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1
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IN ALL TRIBAL CULTURES,EVERY VILLAGE HAD A SENTINEL.
2
00:00:06,673 --> 00:00:08,173
NOW, A SENTINEL IS CHOSEN
3
00:00:08,242 --> 00:00:10,275
BECAUSE OF A GENETIC ADVANTAGE,
4
00:00:12,480 --> 00:00:14,412
A SENSORY AWARENESS THAT CAN BE DEVELOPED
5
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BEYOND NORMAL HUMANS.
6
00:00:18,752 --> 00:00:21,219
YOUR TIME SPENT IN PERU
HAS GOT TO BE CONNECTED
7
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WITH WHAT'S HAPPENING TO YOU NOW.
8
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I'VE GOT HUNDREDS OF DOCUMENTED CASES
9
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OF 1 OR 2 HYPERACTIVE SENSES,
10
00:00:28,695 --> 00:00:31,463
BUT NOT ONE SINGLE SUBJECT WITH ALL 5.
11
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YOU COULD BE THE REAL THING.
12
00:00:42,509 --> 00:00:44,709
I WANTED TO LEAVE AT THE 2-MINUTE WARNING.
13
00:00:44,778 --> 00:00:47,379
WE WERE UP 20 POINTS,
BUT YOU HAD TO STAY TILL THE END.
14
00:00:47,448 --> 00:00:49,915
WHO CARES, MAN, WE WON.
15
00:00:49,984 --> 00:00:51,750
CODE 2-4, VICTOR 12.
16
00:00:51,819 --> 00:00:53,885
609 THERE NOW, SCREAMING WOMAN.
17
00:00:53,954 --> 00:00:56,722
3328 ANTHOL STREET, APARTMENT B.
18
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REPORTING PARTY AT LOCATION.
19
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ONE-ZEBRA-ONE, SHOW ME HANDLING THE CALL.
20
00:01:03,030 --> 00:01:04,796
WHAT'S A 609, ANYWAY?
21
00:01:04,865 --> 00:01:06,064
A PROWLER.
22
00:01:27,420 --> 00:01:29,655
POLICE! ANYBODY HOME?
23
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HELLO?
24
00:01:56,583 --> 00:01:57,582
OH.
25
00:02:07,661 --> 00:02:08,960
OH, MAN.
26
00:02:14,701 --> 00:02:16,935
IS THERE ANY CHANCE THIS
VICTIM WAS STRANGLED?
27
00:02:17,003 --> 00:02:20,939
NO. THE MEDICAL EXAMINER REPORTS
NO SIGNS OF TRAUMA TO HER NECK.
28
00:02:21,007 --> 00:02:23,508
HEMORRHAGES IN HER LUNGS INDICATE DROWNING.
29
00:02:23,577 --> 00:02:25,544
WHAT ABOUT SEXUAL ASSAULT? NO.
30
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CHECK THIS OUT.
31
00:02:27,414 --> 00:02:30,782
SUSAN FRASIER WAS DEAD AT LEAST 12
HOURS BEFORE SANDBURG AND I FOUND HER.
32
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THEN WHO THE HELL MADE THE 911 CALL?
33
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GOT ME.
34
00:02:34,922 --> 00:02:36,354
ALL RIGHT, LOOK, YOUR REPORT SAYS
35
00:02:36,423 --> 00:02:38,123
THAT HER PICTURE FRAMES WERE EMPTY,
36
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JEWELRY BOX RIFLED,
37
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GARMENTS REMOVED FROM HER CLOSET.
38
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TROPHIES FROM THE KILL.
39
00:02:44,798 --> 00:02:47,565
IT'S THE SAME M.O. HMM.
40
00:02:47,634 --> 00:02:51,536
YELLOW SCARVES, TROPHIES,
DROWNED IN THE BATHTUB.
41
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THIRD VICTIM IN 3 MONTHS.
42
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ADAM WALKER.
43
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AGE 36, KNOWN DOPE DEALER,
CONFINED TO A WHEELCHAIR.
44
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BILLY BRIGHT. AGE 20, UNDERGROUND MUSICIAN.
45
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NO WITNESSES, NO SUSPECTS.
46
00:03:06,686 --> 00:03:08,886
ALL RIGHT, LOOK,
UNTIL WE GET MORE INFORMATION ON THIS,
47
00:03:08,955 --> 00:03:10,922
I WANT A TOTAL MEDIA BLACKOUT.
48
00:03:10,990 --> 00:03:13,658
RIGHT NOW,
WE DON'T EVEN HAVE A PROFILE ON OUR KILLER.
49
00:03:13,727 --> 00:03:15,960
LET'S NOT SCARE THE HELL OUT OF EVERYBODY.
50
00:03:16,029 --> 00:03:17,462
LAST THING WE WANT ON OUR HANDS
51
00:03:17,531 --> 00:03:18,697
IS A PANICKED CITY.
52
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YOU'RE SO BEAUTIFUL.
53
00:03:35,649 --> 00:03:37,516
TOOK YOU LONG ENOUGH TO NOTICE.
54
00:03:38,618 --> 00:03:40,318
I'M NOTICING NOW, HUH?
55
00:03:40,787 --> 00:03:41,819
HMM.
56
00:03:48,629 --> 00:03:51,129
WHAT IS IT? DID I DO SOMETHING?
57
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NO. NO.
58
00:03:53,767 --> 00:03:55,533
IT'S JUST, UH... JUST WHAT?
59
00:03:59,806 --> 00:04:02,240
IT'S THE OTHER NIGHT, I, UH...
60
00:04:02,309 --> 00:04:03,741
THERE WAS THIS WOMAN, AND SHE--
61
00:04:03,810 --> 00:04:05,110
LOOK, ARE YOU SEEING SOMEONE ELSE?
62
00:04:05,178 --> 00:04:06,578
NO.
63
00:04:06,647 --> 00:04:09,514
YEAH, RIGHT. WHO WAS IT, AN EX-GIRLFRIEND?
64
00:04:11,384 --> 00:04:13,719
I KNEW THIS RELATIONSHIP WAS A MISTAKE.
65
00:04:17,825 --> 00:04:21,192
CHRIS, WAIT. YOU DON'T UNDERSTAND.
66
00:04:22,495 --> 00:04:23,862
SHE WAS DEAD.
67
00:04:25,732 --> 00:04:27,065
SHE WAS MURDERED.
68
00:04:28,969 --> 00:04:30,535
DROWNED IN HER TUB
69
00:04:31,505 --> 00:04:33,505
AND IT WAS AWFUL.
70
00:04:33,573 --> 00:04:36,141
HER MOUTH WAS OPEN.
IT LOOKED LIKE SHE WAS SCREAMING,
71
00:04:36,210 --> 00:04:37,709
AND HER EYES, MAN.
72
00:04:40,981 --> 00:04:42,547
I'LL NEVER FORGET THOSE EYES.
73
00:04:48,355 --> 00:04:50,522
GOD, THAT MUST HAVE BEEN HORRIBLE FOR YOU.
74
00:04:52,059 --> 00:04:55,427
I--I DIDN'T EVEN KNOW HER.
75
00:04:55,496 --> 00:04:58,796
CAN YOU IMAGINE WHAT IT WOULD BE
LIKE IF IT WAS SOMEONE I KNEW,
76
00:04:58,865 --> 00:05:00,265
OR CARED ABOUT?
77
00:05:02,802 --> 00:05:04,035
UH, JIM.
78
00:05:04,104 --> 00:05:06,304
SANDBURG, WHAT THE HELL'S GOING ON?
79
00:05:12,745 --> 00:05:14,779
WHAT--WHAT ARE YOU DOING WITH THE FRONT...
80
00:05:15,549 --> 00:05:16,981
HELLO, THERE.
81
00:05:17,051 --> 00:05:19,117
I'M JIM ELLISON. I LIVE HERE.
82
00:05:19,186 --> 00:05:22,120
UH, JIM, THIS IS CHRISTINE HONG.
83
00:05:22,189 --> 00:05:24,722
CHRIS, THIS IS JIM, MY ROOMMATE.
84
00:05:25,625 --> 00:05:28,126
I THOUGHT YOU SAID YOU LIVED ALONE.
85
00:05:28,195 --> 00:05:30,394
NO. I SAID WE'D BE ALONE.
86
00:05:30,463 --> 00:05:33,598
HE WAS SUPPOSED TO BE WORKING TONIGHT.
87
00:05:33,666 --> 00:05:37,235
YOU KNOW,
MAYBE WE SHOULD JUST CALL IT A NIGHT.
88
00:05:37,304 --> 00:05:39,538
THINGS ARE GETTING WAY TOO COMPLICATED HERE.
89
00:05:41,775 --> 00:05:43,208
COME ON, CHRIS, JUST, UH...
90
00:05:43,277 --> 00:05:44,709
LET ME EXPLAIN.
91
00:05:44,778 --> 00:05:46,244
I'LL CALL YOU TOMORROW.
92
00:05:50,284 --> 00:05:51,383
BYE.
93
00:05:52,719 --> 00:05:53,885
GREAT.
94
00:05:53,954 --> 00:05:56,588
THANKS A LOT, JIM.
95
00:05:56,656 --> 00:06:00,459
I'M JUST NOT USED TO KNOCKING
AT MY OWN FRONT DOOR.
96
00:06:00,527 --> 00:06:03,695
AH, I'M SORRY I SNAPPED.
97
00:06:03,764 --> 00:06:06,531
IT DOESN'T MATTER.
THIS WHOLE NIGHT WAS A DISASTER ANYWAY.
98
00:06:06,599 --> 00:06:09,067
I--
I COULDN'T STOP THINKING ABOUT SUSAN FRASIER.
99
00:06:09,135 --> 00:06:12,537
YEAH.
MURDER VICTIMS TEND TO GET THE BEST OF US.
100
00:06:12,606 --> 00:06:14,405
YOU GOTTA LEARN TO SEPARATE YOURSELF.
101
00:06:14,474 --> 00:06:17,675
OH, YEAH. RIGHT.
