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The wind in the woods says softly to you.
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Follow my voice wherever it leads
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From mountains through valleys
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To deep old land seas
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Border and bones of the breeze
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September the 27th
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Water deeply tragic week this is been
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Poor great aunt Augusta caught in a shower
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Watching a ladies' tennis tournament of Wimbledon
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Developed a fever from which she never recovered
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Guy could take little comfort from being informed
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That she had in her will
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Left me her piano
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It's the only thing
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It's the only thing
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While I dance
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This is jolly hard.
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Oh, my legs.
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Ooh.
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I'd show.
21
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However did poor old great aunt or gusty ever manage that?
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Probably.
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That's what dinner in.
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Oh, say it.
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Oh, say it.
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Oh, say it.
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Oh, say it.
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Oh, say it.
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Oh, say it.
30
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Oh, say it.
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Oh, say it.
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Oh, say it.
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Oh, say it.
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Oh, say it.
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Oh, say it is quite quite wonderful.
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Oh, say it is quite quite wonderful.
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I know the new icon.
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I can play the jolly opiate as well, but much better than ready.
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Oh, yeah.
40
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Oh, yeah.
41
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You are having what?
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P.R.
43
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Noo.
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Less odds.
45
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Beggier.
46
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P.R.
47
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Noo.
48
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Less odds.
49
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From home?
50
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From home?
51
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Are you having these?
52
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Piano lessons, yes.
53
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Yes, I know.
54
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It's a professor.
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A professor?
56
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Mm-hmm.
57
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Yeah, it's a professor.
58
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Oblimovski.
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I say.
60
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It's Russian.
61
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I thought he might be.
62
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He's in London at the academy.
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Which academy?
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Which academy?
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Well, the academy of piano lessons, of course.
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Never heard of it.
67
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Well, I don't suppose even you have heard of everything.
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No.
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True.
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True.
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Anyway, what?
72
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When do you have them?
73
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What?
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The lessons.
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Look, I do wish...
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twice a week.
77
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Hmm.
78
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Look, the thing is...
79
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Which days?
80
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Never mind which days.
81
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Never mind.
82
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Where never mind whom?
83
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I think he's trying to tell us something, Rettie.
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Who-hoo!
85
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Of course I'm trying to tell you something.
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If only you stop asking questions.
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I tell you what it is.
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No.
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Ha-ha-ha!
90
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Oh!
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Tilly, all right.
92
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Yes, wash my legs.
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Oh.
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It's different blue blazes.
95
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Oh, dear.
96
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What have you been doing?
97
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Oh.
98
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Well, I've been peddling...
99
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The old bicycle.
100
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Hmm.
101
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Have I?
102
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I thought you'd give them that up.
103
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Well, you thought wrong, didn't you?
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I'd like to keep fit.
105
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That's all.
106
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Bicycle and piano lessons.
107
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Hmm.
108
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My word.
109
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Anyway, what?
110
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There you go again.
111
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More questions.
112
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Now you want to know what?
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What?
114
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What?
115
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What?
116
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What is it you're trying to tell us?
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We can't wait to hear.
118
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But we are.
119
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I am going to give a recital.
120
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On the bicycle or the piano.
121
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On the...
122
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Ha-ha-ha!
123
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On the piano!
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I goodness me, Toad.
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Already?
126
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Oh, yes, yes, yes.
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Professor Antonoff says that I am remarkably quick and talented student.
128
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I thought you said his name was Oblamov.
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Ski.
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Oblamov?
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Ski.
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Ski.
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Yes.
134
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Yes, that's right.
135
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Professor Antonoff Oblamov.
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Ski.
137
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That's his name.
138
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Yes.
139
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And he has a few others just in case that I might refer to him by.
140
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I mean, lots of names.
141
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You know, he's racking, russing, you see.
142
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Yes.
143
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So when is it?
144
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When is what?
145
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When is the recital?
146
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Oh, ah, yes.
147
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Ah!
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Who?
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A wicked excuse to you in Toad Hall and you're all invited.
150
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I'm sure we'd love to come.
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Oh, yes.
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Good.
153
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I shall have had enough practice by then.
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You see in my legs.
155
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Uh, by my...
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My fingers.
157
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Fingers will be at full strength.
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Oh, yes.
