All language subtitles for 23. Additional Depiction Knowhow to Raise Details

Hello.

This time, let's go through the method and order of the details added after our last time together in this description.

In addition to the body or the five senses, we'll show you how to use the various features in Photoshop to describe these descriptions.

First, we use the brush to complete most of the shading and object descriptions for the character illustration.

Detail is the process of adding density as calmly and little by little as adding decoration later.

So, in the sketch we omitted the larger descriptions, or they are too small, so adding them later works better.

Or if you change the color or the decoration part, it is more effective to add it after the end of this description.

Instead of painting brushes one by one to add these things, the

By actively using Photoshop's features, you can enhance each function faster and more efficiently.

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With a little bit of finesse to this approach, even in the sketching stage, details that we haven't added before

to envision it.

This gives a larger range of designs so that we can think about more different designs as well as new details.

So, before the illustrations we worked on last time, to illustrate the simple sequence, tips and tricks

prepared a simple illustration of the characters.

Stay on top of this, then learn some representative back additions first, then use those to move to this work.

First of all, compositing to make things darker is easiest in Photoshop.

If we multiply the pattern we want to put in the composite, it will automatically be darker.

These things also work best when composited, like white individuals, on objects that don't carry color in particular.

For example, with this noise

After putting in the pattern, please make three layers and attract.

Just draw the pattern that you want to put in as it is, and put it in.

It's not that hard.

No matter what color is added, if the composite is on top of white, the composite will naturally become darker

It will rise up.

So, if we don't synthesize

is discarded on the paint, or painted over

Is it also specified not to synthesize and synthesize other colors in it?

Draw the pattern first, so that it can be composited into positive multiplication.

Then use the "product" to synthesize this state.

The synthesis is multiplied in such a way that the Photoshop colors are put together in such a way that they blend together with such a bright place.

Basically the place that receives light has a high reflectivity, so it should be slightly brighter than this color composite.

So we can maybe paint this part a little bit brighter, the

If you find that a little bit tricky, double-click on the layer you've now selected to take advantage of the layer properties.

Where, underneath this blend option, there is the section below called the bottom line layer.

This is blended according to the light and dark of the colors below.

If you don't want to composite bright parts like this, you can put down slide A and specify the parts that can't be composited.

On the contrary, even if the dark parts

It should be able to be specified nicely.

If you select the bright part of this state first, you'll be intermittent like a staircase.

In this state, press Alt and then insert the gradient for each slide.

Select the desired wall type in.

This way, the discovery section can be synthesized slightly less.

Then you can adjust the transparency and specify how much the colors will be combined.

It's easy to get into the dark sector.

These are also used for tattoos and stuff like that, so create a new layer and cut and paste.

Please specify this greenish-gray color and simply place the tattoo that you want to draw in such a way.

And this friend

Again, using "multiply" for compositing, if you want to make these bright areas a little less colorful.

I then touched the Lundin leaves to find the areas where the brighter parts of the student didn't work.

Use the Alt key to gently expand the strength words so that the bright part can be transparently composited out.

Specify this area naturally

You can compare the rising part of the documentary with the non-part.

And the multiplicative synthesis is less likely to rise if there is a colored part or a dark part of the synthesis like this.

is the composite that makes the color darker, so even if we try to add black patterns on these parts, with the multiplicative composite

it's not the kind of black that rises up from the door and the overall picture that

This way the synthesis of the darkening in the green state will go up

This time do not use synthesis directly in this state

and what we have tried

Let's start by drawing the pattern a little bit simpler.

Go to the original layer.

Click on the control key and click on Preview to specify this area.

Specify this way, copying from the original layer to the control proposal.

Then maybe it looks unchanged, now look at it separately

Like this, only the part that corresponds to the green part is copied separately from the image.

In this state, the

Let Conti reduce the saturation, later

If you darken it, you can also synthesize black patterns naturally.

When placing this darkened composite on a color, it is best to reduce the saturation using the copy format.

Usually, most compositions that change color are copied this way, and these layers are quickly compensated.

For example, when we put the pink together, we made three layers.

The pattern that you want to paint starts with a color that you can see clearly, or a synthetic color that

Please specify it this way.

It's a temporary layer that will be erased later.

But you can put letters and stuff like that.

In this state

Click the Preview control to designate the preview as a selection, and then duplicate it in the original layer.

And then brief me again, what we're doing temporarily is not needed, so it can be deleted.

And now it's invisible, but looking at it separately, selecting the area that way, the green becomes nice.

In this state, after the control, the

or turns pink.

In this state, you can increase the brightness directly in the control oil that

Even the black is brightened together, so use a control amplifier or control or something like that

Keep it black, make it brighter

You can synthesize the pink a little bit more naturally.

When you pose the pattern on black.

There are some easy ways to add this, which is actually a little bit tricky to do, if we want to keep it simple

But if there's a pattern.

In clearly visible colors

Using a brush without transparency

When a pattern like this comes in

Following the zigzag standing of the original tape will be very high in three-dimensionality.

When you put stripes or plaid or something like that, the rope of the clothes follow the same thing and put a bend in it is better.

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When you put the pattern this way, one by one, you will be too lazy to change the color of the shade.

Similarly, click on the control to create the preview layer.

Then in this state, copy from the original.

And there's no need to take out the original, so it can be erased.

In this state, by controlling the application or the control

If you do another brightening, it will naturally become brighter, right?

And it's better to put the channel back and control the white rice because L force to increase the saturation that

That way, the color inside will naturally form a residual state synthesis of the

And when you walk in, you sometimes fall off as unnaturally as you write some words that

To prevent this, it's okay for us to darken the periphery a little bit.

Please double-click on it.

This is Otto's blog.

Force a color to the outside as a gradient.

Make this area a little bit wider, please.

After composing the black with normal or multiplying, expand the mylar citizens and the soft blue-green citizens at the bottom also clearly into

Enlarge this to make it natural and reduce the transparency to make it unnatural.

