All language subtitles for 5. Chapter - 4.mp4

Welcome, guys.

So let's continue modeling now.

In the last lecture,

I kind of forgot to enable
the screencast, so sorry about that.

I would make sure to remember
for the upcoming lectures.

All right, so this one, let's enable
the overlays

and enable x ray
and see what we have to create.

So are not like the front screen
on the front side of the model.

We only have this thing to create
over here, the small little panel

and over here also.

So let's just quickly do that.

It is really simple.

We just have to follow the same steps
that we have been like

quite a number of times.

Not super shift plus E and the Q,

they sit over
here and they're scaling down

an X and scale it up

on the x axis like this.

Yeah, I think that's pretty good.

This control
and let's apply the scale,

the stab again, this tool for it
select control tonight

and select all these edges.

Now let's just control B

and label them out.

All right.

That's pretty good, in my opinion.

So for this type of like controls,
we can also use the

different operation or we can also
use the Intersect operation.

It is totally up to you,
whatever you want to do,

because as the card is really small,
you can just maybe like select

these to press control, slash
and create this kind of intersection.

And then what you can do is first,
let's move the barrel below

and also make sure to steady

the Bitcoin modifier at the bottom

for both of them

so they're just selectively

modified at the bottom
and move it above.

So what I was mentioning is basically
we can create Intersect like this

and then we can push this
object backwards

to create something like this

that could also work.

Or we can directly use
the different operation,

which in my opinion would be,
I think, a little bit easier

and much better approach

to do everything in here.

You can also look at in the reference
image also,

it does not feel like
it is abandoned inside.

It seems like, okay.

So I think working
with the difference operation

will be much better.

So just select the mode and press
control minus

make sure to just I would just
collapse every single one of them.

And yet now it is much easier.

We can just select this brilliant
modifier and move above the devil

and yeah, you can just

control it now

to make the cutout like really small.

And yeah, I think this in my opinion
looks much better.

Let's do the same for the bottom one.

Also,

I think you've scale it down

as control applied a scale

to stab this, to angle control
and all and select all these edges.

This one for the thank you.

Let's enable extra and press control
B and bring it out again.

All right.

Now be good.

In my opinion.

Right click shapes look and enable.

Or does Autosport

again

select these both this control minus

and just move the barrel modifier
also you move the brilliant modified

above the modifier
and yet we are basically good to go.

So if you look
over here in the reference image,

we also have the bulk view

and we also have this like
small button like thing over here

which we do not really have
enough difference image.

I think we can see it from here.

You can see over here,

but we don't really have a bulk view,
so we can just create that quickly.

So let's see, we can look
at the difference similarly.

So this place, along with this line
that goes over here,

so let's just articulate

over here like this

less than X ended up

I think it is around
the size of this thing like this.

We didn't think or I think it is a
it is smaller than that.

I think this will do this.

Just try and select this
and move it backwards over here

and now just select them both.

Best controlled minus.

First,

let's move the boolean modifier
above the battle modifier

and we can look at the difference
image once.

Yeah, I think it looks alright.

Yeah, I'm happy.

Let's just add the switch now.

So I'll take you again
and make it roughly

this size.

Place it over here

and selectable
so you decrease your size

on the X-axis on the right like this.

And yeah,

I think this looks really good
for the shape.

We have a square at the bottom and
a little cylinder that is poking out.

So press control
to apply the scale force, we can add

a bit modifier to this,
make it a little bit

smoother.

The shift
flux scores are the selected

so that we can bring the cylinder
exactly over here in its

and let's
just look at its shape for now.

So that is really down to the top
in my opinion.

What we can do is just move this
enable artist mode, reestablish

do for it, select all art and select
this complete loop press control V

and yep, I think we basically
have got the shape down.

Yeah, I'm pretty satisfied with.

Let's continue now

it's save
I press three for the right side

you know I think we can start

working on these things over here.

So again, we'll just add

a bunch of objects to create this
cut out and match the defense image.

So let's start.

we can maybe
start this thing over here.

So press shiftless.

D looks at a simple Q

and it is not

really visible over here,
but this thing is like a small dial.

As you can see.
This is like the volume dial.

So we need to create
a small cutout over here.

I think this big

as you can see,
there is like a small box like thing

added over it, really small,
but we can our next more detail

so let's bring this out,

check with the reference image again.

And yeah, I think that's fine.

So let them both press control minus

and we have this with us,
they can click over here

to select this shift
plus S and go to selected.

And now we can add a molecule

like we can use
to create this thing over

here.

We just

All right, next
we have to create the dial.

So I think that is pretty easy.

We can again add a simple cylinder

and now just strategic like this.

So press are then
type 90 and scale it down like this,

scale it up and

then by and scale it down on the
y axis like this,

this ESP and X
and push it in discourse.

Or we can just let's see

this a second.

I'm trying
to get the perfect scale for this

because I'm

I think that's pretty good.

We can select this control
applied escape

obviously shapes move
this and enable auto to smooth

and to make it look a little bit
more like a diagonal slash press.

Step three for each select hold
art and select all of these faces.