JUST CHECK MY HUMANITY AT THE DOOR?
102
00:06:17,744 --> 00:06:20,612
WHATEVER IT TAKES TO STAY PRESENT.
103
00:06:20,680 --> 00:06:24,248
WHAT IF THE KILLER HAD STILL
BEEN AT THE SCENE, HMM?
104
00:06:24,317 --> 00:06:26,117
IF YOUR EMOTIONS ARE IN THE WAY,
105
00:06:26,185 --> 00:06:27,418
YOU'RE USELESS,
106
00:06:27,487 --> 00:06:29,754
POTENTIALLY DANGEROUS.
107
00:06:29,823 --> 00:06:31,255
NOW, IF YOU'RE GOING TO HANG WITH COPS,
108
00:06:31,324 --> 00:06:33,458
YOU GOTTA LEARN TO DO THE RIGHT THING,
109
00:06:33,526 --> 00:06:37,662
'CAUSE YOUR LIFE AND THE LIVES OF
MANY OTHERS ARE GOING TO DEPEND ON IT.
110
00:06:41,167 --> 00:06:44,135
DETECTIVE ELLISON, DON HASS, KCDE NEWS.
111
00:06:44,203 --> 00:06:46,972
WHAT CAN YOU TELL US ABOUT THE MURDER
VICTIM YOU FOUND TUESDAY NIGHT?
112
00:06:47,040 --> 00:06:48,473
SO MUCH FOR THE BLACKOUT.
113
00:06:48,541 --> 00:06:51,276
MY SOURCES SAY IT COULD BE
THE WORK OF A SERIAL KILLER.
114
00:06:51,345 --> 00:06:54,279
WELL, SINCE YOUR SOURCES SEEM TO HAVE ALL
THE ANSWERS, WHY DON'T YOU GO ASK THEM?
115
00:06:54,347 --> 00:06:57,782
DETECTIVE ELLISON,
WHAT ABOUT THE MURDER VICTIM'S 911 TAPES?
116
00:06:57,851 --> 00:07:00,385
ARE YOU GOING TO BE
RELEASING THEM ANYTIME SOON?
117
00:07:05,358 --> 00:07:09,260
DON HASS HERE, REPORTING LIVE FROM
OUTSIDE THE CASCADE POLICE BUILDING.
118
00:07:09,328 --> 00:07:13,831
THIS IS THE 911 CALL MADE FROM SUSAN
FRASIER'S PHONE THE NIGHT SHE WAS KILLED.
119
00:07:13,900 --> 00:07:15,233
EMERGENCY 911.
120
00:07:15,302 --> 00:07:16,767
HELP! HELP! THERE'S A MAN HERE.
121
00:07:16,836 --> 00:07:18,236
HE--HE--HE'S TRYING TO GET IN.
122
00:07:18,305 --> 00:07:20,338
PLEASE, HELP ME! HELP ME!
123
00:07:20,407 --> 00:07:22,673
AND THIS IS HER ANSWERING MACHINE MESSAGE.
124
00:07:24,378 --> 00:07:25,877
HI, EVERYBODY, IT'S SUSAN.
125
00:07:25,945 --> 00:07:27,778
IF I COULD COME TO THE PHONE, I WOULD.
126
00:07:27,847 --> 00:07:30,482
BUT SINCE I CAN'T, I WON'T.SO PLEASE LEAVE A MESSAGE,AND IF YOU DON'T,
127
00:07:30,550 --> 00:07:31,682
I WON'T CALL YOU BACK.
128
00:07:32,919 --> 00:07:34,618
THE 911 CALL IS SO DISTORTED,
129
00:07:34,687 --> 00:07:37,188
IT'S ALMOST IMPOSSIBLE TO
TELL IF IT'S THE SAME VOICE.
130
00:07:37,257 --> 00:07:39,223
PLAY THE 911 CALL ONE MORE TIME.
131
00:07:43,062 --> 00:07:44,395
EMERGENCY 911.
132
00:07:44,464 --> 00:07:45,964
HELP! HELP! THERE'S A MAN HERE.
133
00:07:46,033 --> 00:07:47,432
HE--HE--HE'S TRYING TO GET IN.
134
00:07:47,500 --> 00:07:50,468
PLEASE, HELP ME! HELP ME!
135
00:07:50,537 --> 00:07:53,104
OH, MY GOD! OH, MY GOD! HERE HE COMES!
136
00:07:54,907 --> 00:07:58,276
OH, NO, HE'S TRYING TO GET IN!
137
00:08:00,013 --> 00:08:01,646
THOSE ARE 2 DIFFERENT VOICES.
138
00:08:02,515 --> 00:08:04,315
HOW CAN YOU BE SO SURE?
139
00:08:04,384 --> 00:08:07,018
I--I CAN JUST TELL. THEY--THEY ARE.
140
00:08:07,087 --> 00:08:10,288
HEY, HAVE YOU SEEN THIS?
141
00:08:10,357 --> 00:08:13,525
I HAVE EVERY NEWS WIRE IN THE
WORLD WANTING A STATEMENT.
142
00:08:13,593 --> 00:08:15,126
WE GOT A LEAK HERE SOMEWHERE, JIM.
143
00:08:15,194 --> 00:08:16,394
WE GOT TO PLUG IT.
144
00:08:16,463 --> 00:08:18,763
NOW,
WHO ELSE KNOWS ALL THE DETAILS BESIDES US?
145
00:08:18,831 --> 00:08:20,564
JUST SANDBURG.
146
00:08:20,633 --> 00:08:23,568
COULD IT BE HIM? I MEAN, HE IS NEW AT THIS.
MAYBE HE DOESN'T UNDERSTAND--
147
00:08:23,636 --> 00:08:26,671
HE UNDERSTANDS FINE.
148
00:08:26,740 --> 00:08:29,874
YEAH, WELL, JUST HAVE A TALK WITH HIM,
JUST IN CASE, ALL RIGHT?
149
00:08:29,943 --> 00:08:31,842
ALL RIGHT, WHAT DO YOU GUYS GOT?
150
00:08:31,911 --> 00:08:33,911
THE 911 CALLER'S OUR KILLER.
151
00:08:33,980 --> 00:08:36,381
WE'LL HAVE TO RUN A VOICEPRINT
ANALYSIS TO VERIFY THAT.
152
00:08:36,449 --> 00:08:40,252
WITH SUSAN FRASIER DEAD,
IT'S OUR ONLY POSSIBILITY.
153
00:08:40,320 --> 00:08:42,854
WHICH MEANS THE KILLER THAT
WE'RE LOOKING FOR IS A WOMAN.
154
00:08:49,196 --> 00:08:50,995
SHE COULD BE IN AN OPEN CASKET.
155
00:08:51,064 --> 00:08:52,697
YOU GONNA BE OK WITH THAT?
156
00:08:52,765 --> 00:08:55,066
YEAH. YEAH, I'LL BE FINE, REALLY.
157
00:08:55,134 --> 00:08:57,068
SERIAL KILLERS OFTEN LIKE TO STAY AROUND,
158
00:08:57,136 --> 00:08:59,037
HANG OUT AND ADMIRE THEIR WORK.
159
00:08:59,105 --> 00:09:01,439
SOMETIMES EVEN TAUNT YOU TO CATCH THEM,
SO STAY ALERT.
160
00:09:01,508 --> 00:09:03,107
DETECTIVE? JUST KEEP MOVING.
161
00:09:03,176 --> 00:09:06,210
DETECTIVE ELLISON,
MY SOURCES REPORT THAT IT WAS ACTUALLY
162
00:09:06,279 --> 00:09:08,647
THE KILLER WHO PLACED THE VICTIM'S 911 CALL.
ANY COMMENT?
163
00:09:08,715 --> 00:09:10,281
YEAH. I'M LATE FOR CHURCH.
164
00:09:10,350 --> 00:09:11,716
CAN YOU VERIFY THAT, SIR?
165
00:09:11,785 --> 00:09:13,952
LET YOUR LIGHT SHINE FORTH,
166
00:09:14,021 --> 00:09:17,922
THAT THOU MAY GLORIFY OUR
FATHER WHO ART IN HEAVEN.
167
00:09:17,991 --> 00:09:21,993
FOR GOD HAS BLESSED THEE,
FOREVER THY THRONE.
168
00:09:22,062 --> 00:09:23,895
BLESSED ARE THE PURE IN HEART
169
00:09:23,964 --> 00:09:27,332
FOR THEY SHALL DWELL IN
THE KINGDOM OF GOD FOREVER.
170
00:09:27,400 --> 00:09:30,735
BLESSED ARE THEY WHO
HUNGER FOR RIGHTEOUSNESS
171
00:09:30,804 --> 00:09:33,171
FOR THEY SHALL BE FILLED WITH THY LOVE
172
00:09:33,239 --> 00:09:36,540
FROM EVERLASTING AND TO EVERLASTING.
173
00:09:36,609 --> 00:09:37,642
AMEN.
174
00:09:37,710 --> 00:09:38,910
AMEN.
175
00:09:38,978 --> 00:09:41,613
I INVITE YOU TO APPROACH OUR DEAR DEPARTED
176
00:09:41,682 --> 00:09:44,949
SO THAT SHE MAY MAKE HER
FINAL JOURNEY IN PEACE.
177
00:10:10,710 --> 00:10:12,210
WHAT THE HELL?
178
00:10:12,278 --> 00:10:14,946
ROLL THE CAMERA. GET SOME FOOTAGE OF THIS.
179
00:10:15,015 --> 00:10:16,313
LADY!
180
00:10:16,382 --> 00:10:18,650
KEEP IT ROLLING. KEEP ON THE CAR.
181
00:10:20,453 --> 00:10:22,486
MA'AM, JUST ONE QUESTION.
182
00:10:24,523 --> 00:10:25,957
STAY WITH IT.
183
00:10:26,993 --> 00:10:28,459
KEEP ROLLING.
184
00:10:31,397 --> 00:10:32,730
WHO IS THAT?
