All language subtitles for 4. Chapter - 3.mp4

So let's continue.

Now, I've also opened up
the reference image over here

so that we can side by side
look at it.

And one thing that I'm noticing is

that these things
that we have created over here

and in the defensive end,
if you see them,

they are a little bit bigger
than the ones that we have created.

So let's fix that quickly.

So just select this and to scale it
properly according to the axis,

because we have rotated it
a little bit on the Z.

Just press S, then Z,

and then press that once again and
you will see that it aligns itself

and just increase the scale
on the Z axis

like this.

Yeah,
that's pretty good in my opinion.

I'll select this one for this one.

I think we need
to press the Z again. Yep.

And just scale this one up.

Also like this,
you can press G, NZ and Z once again

and move it downwards like this.

Just increase the scale

a little bit more.

All right, that looks perfect.

Let's continue also, if you will
notice that it is like a very light

like this circle,
like shape around the button,

but we won't be creating it
in the modeling phase.

I will just added later
on by texturing this piece.

In substance,
it would be much easier to do so.

Like for these buttons.

Also, we have the shape over here.

We can add this one
in the modeling phase

only because it is
kind of easier to do so.

So let's just do that. Now.

I will enable the we will press one
for front view and enable x three.

So let's start
by adding a simple cube.

So this is the cube

and let's place it
according to the object over here.

So again, this are rotated a
little bit and scaling down.

You can also view

things like the rotation translation
and the scale over here.

Also in this menu,
if you don't see this menu appear,

you can press RN to bring this up
like this

and select
the item tab from over here and now.

I would just
quickly change the rotation.

So I would just select everything,
put everything to zero,

and for the y axis we can type in -25
degrees.

Yeah, I think that will explicitly

and now just try to scale it properly
according to the defense image,

you can drag an X
and X to move it along the rotation.

This way now press s and x the next.

Once again,
the scaling like this along

the rotation.

All right.

I think that's pretty good now.

So what we can do is we can force
risk control, apply the scheme,

then press tab
and simply press to put it select

all control and select
all these edges to build them.

This one, once again, you need to
look straight and let's see.

We can use this now.

I think this match

is pretty good and it fits perfectly.

Let's select this

change mode, this enable artist mode.

And now I'll just simply select
this first and select

the main object and press control
plus minus.

We need to move the devil
in, modify below this

and yet looks explicitly
just bring this out.

This thing

so that we have like

a really faint cut.

I think we can bring it outwards.

And if you want more,

if you are seeing all these late
big self shading issues,

you can just try moving
your like object around.

And most of the times
they will fix themselves.

Only whenever
you have these shading issues,

you can like just move
the object around just a little bit

and you can find the perfect place
where you are having no issues.

I think

we have to push to do this much
and then we can select

both the buttons and push them back
also like this.

And I think that looks fine.

Next, move

further now
and we can start by making

these buttons over here.

Wait, let me see.

I'm just not liking the depth
of this cutout.

I want to push it
forward a little bit,

but it is giving me a little bit
of shading issues over here.

I am not a fan of.

Let's try adding a normal modifier
to this.

See that fixes it.

Yeah, I think that did it.

If you just turn it off,
you can see all the shading issues.

But if I don't make it normal line,

we don't really have them and we can
yeah, we can push it out

a lot more in my opinion.

All right.

I think that looks much, much better
because it has seen the difference

in the yellow.

So we don't have it like
this cutout too deep.

They are this way.

I think it works best

so you can just out of it and modify
to fix that issue of yours.

Next, let's see
we can select this piece.

And what I want to do is press
that and I want to add bevels

to these edges because over here,
the buttons also it is there.

So you can just press do
in this control node and click over

these edges, then just press control
and beat them out

smoothly.

All right.

That looks much,
much better in my opinion.

All right. So let's hit save.

And now we can start
by creating these buttons over here.

So enable x ray. And let's see,

first we

need to again add a Q scaling down.

Let's play pseudo here for this.

Also, let's try -25 on rotation,
but I don't think it would fit.

I think it six.

Maybe we need to go
take it a little bit more.

So this one
we have to like just eyeball it.

Yeah,
I think that is pretty much okay.

So we can maybe set it to -26.

Yeah, that looks fine to me.

Just control it and apply the skin
rest dab and press to for it.

Select clear control
and like select all these edges

and let's just quickly bevel it.

Yeah, I think that's pretty good.

I would just quickly also open up
the difference image.

So let's open up this one

and we can just quickly
look at how the cutout is placed

so you see

we have one cutout over here
and then we have another one inside.

You have a button.

So first let's create
this outer cutout

shift mode, this enable artist mode.

And while this is selected
extra shift and so select

this man objects
this controlled this minus

and first,
let's move the drill modifier.

