All language subtitles for Hart to Hart S01E08 Max in Love.DVDRip.NonHI.cc.en

THIS IS MY BOSS, JONATHAN HART.

A SELF-MADE MILLIONAIRE.

HE'S QUITE A GUY.

THIS IS MRS. H. SHE'S GORGEOUS.

WHAT A TERRIFIC LADY!

BY THE WAY, MY NAME IS MAX.

I TAKE CARE OF THEM,
WHICH AIN'T EASY

'CAUSE THEIR HOBBY IS MURDER.

WELL, THE THING ABOUT CALIFORNIA
IS THERE AREN'T ANY SEASONS.

DON'T YOU MISS THE SNOW?

ONCE IN A WHILE.

UNTIL I REMEMBER HOW MUCH
TIME I USED TO SPEND SHOVELING IT.

YEAH, BUT THE THING IS,
IT'S ALWAYS SPRING HERE.

"IN THE SPRING A
YOUNG MAN'S FANCY

LIGHTLY TURNS TO
THOUGHTS OF LOVE."

OH, MAX.

YOU'RE SWEET.

YOU MAKE ME FEEL THAT WAY.

THAT'S THE TROUBLE
WITH THIS GENERATION.

WHAT?

THEY DON'T KNOW HOW TO
TAKE A WALK IN THE PARK.

A RIDE IN THE PARK, A SKATE
IN THE PARK, BUT NO WALKS.

THEY DON'T KNOW
WHAT THEY'RE MISSING.

OH, HEY, DIDN'T YOU SAY YOU HAD TO TAKE
THE HARTS SOMEWHERE THIS AFTERNOON?

RIGHT. WHAT TIME IS IT? -00.

YEAH, WE BETTER GET GOING.

YOU KNOW, YOU'RE THE
FIRST WOMAN I EVER MET

WHO MADE ME WISH I WAS RETIRED.

I LIKE YOU JUST THE WAY YOU ARE.

AIN'T IT TERRIFIC US TWO
PERFECT PEOPLE MET EACH OTHER?

YES.

HI, MAX. READY TO
GO TO THE AUCTION?

YOU BET, MR. H.

I WAS JUST LOOKING
THROUGH THE CATALOG.

OH, THAT'S WHERE IT WENT. I
THOUGHT FREEWAY BURIED IT.

OH, I'M SORRY, MRS. H, BUT THAT'S THE
FIRST TIME I'VE EVER SEEN ONE OF THOSE.

OH, ITS OK. SEE
ANYTHING YOU LIKE?

NO, BUT I SURE SAW SOMETHING
THAT CHARLOTTE WOULD LIKE.

THEN WE CAN ASSUME THAT YOU AND
MISS CHARLOTTE FLEMING ARE SERIOUS?

IT'S JUST PLUTONIC.

PLATONIC, MAX.

THAT, TOO. BUT WHAT
IT ISN'T, IS SERIOUS.

WHAT ITEM IS IT?

UH, LET'S SEE, 105.

105.

THERE.

"GOLD DROP
EARRINGS, CIRCA 1860."

THAT MEANS AROUND 1860.

VERY PRETTY.

WHAT'S THE ESTIMATE?
I'LL LOOK IT UP.

$100 TO $300.

"$100 TO $300."

YOU KNOW, FOR SOMEONE WHO'S
NEVER SEEN AN AUCTION CATALOG,

YOU SURE LEARNED
HOW TO READ ONE FAST.

WELL, IT'S SOMETHING
LIKE THE RACING FORM,

ONLY NOT SO EXPENSIVE
IN THE LONG RUN.

LET'S GO.

YOU KNOW, MR. H,

IF THE WAY TO A MAN'S HEART
IS THROUGH HIS STOMACH,

THEN THE WAY TO A WOMAN'S
HEART IS ON HER EARS.

MAX, THAT IS BEAUTIFUL.

THEY JUST LEFT. YOU
CAN BRING THE VAN UP.

I'M GOING TO OPEN THE GATE.

IT'S GOING TO BE A
PIECE OF CAKE. LET'S GO.

$4,400. $4,400. $4,500.

DO I HAVE $4,600?
$4,600. $4,600. $4,600.

$4,700. $4,800.

THANK YOU, $4,800.
DO I HEAR $4,900?

I HAVE A $4,900.
THANK YOU VERY MUCH.

GOING ONCE. GOING
ONCE AT $4,900. $5,000.

DO YOU LIKE IT?

FOR A SONG AND A DANCE, YES.

BUT FOR AN ARM AND
A LEG, NO, THANK YOU.

I'M GLAD.

BECAUSE I LIKE YOUR ARMS AND
YOUR LEGS THE WAY THEY ARE.

I HAVE $5,500...

WHAT ABOUT THE LOCKS?

NEVER MIND THE LOCKS. WHAT
ABOUT THE ALARM SYSTEM?

WHY WORRY ABOUT LOCKS AND
ALARMS WHEN YOU HAVE THE KEYS?

I THINK IT WAS WORTH IT.

EXCUSE ME.

GOOD BOY.

EASY, BABY. OH, GOOD, GOOD BOY.

GOOD FELLOW.

EASY. GOOD GUY.
GOOD BOY. GOOD BOY.

WE WILL START THE BIDDING
ON ITEM NUMBER 104 AT $5,000.

DO I HAVE A BID FOR $5,000?
THANK YOU VERY MUCH...

THIS IS THE LAST OF THE SILVER.

THE JEWELRY'S NEXT.