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Pling.
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Pling.
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Lately, lately.
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Yum, lately.
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Oh, oh, oh.
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Oh, oh, oh.
165
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Oh, oh, oh.
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Oh, oh, oh, oh.
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Oh, oh, oh.
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Oh, oh, oh.
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Oh, oh, oh.
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Blow the dressy thing out.
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Oh, oh.
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Oh.
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Oh.
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I'm never going to be able to work the thing out.
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How can I give a recital?
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Oh.
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Yeah, wait, wait, wait.
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Wait, wait, wait.
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Wait, wait, wait.
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The bicycle, the bicycle, yes!
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Oh, oh, oh, oh.
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Oh, oh, oh.
183
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Oh, ow, ow, ow.
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Oh, ow, ow.
185
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You're a bit spammer.
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You're a bit stupid spammer.
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You should have got a decent set from London.
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Hmm.
189
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Oh, well, still that should work.
190
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Oh, yes, quite ingenious.
191
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In fact, it's totally ingenious.
192
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Well, brilliant, really.
193
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Yes, I think I might paint it when I got a moment.
194
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Could revolutionize the piano industry.
195
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Yes, Mr. Toad's patent piano.
196
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Hmm.
197
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Yes.
198
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Oh, oh, oh.
199
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By you.
200
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Now, all I need is someone with a good pair of legs.
201
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But I keep telling you, Mr. Toad, I can't ride a bicycle.
202
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And I keep telling you, you don't have to.
203
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You only have to pedal it.
204
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While you steer.
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Yes, while I...
206
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No, no, not while I...
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The bicycle isn't going anywhere.
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Oh, so I don't need to pedal it.
209
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Yes, yes, you do need...
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Oh.
211
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Oh.
212
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Look.
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Oh, ouch.
214
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Oh.
215
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Now look what you...
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Oh.
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Listen.
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Yes, Mr. Toad.
219
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The bicycle will be stationary.
220
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Fixed.
221
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Still.
222
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Stopped.
223
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Not going anywhere, is he?
224
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Yes, Mr. Toad.
225
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Good.
226
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And you will be pedaling it.
227
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You will be pedaling it.
228
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You will be pedaling it because I shall be using the power of the bicycle to drive something else.
229
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Oh, I see, Mr. Toad.
230
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Oh, that's really clever.
231
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At last.
232
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Well, I thought so.
233
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What will it be driving, Mr. Toad?
234
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It will be driving a piano.
235
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The...
236
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The piano, Mr. Toad.
237
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Exactly.
238
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And where will the piano be going, Mr. Toad?
239
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It's...
240
00:09:33,000 --> 00:09:37,000
Look, Billy, do you want to own a shilling or do you not want to own a shilling?
241
00:09:37,000 --> 00:09:38,000
No, I do, Mr. Toad.
242
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I do.
243
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Only...
244
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Only...
245
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Wouldn't it be better if Mr. Rat or Mr. Mowb?
246
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No.
247
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No, absolutely not.
248
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Look, they mustn't do anything about it or, Mr. Bat...
249
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Especially Mr. Badger.
250
00:09:51,000 --> 00:09:52,000
No, it's...
251
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It's a joke.
252
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See?
253
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Right?
254
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Yes, Mr. Toad.
255
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In any case, I choose you because you're a jolly good little runner.
256
00:10:01,000 --> 00:10:04,000
I mean, you did win the paper chase, didn't you?
257
00:10:04,000 --> 00:10:06,000
The one where you cheated, Mr. Toad?
258
00:10:06,000 --> 00:10:09,000
You'd better come and have a look.
259
00:10:09,000 --> 00:10:11,000
Yes, Mr. Toad.
260
00:10:11,000 --> 00:10:13,000
Right, Mr. Toad.
261
00:10:13,000 --> 00:10:16,000
Well, well, well...
262
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Whatever is Mr. Toad up to now.
263
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He's having a little joke, Chee.
264
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Oh, for how?
265
00:10:23,000 --> 00:10:28,000
Oh, Chee, I said he was Chee, which is why I know he ain't.
266
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See?
267
00:10:29,000 --> 00:10:33,000
No, Chee, Mr. Magger Brain.
268
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The wheel.
269
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Oh, hey.