Now we need to just move
both of the modifiers, the pivot

and make it normal also.

So let's just select this boolean,
modify it and bring it above them

like this.

And let's see,

what we can do is we can select this,

the stab

press
slash to go into the isolation mode

and press three for free select.

Let's select this batteries,
this slash to come out of the local

mode and press control B
to able to complete face like this.

I think this way our cutout

looks much much better

and now we can just

duplicate this over here selected

side selected the wrong thing

so that this object may shift as D

and just place it
right over here like this.

And now we can select this.

Select
the main object, Press control.

Press minus,

select the bottom boolean modifier
and bring it above the division

and the economic end.

Yeah.

Now we can start
by creating the main button,

so just add another cube

scaling down

located by -26 on the way

to make this one

a little bit bigger
than your defense image,

because we will be using this object
as the cutout

and then we will add the main button
over there.

Just make it a little bit larger.

Press control.

Apply the scale, Stop

this tool for a select whole control
node, select all the edges.

This then for me and very quickly,
like this,

pretty simple.

Then we can do shapes, move
this and enable participant

G and VI and move it
backwards like this.

And before you up to use
the boolean modify

due to duplicate,

then hit right click to place it
exactly at this location

and then while selector

you can select the main object
press control minus

and we have created the cutout,
but we cannot see it

because of the duplicated piece.

So just scaling down a little bit

so that we can see it properly

and is still not that visible, but

yeah, it is dead because it is
like a really small cutout.

It is causing
a little bit of shading issues,

but I don't think that matters that
much because it won't be visible.

Next, let's

shape the button
and make this control apply the scale

Press tab Express three
for face selects and in the face.

And then we can just give
a little face like this

to make it smoother.

Then select
all three of these objects

and bring them out a little bit.

I think earlier one was fine.

Now we can just select this
and select this.

Then press shift.

D And if you remember, we learned
about the copy attributes menu.

So both of them are selected.

Select this, then press control C
and copy location

to bring them exactly at the center.

Then you can just select them
both and move them backwards

like this.

Select this piece

in the middle and select this.

Then press control
minus to create the cutout.

Okay.

I think we forgot to move the bevel
modified.

Next slide. What's causing
all the shading issues?

I totally forgot about it.

So move the bevel, modify it,
and we can normally below this.

And I think this way

it looks much better.

And now I will just select

everything that we just created
all six of them and move them out.

Looks

like this

done of the overlay
to see how it looks.

Yeah, I think that's pretty good.

We are having a little bit of
shading issues here and there, but

I think they are really, really small
and we won't be able to even see

them from side of it.

So I think it's fine.

We don't have to worry
too much about them.

Let's just save and we can continue.

So let's see this one
and next thing that we can do is

we can create these shifts
that are painted over here.

You can see you can see them over
here also on the side of the object.

So let's do that now.

So to do that, you can select
the main object and tab

and you can see just a little bit
of the Z fighting going on.

So when the faces are
like overlapping, it happens.

So the reason this is happening
is because we have used the intersect

of operation of the Boolean modify
to go through names.

So that's why

whenever we go into the edit
mode of the main object,

we are seeing all this.
It does not cause any problem.

But if you want me to show you how
we can fix this, it is really easy.

So whenever we have use
like the Intersect modifier,

if you select any of those objects
and this could be going to the object

data property of this,

you will see this Ford
number is written over here.

So that means
this object data is being shared

by four different objects.

But we learn that every object should
have a unique object data property.

So to do that, we just need to select
the object and click over here.

And as soon as you do that now
the phone is not written.

That means this object
now has a unique object.

Data property.

So now select this one
and you will see treated in the head.

That means now it is being used
by only three objects to just quickly

click on here again and again

and now each
one of them have unique properties.

So now when you select the main
object and stab,

you will see it is not a beauty,

it is just a painting overhead
because of the overlapping faces.

If you want to start
also you can just select this object,

the G then, right?

And bring it out just a little bit.

So just like very, very small level.

And if you should do
like a very small amount

and now you select the main object
for a step,

you will see it is not a beauty,
it is only appearing over here.

So again, I would select this
and you can just because you didn't

buy and push it inwards,
just very small amount.

And now you won't see any kind
of weird issues with your margins.

So press control, select

best three for right side view.

And let's see,
we can just dab enable x three.

You can start by pressing control off

and adding edge loop like this.

Explicit over here.

Now press control light again
and add one

edge loop over here like this

you can hold art
and click on the loop.

The selected

help.

I think that's pretty good
in this one.

Enable X-ray and then press control
and you will see

the edge loop is not really working
properly over here.

So we have to create it
manually and don't want to do that.

So this controller first,
I wanted you to go over here

like this, then press control to add
an edge loop over here like this.

So now what we need to do
is we can disable three for now.