PATIENCE, MAX.

I HOPE NOBODY OUTBIDS ME.

WHAT'S YOUR LIMIT?

$200. THAT'S 100 CLAMS IN HERE.

$5,500.

I HAVE $5,500. I HAVE
$5,500. DO I HAVE $5,600?

$5,600 ONCE, $5,600
TWICE, $5,600 3 TIMES.

SOLD TO THE GENTLEMAN IN THE
REAR WITH PADDLE NUMBER 74.

WE'RE MOVING ALONG
NOW TO THE JEWELRY LOT.

UH, HOWEVER, BEFORE... BEFORE WE
OPEN THE BIDDING ON THAT NECKLACE,

I'D LIKE YOU TO NOTE IN
YOUR CATALOGS, PLEASE,

THAT ITEM NUMBER 105, THE GOLD
DROP EARRINGS, HAS BEEN WITHDRAWN.

THANK YOU VERY MUCH.

WE'RE GOING TO START
WITH A NECKLACE...

WHAT HAPPENED?

I DIDN'T GET A CHANCE
TO GET MY PADDLE UP.

BEATS ME, MAX. I'LL ASK
MR. SPRINGFIELD ABOUT IT AFTER THE SALE.

CUT STONES OF ONE
AND 3 QUARTER CARATS

FASTENED BY 3 EMERALD-CUT
GEMS, 3 AND 3 QUARTER CARATS...

COME ON, YOU GUYS, WE
DON'T HAVE THAT MUCH TIME.

LADIES AND GENTLEMEN, THAT
CONCLUDES THE BIDDING FOR TODAY.

THANK YOU FOR YOUR ATTENDANCE.

THOSE EARRINGS WOULD'VE
LOOKED GREAT ON CHARLOTTE.

WELL, I'LL ASK MR. SPRINGFIELD
WHAT HAPPENED TO THEM, MAX.

DON'T WORRY, MAX, I'M SURE YOU
CAN FIND SOMETHING ELSE FOR HER.

THAT'S NOT THE PROBLEM.

IT'S FINDING SOMETHING
I CAN AFFORD.

MRS. HART, MR. HART.

MR. SPRINGFIELD.

WHAT HAPPENED TO 105?

AH, DO YOU MEAN THESE?

THAT'S THEM. THOSE ARE THE ONES.

THE ONES?

WHY WEREN'T THOSE
UP FOR AUCTION?

WELL, OCCASIONALLY,
AN ITEM IS WITHDRAWN

WHEN THE OWNERS
HAVE A CHANGE OF HEART.

AND THAT'S WHAT
HAPPENED TO THE EARRINGS?

EXACTLY. HOWEVER, IN THIS CASE,
THE OWNERS HAVE CALLED BACK

AND DECIDED TO LET
THEM GO AFTER ALL.

YOU MEAN I CAN BID ON THEM?

IF YOU WISH.

WHO'S GOING TO BID AGAINST ME?

DON'T LOOK AT ME, I'M ON
YOUR SIDE. ME, TOO, MAX.

IN THAT CASE I SHALL BE FORCED

TO LET YOU HAVE THEM
AT THE LOWEST ESTIMATE.

THAT WOULD BE $100.

GOING, GOING, GONE!

GEE, AIN'T THEY GORGEOUS?

SAY, THAT WAS A PRETTY NEAT
TRICK. HOW DID YOU MANAGE THAT?

I JUST GAVE HIM
THE OLD FISH-EYE.

THE OLD FISH-EYE? HOW WAS THAT?

THE FISH-EYE? YEAH.

OH, I THOUGHT THAT WAS THE LEER.

THE LEER IS...

OH, THAT'S GOOD. NOW
GIVE ME THE FISH-EYE.

THE FISH-EYE?

IF CHARLOTTE LIKES
THESE EARRINGS

HALF AS MUCH AS YOU TWO ARE
GONNA LIKE HER COOKING TONIGHT,

I'LL BE IN LIKE FLYNN.

I'LL CALL THE POLICE.

OH!

IF THEY HAVEN'T
TAKEN THE PHONES.

FREEWAY?

FREEWAY? FREEWAY?

FREEWAY. FREEWAY.

HERE, BOY, HERE, BOY,
HERE, BOY. COME ON. STOP.

THAT'S A GOOD
PUPPY. OH, THE BABY.

YOU ALL RIGHT, FREEWAY? HUH?

WE'RE GOING TO HAVE TO MOVE
THIS ENTIRE LOT OUT OF TOWN.

AS SOON AS WE GET THIS
STUFF UP TO SAN FRANCISCO

IT'S GOING TO BE
WORTH A BUNDLE. HUH!

WHICH BRINGS ME TO THE SPLIT.

60-40, THE SAME
ARRANGEMENT WE AGREED ON.

NO MORE 60-40.

WE'RE THE ONES WHO TAKE
ALL THE RISKS. NOT QUITE.

IF THE POLICE FIND ANYTHING,
THEY'RE GOING TO FIND IT HERE.

50-50 OR WE DON'T DO
BUSINESS ANYMORE.

FINE, THEN WE DON'T DO BUSINESS.

YOU THINK IT'S GOING TO BE THAT
EASY TO FIND SOMEBODY ELSE?

I'M POSITIVE. WHAT'S
MORE, YOUR REPLACEMENT

IS GOING TO BE FAR MORE CLEVER,

FAR MORE RELIABLE,
AND FAR LESS GREEDY.