185
00:10:42,909 --> 00:10:44,075
DAMN IT!
186
00:12:45,898 --> 00:12:48,132
POLICE! HOLD IT RIGHT THERE!
187
00:13:19,499 --> 00:13:21,165
SHE ESCAPES YOU AT THE CHURCH,
188
00:13:21,234 --> 00:13:22,600
YOU LOSE HER AT THE BRIDGE,
189
00:13:22,669 --> 00:13:24,669
AND SHE'S WHAT, A HIGH-HEELED WOMAN?
190
00:13:24,737 --> 00:13:27,071
I DIDN'T SEE ANYONE IN THE WATER, SIR.
191
00:13:27,139 --> 00:13:29,373
YOU KNOW THE STRETCH OF THAT RIVER THERE.
192
00:13:29,442 --> 00:13:30,775
THE CURRENTS ARE DEADLY.
193
00:13:30,844 --> 00:13:32,510
I--I DIDN'T THINK SHE HAD A CHANCE.
194
00:13:32,578 --> 00:13:34,678
YEAH, WELL, HARBOR PATROL
DRAGGED THE RIVER ALL NIGHT LONG
195
00:13:34,747 --> 00:13:36,180
AND THEY DID NOT FIND A BODY.
196
00:13:36,249 --> 00:13:38,782
AND UNTIL THEY DO, THIS CASE IS STILL OPEN.
197
00:13:38,851 --> 00:13:43,053
AND WHAT'S THIS I HEAR ABOUT SANDBURG
TIPPING OFF THE SUSPECT AT THE CHURCH?
198
00:13:43,122 --> 00:13:45,789
I'M THE ONE WHO BLEW IT, SIR.
IT WAS MY RESPONSIBILITY.
199
00:13:45,858 --> 00:13:48,726
LOOK, I KNOW THE KID HELPS
YOU WITH THIS SENTINEL THING
200
00:13:48,795 --> 00:13:50,962
BUT HE IS NOT ONE OF US.
201
00:13:51,030 --> 00:13:53,764
MAYBE IT'S TIME YOU SHOULD
THINK ABOUT CUTTING HIM LOOSE.
202
00:13:53,833 --> 00:13:57,034
NO, SIR. I HAVE TO DISAGREE WITH THAT CALL.
203
00:13:57,103 --> 00:13:58,869
BLAIR UNDERSTANDS WHAT I'M GOING THROUGH.
204
00:13:59,606 --> 00:14:01,505
YOU REALLY TRUST THIS KID?
205
00:14:01,574 --> 00:14:04,108
YES, SIR, I DO.
206
00:14:04,177 --> 00:14:07,478
LOOK,
I'VE HAD TO CALL IN SOME HELP ON THIS CASE.
207
00:14:07,546 --> 00:14:09,547
SIMON, I CAN HANDLE THIS CASE.
208
00:14:09,616 --> 00:14:12,483
WHAT YOU AND I KNOW ABOUT SERIAL
KILLERS WOULDN'T FILL A COFFEE CUP.
209
00:14:12,552 --> 00:14:14,418
NOW, WE NEED SOME EXPERT ADVICE.
210
00:14:14,487 --> 00:14:16,854
SIR, IF YOU WOULD JUST GIVE ME A--
A COUPLE OF DAYS.
211
00:14:16,923 --> 00:14:19,557
THAT--THAT'S ALL I ASK FOR.
I--I KNOW WE CAN CRACK THIS CASE.
212
00:14:19,626 --> 00:14:22,893
JIM, FOR ONCE IN YOUR LIFE,
WILL YOU LEAVE YOUR PRIDE AT THE DESK?
213
00:14:22,962 --> 00:14:25,830
IF THIS WOMAN IS OUT THERE, SHE'S DANGEROUS.
214
00:14:25,898 --> 00:14:27,865
THIS IS A WASH. YEAH.
215
00:14:27,934 --> 00:14:29,100
THANKS. HMM.
216
00:14:29,168 --> 00:14:31,902
DR. BATES,
I'D LIKE YOU TO MEET DETECTIVE JIM ELLISON.
217
00:14:31,971 --> 00:14:33,504
JIM, THIS IS DR. ANTHONY BATES.
218
00:14:33,573 --> 00:14:36,441
TONY, PLEASE. I READ YOUR REPORT.
219
00:14:36,509 --> 00:14:39,443
DR. BATES IS WITH THE
F.B.I.'S SAN FRANCISCO OFFICE.
220
00:14:39,512 --> 00:14:42,146
HE'S ONE OF THEIR TOP
FORENSIC PSYCHIATRISTS.
221
00:14:42,215 --> 00:14:44,782
ALL I ASK IS THAT YOU WORK WITH HIM.
222
00:14:44,851 --> 00:14:47,751
YOUR FORENSIC INVESTIGATION
WAS THOROUGH ENOUGH, DETECTIVE,
223
00:14:47,820 --> 00:14:49,620
BUT I THINK WE NEED TO FOCUS MORE
224
00:14:49,688 --> 00:14:50,888
ON THE SIGNATURE OF THE KILLER.
225
00:14:50,956 --> 00:14:52,456
YOU MEAN, THE YELLOW SCARVES.
226
00:14:52,525 --> 00:14:55,293
YEAH, BUT THAT'S JUST ONE OF THE ELEMENTS.
227
00:14:55,361 --> 00:14:57,462
WE REALLY HAVE TO ANALYZE THE REST
228
00:14:57,530 --> 00:14:59,597
SO WE'LL BE ABLE TO RECONSTRUCT
229
00:14:59,665 --> 00:15:02,200
THE PRECISE PSYCHOLOGICAL DYNAMICS
230
00:15:02,268 --> 00:15:04,869
AND INFER A PROFILE OF THE SUSPECT.
231
00:15:06,039 --> 00:15:07,605
UH...
232
00:15:07,673 --> 00:15:10,475
A KIND OF PSYCHOLOGICAL COMPOSITE DRAWING,
233
00:15:10,543 --> 00:15:12,810
SO WE KNOW WHAT WE'RE DEALING WITH HERE.
UM...
234
00:15:14,547 --> 00:15:17,849
WHAT I'M REALLY INTERESTED IN, DETECTIVE,
235
00:15:17,917 --> 00:15:19,584
IS THE EXACT MURDER RITUAL.
236
00:15:23,723 --> 00:15:26,123
THE VICTIM IS DROWNED IN A BATHTUB.
237
00:15:26,192 --> 00:15:28,293
PERSONAL ITEMS ARE MISSING.
238
00:15:28,361 --> 00:15:30,895
AND A YELLOW SCARF IS LEFT BEHIND.
239
00:15:30,964 --> 00:15:34,431
AS TO THE VICTIMS THEMSELVES,
IT APPEARS THAT...
240
00:15:34,500 --> 00:15:36,901
WELL, SHE HAS NO PATTERN IN HER SELECTION.
241
00:15:38,104 --> 00:15:40,638
RIGHT NOW, IT'S... I'D SAY IT'S RANDOM.
242
00:15:41,040 --> 00:15:42,839
HMM.
243
00:15:42,908 --> 00:15:46,877
DETECTIVE, IN CASES LIKE THIS,
NOTHING IS RANDOM.
244
00:15:46,946 --> 00:15:50,181
DID WE REALLY PROMISE THIS
DON HASS GUY A HOT TIP
245
00:15:50,250 --> 00:15:52,149
IN RETURN FOR THIS VIDEO?
246
00:15:52,218 --> 00:15:53,918
BETTER HE GETS IT FROM US ON OUR TERMS
247
00:15:53,987 --> 00:15:55,519
THAN FROM HIS SOURCE.
248
00:15:58,258 --> 00:16:00,691
YOU KNOW, THE CAPTAIN IS
PRETTY WORRIED ABOUT THIS LEAK.
249
00:16:00,760 --> 00:16:02,026
YEAH.
250
00:16:02,095 --> 00:16:04,261
HE THINKS IT MIGHT BE YOU.
251
00:16:04,330 --> 00:16:06,664
COME ON, YOU DON'T BELIEVE THAT, DO YOU?
252
00:16:06,733 --> 00:16:09,967
ALL I'M SAYING IS THAT I DON'T WANT
YOU TO TALK ABOUT THIS CASE TO ANYBODY.
253
00:16:10,036 --> 00:16:11,969
THIS IS 'CAUSE I SCREWED UP AT
THE CHURCH THE OTHER DAY, RIGHT?
254
00:16:12,038 --> 00:16:13,504
NOW YOU'RE ALL PISSED OFF AT ME.
255
00:16:13,572 --> 00:16:15,106
I'M NOT PISSED OFF.
256
00:16:15,174 --> 00:16:18,643
JIM, I PROMISE YOU NOTHING LIKE
THAT WILL EVER HAPPEN AGAIN.
257
00:16:20,546 --> 00:16:21,813
WHAT THE HELL?
258
00:16:21,881 --> 00:16:23,548
ROLL THE CAMERA.
259
00:16:23,616 --> 00:16:25,683
GET SOME FOOTAGE OF THIS. LADY!
260
00:16:27,454 --> 00:16:29,386
FREEZE IT RIGHT THERE.
261
00:16:29,455 --> 00:16:30,988
WHAT? WHAT IS IT?
262
00:16:31,057 --> 00:16:32,823
LOOK AT THE HAIR.
263
00:16:32,892 --> 00:16:34,292
SUSAN FRASIER.
264
00:16:34,360 --> 00:16:36,927
RIGHT. THE KILLER DRIVES THE VICTIM'S CAR.
265
00:16:36,996 --> 00:16:39,597
HAS THE SAME HAIRSTYLE. PLAY THE TAPE.
266
00:16:41,767 --> 00:16:45,536
GET SOME FOOTAGE OF THIS. KEEP ON THE CAR.
267
00:16:45,604 --> 00:16:47,738
DAMN, IF WE COULD ONLY SEE HER FACE.
268
00:16:47,807 --> 00:16:49,239
ROLL THE CAMERA.
