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It was the pigeons. You see how they built a nest of their last spring, and they shifted
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the tiles. I hate pigeons. Horrible, noisy, dirty things. Flying rats. That's what I
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call them. They're all Gond's creatures, but I'm gonna
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like you and me. Yes, but I don't go on building nests on the
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chills roof and letting the rain in. Look at the state of St. Calsprey. She does
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look rather than, I agree. I don't know what Cal and Gregory would say. Look, it's got
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right down into her plant. I'm sure Calc Gregory is far beyond such earthly concern as the churchy
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had decorated half a millennium. Look, I push this brick back into place.
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There are three tethers, it's the devil himself.
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I'm looking for you since our last dance.
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Me was the highlight of the evening.
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It was very special for me too, Miss Yoder.
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May I introduce Mr. Chandler Banks to represent the Confederate States here in France?
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We are ready, Matt.
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I made Miss Yoderne well aware of the many good reasons France should support the Confederacy
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against Yankee aggression.
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But they weren't up, Mr. Banks.
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Morley speaking, there's no way you can defend what the Confederacy stands for.
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But think of what would happen to the price of cotton if the South is defeated.
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Ah, and the price of slaves would drop right through the floor.
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You are a Yankee at heart, Mr. Vernon, and I say goodnight to you.
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Countess, can I offer you a living?
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I have my own carriage.
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Thank you, Mr. Banks.
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Goodnight.
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You have very strong views, Mr. Vernon.
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If you're not passionate about things, countess, you're not alive.
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I think we both believe in living intensely.
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Yes.
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Vernon's found a friend.
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Listen, I was only thinking of me somewhere, anywhere else than here.
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Oh, but this is my world, Mr. Vernon.
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This is my carriage.
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Perhaps I would mean it.
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Perhaps someday fate will bring us together again.
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Well, Vernon, how was your first taste of real imperial grandeur?
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Hey, Ed, some parts were very good.
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But overall, I've never seen such a bunch of smug, overdressed drones in my life.
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Really?
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Horish, but probably true.
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Marquis, may I introduce my friend?
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Miss your Joule's verm.
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Whose many talents do not, I'm afraid, include manners.
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Oh, I don't mean you, Marquis.
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I mean, all these dandies.
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Are they interested in his clothes and money?
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Take that gentleman there.
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Yes, well, I think.
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Have you ever seen such ridiculous fop?
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Frequently, it's my husband.
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What a wonderful evening.
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Ben Parellino's had put on a good party.
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That's all he knows how to do.
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Actually running a country seems to be a bit beyond him.
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How about your pardon, sir?
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May I remind you I'm an officer in his imperial majesty service?
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Pardon me, actually.
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What the devil's got into you, Verne?
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You seem determined to annoy everybody here tonight?
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I know what it is.
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It's that book you've had your nose in all week.
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It's one with the terribly depressing title.
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Only the greatest work of France's greatest
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exiled author.
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And Les Miserables, how exciting.
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Written by complete rebel rous.
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I'll have you know the emperor's band, that particular book.
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Of course he has.
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It reveals the true plight of the poor and the depths
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of human suffering.
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You would be prancing around without a care
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if you were just finished reading Les Miserables.
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Well, it's just a well we haven't, that isn't it?
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Otherwise, all that good food and wine and music
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would have gone to waste.
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It did go to waste.
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Only you two self-satisfied to see it.
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I think that man just insulted us.
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LAUGHTER
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Well, we're glad you're back among us, Bohemians Jules.
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You've been away with the glasses for the world.
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I'm done with the upper class.
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What do they care about the poor?
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And what do we care about them?
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No, it's not the points alone.
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The point is we should all care about each other.
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Oh, Jules, me father of Bussoule.
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I found him wandering around looking for an art dealer.
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He's from the country.
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He needs looking after.
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You are very kind.
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People kept giving me contradictory directions.
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That's been happening to me all my life.
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And you've been thinking that, huh?
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Thank you, my friend.
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My man, you come to you again when I need cheering up.
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LAUGHTER
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But you can't hang a lot of this group problem.
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Well, it's a rather strange story.
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Bring God into his parish church.
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Saint fell down.
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Valuable statute hidden in niche.
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The statute was a somewhat sinister looking object.
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So I took it out of the church.
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And when I examined it, I found this on the base.
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I hold my hand to the stars, say the seer, Nicholas Pusan,
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17th century artist.
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I had no idea he was a sculptor.
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Neither had I.
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That's why I think it might be valuable.
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And Jules, he wants to use the money
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to improve the village water supply.
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Have you ever heard of anything so dull?
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What do you know about water?
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And you never touch this stuff?
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LAUGHTER
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It's a great idea, Father.
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Have you taken it to a dealer yet?
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I'm taking him around to downright tonight.
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Here's the push I expect.
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Is that a hook?
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Mm.
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Don't worry.