270
00:10:37,000 --> 00:10:41,000
You are Chee, going to have a little joke.
271
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Hahaha.
272
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Once I find out what's going on.
273
00:10:46,000 --> 00:10:48,000
Now, come on.
274
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Chee.
275
00:10:49,000 --> 00:10:56,000
Hahaha.
276
00:10:56,000 --> 00:10:59,000
Shh.
277
00:10:59,000 --> 00:11:04,000
Now then, Billy, just get the roll of it into the...
278
00:11:04,000 --> 00:11:06,000
Hahaha.
279
00:11:06,000 --> 00:11:09,000
Stop, stop, stop.
280
00:11:09,000 --> 00:11:11,000
Are you all right, Mr. Toad?
281
00:11:11,000 --> 00:11:13,000
No, I am not all right.
282
00:11:13,000 --> 00:11:16,000
You've just got my finger calling the works.
283
00:11:16,000 --> 00:11:19,000
Oh, sorry, Mr. Toad.
284
00:11:19,000 --> 00:11:22,000
Look, you must not peddle until I tell you.
285
00:11:22,000 --> 00:11:23,000
Do you understand?
286
00:11:23,000 --> 00:11:25,000
Yes, Mr. Toad.
287
00:11:25,000 --> 00:11:27,000
I must not peddle and deal.
288
00:11:27,000 --> 00:11:29,000
Yes, yes, all right.
289
00:11:29,000 --> 00:11:33,000
Now, I should announce the piece of music I am going to play.
290
00:11:33,000 --> 00:11:34,000
Right?
291
00:11:34,000 --> 00:11:37,000
And now, my Lord's Ladies and Gentlemen,
292
00:11:37,000 --> 00:11:42,000
I would like to continue my recital with the Dance of the Arts by Ponsielli.
293
00:11:42,000 --> 00:11:48,000
Then I should return to the pianist's dew, stamp my foot twice, like that,
294
00:11:48,000 --> 00:11:50,000
and that's when you peddle.
295
00:11:50,000 --> 00:11:52,000
Now, have you got that?
296
00:11:52,000 --> 00:11:53,000
Yes, sir.
297
00:11:53,000 --> 00:11:55,000
I think so, sir.
298
00:11:55,000 --> 00:11:58,000
And now, my Lord's Ladies and Gentlemen...
299
00:11:58,000 --> 00:12:00,000
Yes, yes, yes.
300
00:12:00,000 --> 00:12:02,000
Look, we won't bother with that bit.
301
00:12:02,000 --> 00:12:03,000
Just listen for the thought.
302
00:12:03,000 --> 00:12:04,000
Do stamps, peddle.
303
00:12:04,000 --> 00:12:06,000
Yes, Mr. Toad.
304
00:12:06,000 --> 00:12:08,000
Good. We'll try it.
305
00:12:08,000 --> 00:12:10,000
My Lord's Ladies and Gentlemen...
306
00:12:10,000 --> 00:12:13,000
I thought you had bothering with that bit, sir.
307
00:12:13,000 --> 00:12:15,000
You are not bothering with that bit.
308
00:12:15,000 --> 00:12:17,000
I am bothering with that bit.
309
00:12:17,000 --> 00:12:18,000
Oh.
310
00:12:18,000 --> 00:12:20,000
Dance of the hours, Ponsielli.
311
00:12:20,000 --> 00:12:22,000
Back to seat stamps, then.
312
00:12:26,000 --> 00:12:28,000
Yes, faster please, Billy.
313
00:12:30,000 --> 00:12:33,000
Billy, faster, it's too slow.
314
00:12:33,000 --> 00:12:35,000
Pitter, faster.
315
00:12:37,000 --> 00:12:38,000
Billy!
316
00:12:38,000 --> 00:12:40,000
Yes, Mr. Toad!
317
00:12:40,000 --> 00:12:42,000
Pitter, faster!
318
00:12:42,000 --> 00:12:44,000
Pitter, faster!
319
00:12:44,000 --> 00:12:46,000
Can't you hear you?
320
00:12:48,000 --> 00:12:51,000
Stop, stop, stop, Pitter!
321
00:12:53,000 --> 00:12:55,000
Is something wrong, Mr. Toad?
322
00:12:55,000 --> 00:12:57,000
I started when...