This way

If the door we're going in to is forced out of the outer frame, the

would not experience what was additionally painted, but would naturally stick together.

If you want to confirm this, close and open the eyes section of this effect section.

You can confirm the difference in the Cape.

So, we change the color of

The pattern works very well when the color density is filled in the painting, so if you want to paint the

or have a gradient in the hair color, or a more complex pattern, the

should not be complicated by chipping off colors and things like that in the dense growth phase.

It is better to use "correction" to enhance the basic beauty after describing it.

For example, in these illustrations, the

When we split the hair color and the color into different colors

Give us the part of the color that we specify

From this state into the fast mask

Slightly erase or additional paint along the texture of this hair to naturally turn the hair into a selection area.

You can also use a brush with transparency.

Just like tracing hair with a brush that has transparency.

give me a direct choice.

If this is sparsely erased, the natural desire is now branded.

Unlock the fast mask in this state for the control 1st copy.

Make the colors here quickly if you tune them like this.

If you want to change the color of this state, it's now newly made.

From Pickmansk to "Gradient", please select the bottom again and release.

If you change the color again, you can give the color a natural makeup.

Like this, when the color becomes easy, and it's done

Using corrections to change the color will be more effective.

If you have decorations such as eyes, hair, patterns or gradients, be sure to take advantage of this feature.

Gives you some tips on how much easier it is to make bright things darker.

It's much easier to make the low saturation more saturated.

So, if possible, lighter colors with low saturation and color objects into the bottom would be more effective.

And then there are flat patterns that

After that it's a flat back, so you can add bumpy or slightly protruding parts.

Creating a new layer and thickening the oil and vinegar

See what color that is.

That's it.

Patterns can be added.

Double click in this state to enter the number of members of the first ship star.

Then maybe there is such an option to open, first, on the normal line, Liaying

Change this highlight mode to screen, and adjust the transparency in the new world so that it will match the skew direction and produce brighter parts.

And also the shadows with black and multiflight to adjust the transparency, too

and it will create shadows.

It basically curves like this, so everyone should have such a simple button on their screen.

But these will be pink buttons, and if we pick them, we can't finish painting the colors and stuff.

If you only want to put bump, you should reduce the transparency of this.

Go to the blending options and

Lowering the quote will reduce all transparency (including the effect of the content), thus making the layer so transparent.

Lowering this time that

The effect will be preserved, but only the color values themselves will fall in it, so the effect will be preserved and only such a volume will remain.

On the volume, the

If the light direction is similar to that of the figure, so that the sense of volume will naturally stand out.

And it's not in a glossy state, so give the gloss away.

What you're trying to paint is predominantly a little bit harder, by raising the texture that

making it a little bit more defined.

It is also possible to resize and adjust the desired sense of volume.

In general, it is best to make a natural size of about 2~2~3.

If this effect is saved my words, no matter what color is painted, the bump will be added transparently, so these parts

Naturally you can create prominent parts, like a sewing hand

So parts like sewing threads can be added naturally.

00:17:55,841 and when we stand with the brush, these little bumps can be blurred and

Usually, it can be more effective and faster to place the work later this way.

Compared to these unnecessary parts, the

There's that overturned part or the way that there's a natural sense of thickness in the fat war of clothes.

These things that

synergies are also very large, so we draw the clothing pattern very lightly, the

Using the finger tool to make the ends so soft, blurring them a little bit gently

This will naturally add the folded seam.

Put it in like this and do the ending, the attention becomes blurred, so like the clothes folds are also shown.

If you want to add some skin beads on the skin in a place like this, please naturally add underline and blur that side.

And instead of the black shading color.

If you change to a color that corresponds to the color of your skin, you will naturally have such a bloodshot appearance, right?

So, these parts that

When parts like this are multiplied naturally by the effect

will have the same effect as rain.

On the flip side

For example, when you want to put something inside, make three layers.

The effect is copied directly if you drink f(x) for the Altruples as is, by taking the function you just wrote.

In this state, the inversion of the deflection direction

Like this, if you catch the existing role with the opposite direction

This in turn will go into the skew direction, and what is placed in this state will go into the tone angle in the opposite direction.

Likewise, except for the Yupo Citi, lowering a portion of the Li Hui, it would enter transparently, the

The tone angle can be expressed.

In this way

You can use it when you want to put the body and something like the details inside like this gently.

Adding another accent corner.

This way, we are able to simply render the effect of the sewing hand passing through.

There's a way to put in these simple oil and iron utilization effects.

Small to unshaded details, like buttons Laden, for example

This layer effect can also be utilized when adding things like short cords.

When drawing these things, one by one, draw lines, fill and describe the process inside of them centrally

Watch and see, the brush time will take a long time, a small part of it will not be effective to spend so long, right?

So we can remove this part, for now

I'll create a line layer on purpose.

Develop a stroke first so that it will naturally look like a brush mark, and if these things are transparent

often become unnatural because they're placed too hard.

So, these are

Draw the strokes as 1 pixel and reduce the transparency.

Then open an Atoglo and develop the muscle muscle path.

Make all of each size 1 yard.

And each transparency has been increased a little bit and the range has been made smaller

I can add some blurred outer hands for you.

It's a little more natural than when we just opened the stroke.

We can use these to add something like beets

Such a small section, if we had a way to shorten the time

There are also ways to do it by just sticking your hand in there.

and each object

Add a shadow, occupy the transparency, and cover it with the shadow color.

Can simply explain the three-dimensionality bar.

That's the part.

In these things, you can draw chains and stuff like that

In that case, please make three layers and draw a chain.

Draw a chain that connects one part, or you can easily add a chain.

and make this choice

The next time you get off after entering the editor, there is a backboard for the brush princess.

It is done with user brush setting, so that if you specify it, you can specify it with a brush.

This state will be specified directly as a brush.

