041 --> 00:14:08,000 NUMBER ONE... 202 00:14:08,709 --> 00:14:09,834 MY SPECIALTY. 203 00:14:09,917 --> 00:14:12,792 NUMBER TWO, HOW ABOUT THIS? 204 00:14:14,667 --> 00:14:15,625 NUMBER ONE. 205 00:14:15,709 --> 00:14:16,834 THOUGHT YOU HAD THAT 206 00:14:16,917 --> 00:14:19,041 BACON AND EGGS LOOK. 207 00:14:19,125 --> 00:14:20,667 LET'S SEE... 208 00:14:21,709 --> 00:14:22,667 ( sizzling ) 209 00:14:26,375 --> 00:14:28,333 LOOKS LIKE YOU GOT A FAN, LUCILLE. 210 00:14:28,417 --> 00:14:30,834 DON'T YOU GIVE ME THAT. 211 00:14:30,917 --> 00:14:31,875 I FEED STRAYS 212 00:14:31,959 --> 00:14:32,917 AND SEND THEM 213 00:14:33,000 --> 00:14:34,083 ON THEIR WAY. 214 00:14:38,917 --> 00:14:40,333 HE JUST ROLLED IN ON A BUS? 215 00:14:40,417 --> 00:14:41,583 ALONE? 216 00:14:46,750 --> 00:14:48,000 I DON'T BELIEVE A MOTHER 217 00:14:48,083 --> 00:14:50,166 WOULD JUST WALK OFF AND LEAVE HIM. 218 00:14:50,250 --> 00:14:52,667 I'M JUST REPEATING WHAT FINIS SAID. 219 00:14:52,750 --> 00:14:55,000 FINIS IS FULL OF EXHAUST. 220 00:14:55,083 --> 00:14:56,333 WELL... 221 00:14:56,417 --> 00:14:58,709 I DON'T GET PEOPLE. 222 00:14:59,583 --> 00:15:03,000 LIKE FINIS SAYING HE'S DEAF AND DUMB. 223 00:15:03,083 --> 00:15:05,917 JUST 'CAUSE HE CAN'T HEAR DOESN'T MEAN 224 00:15:06,000 --> 00:15:07,750 HIS BRAIN'S TURNED OFF. 225 00:15:07,834 --> 00:15:11,250 NOTHING DUMB ABOUT THAT BOY. 226 00:15:11,333 --> 00:15:12,667 PEOPLE. I THINK... 227 00:15:12,750 --> 00:15:13,709 WELL, PEOPLE JUST 228 00:15:13,792 --> 00:15:15,208 DON'T KNOW ANY BETTER. 229 00:15:15,291 --> 00:15:17,709 LOOKS SHARP AS A TACK TO ME. 230 00:15:17,792 --> 00:15:20,000 YEAH, HE SEEMED TO BE EXPECTING SOMEONE-- 231 00:15:20,083 --> 00:15:21,750 HEY, ROYAL. I DON'T KNOW. 232 00:15:21,834 --> 00:15:22,709 MISS LUCILLE. 233 00:15:23,041 --> 00:15:25,250 WELL, HE DOESN'T LOOK LIKE HE'S ON THE RUN. 234 00:15:25,333 --> 00:15:27,291 HEY, YOU'RE NOT ON THE RUN, ARE YOU? 235 00:15:27,375 --> 00:15:29,125 ( chuckles softly ) 236 00:15:29,208 --> 00:15:30,667 COULD YOU SIGN HERE? 237 00:15:30,750 --> 00:15:31,792 MY AUTOGRAPH. 238 00:15:31,875 --> 00:15:33,333 THANK YOU. 239 00:15:33,417 --> 00:15:34,709 MM-HMM. 240 00:15:35,750 --> 00:15:37,667 I THINK YOU BETTER CALL HARVEY. 241 00:15:37,750 --> 00:15:38,709 THE POLICE? 242 00:15:38,792 --> 00:15:41,208 OH, I'M NOT GOING TO CALL HARVEY. 243 00:15:41,291 --> 00:15:43,875 HIS ANSWER TO EVERYTHING IS CALL SOMEONE ELSE. 244 00:15:43,959 --> 00:15:46,667 THE FIRE DEPARTMENT, THE HIGHWAY PATROL, WHOEVER. 245 00:15:46,750 --> 00:15:47,875 WELL, I MEAN, MAYBE 246 00:15:47,959 --> 00:15:49,333 SOMEBODY'S REPORTED HIM 247 00:15:49,417 --> 00:15:51,000 MISSING OR SOMETHING? 248 00:15:51,083 --> 00:15:52,709 Norm: OH, I THINK A RELATIVE 249 00:15:52,792 --> 00:15:54,875 WILL COME LOOKING FOR HIM, YOU KNOW? 250 00:15:54,959 --> 00:15:56,709 AND YOU KNOW, WE KEEP A LOOKOUT 251 00:15:56,792 --> 00:15:59,792 AND HIS MOM MAY COME ROLLING IN ON THE NEXT BUS. 252 00:15:59,875 --> 00:16:01,417 I KNOW WHAT YOU ARE THINKING. 253 00:16:01,500 --> 00:16:04,417 OH, NOW, WHY DON'T YOU JUST HANG OUT A SIGN? 254 00:16:04,500 --> 00:16:05,417 "I KNOW EVERYTHING." 255 00:16:05,750 --> 00:16:08,792 YOU KNOW, SOMETIMES YOU ARE AN OPEN BOOK, NORM. 256 00:16:08,875 --> 00:16:10,000 OH, NOW, LUCILLE... 257 00:16:10,083 --> 00:16:12,709 HE'S NOT A STRAY CAT, FOR PETE'S SAKE. 258 00:16:12,792 --> 00:16:14,709 YOU'VE GOT TO DO MORE THAN JUST 259 00:16:14,792 --> 00:16:16,792 PUT DOWN A, A, A SAUCER OF MILK. 260 00:16:16,875 --> 00:16:17,625 CAN A FELLA GET A REFILL? 261 00:16:17,959 --> 00:16:20,458 KIDS HAVE SCHOOL, CLOTHES, CHICKEN POX... 262 00:16:20,542 --> 00:16:22,083 I'M SORRY I OKAYED THE LEASE... 263 00:16:22,166 --> 00:16:23,750 YOU HAVEN'T THE SLIGHTEST... 264 00:16:23,834 --> 00:16:25,375 ...ON THIS PTOMAINE FACTORY. 265 00:16:25,458 --> 00:16:26,417 ( sighs ): NORMAN. 266 00:16:26,500 --> 00:16:27,625 ( loudly ): I'M NOT GO... 267 00:16:28,000 --> 00:16:30,458 ( quieter ): I'M NOT GOING TO SCARE HIM OFF. 268 00:16:30,542 --> 00:16:32,875 IN CASE SOMEBODY COMES LOOKING FOR HIM. 269 00:16:34,458 --> 00:16:37,333 WELL, MAYBE SOMEBODY IS LOOKING FOR HIM. 270 00:16:37,417 --> 00:16:41,333 IF YOU WERE LOOKING FOR A KID, WHO WOULD YOU CALL FIRST? 271 00:16:45,417 --> 00:16:47,959 ALL RIGHT, I'LL GIVE... 272 00:16:48,041 --> 00:16:49,375 HARVEY. 273 00:16:49,458 --> 00:16:50,750 A JINGLE. 274 00:16:53,792 --> 00:16:56,458 ( people talking ) 275 00:16:56,542 --> 00:16:57,583 Woman: IS HE SIMPLE? 276 00:16:57,667 --> 00:16:59,583 Woman 2: HONEY, WHAT DO YOU THINK? 277 00:17:01,125 --> 00:17:02,083 ALL RIGHT. 278 00:17:02,166 --> 00:17:03,458 COME ON, NOW, YOUNG FELLOW. 279 00:17:03,542 --> 00:17:04,625 SPEAK UP. 280 00:17:04,709 --> 00:17:06,250 I GOT BETTER THINGS TO DO. 281 00:17:06,333 --> 00:17:08,709 HARVEY, HE'S DEAF, I TOLD YOU THAT. 282 00:17:08,792 --> 00:17:11,750 HOW DO I KNOW HE AIN'T JUST BEING CONTRARY? 283 00:17:11,834 --> 00:17:13,709 YOU HEAR ME, BOY? 284 00:17:13,792 --> 00:17:16,125 Norm: OH, HARVEY, HE CAN'T HEAR YOU. 285 00:17:16,208 --> 00:17:17,750 WHEN YOU'RE DEAF, YOU CAN'T HEAR. 286 00:17:17,834 --> 00:17:19,125 I'M AN INVESTIGATOR. 287 00:17:19,208 --> 00:17:21,250 I NEED TO GET TO THE BOTTOM OF THIS. 288 00:17:21,333 --> 00:17:23,458 Norm: HARVEY, I UNDERSTAND THAT 289 00:17:23,542 --> 00:17:25,208 BUT YOU CAN'T ASK SOMEBODY 290 00:17:25,291 --> 00:17:26,500 WHO CAN'T HEAR YOU... 291 00:17:26,583 --> 00:17:28,834 YOU'RE TESTING MY PATIENCE, YOUNG FELLOW. 292 00:17:28,917 --> 00:17:32,083 I'D ADVISE YOU NOT TO TRY TO MAKE A FOOL OF THE LAW 293 00:17:32,166 --> 00:17:33,083 YOU HEAR? 294 00:17:33,166 --> 00:17:34,625 Girl: WAIT UP, TOLLIVER. 295 00:17:37,375 --> 00:17:38,291 TOLLIVER. 296 00:17:38,375 --> 00:17:39,333 TALLASSE? 297 00:17:39,417 --> 00:17:41,125 Norm: HE CAN'T HEAR YOU. 298 00:17:41,208 --> 00:17:44,208 Harvey: MAYBE HE'S JUST SHY, JENKINS. 299 00:17:44,291 --> 00:17:46,625 Norm: LUCY AND I TALKED TO HIM FOR AN HOUR 300 00:17:46,709 --> 00:17:49,125 ASKED HIM QUESTIONS, HE WOULD NOT RESPOND. 301 00:17:49,208 --> 00:17:50,000 IS HE TALKING TO YOU? 302 00:17:50,333 --> 00:17:52,458 Harvey: NO, BUT I'M LOOKING REAL CLOSE 303 00:17:52,542 --> 00:17:55,291 AND THIS LOOKS LIKE A BOY WHO CAN TALK. 304 00:17:55,375 --> 00:17:57,083 Norm: BUT I SAID HE WAS DEAF. 305 00:17:57,166 --> 00:17:58,458 WILL YOU JUST FIND OUT? 306 00:18:01,500 --> 00:18:03,625 Harvey: WHERE DO YOU COME FROM, BOY? 307 00:18:03,709 --> 00:18:04,834 Norm: DON'T ASK HIM. 308 00:18:04,917 --> 00:18:06,834 Harvey: WELL, IF I DON'T ASK HIM 309 00:18:06,917 --> 00:18:07,917 WHO AM I SUPPOSED TO ASK? 310 00:18:08,291 --> 00:18:11,166 BUT WHAT I'M SAYING IS HOW DO YOU KNOW HE'S DEAF? 311 00:18:11,250 --> 00:18:13,166 THIS ISN'T GETTING US ANYWHERE. 312 00:18:13,250 --> 00:18:15,667 Woman: HOW ARE THEY GOING TO PROVE THAT HE'S NOT DEAF? 313 00:18:15,750 --> 00:18:17,792 Harvey: I FEEL LIKE HE CAN TALK. 314 00:18:17,875 --> 00:18:19,458 Norm: HOW CAN YOU TELL? 315 00:18:19,542 --> 00:18:20,834 I SAID HE'S DEAF, NOT BLIND. 316 00:18:20,917 --> 00:18:22,709 WELL, I UNDERSTAND... 317 00:18:36,709 --> 00:18:39,625 ( sizzling) 318 00:18:42,291 --> 00:18:42,917 ( screaming ) 319 00:18:43,000 --> 00:18:43,792 ( laughing ) 320 00:18:43,875 --> 00:18:45,458 HARVEY, NOT THE GUN! 321 00:18:46,500 --> 00:18:49,917 TOLLIVER TYNAN! 322 00:18:50,000 --> 00:18:51,875 ( kids yelling ) 323 00:18:54,500 --> 00:18:56,208 NOW YOU JUST GET IN AND SIT DOWN. 324 00:18:56,291 --> 00:18:57,834 THAT WAS A BEAUTIFUL SERVICE 325 00:18:57,917 --> 00:19:00,333 FOR MR. TYNAN, MA'AM. 326 00:19:00,417 --> 00:19:02,500 BEEN THINKING ABOUT IT ALL WEEKEND. 327 00:19:02,583 --> 00:19:03,792 HE WAS A FINE, FINE MAN. 328 00:19:03,875 --> 00:19:05,250 YES, WELL, THE LORD GIVETH 329 00:19:05,333 --> 00:19:06,667 AND THE LORD TAKETH AWAY. 330 00:19:06,750 --> 00:19:09,208 AIN'T THAT THE TRUTH. 331 00:19:09,291 --> 00:19:10,917 HERBERT, DRIVE ON. 332 00:19:15,834 --> 00:19:17,542 OKAY, SO HE'S DEAF AND DUMB. 333 00:19:17,625 --> 00:19:19,625 WHAT AM I SUPPOSED TO DO ABOUT IT? 334 00:19:19,709 --> 00:19:21,208 THANKS FOR THE PIE, LUCILLE. 335 00:19:21,291 --> 00:19:22,333 Lucille: UH-HUH. 336 00:19:22,417 --> 00:19:24,375 THEY GOT PLACES TO HANDLE THAT. 337 00:19:26,333 --> 00:19:27,291 OH. 338 00:19:30,333 --> 00:19:31,291 WELL. 339 00:19:37,792 --> 00:19:39,291 NOW THEN. 340 00:19:42,875 --> 00:19:45,917 WELL, SO, HERE WE ARE, RIGHT? 341 00:19:46,000 --> 00:19:47,250 RIGHT. 342 00:19:49,500 --> 00:19:51,750 WELL, YOU JUST STAY PLANTED THERE 343 00:19:51,834 --> 00:19:53,917 IN CASE SOMEBODY COMES ALONG FOR YOU. 344 00:19:54,000 --> 00:19:56,291 BOY FIT AND SMART LIKE YOU 345 00:19:56,375 --> 00:19:59,250 SOMEBODY'S GOING TO COME FOR YOU. 346 00:19:59,333 --> 00:20:02,750 OF COURSE THERE'S ANOTHER POSSIBILITY, JUST COME TO ME. 347 00:20:02,834 --> 00:20:05,500 MAYBE SOMEBODY SENT YOU OUT HERE 348 00:20:05,583 --> 00:20:08,417 BECAUSE THEY THOUGHT I HAD A PLACE FOR YOU. 349 00:20:08,500 --> 00:20:10,583 YOU THINK THAT MAYBE THAT'S IT? 350 00:20:10,667 --> 00:20:11,667 NO, THAT AIN'T IT. 351 00:20:11,750 --> 00:20:12,500 HE ISN'T HERE 352 00:20:12,583 --> 00:20:13,750 BY DIVINE INTERVENTION. 353 00:20:13,834 --> 00:20:14,792 BOTH OF YOU BETTER 354 00:20:14,875 --> 00:20:16,333 HOPE SOMEBODY DOES SHOW UP 355 00:20:16,417 --> 00:20:17,333 BECAUSE THIS IS 356 00:20:17,417 --> 00:20:18,792 THE WORLD'S POOREST EXCUSE 357 00:20:18,875 --> 00:20:20,667 FOR AN ORPHANAGE. 358 00:20:22,291 --> 00:20:23,625 PAY NO ATTENTION. 359 00:20:23,709 --> 00:20:26,542 YOU HEARD HER IN THERE 360 00:20:26,625 --> 00:20:28,625 CALL HERSELF "YOUR AUNT LUCILLE"? 361 00:20:31,417 --> 00:20:34,375 WELL, UH, I MEAN... 362 00:20:35,375 --> 00:20:37,000 YOU DIDN'T HEAR, OF COURSE 363 00:20:37,083 --> 00:20:39,792 BUT THAT WAS HER TALKING. 364 00:20:39,875 --> 00:20:41,750 SHE'S ALL MUSH. 365 00:20:43,333 --> 00:20:44,875 SHE TOOK TO YOU, I CAN TELL. 366 00:20:47,667 --> 00:20:49,000 SO, UH... 367 00:20:52,083 --> 00:20:55,542 YOU JUST SIT HERE AND KEEP AN EYE PEELED. 368 00:21:04,792 --> 00:21:07,000 ( chattering ) 369 00:21:07,083 --> 00:21:11,333 Woman: OH, IT'S SO GOOD TO SEE YOU! 370 00:21:11,417 --> 00:21:13,709 ( talking ) 371 00:21:25,083 --> 00:21:27,875 ( men chatting and laughing ) 372 00:22:01,500 --> 00:22:03,291 Woman: OH! 373 00:22:08,458 --> 00:22:09,375 ( sniffling ) 374 00:22:54,500 --> 00:22:56,709 CHARLIE, YOU GET BOB TO GIVE YOU A RIDE HOME. 375 00:22:56,792 --> 00:22:57,959 ALL RIGHT. 376 00:22:59,792 --> 00:23:02,583 MOSQUITOES ARE GOING TO CARRY YOU OFF 377 00:23:02,667 --> 00:23:05,166 IF YOU CONTINUE TO CAMP OUT HERE. 378 00:23:07,125 --> 00:23:08,834 OH, BOY. 379 00:23:08,917 --> 00:23:11,500 DOESN'T LOOK LIKE IT'S GOING TO HAPPEN, DOES IT? 380 00:23:14,000 --> 00:23:15,750 HEY. 381 00:23:15,834 --> 00:23:16,792 HEY, YOU. 382 00:23:17,875 --> 00:23:19,125 SLEEPY, HUH? 383 00:23:19,208 --> 00:23:23,083 A FELLOW CAN JUST KEEP HIS EYES OPEN SO LONG, HUH? 384 00:23:25,083 --> 00:23:27,792 I GOT A COT I KEEP OUT BACK. 385 00:23:27,875 --> 00:23:30,000 YOU CAN STAY THE NIGHT ANYWAY. 386 00:23:31,000 --> 00:23:34,417 IF SOMEBODY DOESN'T COME AND PICK YOU UP TOMORROW 387 00:23:34,500 --> 00:23:37,625 I'D BE LYING IF I TOLD YOU I KNOW WHAT WILL HAPPEN. 388 00:23:37,709 --> 00:23:39,041 I DON'T. 389 00:23:40,667 --> 00:23:42,792 COME ON, HEY. 390 00:23:42,875 --> 00:23:43,625 LET'S GO. 391 00:23:47,083 --> 00:23:49,959 WELL, HERE YOU GO, YOUNG FELLOW. 392 00:23:50,041 --> 00:23:51,125 THERE'S YOUR COT. 393 00:23:52,083 --> 00:23:56,041 CAREFUL YOU DON'T TRIP OVER ANYTHING NOW. 394 00:23:57,250 --> 00:23:58,917 LOOK AROUND AND GET FAMILIAR. 395 00:24:00,583 --> 00:24:01,208 NOW THIS SINK'S 396 00:24:01,375 --> 00:24:04,458 GOT A BIT OF A DRIP IN IT. 397 00:24:04,542 --> 00:24:06,959 BUT I GUESS THAT WON'T BOTHER YOU. 398 00:24:08,041 --> 00:24:09,709 THIS IS A CLEAN SHIRT. 