269
00:16:49,308 --> 00:16:52,243
FREEZE IT RIGHT THERE.
NOW BACK IT UP A LITTLE BIT.
270
00:16:53,112 --> 00:16:55,412
RIGHT THERE. YOU SEE IT?
271
00:16:55,481 --> 00:16:56,580
WHAT?
272
00:16:56,649 --> 00:16:59,016
HOW MANY WOMEN DO YOU KNOW
THAT HAVE ADAM'S APPLES?
273
00:17:01,387 --> 00:17:03,388
YOU KNOW, I THINK YOU'RE RIGHT.
274
00:17:03,456 --> 00:17:05,323
WHICH MEANS OUR SHE IS A HE.
275
00:17:05,392 --> 00:17:08,458
WAIT A MINUTE.
SO NOW WE'RE LOOKING FOR A GUY
276
00:17:08,527 --> 00:17:10,061
WHO LIKES TO DRESS UP AS A WOMAN?
277
00:17:10,130 --> 00:17:13,030
I'M GONNA HAVE TO REEXAMINE
THE FIRST 2 HOMICIDES.
278
00:17:13,099 --> 00:17:15,266
IF OUR KILLER'S A TRANSVESTITE,
279
00:17:15,334 --> 00:17:17,969
MAYBE SOMEBODY SAW SOMETHING.
280
00:17:18,037 --> 00:17:20,271
I'VE GOT TO GET THIS TAPE OVER TO CAROLYN
281
00:17:20,340 --> 00:17:21,739
FOR SOME FRAME BLOWUPS.
282
00:17:21,807 --> 00:17:23,807
NOW, TOMORROW, WE'RE GONNA PAY A VISIT
283
00:17:23,876 --> 00:17:25,843
TO ADAM WALKER'S OLD NEIGHBORHOOD.
284
00:17:25,912 --> 00:17:28,545
THEN WE'RE GONNA CHECK INTO
THIS BILLY BRIGHT HERE.
285
00:17:28,614 --> 00:17:31,482
UH, HE USED TO PLAY IN A BAND
AT A PLACE CALLED CLUB DOOM.
286
00:17:33,085 --> 00:17:34,585
YOU'RE GOING TO CLUB DOOM?
287
00:17:34,653 --> 00:17:36,520
YOU GOT A PROBLEM WITH THAT?
288
00:17:36,589 --> 00:17:38,355
WHOA, THE DOOM'S AN UNDERGROUND CLUB.
289
00:17:38,424 --> 00:17:41,225
AND YOU ARE, LIKE, CLEARLY LABELED "COP."
290
00:17:41,293 --> 00:17:44,061
I MEAN, I COULD GO IN THERE
AND ASK A FEW QUESTIONS...
291
00:17:44,130 --> 00:17:45,362
NO, NO WAY. NOT WITHOUT ME.
292
00:17:45,431 --> 00:17:47,831
JIM, I CAN BLEND IN. YOU CAN'T.
293
00:17:47,900 --> 00:17:50,200
I SAID, NO WAY. IT'S TOO RISKY.
294
00:18:11,024 --> 00:18:12,156
CHRIS.
295
00:18:14,060 --> 00:18:16,627
I'M REALLY SORRY ABOUT THE OTHER NIGHT.
296
00:18:17,997 --> 00:18:19,363
PROVE IT.
297
00:18:31,844 --> 00:18:34,645
BUT FROM NOW ON BE STRAIGHT WITH ME, OK?
298
00:18:35,748 --> 00:18:36,947
ABSOLUTELY.
299
00:18:37,950 --> 00:18:39,217
SO TELL ME,
300
00:18:39,285 --> 00:18:41,152
WHAT ARE WE DOING AT THE DOOM
301
00:18:41,221 --> 00:18:43,020
10 MINUTES BEFORE THEY BOLT THE DOOR?
302
00:18:44,890 --> 00:18:46,757
I'M INVESTIGATING A MURDER.
303
00:18:48,394 --> 00:18:49,493
WHAT?
304
00:18:49,562 --> 00:18:51,362
YOU REMEMBER MY ROOMMATE?
305
00:18:51,430 --> 00:18:54,965
WELL,
HE'S A COP AND I'M SORT OF WORKING WITH HIM.
306
00:18:55,034 --> 00:18:57,034
IS THIS ABOUT THE DEAD BODY YOU SAW?
307
00:18:57,103 --> 00:18:58,803
EXACTLY.
308
00:18:58,871 --> 00:19:01,638
SO I WANT TO GO INSIDE AND HELP HIM OUT
309
00:19:01,707 --> 00:19:05,142
AND TRY TO FIND A CLUE
ABOUT WHO THE KILLER IS.
310
00:19:05,211 --> 00:19:08,812
BUT YOU'VE GOT TO PROMISE ME THAT YOU'RE
NOT GOING TO TELL ANYBODY ABOUT THIS.
311
00:19:09,849 --> 00:19:11,315
SCOUT'S HONOR.
312
00:19:12,885 --> 00:19:14,918
ALL RIGHT, THEN. LET'S GO.
313
00:19:16,021 --> 00:19:17,955
IN THE LATEST TWIST IN CASCADE'S
314
00:19:18,024 --> 00:19:21,158
BRUTAL AND MYSTIFYING
FEMALE SERIAL KILLER CASE,
315
00:19:21,227 --> 00:19:23,327
CONFIDENTIAL SOURCES REPORT
316
00:19:23,396 --> 00:19:26,464
THAT THE POLICE ARE NO
LONGER LOOKING FOR A WOMAN
317
00:19:26,532 --> 00:19:27,598
BUT A TRANSVESTITE.
318
00:19:27,667 --> 00:19:28,966
CAN YOU BELIEVE THAT?
319
00:19:31,203 --> 00:19:34,004
OK, I'VE GOT THIS WHOLE THING FIGURED OUT.
320
00:19:34,073 --> 00:19:35,339
DON'T YOU KNOCK?
321
00:19:35,408 --> 00:19:36,707
UH, RIGHT. SORRY, SIMON.
322
00:19:38,444 --> 00:19:42,313
YOU SEE, THE KILLER'S DEAL IS, IS THAT
HE TRADES IDENTITIES WITH HIS VICTIMS.
323
00:19:42,382 --> 00:19:45,149
I JUST HAD A TALK WITH BILLY
BRIGHT'S BAND OVER AT CLUB DOOM,
324
00:19:45,218 --> 00:19:47,651
AND IT TURNS OUT THAT THE
NIGHT BILLY WAS KILLED,
325
00:19:47,720 --> 00:19:50,354
HE BOUGHT SOME DOPE FROM
A GUY IN A WHEELCHAIR.
326
00:19:50,423 --> 00:19:51,555
THAT GUY.
327
00:19:51,624 --> 00:19:52,790
ADAM WALKER?
328
00:19:52,858 --> 00:19:54,325
RIGHT, MURDER VICTIM NUMBER ONE.
329
00:19:54,394 --> 00:19:57,027
ONLY WALKER HAD BEEN
DEAD FOR ALMOST 3 WEEKS.
330
00:19:57,096 --> 00:19:58,562
REMARKABLE.
331
00:19:58,631 --> 00:19:59,897
UH, I'M TONY BATES.
332
00:19:59,966 --> 00:20:01,532
HEY, HOW YOU DOING? UH, BLAIR SANDBURG.
333
00:20:01,601 --> 00:20:03,500
HE'S AN ADVISOR TO THE DEPARTMENT.
334
00:20:03,569 --> 00:20:05,336
AN ADVISOR WHO DOESN'T DO WHAT HE'S TOLD TO.
335
00:20:05,405 --> 00:20:07,804
I THINK YOU'RE RIGHT ON
THE MONEY ABOUT THIS.
336
00:20:07,873 --> 00:20:09,674
WHAT?
337
00:20:09,742 --> 00:20:13,811
WELL, WE MAY BE DEALING WITH A--
A SUSPECT WHO HAS SUCH A WEAK SENSE OF SELF
338
00:20:13,879 --> 00:20:16,414
THAT HE FIXATES ON A PERSON, KILLS THEM,
339
00:20:16,482 --> 00:20:18,782
AND THEN ASSUMES THEIR PERSONALITY.
340
00:20:18,851 --> 00:20:22,853
HE KILLS WALKER AND ASSUMES THE IDENTITY
OF A DOPE DEALER IN A WHEELCHAIR,
341
00:20:22,921 --> 00:20:25,689
AND THEN HE KILLS BRIGHT AND ASSUMES
HIS IDENTITY, AND THEN SUSAN FRASIER.
342
00:20:25,758 --> 00:20:28,592
EXACTLY, THINK OF IT AS A
PROCESS OF PSYCHIC INGESTION.
343
00:20:28,661 --> 00:20:30,228
RIGHT, RIGHT, RIGHT.
344
00:20:30,296 --> 00:20:32,062
UH, LIKE AZTEC WARRIORS USED TO
EAT THE HEART OF THEIR ENEMIES
345
00:20:32,131 --> 00:20:34,632
BECAUSE THEY WOULD BELIEVE THAT
WOULD ENHANCE THEIR PROWESS IN WAR.
346
00:20:34,700 --> 00:20:36,267
IT'S TRUE.
347
00:20:36,335 --> 00:20:39,337
WHAT WE MAY BE FACING HERE IS
A SIMILAR PSYCHOLOGICAL BELIEF.
348
00:20:39,405 --> 00:20:42,839
ONLY OUR KILLER IS HARDLY A WARRIOR.
349
00:20:42,909 --> 00:20:45,275
I BELIEVE THAT HE'S AN ABJECT LONER,
350
00:20:45,344 --> 00:20:46,777
FROM A BROKEN HOME,
351
00:20:48,080 --> 00:20:50,047
HISTORY OF SEVERE NEGLECT,
352
00:20:50,115 --> 00:20:51,582
POSSIBLY CHILD ABUSE.
353
00:20:51,651 --> 00:20:53,851
IT'S-- IT'S ALL THEORY. NOTHING BUT THEORY.