It will appear at the bottom when you click with the mouse.

If you paint in this state, the chain effect is not good, but click F5 to open the brush settings.

Spacing like this.

Changing this angle.

Make the chains interconnected.

The chains are still separated if you bake them according to this state.

In this state, press the first shaker movement.

If you're doing angle work, replace this control with the bottom deconstruction and you'll build a chain in the direction you drew it.

If you set it to this state, you can add a press back here and you can save it so that you can take advantage of these settings at any time.

Using these things, the

You can resize, where you want to extend

adding necklaces and things like that.

so white.

Join the chain, clear the end, and

The settings we just made will naturally form the outer frame if specified this way.

Which is too thin, and if you turn off the inner light, you'll naturally have a sale argument.

Suppose you want to go ahead and write some properties, like the one you just created

When you enter this setting, when you enter the style, whenever you specify the new style

We can make it like this so that we can take it out and use it whenever we want.

Then, whenever you need any layer, etc., please open it immediately so that the outline becomes so.

Usually, these details are metallic, the

metals and things like that, we can also use so that we can store layer attributes so that we can use them whenever we want.

First make three layers temporarily, already using the colors to make the areas simply with the brush first.

And please double click.

We decided that the metal color is colored.

Please open, the color is metallic, so don't take this color where it's bright, because it's darker than you think, and it doesn't matter if it's muddy.

Makes the color of the metal slightly muddy.

Then we went into the individual booths and we used screens and multiplexes.

Please replace this section with the colored cans.

Then, as the saturation of the bright part increases, it will naturally brighten.

The higher the transparency, the

will have such strong light coming in, and again metal is a three-part contrast, so it's best to improve multiplayer as well.

In this state, there's this outline, and if you do it in a straight line, it's going to be honest

If you also want to express the historical view of incest, take the dark part a little bit higher and lower the drop a little bit.

Make another curve, a little bit of a curve like this.

light through, a little bit of natural shine of metal

Then, if you set it up, you can save it in the style at any time.

And the export that we just used, give me that wynaglo and ottoglo.

Whatever you paint, the metal is naturally occurring.

When you want to use these buttons for something decorative, like metal or red lanterns.

If you add it in, you can effectively enter.

There's a way to draw ornaments and stuff like that so fast.

used on earrings.

Just like this

Can effectively access the thin part.

Also, these chains and things like that that we use, the chains can be made directly from metal just like that, if they're specified as is.

Again, if you turn the neck off.

metal will naturally form.

copying the same thing in these chains.

through any color at random.

So that you can add metal to the chain.

And as these properties increase, players will overgrow some of them, please tell this representative of the zone arrow that

can be a general.

But when these metals go into such dark places, sometimes they stand out too much.

So, we have to

Right-click, and then click Lester Rice to turn the effect all into an image.

We made these metals, we made these metals that

And then, by locking in transparency, the parts that span in the shadows are naturally covered lightly with a brush that has transparency

And that's it

It won't splash splash.

and then delete the parts that don't need to be

This way, when adding objects, the

which parts will definitely have shadows, let those parts add removable shadows.

In addition to this pattern, the

Create three layers below the three-dimensional part and overlay the shading color on top.

This covers up the original outer island, which can be a bit of an annoying situation.

As an example, if you use this color to make the shadows so crossed that

Replace this composite with a black eye coat or a black euro

A color darker than this one prevents darkening.

Therefore

There was no such line before the change, but changing the dark color to dark will leave such a line.

There are also ways to add extra shadows naturally like this.

Thus, by using these functions, we can quickly add details, even to simply finished objects.

The functions used here will be attached as examples for those who listen to this lecture to see for themselves.

Please confirm this, and I hope to apply it to my painting as well.

Now, then.

I'll go back to the illustration that we originally created and add the details of the plan one by one.

00:31:57,415 First, let's start by drawing the flattest eyes or patterns, etc., in the order that we practiced

because a dark rise will be more effective on something bright.

Start with that one, proceed first, and then progressively follow the stereo sequence.

First, if you open up the detail layer that we pre-did, first, the hat or the shawl

On a cuff like this you can see a slightly darker blue composite than the original white.

We'll do this first, and then we'll do three layers, depending on the brightness

We did a circular jellyfish pattern on this once and then used

Press the Select tool on this circle, press Alt Shift in this circle that appears so that it gives you the shape of the courtyard first.

Then go into the editor and look down here a little bit and sport the rowboat work below.

When you select this, you'll think

00:32:56,841 apply the proper thickness with black and press the tutor.

Then the line will be this black

In this state, if you compare it with the original worm, you can see that the top of the lower original is very thick and the bottom is very thin.

So, we take this part

with a slight drag of Allt.

A little bit of thickening up and down, a little bit of erasing down there.

Similar in shape to that.

Make some modifications to the object.

Make these parts naturally thicker.

making this part the total member.

For the model trim only one side first.

In the opposite direction we reverse the utilization, without being too obsessive, and proceed with one side first.

Then, add a pattern that is affixed here.

Give a little tip if the middle with such a shift delineation, subject to here, little by little increase in the public good.

above

Teardrop-shaped separated ball, slightly lower handover.

This object has dragged a total of four

Please add another one.

Further refinement of this part to make the pattern more precise.

The bottom part is also

There is a section, and this section is also slightly added to

production details.

consists of two parts, so we added one as well.

and an additional description.

The shapes that make these tentacles dying.

One fern, one outward, one inward, one this shape.

with an outside edge.

There's a small section in the middle.

Slightly thickening outward is the circle and

The idea of having the middle tentacles connected and having most of the hands thicken outward a little bit, the

This side also follows

The atmosphere may rise from the top.

Because the pattern now made will be used repeatedly throughout this design.

Clean and readable, if possible.

00:36:52,443 more density in the middle than in the rest.

Need to add a thin cotton.

Just add a little more detail and finish the model.