399 00:24:09,792 --> 00:24:12,625 YOU CAN WEAR THIS AS A NIGHTGOWN. 400 00:24:12,709 --> 00:24:16,792 AND GET OUT OF THOSE CLOTHES BEFORE THEY STICK TO YOU. 401 00:24:16,875 --> 00:24:19,083 AH, I GOT SOMETHING FOR YOU. 402 00:24:21,166 --> 00:24:22,500 FIG DELIGHTS FOR YOU. 403 00:24:22,583 --> 00:24:24,083 THIS IS ONE OF MY FAVORITES. 404 00:24:25,291 --> 00:24:26,875 NEW, FRESH PACKAGE FOR YOU 405 00:24:26,959 --> 00:24:29,208 IN CASE YOU GET HUNGRY DURING THE NIGHT. 406 00:24:29,291 --> 00:24:31,500 JUST TAKE ONE OF THOSE. 407 00:24:34,959 --> 00:24:36,542 OVER HERE, THE LIGHT. 408 00:24:36,625 --> 00:24:37,583 SEE THAT? 409 00:24:37,667 --> 00:24:38,625 SWITCH? 410 00:24:39,792 --> 00:24:40,750 OKAY? 411 00:24:42,750 --> 00:24:45,458 AND THAT'S ABOUT IT, I GUESS. 412 00:24:48,834 --> 00:24:49,834 OKAY. 413 00:24:50,917 --> 00:24:53,542 WELL, I CAN'T THINK OF ANYTHING ELSE. 414 00:24:57,542 --> 00:25:00,208 WELL, I HOPE TOMORROW LOOKS A WHOLE LOT BETTER 415 00:25:00,291 --> 00:25:02,542 FOR YOU, YOUNG FELLOW. 416 00:25:04,667 --> 00:25:05,625 GOOD NIGHT. 417 00:25:13,959 --> 00:25:15,625 ( car passing ) 418 00:25:18,875 --> 00:25:21,208 YOU MIGHT WONDER HOW I FELT THAT NIGHT 419 00:25:21,291 --> 00:25:23,750 BELONGING NOWHERE AND TO NO ONE. 420 00:25:23,834 --> 00:25:25,917 ALL IN ALL, I HADN'T DONE BAD. 421 00:25:26,000 --> 00:25:28,917 NOT EVERY DAY A PRETTY GIRL TAKES YOUR SIDE 422 00:25:29,000 --> 00:25:31,083 AND POUNDS OUT HER BIG BROTHER. 423 00:25:31,166 --> 00:25:34,083 BUT DOWN DEEP, I HAD A PRETTY FIRM FEELING 424 00:25:34,166 --> 00:25:36,875 THAT I WOULD NEVER SEE MY MOTHER AGAIN. 425 00:25:36,959 --> 00:25:38,750 I DIDN'T KNOW WHY, EXACTLY 426 00:25:38,834 --> 00:25:41,041 EXCEPT THAT WE WERE PRETTY CLOSE 427 00:25:41,125 --> 00:25:44,667 AND THE CONNECTION THAT WE HAD WAS GONE. 428 00:25:44,750 --> 00:25:46,875 BUT SOMEHOW I FELT OKAY. 429 00:25:46,959 --> 00:25:50,166 MAYBE IT WAS BECAUSE I KNEW FOR SURE 430 00:25:50,250 --> 00:25:52,291 I WAS GOING TO WAKE UP THE NEXT DAY 431 00:25:52,375 --> 00:25:56,625 AND KEEP RIGHT ON PRETENDING LIKE I COULDN'T HEAR OR SPEAK. 432 00:25:56,709 --> 00:26:00,041 I MUST HAVE FIGURED THAT IT WAS LIKE SOME KIND OF ARMOR 433 00:26:00,125 --> 00:26:03,875 SHIELDING ME FROM SOMETHING I DIDN'T WANT TO THINK ABOUT. 434 00:26:03,959 --> 00:26:06,083 AT LEAST NOT RIGHT THEN, ANYWAY. 435 00:27:18,333 --> 00:27:20,959 ( no audio ) 436 00:27:37,959 --> 00:27:40,125 IT'S FUNNY HOW TIME GOES BY. 437 00:27:41,166 --> 00:27:43,000 A WHOLE LOT OF TIME, EVEN. 438 00:27:45,417 --> 00:27:47,291 THE COUNTRY WAS CHANGING. 439 00:27:47,375 --> 00:27:50,959 EVEN BARRINGTON WAS ADJUSTING IN ITS OWN WAY 440 00:27:51,041 --> 00:27:54,000 WHICH WAS SLOWLY, AND NOT ALL AT ONCE. 441 00:28:04,083 --> 00:28:07,208 I STILL LIVED RENT-FREE IN THE BACK OF THE BUS STATION 442 00:28:07,291 --> 00:28:10,375 THANKS TO NORM JENKINS, WHO STILL MANAGED THE PLACE 443 00:28:10,458 --> 00:28:13,959 AND HAD STAYED ON A COUPLE OF YEARS PAST HIS RETIREMENT. 444 00:28:14,041 --> 00:28:16,458 ALL THIS TIME, LIVING IN A BUS STATION? 445 00:28:16,542 --> 00:28:18,583 "HOW AWFUL," SOME FOLKS MIGHT SAY. 446 00:28:18,667 --> 00:28:20,542 BUT I LOOK AT WHAT SOME OF THEM 447 00:28:20,625 --> 00:28:22,542 HAVE BEEN DOING WITH THEIR LIVES 448 00:28:22,625 --> 00:28:24,417 AND I WOULDN'T CHANGE PLACES. 449 00:28:32,291 --> 00:28:33,709 NICE MEETING YOU. 450 00:28:33,792 --> 00:28:36,166 NORM JENKINS TOOK OFF EVERY SATURDAY 451 00:28:36,250 --> 00:28:39,959 ON WHAT LUCILLE CALLED HIS SECRET FISHING EXPEDITIONS. 452 00:28:41,500 --> 00:28:44,667 ON THIS PARTICULAR DAY, IN THE SPRING OF 1965 453 00:28:44,750 --> 00:28:48,000 HE ACTED DIFFERENT WHEN HE CAME BACK. 454 00:28:48,083 --> 00:28:52,125 AT LEAST IT SURE APPEARED THAT WAY TO ME AT THE TIME. 455 00:28:54,750 --> 00:28:58,000 THE ONE PERSON WHO HAD CHANGED WAS TALLASSE TYNAN 456 00:28:58,083 --> 00:29:01,959 THAT PRETTY GIRL WHO PUNCHED OUT HER BROTHER, TOLLIVER. 457 00:29:02,041 --> 00:29:05,000 SHE'D GIVEN ME MY FIRST AND ONLY VALENTINE. 458 00:29:05,083 --> 00:29:08,083 THEN, A FEW YEARS AGO, SHE'D GONE OFF TO COLLEGE 459 00:29:08,166 --> 00:29:10,041 AND HARDLY EVER CAME BACK. 460 00:29:10,125 --> 00:29:13,500 Man on TV: He's held that family in an iron fist for 15 years 461 00:29:13,583 --> 00:29:15,000 and the whole town. 462 00:29:15,083 --> 00:29:17,667 Lucille: YOU LOOK LIKE YOU NEED A REFILL, MERLE. 463 00:29:17,750 --> 00:29:19,000 I COULD USE IT. 464 00:29:19,083 --> 00:29:20,041 HI, SAMMY. 465 00:29:21,709 --> 00:29:24,041 UH... THE TOASTER... 466 00:29:25,083 --> 00:29:27,166 IS ON THE FRITZ AGAIN. 467 00:29:27,250 --> 00:29:29,667 WELL, RIGHT OFF, IF YOU'VE BEEN LISTENING 468 00:29:29,750 --> 00:29:32,542 YOU KNOW THAT I'M THREE PARTS FRAUD. 469 00:29:32,625 --> 00:29:34,709 BUT I'M ONE PART HANDYMAN. 470 00:29:34,792 --> 00:29:37,667 AND THE BEST THERE IS IN BARRINGTON. 471 00:29:37,750 --> 00:29:40,458 OR SO NORM JENKINS LIKES TO SAY. 472 00:29:40,542 --> 00:29:41,667 MORNING, MERLE. 473 00:29:41,750 --> 00:29:43,041 MISS LUCILLE! 474 00:29:43,125 --> 00:29:44,000 TOLLIVER. 475 00:29:44,083 --> 00:29:45,375 GUESS WHO? 476 00:29:47,667 --> 00:29:49,083 HEY, DUM-DUM. 477 00:29:49,166 --> 00:29:51,083 FORGET THAT OLD THING. 478 00:29:52,041 --> 00:29:55,083 ( speaking slowly and loudly): THESE FIRST. 479 00:29:55,166 --> 00:29:56,542 HERE'S NUMBER ONE. 480 00:29:56,625 --> 00:30:01,583 IN THE HALLWAY... OUTSIDE... THE MINISTER'S OFFICE 481 00:30:01,667 --> 00:30:07,166 THE BASEBOARD NEEDS REPLACING AND PAINTING. 482 00:30:07,250 --> 00:30:09,083 NUMBER TWO... TWO... TWO. 483 00:30:09,166 --> 00:30:12,500 MOTHER DEAR... MOTHER DEAR... WOULD LIKE YOU 484 00:30:12,583 --> 00:30:15,583 TO WASH THE PATIO FURNITURE 485 00:30:15,667 --> 00:30:19,041 AND TRIM THE DRIVEWAY HEDGE. 486 00:30:19,125 --> 00:30:20,250 AND THREE... 487 00:30:20,333 --> 00:30:22,041 HEY, LOOK AT ME. 488 00:30:22,125 --> 00:30:26,208 AS A LITTLE COMMISSION YOU OWE ME FOR THIS... 489 00:30:26,291 --> 00:30:27,583 ACT OF WELFARE 490 00:30:27,667 --> 00:30:29,583 YOU CAN WASH MY CAR. 491 00:30:31,166 --> 00:30:34,750 HEY, GET THE WHITEWALLS THIS TIME... DUM-DUM. 492 00:30:36,667 --> 00:30:39,250 GOOD MORNING, MISS BEATRICE... 493 00:30:39,333 --> 00:30:43,125 TOLLIVER TYNAN'S DADDY DIED RICH, BUT HE DIDN'T DIE DUMB. 494 00:30:43,208 --> 00:30:46,250 HE LEFT ALL HIS ESTATE IN A TRUST TO HIS WIDOW 495 00:30:46,333 --> 00:30:49,834 TO BE DISBURSED TO HIS CHILDREN ONLY UPON HER DEATH. 496 00:30:49,917 --> 00:30:53,583 AND THE ALLOWANCE THAT SHE GAVE TOLLIVER WAS PIDDLING 497 00:30:53,667 --> 00:30:55,583 WHICH RANKLED HIM TO NO END. 498 00:30:55,667 --> 00:30:57,583 Lucille: BOY, I WISH SAMMY 499 00:30:57,667 --> 00:31:02,625 WOULD JUST BEAT THE PULP OUT OF HIM ONE DAY. 500 00:31:02,709 --> 00:31:07,125 OH, SAMMY WILL HAVE HIS DAY, DON'T YOU WORRY. 501 00:31:38,250 --> 00:31:39,834 ( tire pops and hisses ) 502 00:31:55,542 --> 00:31:57,834 YOU WANT A RIDE? 503 00:31:58,959 --> 00:32:00,792 WHERE TO? 504 00:32:10,458 --> 00:32:11,542 HEY! 505 00:32:11,625 --> 00:32:13,208 THACKER! 506 00:32:13,291 --> 00:32:15,792 YOU'RE A MENACE ON THE STREETS. 507 00:32:15,875 --> 00:32:17,792 YOU COULD HAVE HIT ME. 508 00:32:17,875 --> 00:32:20,208 ( laughing ): I DECIDED AGAINST IT, MR. TYNAN. 509 00:32:20,291 --> 00:32:22,583 DON'T GET SMART WITH ME, ARCHIBALD THACKER. 510 00:32:22,667 --> 00:32:25,583 WHY CAN'T YOU CAN'T HAUL THIS JUNK ON THE SIDE STREETS? 511 00:32:25,667 --> 00:32:28,834 YOU'RE A BLOT ON THE BEAUTY OF DOWNTOWN BARRINGTON. 512 00:32:28,917 --> 00:32:33,250 OH, YEAH, BEAUTIFUL DOWNTOWN BARRINGTON. 513 00:32:33,333 --> 00:32:35,625 WASTE OF BREATH TALKING TO YOU. 514 00:32:37,625 --> 00:32:39,291 I'VE TRIED FOR YEARS 515 00:32:39,375 --> 00:32:42,834 TO FIND SOMETHING TO LIKE ABOUT THAT BOY. 516 00:32:42,917 --> 00:32:43,917 NO LUCK SO FAR. 517 00:32:44,000 --> 00:32:45,750 TYNAN'S PLACE, HUH? 518 00:32:45,834 --> 00:32:48,166 OKAY, I'LL GET YOU THERE. CLIMB ON BACK. 519 00:32:51,959 --> 00:32:54,250 Young man: YOU SOUND LIKE DAD. 520 00:32:54,333 --> 00:32:56,250 "I AM NOT A RISK-TAKER. 521 00:32:56,333 --> 00:32:58,417 A.B.C.-- ALWAYS BE CAUTIOUS." 522 00:32:58,500 --> 00:33:01,208 YOU HAD BAXTON ECONOMICS, I HAD BROWN. 523 00:33:01,291 --> 00:33:03,709 I HEARD HE WAS ONCE A PIT BOSS IN VEGAS. 524 00:33:03,792 --> 00:33:04,959 SO THERE YOU ARE. 525 00:33:05,041 --> 00:33:07,458 LOOK, DO YOU WANT FINANCIAL EXPERIENCE 526 00:33:07,542 --> 00:33:08,959 RUNNING YOUR PORTFOLIO 527 00:33:09,041 --> 00:33:10,542 OR DO YOU BET THE STORE 528 00:33:10,625 --> 00:33:13,333 ON SOME THEORETICAL NOBEL-WINNER FROM HARVARD? 529 00:33:13,417 --> 00:33:17,250 ( imitating Thacker ): "DON'T BANDY THE NAME HARVARD AROUND, SON. 530 00:33:17,333 --> 00:33:18,750 IT'S BAD FOR OUR IMAGE." 531 00:33:18,834 --> 00:33:19,917 ( laughs ) 532 00:33:20,000 --> 00:33:21,834 WHERE IS DAD TAKING ALL THIS STUFF? 533 00:33:21,917 --> 00:33:24,291 WEDDING PRESENTS FOR MONTGOMERY'S NEW BRIDE. 534 00:33:24,375 --> 00:33:25,500 ( both laugh ) 535 00:33:30,917 --> 00:33:33,500 ARCHIBALD THACKER, A WIDOWER WITH FOUR SONS 536 00:33:33,583 --> 00:33:35,500 HAD BECOME WEALTHY OVER THE YEARS 537 00:33:35,583 --> 00:33:38,542 HAULING JUNK AND CLEANING UP AFTER OTHER PEOPLE. 538 00:33:38,625 --> 00:33:40,333 HE HAD TWO BUSINESSES SET UP 539 00:33:40,417 --> 00:33:42,709 IN THE NAME OF A WHITE ATLANTA LAWYER. 540 00:33:42,792 --> 00:33:44,959 PEOPLE THOUGHT HE WAS JUST EKING BY. 541 00:33:45,041 --> 00:33:46,333 BUT WHAT THEY DIDN'T SEE 542 00:33:46,417 --> 00:33:49,291 WAS HIM EKING IN AND OUT OF ATLANTA BANKS 543 00:33:49,375 --> 00:33:50,917 FOR THE LAST 20 YEARS. 544 00:33:52,792 --> 00:33:54,250 STOP THAT! ARE YOU CRAZY? 545 00:33:54,333 --> 00:33:55,417 GOOD MORNING, RACHEL. 546 00:33:55,500 --> 00:33:57,542 MY GOODNESS, YOU GET PRETTIER BY THE DAY. 547 00:33:57,625 --> 00:33:58,625 FATHER THACKER... 548 00:33:58,709 --> 00:34:00,458 NOW, NOW, DAUGHTER, NOT TO WORRY. 549 00:34:00,542 --> 00:34:02,750 Rachel: WHAT DO YOU CALL THIS? 550 00:34:02,834 --> 00:34:05,041 YOU'RE NOT ACCUSTOMED TO OUR LANDSCAPING. 551 00:34:05,125 --> 00:34:06,333 LANDSCAPING?! 552 00:34:06,417 --> 00:34:09,291 NOW, MONTGOMERY SHOULD HAVE TOLD YOU. 553 00:34:09,375 --> 00:34:10,542 WHEN YOU ARE OUR COLOR 554 00:34:10,625 --> 00:34:12,291 IN THIS PART OF OUR GREAT NATION 555 00:34:12,375 --> 00:34:15,333 THE KEY TO GETTING RICH IS TO APPEAR HAPPILY POOR. 556 00:34:15,417 --> 00:34:17,625 JUST BLEND IN AND BIDE YOUR TIME. 557 00:34:17,709 --> 00:34:19,709 LOOK UPON THESE ITEMS AS STEPPING STONES. 558 00:34:19,792 --> 00:34:21,417 RACHEL, RACHEL... WAIT A MINUTE. 559 00:34:21,500 --> 00:34:22,667 THIS IS NOT SO BAD. 560 00:34:22,750 --> 00:34:25,000 PEOPLE PAY GOOD MONEY FOR SOME OF THIS STUFF. 561 00:34:25,083 --> 00:34:26,417 WE COULD ACTUALLY USE THIS. 562 00:34:26,500 --> 00:34:27,500 IT ACTUALLY BLENDS IN 563 00:34:27,583 --> 00:34:29,333 WITH THE REST OF THE NEIGHBORHOOD. 564 00:34:29,417 --> 00:34:30,458 SO, JUST RELAX. 565 00:34:30,542 --> 00:34:32,542 THE FACT IS, HE AND HIS BOYS 566 00:34:32,625 --> 00:34:36,500 HAD A THIRD AND EVEN MORE PROFITABLE BUSINESS WHICH... 567 00:34:36,583 --> 00:34:39,041 WELL, LET'S JUST SAY IT PAID A WHOLE LOT BETTER 568 00:34:39,125 --> 00:34:41,792 THAN WASHING MRS. TYNAN'S PATIO FURNITURE. 569 00:34:43,834 --> 00:34:45,041 ( sighs ) 570 00:34:45,125 --> 00:34:48,792 WELL, YOU CERTAINLY TOOK YOUR TIME GETTING HERE. 571 00:34:48,875 --> 00:34:52,041 ( louder ): TAKING ADVANTAGE OF YOUR HANDICAP 572 00:34:52,125 --> 00:34:54,041 WON'T GET YOU ANYWHERE WITH ME. 573 00:34:54,125 --> 00:34:56,750 YOU'LL GET PAID WHAT'S ON THE SLIP 574 00:34:56,834 --> 00:34:58,959 NO MATTER HOW LONG YOU DAWDLE. 