Then you can press
I to insert this once

and beside

plus e and extrude faces
along normal.

Then insert this once again
and press IV one more time

so that you can insert
individual faces like this.

And then

again press all this e
then extrude faces along normal

and you can push this outwards
on in words that ever you want.

Maybe you can create
something like this.

And this way
it looks much more like a dial,

in my opinion.

I think the shape is pretty good

for now.

Let's just select this box over here.

The bullet for stack was three.

For three, select and push it inwards

because I don't want
to make the knife too big.

And I think that's good.

Let's continue now press three again.

Enable x three.

And there's this cutout next.

So this is like,
I think a usb-c connector

or some type of external connector
because it is retained over here.

So we can create
that simply no risk that

so great shift and the Q

scale down

there, scale it up

this much, the stab
this one forward select

and based on vertices
over here like this

and now we can force apply to scale,
then we can just press

stab X2 for a select select
both these edges

and then basically press control B

and reduce the BEVERS to two
to create the shape

that it was really easy to do.

You can just

decrease the amount
of segments to talk

and we can easily make this shape.

And yeah, this will be also

before
actually like making the cutout.

I would just duplicate this
and place it over here

and then selected
select this, then best control minus.

I mean, copy this thing over here,
this box

that we created, communicated
and place it over here. Also

select this thing that we created.

And basically what I want to do is
I just want to create like a border

like t, So to do that,
what we can do is press dab, rest

three and select both these spaces
and then just insert

this like this,

this X and delete the faces

and then we can just one forward
select hold.

I select this loop or shift,
and then in this loop

then you can press control
and select bridge loops.

This will basically join them
so that they are not hollow anymore.

And now basically go in, select
this and this

and press and policy
and golf location.

And yet basically here like this,

obviously I would re stab
and it will accelerate

and the selected
and bring it right over here.

I think that looks like

a pretty good outline
that we have given this

so we can like make this metal shape
to give it like a mac encoding.

I think it looks really good.

All right.

The move for the let's quickly
look at in the reference image

and see this mega like thing
that I've created just now.

We will like maybe clear the chip

lighting inside so
it is not really visible over here,

but we can maybe create
something like a USB chip

that has like golden sticks on it.

So let's see this shift.

K looks the cube scaling this down.

Yeah,

I think something like
this looks perfect.

It is really small

and it won't be that visible
so we don't have to go dark.

Needs the

you can

make sure to hit save

now either you just select this piece
and slash on my number

by going to the local more
so that I can just work on this,

this one for the front view
and we can create small boxes onto it

just to create those golden chips
that we usually see

on the USB

began scaling it like this

so that it appears both sides

and yet that's pretty good.

We can now
just directly use to add a modifier.

So the x factor could be zero and

these is exactly like this

and just repeated a couple of times

and I think that's pretty good.

We can press latch
to come out of the local mode again.

Next what I will do is I will
just quickly add the box scale down

and just place it over here
right at the back.

And the reason I'm doing

this is because it would be like
much easier to just select this box

and give it like a black
texture and easily to show

the backside of this USV.

All right,
I'm pretty happy about this.

Let's just save.

I'm press three and let's
see what we have to do next.

We have to create these cutouts now

which have like the labels
for these, like, controls.

So let's just do that.

I the cube lays it over here,

scale it down like this

as control.

Apply the scale.

There's
this duplicate this over here also

and scale it up like this again

and again.

Apply to scale for this also.

Now make sure to just select them
both for us.

Okay, so

the you can select the main body,
hide it, select them both.

So to hide
you just need to press edge.

So I still selected them,
but bring them out over here.

Then press all plus edge
to bring back the hidden objects.

All right.

Now in place them like this
and make sure to select both of them

and then press control
to apply the scale,

then rest up to go into the edit mode
restroom for it.

Select all control note and select
all these for the edges.

Then hold shift control and art.

All three of them.

We select all these edges at once.

Press one.

Okay.

One thing
that I completely forgot this

We don't really have to build
these things over here on this corner

because it is really buried
at this side

only as you can see
the difference image.

So it is only really beveled
over here on two sides

and not on the bottom.

So we don't need to select them,
just hold shift

and manually select
these for these three.

Then just press control.

We give it a couple of segments
and you know, it's

pretty good in my opinion,

shift mode this

and enable artist mode
for both of them.

Select
these two and select this piece.

Then breast control minus,

let's move to modify it
at the bottom.

We have a couple of issues.

Let's just quickly address them.

As I mentioned earlier,
whenever you have like shooting

issues, just move around your objects
a little bit.

And as you see

more often than not,
they will fix themselves.

So it was just being caused
because it was too close to the edge.

I would just bring it up over here

and select all these things. Also

move them ahead a little bit.

It save

and let's see,
I would select these two

and let's try

shooting them in here.

It doesn't really work.

It is kind of giving us
a lot of shading issues.

So let's just keep it in here. Only I

obviously
the cutout is like really small.

So thin here I think is pretty good.

Yeah I think got
object is looking really nice now.

Everything is coming along
pretty well.

And again, this video is like
really done in my opinion now.

So I will hear here watching.

I will see them the next one.