Like the finger bakery is the usual rattan door of the logo that

Compared to finding data in time

In everyday life, you can see that some decorative things have more style than you might expect.

In particular, we take advantage of the design styles that are associated with these turnkeys.

If these sections could refer in advance to these languages, or the design styles in those national cultures.

The design could also be more unified.

If the shape of the ear is formed, it would be better to reduce it slightly.

It should look similar to this.

The other side of this side is unnecessary, so erase it

Press this state to propose, invert it, and confirm the shape.

Then just close it up and clean up the overlap in the middle.

And so on the tiny space is wonderfully left

Dribbling, to the right, reversing, getting smaller.

I got the details cleaned up.

After giving it, the overall shape is slightly larger downwards.

to make it.

And is the ratio above too big now? It's better to reduce it a little bit.

Especially the vines are too big.

A little bit cleaner

Shorten it a little more, long

Set the center with the Alt key.

Press this state and press the head to make the size.

Checking the connection section, again

The overall design has changed a lot, so I decided to duplicate this section and let the connection rest.

This part is slightly shorter in length, the

Again in the copy, the

Complete the shape by reversing it.

I really want to feel a little bit magical

So this is a little bit smaller.

would bring the circular shape into the story.

Be sure to use a pen to reduce the

Now the pattern that we made will be used over and over again, just in case, dragging with Allt

want to duplicate the layers individually, with your eyes closed.

We composited this layer over the hat, but when we got it in the wrong place, we just composited it over the hat.

Please add the details that were temporarily improvised and only touch up this part a little bit.

Please create a new layer and specify its location first.

The hat is not flat when confirmed from a distance. Roughly

CK

First, draw me a guideline that expresses the sense of structure that

If you stand in position according to this guideline, there will be a lot of trouble around later to correct.

At this point the face is a little bit tilted, so to match there, listen to the middle axis also move the dialogue, check if the middle is correct, right?

Please confirm this ratio at the far end.

Temporary layer created for clearing at any time

Preferably specified.

Please use the control keys to catch the middle line as accurately as possible.

When you look at it from a distance, if you start giving this guideline

From then on, please just position yourself accurately and cooperate with the consultation.

Must be in the right position, so do Allt dribble on this layer.

Now specify the correct position first, and then specify Kim Yi Ji, the

Rotate with special pressure on the foot, the

Designate the middle of this hat in the middle, rotate it here, and just align it with the middle.

This looks like the gap between the hat and the middle is too small, so we'll let it shrink a little bit more here.

Instead, we increase the level a little bit and

Matching the name, the tilt is also adjusted slightly.

If the shape fits, press this state a little.

Make this part a little more natural

Change the shape of the

And the underline became larger than the originally planned reduced part.

Click on the individual donation and drag this part to give the scene naturally.

And keep resizing evenly.

Make the significant axes conform to the guidelines.

Say it doesn't matter if the bottom half is cut a little bit, so reassign the middle porridge here, then cultivate the Alter shift and just follow the shape.

Go ahead and check that the original layer is the largest part of the light.

The design is the intuitive part, we can't tell the position.

It's positioned, click enter, now end.

In this state, click on the control agent, then copy it, click on the control til and put the head towards the center

According to the crossed position of the cross hand, determine the position in the center, and then rotate it as it is if the position will reach a certain degree.

In this state, just modify the position a little more.

Yes you have to pay attention

This gap is between the hat and the door for a very large part, and these parts are closed evenly

We'll have to adjust the position a little bit.

Keep resizing.

Repeatedly bouncing this big guy and accidentally damaging his image a little bit, which is why we just thought of professors that

Kim Jun-ho is better off doing it carefully.

being shaped.

Continuing to examine the parts that these parts touch or overlap, the

Go ahead and control it.

So, if you make some adjustments to the space

hit the center table, and then go back to this menu, and press control gray

At the cross-hand intersection, specify the center axis with a byte, and then rotate.

reposition and resize, again

adjusting the angle.

Placement in desired position

to coordinate them.

From a distance, modify little by little until the ratio drops.

If you're in the right place, click on the tutor and delete the parts you don't need.

and not the synthetic ones.

And these parts

In addition to the original ray

Take your time finishing here and let the pattern come into contact with the hat naturally.

Erase these overlaps

and gradually modify it so that the pattern meets the hat naturally.

Add the crystals and you're done.

And this part

You have to figure out the other supports

that can produce true expression.

In this way, please clear the part that corresponds to the hair, and also clear the overlapping part.

If the shape is adjusted in this way to a certain extent, our temporary construction of the next year is deleted.

very envious of this part, we decided to rotate the details from the top to the back of the control that

Just resize according to this position and go in.

If the control Tee is brightness and color separation, then

Into too clear, need to change automatic winding

and mimics the shape of the heparin, so that flipping it over to go in turns it into some pointless decoration.

The parts that overlap each other want to erase the parts that are stepped on

And the pattern went in very thin compared to the rest.

Select the sprite or lasso to best replicate the font.

and merge into one.

It still looks a little bit clear, so to give a little bit of blur effect the key point

To avoid alienation to the painting, the

Deliberately blurred.

Please cooperate.

Now we're going to synthesize the colors.

We open up what we originally prepared.

compositing once with transparency locked.

And please sort out the drums left mainly on the height

Then use the product function to make synthetic T-shirts.

Then the color rises to a certain level.

But now it's the dark part, so the color difference in the bright part

Here it's 83.

The difference here is 7 5 about 10 or so, and the brighter part is 956 day 85

And this is also not too bad compared to the difference looks too obvious, this part

The part that corresponds to the shadows has to be steamed a little bit.

This time duplicate the layer that

This is repeated within a moment.

And this part is slightly subtracted with the belt to reduce the transparency because it's not too worried about the bright part.

The part that's in progress is

On the contrary, one cannot negotiate many bright parts.

It will erase.