We want to have them placed
at exactly the same height.

You can see they are not
really perfect right now.

So for that we can use snapping.

So you can go over here and enable
vertex snapping.

Just select vertex
snapping some over here.

Now, when you press G

and you

hold control, you
can see you can snap to any vertices.

So the value will properly align
with this edge over here.

This is G, then Z, and lock it on
the Z-AXIS like this.

So just come over here,
President Z to move it.

You can see
it is moving and hold control

and hold it over this vertex
and you can see

the location is no snap
and they both are now

mostly in line at the same height.

So hold select
this, hold and shift, select

this loop and just spread it
and move them upwards.

Now to join them, you can press one

single x ray.

You can select this word to see
who shifts it in this world to see.

Then press
j select them and add the back side.

Also select them both, then drag.

And you can see we have created
the complete loop. Now

let's disable extreme press one and

yeah, we are over here.

So let's move it right over here.

And now we need to do the same thing
again to press control.

I like this

one over here,

this G and Z and hold control, Snap,

select
these two and J to join and select

these to press J to join

or select the complete loop.

Then you can say I'm bringing up
like this,

this control.

And now we need to add
a couple of loops over here.

So let's see how we can do that.

We can add
one like this place is currently

at four loops

on the top like this

Enable extreme and you can just
select all of them at once, just like

this by creating
a selection over this morning

and you will see
everything is selected

because it is on and now you can just
move it over here.

So this one
I moved this one over here.

Now let's see,
we can add a loops over here.

So ag footage looks like this.

You can select them both.

So right
click on here and select them

and then X
and just quickly snap them.

So hold selected to see the next
to move them and snapping

so that all of them
are perfectly in place.

All right.

Now we can select these
two big ds220j

setting these to press G again
and again.

Let's do the same thing over here,

this controller

and you can use a scroll wheel
to increase the number of parts.

So we need for loops.

So we do that for lights
and this one does

do the next
and this could link them all together

just like that.

And now we need to just quickly
join them.

So select all of them one by one
and press to join them together.

And now we have got a perfect loop
that we can select and extrude.

So hold out and let's just select
this complete loop.

Press three for free.

Select, hold and select
this loop like this next explicitly,

and just let me see
if the size is right

and this piece is then X
and increase the size a little bit.

So the spin by

to increase the thickness of this

just a little bit.

Yeah, I think that is perfect.

So now to extrude them,
we need to add them inverts.

So now the selected you can hold
right and look over here and select

this complete loop then hold shifting
out and select this look

again, hold shift

and keep on selecting all the notes
that we have to extrude.

Press one, enable x three

and see if they are placed correctly.

You can also change the edge length

by going over here

and enabling Agilent.

And then you press took
you going to select this edge

and you will see
that the length is original.

He is 0.025 feet if you like.

Move the vertices
you would see the edge.

Lint is changing.

So let's check for both of them.

The edge and the same.

So this one is a little bit larger.

So what we can do is
we can just select this loop

and make it

a little bit pick up.

So it was 0.0282.

And yeah,
now I think they both would be same.

So we can again
just disable edge lint first

or shift the note
and quickly select all of these loops

and now you can just decide

to exclude them and select extrude
which is along normals

and we will extrude them inwards
just like that.

So it's very simple.

You don't have to extrude
in which too much, just a little bit.

And yeah, you can see that
looks pretty good

in my opinion.

So Gameboy is starting to come along
a little bit.

Also, if you want like better control
over your bevel modifier,

you can select the main object goal
in the bevel modifier

and just disable clamp overlap
in the geometry section.

As soon as you do that you will see
everything goes a little bit veer.

But don't worry,
what basically has happened is it

is now no longer clamping the overlap
and if you increase the level

you will see
everything is now gone haywire.

So you just need to control it
very carefully

so maybe we can place it 0.001

or you can just

try checking it
if it works perfectly with 0.002.

Also,

if you see any kind of shading

issues, you can just decrease it
back to 0.001.

So we are seeing a couple of them
over here.

So let's just

look back to 0.0015.

Let's try and find.

So I'm noticing they are like
a lot of shooting issues over here.

I think that is mainly because

they are like
very small boolean modifiers

and they are like very close
to each other.

So basically what I would do is
I would select these two

and just delete them completely

because I don't think
we really need them.

They are really small
and we won't be able to

see them properly
and it is causing to mess up.

Odd like that is too much
so we can just remove them

and we can adjust the bevel
a little bit bigger.

So set it to 0.00 to maybe

an I thing.

In my
opinion that works much, much better.

And we don't have any kind of

shading issues or like overlapping

any even.

All right,
that looks pretty good in my opinion.

There's just see
and I think this is it for this video

anglers watching. I will see
in the next one they continue.