QUITE FRANKLY, I DON'T KNOW WHY
YOUR PARTNER PUTS UP WITH YOU.

SHE MERITS SOMETHING BETTER, WHICH
WOULD QUALIFY PRACTICALLY ANYONE.

LET GO OF HIM. STOP IT.

STOP IT. LET GO OF HIM.

I SAID LET GO OF HIM.

STOP! WHAT'S GOING ON?

YOUR PARTNER'S
NEGOTIATING TECHNIQUES

LEAVE A GREAT
DEAL TO BE DESIRED.

EDGAR, I TOLD YOU TO FORGET IT.

VERY WISE, CHARLOTTE.

HOW MUCH DO YOU THINK
ALL OF THIS IS WORTH?

I WOULD ESTIMATE IN THE
NEIGHBORHOOD OF $80,000.

40% OF $80,000 IS A PRETTY
PROFITABLE NEIGHBORHOOD.

YOU'LL LET US KNOW
WHEN IT'S SOLD.

WE'LL BE IN TOUCH.

COME ON, EDGAR.

AS SOON AS WE GET
BACK TO THE APARTMENT

I'M GONNA FIGURE OUT
A WAY TO GET RID OF HIM.

WE'RE NOT GETTING RID OF HIM

AND YOU'RE NOT COMING BACK
TO THE APARTMENT. WHY NOT?

BECAUSE I'M HAVING MAX OVER
FOR DINNER WITH THE HARTS.

WE DON'T NEED HIM ANYMORE.

LOOK, I'VE BEEN SEEING HIM
EVERY NIGHT FOR 2 WEEKS.

IF I STOP SEEING HIM NOW
THEY MIGHT GET SUSPICIOUS.

WHAT AM I SUPPOSED TO DO?

GO TO THE MOVIES.

AND FOR GOODNESS'
SAKES DON'T COME

WANDERING IN UNTIL
YOU'RE SURE THEY'RE GONE.

I THINK IT'S TIME WE SEVERED
OUR CONNECTION WITH MR. EDGAR.

SEE TO IT, WILL YOU?

OH, CHARLOTTE, THAT WAS A
WONDERFUL MEAL. IT CERTAINLY WAS.

AND YOUR TIMING
COULDN'T HAVE BEEN BETTER.

AH, THERE'S NOTHING
LEFT AT YOUR HOUSE?

NOTHING.

STRIPPED CLEANER THAN
A LAS VEGAS DANCER.

I MUST SAY, YOU TWO
ARE TAKING IT VERY WELL.

WELL, IT'S ALL INSURED,
AND WE CAN REPLACE IT.

I WILL MISS SOME OF
THE PIECES, THOUGH.

WE HAD SO MUCH
FUN COLLECTING THEM.

WELL, LOOK AT IT
THIS WAY, DARLING:

THINK OF HOW MUCH FUN WE'LL
HAVE COLLECTING THE NEW ONES.

I KEEP THINKING I SHOULD'VE
CHECKED THE ALARMS.

OH, MAX.

IT WASN'T YOUR FAULT.

THE POLICE SAID IT
WAS WORKING FINE.

IT HAD JUST BEEN TURNED OFF.

WELL, I HOPE THEY CATCH
WHOEVER IT WAS THAT DID IT.

OH, HERE, MAX.

THANKS.

HEY, MAX, I DIDN'T KNOW
YOU SMOKED A PIPE.

I DON'T, NEVER.

OH, THOSE WERE MY BROTHER'S.
HE WAS BY YESTERDAY.

I DIDN'T KNOW YOU HAD A BROTHER.

WELL, WE DON'T GET
ALONG TOO WELL,

BUT NEXT TIME HE'S IN
TOWN YOU'LL MEET HIM.

SHALL WE? YES.

ARE YOU STAYING AT A HOTEL?

NO, WE'RE GOING TO ROUGH IT.

I'M GONNA HELP HER WITH THE
DISHES. IT REALLY WAS A PLEASURE.

SEE YOU BACK AT THE HOUSE.

THANK YOU FOR COMING. I'M SO
GLAD THAT YOU WERE FINALLY HERE.

MAX HAS TOLD ME SO MUCH
ABOUT YOU. IT WAS A PLEASURE.

GOOD NIGHT. GOOD NIGHT.

BYE. SEE YOU LATER, MAX.

VERY NICE PEOPLE.

YOU BETTER BELIEVE IT.

WE'RE LUCKY THEY DIDN'T
CLEAN OUT THE GARAGE.

YOU CAN SAY THAT AGAIN.

WE'RE LUCKY THEY DIDN'T
CLEAN... DON'T YOU DARE.

SURVIVAL SCHOOL
WAS NEVER LIKE THIS.

WELL, IF IT WOULD MAKE YOU
FEEL MORE COMFORTABLE,

I'LL GO OUTSIDE, I'LL COLLECT
SOME ANTS AND SOME MOSQUITOES.

NO, NO, YOU DON'T... YOU DON'T HAVE
TO COLLECT ANY ANTS AND MOSQUITOES.

I CAN DO VERY WELL
WITHOUT THEM, THANKS.

WHAT ARE YOU LAUGHING AT?

DO YOU REMEMBER THAT NIGHT
WE SPENT IN A TREE IN KENYA?

YEAH.

AH. YOU KNOW I TAPE
RECORDED THAT?

THAT WHOLE THING.

NO KIDDING? I DID.

DO YOU WANT ME
TO PLAY IT FOR YOU?