And then, we use the double track that

Do it for me to do, reduce the transparency.

Then, the darker areas will naturally get darker.

And like the pattern, we painted the brush so simply that it felt like it fell right off.

In this section, the

Please double-click and cultivate the inner glove to make the inside slightly darker.

At this point you determine the color number

Increasing the lenses and increasing the size will have a very wide portion of the gradient.

Please lower the offer a lot in this state.

So when you turn it off and then turn it on, it naturally gets darker inside and the picture

Naturally tied together.

Then the distant part is gently erased, and the memory is used to tell whether to sleep with the poem.

Re-emphasize the effect of the subjected version.

The janitor will do it first and the rest of it

with these same color layers.

Symbols to enter when checking layers

This part is not a pattern, we are better off painting the brush directly.

Since it's two rows, let's just paint the control alts route.

Erasing this friend will be quick after dying.

Same thing here.

This part comes to an end.

The temporary layer continues to close in the middle.

There is confirmation that the original plan has not changed.

This part is too thick, as far as I'm concerned

With a little bit more modification.

It's two rows

With a little more flake.

Urinary tract

to replicate it.

Thinning together, and then thickening this form, it's good to go along the existing form and draw the face of the shape.

Need to clear the right parts and lower those parts.

For Europe

It is better to assist for stereo.

In this state it is two rows that

Take the iPad

Make it two lines.

It will be faster to tidy up the rest.

Overall, the colors are slightly brighter and

Avoid more detail than needed.

This part is a blue blue, so the saturation is too high.

A little less as possible.

So ask the friend, unconditionally

Tap the click function, and when you're done using it, press the arrow to cover your eyes.

Confirm the rest of the part as well.

There should be a sequin pattern now

This brim method is where the connecting part and the beyond part are better used than painting those parts white and copying them.

So, on this layer, we use three layers

Add the stripes with color first.

Want to be good after selecting the field solvent.

Although it's a direct draw method in Picmask, it would be easier to modify this way that

Don't worry about getting so angry.

Will not be included in the area to be copied.

Please also make a selection for the section

The place where the hall was crossed knows that the middle is very thick and

Erase the overlap

Same thing here.

instead of the spanned part.

The lowered part is slightly thicker and will have a three-dimensional feel, I think.

So, if we can make a choice.

Click on this control to create a selection, and then duplicate it in the original layer.

After cutting the reason for things, you intend to protect the original layer.

Although you can't see this part now, this is how it was formed.

In this state, first reduce the saturation so that there is no heterogeneity when it becomes brighter.

Lower the regime to allow the control amplifier or array to brighten naturally.

The white color will rise. Paint out these unnatural parts of the

No need to play with it on the painting alone.

Then, only these parts are black

If the natural compensation of the three-dimensionality will be collected like this to the part of the cover painting that

And I forgot to bring the hat.

The hat part will be drawn on the quick masks soon.

Continuing to confirm the thickness of the

The thinner you go, the better.

Click Queue when finished specifying.

Unlock your selection, copy it, and let Graven.

Let Caidoo drop.

brighten again.

If you do the adjustment.

Please sort out the blurred parts a little.

The lower part serves the same purpose, so do it together.

In this black pattern, if you darken the inside so that the inside is darker, then this time darken the outside a little bit, the

I'll make sure to separate that. Open up the otogloss, please.

increase the size a little bit, add some lenses, the

Decrease the transparency.

So let it go down naturally.

Then, if you examine it closely, you'll see that it gets darker.

Now, we'll climb to black, and then lower it slightly.

Needs to be a little bit more blue and darker

These patterns are all synthetic.

Need to record the remaining part.

Now it's my turn to post a flat decorative tape.

So, little by little, I'll add some individuals that don't have big shadows, and then put some decorations here.

This ribbon, for example.

Or here intermittent stuff these things that won't have much of a shadow, let's draw first.

Build three layers and force them to form an outline

That option we just had save the date, turn that on and

Go here and draw a slip band.

Now don't think about the color, you can draw the shape first

Can't hear these ribbons either.

The white objects of the white objects won't separate well, so I'll change this part to a darker color.

So, we use the color to fit this interior that

If we draw directly with dark colors, the outside part will be finished.

The leading part is also in blue.

At this point, the temporary layer has a cleaning transparency and remains as is in this state, the picture

Able to confirm and proceed with difficulty.

Banded section

Draw a string, first.

If specified, reference transparency.

Override with the shaded color once each.

Use an opaque brush to cover the parts that can't be touched

Also look at the policy, please cooperate with Minchoen Green Glass.

These parts

The harder it gets, the harder it gets.

This side too

Bringing in the dark blue color of

Except for the faded part of

Very darkly swirling indeed.

Building three more floors.

Copy the options on top of this, like the ribbons and other parts that you didn't draw earlier

Draw it again and you're done, right?

Because this blue block is frustrating the clan.

Congratulations.

Also, I can take some more stuff.

This part is a little bit darker when it's covered by a slightly transparent brush

The above is the opposite, and it is better to separate the bright colors with white tea again.

If you think a little more, make another one.

And a little bit more food.

Knots can be appended together, or these sections can be added to complete.

Instead, in order not to let the person after the work play alone, so with the hand

It is better to combine as a whole.

These overlaps were drawn by Gerlich himself

Needs attention.

There's position to do as well, it's that turntable coming in, it's raining.

Again, you specify the earth that

specifying those parts, too

Use the gun to lightly erase this connection.

Create a selection area naturally.

Tidy up those highlighted sections.

Again, press the control offer to make the reinstatement and the clock tilt.

The school turns the color to some blue-green.

Then reduce the transparency and you're done.

Make the same process purple, but record too much color that

In the illustration, it's not that good of a choice, I guess.

Is it better to start with such a three-dimensional brush not to click and separate?

Mario.com needs it, too, so we did three layers of

giving the same option to open the adjusted style.