354
00:20:53,919 --> 00:20:55,786
I NEED SOME SUSPECTS.
355
00:20:59,592 --> 00:21:00,724
YEAH.
356
00:21:03,963 --> 00:21:05,095
THANKS.
357
00:21:05,164 --> 00:21:07,331
WE HAVE OURSELVES ANOTHER PROWLER.
358
00:21:07,399 --> 00:21:08,933
THIS TIME AT THE MARITIME MUSEUM.
359
00:21:09,002 --> 00:21:10,000
IT'S A FEMALE.
360
00:21:10,069 --> 00:21:12,035
SHE FITS THE DESCRIPTION OF OUR KILLER.
361
00:21:32,157 --> 00:21:33,390
ARE YOU OK, MA'AM?
362
00:21:33,459 --> 00:21:34,925
OH, THANK GOD YOU'RE HERE.
363
00:21:34,993 --> 00:21:37,494
THE MUSEUM'S CLOSED. I WAS LOCKING UP
364
00:21:37,563 --> 00:21:39,296
AND THEN I SAW THIS FACE.
365
00:21:39,365 --> 00:21:41,799
IT WAS LEERING AT ME THROUGH THE WINDOW.
366
00:21:41,867 --> 00:21:43,400
IT WAS A WOMAN'S FACE.
367
00:21:43,469 --> 00:21:45,902
MA'AM, COULD YOU MAKE YOUR
WAY TO THE FRONT DOOR, PLEASE?
368
00:22:39,224 --> 00:22:40,891
DETECTIVE ELLISON,
369
00:22:40,960 --> 00:22:44,662
ANY STATEMENT ON THAT TRANSVESTITE
THAT YOU APPREHENDED LAST NIGHT?
370
00:22:44,730 --> 00:22:48,199
COME ON, YOU GUYS. WHAT ABOUT OUR DEAL?
371
00:22:48,267 --> 00:22:50,300
YOU OWE ME A HOT TIP, REMEMBER?
372
00:22:51,537 --> 00:22:53,604
OK. SINCE YOU SEEM TO KNOW MORE
373
00:22:53,672 --> 00:22:55,572
ABOUT THIS INVESTIGATION THAN WE DO,
374
00:22:55,641 --> 00:22:58,409
I GOT A TIP FOR YOU, DON.
375
00:22:58,477 --> 00:23:00,277
YOU'RE UNDER SUSPICION FOR 3 MURDERS.
376
00:23:00,346 --> 00:23:02,212
HOW DO YOU FEEL ABOUT THAT?
377
00:23:02,281 --> 00:23:03,914
THAT'S FUNNY. VERY FUNNY.
378
00:23:03,983 --> 00:23:06,684
WAYNE UNDERWOOD, CAREER JUNKIE.
379
00:23:06,752 --> 00:23:09,987
HE'S BEEN UP A DOZEN TIMES OR SO FOR USING.
380
00:23:10,055 --> 00:23:13,223
NOW, CLAIMS HE WAS PAID TO
STALK THAT MUSEUM WORKER
381
00:23:13,291 --> 00:23:14,725
BY SOME PLAIN-LOOKING LADY.
382
00:23:14,794 --> 00:23:16,326
WELL, THAT WAS OUR KILLER
383
00:23:16,395 --> 00:23:17,895
AND HE'S OBVIOUSLY TAUNTING YOU.
384
00:23:17,963 --> 00:23:20,331
SO, THERE'S NO CHANCE THAT
THIS GUY IS OUR KILLER?
385
00:23:20,399 --> 00:23:24,334
NONE. UNDERWOOD WAS IN A DETOX TANK
THE NIGHT THAT SUSAN FRASIER DIED.
386
00:23:24,403 --> 00:23:26,636
TAKE A LOOK AT THESE, SIMON.
387
00:23:26,705 --> 00:23:30,040
FORENSICS PULLED THEM FROM
SUSAN FRASIER'S JAGUAR,
388
00:23:30,109 --> 00:23:31,441
AND WE'VE GOT A MATCH.
389
00:23:31,510 --> 00:23:33,944
YEAH, SEVERE HEAD CASE.
390
00:23:34,013 --> 00:23:37,047
ESCAPED A CALIFORNIA MENTAL
INSTITUTION 3 MONTHS AGO.
391
00:23:37,115 --> 00:23:38,916
HIS NAME'S DAVID LASH.
392
00:23:38,985 --> 00:23:40,217
3 MONTHS?
393
00:23:40,285 --> 00:23:42,286
NOW THAT'S THE SAME TIME
ADAM WALKER WAS KILLED.
394
00:23:42,355 --> 00:23:44,654
I'VE SUBPOENAED THE PATIENT'S
FILES FROM WATSONVILLE.
395
00:23:44,724 --> 00:23:48,058
OH, GOOD, THIS MAY FINALLY BE THE
BREAK THAT WE'VE BEEN LOOKING FOR.
396
00:23:48,127 --> 00:23:49,760
NICE WORK, DETECTIVE.
397
00:23:49,828 --> 00:23:52,663
YOU, TOO, BLAIR. VERY IMPRESSIVE FIELDWORK.
398
00:23:54,466 --> 00:23:56,132
THANKS.
399
00:23:56,201 --> 00:23:59,303
BEAKER ONE,
WATER TAKEN FROM SUSAN FRASIER'S STOMACH.
400
00:23:59,372 --> 00:24:01,305
0.5% SALINITY.
401
00:24:01,374 --> 00:24:03,840
BEAKER 2, TAP WATER FROM HER APARTMENT.
402
00:24:03,909 --> 00:24:06,043
0.3%.
403
00:24:06,111 --> 00:24:07,878
THEY'RE NOT FROM THE SAME SOURCE.
404
00:24:07,946 --> 00:24:09,647
SUSAN FRASIER WAS DROWNED SOMEWHERE ELSE
405
00:24:09,715 --> 00:24:10,914
AND DUMPED IN HER BATHTUB.
406
00:24:10,983 --> 00:24:11,982
RIGHT.
407
00:24:12,051 --> 00:24:13,383
AND THE OTHER VICTIMS?
408
00:24:13,452 --> 00:24:16,253
WATER IN ALL THEIR STOMACHS, 0.5%.
409
00:24:16,322 --> 00:24:18,054
IT'S A MATCH.
410
00:24:18,123 --> 00:24:21,024
HE KILLS THEM ALL IN THE SAME PLACE.
411
00:24:21,093 --> 00:24:24,294
TRICHLOROETHANOL. IT'S, UH, CHLORAL HYDRATE.
412
00:24:24,363 --> 00:24:29,366
THE MEDICAL EXAMINER FOUND 3 MILLIGRAMS
PER LITER IN ALL 3 VICTIMS' BLOOD.
413
00:24:29,435 --> 00:24:31,468
SO, THEY'RE UNCONSCIOUS WHEN HE DROWNS THEM?
414
00:24:31,537 --> 00:24:32,769
AWAKE.
415
00:24:32,838 --> 00:24:35,039
HE USES JUST ENOUGH TO SUBDUE THEM.
416
00:24:35,107 --> 00:24:37,174
THEN HE MOVES THEM TO THE KILL SITE.
417
00:24:37,243 --> 00:24:39,009
THE DRUG IS SHORT-ACTING.
418
00:24:39,078 --> 00:24:41,311
THE DEATH, LONG-SUFFERING.
419
00:24:41,380 --> 00:24:43,513
I'M GONNA NEED MORE ON THIS WATER.
420
00:24:43,582 --> 00:24:46,383
THIS GUY'S KILLING PEOPLE
AND IT'S A GAME TO HIM.
421
00:24:46,452 --> 00:24:49,419
I FIGURE IF I CAN FIGURE OUT THE GAME,
422
00:24:49,488 --> 00:24:51,455
I'LL-- I'LL KNOW WHAT HIS NEXT MOVE IS.
423
00:24:55,695 --> 00:24:58,328
DR. BATES, JUST GOT A CALL.
424
00:24:58,397 --> 00:25:00,764
LASH'S PATIENT FILE IS JUST
COMING THROUGH ON THE MODEM.
425
00:25:00,833 --> 00:25:03,199
GREAT. MAYBE THIS TIME THEN
WE'LL GET THERE AHEAD OF HIM.
426
00:25:03,268 --> 00:25:05,936
MAYBE. I'LL--
I'LL MEET YOU IN THE CAPTAIN'S OFFICE. OK.
427
00:25:06,004 --> 00:25:07,270
EXCUSE ME.
428
00:25:08,574 --> 00:25:09,907
"PATIENT EXHIBITS SYMPTOMS
429
00:25:09,976 --> 00:25:11,641
"OF MULTIPLE DISSOCIATIVE DISORDER.
430
00:25:11,710 --> 00:25:15,112
"HIS PRIMARY IDENTITY IS PASSIVE,
EXTREMELY ISOLATED, DEPRESSED.
431
00:25:15,181 --> 00:25:17,982
"ALTERNATE IDENTITIES, HOWEVER,
ARE CONTROLLING AND AGGRESSIVE,
432
00:25:18,050 --> 00:25:20,584
"OFTEN ABSORBED FROM
PEOPLE IN HIS PROXIMITY.
433
00:25:20,652 --> 00:25:24,288
OCCURRING IN SUDDEN SHIFTS AND
FOR PERIODS OF SHORT DURATION."
434
00:25:24,357 --> 00:25:27,891
I DON'T KNOW, JIM.
BATES WAS RIGHT ON WITH LASH'S DIAGNOSIS.
435
00:25:27,960 --> 00:25:29,793
IT'S ALL RIGHT HERE IN HIS FILE.
436
00:25:32,765 --> 00:25:34,998
WHAT THE HELL IS THIS?
437
00:25:35,067 --> 00:25:37,334
THE DIAGNOSIS IS SIGNED "DR. BATES."
438
00:25:39,571 --> 00:25:41,738
BATES WAS LASH'S PSYCHIATRIST?
439
00:25:41,807 --> 00:25:43,574
HE'S TREATING THE SON OF A BITCH.