575 00:34:59,041 --> 00:35:00,333 GAIL? 576 00:35:00,417 --> 00:35:02,083 Tallasse: MOTHER, WHY DO YOU INSIST 577 00:35:02,166 --> 00:35:03,375 ON BERATING POOR SAMMY 578 00:35:03,458 --> 00:35:05,333 WHEN YOU KNOW HE CAN'T HEAR YOU? 579 00:35:05,417 --> 00:35:06,166 ON TOP OF THAT 580 00:35:06,500 --> 00:35:08,333 YOU CERTAINLY DON'T NEED THE PRACTICE. 581 00:35:08,417 --> 00:35:10,959 Mrs. Tynan: EVERY TIME YOU COME HOME FOR A VISIT 582 00:35:11,041 --> 00:35:13,041 YOU SHOW LESS RESPECT FOR YOUR MOTHER. 583 00:35:13,125 --> 00:35:16,333 Tallasse: WATCH YOUR BLOOD PRESSURE NOW. 584 00:35:16,417 --> 00:35:19,542 AS I MENTIONED, TALLASSE TYNAN HAD GONE AWAY 585 00:35:19,625 --> 00:35:22,375 UP TO SOME COLLEGE IN NEW YORK 586 00:35:22,458 --> 00:35:25,917 AND THIS WAS THE FIRST TIME SHE'D BEEN BACK IN SOME WHILE. 587 00:35:26,000 --> 00:35:27,375 ( playing "My Ship" on piano ) 588 00:35:35,458 --> 00:35:38,375 I KNEW I WAS A FOOL TO BE TAKING A CHANCE 589 00:35:38,458 --> 00:35:40,625 BUT I COULDN'T HELP MYSELF. 590 00:35:42,834 --> 00:35:45,667 I WAS DRAWN TO THAT TUNE SHE WAS PLAYING 591 00:35:45,750 --> 00:35:47,667 AND I JUST HAD TO LISTEN. 592 00:36:23,125 --> 00:36:25,041 Mrs. Tynan: MUST YOU PLAY THAT? 593 00:36:25,125 --> 00:36:27,709 YOU KNOW I HATE THAT SENTIMENTAL TUNE. 594 00:36:27,792 --> 00:36:30,041 SORRY, IT JUST CAME BACK TO ME. 595 00:36:30,125 --> 00:36:32,083 YOU KNOW, THIS IS THE FIRST PIECE 596 00:36:32,166 --> 00:36:34,125 DADDY EVER ASKED ME TO LEARN. 597 00:36:34,208 --> 00:36:36,041 HIS FACE WOULD LIGHT UP. 598 00:36:36,125 --> 00:36:38,041 STILL SEE HIM STANDING THERE. 599 00:36:38,125 --> 00:36:40,208 I WANT YOU TO DO SOMETHING FOR ME 600 00:36:40,291 --> 00:36:42,208 IF IT'S NOT ASKING TOO MUCH. 601 00:36:42,291 --> 00:36:43,709 OF COURSE. 602 00:36:43,792 --> 00:36:46,041 THE NEW MINISTER WILL BE STAYING HERE 603 00:36:46,125 --> 00:36:47,375 UNTIL THE PARISH RENOVATION 604 00:36:47,458 --> 00:36:48,583 IS COMPLETED 605 00:36:49,000 --> 00:36:52,125 IF THE COMMITTEE APPROVES, WHICH YOUR BROTHER WILL SEE TO. 606 00:36:52,208 --> 00:36:53,625 WHO IS IT THIS TIME? 607 00:36:53,709 --> 00:36:54,583 HE IS THE TOP GRADUATE 608 00:36:54,917 --> 00:36:57,417 FROM THE BARRINGTON SEMINARY, OF COURSE. 609 00:36:57,500 --> 00:37:01,083 YOU KNOW, BARRINGTON CHURCH ALWAYS GETS THE TOP GRADUATE. 610 00:37:01,166 --> 00:37:02,500 TOPS AT BARRINGTON SEMINARY-- 611 00:37:02,583 --> 00:37:05,083 THAT'S LIKE BEING FIRST IN THE SLOW LANE. 612 00:37:05,166 --> 00:37:07,041 WE CAN DO WITHOUT THAT KIND OF ATTITUDE 613 00:37:07,125 --> 00:37:08,750 WHILE HE'S HERE, THANK YOU. 614 00:37:08,834 --> 00:37:10,583 HIS NAME IS PERRY RAY PRUITT. 615 00:37:10,667 --> 00:37:11,750 YOU BE CIVIL TO HIM. 616 00:37:11,834 --> 00:37:13,583 IT'S OUR PRIVILEGE AND OUR DUTY. 617 00:37:13,667 --> 00:37:15,250 WELL, I CERTAINLY WILL TRY. 618 00:37:15,333 --> 00:37:17,125 I WANT YOU TO GO AND PICK HIM UP 619 00:37:17,208 --> 00:37:18,083 AFTER THE MEETING. 620 00:37:18,166 --> 00:37:19,208 TAKE SAMMY WITH YOU. 621 00:37:19,291 --> 00:37:21,166 TOLLIVER HAS WORK FOR HIM AT CHURCH. 622 00:37:21,250 --> 00:37:22,750 AND MAKE SURE SAMMY SITS IN BACK. 623 00:37:22,834 --> 00:37:26,125 I DON'T WANT PEOPLE TO SEE HIM SITTING UP FRONT WITH YOU. 624 00:37:26,208 --> 00:37:29,125 MAYBE I CAN TIE A ROPE TO HIM AND MAKE HIM RUN BEHIND. 625 00:37:29,208 --> 00:37:31,041 ( sighs ) 626 00:37:31,125 --> 00:37:34,500 ( clipping ) 627 00:37:43,250 --> 00:37:44,125 I KEEP THINKING 628 00:37:44,208 --> 00:37:45,709 OF WHEN YOU FIRST CAME TO TOWN 629 00:37:45,792 --> 00:37:48,125 AND TOLLIVER THREW THAT FIRECRACKER AT YOU 630 00:37:48,208 --> 00:37:49,125 TO PROVE YOU WERE DEAF. 631 00:37:49,208 --> 00:37:50,583 I GUESS IF YOU HAD CRUTCHES 632 00:37:50,667 --> 00:37:53,792 HE WOULD'VE KICKED THEM TO PROVE YOU'D FALL OVER. 633 00:37:53,875 --> 00:37:56,458 AND THEY MAKE HIM TREASURER OF THE CHURCH. 634 00:37:56,542 --> 00:37:59,125 PEOPLE THINK IF YOUR DADDY STRUCK IT RICH 635 00:37:59,208 --> 00:38:00,792 YOU KNOW HOW TO HANDLE MONEY. 636 00:38:00,875 --> 00:38:02,208 LIKE FATHER, LIKE SON. 637 00:38:02,291 --> 00:38:03,709 OH, NOT HARDLY. 638 00:38:03,792 --> 00:38:06,417 SOMETIMES IT'S A RELIEF TO KNOW I'M ADOPTED. 639 00:38:09,166 --> 00:38:11,750 GUESS MY SECRET'S SAFE WITH YOU. 640 00:38:14,291 --> 00:38:17,458 MY DADDY WAS A DOLL, SAMMY. 641 00:38:17,542 --> 00:38:21,333 I REMEMBER HE WAS A QUIET MAN. 642 00:38:21,417 --> 00:38:23,125 WE'D TAKE LONG WALKS 643 00:38:23,208 --> 00:38:25,250 AND HE'D JUST LET ME JABBER ON 644 00:38:25,333 --> 00:38:27,166 JUST LIKE I'M DOING NOW. 645 00:38:27,250 --> 00:38:29,583 YOU REMIND ME OF HIM A LITTLE. 646 00:38:35,250 --> 00:38:36,125 HEY. 647 00:38:36,208 --> 00:38:37,375 ( snaps pictur e) 648 00:38:44,917 --> 00:38:47,667 SO WE'RE GOING TO HAVE A PREACHER AT THE HOUSE. 649 00:38:47,750 --> 00:38:49,792 REVEREND PERRY RAY PRUITT 650 00:38:49,875 --> 00:38:53,792 HAND-PICKED BY THE ONE AND ONLY TOLLIVER TYNAN. 651 00:38:53,875 --> 00:38:55,333 Tolliver: REVEREND PRUITT 652 00:38:55,417 --> 00:38:57,583 THE COMMITTEE HAS UNANIMOUSLY APPROVED 653 00:38:57,667 --> 00:39:00,875 YOUR APPOINTMENT AS THE NEW PASTOR OF BARRINGTON CHURCH. 654 00:39:00,959 --> 00:39:03,166 THE MANY AFFIRMATIONS WE HAVE RECEIVED 655 00:39:03,250 --> 00:39:06,208 ONLY UNDERLINE WHAT A PRIVILEGE IT IS FOR ALL OF US 656 00:39:06,291 --> 00:39:08,500 THAT YOU WOULD CONSIDER THIS POSITION. 657 00:39:08,583 --> 00:39:10,875 WELL, I THINK THAT'S ABOUT IT. 658 00:39:10,959 --> 00:39:14,375 YOUR ACADEMIC RECORD SPEAKS FOR ITSELF. 659 00:39:14,458 --> 00:39:16,917 ( hammering ) 660 00:39:17,000 --> 00:39:19,542 WOULD YOU EXCUSE ME? 661 00:39:22,375 --> 00:39:23,417 HEY, DUM-DUM. 662 00:39:23,500 --> 00:39:24,917 FOR CRYING OUT LOUD! 663 00:39:25,000 --> 00:39:26,166 HEY! 664 00:39:29,000 --> 00:39:30,625 SHH! 665 00:39:37,959 --> 00:39:39,208 ( hammering resumes ) 666 00:39:39,291 --> 00:39:40,208 I HAVE A QUESTION. 667 00:39:40,291 --> 00:39:42,291 IF I MIGHT FINISH, LORETTA. 668 00:39:42,375 --> 00:39:44,500 I WAS ONLY GOING TO SAY... 669 00:39:44,583 --> 00:39:46,625 ( hammering ) 670 00:39:46,709 --> 00:39:49,291 WE'LL ALL BE LOOKING FORWARD NOW 671 00:39:49,375 --> 00:39:52,208 TO GIVING YOU HIGH MARKS AS A PREACHER. 672 00:39:52,291 --> 00:39:54,291 THE PULPIT IS THE TEST, RIGHT? 673 00:39:54,375 --> 00:39:56,834 THE TEST? 674 00:39:56,917 --> 00:40:00,917 ( hammering and pounding ) 675 00:40:01,000 --> 00:40:02,625 Tolliver: LORETTA? 676 00:40:03,667 --> 00:40:04,625 WHAT? 677 00:40:05,834 --> 00:40:07,917 YOU HAD A QUESTION. 678 00:40:08,000 --> 00:40:09,917 OH... YES. 679 00:40:10,000 --> 00:40:12,250 I WAS ONLY GOING TO SAY 680 00:40:12,333 --> 00:40:16,333 WE'RE, WELL, WE'RE USED TO THE STABILITY 681 00:40:16,417 --> 00:40:19,875 OF A GOOD WOMAN IN THE PARISH HOUSE. 682 00:40:19,959 --> 00:40:22,291 AND YOU BEING A BACHELOR. 683 00:40:22,375 --> 00:40:23,709 DO YOU THINK 684 00:40:23,792 --> 00:40:24,792 IT'S APPROPRIATE? 685 00:40:24,875 --> 00:40:26,959 I THINK THAT'S NEITHER HERE NOR THERE. 686 00:40:27,041 --> 00:40:28,625 I AM A MEMBER OF THE COMMITTEE 687 00:40:28,709 --> 00:40:30,667 IF I'M NOT MISTAKEN, REBECCA. 688 00:40:30,750 --> 00:40:32,625 Pruitt: NO! 689 00:40:33,750 --> 00:40:35,291 I MEAN, I... 690 00:40:35,375 --> 00:40:39,291 I HADN'T JUST THOUGHT OF UP AND MARRYING, I GUESS 691 00:40:39,375 --> 00:40:41,291 AS PART OF THE JOB. 692 00:40:41,375 --> 00:40:44,250 WELL, I THINK THAT SPEAKS VERY WELL OF YOU 693 00:40:44,333 --> 00:40:45,333 I THINK... REVEREND. 694 00:40:45,417 --> 00:40:48,375 Tolliver: ANYWAY, REVEREND PRUITT... 695 00:40:48,458 --> 00:40:49,959 ( hammering resumes ) 696 00:40:50,041 --> 00:40:52,291 WE HAVE EVERY CONFIDENCE IN YOU. 697 00:40:52,375 --> 00:40:54,375 AND, I'M SURE YOU'LL BE PROUD TO KNOW 698 00:40:54,458 --> 00:40:57,917 YOU WILL BE THE FIRST MINISTER OF BARRINGTON CHURCH... 699 00:40:58,000 --> 00:40:59,792 ( hammering continues ) 700 00:40:59,875 --> 00:41:01,959 ( louder ): TO INITIATE THE CHURCH'S LARGE 701 00:41:02,041 --> 00:41:03,959 NEW BAPTISMAL FONT. 702 00:41:04,041 --> 00:41:05,542 ( hammering continues ) 703 00:41:10,375 --> 00:41:12,250 ( echoing ): IT'S A REGULAR LAKE. 704 00:41:14,542 --> 00:41:16,792 WHICH, BEING THE CASE 705 00:41:16,875 --> 00:41:21,500 I WILL, WITH GOD'S HELP, DO MY... EARNESTMOST 706 00:41:21,583 --> 00:41:25,250 TO MAKE THIS SERVICE THE VERY TOPS. 707 00:41:26,375 --> 00:41:27,041 EARNESTMOST? 708 00:41:27,250 --> 00:41:28,625 FINE, HE'LL DO JUST FINE. 709 00:41:28,709 --> 00:41:30,417 HE'LL DROWN SOMEONE IN THE LAKE. 710 00:41:30,500 --> 00:41:31,500 HE'S JUST NERVOUS. 711 00:41:31,583 --> 00:41:33,000 NERVOUS?! 712 00:41:33,083 --> 00:41:34,375 SAMMY! 713 00:41:37,792 --> 00:41:39,625 HE'S PERFECT, I TELL YOU. 714 00:41:39,709 --> 00:41:43,917 ISN'T THE TYPE TO, UH, PONDER OVER FINANCIAL REPORTS. 715 00:41:44,000 --> 00:41:47,542 REVEREND DRISCOLL WAS CATCHING ON BEFORE HE RETIRED. 716 00:41:47,625 --> 00:41:49,041 AN ACT OF PROVIDENCE. 717 00:41:49,125 --> 00:41:52,375 HELPING YOURSELF TO THE CHURCH INSURANCE FUND 718 00:41:52,458 --> 00:41:54,333 IS AN ACT OF LARCENY, NOT OF PROVIDENCE. 719 00:41:54,417 --> 00:41:55,542 HEY... 720 00:41:55,625 --> 00:41:59,542 YOU DON'T TRUST ME? 721 00:41:59,625 --> 00:42:01,333 WHY SHOULD I? 722 00:42:01,417 --> 00:42:03,834 I DON'T EVEN TRUST ME. 723 00:42:03,917 --> 00:42:06,625 I'M THE ONE NOT SENDING IN THE PREMIUM PAYMENTS. 724 00:42:06,709 --> 00:42:09,834 YOU'RE THE ONE LOSING IT ON ONE BUM DEAL AFTER ANOTHER. 725 00:42:09,917 --> 00:42:12,083 WHAT ARE FRIENDS FOR, PERCY? 726 00:42:12,166 --> 00:42:15,041 FOR SHARING A JAIL CELL, MAYBE. 727 00:42:15,125 --> 00:42:17,041 JUST RELAX. WE'LL PUT IT BACK WITH INTEREST. 728 00:42:17,125 --> 00:42:19,083 WE'VE GONE 100 YEARS WITHOUT TROUBLE. 729 00:42:19,166 --> 00:42:22,500 THE CHURCH IS ONLY 87 YEARS OLD, TOLLIVER. 730 00:42:22,583 --> 00:42:25,125 SEE, WE GOT 13 YEARS' GRACE PERIOD. 731 00:42:25,208 --> 00:42:28,917 I AM IN THE INSURANCE BUSINESS, NOT THE NUMBERS RACKET. 732 00:42:29,000 --> 00:42:30,875 WE'VE GOT TO PAY THE PREMIUM. 733 00:42:30,959 --> 00:42:33,542 CALM DOWN, PERCY, YOU WORRY TOO MUCH. 734 00:42:37,125 --> 00:42:40,083 ( engine idling ) 735 00:42:57,834 --> 00:43:00,375 Thacker Brother: I'M NOT SURE ABOUT THIS. 736 00:43:00,458 --> 00:43:02,417 HOW DO YOU KNOW IT WILL ALL FIT? 737 00:43:02,500 --> 00:43:06,417 Thacker brother 2: DAD'S FIGURED IT ALL OUT. DON'T WORRY. 738 00:43:06,500 --> 00:43:09,667 "DON'T WORRY." WHERE HAVE I HEARD THAT BEFORE? 739 00:43:09,750 --> 00:43:12,417 WHAT DO YOU THINK, ABRAHAM? 740 00:43:12,500 --> 00:43:13,500 WELL... 741 00:43:13,583 --> 00:43:15,083 IT'S THE LAST PLACE I'D LOOK. 742 00:43:15,166 --> 00:43:17,458 TIMING MIGHT BE A PROBLEM. 743 00:43:17,542 --> 00:43:19,834 "WELL, IF IT WERE DONE WHEN 'TIS DONE 744 00:43:19,917 --> 00:43:22,583 THEN 'TWERE WELL IT WERE DONE QUICKLY." 745 00:43:22,667 --> 00:43:24,500 WELL THOUGHT, MACBETH. 746 00:43:26,500 --> 00:43:29,458 TWO TRASH HAULERS STAGING SHAKESPEARE 747 00:43:29,542 --> 00:43:32,667 AT THE BAPTISMAL FONT OF A PROMINENT CHURCH. 748 00:43:32,750 --> 00:43:34,917 IT'S JUST A LITTLE THING, PROBABLY 749 00:43:35,000 --> 00:43:38,458 BUT IT STRUCK ME SOMETHING PECULIAR WAS GOING ON HERE. 750 00:43:38,542 --> 00:43:39,709 WOULDN'T YOU SAY? 751 00:43:44,583 --> 00:43:46,917 "AND HE SAID, 'GO YE, THEREFORE 752 00:43:47,000 --> 00:43:49,125 "AND TEACH ALL NATIONS...' 753 00:43:52,750 --> 00:43:54,792 "BAPTIZING THEM 754 00:43:54,875 --> 00:43:56,917 "IN THE NAME OF THE FATHER 755 00:43:57,000 --> 00:43:58,709 "AND OF THE SON 756 00:43:58,792 --> 00:44:00,667 "AND OF THE... 757 00:44:02,542 --> 00:44:04,250 HOLY GHOST." 