Also, just put in the colors used here to confirm the bow.

Planning pictures and details that

Even though it feels good to change and believe that in the past we planned

It's important to focus on getting it done as planned if possible.

This part is good, too

Give me one more Lester.

Press first on the darkened part of the reference

Please sort out the slightly more detailed parts yourself.

This part is also particularly bright, so the black is not too splattered.

It's easy to change the color of

Continue to confirm.

Let these rope-like parts go together, doing it after the memory grid that

This side of the blues, draw the lighthouse along this hand.

Especially then.

thinning out

Thickened again

When you draw a long line and you move the screen away from

The iceberg is drawn a little more naturally if you use the elbow as the base score.

There are only these prominent parts, and we can organize them a little bit.

Nature continues all the way up here.

and me

Because I hope the Lee Jong-ryong part looks like a jellyfish even now, I randomly had major surgery and went away one after another.

The attached part is also drawn and recorded again.

First, I will develop the options and then do it for you.

The background is the overall feeling of painting downward diffusion.

than straight lines that keep falling like this, than keep spreading outward, like this line that gathers inward

Add some more lines.

with more spacing in the middle.

The further out you go, the smaller the spacing

If you add home runs, please sort out a more three-dimensional early finish.

See the color of the shade of the score, the heart chest

Going to clear the tracker match

Because there are options, traditionally there will be differentiated battles, so it is also good as a live center

Small parts are slowly added in, too

Just draw further ahead if there is right in front of it.

If you want to look it up, just delete this part.

And

Make another menu and add the latter part as well.

A little bit darker color

Use shadow color, the next line is not too much, and add one or two more layers, right?

Use the shaded color as it is now

being shaded and made.

Slowly finishing up

Be sure to turn off the original layer and consider the drop method if you care about the part that is erased this way.

This part will be darker, for example.

Locked on the golden-red highway, here in dark blue

Let it go naturally through the darker colors that

It's better to be a little bit brighter except here.

Then continue with the control wye for confirmation.

This part should be a little brighter to make sense.

Please confirm if it is separated.

The part that overlaps with Levine becomes less beautiful, but the one that corresponds to this pattern

Better make it sweet on purpose.

Only the part that occupies the state when the bureau is loaded.

Placed in light colors so that these parts fall naturally.

There are many cases where such a problem occurs when adding details.

Suppose you want to modify these things by pressing control X.

Tap on pixel flowing, and then board, but something that falls somewhat blurrily.

Brushed this part with a big brush.

Develop their target at this rate.

Instead of pushing outward, try posting inward.

Tied to the flag

Also see below.

Instead of just going in from that side, the old people around will guard it together, too

able to maintain connectivity.

And this part we modified to become brighter and no longer needed.

At this point, you go into this story and

tighten it up, before the revision, to this point.

We can go back to before modifying the status quo that

where

Check the button in front of this and go back to the back of the original, under the stone well is the story brush.

Apply it and brush with the transparent brush

The expletive is this part.

Erase this part and it will be restored.

I'll give you the real recovery.

This is also followed by

Originally the history had to be darker for this part to be divided.

On the rain screw, with a wide brush select this part on a natural background

Control application

Installation and darkening, getting it off.

Just the opposite.

Here, please use bright color to lock Kim Hong Do and drop through the iron fence.

Better.

Fine little bit of calibration.

Then proceed to confirm the original menu.

Now the move is slightly thinner, that part

Select the paint as a tool and lightly tap on the control Alt-Drake and that part will elongate

The end of the part added like this kind of slightly finishing it up, right?

If you organize it like that

Professor Choi asked me to combine my stories.

And just sorting through the debris and making it unnatural.

Again, it does get a little bit smaller, but the pixels are a little bit sharper than the ones below.

Filtering Brogosian.

Of course, of course, this is just the zoom for the exam.

Increase by 0.5 to 0.

No need to keep details separate from traditional descriptions.

MarioNet also needs these parts.

plus the parts that we've seen to create reasons within the body, to cultivate the options that we've stored

these bow decorations that

Adding pearl trim and spearheads is better.

Singing drama, for example.

If it's a little confusing to draw directly, press impact here and if you draw upwards, it's a straight line.

In this state, the

Rotate slightly and then draw the control according to that state.

and the picture is copied. When we twist it over, the

and give examples to illustrate, so that the raised form is complete.

Overriding this section again, the

Completing the shape, the

If you look at the objectification and make that part a little more pointy, it might expedition quickly.

Looking at the original Lee for this window tip.

Recording and positioning.

Longer lengths are fine.

Personally, I don't like phase cuts very much.

Slightly to one side.

Better to leave such George and open space in July

I'd rather modify the existing Marionette arm section.

Slightly rotate around this part.

At this point, it's best to just sort out the broken parts as soon as possible while we're revising.

The windows on the opposite side also have a way of going to great lengths at that point

Now, when the time goes into this state, the screen takes up too long a length.

So we need to reduce this part a little bit.

is allowed by design, I hope you think.

Please write and check the original only.

This omits these connections, thus creating heat

If the drawing is connected to the degree like the color, it will be connected naturally.

Then the prepared detail layers are combined.

This friend is the same, and the high annual salary of the supplemental station is stripped away if the winter is easy.

That would reduce the existing teachers and heterogeneity.

I decided to add it to the clothesline that

Put a little bit more over there as well.

doing the reason for the discount.

Looking at the original menu for Rain.

You can use the colors as they are here.

An unrecognized Bloch, a bit more aristocratic, the

The natural downward sagging of the corners of the garment has been shown.

Especially when the garment gets thin.

feels a little lighter.

If they are too regular, the

Because the sense of decoration is too prominent, some intentional

There are curved hemlines, some have that long gentle curve that

Trying to emphasize as evenly as possible at the end of that kind of dress.

