All language subtitles for 26. To Everyone Who Loves Painting

Hello.

This time, we learn together of

I'll end the Colosso lecture by discussing some work tasks that I couldn't talk about at length in the video.

rather than having to do with character design.

It is not necessary to watch it, but I hope you can study it for a long time and watch it easily with the time to catch your breath.

In this video, I watched a speech

I can't eliminate everyone's worries, but from the time I personally started learning how to draw

In the process before I now work as a freelancer, I prepared some content that I would like to share with you.

First of all, those of you who watched my talk and now feel that they are people who are trying to learn.

I think those who are very passionate about painting, they buy the lectures and take the time to watch them.

My students and those around me also find it not as easy as they think to learn to draw, to work alone in front of the paper

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Occasionally it is a very hard and lonely thing to say.

I also very much empathize with the part where I didn't draw as well as the heart, so it was often hard work too.

The fact that I didn't study as hard as I could to paint.

No matter when I learned to draw for the joy of drawing I held the mindset of finishing

Let me talk together about some of the techniques that have allowed me to draw more enjoyably and longer while learning.

Games and other hobbies are so much fun, why trying to draw well is a little less fun.

In fact, not only painting, if you want to do everything well, you will be more nervous than usual and you can only do it badly.

I also had more trial and error time than I thought when I was preparing this lecture because I was so nervous to produce a good lecture.

I stood there and was reminded again.

If you push hard on the result, you'll see the regret more clearly.

It is also disappointing to see that the expected result is not achieved compared to others or previous drawings by myself.

Even those who paint well, when they paint a picture, the more they try to paint a picture that has too high expectations, that is remarkable

from gathering information to completion.

Keeping this up is also very physically and mentally draining, so the work cycle of the painting will naturally decrease.

The moment you lose interest, the concentration of the picture also scatters, and the result is naturally disturbing.

Usually, when the interest of the painting disappears, it really has a lot of circumstances that lead to a low point.

Trying to add some fun back to painting, many people say, is easy right, try something else, actually heard stories like this

The spirit surges up and rushes out of position and can't focus on anything else, right?

On the contrary, some people find it more difficult to give up their current job midway.

In order for us to persevere in drawing anything, first we need to let go of the attitude of focusing on these carefully drawn results.

Compared to other artistic abilities, painting is a creation with a high outcome value, so many people tend to be too obsessed with the outcome.

But as you know, as we've learned before, the process of drawing to producing the result is very long.

The more this process is concentrated than the result, the more lasting the drawing is.

Trying to focus on the process then might sound a little bit flimsy, but actually drawing is understanding the importance of the process, which I think is really important.

The painting is not hard and fast, but the work that is hidden behind the results of thinking, comparing and retouching in the process that

To learn proficiently the purpose of painting.

In this work, those who discover and grow their interests and strengths usually produce wonderful results.

So while it's important to compare results with those of others and address the weaknesses you encounter when competing, when learning

It is also very important in my painting process to understand that the most interesting part of myself is my strength.

It may be as relevant to draw as it is to observe and envision, or as long as it takes to draw, or as late in the process as it is to color

Even if it's just that time or process, it's important to enjoy yourself and concentrate on it, and the weaknesses that are as important as compensating for the weaknesses of the drawing can be highlighted together.

A person who works lightly by finding the strengths in his own work before others find them

Generally speaking, not only are they happier painting, they are also less likely to falter when it comes to compensating for their weaknesses.

We usually get inspiration from their paintings and even use part of them in our creations with good influence.

And it is often remembered that the painting of God that you are working on now is not the last painting of your life.

The more you paint, the more helpless you become, only to emerge with better and more varied results than before.

Maybe it was a beautiful day.

After that day, maybe some of the paintings were better than usual, and

Because the body is a little bit tired, or to try out a new attempt, the quality of the result will stop a little bit.

Not to define my strengths only by the results, but to focus only on the painting that I'm doing right now.

It should be considered a good attitude.

And the results can be modified at any time.

The day will surely come when the present is drawn, the future is looked at by me, modified too easily and taken for granted

I hope you don't get frustrated because you don't like the results now.

From what is portrayed now.

I just want to say that if you aim for little changes, as much as you usually do, the strength will definitely get better.

So as long as the painting is pleasant, why do we need to study?

Learning to paint is not really about necessarily following a certain method, but the part that you feel sorry for

Tell yourself to repeat until you become proficient at certain processes in order to self-repair even lower.

If there's a lack of observational precedence

Also called Lukey, a manifestation of weakness, anatomical standing body weakness, weakness of the Tao film color sense, learning light and color theory

For the sake of the clogged part of your own process, learn the part that you don't know, learn where you correct your own mistakes.