758 00:44:10,250 --> 00:44:11,583 OKAY, THEN. 759 00:44:13,208 --> 00:44:14,333 ANYONE? 760 00:44:16,333 --> 00:44:18,291 I MEAN... 761 00:44:18,375 --> 00:44:21,250 ANYONE LIKE TO COME FORWARD AND BE BAPTIZED? 762 00:44:23,875 --> 00:44:25,250 ANYONE AT ALL? 763 00:44:26,583 --> 00:44:27,875 WELL, I MEAN ANYONE 764 00:44:27,959 --> 00:44:30,375 WHO MEETS THE ELIGIBILITY RULES, THAT IS. 765 00:44:31,750 --> 00:44:33,291 Percy: ELIGIBILITY RULES? 766 00:44:33,375 --> 00:44:36,750 WHAT DOES HE THINK THIS IS, THE OLYMPICS? 767 00:44:36,834 --> 00:44:41,291 ( congregation murmuring ) 768 00:45:23,500 --> 00:45:25,625 YOU'RE SAMMY AYERS. 769 00:45:27,500 --> 00:45:29,333 YOU'RE... 770 00:45:29,417 --> 00:45:31,583 SORT OF CUT OFF FROM PEOPLE, I HEAR. 771 00:45:34,875 --> 00:45:36,500 SO AM I. 772 00:45:43,083 --> 00:45:44,917 REVEREND PRUITT. 773 00:45:49,333 --> 00:45:50,709 REVEREND. 774 00:45:51,875 --> 00:45:53,000 CALL? 775 00:45:53,083 --> 00:45:54,959 I DIDN'T HEAR ANY CALL. 776 00:45:55,041 --> 00:45:56,458 MY FOLKS HEARD THE CALL 777 00:45:56,542 --> 00:45:58,000 THAT'S WHO HEARD IT. 778 00:46:01,625 --> 00:46:04,959 YOU CAN TELL. 779 00:46:05,041 --> 00:46:07,291 YOU CAN SURELY TELL. 780 00:46:14,834 --> 00:46:16,250 LORD... 781 00:46:17,375 --> 00:46:20,041 GIVE ME A SIGN. 782 00:46:20,125 --> 00:46:23,375 PLEASE, LORD, ANY SIGN. 783 00:46:23,458 --> 00:46:25,542 OR LET ME GO. 784 00:46:28,083 --> 00:46:29,542 JUST LET ME GO. 785 00:46:50,750 --> 00:46:51,959 HI, SAMMY. 786 00:46:55,875 --> 00:46:58,417 YOU WANT ONE OR TWO? 787 00:46:58,500 --> 00:46:59,792 FOUR? 788 00:46:59,875 --> 00:47:02,917 IT SEEMS LIKE ONE SATURDAY OUT OF THE YEAR 789 00:47:03,000 --> 00:47:04,834 YOU COULD SLEEP PAST 7:00. 790 00:47:04,917 --> 00:47:06,333 SATURDAY. 791 00:47:06,417 --> 00:47:08,417 SATURDAY, SLEEP IN? 792 00:47:10,041 --> 00:47:13,417 NORM WON'T BE IN TODAY. 793 00:47:13,500 --> 00:47:14,959 HE DECIDED TO, UH... 794 00:47:15,041 --> 00:47:17,500 TAKE ONE OF HIS LITTLE TRIPS. 795 00:47:17,583 --> 00:47:19,709 YOU KNOW NORM ON A SATURDAY. 796 00:47:21,166 --> 00:47:22,667 JUST GOES OFF. 797 00:47:22,750 --> 00:47:24,417 NEVER SAYS WHERE. 798 00:47:24,500 --> 00:47:28,083 I DON'T KNOW WHAT THE BIG SECRET IS. 799 00:47:28,166 --> 00:47:31,417 BUT, I GUESS EVERYONE'S ENTITLED. 800 00:47:31,500 --> 00:47:35,417 STILL, I DON'T SEE WHY HE CAN'T TAKE YOU ALONG 801 00:47:35,500 --> 00:47:37,667 ONCE IN A WHILE. 802 00:47:39,166 --> 00:47:40,583 WHAT'S THIS? 803 00:47:40,667 --> 00:47:43,458 "HANG THE CHURCH BULLETIN BOARD IMMEDIATELY," HUH? 804 00:47:43,542 --> 00:47:45,083 PEOPLE IN THIS TOWN 805 00:47:45,166 --> 00:47:48,583 WILL NOT GIVE YOU A REST, WILL THEY? 806 00:47:48,667 --> 00:47:52,875 NOW, NORM FIGURES YOU'VE PROBABLY DONE MORE THINGS 807 00:47:52,959 --> 00:47:56,041 FOR MORE PEOPLE IN THIS TOWN THAN ANYONE 808 00:47:56,125 --> 00:47:58,375 SINCE THE PLACE WAS FOUNDED. 809 00:48:00,875 --> 00:48:03,542 YOU WERE GOOD FOR NORM. 810 00:48:03,625 --> 00:48:04,917 I SAW IT 811 00:48:05,000 --> 00:48:06,542 WHEN YOU FIRST CAME. 812 00:48:06,625 --> 00:48:07,792 ( fat sizzling ) 813 00:48:07,875 --> 00:48:09,083 I COULD SEE 814 00:48:09,166 --> 00:48:11,792 HE WAS GOING TO HANG ONTO YOU 815 00:48:11,875 --> 00:48:14,458 LIKE HIS LIFE DEPENDED ON IT. 816 00:48:14,542 --> 00:48:16,500 FRESH MAPLE SYRUP. 817 00:48:19,458 --> 00:48:21,792 I GUESS WHEN YOU GET RIGHT DOWN TO IT 818 00:48:21,875 --> 00:48:25,375 YOU COULD SAY... WE'RE FAMILY. 819 00:48:27,959 --> 00:48:30,417 NORM WOULD HAVE RETIRED 820 00:48:30,500 --> 00:48:33,417 AND GONE FISHING A LONG TIME AGO 821 00:48:33,500 --> 00:48:36,417 IF IT WEREN'T FOR YOU. 822 00:48:37,875 --> 00:48:39,458 AND YOUR AUNT LUCILLE. 823 00:48:39,542 --> 00:48:40,709 ( giggles ) 824 00:48:43,667 --> 00:48:44,709 WELL... 825 00:48:49,542 --> 00:48:52,166 WE FOUND HER BODY LAYING AROUND HERE. 826 00:48:52,250 --> 00:48:55,542 ( crows cawing ) 827 00:48:55,625 --> 00:48:58,583 A FELLOW WAS ARRESTED A COUPLE OF MONTHS LATER 828 00:48:58,667 --> 00:49:01,166 IN GEORGIA ON ANOTHER MURDER CHARGE. 829 00:49:01,250 --> 00:49:04,125 HE CONFESSED TO THIS ONE. 830 00:49:04,208 --> 00:49:07,917 JANE DOE. 831 00:49:08,000 --> 00:49:09,667 HELEN AYERS. 832 00:49:09,750 --> 00:49:11,208 YEAH. 833 00:49:11,291 --> 00:49:15,500 WELL, MAYBE NOW SHE CAN HAVE A PROPER HEADSTONE. 834 00:49:15,583 --> 00:49:18,208 I GUESS THIS IS THE END OF IT. 835 00:49:18,291 --> 00:49:21,000 NOT QUITE. 836 00:49:21,083 --> 00:49:24,000 NO... 837 00:49:24,083 --> 00:49:26,458 NEVER IS, IS IT? 838 00:49:27,667 --> 00:49:29,500 GOT OFF THE BUS OVER THERE 839 00:49:29,583 --> 00:49:33,208 TO STRETCH HER LEGS, HAVE A DRINK. 840 00:49:33,291 --> 00:49:36,250 THERE'S SOME UNFINISHED BUSINESS AT THE END OF THE LINE. 841 00:49:48,291 --> 00:49:49,375 RUNNING AROUND THE COUNTRY 842 00:49:49,792 --> 00:49:52,583 TAKING PHOTOGRAPHS WHEN YOU SHOULD BE STARTING A FAMILY. 843 00:49:52,667 --> 00:49:55,583 A WOMAN YOUR AGE AND STILL BARREN. 844 00:49:55,667 --> 00:49:56,500 LUCKILY. 845 00:49:56,583 --> 00:49:57,750 THANK YOU, GAIL. 846 00:50:01,333 --> 00:50:03,709 I SEE WE HAVEN'T TAKEN OUR PILLS THIS MORNING. 847 00:50:03,792 --> 00:50:05,583 THEY'RE NOT DOING ME ANY GOOD. 848 00:50:19,834 --> 00:50:22,041 THEY SHOULD BE TAKEN INTERNALLY. 849 00:50:26,709 --> 00:50:29,709 "OH, SINNER, CONSIDER THE FEARFUL DANGER 850 00:50:29,792 --> 00:50:32,166 OF GOD'S EVERLASTING WRATH." 851 00:50:32,250 --> 00:50:34,959 UH... WORM, WORM, WORM, WORM, WORM. 852 00:50:35,041 --> 00:50:36,291 RIGHT, RIGHT. 853 00:50:36,375 --> 00:50:37,834 "THE WORMS SHALL NOT DIE 854 00:50:37,917 --> 00:50:39,834 NEITHER THEIR FIRE BE QUENCHED." 855 00:50:39,917 --> 00:50:42,542 THEN, UH, MOSES... MOSES. 856 00:50:42,625 --> 00:50:44,667 "AS MOSES LIFTED UP THE SERPENT..." 857 00:50:44,792 --> 00:50:47,291 AND THEN... WHAT? 858 00:50:47,375 --> 00:50:51,583 IN THE WOODS, IN THE WILDERNESS, YES! 859 00:50:51,667 --> 00:50:52,834 EVEN SO... 860 00:50:52,917 --> 00:50:54,625 ( rings bicycle bell ) 861 00:50:54,709 --> 00:50:57,959 "THE SON OF MAN BE LIFTED UP... 862 00:50:58,041 --> 00:51:00,625 "AND WHOSOEVER BELIEVETH IN HIM... 863 00:51:00,709 --> 00:51:02,166 "SHALL NOT PERISH... 864 00:51:34,250 --> 00:51:36,667 ( no audio ) 865 00:51:50,041 --> 00:51:51,625 HALLELUJAH! 866 00:51:51,709 --> 00:51:52,875 HALLELUJAH! 867 00:51:52,959 --> 00:51:55,667 HA-LLE-LUJAH! 868 00:51:55,750 --> 00:51:56,375 A SIGN! 869 00:51:56,458 --> 00:51:57,834 A SIGN. 870 00:51:57,917 --> 00:51:59,834 I ASKED FOR A SIGN AND HERE IT IS! 871 00:51:59,917 --> 00:52:02,834 LISTEN TO THIS. 872 00:52:02,917 --> 00:52:05,333 LISTEN TO WHAT HAS BEEN PUT INTO MY HANDS. 873 00:52:05,417 --> 00:52:06,583 "DICKIE DEVIL, LEAD SINGER 874 00:52:07,041 --> 00:52:10,834 "OF THE TOP BRITISH ROCK GROUP THE WEEVILS PROCLAIMED YESTERDAY 875 00:52:10,917 --> 00:52:13,208 'I AM MORE IMPORTANT THAN JESUS CHRIST.'" 876 00:52:13,291 --> 00:52:15,375 IT HURTS EVEN TO UTTER THOSE WORDS. 877 00:52:15,458 --> 00:52:17,250 "GOLD RECORDS BY THE MILLIONS 878 00:52:17,333 --> 00:52:19,709 "ME AND MY DISCIPLES, THE WEEVILS 879 00:52:19,792 --> 00:52:23,667 "ARE MORE FAMOUS THAN JESUS BY FAR. 880 00:52:23,750 --> 00:52:24,458 "LOOK AT OUR CROWDS. 881 00:52:24,792 --> 00:52:26,750 "EVERY RECORD WE MAKE IS A SMASH. 882 00:52:26,834 --> 00:52:28,959 THE WORLD GATHERS WHEN WE WALK ON STAGE." 883 00:52:29,041 --> 00:52:30,875 BURN THEM, I SAY! 884 00:52:30,959 --> 00:52:32,250 OH, HE'S GOOD. 885 00:52:32,333 --> 00:52:33,750 HE'S VERY GOOD. 886 00:52:33,834 --> 00:52:37,667 DON'T YOU THINK CREMATION IS A LITTLE BIT DRAMATIC? 887 00:52:37,750 --> 00:52:38,583 DICKIE DEVIL. 888 00:52:38,917 --> 00:52:40,917 THE DEVIL AT LAST AND HIS WICKED WEEVILS. 889 00:52:44,333 --> 00:52:46,917 WE'LL BUILD A FIRE... 890 00:52:47,000 --> 00:52:49,166 A GIANT FIRE... 891 00:52:49,250 --> 00:52:51,083 AND WE'LL BURN HIS RECORDS. 892 00:52:51,166 --> 00:52:52,375 THOSE SINFUL SYMBOLS 893 00:52:52,458 --> 00:52:55,375 OF LUST AND BLASPHEMY WILL GO UP IN FLAMES! 894 00:53:00,500 --> 00:53:01,959 Percy: BONFIRE?! 895 00:53:02,041 --> 00:53:03,750 TOLLIVER, I GOT A SECOND NOTICE 896 00:53:03,834 --> 00:53:04,625 FROM THE UNDERWRITERS 897 00:53:05,000 --> 00:53:06,917 ASKING ABOUT THE CHURCH INSURANCE PREMIUM. 898 00:53:07,000 --> 00:53:08,792 THEY WANT A CHECK, CERTIFIED, NOW 899 00:53:08,875 --> 00:53:09,917 OR THE INSURANCE LAPSES. 900 00:53:10,000 --> 00:53:11,333 WELL, JUST STALL THEM. 901 00:53:11,417 --> 00:53:12,417 THE DEVIL'S BONFIRE. 902 00:53:12,500 --> 00:53:14,041 CAN'T YOU JUST SEE IT? 903 00:53:14,125 --> 00:53:17,333 CASH, TOLLIVER, IS WHAT I NEED TO SEE! 904 00:53:17,417 --> 00:53:18,417 YOU WANT TO SEE CASH? 905 00:53:18,500 --> 00:53:19,417 WE'RE GOING TO HAVE... 906 00:53:19,500 --> 00:53:20,917 GOOD MORNING, MISS LILY. 907 00:53:21,000 --> 00:53:22,250 GOOD MORNING, TOLLIVER. 908 00:53:22,333 --> 00:53:25,083 WE'RE GOING TO HAVE CROWDS LIKE YOU'VE NEVER SEEN. 909 00:53:25,166 --> 00:53:26,750 PEOPLE WANT TO BE 910 00:53:26,834 --> 00:53:29,250 WHERE THEY'VE SEEN THE BIG BONFIRE RUMPUS ON TV. 911 00:53:29,333 --> 00:53:32,125 THE COLLECTION BASKETS WILL BE SPILLING OVER. 912 00:53:32,208 --> 00:53:35,834 I SEE A BANK BALANCE WITH THE ZEROES GOING OFF THE PAGE. 913 00:53:35,917 --> 00:53:37,041 LISTEN, PLEASE. 914 00:53:37,125 --> 00:53:38,834 WE'RE TALKING ABOUT 915 00:53:38,917 --> 00:53:42,166 EATING OUR MEALS ON TRAYS, TOLLIVER. 916 00:53:42,250 --> 00:53:46,500 WE'RE TALKING ABOUT TAKING SHOWERS IN GROUPS OF 100. 917 00:53:46,583 --> 00:53:47,750 OKAY, OKAY, OKAY. 918 00:53:47,834 --> 00:53:49,250 TAKE IT EASY, TAKE IT EASY. 919 00:53:49,333 --> 00:53:51,083 THE TYNAN NAME IS STILL GOOD 920 00:53:51,166 --> 00:53:52,792 FOR SOMETHING IN THIS TOWN. 921 00:53:52,875 --> 00:53:54,250 I'LL MAKE SOME CALLS. 922 00:53:57,375 --> 00:53:59,458 OH, BOY, OH, BOY, OH, BOY, OH, BOY. 923 00:53:59,542 --> 00:54:02,166 FOR PETE'S SAKE, HAL, YOU KNOW I'M GOOD FOR IT. 924 00:54:04,208 --> 00:54:05,750 OH, YEAH? WELL, LAUGH. 925 00:54:05,834 --> 00:54:07,250 WHEN MY INHERITANCE COMES IN 926 00:54:07,333 --> 00:54:09,750 IT IS WORTH 100 TIMES YOUR ENTIRE BUSINESS. 927 00:54:09,834 --> 00:54:12,125 BOY, AM I GOING TO ENJOY SEEING YOUR FACE 928 00:54:12,208 --> 00:54:15,834 WHEN EVERYBODY IN TOWN'S RIDING THE GRAVY TRAIN AND YOU'RE NOT. 929 00:54:20,208 --> 00:54:21,792 DAMN! 930 00:54:31,458 --> 00:54:34,333 SO YOU'RE STARTING TO SHOW UP ON ME 931 00:54:34,417 --> 00:54:36,250 WHEN IT SUITS YOU? HUH? 932 00:54:36,333 --> 00:54:38,458 DON'T BE SURPRISED... HEY, LOOK AT ME. 933 00:54:38,542 --> 00:54:41,375 DON'T BE SURPRISED IF YOU'RE NOT PAID ON THE DOT. 934 00:54:49,625 --> 00:54:51,542 GO ON, NOW, BEFORE I CALL THE COPS. 935 00:54:51,625 --> 00:54:54,250 YOU'RE ON CHURCH PROPERTY, THIS IS PRIVATE. 936 00:54:54,333 --> 00:54:56,208 Man: I WANT TO SEE A PRIEST. 937 00:54:56,291 --> 00:54:57,959 WE DON'T HAVE PRIESTS. 938 00:54:58,041 --> 00:54:59,917 I GOT TO TALK TO A PRIEST. 939 00:55:00,000 --> 00:55:00,834 I'VE SINNED BAD. 940 00:55:00,917 --> 00:55:02,500 NO, NO, OUT. LET'S GO, GO ON. 941 00:55:02,583 --> 00:55:03,917 YOU DON'T KNOW WHO I AM. 942 00:55:04,000 --> 00:55:05,834 BURLEY MASTERS, HIGHWAY DEPARTMENT. 943 00:55:05,917 --> 00:55:08,375 GOOD-BYE, MR. BURLEY, HIGHWAY DEPARTMENT, BACK TO WORK. 944 00:55:08,458 --> 00:55:10,875 NO, MASTERS. AND THEY FIRED ME. 945 00:55:10,959 --> 00:55:13,792 A LITTLE DRINK AND THEY FIRED ME. 946 00:55:13,875 --> 00:55:15,542 BUT I SHOWED THEM. 947 00:55:15,625 --> 00:55:19,917 I STOLE THE SECRET PLANS FOR THE NEW STATE HIGHWAY 948 00:55:20,000 --> 00:55:23,208 WHERE THE NEW INTERCHANGE, WHERE IT'S GOING. 949 00:55:23,291 --> 00:55:24,291 I STOLE IT. 950 00:55:24,375 --> 00:55:25,500 I STOL IT. 951 00:55:25,583 --> 00:55:26,959 HOLD IT, HOLD IT, HOLD IT. 952 00:55:27,041 --> 00:55:28,583 HAPPENS I SCREEN ALL CONFESSIONS. 