IT MIGHT PUT YOU IN THE MOOD.

NO,

WHY DON'T YOU HELP OUT
WITH THIS INSTEAD? HUH?

GO ON, FREEWAY.

COME HERE.

NO HOT AIR STORIES?

NO LONGWINDED JOKES?

OH, YOU'VE RUN OUT
OF MATERIAL, HUH?

I'VE ALWAYS TRIED NOT TO
BE TOO OBVIOUS, YOU KNOW?

THERE.

WHAT DID YOU THINK
ABOUT CHARLOTTE?

OH, YOU'RE AMAZING.

WHAT?

HOW YOU MANAGE TO COMBINE A
QUESTION AND A STATEMENT. UNBELIEVABLE.

WHAT'S BOTHERING YOU?

WELL, I'M NOT SURE.

GIVE ME A HINT.

WELL, I'M SUSPICIOUS
OF WHIRLWIND ROMANCES.

WE HAD A WHIRLWIND ROMANCE.

YEAH, BUT THAT WAS DIFFERENT.

HOW?

WELL, FOR ONE THING, I
WAS DOING THE CHASING.

OH, YEAH?

YEAH.

THAT'S WHAT YOU THINK.

OH, GO ON.

WELL, THAT STORY
ABOUT HER BROTHER.

IF YOU HAD A RELATIVE AND HE WAS IN
TOWN, WOULDN'T YOU INVITE HIM OVER

TO MEET THE MAN THAT
YOU WERE INVOLVED WITH?

NOT NECESSARILY.

BESIDES, SHE SAID
THAT SHE WAS...

I KNOW WHAT SHE SAID BUT IT
SOUNDED AWFUL CONVENIENT.

IT COULD ALSO BE TRUE.

I HOPE SO. IT'S JUST...

WELL, I WORRY ABOUT MAX
GETTING HURT, THAT'S ALL.

WHAT DO YOU MEAN,
YOU CAN'T KEEP THEM?

OH, MAX, THEY'RE BEAUTIFUL.

AND I LOVE THE THOUGHT.

EVERYTHING SEEMS TO BE MOVING A
LITTLE TOO FAST, IF YOU KNOW WHAT I MEAN.

NO, I DON'T KNOW WHAT YOU MEAN.

LOOK, I'VE BEEN AROUND

AND SOME OF IT'S BEEN GOOD AND
SOME OF IT'S BEEN NOT-SO-GOOD.

BUT ALL THE NOT-SO-GOOD HAPPENED
BECAUSE I DIDN'T TAKE THE TIME

TO THINK ABOUT WHAT I WAS DOING.

CHARLOTTE, IT AIN'T AS IF I
WAS LOOKING TO GET MARRIED.

MAYBE NOT NOW,

BUT CAN YOU HONESTLY SAY
YOU HAVEN'T THOUGHT ABOUT IT?

NO, I HAVE.

SO HAVE I.

THAT'S WHAT I MEAN.

I... I THINK WE BOTH
NEED SOME SPACE.

THE ONLY SPACE I NEED
IS ONE WITH YOU IN IT.

GIVE ME A COUPLE
OF DAYS. I'LL CALL YOU.

BELIEVE ME, MAX, IT'LL
BE BETTER THIS WAY.

HERE.

WHY DON'T YOU KEEP THEM?

THEY WEREN'T ENGAGEMENT
EARRINGS OR ANYTHING LIKE THAT.

PLEASE, YOU HOLD
THEM FOR ME, OK?

IN A COUPLE OF DAYS?

I'LL CALL YOU, I PROMISE.

EDGAR! WHAT?

YOU DIDN'T LET ANYONE
SEE YOU, DID YOU?

NO, I WAITED UNTIL HE WAS GONE.

TOOK YOU LONG TO GET RID
OF HIM. I LIKE HIS COMPANY.

OH, COME ON, CHARLOTTE.
HE'S A MARK, DUMB.

I WOULDN'T TALK ABOUT DUMB.

WHEN ARE YOU GONNA LEARN YOU
CANNOT FORCE SPRINGFIELD TO DO ANYTHING?

MAYBE I CAN.

WITH THIS.

WILL YOU LEAVE
WELL ENOUGH ALONE?

AND PUT THAT GUN AWAY.

I'M GOING TO TALK TO HIM AGAIN
TOMORROW. BUT WITHOUT THE GUN, OK?

OK.

FOR NOW.

MMM.

YOU KNOW, I FORGOT
HOW THESE THINGS TASTE.

IF WE HAD SOME PEANUT BUTTER, WE
COULD HAVE SOME PEANUT BUTTER AND JELLY.

IF WE ONLY HAD SOME JELLY. HUH?

THEY TOOK THE FOOD, TOO?

AT TODAY'S PRICES,
IT MIGHT VERY WELL

HAVE BEEN THE MOST
VALUABLE THING IN THE HOUSE.

HEY, MAX. HOW DID IT GO?

HOW'D CHARLOTTE
LIKE THE EARRINGS?

SHE WOULDN'T TAKE THEM.

SHE SAID SHE WANTED
TIME TO THINK THINGS OVER.

WHAT KIND OF THINGS?

HER AND ME.

SHE SAID EVERYTHING'S
GOING TOO FAST FOR HER.

WELL, MAX, SOMETIMES IT'S
BETTER TO TAKE THINGS SLOWLY.

LISTEN, AT MY AGE, THE ONLY WAY
I CAN TAKE ANYTHING IS SLOWLY.

GOOD NIGHT.