440
00:25:43,643 --> 00:25:45,543
WELL, WHY WOULDN'T HE LET US KNOW THAT?
441
00:25:50,850 --> 00:25:53,583
OUR DR. BATES IS DAVID LASH.
442
00:25:56,221 --> 00:25:57,687
AH, CHRIST!
443
00:25:58,557 --> 00:25:59,924
THIS IS CAPTAIN BANKS.
444
00:25:59,992 --> 00:26:02,359
WE HAVE A BUILDING EMERGENCY.SEAL ALL THE EXITS NOW!
445
00:26:13,139 --> 00:26:15,472
JIM, TAKE A LOOK AT THIS.
446
00:26:16,441 --> 00:26:19,008
OH, MAN. LET'S GO.
447
00:26:20,045 --> 00:26:21,111
JIM?
448
00:26:21,179 --> 00:26:22,178
I'LL TAKE THE STAIRS.
449
00:26:34,326 --> 00:26:36,126
JIM, THE STAIRS CLEAR?
450
00:26:36,195 --> 00:26:37,594
YEAH. I'M CHECKING THE STREET.
451
00:26:37,663 --> 00:26:40,264
ALL RIGHT, I WANT A FLOOR-BY-FLOOR LOCKDOWN.
452
00:26:50,509 --> 00:26:54,844
CASCADE'S NOTORIOUS SERIAL
KILLER HAS CLAIMED A 4TH VICTIM,
453
00:26:54,913 --> 00:26:58,415
F.B.I. FORENSIC PSYCHIATRIST
DR. ANTHONY BATES.
454
00:26:58,484 --> 00:27:01,151
DR. BATES, AN EXPERT ON SERIAL KILLERS,
455
00:27:01,220 --> 00:27:04,254
WAS IN TOWN TO ASSIST THE
LEAD INVESTIGATOR IN THE CASE,
456
00:27:04,323 --> 00:27:06,023
DETECTIVE JAMES ELLISON.
457
00:27:06,759 --> 00:27:08,324
INCREDIBLY,
458
00:27:08,393 --> 00:27:12,629
WHILE DR. BATES LAY DECOMPOSING
IN A BATHTUB FOR 3 DAYS,
459
00:27:12,698 --> 00:27:15,766
THE KILLER WAS ACTUALLY
MASQUERADING AS THE EXPERT
460
00:27:15,834 --> 00:27:18,068
CONFERRING WITH THE VERY OFFICERS
461
00:27:18,136 --> 00:27:20,804
WHO WERE SUPPOSEDLY PURSUING HIM.
462
00:27:20,873 --> 00:27:23,940
MAKES YOU WONDER WHO'S MINDING THE STORE.
463
00:27:24,009 --> 00:27:26,676
DON HASS, KCDE NEWS, LIVE.
464
00:27:29,348 --> 00:27:31,281
HE WAS TAUNTING US.
465
00:27:31,350 --> 00:27:34,784
SITTING RIGHT THERE,
DARING US TO CATCH HIM THE WHOLE TIME.
466
00:27:34,854 --> 00:27:36,553
GIVING TIMELINES.
467
00:27:36,622 --> 00:27:40,223
HANG ON A SECOND. WE ONLY JUST
ESTABLISHED BATES' TIME IN THE BATHTUB.
468
00:27:40,292 --> 00:27:41,925
AND WE'RE THE ONLY ONES WHO KNOW?
469
00:27:41,994 --> 00:27:44,527
LASH WAS FEEDING THE
INFORMATION TO HASS HIMSELF.
470
00:27:46,098 --> 00:27:47,931
THERE'S YOUR LEAK.
471
00:27:52,671 --> 00:27:54,971
WHAT CAN YOU TELL US ABOUT YOUR SON,
MR. LASH?
472
00:27:55,040 --> 00:27:58,341
HEY, DAVEY WAS A STRANGE LITTLE EGG,
I'LL TELL YOU.
473
00:27:58,410 --> 00:27:59,643
ME AND THE MAMA,
474
00:27:59,711 --> 00:28:02,312
WE COULD NEVER CONNECT WITH HIM, YOU KNOW?
475
00:28:02,381 --> 00:28:06,583
SHE'D GO TO HOLD HIM, HE'D CRY EVERY TIME.
476
00:28:06,652 --> 00:28:08,718
I FIGURED MAYBE HE NEEDS A PAL OR SOMETHING.
477
00:28:08,788 --> 00:28:13,323
SO I BAGGED US THIS--THIS LITTLE MALLARD
FROM A LAKE BY WHERE WE WAS LIVIN'.
478
00:28:13,392 --> 00:28:16,493
IT WAS CUTE. WE CALLED IT HOMER.
479
00:28:16,561 --> 00:28:20,563
DAVEY CHOKED IT TO DEATH.
KEPT HIM IN HIS ROOM FOR DAYS.
480
00:28:24,036 --> 00:28:26,303
DAVEY'S LITTLE BROTHER, JIMMY?
481
00:28:27,206 --> 00:28:28,839
HE WAS SOMETHIN' ELSE.
482
00:28:28,908 --> 00:28:30,107
AND MAMA USED TO SAY,
483
00:28:30,176 --> 00:28:32,409
"THE SUN SHINED IN THAT KID'S EYES."
484
00:28:33,913 --> 00:28:36,413
YOU SAID "JIMMY." WHERE IS HE NOW?
485
00:28:36,481 --> 00:28:38,381
HE'S DEAD.
486
00:28:38,450 --> 00:28:42,686
ON HIS FIFTH BIRTHDAY, FOUND HIM IN HIS BED.
487
00:28:42,755 --> 00:28:46,156
THE DOC SAYS, "IT JUST HAPPENS SOMETIMES."
488
00:28:46,224 --> 00:28:48,725
I SAYS, "GOD TOOK THE WRONG BOY."
489
00:28:50,563 --> 00:28:52,395
THE DAMNEDEST THING AFTER THAT,
490
00:28:52,465 --> 00:28:56,432
DAVEY, HE STARTS PRETENDIN' HE'S JIMMY.
491
00:28:56,501 --> 00:28:59,469
DOES THE COLOR YELLOW MEAN ANYTHING TO YOU?
492
00:28:59,537 --> 00:29:02,239
YEAH, MY WIFE'S FAVORITE COLOR.
493
00:29:02,307 --> 00:29:05,108
EVERYTHING IN THE DAMN HOUSE WAS YELLOW.
494
00:29:05,177 --> 00:29:08,378
WHERE IS YOUR WIFE? COULD WE SPEAK TO HER?
495
00:29:08,446 --> 00:29:11,648
SHE STARTED DRINKING HEAVY AFTER JIMMY DIED.
496
00:29:11,716 --> 00:29:14,584
SHE SAYS EVERYTHING IS MY FAULT.
497
00:29:14,653 --> 00:29:17,787
WE GOT DIVORCED. I AIN'T SEEN HER SINCE.
498
00:29:17,856 --> 00:29:19,289
SO WHO GOT CUSTODY?
499
00:29:19,358 --> 00:29:21,291
JUDGE MADE HER TAKE HIM.
500
00:29:22,227 --> 00:29:24,027
HOW'D SHE TREAT HIM?
501
00:29:25,330 --> 00:29:27,831
SHE'D LOCK HIM IN HIS ROOM FOR DAYS.
502
00:29:27,900 --> 00:29:29,665
WHEN SHE WAS GOING OUT, YOU KNOW,
503
00:29:29,734 --> 00:29:31,000
WITH--WITH HER FRIENDS.
504
00:29:31,070 --> 00:29:32,703
WHAT DO YOU MEAN, MEN?
505
00:29:32,771 --> 00:29:34,470
YEAH, WHATEVER.
506
00:29:34,539 --> 00:29:36,839
HE'D CRY AND CRY, YOU KNOW?
507
00:29:36,909 --> 00:29:39,643
HE STARTED SMEARING FILTH ON HIMSELF.
508
00:29:39,711 --> 00:29:42,512
HIS MAMA'D PUNISH HIM SOMETHING FIERCE.
509
00:29:42,580 --> 00:29:44,414
SHE'D GIVE HIM HOT BATHS,
510
00:29:44,483 --> 00:29:45,949
SCRUBBIN' HIM AND SCRUBBIN' HIM
511
00:29:46,018 --> 00:29:48,284
LIKE SHE COULD CLEAN HIM ON THE INSIDE.
512
00:29:48,353 --> 00:29:50,353
AND YOU KNEW ABOUT THIS.
513
00:29:52,758 --> 00:29:54,157
THE BOY WAS A DEVIL.
514
00:29:54,226 --> 00:29:55,826
I WAS HOPING SHE WOULD KILL HIM.
515
00:29:59,865 --> 00:30:01,465
NOW, BANKS WAS THINKING
516
00:30:01,533 --> 00:30:04,167
THAT THE LEAK WAS COMING
FROM INSIDE THE DEPARTMENT.
517
00:30:04,236 --> 00:30:06,936
AND THEN JIM FIGURED OUT THAT
IT WAS ACTUALLY THE KILLER
518
00:30:07,005 --> 00:30:09,639
WHO WAS FEEDING THIS
INFORMATION TO THIS HASS GUY.
519
00:30:10,809 --> 00:30:12,008
CRAZY.
520
00:30:13,212 --> 00:30:15,545
YOU KNOW, FOR A WHILE THERE, I ACTUALLY...
521
00:30:15,614 --> 00:30:17,414
I THOUGHT THE LEAK...
522
00:30:17,483 --> 00:30:19,882
WELL, THAT IT MIGHT HAVE BEEN YOU.
523
00:30:22,721 --> 00:30:24,521
HEY, YOU WANNA CATCH A MOVIE?
524
00:30:24,590 --> 00:30:27,957
I HEARD THEY GOT THIS ITALIAN NEOREALIST
RETROSPECTIVE OVER AT THE CINE-ART.
525
00:30:28,026 --> 00:30:30,460
SOME OTHER TIME. TAXI.