953 00:55:28,667 --> 00:55:30,542 MAYBE I CAN MAKE AN APPOINTMENT. 954 00:55:30,625 --> 00:55:34,083 W-W-WELL, I STOLE IT OUT OF SPITE. 955 00:55:34,166 --> 00:55:36,125 I CONFESS. 956 00:55:36,208 --> 00:55:37,959 YOU CAN GIVE IT BACK, RIGHT? 957 00:55:38,041 --> 00:55:39,458 THIS IS MORGAN'S CORNER. 958 00:55:39,542 --> 00:55:42,333 THIS IS WHERE THE NEW HIGHWAY INTERCHANGE IS GOING? 959 00:55:42,417 --> 00:55:45,041 SHH! SHH! 960 00:55:45,125 --> 00:55:46,583 WHO KNOWS ABOUT THIS? 961 00:55:46,667 --> 00:55:49,083 WELL, JUST THE TWO COMMISSIONERS AND ME. 962 00:55:49,166 --> 00:55:50,542 OH, AND YOU. 963 00:55:50,625 --> 00:55:53,083 THE NEW INTERCHANGE. 964 00:55:53,166 --> 00:55:56,166 200 ACRES WORTH A MINT. 965 00:55:56,250 --> 00:55:57,625 PRIME COMMERCIAL. 966 00:55:57,709 --> 00:55:59,417 BUT IT'S SAFE NOW, RIGHT? 967 00:55:59,500 --> 00:56:01,583 SAFE WITH A SERVANT OF THE CHURCH? 968 00:56:01,667 --> 00:56:03,500 OH, YES, SIR, IT'S SAFE INDEED. 969 00:56:03,583 --> 00:56:04,917 OH, THANK YOU. 970 00:56:05,000 --> 00:56:07,083 LET'S DISCUSS THIS OVER A BEVERAGE, HUH? 971 00:56:07,166 --> 00:56:09,583 OH, THAT WOULD BE VERY NICE, THANK YOU. 972 00:56:09,667 --> 00:56:11,583 I GUESS IT WAS RIGHT THERE AND THEN 973 00:56:11,667 --> 00:56:14,166 SEEING THAT POOR MAN BEING VICTIMIZED 974 00:56:14,250 --> 00:56:16,083 BY TOLLIVER'S SELFISH AMBITION 975 00:56:16,166 --> 00:56:18,959 THAT I KNEW I HAD TO DO SOMETHING. 976 00:56:19,041 --> 00:56:23,500 I KNEW I HAD TO FIND SOME WAY TO GET THINGS STRAIGHTENED OUT. 977 00:56:30,000 --> 00:56:31,000 ( birds singing ) 978 00:56:31,083 --> 00:56:32,834 ( low hum of traffic ) 979 00:56:32,917 --> 00:56:37,333 TV newscaster: A huge bonfire will be lit on the church grounds 980 00:56:37,417 --> 00:56:38,542 as a church spokesman said 981 00:56:39,000 --> 00:56:42,792 quote, "to destroy the works of Dickie Devil and his Weevils 982 00:56:42,875 --> 00:56:44,500 which have undermined world morals." 983 00:56:44,583 --> 00:56:47,125 Ironically, it's been learned exclusively 984 00:56:47,208 --> 00:56:49,083 by our Barrington correspondent 985 00:56:49,166 --> 00:56:51,834 that the town's well-known deaf-mute 986 00:56:51,917 --> 00:56:54,834 one Sammy Ayers, who has obviously never been exposed 987 00:56:54,917 --> 00:56:57,000 to the jarring rock and roll of the group 988 00:56:57,083 --> 00:56:59,792 has been chosen to build and light the giant fire. 989 00:56:59,875 --> 00:57:01,917 In other news, the Barrington High... 990 00:57:02,000 --> 00:57:02,917 ( turns TV off ) 991 00:57:03,000 --> 00:57:03,959 DID YOU KNOW THAT? 992 00:57:04,041 --> 00:57:04,959 NO. 993 00:57:05,041 --> 00:57:06,208 ( diners talking ) 994 00:57:06,291 --> 00:57:08,417 THAT TOLLIVER TYNAN THINKS 995 00:57:08,500 --> 00:57:12,875 HE CAN PUSH SAMMY AROUND LIKE A TRAINED CHIMPANZEE. 996 00:57:12,959 --> 00:57:15,875 CHIMP WHO LAUGHS LAST, LAUGHS BEST. 997 00:57:15,959 --> 00:57:16,959 YOU KNOW, IT IS USELESS 998 00:57:17,041 --> 00:57:18,875 TRYING TO TALK TO YOU ANYMORE. 999 00:57:18,959 --> 00:57:20,542 DOESN'T SEEM TO STOP YOU, DOES IT? 1000 00:57:20,625 --> 00:57:22,500 OH! WHAT I AM SAYING, I... 1001 00:57:23,917 --> 00:57:24,750 ( sighs ) 1002 00:57:25,083 --> 00:57:27,959 I DON'T LIKE TO SEE SAMMY MADE A FOOL OF. 1003 00:57:29,000 --> 00:57:30,917 Norm: HMM... 1004 00:57:32,166 --> 00:57:34,834 YOU EVER WONDER WHAT'S GOING THROUGH HIS MIND? 1005 00:57:34,917 --> 00:57:36,834 MM-HMM. 1006 00:57:36,917 --> 00:57:40,166 I GOT A FEELING IT'S WAY MORE THAN AVERAGE. 1007 00:57:40,250 --> 00:57:42,291 YEAH. 1008 00:57:42,375 --> 00:57:44,333 ( birds singing ) 1009 00:57:49,583 --> 00:57:52,875 WOW. THAT IS A LOT OF WOOD, ISN'T IT? 1010 00:57:53,709 --> 00:57:55,625 THAT'S THE NEW PADRE, HUH? 1011 00:57:55,709 --> 00:57:56,625 ( chuckles ) 1012 00:57:56,709 --> 00:57:58,875 YEAH, HE STILL CAN'T COAX ANYBODY 1013 00:57:58,959 --> 00:58:00,166 IN THE BIG BAPTISMAL FONT. 1014 00:58:00,250 --> 00:58:01,250 ( chuckles ) 1015 00:58:01,333 --> 00:58:03,417 BE THANKFUL FOR SMALL BLESSINGS, BOYS. 1016 00:58:03,500 --> 00:58:04,959 WHAT'S HE DECIDED TO DO? 1017 00:58:05,041 --> 00:58:06,375 BURN SOMEBODY AT THE STAKE? 1018 00:58:06,458 --> 00:58:07,542 ( snickers ) 1019 00:58:07,625 --> 00:58:08,583 ( coughs ) 1020 00:58:18,000 --> 00:58:20,917 HOW MUCH WOOD WOULD A WOODCHUCK CHUCK? 1021 00:58:21,000 --> 00:58:22,125 RIGHT? 1022 00:58:27,041 --> 00:58:28,125 YOU SAY YOU WANT US 1023 00:58:28,208 --> 00:58:30,917 TO DO THE SOUTH ROAD RUN ON THURSDAY? 1024 00:58:31,000 --> 00:58:32,917 YEAH, I HAVE TO BE IN ATLANTA. 1025 00:58:33,000 --> 00:58:36,166 Man: I'VE REPRESENTED MR. AYERS IN A NUMBER 1026 00:58:36,250 --> 00:58:38,125 OF MODEST INVESTMENTS OVER THE YEARS. 1027 00:58:38,208 --> 00:58:40,041 SOLID THINGS, NOTHING SPECULATIVE. 1028 00:58:40,125 --> 00:58:41,500 IN THE CASE OF THIS ACREAGE 1029 00:58:41,583 --> 00:58:43,917 WE'D LIKE TO ENTER A COUNTERBID 1030 00:58:44,000 --> 00:58:45,500 TO ACQUIRE A LEASE OPTION. 1031 00:58:45,583 --> 00:58:48,291 WELL, THE OWNER IS, UH, A LITTLE CAUTIOUS-- 1032 00:58:48,375 --> 00:58:49,458 IN THIS CASE. 1033 00:58:49,542 --> 00:58:51,166 NEVER HAVING DONE BUSINESS 1034 00:58:51,250 --> 00:58:52,625 WITH YOUR MR. AYERS HERE. 1035 00:58:52,709 --> 00:58:55,083 WELL, I CAN VOUCH FOR MY CLIENT'S 1036 00:58:55,166 --> 00:58:56,583 FINANCIAL ABILITY TO PAY. 1037 00:58:56,667 --> 00:58:59,583 I DON'T ASSUME THERE'S A HEARING TEST REQUIREMENT 1038 00:58:59,667 --> 00:59:00,625 FOR BUYING PROPERTY 1039 00:59:00,709 --> 00:59:01,959 IN THIS STATE, HMM? 1040 00:59:02,041 --> 00:59:03,083 ( both chuckling ) 1041 00:59:03,166 --> 00:59:04,166 ( clicks on intercom ) 1042 00:59:04,250 --> 00:59:05,959 MISS LARSON, WOULD YOU SEE 1043 00:59:06,041 --> 00:59:08,709 THAT WE HAVE SOME COFFEE SERVED, PLEASE? 1044 00:59:08,792 --> 00:59:10,959 WELL, THE PROPERTY IN QUESTION 1045 00:59:11,041 --> 00:59:13,041 WASN'T ADVERTISED FOR SALE. 1046 00:59:13,125 --> 00:59:15,000 AND, WELL, WHEN SOMEONE 1047 00:59:15,083 --> 00:59:17,250 DEVELOPS A SUDDEN INTEREST IN IT 1048 00:59:17,333 --> 00:59:20,041 IT'S NATURAL FOR US TO WONDER WHY. 1049 00:59:30,792 --> 00:59:32,709 I THINK I NEED A MOMENT ALONE 1050 00:59:32,792 --> 00:59:34,417 WITH YOUR CLIENT. 1051 00:59:34,500 --> 00:59:36,458 SHALL WE WAIT OUTSIDE? 1052 00:59:38,500 --> 00:59:40,458 ( chuckling ) 1053 00:59:41,792 --> 00:59:44,291 ( resumes chuckling ) 1054 00:59:47,917 --> 00:59:50,375 I WONDERED WHO IT MIGHT BE. 1055 00:59:50,458 --> 00:59:51,750 BUT IT MAKES SENSE 1056 00:59:51,834 --> 00:59:53,375 IT'S YOU, SAMMY AYERS. 1057 00:59:53,458 --> 00:59:56,375 YOU MUST HAVE CAUGHT WIND OF THOSE STOLEN PLANS 1058 00:59:56,458 --> 00:59:58,125 WHEN TOLLIVER DID, RIGHT? 1059 00:59:58,208 --> 01:00:00,375 ( laughing heartily ) 1060 01:00:00,458 --> 01:00:01,417 I THOUGHT SO. 1061 01:00:01,500 --> 01:00:03,125 YOU KNOW, I FIGURE YOU AND I 1062 01:00:03,208 --> 01:00:06,041 ARE THE TWO BIGGEST FRAUDS IN BARRINGTON. 1063 01:00:06,125 --> 01:00:07,917 ME WITH MY LAWYER FRONT MAN 1064 01:00:08,000 --> 01:00:10,667 AND YOU WITH YOUR SELECTIVE SENSES. 1065 01:00:11,709 --> 01:00:12,959 ALL RIGHT. 1066 01:00:13,041 --> 01:00:16,458 LET ME, LET ME GUESS. 1067 01:00:16,542 --> 01:00:19,083 YOU CHECKED OUT THE PROPERTY IN QUESTION 1068 01:00:19,166 --> 01:00:21,417 AND YOU FOUND OUT THAT TOLLIVER 1069 01:00:21,500 --> 01:00:23,792 WAS ABOUT TO INVEST IN A BOTTOMLESS SWAMP. 1070 01:00:23,875 --> 01:00:26,417 NOW HOW COULD THAT BE, YOU WONDER. 1071 01:00:26,500 --> 01:00:29,166 HOW COULD THOSE HIGHWAY PLANS BE SO FAR OFF? 1072 01:00:29,250 --> 01:00:31,125 WELL, FIRST OFF 1073 01:00:31,208 --> 01:00:34,125 BURLEY MASTERS DIDN'T GET FIRED FOR DRINKING ON THE JOB. 1074 01:00:34,208 --> 01:00:36,125 HE GOT FIRED FOR DRAWING UP A MAP 1075 01:00:36,208 --> 01:00:38,625 THAT WAS SO FAR OFF THE ENGINEERS' COORDINATES 1076 01:00:38,709 --> 01:00:40,125 IT WAS IN ANOTHER COUNTY. 1077 01:00:41,166 --> 01:00:42,792 AS A MATTER OF FACT, I OWN 1078 01:00:42,875 --> 01:00:45,792 THAT 182-ACRE MOSQUITO SWAMP-- 1079 01:00:45,875 --> 01:00:47,500 BORN ON IT, MATTER OF FACT. 1080 01:00:47,583 --> 01:00:50,458 SO WHEN I FOUND OUT THAT THERE WAS A SECOND BID 1081 01:00:50,542 --> 01:00:53,959 I KNEW SOMEBODY WAS TRYING TO FORCE TOLLIVER'S ANTE UP 1082 01:00:54,041 --> 01:00:56,083 ON HIS LEASE OPTION. 1083 01:00:56,166 --> 01:00:57,417 AIN'T JUSTICE... 1084 01:00:57,500 --> 01:00:58,458 ( chuckling ) 1085 01:00:58,542 --> 01:01:00,458 ...SWEET SOMETIMES? 1086 01:01:00,542 --> 01:01:02,500 ( laughing ) 1087 01:01:03,542 --> 01:01:04,625 NOW, THEN, PARTNER... 1088 01:01:04,709 --> 01:01:07,500 WHAT DO YOU SAY THAT, UH... 1089 01:01:08,542 --> 01:01:10,875 LAWYER GREER CALLS TOLLIVER... 1090 01:01:12,875 --> 01:01:13,834 AND TELLS HIM 1091 01:01:13,917 --> 01:01:15,917 THAT IT'LL TAKE ANOTHER... 1092 01:01:16,000 --> 01:01:18,041 ( scrawling ) 1093 01:01:18,125 --> 01:01:19,583 ( drops pen ) 1094 01:01:22,709 --> 01:01:24,625 MORE OR LESS? 1095 01:01:24,709 --> 01:01:27,000 ( laughing ) 1096 01:01:34,250 --> 01:01:36,166 IT'S A DONE DEAL. 1097 01:01:36,250 --> 01:01:38,208 ANOTHER OFFER CAME IN 1098 01:01:38,291 --> 01:01:40,500 BUT I TOPPED IT BY $2,000. 1099 01:01:40,583 --> 01:01:42,709 I TOOK A LOAN FROM THE BUILDING FUND. 1100 01:01:42,792 --> 01:01:43,875 JUST TEMPORARY. 1101 01:01:43,959 --> 01:01:45,834 CASHIER'S CHECK FOR TEN GRAND 1102 01:01:45,917 --> 01:01:46,834 IS ON ITS WAY! 1103 01:01:46,917 --> 01:01:48,000 MAN, OH, MAN, OH, M... 1104 01:01:48,083 --> 01:01:49,083 THE BUILDING FUND? 1105 01:01:49,166 --> 01:01:50,917 WE'RE GOING TO PUT OUT THE WORD 1106 01:01:51,000 --> 01:01:53,083 TO JUST A HANDFUL OF REAL ESTATE AGENTS 1107 01:01:53,166 --> 01:01:54,834 THE BIG ONES, DEEP POCKETS ONLY. 1108 01:01:54,917 --> 01:01:56,667 THEY'RE GOING TO BE ON THEIR KNEES 1109 01:01:56,750 --> 01:01:57,917 TO BUY OUR LEASE OPTION 1110 01:01:58,000 --> 01:02:00,083 FOR A HUNDRED TIMES WHAT WE PAID FOR IT! 1111 01:02:00,166 --> 01:02:02,667 TWO HUNDRED WOULD GIVE US A MORE SECURE MARGIN. 1112 01:02:02,750 --> 01:02:03,667 DO I HEAR THREE? 1113 01:02:03,750 --> 01:02:04,667 ( bangs on tabl e) 1114 01:02:04,750 --> 01:02:05,667 I HOPE. 1115 01:02:05,750 --> 01:02:07,208 AH, PERCY, STICK WITH ME 1116 01:02:07,291 --> 01:02:08,959 WE'LL BE STANDING IN CLOVER. 1117 01:02:09,041 --> 01:02:10,208 TAKE A LOOK. 1118 01:02:13,041 --> 01:02:15,000 ( sighs ) 1119 01:02:15,083 --> 01:02:19,709 THIS ISN'T GOING TO BE A HIGHWAY INTERCHANGE. 1120 01:02:19,792 --> 01:02:23,125 THIS IS THE NOTHINGEST NOTHING I EVER SEEN. 1121 01:02:23,208 --> 01:02:25,125 ( insects chirping ) 1122 01:02:25,208 --> 01:02:26,750 MAYBE THERE'S OIL UNDER HERE. 1123 01:02:26,834 --> 01:02:29,000 MAYBE WE ARE FLOATING ON A GUSHER, PERCY 1124 01:02:29,083 --> 01:02:31,542 AND WE DON'T EVEN KNOW IT. 1125 01:02:31,625 --> 01:02:34,083 THERE'S NO OIL UNDER HERE. 1126 01:02:35,125 --> 01:02:36,917 WHAT WE ARE FLOATING ON 1127 01:02:37,000 --> 01:02:39,542 IS THE CHURCH INSURANCE FUND... 1128 01:02:39,625 --> 01:02:41,917 THE PARKING LOT REPAVING FUND... 1129 01:02:42,000 --> 01:02:43,917 THE PARISH RENOVATION FUND 1130 01:02:44,000 --> 01:02:45,750 THE ORGAN FUND...! 1131 01:02:45,834 --> 01:02:51,250 ( siren blaring ) 1132 01:02:51,333 --> 01:02:52,917 ( clinking ) 1133 01:02:53,000 --> 01:02:54,250 ( tires squealing ) 1134 01:02:54,333 --> 01:02:56,250 Thacker: UH-OH. 1135 01:02:56,333 --> 01:02:59,583 DEPUTY MYRON'S UP FROM HIS NAP. 1136 01:03:02,375 --> 01:03:04,250 ( siren trailing off ) 1137 01:03:07,792 --> 01:03:10,667 Man over police radio: Car five, car five... 1138 01:03:10,750 --> 01:03:13,667 Car five, we got a little accident on the corner of... 1139 01:03:14,959 --> 01:03:16,208 EVENING, MYRON. 