Design

The so-called excessive alcohol consumption, while it is not advisable to enter more than

If possible, even if the description is very hard, the

If it explains why I designed it this way, which is done based on the comparison, it becomes a fairly well-developed, very convincing design.

Just put it in casually and do it casually on other designs, and at the same time, it's not much of a choice in the long run, right?

Regardless of the design theory learned the hard way around, as long as the model can be used as a keyword and conception, on a design

Even if it takes a long time, it is better to finish it after a lot of consideration.

If you think about it that way, the assignment process itself will be one of the ways to shape the character.

Please close the original menu while working.

In order not to make this color heterogeneous, I lock the color so that the bright places correspond to the parts

With the touch of light color, it doesn't need much volume, right?

Now the light coming in is a soju bright color that

A little bit darker is trying to simply finish the description without blending while adding the shadows.

If the color above is as is, while resting

It's better to change the color slightly over there.

And then let me go to the restaurant and

And then to sort out the part that crossed

I can do the same part very quickly.

Again, there are some differences from the existing teachers, because of the use of the layer attribute

After this procedure, we added a locator that

A symbol adjusted a bit to avoid a sense of dissimilarity with existing teachers

Pressing the control apple that

You can use the filter you just used again.

There should be control notification software in the description.

Does that apply that way, nothing unnatural?

Please confirm and then just turn it over.

and this

There are two more chambers in the front back and the back, and the metal part.

Let's proceed with that part soon as well.

Since those parts are now peripheral and more important in relation to the background, turn this dark background on.

Get to work.

Do the first reason, only white going in now.

When applying the options here, the

This noggin is false.

and the strokes

I will reduce the transparency of the surface.

and these colors.

Let this part continue.

Again, the spirit cow is walking, except for the screen

naturally

Let it fall back and

Then erase the obscured part of the front

with the same color here, too.

Because it's an empty exhibition room.

The hand provides the freest angle with the elbow force on the product above.

Erase the obscured part

Might as well put this menu under the helicopter.

Only

The viewer menu is live, so even if it's a bit of a pain in the ass to

put it in.

The long curve is best baked one-handed to the large fold of the shroud.

Note the square cut at this point.

A theoretical bouncer is generated.

Should try to avoid this part.

Right.

I heard that if you have nobles, you can control those while playing dead or alive.

Stretch it out a bit.

Instead of folding just one part and letting the broadcast pick up with a long line, the

In terms of those parts

Get out of the way.

To stay away from happiness.

Correction part 10

and overlapping parts.

Remaining parts

Find your location

Then clip the original menu to confirm it.

It would be a good idea to confirm that the colors are separated well enough.

The last is the outermost part of the painting like the opposite sex, so keep it in the eye because it is not clear to see.

Deliberately listen to the gold dots with brighter colors and reform to the poetic path with brighter colors

Develop good face and improve readability.

Also, if it's a little unnatural to this part, please come to Kochi right away.

seeing the white background again.

Sorting out the highlighted parts, please.

After the United States, I gradually felt the attributes that

so that there are no unnatural parts on the picture. After tidying up

Compare it with the original menu, and click Crestor.

Again, this friend gives a slight comma to the other side that

And again, over and over again, checking for dissimilar parts, the

like this part now.

This border is too dark, only found here.

I'll make sure there are no black control euros.

And the rope for this part

making it 40 million black.

And here the outdoor counterpart is the thinnest object in this picture, so we won't use the outer frame.

So doing ten days on the birthday.

Reduce the brush size with a brush of light color without golden redness

Need to press shift and cultivate directly into a straight line.

In this state

Control the alarm, then copy.

Like this, we put the length of the line

to adjust its position.

Because the brush that comes down easily is used, press the control proposal, and please be a little clearer.

Then close it up, if this falls too straight, it is not natural.

And there are also problems such as Tencent generation here, so use it a little bit.

Fixing those unnatural parts that

with a transparent brush in the middle.

Lightly blotted, natural 9 degrees

Better show up.

In particular, even if the difference in thickness at the intersection of the piston lines separates backwards, the

are different individuals.

And, please only use a brush with transparency to distinguish the parts where the colors collide a little bit.

That's the part.

Not all of the video is needed.

Because of the origin of Kim Young-mi and Tencent

Moving the ribbon a little bit, the

Finally, we simply add the metal that

Making a manual for epoch three, so that the detail part is done in phase, the

We set options for the metal layer.

Dirtier colors than the screen

A little more dense than the multiflight

Preferably composed of blue tones.

Likewise, white with a bit of bright color.

Needs to be composited with blue tones

Then use the stroke or blue out block and continue doing it naturally

Color. The overlay specifies the metal colors we want to use to be darker and muddier than these colors.

Please confirm the direction of the rain.

and add color.

A little bit of curve familiarity.

Shape it into a curve, so that the reflected light is naturally visible.

Confirm the preview, check if the metal color is appropriate, and then be sure to press the button.

Draw briefly, now go in and confirm that the settings are represented by natural metal.

Same as me.

slightly colored or saturated.

Give a slight rotation of the sand tuning alone

to 2 sets

If done, use this layer to add detail to the parts of the metal that can be accessed.

These connecting sections that

or the metal itself, it's easier to rise the details of these parts.

It would have been nice to just put the shine in a room that

A gloss this fine can now be given.

And then just dragging the belt like that.

You can use that here.

And the same shape is put here.

Now a little bit of multiplying doesn't go in, you can give you a little bit, but then Lester points, in the dark places

Let the waterfall naturally stain once

This part is also metal

Decrease by 60 yards.

Adding some decorative parts, the

Adding the whip meat at the joints would be good too, I think.

We put the key in this section.

The downside is that the soccer is kicked with the metal first, the

And then cleaning off the overlap.

Add a little detail to the connected parts or blanks.

From there, these parts

We don't have the original, but we found some parts that we can add

Add a little bit of a discount.

In this case, do we need to modify it a bit? Control shift to second base.