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I'm not going to let him cheat.
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Our little father here.
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MUSIC
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MUSIC
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MUSIC
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MUSIC
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MUSIC
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MUSIC
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Of course you don't.
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You can't fool me.
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But I brought you a nice innocent country
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priest to the swindle.
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Swindle?
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Muffa.
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Come on, come on, come on.
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OK.
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And he's got a stat with by Nicola Pusan.
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Look at how Pusan Pusan wasn't even sculptor.
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Even you shouldn't know that.
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No one knew he was a sculptor.
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Until now.
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Of course, if you really don't want to deal with me, I can take him round to the Ardennes.
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He's the up and coming dealer in 17th century stuff this way.
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Let's have a look at it.
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Are you sure?
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Perhaps you're right, Felix.
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Maybe we should take it to him first.
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Mm.
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Come on.
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Get on with it.
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MUSIC
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MUSIC
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MUSIC
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MUSIC
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MUSIC
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MUSIC
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MUSIC
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MUSIC
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MUSIC
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MUSIC
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It looks authentic, I'll go with that.
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Of course it's authentic.
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Bet you've never seen anything like that before.
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Well, well, well, well, well.
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Wait a minute.
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Of course, he did mostly landscapes and classical ones.
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But remember, just wait a second.
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MUSIC
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Yeah.
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Here it is.
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Voila.
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It's always been a bit of a puzzle at least one.
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That looks the same.
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Yes, it's exactly the same.
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At Enargadia Eagle.
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And I also am in Arcadia.
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Who is I?
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Not that devil, I hope.
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But I know this place.
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No, no, no, no, further.
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Please don't be ridiculous.
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The White Islam escapes by her imagination.
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No, no, this too.
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It exists.
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I'm sure I've seen something almost like you.
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MUSIC
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What the devil did that?
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Light up the mite.
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Light up quickly.
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MUSIC
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MUSIC
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Felix.
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Hey, Dwight.
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It's right, Felix.
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He's alive.
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The priest.
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MUSIC
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They killed him.
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They stabbed him through the heart.
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They took the picture of the tomb and they stole the statuette.
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And at all I have left are these feet.
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Oh, how distressing?
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You know, it seemed very distressed.
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Well, not having had the pleasure of the Reverend Gentleman's acquaintance.
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His passing hasn't had as much impact on me as it has on you.
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No, of course not.
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Am I boring you, Rebecca?
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No, Jules, I'm on an assignment and I'm reading my briefing.
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Besides, uh, Felix and I have ever bit to cross with you about last night.
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We got you the invitation to the ball and you were hardly the ideal guest now, were you?
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The ideal guest, yes.
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I was the ideal guest.
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He was everyone else who deserved to be put up against a wall and shot.
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Including Rebecca and me, I suppose.
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How do you have any particular wall in mind?
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I can arise to that.
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This is no time for personal feelings.
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Particularly not ours.
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What we need to do now is to go to the village that the priest came from and to find out what lies behind all this.
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Well, I wish you the best of luck.
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I mean, we should take the Aurora and go there right now.
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Not possible, I'm afraid, Jules.
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I have to shadow a certain Confederate agent that you were chatting to at the ball last night.
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Chandler Banks?
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And I promised the Marquis de Neut, a partner at Bridge.
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You put up investigating innocent man's death for the sake of a game of Bridge.
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Well, what makes you so sure he was innocent, Vern?
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Mm-hmm.
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Having his collar on back to front doesn't make him incapable of wrong.
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There's not so much the game of Bridge I'm interested in.
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It's the partner.
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I see.
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And, uh, I suppose that Passport II and I couldn't just...
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Take the Aurora.
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Yes.
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We could be the detecting do-all who will solve the crime and bringing back the perpetuator and handcuffs.
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I have this for the clues.
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Thank you, Passport II. That won't be necessary.
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And Vern, the Aurora won't be available because the Marquis is coming here to visit me.
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I see.
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Well, it is your ship, isn't it?
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I shouldn't have asked.
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I mean, we're not put on this earth to help other people, are we?
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Fog.
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I hope you'll find in your heart to forgive me for thinking otherwise.
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I think that Jules...
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I think that Jules upset Master.
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His feelings are hurt.
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I don't know if you'd be too rough on him, do you feel this?
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Rough?
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Um...
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No.
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No.
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No.
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Don't worry, Passport II.
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You'll be back.
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Yeah.
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Have a good day.
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Have a good day.
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You got a bussain, you got a bussain.
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You got a bussain. It was not...
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You got a bussain with that me last night.
266
00:13:44,000 --> 00:13:47,000
I'm convinced he's the key to the mystery.
267
00:13:47,000 --> 00:13:50,000
Why else do they take not just the statue whip, but the sketch of the tomb?
268
00:13:50,000 --> 00:13:52,000
I don't know, and I don't care.