1140 01:03:16,291 --> 01:03:18,041 YOU KNOW WHY I PULLED YOU OVER 1141 01:03:18,125 --> 01:03:19,583 ARCHIBALD THACKER? 1142 01:03:19,667 --> 01:03:21,625 I DON'T THINK IT WAS FOR SPEEDING. 1143 01:03:21,709 --> 01:03:23,291 THIS RIG WON'T GO MORE THAN 40. 1144 01:03:23,375 --> 01:03:25,333 Y-Y-YOU BEEN DROPPING BITS AND PIECES 1145 01:03:25,417 --> 01:03:27,166 ALONG THE WAY. 1146 01:03:28,750 --> 01:03:30,083 YOU'RE PAID TO PICK UP 1147 01:03:30,166 --> 01:03:32,291 NOT TO, TO DISTRIBUTE... 1148 01:03:34,709 --> 01:03:37,000 I MEAN, AM I, AM I RIGHT ABOUT THAT? 1149 01:03:37,083 --> 01:03:38,667 ( shaking latch ) 1150 01:03:38,750 --> 01:03:40,125 ( birds cawing ) 1151 01:03:40,208 --> 01:03:41,291 WHEN YOU'RE RIGHT 1152 01:03:41,375 --> 01:03:43,166 YOU'RE RIGHT, MYRON. 1153 01:03:43,250 --> 01:03:45,041 WHAT CAN I SAY? 1154 01:03:46,083 --> 01:03:47,125 I'LL TELL YOU WHAT. 1155 01:03:47,208 --> 01:03:49,208 I'M JUST GOING TO WRITE YOU A WARNING 1156 01:03:49,291 --> 01:03:50,291 ARCHIBALD THACKER. 1157 01:03:50,375 --> 01:03:52,333 SO'S YOU DON'T THINK I'M PREJUDICED. 1158 01:03:52,417 --> 01:03:54,166 YOU'RE A GOOD MAN, MYRON. 1159 01:03:54,250 --> 01:03:55,625 NEVER A DOUBT. 1160 01:03:55,709 --> 01:03:56,625 Dispatcher: Myron? 1161 01:03:56,709 --> 01:03:57,667 Myron, you there? 1162 01:03:57,750 --> 01:03:58,667 Listen up. 1163 01:03:59,000 --> 01:04:01,166 The revenue boys say they just passed somebody 1164 01:04:01,250 --> 01:04:02,875 transporting a load of moonshine 1165 01:04:02,959 --> 01:04:04,291 from Billy Hanson's still. 1166 01:04:04,375 --> 01:04:05,792 Could be heading your way. 1167 01:04:05,875 --> 01:04:06,834 Keep your eye out. 1168 01:04:06,917 --> 01:04:08,166 YOU BOYS ARE IN LUCK. 1169 01:04:08,250 --> 01:04:09,834 I GOT BIGGER FISH TO FRY. 1170 01:04:09,917 --> 01:04:11,875 GET THAT REAR LATCH FIXED, HEAR? 1171 01:04:13,709 --> 01:04:16,083 "THE QUALITY OF MOONSHINE IS NOT STRAINED. 1172 01:04:16,166 --> 01:04:18,709 "IT DROPPETH AS A GENTLE RAIN FROM HEAVEN 1173 01:04:18,792 --> 01:04:19,917 FOR 'TIS TWICE BLESSED." 1174 01:04:20,000 --> 01:04:21,166 ALL RIGHT, ALL RIGHT. 1175 01:04:21,250 --> 01:04:23,709 ONE BLESSING IS BLESSING ENOUGH FOR ONE NIGHT. 1176 01:04:23,792 --> 01:04:24,709 PLUG THAT LEAK 1177 01:04:24,792 --> 01:04:26,375 AND LET'S GET ON TO THE CHURCH. 1178 01:04:26,458 --> 01:04:28,000 YOU PLUG IT, YOU WERE THE ONE. 1179 01:04:28,083 --> 01:04:29,041 ME? YOU DO IT. 1180 01:04:42,792 --> 01:04:46,041 OH, HERE, GIVE ME THOSE. 1181 01:04:46,125 --> 01:04:48,959 NO, NO, I DON'T WANT YOU DOING MY LAUNDRY. 1182 01:04:49,041 --> 01:04:51,083 WHO CARES WHAT YOU DON'T WANT? 1183 01:04:51,166 --> 01:04:52,875 THAT LAUNDRY YOU TAKE THEM TO 1184 01:04:52,959 --> 01:04:55,083 MAKES A MISHMASH OUT OF THE COLLARS. 1185 01:04:56,667 --> 01:05:00,667 YOU KNOW, I'VE BEEN THINKING ABOUT WHAT YOU SAID. 1186 01:05:00,750 --> 01:05:05,375 IT'S NOT RIGHT THEM ROPING SAMMY INTO THAT BONFIRE CIRCUS. 1187 01:05:05,458 --> 01:05:06,500 I'LL TELL YOU. 1188 01:05:06,583 --> 01:05:08,959 I'M GOING TO TALK TO THAT TYNAN KID. 1189 01:05:09,041 --> 01:05:10,250 I WOULDN'T. 1190 01:05:11,083 --> 01:05:12,417 NO? 1191 01:05:13,667 --> 01:05:15,917 SOMETHING YOU SAID. 1192 01:05:16,000 --> 01:05:18,458 SAMMY'S HIS OWN MAN. 1193 01:05:18,542 --> 01:05:22,542 WE HAVE BEEN BYSTANDERS FOR A LONG TIME. 1194 01:05:22,625 --> 01:05:25,834 HE'S NOT OURS, YOU KNOW. 1195 01:05:25,917 --> 01:05:27,291 THE HECK HE'S NOT. 1196 01:05:30,834 --> 01:05:32,375 LUCILLE... 1197 01:05:32,458 --> 01:05:33,917 I MEAN, WHO HAS HE GOT? 1198 01:05:37,083 --> 01:05:40,417 I KNOW HE'S FILLED A SPACE FOR YOU. 1199 01:05:41,458 --> 01:05:43,041 JUST LIKE I HAVE, MAYBE. 1200 01:05:52,041 --> 01:05:54,458 YOU DON'T MAKE SENSE MUCH OF THE TIME. 1201 01:05:54,542 --> 01:05:56,291 ( laughs ) 1202 01:05:56,375 --> 01:05:57,375 YES, I DO. 1203 01:05:57,458 --> 01:05:59,291 OH... 1204 01:05:59,375 --> 01:06:00,834 I HEAR THINGS. 1205 01:06:00,917 --> 01:06:03,041 I KNOW YOU LOST A WIFE AND A BABY 1206 01:06:03,125 --> 01:06:04,625 TO THE BIG FLU EPIDEMIC 1207 01:06:04,709 --> 01:06:07,083 WHEN YOU WERE OFF IN FRANCE. 1208 01:06:07,166 --> 01:06:08,375 DON'T YOU SEE? 1209 01:06:08,458 --> 01:06:09,875 I COOK AND ARGUE WITH YOU 1210 01:06:09,959 --> 01:06:12,375 SAMMY'S LEANED ON YOU. 1211 01:06:12,458 --> 01:06:16,417 SORT OF A FILL-IN FAMILY, MAYBE. 1212 01:06:18,500 --> 01:06:22,667 HOW... HOW COME YOU NEVER SAID THAT BEFORE? 1213 01:06:22,750 --> 01:06:23,875 WHAT FOR? 1214 01:06:23,959 --> 01:06:26,375 NEVER TAKE APART A CLOCK THAT'S TICKING. 1215 01:06:26,458 --> 01:06:28,417 ISN'T THAT WHAT THEY SAY? 1216 01:06:31,417 --> 01:06:33,834 32 YEARS. 1217 01:06:33,917 --> 01:06:35,333 33 AND A HALF. 1218 01:06:39,166 --> 01:06:41,333 NO STARCH! 1219 01:06:52,792 --> 01:06:55,625 ( owl hoots, machine creaks ) 1220 01:06:59,834 --> 01:07:02,333 ( machine continues creaking) 1221 01:07:05,166 --> 01:07:08,458 OKAY, THAT'S IT, ROLL THE HOSE. 1222 01:07:12,834 --> 01:07:15,750 ( truck starting ) 1223 01:07:46,458 --> 01:07:47,750 I LEARNED LATER 1224 01:07:47,834 --> 01:07:49,959 THAT ARCHIBALD THACKER OCCASIONALLY MADE 1225 01:07:50,041 --> 01:07:51,125 AN EXTRA DOLLAR OR TWO 1226 01:07:51,500 --> 01:07:54,417 IN THE FROWNED-ON, BUT SORT OF FUN-FILLED BUSINESS 1227 01:07:54,500 --> 01:07:56,458 OF TRUCKING MOONSHINE WHISKEY IN BULK 1228 01:07:56,542 --> 01:07:58,667 FROM STILLS TO WHOLESALERS. 1229 01:08:02,542 --> 01:08:03,792 HIS DELIVERY SCHEDULE 1230 01:08:03,875 --> 01:08:06,417 GOT A LITTLE JAMMED UP THIS PARTICULAR WEEK 1231 01:08:06,500 --> 01:08:10,166 FORCING HIM TO FIND TEMPORARY STORAGE IN THE BAPTISMAL FONT. 1232 01:08:21,041 --> 01:08:22,875 Crowd: WE LOVE THE WEEVILS! 1233 01:08:22,959 --> 01:08:24,083 BAN THE WEEVILS! 1234 01:08:24,166 --> 01:08:25,291 ( horns honking ) 1235 01:08:25,375 --> 01:08:26,667 Boy: WE LOVE THE WEEVILS! 1236 01:08:26,750 --> 01:08:27,792 Man: GET RID OF THEM! 1237 01:08:27,875 --> 01:08:29,041 WE LOVE THE WEEVILS! 1238 01:08:29,125 --> 01:08:31,166 BAN THE WEEVILS! 1239 01:08:31,250 --> 01:08:33,250 BAN THE WEEVILS! 1240 01:08:33,333 --> 01:08:37,000 ( horns honking ) BAN THE... 1241 01:08:40,542 --> 01:08:42,083 ( horns honking ) 1242 01:08:42,166 --> 01:08:44,709 PERRY RAY PRUITT'S BIG IDEA 1243 01:08:44,792 --> 01:08:47,250 HAD BECOME A RUNAWAY BUCKING BRONCO. 1244 01:08:47,333 --> 01:08:48,417 HE'D BEEN THROWN OFF EARLY 1245 01:08:48,834 --> 01:08:51,458 AND HADN'T THE SLIGHTEST IDEA HOW TO GET BACK ON. 1246 01:08:51,542 --> 01:08:52,750 Girl: PROTEST! 1247 01:08:52,834 --> 01:08:53,792 YEAH! 1248 01:08:55,208 --> 01:08:57,291 ( crowd continues chanting ) 1249 01:08:57,375 --> 01:08:58,917 Girl: WE LOVE THE WEEVILS! 1250 01:08:59,000 --> 01:09:01,792 WATCHING HIM LIKE THAT, I FELT SORRY FOR HIM. 1251 01:09:01,875 --> 01:09:03,792 HE KNEW HE SHOULD HAVE BEEN CONSUMED 1252 01:09:03,875 --> 01:09:08,834 WITH A BURNING DESIRE TO PREACH RIGHT HERE AND NOW. 1253 01:09:08,917 --> 01:09:11,417 HE ALSO KNEW HE DIDN'T HAVE A CLUE WHAT TO SAY. 1254 01:09:11,500 --> 01:09:15,417 HE COULDN'T TELL THE SAINTS FROM THE SINNERS IN THIS PLACE. 1255 01:09:15,500 --> 01:09:19,458 TV announcer: Dickie Devil and his rock band, the Weevils 1256 01:09:19,542 --> 01:09:21,959 will miss the big event in Barrington tonight. 1257 01:09:22,041 --> 01:09:23,458 Interviewed in Sydney, Australia 1258 01:09:23,542 --> 01:09:25,041 where the band is on tour 1259 01:09:25,125 --> 01:09:27,500 Dickie Devil seemed pleased with the uproar 1260 01:09:27,583 --> 01:09:29,125 as he had this to say. 1261 01:09:29,208 --> 01:09:31,834 Lucille: HOLD ON, PATIENCE IS A VIRTUE. 1262 01:09:31,917 --> 01:09:32,917 ( girls squealing ) 1263 01:09:33,000 --> 01:09:33,875 Oh, I love Georgia. 1264 01:09:33,959 --> 01:09:35,875 We did super fab in Atlanta! 1265 01:09:35,959 --> 01:09:36,875 Hello, loves! 1266 01:09:36,959 --> 01:09:38,291 Have one on Dickie, eh? 1267 01:09:38,375 --> 01:09:39,500 I love you very much. 1268 01:09:39,583 --> 01:09:41,417 He may do super fab in Atlanta 1269 01:09:41,500 --> 01:09:43,750 but if the crowd gathering now has its way 1270 01:09:43,834 --> 01:09:45,959 he'll burn in Barrington tonight. 1271 01:09:46,041 --> 01:09:47,333 LET ME GET YOU A SPOON. 1272 01:09:47,417 --> 01:09:48,834 On the sports front... 1273 01:09:48,917 --> 01:09:49,834 EXCUSE ME. 1274 01:09:49,917 --> 01:09:51,125 I'M RUNNING OUT OF EVERYTHING. 1275 01:09:51,542 --> 01:09:54,792 the Barrington Fire Chiefs will host a double-header against... 1276 01:09:54,875 --> 01:09:57,500 IT'LL HELP IF YOU TURN THE TV OFF. 1277 01:09:57,583 --> 01:09:59,834 IT'LL BE ALL RIGHT. 1278 01:09:59,917 --> 01:10:00,792 ALL RIGHT, FOLKS! 1279 01:10:00,875 --> 01:10:02,834 EVERYBODY'S GOT TO FINISH UP. 1280 01:10:02,917 --> 01:10:05,000 WE'RE GOING TO CLOSE IN TEN MINUTES. 1281 01:10:05,083 --> 01:10:08,291 BURN THE WEEVILS! 1282 01:10:08,375 --> 01:10:09,959 BONFIRE TONIGHT! 1283 01:10:10,041 --> 01:10:12,000 ( horns honking ) 1284 01:10:14,667 --> 01:10:16,041 BONFIRE TONIGHT! 1285 01:10:16,125 --> 01:10:17,583 GET YOUR ALBUMS AND BURN THEM! 1286 01:10:17,792 --> 01:10:20,875 Thacker: WE SHOULD HAVE GONE BACK AND GOTTEN IT OUT LAST NIGHT. 1287 01:10:20,959 --> 01:10:23,041 NOW WE'LL HAVE TO WAIT TILL TOMORROW. 1288 01:10:23,125 --> 01:10:25,041 DO YOU REALIZE WHAT WE COULD MAKE 1289 01:10:25,125 --> 01:10:28,000 SELLING OFF THAT LOAD OF MOONSHINE TO THIS CROWD 1290 01:10:28,083 --> 01:10:29,250 AT TWO BITS A GLASS? 1291 01:10:29,333 --> 01:10:30,375 ( laughs ) 1292 01:10:30,458 --> 01:10:32,375 YOU HAVE A RETAIL MIND, SON. 1293 01:10:32,458 --> 01:10:35,834 UNFORTUNATELY, WE'RE IN THE WHOLESALE END OF THE BUSINESS. 1294 01:10:35,917 --> 01:10:39,333 ( laughing ) LOOK AT THIS, PERCY, LOOK. 1295 01:10:39,417 --> 01:10:41,250 THAT LAND THING WAS PEANUTS. 1296 01:10:41,333 --> 01:10:43,333 THIS IS WHERE THE GOLD IS. 1297 01:10:43,417 --> 01:10:44,917 WE DON'T HAVE TO GO GET IT. 1298 01:10:45,000 --> 01:10:46,542 THEY'RE BRINGING IT TO US. 1299 01:10:46,625 --> 01:10:48,417 ( laughs ): I CAN PICK A WINNER, HUH? 1300 01:10:48,500 --> 01:10:50,417 Man: GET YOUR HOT BUTTERED POPCORN! 1301 01:10:50,500 --> 01:10:52,834 I THINK I NEED SOMETHING IN MY STOMACH. 1302 01:10:52,917 --> 01:10:54,917 MY, MY, WHAT HAVE WE HERE? 1303 01:10:55,000 --> 01:10:57,875 EVENING, GOVERNOR! 1304 01:10:59,667 --> 01:11:00,625 GOVERNOR, HEAR THAT? 1305 01:11:00,709 --> 01:11:03,000 ( laughing ) 1306 01:11:04,041 --> 01:11:05,875 GOVERNOR. 1307 01:11:05,959 --> 01:11:06,959 ( chortles ) 1308 01:11:07,041 --> 01:11:09,041 Chanting: BAN THE WEEVILS! 1309 01:11:09,125 --> 01:11:10,458 BAN THE WEEVILS! 1310 01:11:12,208 --> 01:11:13,875 Man: IT'S A WAKE-UP CALL. 1311 01:11:13,959 --> 01:11:16,208 Chanting: WE LOVE THE WEEVILS! 1312 01:11:16,291 --> 01:11:17,625 BAN THE WEEVILS! 1313 01:11:17,709 --> 01:11:20,250 ( drummer drumming ) 1314 01:11:20,333 --> 01:11:22,917 ...WZPZ, THIS IS NED CLARK... 1315 01:11:23,000 --> 01:11:24,542 OH, IT'S REVEREND PRUITT HIMSELF. 1316 01:11:24,625 --> 01:11:26,208 REVEREND PRUITT, PLEASE. 1317 01:11:26,291 --> 01:11:28,333 CAN WE GET A FEW WORDS WITH YOU HERE? 1318 01:11:28,417 --> 01:11:30,250 REVEREND PRUITT, I KNOW YOU MUST BE 1319 01:11:30,333 --> 01:11:31,583 DEEPLY MOVED BY THE MAGNITUDE 1320 01:11:31,667 --> 01:11:33,417 OF THIS EVENT YOU'VE INSPIRED. 1321 01:11:33,500 --> 01:11:34,583 THEY'RE GOING TO RUIN 1322 01:11:34,667 --> 01:11:36,041 THE LAWN. 1323 01:11:36,125 --> 01:11:37,542 THEY GOT PLENTY FIREWORKS. 1324 01:11:37,625 --> 01:11:39,041 Woman: Y'ALL BE CAREFUL! 1325 01:11:39,125 --> 01:11:41,625 DON'T GET TOO CLOSE TO THE BONFIRE! 1326 01:11:41,709 --> 01:11:42,667 MR. TYNAN. 1327 01:11:42,750 --> 01:11:44,458 YOUR REACTION TO ALL THE EXCITEMENT 1328 01:11:44,542 --> 01:11:46,458 BUILDING HERE. 1329 01:11:46,542 --> 01:11:49,000 I TELL YOU, NED, THIS IS ENNOBLING, INSPIRING. 