GOOD NIGHT, MAX.

OK, FREEWAY. I GUESS IT IS
TIME TO GO TO BED AFTER ALL.

YOU WANT A MARSHMALLOW?

NO, I DON'T THINK SO.

DARLING, LOOK AT THIS. WHAT?

PIPE TOBACCO.

DO YOU REMEMBER
THERE WAS PIPE TOBACCO

IN THE ASHTRAY IN
CHARLOTTE'S HOUSE?

OH, PLEASE. IT COULD'VE COME
FROM ANY ONE OF OUR GUESTS.

UH-UH.

MAX CLEANED THE
FIREPLACE OUT YESTERDAY.

MAYBE IT WAS FROM
ONE OF THE GUESTS

THAT WAS HERE THIS AFTERNOON
WHILE THE HOUSE WAS BEING ROBBED.

WHAT DO I HAVE TO DO TO GET
YOUR MIND OFF THE ROBBERY

AND INTO THE SLEEPING BAG?

YOU JUST DID IT.

THIS ISN'T TOO BAD,
YOU KNOW THAT, MRS. H?

I KNOW, NOT BAD AT ALL, MR. H.

MMM.

FREEWAY, WHAT DO I HAVE TO DO TO
GET RID OF YOU FOR ABOUT AN HOUR?

MAKE IT A HALF AN HOUR.

COFFEE. WHERE DID
YOU FIND COFFEE?

AT THE MARKET.

ALONG WITH THE
JUICE, BREAD, AND EGGS.

OH, THAT'S WHAT I LOVE.
MAN GO OUT, GET FOOD.

MAN ALSO COOK.

THAT'S WHAT I LIKE MOST OF ALL.

WHERE DID YOU FIND THIS? THAT?

THAT'S A COFFEE POT I
HAD WHEN I WAS IN COLLEGE.

UH-HUH, LOOKS AWFUL.

YEAH, LET ME TELL YOU
SOMETHING. IT MAKES GREAT COFFEE.

I'LL BET.

DARLING, ISN'T THAT SWEET?

YEAH, I GOT THAT FOR YOU.

JUST BECAUSE I LOVE YOU.

WELL, HERE GOES.

MMM, IT'S GOOD.

WHAT DID I TELL YOU?
IT'S REALLY GOOD.

♪ OH, WHAT A BEAUTIFUL MORNING ♪

♪ OH, WHAT A BEAUTIFUL DAY ♪

OH, WHAT ARE YOU
SO CHIPPER ABOUT?

YOU MUST'VE HAD
TERRIFIC DREAMS, MAX.

NO, AS A MATTER OF FACT, I
DIDN'T SLEEP A WINK ALL NIGHT.

THEN HOW COME YOU'RE SO PERKY?

WELL, I WAS TWISTING AND
TURNING UNTIL I FIGURED IT OUT.

CHARLOTTE IS SCARED.

SHE'S NEVER MET ANYBODY
QUITE LIKE ME BEFORE.

I'LL GO ALONG WITH THAT.

THEN I REMEMBERED
THOSE IMMORTAL WORDS:

"FAINT HEART NE'ER
WON FAIR LADY."

"TO THE VICTOR
BELONGS THE SPOILS."

"HE WHO HESITATES IS LOST."

BRAVO.

SO I DECIDED I'M GONNA GO RIGHT OVER
THERE AND SWEEP HER OFF HER FEET.

THIS IS EXACTLY WHAT I NEEDED.

BOY, IS THIS SOME LOUSY COFFEE.

WHERE DO YOU THINK
WE SHOULD LOOK FIRST?

WE'RE GOING STRAIGHT TO
CHARLOTTE'S APARTMENT.

WHAT MAKES YOU THINK HE'S
AT CHARLOTTE'S APARTMENT?

BECAUSE THAT'S
WHERE HE'S BEEN LIVING.

MR. SPRINGFIELD GIVE
ANY SPECIAL INSTRUCTIONS?

ONLY ONE. HE WANTS EDGAR DEAD.

LET'S GO UP AND
GET HIM. ALL RIGHT.

HELLO, EDGAR.

WHAT DO YOU GUYS WANT?

MR. SPRINGFIELD
WOULD LIKE TO SEE YOU.

TELL HIM I'LL BE DOWN LATER.

NOT LATER. NOW.

CHARLOTTE, YOU ALL RIGHT?

MAX.

EASY, MAX. EVERYTHING'S
GONNA BE FINE.

WHAT GIVES?

WHERE THE HECK AM I? SHH.

YOU'RE IN THE HOSPITAL. YOU GOT
HIT OVER THE HEAD AND KNOCKED OUT.

WHAT KIND OF A
HOSPITAL IS IT WITH

CHAINS ON MY ANKLES

AND BARS ON THE WINDOW?

YOU'RE IN A PRISON WARD, MAX.

THEY GOT YOU BOOKED FOR MURDER.

MURDER?

ALL I REMEMBER IS THAT...

IS CH-CHARLOTTE OK?

SHE'S FINE.

I DIDN'T MURDER NOBODY.

SCOUT'S WORD OF HONOR.

WHAT HAPPENED AFTER YOU
WENT TO CHARLOTTE'S APARTMENT?

DO YOU REMEMBER?

NOTHING. I SAW STARS.

THAT'S IT.

WHAT ABOUT THE MAN YOU
SUPPOSEDLY MURDERED?

YOU REMEMBER
ANYTHING ABOUT THAT?