269
00:13:52,000 --> 00:13:55,000
You know more about bussain than me and the man in Paris.
270
00:13:55,000 --> 00:13:59,000
You may have a clue about the person that attacked you, not even know it.
271
00:13:59,000 --> 00:14:02,000
It's your probably eye.
272
00:14:02,000 --> 00:14:06,000
Oh, my goodness.
273
00:14:06,000 --> 00:14:12,000
Well, bussain was a talented painter.
274
00:14:12,000 --> 00:14:17,000
He was born in 1594 in a town near Giserv.
275
00:14:17,000 --> 00:14:22,000
He left France in 1620 and went to Rome where he lived for the rest of his life.
276
00:14:22,000 --> 00:14:28,000
Except when Cardinal Richard, you asked him to come back to undertake a commission.
277
00:14:28,000 --> 00:14:30,000
Ruchelen.
278
00:14:30,000 --> 00:14:33,000
Him again.
279
00:14:33,000 --> 00:14:34,000
What was the commission?
280
00:14:34,000 --> 00:14:41,000
A memorial for a certain Count Gregory who'd been torn apart rather horribly by the Turks in the 14th century.
281
00:14:41,000 --> 00:14:45,000
Wasn't there some link between Poussaint and the Sun King?
282
00:14:45,000 --> 00:14:47,000
Well done, young man.
283
00:14:47,000 --> 00:14:55,000
There was about 20 years after he died with the 14th.
284
00:14:55,000 --> 00:14:57,000
Yes.
285
00:14:57,000 --> 00:15:02,000
He suddenly became sort of obsessed by finding one of his paintings.
286
00:15:02,000 --> 00:15:09,000
Apparently, it continues to pollute the whereabouts of some incredible treasure.
287
00:15:09,000 --> 00:15:12,000
He found the painting, but not the treasure.
288
00:15:12,000 --> 00:15:13,000
What was the treasure?
289
00:15:13,000 --> 00:15:21,000
It was the horde that letting the Visigars to form Rome when he unsected everything.
290
00:15:21,000 --> 00:15:26,000
The Romans had looted from the rest of the non-world.
291
00:15:26,000 --> 00:15:50,000
Now this painting with the clue did a by any chance have a tomb in it?
292
00:15:50,000 --> 00:15:52,000
It was a good man.
293
00:15:52,000 --> 00:15:55,000
A good simple man.
294
00:15:55,000 --> 00:15:58,000
Why did this have to happen to him?
295
00:15:58,000 --> 00:16:03,000
Well, I think there's something to do with this tomb.
296
00:16:03,000 --> 00:16:05,000
Have you seen anything like it in this area?
297
00:16:05,000 --> 00:16:07,000
Look around you sir.
298
00:16:07,000 --> 00:16:11,000
This place is full of terrible secrets.
299
00:16:14,000 --> 00:16:20,000
What possessed Count Gregory to fill a church with things like this?
300
00:16:20,000 --> 00:16:28,000
You don't. I wouldn't be surprised if there were deference behind everyone.
301
00:16:35,000 --> 00:16:37,000
What on earth?
302
00:16:37,000 --> 00:16:43,000
It's the poor Count being torn apart by white horses in Constantinople.
303
00:16:43,000 --> 00:16:48,000
It gives me the shivers.
304
00:16:48,000 --> 00:16:50,000
That's strange.
305
00:16:50,000 --> 00:16:52,000
Hilarics castle.
306
00:16:52,000 --> 00:16:54,000
You reckon that?
307
00:16:54,000 --> 00:16:56,000
So it's not in Constantinople?
308
00:16:56,000 --> 00:17:00,000
No, no, no. It's up to you, Sneer.
309
00:17:00,000 --> 00:17:04,000
The ruins of Hilarics.
310
00:17:04,000 --> 00:17:05,000
The Visigars.
311
00:17:05,000 --> 00:17:06,000
Hilarics?
312
00:17:06,000 --> 00:17:09,000
Yes sir. He's looking at you right now.
313
00:17:09,000 --> 00:17:14,000
What's up?
314
00:17:14,000 --> 00:17:19,000
It's in Arcadia Ego.
315
00:17:19,000 --> 00:17:21,000
Listen, I need a local guide.
316
00:17:21,000 --> 00:17:24,000
Someone who knows every foot of the grounds around Hilarics castle.
317
00:17:24,000 --> 00:17:26,000
Who can you recommend?
318
00:17:26,000 --> 00:17:28,000
Are you sure this is the way?
319
00:17:28,000 --> 00:17:31,000
Oh yes. The goats always likes coming here.
320
00:17:31,000 --> 00:17:38,000
Never mind the goat. Have you really seen this place?
321
00:17:38,000 --> 00:17:40,000
Goodeningen props?
322
00:17:40,000 --> 00:17:42,000
I've got a bit of toffee.
323
00:17:42,000 --> 00:17:45,000
Well that too.