1330 01:11:49,083 --> 01:11:51,166 I'M PROUD TO BE A PART OF THIS CRUSADE. 1331 01:11:51,250 --> 01:11:54,291 BARRINGTON TONIGHT WILL SEND A MESSAGE TO THE COUNTRY-- 1332 01:11:54,375 --> 01:11:55,917 TO THE WORLD. 1333 01:11:58,000 --> 01:12:00,375 ( drumming continues ) 1334 01:12:00,458 --> 01:12:03,500 THIS SPOT WILL BE LONG REMEMBERED. 1335 01:12:03,583 --> 01:12:06,917 THE SIN AND BLASPHEMY OF THE LIKES OF DICKIE DEVIL 1336 01:12:07,000 --> 01:12:09,458 ARE ABOUT TO BE DEVOURED BY FIRE. 1337 01:12:09,542 --> 01:12:11,417 THIS IS A NIGHT OF RECKONING. 1338 01:12:11,500 --> 01:12:13,875 SOMETHING TO TELL YOUR GRANDCHILDREN. 1339 01:12:18,959 --> 01:12:21,083 ( rockets whistling ) 1340 01:12:25,959 --> 01:12:30,208 ( crowd gasping ) 1341 01:12:37,291 --> 01:12:39,166 Clark: GET A SHOT. 1342 01:12:39,250 --> 01:12:40,583 QUICK INTERVIEW WITH THE GUY 1343 01:12:40,667 --> 01:12:42,375 THAT'S GOING TO LIGHT THE BONFIRE. 1344 01:12:42,458 --> 01:12:43,917 BE SURE WE GOT THE BONFIRE... 1345 01:12:44,000 --> 01:12:44,959 NOT LONG NOW. 1346 01:12:45,041 --> 01:12:46,834 BLAST-OFF TIME ALMOST HERE. 1347 01:12:46,917 --> 01:12:50,041 I'M STANDING WITH THE MAN WHO WILL CARRY THE TORCH OVER 1348 01:12:50,125 --> 01:12:52,250 AND LIGHT THE DEVIL'S BONFIRE. 1349 01:12:52,333 --> 01:12:53,583 SAMMY IS HIS NAME. 1350 01:12:53,667 --> 01:12:56,208 SAMMY, YOU'RE A DEAF-MUTE, RIGHT? 1351 01:12:56,291 --> 01:12:58,000 AND YOU THINK THAT'S WHY 1352 01:12:58,083 --> 01:13:01,000 THEY CHOSE YOU FOR THIS FIERY JOB, HUH? 1353 01:13:01,083 --> 01:13:03,125 SAMMY, JUST NOD, JUST NOD, SAMMY. 1354 01:13:03,208 --> 01:13:04,125 IT'LL BE FINE. 1355 01:13:04,208 --> 01:13:05,166 EXCUSE ME. 1356 01:13:05,250 --> 01:13:06,500 WHY DON'T YOU JUST ASK HIM 1357 01:13:06,583 --> 01:13:09,041 IF HE PEELS HIS BANANAS BEFORE HE EATS THEM? 1358 01:13:09,125 --> 01:13:10,041 A TALKER. 1359 01:13:10,125 --> 01:13:11,583 WELL, AND YOUR NAME IS? 1360 01:13:11,667 --> 01:13:12,834 UH, JOAN OF ARC. 1361 01:13:12,917 --> 01:13:13,917 I LOVE BONFIRES. 1362 01:13:14,000 --> 01:13:16,250 OH, I SEE YOU HAVE A COUPLE OF 1363 01:13:16,333 --> 01:13:17,333 DICKIE DEVIL RECORDS 1364 01:13:17,417 --> 01:13:18,875 FOR THE BLAZE, NO DOUBT. 1365 01:13:18,959 --> 01:13:21,542 NO, THESE ARE FRANK SINATRA ALBUMS OF MY MOTHER'S 1366 01:13:21,625 --> 01:13:23,959 THAT I'VE BEEN LONGING TO INCINERATE. 1367 01:13:24,041 --> 01:13:27,500 THAT'S THE STORY-- WORLD'S NUTS, FILM AT 11:00. 1368 01:13:27,583 --> 01:13:28,875 WHAT? 1369 01:13:28,959 --> 01:13:29,959 CUT. 1370 01:13:30,041 --> 01:13:31,834 WE SHOULD HAVE STUCK WITH THE MUTE. 1371 01:13:31,917 --> 01:13:33,458 YEAH? 1372 01:13:33,542 --> 01:13:34,458 YOU COMING? 1373 01:13:34,542 --> 01:13:35,959 I'M COMING, I'M COMING. 1374 01:13:36,041 --> 01:13:37,917 STRIKE UP THE BAND, HUH? 1375 01:13:38,000 --> 01:13:38,917 IT'S A PARTY. 1376 01:13:39,000 --> 01:13:40,458 HIT IT, AND... 1377 01:13:40,542 --> 01:13:43,250 ( playing march music poorly) 1378 01:13:43,333 --> 01:13:45,500 COME ON, REVEREND 1379 01:13:45,583 --> 01:13:46,959 HERE WE GO. 1380 01:13:51,709 --> 01:13:53,166 HERE YOU GO, REVEREND. 1381 01:13:55,291 --> 01:13:56,583 TAKE THE TORCH. 1382 01:13:56,667 --> 01:13:58,083 TAKE THE TORCH, REVEREND. 1383 01:13:58,166 --> 01:14:00,458 ( band continues playing ) 1384 01:14:01,542 --> 01:14:03,500 Man: BEAVER, BRING YOUR CAMERA. 1385 01:14:03,583 --> 01:14:05,125 HE'S GOING TO LIGHT IT! 1386 01:14:05,208 --> 01:14:07,208 NOW, GIVE IT TO SAMMY. 1387 01:14:07,291 --> 01:14:08,917 GIVE THE TORCH TO SAMMY. 1388 01:14:09,000 --> 01:14:10,583 GIVE IT TO SAMMY, GO ON. 1389 01:14:10,667 --> 01:14:11,959 GIVE IT TO SAMMY. 1390 01:14:12,625 --> 01:14:13,542 TAKE IT, SAM... 1391 01:14:13,625 --> 01:14:14,542 TAKE THE TORCH. 1392 01:14:14,625 --> 01:14:16,208 IT WAS KIND OF AWFUL... 1393 01:14:16,291 --> 01:14:17,625 TAKE IT. 1394 01:14:17,709 --> 01:14:20,291 I COULD HEAR EVERY SOUR NOTE FROM THE BAND 1395 01:14:20,375 --> 01:14:22,458 EVERY VOICE SCREAMING... 1396 01:14:22,542 --> 01:14:24,083 SAMMY, SAMMY. 1397 01:14:24,166 --> 01:14:27,041 AND I WAS PICTURING THAT DAY OVER 20 YEARS AGO 1398 01:14:27,125 --> 01:14:29,709 WHEN TOLLIVER HELD THE MATCH TO A FIRECRACKER 1399 01:14:29,792 --> 01:14:32,542 TO TRY TO MAKE ME JUMP AND TALK... 1400 01:14:32,625 --> 01:14:34,125 COME ON. 1401 01:14:34,208 --> 01:14:35,500 ...AND HERE I WAS 1402 01:14:35,583 --> 01:14:38,291 LIGHTING HIS BIGGEST FIRECRACKER EVER. 1403 01:14:41,750 --> 01:14:44,542 WELL, I JUST COULDN'T DO IT. 1404 01:14:46,792 --> 01:14:48,041 YAY! 1405 01:14:48,125 --> 01:14:50,041 ( cheering and applause ) 1406 01:14:50,125 --> 01:14:51,959 Woman: OH, THERE IT GOES! 1407 01:14:57,083 --> 01:14:58,375 PRAISE JESUS! 1408 01:15:01,458 --> 01:15:03,041 OH, SAMMY, STAY BACK. 1409 01:15:03,125 --> 01:15:04,375 SAMMY WILL BE ALL RIGHT. 1410 01:15:04,500 --> 01:15:05,959 NOW, DON'T YOU WORRY. 1411 01:15:07,625 --> 01:15:10,000 ( whooping and hollering ) 1412 01:15:11,083 --> 01:15:12,500 NO! IT'S MINE! 1413 01:15:45,041 --> 01:15:48,166 Woman: TOMMY, COME BACK! 1414 01:15:48,250 --> 01:15:49,625 ( fireworks popping ) 1415 01:15:49,709 --> 01:15:50,792 ( whizzing ) 1416 01:15:57,709 --> 01:16:00,125 ( screaming ) 1417 01:16:06,125 --> 01:16:07,750 ( people shrieking ) 1418 01:16:09,542 --> 01:16:12,291 THIS, THIS IS WHAT WE WANT. 1419 01:16:16,792 --> 01:16:18,458 OH, BOY. 1420 01:16:21,125 --> 01:16:23,041 OH, BOY. 1421 01:16:25,375 --> 01:16:27,041 NO INSURANCE. 1422 01:16:28,542 --> 01:16:30,041 NOT A NICKEL. 1423 01:16:30,875 --> 01:16:32,542 GET THOSE HOSES OUT NOW! 1424 01:16:39,208 --> 01:16:40,500 ( siren wailing ) 1425 01:16:43,208 --> 01:16:43,875 NO, NO, NO! 1426 01:16:44,208 --> 01:16:45,834 SOME OF MY PEOPLE MAY BE IN THERE. 1427 01:16:45,917 --> 01:16:47,375 OH, PLEASE, GOD, NO! 1428 01:16:48,875 --> 01:16:50,417 Man: HEY, REVEREND! 1429 01:16:50,500 --> 01:16:51,625 COME BACK! 1430 01:16:51,709 --> 01:16:53,500 DON'T GO IN THERE! 1431 01:16:55,208 --> 01:16:56,625 I CAN'T WATCH THIS. 1432 01:16:56,709 --> 01:16:58,083 DON'T! 1433 01:16:58,166 --> 01:17:00,625 Woman: SWEET JESUS 1434 01:17:00,709 --> 01:17:02,083 WHAT'S HE DOING? 1435 01:17:03,542 --> 01:17:04,417 NO! 1436 01:17:04,500 --> 01:17:05,500 OH, NO! 1437 01:17:10,709 --> 01:17:12,417 NO, NO, NO. 1438 01:17:17,250 --> 01:17:20,166 ( crowd exclaims ) 1439 01:17:25,709 --> 01:17:27,709 ( crowd cheers ) 1440 01:17:27,792 --> 01:17:37,750 ( applause ) 1441 01:17:37,959 --> 01:17:40,291 IT WAS A NIGHT TO REMEMBER. 1442 01:17:40,375 --> 01:17:43,750 PERRY RAY PRUITT HAD FINALLY FELT THE HAND OF THE ALMIGHTY. 1443 01:17:43,834 --> 01:17:47,709 BUT THE FALLOUT FROM THE DEVIL'S BONFIRE 1444 01:17:47,792 --> 01:17:49,750 WAS FAR FROM OVER. 1445 01:18:03,250 --> 01:18:06,417 Congregation: ♪ COME THOU ALMIGHTY KING 1446 01:18:06,500 --> 01:18:08,917 ♪ HELP US THY PRAISE TO SING... ♪ 1447 01:18:09,000 --> 01:18:10,875 THE REVEREND PERRY RAY PRUITT 1448 01:18:10,959 --> 01:18:14,458 FOUND HIS TRUE CALLING THAT NIGHT IN THE FIERY FURNACE. 1449 01:18:14,542 --> 01:18:16,750 THE CONGREGATION WAS INSPIRED 1450 01:18:16,834 --> 01:18:18,875 AND FLOCKED TO HIS BAPTISMS 1451 01:18:18,959 --> 01:18:21,250 PLEDGING TO REBUILD HIS CHURCH 1452 01:18:21,333 --> 01:18:25,166 BRICK BY BRICK, DOLLAR BY DOLLAR. 1453 01:18:33,375 --> 01:18:35,291 ♪ COME THOU ALMIGHTY KING... 1454 01:18:35,375 --> 01:18:36,959 THE VOLUNTEER FIRE DEPARTMENT 1455 01:18:37,041 --> 01:18:38,917 ALSO WELCOMED HIM WITH OPEN ARMS. 1456 01:18:39,000 --> 01:18:40,750 IT JUST SO HAPPENED 1457 01:18:40,834 --> 01:18:44,208 THEY NEEDED A POWER PLAYER FOR THE SOFTBALL PLAYOFFS. 1458 01:18:44,291 --> 01:18:46,250 I WANT A REPEAT PERFORMANCE FROM YOU. 1459 01:18:46,333 --> 01:18:47,291 GOOD TO SEE YOU. 1460 01:18:49,500 --> 01:18:51,959 TOLLIVER TYNAN WASN'T SO LUCK. 1461 01:18:52,041 --> 01:18:57,625 HE WAS CHARGED WITH EMBEZZLING CHURCH FUNDS FOR PERSONAL GAIN. 1462 01:18:57,709 --> 01:18:59,583 GEORGIA v. TYNAN. 1463 01:18:59,667 --> 01:19:04,250 PERCY QUEEN NEVER REALLY STOLE A DOLLAR FOR HIMSELF. 1464 01:19:04,333 --> 01:19:08,208 SO GEORGIA WAS NOT v. HIM FOR ANYTHING. 1465 01:19:08,291 --> 01:19:10,583 AS ALWAYS, TOLLIVER FIGURED 1466 01:19:10,667 --> 01:19:13,917 HE HAD MONEY AND INFLUENCE ON HIS SIDE-- 1467 01:19:14,000 --> 01:19:18,000 THAT HE COULD CHARM HIS WAY OUT OF TROUBLE. 1468 01:19:18,083 --> 01:19:22,625 SO, HE WASN'T EXACTLY COUNTING ON WHAT CAME NEXT. 1469 01:19:22,709 --> 01:19:26,417 ALL RISE. 1470 01:19:29,792 --> 01:19:32,250 PLEASE BE SEATED 1471 01:19:32,333 --> 01:19:34,291 AND COME TO ORDER. 1472 01:19:34,375 --> 01:19:39,000 YOUR HONOR, THE STATE CALLS ITS FIRST WITNESS. 1473 01:19:39,083 --> 01:19:43,583 THE STATE CALLS SAMMY AYERS TO THE STAND. 1474 01:19:43,667 --> 01:19:47,542 ( crowd gasping, talking ) 1475 01:19:47,625 --> 01:19:48,917 Woman: HE CAN'T TALK. 1476 01:19:49,000 --> 01:19:51,250 Woman: I KNOW, WHAT'S HE GOING TO SAY? 1477 01:19:51,333 --> 01:19:53,333 ( laughs ) 1478 01:19:57,375 --> 01:19:59,333 ( Tolliver laughing ) 1479 01:19:59,417 --> 01:20:01,291 ( gavel pound s) 1480 01:20:01,375 --> 01:20:06,417 Judge: I DON'T WANT ANY MORE OUTBURSTS IN THIS COURT. 1481 01:20:19,792 --> 01:20:22,667 ( laughs ) 1482 01:20:29,250 --> 01:20:33,750 DO YOU SWEAR TO TELL THE TRUTH, THE WHOLE TRUTH 1483 01:20:33,834 --> 01:20:39,208 AND NOTHING BUT THE TRUTH IN THE MATTER BEFORE THIS COURT? 1484 01:20:39,291 --> 01:20:43,041 TO MY KNOWLEDGE, IT'S THE ONLY TRIAL 1485 01:20:43,125 --> 01:20:47,125 IN THE HISTORY OF AMERICAN JURISPRUDENCE 1486 01:20:47,208 --> 01:20:51,083 THAT WAS OVER IN JUST TWO SPOKEN WORDS. 1487 01:20:51,166 --> 01:20:53,208 I DO. 1488 01:20:53,291 --> 01:20:59,583 ( people gasping, gavel banging ) 1489 01:21:24,291 --> 01:21:27,542 Sammy: FIRST IT WAS... IT WAS... 1490 01:21:27,625 --> 01:21:31,792 IT WAS JUST A WAY TO HIDE, YOU KNOW, TO PROTECT MYSELF. 1491 01:21:31,875 --> 01:21:33,291 THEN AFTER A WHILE 1492 01:21:33,375 --> 01:21:37,125 EVERYBODY, EVERYBODY THOUGHT I WAS, I WAS DEAF 1493 01:21:37,208 --> 01:21:41,750 AND THEY STARTED TALKING AROUND ME LIKE I WASN'T THERE. 1494 01:21:41,834 --> 01:21:45,667 AND SO I JUST, I, I, I, I KIND OF WENT WITH IT. 1495 01:21:45,750 --> 01:21:50,125 AND NORM AND LUCILLE, THEY WERE SO NICE TO ME 1496 01:21:50,208 --> 01:21:54,000 AND AFTER A WHILE I GOT IN SO, UH, DEEP 1497 01:21:54,083 --> 01:21:59,542 I WAS AFRAID IT MIGHT ALL GO AWAY IF I TOLD THE TRUTH. 1498 01:21:59,625 --> 01:22:01,208 THE FUNNY THING IS 1499 01:22:01,291 --> 01:22:04,125 I LIKED HOW PEOPLE TRUSTED ME 1500 01:22:04,208 --> 01:22:06,583 HOW THEY TALKED TO ME. 1501 01:22:06,667 --> 01:22:09,542 I DIDN'T WANT TO HURT ANYBODY. 1502 01:22:09,625 --> 01:22:13,750 THE WORST THING WAS BACK WHEN WE FIRST MET. 1503 01:22:13,834 --> 01:22:17,333 WHEN TOLLIVER THREW THE CHERRY BOMB. 1504 01:22:17,417 --> 01:22:21,667 WELL, EVER SINCE THEN I WANTED TO TELL YOU. 1505 01:22:21,750 --> 01:22:25,291 TELL ME WHAT? 1506 01:22:25,375 --> 01:22:27,125 WHAT? 1507 01:22:29,917 --> 01:22:33,083 EVERYTHING. 1508 01:22:36,041 --> 01:22:39,291 YOU'RE NOT GOING TO QUIT TALKING AGAIN, ARE YOU? 1509 01:22:39,375 --> 01:22:41,208 NO, NEVER. 1510 01:22:41,291 --> 01:22:47,875 I JUST, WELL, I'M NOT USED TO WORDS. 1511 01:22:47,959 --> 01:22:52,709 EXPLAINING... HOW I FEEL. 1512 01:22:56,250 --> 01:22:59,375 I'M SORRY ABOUT YOUR MOTHER. 1513 01:22:59,458 --> 01:23:03,709 NO, DON'T BE. 1514 01:23:03,792 --> 01:23:05,792 NO. 1515 01:23:07,333 --> 01:23:10,333 NO, SHE DID WHAT SHE WANTED. 1516 01:23:13,625 --> 01:23:17,500 THERE ARE GENERATIONS OF HEART PROBLEMS 1517 01:23:17,583 --> 01:23:18,959 IN THAT FAMILY. 1518 01:23:19,041 --> 01:23:20,917 SHE WOULDN'T LISTEN. 