BEATS ME. I NEVER SAW
HIM BEFORE IN MY LIFE.

THE POLICE SAID THEY FOUND
YOUR FINGERPRINTS ON THE GUN.

WELL, SOMEBODY ELSE
MUST HAVE PUT THEM THERE.

WHY ISN'T CHARLOTTE WITH YOU?

SHE'S BEING QUESTIONED
BY THE POLICE.

WHAT'S GONNA HAPPEN, MR. H?

SHH, EVERYTHING'S
GONNA BE FINE, MAX.

YOU JUST HAVE TO GET BETTER.

WHAT'S GONNA HAPPEN?

I DON'T KNOW, MAX.

BUT I KNOW NOTHING'S
GONNA HAPPEN TO YOU.

NO, FRANK EDGAR
WAS NOT WHAT ANYONE

WOULD CALL ONE OF
NATURE'S NOBLEMEN.

BUT HE WAS ENTITLED
TO THE SAME RIGHTS

AS EVERY OTHER
CITIZEN IS GUARANTEED:

LIFE, LIBERTY, THE
PURSUIT OF HAPPINESS.

ESPECIALLY THE LIFE PART.

ESPECIALLY.

WHAT DO YOU MEAN BY "NOT
ONE OF NATURE'S NOBLEMEN"?

WELL, MR. EDGAR HAD BEEN
INCARCERATED TWICE IN HIS CAREER.

HE HAD A RECORD?

AS LONG AS YOUR PROVERBIAL ARM.

THE RECORD WOULDN'T HAPPEN
TO HAVE BEEN FOR BURGLARY?

AS A MATTER OF FACT, YES.

PARTICULARLY HOUSES?

NO. OH.

RATHER THE FURNITURE
IN THOSE HOUSES.

OH.

WE TALKED TO POLICE
IN NEW YORK AND MIAMI.

IT SEEMS HE SPECIALIZED IN
THE HAUNTS OF THE VERY RICH

IF I MAY COIN A PHRASE.

FEEL FREE.

RATHER CLEVER, I MUST SAY.

HE NEVER BROKE IN, BUT
SOMEHOW HE WAS ABLE

TO GET BY THE ALARM
SYSTEMS IN THOSE HOMES.

THEN HOW DID HE GET CAUGHT?

THE POLICE WERE CONDUCTING
A SURVEILLANCE ON THE FENCES

HE WAS DOING BUSINESS WITH.

THEY JUST HAPPENED TO BE THERE
WHEN HIS MOVING VAN ARRIVED.

RATHER FORTUITOUS CIRCUMSTANCES.

NICELY SAID.

THANK YOU.

"SERENDIPITY" WAS THE WAY ONE
OF THE POLICEMEN DESCRIBED IT.

WELL, THAT'S A GOOD WORD, TOO.

YES, I THINK SO.

MR. MELLON, DID THE POLICE SAY
THAT HE HAD ANY ACCOMPLICES?

OF COURSE. SOMEONE HAD TO
HELP HIM MOVE THE FURNITURE.

NO, I MEANT

DID SOMEONE HELP HIM GET A SET
OF KEYS FOR THE ALARM SYSTEM?

AS I TOLD YOU, THEY
NEVER LEARNED WHO DID IT.

THEY DID ASSUME THAT
BOTH WERE INSIDE JOBS.

BUT WHAT, MAY I ASK,
HAS THIS TO DO WITH

THE CASE AGAINST THE
MAN WHO KILLED HIM?

AREN'T YOU SUPPOSED TO
SAY ALLEGEDLY KILLED HIM?

TOUCHE, MRS. HART.
I STAND CORRECTED.

I ALSO PLAN ON CORRECTING
YOUR ALLEGED CASE.

THIS CASE IS ROCK SOLID.

WE HAVE THE MOTIVE,
THE OPPORTUNITY,

AND WE HAVE THE MURDER WEAPON.

BUT YOU HAVE THE
WRONG MAN, MR. MELLON.

SHE MANAGES TO
GET TIGHT WITH MAX,

GETS SOME IMPRESSIONS
MADE OF HIS KEYS,

GIVES THEM TO EDGAR, WHO
PUTS THEM TO GOOD USE.

HOW DO YOU THINK YOU'RE
GOING TO PROVE THAT?

I WISH I KNEW.

HEAR ANYTHING?

NO.

TRY IT.

I'LL TAKE A LOOK IN HERE.

RIGHT.

HER CLOTHES ARE GONE,
BUT NOT HER BROTHER'S.

AND HE WAS SUPPOSED
TO BE THE HOUSE GUEST.

MAYBE HE WASN'T
HER BROTHER AT ALL.

YOU GOT ANY IDEAS ON
HOW WE'RE SUPPOSED

TO TELL MAX WITHOUT
BREAKING HIS HEART?

NO, I DON'T.

BUT WE'VE GOT TO TELL HIM,
AND WE'VE GOT TO FIND HER.

YES, WE CAN GUARANTEE DELIVERY
SOME TIME EARLY TOMORROW.

IN MY ESTIMATE, IT IS AROUND
$80,000, BUT OF COURSE

AS ALWAYS, THAT
FIGURE IS NEGOTIABLE.

YES, I LOOK FORWARD
TO SEEING YOU. GOODBYE.

I NEED A COUPLE OF HOURS
TO CLOSE UP THE GALLERY,

AND THEN WE CAN BE ON OUR WAY.

I TRUST YOU GENTLEMEN
LEFT NO TRACES

OF YOURSELVES AT THE
SCENE OF THE MURDER?