526
00:30:30,528 --> 00:30:33,062
CHRIS. CHRIS, WHAT'S WRONG?
527
00:30:33,131 --> 00:30:35,399
I CAN'T BELIEVE YOU THOUGHT IT WAS ME.
528
00:30:35,467 --> 00:30:37,233
I DIDN'T REALLY THINK IT WAS YOU.
529
00:30:37,303 --> 00:30:39,502
IT'S JUST THAT WE--
WE'VE HAD SO MUCH PRESSURE.
530
00:30:39,571 --> 00:30:41,938
LOOK, I WAS THERE FOR YOU,
531
00:30:42,007 --> 00:30:44,507
AND YOU NEVER TRUSTED ME.
AND YOU KNOW WHAT, BLAIR?
532
00:30:44,576 --> 00:30:46,242
IT REALLY HURTS.
533
00:30:48,546 --> 00:30:51,781
I KNOW.
COME ON, CHRIS, CAN'T WE TALK ABOUT THIS?
534
00:30:53,185 --> 00:30:55,185
CAN I CALL YOU LATER?
535
00:30:55,253 --> 00:30:57,020
MAYBE I'LL CALL YOU.
536
00:31:13,304 --> 00:31:14,437
JUST RELAX.
537
00:31:15,473 --> 00:31:16,606
RELAX.
538
00:31:33,091 --> 00:31:35,559
OH, MAN, JUST CALM DOWN.
539
00:32:10,428 --> 00:32:11,962
IT'S OK, IT'S OK.
540
00:32:12,931 --> 00:32:14,030
RING!
541
00:32:15,233 --> 00:32:17,467
COME ON, PLEASE!
542
00:32:40,525 --> 00:32:41,725
BLAIR?
543
00:33:13,258 --> 00:33:15,391
JIM, IT'S NOT YOUR FAULT.
544
00:33:15,460 --> 00:33:19,229
I LET THAT CREEP SLIP THROUGH MY
FINGERS TOO MANY TIMES, CAROLYN.
545
00:33:19,297 --> 00:33:22,499
UH, WHAT ABOUT THE WATER? DID YOU
COME UP WITH ANYTHING ABOUT THE WATER?
546
00:33:22,567 --> 00:33:25,835
WE FOUND SOME CONTAMINATION.
IT COULD BE WASTE.
547
00:33:25,904 --> 00:33:27,436
LIKE FROM A SEWER?
548
00:33:27,505 --> 00:33:29,405
MAYBE. I CAN'T SAY FOR SURE YET.
549
00:33:29,475 --> 00:33:31,374
WHAT ABOUT SUSAN FRASIER'S CLOTHES?
ANYTHING?
550
00:33:31,443 --> 00:33:32,609
NOTHING.
551
00:33:32,677 --> 00:33:34,110
ALL RIGHT,
I'M GOING TO HEAD OVER TO HER HOUSE.
552
00:33:34,178 --> 00:33:36,713
MAYBE THERE'S SOMETHING WE MISSED.
I'LL CALL YOU LATER.
553
00:34:04,842 --> 00:34:06,242
IT'S DOWN.
554
00:34:07,612 --> 00:34:08,811
WHAT, A FEATHER?
555
00:34:08,880 --> 00:34:10,113
DOWN?
556
00:34:10,181 --> 00:34:12,615
CAROLYN,
GIVE ME THAT WATER IN--IN THE BEAKER.
557
00:34:13,585 --> 00:34:14,884
JUST GET IT.
558
00:34:18,390 --> 00:34:20,690
WHERE YOU GOING WITH THIS, JIM?
AND--AND BREAK THE SEAL.
559
00:34:20,759 --> 00:34:22,392
I CAN'T, JIM.
560
00:34:22,461 --> 00:34:24,260
OXYGEN WILL CONTAMINATE THE SAMPLE.
IT'LL BE USELESS AS EVIDENCE.
561
00:34:24,329 --> 00:34:25,561
SANDBURG'S LIFE IS AT STAKE.
562
00:34:25,630 --> 00:34:27,664
WHAT COULD YOU POSSIBLY DO WITH THIS WATER?
563
00:34:27,732 --> 00:34:31,200
WOULD YOU JUST BREAK THE SEAL?
NOW, COME ON, SIMON. PLEASE.
564
00:34:32,337 --> 00:34:34,671
BREAK THE SEAL. I'LL BE RESPONSIBLE.
565
00:34:42,848 --> 00:34:44,547
YOU WERE RIGHT ABOUT WASTE.
566
00:34:45,617 --> 00:34:46,983
IT SMELLS LIKE BIRD WASTE.
567
00:34:47,052 --> 00:34:48,084
BIRD WASTE?
568
00:34:48,152 --> 00:34:50,620
DUCK WASTE. DOWN.
569
00:34:50,689 --> 00:34:52,188
YOU GOT A DOWN FEATHER, RIGHT?
570
00:34:52,257 --> 00:34:55,324
HE'S--
HE'S DROWNING HIS VICTIMS IN A DUCK POND.
571
00:34:55,394 --> 00:34:57,027
OH, NO, THAT'S A REACH, JIM.
572
00:34:57,095 --> 00:35:00,530
SIMON'S RIGHT. WE CAN'T ASSUME
ANYTHING JUST BECAUSE YOU SMELL IT.
573
00:35:00,599 --> 00:35:04,067
UNLESS YOU HAVE ANY OTHER SUGGESTIONS,
THIS IS ALL WE'VE GOT.
574
00:35:14,312 --> 00:35:16,446
CAREFUL OF THE STEP, MAN.
575
00:35:16,514 --> 00:35:17,981
THAT'S FOR PARTY-CRASHERS.
576
00:35:30,896 --> 00:35:33,930
IT'S OK, IT'S OK, IT'S OK, IT'S OK.
577
00:35:34,799 --> 00:35:38,201
I'D LIKE YOU TO MEET MY FRIENDS.
578
00:35:38,270 --> 00:35:42,438
I ONLY HAVE 4 OF THEM NOW,
BUT...THERE'LL BE MORE.
579
00:35:42,507 --> 00:35:45,809
YOU KNOW, FRIENDS ARE, LIKE,
REALLY EASY TO MAKE, DUDE.
580
00:35:47,645 --> 00:35:49,913
THERE'S, UH, ADAM WALKER.
581
00:35:52,217 --> 00:35:54,517
HE WAS REALLY EASY.
582
00:35:54,586 --> 00:35:56,886
HE DIDN'T STRUGGLE AT ALL.
583
00:35:56,955 --> 00:35:59,522
BUT I GUESS IT'S
'CAUSE HE WAS REALLY STONED.
584
00:36:01,226 --> 00:36:02,959
AND THEN THERE'S
585
00:36:03,761 --> 00:36:05,828
BILLY BRIGHT.
586
00:36:06,898 --> 00:36:09,999
BRIGHT, HE WAS NOT.
587
00:36:10,068 --> 00:36:13,737
BUT I OVERLOOKED THAT BECAUSE, MAN...
588
00:36:17,409 --> 00:36:19,175
'CAUSE HE HAD TALENT.
589
00:36:21,879 --> 00:36:23,046
OH,
590
00:36:24,949 --> 00:36:28,151
THEN THERE WAS SWEET SUSAN.
591
00:36:31,589 --> 00:36:34,590
SHE HAD REALLY GOOD TASTE IN CARS,
592
00:36:34,659 --> 00:36:37,893
BUT THAT HAIR, THOSE CLOTHES?
593
00:36:37,963 --> 00:36:40,363
I MEAN, WHAT WAS THE GIRL THINKING?
594
00:36:43,335 --> 00:36:45,635
YOU KNOW,
595
00:36:45,704 --> 00:36:48,538
I THINK MY FINEST HOUR
596
00:36:49,775 --> 00:36:53,309
WAS GETTING UP INTO YOUR PARTNER'S FACE.
597
00:36:53,378 --> 00:36:54,844
BUT NOW,
598
00:36:59,183 --> 00:37:02,886
IT'S TIME FOR HAIRY BLAIRY
599
00:37:03,555 --> 00:37:06,522
AND THE BEAUTIFUL
600
00:37:08,093 --> 00:37:09,425
CHINA DOLL.
601
00:37:10,662 --> 00:37:13,363
DUCK PONDS, DUCK PONDS.
602
00:37:13,431 --> 00:37:15,732
HERE. HILLSBOROUGH PARK.
603
00:37:15,801 --> 00:37:17,767
NO, NO, THAT'S NO GOOD. IT'S ALL GATED.
604
00:37:17,836 --> 00:37:19,636
THERE'S NO PUBLIC ACCESS.
605
00:37:19,704 --> 00:37:20,803
GRANDVIEW ZOO.
606
00:37:20,872 --> 00:37:22,171
24-HOUR SECURITY.
607
00:37:22,240 --> 00:37:25,041
IT'S GOT TO BE ISOLATED,
WHERE HE CAN KILL UNOBSERVED.
608
00:37:25,109 --> 00:37:26,443
NOW, HERE'S THE LAST ONE.
609
00:37:26,511 --> 00:37:29,612
ALFRED'S POND, DOWN BY THE WATERFRONT.
610
00:37:29,681 --> 00:37:31,547
RIGHT IN THE MIDDLE OF OLD WAREHOUSES
611
00:37:31,616 --> 00:37:34,150
AND ABANDONED BUILDINGS.
HE'S GOT TO BE THERE SOMEWHERE.
612
00:37:34,219 --> 00:37:36,652
WELL, WAIT A MINUTE,
SHOULDN'T WE CHECK NEARBY TOWNS, AS WELL?
613
00:37:36,722 --> 00:37:41,057
NO. THERE'S NO TIME.
SIMON, WE GOT TO TAKE A SHOT RIGHT NOW.
614
00:37:41,125 --> 00:37:44,493
YEAH, THIS IS GONNA REALLY BE FUN.
615
00:37:44,562 --> 00:37:46,930
YOU HAVE A WICKED SENSE OF HUMOR.