324
00:17:45,000 --> 00:17:48,000
And the only one that comes here, you know?
325
00:17:48,000 --> 00:17:49,000
What?
326
00:17:49,000 --> 00:17:52,000
And the only one that comes here?
327
00:17:52,000 --> 00:17:53,000
Why is that?
328
00:17:53,000 --> 00:17:56,000
The Ere frighten of the devil.
329
00:17:56,000 --> 00:17:57,000
The devil?
330
00:17:57,000 --> 00:18:01,000
The devil that comes with the wind.
331
00:18:01,000 --> 00:18:05,000
The devil that comes with the wind.
332
00:18:05,000 --> 00:18:09,000
Wait.
333
00:18:09,000 --> 00:18:16,000
Come on.
334
00:18:16,000 --> 00:18:40,000
Dead at ease.
335
00:18:46,000 --> 00:18:50,000
The devil that comes with the wind.
336
00:19:16,000 --> 00:19:20,000
The devil that comes with the wind.
337
00:19:46,000 --> 00:19:51,000
The devil that comes with the wind.
338
00:19:51,000 --> 00:19:56,000
I hold my hand to the star, Santa Sarah.
339
00:19:56,000 --> 00:20:01,000
What's the reason?
340
00:20:01,000 --> 00:20:23,000
I hold my hand to the star, Santa Sarah. What's the reason?
341
00:20:23,000 --> 00:20:33,000
I hold my hand to the star.
342
00:20:33,000 --> 00:20:41,000
Welcome to all of us.
343
00:20:41,000 --> 00:20:56,000
I've deducted yourself well.
344
00:20:56,000 --> 00:20:57,000
Who are you?
345
00:20:57,000 --> 00:20:59,000
Your destiny.
346
00:20:59,000 --> 00:21:04,000
What else?
347
00:21:04,000 --> 00:21:07,000
Countess.
348
00:21:07,000 --> 00:21:11,000
What is this? What are you doing here?
349
00:21:11,000 --> 00:21:15,000
Waiting for you? Of course.
350
00:21:15,000 --> 00:21:19,000
Uniform, that's not French, isn't it?
351
00:21:19,000 --> 00:21:22,000
Who built this thing?
352
00:21:22,000 --> 00:21:23,000
Who's it belong to?
353
00:21:23,000 --> 00:21:27,000
It was not chance that brought me to you at the Emperor's Ball Jules.
354
00:21:27,000 --> 00:21:34,000
It was part of a long process in which your merits were being considered and reconsidered.
355
00:21:34,000 --> 00:21:37,000
I thought you danced with me because you liked me.
356
00:21:37,000 --> 00:21:40,000
Found you very attractive Jules.
357
00:21:40,000 --> 00:21:48,000
But what I feel is not important, this is what matters.
358
00:21:48,000 --> 00:21:52,000
You found the treasure of Elmer. Visigoth. You used it to build this.
359
00:21:52,000 --> 00:21:57,000
We did, Jules. And with it, we will change the course of history.
360
00:21:57,000 --> 00:22:02,000
It's incredible. It's a brilliant piece of engineering, but...
361
00:22:02,000 --> 00:22:04,000
...chinks the course of history.
362
00:22:04,000 --> 00:22:08,000
By intervening wherever barbarism threatens civilization.
363
00:22:08,000 --> 00:22:12,000
Whenever the noble and the good are about to be overwhelmed by the mean and base.
364
00:22:12,000 --> 00:22:14,000
Let me get some of the nights at the round table.
365
00:22:14,000 --> 00:22:19,000
That's exactly what it is, Jules. And the question for you is...
366
00:22:19,000 --> 00:22:22,000
Will you be one of those nights?
367
00:22:22,000 --> 00:22:25,000
It's a flattering offer.
368
00:22:25,000 --> 00:22:27,000
Why me?
369
00:22:27,000 --> 00:22:31,000
We need your knowledge. We need your vision.
370
00:22:31,000 --> 00:22:36,000
And I need someone like you at my side.
371
00:22:36,000 --> 00:22:41,000
As we sit out on a great quest.
372
00:22:41,000 --> 00:22:44,000
Will you be that man?
373
00:22:44,000 --> 00:22:48,000
Just sit off with you. Just like that.
374
00:22:48,000 --> 00:22:51,000
You'll be my right-hand, Mangelles.
375
00:22:51,000 --> 00:22:54,000
My lieutenant.
376
00:22:54,000 --> 00:22:58,000
If you make the right choice.
377
00:22:58,000 --> 00:23:02,000
Why don't you try it on?
378
00:23:02,000 --> 00:23:05,000
Now?
379
00:23:05,000 --> 00:23:12,000
Go.
380
00:23:12,000 --> 00:23:20,000
We're going to bring peace to America, Lieutenant.
381
00:23:20,000 --> 00:23:22,000
Peace, huh?