WE CALLED THE COPS
FROM AROUND THE CORNER.

THEN WE STAYED AROUND
UNTIL WE SAW THEM

TAKE THE BUTLER
OUT IN HANDCUFFS.

THEY BOUGHT THE
WHOLE DAMN THING.

THIS LITTLE SCENE HAS
TURNED INTO A FIASCO.

I'M CERTAINLY GLAD
TO BE RID OF EDGAR.

HE BROUGHT AN ENTIRELY
NEW MEANING TO THE PHRASE

"AMATEUR NIGHT IN DIXIE."

THAT GUY SURE CAN USE
THE LANGUAGE, CAN'T HE?

BOY, HE SURE CAN.

HI.

WELL, YOU GUYS ARE BACK
SOONER THAN I EXPECTED.

MAX, SOMETHING'S COME UP,
AND WE GOTTA TALK TO YOU.

YOU GOT A LEAD ON
THE MURDER. TERRIFIC!

BECAUSE THE BARS ON THESE
WINDOWS DON'T EXACTLY CHEER ME UP.

WELL, WE'RE ONLY GUESSING.

YES, WE'RE NOT SURE WE
CAN PROVE ANY OF THIS.

COME ON, I KNOW YOU TWO.

WHEN YOU'RE ON THE TRAIL, THE
GUY MIGHT AS WELL BE BEHIND BARS.

WHO IS HE?

IT'S NOT A HE, MAX.

A DAME? YOU MEAN
THERE'S A DAME IN ON IT?

WORKING WITH EDGAR.

WHO'S EDGAR?

EDGAR'S THE MAN YOU
SUPPOSEDLY KILLED.

THEY WERE WORKING
TOGETHER TO MAKE IMPRESSIONS

OF THE KEYS THEY NEEDED
TO GET INTO THE HOUSE.

CHARLOTTE. YOU'RE
TALKING ABOUT CHARLOTTE.

YEAH, WE THINK SO.

OH, NO.

I'M SORRY, MAX.

I CAN'T TELL YOU HOW
SORRY WE BOTH ARE.

ALL THAT STUFF
ABOUT HER BROTHER.

YOU TWO, WHEN YOU
LOOK AT EACH OTHER,

THAT'S THE WAY I THOUGHT
SHE LOOKED AT ME.

WHAT DOES SHE
SAY ABOUT ALL THIS?

SHE DISAPPEARED.

GONE.

THAT SAYS SOMETHING, DOESN'T IT?

MAX, WE'VE GOT TO FIND HER.

SHE MAY BE THE ONLY WAY TO
CLEAR YOU OF THE MURDER CHARGE.

DID SHE EVER MENTION TO YOU

ANYTHING ABOUT HER RELATIVES,
WHERE THEY MIGHT LIVE?

SHE SAID SHE LIVED IN NEW YORK
AND MIAMI BEFORE SHE CAME OUT HERE.

THAT PROVES IT, DOESN'T IT?

PROVES WHAT?

THERE'S NO FOOL
LIKE AN OLD FOOL.

FIND IT.

WE WILL, MAX.

WE WILL.

IT'S NOT GONNA HELP
YOU, BUT HERE THEY ARE.

THE EFFECTS OF THE
LATE FRANK EDGAR.

I DON'T KNOW WHY I'M
LETTING YOU DO THIS.

NEITHER OF YOU ARE HIS LAWYER.

"IS" HIS LAWYER.
"NEITHER" IS SINGULAR.

BESIDES, YOU ARE AN
OFFICER OF THE COURT.

I'M SURE YOU'RE AS ANXIOUS TO PROVE
HIS INNOCENCE AS TO PROVE HIM GUILTY.

I'M PAID TO PROSECUTE,
NOT DEFEND.

OH, WE'LL MAKE SURE THE
DISTRICT ATTORNEY KNOWS

JUST HOW HELPFUL YOU'VE
BEEN TO US, WON'T WE, DARLING?

IN FACT, WE'LL TELL HIM THE
NEXT TIME HE COMES TO DINNER.

DINNER? HMM.

UNLESS I SEE HIM AT
THE GOLF CLUB FIRST.

GOLF CLUB? WE BELONG
TO THE SAME CLUB.

OH.

IT'S REALLY A VERY NICE CLUB.

YOU SHOULD JOIN
US THERE SOME TIME.

WELL, I'D LIKE THAT VERY MUCH.

GOOD.

IT'D BE OUR PLEASURE.
DO YOU PLAY?

NO, BUT...

WELL THEN, JONATHAN CAN
TEACH YOU, WON'T YOU, DARLING?

YES. YES, I CAN, DARLING.

THANK YOU VERY
MUCH FOR YOUR TIME.

ARE YOU SURE YOU DON'T
WANT TO LOOK AT THE WALLET?

NO, I'M SURE MR. MELLON HAS
LOOKED THROUGH IT THOROUGHLY.

THANK YOU SO VERY MUCH.

YOU'RE ABSOLUTELY... YES,
I'M POSITIVE. THANK YOU.

WELL, I'M TERRIBLY
SORRY BUT WE HAVE TO GO.

WHAT ABOUT THAT GOLF DATE?

WE'LL CALL YOU.

YES, WE WILL CALL.

WHAT WAS THAT ALL ABOUT?

THOSE STICKERS. WHAT ABOUT THEM?

THEY'RE THE SAME ONES THAT DONALD
SPRINGFIELD USES ON HIS AUCTION ITEMS.