616
00:37:47,966 --> 00:37:50,800
YOU KNOW, KIND OF HIP.
617
00:37:53,605 --> 00:37:56,639
WITH A TOUCH OF THE NERD.
618
00:37:59,110 --> 00:38:00,610
ALL IN ALL, MAN,
619
00:38:03,414 --> 00:38:05,414
QUITE A PIECE OF WORK.
620
00:38:08,486 --> 00:38:11,487
TUSK 4,
THIS IS ZEBRA 1.WE'RE AT ALFRED'S POND.
621
00:38:11,556 --> 00:38:13,456
WE JUST COMPLETED A
SWEEP OF THE ENTIRE AREA.
622
00:38:13,525 --> 00:38:15,425
NO SIGN OF EITHER OF OUR TARGETS.
623
00:38:15,494 --> 00:38:17,427
LOOKS LIKE THERE'SNOTHING HERE BUT DUCKS,
MAN.
624
00:38:17,496 --> 00:38:18,895
WHAT'S YOUR LOCATION?
625
00:38:18,963 --> 00:38:23,566
ZEBRA ONE, THAT'S A ROGER. COMMENCING SWEEP.
626
00:38:23,635 --> 00:38:25,769
WILL ADVISE ON LOCATION.
627
00:38:25,837 --> 00:38:26,969
OUT.
628
00:38:30,609 --> 00:38:32,442
WHAT?
629
00:38:32,511 --> 00:38:33,910
WHAT ARE YOU DOING?
630
00:38:35,213 --> 00:38:37,547
I CAN'T HEAR YOU. I DON'T UNDERSTAND.
631
00:38:39,083 --> 00:38:42,485
I NEED TO HEAR YOUR VOICE MORE, ANYWAY.
632
00:38:42,554 --> 00:38:44,921
SCREW YOU, YOU HEAD CASE!
SCREW YOU, YOU HEAD CASE!
633
00:38:44,989 --> 00:38:48,224
HELP! HELP ME! HELP! HELP ME!
634
00:38:52,698 --> 00:38:55,431
YOU JUST RELAX.
WE'RE GOING TO GO AND SEE THE DUCKS
635
00:38:55,500 --> 00:38:58,268
AND THEN YOU'RE GOING TO HAVE A NICE...
636
00:38:58,336 --> 00:39:00,936
YOU'RE GOING TO HAVE-- HAVE A NICE HOT BATH.
637
00:39:03,307 --> 00:39:05,475
ARE YOU-- ARE YOU-- ARE YOU READY TO DIE?
638
00:39:06,311 --> 00:39:07,443
'CAUSE...
639
00:39:09,547 --> 00:39:10,914
I'M READY.
640
00:39:43,281 --> 00:39:45,081
PROGRESS REPORT, MAN.
641
00:39:45,150 --> 00:39:48,117
HOW AM I DOIN'? DO I MAKE A GOOD YOU?
642
00:39:48,619 --> 00:39:49,919
YOU SUCK!
643
00:39:51,055 --> 00:39:52,722
YOU THINK YOU CAN BE ME?
644
00:39:54,059 --> 00:39:56,225
WHEN'S MY BIRTHDAY?
645
00:39:56,294 --> 00:39:59,796
HUH?
WHAT WAS THE NAME OF MY FIRST GIRLFRIEND?
646
00:39:59,865 --> 00:40:03,867
HOW OLD WAS I WHEN I BROKE MY ARM
FALLING OUT OF MRS. DANBUSH'S TREE, HUH?
647
00:40:03,935 --> 00:40:05,735
COME ON, YOU FREAK, ANSWER ME!
648
00:40:09,141 --> 00:40:11,574
YOU REALLY THINKYOU CAN BE ME?
WHAT'S MY--
649
00:40:11,643 --> 00:40:13,309
BACKUP 4, COME IN.
650
00:40:15,513 --> 00:40:17,513
YOU CAN'T BE ME.
651
00:40:17,582 --> 00:40:20,049
ONLY I THINK WHAT I THINK,FEEL WHAT I FEEL.
652
00:40:20,118 --> 00:40:21,884
I CAN'T BE YOU?
653
00:40:21,953 --> 00:40:24,687
I CAN'T BE YOU!
654
00:40:26,791 --> 00:40:28,724
ME. I...
655
00:40:33,632 --> 00:40:35,898
SHUT UP, MAN.
656
00:40:37,669 --> 00:40:39,468
YOU THINK YOU KNOW WHO I AM?
657
00:40:40,404 --> 00:40:42,038
I KNOW MORE ABOUT YOU.
658
00:40:43,975 --> 00:40:46,109
POOR LITTLE HOMER.
659
00:40:46,177 --> 00:40:48,144
NO.
660
00:40:48,213 --> 00:40:51,280
YOUR PET DUCK? WHY DID YOU KILL HIM?
661
00:40:51,349 --> 00:40:53,382
WHY'D YOU KILL YOUR BROTHER?
662
00:40:53,451 --> 00:40:55,184
YOU ARE RUINING THIS.
663
00:40:55,253 --> 00:40:56,318
WHY DID YOU RUB FILTH--
664
00:40:56,387 --> 00:40:57,453
SHUT UP!
665
00:40:57,522 --> 00:40:59,856
WHY DID YOU MAKE MOMMY PUNISH YOU?
666
00:40:59,925 --> 00:41:01,791
YOU KNOW,
IF YOU HAD JUST BEEN A GOOD LITTLE BOY,
667
00:41:01,860 --> 00:41:03,559
IF YOU HAD JUST BEEN A GOOD LITTLE DAVEY,
668
00:41:03,628 --> 00:41:06,095
A GOOD LITTLE DAVEY,
MAMA WOULDN'T HAVE HAD TO HAVE SCRUBBED YOU
669
00:41:06,164 --> 00:41:07,630
IN ALL THOSE HOT BATHS!
670
00:41:12,470 --> 00:41:14,003
POLICE! FREEZE!
671
00:42:53,004 --> 00:42:55,004
IN A DARING, 11TH-HOUR RESCUE,
672
00:42:55,072 --> 00:42:58,641
DETECTIVE ELLISON SAVED THE
LIFE OF A POLICE OBSERVER
673
00:42:58,709 --> 00:43:03,079
BY GUNNING THE KILLER DOWN MOMENTS
BEFORE HE WOULD HAVE STRUCK AGAIN.
674
00:43:03,147 --> 00:43:05,915
AND SO, CASCADE WILL SLEEP EASY TONIGHT
675
00:43:05,984 --> 00:43:07,683
BECAUSE OF YOU, DETECTIVE.
676
00:43:10,921 --> 00:43:12,689
WELL, I THINK YOU'RE GUARANTEED GOOD PRESS
677
00:43:12,757 --> 00:43:14,390
FOR THE REST OF YOUR CAREER.
678
00:43:14,458 --> 00:43:15,925
JUST PUT IN A GOOD WORD FOR ME.
679
00:43:15,994 --> 00:43:17,160
THIS IS MY BEST SIDE.
680
00:43:20,531 --> 00:43:22,565
HEY, JIM, LAST NIGHT WHEN YOU SAID
681
00:43:22,633 --> 00:43:24,300
I DID EVERYTHING RIGHT, DID YOU MEAN THAT?
682
00:43:24,368 --> 00:43:29,205
YEAH. YOU KEPT YOUR HEAD EVEN THOUGH
YOU THOUGHT YOU WERE GONNA DIE.
683
00:43:29,273 --> 00:43:32,075
YOU KNOW, THE CHINESE BELIEVE
THAT WHEN YOU SAVE A MAN'S LIFE,
684
00:43:32,143 --> 00:43:34,310
YOU BECOME HIS BLESSED PROTECTOR
685
00:43:34,378 --> 00:43:36,612
AND IT'S YOUR DUTY TO DO THAT
FOR THE REST OF YOUR LIFE.
686
00:43:36,681 --> 00:43:38,414
REALLY?
687
00:43:38,482 --> 00:43:40,550
WELL, HERE'S TODAY'S RESCUE.
688
00:43:40,618 --> 00:43:41,717
CALL CHRISTINE.
689
00:43:41,786 --> 00:43:44,287
BEG, CRAWL, WHATEVER YOU GOTTA DO.
690
00:43:44,355 --> 00:43:45,754
HEY, I'M PRETTY GOOD AT THAT, HUH?
691
00:43:45,823 --> 00:43:48,857
- DON'T EVER LIE TO HER.
- TRUST, COMMITMENT.
692
00:43:50,228 --> 00:43:51,794
SPEAKING OF COMMITMENT,
693
00:43:51,862 --> 00:43:54,163
I'VE BEEN THINKING ABOUT
GETTING A CASCADE P.D. INSIGNIA
694
00:43:54,232 --> 00:43:55,764
TATTOOED RIGHT ON MY CHEST.
695
00:43:55,833 --> 00:43:57,666
ABOVE THE NIPPLE RING?
696
00:43:57,735 --> 00:44:00,303
HOW'D YOU KNOW ABOUT THAT?
697
00:44:00,371 --> 00:44:01,603
LET ME TELL YOU SOMETHING.
698
00:44:01,672 --> 00:44:03,806
YOU GET A TATTOO,
AND YOUR BLESSED PROTECTOR'S
699
00:44:03,874 --> 00:44:06,542
GONNA KICK YOUR ASS DOWN
7 FLIGHTS TO THE LOBBY.
700
00:44:06,610 --> 00:44:08,477
WHOA, THERE, TOUGH GUY!
701
00:44:08,546 --> 00:44:11,680
COME ON, YOU REALLY THINK I'D PUT SOMETHING
ON MY BODY THAT I COULDN'T TAKE OFF?
702
00:44:11,749 --> 00:44:13,316
I WAS JUST KIDDING.
703
00:44:13,384 --> 00:44:15,217
ALTHOUGH, AN EARRING WOULD BE NICE.
704
00:44:15,286 --> 00:44:18,387
YOU KNOW, SOMETHING TASTEFUL.
MAYBE A SMALL SILVER BADGE.
52758
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