First, put the cup in place and roll it up.

The same properties are applied to the doll part.

These connected sections that

will not spill on these decorations.

Just add a beat, please.

Because the hand is too dark now.

We pass the Ottogen sign, after the stroke, leaving a slight trace of the team.

If there's not too much here it will lower into the flames to increase the density

Lowering Kim Young-gi's words will naturally create a losing time, right?

If possible, splice or stir between metal layers so that it is easy for us to modify.

Cover the dark part of the globe with a black transparent brush.

It's better to follow it slightly in order not to create a heterogeneous look.

and put it at a disadvantage.

As hard as it feels to see the gems

Melting, delicious tools that

Recorded on the battery received the subject of round baking

Lines and such will use the design over and over again, so put one or two important places.

Hematology is worse than straight lines

Breeding into offspring, linking them

Similarly, the

Put a little bit more gold

After connecting, apply the gold jade fungus and make the outer loop slightly easier.

If you're too old, you can just touch the properties of these menus little by little, the

adjust the thickness and you're done.

And then let me talk to the tenant.

01:54:38,671 Just finishing up the rest of the place.

Please help me finish up the back.

After finishing in this way, each object is shaded.

Just add a little more.

If these layers are separated, the

First, add the possible parts of the shadows first.

Layer with dimensionality

Make three layers underneath and turn the composite into a dark or all over band.

Please change to dark and then go directly to the shade color next to the school will be fine.

It doesn't matter if the color of the tune is brighter.

Naturally, every object has a shadow.

With a thick brush along the dimensionality.

Set together with attacks, etc.

If there is a part so accommodated, the shadow will be close to it that

These things can also be written by removing the negative.

In such close proximity, the

celebrating a slightly darker shadow.

can't have resonance that

balls and body will drop, so pay a little more attention

Trying to stay behind

Jealous of the cold grass with Xu's sweater is fine.

Therefore, where the shade is produced

Please save the spatial sense.

Because these parts also produce shadows of the retrograde path.

My book also tears the dark rage that

And finally

We finish up the details on the satellite by asking and sorting out the musicians we added.

If these parts get darker, hopefully the coffee will become easier and separate that

Because these parts are so crazy, we put a slight break in the earth cover up that

the same back there.

being directed to the resting place.

Long intricate decorations won't catch the eye too much.

There will be adjustments.

If we add details like this, before and after confirming that we have not put unnecessary things

It is better to check it carefully.

A 2,3,4 bright shaded object.

And no gems.

Obviously, putting the menus together and organizing them will help later.

From this state to the cute face of the face overall, the finish of the illustration has also improved.

Compared to here, a slight increase in finish, plus a meticulous process of depicting the brush Lobsang.

Do my menu for me.

At this stage, the haphazard seedlings are slightly smaller, and little by little some fine reign is established.

Instead of something really remarkable, it would be better to modify only the eyes in the pupil, the consumption of the species, or the skin color.

but not the window, but the eye.

Add a little bit of outline, the

Maybe adding density, just funny dogs adding some slightly brighter colors that

The most detailed depiction in the graph is the same time.

and the manifestation of dark circles under the eyes and such.

emphasizing some of the shadows that

Some fine hair, give density difference from now on as well.

Active

Fighting in terms of completion.

Getting into the area little by little

Only one bottle of that kind of hair

change two places to eat.

However, since it is a detail, it will not be given with the difference of completely changing the picture.

It is the relative density of

Some descriptions of Ji-yoon Park, these little heads protruding from the description of

If the details can be dealt with in time

It is recommended that you do not yet have access to the Zispian.

Please continue to add differences in the design of the structure in it only.

Something like a fine hair now towards the silhouette

That's it out of Kenji Noe.

The thinnest part of the painting

Should need to add some points.

Endings like this

Gradually revert to this from the current stage

Seems to be using the first drug teacher.

Finally, the more I touch the village, the more interested I am, the more amazing

I hear you have time, or work, to do it the next day if you are physically exhausted.

You just think that once you get the most out of a painting that wears a finish, you get the most out of

It's best to get as much detail across as possible.

Covering the rear part of the lid.

or gently tuck it in with a brush that has a release

The eye is the white line that distinguishes the old man from the iris

And the course

Slide from the lower side to the small arm for separation.

Where the texture changes.

Korean usually reduces the feeling of partitioning, too

Continue to write the story of the completed picture.

is a caricatured representation of

Triple blank section

Add a little more redness.

A little vivacious aid to education, etc.

These skin tones and things like that

Layers go inside the hair and can assist with the transparency.

When viewed from a distance

The front ring of the eye is glued, so it's intentionally drawn longer

Make me a little bit brighter towards the bottom.

Say that's the case, please continue to check for changes in the finish of the painting.

All parts don't need to be touched, but the density will naturally increase if you really do it.

So if you zoom in on the image from an observer's point of view, you're zooming in on this part that

portray the details as centrally as possible.

It's okay to put this tear or something like that in the coating later

Let's think about it in terms of material.

Too much detail can lead to gaps in the painting.

Reducing elements that

The final expression can be made in markers.

If descriptive enough, and finally simple on paper, the

Draw once to adjust and you're done.

That's it.

As we planned, after the conservation teacher, we uploaded the additional tracing details in an orderly fashion.

Called this detail

is one of the main points that determines the finish of the painting, and is the part of the design that everyone may consider a strong point in

The drawing will be completed to some extent if you master the effective sequence and method, and then gradually put it into the design you want.

So by adding the details, we have most of the character designs done except for Jeju.

From here on, we depict the glowing objects or the parts illuminated by these lights further without adding any objects.

Finalized the character illustration.

In the next time, we added the material Secret Source and Vipion as additional graveyards to this character illustration.

Applying tile light and effects based on the material when examining the tom and half apple closed shadows

Illustration work will enter a certain stage of finishing.

Listen to the long river of hard work. I'll see you next time.