323
00:12:57,000 --> 00:12:58,000
Yes, yes.
324
00:12:58,000 --> 00:13:02,000
That was all right, but you'll have to peddle faster.
325
00:13:02,000 --> 00:13:08,000
Oh, oh, yes, Mr. Toad.
326
00:13:12,000 --> 00:13:14,000
Not that fast, Billy.
327
00:13:14,000 --> 00:13:16,000
Billy, it's so fast!
328
00:13:16,000 --> 00:13:20,000
Stop, Pitter, Lick!
329
00:13:27,000 --> 00:13:29,000
Oh dear, oh dear.
330
00:13:29,000 --> 00:13:31,000
I wonder if it's...
331
00:13:31,000 --> 00:13:33,000
I wonder if it's all worth it.
332
00:13:34,000 --> 00:13:36,000
Too fast, Mr. Toad.
333
00:13:36,000 --> 00:13:38,000
Too fast.
334
00:13:40,000 --> 00:13:42,000
Much too fast.
335
00:13:43,000 --> 00:13:45,000
Hey, ho.
336
00:13:45,000 --> 00:13:47,000
We'll try again.
337
00:13:55,000 --> 00:13:56,000
You love it.
338
00:13:56,000 --> 00:13:58,000
I don't know, Chief.
339
00:13:58,000 --> 00:14:01,000
Well, shut up then, yes, Chief.
340
00:14:03,000 --> 00:14:05,000
Was it funny, Chief?
341
00:14:05,000 --> 00:14:07,000
Of course it was funny, Megatron.
342
00:14:07,000 --> 00:14:11,000
It was funny because it was the Idiot Toad.
343
00:14:11,000 --> 00:14:13,000
Oh, what was he doing, Chief?
344
00:14:13,000 --> 00:14:15,000
He was preparing a con.
345
00:14:15,000 --> 00:14:17,000
A con, Chief.
346
00:14:17,000 --> 00:14:18,000
Yes.
347
00:14:18,000 --> 00:14:21,000
He's given a penanorist, so I always missed a toad.
348
00:14:21,000 --> 00:14:25,000
He's pretending to be a penanorist.
349
00:14:25,000 --> 00:14:27,000
A penanorist?
350
00:14:27,000 --> 00:14:29,000
Well, that is a fiddle.
351
00:14:29,000 --> 00:14:31,000
Oh, hehehe.
352
00:14:31,000 --> 00:14:32,000
People all see it.
353
00:14:32,000 --> 00:14:34,000
It's not a penanor, they...
354
00:14:34,000 --> 00:14:35,000
Well, they...
355
00:14:35,000 --> 00:14:36,000
What?
356
00:14:36,000 --> 00:14:38,000
If it's playing the fiddle...
357
00:14:39,000 --> 00:14:42,000
Sometimes I wonder if it's all worth it.
358
00:14:42,000 --> 00:14:45,000
To you, louse-brained weevil.
359
00:14:45,000 --> 00:14:47,000
Oh, heck.
360
00:14:47,000 --> 00:14:51,000
Well, Mr. Toad, if you can play the banana...
361
00:14:51,000 --> 00:14:54,000
I can play the banana.
362
00:14:54,000 --> 00:14:56,000
No.
363
00:15:12,000 --> 00:15:14,000
Have to eat my words more.
364
00:15:14,000 --> 00:15:16,000
Quite remarkable.
365
00:15:16,000 --> 00:15:17,000
Doesn't it? Wonderful.
366
00:15:17,000 --> 00:15:19,000
Can't understand it.
367
00:15:19,000 --> 00:15:21,000
Thank you.
368
00:15:21,000 --> 00:15:23,000
Thank you.
369
00:15:23,000 --> 00:15:25,000
It's too kind.
370
00:15:25,000 --> 00:15:27,000
Too kind, thank you.
371
00:15:27,000 --> 00:15:29,000
And now...
372
00:15:29,000 --> 00:15:31,000
Thank you.
373
00:15:31,000 --> 00:15:34,000
Now, if you private moments...
374
00:15:34,000 --> 00:15:40,000
But I compose myself for my next humble offering.
375
00:15:40,000 --> 00:15:42,000
What's that innado?