382
00:23:22,000 --> 00:23:25,000
Civil War, peace?
383
00:23:25,000 --> 00:23:30,000
The whole country is racked by in governable passions.
384
00:23:30,000 --> 00:23:35,000
Those passions have to be grappled with subdued
385
00:23:35,000 --> 00:24:02,000
before the light force of the whole nation ebbs away.
386
00:24:02,000 --> 00:24:05,000
I wish I'd never seen that them steadfastly. But you did.
387
00:24:05,000 --> 00:24:10,000
Jules Verne went herring of afters, and now he's disappeared.
388
00:24:10,000 --> 00:24:14,000
Now, I want you to tell me everything you know.
389
00:24:14,000 --> 00:24:20,000
Welcome aboard, Lieutenant. The commander has spoken highly of your intelligence and dedication.
390
00:24:20,000 --> 00:24:23,000
We can do great things with this ship.
391
00:24:23,000 --> 00:24:26,000
Commander Don Jew has convinced me we will do great things.
392
00:24:26,000 --> 00:24:30,000
Yes, sir.
393
00:24:30,000 --> 00:24:35,000
Lieutenant Byrne will help us plan the most effective way to use this ship once we reach America.
394
00:24:35,000 --> 00:24:39,000
Gunnery officer, show him the maps.
395
00:24:39,000 --> 00:24:47,000
Lieutenant.
396
00:24:47,000 --> 00:24:52,000
Do you see how the Confederate capital of Richmond is so close to Washington, D.C.?
397
00:24:52,000 --> 00:24:54,000
What's the firepower, Gunner?
398
00:24:54,000 --> 00:24:56,000
We carry 14 guns, Lieutenant.
399
00:24:56,000 --> 00:25:04,000
Five port, five starboard, two aft and two forward, all designed for broad sides, aerial attack, or ground bombardment.
400
00:25:04,000 --> 00:25:06,000
That's perfect.
401
00:25:06,000 --> 00:25:16,000
Now, see here, just north of Baltimore.
402
00:25:16,000 --> 00:25:22,000
If any luck that should bring our supply systems grinding to a halt, force them to declare ceasefire,
403
00:25:22,000 --> 00:25:25,000
and then move straight into full negotiations.
404
00:25:25,000 --> 00:25:27,000
Brilliant, Lieutenant.
405
00:25:27,000 --> 00:25:32,000
I can't tell you how satisfying it is to have a chance to actually make use of what I've learned.
406
00:25:32,000 --> 00:25:38,000
Commander, we're having a problem with the stabilizers. Shall we recalibrate?
407
00:25:38,000 --> 00:25:42,000
No, don't do anything yet. I'll come down.
408
00:25:42,000 --> 00:25:45,000
Lieutenant!
409
00:25:45,000 --> 00:25:48,000
Take the bridge while I'm gone.
410
00:25:48,000 --> 00:25:49,000
Me?
411
00:25:49,000 --> 00:25:52,000
I want you to have experience of command.
412
00:25:52,000 --> 00:25:54,000
I think you're ready for it.
413
00:25:54,000 --> 00:25:57,000
Lieutenant Byrne has the bridge until I return Gunner.
414
00:25:57,000 --> 00:25:59,000
Aye, aye, Commander.
415
00:26:06,000 --> 00:26:07,000
Helmsman.
416
00:26:07,000 --> 00:26:10,000
Tender is the port.
417
00:26:10,000 --> 00:26:18,000
Unidentified ship on the port, Balsir.
418
00:26:18,000 --> 00:26:26,000
The Aurora. What are they doing here?
419
00:26:26,000 --> 00:26:32,000
They seem to be heading straight for us. Shall they find a warning shot?
420
00:26:32,000 --> 00:26:40,000
No, I know this.
421
00:26:40,000 --> 00:26:55,000
The boiler's right. You did go off in a flying ship.
422
00:26:55,000 --> 00:27:02,000
Rebecca, it's a battleship.
423
00:27:02,000 --> 00:27:06,000
Friends of the Ours, Lieutenant?
424
00:27:06,000 --> 00:27:10,000
Fillius Vogue and his cousin Rebecca.
425
00:27:10,000 --> 00:27:12,000
Mandering aboard?
426
00:27:12,000 --> 00:27:16,000
Of course. Any friend of yours is a friend of mine.
427
00:27:16,000 --> 00:27:17,000
Do you get kidnapped, Lieutenant?
428
00:27:17,000 --> 00:27:19,000
Robert, who they haven't.
429
00:27:19,000 --> 00:27:22,000
Take a look at that get up he's wearing.
430
00:27:22,000 --> 00:27:29,000
Look at him. He's all be Captain Dope. He reminds me of an admiral.
431
00:27:52,000 --> 00:28:02,000
I'm going to go back.
432
00:28:02,000 --> 00:28:04,000
Rebecca? Bob?