1519 01:23:21,000 --> 01:23:22,417 NO DOUBT ABOUT IT 1520 01:23:22,500 --> 01:23:25,542 SHE SURE WAS SURPRISED YOU COULD TALK 1521 01:23:25,625 --> 01:23:27,458 BUT IT WASN'T YOUR FAULT. 1522 01:23:27,542 --> 01:23:30,959 CAN I ASK YOU SOMETHING? 1523 01:23:31,041 --> 01:23:32,500 YOU REMEMBER A WHILE BACK 1524 01:23:32,583 --> 01:23:34,458 I'D JUST COME HOME FOR MY VISIT? 1525 01:23:34,542 --> 01:23:37,625 I WAS PLAYING THE PIANO 1526 01:23:37,709 --> 01:23:40,375 AND I THOUGHT I SAW YOU LISTENING. 1527 01:23:40,458 --> 01:23:41,625 LISTENING... 1528 01:23:41,709 --> 01:23:44,208 BUT YOU HAD SUCH A STRANGE LOOK ON YOUR FACE. 1529 01:23:47,500 --> 01:23:50,959 MY MAMA HAD A MUSIC BOX. 1530 01:23:51,041 --> 01:23:54,041 IT PLAYED THE SAME TUNE 1531 01:23:54,125 --> 01:23:56,542 AS YOU WERE PLAYING. 1532 01:23:56,625 --> 01:23:58,291 I USED TO LISTEN TO IT 1533 01:23:58,375 --> 01:23:59,875 OVER AND OVER 1534 01:23:59,959 --> 01:24:05,083 WHEN SHE'D BE GONE OR I WAS HAVING A BAD DAY. 1535 01:24:07,083 --> 01:24:08,583 SO MANY YEARS AGO. 1536 01:24:08,667 --> 01:24:12,583 YOU KNOW, THAT WAS MY FATHER'S FAVORITE PIECE. 1537 01:24:12,667 --> 01:24:14,000 WELL, THAT'S NICE. 1538 01:24:14,083 --> 01:24:17,333 I LIKE HAVING SOMETHING IN COMMON WITH YOU. 1539 01:24:27,792 --> 01:24:29,959 SO NOW YOU'RE LEAVING? 1540 01:24:30,041 --> 01:24:31,125 YEAH. 1541 01:24:31,208 --> 01:24:32,917 I GOT MY VOICE. 1542 01:24:33,000 --> 01:24:34,208 IT'S TIME. 1543 01:24:35,542 --> 01:24:38,041 I GOT TO GO TRY IT OUT. 1544 01:24:40,375 --> 01:24:42,500 ( laughing ) 1545 01:24:46,083 --> 01:24:47,500 I'LL MISS YOU. 1546 01:25:01,291 --> 01:25:02,709 WELL, ALL RIGHT, HERE IT IS. 1547 01:25:02,792 --> 01:25:04,500 YOU MEAN YOU HAD IT ALL THESE YEARS 1548 01:25:04,583 --> 01:25:05,709 AND YOU DIDN'T TELL ANYONE? 1549 01:25:05,792 --> 01:25:07,333 WELL, I HAD TO FIND OUT... 1550 01:25:07,417 --> 01:25:08,375 NOT EVEN ME? 1551 01:25:08,458 --> 01:25:09,709 IT WASN'T THE TIME. 1552 01:25:09,792 --> 01:25:11,125 TIME FOR WHAT? 1553 01:25:11,208 --> 01:25:14,333 LUCILLE, I'M TRYING TO TELL YOU. 1554 01:25:14,417 --> 01:25:17,125 FIRST I HAD TO FIND OUT WHAT HAPPENED TO HIS MOTHER 1555 01:25:17,208 --> 01:25:20,041 AND THEN I HAD TO MAKE SURE THAT NOBODY 1556 01:25:20,125 --> 01:25:23,041 COMPLICATED HIS SITUATION. 1557 01:25:23,125 --> 01:25:29,083 WELL, SEEMS TO ME YOU'RE THE ONE WHO'S COMPLICATED THE SITUATION. 1558 01:25:29,166 --> 01:25:30,625 LUCILLE, THAT BOY HEARD 1559 01:25:30,709 --> 01:25:32,750 EVERYTHING WE SAID ALL THIS TIME 1560 01:25:32,834 --> 01:25:35,250 AND HE NEVER SPOKE. 1561 01:25:35,333 --> 01:25:37,709 NOW... I... I... 1562 01:25:37,792 --> 01:25:40,333 I FEEL... I DON'T KNOW... 1563 01:25:40,417 --> 01:25:42,417 I FEEL... 1564 01:25:42,500 --> 01:25:44,166 CHEATED? 1565 01:25:44,250 --> 01:25:46,083 YEAH, I GUESS. 1566 01:25:46,166 --> 01:25:47,375 BETRAYED? 1567 01:25:47,458 --> 01:25:50,166 YEAH. 1568 01:25:50,250 --> 01:25:53,083 HURT? 1569 01:25:53,166 --> 01:25:56,375 WELL, DON'T YOU? 1570 01:25:56,458 --> 01:25:58,333 UH, WELL... 1571 01:26:00,083 --> 01:26:04,166 I JUST THINK HE MUST HAVE DONE WHAT HE HAD TO. 1572 01:26:04,250 --> 01:26:06,125 OH, LUCILLE. 1573 01:26:09,166 --> 01:26:10,500 HERE HE COMES. 1574 01:26:26,917 --> 01:26:30,375 ( dishes rattle ) 1575 01:26:36,291 --> 01:26:38,083 I SUPPOSE I, UH... 1576 01:26:38,166 --> 01:26:42,125 OWE YOU A... 1577 01:26:42,208 --> 01:26:44,542 BIG APOLOGY. 1578 01:26:44,625 --> 01:26:47,667 AN EXPLANATION. 1579 01:26:47,750 --> 01:26:51,417 SOME REASON FOR... 1580 01:26:51,500 --> 01:26:55,125 I DON'T BLAME YOU FOR BEING MAD. 1581 01:26:55,208 --> 01:26:58,083 I'M NOT MAD. 1582 01:27:06,166 --> 01:27:07,208 I'M SORRY, LUCILLE. 1583 01:27:07,291 --> 01:27:08,500 IT'S JUST, WELL... 1584 01:27:08,583 --> 01:27:11,333 EVERYBODY GOT USED TO ME BEING THE WAY THAT I WAS 1585 01:27:11,417 --> 01:27:13,792 AND, WELL, YOU NEEDED SOMEONE TO LISTEN TO 1586 01:27:13,875 --> 01:27:15,834 AND NORM NEEDED SOMEONE TO LISTEN TO HIM 1587 01:27:15,917 --> 01:27:18,500 AND SEE, EVERYBODY NEEDED SOMEBODY TO LISTEN TO HIM 1588 01:27:18,583 --> 01:27:21,166 AND WELL, THE YEARS WENT BY AND TIME PASSED 1589 01:27:21,250 --> 01:27:22,500 AND I JUST KEPT LISTENING. 1590 01:27:22,583 --> 01:27:24,458 AND I DIDN'T WANT TO HURT ANYBODY. 1591 01:27:24,542 --> 01:27:25,750 I CERTAINLY DIDN'T... 1592 01:27:25,834 --> 01:27:27,166 NORM JENKINS 1593 01:27:27,250 --> 01:27:30,125 YOU GET BACK IN HERE AND EXPLAIN THIS SUITCASE. 1594 01:27:33,959 --> 01:27:37,667 WHERE'D THAT COME FROM? 1595 01:27:50,792 --> 01:27:53,625 JUDGE, MAY I SAY SOMETHING 1596 01:27:53,709 --> 01:27:56,208 ON BEHALF OF MY CLIENT? 1597 01:27:56,291 --> 01:27:57,583 NO. 1598 01:27:57,667 --> 01:28:02,875 THIS IS A SAD DAY FOR ME, TOLLIVER. 1599 01:28:02,959 --> 01:28:05,542 I MUST INFORM YOU THAT I AM 1600 01:28:05,625 --> 01:28:07,875 SENTENCING YOU TO TWO YEARS IN STATE PRISON 1601 01:28:07,959 --> 01:28:11,375 FOR THE EMBEZZLEMENT OF CHURCH FUNDS. 1602 01:28:11,458 --> 01:28:15,667 I SAY SAD 'CAUSE I KNEW YOUR FATHER. 1603 01:28:15,750 --> 01:28:17,709 I USED TO FISH WITH HIM. 1604 01:28:17,792 --> 01:28:20,333 A FINER MAN NEVER CAST A FLY. 1605 01:28:20,417 --> 01:28:23,834 Tolliver: HEY, JUDGE NEELY... 1606 01:28:23,917 --> 01:28:25,792 THAT'S WHAT YOU'RE HERE FOR, RIGHT? 1607 01:28:25,875 --> 01:28:28,291 NOW, I FIGURE WITH TIME OFF FOR GOOD BEHAVIOR 1608 01:28:28,375 --> 01:28:30,250 I CAN DO IT STANDING ON ONE FOOT 1609 01:28:30,333 --> 01:28:30,959 NO TIME AT ALL. 1610 01:28:31,125 --> 01:28:32,458 I'LL BE OFF AND RUNNING. 1611 01:28:32,542 --> 01:28:33,625 A BETTER MAN FOR IT. 1612 01:28:33,709 --> 01:28:35,709 LET ME FINISH, IF YOU PLEASE, TOLLIVER. 1613 01:28:35,792 --> 01:28:37,250 YOUR FATHER'S IRONCLAD WILL 1614 01:28:37,333 --> 01:28:41,250 LEFT ALL OF HIS ESTATE UPON THE DEATH OF MRS. TYNAN 1615 01:28:41,333 --> 01:28:42,792 TO HIS ELDEST SON. 1616 01:28:42,959 --> 01:28:45,917 THAT'S ME, JUDGE, AND MY SISTER, TALLASSE, CAN'T CHALLENGE THAT. 1617 01:28:46,000 --> 01:28:46,959 SHE'S ADOPTED. 1618 01:28:47,041 --> 01:28:48,709 WE'VE KNOWN THAT FOR YEARS. 1619 01:28:48,792 --> 01:28:50,583 HECK, I'M THE ONE WHO TOLD HER. 1620 01:28:50,667 --> 01:28:52,458 THAT'S VERY IMPRESSIVE, MR. TYNAN 1621 01:28:52,542 --> 01:28:55,375 BUT NOW LET ME TELL YOU A THING OR TWO. 1622 01:28:55,458 --> 01:29:00,333 THE ELDEST SON IS THE KEY HERE. 1623 01:29:00,417 --> 01:29:02,458 AND AMONG THESE DOCUMENTS 1624 01:29:02,542 --> 01:29:06,834 SWORN TO AND VERIFIED BY YOUR FATHER BEFORE HIS DEATH 1625 01:29:06,917 --> 01:29:12,792 IS THIS NOTARIZED LETTER DATED A YEAR BEFORE HE DIED. 1626 01:29:12,875 --> 01:29:14,917 I'D LIKE TO READ IT 1627 01:29:15,000 --> 01:29:17,291 BECAUSE IT SOUNDS EXACTLY LIKE 1628 01:29:17,375 --> 01:29:19,250 THE ALFRED TYNAN I KNEW. 1629 01:29:19,333 --> 01:29:21,333 THIS HERE PART'S THE MEAT OF IT. 1630 01:29:21,417 --> 01:29:22,333 "I HAVE MET THE LAD 1631 01:29:22,709 --> 01:29:26,250 "AND RECOGNIZED HIM TO BE IN MY OWN TRUE IMAGE. 1632 01:29:26,333 --> 01:29:32,458 "BLUE OF EYES, WIDE OF BROW, BOLD OF CHIN 1633 01:29:32,542 --> 01:29:34,583 "WARM SPIRIT. 1634 01:29:34,667 --> 01:29:37,875 "BORN TO ME OF THE ONLY PERSON 1635 01:29:37,959 --> 01:29:39,959 "WHO SHOWED ME LOVE 1636 01:29:40,041 --> 01:29:45,750 "AND UNSELFISH COMMITMENT. 1637 01:29:45,834 --> 01:29:47,709 HER FULL NAME BEING HELEN AYERS." 1638 01:29:50,000 --> 01:29:54,000 NOW, THE ELDEST SON 1639 01:29:54,083 --> 01:29:56,000 BORN OUT OF WEDLOCK 1640 01:29:56,083 --> 01:29:57,834 TO MISS HELEN AYERS 1641 01:29:57,917 --> 01:30:00,625 SHORTLY BEFORE YOU WERE BORN 1642 01:30:00,709 --> 01:30:02,709 IS SAMMY AYERS. 1643 01:30:11,041 --> 01:30:14,959 TOLLIVER... 1644 01:30:15,041 --> 01:30:17,542 THIS JUST AIN'T BEEN YOUR SUMMER. 1645 01:30:40,542 --> 01:30:43,000 WELL, THERE YOU GO. 1646 01:30:55,291 --> 01:30:57,542 OFF AND ON I'D TELL MYSELF 1647 01:30:57,625 --> 01:31:01,083 "NORM, YOU GOT NO RIGHT TO KEEP HIM HERE." 1648 01:31:01,166 --> 01:31:06,083 AND THEN YOU LOOKED SO HELPLESS 1649 01:31:06,166 --> 01:31:08,834 AND I FIGURED... 1650 01:31:08,917 --> 01:31:11,125 A LITTLE WHILE LONGER. 1651 01:31:15,834 --> 01:31:18,333 WELL, MAYBE I DIDN'T DO IT RIGHT. 1652 01:31:21,166 --> 01:31:22,834 BUT I KEPT THINKING 1653 01:31:22,917 --> 01:31:26,125 MAYBE I OWE IT TO YOUR MOTHER. 1654 01:31:26,208 --> 01:31:29,667 AT LEAST I WAS RIGHT ABOUT THAT ONE. 1655 01:31:29,750 --> 01:31:32,709 I MEAN, SHE DIDN'T DESERT YOU. 1656 01:31:32,792 --> 01:31:36,834 SHE WAS TRYING TO DO RIGHT BY YOU BACK THEN 1657 01:31:36,917 --> 01:31:39,834 AND IT HAPPENED. 1658 01:31:43,583 --> 01:31:45,667 HOW'D YOU FIND HER? 1659 01:31:45,750 --> 01:31:47,792 YEARS OF SATURDAYS 1660 01:31:47,875 --> 01:31:49,834 RIDING ON BUS PASSES 1661 01:31:49,917 --> 01:31:56,250 BACK ALONG THE ROUTE I FIGURED YOU COME. 1662 01:31:59,834 --> 01:32:03,750 I ORDERED A PROPER HEADSTONE. 1663 01:32:03,834 --> 01:32:08,083 YOU CAN GO LOOK AT IT SOMEDAY. 1664 01:32:09,417 --> 01:32:12,542 IF YOU FEEL LIKE IT. 1665 01:32:17,458 --> 01:32:20,750 YOU KNOW, FROM TIME TO TIME 1666 01:32:20,834 --> 01:32:26,500 I'VE THOUGHT IF EVER I COULD PICK OUT A FATHER... 1667 01:32:28,875 --> 01:32:31,417 IT MIGHT BE SOMEBODY PRETTY CLOSE 1668 01:32:31,500 --> 01:32:33,875 TO BEING LIKE YOU. 1669 01:32:36,792 --> 01:32:40,750 NOT EXACTLY, BUT CLOSE. 1670 01:32:47,291 --> 01:32:50,625 OH, SAMMY. 1671 01:32:53,583 --> 01:32:54,792 IN ALL MY YEARS 1672 01:32:55,208 --> 01:32:58,875 I DON'T RECALL ANYBODY EVER SAYING ANYTHING THAT NICE TO ME. 1673 01:33:05,709 --> 01:33:09,959 NOW, WHY DON'T YOU GO ON AND GET OUT OF HERE. 1674 01:33:17,834 --> 01:33:20,583 OH, I... 1675 01:33:20,667 --> 01:33:21,792 ( clears throat ) 1676 01:33:22,166 --> 01:33:23,625 NOW GET. 1677 01:33:33,041 --> 01:33:35,959 WELL, I GUESS I'LL JUST GET. 1678 01:33:56,583 --> 01:33:58,917 I GAVE A LOT OF THE MONEY AWAY. 1679 01:33:59,000 --> 01:34:03,208 NORM AND AUNT LUCILLE WOULD NEVER HAVE TO WORRY A DAY. 1680 01:34:03,291 --> 01:34:05,000 TALLASSE COULD TAKE PICTURES AROUND THE WORLD 1681 01:34:05,083 --> 01:34:06,834 TO HER HEART'S CONTENT. 1682 01:34:07,667 --> 01:34:11,709 THE TYNAN HOUSE WOULD BECOME A HOME FOR STRAY KIDS. 1683 01:34:12,125 --> 01:34:14,542 AS FAR AS TOLLIVER WAS CONCERNED 1684 01:34:14,625 --> 01:34:17,166 WELL, I FIGURED I'D LOST AN ENEMY 1685 01:34:17,250 --> 01:34:18,792 AND GAINED A BROTHER 1686 01:34:18,875 --> 01:34:20,458 WHICH MADE ME FEEL AN OBLIGATION 1687 01:34:20,542 --> 01:34:22,250 TO TAKE CARE OF HIS POCKET MONEY 1688 01:34:22,333 --> 01:34:24,542 WHILE HE SERVED TIME. 1689 01:34:28,208 --> 01:34:32,041 ( horn honking ) 1690 01:34:55,250 --> 01:34:57,750 ST. LOUIS. 1691 01:34:57,834 --> 01:34:59,834 YES, MA'AM. 1692 01:35:11,834 --> 01:35:14,959 SO WHAT ARE YOUR PLANS? 1693 01:35:15,041 --> 01:35:20,542 WELL, I GUESS I DON'T HAVE ANY AT THE MOMENT. 1694 01:35:20,625 --> 01:35:24,792 THEN I GOT ON THE RIGHT BUS. 1695 01:35:31,834 --> 01:35:35,917 I GOT SOMETHING I'D LIKE TO SHOW YOU. 1696 01:35:43,959 --> 01:35:50,166 ( playing "My Ship" ) 1697 01:35:59,667 --> 01:36:07,542 ♪ MY SHIP HAS SAILS THAT ARE MADE OF SILK ♪ 1698 01:36:07,625 --> 01:36:12,875 ♪ THE DECKS ARE TRIMMED WITH GOLD ♪ 1699 01:36:12,959 --> 01:36:22,917 ♪ AND OF GEM AND SPICE, THERE'S A PARADISE IN THE HOLD ♪ 1700 01:36:24,458 --> 01:36:30,041 ♪ MY SHIP'S AGLOW WITH A MILLION PEARLS ♪ 1701 01:36:30,125 --> 01:36:35,542 ♪ AND RUBIES FILL EACH BIN 1702 01:36:35,625 --> 01:36:42,083 ♪ THE SUN SETS HIGH IN A SAPPHIRE SKY ♪ 1703 01:36:42,166 --> 01:36:50,250 ♪ WHEN MY SHIP COMES IN. 1704 01:36:56,250 --> 01:37:00,166 [Captioning sponsored by ARTISAN ENTERTAINMENT 1705 01:37:00,250 --> 01:37:03,875 Captioned by The Caption Center WGBH Educational Foundation] 116321

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