So the fact that learning is not just painting for the sake of some learning, whether it's fan art or personal

It's always approachable.

If you are a performer, your skills are evaluated as performance skills.

The only pieces you play have fixed scores.

This is when it comes to learning the method of playing, and it's important to master the method and technique of my playing through this score.

It's not so important to play the score completely, right?

The same goes for drawing. Your drawing skills increase as you master the method of drawing, and the result is not as important as you might think.

Just as there are scores on the piano that are suitable for mastering a specific method of playing, there is just a good picture to train another specific skill for drawing.

With this picture, I became familiar with what I didn't know, new techniques or information, which naturally can be applied to other pictures.

Naturally, the next picture gets progressively less difficult and less difficult, so the burden is lessened, so it's easier to draw naturally.

So, we don't learn to draw better, but we learn just to draw easier.

So, when a certain learning is applied to another painting, at first by chance, next time by luck

And then, sometimes, these descriptive methods and theories are gradually applied to the picture.

Later on it naturally becomes its own strength, and more later on it will work unconsciously.

This process can't be done in one or two paintings, so it's better to learn to paint much longer than you think.

So, if possible, one should apply these studies to various scores various working objects and immerse myself in them.

So, there are really a lot of cases where people who are happily drawing in a constantly rich and diverse drawing have the strength to grow in the latest period without noticing.

After having the basic strength, you can gradually create a style and paint happily after new attempts of my research.

So, let me see what to learn.

There may be others who want to learn more, so I'd like to recommend some learning that has been helpful to me personally.

Everyone recommends a different approach.

Among what I think are good ways to learn, I'd recommend something related to character design.

This time in the Colorado River, I emphasized a lot of areas.

First of all, I recommend light mapping as an observational power.

It's best to pay a little more attention to it in general, or to look closely at people's daily contours.

Also

Clothes and such will be worn on the character, so we recommend analyzing clothes and training observation in the future as well.

It's not that we imagine the pattern or the details on a particular piece of clothing, but when we actually wear it

It's also recommended that you look at it as if you were buying clothes, just like you care about the number of buttons or the blood.

Very often, these things will naturally transfer to the details of character design.

And, to further train ideas and conceptions, we might want to practice our technique of expanding our tastes and searching for references.

Expanding the taste without limiting it too much to paintings.

Inspiration from a variety of places such as music videos and Japanese music is highly recommended.

I'm still watching documentaries like National Geographic, various movies and all this stuff and getting a lot of inspiration.

Also, when searching for references, don't do it in visual materials, usually in places like wiki and Google

It is also better to get into the habit of searching more widely.

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In such references, new inspirations are stimulated and information is introduced that we did not know about.

New ideas are also generated.

Also, there are many ways to practice drawing, but the first one that helps a lot when learning personally is probably

I think there are two movies.

As we practiced in the drawing section, the

Something like a certain pose photo, we can also transfer to film in three dimensions, how should this be rendered in three dimensions in the frame?

It's also recommended that you look into these things.

Don't end there, but depict the pose of the target with different angles in this three-dimensional space that we're going to draw.

Not the pose, any props or individuals or anything like that, but also simply move to the film and redraw it again and again a little bit.

I recommend a lot of things that you want to practice more on dioramas.

In the anatomy that a lot of people emphasize

Because recently, like Gang, like books or other columns like Xiao Qiang, there are more ways for people to learn easier.

If you are a little more interested, I recommend you to see the detailed structure of the human body and then apply it to the picture.

And one of the things that's really important in character design is the post-decontextualization, rather than practicing this back forum, rather than having to follow the way that somebody

with the goal of changing forms and styles, etc., while emphasizing character traits, it is recommended that you practice various post-dissociative sounds.

Also, in order to draw the character more naturally, I recommend you to practice the winter bird, using the center of gravity or the joints that

trying to draw a picture.

Or a personal recommendation to draw a picture with the purpose of animating something like that for short movements is clear.

The movements have a more natural effect.

When drawing this kind of motion, it's a little bit difficult for us to draw the detailed structure, so we recommend to give you something like a drawing.

to practice a little bit.

Also, coloring like we're doing together, first of all, mastering the blending techniques that are necessary when painting.

Mixing a certain color with a certain color.

We recommend that you use the brush to draw the correct color when describing shadows or things and practice the technique of blending.

For example, we use brushes to describe simple black and white objects, such as gesso fibers.

Or I cut out paper or something like that and shine a picture once, and now to make it easier to brush

Seems like a lot of practice mixing.

I recommend you to study light and color theory together in order to create.

In fact, these are also

same theoretical part as anatomy, so recently as books, calls, in lectures or YouTube, etc., are well explained.

I also recommend a lot of individuals to people who are learning to paint for the first time because I had a great time learning about light and color.