433
00:28:04,000 --> 00:28:09,000
May I introduce you to my Commander? Countess Helen Donjou.
434
00:28:09,000 --> 00:28:11,000
How'd you do?
435
00:28:11,000 --> 00:28:16,000
Didn't we meet at the Emperor's Ball? Our paths have crossed, yes.
436
00:28:16,000 --> 00:28:21,000
We consider ourselves extremely fortunate that Lieutenant Byrne has decided to become one of our officers.
437
00:28:21,000 --> 00:28:24,000
And what is our friend responsible for?
438
00:28:24,000 --> 00:28:32,000
Strategy and tactics.
439
00:28:32,000 --> 00:28:38,000
I congratulate you. Do you have your own cabin, Byrne?
440
00:28:38,000 --> 00:28:40,000
Why can't we talk here?
441
00:28:40,000 --> 00:28:44,000
Well, maybe we'd like to see more of your ship.
442
00:28:44,000 --> 00:28:46,000
With your permission, Commander?
443
00:28:46,000 --> 00:28:50,000
Certainly, Lieutenant.
444
00:28:50,000 --> 00:28:57,000
Oh, I know, Laura!
445
00:28:57,000 --> 00:29:07,000
May I receive one of our group?
446
00:29:07,000 --> 00:29:15,000
A courtesy call.
447
00:29:15,000 --> 00:29:25,000
Welcome to the vessel of Mr. Furious Fod from London, England.
448
00:29:25,000 --> 00:29:28,000
My name is Pashpato.
449
00:29:28,000 --> 00:29:33,000
You give the orders around here? All the orders.
450
00:29:33,000 --> 00:29:35,000
How many crew do you have then?
451
00:29:35,000 --> 00:29:42,000
Oh, it's just me. But no need for crew people. Everything here is done by machines.
452
00:29:42,000 --> 00:29:51,000
Here is the uplifting device, the steering ball, and we have the maps over here.
453
00:29:51,000 --> 00:29:55,000
You're about to tell us, Verne, how all this came about?
454
00:29:55,000 --> 00:30:00,000
No, it's investigating the death of Father Bochelle A.
455
00:30:00,000 --> 00:30:01,000
If you recall.
456
00:30:01,000 --> 00:30:04,000
And did you find out who did it?
457
00:30:04,000 --> 00:30:08,000
Not exactly, that's been overtaken by events.
458
00:30:08,000 --> 00:30:15,000
Don't you find it a bit strange, Jules? These people making you an officer in this incredible machine.
459
00:30:15,000 --> 00:30:17,000
Why? You don't think I'm up to it?
460
00:30:17,000 --> 00:30:19,000
No, it's not. It's just...
461
00:30:19,000 --> 00:30:26,000
You're awfully good chap, Verne, but in charge of a battleship.
462
00:30:26,000 --> 00:30:30,000
I'm in charge of finding the best use for it, fog.
463
00:30:30,000 --> 00:30:33,000
And you say you're going to stop the war between the states?
464
00:30:33,000 --> 00:30:37,000
That's our plan. Unless you have any objection.
465
00:30:37,000 --> 00:30:39,000
Well, it depends on the outcome.
466
00:30:39,000 --> 00:30:41,000
The outcome will be saving thousands of lives.
467
00:30:41,000 --> 00:30:47,000
Yes, but if the war ends in stalemate, will the United States split in two?
468
00:30:47,000 --> 00:30:52,000
That's not it at all. I think I can mess up that badly.
469
00:30:52,000 --> 00:30:56,000
I have to be honest with you, Verne. There's something here.
470
00:30:56,000 --> 00:30:59,000
It's been very uneasy indeed.
471
00:30:59,000 --> 00:31:02,000
And I agree with Phyllis.
472
00:31:02,000 --> 00:31:07,000
Yalandol Jules is not the controlling force here. There's somebody else behind her.
473
00:31:07,000 --> 00:31:09,000
What makes you think that?
474
00:31:09,000 --> 00:31:14,000
Because ever since I've set foot on this ship, I've felt something wrong.
475
00:31:14,000 --> 00:31:15,000
Something evil?
476
00:31:15,000 --> 00:31:18,000
Evil. You're obsessed with evil fog.
477
00:31:18,000 --> 00:31:21,000
Do you mind if we have a look around, Jules?
478
00:31:23,000 --> 00:31:25,000
What form?
479
00:31:25,000 --> 00:31:32,000
Well, it's just curiosity, but if you don't want us to.
480
00:31:32,000 --> 00:31:42,000
You seem to be carrying quite a lot of cargo, Jules. What is it?
481
00:31:42,000 --> 00:31:47,000
I have no idea. I have no time to go poking around here.
482
00:31:47,000 --> 00:31:51,000
No, will you have been rather busy, haven't you?
483
00:31:51,000 --> 00:31:57,000
Yes. Yes, I have. I have a lot of responsibilities here.