376
00:15:42,000 --> 00:15:44,000
I suppose he just wants a little peace and quiet.
377
00:15:44,000 --> 00:15:46,000
Must be an awful strain.
378
00:15:46,000 --> 00:15:53,000
Hmm.
379
00:15:53,000 --> 00:16:22,000
Come on, Mr. Toad.
380
00:16:22,000 --> 00:16:31,000
Adar, my lord, the ladies and gentlemen.
381
00:16:31,000 --> 00:16:35,000
I should like to continue my little entertainment with...
382
00:16:35,000 --> 00:16:40,000
The Dance of the Isles by Ponschielli.
383
00:16:40,000 --> 00:16:43,000
Thank you.
384
00:16:43,000 --> 00:16:45,000
Thank you.
385
00:16:45,000 --> 00:16:53,000
Thank you.
386
00:17:16,000 --> 00:17:21,000
You are Music.
387
00:17:21,000 --> 00:17:24,000
idea.
388
00:17:22,000 --> 00:17:28,000
punch.
389
00:17:28,000 --> 00:17:34,000
she.
390
00:17:34,000 --> 00:17:33,000
Day
391
00:17:33,000 --> 00:17:38,000
Oh, that's...
392
00:17:38,000 --> 00:17:40,000
That's...
393
00:17:40,000 --> 00:17:43,000
That's...
394
00:17:43,000 --> 00:17:46,000
What?
395
00:17:58,000 --> 00:18:02,000
Oh, Cal, you idiot Billy, what is it you're doing?
396
00:18:02,000 --> 00:18:05,000
It's not me, Mr. Toad.
397
00:18:05,000 --> 00:18:08,000
Of course, yes you have completed it Billy.
398
00:18:08,000 --> 00:18:11,000
You... you've... and you should...
399
00:18:11,000 --> 00:18:14,000
Ah!
400
00:18:14,000 --> 00:18:15,000
You!
401
00:18:15,000 --> 00:18:18,000
Evening, Mr. Toad. Evening, old.
402
00:18:18,000 --> 00:18:19,000
Nah.
403
00:18:19,000 --> 00:18:22,000
Has anyone got any special requests?
404
00:18:22,000 --> 00:18:24,000
I...
405
00:18:24,000 --> 00:18:26,000
Nah!
406
00:18:26,000 --> 00:18:31,000
No!
407
00:18:31,000 --> 00:18:33,000
No!
408
00:18:33,000 --> 00:18:36,000
Oh!
409
00:18:36,000 --> 00:18:39,000
Oh!
410
00:18:39,000 --> 00:18:41,000
Oh!
411
00:18:41,000 --> 00:18:44,000
Oh!
412
00:18:44,000 --> 00:18:48,000
You wanted you, Billy!
413
00:18:48,000 --> 00:18:50,000
You've read her!
414
00:18:50,000 --> 00:18:53,000
Oh, D'Rato!
415
00:18:53,000 --> 00:18:55,000
Double drag!
416
00:18:55,000 --> 00:18:58,000
Ah!
417
00:18:58,000 --> 00:19:00,000
Ah!
418
00:19:00,000 --> 00:19:03,000
Ah!
419
00:19:03,000 --> 00:19:07,000
The clever man that Oxford knew all this to be knew,
420
00:19:07,000 --> 00:19:12,000
but none of them knew half as much as intelligent Mr. Toad.
421
00:19:12,000 --> 00:19:18,000
The animals that hid in the arms, it is in torrents of note.
422
00:19:18,000 --> 00:19:20,000
Who was it said there's land ahead?
423
00:19:20,000 --> 00:19:23,000
Mr. Toad.
424
00:19:23,000 --> 00:19:26,000
Oh!
425
00:19:26,000 --> 00:19:29,000
Oh!
426
00:19:29,000 --> 00:19:34,000
Oh!
427
00:19:51,000 --> 00:19:53,000
Oh!
428
00:19:53,000 --> 00:19:55,000
Well, there's hell-bladed heroes as his people said for you.
429
00:19:55,000 --> 00:19:59,000
Every day went down to fame, compared with that of Toad.
430
00:19:59,000 --> 00:20:01,000
Intelligent Mr. Toad.
431
00:20:01,000 --> 00:20:29,000
Toad!
24125
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