It's theory, so don't end up from theory.

Better try to apply it to the picture and see how these theories are applied.

And we've studied design for a long time, and design wasn't used to build that in the first place.

Because it's often used to modify the theory, so when you do design, by comparing

I recommend that you repeat it.

Is there no better way to do this?

Keep thinking about that.

Or in order to see the drawing as intended, whether it's my drawing or someone else's drawing, it's more training in the feedback process.

And, in order to complete certain studies, I personally recommend making your own materials.

Or it's also recommended to learn with the goal of creating materials.

In the process of organizing the information, what is unnecessary for me is omitted, and what is important is emphasized, and can be learned more systematically.

Also, now doing freelance work I try to talk about some kind of benefits for the sake of this career, even if I understand.

Systematically a lot of Esenes are active and the demand for painting is increasing and freelancing as a profession is becoming more common.

With the goal of freelancing and knowing in advance the people who are learning, I would get a good idea of what to expect first.

Freelancers are mercenaries, they contract with companies or clients.

Literally it's good if you become a contracted mercenary.

Having the advantage of free work and high income compared to the same amount of work, but on the contrary, without a contract, there is no income that

The disadvantage is that if it's more unstable and the competitiveness in terms of strength is vague, then you have to work very hard for the activity.

My personal opinion is that each mission requires different working conditions that

I think it's beneficial to do freelance work.

In the gaming industry.

Because illustrators have been involved in development for a relatively short period of time, it makes no sense to be a freelancer within the project than other job families.

Know a lot.

So, let's see what kind of attitude we should have in order to become such a freelancer.

Freelancers can create their own work environment work and therefore work with relative ease.

Instead, you need to work a little bit more on your management schedule and skills.

Because the client and the writer are under contract, it's important to understand each other's position.

In the client's position, we will arrange the assignment

Because it is vital to give the quality all to the writer, it is also vital to work responsibly on this yourself.

First of all, before I sign the contract, I have to advertise and inform myself that

At this point, you should consider yourself a person of all walks of life and have your own portfolio and website.

Organize your work in the "Don't see unnecessary posts" so that others can see it.

Continue to post these works, showing your strengths and daily style, or work in your main area of work.

Stand up for everyone's work water, make sure clearly that you are the one who draws such paintings ah.

Now, just like Esnes and the art station.

There are more and more convenient portals to start working on, so many writers promote themselves mainly on this side.

First of all, when signing a contract, carefully study what this work is about, how long it lasts and whether the costs are your responsibility.

Delivering the specified quality standards and quantities within the agreed deadlines is an agreement that the client and the writer must keep for the sake of each other.

If the deadline is delayed, prior notice must be given and this is what must be filled in the contract.

And probably the most confusing part is the cost.

I can't say the correct amount because the cost will vary depending on which quality and which size of work.

Instead, it would be better to adjust the amount to the extent that there is no shortage of myself, based on the date during the job.

Because once you've signed the contract.

Because this is equivalent to the time it takes to buy a writer, so the amount is set considering that you can't do anything else during that time.

If you can digest it, you can do a lot of work at the same time that

In general, only those pieces are focused on during the work, so it is recommended that the work period prevails.

Also, I have no confidence in the quality and it is not very good to reduce the cost of the work.

For the client, even considering the areas where life is beyond control, they want to achieve a certain quality of results.

Hiring freelancers, so reducing the quality and the amount desk to contract with the company is not a good way to go.

Also, if you lower the cost of your own work, it will inevitably affect the contracts of other writers, so you must be careful.

Consider enough costs to aim at delivering the exact quality promised for the work water.

It's really important to make an effort to manage your schedule and your skills.

In order to become freelancers, we need what's called a portfolio.

The portfolio can be shown to contract clients, so let's discuss their portfolio.

Fortresses are usually galleries like Esens and Art Station, which are naturally part of the portfolio.

The business needs the client to view the portfolio rather than uploading any images.

It's better to see parts of the workpiece to start with. The first one is the degree of completion.

First of all, whatever project or planning is used immediately, the degree of completion is guaranteed to be no problem.

Illustrations have no unfinished parts, and what is steadily completed is called completion, in the working state of the beginning of the portfolio

There must be a completed illustration that can be used immediately in order to have an engagement.

Therefore, instead of keeping only the unfinished illustrations, it is better to see at least half of the finished copy in the portfolio.

The second thing is style.

The painting style appropriate for the direction of the project planning or the style specific to the writer should be fully displayed.

The more similar your working style is to what the client requires.

Because it will go smoothly until the deadline.

When signing up, it is best to go through a full negotiation if there is a conflict in this part.

Also a writer

Your personality and style.

If you are a stable ongoing portfolio, you can access it more actively from a client standpoint.