484
00:32:21,000 --> 00:32:26,000
I think it'll be good to have to concentrate more on fireless waters.
485
00:32:46,000 --> 00:32:50,000
Oh, I wonder how information goes on man.
486
00:32:50,000 --> 00:32:56,000
I wonder how interested your new friends are in bringing about her lasting peace, June's.
487
00:32:57,000 --> 00:32:58,000
Come and have a look.
488
00:33:06,000 --> 00:33:11,000
Well, I suppose we might need these for self-defense.
489
00:33:11,000 --> 00:33:16,000
Well...
490
00:33:41,000 --> 00:34:01,000
The resourceful Julius Falk. Welcome. Calcregory.
491
00:34:03,000 --> 00:34:05,000
Sir, the rumors were true.
492
00:34:05,000 --> 00:34:10,000
Oh, yes, Mr. Falk. All the rumors about me are true.
493
00:34:10,000 --> 00:34:13,000
You're torn apart by the Turks in the 14th century.
494
00:34:13,000 --> 00:34:21,000
And afterwards revived by the monks in the Catacombs beneath Constantinople in the fall.
495
00:34:21,000 --> 00:34:23,000
Then you see.
496
00:34:23,000 --> 00:34:25,000
Why did they do it?
497
00:34:25,000 --> 00:34:28,000
Why indeed, Mr. Falk.
498
00:34:28,000 --> 00:34:37,000
Well, I suppose we all have our little mysteries to leave me. Do we know?
499
00:34:46,000 --> 00:34:49,000
Oh, look. More self-defense.
500
00:34:51,000 --> 00:34:56,000
You know what this stuff is, don't you, Jules? This is slaving equipment.
501
00:34:56,000 --> 00:34:57,000
Slaving.
502
00:34:57,000 --> 00:35:00,000
Used for regaining control over runaway slaves.
503
00:35:00,000 --> 00:35:04,000
You have a habit of jumping to conclusions, Miss Fogg.
504
00:35:04,000 --> 00:35:07,000
It's a habit that should be curbed.
505
00:35:07,000 --> 00:35:10,000
Commander.
506
00:35:10,000 --> 00:35:12,000
What is this?
507
00:35:12,000 --> 00:35:17,000
We're going into a war zone lieutenant. Who knows what problems we might have to deal with.
508
00:35:17,000 --> 00:35:19,000
But we're going there to stop the war.
509
00:35:19,000 --> 00:35:22,000
You're going there to make sure the Confederacy wins, aren't you, Commander?
510
00:35:22,000 --> 00:35:29,000
We're going there to make sure a civilized way of life is not destroyed by money-grubbing Northern industrialist Miss Fogg.
511
00:35:29,000 --> 00:35:34,000
Lieutenant Vern has lent us considerable expertise in helping us formulate a plan.
512
00:35:34,000 --> 00:35:38,000
I trust you won't let this woman distract you from your duty.
513
00:35:38,000 --> 00:35:41,000
Not in the way you've distracted him, no.
514
00:35:41,000 --> 00:35:44,000
And these are going overboard.
515
00:35:44,000 --> 00:35:47,000
Give me a hand here, Jules. Lieutenant.
516
00:35:47,000 --> 00:35:49,000
Rebecca.
517
00:35:50,000 --> 00:35:51,000
Hang on a second.
518
00:35:51,000 --> 00:35:52,000
What?
519
00:35:52,000 --> 00:35:53,000
Let's not jump to conclusions.
520
00:35:53,000 --> 00:35:56,000
Well, you're not going to use this stuff, are you?
521
00:35:56,000 --> 00:35:58,000
Tell her she's got it wrong.
522
00:35:58,000 --> 00:36:00,000
Helen.
523
00:36:00,000 --> 00:36:02,000
Explain it to her.
524
00:36:02,000 --> 00:36:05,000
Tell her to leave my car, go alone, tenant.
525
00:36:05,000 --> 00:36:08,000
You're not the strongest vessel. Do your duty.
526
00:36:08,000 --> 00:36:10,000
We believe in you.
527
00:36:10,000 --> 00:36:13,000
We believe you have what it takes to become great.
528
00:36:13,000 --> 00:36:16,000
Are you going to let us down at the first challenge?
529
00:36:16,000 --> 00:36:20,000
Are you?
530
00:36:20,000 --> 00:36:23,000
Yes, Commander, I am.
531
00:36:23,000 --> 00:36:28,000
Vap Jules, we're the turbulence take.
532
00:36:28,000 --> 00:36:30,000
So it's not Lieutenant anymore?
533
00:36:30,000 --> 00:36:34,000
You think you can be part of the League of Darkness if you're not prepared to be ruthless?
534
00:36:34,000 --> 00:36:37,000
The League of Darkness!
535
00:36:37,000 --> 00:36:41,000
I can see you have considerable resources.
536
00:36:41,000 --> 00:36:44,000
You always go for the best.