LET'S GET DOWN THERE AND
SEE WHAT HE'S GOT FOR RESALE.

HELLO?

DONALD?

ANYBODY HERE?

DONALD SPRINGFIELD?

WELL, DO YOU WANNA
HAVE A LOOK AROUND?

NO TIME LIKE THE PRESENT.

ISN'T THAT OUR LIVING ROOM?

WELL, LOOK WHAT WE'VE GOT HERE.

MAKES ME FEEL RIGHT AT HOME.

HELLO, MY PRETTIES.

HELLO.

IT'S SPRINGFIELD.

I DON'T THINK THAT GUN
WAS UP FOR AUCTION.

WHO OPENED THOSE DOORS?

I DID, TO CHECK THE INVENTORY.

WELL, CLOSE THEM UP
AND LET'S GET GOING.

SEE YOU IN SAN FRANCISCO.

I THINK WE'VE JUST BEEN
PUT AWAY FOR SAFEKEEPING.

I THINK WE'RE ON OUR
WAY TO SAN FRANCISCO.

OH, DEAR. I'M NOT EXACTLY
DRESSED FOR THE OCCASION.

AH, I CAN HEAR IT NOW:

THEY'VE LEFT THE
HARTS IN SAN FRANCISCO.

FASTEN YOUR SEATBELTS, I THINK
WE'RE IN FOR A BUMPY EVENING.

THIS ISN'T GOING TO LAST LONG.

WE GOTTA GET A FLASHLIGHT.

THERE'S ONE IN THE KITCHEN.

WHERE IS THE KITCHEN?

I THINK WE'RE IN IT.

GETTING HOT IN HERE.

TELL ME ABOUT IT.

I COULD USE A DRINK.

THERE'S SOME WARM
BEER IN THE FRIDGE.

THANKS, BUT NO THANKS.

LOOK AT THAT.

A TRAP DOOR.

HOLD THIS.

WHERE ARE THE SHELLS?

RIGHT THERE.

GET YOUR HEAD DOWN!

WHAT'S SPRINGFIELD SHOOTING AT?

HEY, THERE'S A MAN
ON TOP OF THE VAN.

WELL, GET OUT THERE AND GET HIM.

HEY,

YOU MIND STOPPING
AT THE NEAREST JAIL?

MR. MELLON.

MR. MELLON, WAIT.

THAT'S ALL RIGHT.
IT'S ALL RIGHT.

I'M GLAD YOU STOPPED BY,
I WAS GOING TO CALL YOU.

IT'S NOT EXACTLY A SOCIAL VISIT.

YOU'VE GOT TO GET THE POLICE
TO PICK UP CHARLOTTE FLEMING.

IT ISN'T NECESSARY.

WHAT DO YOU MEAN,
IT ISN'T NECESSARY?

JONATHAN, WOULD YOU TELL
THIS MAN IT'S VERY NECESSARY?

BELIEVE ME, IT IS NECESSARY
THAT YOU PICK UP MISS FLEMING.

I'M SORRY, IT ISN'T NECESSARY.

SHE'S THE ONLY ONE
WHO CAN CLEAR MAX.

SHE WAS WORKING WITH
EDGAR ON THE ROBBERIES.

OH.

PLEASE, I... I KNOW WHAT
YOU MUST BE THINKING,

BUT REALLY, I'M REALLY SORRY.

BUT I WAS AFRAID OF WHAT
SPRINGFIELD MIGHT DO TO ME.

WHEN I REALIZED THAT
MAX WOULD GO TO JAIL

IF I DIDN'T COME
BACK, I CAME BACK.

SHE'S TOLD US EVERYTHING.

WELL, I ALWAYS KNEW THAT
MAX HAD AN EYE FOR CLASS.

WHAT'S WITH THE WHEELCHAIR, MAX?

OH, THEY INSIST
YOU RIDE IN THIS.

THEY'RE AFRAID YOU MIGHT SLIP
ON A BANANA PEEL ON THE WAY OUT

AND SUE THE JOINT.

WELL, YOU LOOK GREAT, MAX.

I'LL SAY.

NEVER FELT BETTER IN MY LIFE.

HOW'S FREEWAY?

OH, HE NEVER FELT
BETTER IN HIS LIFE.

YEAH, HE'S WAITING
DOWNSTAIRS IN THE CAR FOR YOU.

HOW'S CHARLOTTE?

SHE'S ALL RIGHT, TOO.

WHEN THEY LET HER OFF FOR
COOPERATING WITH THE POLICE,

SHE WENT BACK TO HER HOMETOWN.

YOU KNOW, SHE REALLY
WAS FOND OF YOU.

I KNOW.

BUT I'M NOT CRYING THE BLUES.

I FIGURE WITH WOMEN, IF
AT FIRST YOU DON'T SUCCEED,

FAIL, FAIL, AND FAIL AGAIN.

MAX, I...

OH, HERE'S SOMEONE
I'D LIKE YOU TO MEET.

MISS CINDY ROWLAND,
MR. AND MRS. HART.

OH, HELLO! HOW DO YOU DO?

MAX HAS TOLD ME
SO MUCH ABOUT YOU.

AND I KNOW WE'RE GOING TO
BE SEEING A LOT OF EACH OTHER.

YOU LIKE MY BRACELET?

MAX GAVE IT TO ME AS A PRESENT.

THE GUY IN THE NEXT ROOM
WAS IN THE JEWELRY BUSINESS.