Be aware that a portfolio that is too stylized can only be very careful in requesting business positions.

The second thing is diversity. You really need a lot of shadow buildings in a plan.

In the client's position, writers who take a variety of character plans and can draw a variety of works

are more likely to propose more work.

From a writer's standpoint, it's better to take into account the planning of characters that you don't usually draw when freelancing contracts.

And it's only natural that the more you have various working things, the more you can connect in different fields.

Followed by Basic Skills 2.

Must be strong enough to work with drawing and color, etc.

The case of immature strength is the degree of completion

Schedule may be problematic, so be a freelancer with no deficiencies in basic skills.

Even if you improve your minimum quality and do not deviate too much from the results, you can only deliver the work within the agreed deadline if you take a break.

Because the process of revision in the middle of the work also takes longer than expected and strikes each other, so if possible

If you want to sign with a picture, don't forget that I am an outside helper, so you better be ready to be strong enough, right?

In addition, you can choose to include the content of your workflow or find out how long your work lasts.

If I have an unusual work style or if I usually need a lot of work time, it is better to just specify it in advance.

Also, past work that is contracted and closed elsewhere is naturally experienced, and if the past work object exists

attached together is better.

I also had very much the experience of

Not there, but it's relatively good to know some of the better ones in order to get a smooth outsourcing contract.

The first one is density.

plus the completion of the illustration.

to dense drawings are difficult to produce in-house, so they are often transferred to freelance contracts.

Therefore, even the details of the painting are meticulously completed, and as the master of this portfolio, it is easy to contact the related matters every week.

Usually the less physical and mental exertion to choose a painting, the more details will be bent in the second half of the painting

If possible, for each painting

Take more time

Touch the detailed part of the image and at some point the average value of the resulting density will naturally rise.

And there is ingenuity.

Unlike the existing writers in the company or other freelance writers.

The irreplaceable ego is strongly characterized and the portfolio that is consistently embedded is highly competitive.

There are the basic skills of painting and color painting in color, as well as subjective areas such as color and picture books.

To emphasize this part, it is best to consider what you paint well and then work on it.

Personally, I've also heard that the drawing body is unique, and in fact I'm now saying that what can be said about the drawing body that

I have absolutely no idea.

Generally according to your preference

The painting goes on and it naturally bleeds into the painting, but here it continues and it seems to go into ingenuity.

Usually, I think that my style is too heavy on the mouth warmers, and from the eyes of others

Among the many cases where the nine heated rooms have a distinguishable style within a certain fence.

accepting feedback on the different advantages and disadvantages of your picture.

Maybe you know a little bit about your drawing body.

And it's good to stick to a portfolio.

If you've been outsourcing in multiple areas or continue to draw specific series, ask about outsourcing contracts in the relevant industry.

It's coming in strong.

Writers who have knowledge of the project will be more stable to complete the contract, so I am interested in the game industry or

Knowing what pictures are needed for other illustrations can work there, so please stick to exposure.

I've also been doing a lot of series lately with character designs based on things, similar to this way of working with game characters.

In terms of design, it's mostly been natural to work on related projects after receiving job inquiries.

And I like some of the areas of interest.

If your portfolio shows that you have an above-average interest in it, then you have a better chance of coming in for an outsourcing contract.

Of particular note is that Esenes often link and expose posts through specific areas or tags, so the more active they are, the more active they are.

Naturally, the writer's awareness within that field grows.

Therefore, if possible, it is also recommended to keep watching trends in your field of interest and not fall behind in your activities.

It used to be a big trend to share the bodies that the industry needed or wanted to work on, now even with the constant drawing of broadcast streaming and fan art

Receiving promotional illustrations or outsourcing inquiries from the client, when students organize what they've learned and upload it

Sometimes inquiries are received for course production or lectures.

Up to here, the story about the attitude of learning painting and outsourcing such as portfolio is the text M.

Finally I was also this lecture was the first time in my life that I recorded my voice, so I was very nervous.

So, we had a lot of shortcomings and now we think about it and it left some regrets.

But even so, I can outside of the video

part try to organize it and do it once, and hopefully it will be helpful for those who watch it.

In fact, whenever I've been able to inspire and instruct somebody in this way, from the first time I drew to the current study

a lot of times, I'm surprised.

I've always painted for the purpose of painting.

If someone sees my work, I'm inspired and energized, which always seems a little bit appreciated.

It's a little weak for those people, but even I do it for the interest network of painting, and if I can give people an influence for good, that's great.

I participated in some of the content as a speaker in this colorful show, but I'm still a person who's learning to draw and

There's a lot to learn, and I want to work with and support each other.

Anyway, it's hard to listen to Qin Gang.

I hope to work happily in the future as well. Thank you for tuning in.