537
00:36:44,000 --> 00:36:47,000
And the brightest that you count.
538
00:36:47,000 --> 00:36:51,000
And the brightest that you count.
539
00:36:51,000 --> 00:36:53,000
Not.
540
00:36:59,000 --> 00:37:02,000
Of course, Mr. Fall.
541
00:37:02,000 --> 00:37:05,000
They deserve us.
542
00:37:05,000 --> 00:37:07,000
And we deserve them.
543
00:37:07,000 --> 00:37:15,000
We live in a time when science threatens to swam at his democracy
544
00:37:15,000 --> 00:37:18,000
as the governing principle of society.
545
00:37:18,000 --> 00:37:25,000
We need people like Jules Verne to turn science to our ends.
546
00:37:25,000 --> 00:37:33,000
Jules Verne will never be corrupted by a creature like you.
547
00:37:33,000 --> 00:37:39,000
The League of Darkness now has the only two heavier than air-flying machines in existence.
548
00:37:41,000 --> 00:37:43,000
Sorry to disillusion you.
549
00:37:43,000 --> 00:37:45,000
Sorry.
550
00:37:45,000 --> 00:37:47,000
You lied to me.
551
00:37:47,000 --> 00:37:49,000
You tricked me.
552
00:37:49,000 --> 00:37:53,000
You tried to give me to betray my friends and all you can say is sorry.
553
00:37:53,000 --> 00:37:57,000
Try to keep away from her, Jules. You'll get yourself shot.
554
00:37:57,000 --> 00:38:00,000
That's not good enough, Helen.
555
00:38:00,000 --> 00:38:07,000
Give me the gun!
556
00:38:07,000 --> 00:38:09,000
Now!
557
00:38:21,000 --> 00:38:24,000
And now our interview is at an egg.
558
00:38:24,000 --> 00:38:34,000
Wherever you can miss fall, or no longer of any savage to me.
559
00:38:34,000 --> 00:38:36,000
Throw him over the side.
560
00:38:36,000 --> 00:38:39,000
Throw him over the side.
561
00:38:39,000 --> 00:38:41,000
How unimaginative.
562
00:38:41,000 --> 00:38:44,000
I'm surprised you count.
563
00:38:44,000 --> 00:38:51,000
Go after him, you fools.
564
00:38:51,000 --> 00:38:58,000
Pass me to!
565
00:38:58,000 --> 00:39:05,000
You! Not doing that!
566
00:39:05,000 --> 00:39:15,000
You! Not doing that!
567
00:39:15,000 --> 00:39:22,000
You're dead.
568
00:39:30,000 --> 00:39:33,000
You're going up!
569
00:39:33,000 --> 00:39:36,000
Oh!
570
00:39:36,000 --> 00:39:41,000
Oh!
571
00:39:46,000 --> 00:39:49,000
Oh!
572
00:39:59,000 --> 00:40:01,000
Turn!
573
00:40:01,000 --> 00:40:03,000
Turn!
574
00:40:03,000 --> 00:40:07,000
Turn!
575
00:40:19,000 --> 00:40:21,000
Pass me to!
576
00:40:21,000 --> 00:40:23,000
Master!
577
00:40:23,000 --> 00:40:33,000
Good!
578
00:40:33,000 --> 00:40:40,000
No!
579
00:40:40,000 --> 00:40:51,000
Don't worry! We'll get you out of there!
580
00:41:10,000 --> 00:41:13,000
Oh!
581
00:41:13,000 --> 00:41:15,000
Oh!
582
00:41:15,000 --> 00:41:20,000
Oh!
583
00:41:20,000 --> 00:41:23,000
Master! In one piece!
584
00:41:23,000 --> 00:41:28,000
Nothing chopped off! It is magnificent!
585
00:41:28,000 --> 00:41:32,000
Thank you, Passport, too. Now we're in the hell's Rebecca.
586
00:41:32,000 --> 00:41:41,000
Hang on, Rebecca!
587
00:41:41,000 --> 00:41:43,000
Let go of the chain!
588
00:41:43,000 --> 00:41:46,000
Not in a million years!
589
00:41:46,000 --> 00:41:53,000
It's very simple. Either she died, or you both die.
590
00:41:53,000 --> 00:41:59,000
Go, Rebecca! Everything's going to be alright!
591
00:41:59,000 --> 00:42:03,000
Last chance, Joel!
592
00:42:03,000 --> 00:42:08,000
So it's the bullet? No. I prefer gravity.
593
00:42:08,000 --> 00:42:26,000
Very well, Steve, and Passport soon.
594
00:42:26,000 --> 00:42:31,000
Joel's, that was brilliant.
595
00:42:31,000 --> 00:42:35,000
Doesn't make up for me being such an idiot before?
596
00:42:35,000 --> 00:43:00,000
No, you'll always be an idiot. That is why we love you so much.
42529
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